1 00:00:04,320 --> 00:00:06,320 Speaker 1: Buzz night here and welcome to the Take in a 2 00:00:06,400 --> 00:00:09,840 Speaker 1: Walk podcast, another episode of This Week in Music History. 3 00:00:10,039 --> 00:00:11,799 Speaker 1: And he likes the big build up, so I'm going 4 00:00:11,800 --> 00:00:14,160 Speaker 1: to give him the big build up. He is the 5 00:00:14,200 --> 00:00:19,360 Speaker 1: Master of Mayhem, the maestro of music, all things, all knowing, 6 00:00:19,520 --> 00:00:22,920 Speaker 1: all seeing. Harry Jacobs, Welcome to This Week in Music 7 00:00:23,000 --> 00:00:25,599 Speaker 1: History for the week of September the twenty ninth through 8 00:00:25,640 --> 00:00:29,400 Speaker 1: October the fifth. Is that better than the last episode intro? 9 00:00:30,120 --> 00:00:32,000 Speaker 2: I really couldn't ask for anything more at this point. 10 00:00:32,080 --> 00:00:34,239 Speaker 2: I'm just I'm just glad to be here, Buss. As 11 00:00:34,240 --> 00:00:36,800 Speaker 2: the ballplayers say after their game, I'm just glad to 12 00:00:36,800 --> 00:00:37,480 Speaker 2: be part of the team. 13 00:00:37,520 --> 00:00:38,840 Speaker 1: That's awesome. You're satisfied. 14 00:00:39,240 --> 00:00:42,559 Speaker 2: Good Week, September twenty ninth through the fifth of October. 15 00:00:42,560 --> 00:00:45,280 Speaker 2: A lot of stuff going on. Nineteen fifty six. On 16 00:00:45,320 --> 00:00:47,839 Speaker 2: September twenty ninth, Bill Haley and the Comments became the 17 00:00:47,880 --> 00:00:53,360 Speaker 2: first rock act to tour Australia. The big deal that 18 00:00:53,520 --> 00:00:55,760 Speaker 2: was His band was thought to kind of be the 19 00:00:55,800 --> 00:00:57,600 Speaker 2: first of the real rock bands. 20 00:00:57,400 --> 00:01:02,480 Speaker 1: Right yeah. Can you imagine and seeing what touring would 21 00:01:02,520 --> 00:01:05,720 Speaker 1: have been like for them back in that day, especially 22 00:01:06,440 --> 00:01:09,080 Speaker 1: going as far as Australia, I can only I was 23 00:01:09,200 --> 00:01:12,920 Speaker 1: envisioning how hard it is now for you know, anybody 24 00:01:12,959 --> 00:01:15,679 Speaker 1: to travel like that, and then thinking back there with 25 00:01:16,200 --> 00:01:21,120 Speaker 1: a band and equipment and such a long distance. I 26 00:01:21,240 --> 00:01:24,200 Speaker 1: just it kind of makes me chuckle because that's the 27 00:01:24,280 --> 00:01:26,560 Speaker 1: rawness of rock and roll right there on display. 28 00:01:27,480 --> 00:01:30,560 Speaker 2: I have a friend who is a very entertaining guy, 29 00:01:30,600 --> 00:01:32,880 Speaker 2: and he talks he's got a couple of grandchildren. And 30 00:01:32,959 --> 00:01:35,800 Speaker 2: you may appreciate this, but he'll talk about his grandchildren 31 00:01:35,880 --> 00:01:37,759 Speaker 2: coming to the house, like they come for the weekend 32 00:01:37,800 --> 00:01:38,920 Speaker 2: and they go. 33 00:01:39,040 --> 00:01:40,679 Speaker 1: And I said, how, you know, how is it? 34 00:01:40,720 --> 00:01:43,000 Speaker 2: Tell me about it, like after the first one, you know, 35 00:01:43,080 --> 00:01:44,360 Speaker 2: it's like to have little kids around. 36 00:01:44,440 --> 00:01:46,440 Speaker 1: And he said, it's like the freaking. 37 00:01:46,319 --> 00:01:50,320 Speaker 2: Circus is in town, literally moving it out, moving them in, 38 00:01:50,440 --> 00:01:52,960 Speaker 2: moving them out, and then dealing with the animals. 39 00:01:52,560 --> 00:01:53,240 Speaker 1: While they're there. 40 00:01:53,400 --> 00:01:56,000 Speaker 2: It's like he's like, got the gable Williams. 41 00:01:56,320 --> 00:01:59,400 Speaker 1: I actually think it's more like a tornado, but a 42 00:01:59,400 --> 00:02:02,360 Speaker 1: beautiful tournado. How's that? That's perfect? Take it? 43 00:02:02,560 --> 00:02:05,520 Speaker 2: Nineteen sixty seven. On September twenty ninth, the Beatles mixed 44 00:02:05,920 --> 00:02:09,520 Speaker 2: I Am the Walrus at Abbey Road, cuckoocka chew, We 45 00:02:09,560 --> 00:02:13,239 Speaker 2: don't get through a week without the Beatles, but we 46 00:02:13,400 --> 00:02:15,560 Speaker 2: have to have the Beatles. We could, we could, we 47 00:02:15,600 --> 00:02:18,520 Speaker 2: could play a stunt and say there'll be no Beatles, 48 00:02:18,560 --> 00:02:20,520 Speaker 2: even though there's a lot of Beatles. But we can't 49 00:02:20,520 --> 00:02:24,400 Speaker 2: do that. That's not fair. No, absolutely not. A legendary 50 00:02:24,400 --> 00:02:26,360 Speaker 2: album from a guy that you just saw at the 51 00:02:26,440 --> 00:02:28,720 Speaker 2: Rock and Roll Hall of Fame was released on September 52 00:02:28,760 --> 00:02:32,000 Speaker 2: twenty ninth. I give the year, it's going to give 53 00:02:32,000 --> 00:02:35,160 Speaker 2: it away, and if I tell you that any more information, 54 00:02:35,200 --> 00:02:36,120 Speaker 2: I'm gonna give it away. 55 00:02:36,240 --> 00:02:38,240 Speaker 1: Who do you think it was? Is his first name 56 00:02:38,320 --> 00:02:43,800 Speaker 1: Peter yea. His last name would be Frampton. That's correct, 57 00:02:44,000 --> 00:02:44,600 Speaker 1: that's the guy. 58 00:02:45,080 --> 00:02:49,480 Speaker 2: Brampton Comes Alive September twenty ninth, nineteen seventy six, an 59 00:02:49,560 --> 00:02:52,600 Speaker 2: epic double live album. 60 00:02:52,840 --> 00:02:56,600 Speaker 1: It through the world of Dayton, Ohio. When I was 61 00:02:56,639 --> 00:03:01,200 Speaker 1: on the radio upside down, no, I imagine, So when 62 00:03:01,600 --> 00:03:07,120 Speaker 1: do you feel like we do? Came out and hitting 63 00:03:07,160 --> 00:03:14,559 Speaker 1: the request line and saying, yes, hello, this is WVUD 64 00:03:15,400 --> 00:03:19,040 Speaker 1: what do you want to hear? And one of the 65 00:03:19,120 --> 00:03:24,360 Speaker 1: nice folks from somewhere in the suburbs of Dayton would say, 66 00:03:25,760 --> 00:03:29,960 Speaker 1: and this is only with affection, this imitation that I'm 67 00:03:30,000 --> 00:03:34,200 Speaker 1: about to say, He would say, yeah, can you play 68 00:03:34,200 --> 00:03:37,400 Speaker 1: that song with the talking guitar anyway? 69 00:03:37,520 --> 00:03:40,560 Speaker 2: A legendary album, that talk box that he used, that 70 00:03:40,680 --> 00:03:44,080 Speaker 2: Gibson's legendary guitar. Just a legendary album. 71 00:03:44,240 --> 00:03:44,840 Speaker 1: Oh my God. 72 00:03:45,760 --> 00:03:49,880 Speaker 2: September thirtieth, nineteen fifty five, James Dean died in the 73 00:03:49,920 --> 00:03:55,480 Speaker 2: car crash twenty four years old. Sad day for fans 74 00:03:55,520 --> 00:04:00,240 Speaker 2: of James Dean Reckless Youth, Yeah sixty five. Donovan made 75 00:04:00,280 --> 00:04:04,440 Speaker 2: his US television debut on Shindig and. 76 00:04:04,440 --> 00:04:07,440 Speaker 1: I I don't know about Donovan. 77 00:04:07,600 --> 00:04:10,240 Speaker 2: You know a handful of songs that I appreciated, but 78 00:04:10,240 --> 00:04:12,200 Speaker 2: it was just, you know, I was a little too young, 79 00:04:12,520 --> 00:04:13,880 Speaker 2: I think to appreciate him. 80 00:04:14,600 --> 00:04:18,320 Speaker 1: I appreciated a lot of him. And there's there is 81 00:04:18,400 --> 00:04:23,839 Speaker 1: one song though, then I think, goes down in music 82 00:04:23,960 --> 00:04:29,120 Speaker 1: history as possibly one of the worst songs and lyrics. 83 00:04:29,920 --> 00:04:33,440 Speaker 1: And it is attributed to Donovan, unfortunately, and I love Donovan. 84 00:04:34,120 --> 00:04:38,440 Speaker 1: What is a song? The song I'm not kidding is 85 00:04:38,480 --> 00:04:43,880 Speaker 1: called I Love My Shirt. Oh gosh, I love my shirt. 86 00:04:44,200 --> 00:04:47,520 Speaker 1: I love my shirt. My shirt is so lovely and 87 00:04:47,640 --> 00:04:53,680 Speaker 1: it loves me. Now, I would suggest Donovan maybe was 88 00:04:55,279 --> 00:04:58,080 Speaker 1: on the psychedelics. Possibly, let's just say. 89 00:04:57,839 --> 00:05:01,279 Speaker 2: Maybe listen, you can write it dumb song and have success. 90 00:05:01,360 --> 00:05:05,440 Speaker 2: Look at that. I'm too sexy for myself, right, who's 91 00:05:05,440 --> 00:05:08,919 Speaker 2: that right? Said Brett, Same thing like, look at my shirt. 92 00:05:08,960 --> 00:05:11,560 Speaker 2: I'm too Look at me, I'm too sexy for myself. 93 00:05:11,720 --> 00:05:14,560 Speaker 1: I dare anybody to listen to I love my shirt 94 00:05:14,680 --> 00:05:17,919 Speaker 1: and to suggest to me that there's not a worst 95 00:05:17,920 --> 00:05:21,359 Speaker 1: song ever written. Yeah, I'm not doing it. I'm not 96 00:05:21,400 --> 00:05:23,640 Speaker 1: giving it. I'm not that's probably three and a half minutes. 97 00:05:23,680 --> 00:05:25,479 Speaker 1: I'll never get back. Oh please do. 98 00:05:26,960 --> 00:05:30,600 Speaker 2: Isaac Hayes in nineteen seventy one, on September thirtieth, hit 99 00:05:30,720 --> 00:05:33,400 Speaker 2: number one on the charts with the theme from Shaft, I. 100 00:05:33,480 --> 00:05:36,360 Speaker 1: Love that Guy and if I'm not mistaken, he had 101 00:05:36,360 --> 00:05:39,040 Speaker 1: a radio career for a while, didn't he. That's a 102 00:05:39,040 --> 00:05:43,320 Speaker 1: good question. I think I believe he was part. I 103 00:05:43,520 --> 00:05:46,440 Speaker 1: swear he was part of a morning show on an 104 00:05:46,560 --> 00:05:50,839 Speaker 1: urban station in New York City at one point. Tell 105 00:05:50,880 --> 00:05:54,760 Speaker 1: me that I'm correct with this one. Yeah, you you 106 00:05:55,000 --> 00:05:56,000 Speaker 1: are correct. 107 00:05:56,240 --> 00:05:58,719 Speaker 2: He hosted his own radio show and had various music 108 00:05:58,760 --> 00:06:02,839 Speaker 2: stations named after him, obviously on Apple and Pandora, but 109 00:06:03,200 --> 00:06:07,080 Speaker 2: he did have an early radio show at Kiss FM. 110 00:06:07,600 --> 00:06:09,359 Speaker 2: He was featured. I'm not sure if he was a 111 00:06:09,440 --> 00:06:12,919 Speaker 2: jock there. I'm trying to get this as. 112 00:06:13,040 --> 00:06:17,320 Speaker 1: It was a morning show, I'm pretty sure, and there 113 00:06:17,320 --> 00:06:20,039 Speaker 1: were others over the years that would be celebrities doing 114 00:06:20,120 --> 00:06:22,480 Speaker 1: morning shows. But he I think he was one of 115 00:06:22,560 --> 00:06:26,160 Speaker 1: the you know, the early ones in that rage. 116 00:06:26,720 --> 00:06:29,560 Speaker 2: Yeah, he was on He was on Kiss just ninety 117 00:06:29,600 --> 00:06:33,720 Speaker 2: eighty seven as a jock, so I'm sure he did. 118 00:06:33,839 --> 00:06:35,839 Speaker 2: He worked before then too, I mean, you know just Land, 119 00:06:36,480 --> 00:06:37,240 Speaker 2: you know, in New York. 120 00:06:37,560 --> 00:06:41,920 Speaker 1: And was he on a show like or his voice 121 00:06:42,720 --> 00:06:49,400 Speaker 1: on a show like or was South Park? Possibly he did. 122 00:06:49,440 --> 00:06:54,080 Speaker 1: He voiced chef, He voiced chef. Yeah, wow, he voiced chef. 123 00:06:54,240 --> 00:06:56,479 Speaker 1: Isn't there crazy? Yeah? It is crazy? 124 00:06:57,360 --> 00:06:59,120 Speaker 2: Crazy talented talented dude. 125 00:06:59,279 --> 00:07:02,480 Speaker 1: Yepe much better about myself because I went down two 126 00:07:02,600 --> 00:07:06,240 Speaker 1: rabbit holes and they were successful rabbit holes. Yeah, it 127 00:07:06,320 --> 00:07:08,560 Speaker 1: wasn't bad. Inform me. There was no fake news. As 128 00:07:08,600 --> 00:07:11,280 Speaker 1: you know, I can go down rabbit holes and they 129 00:07:11,280 --> 00:07:14,920 Speaker 1: could be lost in the ozone forever. It's like nothing 130 00:07:14,960 --> 00:07:17,000 Speaker 1: I've ever seen sometimes, that's right. 131 00:07:18,160 --> 00:07:22,320 Speaker 2: October first, nineteen sixty six, Jimmy Hendrix landed in London 132 00:07:22,480 --> 00:07:26,400 Speaker 2: with Chas Chandler, his manager at the time, And this 133 00:07:26,640 --> 00:07:31,320 Speaker 2: was right at about the time that things really skyrocketed for. 134 00:07:31,240 --> 00:07:35,760 Speaker 1: Hendricks in sixty six. Amazing time and an unbelievable career. 135 00:07:35,800 --> 00:07:39,720 Speaker 1: I'm sure over there they were going wild for him. Yeah. Absolutely. 136 00:07:40,560 --> 00:07:45,640 Speaker 2: In seventy Janis Joplin made her final studio recording the 137 00:07:45,680 --> 00:07:50,560 Speaker 2: Mercedes Benz song Oh Yeah in nineteen seventy and in 138 00:07:50,720 --> 00:07:53,360 Speaker 2: seventy seven, Elton John became the first rock star to 139 00:07:53,360 --> 00:07:57,320 Speaker 2: be honored in New York's Madison Square Gardens Hall of Fame. 140 00:07:57,640 --> 00:08:01,600 Speaker 1: Oh wow, I didn't know that the DJ. That's when 141 00:08:01,680 --> 00:08:04,880 Speaker 1: when he would show up at w n WFM and 142 00:08:05,160 --> 00:08:07,240 Speaker 1: be on the air with Scott Muni and play his 143 00:08:07,360 --> 00:08:10,560 Speaker 1: favorite songs, that's what he was called. He was EJ 144 00:08:10,760 --> 00:08:11,240 Speaker 1: the DJ. 145 00:08:11,760 --> 00:08:15,120 Speaker 2: Isn't that funny? Have you speaking of Elton? Have you 146 00:08:16,200 --> 00:08:19,000 Speaker 2: watched the Billy Joel documentary yet? I have and I 147 00:08:19,080 --> 00:08:19,400 Speaker 2: loved it. 148 00:08:20,120 --> 00:08:20,360 Speaker 1: Yeah. 149 00:08:20,520 --> 00:08:26,040 Speaker 2: Interesting case made by Billy Joel for for his playing 150 00:08:26,040 --> 00:08:29,680 Speaker 2: over Elton's playing. It surprised me when I first heard it. 151 00:08:29,760 --> 00:08:32,120 Speaker 2: When I first heard him say, well, Elton, don't compare 152 00:08:32,200 --> 00:08:33,800 Speaker 2: me to Elton John. He's not a piano player. 153 00:08:35,120 --> 00:08:38,040 Speaker 1: I thought that whole thing was bizarre between the two 154 00:08:38,080 --> 00:08:43,320 Speaker 1: of them. And I also thought I give Elton credit for, 155 00:08:44,080 --> 00:08:46,680 Speaker 1: you know, having the ghoul uns to be able to 156 00:08:46,760 --> 00:08:49,800 Speaker 1: kind of say to Billy, Billy, you know, just passing 157 00:08:49,880 --> 00:08:52,760 Speaker 1: out at shows is not really good business. 158 00:08:52,559 --> 00:08:52,719 Speaker 2: You know. 159 00:08:52,960 --> 00:08:54,880 Speaker 1: Yeah, well that that piece of it. 160 00:08:54,960 --> 00:08:56,920 Speaker 2: I you know, obviously we were aware of some of 161 00:08:57,000 --> 00:09:01,640 Speaker 2: the documentary just sheds light on, you know, a damaged guy. 162 00:09:01,960 --> 00:09:05,280 Speaker 1: Yeah, very in a lot of ways. Yeah. And I'm 163 00:09:05,320 --> 00:09:08,240 Speaker 1: interviewing is by the time this comes out, I'll have 164 00:09:08,320 --> 00:09:10,600 Speaker 1: interviewed I'm not sure the episode will be out, but 165 00:09:10,640 --> 00:09:18,080 Speaker 1: I'll have interviewed Billy's daughter Alexa. Alexa Alexai Scule. 166 00:09:19,080 --> 00:09:23,520 Speaker 2: Yeah, she's quite as she's Oh it's Alexa. 167 00:09:24,200 --> 00:09:25,200 Speaker 1: God bless it. 168 00:09:26,280 --> 00:09:28,320 Speaker 2: I never use it. When I'm in here doing something. 169 00:09:28,320 --> 00:09:31,800 Speaker 2: I always whisper like Alex if I'm talking to someone. Yeah, no, 170 00:09:32,200 --> 00:09:35,840 Speaker 2: that's funny. Yeah, Alexa just said you made my day. 171 00:09:37,120 --> 00:09:39,840 Speaker 2: Shut up before you go in the trash. October second, 172 00:09:39,920 --> 00:09:43,640 Speaker 2: nineteen sixty five, The Who made their US TV debut 173 00:09:44,559 --> 00:09:46,840 Speaker 2: and they saying, I can't explain on Shindig. 174 00:09:47,960 --> 00:09:50,679 Speaker 1: You ever watched some of the old Shindig stuff, have you? Yeah? Yeah, 175 00:09:50,760 --> 00:09:52,880 Speaker 1: it's fun. It is fun. 176 00:09:52,880 --> 00:09:54,480 Speaker 2: And that was a good short song, a couple of 177 00:09:54,520 --> 00:09:58,400 Speaker 2: minutes long and easy three quarter for them on Shindig. 178 00:09:58,440 --> 00:09:59,960 Speaker 1: But yep, I'm sure it was great. 179 00:10:00,080 --> 00:10:03,640 Speaker 2: On nineteen sixty seven, all six members of the Dead 180 00:10:03,720 --> 00:10:07,040 Speaker 2: were arrested for possession of marijuana in San Francisco. 181 00:10:07,920 --> 00:10:11,240 Speaker 1: Oh man, that's shocking. Putting the screws to you for 182 00:10:11,320 --> 00:10:14,320 Speaker 1: the for the for the for the briefer. Yeah, now 183 00:10:14,360 --> 00:10:16,240 Speaker 1: they look at they'd be looking at the world and 184 00:10:16,280 --> 00:10:17,319 Speaker 1: go what happened? 185 00:10:18,280 --> 00:10:22,200 Speaker 2: Yeah, nineteen eighty two, Jack and Diane hit number one 186 00:10:22,520 --> 00:10:23,200 Speaker 2: in the US. 187 00:10:23,960 --> 00:10:25,960 Speaker 1: This was John Couger before. 188 00:10:25,679 --> 00:10:28,040 Speaker 2: He was I mean he was John Mellencamp, but then 189 00:10:28,080 --> 00:10:30,880 Speaker 2: he was John Couger, and then John Cougar Mellencamp and 190 00:10:31,400 --> 00:10:32,839 Speaker 2: now just John Mellencamp again. 191 00:10:34,040 --> 00:10:37,760 Speaker 1: Guy smokes the light cigarettes. Yeah. And by the way, 192 00:10:38,800 --> 00:10:41,040 Speaker 1: did you have his daughter on with you? No? It 193 00:10:41,080 --> 00:10:46,160 Speaker 1: did not do that. No, he's he is an angry dude. 194 00:10:46,800 --> 00:10:51,160 Speaker 1: He's always been angry. Yeah, he's always been angry and 195 00:10:52,080 --> 00:10:56,440 Speaker 1: a chip on his shoulder. And I'll just leave it 196 00:10:56,480 --> 00:10:57,520 Speaker 1: at that right now. 197 00:10:57,840 --> 00:11:01,800 Speaker 2: How do you expected to be in the spotlight with 198 00:11:01,960 --> 00:11:05,160 Speaker 2: a personality like that? And I've seen him walk out 199 00:11:05,160 --> 00:11:08,080 Speaker 2: of interviews. I've seen him just be you know, the 200 00:11:08,080 --> 00:11:08,840 Speaker 2: wheels come off. 201 00:11:09,480 --> 00:11:12,640 Speaker 1: Yeah, well, we'll go down the rabbit hole with him 202 00:11:12,679 --> 00:11:14,560 Speaker 1: as soon as I clear it with my attorneys. 203 00:11:15,120 --> 00:11:16,880 Speaker 2: You're also talking to like a man who may get 204 00:11:16,920 --> 00:11:18,360 Speaker 2: John Mellencamp at some point, so. 205 00:11:19,320 --> 00:11:23,000 Speaker 1: No, I doubt that, probably too, by the way, seeing 206 00:11:23,080 --> 00:11:24,439 Speaker 1: him a couple of times, he puts on a heck 207 00:11:24,480 --> 00:11:27,040 Speaker 1: of a show, so I'll give him that. Yeah, great stuff. 208 00:11:27,440 --> 00:11:31,160 Speaker 2: October third, sixty nine, the Beatles released Abbey Road in 209 00:11:31,240 --> 00:11:36,880 Speaker 2: the US said It's a Crazy Day. Nineteen seventy October third, 210 00:11:36,960 --> 00:11:40,959 Speaker 2: Genis Joplin was found dead the heroin overdose. And then 211 00:11:41,080 --> 00:11:46,360 Speaker 2: in seventy eight Aerosmith was involved in a car and 212 00:11:46,400 --> 00:11:52,120 Speaker 2: a plane crash. Oh obviously survived that, but two stories 213 00:11:52,120 --> 00:11:55,120 Speaker 2: that were not good for rock and rock history. I 214 00:11:55,240 --> 00:11:57,920 Speaker 2: was not familiar with the Aerosmith plane crash story. 215 00:11:58,400 --> 00:12:00,319 Speaker 1: Me neither. But it is a band that had about 216 00:12:00,360 --> 00:12:01,760 Speaker 1: twenty five lives. 217 00:12:01,440 --> 00:12:05,520 Speaker 2: So yeah, listen, they may have only had one plane crash, 218 00:12:05,520 --> 00:12:07,240 Speaker 2: but they've had many train wrecks. 219 00:12:07,280 --> 00:12:12,400 Speaker 1: That's good. Well over the years, nicely done. Yeah, let's 220 00:12:12,400 --> 00:12:12,960 Speaker 1: see here. 221 00:12:13,360 --> 00:12:18,560 Speaker 2: Nineteen seventy four October fourth Mike Oldfields Tubular Bells came 222 00:12:18,600 --> 00:12:21,880 Speaker 2: out and that was the first recording on Virgin in 223 00:12:21,920 --> 00:12:22,360 Speaker 2: the US. 224 00:12:23,760 --> 00:12:26,200 Speaker 1: And the fact tubular RELs that that became was that 225 00:12:26,280 --> 00:12:30,920 Speaker 1: the hit because of the Exorcist. Yeah, that's exactly what 226 00:12:30,960 --> 00:12:32,760 Speaker 1: it was, all right, Because the fact that you would 227 00:12:32,760 --> 00:12:37,080 Speaker 1: hear that once again on rock radio then was pretty interesting. 228 00:12:37,240 --> 00:12:40,559 Speaker 1: But it was because it was a cultural phenomenon then 229 00:12:40,880 --> 00:12:41,959 Speaker 1: because of the Exorcists. 230 00:12:43,200 --> 00:12:46,680 Speaker 2: Yeah, And the tubular bells are a specific type of 231 00:12:46,720 --> 00:12:50,640 Speaker 2: instrument similar you know, you go and think about like 232 00:12:50,679 --> 00:12:53,320 Speaker 2: what Blue Man does with their you know, the PBC 233 00:12:53,520 --> 00:12:53,920 Speaker 2: and all that. 234 00:12:54,000 --> 00:12:57,079 Speaker 1: This is, you know, experimental music, that's right. 235 00:12:58,080 --> 00:13:01,040 Speaker 2: Nineteen eighty Queen started a three week run at number 236 00:13:01,120 --> 00:13:02,760 Speaker 2: one for another one. 237 00:13:02,600 --> 00:13:10,520 Speaker 1: Bites the Dust, catchy, good fun hit. Elmer just spoke 238 00:13:10,640 --> 00:13:12,560 Speaker 1: up about it my dog, and I don't think he 239 00:13:12,640 --> 00:13:13,560 Speaker 1: was a fan of that song. 240 00:13:14,120 --> 00:13:16,920 Speaker 2: Yeah, not one of the great Queen, I mean, not 241 00:13:18,000 --> 00:13:21,120 Speaker 2: down or Keep Yourself Alive or you know any. 242 00:13:21,000 --> 00:13:23,600 Speaker 1: No radio Gaga, I'll tell you that. Oh God, there's 243 00:13:23,640 --> 00:13:26,719 Speaker 1: an awful song too. And Cash Gordon like they had 244 00:13:26,720 --> 00:13:27,480 Speaker 1: a bunch of drek. 245 00:13:27,720 --> 00:13:30,880 Speaker 2: They did right, They did some things very well and 246 00:13:30,920 --> 00:13:35,280 Speaker 2: then Flash Gordon another one bites the Dust Radio Gaga. 247 00:13:35,320 --> 00:13:36,959 Speaker 1: There were a number of those, that's right. 248 00:13:38,880 --> 00:13:42,600 Speaker 2: October fifth, nineteen sixty two, Love Me Do, the first 249 00:13:42,720 --> 00:13:45,040 Speaker 2: Beatles single, was released in the United Kingdom. 250 00:13:45,240 --> 00:13:48,199 Speaker 1: Those darn Beatles. They can't, they can't just stay away, 251 00:13:48,600 --> 00:13:49,440 Speaker 1: No I can't. 252 00:13:49,840 --> 00:13:53,600 Speaker 2: Sixty seven October fifth, Pink Floyd released c Emily Play 253 00:13:54,040 --> 00:13:54,880 Speaker 2: in the US. 254 00:13:55,679 --> 00:13:57,720 Speaker 1: I don't think I know a song on that album. 255 00:13:57,880 --> 00:14:01,080 Speaker 1: You know that, you know see Emily Play? I know, 256 00:14:01,160 --> 00:14:03,400 Speaker 1: I should you know that because that was like three 257 00:14:03,440 --> 00:14:08,200 Speaker 1: minutes and twenty seconds or whatever, so not seventeen minutes 258 00:14:08,200 --> 00:14:10,520 Speaker 1: and thirty seconds. Yeah, other tracks. 259 00:14:11,400 --> 00:14:14,040 Speaker 2: In nineteen seventy, led Zepelin three was released in the 260 00:14:14,120 --> 00:14:17,640 Speaker 2: UK the Immigrant Song you know track one? 261 00:14:17,679 --> 00:14:22,040 Speaker 1: I believe? Right, Yeah, that's right. I wasn't a fan. 262 00:14:21,920 --> 00:14:25,840 Speaker 2: Of the album otherwise, just really all everything else I 263 00:14:25,920 --> 00:14:29,680 Speaker 2: really enjoyed. But that was an album where there were 264 00:14:29,680 --> 00:14:31,840 Speaker 2: only a couple things and wasn't hey, hey, what can 265 00:14:31,880 --> 00:14:32,120 Speaker 2: I do? 266 00:14:32,480 --> 00:14:35,960 Speaker 1: A B side of Immigrant from Immigrant Song? Yeah? Yeah, 267 00:14:36,360 --> 00:14:38,760 Speaker 1: that's right, Which is weird that it didn't make the album. 268 00:14:39,080 --> 00:14:43,440 Speaker 1: This actually makes us look like we actually prepare for this. Yeah, 269 00:14:43,560 --> 00:14:44,280 Speaker 1: oh no, we don't. 270 00:14:44,360 --> 00:14:47,160 Speaker 2: There's no there's nothing this is smoking mirrors, Yeah, a 271 00:14:47,160 --> 00:14:47,840 Speaker 2: lot of mirrors. 272 00:14:47,840 --> 00:14:50,120 Speaker 1: It's some smoke, but anyway. 273 00:14:50,200 --> 00:14:53,400 Speaker 2: Led Zeppelin three released in the United Kingdom nineteen seventy 274 00:14:53,840 --> 00:14:57,560 Speaker 2: and that wraps up the week through October the fifth. 275 00:14:57,400 --> 00:15:01,160 Speaker 1: And the pretty solid week. My god, yeah, busy, yeah, busy. 276 00:15:01,480 --> 00:15:04,800 Speaker 1: Thank you Harry Jacobs. We appreciate it as always, and 277 00:15:05,080 --> 00:15:06,840 Speaker 1: thanks to all of you for listening to the Taking 278 00:15:06,880 --> 00:15:10,520 Speaker 1: a Walk podcast and This Week in Music History for 279 00:15:10,560 --> 00:15:14,200 Speaker 1: the week of September twenty ninth to October the fifth, 280 00:15:14,480 --> 00:15:17,560 Speaker 1: and we are proudly part of the iHeart Podcast