1 00:00:00,080 --> 00:00:03,000 Speaker 1: I'm Bradley Johnson. What's one eight hundred d y away. 2 00:00:03,200 --> 00:00:06,800 Speaker 1: Not getting behind the wheel after drinking is the best choice. 3 00:00:07,080 --> 00:00:09,840 Speaker 1: But if you're pulled over, the next best choice it's 4 00:00:09,840 --> 00:00:15,079 Speaker 1: to call one eight hundred duy away. It's another on 5 00:00:15,200 --> 00:00:21,560 Speaker 1: the twenties. I thank you for calling the hotel. This 6 00:00:21,720 --> 00:00:23,560 Speaker 1: is Courtney. How can I help you? Put him on hold? 7 00:00:23,600 --> 00:00:25,680 Speaker 1: Put him on a holtel them. I'll deal with it later. Yeah. Hey, 8 00:00:26,000 --> 00:00:28,560 Speaker 1: I was looking for the front desk. Ah, this is 9 00:00:28,560 --> 00:00:33,720 Speaker 1: the front desk. Hi. The names Telford Black? Hi, mister Black, Hi, 10 00:00:33,880 --> 00:00:36,040 Speaker 1: how can I help you? Listen? I'm calling on behalf 11 00:00:36,159 --> 00:00:39,240 Speaker 1: of a celebrity who needs to block off some rooms 12 00:00:39,280 --> 00:00:43,199 Speaker 1: at your hotel. Okay, man, I ask who are you 13 00:00:43,240 --> 00:00:46,320 Speaker 1: referring to? Well, I could tell you that information, but 14 00:00:46,360 --> 00:00:50,080 Speaker 1: I might have to kill you if I do. Okay, 15 00:00:50,840 --> 00:00:52,640 Speaker 1: I'm winking at you over the phone. You can't see 16 00:00:52,640 --> 00:00:55,120 Speaker 1: that I'm winking at Yeah, I'm just joking. I can 17 00:00:55,200 --> 00:00:58,520 Speaker 1: tell you, but hey, you gotta keep it a secret. Okay, Yeah, 18 00:00:58,640 --> 00:01:02,680 Speaker 1: no problem here. Everything is confidential. So that's okay, all right? 19 00:01:03,120 --> 00:01:07,600 Speaker 1: So are you're sitting down? Yes? I hope. So the 20 00:01:07,720 --> 00:01:11,119 Speaker 1: celebrity I'm talking about is none other than Canadian singer 21 00:01:11,160 --> 00:01:15,720 Speaker 1: songwriter Sean Mendez. You heard of him? What? Yeah, whom 22 00:01:15,720 --> 00:01:17,200 Speaker 1: I can, of course you heard of him. Whole world's 23 00:01:17,200 --> 00:01:19,760 Speaker 1: heard of him. So serious you want to come to 24 00:01:19,800 --> 00:01:23,320 Speaker 1: our hotel? Yeah, that's what I said. Wouldn't be wasting 25 00:01:23,400 --> 00:01:25,920 Speaker 1: my time calling you if he didn't. A pretty busy guy. 26 00:01:26,680 --> 00:01:29,800 Speaker 1: I'm what of his big I can't believe coming to 27 00:01:29,840 --> 00:01:32,080 Speaker 1: the hotel. I can't tell you how many times a 28 00:01:32,160 --> 00:01:34,480 Speaker 1: day I talked to one of his biggest fans. Anyway, 29 00:01:34,959 --> 00:01:38,160 Speaker 1: I'm Sean's public assistant manager. So it's nice to meet you. 30 00:01:38,480 --> 00:01:41,920 Speaker 1: Oh wow, Okay, when is he coming? Well? Kind of 31 00:01:41,959 --> 00:01:46,440 Speaker 1: short note, short notice. He needs seven rooms for him 32 00:01:46,480 --> 00:01:51,080 Speaker 1: and his crew this Friday. This Friday, as in two 33 00:01:51,160 --> 00:01:53,280 Speaker 1: days from now. Can you gome on when we please? 34 00:01:53,480 --> 00:01:57,080 Speaker 1: I'm just gonna double chuck with my manu. Yeah sure, 35 00:01:57,880 --> 00:02:03,840 Speaker 1: thank you? All right, okay, yeah, I get you the tea? 36 00:02:03,960 --> 00:02:08,560 Speaker 1: Is that warm enough for you? Oh? Hey, sorry, sorry 37 00:02:08,560 --> 00:02:10,280 Speaker 1: about that. I was just getting Seann some tea. His 38 00:02:10,360 --> 00:02:14,160 Speaker 1: throat's a little sore. Oh god, sitting in my office 39 00:02:14,240 --> 00:02:18,320 Speaker 1: right now, get your feet off my desk, Sean. I'm 40 00:02:18,360 --> 00:02:20,600 Speaker 1: don't go with you anyway, sorry about that. What's the word, 41 00:02:21,200 --> 00:02:24,120 Speaker 1: mister Black. I am so sorry, but honestly, let me 42 00:02:24,160 --> 00:02:26,480 Speaker 1: stop oh one second, let me stop you right there, 43 00:02:26,520 --> 00:02:28,560 Speaker 1: because you said I'm so sorry. It sounds like you're 44 00:02:28,600 --> 00:02:31,359 Speaker 1: setting me up for some bad news. I am, and 45 00:02:31,480 --> 00:02:33,440 Speaker 1: we'll all booked up. I'm sorry. We don't have any 46 00:02:33,520 --> 00:02:37,360 Speaker 1: rooms availaball Okay. Looks like I'm not the only one 47 00:02:37,400 --> 00:02:41,280 Speaker 1: that knows how to tell jokes, right, No, I'm not joking. 48 00:02:41,360 --> 00:02:45,359 Speaker 1: We have two weddings coming up, and I'm like, it's 49 00:02:45,440 --> 00:02:49,400 Speaker 1: booked out all the room. Okay, okay, okay, okay, okay, okay. 50 00:02:49,680 --> 00:02:52,119 Speaker 1: So I just told you Sean Mendez is coming into 51 00:02:52,120 --> 00:02:56,600 Speaker 1: your hotel and you're telling him no. Oh, I mean, 52 00:02:56,680 --> 00:02:59,760 Speaker 1: I'm so horrible about it, but like you have two 53 00:03:00,440 --> 00:03:02,840 Speaker 1: and I already talked to man. Okay, I think I 54 00:03:02,840 --> 00:03:04,400 Speaker 1: figured out what the problem is. Hey, you know what 55 00:03:04,520 --> 00:03:06,400 Speaker 1: you know? What you're in luck Tillford Black is a 56 00:03:06,440 --> 00:03:10,960 Speaker 1: problem solver. You got two weddings, cancel them. Honestly, it 57 00:03:11,120 --> 00:03:13,680 Speaker 1: was up to me. I would cancel those weddings because 58 00:03:13,800 --> 00:03:16,600 Speaker 1: I don't know those people, but I care about so 59 00:03:16,760 --> 00:03:22,720 Speaker 1: much going on. I dreamed of meeting him. Yeah, I anthing. Hey, hey, 60 00:03:22,919 --> 00:03:25,920 Speaker 1: real quick, real quick. Sounds like you're in tears, and 61 00:03:26,120 --> 00:03:28,120 Speaker 1: I gotta break some news to you. Sean wants me 62 00:03:28,160 --> 00:03:29,799 Speaker 1: to let you know that he doesn't want you to 63 00:03:29,840 --> 00:03:32,080 Speaker 1: come to any of his concerts anymore or purchase anymore 64 00:03:32,120 --> 00:03:34,760 Speaker 1: of his albums. Noth my god, No, he can't be 65 00:03:34,880 --> 00:03:37,640 Speaker 1: mad at me. I tell them that I love him. 66 00:03:37,440 --> 00:03:39,840 Speaker 1: I love him well. I would tell him that, but 67 00:03:39,880 --> 00:03:42,840 Speaker 1: he stormed out of my office. Honestly, out of the 68 00:03:42,880 --> 00:03:45,120 Speaker 1: bottom of my heart. I wish you know, I could 69 00:03:45,160 --> 00:03:47,760 Speaker 1: do anything. I don't want to regret this for the 70 00:03:47,760 --> 00:03:49,520 Speaker 1: rest of my life. I don't want him to me. 71 00:03:49,920 --> 00:03:51,400 Speaker 1: You can do something for me and I'll play the 72 00:03:51,440 --> 00:03:53,760 Speaker 1: audio for Sean. Maybe I'll be happy about it. Do 73 00:03:53,800 --> 00:03:56,000 Speaker 1: you want me to do like a formal apology? I 74 00:03:56,040 --> 00:03:59,640 Speaker 1: could totally yeah, no, yeah, no, yeah, no, don't care 75 00:03:59,640 --> 00:04:02,160 Speaker 1: about that. You know his song Stitches. You heard that song? 76 00:04:02,160 --> 00:04:04,920 Speaker 1: I'm sure you probably have. That's my favorite song. That's 77 00:04:04,920 --> 00:04:07,920 Speaker 1: the song that reaches my heart. Tom All, Hey, how 78 00:04:07,960 --> 00:04:10,280 Speaker 1: about you singing the song? Maybe I'll record just singing 79 00:04:10,280 --> 00:04:11,840 Speaker 1: it show what a huge fan you are. You want 80 00:04:11,840 --> 00:04:15,000 Speaker 1: of any hard feelings? Okay, I could do the ass. 81 00:04:15,080 --> 00:04:16,680 Speaker 1: I don't know if I could sing right now though, 82 00:04:16,760 --> 00:04:19,480 Speaker 1: because I'm at the front desk even better, I could 83 00:04:19,480 --> 00:04:22,560 Speaker 1: record even better. No, I got my phone out here, 84 00:04:22,560 --> 00:04:23,840 Speaker 1: I got it on record right now. I just put 85 00:04:23,920 --> 00:04:26,880 Speaker 1: you on speaker and record it. Well, there's like guests 86 00:04:26,920 --> 00:04:29,200 Speaker 1: around me. Yeah, don't care. Yeah, I don't care. Yeah, 87 00:04:29,240 --> 00:04:32,080 Speaker 1: don't care. Why don't you show your allegiance to Seawan Mendes. 88 00:04:32,200 --> 00:04:34,560 Speaker 1: I mean, if you really are a fan, I'm mean 89 00:04:34,680 --> 00:04:39,920 Speaker 1: it to it. Here I go, I am your kisses. 90 00:04:40,680 --> 00:04:46,880 Speaker 1: I'll be eating stitches ses. Well you know what that was. 91 00:04:47,200 --> 00:04:49,560 Speaker 1: That was great. Unfortunately, this isn't a real phone call, 92 00:04:50,400 --> 00:04:52,200 Speaker 1: so I don't know what to do with that audio 93 00:04:52,279 --> 00:04:55,400 Speaker 1: now what this is actually Jewel from Brook and Jewel 94 00:04:55,400 --> 00:04:57,000 Speaker 1: in the morning doing a phone tap on you and 95 00:04:57,040 --> 00:05:03,000 Speaker 1: your manager April set you up. What it's a joke. God, 96 00:05:03,400 --> 00:05:05,520 Speaker 1: she told me that you're a huge Sean Mendes fan. 97 00:05:05,560 --> 00:05:07,560 Speaker 1: I want to play a joke on you. Oh my gosh, 98 00:05:07,560 --> 00:05:13,039 Speaker 1: I didn't. But you did a really nice job singing 99 00:05:13,080 --> 00:05:15,800 Speaker 1: that song. Maybe he'll get you on stage sometime. I 100 00:05:15,839 --> 00:05:19,000 Speaker 1: thought I was going to lose my job. Well, I 101 00:05:19,200 --> 00:05:21,160 Speaker 1: would promote you for the way you sang that. Yeah, 102 00:05:21,760 --> 00:05:25,160 Speaker 1: that was horrible. I thought I thought it was beautiful 103 00:05:27,240 --> 00:05:30,960 Speaker 1: week of every morning with weekday morning. On the twenties 104 00:05:32,560 --> 00:05:33,240 Speaker 1: two point five