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Speaker 1: The Nicki Gliser Podcast Glaserday.

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Speaker 2: Here's Nikki.

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Speaker 3: Hello here, I am welcome to the show. It's Nicki

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Speaker 3: Glazer Podcast. Happy new week of shows. It's uh, it's

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Speaker 3: Tuesday where we are still like feel like I feel

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Speaker 3: like it's a Monday Tuesday. Does anyone else feel that way?

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Speaker 4: Yeah?

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Speaker 3: Like some days we all just agree that. No, you

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Speaker 3: felt like you had a Monday yesterday. Today feels like

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Speaker 3: Tuesday to you.

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Speaker 1: It's because it was April fools Day yesterday.

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Speaker 3: Is that why?

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Speaker 4: Dad?

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Speaker 3: My dad is here? Jay Glazers here in studio with me. Yeah,

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Speaker 3: did you get fooled at all?

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Speaker 1: No? But I fooled Arlow. But you know, my grandma

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Speaker 1: used to always say, my other day after April Fools,

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Speaker 1: April Fools has finally passed, and you're the biggest fool

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Speaker 1: at last.

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Speaker 3: Okay, I love that more anecdotes, But I don't know

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Speaker 3: what to do with that. What is today? It's not

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Speaker 3: even that smart interesting? I know, it's just no, it's okay,

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Speaker 3: But I sometimes don't know what to do with stories

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Speaker 3: that people have where they present them. And then I

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Speaker 3: don't know if I'm supposed to be like I love

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Speaker 3: that or like like you told a story. Dad told

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Speaker 3: a story about his grandmother while we were eating. We

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Speaker 3: were eating Easter brunch dinner, like you know, like a

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Speaker 3: late early dinner. We're all like eating food, putting in

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Speaker 3: our mouths and we're commenting how good it is because

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Speaker 3: my mom made a big salad. But my brother in

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Speaker 3: law mats mom were over at his parents' house, right,

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Speaker 3: my brother in law's parents, So it's like I've never

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Speaker 3: even been there. They've been married for you know, ten

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Speaker 3: plus years. It's just like you're playing on a what's

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Speaker 3: it called when you play you're playing an away game. Yeah,

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Speaker 3: I'm not used to this field, right, and it's different

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Speaker 3: people like I know his parents, but it's just like,

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Speaker 3: you know, you're just on your best behavior a little bit.

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Speaker 3: But I guess my dad had an anecdote to share

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Speaker 3: about his grandmother because he cannot let one pass by.

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Speaker 3: I seriously predicted, like dogs in an earthquake, I start barking.

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Speaker 3: I can feel them coming. I predicted one this weekend

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Speaker 3: that was so good that I heard someone say something

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Speaker 3: and I go and then I literally mouthed my grandmother

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Speaker 3: used to say, as you were saying. My grandmother used

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Speaker 3: to say it was really it was brilliant.

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Speaker 1: So I've only got a few stories.

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Speaker 3: No, and then this, hold on, I'll get to what

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Speaker 3: you said at dinner. But this weekend you also said

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Speaker 3: a joke or you said a song lyric or something,

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Speaker 3: and I knew the joke. No, I knew the joke.

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Speaker 3: What was the joke that I knew this weekend? And

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Speaker 3: you go, how do you know that joke? Because it

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Speaker 3: was a really obscure joke? And I gase, you've told

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Speaker 3: me a thousands what about.

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Speaker 1: The guy who is though you didn't know that one,

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Speaker 1: but the guy Who's.

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Speaker 3: No, I didn't know that one. It was a different one.

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Speaker 3: And I got the punchline, and you were like, God,

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Speaker 3: you're just such a great comedic mind. And I'm like, no,

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Speaker 3: I've heard you tell that eight times and you go,

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Speaker 3: there's no way, and I'm like, I would never have

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Speaker 3: figured out this old street joke otherwise. And but this okay.

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Speaker 3: So we're sitting at dinner and we're eating and we're like, God,

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Speaker 3: this is so good, and my what did you say?

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Speaker 1: Just know? Well, I just mentioned somebody said to you know,

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Speaker 1: what's what's the secret to it? And I said, my

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Speaker 1: grandma used to say when we'd ask her why something

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Speaker 1: was so good, she said she used to say, I

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Speaker 1: spit in.

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Speaker 3: It, but he kept saying it. No, we said it

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Speaker 3: was said twice and there was a final one that

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Speaker 3: really everyone had a full mouth of food and you

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Speaker 3: were like, my grandma just said I would just spit

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Speaker 3: in it. And we're all just like like eating this

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Speaker 3: like salad. It is good and my grandma, but it's

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Speaker 3: not good at dinner. And I'm not one of a person.

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Speaker 1: That really you know the family better than you do.

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Speaker 3: They know her well, you don't know my aversions that,

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Speaker 3: but I felt I felt gross eating that salad after

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Speaker 3: you said that you didn't do you have that thing

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Speaker 3: where if someone talks about in the gross while you're eating,

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Speaker 3: you can't eat still a little bit, I have it.

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Speaker 3: I didn't think I would have it. And I used

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Speaker 3: to always get really annoyed when people would quit me,

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Speaker 3: quit me, I'm just making up new things. They would

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Speaker 3: make me stop talking about gross things while we're eating.

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Speaker 3: I just feel like, grow up. But it's not even

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Speaker 3: a you can really grow up from. It's not immaturity,

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Speaker 3: it's actual like okay, they're actually thinking about it because

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Speaker 3: some people can change. Yeah, I can change other people can't.

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Speaker 3: I can turn into someone who can be a verb. Yeah,

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Speaker 3: well you can get weirder and more neurotic and worse.

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Speaker 3: I guess is what it is. I think it's cooler

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Speaker 3: to be able to talk about gross things and eat.

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Speaker 1: I agree, it's fun.

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Speaker 4: I like talking about shut you down if you're like, yeah,

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Speaker 4: you know, I had to go to the doctor and

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Speaker 4: they took blood and then I had to get a

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Speaker 4: sample and they're like, can you not we're eating?

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Speaker 3: Yes, it's shame.

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Speaker 4: You just stop with shame talk.

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Speaker 3: Oh god, I don't want to what's wrong with you?

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Speaker 1: That?

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Speaker 3: Like, what's wrong with you?

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Speaker 1: Vibe?

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Speaker 3: Even though I just did? That's a dad? What's wrong

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Speaker 3: with you for bringing that up? It was just it

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Speaker 3: was just funny.

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Speaker 4: Say well, I spit in your food, so now what Yeah,

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Speaker 4: if they do that to me, I go up to

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Speaker 4: people at the gas station and like, I spit in

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Speaker 4: your drink. Just tell them that, even though there's no

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Speaker 4: way I could have. It's a great prink.

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Speaker 3: April fools, spit in.

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Speaker 4: Your drink before you drink?

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Speaker 1: That? Did anyone else anybody else get April fooled at all?

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Speaker 1: Brian No.

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Speaker 4: Trump tried to do an April fool where he sent

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Speaker 4: an email to all of his followers saying that he's

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Speaker 4: suspending his campaign. That's pretty funny. Really, yeah he did,

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Speaker 4: God he is.

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Speaker 1: He had actually had a sense of humor for a minute.

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Speaker 4: Yeah, And at the bottom of it it said, I

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Speaker 4: will never surrender, just like just kidding. I'm never surrendered it.

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Speaker 3: Oh yeah, what are you doing on the list?

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Speaker 4: I just donated a couple.

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Speaker 3: Of dollars dollars a month.

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Speaker 4: The oil company does it for tax reasons, so the

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Speaker 4: oil company owned.

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Speaker 2: Do you get pranked?

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Speaker 4: Huh?

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Speaker 2: A couple of us got pranked on Girls Chap by

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Speaker 2: Kirsten Mom.

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Speaker 3: Oh yeah, that was not God, that was a little

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Speaker 3: too much. She's Kirsten's mom sent her a text that

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Speaker 3: was like, we're over at your house and there's a

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Speaker 3: squirrel loose in the house. The Corey's not home, but

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Speaker 3: dogs are freaking out. And then she just let it sit.

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Speaker 3: She like forgot to relieve the prank. And then Kirston

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Speaker 3: sent us that text and I'm in the middle of

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Speaker 3: talking about something mundane and I'm like, oh no, Kirsten's

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Speaker 3: house is being destroyed, right now I can't really finish

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Speaker 3: this paragraph that I was in the middle of being like,

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Speaker 3: do you guys think my hair would look like cooler

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Speaker 3: if I got maybe some like So the girl's CHD

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Speaker 3: is oftentimes you have to like really read the room first.

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Speaker 3: And that's why we even stated a thing because sometimes

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Speaker 3: you want to go on and just dump what's going

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Speaker 3: on in your life, and you don't have time to

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Speaker 3: catch up on the ninety seven messages that have accrued

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Speaker 3: within three hours that morning. So and that's not even

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Speaker 3: our number, it's literally how quickly it happens. And so

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Speaker 3: you just want to put in your thing. So we

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Speaker 3: we instated a rule where you just say this is

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Speaker 3: a drive by, and that means that you have not

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Speaker 3: had time to catch up. You're just dumping something. So

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Speaker 3: we are not If someone's grandma died and you're talking

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Speaker 3: about how you don't have any clothes, you get forgiven

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Speaker 3: for being out of context because.

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Speaker 1: So doing on girls talk, she's not she.

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Speaker 3: Just she just sent the text message that her mom

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Speaker 3: sent her and then she didn't tell us that it

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Speaker 3: was April fools. So we're all like, I hope your

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Speaker 3: home's okay, poor girly I know stressed. Yeah, so we

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Speaker 3: were all, yeah, I got I got I got got

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Speaker 3: by that pretty good. I don't like April fools. I

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Speaker 3: don't like pranks. I don't like We've talked about it before,

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Speaker 3: but your brain is malleable to trauma. So when you

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Speaker 3: and trauma can be when you think something horrible has happened,

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Speaker 3: or you think something out of character for someone has happened.

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Speaker 3: So when you see something crazy happen, your brain goes

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Speaker 3: through an event. And then any amount of just kidding,

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Speaker 3: oh my god, it was a joke is not going

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Speaker 3: to repair what the synapse is that just fired to

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Speaker 3: make something new in your brain that will haunt you

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Speaker 3: the rest of your life.

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Speaker 1: You know, it's not good for fools. I was starting

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Speaker 1: a company in Denver, Colorado, long ago, and we were

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Speaker 1: selling advertising and we were struggling, and a major sponsor

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Speaker 1: ad was like four hundred dollars. It was a big

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Speaker 1: deal if you sold one. So I went out to

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Speaker 1: lunch and some of the sales reps put a sale

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Speaker 1: in this bin that was a Chinese restaurant that bought

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Speaker 1: the major sponsor ad for Boulder, Colorado, and it was

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Speaker 1: our first map, first thing we had done. So I

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Speaker 1: was like, look at this. We sold a major sponsor ad.

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Speaker 1: So I went up and handed the rep a fifty

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Speaker 1: dollars bill and said, you get fifty dollars. But I

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Speaker 1: looked at the name on the The owner of the

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Speaker 1: restaurant was called was named We Fu You.

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Speaker 4: That.

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Speaker 3: It was pretty good, classic, but the races. This guy

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Speaker 3: felt really bad in the seventies.

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Speaker 1: Sorry for that.

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Speaker 3: Oh no, no, no, that that's pretty good. Yeah, I'm trying

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Speaker 3: to think of times I've been.

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Speaker 4: Really on you because We Fu You went on to

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Speaker 4: found Amway Global and now he's.

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Speaker 3: Telling you, well, I got got at the Mark Twain Prize.

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Speaker 3: You'll have to see it. Yeah, we got fooled wet.

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Speaker 3: It was really funny. Yeah, yeah, we were What did

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Speaker 3: you say.

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Speaker 4: It wasn't actually Kevin Hart.

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Speaker 3: Yeah it was. I can't think of someone else who

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Speaker 3: looks like him.

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Speaker 1: Gary Coleman.

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Speaker 3: Oh yeah, that's a good one.

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Speaker 4: That's good.

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Speaker 3: He's a short black man. No, it was really, it

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Speaker 3: was good, and we all got tricked. It's just so

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Speaker 3: embarrassing to get trick because the worst ones is when

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Speaker 3: you get excited and then you get sad like that.

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Speaker 3: That's what they thought, then the trauma comes after of like, okay.

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Speaker 4: Something like if someone told you you got something and

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Speaker 4: then they say, actually you didn't, like that would be

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Speaker 4: just cruel.

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Speaker 3: God. I recently lost out on something and I'm not

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Speaker 3: gonna talk about it yet, but I thought I was

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Speaker 3: doing something really really amazing and then it got taken away, and.

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Speaker 2: Oh, good ship.

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Speaker 3: I don't think I've told you it's not happening. I

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Speaker 3: already told you. Yeah, yeah, I don't care at all,

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Speaker 3: because even though it was the biggest thing I may

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Speaker 3: have done in my whole life career wise, it's like

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Speaker 3: it's just not time. Or like the times I've missed

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Speaker 3: out on meeting Taylor Swift, I thought I was going

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Speaker 3: to meet Taylor Swift, or I thought I was going

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Speaker 3: to meet Travis Kelcey, or you know, I thought, if

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Speaker 3: you want to hear that story, you got to listen

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Speaker 3: to the Diamond Players Special Intrusive Thoughts episode that's behind

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Speaker 3: a paywall five dollars a month if you want to

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Speaker 3: become a Big Money Player's Diamond member.

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Speaker 4: Yeah, real gossip about Bosh on this.

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Speaker 3: Okay, we don't give it all, right, well we keep it.

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Speaker 3: Get there. If you listen to a truceive thoughts. You

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Speaker 3: know the rules. You keep it there. You don't talk

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Speaker 3: about it on the message board. You don't talk about

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Speaker 3: to other Nicculator podcast fans unless they are like in

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Speaker 3: the Secret of Silence. Yeah, you don't share publicly. It's

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Speaker 3: like our one place where we can really spit fire

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Speaker 3: really is a paywall. It's like twenty minute podcast extra

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Speaker 3: once a month where you get all the time.

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Speaker 4: This particular takeaway doesn't hurt as much, I think is

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Speaker 4: because you know, it's not all on you, Like you know,

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Speaker 4: the other people that were involved here are great and

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Speaker 4: are big deals. So it's like fall on me.

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Speaker 3: Okay, yes, that is true. That softens the blow when

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Speaker 3: it's like a strolective team team failure, I guess or

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Speaker 3: whatever it is, like.

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Speaker 1: It's everybody feels shitty.

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Speaker 3: Yeah, but like also, even if it was me, I

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Speaker 3: don't care because I it it doesn't it's okay, I don't.

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Speaker 3: I don't need everything this business has to offer. I

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Speaker 3: think there are some people that are like, I need

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Speaker 3: to make tens of millions of dollars and I've got

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Speaker 3: to play arenas and stadiums or and I have to

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Speaker 3: have my own show like this or have this many followers.

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Speaker 3: I just don't. I don't know why. I don't care

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Speaker 3: about that right now, But I do care about some stuff,

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Speaker 3: and I don't know what the difference is.

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Speaker 1: You do care about podcast listeners.

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Speaker 3: Yeah, but I don't. Actually, I don't look at the

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Speaker 3: numbers at all. If you know, you might not know

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Speaker 3: this about me, But I don't know how many people

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Speaker 3: listen to the show. It's not that I don't care.

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Speaker 3: I love all my listeners, but it in my mind,

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Speaker 3: I don't even have a number. So if you told

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Speaker 3: me a number, it wouldn't even disappoint me. It would

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Speaker 3: only disappoint me, to be honest with you, because in

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Speaker 3: my mind the number could be infantismal. So I don't

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Speaker 3: like to know numbers. In fact, my dad comes to

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Speaker 3: my shows a lot, and we'll be in the green

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Speaker 3: room beforehand and it'll be like, so, how many tickets

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Speaker 3: you so tonight, which is a normal question to answer.

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Speaker 1: Oh no, when it's sold out, I say, so, how

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Speaker 1: big is this theory?

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Speaker 3: No? No, no, no, no no, no, this happened one time. Yes,

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Speaker 3: you go, because first of all, if you know your

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Speaker 3: daughter and I don't sell poorly, So it's you weren't

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Speaker 3: stepping into a trap of me being like I didn't

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Speaker 3: sell any tickets, but you did ask, and I was like,

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Speaker 3: I don't want to know. I don't know until I

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Speaker 3: walk out there, because I can't do anything about it.

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Speaker 3: I mean, I guess I could. They asked me to

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Speaker 3: send a video promote my April shows, they being the

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Speaker 3: promoter and company. Yeah, no, the promoter who does like

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Speaker 3: covers a bunch of shows. And they asked me to, like, hey,

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Speaker 3: will you make a video to tell more people about

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Speaker 3: April shows?

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Speaker 4: Yeah?

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Speaker 3: And this came through on Thursday, and I had this

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Speaker 3: weekend off, which means no hair and makeup, Like I'm

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Speaker 3: not looking pretty at all this weekend for any reason.

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Speaker 3: And I just don't feel like it. I don't, I don't.

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Speaker 3: I don't know how to make Hey, guys. In April,

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Speaker 3: I'm gonna be in uh, I can't even think of

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Speaker 3: the names right now, Temecula, California. And then I'm gonna

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Speaker 3: be in port or not port Chester. I'm gonna be

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Speaker 3: in New York.

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Speaker 4: You're gonna be in Huntington.

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Speaker 3: Yeah, Huntington, New York.

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Speaker 1: Yeah.

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Speaker 3: Where else am I gonna be Indiana.

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Speaker 2: No, no, no, that was just there.

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Speaker 3: Yeah. Yeah, Saint Louis, Missouri, April twenty seventh, Wakekegan, Illinois.

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Speaker 3: It's hard for me to because when I watch other

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Speaker 3: comedians do, though, I kind of go like, how are

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Speaker 3: you gonna make this creative? Because it's so it's just

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Speaker 3: hard to make that fun.

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Speaker 1: It's people like it. They want to know, So don't

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Speaker 1: feel don't.

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Speaker 3: I did read a good thing about how someone said

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Speaker 3: if you're having trouble promoting yourself, imagine you work for

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Speaker 3: an ad agency and you just got your name in

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Speaker 3: front of you and you like have pretend you're someone else.

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Speaker 4: Oh yeah, that always works. It works for everything.

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Speaker 3: Yeah, it really does, if you just do someone else's homework.

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Speaker 3: I used to do with my sisters. This weekend, Anya

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Speaker 3: and I got on the phone and I came up

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Speaker 3: with a marketing scheme for her next album, and she

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Speaker 3: because she was like totally stuck in being like I

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Speaker 3: don't even know what to do and just having those

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Speaker 3: like doubts that you have about yourself, and then I

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Speaker 3: just said a couple of things and she was like,

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Speaker 3: oh my god, that makes so much sense. And I

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Speaker 3: was like, why can't I do this for myself, and

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Speaker 3: then I did. I came up with an idea, but

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Speaker 3: I haven't gotten the video edited yet. I gave it

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Speaker 3: to someone. I had my parents do a review of

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Speaker 3: my show that they saw in Cincinnati to promote. I

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Speaker 3: think that's a good idea to be like, Hey, here's

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Speaker 3: what you're gonna get from Nikki Glazer Good Girl Tour.

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Speaker 3: Final stages of the Good Girl Tour performance and my

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Speaker 3: dad said, I said, what was your favorite part of

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Speaker 3: the show? And my dad said, just you know, having

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Speaker 3: my daughter walk out on stage. Seeing my daughter walk

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Speaker 3: out stage, and I go, okay, well, can you make

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Speaker 3: it an experience that anyone else who isn't fine? I

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Speaker 3: know you just walked in after going to the bathroom.

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Speaker 4: I was already interviewed with Greid. If you gave that

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Speaker 4: to people there in your shows, you can let your

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Speaker 4: daughter walk on stage, I.

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Speaker 3: Should allow that. For an extra fifty bucks, you can

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Speaker 3: have your daughter come in before the show starts and

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Speaker 3: we can intro her with her favorite song.

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Speaker 4: Well, I just didn't want to more than fifty bucks.

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Speaker 1: I didn't want to say my favorite part was was

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Speaker 1: My My favorite part was Brian opening. I didn't want to.

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Speaker 3: Say that that would have been funny, that would have

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Speaker 3: been good. Yeah, it was, so I gave them that video.

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Speaker 3: But then I realized, like, you kinda gotta be in

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Speaker 3: it to get to get people's.

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Speaker 1: Eyes rather than just put up a poster with you.

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Speaker 3: Like, if you see just two older people, no offense

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Speaker 3: in a poorly lit kitchen there, no one's gonna be like,

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Speaker 3: what's it like because it's muted for them, right, Like

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Speaker 3: they don't even know the context of it. So I'll

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Speaker 3: have to have some kind of like image first something.

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Speaker 4: It's easy. You show you, you show you, yougo, I'm

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Speaker 4: gonna ask my parents blah blah blah. Yeah, and you

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Speaker 4: even have it in the title point of view. You

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Speaker 4: ask your parents about your show or whatever in the

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Speaker 4: title that's on the screen.

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Speaker 2: And people want to see your parents, they.

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Speaker 3: Do, but they just have to know it's my parents before,

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Speaker 3: like they can't if you just saw them and you're

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Speaker 3: not familiar with my parents. If you know my parents,

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Speaker 3: you'd absolutely stop on the video because they're fucking gold

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Speaker 3: in terms of comedy. But if you don't know them,

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Speaker 3: you just be like, you know, you need shiny things,

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Speaker 3: even I need shiny things. That's why I don't like

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Speaker 3: to be on camera with no makeup and just like

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Speaker 3: a sad gray sweatshirt on it. Just that is not

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Speaker 3: going to catch the eye. That's why I always used

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Speaker 3: to say, like Andrew used to promote his shows or

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Speaker 3: do his cameos like in a dark room, and I'm like,

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00:16:54,120 --> 00:16:56,080
Speaker 3: it's fine because you get the job done, but like

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Speaker 3: it does have to be visually interesting. There is a part.

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Speaker 3: Good lighting is essential for good fast oh.

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Speaker 4: And fast moving, not really fast, but fast.

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Speaker 3: Cuts Taylor Swift, but put her in and I'll get

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Speaker 3: literally anything with her in. It shows up on my

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Speaker 3: feet and people send me stuff all the time.

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Speaker 4: What's your feed my feet out? I don't get any

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Speaker 4: Taylor Swift things? Do you not?

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Speaker 3: You get Sidney Sweeney's gigantic tits? I get those constantly. Oh,

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00:17:26,280 --> 00:17:30,719
Speaker 3: you can teach the algorithm very quickly. They learn that

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Speaker 3: you are fascinated by her boobs. In fact, I have

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Speaker 3: so many they've I've been watching Swidney Swingey so much

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Speaker 3: and her big boobs. But it's not even I'm watching

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Speaker 3: her boobs. I just like her face and like how

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Speaker 3: she talks, like I'm trying to work on an impression

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Speaker 3: of her that was horrible, but I am gonna nail

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Speaker 3: it at some point. But the algorithm thinks I have

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Speaker 3: big boobs because it sent me a targeted ad for

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Speaker 3: ras that are D triple D through like quadruple F

399
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Speaker 3: and they're like for you, girl, and I'm like, it's

400
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Speaker 3: targeted ads are so fast.

401
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Speaker 4: What we should do when we get back from break

402
00:18:03,800 --> 00:18:05,880
Speaker 4: is go into your Instagram, open it up, and then

403
00:18:05,920 --> 00:18:08,399
Speaker 4: click on the search and see what's being suggested to

404
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Speaker 4: you right now, let's get care. Yeah, are embarrassing. It

405
00:18:12,000 --> 00:18:14,600
Speaker 4: can be embarrassing, Like you don't sometimes you don't want

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Speaker 4: your boyfriend or girlfriend to be looking at over your shoulder.

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Speaker 3: I read about it on Reddit last night. There was

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Speaker 3: a girl that was like, hey, I saw my boyfriend's

409
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Speaker 3: Explore page and it was all fourteen year old looking girls.

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00:18:25,520 --> 00:18:28,040
Speaker 3: And then every I was like, Okay, he's busted, Like

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Speaker 3: he's definitely looking at that stuff because otherwise it wouldn't

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Speaker 3: show up. And then everyone in the subred it was like, no,

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Speaker 3: they just send me stuff sometimes and I don't even

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Speaker 3: look at that. I'm like, no, I'm sorry. My Explore

415
00:18:38,520 --> 00:18:41,920
Speaker 3: page kind of freaking nails it. Yeah, okay, so let's

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Speaker 3: look at it when we come back from break right

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Speaker 3: after this. Okay, we're back. I'm pulling up my Explore page.

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Speaker 3: You have to do it too, Brian.

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Speaker 4: What does explore it?

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Speaker 3: That's like you press on the little magnifying glass right here. Huh.

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00:18:55,200 --> 00:18:57,080
Speaker 3: And it has all like different videos that you would like.

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Speaker 1: Is that on Reddit? You're talking about our Instagram?

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00:18:59,640 --> 00:19:02,919
Speaker 3: It's on Instagram? Okay, okay, So my first one is

424
00:19:02,920 --> 00:19:04,600
Speaker 3: a man in his car and it's like a therapy

425
00:19:04,680 --> 00:19:06,720
Speaker 3: video and he's it's it just the title is how

426
00:19:06,720 --> 00:19:12,080
Speaker 3: to Stop Oversharing? So and then there's okay, so let's

427
00:19:12,080 --> 00:19:15,399
Speaker 3: see there's one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve,

428
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Speaker 3: thirteen boxes. I can see how many of those boxes?

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Speaker 3: And thirteen, by the way, Taylor Swift? How many do

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00:19:21,240 --> 00:19:23,240
Speaker 3: you think are Taylor Swift? Out of those thirteen?

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Speaker 4: Can at least yeah?

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Speaker 3: One, two, three, four, five, only five?

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00:19:31,200 --> 00:19:31,960
Speaker 1: I have two?

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00:19:32,440 --> 00:19:33,240
Speaker 2: I have two tailors?

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00:19:33,280 --> 00:19:37,479
Speaker 3: Oh my god, yes, dad, Explorer page.

436
00:19:37,600 --> 00:19:41,639
Speaker 1: Yeah, you pressed a little Paul McCartney.

437
00:19:41,160 --> 00:19:41,960
Speaker 3: Okay, and he's your tail?

438
00:19:42,080 --> 00:19:43,600
Speaker 1: Can I see Christopher Hitchens?

439
00:19:43,800 --> 00:19:47,280
Speaker 3: Okay, he's another tail Richard Dawkins, yep, Okay, you're like

440
00:19:47,800 --> 00:19:51,200
Speaker 3: coming out of this pretty well. Any any sexy materials?

441
00:19:51,600 --> 00:19:53,000
Speaker 1: I don't have my glasses on written can I.

442
00:19:53,000 --> 00:19:55,480
Speaker 3: See any sexy material?

443
00:19:55,600 --> 00:19:56,440
Speaker 2: Is that what you just said?

444
00:19:57,000 --> 00:20:00,639
Speaker 3: Like if there's any like, oh no, it's like Paul McCartney, Okay,

445
00:20:00,680 --> 00:20:03,040
Speaker 3: there's one girl that's kind of like hot, but it's

446
00:20:03,040 --> 00:20:06,880
Speaker 3: like a prank show or something, Billy Crystal, Paul McCartney.

447
00:20:06,960 --> 00:20:09,359
Speaker 3: You have three Paul McCartney's. You have George Harrison, you

448
00:20:09,359 --> 00:20:13,040
Speaker 3: have a Ricky Gervais, you have a Jerry Garcia, and

449
00:20:13,080 --> 00:20:15,920
Speaker 3: you have a Bill Hayter, and you have Eckart Tole

450
00:20:16,400 --> 00:20:21,879
Speaker 3: who's wow, the power of Now guy who talksk force

451
00:20:28,880 --> 00:20:34,240
Speaker 3: literally holds the key to my happiness in his brain.

452
00:20:34,560 --> 00:20:37,440
Speaker 3: And I cannot get through any of the books because

453
00:20:37,440 --> 00:20:41,960
Speaker 3: they are too they're the wording is just too I

454
00:20:42,000 --> 00:20:44,399
Speaker 3: don't know, it doesn't connect with me. And then I

455
00:20:44,440 --> 00:20:45,400
Speaker 3: try to listen to him.

456
00:20:45,320 --> 00:20:47,560
Speaker 1: Talk and like, who is he a self helped Gut

457
00:20:47,600 --> 00:20:48,760
Speaker 1: yourself radio?

458
00:20:49,400 --> 00:20:53,000
Speaker 3: Let me let me neross.

459
00:20:53,920 --> 00:20:54,520
Speaker 4: Power of Now.

460
00:20:54,640 --> 00:20:57,320
Speaker 1: It sounds like Robert F. Kennedy. I can't listen. Robert F.

461
00:20:57,400 --> 00:20:59,480
Speaker 3: Kennedy is a different Like that's a damage. This is

462
00:20:59,600 --> 00:21:00,280
Speaker 3: just a.

463
00:21:01,359 --> 00:21:03,760
Speaker 4: Inside yourself, take one step.

464
00:21:04,160 --> 00:21:05,240
Speaker 2: Oh, nailed it?

465
00:21:06,000 --> 00:21:14,679
Speaker 3: Going everyone people like get better because of that voice. Okay,

466
00:21:15,640 --> 00:21:16,360
Speaker 3: then I have a.

467
00:21:18,240 --> 00:21:18,760
Speaker 4: Uh.

468
00:21:18,880 --> 00:21:20,600
Speaker 3: I often have a lot of people who I've talked

469
00:21:20,600 --> 00:21:25,040
Speaker 3: about this before, disfigured people, people who are gravely obese

470
00:21:25,920 --> 00:21:29,720
Speaker 3: and who are living with like bodies that make them

471
00:21:29,840 --> 00:21:34,280
Speaker 3: very noticeable in public and maybe feel shame, but they're

472
00:21:34,320 --> 00:21:37,840
Speaker 3: like they're really uh outspoken about it. So like I

473
00:21:37,880 --> 00:21:41,000
Speaker 3: have really people who are horribly disfigured or really really

474
00:21:41,040 --> 00:21:43,960
Speaker 3: obese talking about like I love myself. So I have

475
00:21:43,960 --> 00:21:46,320
Speaker 3: a lot of that, which I think is good.

476
00:21:47,080 --> 00:21:51,440
Speaker 4: Do you have reason there?

477
00:21:52,080 --> 00:21:56,280
Speaker 3: That's a funny choice for that one. Yeah, horribly disfigured. No,

478
00:21:56,359 --> 00:21:57,639
Speaker 3: that was a safe one because you don't want to

479
00:21:57,640 --> 00:22:01,680
Speaker 3: make someone who actually is ugly. I have Holly Madison

480
00:22:01,720 --> 00:22:06,239
Speaker 3: talking about probably Huefner raping her. I have And then

481
00:22:06,280 --> 00:22:09,360
Speaker 3: I have a lot a lot of glute workouts.

482
00:22:09,680 --> 00:22:10,320
Speaker 4: That's ye.

483
00:22:11,119 --> 00:22:13,520
Speaker 3: That looks like a pervy dude because it's all women

484
00:22:13,640 --> 00:22:14,360
Speaker 3: and their glutes.

485
00:22:15,280 --> 00:22:17,520
Speaker 4: Yeah. Do you watch workouts on Instagram?

486
00:22:17,720 --> 00:22:18,080
Speaker 3: Tons?

487
00:22:18,560 --> 00:22:19,000
Speaker 4: Tons?

488
00:22:19,040 --> 00:22:19,760
Speaker 3: And do I do that?

489
00:22:20,400 --> 00:22:23,480
Speaker 4: No? What do you mean like a preview of it?

490
00:22:23,600 --> 00:22:25,639
Speaker 4: Because it's only like a preview or a highlight of

491
00:22:25,680 --> 00:22:26,280
Speaker 4: a glute worker.

492
00:22:26,640 --> 00:22:29,720
Speaker 3: It's just like mean Irish woman yelling at me about like,

493
00:22:29,800 --> 00:22:32,679
Speaker 3: if this is the way you're doing your glutes on

494
00:22:32,720 --> 00:22:35,119
Speaker 3: the right track, you girls are wasting your time in

495
00:22:35,160 --> 00:22:37,719
Speaker 3: the gym if you're not doing a lean forward, what

496
00:22:37,760 --> 00:22:40,240
Speaker 3: are you even doing? And she she does not sound

497
00:22:40,240 --> 00:22:42,160
Speaker 3: like that, but she is really aggressive and really mean,

498
00:22:42,200 --> 00:22:43,920
Speaker 3: and I love her because she just like yells at

499
00:22:43,920 --> 00:22:47,480
Speaker 3: you about thinking you're cool at the gym. And and

500
00:22:47,520 --> 00:22:49,760
Speaker 3: I've become obsessed. We'll talk about it in a second.

501
00:22:49,760 --> 00:22:56,399
Speaker 3: I've become literally my new obsession is fixing my pelvic tilt,

502
00:22:56,760 --> 00:22:58,840
Speaker 3: which has a lot to do with my glutes.

503
00:22:59,320 --> 00:23:01,480
Speaker 1: You know what that is? Oh?

504
00:23:01,520 --> 00:23:02,879
Speaker 4: Yeah, I know about pelvic tilt.

505
00:23:03,240 --> 00:23:04,280
Speaker 1: Yeah you do. Well.

506
00:23:04,280 --> 00:23:06,479
Speaker 4: I had chronic pelvic pain for six years, so I

507
00:23:06,560 --> 00:23:08,080
Speaker 4: know everything you can do with a pelvis.

508
00:23:08,160 --> 00:23:09,560
Speaker 3: What kind of pelvic tilt did you have?

509
00:23:10,119 --> 00:23:14,439
Speaker 4: I don't know. I just know, posh, I don't know.

510
00:23:14,560 --> 00:23:18,320
Speaker 4: I just know an exercise, several pelvic tilt exercises I'd

511
00:23:18,359 --> 00:23:19,359
Speaker 4: have done in the past.

512
00:23:19,640 --> 00:23:21,919
Speaker 3: Okay, well, I need to know what tilt you have

513
00:23:22,000 --> 00:23:23,840
Speaker 3: because I've my dad and I got it from a

514
00:23:23,920 --> 00:23:29,000
Speaker 3: data we have posterior pelvic tilt. No, it's not a fault.

515
00:23:29,359 --> 00:23:30,879
Speaker 3: I don't have any pain from it. Let me be

516
00:23:31,000 --> 00:23:35,159
Speaker 3: very clear. Posterior pelvic pit tilt it's when you're pelvis.

517
00:23:35,200 --> 00:23:37,439
Speaker 3: If your pelvis is neutral, it's just like this. If

518
00:23:37,440 --> 00:23:41,399
Speaker 3: you're watching the video right, it's like a board is

519
00:23:41,520 --> 00:23:44,679
Speaker 3: just floating neutrally in the air. And if you have

520
00:23:45,440 --> 00:23:49,040
Speaker 3: posterior pelvic tilt, that means that board goes like this

521
00:23:49,480 --> 00:23:53,800
Speaker 3: and your glutes tuck under and it tips forward. Or no, no,

522
00:23:53,880 --> 00:23:57,600
Speaker 3: that's sorry, that's anterior posterior is this is back. So

523
00:23:57,680 --> 00:24:00,600
Speaker 3: if you're if your hips are like a buck of water,

524
00:24:01,040 --> 00:24:04,879
Speaker 3: there's water spilling out of your back because your pelvis.

525
00:24:04,480 --> 00:24:06,440
Speaker 4: Is tilted, and then makes you look smaller.

526
00:24:06,560 --> 00:24:08,359
Speaker 3: It makes your butt look so small. So this is

527
00:24:09,240 --> 00:24:12,040
Speaker 3: seriously changed my life because my whole life I've been like,

528
00:24:12,080 --> 00:24:14,560
Speaker 3: I know, I don't have no butt, but for some reason,

529
00:24:14,640 --> 00:24:16,400
Speaker 3: when I do have a butt, it never shows up.

530
00:24:16,640 --> 00:24:18,720
Speaker 3: And why do some girls have like such a small

531
00:24:18,720 --> 00:24:20,720
Speaker 3: butt but you can still see it. There's like there's

532
00:24:20,760 --> 00:24:22,840
Speaker 3: their back and then it goes whoop and there's a

533
00:24:22,920 --> 00:24:25,840
Speaker 3: slope and then their butt. It's because they have anterior

534
00:24:25,880 --> 00:24:28,640
Speaker 3: pelvic tilt, which is what most people are trying to leave.

535
00:24:28,680 --> 00:24:31,480
Speaker 3: Posterior pelvic tilt is the other one, and it makes

536
00:24:31,520 --> 00:24:33,800
Speaker 3: your butt go under and it look makes you look

537
00:24:33,840 --> 00:24:37,560
Speaker 3: like a banana because your hips are going forward and

538
00:24:37,600 --> 00:24:41,800
Speaker 3: your and your butt is tucked in. And I am

539
00:24:42,119 --> 00:24:46,080
Speaker 3: on a mission to reverse my posteria pelvic delt, which

540
00:24:46,080 --> 00:24:49,080
Speaker 3: I've had my entire life because we saw videos from

541
00:24:49,080 --> 00:24:50,159
Speaker 3: my childhood.

542
00:24:50,240 --> 00:24:52,280
Speaker 4: You saw the tilt this weekend.

543
00:24:52,560 --> 00:24:53,439
Speaker 3: I had it at eleven.

544
00:24:53,800 --> 00:24:55,840
Speaker 1: Can you achieve that though that's really doable.

545
00:24:55,600 --> 00:24:59,320
Speaker 3: It's going to be so difficult, and it really is

546
00:24:59,359 --> 00:25:05,800
Speaker 3: an hour of added stretching and rolling out and concentrated strength.

547
00:25:06,160 --> 00:25:18,880
Speaker 3: Told me, he said yeah, he said he would just say,

548
00:25:19,000 --> 00:25:22,320
Speaker 3: don't even know. Pretty much everyone told me that it's

549
00:25:22,359 --> 00:25:24,720
Speaker 3: not going to be possible, like all my teachers and stuff.

550
00:25:24,960 --> 00:25:27,560
Speaker 3: But I've become like obsessed with Tom Brady because of

551
00:25:27,600 --> 00:25:31,640
Speaker 3: the rolling out, because of the stretching and pliability method

552
00:25:31,720 --> 00:25:36,240
Speaker 3: that he's obsessed with. And TB twelve also has posterior

553
00:25:36,280 --> 00:25:36,840
Speaker 3: pelvic tilt.

554
00:25:37,040 --> 00:25:39,720
Speaker 1: Twelve is this is there a book out that shows Yes.

555
00:25:39,720 --> 00:25:41,360
Speaker 3: There is a book and I got it and I'm

556
00:25:41,920 --> 00:25:45,040
Speaker 3: reading it religiously and pouring over every word. I'm obsessed

557
00:25:45,040 --> 00:25:48,960
Speaker 3: with Tom Brady. It's not an athlete. Oh, Brian, I

558
00:25:49,080 --> 00:25:51,239
Speaker 3: don't even he's going to get his coffee. I got

559
00:25:51,280 --> 00:25:53,560
Speaker 3: mine too. It's a gigantic book. It is a bible,

560
00:25:53,760 --> 00:25:57,760
Speaker 3: it's a textbook. Oh he's getting his. I have mine

561
00:25:57,800 --> 00:26:01,520
Speaker 3: with me too. Mind's a half one.

562
00:26:02,040 --> 00:26:03,640
Speaker 1: Rolling of muscles, the stretching.

563
00:26:03,920 --> 00:26:07,960
Speaker 3: Yeah, I can't literally carry it on. Yeah, okay. So

564
00:26:08,240 --> 00:26:12,280
Speaker 3: because I'm fixing this posterior pelvic tilt, I always have

565
00:26:12,320 --> 00:26:16,440
Speaker 3: to be aware of what my uh pelvis is doing

566
00:26:16,960 --> 00:26:19,359
Speaker 3: and to in order to keep my pelvis in the

567
00:26:19,440 --> 00:26:21,239
Speaker 3: right position. I always have to be thinking about it.

568
00:26:21,240 --> 00:26:22,879
Speaker 3: It's not something that I can let go of, Like

569
00:26:23,080 --> 00:26:25,000
Speaker 3: you have to be focused because I will always go

570
00:26:25,000 --> 00:26:28,720
Speaker 3: back to tipping. Yeah kind of. But it's very hard

571
00:26:28,720 --> 00:26:30,720
Speaker 3: to maintain that when you're doing a thirty minute workout

572
00:26:30,720 --> 00:26:32,840
Speaker 3: on a treadmill where you're like trying to actually exert

573
00:26:32,840 --> 00:26:35,000
Speaker 3: yourself in other ways. So I went from doing a

574
00:26:35,119 --> 00:26:39,879
Speaker 3: really intense workout thirty minutes walking on an incline, running

575
00:26:39,920 --> 00:26:43,320
Speaker 3: on an incline, so brutal, so good, and now I

576
00:26:43,480 --> 00:26:46,720
Speaker 3: walk at a gingerly three miles per hour at a

577
00:26:46,400 --> 00:26:49,480
Speaker 3: very small incline because I have to keep this posterior

578
00:26:49,480 --> 00:26:51,679
Speaker 3: pelvic tilt. It is slowed down. Everything, all of my

579
00:26:51,680 --> 00:26:54,480
Speaker 3: pilates is now like I look like the biggest beginner

580
00:26:54,520 --> 00:26:57,959
Speaker 3: because I will not do any exercise in which my

581
00:26:58,160 --> 00:27:00,639
Speaker 3: pelvis is not in the right spot and it's so

582
00:27:00,800 --> 00:27:01,640
Speaker 3: hard to keep it there.

583
00:27:01,840 --> 00:27:03,240
Speaker 1: So now your stomach will stick out.

584
00:27:04,040 --> 00:27:06,399
Speaker 3: Well, that's what they say, but I if you tone

585
00:27:06,440 --> 00:27:09,960
Speaker 3: your abs right, it will not stick out, because you

586
00:27:10,000 --> 00:27:12,560
Speaker 3: got if you don't have a pooch, it won't stick out,

587
00:27:12,640 --> 00:27:14,280
Speaker 3: and I'd rather have it stick out. I love that

588
00:27:14,600 --> 00:27:17,520
Speaker 3: duck walk where girls just have a that butt sloping

589
00:27:17,600 --> 00:27:20,159
Speaker 3: off and like the belly in the front. I like

590
00:27:20,240 --> 00:27:22,560
Speaker 3: that look. I want that look. But how did you

591
00:27:22,600 --> 00:27:25,320
Speaker 3: find out about TV? Because I remember you talking to

592
00:27:25,320 --> 00:27:27,240
Speaker 3: me about Tom Brady's workout.

593
00:27:28,280 --> 00:27:30,239
Speaker 4: Oh. When I was diagnosed to that heart condition, I

594
00:27:30,280 --> 00:27:32,240
Speaker 4: was told I can no longer lift heavy weights, and

595
00:27:32,280 --> 00:27:34,359
Speaker 4: so I went on a search for a resistance SPAN's

596
00:27:34,400 --> 00:27:36,400
Speaker 4: workout and it just so happened to coincide with when

597
00:27:36,440 --> 00:27:39,960
Speaker 4: TV twelve came out, and so I got it. Yeah,

598
00:27:40,000 --> 00:27:42,119
Speaker 4: and so I got all the resistance Span stuff. Well,

599
00:27:42,160 --> 00:27:43,600
Speaker 4: actually it was a little bit after that so I

600
00:27:43,600 --> 00:27:46,320
Speaker 4: got the resistance Span stuff in like twenty nineteen, and

601
00:27:46,359 --> 00:27:49,680
Speaker 4: then if you're a call, the next your COVID happened

602
00:27:50,359 --> 00:27:53,040
Speaker 4: and all that we Yeah, COVID happened in twenty twenty,

603
00:27:53,480 --> 00:27:56,440
Speaker 4: and the gym's closed. You couldn't go to the gym anymore.

604
00:27:56,520 --> 00:28:00,880
Speaker 4: And then there was a run on things like resistance Span, right,

605
00:28:00,920 --> 00:28:02,960
Speaker 4: and you couldn't get them. They were all this backlock

606
00:28:03,000 --> 00:28:05,879
Speaker 4: supply chain. My god, but I already had all the

607
00:28:05,880 --> 00:28:08,280
Speaker 4: TV twelve stuff at home, and I had canceled my

608
00:28:08,320 --> 00:28:11,600
Speaker 4: gym membership because of the heart condition. What so TB

609
00:28:11,720 --> 00:28:14,479
Speaker 4: twelve saved me from being able to work out throughout COVID.

610
00:28:14,600 --> 00:28:16,960
Speaker 3: So with all my stuff, how much I haven't gotten

611
00:28:17,040 --> 00:28:19,280
Speaker 3: way into the book, but I'm familiar with Like he

612
00:28:19,280 --> 00:28:23,359
Speaker 3: talks about pliability more than like before him. He yeah,

613
00:28:23,359 --> 00:28:27,440
Speaker 3: he became says he met this this body mechanics guy

614
00:28:27,520 --> 00:28:32,199
Speaker 3: named Alex something, Yeah, and he taught him about this

615
00:28:32,280 --> 00:28:38,360
Speaker 3: really important part of you know, athletic healing and training,

616
00:28:38,400 --> 00:28:40,360
Speaker 3: which is pliability. Like you got to get into the

617
00:28:40,400 --> 00:28:44,040
Speaker 3: muscles and like mash them up and make them gummy

618
00:28:44,160 --> 00:28:46,240
Speaker 3: so that they're able to stretch, and then they're able

619
00:28:46,320 --> 00:28:48,800
Speaker 3: to be pliable so that the tendon that might have

620
00:28:48,880 --> 00:28:51,320
Speaker 3: the injury on it is not being pulled. All the

621
00:28:51,360 --> 00:28:53,400
Speaker 3: other muscles are stretched out so that tendon isn't being

622
00:28:53,440 --> 00:28:57,400
Speaker 3: pulled by those muscles around it. So he does this method.

623
00:28:57,440 --> 00:28:59,640
Speaker 3: Like I was watching this video last night of him

624
00:29:00,240 --> 00:29:02,920
Speaker 3: with his other teammates and he's trying to get them

625
00:29:02,920 --> 00:29:05,240
Speaker 3: on board with it, and they're all just like whatever. Man,

626
00:29:05,280 --> 00:29:07,440
Speaker 3: he's like getting rubbed out in massage, and I'm just like,

627
00:29:07,800 --> 00:29:11,320
Speaker 3: why would they not trust Tom Brady? A person that

628
00:29:11,440 --> 00:29:13,760
Speaker 3: went in and was the one hundred and ninety ninth pick,

629
00:29:14,120 --> 00:29:17,720
Speaker 3: sixth round draft pick, had no business ever becoming the

630
00:29:17,760 --> 00:29:21,200
Speaker 3: Tom Brady we know has like not a natural athletic.

631
00:29:21,240 --> 00:29:23,840
Speaker 3: Bill didn't have really any natural talents that people were

632
00:29:23,840 --> 00:29:25,280
Speaker 3: like these are. I mean, he has natural challes, but

633
00:29:25,440 --> 00:29:28,720
Speaker 3: he doesn't have He's tall, but he doesn't have a Bill. Yeah,

634
00:29:28,760 --> 00:29:31,240
Speaker 3: but he's tall, but he does not. If you look

635
00:29:31,280 --> 00:29:35,600
Speaker 3: at his draft report, it's abysmal in terms of describing

636
00:29:35,600 --> 00:29:36,120
Speaker 3: his body.

637
00:29:36,640 --> 00:29:41,080
Speaker 4: Yeah, no, they really ripped into his body, it was described. Yeah.

638
00:29:41,240 --> 00:29:41,560
Speaker 3: Yeah.

639
00:29:41,640 --> 00:29:43,120
Speaker 1: You know, you know who else is the athlete that

640
00:29:43,280 --> 00:29:47,880
Speaker 1: totally did all that? Like Djokovic, who's getting old and

641
00:29:47,960 --> 00:29:52,640
Speaker 1: he is a big proponent of flexibility and some instructor

642
00:29:52,720 --> 00:29:57,720
Speaker 1: from his home homes countries. I guess it's he's from

643
00:29:57,720 --> 00:30:00,800
Speaker 1: Sarajevo or something anyway, but this and has been his

644
00:30:00,960 --> 00:30:04,000
Speaker 1: mentor for thirty years. And yeah, it's all about stretching

645
00:30:04,040 --> 00:30:06,840
Speaker 1: and how flexible he is. Now, your flexibility is huge.

646
00:30:07,240 --> 00:30:10,440
Speaker 4: There's this amazing video of Patrick mahomes trainer where he

647
00:30:10,560 --> 00:30:13,120
Speaker 4: was tackled during the playoffs in a really awkward way

648
00:30:13,120 --> 00:30:15,320
Speaker 4: where he bent over kind of like a crab walk,

649
00:30:15,360 --> 00:30:19,080
Speaker 4: you know what I'm saying, Like his hands are protruded

650
00:30:19,120 --> 00:30:22,000
Speaker 4: and he's on his on it like basically doing a

651
00:30:22,040 --> 00:30:24,880
Speaker 4: crab walk. And he was tackled and pushed that way

652
00:30:24,920 --> 00:30:27,240
Speaker 4: forcefully and he just like hopped up and he was fine.

653
00:30:27,680 --> 00:30:30,680
Speaker 4: So then his trainer posted a video on Instagram being like,

654
00:30:30,960 --> 00:30:33,440
Speaker 4: the reason why Patrick Mahomes didn't get hurt on that

655
00:30:33,520 --> 00:30:35,880
Speaker 4: play is because of this, and then he showed a

656
00:30:35,920 --> 00:30:41,720
Speaker 4: supercut of Patrick Mahomes practicing that stretch over and over again. Yeah,

657
00:30:41,720 --> 00:30:42,880
Speaker 4: for like five years.

658
00:30:43,120 --> 00:30:43,479
Speaker 3: Yeah.

659
00:30:43,520 --> 00:30:44,760
Speaker 4: Wow, it's incredible.

660
00:30:44,920 --> 00:30:45,800
Speaker 3: Yeah, that's what they do.

661
00:30:45,880 --> 00:30:46,040
Speaker 4: That.

662
00:30:46,040 --> 00:30:49,760
Speaker 3: That's what Tom does, is like he practices the like

663
00:30:49,800 --> 00:30:51,600
Speaker 3: you know when you're lifting weights, Like how often are

664
00:30:51,640 --> 00:30:55,680
Speaker 3: you lifting things like this in your life? Or like

665
00:30:55,680 --> 00:30:58,880
Speaker 3: like this, we do this in bilodies all the time.

666
00:30:58,920 --> 00:31:01,880
Speaker 3: You have to do actual movements that your body really does.

667
00:31:02,120 --> 00:31:04,760
Speaker 3: But do you roll out, Brian.

668
00:31:04,760 --> 00:31:05,760
Speaker 4: As much as I should?

669
00:31:05,760 --> 00:31:10,960
Speaker 3: But I rolling out is fucking next level, dude. Chris

670
00:31:10,960 --> 00:31:12,600
Speaker 3: has been obsessed with rolling out for so long, and

671
00:31:12,640 --> 00:31:14,280
Speaker 3: I just have to watch him roll out for like

672
00:31:14,640 --> 00:31:16,720
Speaker 3: forty minutes, Like We'll just be watching TV and he's

673
00:31:16,800 --> 00:31:20,440
Speaker 3: rolling out the ball he has so long he could

674
00:31:20,480 --> 00:31:24,880
Speaker 3: do like a a project, a sixth grade project of

675
00:31:24,920 --> 00:31:27,520
Speaker 3: the planets with all the balls he has in this bag,

676
00:31:27,600 --> 00:31:28,440
Speaker 3: the different sizes.

677
00:31:28,520 --> 00:31:29,080
Speaker 4: I swear to.

678
00:31:29,120 --> 00:31:32,960
Speaker 3: God, a diorama, and I'm rolling out right now. I

679
00:31:32,960 --> 00:31:36,040
Speaker 3: have one underneath my thigh because you should always be

680
00:31:36,160 --> 00:31:38,760
Speaker 3: rolling out, like I love holding it in a place

681
00:31:39,000 --> 00:31:42,840
Speaker 3: and sometimes I'm not kidding you, like you're if you

682
00:31:43,160 --> 00:31:45,760
Speaker 3: are a sober person and you want to trip a

683
00:31:45,800 --> 00:31:49,959
Speaker 3: little bit, hold on to a pressure point around your

684
00:31:50,000 --> 00:31:53,200
Speaker 3: hips or something on a lay on a ball, breathe

685
00:31:53,280 --> 00:31:56,240
Speaker 3: and then become dead weight, Like you don't realize that

686
00:31:56,240 --> 00:31:59,080
Speaker 3: you're tensed up so much because it hurts. But if

687
00:31:59,120 --> 00:32:01,239
Speaker 3: you let yourself be you really breathe and let it go

688
00:32:01,360 --> 00:32:03,440
Speaker 3: and become dead weight and let that ball get into

689
00:32:03,480 --> 00:32:07,720
Speaker 3: that area. You will see stars and be transported into

690
00:32:07,760 --> 00:32:09,880
Speaker 3: that solar system that Chris Coffey has in that bag.

691
00:32:09,920 --> 00:32:12,280
Speaker 3: I swear to God I have. I was in Bloties

692
00:32:12,320 --> 00:32:14,040
Speaker 3: yesterday and there was one stretch I did that I

693
00:32:14,080 --> 00:32:17,640
Speaker 3: was just like h and I was just like, hold on,

694
00:32:17,680 --> 00:32:19,200
Speaker 3: I have to hold it. And I might have held

695
00:32:19,240 --> 00:32:22,960
Speaker 3: it for like it was probably seven seconds longer, but

696
00:32:23,080 --> 00:32:27,240
Speaker 3: it felt I just I like I was seeing things.

697
00:32:27,440 --> 00:32:29,360
Speaker 1: This is just rolling out on a foam roller, just

698
00:32:29,560 --> 00:32:31,760
Speaker 1: rolling your muscles.

699
00:32:33,120 --> 00:32:36,160
Speaker 3: You can use the vibration roller, yeah, or that that

700
00:32:36,560 --> 00:32:37,560
Speaker 3: vibrates vibrates.

701
00:32:37,800 --> 00:32:37,960
Speaker 1: Yeah.

702
00:32:38,000 --> 00:32:41,160
Speaker 4: See, I don't agree with the vibrating aspect of it.

703
00:32:40,120 --> 00:32:44,280
Speaker 4: I feel like the vibrating aspect is going to in

704
00:32:44,360 --> 00:32:46,640
Speaker 4: the future be revealed to be bad for you, sort

705
00:32:46,640 --> 00:32:49,200
Speaker 4: of like how Lacroix is going to give you some

706
00:32:49,320 --> 00:32:50,360
Speaker 4: kind of problem.

707
00:32:50,840 --> 00:32:52,160
Speaker 3: Yeah, that would have been revealed by now.

708
00:32:52,160 --> 00:32:55,640
Speaker 4: But no, they just did it for viamin water zero,

709
00:32:55,840 --> 00:32:58,000
Speaker 4: for the sugar they put in vibin water zero. They

710
00:32:58,000 --> 00:33:00,600
Speaker 4: said it's always been bad, right, No, they thought that

711
00:33:00,960 --> 00:33:05,200
Speaker 4: enterteam was bad, and now they're like Oh, by the way, uh,

712
00:33:05,320 --> 00:33:08,480
Speaker 4: Stevia Stevia. I guess it's it's sort of like Stevia

713
00:33:09,160 --> 00:33:11,080
Speaker 4: is they Now there's all these studies that are like,

714
00:33:11,160 --> 00:33:14,560
Speaker 4: don't drink gatorade zero, don't drink vitamin water zero because

715
00:33:14,600 --> 00:33:16,680
Speaker 4: that sugar is also going to give you cancer. And

716
00:33:16,680 --> 00:33:17,120
Speaker 4: it's like.

717
00:33:17,120 --> 00:33:19,040
Speaker 3: Mony, you wrote me about an AT and T leak.

718
00:33:19,200 --> 00:33:20,120
Speaker 3: Did you guys hear about that?

719
00:33:20,480 --> 00:33:20,880
Speaker 1: Yeah?

720
00:33:21,040 --> 00:33:23,280
Speaker 3: They got they got hacked, And I go, what am

721
00:33:23,320 --> 00:33:25,800
Speaker 3: I supposed to do? Like erase my text now that

722
00:33:25,840 --> 00:33:26,680
Speaker 3: could be incriminating?

723
00:33:26,800 --> 00:33:30,040
Speaker 1: AT and T is going to provide everybody with the

724
00:33:30,080 --> 00:33:31,720
Speaker 1: software to prevent.

725
00:33:31,480 --> 00:33:33,400
Speaker 2: Class action lawsuit? Baby?

726
00:33:33,680 --> 00:33:35,960
Speaker 3: Yeah, but then isn't that like we all get nineteen

727
00:33:36,040 --> 00:33:37,520
Speaker 3: cents when it's said and done or something.

728
00:33:37,560 --> 00:33:39,240
Speaker 4: Do you have AH for AT and T?

729
00:33:39,480 --> 00:33:41,080
Speaker 3: For what family plan with Lauren and Matt?

730
00:33:41,120 --> 00:33:41,239
Speaker 4: Oh?

731
00:33:41,280 --> 00:33:41,520
Speaker 1: Really?

732
00:33:41,720 --> 00:33:43,360
Speaker 4: Yeah?

733
00:33:43,400 --> 00:33:48,960
Speaker 3: So data passwords? I can't choose another password for Christ's sake,

734
00:33:49,080 --> 00:33:50,840
Speaker 3: like I can't remember all this ship.

735
00:33:51,040 --> 00:33:54,520
Speaker 4: Do a past phrase? Yours is yours should be easy.

736
00:33:55,000 --> 00:33:59,600
Speaker 4: You should just do a past phrase, Okay, lyric think

737
00:33:59,640 --> 00:34:04,840
Speaker 4: of a Okay, the first letter of each word is

738
00:34:04,880 --> 00:34:09,520
Speaker 4: your password. So if the Taylor Swift work is that's good. Yeah,

739
00:34:09,560 --> 00:34:11,720
Speaker 4: and then just to just to give yourself symbols.

740
00:34:11,800 --> 00:34:13,200
Speaker 3: Or it was good until we talked about it on

741
00:34:13,239 --> 00:34:14,040
Speaker 3: a live podcast.

742
00:34:14,760 --> 00:34:19,239
Speaker 4: Here's a number in it, and pick a symbol to

743
00:34:19,239 --> 00:34:21,399
Speaker 4: put on either end or in the middle of it,

744
00:34:21,480 --> 00:34:22,680
Speaker 4: just like an exclamation point.

745
00:34:22,760 --> 00:34:24,480
Speaker 3: My joke used to be, I'm tired of coming up

746
00:34:24,520 --> 00:34:27,560
Speaker 3: with new passwords because it's always like you have to

747
00:34:27,600 --> 00:34:29,520
Speaker 3: have your dead dog's name, and then you have to

748
00:34:29,520 --> 00:34:31,000
Speaker 3: be excited about it because you had to put an

749
00:34:31,000 --> 00:34:32,680
Speaker 3: exclamation mark. Be like.

750
00:34:34,239 --> 00:34:34,799
Speaker 4: You has to be.

751
00:34:34,719 --> 00:34:40,120
Speaker 3: Excited about all your dead animals or speedo? Is that

752
00:34:40,239 --> 00:34:41,520
Speaker 3: you to question mark?

753
00:34:41,520 --> 00:34:42,600
Speaker 4: I should be a question mark?

754
00:34:45,640 --> 00:34:48,480
Speaker 3: Yeah, I mean, what are you gonna do? What can

755
00:34:48,600 --> 00:34:50,640
Speaker 3: I can't do anything with that. When she alerted me

756
00:34:50,680 --> 00:34:52,000
Speaker 3: of that, I was just like, I just can I

757
00:34:52,040 --> 00:34:53,879
Speaker 3: not care? Is this one that I can just sit

758
00:34:53,960 --> 00:34:56,800
Speaker 3: out and not be like, honey, we need to change everything?

759
00:34:56,840 --> 00:34:58,760
Speaker 3: Can I just like let me be hacked?

760
00:34:58,920 --> 00:35:01,520
Speaker 1: You know there are like seventy million people that are hacked.

761
00:35:01,560 --> 00:35:04,200
Speaker 3: Seventy three million, Yeah, something that people get hacked like

762
00:35:04,280 --> 00:35:04,759
Speaker 3: every week.

763
00:35:04,800 --> 00:35:07,000
Speaker 2: I feel like this has happened recently.

764
00:35:08,320 --> 00:35:11,320
Speaker 3: I know. I guess I should just like stop sending

765
00:35:11,440 --> 00:35:17,200
Speaker 3: nunes send more so because Now this is the time.

766
00:35:17,280 --> 00:35:19,160
Speaker 1: There's a password that I use and I still use

767
00:35:19,200 --> 00:35:21,480
Speaker 1: it on some things, but it says this password has

768
00:35:21,480 --> 00:35:23,120
Speaker 1: been breached. You shouldn't use this anymore.

769
00:35:23,360 --> 00:35:26,680
Speaker 4: And I tell you that, Oh my god, I got

770
00:35:26,680 --> 00:35:29,279
Speaker 4: lots of breach passwords. But all you have to do

771
00:35:29,400 --> 00:35:31,640
Speaker 4: is on all of your important things, just make two

772
00:35:31,719 --> 00:35:35,319
Speaker 4: factor authentication and you should be okay. So like, if

773
00:35:35,360 --> 00:35:36,799
Speaker 4: you on your inst that good.

774
00:35:36,880 --> 00:35:40,040
Speaker 3: Though. You know why that sucks is because if you

775
00:35:40,080 --> 00:35:43,160
Speaker 3: lose your phone, you're fucked because everything gets sent to

776
00:35:43,200 --> 00:35:45,000
Speaker 3: your phone. So if you go to your laptop to

777
00:35:45,000 --> 00:35:46,760
Speaker 3: be like, okay, I'll get in my email on my laptop,

778
00:35:46,880 --> 00:35:49,120
Speaker 3: we send a code to your phone. Well, that phone

779
00:35:49,160 --> 00:35:54,200
Speaker 3: is with someone in South Saint Louis now because it

780
00:35:54,200 --> 00:35:56,040
Speaker 3: got ripped out of my hands and it's been twenty minutes,

781
00:35:56,280 --> 00:35:57,600
Speaker 3: they're probably gone back.

782
00:35:57,920 --> 00:35:59,680
Speaker 4: And you go that you bring that to the cloud.

783
00:36:00,080 --> 00:36:02,080
Speaker 4: You know they can, but the tooth off.

784
00:36:02,600 --> 00:36:07,439
Speaker 3: The two whatever AUTHENTI act two factor, it's always sending

785
00:36:07,480 --> 00:36:09,319
Speaker 3: to your phone. What are you supposed to do if

786
00:36:09,360 --> 00:36:12,400
Speaker 3: you lose your phone, everything gets sent to your phone.

787
00:36:12,520 --> 00:36:14,440
Speaker 4: Well, your phone should be backed up on the cloud.

788
00:36:14,520 --> 00:36:16,080
Speaker 4: And then if you get a new video it's.

789
00:36:15,960 --> 00:36:19,040
Speaker 3: Not because, oh, speaking of fucking TV. I just bought

790
00:36:19,360 --> 00:36:24,960
Speaker 3: uh like thirty more terabytes of storage on the cloud

791
00:36:25,000 --> 00:36:26,799
Speaker 3: because I just don't even know what to do. They

792
00:36:26,880 --> 00:36:29,799
Speaker 3: just every so often your cloud is full. What do

793
00:36:29,840 --> 00:36:32,080
Speaker 3: I do? I spend thirty more dollars a month for

794
00:36:32,120 --> 00:36:34,200
Speaker 3: more terabytes? Do I need any of the stuff I have?

795
00:36:36,239 --> 00:36:39,480
Speaker 3: I don't know, because I don't. I'm not aoy who

796
00:36:39,560 --> 00:36:43,239
Speaker 3: has a computer head. I don't know how to I

797
00:36:43,440 --> 00:36:44,120
Speaker 3: want to get around.

798
00:36:44,440 --> 00:36:47,040
Speaker 2: I don't know from pictures and videos, it's probably automatically.

799
00:36:47,040 --> 00:36:49,000
Speaker 3: I play a lot of guitar and take videos for

800
00:36:49,080 --> 00:36:50,680
Speaker 3: like ten minutes at a time, so I bet it's

801
00:36:50,719 --> 00:36:53,000
Speaker 3: just like really long videos of me playing music.

802
00:36:52,800 --> 00:36:54,480
Speaker 2: Yeah, and stuff like that.

803
00:36:55,680 --> 00:36:58,160
Speaker 3: I do go through every so often, but then it's

804
00:36:58,480 --> 00:37:01,760
Speaker 3: usually when it starts going like it's full, you're gonna

805
00:37:01,760 --> 00:37:04,520
Speaker 3: have to upgrade. No matter how much you delete, you're

806
00:37:04,560 --> 00:37:07,840
Speaker 3: always getting that alert soon after again, like once it

807
00:37:07,920 --> 00:37:10,120
Speaker 3: starts coming. I think people will relate to what I'm saying.

808
00:37:10,440 --> 00:37:12,520
Speaker 3: You can't escape it. It is like you can push

809
00:37:12,520 --> 00:37:15,160
Speaker 3: it off, but that Jehovah's Witness is just going around

810
00:37:15,160 --> 00:37:16,680
Speaker 3: the block and it's gonna be at your door. Again

811
00:37:16,800 --> 00:37:19,799
Speaker 3: saying you're full of storage, delete more videos, and then

812
00:37:19,840 --> 00:37:22,399
Speaker 3: you start deleting videos of your niece that you'll never

813
00:37:22,440 --> 00:37:26,000
Speaker 3: get back, and you know, like that's when I just

814
00:37:26,040 --> 00:37:27,600
Speaker 3: go I can't. I guess I'm just gonna pay thirty

815
00:37:27,640 --> 00:37:29,279
Speaker 3: more dollars a month to Google for the rest of

816
00:37:29,320 --> 00:37:32,479
Speaker 3: my life. But I mean, when will I ever catch

817
00:37:32,560 --> 00:37:34,000
Speaker 3: this chart?

818
00:37:34,160 --> 00:37:35,600
Speaker 1: Thirty bucks a month seems like a lot.

819
00:37:35,680 --> 00:37:39,840
Speaker 3: Yeah, because the options are two terabytes or ten, so

820
00:37:39,920 --> 00:37:43,160
Speaker 3: there's no five terabyte range, there's no six you either pay.

821
00:37:43,400 --> 00:37:45,480
Speaker 1: I pay five bucks, fifteen bucks a month.

822
00:37:45,480 --> 00:37:46,440
Speaker 3: I pay fifteen.

823
00:37:46,120 --> 00:37:50,000
Speaker 4: Minutes now, and now I'm gonna pay thirty for Apple.

824
00:37:50,520 --> 00:37:52,759
Speaker 3: Yeah. Well now I'm paying thirty a month because I

825
00:37:52,760 --> 00:37:55,320
Speaker 3: had to go up to ten terrbytes. So if anyone

826
00:37:55,360 --> 00:37:57,840
Speaker 3: wants to, you can store a bunch of child porn.

827
00:37:58,000 --> 00:37:59,719
Speaker 3: I mean, what, the only thing I hear terabyte is

828
00:37:59,760 --> 00:38:02,839
Speaker 3: when I'm hearing about reports of childborn I've never heard

829
00:38:02,840 --> 00:38:06,120
Speaker 3: of terrabyte in any other context until I got this email.

830
00:38:06,560 --> 00:38:10,280
Speaker 3: So I'm like, I guess I'm on the dark webling

831
00:38:11,000 --> 00:38:14,560
Speaker 3: terrorbytes of stuff? What could this be? And by the way,

832
00:38:14,680 --> 00:38:17,759
Speaker 3: my phone can't hold thirty terabytes, so this cloud thing

833
00:38:17,880 --> 00:38:20,759
Speaker 3: is an illusion. Every time I try to ever watch

834
00:38:20,760 --> 00:38:24,040
Speaker 3: a video on any of my stuff, it always has

835
00:38:24,080 --> 00:38:26,920
Speaker 3: to it doesn't load because it's if it's too far back,

836
00:38:26,920 --> 00:38:29,520
Speaker 3: if it's more than a year back, it's just loads

837
00:38:29,560 --> 00:38:31,160
Speaker 3: all day. They get you useless.

838
00:38:31,200 --> 00:38:34,040
Speaker 4: To me, you're hooked. There's nothing you can do anymore.

839
00:38:34,400 --> 00:38:34,840
Speaker 1: And I'm.

840
00:38:36,239 --> 00:38:39,440
Speaker 4: It's like, no matter how much you eat, it's never

841
00:38:39,480 --> 00:38:42,360
Speaker 4: going to go down that you're up that high. God,

842
00:38:42,560 --> 00:38:44,080
Speaker 4: you're stuck. You're in the clouds.

843
00:38:44,320 --> 00:38:50,160
Speaker 3: Yep, I just yeah, you buy it.

844
00:38:49,160 --> 00:38:54,760
Speaker 4: Is so much though Nikki, Microsoft has ten terror bytes

845
00:38:54,760 --> 00:39:00,799
Speaker 4: on their entire service, I think outsource company to get

846
00:39:00,840 --> 00:39:02,399
Speaker 4: your But I'm tired of.

847
00:39:02,400 --> 00:39:05,040
Speaker 3: Seeing that fucking thing pop up. And I'm tired of

848
00:39:05,040 --> 00:39:07,640
Speaker 3: deleting things that I might need, like I deleted. I

849
00:39:07,680 --> 00:39:10,200
Speaker 3: accidentally deleted one of my guitar videos. I remembered was

850
00:39:10,239 --> 00:39:12,399
Speaker 3: a song that I had written and I had put

851
00:39:12,480 --> 00:39:14,520
Speaker 3: nowhere else. So now I'm just putting my songs in

852
00:39:14,520 --> 00:39:16,680
Speaker 3: my voice memos. I'm not filming them anymore. I'm only

853
00:39:16,719 --> 00:39:21,160
Speaker 3: just filming practices. It's just like, you just can't fucking win.

854
00:39:21,320 --> 00:39:23,640
Speaker 3: And by the way, who I'm not going through any

855
00:39:23,640 --> 00:39:25,880
Speaker 3: of this footage. I have like three printed pictures in

856
00:39:25,920 --> 00:39:29,560
Speaker 3: my entire house. I rarely go through my photos. If

857
00:39:29,600 --> 00:39:32,480
Speaker 3: it ever happens, it's because my phone has decided to

858
00:39:32,520 --> 00:39:34,360
Speaker 3: remind me of a memory when I was younger and

859
00:39:34,440 --> 00:39:37,399
Speaker 3: hotter on a day where my period's about to start

860
00:39:37,400 --> 00:39:40,480
Speaker 3: and I don't really need to see that shit. Yeah,

861
00:39:40,880 --> 00:39:42,840
Speaker 3: it's just a year ago. Do you ever get the

862
00:39:42,920 --> 00:39:43,359
Speaker 3: year ago?

863
00:39:44,200 --> 00:39:44,719
Speaker 1: All the time?

864
00:39:44,800 --> 00:39:47,239
Speaker 3: Message? This is what you looked like, and this is

865
00:39:47,280 --> 00:39:49,360
Speaker 3: how happy you were or whatever you were doing a

866
00:39:49,440 --> 00:39:49,840
Speaker 3: year ago.

867
00:39:50,520 --> 00:39:52,560
Speaker 4: And for me, it's always like, here's you when you're

868
00:39:52,560 --> 00:39:53,600
Speaker 4: in the woods.

869
00:39:55,920 --> 00:39:59,120
Speaker 3: Ah, this is a montage of you. Like it's called

870
00:39:59,160 --> 00:39:59,880
Speaker 3: in the woods.

871
00:40:00,080 --> 00:40:05,880
Speaker 4: They like name it that among the trees. Yeah, it's

872
00:40:05,920 --> 00:40:08,520
Speaker 4: like the same thing that would happen if I was missing.

873
00:40:10,760 --> 00:40:13,320
Speaker 3: I speaking of in the Woods or like I was

874
00:40:13,360 --> 00:40:15,759
Speaker 3: gonna say, stick Season. There's a song I love called

875
00:40:15,800 --> 00:40:19,800
Speaker 3: stick Season and by Noah Kahn, and I became obsessed

876
00:40:19,840 --> 00:40:22,399
Speaker 3: with it, I think last year. But it's a huge song,

877
00:40:22,840 --> 00:40:24,520
Speaker 3: hit song. I played it for you before, Dad.

878
00:40:24,640 --> 00:40:25,680
Speaker 1: He's really good. I saw him.

879
00:40:25,680 --> 00:40:29,000
Speaker 3: He's amazing. Oh you liked him, Yeah, he's so good.

880
00:40:29,440 --> 00:40:32,120
Speaker 3: But he blew up because of that song on TikTok

881
00:40:32,480 --> 00:40:35,360
Speaker 3: and I was listening to this podcast that I discovered

882
00:40:35,400 --> 00:40:36,800
Speaker 3: this weekend. I had heard about it before, and I

883
00:40:36,800 --> 00:40:38,960
Speaker 3: think they have a TV show too. It's called Song Exploder,

884
00:40:39,680 --> 00:40:41,799
Speaker 3: and they just talked to a band's about one song.

885
00:40:42,000 --> 00:40:44,080
Speaker 3: It's like a twenty minute podcast to talk to the

886
00:40:44,160 --> 00:40:46,920
Speaker 3: artist about how this song came to be, in the

887
00:40:46,920 --> 00:40:49,440
Speaker 3: process behind recording it and making it. And he was

888
00:40:49,440 --> 00:40:54,280
Speaker 3: talking about that one and he was in La recording

889
00:40:54,320 --> 00:40:57,000
Speaker 3: like a pop popish kind of album, which he's been

890
00:40:57,040 --> 00:40:58,920
Speaker 3: trying to do since he got a record deal right

891
00:40:58,920 --> 00:41:01,400
Speaker 3: out of high school and it didn't go as planned.

892
00:41:01,400 --> 00:41:03,200
Speaker 3: And he's from Vermont. He was out in La and

893
00:41:03,440 --> 00:41:05,239
Speaker 3: putting the final touches on this album that he was

894
00:41:05,239 --> 00:41:07,399
Speaker 3: not feeling good about. It wasn't like his authentic sound

895
00:41:07,440 --> 00:41:10,440
Speaker 3: that he wanted to sound like, and he was feeling

896
00:41:10,440 --> 00:41:13,239
Speaker 3: really lonely and he was and I like him as

897
00:41:13,239 --> 00:41:15,359
Speaker 3: an artist because in his music he talks a lot

898
00:41:15,400 --> 00:41:18,279
Speaker 3: about being depressed and like anxious and wanting approval. It's

899
00:41:18,320 --> 00:41:21,520
Speaker 3: just very honest stuff. And he was saying that he

900
00:41:22,120 --> 00:41:23,960
Speaker 3: was like feeling I'll finish this.

901
00:41:23,960 --> 00:41:24,759
Speaker 4: Story when I get back.

902
00:41:26,960 --> 00:41:31,560
Speaker 3: So Noah Khan's talking about what this pop. This song

903
00:41:31,600 --> 00:41:33,440
Speaker 3: that was like one of the best. It was nominated

904
00:41:33,480 --> 00:41:34,920
Speaker 3: for Song of the Year at the Grammys this year.

905
00:41:34,960 --> 00:41:38,280
Speaker 3: He didn't win, but it was definitely worthy of a nomination.

906
00:41:38,680 --> 00:41:42,600
Speaker 3: And he was wanting to get some attention on TikTok

907
00:41:42,600 --> 00:41:44,640
Speaker 3: because he was feeling lonely in his airbnb in la

908
00:41:45,360 --> 00:41:49,600
Speaker 3: and he just wrote the verse to this the song,

909
00:41:50,040 --> 00:41:51,319
Speaker 3: and then he put it on TikTok and it was

910
00:41:51,360 --> 00:41:53,440
Speaker 3: just the first verse, not even a chorus, and then

911
00:41:53,480 --> 00:41:54,719
Speaker 3: he went to bed and he was like kind of

912
00:41:54,719 --> 00:41:57,360
Speaker 3: scrolling and looking at it and like it's getting barely anything,

913
00:41:57,400 --> 00:41:59,200
Speaker 3: and he's like, I'm such a loser, Like this is

914
00:41:59,239 --> 00:42:01,279
Speaker 3: a verse about being a loser, because I wanted to

915
00:42:01,320 --> 00:42:02,960
Speaker 3: be honest about how I'm feeling, and now it's like

916
00:42:03,000 --> 00:42:05,160
Speaker 3: not even doing anything. And then he went to bed

917
00:42:05,200 --> 00:42:06,320
Speaker 3: and he woke up in the morning and it was

918
00:42:06,360 --> 00:42:08,600
Speaker 3: like had five hundred comments, which was like a ton

919
00:42:08,680 --> 00:42:11,440
Speaker 3: for him, for anyone, and then it just blew up

920
00:42:11,440 --> 00:42:13,640
Speaker 3: after that and everyone's like, we want the chorus, give

921
00:42:13,680 --> 00:42:15,160
Speaker 3: us the whole song, and he's like, I don't even

922
00:42:15,239 --> 00:42:16,960
Speaker 3: have a whole song. This was just like a little

923
00:42:17,040 --> 00:42:18,960
Speaker 3: diddy thing. So he's like Okay, fuck, I have to

924
00:42:18,960 --> 00:42:20,840
Speaker 3: like write the rest of it. So then he wrote

925
00:42:20,840 --> 00:42:22,480
Speaker 3: the chorus and then he put that out and they

926
00:42:22,480 --> 00:42:25,040
Speaker 3: were like, we love this, and he's like, oh god, no,

927
00:42:25,200 --> 00:42:28,080
Speaker 3: after write second first and a bridge, and so it

928
00:42:28,160 --> 00:42:31,839
Speaker 3: was just because of putting it out there, he had

929
00:42:31,840 --> 00:42:34,600
Speaker 3: to finish it because people were demanding it and thinking

930
00:42:34,600 --> 00:42:37,560
Speaker 3: that there was more to be to than he was

931
00:42:37,560 --> 00:42:39,480
Speaker 3: holding something back. But he hadn't even written it. So

932
00:42:39,480 --> 00:42:40,400
Speaker 3: I thought it was really interesting.

933
00:42:40,440 --> 00:42:42,840
Speaker 1: So if you put something on Instagram like that, it

934
00:42:42,880 --> 00:42:44,799
Speaker 1: couldn't somebody just steal that song from him and say

935
00:42:44,800 --> 00:42:45,359
Speaker 1: I wrote this.

936
00:42:45,400 --> 00:42:48,560
Speaker 3: Yeah, but then it would be archived as him having

937
00:42:49,120 --> 00:42:49,440
Speaker 3: had it.

938
00:42:49,480 --> 00:42:52,080
Speaker 4: People have done that with my cartoons. I had my

939
00:42:52,280 --> 00:42:56,000
Speaker 4: big al Ford f one fifty video someone shared on

940
00:42:56,120 --> 00:42:59,279
Speaker 4: Reddit and it was on the front page of Reddit.

941
00:42:59,320 --> 00:43:01,799
Speaker 4: It was the number one thing on Reddit for like

942
00:43:01,840 --> 00:43:04,640
Speaker 4: a day, and they didn't tag me. No one knew

943
00:43:04,640 --> 00:43:06,600
Speaker 4: it was mine. It got like hundreds and hundreds of

944
00:43:06,640 --> 00:43:10,359
Speaker 4: thousands of rude and then people in the comments were like,

945
00:43:10,960 --> 00:43:13,239
Speaker 4: we need to find tag this person. It's this is

946
00:43:13,280 --> 00:43:16,200
Speaker 4: Brian Frandi's video, blah blah blah, and like let's and

947
00:43:16,200 --> 00:43:18,600
Speaker 4: then a lot of people like in solidarity, subscribe to

948
00:43:18,640 --> 00:43:20,839
Speaker 4: me on YouTube because I was fucked over, but like

949
00:43:21,520 --> 00:43:23,840
Speaker 4: one percent of the people followed me on YouTube that

950
00:43:23,880 --> 00:43:26,520
Speaker 4: would have Yeah, I tagged.

951
00:43:26,760 --> 00:43:29,719
Speaker 3: Yeah, well it wasn't stolen. I mean there's still it

952
00:43:29,840 --> 00:43:32,000
Speaker 3: was absolutely stolen in terms of that person got a

953
00:43:32,040 --> 00:43:34,600
Speaker 3: lot of up votes on their account, but no one

954
00:43:34,960 --> 00:43:37,240
Speaker 3: and maybe people did think that person had posted.

955
00:43:37,320 --> 00:43:40,520
Speaker 1: But what do up votes do for you? It just

956
00:43:40,880 --> 00:43:43,400
Speaker 1: on your kids, goes back to your credit.

957
00:43:43,920 --> 00:43:45,960
Speaker 3: Yeah, Like if you post something and get up votes,

958
00:43:46,400 --> 00:43:48,319
Speaker 3: or if comment gets up votes, you just get It's

959
00:43:48,360 --> 00:43:50,319
Speaker 3: it's meaningless. It's kind of a joke, just like like

960
00:43:50,440 --> 00:43:52,480
Speaker 3: on Instagram exactly. It's just like likes.

961
00:43:52,480 --> 00:43:55,040
Speaker 4: It's a yeah, but it all builds towards you having

962
00:43:55,040 --> 00:43:56,200
Speaker 4: a bigger following.

963
00:43:56,719 --> 00:44:01,080
Speaker 3: Yeah, and your posts helped create what is popular and

964
00:44:01,160 --> 00:44:02,920
Speaker 3: read it. So I upvote things all the time to

965
00:44:02,960 --> 00:44:06,200
Speaker 3: be like I'm voting just move. You're pretty much voting

966
00:44:06,280 --> 00:44:07,799
Speaker 3: of like what you think is cool.

967
00:44:07,880 --> 00:44:12,040
Speaker 4: And encouraging social media capital, which is intrinsically worthless but

968
00:44:12,239 --> 00:44:13,879
Speaker 4: ultimately leads to real life things.

969
00:44:14,200 --> 00:44:15,360
Speaker 1: Yes understood.

970
00:44:16,080 --> 00:44:18,880
Speaker 3: Yeah, so I guess. Yeah. There was another song Exploder.

971
00:44:18,880 --> 00:44:21,920
Speaker 3: I listened to the song I'm currently obsessed with called

972
00:44:21,920 --> 00:44:24,880
Speaker 3: the Birthday Party by the nineteen seventy five, and I

973
00:44:24,920 --> 00:44:27,239
Speaker 3: really liked I found it from read it. Actually, I

974
00:44:27,239 --> 00:44:32,200
Speaker 3: found this song, so I read it suggests threads to

975
00:44:32,280 --> 00:44:34,319
Speaker 3: look at, and nineteen seventy five is always one that

976
00:44:34,320 --> 00:44:36,560
Speaker 3: they're just showing me random. I don't listen to the

977
00:44:36,640 --> 00:44:39,080
Speaker 3: nineteen seventy five a lot. I obviously knew Matt Healy

978
00:44:39,160 --> 00:44:41,000
Speaker 3: dated Taylor Swift and I like some of their songs,

979
00:44:41,000 --> 00:44:42,839
Speaker 3: but there was this one that was like, what's your

980
00:44:42,880 --> 00:44:45,600
Speaker 3: favorite nineteen seventy five lyric? And I always read those

981
00:44:45,600 --> 00:44:47,600
Speaker 3: posts because I just I like lyrics. And one of

982
00:44:47,640 --> 00:44:52,080
Speaker 3: them was like I thought I was in hell in

983
00:44:52,200 --> 00:44:54,919
Speaker 3: a in a boring conversation with a girl named mel

984
00:44:55,400 --> 00:44:58,359
Speaker 3: about her friend in Cincinnati named Maddie as well, And

985
00:44:58,760 --> 00:45:01,239
Speaker 3: it was just cool because it was like Maddie Naddy

986
00:45:01,360 --> 00:45:03,520
Speaker 3: as well, and it was just a cool rhyming scheme.

987
00:45:03,560 --> 00:45:05,200
Speaker 3: And I was like, oh, that sounds like an interesting lyric.

988
00:45:05,239 --> 00:45:07,120
Speaker 3: And it's the song called the Birthday Party. It's just

989
00:45:07,160 --> 00:45:10,200
Speaker 3: about these mundane conversations and like that he's having with

990
00:45:10,239 --> 00:45:12,440
Speaker 3: people at this birthday party, and one of them is

991
00:45:12,480 --> 00:45:14,279
Speaker 3: like he runs into his friend and they were like

992
00:45:15,280 --> 00:45:17,680
Speaker 3: he tells Maddie. Maddie being the guy from the band,

993
00:45:17,760 --> 00:45:19,719
Speaker 3: He's like, oh, yeah, my friends were gonna go to

994
00:45:19,760 --> 00:45:21,680
Speaker 3: your Pine Grove show, but they didn't know about all

995
00:45:21,680 --> 00:45:24,120
Speaker 3: the weird shits, so they just left. And like about

996
00:45:24,640 --> 00:45:26,760
Speaker 3: I relate to that because people tell me rude things

997
00:45:26,800 --> 00:45:29,359
Speaker 3: about people coming to my shows all the time. They'll

998
00:45:29,360 --> 00:45:30,719
Speaker 3: be like, oh my god, I was sitting next to

999
00:45:30,719 --> 00:45:33,759
Speaker 3: this person who hated you. They left halfway through the show.

1000
00:45:33,800 --> 00:45:35,120
Speaker 3: That was my favorite part of the show, is watching

1001
00:45:35,120 --> 00:45:36,640
Speaker 3: these people leave, And I'm just like, that was your

1002
00:45:36,680 --> 00:45:38,399
Speaker 3: favorite part of the show. Why did you even tell

1003
00:45:38,440 --> 00:45:42,120
Speaker 3: me that? So I liked that lyric too. But he

1004
00:45:42,160 --> 00:45:44,880
Speaker 3: said this really interesting thing in the song Exploder episode

1005
00:45:44,960 --> 00:45:48,839
Speaker 3: about writing that song in particular, is that if he

1006
00:45:48,920 --> 00:45:53,200
Speaker 3: writes a lyric that makes him go like like cringe

1007
00:45:53,560 --> 00:45:56,359
Speaker 3: and go like, oh my god, that's so lame, then

1008
00:45:56,400 --> 00:45:58,799
Speaker 3: he has to keep it in cause he can't do

1009
00:45:58,960 --> 00:46:03,160
Speaker 3: he can't change any lyric to preserve his ego, which

1010
00:46:03,200 --> 00:46:05,800
Speaker 3: I really like. So there's this one lyric that says

1011
00:46:07,320 --> 00:46:10,560
Speaker 3: he goes, can we go somewhere I'll be recognized? Essentially,

1012
00:46:10,600 --> 00:46:12,400
Speaker 3: it's not the lyric exactly, but he's like, hey, I'm

1013
00:46:12,440 --> 00:46:14,960
Speaker 3: feeling depressed. Can we go somewhere well where people know

1014
00:46:15,000 --> 00:46:16,799
Speaker 3: who I am? And he left that and you could

1015
00:46:16,800 --> 00:46:18,560
Speaker 3: tell that was like a placeholder, but he probably left

1016
00:46:18,600 --> 00:46:19,680
Speaker 3: it in because he's like, I can't take it out

1017
00:46:19,680 --> 00:46:21,919
Speaker 3: because if I take it out, I'm protecting me being

1018
00:46:21,960 --> 00:46:25,120
Speaker 3: desperate for attention, which is the true thing. And I

1019
00:46:25,160 --> 00:46:28,880
Speaker 3: thought that was I just like artists being like, yeah,

1020
00:46:28,560 --> 00:46:31,440
Speaker 3: I like that note. You just scoffed at that you

1021
00:46:31,440 --> 00:46:33,040
Speaker 3: don't like when people know it's just great.

1022
00:46:33,080 --> 00:46:34,839
Speaker 1: I was just reading Jeff Tweety's book How to Write

1023
00:46:34,880 --> 00:46:37,200
Speaker 1: One Song, and he talks about when you can't if

1024
00:46:37,200 --> 00:46:41,400
Speaker 1: you're struggling with lyrics, just mumble something, and he says, invariably,

1025
00:46:41,480 --> 00:46:43,759
Speaker 1: I leave the mumbles end all the time, and that's

1026
00:46:43,760 --> 00:46:45,479
Speaker 1: where you get a lot of the nonsense sicoal lyrics.

1027
00:46:45,719 --> 00:46:48,160
Speaker 3: So everyone writes, I've learned. What I've been studying is

1028
00:46:48,160 --> 00:46:49,480
Speaker 3: that they come up with a thing and they're like,

1029
00:46:49,680 --> 00:46:54,840
Speaker 3: since Bensen the Well and then I got stuck in

1030
00:46:54,880 --> 00:46:58,000
Speaker 3: a bell, like it just comes out from mumbling, right,

1031
00:46:59,120 --> 00:47:01,480
Speaker 3: which is I would never have thought how people.

1032
00:47:01,280 --> 00:47:02,840
Speaker 1: Can find some of it. Some of it you just

1033
00:47:02,920 --> 00:47:04,040
Speaker 1: leave in and say yeah.

1034
00:47:03,840 --> 00:47:06,520
Speaker 3: Because a word will just come out that you're like, oh,

1035
00:47:06,520 --> 00:47:08,680
Speaker 3: that just fits perfectly, and it just comes out of nowhere.

1036
00:47:09,520 --> 00:47:11,280
Speaker 4: Getting stuck in a bell here so hard.

1037
00:47:11,640 --> 00:47:15,840
Speaker 3: Yeah, well, well I can imagine that could be a Yeah,

1038
00:47:16,160 --> 00:47:18,480
Speaker 3: that could be a metaphoric thing of being stuck in

1039
00:47:18,520 --> 00:47:22,040
Speaker 3: a bell. It's like clanging around. Yeah, yeah, yeah, it

1040
00:47:22,200 --> 00:47:25,239
Speaker 3: really paints a picture. But yeah, I think that's I

1041
00:47:25,239 --> 00:47:27,920
Speaker 3: think that's a good thing to do, is that if something,

1042
00:47:28,000 --> 00:47:29,840
Speaker 3: if you want to take something out, or if you

1043
00:47:29,880 --> 00:47:32,200
Speaker 3: want to like not say something because it'll be like

1044
00:47:32,440 --> 00:47:35,600
Speaker 3: it'll make you look stupid. Nope, you gotta keep it.

1045
00:47:35,640 --> 00:47:37,600
Speaker 3: And I think that's a cool rule for an artist.

1046
00:47:37,760 --> 00:47:39,080
Speaker 1: Crazy artistic rule.

1047
00:47:39,120 --> 00:47:41,520
Speaker 3: And it really is, well, it makes it. It honestly

1048
00:47:41,560 --> 00:47:44,360
Speaker 3: makes him look foolish sometimes, and he is like a

1049
00:47:44,400 --> 00:47:47,000
Speaker 3: really vulnerable performer. And I think that's why I'm becoming

1050
00:47:47,080 --> 00:47:48,719
Speaker 3: kind of obsessed with the nineteen seventy five.

1051
00:47:48,960 --> 00:47:50,879
Speaker 1: I've never heard of nineteen seventy it's a band.

1052
00:47:51,000 --> 00:47:53,759
Speaker 3: Yeah, every song they have sounds different, which I think

1053
00:47:53,840 --> 00:47:56,640
Speaker 3: is actually really cool too. It's like you can't really

1054
00:47:56,719 --> 00:48:00,200
Speaker 3: pin a sound on them. If they're any best that

1055
00:48:00,239 --> 00:48:02,759
Speaker 3: are nineteen seventy five fans I'm going song by song.

1056
00:48:02,800 --> 00:48:05,799
Speaker 3: I'm becoming obsessed with each song as I go. I

1057
00:48:05,840 --> 00:48:08,200
Speaker 3: can't really take on a whole bunch. But if you

1058
00:48:08,320 --> 00:48:11,760
Speaker 3: like a specific If I like Change of Heart, Birthday, Party,

1059
00:48:12,400 --> 00:48:16,320
Speaker 3: the City and Girls, what's the next song I should

1060
00:48:16,360 --> 00:48:19,919
Speaker 3: listen to? That's what I want to know. Final thought, Dad,

1061
00:48:20,000 --> 00:48:21,400
Speaker 3: do you have any recent obsessions?

1062
00:48:21,840 --> 00:48:26,800
Speaker 2: Wait a minute, can I kindly interrupt mister Glazer Before

1063
00:48:27,160 --> 00:48:28,960
Speaker 2: we got started on the podcast, you were going to

1064
00:48:29,040 --> 00:48:34,160
Speaker 2: tell me about a certain autographed item that oh we

1065
00:48:34,200 --> 00:48:34,600
Speaker 2: never got.

1066
00:48:34,640 --> 00:48:36,279
Speaker 1: Well, I was on a plane. I was flying to

1067
00:48:36,360 --> 00:48:38,160
Speaker 1: the We were lucky enough to go to the can

1068
00:48:38,160 --> 00:48:41,440
Speaker 1: Film Festival for a few years, the Independent Film Channel

1069
00:48:41,520 --> 00:48:43,440
Speaker 1: channel used to take us over there. So we were

1070
00:48:43,440 --> 00:48:47,759
Speaker 1: flying first class over to Nice, France, and we're in

1071
00:48:47,840 --> 00:48:51,440
Speaker 1: the ambassador lounge in LaGuardia and we see Ringo walk by,

1072
00:48:51,480 --> 00:48:53,200
Speaker 1: and we're like, Ringo Stars.

1073
00:48:53,360 --> 00:48:56,279
Speaker 3: My dad's a huge Beatles fan, right, the biggest one.

1074
00:48:56,320 --> 00:48:58,279
Speaker 1: And then we saw ivon a trump walk by. And

1075
00:48:58,320 --> 00:49:00,239
Speaker 1: then and so we got on a plane and I

1076
00:49:00,239 --> 00:49:02,960
Speaker 1: walked by the plane and Ringo is sitting two seats

1077
00:49:02,960 --> 00:49:05,719
Speaker 1: in front of me in first class service, and so

1078
00:49:05,800 --> 00:49:07,960
Speaker 1: I thought it ruined my whole flight. It's a nine

1079
00:49:07,960 --> 00:49:11,160
Speaker 1: hour flight. My heart was like pulpitating. I'm sitting there like, Okay,

1080
00:49:11,160 --> 00:49:13,040
Speaker 1: when Ringo goes to the bathroom, I'm good. I've got

1081
00:49:13,080 --> 00:49:17,160
Speaker 1: to I'm not a person to bug celebrities, but I thought,

1082
00:49:17,160 --> 00:49:18,759
Speaker 1: when Ringo goes to the bathroom, I've got to go

1083
00:49:18,840 --> 00:49:21,160
Speaker 1: up and stand in line so when he comes out,

1084
00:49:21,200 --> 00:49:23,239
Speaker 1: I'll see him. And so I was sitting in here

1085
00:49:23,280 --> 00:49:25,520
Speaker 1: planning the whole time. You know, they're serving wine, they're

1086
00:49:25,560 --> 00:49:29,279
Speaker 1: serving you know, hot, hot towels on your face and

1087
00:49:29,280 --> 00:49:31,520
Speaker 1: all this beautiful service, and I was just kind of

1088
00:49:31,600 --> 00:49:35,080
Speaker 1: not even enjoying any of it because I wanted to

1089
00:49:35,080 --> 00:49:39,040
Speaker 1: get Ringo and he never surfaced. So then the flight ensued.

1090
00:49:39,239 --> 00:49:40,719
Speaker 3: This guy knows how to hold his peace, so he's

1091
00:49:40,760 --> 00:49:41,200
Speaker 3: not bothered.

1092
00:49:41,280 --> 00:49:43,879
Speaker 1: So I found out subsequently, and I'll tell the story first.

1093
00:49:43,920 --> 00:49:47,600
Speaker 1: But so my big chance was after they served the

1094
00:49:47,600 --> 00:49:50,640
Speaker 1: meal and they've watched the movies and everything, the lights

1095
00:49:50,680 --> 00:49:52,600
Speaker 1: of the pilot says, okay, we're going to turn the

1096
00:49:52,680 --> 00:49:54,560
Speaker 1: lights out from now so everybody could get some shut

1097
00:49:54,600 --> 00:49:57,359
Speaker 1: eye before we land in Nice. And it's like two

1098
00:49:57,360 --> 00:49:59,640
Speaker 1: hours away from Nice, and so right when the lights

1099
00:49:59,640 --> 00:50:02,640
Speaker 1: went out, if you know the Beatles White album Ringo.

1100
00:50:02,719 --> 00:50:06,919
Speaker 1: At the very end of the John Lennon's song called

1101
00:50:06,960 --> 00:50:09,640
Speaker 1: good Night, Ringo says.

1102
00:50:09,640 --> 00:50:13,040
Speaker 4: Good night, everybody, everybody, everywhere.

1103
00:50:12,719 --> 00:50:16,560
Speaker 1: Good night. Would that's what I said, you did? So

1104
00:50:17,080 --> 00:50:18,880
Speaker 1: as soon as the lights went out and the pilot

1105
00:50:18,920 --> 00:50:20,160
Speaker 1: said that, I went good.

1106
00:50:20,000 --> 00:50:23,680
Speaker 4: Night, everybody, everybody, everywhere, good night, And.

1107
00:50:23,640 --> 00:50:26,160
Speaker 1: The whole plane erupted in lefter my section, and I

1108
00:50:26,160 --> 00:50:28,600
Speaker 1: thought Ringo would at least look up and look look

1109
00:50:28,640 --> 00:50:31,600
Speaker 1: back at me. I got nothing. So the stewardess came over.

1110
00:50:31,880 --> 00:50:35,000
Speaker 1: The stewardess came over. The stewardess came over, and I said, hey,

1111
00:50:35,040 --> 00:50:38,000
Speaker 1: so what happened. Where's Ringo? She said, he's he took

1112
00:50:38,040 --> 00:50:40,440
Speaker 1: a drug. He's knocked out. He has headphones on and

1113
00:50:40,440 --> 00:50:43,399
Speaker 1: he has a sleep advisor on and he's been knocked out.

1114
00:50:43,400 --> 00:50:45,760
Speaker 4: The whole flight a Nick Laser impression.

1115
00:50:47,320 --> 00:50:49,120
Speaker 1: Exactly, So no, he didn't get to see it.

1116
00:50:49,160 --> 00:50:51,359
Speaker 3: So anyway, landed in My god, wait, how did did

1117
00:50:51,400 --> 00:50:53,279
Speaker 3: it just occur to you today that when the lights

1118
00:50:53,280 --> 00:50:55,520
Speaker 3: went off? Or were you like I will.

1119
00:50:55,520 --> 00:50:59,160
Speaker 1: Just came to me because it was I don't know, yeah,

1120
00:50:59,200 --> 00:51:02,120
Speaker 1: I guess. But anyway, so we landed a niece. You know,

1121
00:51:02,160 --> 00:51:04,600
Speaker 1: after the flight at six in the morning there, everybody's

1122
00:51:04,640 --> 00:51:07,160
Speaker 1: totally tired. It's two o'clock in the morning our time

1123
00:51:07,239 --> 00:51:12,080
Speaker 1: or whatever. And uh, Ringo and Evana Trump are standing

1124
00:51:12,160 --> 00:51:13,759
Speaker 1: there right in front of the baggage thing where the

1125
00:51:13,760 --> 00:51:16,759
Speaker 1: bag baggage is coming out. We're all waiting, and a

1126
00:51:16,800 --> 00:51:19,520
Speaker 1: friend of mine was with us, and I'm like, I'm

1127
00:51:19,520 --> 00:51:21,359
Speaker 1: not going to ask for an autograph. So he said,

1128
00:51:21,440 --> 00:51:23,040
Speaker 1: I'll go get one for you. And he's kind of

1129
00:51:23,080 --> 00:51:25,160
Speaker 1: a goof. He was saying, was Ringo a drummer? And

1130
00:51:25,239 --> 00:51:26,640
Speaker 1: I'm like, yeah, get out of here.

1131
00:51:26,719 --> 00:51:28,360
Speaker 3: Oh god, you said that guy?

1132
00:51:28,600 --> 00:51:31,560
Speaker 1: That was right. So he walked over and said, hey,

1133
00:51:31,560 --> 00:51:35,800
Speaker 1: my friend really wants an autograph, and so so Ringo

1134
00:51:36,600 --> 00:51:39,080
Speaker 1: Ringo gave hi an autograph and he said would you

1135
00:51:39,120 --> 00:51:42,000
Speaker 1: personalize it? And Ringo said, I don't personalize. He said

1136
00:51:42,040 --> 00:51:43,799
Speaker 1: he'd really like it, and Ringo said, do you want

1137
00:51:43,800 --> 00:51:46,000
Speaker 1: the autograph or not? And I think that was the

1138
00:51:46,440 --> 00:51:49,680
Speaker 1: death knell for Ringo saying autographs. I'll never give another

1139
00:51:49,719 --> 00:51:50,839
Speaker 1: autograph after he.

1140
00:51:50,800 --> 00:51:52,200
Speaker 3: Said no more peace and love.

1141
00:51:52,239 --> 00:51:54,600
Speaker 1: No. It was shortly thereafter. But anyway, one of the

1142
00:51:54,680 --> 00:51:56,800
Speaker 1: last one, the weird thing was we're all waiting for

1143
00:51:56,840 --> 00:51:58,680
Speaker 1: our baggage. Everybody wants to get the hell out of there,

1144
00:51:58,960 --> 00:52:01,600
Speaker 1: and of course ring Os bag came out first. I've

1145
00:52:01,640 --> 00:52:04,440
Speaker 1: on a Trump's bag came out first. They they both

1146
00:52:04,520 --> 00:52:06,719
Speaker 1: exit the airport and we're sitting there for another twenty

1147
00:52:06,719 --> 00:52:10,319
Speaker 1: minutes waiting for our bags. Right, celebrities get that kind

1148
00:52:10,320 --> 00:52:11,279
Speaker 1: of treatment. It was pretty cool.

1149
00:52:11,400 --> 00:52:16,120
Speaker 3: Well, well that fucking dick. I hate. I hate when

1150
00:52:16,160 --> 00:52:18,959
Speaker 3: people get an attitude when they're already asking for something

1151
00:52:19,000 --> 00:52:21,840
Speaker 3: for free and in conveniencing this person. I sort of

1152
00:52:21,840 --> 00:52:24,879
Speaker 3: got our meat and greets. My biggest peppeeve. I only

1153
00:52:24,920 --> 00:52:28,920
Speaker 3: have really one, and you know, aside from people grabbing

1154
00:52:29,000 --> 00:52:31,879
Speaker 3: my ass when they shouldn't or like grazing it when

1155
00:52:31,880 --> 00:52:32,319
Speaker 3: they know.

1156
00:52:32,280 --> 00:52:33,400
Speaker 4: What they're doing.

1157
00:52:36,160 --> 00:52:39,520
Speaker 1: Good question, bru, that's a good point. Every tenth person is.

1158
00:52:40,600 --> 00:52:42,560
Speaker 3: Sometimes if a girl asked, like, can I do no,

1159
00:52:42,600 --> 00:52:44,279
Speaker 3: I would never really want anyone to grab my ass

1160
00:52:44,280 --> 00:52:47,399
Speaker 3: because I'm still working on my pelvic tilt. But it's

1161
00:52:47,440 --> 00:52:52,080
Speaker 3: hard to find.

1162
00:52:48,760 --> 00:52:52,560
Speaker 4: You I would, but I'm working on my pelvic tails.

1163
00:52:52,560 --> 00:52:54,719
Speaker 3: Well that's what anyone does. Grab my ass, I know

1164
00:52:54,800 --> 00:52:57,200
Speaker 3: it's actually not by accident, like oh I just touched

1165
00:52:57,200 --> 00:52:59,640
Speaker 3: it because it's like you gotta go looking for it.

1166
00:52:59,400 --> 00:53:02,520
Speaker 3: It's it's like you gotta gotta press it under. Yeah,

1167
00:53:02,560 --> 00:53:05,360
Speaker 3: you have to go on. What's pe So my biggest

1168
00:53:05,360 --> 00:53:08,400
Speaker 3: pet peeve is when Matt is Matt is my tour manager,

1169
00:53:08,480 --> 00:53:11,759
Speaker 3: taking these people's cameras to take photos, and he does

1170
00:53:11,760 --> 00:53:15,280
Speaker 3: a good job, and it's always a girl. No offense girls,

1171
00:53:15,360 --> 00:53:18,200
Speaker 3: but what the fuck? I know you have a good side,

1172
00:53:18,239 --> 00:53:20,560
Speaker 3: and I know you like the picture be taken from above.

1173
00:53:21,160 --> 00:53:23,640
Speaker 3: Just say it politely. Hey, can you do you mind

1174
00:53:23,640 --> 00:53:25,680
Speaker 3: if you do a higher angle? That would be so great,

1175
00:53:25,680 --> 00:53:27,279
Speaker 3: Thank you so much. That's how you ask for that,

1176
00:53:27,320 --> 00:53:32,600
Speaker 3: Not higher angle, please? Higher angle? Is this guy new?

1177
00:53:32,960 --> 00:53:36,800
Speaker 3: Has he never photographed a woman before? And then grabs

1178
00:53:36,840 --> 00:53:39,560
Speaker 3: it from him, looks at it and goes, no, not even,

1179
00:53:39,640 --> 00:53:42,680
Speaker 3: and then hands it back and like this is a

1180
00:53:42,719 --> 00:53:46,680
Speaker 3: common I'm not kidding you. It's a common. I would

1181
00:53:46,760 --> 00:53:49,600
Speaker 3: say twice every meet and greet, there is a woman.

1182
00:53:49,760 --> 00:53:51,440
Speaker 3: It's never been a man. I would say it was

1183
00:53:51,440 --> 00:53:53,000
Speaker 3: a man if it's ever been a man. But men

1184
00:53:53,040 --> 00:53:53,719
Speaker 3: do not care about that.

1185
00:53:53,800 --> 00:53:59,320
Speaker 1: We don't have good sides.

1186
00:54:00,840 --> 00:54:05,520
Speaker 3: Inside your wallet and so that's all you're good for

1187
00:54:06,440 --> 00:54:09,439
Speaker 3: because you make more than us, okay, so, but but yeah,

1188
00:54:09,440 --> 00:54:11,960
Speaker 3: there's always a woman that's like one or two women

1189
00:54:12,040 --> 00:54:16,319
Speaker 3: that goes, this is horrible looking, uh, or we need

1190
00:54:16,360 --> 00:54:18,440
Speaker 3: to do this again and no, please, no thank you,

1191
00:54:18,680 --> 00:54:22,040
Speaker 3: and I will say sorry. I'm sure, besties, it's one

1192
00:54:22,120 --> 00:54:23,799
Speaker 3: hundred percent of you say thank you after you get

1193
00:54:23,840 --> 00:54:27,200
Speaker 3: your phone back from Matt. But I would say ninety

1194
00:54:27,200 --> 00:54:29,399
Speaker 3: percent of people do not say thank you to Matt

1195
00:54:29,400 --> 00:54:31,760
Speaker 3: when he hands back their phone after he takes a picture.

1196
00:54:31,760 --> 00:54:34,480
Speaker 3: And it's like, do you think this person works for you?

1197
00:54:34,760 --> 00:54:36,520
Speaker 3: Do you think this person they work for me? And

1198
00:54:36,560 --> 00:54:39,200
Speaker 3: they're but like, just say do you not say thank

1199
00:54:39,239 --> 00:54:40,759
Speaker 3: you to people when they bring your food?

1200
00:54:42,040 --> 00:54:44,560
Speaker 1: Maybe they're just excited and they distrustle, so I.

1201
00:54:44,480 --> 00:54:48,120
Speaker 3: Will give them. It's it's time limited, Like it's fine

1202
00:54:48,120 --> 00:54:49,799
Speaker 3: if you don't say thank you, it literally is fine

1203
00:54:49,800 --> 00:54:51,239
Speaker 3: because you're just being you're kind of being rush you

1204
00:54:51,239 --> 00:54:53,160
Speaker 3: have to go get your coat. I totally understand it's nervous.

1205
00:54:53,320 --> 00:54:55,759
Speaker 3: But when you are not nervous and you don't say

1206
00:54:55,760 --> 00:54:58,759
Speaker 3: thank you, because this are always people unclocking that are

1207
00:54:58,880 --> 00:55:01,719
Speaker 3: very comfortable in this environment and like to come up

1208
00:55:01,760 --> 00:55:03,000
Speaker 3: to me and be like I just want to have

1209
00:55:03,040 --> 00:55:05,080
Speaker 3: like a moment with you, Like this is not that

1210
00:55:05,120 --> 00:55:06,600
Speaker 3: big of a deal to me, Like I just want

1211
00:55:06,640 --> 00:55:08,400
Speaker 3: to we don't even need the picture, Like I just

1212
00:55:08,440 --> 00:55:11,160
Speaker 3: want to like hang, like have a real moment. Those

1213
00:55:11,280 --> 00:55:14,000
Speaker 3: there's always a that's men. Men will do that to

1214
00:55:14,120 --> 00:55:16,840
Speaker 3: like make me, I think, go like really, like you

1215
00:55:16,920 --> 00:55:19,239
Speaker 3: want to get to know me. Oh my god, You're

1216
00:55:19,239 --> 00:55:21,239
Speaker 3: so different than the other men. Most of men want

1217
00:55:21,280 --> 00:55:23,120
Speaker 3: to take a picture. You want to just have a

1218
00:55:23,160 --> 00:55:25,880
Speaker 3: conversation with me. That wastes more of my time when

1219
00:55:25,920 --> 00:55:28,239
Speaker 3: I'm hungry and I've been on stage already for an

1220
00:55:28,239 --> 00:55:30,359
Speaker 3: hour and a half and heals and now I'm out

1221
00:55:30,360 --> 00:55:34,480
Speaker 3: here taking a picture and you're the last person in line,

1222
00:55:34,520 --> 00:55:36,719
Speaker 3: and you purposely were the last person because you wanted

1223
00:55:36,760 --> 00:55:39,160
Speaker 3: to get that extra time with me, because somehow it's

1224
00:55:39,200 --> 00:55:40,400
Speaker 3: a gift to me.

1225
00:55:40,920 --> 00:55:42,560
Speaker 1: They paid good money to do it.

1226
00:55:42,800 --> 00:55:45,560
Speaker 3: No, they did not. They did not pay money to

1227
00:55:45,640 --> 00:55:47,480
Speaker 3: take up ten minutes of my time. At the very

1228
00:55:47,560 --> 00:55:49,560
Speaker 3: end of the line, I'm talking to a very specific man.

1229
00:55:49,640 --> 00:55:52,560
Speaker 3: Don't defend men, and we're trying to creep on me.

1230
00:55:52,640 --> 00:55:56,040
Speaker 3: That's so rude. I am talking about a specific man

1231
00:55:56,200 --> 00:55:58,680
Speaker 3: who waits and lets people go in front of him.

1232
00:55:58,960 --> 00:56:00,719
Speaker 3: So that they can have extra time at the end.

1233
00:56:00,760 --> 00:56:03,919
Speaker 3: It happens probably once every five shows. A man tries

1234
00:56:03,960 --> 00:56:05,520
Speaker 3: to wait till the end because they know it'll be

1235
00:56:05,560 --> 00:56:07,960
Speaker 3: that there's not someone after them. They're being courteous because

1236
00:56:07,960 --> 00:56:11,200
Speaker 3: they want more time, and then they they.

1237
00:56:11,080 --> 00:56:13,880
Speaker 1: A well that has happened.

1238
00:56:13,880 --> 00:56:16,000
Speaker 3: And I don't mind that, because that's fine, But like

1239
00:56:16,080 --> 00:56:19,120
Speaker 3: if you just if you're trying to finagle for more time,

1240
00:56:19,320 --> 00:56:21,279
Speaker 3: you're not being respectful of my time, because a meet

1241
00:56:21,280 --> 00:56:23,640
Speaker 3: and greet isn't a ten minute conversation. It could be

1242
00:56:23,760 --> 00:56:25,520
Speaker 3: if you're a girl who's crying and telling me that

1243
00:56:25,520 --> 00:56:27,360
Speaker 3: I helped you with your eating disorder or whatever it is,

1244
00:56:27,400 --> 00:56:29,520
Speaker 3: and like we have a moment, of course I'll grant

1245
00:56:29,560 --> 00:56:31,680
Speaker 3: you that time. But if you're just a guy who

1246
00:56:31,719 --> 00:56:33,960
Speaker 3: feels entitled to my time and you're not really a

1247
00:56:33,960 --> 00:56:36,520
Speaker 3: fan of stand up comedy, you just like female comics.

1248
00:56:36,520 --> 00:56:38,520
Speaker 3: I see who you follow, I see the messages like

1249
00:56:38,880 --> 00:56:41,480
Speaker 3: you just like female comics. And not because we have

1250
00:56:41,520 --> 00:56:44,120
Speaker 3: like a different brand of comedy, but because we are

1251
00:56:44,600 --> 00:56:49,280
Speaker 3: more accessible to you than models and pop stars, because

1252
00:56:49,320 --> 00:56:53,239
Speaker 3: we are more desperate for fans, and because we give

1253
00:56:53,280 --> 00:56:56,000
Speaker 3: you more, we talk to you intimately, in a podcast setting.

1254
00:56:57,080 --> 00:56:59,640
Speaker 3: You don't You're never gonna be my boyfriend, and I

1255
00:56:59,680 --> 00:57:02,640
Speaker 3: don't feel closer to you. And this is not to

1256
00:57:02,680 --> 00:57:04,319
Speaker 3: say that people that listen to this podcast would not

1257
00:57:04,320 --> 00:57:06,360
Speaker 3: be my friend, because you one hundred percent would, but

1258
00:57:07,080 --> 00:57:09,359
Speaker 3: this and I am not talking to ninety nine point

1259
00:57:09,440 --> 00:57:11,360
Speaker 3: nine to nine percent of people listening to this podcast

1260
00:57:11,480 --> 00:57:14,480
Speaker 3: right now. It is just I'm done with that creep guy.

1261
00:57:14,600 --> 00:57:17,120
Speaker 3: I'm done with him. I really can't do it anymore.

1262
00:57:17,200 --> 00:57:19,800
Speaker 3: It's going to ruin the met and greet for me because.

1263
00:57:19,600 --> 00:57:23,360
Speaker 4: It's been happening on the website. No creep guys, No creeps.

1264
00:57:23,680 --> 00:57:27,920
Speaker 3: And sometimes they're your biggest fan. You don't know they're creepy.

1265
00:57:28,520 --> 00:57:30,840
Speaker 1: To make sure the last personal lines of female all

1266
00:57:30,880 --> 00:57:31,600
Speaker 1: the time.

1267
00:57:31,520 --> 00:57:34,000
Speaker 3: That's a good that's actually a good call. That's a

1268
00:57:34,040 --> 00:57:36,760
Speaker 3: really good call because it always is a man. I mean, Brian.

1269
00:57:36,840 --> 00:57:39,840
Speaker 3: We even had a great, great fan come out to

1270
00:57:39,840 --> 00:57:43,840
Speaker 3: a show recently who has been to many shows. Amazing

1271
00:57:43,920 --> 00:57:48,120
Speaker 3: fan has documentation, t shirts, everything to prove that they've

1272
00:57:48,120 --> 00:57:50,640
Speaker 3: been to so many. I even recognize them kind of,

1273
00:57:51,000 --> 00:57:52,360
Speaker 3: it's true, they have been to so many.

1274
00:57:52,520 --> 00:57:55,480
Speaker 4: I don't know about what we're doing. We're talking about it.

1275
00:57:55,960 --> 00:57:59,520
Speaker 3: Why I got assaulted. He grabbed my ass, and I

1276
00:57:59,520 --> 00:58:01,800
Speaker 3: couldn't say anything about it because at that point we

1277
00:58:01,840 --> 00:58:06,600
Speaker 3: had already talked to them for ten minutes yeah, and

1278
00:58:06,600 --> 00:58:08,520
Speaker 3: and been like great to see you again. And then

1279
00:58:08,520 --> 00:58:10,440
Speaker 3: we go to the picture and he puts his hand

1280
00:58:10,440 --> 00:58:14,040
Speaker 3: on my ass, not a grab, but a firm hand

1281
00:58:14,040 --> 00:58:17,360
Speaker 3: on the ass, like nothing, because at that point we've

1282
00:58:17,360 --> 00:58:19,600
Speaker 3: built up all this rapport and I just want to

1283
00:58:19,680 --> 00:58:20,760
Speaker 3: go be done.

1284
00:58:21,120 --> 00:58:24,240
Speaker 1: And if I were to say his arm and elbow.

1285
00:58:24,160 --> 00:58:26,440
Speaker 3: It just wasn't. I didn't think the picture would take

1286
00:58:26,440 --> 00:58:28,000
Speaker 3: that long, and it ended up taking longer.

1287
00:58:28,000 --> 00:58:30,360
Speaker 1: So it's just like elbowing right in a stomach no.

1288
00:58:30,360 --> 00:58:34,040
Speaker 3: Because then he keels over. Then his wife goes what's happened?

1289
00:58:34,080 --> 00:58:36,440
Speaker 3: And then now his wife is like, wait, you grabbed

1290
00:58:36,440 --> 00:58:39,080
Speaker 3: her ass? Wait what? I didn't know you were doing

1291
00:58:39,160 --> 00:58:41,680
Speaker 3: that kind of thing. And yes, I know this perpetuates

1292
00:58:41,680 --> 00:58:43,560
Speaker 3: it and makes men get away with this kind of behavior,

1293
00:58:43,560 --> 00:58:45,880
Speaker 3: but it's just not my job. I just like, I

1294
00:58:45,960 --> 00:58:47,120
Speaker 3: just want to go eat my dinner.

1295
00:58:47,400 --> 00:58:49,760
Speaker 4: This is why the creepy capsha is perfect, because you

1296
00:58:49,760 --> 00:58:51,440
Speaker 4: don't have to know that you're a creep in order

1297
00:58:51,480 --> 00:58:54,760
Speaker 4: to fail the capture for you when you're signing up

1298
00:58:54,760 --> 00:58:56,800
Speaker 4: for VIP tickets to get the meet and great, there

1299
00:58:56,800 --> 00:59:00,600
Speaker 4: should be a capsha, but you have to solve wait, proves.

1300
00:59:00,320 --> 00:59:03,440
Speaker 3: You're not a creep, okay, instead of identifying stop signs

1301
00:59:03,800 --> 00:59:08,320
Speaker 3: or or motorcycles. It's women's boundaries. Yeah, it's just like

1302
00:59:08,520 --> 00:59:10,920
Speaker 3: which woman doesn't want to be touched right now? And

1303
00:59:10,960 --> 00:59:12,200
Speaker 3: it's just our different faces.

1304
00:59:12,560 --> 00:59:15,600
Speaker 4: There's a woman at the gym with headphones in on

1305
00:59:15,680 --> 00:59:19,240
Speaker 4: the treadmill, and it goes touch this places where you

1306
00:59:19,280 --> 00:59:21,040
Speaker 4: should talk to and then you just have to touch

1307
00:59:21,080 --> 00:59:22,080
Speaker 4: all the ones that aren't her.

1308
00:59:22,960 --> 00:59:28,560
Speaker 3: Yes, that is such a good idea, a creep capture.

1309
00:59:29,120 --> 00:59:31,560
Speaker 3: And let me say again, this is not Most people

1310
00:59:31,640 --> 00:59:33,280
Speaker 3: do not come to my meet and greet thinking I

1311
00:59:33,320 --> 00:59:35,120
Speaker 3: Am going to think you're one of these people. Even

1312
00:59:35,160 --> 00:59:37,040
Speaker 3: if you are a man going alone and you are

1313
00:59:37,080 --> 00:59:38,920
Speaker 3: a major fan and you do feel like we're friends,

1314
00:59:39,280 --> 00:59:41,240
Speaker 3: that can totally all be true and you are not

1315
00:59:41,320 --> 00:59:45,000
Speaker 3: a creep. So it's a problem because most creeps who

1316
00:59:45,080 --> 00:59:47,600
Speaker 3: think they're creeps are not. Here's how to know if

1317
00:59:47,600 --> 00:59:50,120
Speaker 3: you're a creep or that you're not a creep. If

1318
00:59:50,160 --> 00:59:52,880
Speaker 3: you think maybe you've creeped me out before, you're not

1319
00:59:52,920 --> 00:59:56,600
Speaker 3: a creep because creeps don't consider that. They really don't.

1320
00:59:56,760 --> 00:59:58,760
Speaker 3: When me was going on, I had so many guy

1321
00:59:58,760 --> 01:00:00,920
Speaker 3: friends being like, I'm really worried that I might have

1322
01:00:01,040 --> 01:00:04,320
Speaker 3: meetuned someone back and I go, no, you didn't, because

1323
01:00:04,320 --> 01:00:06,880
Speaker 3: you're worried about it, like me too, men. And then

1324
01:00:06,920 --> 01:00:08,800
Speaker 3: I was here men that I've definitely done that, being

1325
01:00:08,880 --> 01:00:11,479
Speaker 3: like I haven't done anything, and I'm like, you don't

1326
01:00:11,520 --> 01:00:14,160
Speaker 3: even think you have. So it's really one of these

1327
01:00:14,200 --> 01:00:16,480
Speaker 3: problems that the people that are worried to address it

1328
01:00:16,560 --> 01:00:18,600
Speaker 3: are don't need to be most of the time.

1329
01:00:18,720 --> 01:00:21,360
Speaker 4: Sorry, God, can I say something? Yeah?

1330
01:00:21,640 --> 01:00:22,000
Speaker 3: Yeah.

1331
01:00:22,000 --> 01:00:25,680
Speaker 4: So at the in Cincinnati, we did a show at

1332
01:00:25,680 --> 01:00:28,120
Speaker 4: the hard Rock Casino and afterwards, this is the whole

1333
01:00:28,640 --> 01:00:33,160
Speaker 4: family reunion. I went and played and gambled blackjack all

1334
01:00:33,240 --> 01:00:36,880
Speaker 4: night long, I heard and it was cool because there

1335
01:00:36,880 --> 01:00:39,240
Speaker 4: were several people on the floor who came up to

1336
01:00:39,280 --> 01:00:42,000
Speaker 4: me throughout the night, even as late as like two am,

1337
01:00:42,080 --> 01:00:44,320
Speaker 4: and we're like, hey man, great show. And I was like,

1338
01:00:44,360 --> 01:00:46,800
Speaker 4: oh cool, I get. It's almost like I have a

1339
01:00:46,840 --> 01:00:49,880
Speaker 4: little bubble of celebrity on the casino floor because the

1340
01:00:49,880 --> 01:00:51,720
Speaker 4: people had seen the show in that casino.

1341
01:00:52,200 --> 01:00:52,760
Speaker 1: That's great.

1342
01:00:52,840 --> 01:00:55,360
Speaker 4: So that was fun. But there was this guy at

1343
01:00:55,360 --> 01:00:59,720
Speaker 4: the blackjack table who was This is an example. It's

1344
01:00:59,760 --> 01:01:02,280
Speaker 4: not a creep, but it's the example of that mentality

1345
01:01:02,560 --> 01:01:04,480
Speaker 4: where you're just like, what the fuck is wrong with

1346
01:01:04,520 --> 01:01:08,320
Speaker 4: this guy. He's getting defensive about him about even being

1347
01:01:08,320 --> 01:01:11,040
Speaker 4: accused of being something. He was at the table and

1348
01:01:11,080 --> 01:01:13,040
Speaker 4: you're not allowed to take your phone out when you're

1349
01:01:13,040 --> 01:01:15,560
Speaker 4: playing blackjack because the casino thinks that you're using it

1350
01:01:15,600 --> 01:01:17,640
Speaker 4: to film the cards and then you can use a

1351
01:01:17,680 --> 01:01:20,200
Speaker 4: computer to predict what cards gonna come out next. And

1352
01:01:20,240 --> 01:01:22,640
Speaker 4: he kept taking his phone out and the dealer was like,

1353
01:01:22,680 --> 01:01:24,120
Speaker 4: you can't take your phone out. You can't take your

1354
01:01:24,120 --> 01:01:26,480
Speaker 4: phone out, and every time he's like, look, he said

1355
01:01:26,480 --> 01:01:28,960
Speaker 4: the same phrase over and over again. I'm not trying

1356
01:01:28,960 --> 01:01:31,520
Speaker 4: to start a new trouble. I'm just my mom was

1357
01:01:31,560 --> 01:01:34,400
Speaker 4: texting me happy birthday like shit like that. And he's like, Okay,

1358
01:01:34,560 --> 01:01:36,080
Speaker 4: I know you're not starting to trying to start a

1359
01:01:36,120 --> 01:01:37,960
Speaker 4: new trouble, but don't take your phone out. And then

1360
01:01:38,000 --> 01:01:40,480
Speaker 4: he one hand later he'd have his phone out again

1361
01:01:40,640 --> 01:01:42,560
Speaker 4: and like, no more phone out. You have your phone out,

1362
01:01:42,600 --> 01:01:44,760
Speaker 4: and you go, I'm not trying to start a new trouble.

1363
01:01:44,800 --> 01:01:48,040
Speaker 4: And it's like, bro, you literally are starting trouble. Just

1364
01:01:48,000 --> 01:01:50,760
Speaker 4: because you say I'm not trying to start any trouble

1365
01:01:51,120 --> 01:01:53,240
Speaker 4: doesn't mean that you're not. It's like insane and I

1366
01:01:53,240 --> 01:01:54,800
Speaker 4: feel like that's how creeps.

1367
01:01:54,480 --> 01:01:56,680
Speaker 3: Reacty, that's a phrase I'm not trying to start any

1368
01:01:56,680 --> 01:01:59,960
Speaker 3: trouble is definitely only said by someone who is absolute

1369
01:02:00,000 --> 01:02:03,320
Speaker 3: slutely starting trouble. That is, that's a total thing. That's

1370
01:02:03,360 --> 01:02:06,080
Speaker 3: never you know, it's like saying like not to be racist,

1371
01:02:06,120 --> 01:02:08,360
Speaker 3: but okay, then racist thing follows. I don't want to

1372
01:02:08,400 --> 01:02:12,080
Speaker 3: start any trouble is always someone who's starting shit. And

1373
01:02:12,160 --> 01:02:15,160
Speaker 3: that thing of like like to and when drunk men

1374
01:02:15,400 --> 01:02:17,600
Speaker 3: just latch onto a phrase and say it over and over,

1375
01:02:17,800 --> 01:02:21,760
Speaker 3: it really is just so disgusting to me. Yeah, you

1376
01:02:21,840 --> 01:02:23,640
Speaker 3: reminded me of like when he was like, I'm twixting

1377
01:02:23,680 --> 01:02:26,880
Speaker 3: my mom Matt my sister's husband this week and told

1378
01:02:26,960 --> 01:02:28,520
Speaker 3: us that when he one time he was arrested for

1379
01:02:28,640 --> 01:02:31,800
Speaker 3: public intoxication, like in college, and it was two in

1380
01:02:31,880 --> 01:02:35,000
Speaker 3: the morning. He was like his phone and the cop

1381
01:02:35,400 --> 01:02:36,880
Speaker 3: was like I had already confronted him and was like

1382
01:02:36,920 --> 01:02:38,960
Speaker 3: get out of the street, and he's like, I'm talking

1383
01:02:38,960 --> 01:02:43,040
Speaker 3: to my grandfather in the morning and he wasn't at all,

1384
01:02:43,400 --> 01:02:45,400
Speaker 3: and the coup like slammed the phone out of his hands,

1385
01:02:45,400 --> 01:02:46,280
Speaker 3: and he's like, no.

1386
01:02:47,960 --> 01:02:48,920
Speaker 1: He broke his phone.

1387
01:02:49,240 --> 01:02:51,600
Speaker 3: He's like the phone with my grandma. It's like, no,

1388
01:02:51,720 --> 01:02:54,520
Speaker 3: you wann't two in the morning, wasted in the streets

1389
01:02:54,520 --> 01:02:56,920
Speaker 3: of Lawrence, Kansas. All Right, we gotta go. Thank you

1390
01:02:57,000 --> 01:02:58,360
Speaker 3: Dad for being here.

1391
01:02:58,000 --> 01:02:59,360
Speaker 1: Plea love you.

1392
01:03:00,440 --> 01:03:02,960
Speaker 3: Listen to the podcast tomorrow. We'll see you then. Uh,

1393
01:03:03,160 --> 01:03:05,960
Speaker 3: and don't be cut and bye.