WEBVTT - Kesha

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<v Speaker 1>Pushkin pop music's long standing party animal, Kesha is now

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<v Speaker 1>dead set on slowing down and on speaking up. Since

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<v Speaker 1>debuting on the hook of flow Writers Mega Hit Right

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<v Speaker 1>Round in two thousand and nine, Kesha's released five albums,

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<v Speaker 1>two of which debuted at number one. Until very recently,

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<v Speaker 1>she was involved in a decade long court case with

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<v Speaker 1>her former producer and labelhead. Somehow, despite that bitter legal

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<v Speaker 1>battle and a public struggle with an eating disorder, Kesha's

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<v Speaker 1>remained steadfast in sharing her art with her fans, who

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<v Speaker 1>she affectionately refers to as her animals. On today's episode,

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<v Speaker 1>I talked to Kesha about how working with Rick Rubin

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<v Speaker 1>on her new album Gag Order provided the safe space

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<v Speaker 1>she's longed for when making music. She also talks about

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<v Speaker 1>how she channels Dolly Parton, Iggy Pop and Beyonce when

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<v Speaker 1>she's in promotion mode, and how early on her career

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<v Speaker 1>she lived in a castle with roommate to Vendra Banhard.

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<v Speaker 1>This is broken record liner notes for the digital Age.

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<v Speaker 1>I'm justin Ritchman. Here's my interview with Kesha. Look at you.

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<v Speaker 2>There you are, Oh my god, Here I am there.

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<v Speaker 1>You are here, I am I'm nobody.

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<v Speaker 2>I am also nobody.

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<v Speaker 1>Well that's not true based on what I've what I

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<v Speaker 1>heard from this album.

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<v Speaker 2>I was just listening to the episode with Andrea last night.

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<v Speaker 1>Oh yeah, yeah, yeah, yeah, that's so good. It's a

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<v Speaker 1>great episode.

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<v Speaker 2>It made me feel so good, like it made me

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<v Speaker 2>feel good about myself, I guess, which is the beauty

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<v Speaker 2>of sharing intimate parts of your mind.

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<v Speaker 1>Made you feel like seen, you know, yeah.

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<v Speaker 2>And also not alone, which I feel like is the

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<v Speaker 2>goal in making art.

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<v Speaker 1>Was there any particular part of it that resonated.

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<v Speaker 2>Like the entire thing? Just his ability to be so

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<v Speaker 2>vulnerable about and like really transparent about where he was

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<v Speaker 2>at when they recorded. That was helpful, especially the part

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<v Speaker 2>about imposter syndrome and feeling like sometimes just when you

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<v Speaker 2>have this hole inside of you, you focus on the

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<v Speaker 2>goal of making something great and then when you make it,

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<v Speaker 2>that hole is going to be filled. And then when

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<v Speaker 2>you do make it, and like, by the grace of God,

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<v Speaker 2>and I'm so grateful and so at the risk of

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<v Speaker 2>sounding like an asshole, because I am grateful and I

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<v Speaker 2>don't want to ever sound like I'm not. But when

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<v Speaker 2>you achieve success, thinking that's going to fix you, and

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<v Speaker 2>it doesn't, then you're kind of left at the top

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<v Speaker 2>of a mountain like alone, lonely, still broken.

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<v Speaker 1>But accomplished.

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<v Speaker 2>Yeah, accomplished, accomplished alone and like you've exercised all the

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<v Speaker 2>resources you thought were going to fix you. So I

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<v Speaker 2>just relate to that, like, not every day, but when

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<v Speaker 2>I have those moments, you feel so alone in that,

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<v Speaker 2>and it's scary, it's sad, it's lonely, it's terrible.

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<v Speaker 1>Yeah. Yeah, how long into your career did it take

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<v Speaker 1>for that feeling to sort of make its way into

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<v Speaker 1>your It's funny.

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<v Speaker 2>Because, like, I think it actually is helpful that I

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<v Speaker 2>have these insecurities that I sing about on the record

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<v Speaker 2>and that I'm pretty transparent about now. In my life,

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<v Speaker 2>I've never really felt that feeling of I'm on top

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<v Speaker 2>of the world. Even when I had the number one

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<v Speaker 2>album in the country, even when my song broke records,

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<v Speaker 2>I felt like it was all weird luck and I

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<v Speaker 2>never had that feeling of like walking into a room

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<v Speaker 2>and being like suck by dick bitches, Like I wish

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<v Speaker 2>I had a moment of that, because looking back, I'm like, fuck,

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<v Speaker 2>I should have at least had like a year of

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<v Speaker 2>being a narcissistic asshole and I missed it.

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<v Speaker 1>This is always awkward. We met the day actually you

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<v Speaker 1>met Rick. Oh my god. Were walking on the beach

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<v Speaker 1>in Malibu doing a separate interview for something different, But yeah,

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<v Speaker 1>you had just met with Rick. We were talking and

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<v Speaker 1>it was a good vibe. But even then I didn't

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<v Speaker 1>want to. It's always weird to tell someone like when

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<v Speaker 1>you've met them, But I met you like pre TikTok

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<v Speaker 1>kesha like you. No, it's really not a bad story.

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<v Speaker 1>It was just no, it was just it was great.

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<v Speaker 1>It was Coachella two thousand and seven or eight, and

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<v Speaker 1>I was at the back of a tent watching Devandra

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<v Speaker 1>Banhart and a blonde girl and a brunette of some

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<v Speaker 1>I don't but just the script don't remember came up.

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<v Speaker 1>I think we were all probably inebriated, but I remember

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<v Speaker 1>me maybe not. You just get in I won't well,

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<v Speaker 1>I won't, you know, put your business out there like that.

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<v Speaker 1>But your friend was like, do you know who this is?

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<v Speaker 1>And I was like, no, I know, I have no.

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<v Speaker 2>Clue. That's a good friend right there. I don't remember

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<v Speaker 2>this particular exchange, but I do remember going to see

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<v Speaker 2>Devendra Banhart and I ended up sharing the same house

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<v Speaker 2>with him in Laurel Canyon at one point. Wow, but

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<v Speaker 2>there were so many rooms. The place was like a

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<v Speaker 2>castle that I don't think we ever even met. There

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<v Speaker 2>were like twelve rooms in this house, or like ten rooms.

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<v Speaker 2>And I would come home and I think he shot

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<v Speaker 2>a music video in the living room on my couch,

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<v Speaker 2>and I like came in and it was just like

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<v Speaker 2>a very it's a very sexy group of individuals like

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<v Speaker 2>on my couch, and I was like, the fuck is

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<v Speaker 2>going on here?

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<v Speaker 1>But sounds magical.

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<v Speaker 2>It was a magical time. But like your story checks out,

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<v Speaker 2>is there like a worse part?

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<v Speaker 1>No, No, there's no bad part to it. It only

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<v Speaker 1>it just it you having said that there was never

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<v Speaker 1>a part in time in your life where you feel

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<v Speaker 1>like you arrived, and some of your honesty on the

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<v Speaker 1>record about it reminded me of that time because it

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<v Speaker 1>was I remember your friend saying that her being like

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<v Speaker 1>this Kesha she sings on the flow Rider song right round,

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<v Speaker 1>and I was like looking at you, thinking about the souse,

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<v Speaker 1>like this is no way this is the same person.

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<v Speaker 1>I remember your name, and then like you was later

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<v Speaker 1>or a year or two later, TikTok came out, and

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<v Speaker 1>remember you were kind of like it was like you

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<v Speaker 1>were off to the races.

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<v Speaker 2>But blasted off into outer space.

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<v Speaker 1>Even in that moment though, you didn't really seem super

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<v Speaker 1>comfortable to me, and like, yeah, I'm Kesha of right

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<v Speaker 1>round fame was like your friend was really interesting.

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<v Speaker 2>Very very good friend, and I'm lucky to be surrounded

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<v Speaker 2>by awesome women that we always like build each other

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<v Speaker 2>up and like have each other's backs. And you say,

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<v Speaker 2>I never felt comfortable in that role, But I don't

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<v Speaker 2>think I've just ever felt super comfortable period, like ever

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<v Speaker 2>in my entire life. I mean, have you had like

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<v Speaker 2>an elongated period of time where you've just felt super company.

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<v Speaker 1>I'm starting to now, and I'm worried that that means something.

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<v Speaker 2>Oh that's so nice. That's that gives me hope.

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<v Speaker 1>It gives me hope, but it also gives me anxiety

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<v Speaker 1>because it does feel like maybe the other shoes is

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<v Speaker 1>about to drop on some level and I should be prepared,

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<v Speaker 1>and I'm.

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<v Speaker 2>Not knowing what if it's what if you just earned it?

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<v Speaker 1>What if? But then how long can that last? How

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<v Speaker 1>long can it lasts until you know, well, getting comfortable, comfortable,

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<v Speaker 1>It's pretty sure.

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<v Speaker 2>Just like taking the good. When you get the good,

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<v Speaker 2>you have to let it in as much as you

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<v Speaker 2>do the bad. That's something I'm trying to exercise on

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<v Speaker 2>a daily basis.

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<v Speaker 1>It's a fair point.

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<v Speaker 2>Like I sometimes I don't know if this is the

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<v Speaker 2>same with everybody or it's just like my special concoction

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<v Speaker 2>of brain cells. But when I see I can see

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<v Speaker 2>like a hundred thousand positives and the one negative thing

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<v Speaker 2>will be the thing I keep with me and convert

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<v Speaker 2>to being the voice of my higher power in my head. Yeah,

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<v Speaker 2>and so I'm really working on kind of what you

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<v Speaker 2>just said. If it's good, just let it be good.

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<v Speaker 1>Let it be good. Yeah, not worrying too much. What

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<v Speaker 1>I mean early on? What was it early in life

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<v Speaker 1>that made you not feel so comfortable?

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<v Speaker 2>Like what I have a core memory of playing a

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<v Speaker 2>song to high school. All school was fucking miserable for me. Also, Yes,

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<v Speaker 2>by the way, so I have a theory which I'm

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<v Speaker 2>not sure if this checks out, so like don't quote

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<v Speaker 2>me on it, but if you are doing great in school,

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<v Speaker 2>you're fuck the rest of your life. Like if you

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<v Speaker 2>have the best time in school, you're good. If you

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<v Speaker 2>have a shitty time in school, you have to forever.

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<v Speaker 2>I feel like there's this need to prove those motherfucker's wrong.

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<v Speaker 2>I think a lot of our lives are like shaped

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<v Speaker 2>by the experiences that we have, all of it.

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<v Speaker 1>We think we are who we are because we're making

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<v Speaker 1>conscious decisions day after day, day and day out to

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<v Speaker 1>be who we want to be. But you know you're right.

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<v Speaker 1>More often than not. It's it's based on unconsciously things

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<v Speaker 1>that have happened and sets us on these courses that

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<v Speaker 1>you sometimes can't you know, whatever you can't there's no

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<v Speaker 1>turning back.

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<v Speaker 2>Well, and I have you ever had this thought? I

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<v Speaker 2>always think, what would my style of music, of taste

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<v Speaker 2>and clothing of everything, what would that have been like?

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<v Speaker 2>If that one Like all the men I've been in

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<v Speaker 2>love with, the like unrequited love where they didn't love

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<v Speaker 2>me back, I just so wonder if they had loved

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<v Speaker 2>me back, if I would have ever become the person

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<v Speaker 2>I was wearing the things I wore just to try

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<v Speaker 2>to be hot for that dude's whose name I don't remember.

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<v Speaker 1>Being like trapped in that that stage, Like you just

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<v Speaker 1>would have never yeah gone past, yeah, yeah, yeah, It's

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<v Speaker 1>it's fair because you know, especially early in life, relationship

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<v Speaker 1>tend to work out to be like these these things

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<v Speaker 1>that kind of prevent growth, you know. I think hopefully

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<v Speaker 1>as you evolve and get older and life relationships become

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<v Speaker 1>like you can kind of grow as individuals, you know, ideally, right,

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<v Speaker 1>but yeah, like you kind of like it stunts your

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<v Speaker 1>growth way or like early on, you know, well it.

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<v Speaker 2>Can stunt it or just shape it, you know. Like

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<v Speaker 2>my first severe love was somebody who was really into

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<v Speaker 2>punk music, and because of that, I started listening to

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<v Speaker 2>the Stooges And now I have a Stooges tattoo and

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<v Speaker 2>I've done a song with Iggy Pop. Like, would I

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<v Speaker 2>have ever done any of that if I didn't have

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<v Speaker 2>a crush on a guy that I knew quote liked

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<v Speaker 2>punk music on his MySpace profile. I don't know.

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<v Speaker 1>I miss MySpace. I mean probably not, probably not. You know,

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<v Speaker 1>who knows, you wouldn't gotten too Iggy. But that's that's amazing.

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<v Speaker 1>Iggy is one of the smartest people I have ever met.

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<v Speaker 1>I think he's iconic.

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<v Speaker 2>Actually have like a like the Holy Trinity of people.

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<v Speaker 2>I pray too. When I get an interview question and

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<v Speaker 2>I'm like Okay. It's either like, okay, how do I

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<v Speaker 2>answer this like really sincerely and kind and genuine and

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<v Speaker 2>speak from the heart. Then I channel Dolly Parton. If

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<v Speaker 2>I'm like Okay, now's the time to be a little cunt,

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<v Speaker 2>then I'm like okay, I channel Iggy. And then when

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<v Speaker 2>I'm like when you're just like above it all and

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<v Speaker 2>you just like are the most powerful bitch in the world,

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<v Speaker 2>then I'm Beyonce.

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<v Speaker 1>Ooh, Beyonce. I was curious who were going to pick? Yeah, Beyonce.

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<v Speaker 1>I mean, look, we all found little Beyonce, but like

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<v Speaker 1>when for you particular, we're in the journey, did you I.

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<v Speaker 2>Think the self titled album with the pink I think

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<v Speaker 2>it's just called Beyonce. Honestly, I'm not even like I

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<v Speaker 2>don't have like every album that I play all the time.

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<v Speaker 2>It was the feeling I felt when I heard the album.

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<v Speaker 2>It's like black with her name.

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<v Speaker 1>In pink thirteen. Yeah.

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<v Speaker 2>When I first heard that album, my goal in life

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<v Speaker 2>was too because she started in super pop like me,

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<v Speaker 2>and I feel like she has fully embodied the power

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<v Speaker 2>of who she motherfucking is. Yeah, and I am a

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<v Speaker 2>no means comparing myself to Beyonce. It's just somebody that

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<v Speaker 2>I tried to channel when I don't know how to

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<v Speaker 2>respond to something. Yeah, but like I don't know, I

0:12:37.836 --> 0:12:41.716
<v Speaker 2>just always felt a little bit different. I went to

0:12:41.756 --> 0:12:46.036
<v Speaker 2>school in Nashville. I was born in the Valley and

0:12:46.116 --> 0:12:49.196
<v Speaker 2>my mom was like a single mom made music, and

0:12:49.276 --> 0:12:51.836
<v Speaker 2>we moved to Nashville, and I just remember from the

0:12:51.876 --> 0:12:55.116
<v Speaker 2>earliest stages of going to school. I went to a

0:12:55.156 --> 0:12:58.476
<v Speaker 2>Catholic school and all the boys were wearing shorts and

0:12:58.476 --> 0:13:00.036
<v Speaker 2>all the girls had to wear skirts. And I remember

0:13:00.116 --> 0:13:02.116
<v Speaker 2>getting in trouble and I got sent to like the

0:13:02.156 --> 0:13:06.076
<v Speaker 2>head nuns office because I wore the boys outfit, and

0:13:06.156 --> 0:13:09.276
<v Speaker 2>just since I was at like six years old, like,

0:13:09.356 --> 0:13:11.996
<v Speaker 2>if the boys can do it, why can't I do it?

0:13:12.156 --> 0:13:14.516
<v Speaker 2>And nobody really had an answer. I got my hands

0:13:14.556 --> 0:13:17.956
<v Speaker 2>lapped and then it sent back to class. But I

0:13:18.076 --> 0:13:21.116
<v Speaker 2>still have not gotten the answer from anyone. No one

0:13:21.116 --> 0:13:23.316
<v Speaker 2>has given me the answer. If the boys can do it,

0:13:23.316 --> 0:13:24.076
<v Speaker 2>why can't I do it?

0:13:24.436 --> 0:13:28.956
<v Speaker 1>That is uh hot debate it still at the moment,

0:13:29.636 --> 0:13:32.196
<v Speaker 1>it's and it's a great question, and that's probably there's

0:13:32.196 --> 0:13:34.156
<v Speaker 1>no good answer, you know, there's no I.

0:13:34.076 --> 0:13:36.396
<v Speaker 2>Don't think there is I don't think there's a good answer.

0:13:36.516 --> 0:13:38.436
<v Speaker 2>Like I've gone down all the rabbit holes in my mind.

0:13:38.556 --> 0:13:41.276
<v Speaker 2>I haven't figured out the answer. But even then, I

0:13:42.076 --> 0:13:43.676
<v Speaker 2>always wondering, like why do you want to push?

0:13:44.116 --> 0:13:44.516
<v Speaker 1>Yeah?

0:13:44.556 --> 0:13:46.396
<v Speaker 2>Why do you have to find a boundary and push?

0:13:46.636 --> 0:13:49.516
<v Speaker 2>But I just if it doesn't make sense to me,

0:13:49.956 --> 0:13:52.916
<v Speaker 2>I don't understand the concept of just shutting the fuck

0:13:53.036 --> 0:13:56.076
<v Speaker 2>up and like it is what it is, which is something.

0:13:56.196 --> 0:14:00.036
<v Speaker 2>Rick Reuben, who I did this record with, he said

0:14:00.036 --> 0:14:02.156
<v Speaker 2>that to me a couple of times, and it like

0:14:02.196 --> 0:14:04.676
<v Speaker 2>blew my mind. It is what it is. It's just like,

0:14:05.076 --> 0:14:06.916
<v Speaker 2>what are you gonna argue with with that? It is

0:14:06.956 --> 0:14:10.796
<v Speaker 2>what it is? He would just I would be freaking

0:14:10.836 --> 0:14:13.436
<v Speaker 2>out about something and he would just like laugh and say,

0:14:13.556 --> 0:14:16.956
<v Speaker 2>it is what it is. And I am still trying

0:14:16.996 --> 0:14:22.076
<v Speaker 2>to like reach that level of acceptance just in life.

0:14:22.356 --> 0:14:23.156
<v Speaker 2>It is what it is.

0:14:23.516 --> 0:14:25.516
<v Speaker 1>Did any of that it is what it did? Any

0:14:25.556 --> 0:14:29.116
<v Speaker 1>of that you know that Ethos did that like find

0:14:29.116 --> 0:14:31.996
<v Speaker 1>its way into your creative process throughout the making of

0:14:32.036 --> 0:14:32.436
<v Speaker 1>the record.

0:14:33.396 --> 0:14:37.076
<v Speaker 2>Yeah. Absolutely. I'm I'm like pretty accustomed to be a

0:14:37.116 --> 0:14:40.836
<v Speaker 2>control freak as much as I can be, and with

0:14:41.396 --> 0:14:44.636
<v Speaker 2>Rick kind of just like laughing it is what it is.

0:14:44.676 --> 0:14:48.396
<v Speaker 2>We didn't film the first month of recording because I

0:14:48.516 --> 0:14:53.756
<v Speaker 2>was just an emotional beyond emotional wreck, Like it was

0:14:53.836 --> 0:14:57.716
<v Speaker 2>really scary to me. He's only the second producer I've

0:14:57.756 --> 0:15:01.076
<v Speaker 2>ever done an album with, Yeah, and so I was

0:15:01.236 --> 0:15:05.396
<v Speaker 2>just so I felt so scared that he was going

0:15:05.476 --> 0:15:09.356
<v Speaker 2>to quit. And I kept just like obsessively last gkeing

0:15:09.396 --> 0:15:11.196
<v Speaker 2>him if he quits projects a lot, and if he

0:15:11.236 --> 0:15:14.036
<v Speaker 2>thinks he's going to quit my project, because I felt

0:15:14.036 --> 0:15:16.316
<v Speaker 2>so nervous that I wasn't going to be able to

0:15:16.356 --> 0:15:20.196
<v Speaker 2>deliver the goods. And he's just so patient and so kind.

0:15:20.596 --> 0:15:23.556
<v Speaker 2>I mean, you know, he's an amazing human. Yeah, he's

0:15:23.836 --> 0:15:26.196
<v Speaker 2>so great. It was such a great influence on my life,

0:15:26.676 --> 0:15:30.196
<v Speaker 2>but I have kind of taken in it is what

0:15:30.276 --> 0:15:35.036
<v Speaker 2>it is. I made what I consider to be the

0:15:35.036 --> 0:15:38.276
<v Speaker 2>most proud thing I've ever made with Rick. I'm the

0:15:38.276 --> 0:15:40.596
<v Speaker 2>most proud of this of anything that I've ever made

0:15:40.636 --> 0:15:43.676
<v Speaker 2>my entire life. I think it's a masterpiece. I think

0:15:44.036 --> 0:15:47.556
<v Speaker 2>it's a classic. And if people are going to sleep

0:15:47.596 --> 0:15:49.516
<v Speaker 2>on that, that's not my problem.

0:15:49.876 --> 0:15:52.676
<v Speaker 1>I hope not. It's really good. I mean the last

0:15:52.676 --> 0:15:55.156
<v Speaker 1>two records you made were great too, Like from a

0:15:55.876 --> 0:15:58.716
<v Speaker 1>listener's perspective. From the audience perspective, it seemed like even

0:15:58.796 --> 0:16:01.876
<v Speaker 1>those records were like a big growth period for you too,

0:16:01.916 --> 0:16:03.676
<v Speaker 1>like just hearing your vocal more, you know, it just

0:16:03.676 --> 0:16:06.196
<v Speaker 1>felt like, oh wow, like you're you're really like you're

0:16:06.236 --> 0:16:07.876
<v Speaker 1>seeing like this person can sing.

0:16:08.316 --> 0:16:11.156
<v Speaker 2>So I got kind of used to having auto tune

0:16:11.236 --> 0:16:13.236
<v Speaker 2>as this crutch because I was like, no, no, no,

0:16:13.236 --> 0:16:16.356
<v Speaker 2>it's like I need my medicine, like or I'm not

0:16:16.356 --> 0:16:18.316
<v Speaker 2>going to be able to live right, like this is

0:16:18.716 --> 0:16:20.596
<v Speaker 2>this is my life for us in my music, I

0:16:20.676 --> 0:16:23.156
<v Speaker 2>have to have the auto tune, and Rick like weaned

0:16:23.236 --> 0:16:26.956
<v Speaker 2>me off. It was like a detoxing program with Rick

0:16:26.996 --> 0:16:30.316
<v Speaker 2>with the auto tune. I swear to god, I would

0:16:30.356 --> 0:16:32.396
<v Speaker 2>cry and be like, no, please give me the auto

0:16:32.476 --> 0:16:35.276
<v Speaker 2>tune and he's like, I don't know how else to

0:16:35.476 --> 0:16:38.476
<v Speaker 2>tell you that you don't need it, And like I

0:16:38.756 --> 0:16:42.876
<v Speaker 2>still am getting used to that idea, Like it's.

0:16:42.756 --> 0:16:46.156
<v Speaker 1>Been shocking to me that you still feel like you might.

0:16:46.356 --> 0:16:48.276
<v Speaker 1>I mean, you're a great singer.

0:16:48.116 --> 0:16:52.716
<v Speaker 2>Thank you, And also like yeah, fuck yeah I am.

0:16:53.396 --> 0:16:55.956
<v Speaker 2>And it makes me sad because, like we're talking about before,

0:16:56.156 --> 0:16:57.996
<v Speaker 2>sometimes you just remember that one comment.

0:16:59.516 --> 0:17:02.636
<v Speaker 1>You know, there's comments that I think even if you

0:17:02.716 --> 0:17:04.476
<v Speaker 1>move past, I mean, they're just going to stick with you.

0:17:04.516 --> 0:17:07.436
<v Speaker 1>There's certain comments that it's just offhanded comments. People don't

0:17:07.436 --> 0:17:10.356
<v Speaker 1>even realize what they're doing, you know, say something. I've

0:17:10.356 --> 0:17:12.516
<v Speaker 1>had family members say things to me as a kid

0:17:12.556 --> 0:17:14.636
<v Speaker 1>that you know, I still I still think about it.

0:17:14.636 --> 0:17:16.876
<v Speaker 1>I'm like, oh my god, you know I'm deficient in

0:17:16.916 --> 0:17:19.916
<v Speaker 1>this particular way because someone just said it one day randomly,

0:17:19.956 --> 0:17:21.276
<v Speaker 1>you know, not even they don't remember it.

0:17:21.276 --> 0:17:25.476
<v Speaker 2>I'm sure you know, they probably have no recollection of it.

0:17:25.556 --> 0:17:29.756
<v Speaker 2>And those things almost help define who you become because

0:17:29.796 --> 0:17:33.556
<v Speaker 2>as people were just an amalgamation of all of our experiences,

0:17:33.636 --> 0:17:35.876
<v Speaker 2>all the sounds we've heard, all the records we've heard,

0:17:36.476 --> 0:17:39.596
<v Speaker 2>you know, like everything's a rip off because we heard

0:17:39.636 --> 0:17:40.236
<v Speaker 2>it somewhere.

0:17:40.436 --> 0:17:40.716
<v Speaker 1>Yeah.

0:17:40.716 --> 0:17:43.796
<v Speaker 2>Like, I really think our brains are just like our dreams.

0:17:44.356 --> 0:17:48.676
<v Speaker 2>Our dreams just interpolate what we've experienced. And it's the

0:17:48.716 --> 0:17:53.036
<v Speaker 2>same with making music. It's like I'm just dreaming. It's

0:17:53.116 --> 0:17:55.196
<v Speaker 2>kind of like I don't know what's coming out. It's

0:17:55.276 --> 0:17:57.996
<v Speaker 2>just a dream, but it's a mashup of something I

0:17:58.076 --> 0:18:00.156
<v Speaker 2>must have heard with something else I must have heard

0:18:00.196 --> 0:18:01.436
<v Speaker 2>and something else I must have heard.

0:18:01.916 --> 0:18:06.156
<v Speaker 1>Yeah, the sort of like affirmations or sort of just

0:18:06.196 --> 0:18:09.996
<v Speaker 1>like this the samples from sort of like you know,

0:18:10.316 --> 0:18:13.596
<v Speaker 1>some are spiritual leaders. As a magician in there, it's

0:18:13.716 --> 0:18:15.236
<v Speaker 1>kind of just like these great.

0:18:15.236 --> 0:18:17.356
<v Speaker 2>A wizard not a magician.

0:18:17.716 --> 0:18:19.396
<v Speaker 1>Excuse that the difference?

0:18:20.196 --> 0:18:23.756
<v Speaker 2>Oh my god, yes there's a difference a magician. I

0:18:23.796 --> 0:18:27.396
<v Speaker 2>don't actually know the technical reason they're different, but I'm

0:18:27.436 --> 0:18:32.236
<v Speaker 2>pretty sure wizards are like more powerful, well more powerful

0:18:32.276 --> 0:18:35.436
<v Speaker 2>well defense. Actually that's a good question, but we should

0:18:35.436 --> 0:18:37.596
<v Speaker 2>ask the fans, what do you think is more powerful

0:18:37.836 --> 0:18:41.556
<v Speaker 2>wizard or magician or a musician or yeah.

0:18:44.516 --> 0:18:47.476
<v Speaker 1>And you have it sampled. You have a wizard sampled

0:18:47.956 --> 0:18:50.956
<v Speaker 1>into uh, into the and like some other spiritual leaders,

0:18:50.996 --> 0:18:55.236
<v Speaker 1>and it's it. It helps frame the listening experience in

0:18:55.236 --> 0:18:57.676
<v Speaker 1>like a really beautiful way, you know, because you're dealing

0:18:57.756 --> 0:19:00.156
<v Speaker 1>with really I mean, just from the title alone, you

0:19:00.196 --> 0:19:01.716
<v Speaker 1>kind of know it's going to be an intense listen

0:19:01.836 --> 0:19:05.516
<v Speaker 1>from just the type of gag order. And it proves

0:19:05.876 --> 0:19:06.396
<v Speaker 1>proves to be.

0:19:06.556 --> 0:19:09.036
<v Speaker 2>You know, it is an intense listen. And we are

0:19:09.356 --> 0:19:12.356
<v Speaker 2>kind of talked about what we were going to call it.

0:19:12.356 --> 0:19:14.596
<v Speaker 2>It was initially going to be called Eat the Acid.

0:19:14.916 --> 0:19:18.236
<v Speaker 2>And as much as I love that song. It's one

0:19:18.276 --> 0:19:20.756
<v Speaker 2>of my favorite songs I've ever written, Like it's a

0:19:20.836 --> 0:19:23.396
<v Speaker 2>really special song. But I was afraid that that would

0:19:23.476 --> 0:19:27.756
<v Speaker 2>maybe play into this whole party girl persona that I

0:19:27.796 --> 0:19:32.516
<v Speaker 2>have been so desperately trying to recover from because I

0:19:32.596 --> 0:19:39.996
<v Speaker 2>realized America doesn't understand irony in mass so ever since then,

0:19:40.036 --> 0:19:42.836
<v Speaker 2>I have to be really careful anytime I mentioned any

0:19:42.956 --> 0:19:48.836
<v Speaker 2>kind of substance, even if I'm joking, it's like it's

0:19:48.876 --> 0:19:51.716
<v Speaker 2>going to follow me into I'm far beyond when I'm dead,

0:19:51.996 --> 0:19:53.516
<v Speaker 2>Like that's what I'm going to be remembered for.

0:19:53.716 --> 0:19:56.276
<v Speaker 1>So I was like, I don't know, maybe, you know,

0:19:56.356 --> 0:19:58.596
<v Speaker 1>there's a lot of time to you know, if that's

0:19:58.716 --> 0:19:59.676
<v Speaker 1>not what you want.

0:20:00.836 --> 0:20:04.156
<v Speaker 2>I don't want to be remembered as the chick that

0:20:04.356 --> 0:20:06.396
<v Speaker 2>liked to party. It could be like she was really

0:20:06.636 --> 0:20:10.156
<v Speaker 2>fun when she did party and and there's all these

0:20:10.236 --> 0:20:12.356
<v Speaker 2>other facets.

0:20:11.796 --> 0:20:14.996
<v Speaker 1>To her character and you can you know, yeah, and

0:20:15.116 --> 0:20:16.996
<v Speaker 1>partying is now secondary too.

0:20:18.396 --> 0:20:20.956
<v Speaker 2>I'm fun as fuck, like sue me.

0:20:23.516 --> 0:20:25.156
<v Speaker 1>We're going to take a quick break and then come

0:20:25.196 --> 0:20:32.316
<v Speaker 1>back with more of my interview with Kesha. We're back

0:20:32.316 --> 0:20:35.956
<v Speaker 1>with more from Kesha. When did you write Eat the Acid?

0:20:36.596 --> 0:20:39.476
<v Speaker 2>Okay, so eat the acid. I forget the date. But

0:20:39.556 --> 0:20:44.476
<v Speaker 2>that was during lockdown, So I was upstairs. This is

0:20:44.556 --> 0:20:47.916
<v Speaker 2>my house, so I was upstairs, and I was just

0:20:47.996 --> 0:20:52.116
<v Speaker 2>having like this intensive anxiety because I think when you

0:20:52.156 --> 0:20:56.796
<v Speaker 2>do what I do, you are like off to the

0:20:56.876 --> 0:20:59.476
<v Speaker 2>races and you have very little time to sleep or

0:20:59.676 --> 0:21:03.076
<v Speaker 2>do much of anything else besides maintained that this thing

0:21:03.116 --> 0:21:05.676
<v Speaker 2>you fought so hard for and dedicated your life too

0:21:06.556 --> 0:21:11.236
<v Speaker 2>is sustaining life. So that happened for twelve years. So

0:21:12.356 --> 0:21:14.916
<v Speaker 2>lockdown was the first time I was in one place

0:21:14.956 --> 0:21:17.596
<v Speaker 2>for more than two weeks, probably in over a decade.

0:21:18.716 --> 0:21:23.236
<v Speaker 2>So everyone had a tough time, and I am I'm

0:21:23.356 --> 0:21:25.716
<v Speaker 2>very grateful and I have a lot of privilege and

0:21:25.756 --> 0:21:28.836
<v Speaker 2>I want to acknowledge that. But it was really mentally

0:21:30.236 --> 0:21:36.516
<v Speaker 2>a fucking nightmare. Is almost unbearable, just because when you

0:21:36.556 --> 0:21:41.636
<v Speaker 2>dedicate your life to something and then you have built

0:21:41.676 --> 0:21:48.956
<v Speaker 2>this whole castle around this idea of what your purpose

0:21:49.076 --> 0:21:52.596
<v Speaker 2>is and what is and then it's disintegrating in front

0:21:52.676 --> 0:21:54.956
<v Speaker 2>of you. I really felt like I was having a

0:21:54.996 --> 0:21:59.716
<v Speaker 2>psychotic break so watching these illusions kind of fall left

0:21:59.716 --> 0:22:03.476
<v Speaker 2>and right, and realizing that if I never made a

0:22:03.476 --> 0:22:06.636
<v Speaker 2>song again, if I never went on tour again. If

0:22:06.676 --> 0:22:11.196
<v Speaker 2>I just like cease to exist, I'm not sure anybody

0:22:11.396 --> 0:22:15.356
<v Speaker 2>would care, like and that freaked me out, Like people

0:22:15.356 --> 0:22:18.956
<v Speaker 2>would care, it would be like a TMZ article, but

0:22:19.116 --> 0:22:22.476
<v Speaker 2>like my family would care, my friends would care, and

0:22:22.556 --> 0:22:25.556
<v Speaker 2>I know my fans, my fans would care. But like

0:22:25.716 --> 0:22:28.796
<v Speaker 2>in large part knowing that if something happened to you

0:22:28.836 --> 0:22:31.836
<v Speaker 2>and it would become just like a news story for

0:22:31.916 --> 0:22:36.436
<v Speaker 2>twenty minutes and fade, then you start to be like, well,

0:22:36.436 --> 0:22:41.756
<v Speaker 2>what if I risked and sacrificed everything for I've missed

0:22:41.756 --> 0:22:46.236
<v Speaker 2>so many birthdays, I miss so many moments with my family,

0:22:46.276 --> 0:22:49.516
<v Speaker 2>I miss my god son being born, Like all of

0:22:49.556 --> 0:22:52.716
<v Speaker 2>these things, all of this time that I'm never going

0:22:52.796 --> 0:22:55.476
<v Speaker 2>to get back, And what did I sacrifice it for,

0:22:56.396 --> 0:22:59.396
<v Speaker 2>Like for a number one song, like who fucking cares?

0:23:00.276 --> 0:23:03.356
<v Speaker 2>So like it's going to make me emotional because it's

0:23:03.636 --> 0:23:06.156
<v Speaker 2>I'm never going to have that time back, and that

0:23:06.316 --> 0:23:10.716
<v Speaker 2>like still fucks with me. Yeah, But I then kind

0:23:10.716 --> 0:23:14.116
<v Speaker 2>of like with the help of Rick, like I refell

0:23:14.156 --> 0:23:17.276
<v Speaker 2>in love with music and like why I started loving

0:23:17.356 --> 0:23:18.836
<v Speaker 2>it in the first place, but I started making it

0:23:18.876 --> 0:23:21.676
<v Speaker 2>in the first place? Why I have to make it?

0:23:22.276 --> 0:23:25.316
<v Speaker 2>And I started feeling like it doesn't matter what anybody

0:23:25.356 --> 0:23:29.836
<v Speaker 2>else would say, You're important to yourself. So this like

0:23:29.996 --> 0:23:35.316
<v Speaker 2>falling in love with myself. Dynamic Rick really helped encourage.

0:23:35.476 --> 0:23:38.476
<v Speaker 2>And I always when people would say love yourself, it's like, yeah,

0:23:38.516 --> 0:23:41.396
<v Speaker 2>of course, love yourself, love yourself, promote love yourself, but

0:23:41.436 --> 0:23:46.436
<v Speaker 2>it felt so corny to actually practice self love and

0:23:46.556 --> 0:23:48.836
<v Speaker 2>like sit and roll my eyes at myself and then

0:23:49.156 --> 0:23:53.996
<v Speaker 2>like and then do it. And I started realizing that

0:23:53.996 --> 0:23:58.756
<v Speaker 2>that's where my passion and lust for life came back from,

0:23:58.996 --> 0:24:02.436
<v Speaker 2>is like actually giving a shit about myself.

0:24:02.916 --> 0:24:06.036
<v Speaker 1>With that renewed sense of love for yourself, I mean,

0:24:06.076 --> 0:24:08.076
<v Speaker 1>do you feel like you can kind of integrate your

0:24:08.156 --> 0:24:11.276
<v Speaker 1>life and your art in your career better?

0:24:11.596 --> 0:24:16.356
<v Speaker 2>I hope. So we'll see. Like this album is so

0:24:16.796 --> 0:24:19.956
<v Speaker 2>fucking special to me. I feel like it encapsulates me

0:24:20.756 --> 0:24:25.636
<v Speaker 2>becoming who I am and like really being reborn in

0:24:25.676 --> 0:24:28.076
<v Speaker 2>a way that I never kind of knew was possible.

0:24:28.716 --> 0:24:32.876
<v Speaker 2>And to capture that audibly, to capture a process of

0:24:32.956 --> 0:24:37.156
<v Speaker 2>going through like a spiritual awakening and ego death, really

0:24:37.396 --> 0:24:42.276
<v Speaker 2>difficult mental obstacles, digging through the trash of my past

0:24:43.036 --> 0:24:46.196
<v Speaker 2>and re emerging on the other side, and to capture

0:24:46.236 --> 0:24:50.276
<v Speaker 2>that on a microphone felt so fucking scary. Yeah, when Rick,

0:24:50.316 --> 0:24:52.396
<v Speaker 2>when we started working, Rick was like, let's film it.

0:24:52.436 --> 0:24:54.196
<v Speaker 2>And I was like I just can't. I just can't.

0:24:54.236 --> 0:24:56.076
<v Speaker 2>And so at the end I got really sad and

0:24:56.116 --> 0:24:58.316
<v Speaker 2>I was like, fuck, we should have filmed this, and

0:24:58.356 --> 0:25:01.636
<v Speaker 2>he said, it is what it is, and so I

0:25:01.676 --> 0:25:03.276
<v Speaker 2>was like, you know what it does, what are you

0:25:03.276 --> 0:25:03.556
<v Speaker 2>going to do?

0:25:03.716 --> 0:25:06.316
<v Speaker 1>It is what it is. Making a record is documenting something.

0:25:06.316 --> 0:25:09.116
<v Speaker 1>But and it sounds like this record didn't just die

0:25:09.116 --> 0:25:11.876
<v Speaker 1>document a particular phase of your life, like it documented

0:25:11.916 --> 0:25:16.436
<v Speaker 1>like a particularly like impactful phase in your life. Like

0:25:16.476 --> 0:25:20.236
<v Speaker 1>the MIC's were rolling at the right time to get they're.

0:25:20.076 --> 0:25:25.516
<v Speaker 2>Rolling at the most vulnerable times. Like there are moments

0:25:25.556 --> 0:25:27.476
<v Speaker 2>on the record that are hard for me to listen

0:25:27.516 --> 0:25:31.116
<v Speaker 2>to if I'm not in the right headspace living in

0:25:31.116 --> 0:25:34.796
<v Speaker 2>my head. It was really really hard to make. But

0:25:34.836 --> 0:25:37.316
<v Speaker 2>that was Rick's like favorite song.

0:25:37.516 --> 0:25:39.876
<v Speaker 1>What in particular in that is hard for you to

0:25:39.876 --> 0:25:41.556
<v Speaker 1>hear or made it hard to make.

0:25:41.876 --> 0:25:48.836
<v Speaker 2>Just listening to this ideation of nonexistence and talking about

0:25:48.836 --> 0:25:52.476
<v Speaker 2>my insecurities and how it you know, I don't think

0:25:52.476 --> 0:25:56.516
<v Speaker 2>it's just in music, but it's very prevalent in entertainment,

0:25:56.596 --> 0:25:59.196
<v Speaker 2>but I think it's kind of everywhere. As a woman,

0:25:59.276 --> 0:26:01.956
<v Speaker 2>I feel like there's a lot of need to compare yourself,

0:26:02.716 --> 0:26:05.916
<v Speaker 2>and I talk about that in the song. I talk

0:26:05.996 --> 0:26:08.556
<v Speaker 2>about how lonely I feel inside of my head and

0:26:08.556 --> 0:26:10.956
<v Speaker 2>how sometimes I just want someone to hold my hand

0:26:10.996 --> 0:26:15.876
<v Speaker 2>while I walk through it in there, And you know

0:26:15.956 --> 0:26:18.356
<v Speaker 2>he's not paying me to say this, so but like

0:26:18.516 --> 0:26:20.516
<v Speaker 2>Rick was the one that, like I said, like, Okay,

0:26:20.556 --> 0:26:22.796
<v Speaker 2>I'm gonna hold your handle. We walked through this together.

0:26:23.876 --> 0:26:24.076
<v Speaker 1>Yeah.

0:26:24.436 --> 0:26:27.836
<v Speaker 2>So it's a beautiful thing, and I have no idea

0:26:27.876 --> 0:26:30.036
<v Speaker 2>if people are gonna like it or listen to I

0:26:30.076 --> 0:26:33.316
<v Speaker 2>have no fucking idea. I hope they do, because I

0:26:33.396 --> 0:26:35.876
<v Speaker 2>think it will help certain people that relate to what

0:26:35.916 --> 0:26:39.356
<v Speaker 2>I'm saying. But in terms of like chart numbers and

0:26:39.956 --> 0:26:42.956
<v Speaker 2>wanting to be the dick swinging motherfucker that walks into

0:26:42.996 --> 0:26:45.676
<v Speaker 2>the room, I think I'm just too old for that. Anyways, Sadly,

0:26:46.676 --> 0:26:47.156
<v Speaker 2>I don't know.

0:26:47.636 --> 0:26:50.356
<v Speaker 1>Come on, look at look at Mix still walking around

0:26:50.956 --> 0:26:51.676
<v Speaker 1>with his dick swing.

0:26:52.716 --> 0:26:55.236
<v Speaker 2>Okay, fine, maybe I'm want to start walking around with

0:26:55.276 --> 0:26:58.716
<v Speaker 2>my dick swinging. As long as I ever start getting

0:26:58.796 --> 0:27:01.796
<v Speaker 2>out of hand, somebody shoot.

0:27:01.596 --> 0:27:08.556
<v Speaker 1>At tell me about the like the from like sort

0:27:08.636 --> 0:27:12.236
<v Speaker 1>of the creation story of this record from like how

0:27:12.276 --> 0:27:14.796
<v Speaker 1>did it come together? Like what did you bring to

0:27:14.916 --> 0:27:16.756
<v Speaker 1>Rick that first day you met Rick?

0:27:16.996 --> 0:27:18.916
<v Speaker 2>The first day I met Rick, I played him a

0:27:18.956 --> 0:27:23.316
<v Speaker 2>bunch of demos that were like not very good. I

0:27:23.356 --> 0:27:24.636
<v Speaker 2>will forever remember him.

0:27:25.236 --> 0:27:28.796
<v Speaker 3>Where Rick, you told me to play you everything and

0:27:28.836 --> 0:27:32.636
<v Speaker 3>I was like, now the song is not I don't

0:27:32.716 --> 0:27:35.276
<v Speaker 3>like the song. He told me to play you everything,

0:27:36.036 --> 0:27:38.876
<v Speaker 3>and then I played the song in about thirty seconds

0:27:38.876 --> 0:27:44.076
<v Speaker 3>and he just started like crying, laughing, and I was like, Okay,

0:27:44.276 --> 0:27:47.036
<v Speaker 3>that was the nicest way anyone ever told me that

0:27:47.076 --> 0:27:48.116
<v Speaker 3>they hate my song.

0:27:49.316 --> 0:27:52.516
<v Speaker 2>I was like, all right, that's really embarrassing. Next song

0:27:52.956 --> 0:27:56.316
<v Speaker 2>it said. They were not good songs. But we talked

0:27:56.356 --> 0:27:59.196
<v Speaker 2>a lot about spirituality through the process of this album,

0:27:59.476 --> 0:28:02.556
<v Speaker 2>and he knew that I'm a seeker and kind of

0:28:02.596 --> 0:28:06.316
<v Speaker 2>on the journey to I don't know, just be in

0:28:06.356 --> 0:28:10.316
<v Speaker 2>touch with high power of some sort. And that's what

0:28:10.316 --> 0:28:11.556
<v Speaker 2>we ended up really bonding over.

0:28:12.396 --> 0:28:14.436
<v Speaker 1>Did anything from that first batch of demos you played

0:28:14.516 --> 0:28:17.196
<v Speaker 1>him make the record, like any facet of those songs

0:28:17.276 --> 0:28:17.836
<v Speaker 1>or any.

0:28:18.116 --> 0:28:22.636
<v Speaker 2>One one did hate me harder? Oh, I like it,

0:28:22.716 --> 0:28:27.316
<v Speaker 2>hate me harder. But but the song leaked. The original

0:28:27.356 --> 0:28:30.636
<v Speaker 2>demo leaked like a couple of years ago, and I

0:28:30.676 --> 0:28:33.556
<v Speaker 2>was disappointed because I was like, that's not the incarnation

0:28:33.676 --> 0:28:36.596
<v Speaker 2>I wanted people to hear. But he took this like

0:28:36.916 --> 0:28:41.836
<v Speaker 2>very poppy, kind of happy sounding anthem song and turned

0:28:41.876 --> 0:28:50.436
<v Speaker 2>it into this really powerful ballad, strong defiant thing. So

0:28:50.476 --> 0:28:52.636
<v Speaker 2>he made it a whole different animal. One of the

0:28:52.676 --> 0:28:55.396
<v Speaker 2>many geniuses of him, he said, he's like the song

0:28:55.596 --> 0:28:58.076
<v Speaker 2>like you put different clothes on it, different genres. We

0:28:58.116 --> 0:29:00.196
<v Speaker 2>would try one song and make a ballad, and then

0:29:00.196 --> 0:29:02.116
<v Speaker 2>we would make at a disco song, just see much

0:29:02.156 --> 0:29:02.716
<v Speaker 2>one we'd like to do.

0:29:03.196 --> 0:29:06.116
<v Speaker 1>Did you ever settle on a particular feel for a

0:29:06.196 --> 0:29:10.076
<v Speaker 1>song in that process that you were maybe you wouldn't

0:29:10.116 --> 0:29:12.196
<v Speaker 1>like like you was ever an instance we're like, oh,

0:29:12.396 --> 0:29:15.036
<v Speaker 1>we'll try this song kind of like a gospel song,

0:29:15.116 --> 0:29:17.316
<v Speaker 1>but I don't know that's really gonna work, but you

0:29:17.316 --> 0:29:17.916
<v Speaker 1>were convinced.

0:29:18.156 --> 0:29:21.076
<v Speaker 2>I honestly, I just kind of like when you're in

0:29:21.116 --> 0:29:24.756
<v Speaker 2>the presence of a master, I think a really important

0:29:24.876 --> 0:29:27.116
<v Speaker 2>tool is knowing what you're good at and also knowing

0:29:27.116 --> 0:29:32.156
<v Speaker 2>what you're not good at, and surrounding yourself with people

0:29:32.316 --> 0:29:34.076
<v Speaker 2>that are good at the things you know you're not

0:29:34.156 --> 0:29:39.956
<v Speaker 2>good at so having like this like beautiful experience and

0:29:41.276 --> 0:29:43.156
<v Speaker 2>getting to be sit in the same room with Rick,

0:29:43.316 --> 0:29:46.196
<v Speaker 2>I was just like, honestly, I'm down to try whatever,

0:29:46.316 --> 0:29:49.236
<v Speaker 2>like I was game, which I think hopefully. I mean,

0:29:49.436 --> 0:29:51.356
<v Speaker 2>I'll speak for him, but I think it was fun

0:29:51.396 --> 0:29:53.436
<v Speaker 2>for him too, because I was like, sure, let's try.

0:29:54.236 --> 0:29:58.716
<v Speaker 2>Let's try dropping it like twenty bpm, drop the key,

0:29:59.116 --> 0:30:03.116
<v Speaker 2>slow it down, change the chords, like I was here

0:30:03.156 --> 0:30:04.156
<v Speaker 2>for the whole experience.

0:30:04.316 --> 0:30:08.276
<v Speaker 1>That's great. Hate me harder was an idea, so you

0:30:08.396 --> 0:30:10.756
<v Speaker 1>kind of have that, but I mean, you're kind of

0:30:10.756 --> 0:30:14.036
<v Speaker 1>also started from scratch, so what was it was scratch?

0:30:14.156 --> 0:30:16.436
<v Speaker 2>And then it was at the end of a song

0:30:16.956 --> 0:30:19.156
<v Speaker 2>he heard me starting to sing living in my head

0:30:19.196 --> 0:30:22.076
<v Speaker 2>because I was at the session and I had a

0:30:22.116 --> 0:30:27.476
<v Speaker 2>lot personally going on that day, just with another department

0:30:27.516 --> 0:30:31.196
<v Speaker 2>of my life, and I started just having an anxiety

0:30:31.276 --> 0:30:34.636
<v Speaker 2>attack thinking about the phone call. I was just gonn me,

0:30:35.316 --> 0:30:37.116
<v Speaker 2>so I was leeing. I just kind of mumbled into

0:30:37.116 --> 0:30:39.476
<v Speaker 2>a mic like this like I don't want to be

0:30:39.556 --> 0:30:43.076
<v Speaker 2>here anymore. I don't want to be here anymore. I'm

0:30:43.076 --> 0:30:46.156
<v Speaker 2>so fucking insecure. So we listened to the whole song

0:30:46.196 --> 0:30:48.876
<v Speaker 2>and that little tiny part of the end ended up

0:30:48.876 --> 0:30:51.036
<v Speaker 2>being living in my head and he was like that

0:30:51.036 --> 0:30:53.716
<v Speaker 2>that's real. I want to start with that. So there

0:30:53.716 --> 0:30:57.396
<v Speaker 2>were like little tiny pieces, I guess thinking back but

0:30:57.516 --> 0:31:00.076
<v Speaker 2>hate me hard. It was the only song in its entirety,

0:31:01.236 --> 0:31:04.276
<v Speaker 2>but Eat the Acid. I don't think I ever even

0:31:04.756 --> 0:31:09.836
<v Speaker 2>played actually don't remember. Potentially no back. He may have

0:31:09.876 --> 0:31:13.036
<v Speaker 2>heard Ethi Acid, but it was so different, but he

0:31:13.236 --> 0:31:16.356
<v Speaker 2>just took everything off of everything, like the production all

0:31:16.396 --> 0:31:19.556
<v Speaker 2>went away and it was rebuilt. Yeah, but Ethie Acid

0:31:19.636 --> 0:31:22.516
<v Speaker 2>was kind of like the foundation of the album. That

0:31:22.636 --> 0:31:25.276
<v Speaker 2>was when I was sitting upstairs having this like what

0:31:25.476 --> 0:31:28.596
<v Speaker 2>I perceived to be a psychotic break but turned out,

0:31:28.916 --> 0:31:32.436
<v Speaker 2>according to my therapist to be a spiritual awakening. So

0:31:32.556 --> 0:31:34.516
<v Speaker 2>that was the song I wrote the next day after that.

0:31:34.916 --> 0:31:36.836
<v Speaker 1>I guess to go back to the story you're telling

0:31:36.876 --> 0:31:39.196
<v Speaker 1>you sort of in this dark period start of the

0:31:39.236 --> 0:31:42.836
<v Speaker 1>first couple of weeks of lockdown, and you feel like

0:31:42.836 --> 0:31:45.316
<v Speaker 1>you have a psychotic break in that that same sort

0:31:45.316 --> 0:31:47.236
<v Speaker 1>of instance, you talked to your therapist.

0:31:47.636 --> 0:31:48.996
<v Speaker 2>Oh, I talked to her the next day.

0:31:49.356 --> 0:31:49.836
<v Speaker 1>The next time.

0:31:50.556 --> 0:31:56.436
<v Speaker 2>I was like, I was like genuinely was like, Okay,

0:31:56.876 --> 0:31:58.836
<v Speaker 2>it happened now what do I do?

0:31:59.516 --> 0:32:00.756
<v Speaker 1>Yeah, And it was like.

0:32:00.756 --> 0:32:02.756
<v Speaker 2>The first week I would say it's the first weeks,

0:32:02.756 --> 0:32:06.236
<v Speaker 2>maybe first months were the most intense of lockdown. I

0:32:06.236 --> 0:32:10.036
<v Speaker 2>don't remember the exact day, like it was somewhere between

0:32:10.036 --> 0:32:14.196
<v Speaker 2>March Tune somewhere somewhere in those months is when that happened.

0:32:15.076 --> 0:32:18.516
<v Speaker 2>So this experience happened. I felt like I had a

0:32:18.556 --> 0:32:22.116
<v Speaker 2>conversation with God, who is really funny.

0:32:22.196 --> 0:32:25.476
<v Speaker 1>Turns out it's good to know. I'm so happy to

0:32:25.516 --> 0:32:25.796
<v Speaker 1>hear that.

0:32:26.476 --> 0:32:29.196
<v Speaker 2>Thank God, like great sense of humor.

0:32:29.436 --> 0:32:31.116
<v Speaker 1>Thank God, that's that fool.

0:32:31.716 --> 0:32:37.316
<v Speaker 2>And I was so scary that I just like woke

0:32:37.396 --> 0:32:39.276
<v Speaker 2>up the next day and got like I was like

0:32:39.396 --> 0:32:42.156
<v Speaker 2>genuinely scared. I can laugh about it now because I've

0:32:42.196 --> 0:32:44.636
<v Speaker 2>had some distance, but Jesus Christ, So I was so scared.

0:32:45.076 --> 0:32:47.316
<v Speaker 2>And then after she told me that she's like just

0:32:47.396 --> 0:32:49.196
<v Speaker 2>lean into it, it was all very casual.

0:32:49.276 --> 0:32:50.196
<v Speaker 1>I was like, Okay.

0:32:50.676 --> 0:32:53.596
<v Speaker 2>So then I got on a zoom with my mom

0:32:53.956 --> 0:32:56.356
<v Speaker 2>and Stuart Crichton, and I was like, we have to

0:32:56.396 --> 0:32:58.676
<v Speaker 2>write a song about how I thought I was saying

0:32:58.716 --> 0:33:04.796
<v Speaker 2>my mind. But I think I saw allusion of what

0:33:05.196 --> 0:33:09.436
<v Speaker 2>is fall and I realized what love is and the

0:33:09.476 --> 0:33:14.156
<v Speaker 2>only thing that can save us as society is love.

0:33:14.836 --> 0:33:17.316
<v Speaker 2>And there were all these like see what the album

0:33:17.396 --> 0:33:20.356
<v Speaker 2>is gonna be. But it had to start with eth

0:33:20.516 --> 0:33:22.916
<v Speaker 2>acid because my mom told me when I was young

0:33:23.556 --> 0:33:28.836
<v Speaker 2>to never take acid. So to this day, I've never

0:33:28.876 --> 0:33:30.356
<v Speaker 2>taken as you've never taken acid.

0:33:30.676 --> 0:33:34.036
<v Speaker 1>No, I've never taken acid. I'm terrified of it me too.

0:33:34.276 --> 0:33:38.116
<v Speaker 1>Why are you ah, because I have I have mental

0:33:38.236 --> 0:33:41.236
<v Speaker 1>mental in my family. I'm just scaring I'm going to

0:33:41.316 --> 0:33:44.036
<v Speaker 1>turn out like you know, have like a break, you know,

0:33:44.156 --> 0:33:48.876
<v Speaker 1>mushrooms other things fine, but also too long, too long.

0:33:48.916 --> 0:33:51.836
<v Speaker 1>I'm like, you know, it's five six seven hours of

0:33:51.876 --> 0:33:52.236
<v Speaker 1>my time.

0:33:52.636 --> 0:33:54.796
<v Speaker 2>I think we would really get along like off camera

0:33:54.796 --> 0:33:56.876
<v Speaker 2>as well, honestly, because I'm right there with you.

0:33:57.076 --> 0:33:59.156
<v Speaker 1>Yeah, it's like, you know, I could you know, noon

0:33:59.796 --> 0:34:01.716
<v Speaker 1>cool and then I can have dinner and be like

0:34:02.076 --> 0:34:03.316
<v Speaker 1>good to go great.

0:34:03.116 --> 0:34:06.076
<v Speaker 2>You know, and get like sleep. Yeah, I don't get

0:34:06.516 --> 0:34:10.716
<v Speaker 2>I like the idea of getting just like like feeling

0:34:10.716 --> 0:34:12.676
<v Speaker 2>a little naughty, like have a glass of wine and

0:34:12.796 --> 0:34:16.836
<v Speaker 2>I'm like okay, I like I like keeping the anchor

0:34:17.036 --> 0:34:18.876
<v Speaker 2>of stability.

0:34:18.156 --> 0:34:22.756
<v Speaker 1>Because I have to, and that's the control. Yeah, probably

0:34:22.756 --> 0:34:23.156
<v Speaker 1>part of.

0:34:23.356 --> 0:34:28.836
<v Speaker 2>Right, totally. I think I cling very very aggressively to

0:34:28.916 --> 0:34:31.036
<v Speaker 2>what I can, which I'm currently in the process of

0:34:31.076 --> 0:34:35.916
<v Speaker 2>trying to loosen the grip because we're not really in

0:34:35.996 --> 0:34:40.516
<v Speaker 2>control of much. Actually, no, that's another illusion. That's another

0:34:40.556 --> 0:34:41.756
<v Speaker 2>illusion I'm trying to get rid of.

0:34:42.876 --> 0:34:44.916
<v Speaker 1>We have to pause for another quick break, and then

0:34:44.916 --> 0:34:51.996
<v Speaker 1>we'll be back with more from Kesha. We're back with

0:34:52.036 --> 0:34:54.916
<v Speaker 1>the rest of my interview with Kasha, and I love

0:34:54.956 --> 0:34:57.716
<v Speaker 1>the outroas I actually wanted to ask you about that.

0:34:58.036 --> 0:34:59.436
<v Speaker 1>In the next life, I want to come back as

0:34:59.476 --> 0:35:02.876
<v Speaker 1>a house cat like that melody. Did it come from something?

0:35:03.636 --> 0:35:05.316
<v Speaker 2>It did? But I want to know what the melody

0:35:05.356 --> 0:35:06.396
<v Speaker 2>reminds you of. First.

0:35:07.516 --> 0:35:09.556
<v Speaker 1>I don't it reminds me one of those like real

0:35:09.716 --> 0:35:13.316
<v Speaker 1>like fifties songs, you know, like Earth Angel or something.

0:35:13.316 --> 0:35:14.796
<v Speaker 1>I don't know why, Like it reminds me of like

0:35:14.836 --> 0:35:19.436
<v Speaker 1>a do Woppy early R and B always been in existence,

0:35:19.676 --> 0:35:20.676
<v Speaker 1>one of those songs, you know.

0:35:21.036 --> 0:35:24.516
<v Speaker 2>Oh cute. I love that. It's totally not what the

0:35:24.556 --> 0:35:27.236
<v Speaker 2>inspiration was. Do you want to know what it is?

0:35:27.436 --> 0:35:27.596
<v Speaker 1>Yeah?

0:35:27.716 --> 0:35:30.276
<v Speaker 2>Or should I just let you live with your fantasy of.

0:35:30.316 --> 0:35:32.676
<v Speaker 1>Part I'll revert back to my mind. Okay, I see,

0:35:32.716 --> 0:35:33.276
<v Speaker 1>But I do want to.

0:35:33.276 --> 0:35:36.796
<v Speaker 2>Know so the end, So the drama. I wanted to

0:35:37.636 --> 0:35:41.476
<v Speaker 2>have one song that is kind of poking fun at

0:35:41.596 --> 0:35:47.156
<v Speaker 2>the fact that, like, we as humans love drama. I

0:35:47.196 --> 0:35:49.516
<v Speaker 2>think it is. I don't know if it's the culture.

0:35:49.636 --> 0:35:51.836
<v Speaker 2>I don't know if it's just part of being a human,

0:35:52.396 --> 0:35:55.916
<v Speaker 2>or maybe it's just me, but people fucking love drama.

0:35:55.956 --> 0:35:58.996
<v Speaker 2>They love bad news, click bait, like everybody loves it

0:35:59.036 --> 0:36:02.156
<v Speaker 2>in their own vein. Like I think about sports teams,

0:36:02.236 --> 0:36:03.796
<v Speaker 2>is that just so you can have a team and

0:36:03.796 --> 0:36:06.436
<v Speaker 2>then fight each other, and then there's drama like the

0:36:06.476 --> 0:36:11.356
<v Speaker 2>Real Housewives of Beverly Hills drama. Politics, to a large part,

0:36:11.556 --> 0:36:17.996
<v Speaker 2>sadly now becoming more about drama. I don't think that's right.

0:36:18.716 --> 0:36:21.676
<v Speaker 2>I think politics should be about politics. But so I

0:36:21.716 --> 0:36:26.756
<v Speaker 2>wanted to kind of compile a song that sounded like

0:36:26.956 --> 0:36:32.916
<v Speaker 2>the psychosis of what the world and what like scrolling

0:36:32.956 --> 0:36:40.236
<v Speaker 2>through TikTok feels like to me, it feels genuinely so

0:36:40.476 --> 0:36:46.156
<v Speaker 2>deranged sometimes where you're like he he, I'm dancing, Oh

0:36:46.236 --> 0:36:53.196
<v Speaker 2>my God, like that constant flow of noise and chaos.

0:36:53.516 --> 0:36:56.876
<v Speaker 2>I wanted this song to be about that, and then

0:36:56.956 --> 0:36:59.796
<v Speaker 2>the outro I wanted it have you ever been to

0:36:59.876 --> 0:37:04.876
<v Speaker 2>Disney land. Okay, So the Housecat, which I wrote with

0:37:04.996 --> 0:37:09.236
<v Speaker 2>Kurt Vile, is for me supposed to sound like and

0:37:09.236 --> 0:37:12.316
<v Speaker 2>you're going on the water ride, the one you're in,

0:37:12.396 --> 0:37:15.076
<v Speaker 2>like the log ride. I don't know what it's called.

0:37:15.476 --> 0:37:17.636
<v Speaker 2>So you're going up and you're passing all these like

0:37:17.676 --> 0:37:20.916
<v Speaker 2>really cute little characters, and there's like a wolf and

0:37:20.956 --> 0:37:23.556
<v Speaker 2>it's a wolf's singing in the corner and he has

0:37:23.596 --> 0:37:26.876
<v Speaker 2>a cauldron foot a bunch of bunnies and it's so cute,

0:37:27.036 --> 0:37:30.236
<v Speaker 2>but it's actually really fucked up, like there's a wolf

0:37:30.556 --> 0:37:35.796
<v Speaker 2>boiling bunnies alive and echoing while you're going. You're going

0:37:35.876 --> 0:37:37.876
<v Speaker 2>up the hill and there's these songs going and they

0:37:37.876 --> 0:37:39.956
<v Speaker 2>start getting faster and then they goes a're getting fat.

0:37:40.036 --> 0:37:42.436
<v Speaker 2>He starts hearing the screams of children.

0:37:43.036 --> 0:37:45.356
<v Speaker 1>And I wanted to end of the song something like that,

0:37:45.756 --> 0:37:51.436
<v Speaker 1>like the screaming of children. No, like the not the ride. Okay,

0:37:51.436 --> 0:37:52.276
<v Speaker 1>I got you on.

0:37:52.156 --> 0:37:58.276
<v Speaker 2>The whole, like the experience of the deranged moment of

0:37:58.596 --> 0:38:01.676
<v Speaker 2>the water ride at Disney when you haven't yet reached

0:38:01.796 --> 0:38:04.916
<v Speaker 2>the top but you're about to free fall.

0:38:05.156 --> 0:38:08.356
<v Speaker 1>I love that. Yep, Why am I? I love them?

0:38:08.356 --> 0:38:12.596
<v Speaker 1>Attractor on this modeled after the deranged experience of scrolling

0:38:12.636 --> 0:38:16.996
<v Speaker 1>TikTok and and you know, the bizarre world of fairy

0:38:17.036 --> 0:38:23.156
<v Speaker 1>tales screaming children. It's such a good song though, thank you. Yeah.

0:38:23.196 --> 0:38:25.676
<v Speaker 1>And there's a couple of there's a couple of moments

0:38:25.716 --> 0:38:28.636
<v Speaker 1>too of them, because I mean, you know, as you said,

0:38:28.676 --> 0:38:30.516
<v Speaker 1>it's like, you know, obviously it's like a heavy listen,

0:38:30.556 --> 0:38:33.996
<v Speaker 1>but it's a couple of songs that are like really

0:38:34.076 --> 0:38:39.156
<v Speaker 1>nice reprieves from kind of like those more tense moments

0:38:39.276 --> 0:38:42.116
<v Speaker 1>about halfway through while I need is you yeah, and

0:38:42.156 --> 0:38:44.716
<v Speaker 1>then and then happy at the end. I mean, it's

0:38:44.756 --> 0:38:46.436
<v Speaker 1>just a great closer.

0:38:46.716 --> 0:38:47.196
<v Speaker 2>Thank you.

0:38:47.316 --> 0:38:49.476
<v Speaker 1>It's a beautiful song, Thank you.

0:38:49.596 --> 0:38:56.196
<v Speaker 2>I really have such protective feeling, you know, I don't

0:38:56.196 --> 0:38:59.396
<v Speaker 2>have kids that are human. I have animals, So it's

0:38:59.436 --> 0:39:02.596
<v Speaker 2>like the only thing I can compare it to. That's

0:39:02.636 --> 0:39:05.436
<v Speaker 2>how I feel protective, or of like what I'm hanging

0:39:05.436 --> 0:39:08.796
<v Speaker 2>out with my brother's kids, Like that's how I feel

0:39:08.836 --> 0:39:13.596
<v Speaker 2>about that song. Yeah, I feel very like maternally protective

0:39:13.636 --> 0:39:17.156
<v Speaker 2>over that because I know that once you've spent your

0:39:17.276 --> 0:39:22.276
<v Speaker 2>life chasing all the things I've chased and accomplishing a

0:39:22.316 --> 0:39:26.116
<v Speaker 2>lot of them, failing miserably and embarrassingly in front of

0:39:26.316 --> 0:39:30.076
<v Speaker 2>a lot of people, over and over and over, buying

0:39:30.196 --> 0:39:33.996
<v Speaker 2>nice houses, going on the vacations, having the hit songs,

0:39:34.076 --> 0:39:38.676
<v Speaker 2>having the not hit songs, the glory and the humiliation.

0:39:39.556 --> 0:39:43.796
<v Speaker 2>After I had this experience I told you about, I

0:39:43.876 --> 0:39:47.756
<v Speaker 2>walked out of this album realizing that now that I've

0:39:48.356 --> 0:39:52.196
<v Speaker 2>trudged through the not only sad, it's not only sad.

0:39:52.356 --> 0:39:57.236
<v Speaker 2>It's just a really contemplative album. And there's moments of fun.

0:39:57.276 --> 0:40:00.076
<v Speaker 2>There's moments of joy, there's moments of anger. There's moments

0:40:00.156 --> 0:40:04.876
<v Speaker 2>of surprise totally, there's moments of what were you surprised

0:40:04.876 --> 0:40:05.916
<v Speaker 2>about them?

0:40:05.956 --> 0:40:09.796
<v Speaker 1>Just certain changes in song, like really honest, there's certain

0:40:09.876 --> 0:40:12.756
<v Speaker 1>changes in song, the brief interludes, like all of a sudden,

0:40:13.636 --> 0:40:16.916
<v Speaker 1>ram Das is in my ear. You know, it's like, oh,

0:40:17.036 --> 0:40:21.956
<v Speaker 1>you know, it just took me to places I wasn't expecting. Yeah.

0:40:22.076 --> 0:40:26.636
<v Speaker 2>I always wonder if, like if people are bummed when

0:40:26.676 --> 0:40:32.156
<v Speaker 2>an artist flips the sonic script on them, because at

0:40:32.156 --> 0:40:36.916
<v Speaker 2>a point you become something that people go to for escapism.

0:40:36.996 --> 0:40:39.876
<v Speaker 2>For me, I feel like a lot of people have

0:40:39.956 --> 0:40:43.116
<v Speaker 2>previously come to me for escapism, which I think is

0:40:43.156 --> 0:40:48.796
<v Speaker 2>an incredibly important thing for humans, but so putting out

0:40:48.796 --> 0:40:51.996
<v Speaker 2>this record, I'm I'm just curious if people like when

0:40:52.076 --> 0:40:54.956
<v Speaker 2>artists do really drastically different stuff.

0:40:55.676 --> 0:40:57.516
<v Speaker 1>It's hard to say that, you know, Like, I'm sure

0:40:57.636 --> 0:41:02.316
<v Speaker 1>you have like super fans from the very beginning, and

0:41:02.356 --> 0:41:07.516
<v Speaker 1>they probably want just that same formula. But I do

0:41:07.596 --> 0:41:10.116
<v Speaker 1>think that even if you gave that fan the same

0:41:10.156 --> 0:41:13.756
<v Speaker 1>thing over and over, they say they want it, but

0:41:13.796 --> 0:41:18.396
<v Speaker 1>they'd probably become bored of it and then they use you.

0:41:18.396 --> 0:41:21.076
<v Speaker 1>You know. It's like you can't win with some people, right.

0:41:21.516 --> 0:41:25.196
<v Speaker 2>Well, I think my like actually surprisingly my super right

0:41:25.316 --> 0:41:30.396
<v Speaker 2>or Die fans, my animals, they're so here for the evolution.

0:41:30.676 --> 0:41:34.796
<v Speaker 2>It's more I think people that maybe have heard a

0:41:34.836 --> 0:41:37.956
<v Speaker 2>song or two of mine, only saw a picture or

0:41:37.996 --> 0:41:40.276
<v Speaker 2>two of me and a video or two, and then

0:41:40.316 --> 0:41:43.236
<v Speaker 2>they're like, the fuck are you doing? Like I kind

0:41:43.236 --> 0:41:45.916
<v Speaker 2>of felt like I had to work through the right

0:41:46.036 --> 0:41:48.196
<v Speaker 2>to make an album like this, But then that's when

0:41:48.196 --> 0:41:51.916
<v Speaker 2>I would channel Beyonce. Yeah, thinking about that album I

0:41:51.956 --> 0:41:53.836
<v Speaker 2>told you about, and I was like, she just like

0:41:54.276 --> 0:41:58.676
<v Speaker 2>made it a piece of amazing art that encapsulates who

0:41:58.716 --> 0:42:02.356
<v Speaker 2>she is. I feel and hear who this woman is.

0:42:03.596 --> 0:42:06.036
<v Speaker 1>I want to do that well, This album's like kind

0:42:06.036 --> 0:42:08.796
<v Speaker 1>of locked me in to Kesha, you know, like I'm

0:42:09.196 --> 0:42:09.636
<v Speaker 1>that like.

0:42:09.916 --> 0:42:10.836
<v Speaker 2>Have you been converted?

0:42:11.276 --> 0:42:17.996
<v Speaker 1>I'm nearly animal, I'm nearly you know, you know I

0:42:18.076 --> 0:42:19.796
<v Speaker 1>might end up there. I would say I was a

0:42:19.876 --> 0:42:22.036
<v Speaker 1>casual listener before and like, but this album is like

0:42:22.116 --> 0:42:24.596
<v Speaker 1>one of those ones that I think if you really

0:42:24.836 --> 0:42:28.596
<v Speaker 1>like music, warrants like a couple of like deep listens.

0:42:28.676 --> 0:42:34.036
<v Speaker 1>You know. It's it's sequenced, beautifully produced beautifully, it's written beautifully.

0:42:34.156 --> 0:42:37.636
<v Speaker 1>You sound great on it. You know. It's like bits

0:42:37.636 --> 0:42:39.956
<v Speaker 1>and pieces of things that I think have come out

0:42:39.996 --> 0:42:42.516
<v Speaker 1>on other albums, and it's like it's like all of

0:42:42.556 --> 0:42:46.676
<v Speaker 1>it finally, all those things that were great in these

0:42:46.676 --> 0:42:48.396
<v Speaker 1>little moments, and it's like, oh, it's now, this is

0:42:48.436 --> 0:42:51.036
<v Speaker 1>all this is the complete thing, this is It's all there.

0:42:51.156 --> 0:42:53.956
<v Speaker 1>You know that that was my experience listening.

0:42:54.356 --> 0:42:56.156
<v Speaker 2>Thank you. I'm going to just accept. I'm going to

0:42:56.196 --> 0:42:58.436
<v Speaker 2>take in the good because I love it. I worked

0:42:58.476 --> 0:43:01.476
<v Speaker 2>really fucking hard on this and I know Rick did too,

0:43:01.556 --> 0:43:03.676
<v Speaker 2>and yeah, so I'm going to take in the good.

0:43:03.556 --> 0:43:04.836
<v Speaker 1>And I know he loves the record too.

0:43:05.156 --> 0:43:07.636
<v Speaker 2>Wait, I want to finish one sentence because I go

0:43:07.676 --> 0:43:10.076
<v Speaker 2>on tangents that I didn't finish, and then my manager's

0:43:10.076 --> 0:43:13.636
<v Speaker 2>going like, yes, what I can carry on for a second,

0:43:13.676 --> 0:43:15.236
<v Speaker 2>but my cat has to go to the set.

0:43:15.876 --> 0:43:16.556
<v Speaker 1>That's important.

0:43:16.596 --> 0:43:18.156
<v Speaker 2>I wrote, All I need is you about him?

0:43:19.236 --> 0:43:21.596
<v Speaker 1>Really? So yeah, wow, it's beautiful.

0:43:21.636 --> 0:43:23.876
<v Speaker 2>I have a necklace with his little name on it.

0:43:24.036 --> 0:43:30.196
<v Speaker 1>What's his name, mister peeps, mister peeps? I love it.

0:43:31.356 --> 0:43:37.796
<v Speaker 1>What a cat you know is miss Okay?

0:43:37.876 --> 0:43:42.156
<v Speaker 2>Yes, let me say by do him hold over? Okay? Sorry?

0:43:42.556 --> 0:43:49.236
<v Speaker 1>Tell me that you'll live forever mister peeps.

0:43:49.956 --> 0:43:54.276
<v Speaker 2>Oh. I think that I had to channel the most sincere,

0:43:54.396 --> 0:43:57.116
<v Speaker 2>pure love I could think of. And Rick was like,

0:43:57.156 --> 0:44:00.516
<v Speaker 2>write it about the love you have for yourself and

0:44:00.556 --> 0:44:04.196
<v Speaker 2>I was like, honey, we're not there yet.

0:44:04.476 --> 0:44:06.036
<v Speaker 1>Yeah yeah, yeah, but.

0:44:07.756 --> 0:44:10.196
<v Speaker 2>We're going to start with mister peeps.

0:44:10.396 --> 0:44:12.876
<v Speaker 1>That's like when I do my loving Kindness meditations and

0:44:12.916 --> 0:44:15.076
<v Speaker 1>that you know, they ask you to think about it

0:44:15.156 --> 0:44:18.236
<v Speaker 1>easy love, like nothing complicated. My mom always goes to

0:44:18.276 --> 0:44:21.556
<v Speaker 1>my mom's dog, you know, because it's like how can

0:44:21.676 --> 0:44:23.996
<v Speaker 1>you You just can't. It's like the most goofy little dog

0:44:24.076 --> 0:44:25.916
<v Speaker 1>with like one tooth, and you just like, yeah, I

0:44:25.956 --> 0:44:26.756
<v Speaker 1>get you know, It's.

0:44:26.596 --> 0:44:30.716
<v Speaker 2>Like how can you hate a creature like that? You can't.

0:44:30.916 --> 0:44:31.796
<v Speaker 1>It's impossible.

0:44:32.356 --> 0:44:37.356
<v Speaker 2>But it's like humans are very hateable. Yeah, you have

0:44:37.516 --> 0:44:42.156
<v Speaker 2>one wrong sentence and you could just hate somebody.

0:44:42.716 --> 0:44:45.836
<v Speaker 1>Yeah, it's it's we're not We're so complicated, man. There's

0:44:45.876 --> 0:44:51.236
<v Speaker 1>just so much room for misunderstanding and heartbreak and heartache

0:44:51.596 --> 0:44:54.556
<v Speaker 1>and disappointing, you know, in the way that others treat us,

0:44:54.596 --> 0:44:56.276
<v Speaker 1>impact the way that we treat other It's just like

0:44:56.356 --> 0:44:57.956
<v Speaker 1>it's a fucked up cycle, you know.

0:44:58.156 --> 0:45:02.476
<v Speaker 2>One who we are and what we've experienced and mismatch

0:45:02.556 --> 0:45:05.596
<v Speaker 2>with who someone else is and their experience. And it's

0:45:05.636 --> 0:45:11.076
<v Speaker 2>not even an intentionally hateful or negative if person or

0:45:11.756 --> 0:45:17.916
<v Speaker 2>it's just a negative dynamic of a particular two energies

0:45:17.916 --> 0:45:19.236
<v Speaker 2>coming together, you know what I mean.

0:45:20.396 --> 0:45:20.636
<v Speaker 1>Yep.

0:45:20.796 --> 0:45:23.636
<v Speaker 2>A lot of times if I dislike someone, I don't

0:45:23.676 --> 0:45:29.436
<v Speaker 2>hate them. I am sad for what they're either reflecting

0:45:29.516 --> 0:45:33.276
<v Speaker 2>onto me or I'm sad for what they're going through.

0:45:33.876 --> 0:45:37.236
<v Speaker 2>Because usually I've found that when people are hateful to me,

0:45:37.596 --> 0:45:40.676
<v Speaker 2>people that don't know me, I find that I become

0:45:40.716 --> 0:45:44.436
<v Speaker 2>a mirror at times, which has become a big part

0:45:44.436 --> 0:45:47.556
<v Speaker 2>of my job is becoming the mirror and being okay

0:45:47.596 --> 0:45:49.836
<v Speaker 2>with being the mirror. And sometimes people want to punch

0:45:49.876 --> 0:45:50.716
<v Speaker 2>the fucking mirror.

0:45:51.756 --> 0:45:57.316
<v Speaker 1>You know, Yeah, have you long been that and you

0:45:57.396 --> 0:46:01.436
<v Speaker 1>just are realizing it? Or is this like a recent

0:46:01.636 --> 0:46:02.836
<v Speaker 1>sort of I think.

0:46:02.676 --> 0:46:05.516
<v Speaker 2>Like there's an element of always if you're like, you

0:46:05.556 --> 0:46:08.276
<v Speaker 2>don't have to be a singer that puts out records

0:46:08.276 --> 0:46:10.876
<v Speaker 2>and lots of people, not just anybody on Instagram. Like,

0:46:10.916 --> 0:46:12.996
<v Speaker 2>if you're putting your life out there, people are gonna

0:46:13.756 --> 0:46:15.556
<v Speaker 2>If you're in a bad mood and you feel bad

0:46:15.556 --> 0:46:19.996
<v Speaker 2>about yourself and you're on your period and you're breaking out,

0:46:20.036 --> 0:46:23.356
<v Speaker 2>and you're breaking up and like your mom is sick,

0:46:23.596 --> 0:46:26.076
<v Speaker 2>Like there's no way you can look at a picture

0:46:26.876 --> 0:46:32.276
<v Speaker 2>of someone having the time of their life and be like, yes, really,

0:46:32.796 --> 0:46:36.916
<v Speaker 2>I mean maybe some people can, but like at particular

0:46:36.956 --> 0:46:40.276
<v Speaker 2>moments in time, I have a hard time just not

0:46:40.996 --> 0:46:43.676
<v Speaker 2>making that photo about myself.

0:46:44.276 --> 0:46:45.676
<v Speaker 1>Yes, I know what you mean, like.

0:46:45.796 --> 0:46:47.756
<v Speaker 2>Someone else's experience.

0:46:47.836 --> 0:46:51.836
<v Speaker 1>I then internally make aperience where they are. They're creating experience,

0:46:51.996 --> 0:46:55.436
<v Speaker 1>not even not thinking about you, concern not even you're

0:46:55.476 --> 0:46:58.276
<v Speaker 1>not even in the thought process of it, but it

0:46:58.316 --> 0:47:01.596
<v Speaker 1>becomes personal for you because yeah, yeah.

0:47:01.316 --> 0:47:03.676
<v Speaker 2>Going through shit, or if you feel really good and

0:47:03.716 --> 0:47:05.996
<v Speaker 2>you see that same picture, then you're like, fuck, yeah,

0:47:06.036 --> 0:47:08.156
<v Speaker 2>eat it up, live your life. So I think it's

0:47:08.276 --> 0:47:10.156
<v Speaker 2>just yeah, people are complicated.

0:47:10.556 --> 0:47:13.116
<v Speaker 1>It's like The Oh Show says, man, you gotta eliminate jealousy.

0:47:13.916 --> 0:47:19.316
<v Speaker 2>I think that, like I finally overcome that mountain. For me,

0:47:20.156 --> 0:47:24.516
<v Speaker 2>the jealousy was just always thinking that I wasn't good enough.

0:47:24.996 --> 0:47:26.876
<v Speaker 2>So that's where the self love kind of kicked in

0:47:26.916 --> 0:47:32.236
<v Speaker 2>and really helped, because I really think everything and everyone

0:47:32.436 --> 0:47:34.156
<v Speaker 2>is perfect without comparison.

0:47:34.476 --> 0:47:39.036
<v Speaker 1>Comparison is a thief, you know it absolutely?

0:47:39.116 --> 0:47:40.676
<v Speaker 2>Is that a famous quote or did you just make

0:47:40.716 --> 0:47:40.956
<v Speaker 2>that up?

0:47:40.996 --> 0:47:43.156
<v Speaker 1>Believe it's a quote. No, I didn't make that up.

0:47:43.236 --> 0:47:43.996
<v Speaker 1>I believe it's a.

0:47:43.956 --> 0:47:48.196
<v Speaker 2>Quote that's brilliant. Well, especially like I've I've grown up

0:47:48.916 --> 0:47:52.676
<v Speaker 2>in a sphere of pop music. That's my history. That

0:47:52.796 --> 0:47:56.196
<v Speaker 2>is not my present, and that's not my future necessarily,

0:47:56.276 --> 0:48:00.436
<v Speaker 2>I don't know, but growing up in the years of

0:48:00.436 --> 0:48:02.596
<v Speaker 2>people would be in college, but like going to an

0:48:02.636 --> 0:48:05.796
<v Speaker 2>award show and then you get lined up and people

0:48:05.876 --> 0:48:10.156
<v Speaker 2>pick like their favorite but like, they're of the craziest

0:48:10.196 --> 0:48:14.076
<v Speaker 2>things that I've experienced. And I could laugh about it now,

0:48:14.116 --> 0:48:16.436
<v Speaker 2>but at the time it was really hard to Like

0:48:16.436 --> 0:48:19.916
<v Speaker 2>they would line up multiple women's bodies and just compare

0:48:20.036 --> 0:48:24.356
<v Speaker 2>like nose to nose, lips to lips, arm to arm,

0:48:24.396 --> 0:48:27.356
<v Speaker 2>breast to breast, asked to ask like who has the

0:48:27.356 --> 0:48:30.876
<v Speaker 2>best and if you could make the hottest woman, which

0:48:30.876 --> 0:48:33.276
<v Speaker 2>if each of these women would you put together? And

0:48:33.356 --> 0:48:36.356
<v Speaker 2>things like that were just you know, that definitely took

0:48:36.356 --> 0:48:39.956
<v Speaker 2>a toll. It turned into a really severe eating disorder

0:48:40.996 --> 0:48:44.356
<v Speaker 2>because I didn't as all I could control. I felt like, Wow,

0:48:45.036 --> 0:48:46.916
<v Speaker 2>thank god, I'm in a place right now. I'm just like,

0:48:47.196 --> 0:48:47.876
<v Speaker 2>I'm really hot.

0:48:47.996 --> 0:48:51.236
<v Speaker 1>So it's fine, it's beautiful. I'm so glad you're in

0:48:51.236 --> 0:48:56.076
<v Speaker 1>a good place personally and musically, and you're so excited

0:48:56.316 --> 0:48:59.636
<v Speaker 1>You've you've found what you want to do. The first

0:49:00.116 --> 0:49:03.556
<v Speaker 1>the first song of like the you know this is it.

0:49:03.556 --> 0:49:05.356
<v Speaker 2>It's funny that you say you found what I want

0:49:05.356 --> 0:49:07.116
<v Speaker 2>to do. I actually have no idea what I want

0:49:07.156 --> 0:49:10.316
<v Speaker 2>to do. Like this very well might be the last

0:49:10.316 --> 0:49:12.476
<v Speaker 2>song and the last album I ever put out. I

0:49:12.476 --> 0:49:17.116
<v Speaker 2>don't know. I'm letting. I've let go of the control

0:49:17.316 --> 0:49:21.476
<v Speaker 2>of what I think should happen. I'm allowing what is

0:49:21.516 --> 0:49:24.596
<v Speaker 2>going to happen happen. And I'm gonna work really, really

0:49:24.636 --> 0:49:29.196
<v Speaker 2>hard to facilitate safe spaces for all people. That's all.

0:49:29.236 --> 0:49:30.676
<v Speaker 2>I know what I want to do, and I'm not

0:49:30.676 --> 0:49:34.716
<v Speaker 2>sure exactly what that means, but you know, for the summer,

0:49:34.796 --> 0:49:36.876
<v Speaker 2>that means a tour and we'll see where that goes.

0:49:37.516 --> 0:49:39.676
<v Speaker 1>I'm sure your tour will be a safe space for everyone.

0:49:39.716 --> 0:49:41.316
<v Speaker 1>It's gonna beautiful, it's gonna be great.

0:49:42.076 --> 0:49:43.636
<v Speaker 2>It's so fun. You should cut me. You'll have a

0:49:43.636 --> 0:49:44.076
<v Speaker 2>great time.

0:49:44.676 --> 0:49:50.756
<v Speaker 1>I'll come out. I'm gonna be I'll be there. Yeah. Yeah, yeah, Kasha,

0:49:50.796 --> 0:49:51.516
<v Speaker 1>thank you so much.

0:49:51.876 --> 0:49:53.076
<v Speaker 2>Thanks for letting me ramble.

0:49:53.316 --> 0:49:56.196
<v Speaker 1>Yeah, thank you. Go go take care of mister Peeves.

0:49:56.636 --> 0:49:58.636
<v Speaker 2>Thank you. It was really nice to talk to you.

0:49:58.836 --> 0:50:05.556
<v Speaker 1>Yeah. Same, Thanks Takasha for delving into artistic evolution and

0:50:05.596 --> 0:50:09.076
<v Speaker 1>how that influenced the making of her new album, Gaggler.

0:50:09.996 --> 0:50:11.876
<v Speaker 1>You can hear gag Order, along with all of our

0:50:11.876 --> 0:50:15.236
<v Speaker 1>favorite Casher songs, on a playlist at broken record podcast

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<v Speaker 1>dot com. You can subscribe to our YouTube channel at

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<v Speaker 1>find all of our new episodes. Broken Record is produced

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<v Speaker 1>Jordan McMillan, and Eric Sandler. Our editor is Sophie Crane

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<v Speaker 1>Our Themes expect Anny Beats on Justin Richmond,