1 00:00:01,320 --> 00:00:04,280 Speaker 1: Welcome to Stuff You Missed in History Class, a production 2 00:00:04,400 --> 00:00:14,520 Speaker 1: of iHeartRadio, Hello and Happy Friday. I'm Tracy V. Wilson 3 00:00:14,720 --> 00:00:17,319 Speaker 1: and I'm Holly Frye. One of our episodes this week 4 00:00:17,400 --> 00:00:21,680 Speaker 1: was on Koweita Edar. Yes, I have a couple of 5 00:00:21,720 --> 00:00:25,000 Speaker 1: things that I noted that I originally was trying to 6 00:00:25,040 --> 00:00:26,920 Speaker 1: work into the episode, and that was just not a 7 00:00:26,920 --> 00:00:29,120 Speaker 1: great place to put them. They're not specifically about her. 8 00:00:29,160 --> 00:00:33,640 Speaker 1: They are about people that she was connected to in 9 00:00:33,680 --> 00:00:39,239 Speaker 1: her life. One of them was Leonora Viegas de Magnon, 10 00:00:40,000 --> 00:00:43,000 Speaker 1: who was the person who founded La Cruz Blanca, who 11 00:00:43,240 --> 00:00:47,280 Speaker 1: went on that trek across the river to get into Mexico, 12 00:00:47,560 --> 00:00:50,559 Speaker 1: pretending to hold a gun on the driver when it 13 00:00:50,600 --> 00:00:56,560 Speaker 1: was really a whiskey bottle. So her memoir is called 14 00:00:56,720 --> 00:01:00,720 Speaker 1: La Rebelde or the Rebel, And I had just sort 15 00:01:00,760 --> 00:01:02,880 Speaker 1: of assumed that this was a nickname that she was 16 00:01:02,880 --> 00:01:08,319 Speaker 1: given because of her sort of spirit and personality and 17 00:01:08,560 --> 00:01:11,120 Speaker 1: a lot of work that she was doing during these 18 00:01:11,200 --> 00:01:15,560 Speaker 1: years doing social activism and you know, founding a counterpart 19 00:01:15,600 --> 00:01:18,160 Speaker 1: to the Red Cross to work during the Mexican No, 20 00:01:18,240 --> 00:01:21,880 Speaker 1: it was the nickname that she got as a newborn. 21 00:01:22,560 --> 00:01:28,160 Speaker 1: According to her to her memoir, So this turned out 22 00:01:28,160 --> 00:01:29,959 Speaker 1: to be a very fitting nickname for her. But the 23 00:01:30,040 --> 00:01:31,880 Speaker 1: story that she told in her memoir was that when 24 00:01:31,880 --> 00:01:35,440 Speaker 1: she was born in Nuevo Loedo in eighteen seventy six, 25 00:01:36,720 --> 00:01:41,240 Speaker 1: soldiers had come to their home looking for rebels and 26 00:01:41,280 --> 00:01:45,120 Speaker 1: she had just been born and her father like opened 27 00:01:45,240 --> 00:01:48,480 Speaker 1: the door to the room where you know, her mother 28 00:01:48,600 --> 00:01:50,600 Speaker 1: had just given birth to her and was like, here's 29 00:01:50,640 --> 00:01:53,360 Speaker 1: the only rebel I'm hiding in this house, and you know, 30 00:01:53,480 --> 00:01:57,560 Speaker 1: it's a tiny, screaming baby. I liked that story a lot. 31 00:01:57,800 --> 00:01:59,560 Speaker 1: The other is that we kind of mentioned that the 32 00:01:59,600 --> 00:02:04,400 Speaker 1: whole our family was like really politically active and aware 33 00:02:04,560 --> 00:02:07,760 Speaker 1: and doing stuff. We talked about her brother Eduardo being 34 00:02:07,760 --> 00:02:13,160 Speaker 1: one of the founders of LULAC. Another is her brother Clemente, 35 00:02:13,320 --> 00:02:16,000 Speaker 1: and Clemente did a lot of work as an activist 36 00:02:16,040 --> 00:02:20,040 Speaker 1: and also as a labor organizer, and he was the 37 00:02:20,120 --> 00:02:24,440 Speaker 1: first Mexican American organizer to be hired by the American 38 00:02:24,480 --> 00:02:27,840 Speaker 1: Federation of Labor. I feel like we have talked about 39 00:02:27,880 --> 00:02:31,400 Speaker 1: people being labor organizers a lot on the show. I 40 00:02:31,440 --> 00:02:33,400 Speaker 1: don't know if we've ever defined what that is, and 41 00:02:33,440 --> 00:02:35,600 Speaker 1: I don't know if I fully understood what that is 42 00:02:35,760 --> 00:02:40,800 Speaker 1: until being in a union. The organizers are the people 43 00:02:40,880 --> 00:02:43,799 Speaker 1: who are like talking to everybody, trying to get people 44 00:02:43,840 --> 00:02:48,560 Speaker 1: on board with joining union, forming a union, working toward 45 00:02:48,600 --> 00:02:51,040 Speaker 1: the goals that the union is collectively trying to achieve. 46 00:02:51,120 --> 00:02:53,360 Speaker 1: It is a really hard job. And so one of 47 00:02:53,400 --> 00:02:56,200 Speaker 1: the things that was going on at the time is 48 00:02:56,200 --> 00:02:59,400 Speaker 1: that people thought that the American Federation of Labor was 49 00:02:59,520 --> 00:03:05,120 Speaker 1: being biased toward Mexican workers. There weren't any people who 50 00:03:05,320 --> 00:03:09,080 Speaker 1: could speak directly to the needs of Mexican and Mexican 51 00:03:09,120 --> 00:03:13,120 Speaker 1: American workers or necessarily even spoke the same language. So 52 00:03:13,520 --> 00:03:18,480 Speaker 1: there was a labor organization for Mexicans called La Confederacial 53 00:03:18,480 --> 00:03:24,960 Speaker 1: and Regional Obrera MEHHANA, and that organization had basically accused 54 00:03:24,960 --> 00:03:28,480 Speaker 1: the AFL of bias, and then after that, Clemente Edar 55 00:03:28,639 --> 00:03:33,399 Speaker 1: was hired to work for them as a labor organizer. Reportedly, 56 00:03:34,600 --> 00:03:39,240 Speaker 1: much later in his life, President Franklin Roosevelt asked Clemente 57 00:03:39,240 --> 00:03:43,080 Speaker 1: Adar to serve as the Secretary of Labor, but he 58 00:03:43,160 --> 00:03:45,640 Speaker 1: had to say no because he was having trouble with 59 00:03:45,680 --> 00:03:48,760 Speaker 1: his health. He had developed diabetes as well, and he 60 00:03:48,840 --> 00:03:51,400 Speaker 1: died in nineteen thirty four and That's one of those 61 00:03:51,440 --> 00:03:53,640 Speaker 1: things where I don't know if there's official documentation of 62 00:03:53,680 --> 00:03:56,800 Speaker 1: this offer being made, but it was definitely something that 63 00:03:56,920 --> 00:04:01,640 Speaker 1: was talked about within the family. Such a busy group, 64 00:04:02,360 --> 00:04:06,600 Speaker 1: very very busy. Like whenever we talk about a situation 65 00:04:06,720 --> 00:04:09,000 Speaker 1: like this where it's like a family and they're all 66 00:04:09,120 --> 00:04:14,040 Speaker 1: very involved in activism, I can't help but in my 67 00:04:14,120 --> 00:04:17,240 Speaker 1: head wonder, what like their dinners are, like, yeah, like 68 00:04:17,320 --> 00:04:21,000 Speaker 1: are they talking about you know, mundane things like whether 69 00:04:21,080 --> 00:04:23,760 Speaker 1: or not they're flowers sprouted from the seeds they planted, 70 00:04:24,160 --> 00:04:27,480 Speaker 1: or are they like all right? We like is it all? 71 00:04:28,480 --> 00:04:31,440 Speaker 1: Is it all organizing meetings all the time? I mean, 72 00:04:31,480 --> 00:04:32,960 Speaker 1: I know it's got to be a mix. That's just 73 00:04:33,000 --> 00:04:36,560 Speaker 1: how life works. Yeah, I got the impression, I don't 74 00:04:36,600 --> 00:04:39,480 Speaker 1: remember if it was from an interview or an article 75 00:04:39,640 --> 00:04:44,320 Speaker 1: that quoted possibly her brother Equiano, who went by ike 76 00:04:45,160 --> 00:04:48,720 Speaker 1: that like Sunday dinners specifically were like a big time 77 00:04:48,800 --> 00:04:51,680 Speaker 1: to talk about what had happened that week, what was 78 00:04:51,720 --> 00:04:55,440 Speaker 1: going on politically, you know, what people were working on, 79 00:04:56,040 --> 00:05:00,599 Speaker 1: what the goals were, that kind of stuff. But yeah, 80 00:05:01,160 --> 00:05:04,440 Speaker 1: you do kind of wonder. It does feel like so 81 00:05:04,640 --> 00:05:07,520 Speaker 1: much of the family was like devoted to working for 82 00:05:08,440 --> 00:05:11,479 Speaker 1: equal rights for Mexicans and Mexican Americans like you do 83 00:05:11,600 --> 00:05:15,760 Speaker 1: kind of does was that like every moment of family 84 00:05:15,800 --> 00:05:21,400 Speaker 1: life that part I don't really know, Yeah, yeah, yeah, 85 00:05:21,560 --> 00:05:24,080 Speaker 1: Or were they like, no, we need a space away 86 00:05:24,160 --> 00:05:25,880 Speaker 1: from that, Let's take a break. They just want to 87 00:05:25,920 --> 00:05:28,560 Speaker 1: be with my family and enjoyed the miss and enjoy 88 00:05:28,600 --> 00:05:31,799 Speaker 1: them as human beings, not as activists, even though obviously 89 00:05:31,880 --> 00:05:34,240 Speaker 1: that's a big part of them in their personalities. But 90 00:05:34,640 --> 00:05:37,479 Speaker 1: I just can't help but wonder we don't know. Yeah, 91 00:05:37,560 --> 00:05:39,640 Speaker 1: maybe someone will write a play about it, and they 92 00:05:39,640 --> 00:05:43,520 Speaker 1: will give us examples of possibilities. Yeah, there is someone 93 00:05:44,520 --> 00:05:46,200 Speaker 1: I forgot. I have forgotten the name of the person. 94 00:05:46,240 --> 00:05:48,800 Speaker 1: There is someone who I believe is working on a 95 00:05:48,839 --> 00:05:53,040 Speaker 1: biography of her and has talked about like it's challenging 96 00:05:53,120 --> 00:05:58,479 Speaker 1: because so much documentation just isn't there. And at this point, 97 00:05:58,600 --> 00:06:02,640 Speaker 1: like there may be nieces and nephews still living, but 98 00:06:02,880 --> 00:06:05,560 Speaker 1: like none of her siblings are still living anymore. I 99 00:06:05,600 --> 00:06:10,839 Speaker 1: don't think I was the youngest of the family and 100 00:06:10,920 --> 00:06:14,240 Speaker 1: had been born in nineteen oh four, so the like 101 00:06:14,960 --> 00:06:19,800 Speaker 1: it's possible maybe her siblings, children or grandchildren may have 102 00:06:20,600 --> 00:06:24,680 Speaker 1: you know, recollections or personal papers or that kind of thing. 103 00:06:24,760 --> 00:06:28,920 Speaker 1: But it's just really challenging. It's just sort of I've 104 00:06:28,960 --> 00:06:31,560 Speaker 1: had multiple episodes in a row that have turned out 105 00:06:31,600 --> 00:06:38,200 Speaker 1: to be challenging from a just availability of research kind 106 00:06:38,240 --> 00:06:44,400 Speaker 1: of situation, because this has followed not directly on the 107 00:06:44,440 --> 00:06:48,719 Speaker 1: heels of Dominica Guilme and the whole art scandal that 108 00:06:48,880 --> 00:06:51,760 Speaker 1: also had a lot of like maybe this information is 109 00:06:51,800 --> 00:06:59,719 Speaker 1: in French, in France somewhere, but I'm not sure that 110 00:06:59,800 --> 00:07:02,400 Speaker 1: has suddenly reminded me that we got a couple of 111 00:07:02,440 --> 00:07:08,640 Speaker 1: people asking on Facebook whether Dominica Gillolme's son got half 112 00:07:08,680 --> 00:07:11,480 Speaker 1: of her money when she died. I did not put 113 00:07:11,520 --> 00:07:14,560 Speaker 1: that into the episode because there was really only one 114 00:07:14,840 --> 00:07:20,120 Speaker 1: source that said anything about that. That one source didn't 115 00:07:20,160 --> 00:07:22,880 Speaker 1: say how much it was, but did say that he 116 00:07:22,960 --> 00:07:29,200 Speaker 1: got some kind of inheritance, and also that he was 117 00:07:29,760 --> 00:07:34,040 Speaker 1: of the belief that he was actually the biological child 118 00:07:34,240 --> 00:07:39,200 Speaker 1: of her husband. He did apparently have some kind of 119 00:07:39,200 --> 00:07:41,360 Speaker 1: family resemblance. I'm not sure if he is still living 120 00:07:41,400 --> 00:07:43,440 Speaker 1: he was as of like ten or twelve years ago, 121 00:07:45,040 --> 00:07:47,560 Speaker 1: but yeah, it does seem like he inherited something. How 122 00:07:47,640 --> 00:07:52,240 Speaker 1: much it was, I am not clear on so anyway, 123 00:07:52,360 --> 00:07:57,440 Speaker 1: it's a digression onto a totally different episode. It's okay, 124 00:07:57,480 --> 00:07:59,080 Speaker 1: it's just you know, house cleaning. 125 00:07:59,360 --> 00:08:14,680 Speaker 2: Yeah, yeah, we talked about Antonio Caravagio Montano this week. 126 00:08:15,040 --> 00:08:17,760 Speaker 1: It might be more appropriate to say we struggled through 127 00:08:17,840 --> 00:08:22,280 Speaker 1: talking about it, right. I apologize it was my selection 128 00:08:23,360 --> 00:08:26,840 Speaker 1: because it's such a cool space, and we don't talk 129 00:08:26,920 --> 00:08:29,880 Speaker 1: about Portuguese things very often. 130 00:08:30,200 --> 00:08:30,920 Speaker 2: As is. 131 00:08:32,320 --> 00:08:36,839 Speaker 1: Evidenced, the reason is that we are not great at 132 00:08:36,840 --> 00:08:41,439 Speaker 1: pronouncing Portuguese things. It's a very very hard language for 133 00:08:41,520 --> 00:08:44,520 Speaker 1: me anyway. I think this is probably the case with you. Also. 134 00:08:45,120 --> 00:08:52,520 Speaker 1: I often feel sort of caught between knowing that our 135 00:08:52,559 --> 00:08:57,160 Speaker 1: listeners would like to hear about history from a lot 136 00:08:57,200 --> 00:09:02,560 Speaker 1: of different places and times, and the things that make 137 00:09:03,360 --> 00:09:07,079 Speaker 1: languages that we're not familiar with, or periods in places 138 00:09:07,080 --> 00:09:09,840 Speaker 1: of history that we're not familiar with, like a lot 139 00:09:09,960 --> 00:09:14,200 Speaker 1: more difficult in the same finite amount of time that 140 00:09:14,280 --> 00:09:18,240 Speaker 1: we have to work on other episodes. So when it 141 00:09:18,280 --> 00:09:21,719 Speaker 1: comes to something like trying to say words in Portuguese, 142 00:09:21,800 --> 00:09:24,080 Speaker 1: which is not a language either of us are proficient 143 00:09:24,080 --> 00:09:28,600 Speaker 1: in any any way, having this sort of internal struggle 144 00:09:28,679 --> 00:09:33,000 Speaker 1: of the Portuguese episode versus being able to say it 145 00:09:33,040 --> 00:09:38,000 Speaker 1: in a way that's not upsetting to people. Right, It's 146 00:09:38,040 --> 00:09:40,559 Speaker 1: always super tricky, and it's like people always go, well, 147 00:09:40,559 --> 00:09:43,600 Speaker 1: you could just ask me, and it's like, well, one, 148 00:09:43,640 --> 00:09:46,280 Speaker 1: that's not that easy. Two Sometimes I mean, I've been 149 00:09:46,280 --> 00:09:48,560 Speaker 1: writing a lot of stuff while I'm traveling, so it's 150 00:09:48,600 --> 00:09:52,360 Speaker 1: not like I can just reach out to folks. And 151 00:09:52,400 --> 00:09:56,000 Speaker 1: the other thing is right, like, we're never ever going 152 00:09:56,040 --> 00:10:00,920 Speaker 1: to have the same ability to like see through some 153 00:10:01,080 --> 00:10:04,600 Speaker 1: of the things like propaganda and find the nuance sure 154 00:10:04,720 --> 00:10:08,079 Speaker 1: in a story of a culture that we are, Yeah, 155 00:10:08,400 --> 00:10:11,080 Speaker 1: that distanced from That's the one of the big tricky 156 00:10:11,080 --> 00:10:11,560 Speaker 1: parts for me. 157 00:10:11,679 --> 00:10:11,920 Speaker 2: Yeah. 158 00:10:12,000 --> 00:10:17,320 Speaker 1: Also in terms of pronunciations in particular, we can have 159 00:10:17,360 --> 00:10:23,439 Speaker 1: a pronunciation by a native speaker of a language that 160 00:10:23,720 --> 00:10:27,319 Speaker 1: we just can't form our mouths around, or as was 161 00:10:27,360 --> 00:10:30,240 Speaker 1: the case recording, this one just won't stick in our head. 162 00:10:31,120 --> 00:10:33,720 Speaker 1: Every single time, there was one particular thing I needed 163 00:10:33,720 --> 00:10:36,040 Speaker 1: to say. I had to ask you every time, like, 164 00:10:36,080 --> 00:10:39,439 Speaker 1: how do you say this? So Casey Pegrim is typically 165 00:10:39,440 --> 00:10:43,679 Speaker 1: the person who does the editing of our show, So 166 00:10:44,200 --> 00:10:47,560 Speaker 1: Casey will hopefully have made it sound like I don't 167 00:10:47,600 --> 00:10:50,920 Speaker 1: say hopefully, as though I have doubts. I know that 168 00:10:51,000 --> 00:10:53,719 Speaker 1: Casey will make it sound like we knew what we 169 00:10:53,720 --> 00:10:58,120 Speaker 1: were doing, like we're much more clueful than we but 170 00:10:58,320 --> 00:11:02,400 Speaker 1: that we did for shore or create a recording, that's 171 00:11:02,520 --> 00:11:06,000 Speaker 1: a lot more work for him to edit on today's episode, 172 00:11:06,200 --> 00:11:10,760 Speaker 1: as we struggled to do our best with how to 173 00:11:10,800 --> 00:11:14,319 Speaker 1: say words, yeah, and then it sort of bled into 174 00:11:14,360 --> 00:11:17,360 Speaker 1: words in English that then we also couldn't say it 175 00:11:17,559 --> 00:11:21,120 Speaker 1: because we were struggling. Yeah. It does tend to all 176 00:11:21,160 --> 00:11:24,200 Speaker 1: fall apart when you have one difficult part of it. 177 00:11:24,280 --> 00:11:29,120 Speaker 1: The rest gets real messy too, because your brain gets frazzled. Yeah. 178 00:11:29,160 --> 00:11:32,840 Speaker 1: Having said all that, I have so many thoughts about 179 00:11:32,840 --> 00:11:37,000 Speaker 1: this whole thing. Oh hooray. One is just a fun 180 00:11:37,040 --> 00:11:40,600 Speaker 1: detail that I read in an account of his death 181 00:11:40,720 --> 00:11:45,000 Speaker 1: and I wasn't able to verify it anywhere else, but 182 00:11:45,120 --> 00:11:52,800 Speaker 1: it's great, which is that he is said to have 183 00:11:52,960 --> 00:11:59,200 Speaker 1: when he died been wearing multiple necklaces or medallions, and 184 00:11:59,320 --> 00:12:02,960 Speaker 1: one of them had one of his favorite sayings. And 185 00:12:03,000 --> 00:12:05,600 Speaker 1: this saying is so good. I almost want a tattoo, 186 00:12:05,600 --> 00:12:08,679 Speaker 1: even though I don't tend to get wordy tattoos, which 187 00:12:08,720 --> 00:12:12,520 Speaker 1: is I slither but I do not stray. Ooh, and 188 00:12:12,559 --> 00:12:19,560 Speaker 1: I'm like I am in love with you. That's just 189 00:12:19,600 --> 00:12:22,680 Speaker 1: a fun little thing. The other thing that I wanted 190 00:12:22,679 --> 00:12:26,719 Speaker 1: to talk about a lot is the design of his 191 00:12:27,200 --> 00:12:30,760 Speaker 1: palace and areas of his grounds, and how it's been 192 00:12:30,840 --> 00:12:37,000 Speaker 1: interpreted as having knights, templar associations, some mystical associations. Once 193 00:12:37,120 --> 00:12:39,320 Speaker 1: the US got a hold of news of it, it 194 00:12:39,360 --> 00:12:42,520 Speaker 1: was all like it's haunted house, because we can't deal 195 00:12:42,559 --> 00:12:45,480 Speaker 1: with the concept of Gothic as an architectural style without 196 00:12:45,520 --> 00:12:51,439 Speaker 1: assuming there's a vampire somewhere in there. But the thing 197 00:12:51,600 --> 00:12:54,520 Speaker 1: is like, especially as I was looking at the UNESCO 198 00:12:54,600 --> 00:12:59,719 Speaker 1: World Heritage entry on the Cultural Landscape of CenTra, a 199 00:12:59,800 --> 00:13:02,800 Speaker 1: lot of the houses in that area have similar like 200 00:13:03,360 --> 00:13:07,960 Speaker 1: we make nods to Egyptian history, to you know, other 201 00:13:08,320 --> 00:13:12,280 Speaker 1: epic poems. The Luciads is not an uncommon thing to 202 00:13:12,400 --> 00:13:16,280 Speaker 1: be referenced because it is considered like the literature of 203 00:13:16,360 --> 00:13:21,520 Speaker 1: Portugal for many people. Apparently Caravagio Montano was kind of 204 00:13:21,559 --> 00:13:23,880 Speaker 1: obsessed with it. He learned how to he memorized it 205 00:13:23,920 --> 00:13:26,840 Speaker 1: and could say it without prompting. He could do the 206 00:13:26,880 --> 00:13:31,000 Speaker 1: whole thing if asked from a very young age. And 207 00:13:31,040 --> 00:13:33,959 Speaker 1: then there's this part of me that's like I have 208 00:13:34,040 --> 00:13:38,360 Speaker 1: my own perspective on it, because look, I have what 209 00:13:38,480 --> 00:13:43,079 Speaker 1: most people would affectionately call a kookie house. My house 210 00:13:43,160 --> 00:13:46,520 Speaker 1: decor is KOOKI we call it the costume that we 211 00:13:46,600 --> 00:13:50,839 Speaker 1: live in. Like there's nothing subtle about my choices. It's 212 00:13:50,880 --> 00:13:55,079 Speaker 1: a lot of colors intermixed with black, like we it's 213 00:13:55,120 --> 00:13:57,360 Speaker 1: a lot of Star Wars. It's just it's it's not 214 00:13:57,640 --> 00:13:59,040 Speaker 1: a grown up person's house. 215 00:13:59,120 --> 00:13:59,280 Speaker 2: Right. 216 00:13:59,600 --> 00:14:03,280 Speaker 1: When I go into a home that's really like tastefully decorated, 217 00:14:03,480 --> 00:14:06,200 Speaker 1: I feel very uncomfortable because I feel like somebody's parents 218 00:14:06,240 --> 00:14:08,000 Speaker 1: are gonna bust in and be like, why is that 219 00:14:08,040 --> 00:14:11,080 Speaker 1: holly girl in here? Like I just I want a 220 00:14:11,080 --> 00:14:14,080 Speaker 1: more playful house. It makes me feel more comfortable. And 221 00:14:14,120 --> 00:14:15,880 Speaker 1: so we have none of the grown up stuff and 222 00:14:15,920 --> 00:14:18,160 Speaker 1: all of the kooky stuff, And so there is just 223 00:14:18,240 --> 00:14:21,880 Speaker 1: part of me that's like we have attributed over the 224 00:14:21,960 --> 00:14:25,200 Speaker 1: years all of this meaning and all of these things 225 00:14:25,280 --> 00:14:27,720 Speaker 1: that we think he might have been doing, when really, 226 00:14:27,840 --> 00:14:30,120 Speaker 1: for all we know, maybe he was just really into 227 00:14:30,200 --> 00:14:32,720 Speaker 1: the history of the Knights templars, and the same way 228 00:14:33,120 --> 00:14:36,000 Speaker 1: I have a Star Wars canteena in my house, he 229 00:14:36,120 --> 00:14:39,640 Speaker 1: had a Knight's templar underground. Well, like, I know, there's 230 00:14:39,720 --> 00:14:42,040 Speaker 1: part of me that's like, this could just be a 231 00:14:42,160 --> 00:14:46,200 Speaker 1: serious fanboy expression of someone with millions of dollars. Sure, 232 00:14:46,880 --> 00:14:51,120 Speaker 1: And I don't ever see that considered. Yeah, And I 233 00:14:51,160 --> 00:14:55,760 Speaker 1: will say from a tourism point of view, it's probably 234 00:14:56,840 --> 00:14:59,680 Speaker 1: not a popular way to look at it, because more 235 00:14:59,720 --> 00:15:02,720 Speaker 1: people they're going to come if they think it's mystical 236 00:15:02,760 --> 00:15:06,800 Speaker 1: in any way. Yeah, yeah, that's my Those are my 237 00:15:06,880 --> 00:15:11,120 Speaker 1: thinks on his beautiful palace, which his family may not 238 00:15:11,160 --> 00:15:14,480 Speaker 1: have loved, but I adore it. I love it. I 239 00:15:14,480 --> 00:15:17,560 Speaker 1: feel like he's not the first person recently who has 240 00:15:17,680 --> 00:15:20,160 Speaker 1: come up with And then they inherited the estate, which 241 00:15:20,200 --> 00:15:24,200 Speaker 1: they didn't like. M M. I can't remember who the 242 00:15:24,280 --> 00:15:26,840 Speaker 1: last most recent one was, but it was similarly like 243 00:15:26,880 --> 00:15:28,840 Speaker 1: here's this giant thing. They were like, no, I don't 244 00:15:28,840 --> 00:15:32,360 Speaker 1: want to live here, No, thank you. There was one 245 00:15:32,400 --> 00:15:35,960 Speaker 1: reference to it that called it a philosophical mansion okay, 246 00:15:36,080 --> 00:15:38,920 Speaker 1: and a scenic territory of mythical character, which is a 247 00:15:38,960 --> 00:15:42,640 Speaker 1: great turn of phrase. But I was like, or maybe 248 00:15:42,680 --> 00:15:45,720 Speaker 1: he just liked art, he was just into it. He 249 00:15:45,840 --> 00:15:53,040 Speaker 1: was like, more curly cues, please, Now, I will tell you, 250 00:15:54,080 --> 00:15:58,720 Speaker 1: as I often do Holly's stupid moment of the week. Okay, 251 00:15:59,200 --> 00:16:01,640 Speaker 1: So I was looking at lots of pictures of the 252 00:16:01,760 --> 00:16:04,400 Speaker 1: estate because I could look at them all day long, 253 00:16:04,480 --> 00:16:09,640 Speaker 1: They're so beautiful, and there was one particular picture of 254 00:16:09,680 --> 00:16:13,680 Speaker 1: a grotto. I will also preface this story by saying, look, 255 00:16:14,640 --> 00:16:17,480 Speaker 1: my eyesight has gotten noticeably worse in the last couple 256 00:16:17,480 --> 00:16:20,600 Speaker 1: of years. My eyes are aging. So I was looking 257 00:16:20,600 --> 00:16:24,480 Speaker 1: at this photograph and it was a grotto, and it 258 00:16:24,520 --> 00:16:28,680 Speaker 1: had what looked like along the bottom of it, like 259 00:16:29,200 --> 00:16:32,920 Speaker 1: installations of lights the way like we've seen it, you know, Versailles. 260 00:16:32,960 --> 00:16:35,600 Speaker 1: A lot of those fountains have like little lighting features 261 00:16:35,640 --> 00:16:37,960 Speaker 1: around it and stuff. And I started to go down 262 00:16:38,000 --> 00:16:40,800 Speaker 1: this little rabbit hole of like, oh, at what point 263 00:16:40,960 --> 00:16:44,840 Speaker 1: did like electricals get run to these grottos, because we 264 00:16:44,880 --> 00:16:48,400 Speaker 1: know they weren't happening like in the caves downstairs of 265 00:16:48,440 --> 00:16:52,240 Speaker 1: the inverted Tower until you know it got renovated in 266 00:16:52,240 --> 00:16:54,480 Speaker 1: the nineties, like at one point. And then I was 267 00:16:54,520 --> 00:16:58,800 Speaker 1: looking really hard at the picture and I realized those 268 00:16:58,840 --> 00:17:06,000 Speaker 1: aren't lights. They're ducks. They're just all ducks, but they're 269 00:17:06,040 --> 00:17:09,359 Speaker 1: all turned like away at an angle that like neither 270 00:17:09,400 --> 00:17:12,399 Speaker 1: their tail feathers nor their head shape on it. They 271 00:17:12,480 --> 00:17:15,240 Speaker 1: kind of just looked like rounded little like those clamshell 272 00:17:15,320 --> 00:17:18,399 Speaker 1: style lighting fixtures. Oh wow. And then I was like, 273 00:17:18,600 --> 00:17:24,960 Speaker 1: I am Queen of the ding Dongs as I'm like 274 00:17:25,440 --> 00:17:31,200 Speaker 1: madly doing internet searches for like Regaleira grotto illumination like 275 00:17:31,240 --> 00:17:34,520 Speaker 1: I'm drying, and I'm like, why am I getting no 276 00:17:34,600 --> 00:17:38,480 Speaker 1: search results because there's nothing to search for. It's ducks, 277 00:17:39,080 --> 00:17:40,000 Speaker 1: right quack. 278 00:17:40,320 --> 00:17:40,880 Speaker 2: I love it. 279 00:17:41,080 --> 00:17:46,040 Speaker 1: That's my ding dongerie of the week, as well as 280 00:17:46,440 --> 00:17:49,840 Speaker 1: I hope people build the kooky spaces that they want 281 00:17:49,880 --> 00:17:54,440 Speaker 1: to live in. Yeah, I definitely have that ideology. People 282 00:17:54,520 --> 00:17:58,359 Speaker 1: have asked us from the beginning of when we bought 283 00:17:58,400 --> 00:18:02,320 Speaker 1: the house we're in and we started immediately painting it 284 00:18:02,440 --> 00:18:07,359 Speaker 1: in a variety of some people would say crazy ways. 285 00:18:08,920 --> 00:18:11,359 Speaker 1: You always get the same question of like, but what 286 00:18:11,440 --> 00:18:14,080 Speaker 1: about resale value? And I'm like, I'm buying this house 287 00:18:14,119 --> 00:18:17,280 Speaker 1: to live in it, not to sell it. And I 288 00:18:17,320 --> 00:18:19,760 Speaker 1: also just think, like making a space your own is 289 00:18:19,920 --> 00:18:23,120 Speaker 1: vitally important to your mental health. Those are my thoughts 290 00:18:23,200 --> 00:18:25,679 Speaker 1: on the matter, and I think maybe that was what 291 00:18:25,720 --> 00:18:28,920 Speaker 1: he was doing here. It's unfortunate that they only got 292 00:18:28,920 --> 00:18:31,600 Speaker 1: to live there for like a decade before he passed. 293 00:18:31,720 --> 00:18:34,959 Speaker 1: But I hope he had the most fun and enjoyed 294 00:18:35,040 --> 00:18:41,720 Speaker 1: every corner of his massive estate. Yeah. I hope, Hell yeah. 295 00:18:41,800 --> 00:18:44,280 Speaker 1: I hope you enjoy every corner of the space that 296 00:18:44,320 --> 00:18:46,320 Speaker 1: you live in and that you're able to make it yours. 297 00:18:46,400 --> 00:18:48,760 Speaker 1: I know if you rent, there are some problems there. 298 00:18:48,920 --> 00:18:52,920 Speaker 1: I lived at that for many years. But in any case, 299 00:18:52,960 --> 00:18:56,199 Speaker 1: I hope wherever you live it feels safe and like 300 00:18:56,240 --> 00:19:01,199 Speaker 1: a haven and is a place that news and reinvigorate 301 00:19:01,240 --> 00:19:04,919 Speaker 1: your spirit and bring you your joy. We will be 302 00:19:05,000 --> 00:19:07,800 Speaker 1: right back here tomorrow with a classic episode, and then 303 00:19:07,920 --> 00:19:15,760 Speaker 1: on Monday we'll have something brand new. Stuff you missed 304 00:19:15,760 --> 00:19:18,920 Speaker 1: in History Class is a production of iHeartRadio. For more 305 00:19:18,920 --> 00:19:23,320 Speaker 1: podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or 306 00:19:23,359 --> 00:19:25,280 Speaker 1: wherever you listen to your favorite shows.