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Speaker 1: DC went through something. He lost the mother of his kids.

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Speaker 1: How were you able to be there for a friend

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Speaker 1: to let him know? Bro, I can't even imagine the

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Speaker 1: pain that you're going through. But I just want you

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Speaker 1: to know that I'm here for you if you ever

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Speaker 1: need me. Man, that was that crab more than he did.

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Speaker 1: I don't know what to say, but I'm here.

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Speaker 2: I ain't I don't have no words. If you need anything,

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Speaker 2: if you need me to go pick these kids up

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Speaker 2: every day, if you need me to whatever you need,

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Speaker 2: I'm extending myself to you. Brother. That that would really

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Speaker 2: that caught everybody off guard.

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Speaker 3: All my life, grinding all my life, sacrifice, hustle pa

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Speaker 3: price Want slice got the brother Geist, swap all my life.

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Speaker 3: I'll be grinding all my life, all my life, and

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Speaker 3: grinding all my life sacrifice hustle back price one Slice

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Speaker 3: got the brother of Geist squat all my life. I've

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Speaker 3: been grinding all my life.

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Speaker 1: Hello, welcome to another episode of Club shay Shape. I

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Speaker 1: am your hoe Shunning Sharp. I'm also the propriet of

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Speaker 1: Club Shayshak. The guy that's stopping by for conversation and

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Speaker 1: the drink today is one of the funnest comedians of

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Speaker 1: his generation. He performed to sold out crowds nationwides and

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Speaker 1: internationally the mastro of improvisation. He's one of the hosts

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Speaker 1: and creators of the hit podcast improv show eighty five South,

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Speaker 1: with debut number one on Netflix. A popular and talented

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Speaker 1: stand up comedia an actor, rapper, podcaster, writer, entertainer, host, extraordinariy,

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Speaker 1: A versatile performer, a fan favorite, a force to be

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Speaker 1: working with in the entertainment industry. He's fearless, the hilarious

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Speaker 1: Kay Carlos Miller, Hey, hey, hey, hey.

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Speaker 2: What's up. What do you do? Man? Chilling man kill lady.

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Speaker 2: This man told me, oh, we're gonna started. We're gonna

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Speaker 2: start at ten o'clock. What time is it, man, It's

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Speaker 2: about ten, so it's about ten, tens up to twelve.

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Speaker 2: It's you au ten something, man. I'm telling these people that,

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Speaker 2: oh about bad, bye bad bye bad. He was all tied.

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Speaker 2: He was over some time. I was saying, Wardrobe, we'll

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Speaker 2: get together. This man told me here at war Jobe,

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Speaker 2: we gotta swim on his black bro.

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Speaker 1: I brought something by kangnac here man for you, because bro,

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Speaker 1: what you've been able to do coming from ox New Mississippi.

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Speaker 2: We gonna talk. We're gonna talk. We're gonna talk about Oxford, Mississippi. Oxford, Mississippi.

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Speaker 2: Yah damn oh yeah you know. Actually we're getting we

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Speaker 2: grow up. We're blowing up, y'all. Ain't blowing man DK

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Speaker 2: from Oxford. Okay, you a DK DK mancare from leave

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Speaker 2: me draking by?

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Speaker 1: But absolutely not. Man, you got your own, catch your own. Yeah,

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Speaker 1: we're gonna see. We're gonna send you with a bottle two.

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Speaker 2: I need something, man, because you don't be coming on

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Speaker 2: here cutting up, cutting up on here. They blaming this

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Speaker 2: old twenty twenty four on your show. That's what they're saying. Man.

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Speaker 2: I ain't do nothing though. I just asked a question.

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Speaker 2: You gonna cut up?

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Speaker 1: They said you had something something to do with it.

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Speaker 1: Very little, that's smooth. I thought we was gonna see up. No,

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Speaker 1: we're just gonna knock that on that man. But I'm

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Speaker 1: gonna say up. I ain't gonna know because I won't

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Speaker 1: be to finish this interview.

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Speaker 2: Is this live? We don't like? Yeah, he's gonna go ahead.

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Speaker 2: Doctor Man, you've been on live going crazy on you?

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Speaker 2: You showing up? Man?

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Speaker 3: Yeah?

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Speaker 2: You I got it before we even get into it.

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Speaker 2: I'm gonna tell you Wiler, yeah, wild, Yeah. I can't

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Speaker 2: anticipate being this kind of part of twenty four. Man. Yeah,

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Speaker 2: you showed you. You showed out on twenty twenty four.

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Speaker 2: You're all gonna live with it. Bad. You trended. I

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Speaker 2: know you don't pay on so you ain't seen none

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Speaker 2: of this.

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Speaker 1: Honey, I saw unfortunately. No, I hadn't seen that part.

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Speaker 1: I heard about that part. Man, I don't need to

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Speaker 1: see it. I'm telling you, they're going crazy over there.

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Speaker 1: I was out there bad you trending and everything.

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Speaker 2: I ain't treading. You ain't see the trending time talking

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Speaker 2: through it. Yeah, they showing that MS being nasty and

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Speaker 2: ahead of me talking about what what's up on and everything? Oh,

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Speaker 2: she hit you shed I know her? You know what?

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Speaker 2: Yeah said since you said her name, she been trying

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Speaker 2: to reach back. Game. Caught none of her traction. No,

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Speaker 2: I ain't caught none of it. Take a shopping or something, uh,

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Speaker 2: grocery shopping. No. Oh, spent some of the NFL money

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Speaker 2: on him. Then I ain't got the NFL, but I'm

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Speaker 2: twenty years paying that dollars. You ain't spent all that

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Speaker 2: and all I spent it all. You're from small town, George,

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Speaker 2: that money.

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Speaker 1: Let's talk about your upbringing. Grew up in Oxford, Mississippi.

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Speaker 1: Obviously University Mississippi is located, so that's a college town.

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Speaker 1: So what was Carlos growing up in Oxford, Mississippi?

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Speaker 2: Like, man, it was it was always a constant hustle man,

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Speaker 2: you know, old missus right there. So it's so many

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Speaker 2: things that I got into, selling drinks at the game,

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Speaker 2: you know, breaking down tents, parking construction. My stepdad from

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Speaker 2: the country, country, so we always had something to do,

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Speaker 2: you know what I'm so, you always had a hustle

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Speaker 2: going on, even as a child. Absolutely. So when I

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Speaker 2: got into the comedy game and I started getting my

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Speaker 2: foot in the entertainment industry, you know, I parbat laid

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Speaker 2: that into the eighty five self show, to my own studio,

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Speaker 2: into things like that. So that's where the grind comes from.

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Speaker 2: That's where the entrepreneurship comes from.

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Speaker 1: So when you were growing up, what did you want

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Speaker 1: to be growing up? I mean, you're doing had all

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Speaker 1: these odd and end jobs. You like you said, you're

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Speaker 1: selling drinks at at the football stadium, you're breaking down tens,

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Speaker 1: you're doing all these things.

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Speaker 2: What did you want to be when you grew up?

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Speaker 2: I think I always wanted to be a comedian, But since,

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Speaker 2: like it's such a small town in Mississippi, I've never

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Speaker 2: seen anybody in the entertainment world, so I didn't know

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Speaker 2: that that was that was impossible.

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Speaker 1: Yeah, something you can make a living doing, right, So

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Speaker 1: you wanted did you play sports growing up?

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Speaker 2: Play some sports where you cause? DKs from uh DK

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Speaker 2: from did you know DK? Growing Absolutely? But DK used

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Speaker 2: to live right across the street from my auntie, as

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Speaker 2: to seem every day when he's a little boy, he

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Speaker 2: used to just be standing in the like in the screen,

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Speaker 2: back and forth, throwing the football with you know his

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Speaker 2: pops played football. Yes, yes it was adult. He was

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Speaker 2: off in some lineman if I'm an absolutely, like one

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Speaker 2: of the first first round draft picks out of old

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Speaker 2: so Terrence Metcalf. He was a dog bro. So yeah,

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Speaker 2: I played a little sports, did a little running, little

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Speaker 2: cross country. I've been this sass forever. Once you get

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Speaker 2: hit by somebody who you know going to the league,

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Speaker 2: you pretty much give up on all. So you like

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Speaker 2: gave it, like you know, what, I ain't gonna get

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Speaker 2: much bigger than this. Ain't no sense in me. I

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Speaker 2: was way better at talking, way better at comedy, man. Whatever.

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Speaker 1: You have eight brothers and sisters, So what was it?

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Speaker 1: What was it like growing up in a family of

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Speaker 1: bat size.

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Speaker 2: It was dope because it's you know, it's the country man.

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Speaker 2: Everybody is at grandma house. Yeah, everybody getting the same

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Speaker 2: mass who It was just dope being, you know, from

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Speaker 2: a big family like that, having brother like all my

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Speaker 2: brothers are huge.

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Speaker 1: Man, where do you fall out in the pecking order?

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Speaker 1: You the oldest, You in the middle, you at the end,

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Speaker 1: I'm the oldest, You the oldest.

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Speaker 2: Yeah, man, well.

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Speaker 1: You had it because you basically you like the second father,

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Speaker 1: because you got to make sure all the younger ones

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Speaker 1: stay in line, because if they get out of the line,

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Speaker 1: they're gonna blame you.

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Speaker 2: Because you're the older one. You know better. But you

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Speaker 2: gotta keep all My brothers are over six feet talk.

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Speaker 2: Oh so my little sister bigger than me. I'm oh,

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Speaker 2: you can't tell nobody what to do this, but I'm

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Speaker 2: smaller exactly. My mom had better insurance by the time

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Speaker 2: she had them. Now high school, so what so what

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Speaker 2: were you always? Were you always a class clown? Were

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Speaker 2: you always a comedian?

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Speaker 1: Were you always trying to be funny or just something

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Speaker 1: that you kind of developed as you you aged.

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Speaker 2: In the beginning, It's not like you're trying to be funny,

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Speaker 2: Like I was dead as serious, you know, on the

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Speaker 2: read and then everybody laughing. But I'm reading, but it's funny.

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Speaker 2: So like I never really got in trouble for being

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Speaker 2: funny in school, so that was that was the real

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Speaker 2: launch pad. Like all my teachers used to let me

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Speaker 2: just wild and talk because they knew I was gonna

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Speaker 2: do my work.

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Speaker 1: So so how were you when you left Oxford? What

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Speaker 1: made you decide to say, you're man? I like Oxford.

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Speaker 1: My family's here, but I need to get out of

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Speaker 1: here if I'm going to do what I want to do.

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Speaker 2: What made me leave? My dad used to live in Atlanta, Okay,

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Speaker 2: so he used to always come to Atlanta, so it

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Speaker 2: was always like my second home. And then I got

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Speaker 2: this job. I was a firefighter for real, for real,

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Speaker 2: Hold on, you a firefighter. You went to school, you

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Speaker 2: went and traded everything. Absolutely, it was a dope ass

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Speaker 2: job until we had a real fire and then I quit.

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Speaker 2: Definitely not. You didn't quit on the job.

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Speaker 1: You wait till you got put the fire, got everybody out,

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Speaker 1: then you quit.

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Speaker 2: I kind of quit on the job. How to have

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Speaker 2: that work? The chief came to me like, loose, we gotta.

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Speaker 1: Go in, and I didn't want to go in the fire.

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Speaker 1: So I was like, I'm not going in there. You

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Speaker 1: do realize that's the part of being a firefighter. You

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Speaker 1: gotta run into day. We was gonna fight.

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Speaker 2: Fire from the outside, like we were just gonna fight it,

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Speaker 2: So y'all you're gonna use the water hole, you gonna

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Speaker 2: spread from outside. I never thought about going in the fight.

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Speaker 2: And once I found out we had to go in,

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Speaker 2: when we got back to the station and he was like,

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Speaker 2: I probably, I feel like we're gonna have to let

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Speaker 2: you go. And I was like I feel the same way,

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Speaker 2: because well, no, I ain't no hero. I feel like

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Speaker 2: I quit, but you could let me go. You can

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Speaker 2: let me go. I completely understand. So that that didn't

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Speaker 2: work out. Then I drove some trucks for a little

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Speaker 2: bit and then I was just like you got to

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Speaker 2: see them. Yeah, damn, you had a whole lot of jobs.

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Speaker 2: I'm a hustler.

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Speaker 1: I'm just trying to figure out what made you decide

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Speaker 1: that you want to do a be a firefighter though nothing.

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Speaker 2: You had some time on your head, and I had

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Speaker 2: some extra time, and I went and I took the

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Speaker 2: passed the little physical testing. Okay, kept calling me back

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Speaker 2: and then they gave me the job, and I was like, boy, y'all, tripple,

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Speaker 2: I'm definitely not built for this. Okay.

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Speaker 1: You also wore a piece of delivery driver absolutely now

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Speaker 1: that really that was. That was one of those jobs

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Speaker 1: that was fun and it really helped me jump the

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Speaker 1: comedy off because I met a lot of people and

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Speaker 1: they used to always just like call me to come

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Speaker 1: and turn the party up and talk and you know,

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Speaker 1: wrapp and all.

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Speaker 2: That That was. That was really how I built before

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Speaker 2: social media. That was before I So when you when

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Speaker 2: you drop off the pizza to the customers, when you're

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Speaker 2: joking with them, then when you a lot of them

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Speaker 2: guys like like it was like do some caleous. Okay.

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Speaker 2: He used to order a lot of pizzas like that.

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Speaker 2: You know, he ended up playing in the NFL for

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Speaker 2: a long time and then I met uh Eli Manning

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Speaker 2: used to order a lot of pizza. So it was

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Speaker 2: just a lot of I met a lot of people.

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Speaker 2: I had a lot of partners who played football, so

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Speaker 2: I knew everybody on the old mess and you just

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Speaker 2: just go kick it and talk. And I was always

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Speaker 2: known as that guy.

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Speaker 1: Now I read the story that you had a partner

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Speaker 1: that that delivered pizza that got robbed by a little person?

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Speaker 2: Was that you or your partner? No, that was my partner, Roy.

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Speaker 2: He got robbed by a little person. Absolutely, How you

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Speaker 2: get to drop on it, I don't know if I

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Speaker 2: don't know the details of the story, but once he

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Speaker 2: was just like he was describing it like the person

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Speaker 2: to me was like, bro, were in a small town

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Speaker 2: when I know exactly who robbed you, but I couldn't

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Speaker 2: tell you it. It wanted them at a small town,

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Speaker 2: and then it's two. It's two, and then they got

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Speaker 2: a few sisters, so I know the sisters didn't do it. Yeah, yeah, man,

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Speaker 2: it's a wild times out of after ohd man, you

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Speaker 2: moved to Atlanta.

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Speaker 1: How soon did you hit the comedy stage once you

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Speaker 1: got to Atlanta.

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Speaker 2: I think it was maybe three weeks to a month

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Speaker 2: started hitting this spot called Twisted Taco. Me and my

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Speaker 2: man Clayton English and that was an O five. I've

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Speaker 2: been doing it ever since. Yeah, do you remember?

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Speaker 1: So that was was that the main reason that you

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Speaker 1: left Oxford was to come to Atlanta to do comedy

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Speaker 1: because that's the biggest Atlanta's the biggest city in the

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Speaker 1: surround in the southeast. So you figure, like, you know

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Speaker 1: what if I if I go to Atlanta, that's probably

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Speaker 1: where I'm gonna make me get my big break.

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Speaker 2: Man. Once you hit Atlanta and you see that night life,

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Speaker 2: you just kind of find any kind of way to

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Speaker 2: get you to stay here. Man. There was so much

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Speaker 2: going on in Atlanta. It was a magic city. Monday

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Speaker 2: is Big Leachs was still out and and all everything.

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Speaker 2: Everything was popping. It was Ferraris and Lamborghuinas and all

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Speaker 2: the time. But navigated. Oh I gotta find something.

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Speaker 1: So when you hit the stage, so you say twist

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Speaker 1: to taco with the first place? Did you first place

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Speaker 1: that you perform?

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Speaker 2: So?

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Speaker 1: What was that experience? Like it what you thought it

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Speaker 1: would be? Did you get booed? Did you like the

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Speaker 1: adrenaline russ that you got from being on stage telling

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Speaker 1: jokes and people laughing? What was that experience? Like, I

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Speaker 1: don't shoot, think I've been nowhere getting booed. I definitely

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Speaker 1: wasn't getting booed.

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Speaker 2: You ain't never got booed. Nah, I ain't been doing nothing,

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Speaker 2: none of that, well that none of that dead ass series.

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Speaker 2: When I go on stage, Okay, I'm playing, but I'm

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Speaker 2: serious right Yeah. The first time that I hit it,

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Speaker 2: the end of the adrenaline rush hit me and I

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Speaker 2: was like, oh, this is it. Because we went a

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Speaker 2: couple of weeks before we actually got on stage. You

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Speaker 2: signed up and then we saw a few casts and

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Speaker 2: then it's like, man, I can do this shit right

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Speaker 2: Then I got on and it's just been a rap

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Speaker 2: ever since, never got off.

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Speaker 1: How did growing up in Oxford prepare you? Because Oxford

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Speaker 1: is a little different than Atlanta, especially especially when you

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Speaker 1: brought you here.

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Speaker 2: Exactly everybody in Oxford, funny everybody. I'm we got some

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Speaker 2: of the best talkers in the world right in Oxford, Mississippi.

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Speaker 2: So it was a lot of pressure on that to

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Speaker 2: be like, I gotta talk better than the best shit

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Speaker 2: talking that I know.

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Speaker 1: So that was that was the real pressure for me.

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Speaker 1: Did did talking you know ish growing up? Did I

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Speaker 1: prepare you? Because it's different talking going back and forth

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Speaker 1: with somebody in the barbershop, right or standing on the

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Speaker 1: block going back and forth with somebody. Now you got

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Speaker 1: to do a set. You got to do fifteen minutes,

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Speaker 1: you got to do thirty minutes. How different was it

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Speaker 1: for you to like, Okay, okay, I'm good at making

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Speaker 1: people laugh, but I gotta make people laugh for thirty minutes.

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Speaker 2: Now. Putting it all together, ye hard part and having

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Speaker 2: a you know, just having enough to talk about was

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Speaker 2: was the challenge, right, putting it together, timing it out

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Speaker 2: like and then you got to include the last So

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Speaker 2: I went on stage maybe for the first year or two,

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Speaker 2: just like figuring it out. You know what I'm saying.

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Speaker 2: I have a little set list of jokes or something

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Speaker 2: like that that I wanted to try out or work

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Speaker 2: what didn't. But you don't never scratch nothing. You just

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Speaker 2: gotta find a way to make all of them.

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Speaker 1: Make it all the funny in So some people say,

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Speaker 1: who was I talking to? I think I think it

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Speaker 1: was Dion Cole said that he don't write anything, No

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Speaker 1: Marlon Williams. So I don't write no jokes down. I

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Speaker 1: just go up there and I just go. You said

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Speaker 1: that you like have a little set, But how much

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Speaker 1: do you write down or do you have an idea

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Speaker 1: in your mind, like Okay, I'm going with this, this, this, this,

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Speaker 1: and this tonight.

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Speaker 2: I would probably say I break mine down in this segment.

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Speaker 2: I probably have like like a fourth of something that

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Speaker 2: I wrote or something that I thought was funny. And

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Speaker 2: then some of that you just gotta say it first.

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Speaker 2: Then some of it is something that you may be

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Speaker 2: working on that you know, you're just tuning up. So

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Speaker 2: you got one, two, three, then you just leave room

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Speaker 2: for some emperor. But some some comedians they have the

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Speaker 2: voice like a like a Dion Cole or Marlon Wayne's

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Speaker 2: or Corey Holcomb, they can tell you sometimes it's better

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Speaker 2: to just say it and do it, Dan, write it right.

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Speaker 1: Yeah, I had cad On obviously. You know that absolutely

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Speaker 1: that you got the comedy world and shambles right now, bro.

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Speaker 2: Man, Well, that interview was explosive. Can that before we

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Speaker 2: get back to this.

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Speaker 1: People got upset with me because Kat put a spotlight

359
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Speaker 1: like everybody telling jokes, everybody in friends, everybody that's telling jokes,

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Speaker 1: and so I think he put a light a spotlight

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Speaker 1: on something that a whole lot of people that know

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Speaker 1: and maybe a lot of comedians didn't want people to know.

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Speaker 1: So they upset it Cat for opening Pandora's box.

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Speaker 2: Did you know you're in this you're in this arena?

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Speaker 1: Did you know it was like that that so many

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Speaker 1: comedians kind of like beefing. I mean not all, but

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Speaker 1: there's this this kind of animosity that's kind of beef

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Speaker 1: between certain comedians.

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Speaker 2: Yeah, but it's in the house, okay. It was nothing

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Speaker 2: that he said that I didn't I never did. You

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00:17:21,320 --> 00:17:24,200
Speaker 2: already knew, okay, but it was mostly like, that's that's

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Speaker 2: comedy club, green groom, back room, that's that's between us. Yeah.

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Speaker 2: So when he put it out in the public, and

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Speaker 2: you know, for him to be as big of a

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Speaker 2: star as he is. It ain't nobody get a chance

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Speaker 2: to rebuttal Plus, it's hard when you come on a

377
00:17:39,320 --> 00:17:42,040
Speaker 2: show like this and you talk and then your house

378
00:17:42,040 --> 00:17:44,760
Speaker 2: ain't clean, right, you get what I'm saying. So I

379
00:17:44,840 --> 00:17:47,240
Speaker 2: don't think that that's over. You don't think it's over.

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00:17:47,280 --> 00:17:48,960
Speaker 2: I don't think that that's over. It's a it's a

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Speaker 2: few comedians that really they really upset about that. Yeah,

382
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Speaker 2: oh yeah, Steve Harved not playing about that. Yeah, earth

383
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Speaker 2: quick mad about that. Ricky Smiley had lost his son

384
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Speaker 2: right right like right around that time, so he took

385
00:18:04,400 --> 00:18:06,439
Speaker 2: it a whole another way. I had h and I

386
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Speaker 2: had Ricky on, I had said on, I had Steve on.

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Speaker 1: Lirel Litrell, Yeah, Littrel came on after after Cat.

388
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Speaker 2: Yeah, and so begging for yeah.

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Speaker 1: But for me, I don't understand. It's just my platform.

390
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Speaker 1: Like I have you and I talking. If you say something,

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Speaker 1: I don't know what you're gonna say. Why people get

392
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Speaker 1: mad at me for what? Carlos Se I don't know.

393
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Speaker 2: I don't know. But see Cat, he's not around the

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Speaker 2: comedy world.

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Speaker 1: No no, no, no, he's to him said, Yeah, he's

396
00:18:38,880 --> 00:18:40,160
Speaker 1: always been to himself.

397
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Speaker 2: So a lot of comedians felt like, well, maybe he

398
00:18:42,760 --> 00:18:45,320
Speaker 2: been sitting on that. Maybe he been riding around all

399
00:18:45,359 --> 00:18:47,719
Speaker 2: these years and been wanting to say it and just

400
00:18:47,760 --> 00:18:51,320
Speaker 2: didn't have time to say it. But to his defense,

401
00:18:51,880 --> 00:18:53,600
Speaker 2: a lot of people have said a lot of stuff

402
00:18:53,640 --> 00:18:55,920
Speaker 2: about him that he never said back. So I guess

403
00:18:55,920 --> 00:18:59,160
Speaker 2: it was just the build up of him getting his

404
00:18:59,200 --> 00:19:02,919
Speaker 2: get back right. I ain't mad at either side. I

405
00:19:03,000 --> 00:19:06,720
Speaker 2: get it, but it's still a lot of shit about him.

406
00:19:06,840 --> 00:19:10,080
Speaker 2: Then people gonna say that people may forgot about he

407
00:19:10,080 --> 00:19:11,520
Speaker 2: called a lot of he got a lot of heat.

408
00:19:11,680 --> 00:19:15,080
Speaker 2: Yeah he did. Yeah, what was your big break? When?

409
00:19:15,359 --> 00:19:17,280
Speaker 1: When did Carlos get that big break? And it was like,

410
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Speaker 1: you know what, I'm here.

411
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Speaker 2: I don't know if it is a big break. I

412
00:19:21,640 --> 00:19:24,479
Speaker 2: think you just work and then you save up some

413
00:19:24,520 --> 00:19:28,639
Speaker 2: bread and ain't nobody came here and had me no

414
00:19:28,720 --> 00:19:30,640
Speaker 2: big check. I had to put a bunch of little

415
00:19:30,720 --> 00:19:33,680
Speaker 2: chick takes together. I'm waiting on the big break ship,

416
00:19:34,320 --> 00:19:38,239
Speaker 2: trying to see what you don't want turn down. Yes,

417
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Speaker 2: I ain't got Doug going on bad. I ain't got

418
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Speaker 2: Doug going on man, send me some bad. Ain't no

419
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Speaker 2: big break. I work every week. I'm working it every weekend.

420
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Speaker 2: I'm still looking for it. What are some of the

421
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Speaker 2: best advice comedians have given you?

422
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Speaker 1: Because you're in this arena now, you traveled the weekend

423
00:19:55,640 --> 00:19:58,480
Speaker 1: during the week and so obviously you come in contact

424
00:19:58,560 --> 00:20:00,159
Speaker 1: with a lot of guys that's been doing this a

425
00:20:00,200 --> 00:20:02,359
Speaker 1: lot longer than you, and some are probably a little

426
00:20:02,359 --> 00:20:04,720
Speaker 1: bit more successful than you, although you're on your way

427
00:20:04,720 --> 00:20:06,520
Speaker 1: and you're trying to get to that level of success.

428
00:20:06,720 --> 00:20:09,320
Speaker 2: What's some of the best advice comedians I'm shared with you?

429
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Speaker 2: Be funny, you'd be funny everything, and like, if you're

430
00:20:13,760 --> 00:20:16,879
Speaker 2: a comedian and you're funny, everything else will find you.

431
00:20:17,240 --> 00:20:20,480
Speaker 2: Like the money will come, the success will come, the

432
00:20:20,480 --> 00:20:22,159
Speaker 2: fame will come. Just be funny.

433
00:20:22,400 --> 00:20:24,040
Speaker 1: Did you know you can make this kind of money

434
00:20:24,040 --> 00:20:27,000
Speaker 1: be on a comedian? Because I hear this kind of money.

435
00:20:27,920 --> 00:20:29,760
Speaker 2: Well, I mean, I mean that'd be I mean, the

436
00:20:29,800 --> 00:20:33,399
Speaker 2: way they'd be talking, they'd be bigger, like like six

437
00:20:33,440 --> 00:20:38,720
Speaker 2: figures only six don't see you, That's what I'm saying.

438
00:20:40,760 --> 00:20:43,320
Speaker 2: They only got sex. No, but I'm saying, I mean,

439
00:20:43,359 --> 00:20:46,719
Speaker 2: you do it a night that ain't enough? What night

440
00:20:47,119 --> 00:20:53,359
Speaker 2: six seven? Like for a year? No, I'm talking about

441
00:20:53,400 --> 00:20:57,200
Speaker 2: I'm talking about no, hell, not for not for no year.

442
00:20:57,640 --> 00:20:59,880
Speaker 1: Obviously you do it. Let me ask you a question.

443
00:21:01,119 --> 00:21:03,800
Speaker 1: How many days a year you say you tour, that

444
00:21:03,920 --> 00:21:04,360
Speaker 1: you in the.

445
00:21:04,280 --> 00:21:08,359
Speaker 2: Club, in the club, what it's fifty two weeks? Fifty

446
00:21:08,359 --> 00:21:12,840
Speaker 2: two weeks? I probably do. I might do forty forty,

447
00:21:13,000 --> 00:21:16,920
Speaker 2: forty five, forty five. It depends, right, because sometimes depends

448
00:21:16,920 --> 00:21:19,040
Speaker 2: on what we're at in the country. Bro like when

449
00:21:19,080 --> 00:21:21,719
Speaker 2: she be crazy, it's the best time for commedians, Like

450
00:21:21,760 --> 00:21:22,680
Speaker 2: it's elections.

451
00:21:22,800 --> 00:21:26,040
Speaker 1: Yeah, so it's people need them least. So are you

452
00:21:26,119 --> 00:21:29,160
Speaker 1: doing two shows Friday, two show Saturday? Are you doing

453
00:21:29,160 --> 00:21:31,360
Speaker 1: one show Friday, one show Saturday, two show Sunday.

454
00:21:32,400 --> 00:21:36,520
Speaker 2: I usually do eight shows a weekend, and it happen

455
00:21:36,560 --> 00:21:39,800
Speaker 2: three days in the weekend added up? What the hell?

456
00:21:39,880 --> 00:21:42,000
Speaker 2: Are you good? They'll come see you. It don't matter.

457
00:21:42,040 --> 00:21:43,480
Speaker 2: I could do a show at four o'clock in the

458
00:21:43,520 --> 00:21:47,520
Speaker 2: afternoon and sell it out. On I do at four o'clock,

459
00:21:47,920 --> 00:21:51,159
Speaker 2: seven o'clock or nine o'clock. I'm feeling real friggre I

460
00:21:51,240 --> 00:21:53,959
Speaker 2: throw it. I throw a late show on that. It

461
00:21:54,000 --> 00:21:56,200
Speaker 2: really just depends on the city.

462
00:21:56,400 --> 00:22:02,440
Speaker 1: How you broke that kind of energy, because I know

463
00:22:02,520 --> 00:22:04,800
Speaker 1: you don't want to short change anybody. You want the

464
00:22:04,800 --> 00:22:06,760
Speaker 1: people that came, and you want the people that came

465
00:22:06,760 --> 00:22:09,040
Speaker 1: at four o'clock to feel they got the same show

466
00:22:09,040 --> 00:22:10,840
Speaker 1: as the people that came at seven nine, or if

467
00:22:10,840 --> 00:22:13,040
Speaker 1: you have the late the midnight show. So you don't

468
00:22:13,080 --> 00:22:15,600
Speaker 1: want to short change anybody. How do you keep that

469
00:22:15,720 --> 00:22:18,119
Speaker 1: level of energy up to Like I got to stay

470
00:22:18,200 --> 00:22:20,320
Speaker 1: here for basically eight ten hours.

471
00:22:22,000 --> 00:22:24,520
Speaker 2: I can't tell you everything now because it's gonna be

472
00:22:24,560 --> 00:22:29,159
Speaker 2: somebody watching this show trying steal the whole sauce. The

473
00:22:29,320 --> 00:22:33,920
Speaker 2: whole sauce, man, Okay. But the way that you can

474
00:22:34,000 --> 00:22:36,520
Speaker 2: do that and keep it fresh, man, you gotta make

475
00:22:36,560 --> 00:22:39,120
Speaker 2: sure you got your routine. You gotta eat right right,

476
00:22:39,240 --> 00:22:41,360
Speaker 2: get you some bread right. You might have to get

477
00:22:41,400 --> 00:22:44,399
Speaker 2: on Live for a little bit. They might have to

478
00:22:44,480 --> 00:22:49,320
Speaker 2: get you. Ain't on Live like that? Come on, man,

479
00:22:50,040 --> 00:22:55,199
Speaker 2: come on man, you own your MTV? Are your mama?

480
00:22:55,960 --> 00:22:57,600
Speaker 2: What was that experience? Like? How did you? How did

481
00:22:57,640 --> 00:23:01,320
Speaker 2: that come about? It was? I looked at it. In hindsight,

482
00:23:01,359 --> 00:23:03,120
Speaker 2: I should have looked at it as a little bit

483
00:23:03,119 --> 00:23:05,239
Speaker 2: more of an opportunity, But I was looking at that

484
00:23:05,400 --> 00:23:07,760
Speaker 2: like a check for right then, okay, because when I

485
00:23:07,840 --> 00:23:10,640
Speaker 2: was doing it and I was going through the process. Man,

486
00:23:10,680 --> 00:23:14,359
Speaker 2: I was like, this ain't really that. I thought it

487
00:23:14,520 --> 00:23:16,840
Speaker 2: was let me get these little money and get on boy, right,

488
00:23:17,119 --> 00:23:19,320
Speaker 2: But it was dope, man, willim of Valdorado.

489
00:23:19,600 --> 00:23:25,200
Speaker 1: And now you said, Willma Valdoramo Yeah, Willmado Yeah close cool.

490
00:23:25,680 --> 00:23:27,320
Speaker 2: Yeah, but it was dope. It was just one of

491
00:23:27,359 --> 00:23:29,520
Speaker 2: those things that I got to do early in my career.

492
00:23:29,960 --> 00:23:32,359
Speaker 2: And uh, get on TV. Man, anytime you get on

493
00:23:32,440 --> 00:23:35,320
Speaker 2: TV as a comedian, you gotta parlay that into your

494
00:23:35,359 --> 00:23:38,199
Speaker 2: live shows and sell some tickets. Right. So, anytime you

495
00:23:38,240 --> 00:23:41,600
Speaker 2: get on a big platform MTV, your mama a hell

496
00:23:41,720 --> 00:23:43,760
Speaker 2: date or something like that, you gotta make sure that

497
00:23:43,800 --> 00:23:45,800
Speaker 2: you got a great show to follow that up because

498
00:23:45,800 --> 00:23:48,200
Speaker 2: people gonna come and see you. Yeah, and once you

499
00:23:48,320 --> 00:23:49,960
Speaker 2: once you get him in there, you sell them a

500
00:23:50,000 --> 00:23:51,320
Speaker 2: good show. You got them.

501
00:23:52,040 --> 00:23:53,560
Speaker 1: Do you think about because you see a lot of

502
00:23:53,560 --> 00:23:55,800
Speaker 1: comedians and we go way You can go way back.

503
00:23:55,880 --> 00:23:57,439
Speaker 1: You can go back to Richard Pryor, you go back

504
00:23:57,480 --> 00:24:01,240
Speaker 1: to Red Fox, you go back to Eddie and Martin

505
00:24:01,280 --> 00:24:04,159
Speaker 1: and all these guys. If TV is that kind of

506
00:24:04,200 --> 00:24:06,040
Speaker 1: like movies? Is that kind of your thing? Is that

507
00:24:06,119 --> 00:24:07,800
Speaker 1: kind of word Carlos wants would like they head.

508
00:24:07,920 --> 00:24:11,320
Speaker 2: Absolutely. Absolutely, It's like movies and TV. I look at

509
00:24:11,359 --> 00:24:15,440
Speaker 2: them like totally separate. Okay, like movies, that's something where

510
00:24:15,440 --> 00:24:17,320
Speaker 2: you can get a big check. But when you get

511
00:24:17,359 --> 00:24:19,399
Speaker 2: on TV and they see you on the regular and

512
00:24:19,440 --> 00:24:21,800
Speaker 2: they get to see you be diverse and you get

513
00:24:21,800 --> 00:24:26,240
Speaker 2: to bring your characters and voices and your slapstick comedy.

514
00:24:26,359 --> 00:24:28,680
Speaker 2: I think the TV is the package that were It's

515
00:24:28,760 --> 00:24:30,960
Speaker 2: like if you get on there on the regular and

516
00:24:31,000 --> 00:24:33,399
Speaker 2: you stay on that, right, that's where you can really

517
00:24:33,440 --> 00:24:35,359
Speaker 2: make some bread because you can do that.

518
00:24:35,440 --> 00:24:37,560
Speaker 1: You can do that TV show and then to go

519
00:24:37,640 --> 00:24:40,240
Speaker 1: straight because you can take those and then go straight

520
00:24:40,640 --> 00:24:41,600
Speaker 1: straight to the hit the role.

521
00:24:41,720 --> 00:24:46,720
Speaker 2: Absolutely, but I like TV because it's just people get

522
00:24:46,720 --> 00:24:49,640
Speaker 2: to see more layser. You know comedians. We all comedians

523
00:24:49,680 --> 00:24:53,720
Speaker 2: can either do like some voices or like impressions yeah,

524
00:24:54,119 --> 00:24:57,480
Speaker 2: or serious drama. Right. I love to see comedians get

525
00:24:57,520 --> 00:24:59,480
Speaker 2: your roles where they don't have nothing to do with

526
00:24:59,560 --> 00:25:01,320
Speaker 2: comedy and then they just kill it like.

527
00:25:01,320 --> 00:25:04,399
Speaker 1: James Jamie Poter. Yeah, yeah, you can call lay that

528
00:25:04,440 --> 00:25:06,719
Speaker 1: at however you want to. You was also on the

529
00:25:06,720 --> 00:25:09,639
Speaker 1: Monique Show. Yeah, what's it like working because Monique, you

530
00:25:09,680 --> 00:25:11,720
Speaker 1: know low she talked to this. She's difficult to work with.

531
00:25:11,800 --> 00:25:13,359
Speaker 1: I had on the show and she was great. She

532
00:25:13,400 --> 00:25:15,439
Speaker 1: ain't difficult to work with. She just ain't to be

533
00:25:15,520 --> 00:25:16,000
Speaker 1: played with.

534
00:25:16,760 --> 00:25:19,480
Speaker 2: That's the difference Monique, and she's gonna stand up for

535
00:25:19,520 --> 00:25:22,120
Speaker 2: what she believed me. She's not fanna let you talk

536
00:25:22,160 --> 00:25:24,480
Speaker 2: to her crazy. You're not feeling to be making demands.

537
00:25:24,520 --> 00:25:27,320
Speaker 2: It's like she's a boss, yes, And it's the difference

538
00:25:27,359 --> 00:25:30,840
Speaker 2: between being a boss and employee. Right. When you hire Monique,

539
00:25:30,960 --> 00:25:33,800
Speaker 2: you get the whole Monique, right, but you don't get

540
00:25:33,800 --> 00:25:35,840
Speaker 2: to tell her what to do, right, And that's a

541
00:25:36,000 --> 00:25:39,240
Speaker 2: That's another conflict that comedians have. Sometimes they hire us

542
00:25:39,240 --> 00:25:41,719
Speaker 2: to talk and then they don't want to hear. They

543
00:25:41,760 --> 00:25:43,360
Speaker 2: think they can control what we're gonna say.

544
00:25:43,640 --> 00:25:45,160
Speaker 1: It's gonna say it. It don't work like that. It don't

545
00:25:45,200 --> 00:25:48,320
Speaker 1: work like that. Absolutely, Okay. He was on Comic View. Yeah,

546
00:25:49,280 --> 00:25:50,359
Speaker 1: how was that experience?

547
00:25:51,119 --> 00:25:52,960
Speaker 2: It was? That was one of those shows that I

548
00:25:53,000 --> 00:25:55,760
Speaker 2: grew up watching. I would have did that for free,

549
00:25:56,359 --> 00:25:58,160
Speaker 2: you get what I'm saying, just to put my name

550
00:25:58,240 --> 00:26:00,880
Speaker 2: on the wall like that. I did Death Comedy Jam

551
00:26:00,960 --> 00:26:02,800
Speaker 2: too when they brought it back. So all of those

552
00:26:02,800 --> 00:26:05,359
Speaker 2: shows that I got to like be a part of

553
00:26:05,800 --> 00:26:09,080
Speaker 2: that was part of like my journey. Anytime they call them,

554
00:26:09,080 --> 00:26:11,200
Speaker 2: I always do them. Was that all I mean?

555
00:26:11,240 --> 00:26:13,479
Speaker 1: Obviously when you see those you see death, Comedy Jam,

556
00:26:13,600 --> 00:26:15,919
Speaker 1: you see comic view. Was that always a goal of

557
00:26:15,960 --> 00:26:17,240
Speaker 1: yours to get on those shows?

558
00:26:17,560 --> 00:26:19,639
Speaker 2: It was a dream because, like I said, I didn't

559
00:26:19,680 --> 00:26:22,480
Speaker 2: know that it was achievable. I thought when you were

560
00:26:22,520 --> 00:26:24,320
Speaker 2: a comedian that you know what I mean? It was

561
00:26:24,440 --> 00:26:27,360
Speaker 2: somewhere that you went to become a comedian, right, All

562
00:26:27,440 --> 00:26:30,160
Speaker 2: these people were funny, Like how did they get that good?

563
00:26:30,240 --> 00:26:32,880
Speaker 2: So I just be at the crib watching that every night, like, man,

564
00:26:32,920 --> 00:26:35,920
Speaker 2: that's just that's dope. How you could just turn your

565
00:26:35,920 --> 00:26:37,800
Speaker 2: personality into your job. Right?

566
00:26:38,240 --> 00:26:41,120
Speaker 1: But as a child, did you uh did you write jokes?

567
00:26:41,160 --> 00:26:43,000
Speaker 1: Did you write anything that you thought was funny? Now,

568
00:26:43,040 --> 00:26:46,280
Speaker 1: you just made light of situations that you saw kids

569
00:26:46,359 --> 00:26:48,959
Speaker 1: you know, maybe weren't as smart as you or just

570
00:26:49,119 --> 00:26:51,240
Speaker 1: you know some things. You know, they walked a little funny,

571
00:26:51,280 --> 00:26:53,000
Speaker 1: it was a little slow. They was in a class

572
00:26:53,000 --> 00:26:55,800
Speaker 1: a grade. Did you know they started out together. A

573
00:26:55,840 --> 00:26:58,480
Speaker 1: couple of years later they still in that same classroom,

574
00:26:58,520 --> 00:26:59,280
Speaker 1: and you done moved on.

575
00:26:59,280 --> 00:27:01,600
Speaker 2: A couple of grades. Did you did you did you

576
00:27:01,640 --> 00:27:04,240
Speaker 2: make fun of kids? I made fun of everybody, but

577
00:27:04,240 --> 00:27:06,480
Speaker 2: I was used to cuss it like a lot of

578
00:27:06,520 --> 00:27:09,159
Speaker 2: the kid. I was the cussing ass kid like I

579
00:27:09,240 --> 00:27:11,240
Speaker 2: from from the time I learned how to talk. I

580
00:27:11,400 --> 00:27:14,119
Speaker 2: used to cuss your parents. Let you get away with that.

581
00:27:14,480 --> 00:27:16,879
Speaker 2: It's not necessarily getting away with it, but you gotta

582
00:27:17,119 --> 00:27:20,080
Speaker 2: Sometimes you gotta weigh the risk in the reward. Sometimes

583
00:27:20,280 --> 00:27:25,320
Speaker 2: that ashwhoop was worth it. Hell it was? It was?

584
00:27:26,520 --> 00:27:28,440
Speaker 2: It was, man. I used to get in trouble for

585
00:27:28,520 --> 00:27:31,280
Speaker 2: cousin all the time. I had one coach when I

586
00:27:31,320 --> 00:27:34,560
Speaker 2: was in like middle school, junior high, sixth grade, the

587
00:27:34,640 --> 00:27:37,800
Speaker 2: eighth grade. It don't matter what day it was or

588
00:27:37,840 --> 00:27:42,360
Speaker 2: where I was. He caught me cussing every day, Coach Tyr.

589
00:27:42,880 --> 00:27:45,399
Speaker 2: Coach Tyr. It's like, as soon as I get through cussining,

590
00:27:45,440 --> 00:27:50,480
Speaker 2: I turn around. He was right there, man. So that

591
00:27:50,640 --> 00:27:53,760
Speaker 2: was that was That was pretty much my thing growing

592
00:27:53,840 --> 00:27:55,800
Speaker 2: up as a kid. Bro I used to always be

593
00:27:55,880 --> 00:27:57,800
Speaker 2: the one to be like, man, it's up. And then

594
00:27:57,960 --> 00:28:00,680
Speaker 2: they'd be like, call up, said, so you.

595
00:28:00,760 --> 00:28:05,000
Speaker 1: Gonna last comic standing? Oh yeah, did you? Because if

596
00:28:05,000 --> 00:28:07,520
Speaker 1: I'm not mistaken Keenan Ivory Williams was the judge. Amy

597
00:28:07,520 --> 00:28:10,040
Speaker 1: Schumer was a judge. Yeah, what did you learn from

598
00:28:10,040 --> 00:28:15,440
Speaker 1: that experience? Not to listen to name is Schumann? She

599
00:28:15,600 --> 00:28:16,560
Speaker 1: on that giving advice.

600
00:28:16,640 --> 00:28:20,840
Speaker 2: She didn't win. Is that what you did? Amy?

601
00:28:21,480 --> 00:28:26,960
Speaker 1: I'm not listening to you because you've been on these shows.

602
00:28:27,040 --> 00:28:29,040
Speaker 1: I mean, you've been on a lot of high profile shows.

603
00:28:29,119 --> 00:28:32,240
Speaker 1: I mean, so your name has been out there colors.

604
00:28:32,240 --> 00:28:34,159
Speaker 1: It's not like you've been you know, you on the

605
00:28:34,200 --> 00:28:36,200
Speaker 1: chipling circuit and don't nobody know who you are. You

606
00:28:36,760 --> 00:28:39,080
Speaker 1: put your name at the forefront, so you kind of

607
00:28:39,080 --> 00:28:41,600
Speaker 1: had a name even before you became this.

608
00:28:42,160 --> 00:28:45,840
Speaker 2: Sometimes see some of these shows, right, like you need

609
00:28:46,040 --> 00:28:49,040
Speaker 2: the chilling surviy. Yeah, because black people make you famous

610
00:28:49,080 --> 00:28:52,800
Speaker 2: and then white people make you rich. So if I

611
00:28:52,960 --> 00:28:55,600
Speaker 2: wasn't good at making black people laugh, they wouldn't have

612
00:28:55,680 --> 00:28:58,719
Speaker 2: no interest in bringing me to these platforms. Correct. And

613
00:28:58,760 --> 00:29:01,280
Speaker 2: then sometimes you get on these platforms and they'd be

614
00:29:01,360 --> 00:29:05,000
Speaker 2: great opportunities, but they don't be paying, and that makes

615
00:29:05,080 --> 00:29:07,520
Speaker 2: me lose all interest in them. So you need to

616
00:29:07,560 --> 00:29:10,880
Speaker 2: get a check to be because I'm grinding. I'm over

617
00:29:10,920 --> 00:29:13,760
Speaker 2: here and right, and you know you might get a

618
00:29:13,800 --> 00:29:18,080
Speaker 2: call from the street street dude, big baby. He got

619
00:29:18,120 --> 00:29:22,000
Speaker 2: you in green Wood, South Carolina at his cousin's spot.

620
00:29:22,160 --> 00:29:24,720
Speaker 2: But he got that big show money. Yeah, and they

621
00:29:24,840 --> 00:29:27,240
Speaker 2: love you and there and the show might not start

622
00:29:27,240 --> 00:29:31,080
Speaker 2: at one o'clock in the morning. We drink good clubs. Baby.

623
00:29:31,120 --> 00:29:34,560
Speaker 2: They handed you thirty five home, yeah, and I'm there

624
00:29:35,720 --> 00:29:37,320
Speaker 2: if then you go and they want you to do

625
00:29:37,440 --> 00:29:40,320
Speaker 2: six weeks of TV and you know what I mean. Yeah,

626
00:29:40,480 --> 00:29:43,720
Speaker 2: you ain't making then you gotta pay taxes on it.

627
00:29:45,240 --> 00:29:47,520
Speaker 2: Had you won? How much?

628
00:29:47,600 --> 00:29:50,040
Speaker 1: How different would your life have been had you won

629
00:29:50,160 --> 00:29:51,040
Speaker 1: last Comic Standing?

630
00:29:51,200 --> 00:29:54,560
Speaker 2: It wouldn't have been too different. Want to change you. Nah,

631
00:29:54,640 --> 00:29:57,760
Speaker 2: I would have messed that money, so it would a check.

632
00:29:58,480 --> 00:30:00,920
Speaker 2: I would have missed that. I ain't got money off.

633
00:30:01,080 --> 00:30:03,960
Speaker 2: I'm so glad I ain't get that money right right then? Yeah,

634
00:30:04,000 --> 00:30:06,560
Speaker 2: because my mama had just paid. So you know, I'm

635
00:30:06,600 --> 00:30:09,320
Speaker 2: dealing with the sadness, and then you're gonna throw some

636
00:30:09,360 --> 00:30:11,360
Speaker 2: money on top of that. I probably wouldn't even be

637
00:30:11,440 --> 00:30:13,440
Speaker 2: here right now. I would have mess that money way

638
00:30:13,520 --> 00:30:17,560
Speaker 2: too quick. Probably would have called a charge. You went

639
00:30:17,600 --> 00:30:19,760
Speaker 2: on hell date, so you, like I said, you stay

640
00:30:19,840 --> 00:30:23,200
Speaker 2: on TV, Carlos. I'm cryding, I'm grinding, so.

641
00:30:23,280 --> 00:30:25,160
Speaker 1: Let me ask you a question, how do these opportunities

642
00:30:25,600 --> 00:30:27,760
Speaker 1: you have a manager, Like I got somebody that I

643
00:30:27,760 --> 00:30:30,200
Speaker 1: think would be perfect for this because you are showman.

644
00:30:30,280 --> 00:30:32,320
Speaker 1: You you know how to get in front of the cameras,

645
00:30:32,520 --> 00:30:34,400
Speaker 1: and that's that's a whole that's a part of it.

646
00:30:34,680 --> 00:30:37,000
Speaker 1: Knowing how to play to the cameras, knowing how to

647
00:30:37,000 --> 00:30:39,040
Speaker 1: play to a crowd. Everybody can't do that. There are

648
00:30:39,040 --> 00:30:40,760
Speaker 1: a lot of people that can be funny, but they

649
00:30:40,760 --> 00:30:42,960
Speaker 1: don't know how to play to a crowd, play to

650
00:30:43,000 --> 00:30:45,920
Speaker 1: a camera, especially because when that red dot go on,

651
00:30:46,240 --> 00:30:48,720
Speaker 1: that's a whole different animal, right, And.

652
00:30:48,560 --> 00:30:52,560
Speaker 2: Plus the comedy that you're selling to like a mainstream

653
00:30:52,760 --> 00:30:56,120
Speaker 2: TV audiences, it's different than what you than what you

654
00:30:56,160 --> 00:30:59,160
Speaker 2: can just really just rock when it ain't right. But

655
00:30:59,320 --> 00:31:02,320
Speaker 2: I do got to do team. My manager she been

656
00:31:02,360 --> 00:31:04,960
Speaker 2: in the game for a long time. Anything around. All

657
00:31:05,000 --> 00:31:08,160
Speaker 2: the big stars, Me and Dave Chappelle got the same manager. Okay,

658
00:31:08,200 --> 00:31:10,920
Speaker 2: Ricky Hughes. She dope as hell, right, So you know,

659
00:31:10,960 --> 00:31:14,200
Speaker 2: I wanted to get somebody who who knew the comedy

660
00:31:14,200 --> 00:31:17,040
Speaker 2: world but also knew the business side of it. So

661
00:31:17,160 --> 00:31:19,600
Speaker 2: if she working with Dave Chappelle, who's one of the

662
00:31:19,640 --> 00:31:23,320
Speaker 2: top comedians of this whole generation. It's like she can

663
00:31:23,360 --> 00:31:25,760
Speaker 2: go over there and she got time to deal with

664
00:31:25,760 --> 00:31:28,200
Speaker 2: with me and all this that got going on. I

665
00:31:28,240 --> 00:31:30,240
Speaker 2: know that it's coming from a great place.

666
00:31:30,480 --> 00:31:33,120
Speaker 1: You know, a lot of times people don't want someone

667
00:31:33,240 --> 00:31:35,200
Speaker 1: that big because you're like, man, you got Chapelle, you

668
00:31:35,200 --> 00:31:36,800
Speaker 1: ain't got no time for me. You ain't gonna put

669
00:31:36,840 --> 00:31:38,880
Speaker 1: no time in me because you got Chapelle and he

670
00:31:39,000 --> 00:31:41,040
Speaker 1: all over. I mean, he's selling that he got Netflix

671
00:31:41,040 --> 00:31:43,280
Speaker 1: Specials and he all over. He can put his stuff

672
00:31:43,320 --> 00:31:45,000
Speaker 1: up and it's going. And so when you have a

673
00:31:45,000 --> 00:31:49,240
Speaker 1: little time for little little callos, which I'm living in

674
00:31:49,360 --> 00:31:50,800
Speaker 1: the dream, you know what I'm saying.

675
00:31:50,840 --> 00:31:53,520
Speaker 2: Like you you've been a professional athlete, you know what

676
00:31:53,560 --> 00:31:56,000
Speaker 2: it's like. It's a job, but man, you used to

677
00:31:56,080 --> 00:31:59,120
Speaker 2: love to put that damn Baltimore Ravens on. Yeah, and

678
00:31:59,360 --> 00:32:02,200
Speaker 2: just being there just like sh Bro I was in

679
00:32:02,480 --> 00:32:05,000
Speaker 2: minta state and nothing, right, you get what I'm saying. So,

680
00:32:06,080 --> 00:32:09,840
Speaker 2: man that I'm in the moment, right, that was some

681
00:32:09,880 --> 00:32:11,920
Speaker 2: more great advice than I got. Man, make sure you

682
00:32:12,000 --> 00:32:15,400
Speaker 2: find time to enjoy it too, can you can? You

683
00:32:16,320 --> 00:32:18,520
Speaker 2: absolutely absolutely?

684
00:32:18,560 --> 00:32:21,080
Speaker 1: Because I can honestly say Carlos, I don't really know

685
00:32:21,120 --> 00:32:24,760
Speaker 1: if I really I enjoyed the journey really, even though

686
00:32:24,760 --> 00:32:28,320
Speaker 1: I was headed to a destination. I think that's the

687
00:32:28,360 --> 00:32:31,400
Speaker 1: fun part about me, is that the journey that I

688
00:32:31,440 --> 00:32:32,440
Speaker 1: was on, but I didn't.

689
00:32:32,200 --> 00:32:33,120
Speaker 2: Have time to think about it.

690
00:32:33,160 --> 00:32:34,880
Speaker 1: I didn't get chanced because I was afraid I was

691
00:32:34,880 --> 00:32:37,080
Speaker 1: gonna get caught up and it was gonna distract me.

692
00:32:37,320 --> 00:32:39,800
Speaker 1: And I wasn't gonna be as focused. I wasn't gonna

693
00:32:39,800 --> 00:32:41,680
Speaker 1: be as hungry. I was not gonna be as driven

694
00:32:42,160 --> 00:32:44,960
Speaker 1: in order to finally get to that destination if I

695
00:32:45,000 --> 00:32:46,800
Speaker 1: didn't do what I needed to do. So I don't

696
00:32:46,800 --> 00:32:48,760
Speaker 1: know if I necessarily enjoyed it even though I was

697
00:32:48,800 --> 00:32:50,960
Speaker 1: on that journey. I don't know if I enjoyed it

698
00:32:51,040 --> 00:32:52,120
Speaker 1: until I stepped away from it.

699
00:32:52,120 --> 00:32:55,520
Speaker 2: You're still enjoying it. You still enjoying it. No, I'm

700
00:32:55,520 --> 00:32:58,400
Speaker 2: talking about the football. Man. If it wasn't for the football,

701
00:32:58,440 --> 00:32:59,880
Speaker 2: ain't no club shah. I know.

702
00:33:00,040 --> 00:33:01,960
Speaker 1: Oh, but I didn't enjoy when I was doing it.

703
00:33:02,000 --> 00:33:04,479
Speaker 1: See you and you say you enjoy it as the

704
00:33:04,520 --> 00:33:05,640
Speaker 1: process is happening.

705
00:33:05,720 --> 00:33:09,720
Speaker 2: Absolutely No, absolutely, because it's like like you said, I'm

706
00:33:09,720 --> 00:33:12,120
Speaker 2: from ox mississip. It ain't wanting to go home to it.

707
00:33:12,320 --> 00:33:15,880
Speaker 2: This don't work out right? You know how many waiting

708
00:33:15,880 --> 00:33:18,440
Speaker 2: to see me back in the crib? I told you,

709
00:33:18,440 --> 00:33:21,880
Speaker 2: you know that's everywhere, look at it me right back here. Yeah,

710
00:33:22,160 --> 00:33:26,160
Speaker 2: hey man, France, all that he done got in the

711
00:33:26,200 --> 00:33:27,880
Speaker 2: hall when you were on hell date?

712
00:33:29,040 --> 00:33:31,920
Speaker 1: Man, Because that's a lot of that's this relationship thing.

713
00:33:32,000 --> 00:33:34,200
Speaker 1: Because and we're gonna talk about the fifty to fifty

714
00:33:34,280 --> 00:33:36,160
Speaker 1: and where it takes about on the first day and

715
00:33:36,200 --> 00:33:38,080
Speaker 1: how much you spend on the first day. So let

716
00:33:38,080 --> 00:33:41,720
Speaker 1: me ask you this. What's the appropriate place to take

717
00:33:41,840 --> 00:33:44,640
Speaker 1: someone on the first date? How much is the appropriate

718
00:33:44,680 --> 00:33:46,640
Speaker 1: amount to spend on the first date?

719
00:33:49,040 --> 00:33:52,640
Speaker 2: That's a tricky question. You always gotta come with the mulligins.

720
00:33:53,480 --> 00:33:56,760
Speaker 2: It ain't no centim out. How much do you like her?

721
00:33:57,320 --> 00:34:01,520
Speaker 2: What's your budget? See, men, we lose because we don't

722
00:34:01,560 --> 00:34:04,880
Speaker 2: plan enough. Right. If you plan to day, you get

723
00:34:04,920 --> 00:34:07,800
Speaker 2: playing within your own budget. Right. So if you take

724
00:34:07,840 --> 00:34:10,520
Speaker 2: her somewhere you that you can afford, that you planning,

725
00:34:10,800 --> 00:34:12,839
Speaker 2: it's gonna make it look like you had this whole

726
00:34:12,880 --> 00:34:13,600
Speaker 2: thing laid out.

727
00:34:13,760 --> 00:34:15,000
Speaker 1: What if you got What if you pull up to

728
00:34:15,080 --> 00:34:18,799
Speaker 1: the place and she like, she don't get out of the car.

729
00:34:19,360 --> 00:34:22,680
Speaker 2: You gotta act like you excited. You gotta play it up.

730
00:34:24,040 --> 00:34:26,120
Speaker 2: I heard so much about it. I heard the food

731
00:34:26,200 --> 00:34:27,680
Speaker 2: is good. You gotta act like you 't never been

732
00:34:27,760 --> 00:34:30,960
Speaker 2: there before. What happened to game? What happened to game?

733
00:34:31,800 --> 00:34:36,960
Speaker 2: What happened to game? Why? Why did this get so complicated? Right? Man?

734
00:34:37,400 --> 00:34:39,759
Speaker 2: If you if you're a dude and you make a

735
00:34:39,800 --> 00:34:43,000
Speaker 2: thousand dollars a week, that's how much fun you gonna have.

736
00:34:43,040 --> 00:34:45,239
Speaker 2: You're gonna have fun. You gonna have a thousand dollars

737
00:34:45,239 --> 00:34:47,840
Speaker 2: work worth a fun, right, If you got a million dollars,

738
00:34:47,800 --> 00:34:50,440
Speaker 2: you're gonna have a million dollars worth of fun and

739
00:34:50,480 --> 00:34:53,200
Speaker 2: everything they're falling between that. That's just what it is.

740
00:34:53,360 --> 00:34:55,920
Speaker 1: But what what if you make a thousand dollars a week,

741
00:34:56,040 --> 00:34:58,839
Speaker 1: but she wanted more twenty five hundred dollars, She make

742
00:34:58,920 --> 00:35:01,279
Speaker 1: twenty five hundred, Yeah, she used to like twenty five

743
00:35:01,320 --> 00:35:03,680
Speaker 1: She got a twenty five hundred dollars budget.

744
00:35:05,760 --> 00:35:09,560
Speaker 2: Hey man, that's where we went wrong. At a lot

745
00:35:09,560 --> 00:35:11,840
Speaker 2: of dudes out here dating women that don't like them.

746
00:35:12,200 --> 00:35:14,640
Speaker 2: If she already likes you, it don't matter where you go.

747
00:35:15,040 --> 00:35:17,080
Speaker 2: But you know, we like to upon our coverage. We

748
00:35:17,239 --> 00:35:19,080
Speaker 2: like to get what we think we don't supposed to have.

749
00:35:19,760 --> 00:35:25,959
Speaker 2: I don't, I don't do I don't. I'm not even

750
00:35:26,080 --> 00:35:29,799
Speaker 2: I'm not even pursuing. If you don't already like me,

751
00:35:29,920 --> 00:35:31,560
Speaker 2: We're not going nowhere anywhere.

752
00:35:31,760 --> 00:35:34,319
Speaker 1: Hold On, hold on, College got to like me immediately.

753
00:35:34,520 --> 00:35:35,960
Speaker 1: But I'm saying, but you got to go in to

754
00:35:36,040 --> 00:35:38,600
Speaker 1: do it. I mean, I look, I know you, Carlos Miller.

755
00:35:38,640 --> 00:35:40,919
Speaker 1: They know you, Carlos Miller. But I mean you got

756
00:35:40,920 --> 00:35:42,359
Speaker 1: to you know, you got to do a little court.

757
00:35:42,400 --> 00:35:43,560
Speaker 1: You got to like, hey, how you doing.

758
00:35:43,600 --> 00:35:46,719
Speaker 2: What's your name? I'm such and such. I'm sure, no,

759
00:35:46,880 --> 00:35:50,960
Speaker 2: I don't. That's the problem right there. Man, Where you

760
00:35:51,000 --> 00:35:54,319
Speaker 2: meeting women? That man meeting them? That's what I'm telling you.

761
00:35:54,440 --> 00:35:58,920
Speaker 2: I'm not meeting nobody. They meeting me. Well, y'all, I'm

762
00:35:58,920 --> 00:36:01,799
Speaker 2: not using y'all fan, right man, give me a pill.

763
00:36:01,840 --> 00:36:04,279
Speaker 2: I'm gonta start writing these jokes. Your fame. I'm about

764
00:36:04,320 --> 00:36:06,000
Speaker 2: to start writing he jokes. If that's what they do,

765
00:36:06,040 --> 00:36:08,319
Speaker 2: what they call out like that that you got. Look,

766
00:36:08,360 --> 00:36:11,080
Speaker 2: you gotta ship, got a show, you got three four

767
00:36:11,320 --> 00:36:16,200
Speaker 2: NFL announcing job, you six feet through plush, you got muscles,

768
00:36:16,400 --> 00:36:20,799
Speaker 2: and you rich who you trying to pray? You know

769
00:36:20,800 --> 00:36:24,120
Speaker 2: how many women already like you? Matt. I'm from the

770
00:36:24,160 --> 00:36:26,160
Speaker 2: old school, you know you? Hey, how you doing what?

771
00:36:26,200 --> 00:36:28,880
Speaker 2: I'm man? The old school, they they they told those

772
00:36:28,960 --> 00:36:33,520
Speaker 2: ain't those they do now? Huh hell no, hell no, man,

773
00:36:33,600 --> 00:36:36,400
Speaker 2: you crazy as hell. I'm we're gonna link on, so mean,

774
00:36:36,520 --> 00:36:39,279
Speaker 2: I'll just send you something, okay. He you ain't gonna

775
00:36:39,280 --> 00:36:41,239
Speaker 2: go on. You don't know. And when you're going on

776
00:36:41,280 --> 00:36:44,120
Speaker 2: club chase Shay. Look, I don't got nobody business to tell.

777
00:36:44,160 --> 00:36:47,239
Speaker 2: They ain't gonna call me. I ain't got nothing but

778
00:36:47,320 --> 00:36:49,680
Speaker 2: good ship to say. I don't hate nobody. I'm friends

779
00:36:49,719 --> 00:36:52,319
Speaker 2: with it. I'm too cold, don't need me right, So

780
00:36:52,360 --> 00:36:54,560
Speaker 2: what about fifty fifty? You go out on the day,

781
00:36:54,560 --> 00:36:55,080
Speaker 2: if you take it?

782
00:36:55,360 --> 00:36:57,640
Speaker 1: If you because they say, okay, if the man asked

783
00:36:57,680 --> 00:37:00,600
Speaker 1: the lady out, he's supposed to pay. If she asked

784
00:37:00,680 --> 00:37:03,239
Speaker 1: him out, is she supposed to pay? Or we going

785
00:37:03,280 --> 00:37:04,040
Speaker 1: fifty to fifty hot?

786
00:37:04,080 --> 00:37:07,600
Speaker 2: This work? No? You old school. When it comes to that,

787
00:37:07,880 --> 00:37:10,120
Speaker 2: you take it, lay out. You definitely gotta pay right

788
00:37:10,239 --> 00:37:13,480
Speaker 2: because you can't go half with her then ask her

789
00:37:13,560 --> 00:37:16,839
Speaker 2: for something later on you can't, but you hold on,

790
00:37:16,920 --> 00:37:17,319
Speaker 2: you can't.

791
00:37:17,600 --> 00:37:19,600
Speaker 1: You can't ask it the first night, though, Carlos. You

792
00:37:19,600 --> 00:37:21,799
Speaker 1: gotta gotta wait, like a couple of weeks, a couple

793
00:37:21,840 --> 00:37:22,240
Speaker 1: of months.

794
00:37:23,040 --> 00:37:28,520
Speaker 2: What what who told you? Who you been mad after? Oh? School?

795
00:37:28,520 --> 00:37:31,000
Speaker 2: I that's say they didn't do that when I was

796
00:37:31,040 --> 00:37:31,960
Speaker 2: brought up. They didn't do that.

797
00:37:31,840 --> 00:37:34,680
Speaker 1: That ain't you dan't they ain't they ain't do that, No, Carlos, Man,

798
00:37:34,800 --> 00:37:37,719
Speaker 1: stop it. I ain't lying, Carlos, Come on, man, not on,

799
00:37:37,840 --> 00:37:40,879
Speaker 1: not on, not after one night you tell somebody did

800
00:37:40,920 --> 00:37:42,319
Speaker 1: and they gonna Now they don't do.

801
00:37:42,320 --> 00:37:45,439
Speaker 2: That, Carlos. Why why are you doing all this? I'm

802
00:37:45,480 --> 00:37:47,799
Speaker 2: just saying what I'm saying. I don't seen you shoes

803
00:37:47,840 --> 00:37:51,600
Speaker 2: your shot a few times? Yeah, ain't hear nothing? Ain't nothing. Yeah,

804
00:37:51,680 --> 00:37:53,680
Speaker 2: the turkey is still flying around there. I ain't brought

805
00:37:53,680 --> 00:37:56,040
Speaker 2: the third turkey home for thanks given year. Try it

806
00:37:56,120 --> 00:37:59,359
Speaker 2: now after that life you might be able to pull something. Now,

807
00:38:00,280 --> 00:38:03,600
Speaker 2: don't these ladies out here riches in too? Now? I know.

808
00:38:03,880 --> 00:38:06,319
Speaker 2: Sometimes you have to go out and you gotta show

809
00:38:06,320 --> 00:38:08,560
Speaker 2: on what it's like when they're coming on your side.

810
00:38:08,640 --> 00:38:12,520
Speaker 2: So sometimes it's investment. It's coming right back right, especially

811
00:38:12,600 --> 00:38:17,000
Speaker 2: when you start shooting at these high profile ladies. Yeah yeah, yeah, yeah,

812
00:38:17,360 --> 00:38:20,200
Speaker 2: got money, They got divorced money and all that. Man,

813
00:38:20,280 --> 00:38:22,799
Speaker 2: they don't be worried about your income like that. They

814
00:38:22,880 --> 00:38:25,040
Speaker 2: be wanting somebody who fit the aesthetic now.

815
00:38:25,280 --> 00:38:27,919
Speaker 1: But but the high profile, well you know what comes

816
00:38:27,960 --> 00:38:29,120
Speaker 1: along with high profile.

817
00:38:29,400 --> 00:38:32,960
Speaker 2: See that's the thing. A lot of men don't know

818
00:38:33,000 --> 00:38:35,760
Speaker 2: how to play their position no more. If your lady

819
00:38:35,840 --> 00:38:40,040
Speaker 2: high profile, shut shut up right in your in your

820
00:38:40,080 --> 00:38:42,680
Speaker 2: truck and your hell can shut up. Let her get

821
00:38:42,719 --> 00:38:46,920
Speaker 2: that money. Yeah. Where's the best place to meet a

822
00:38:46,960 --> 00:38:51,799
Speaker 2: woman at work at her job? Nah? Nah, you can't.

823
00:38:51,840 --> 00:38:54,120
Speaker 2: You can't talk to somebody at your work at her job.

824
00:38:54,239 --> 00:38:57,279
Speaker 1: You can't if you work there, you can't mess with

825
00:38:57,320 --> 00:38:58,480
Speaker 1: somebody saying safe.

826
00:38:58,520 --> 00:39:01,399
Speaker 2: For instance, she worked at the hostel. Yeah, and then

827
00:39:01,440 --> 00:39:04,880
Speaker 2: you down there, your little boy got asthm something. You

828
00:39:04,880 --> 00:39:06,600
Speaker 2: see what I'm saying, Like you need to see her

829
00:39:06,800 --> 00:39:07,919
Speaker 2: right and her job?

830
00:39:08,040 --> 00:39:10,480
Speaker 1: Oh okay, okay, I thought you said, like okay, like

831
00:39:10,520 --> 00:39:11,560
Speaker 1: you at work.

832
00:39:11,360 --> 00:39:13,640
Speaker 2: Like if you Amazon and you deliver into a crib,

833
00:39:13,719 --> 00:39:16,279
Speaker 2: you might just leave them. But if you catch her

834
00:39:16,360 --> 00:39:18,720
Speaker 2: at her job, it's a whole difference.

835
00:39:18,760 --> 00:39:20,759
Speaker 1: But you know, let me ask your question. See, like

836
00:39:21,600 --> 00:39:23,760
Speaker 1: you see a nice looking lady, you deliver a package

837
00:39:23,760 --> 00:39:27,400
Speaker 1: to her house. He nice looking, She ain't gonna probably

838
00:39:27,400 --> 00:39:29,200
Speaker 1: gonna give you the time of day. But if a

839
00:39:29,280 --> 00:39:32,239
Speaker 1: nice looking chick deliver that package, that same Amazon driver,

840
00:39:32,320 --> 00:39:35,000
Speaker 1: she a lady, and she nice looking, and she drip

841
00:39:35,200 --> 00:39:36,560
Speaker 1: a deliverer a package.

842
00:39:36,880 --> 00:39:39,120
Speaker 2: Calos out call it. He let me, holl let you

843
00:39:39,160 --> 00:39:42,000
Speaker 2: what's up? Why is it like that, Carlos?

844
00:39:42,920 --> 00:39:44,799
Speaker 1: Why they don't give us the time of day if

845
00:39:44,840 --> 00:39:47,000
Speaker 1: they see us dressed up in a nine to five.

846
00:39:46,920 --> 00:39:47,560
Speaker 2: But a dude.

847
00:39:47,760 --> 00:39:50,640
Speaker 1: But if a young lady working at nine to five

848
00:39:50,880 --> 00:39:52,920
Speaker 1: and she liked that, we don't care.

849
00:39:53,320 --> 00:39:56,120
Speaker 2: Because women know how to add They can add up

850
00:39:56,400 --> 00:39:59,400
Speaker 2: about how much money you make it, so they like

851
00:39:59,600 --> 00:40:03,480
Speaker 2: they like, they like men who got disposable income. Because

852
00:40:03,520 --> 00:40:05,839
Speaker 2: when a woman really looking at you, she's trying to

853
00:40:05,880 --> 00:40:08,360
Speaker 2: see like, it ain't about if you sexy or now,

854
00:40:08,440 --> 00:40:11,520
Speaker 2: it's like what your lifestyle looking on? If I bring

855
00:40:11,600 --> 00:40:14,680
Speaker 2: this over here to where you at, how you gonna

856
00:40:14,760 --> 00:40:18,640
Speaker 2: upgrade that? Right? So a lot of dudes be trying

857
00:40:18,680 --> 00:40:20,840
Speaker 2: to like, they be trying to pull that, you know

858
00:40:20,880 --> 00:40:24,360
Speaker 2: what I mean, pull something that ain't really for them,

859
00:40:24,640 --> 00:40:27,600
Speaker 2: that ain't in your lead. Don't nobody want nobody in

860
00:40:27,640 --> 00:40:30,040
Speaker 2: their league. They don't, but a player like me. Yeah,

861
00:40:30,320 --> 00:40:32,600
Speaker 2: I'm trying to holler at who liked me? Right, I

862
00:40:32,600 --> 00:40:36,320
Speaker 2: ain't doing no impressing, not impressing. You just got already

863
00:40:36,360 --> 00:40:38,440
Speaker 2: liked me. But you know the man he them of

864
00:40:38,480 --> 00:40:39,719
Speaker 2: the delivery people. They're making break.

865
00:40:39,760 --> 00:40:41,480
Speaker 1: Now you see what them mom, what Brown can do

866
00:40:41,520 --> 00:40:43,920
Speaker 1: for you. They making a big bank. They always have,

867
00:40:44,520 --> 00:40:46,320
Speaker 1: they did they always Now. I should have got me

868
00:40:46,360 --> 00:40:48,839
Speaker 1: a job there I school. You ain't getting no job,

869
00:40:49,719 --> 00:40:53,200
Speaker 1: no job. I had no job, bro, I did I

870
00:40:53,200 --> 00:40:55,560
Speaker 1: did have. I had manual job without growing up like

871
00:40:55,600 --> 00:40:57,640
Speaker 1: what I worked in the tobacco field.

872
00:40:57,680 --> 00:41:00,640
Speaker 2: I clipped, Where the hell is a tobacco field? To Barama?

873
00:41:00,719 --> 00:41:04,080
Speaker 2: Your stories be older than you. No listening to your story.

874
00:41:04,440 --> 00:41:06,319
Speaker 2: We grew up in a concrete heuse No, we did

875
00:41:06,400 --> 00:41:10,920
Speaker 2: bathroom well well, South Georgia. You said it wasn't no

876
00:41:10,960 --> 00:41:15,360
Speaker 2: bathroom in the house, never knowing thud, square foots in

877
00:41:15,360 --> 00:41:18,120
Speaker 2: the block, cement floors, ten roofs. You take you to

878
00:41:18,120 --> 00:41:19,480
Speaker 2: the high I can take you there and see it.

879
00:41:19,480 --> 00:41:23,080
Speaker 2: It ain't there, it's there. Yeah, we I ain't in there.

880
00:41:23,360 --> 00:41:25,360
Speaker 2: I don't think nobody lived there, but yeah, oh yeah,

881
00:41:25,640 --> 00:41:29,560
Speaker 2: drink well water. Absolutely, that's what I'm saying you. You

882
00:41:29,560 --> 00:41:34,000
Speaker 2: you come from very humble beginning, very very I still am,

883
00:41:34,040 --> 00:41:35,200
Speaker 2: and I don't want to go back.

884
00:41:35,560 --> 00:41:38,320
Speaker 1: That's why. That's why it worked so hard, Carlos, because

885
00:41:38,320 --> 00:41:39,759
Speaker 1: I knew what it was like. I know what it's

886
00:41:39,840 --> 00:41:40,680
Speaker 1: like to me too.

887
00:41:40,760 --> 00:41:43,480
Speaker 2: That's what I'm saying. Yes, that's what I'm there. So

888
00:41:44,280 --> 00:41:47,120
Speaker 2: I can't I can't be having no lady who just

889
00:41:47,280 --> 00:41:50,879
Speaker 2: all she bout is money because we're going to Oxford sometime. Yeah,

890
00:41:50,920 --> 00:41:53,960
Speaker 2: and they don't even sell Louis be time and we

891
00:41:54,000 --> 00:41:57,440
Speaker 2: don't have a store, ain't no mall, ain't even know

892
00:41:57,520 --> 00:42:00,359
Speaker 2: where to beat nothing expensive? Baby. Hey, yeah, we find

893
00:42:00,440 --> 00:42:01,719
Speaker 2: kick it out here and the yard and let these

894
00:42:02,239 --> 00:42:02,839
Speaker 2: by your ass.

895
00:42:02,880 --> 00:42:05,080
Speaker 1: Then we're gonna see how much love the most expensive

896
00:42:05,120 --> 00:42:07,160
Speaker 1: thing at a small town. Like what we got a potato gap?

897
00:42:07,200 --> 00:42:09,359
Speaker 1: Come on, go call you by seventy five dollars, that's

898
00:42:09,400 --> 00:42:09,879
Speaker 1: all we got.

899
00:42:09,920 --> 00:42:12,239
Speaker 2: You go to Walmart and you can get whatever you

900
00:42:12,280 --> 00:42:15,880
Speaker 2: want to. Now that's balling to me. Yeah, have you

901
00:42:15,920 --> 00:42:18,279
Speaker 2: ever used the dating site? I ain't never been on them.

902
00:42:19,280 --> 00:42:21,520
Speaker 2: I ain't either, I ain't never been on them. Social

903
00:42:21,560 --> 00:42:23,759
Speaker 2: media is about as close as dating site as I'm

904
00:42:23,760 --> 00:42:26,480
Speaker 2: gonna get. I don't really do all that. I like

905
00:42:26,520 --> 00:42:27,920
Speaker 2: to meet them in person anyway.

906
00:42:28,040 --> 00:42:30,560
Speaker 1: Yeah, because they be adding them filters and they don't

907
00:42:30,560 --> 00:42:33,040
Speaker 1: be looking like that in real life, like they be

908
00:42:33,080 --> 00:42:35,879
Speaker 1: looking on that on them social media pages. I'm never

909
00:42:35,880 --> 00:42:40,719
Speaker 1: wrong with that. Listen, if you tell me you got

910
00:42:40,760 --> 00:42:43,279
Speaker 1: a car at nineteen, if you're selling me a two

911
00:42:43,320 --> 00:42:49,080
Speaker 1: thousand and seventeen car, say you got seventy thousand miles

912
00:42:49,120 --> 00:42:51,480
Speaker 1: on it? Bro, how you gonna come up here to

913
00:42:51,520 --> 00:42:53,680
Speaker 1: think dat it all up? I ain't got but hey,

914
00:42:53,880 --> 00:42:54,880
Speaker 1: it's own blocks.

915
00:42:55,080 --> 00:43:00,919
Speaker 2: Uh, it rid like it's brand. So that's that's really

916
00:43:00,920 --> 00:43:02,719
Speaker 2: been the problem. Though. You're like you ain't finding the

917
00:43:02,760 --> 00:43:04,960
Speaker 2: ones that looked like no, no, no, no, no no.

918
00:43:05,239 --> 00:43:08,239
Speaker 1: I'm look man, look I work. I work a lot.

919
00:43:08,320 --> 00:43:10,200
Speaker 1: You think you working like work? I work a lot.

920
00:43:10,440 --> 00:43:12,520
Speaker 1: I do five I mean we're doing four shows a

921
00:43:12,560 --> 00:43:15,239
Speaker 1: week of nightcap Oaho, and I about to go to

922
00:43:15,320 --> 00:43:17,080
Speaker 1: five days a week. I got two days a week

923
00:43:17,120 --> 00:43:19,920
Speaker 1: on on First Take with Steven A, and then I

924
00:43:19,960 --> 00:43:21,360
Speaker 1: shoot Club Shay Shade one of.

925
00:43:21,360 --> 00:43:23,279
Speaker 2: Two times a week. Now, how much you spending on

926
00:43:23,320 --> 00:43:29,959
Speaker 2: these days? Come on, now, come on, come on, I mean, now,

927
00:43:30,520 --> 00:43:32,959
Speaker 2: I got bread. Now, you've been had b I didn't

928
00:43:33,040 --> 00:43:35,759
Speaker 2: have no bread. You're a super Bowl champion. You're not

929
00:43:35,760 --> 00:43:37,799
Speaker 2: finna sit up here and act like we got the

930
00:43:37,800 --> 00:43:40,319
Speaker 2: same money. I'm not finna go for that ship. You've

931
00:43:40,320 --> 00:43:45,719
Speaker 2: been rich and famous. No, no, when the Broncos had

932
00:43:45,719 --> 00:43:49,319
Speaker 2: the orange jerseys on that. But here's the thing. Though

933
00:43:49,360 --> 00:43:51,600
Speaker 2: I was a seventh round draft pick, your brother got

934
00:43:51,600 --> 00:43:54,879
Speaker 2: paper too. That was his paper. He still looked out like.

935
00:43:58,480 --> 00:44:01,800
Speaker 1: He did enough to get motivated to see what he had.

936
00:44:02,200 --> 00:44:04,120
Speaker 1: Knowing that I wanted that. I saw the house with

937
00:44:04,160 --> 00:44:07,440
Speaker 1: three car garage, it had indoor plumbing. I saw central

938
00:44:07,440 --> 00:44:10,560
Speaker 1: heating and cooling. I wanted that. But I made sixty

939
00:44:10,560 --> 00:44:13,640
Speaker 1: three I made sixty three thousand my first year. What

940
00:44:13,760 --> 00:44:15,160
Speaker 1: about the mother twenty player?

941
00:44:15,239 --> 00:44:17,440
Speaker 2: Yeah, but I'm talking about in the beginning. What about

942
00:44:17,560 --> 00:44:19,879
Speaker 2: no see you? That's the past I got.

943
00:44:19,920 --> 00:44:22,719
Speaker 1: I got bread. I got bread. Now, so it's not

944
00:44:22,840 --> 00:44:25,120
Speaker 1: a thing. But I look at it like this. Here,

945
00:44:25,280 --> 00:44:26,799
Speaker 1: I look at it in the back. It's like, okay,

946
00:44:26,880 --> 00:44:30,719
Speaker 1: you know what, I believe if she came with her girls,

947
00:44:30,960 --> 00:44:34,879
Speaker 1: she would still order like this. And if I look

948
00:44:34,920 --> 00:44:36,239
Speaker 1: at you and all of a sudden, you talking about

949
00:44:36,239 --> 00:44:38,399
Speaker 1: you want to see food tower, and I think got

950
00:44:38,440 --> 00:44:41,720
Speaker 1: six lobster tails and five crab claws and all the scallops.

951
00:44:41,920 --> 00:44:44,279
Speaker 2: No, no, no, no, no on you ain't. You ain't telling me?

952
00:44:44,320 --> 00:44:47,080
Speaker 2: You putting they women on no budget, bro, I'm on

953
00:44:47,120 --> 00:44:47,760
Speaker 2: a budget.

954
00:44:47,920 --> 00:44:50,319
Speaker 1: No, hell no, yes I am. I don't believe it.

955
00:44:50,400 --> 00:44:52,800
Speaker 1: I'm on a budget. Come on, man, I'm a poor hustler.

956
00:44:52,800 --> 00:44:57,279
Speaker 2: Man. You're still getting undisputed money. I'm flying today, folk,

957
00:44:57,960 --> 00:44:59,920
Speaker 2: I get it. This your show. You don't want to

958
00:45:00,320 --> 00:45:03,200
Speaker 2: asking you for nothing under you got paper, undisputed money, stock,

959
00:45:03,239 --> 00:45:05,600
Speaker 2: you got glasses on you getting paper. It stopped a

960
00:45:05,600 --> 00:45:09,440
Speaker 2: couple of months ago to undisputed money they got. They

961
00:45:09,520 --> 00:45:17,080
Speaker 2: got some fun. You're getting some residual get Up's all gone?

962
00:45:17,120 --> 00:45:22,160
Speaker 2: You getting paid, no bro, NFL network. No, I'm an

963
00:45:22,239 --> 00:45:24,120
Speaker 2: y f he in the Hall of Fame. They don't

964
00:45:24,120 --> 00:45:25,520
Speaker 2: send no checks for the Hall of Fame. They send

965
00:45:25,520 --> 00:45:28,200
Speaker 2: you some money for having bad knees. Now, no, they don't.

966
00:45:28,320 --> 00:45:29,680
Speaker 2: They don't get no retirement.

967
00:45:30,760 --> 00:45:32,759
Speaker 1: I mean here, I don't. I don't, I don't, I haven't.

968
00:45:32,840 --> 00:45:36,080
Speaker 1: I haven't taken my retirement yet. What I'm gonna take

969
00:45:36,080 --> 00:45:38,600
Speaker 1: it retirement? So I don't need it. What you mean,

970
00:45:38,760 --> 00:45:40,640
Speaker 1: Oh you got so much paper, you don't need it.

971
00:45:41,560 --> 00:45:45,480
Speaker 2: What I'm saying, stop playing you and you're getting independent money.

972
00:45:45,880 --> 00:45:50,040
Speaker 2: You y'all got a podcast okay, I mean we're doing okay,

973
00:45:50,200 --> 00:45:54,960
Speaker 2: you're doing ads. You don't partner it up with like

974
00:45:54,960 --> 00:45:57,400
Speaker 2: oh that you got paper. You got a little.

975
00:45:57,239 --> 00:45:59,919
Speaker 1: Part right here. That's money that when you get the part.

976
00:46:00,560 --> 00:46:03,360
Speaker 1: But I've had this part since seventy two. It's the

977
00:46:03,360 --> 00:46:06,440
Speaker 1: only hair cut I've ever had. That's what I'm saying, bro,

978
00:46:07,239 --> 00:46:08,759
Speaker 1: you done trademark.

979
00:46:08,280 --> 00:46:14,120
Speaker 2: The whole the trademark. Come on, you bullshit. I know you.

980
00:46:14,120 --> 00:46:16,360
Speaker 2: You don't be taking them, letting them get sick gloves.

981
00:46:17,880 --> 00:46:20,600
Speaker 1: I'm alergic the shellfish. So you can't even eat seafood

982
00:46:20,640 --> 00:46:22,759
Speaker 1: around me. Let her get the six No, she can

983
00:46:22,760 --> 00:46:23,959
Speaker 1: get you can get the steak though.

984
00:46:24,040 --> 00:46:26,680
Speaker 2: Yeah, that's what I'm saying. Good fish, take our letter.

985
00:46:26,760 --> 00:46:29,799
Speaker 2: I can food with it. She can't eat more than

986
00:46:29,840 --> 00:46:30,359
Speaker 2: you can buy.

987
00:46:31,760 --> 00:46:35,600
Speaker 1: Mm hmm, she can't, Matt. Look, I think three of

988
00:46:35,640 --> 00:46:37,040
Speaker 1: dollars are good is a good budget?

989
00:46:37,080 --> 00:46:39,799
Speaker 2: It ain't. Three d ain't no good budget. Absolutely not

990
00:46:40,680 --> 00:46:43,319
Speaker 2: this Atlanta. You know what I mean. Drug dealers and

991
00:46:43,360 --> 00:46:48,040
Speaker 2: scammers and stealers and robbers and athletes. We got the

992
00:46:48,080 --> 00:46:51,120
Speaker 2: Atlanta Hawks. Yeah, the Falcons, the break You know how

993
00:46:51,200 --> 00:46:53,839
Speaker 2: much money baseball players? I do? Bu you catch her

994
00:46:53,880 --> 00:46:56,520
Speaker 2: after she been down there in Lennox with one of

995
00:46:56,560 --> 00:46:58,560
Speaker 2: them Atlanta Braids and you show up a three hundred

996
00:46:58,600 --> 00:47:01,319
Speaker 2: dollars see you see, y'all? You named it? Now? Which

997
00:47:01,320 --> 00:47:01,959
Speaker 2: one of those teams?

998
00:47:01,960 --> 00:47:05,760
Speaker 1: Shouting sharp played for the Falcons, the Braves, the Hawks,

999
00:47:05,960 --> 00:47:07,000
Speaker 1: the MLS team?

1000
00:47:07,200 --> 00:47:12,239
Speaker 2: Which one he played for? Club? Shait? Shit? You got

1001
00:47:12,239 --> 00:47:15,520
Speaker 2: that paper man? So I played it? Ain't but a

1002
00:47:15,560 --> 00:47:17,000
Speaker 2: few of them. Have you got it?

1003
00:47:17,239 --> 00:47:19,040
Speaker 1: Have you ever had a bad experience going over to

1004
00:47:19,080 --> 00:47:21,400
Speaker 1: a woman's house. Absolutely what happened.

1005
00:47:21,480 --> 00:47:23,520
Speaker 2: I was over a girl house and the dude showed up.

1006
00:47:24,239 --> 00:47:27,600
Speaker 2: They was downstairs talking. The nigga came upstairs. I'm like, hey,

1007
00:47:27,760 --> 00:47:29,959
Speaker 2: she a good woman, take care of and he left.

1008
00:47:30,040 --> 00:47:33,520
Speaker 2: That was the weirdest. Yeah, that was weird. He's suppos

1009
00:47:33,600 --> 00:47:36,120
Speaker 2: have attacked you. You had no jewelry on or nothing.

1010
00:47:36,280 --> 00:47:38,400
Speaker 2: He's gonna let me get that part. I don't wear jewelry.

1011
00:47:38,840 --> 00:47:41,200
Speaker 2: My whole thing is to look like I don't have nothing.

1012
00:47:43,440 --> 00:47:46,359
Speaker 1: He came upstairs said, hey, man, you're a good woman. Man,

1013
00:47:46,360 --> 00:47:48,440
Speaker 1: you got your good one here. Yeah, take care of him.

1014
00:47:48,680 --> 00:47:50,480
Speaker 2: He was hurt too. I don't know what she was

1015
00:47:50,520 --> 00:47:53,200
Speaker 2: whispering to him down there about, but this was why

1016
00:47:53,239 --> 00:47:56,040
Speaker 2: he came upstairs. How he knew you was upstairs? I

1017
00:47:56,080 --> 00:48:00,320
Speaker 2: guess she told him, Oh lord, you know I wouldn't word.

1018
00:48:00,400 --> 00:48:02,839
Speaker 2: I had to for them on me. Okay, okay, I'm

1019
00:48:02,880 --> 00:48:04,280
Speaker 2: not coming over there with at the force.

1020
00:48:04,280 --> 00:48:07,239
Speaker 1: See you see, that's why I stopped, because they told

1021
00:48:07,239 --> 00:48:10,399
Speaker 1: me I couldn't bring my curd, I could couldn't bring

1022
00:48:10,440 --> 00:48:12,640
Speaker 1: that stick over there, So I said, I can't come

1023
00:48:12,680 --> 00:48:13,080
Speaker 1: over there.

1024
00:48:13,360 --> 00:48:14,640
Speaker 2: I ain't going over there without that.

1025
00:48:15,440 --> 00:48:17,279
Speaker 1: No but that, but it stopped me from I had

1026
00:48:17,320 --> 00:48:19,760
Speaker 1: a bad experience, and you know I was sleep.

1027
00:48:20,440 --> 00:48:23,719
Speaker 2: He had the whole well, I know I wouldn't sleep

1028
00:48:23,760 --> 00:48:26,480
Speaker 2: that time, me and my homeboy bucket.

1029
00:48:26,520 --> 00:48:29,200
Speaker 1: He told the story. People thought I was lying. I

1030
00:48:29,320 --> 00:48:31,520
Speaker 1: called her and she's like, I have to say I'm

1031
00:48:31,560 --> 00:48:33,520
Speaker 1: in town. She was like, well, come back over. So

1032
00:48:33,600 --> 00:48:36,200
Speaker 1: we turned around because we had just left campus because

1033
00:48:36,200 --> 00:48:39,960
Speaker 1: she lived close to campus. We turned around, opened the door.

1034
00:48:40,040 --> 00:48:41,399
Speaker 1: She got a you know, she got a roll bone.

1035
00:48:41,440 --> 00:48:42,640
Speaker 1: She said, well, come on back here, let me do

1036
00:48:42,640 --> 00:48:44,520
Speaker 1: I want to talk to you. I told my homeboy,

1037
00:48:44,560 --> 00:48:46,719
Speaker 1: I said, bucket. You know, he got a jet. He

1038
00:48:46,800 --> 00:48:49,880
Speaker 1: grabbed a jet magazine. So we about five minutes in.

1039
00:48:49,960 --> 00:48:51,719
Speaker 2: I done took my you know, took my necklace offs

1040
00:48:51,760 --> 00:48:54,040
Speaker 2: and set my you know, bracelet something rolling. I got

1041
00:48:54,040 --> 00:48:57,560
Speaker 2: a diamond rolling. I done took that off. By this time,

1042
00:48:57,840 --> 00:48:58,440
Speaker 2: I see.

1043
00:48:58,200 --> 00:49:00,880
Speaker 1: The door handler turning saying to my homeboy, no, I

1044
00:49:00,880 --> 00:49:02,080
Speaker 1: ain't no no Amtrak stuff.

1045
00:49:02,080 --> 00:49:04,560
Speaker 2: I don't even know what's going on. So by this

1046
00:49:04,600 --> 00:49:08,960
Speaker 2: time the door swing open. Dude got that chopper. I said, Lord,

1047
00:49:09,000 --> 00:49:12,720
Speaker 2: have mercy. I say, my man, this is your people.

1048
00:49:13,040 --> 00:49:16,239
Speaker 2: He said yeah two years. I said, oh Lord. He

1049
00:49:16,280 --> 00:49:18,279
Speaker 2: said my man you I said yeah, I'm him. He

1050
00:49:18,320 --> 00:49:21,040
Speaker 2: said I thought so. I thought so. I said, my man,

1051
00:49:21,120 --> 00:49:23,319
Speaker 2: my bad. I said, my bad bad. I said, bro,

1052
00:49:23,400 --> 00:49:28,000
Speaker 2: I ain't no put my shirt back on. He got

1053
00:49:28,000 --> 00:49:30,279
Speaker 2: me shook now Carlos and got you know, a now.

1054
00:49:30,520 --> 00:49:32,000
Speaker 2: But I'm thinking at the back of my mind, I said,

1055
00:49:32,000 --> 00:49:34,320
Speaker 2: but damn, my whole boy hain't let him get the

1056
00:49:34,400 --> 00:49:39,040
Speaker 2: drop on me. His partner had the sword off on him,

1057
00:49:39,280 --> 00:49:41,080
Speaker 2: so that's why he ain't tell me nothing.

1058
00:49:42,000 --> 00:49:44,799
Speaker 1: I didn't know this untill later one came in through

1059
00:49:44,840 --> 00:49:48,160
Speaker 1: the front. The other came in through the back. So

1060
00:49:48,960 --> 00:49:53,200
Speaker 1: check this out. We leave it, I said, God dang, man,

1061
00:49:53,640 --> 00:49:55,240
Speaker 1: I left my watch and my bracelet.

1062
00:49:55,520 --> 00:49:59,040
Speaker 2: He said, man, forget that. I said, whatever, bet stop

1063
00:49:59,120 --> 00:50:00,759
Speaker 2: this more fo to go get that.

1064
00:50:01,719 --> 00:50:03,879
Speaker 1: I went right back over the darks of my man.

1065
00:50:04,320 --> 00:50:06,399
Speaker 1: Let me get that watching bracelet. The drugser he said,

1066
00:50:06,400 --> 00:50:08,920
Speaker 1: here you go. He handed it to me, So we

1067
00:50:09,040 --> 00:50:12,799
Speaker 1: pull it off. They get the fighting. She run out

1068
00:50:12,800 --> 00:50:13,600
Speaker 1: of the house.

1069
00:50:13,520 --> 00:50:16,600
Speaker 2: Robe tore, don't leave me, don't leave me.

1070
00:50:16,920 --> 00:50:21,200
Speaker 1: She dropped in the truck with us and left. I said,

1071
00:50:21,480 --> 00:50:24,040
Speaker 1: now that's the call of That was the second time.

1072
00:50:24,320 --> 00:50:26,960
Speaker 1: The first time I had just got drafted. Came back

1073
00:50:27,320 --> 00:50:28,919
Speaker 1: and I didn't want to drive all the way home

1074
00:50:28,960 --> 00:50:30,600
Speaker 1: because I didn't want to work for my grandmother up

1075
00:50:30,600 --> 00:50:32,600
Speaker 1: because she's gonna be panicked because she didn't know I

1076
00:50:32,640 --> 00:50:34,919
Speaker 1: would have been coming home. So I asked her, I said,

1077
00:50:34,920 --> 00:50:37,200
Speaker 1: you seen anybody? No, I said, you mind if I

1078
00:50:37,200 --> 00:50:39,560
Speaker 1: spend the night, No, I could have just took my

1079
00:50:39,600 --> 00:50:41,960
Speaker 1: tail to Lakinta, spending that little fifty dollars.

1080
00:50:42,200 --> 00:50:46,360
Speaker 2: But you know see, but anyway, man, I'm laying there collos,

1081
00:50:46,400 --> 00:50:48,480
Speaker 2: I'm like this here. You ever laid some. When you

1082
00:50:48,480 --> 00:50:50,919
Speaker 2: ever had the like sleep paralysis, you can hear things,

1083
00:50:50,960 --> 00:50:54,960
Speaker 2: but you can't move absolutely after a while, and I

1084
00:50:55,000 --> 00:50:57,040
Speaker 2: hear people arguing it's getting loud and louder.

1085
00:50:57,440 --> 00:51:00,520
Speaker 1: After a while, boom, the do' flopped the hench. So

1086
00:51:00,640 --> 00:51:02,760
Speaker 1: you know, A, I just got drafted in the NFL.

1087
00:51:03,080 --> 00:51:05,759
Speaker 1: I'm six foot two, I'm twenty one years old, and

1088
00:51:05,880 --> 00:51:10,000
Speaker 1: I'm prid athletic. I jump up like what it is

1089
00:51:10,200 --> 00:51:11,279
Speaker 1: and then I look at him.

1090
00:51:12,840 --> 00:51:15,920
Speaker 2: Oh lord, he got somebody on this restume. Man, I

1091
00:51:15,960 --> 00:51:20,800
Speaker 2: know who he is, I said, Man, he says sharp, man. Problem.

1092
00:51:20,880 --> 00:51:22,720
Speaker 2: So proud of you, man, I'll be telling the omen

1093
00:51:23,040 --> 00:51:25,839
Speaker 2: I know you, man, I'm proud. Congratulations man. I used

1094
00:51:25,840 --> 00:51:28,120
Speaker 2: to watch you at Savannah State. He's like, I said, bro,

1095
00:51:28,520 --> 00:51:30,439
Speaker 2: I said, I ain't no, he says, shop. I ain't

1096
00:51:30,480 --> 00:51:32,399
Speaker 2: got no problem with you, he said, But I'm tired

1097
00:51:32,440 --> 00:51:33,280
Speaker 2: of this beat line.

1098
00:51:33,440 --> 00:51:36,799
Speaker 1: I'm putting my shoes on. I say, me too, man.

1099
00:51:37,840 --> 00:51:40,640
Speaker 1: So that was the last time the dude pulled a

1100
00:51:40,719 --> 00:51:42,880
Speaker 1: chop on me. That was ninety three. I have not

1101
00:51:42,920 --> 00:51:44,960
Speaker 1: closed my eyes at a woman house since. I don't

1102
00:51:45,000 --> 00:51:47,160
Speaker 1: blame you, I said, And people to my old oh

1103
00:51:47,480 --> 00:51:48,359
Speaker 1: what you mean old.

1104
00:51:48,600 --> 00:51:50,680
Speaker 2: If a dog bite you, the likelihood of you going

1105
00:51:50,760 --> 00:51:53,839
Speaker 2: to buy a dog, it's not very likely because you

1106
00:51:53,840 --> 00:51:57,879
Speaker 2: have a traumatic experience with said situation. Dude, dude, don't

1107
00:51:57,880 --> 00:51:59,799
Speaker 2: walk over me a chopper. Dude, got bodies of the

1108
00:51:59,800 --> 00:52:01,759
Speaker 2: rest may kick the go in and you think I

1109
00:52:01,800 --> 00:52:03,319
Speaker 2: was supposed to just like over there, they just like

1110
00:52:04,560 --> 00:52:07,960
Speaker 2: see you gonna understand that you you just got drafted.

1111
00:52:08,560 --> 00:52:10,960
Speaker 2: Anyway that you would have took her that was yours,

1112
00:52:11,000 --> 00:52:13,319
Speaker 2: she was gonna be impressed. You could have had a

1113
00:52:13,320 --> 00:52:16,560
Speaker 2: one bedroom condo down town. I ain't have no place

1114
00:52:16,600 --> 00:52:19,400
Speaker 2: though I was in college. I'm sleeping in the dorm.

1115
00:52:19,680 --> 00:52:22,239
Speaker 2: We can't have nobody in the dorm. I don't know

1116
00:52:22,239 --> 00:52:24,239
Speaker 2: how it is now, but if you an athlete, when

1117
00:52:24,280 --> 00:52:26,680
Speaker 2: you start listening to them people, oh no no, no, no,

1118
00:52:26,680 --> 00:52:29,880
Speaker 2: no no no. I'll follow the rules callers because they

1119
00:52:29,920 --> 00:52:31,040
Speaker 2: had to kick you out there to kick me out

1120
00:52:31,080 --> 00:52:33,279
Speaker 2: of school, or they wouldn't you the only one going

1121
00:52:33,320 --> 00:52:38,120
Speaker 2: to the NFL on the whole team columns. I'm telling you, Fred,

1122
00:52:38,200 --> 00:52:41,040
Speaker 2: you you Shannon Shaw, I knew the start player. You

1123
00:52:41,040 --> 00:52:43,040
Speaker 2: think you're finna get kicked off the team. I wouldn't

1124
00:52:43,040 --> 00:52:43,880
Speaker 2: a woman. I would have.

1125
00:52:44,040 --> 00:52:46,160
Speaker 1: I would have because they gonna make example out of me.

1126
00:52:46,400 --> 00:52:49,040
Speaker 1: And first second of all, my brother sterling shop. So

1127
00:52:49,040 --> 00:52:50,880
Speaker 1: I don't want to do anything that's gonna bring shame

1128
00:52:50,960 --> 00:52:52,040
Speaker 1: or disappointment to him.

1129
00:52:52,280 --> 00:52:54,040
Speaker 2: And I may report's grandson.

1130
00:52:54,280 --> 00:52:57,799
Speaker 1: So I always factored that in because before that, now

1131
00:52:57,800 --> 00:53:02,320
Speaker 1: you're absolutely right.

1132
00:53:00,560 --> 00:53:02,160
Speaker 2: I'd have been a little have been a little bit

1133
00:53:02,160 --> 00:53:04,440
Speaker 2: more reckless. My grandmother would have been so proud me

1134
00:53:04,520 --> 00:53:08,520
Speaker 2: getting my grandson down there, getting all the whole. Yeah,

1135
00:53:08,640 --> 00:53:13,239
Speaker 2: he's running through him. You said you wanted the legalized prostitution. Yeah,

1136
00:53:13,280 --> 00:53:17,359
Speaker 2: why medical prostitution? What kind of medical prostitution? Think of

1137
00:53:17,400 --> 00:53:20,080
Speaker 2: how much depression is out here. Think of how many

1138
00:53:20,120 --> 00:53:24,480
Speaker 2: young men out here said nothing to look forward to.

1139
00:53:24,680 --> 00:53:27,440
Speaker 2: They don't even know how to talk to women. They

1140
00:53:27,520 --> 00:53:31,200
Speaker 2: need that. Oh lord, yeah, everybody don't got access to

1141
00:53:31,239 --> 00:53:32,239
Speaker 2: go laugh like that.

1142
00:53:32,440 --> 00:53:38,160
Speaker 1: I don't look. I heard a medical marijuana. Yeah, but

1143
00:53:38,239 --> 00:53:39,759
Speaker 1: medical prostitution, Yeah.

1144
00:53:39,880 --> 00:53:42,480
Speaker 2: I think that should be an industry that is regulated

1145
00:53:42,960 --> 00:53:46,160
Speaker 2: that people can enjoy. And it's it would take a

1146
00:53:46,160 --> 00:53:49,439
Speaker 2: lot of stress off going fifty to fifty and where

1147
00:53:49,440 --> 00:53:51,160
Speaker 2: to take it for a day. A lot of people

1148
00:53:51,160 --> 00:53:53,880
Speaker 2: don't have conversations like that. It's just just the means

1149
00:53:53,920 --> 00:53:55,960
Speaker 2: to an end, and if they did it right and

1150
00:53:56,040 --> 00:54:00,520
Speaker 2: clean and kept everybody safe, it'll be dope to be dope,

1151
00:54:00,520 --> 00:54:04,319
Speaker 2: it probably decreased, the violence, crime will go down. Uh,

1152
00:54:04,480 --> 00:54:07,120
Speaker 2: employment would go right because if you if you knew

1153
00:54:07,280 --> 00:54:10,480
Speaker 2: that you get spending this money, having a whole great weekend,

1154
00:54:10,760 --> 00:54:13,520
Speaker 2: that might inspire somebody to work a little harder my health,

1155
00:54:13,560 --> 00:54:17,680
Speaker 2: the economy. Look at what the marijuana industry did for Colorado.

1156
00:54:18,080 --> 00:54:21,760
Speaker 2: Now just think about what the vagina industry do for America.

1157
00:54:23,239 --> 00:54:27,120
Speaker 2: Prostitution the oldest profession in the world. Just hey, come

1158
00:54:27,120 --> 00:54:29,319
Speaker 2: on now, you just need to be regulated. Needs to

1159
00:54:29,320 --> 00:54:33,799
Speaker 2: be regulated. Who started? Who started a hashtag? Black men?

1160
00:54:33,840 --> 00:54:33,880
Speaker 3: No?

1161
00:54:34,040 --> 00:54:37,440
Speaker 2: Cheat with that? You do? Ball? Who started that? That

1162
00:54:37,600 --> 00:54:42,040
Speaker 2: was you started? Yeah? He got that for me because

1163
00:54:42,080 --> 00:54:47,520
Speaker 2: I'm tired of being misrepresented. Bro, black men most disrespected

1164
00:54:47,560 --> 00:54:50,440
Speaker 2: man on the whole planet. Bro, don't nobody give us

1165
00:54:50,440 --> 00:54:53,439
Speaker 2: credit for nothing we is. We don't have no representation.

1166
00:54:54,160 --> 00:54:58,719
Speaker 2: We are the most disrespected and you know, we the

1167
00:54:58,719 --> 00:55:02,160
Speaker 2: most sought after. We ain't. Really I can like that.

1168
00:55:02,440 --> 00:55:06,160
Speaker 2: What made you come to that revelation? What that black man? Don't?

1169
00:55:06,200 --> 00:55:11,200
Speaker 1: Yes, I'm a black man, I'm a black man in

1170
00:55:11,320 --> 00:55:13,640
Speaker 1: order to cheat, you got to be with somebody, right,

1171
00:55:13,960 --> 00:55:16,719
Speaker 1: If you ain't with nobody, that ain't cheating. So in

1172
00:55:16,760 --> 00:55:19,680
Speaker 1: other words, as long as you don't have a partner,

1173
00:55:20,440 --> 00:55:22,960
Speaker 1: you should be able to like sleep with this one.

1174
00:55:22,840 --> 00:55:28,440
Speaker 2: That one ain't nobody said nothing by no sleeping. If

1175
00:55:28,440 --> 00:55:30,520
Speaker 2: you're a black man and you a woman white, you

1176
00:55:30,560 --> 00:55:34,759
Speaker 2: can cheat. How you come to that conclusion? What you

1177
00:55:34,880 --> 00:55:37,520
Speaker 2: mean why would why wouldn't you cheat?

1178
00:55:38,800 --> 00:55:40,520
Speaker 1: I mean, if you're a relationship, if that's what you're

1179
00:55:40,520 --> 00:55:45,480
Speaker 1: supposed to do. She white, she a woman you chose, like,

1180
00:55:45,560 --> 00:55:47,120
Speaker 1: I want you to be my woman. I want to

1181
00:55:47,160 --> 00:55:48,360
Speaker 1: be in a relationship with you.

1182
00:55:49,040 --> 00:55:59,439
Speaker 2: I mean white, Black, Hispanic, Asian, whatever. No, Now, black

1183
00:55:59,480 --> 00:56:02,200
Speaker 2: men don't black men the most faithful man out here? Man?

1184
00:56:02,360 --> 00:56:06,080
Speaker 2: Do women believe you? Yeah? Sometimes what you be from

1185
00:56:06,200 --> 00:56:08,520
Speaker 2: tide sometimes? Bro, You know how they just like to

1186
00:56:08,520 --> 00:56:11,399
Speaker 2: be objective something. But you know, I feel like as

1187
00:56:11,440 --> 00:56:13,560
Speaker 2: a black man, you got a lot to prove at right,

1188
00:56:13,760 --> 00:56:16,560
Speaker 2: So I definitely I don't know any black men that's

1189
00:56:16,560 --> 00:56:18,480
Speaker 2: out here cheating. I ain't never seen it, right, I

1190
00:56:18,520 --> 00:56:22,200
Speaker 2: don't know nobody that cheated nobody. I mean I heard

1191
00:56:22,200 --> 00:56:24,560
Speaker 2: you say that. Sometimes they try to set you up

1192
00:56:24,560 --> 00:56:27,040
Speaker 2: and make it look like you cheat right, like they're sneaking,

1193
00:56:27,080 --> 00:56:29,319
Speaker 2: throw you on live and then make it sound like

1194
00:56:29,480 --> 00:56:32,360
Speaker 2: you're on their cheating, but it ain't even cheating. You

1195
00:56:32,400 --> 00:56:36,359
Speaker 2: see how they you can fall into the trap easy? Yeah, exactly, you.

1196
00:56:36,280 --> 00:56:40,440
Speaker 1: Know, I know you know that it's a setup. I

1197
00:56:40,520 --> 00:56:43,760
Speaker 1: heard you say that people should stop trying to change people.

1198
00:56:43,960 --> 00:56:47,200
Speaker 2: Absolutely, why would you so?

1199
00:56:47,239 --> 00:56:51,239
Speaker 1: In other words, I agree, except the person that you

1200
00:56:51,320 --> 00:56:52,880
Speaker 1: find them, now, how you wish them to be?

1201
00:56:53,800 --> 00:56:56,560
Speaker 2: Yep, And sometimes you got it. You can't be looking

1202
00:56:56,600 --> 00:56:59,719
Speaker 2: for yourself and other people just because you're doing right.

1203
00:57:00,040 --> 00:57:03,319
Speaker 2: Don't everybodyody gonna act right? Right? So you just gotta

1204
00:57:03,400 --> 00:57:05,359
Speaker 2: know what you're dealing with. If you met that girl

1205
00:57:05,400 --> 00:57:08,680
Speaker 2: in the club and she was she was dancing, why

1206
00:57:08,680 --> 00:57:11,200
Speaker 2: would you tell her to stop? You can't change her.

1207
00:57:11,239 --> 00:57:13,880
Speaker 2: That's who she is. You just need to accept what

1208
00:57:14,040 --> 00:57:16,680
Speaker 2: come with her. Yeah, now I'm like that.

1209
00:57:16,920 --> 00:57:20,800
Speaker 1: I'm Look, if I meet somebody and they dressed and

1210
00:57:20,840 --> 00:57:23,360
Speaker 1: I was like, oh, now all of a sudden, I

1211
00:57:23,400 --> 00:57:24,200
Speaker 1: get with that person.

1212
00:57:24,280 --> 00:57:26,320
Speaker 2: Now you can't dress like that no more. No, that's

1213
00:57:26,360 --> 00:57:27,960
Speaker 2: what I was attract I mean, I like that I

1214
00:57:28,000 --> 00:57:29,560
Speaker 2: was attracted to day. I ain't gonna try. I don't

1215
00:57:29,560 --> 00:57:32,040
Speaker 2: want you to stop. You gotta have some security, yes,

1216
00:57:32,160 --> 00:57:34,320
Speaker 2: put you on that. It don't matter if she a

1217
00:57:34,400 --> 00:57:36,800
Speaker 2: freak or if she a church girl. If she gonna

1218
00:57:36,840 --> 00:57:39,720
Speaker 2: be on some on demon time, she gonna be on

1219
00:57:39,760 --> 00:57:41,720
Speaker 2: that anyway. It ain't nothing you could do to stop that.

1220
00:57:41,920 --> 00:57:44,920
Speaker 2: You can, you can try to intervene or delay it,

1221
00:57:45,000 --> 00:57:47,160
Speaker 2: but she's gonna be who she be. She gonna be

1222
00:57:47,200 --> 00:57:49,560
Speaker 2: who she is. Man, And I tell people all the time,

1223
00:57:49,720 --> 00:57:51,920
Speaker 2: just be what you be. Just don't include me.

1224
00:57:53,840 --> 00:57:56,000
Speaker 1: But you also said women should stop trying to create

1225
00:57:56,000 --> 00:57:56,720
Speaker 1: the perfect man.

1226
00:57:57,200 --> 00:58:02,480
Speaker 2: What do you mean by that? Well, a lot of

1227
00:58:02,520 --> 00:58:08,040
Speaker 2: women have this idea of the great perfect man, right

1228
00:58:08,280 --> 00:58:11,240
Speaker 2: and it's not even something that they really want. That's

1229
00:58:11,320 --> 00:58:14,960
Speaker 2: just what they heard somebody else want, right, Like that

1230
00:58:14,960 --> 00:58:15,800
Speaker 2: don't make sense.

1231
00:58:16,040 --> 00:58:17,439
Speaker 1: I want a guy. He need to be over six

1232
00:58:17,440 --> 00:58:19,440
Speaker 1: foot tall. He need to be educated, he needs to

1233
00:58:19,440 --> 00:58:21,200
Speaker 1: be well arounded, he need to be what. You need

1234
00:58:21,240 --> 00:58:22,120
Speaker 1: a man that tall for.

1235
00:58:23,960 --> 00:58:27,400
Speaker 2: You got high candets, Yeah, you need a man that's

1236
00:58:27,440 --> 00:58:28,000
Speaker 2: six seven.

1237
00:58:28,120 --> 00:58:31,080
Speaker 1: He needs to be well read, he needs he wants,

1238
00:58:31,480 --> 00:58:33,840
Speaker 1: he got to want to travel when they ain't been

1239
00:58:33,920 --> 00:58:35,600
Speaker 1: No why but but I'm just saying that.

1240
00:58:35,920 --> 00:58:37,760
Speaker 2: But that's what that's what they want. A lot of

1241
00:58:37,760 --> 00:58:40,080
Speaker 2: people won't accept that the type of person that they're

1242
00:58:40,080 --> 00:58:45,080
Speaker 2: attracted to don't even like them. Mm hmm. It's a

1243
00:58:45,160 --> 00:58:48,560
Speaker 2: cold world, it is. I mean, it sounds good. It's

1244
00:58:48,960 --> 00:58:51,800
Speaker 2: cool to have standards or it's cool to have a

1245
00:58:51,880 --> 00:58:56,560
Speaker 2: wish list, but they don't like you like that you're

1246
00:58:56,600 --> 00:58:59,680
Speaker 2: looking for ain't necessarily looking for you. When the last

1247
00:58:59,680 --> 00:59:02,320
Speaker 2: time you've seen a tall man with a tall lass woman,

1248
00:59:03,120 --> 00:59:05,800
Speaker 2: tall men ain't even attracted the tall women. They like

1249
00:59:05,880 --> 00:59:09,240
Speaker 2: short women, so then they take all the short women.

1250
00:59:09,280 --> 00:59:11,200
Speaker 2: Then they leave all the tall women out here. Now

1251
00:59:11,200 --> 00:59:13,040
Speaker 2: it's just a bunch of short dudes trying to talk

1252
00:59:13,080 --> 00:59:15,560
Speaker 2: to tall women, and tall women don't like short but

1253
00:59:15,600 --> 00:59:18,440
Speaker 2: short men love tall women. The tall women looking for

1254
00:59:18,480 --> 00:59:20,560
Speaker 2: the tall dudes. But the tall dudes that stole all

1255
00:59:20,600 --> 00:59:22,520
Speaker 2: the short women. So the short dudes can't have no

1256
00:59:22,560 --> 00:59:28,880
Speaker 2: short women. It's crazy, it's just stupid. They like they

1257
00:59:28,920 --> 00:59:31,640
Speaker 2: want a rich man. Rich men don't ain't no rich

1258
00:59:31,720 --> 00:59:34,040
Speaker 2: dudes sitting around like, I wonder what kish you with them?

1259
00:59:34,040 --> 00:59:37,320
Speaker 2: Three kids is up too? I feel like changing their

1260
00:59:37,320 --> 00:59:37,920
Speaker 2: life today.

1261
00:59:38,000 --> 00:59:40,680
Speaker 1: It don't happen, But it's unreal, you know, what and

1262
00:59:40,800 --> 00:59:43,400
Speaker 1: women try to guild us in talking about like when

1263
00:59:43,400 --> 00:59:46,080
Speaker 1: they have kids. You know, two kids, three kids. I

1264
00:59:46,160 --> 00:59:48,520
Speaker 1: have many kids that have which is not a problem,

1265
00:59:48,600 --> 00:59:51,000
Speaker 1: not a problem. But you can't guild a man talking

1266
00:59:51,000 --> 00:59:52,720
Speaker 1: about he ain't no man if he can't take care

1267
00:59:52,760 --> 00:59:53,720
Speaker 1: of you and your kids.

1268
00:59:58,120 --> 01:00:03,120
Speaker 2: I mean, what where they daddy? Why is that a

1269
01:00:03,120 --> 01:00:06,520
Speaker 2: big problem when you asked where they daddy? Right? I

1270
01:00:06,560 --> 01:00:09,120
Speaker 2: mean it's a lot of dudes that would accept women.

1271
01:00:09,320 --> 01:00:11,920
Speaker 1: Like with I ain't got no problem because I dated

1272
01:00:12,560 --> 01:00:14,400
Speaker 1: women with kids. I ain't got no problem with that.

1273
01:00:14,480 --> 01:00:15,800
Speaker 1: Why are you out here doing this?

1274
01:00:15,920 --> 01:00:19,120
Speaker 2: Do you? You do what? You don't love yourself? No?

1275
01:00:19,680 --> 01:00:22,360
Speaker 2: You you just told me I should like who liked me?

1276
01:00:23,040 --> 01:00:27,040
Speaker 2: You you don't have to accept everything you put, all

1277
01:00:27,080 --> 01:00:29,360
Speaker 2: that you went to the gym and did all that

1278
01:00:29,480 --> 01:00:33,360
Speaker 2: practice and all that running, all them touchdowns to be

1279
01:00:33,400 --> 01:00:36,520
Speaker 2: a stepdaddy. I don't look at it, noose steps. I'm

1280
01:00:36,520 --> 01:00:40,720
Speaker 2: a real daddy, man. You ain't. You ain't you're the

1281
01:00:40,760 --> 01:00:45,760
Speaker 2: father that stepped up? Are you? You damn playing yourself? Man?

1282
01:00:45,800 --> 01:00:48,840
Speaker 2: So come on now, I like who liked me? You

1283
01:00:48,840 --> 01:00:51,360
Speaker 2: ain't gotta like him like that all the time. No,

1284
01:00:51,400 --> 01:00:54,680
Speaker 2: But I'm saying look, I don't have a problem because

1285
01:00:54,720 --> 01:00:56,320
Speaker 2: a lot of times, you know, I ain't really looking

1286
01:00:56,320 --> 01:00:57,760
Speaker 2: at it, because a lot of a lot of times

1287
01:00:57,800 --> 01:01:00,320
Speaker 2: women might you know that I might be interested they

1288
01:01:00,320 --> 01:01:02,920
Speaker 2: want to have kids, and I don't know. I'm I'm

1289
01:01:02,920 --> 01:01:05,840
Speaker 2: fifty six, So bro, I'm not finna be going to

1290
01:01:05,920 --> 01:01:12,760
Speaker 2: no graduation. They talking about a a Riley That ain't

1291
01:01:12,800 --> 01:01:16,400
Speaker 2: my granddadd that was my daddy food. No, no, you

1292
01:01:16,480 --> 01:01:18,600
Speaker 2: fifty six. Don't be putting them old ass babies in

1293
01:01:18,640 --> 01:01:21,760
Speaker 2: them ladies, I would thank you. And when they got

1294
01:01:21,840 --> 01:01:26,000
Speaker 2: kids they don't want no more. I feel, huh, it's

1295
01:01:26,040 --> 01:01:28,040
Speaker 2: all good. But if you're gonna be out there dealing

1296
01:01:28,080 --> 01:01:30,840
Speaker 2: with them kids, mama, man, you you shelling shut up. Now,

1297
01:01:30,880 --> 01:01:33,480
Speaker 2: you gotta make sure you take care of you, turn

1298
01:01:33,520 --> 01:01:36,320
Speaker 2: them on to some put some nakes on them and

1299
01:01:36,360 --> 01:01:39,760
Speaker 2: all that. Man. Sure can't just be out there, No, no, no, no,

1300
01:01:39,920 --> 01:01:41,840
Speaker 2: not you ever dealt with a woman who had a

1301
01:01:41,920 --> 01:01:43,919
Speaker 2: son who was good at ball and like he might

1302
01:01:44,080 --> 01:01:45,080
Speaker 2: he might do something.

1303
01:01:45,560 --> 01:01:48,720
Speaker 1: The thing is like when I dated women that had kids.

1304
01:01:49,400 --> 01:01:52,000
Speaker 1: They can't ask me for bags. They can't ask me

1305
01:01:52,040 --> 01:01:54,560
Speaker 1: for anything because I'm only gonna do for the kids.

1306
01:01:54,720 --> 01:01:57,280
Speaker 1: Because no I'm not finna buy You know, Louis Batanna,

1307
01:01:57,320 --> 01:01:59,400
Speaker 1: you got a kid out here that needs school clothes,

1308
01:01:59,400 --> 01:02:01,360
Speaker 1: that need and may need a tutor or something like that.

1309
01:02:01,600 --> 01:02:04,040
Speaker 2: Ain't by new messing the economy up. You do that

1310
01:02:04,400 --> 01:02:06,640
Speaker 2: if you shining sharp and you deal with them though

1311
01:02:06,680 --> 01:02:09,480
Speaker 2: you understand that you might be her only chance to

1312
01:02:09,520 --> 01:02:10,200
Speaker 2: get that bag.

1313
01:02:10,560 --> 01:02:12,400
Speaker 1: They gonna do me and then you're gonna be guess what,

1314
01:02:12,480 --> 01:02:13,959
Speaker 1: and she's gonna be carried with another dude.

1315
01:02:14,000 --> 01:02:18,880
Speaker 2: No, you can't. That's see now said. Now you wanna

1316
01:02:19,000 --> 01:02:21,440
Speaker 2: when you find them, you want to leave them better

1317
01:02:21,480 --> 01:02:24,280
Speaker 2: than you found them. Big and if you find it

1318
01:02:24,400 --> 01:02:27,040
Speaker 2: and she and she bad, but she got that Michael

1319
01:02:27,080 --> 01:02:29,480
Speaker 2: cors On and then she deal with Uncle Ford something.

1320
01:02:29,600 --> 01:02:31,600
Speaker 2: You're supposed to get a two or three bags. You're

1321
01:02:31,600 --> 01:02:33,960
Speaker 2: supposed to take that that O seven and turn it

1322
01:02:34,000 --> 01:02:36,800
Speaker 2: at least to a seventeen. You gotta leave it. You

1323
01:02:36,840 --> 01:02:38,720
Speaker 2: can't just be out here. I ain't got it and

1324
01:02:38,760 --> 01:02:40,440
Speaker 2: I ain't got it. Like call them, I don't know

1325
01:02:40,480 --> 01:02:41,479
Speaker 2: what you think I got.

1326
01:02:41,480 --> 01:02:44,000
Speaker 1: Brad like that calls I know at your crew and

1327
01:02:44,040 --> 01:02:45,240
Speaker 1: they like, hey, tell them, they.

1328
01:02:45,120 --> 01:02:47,800
Speaker 2: Tell them you gotta stop. You're being cheap out here

1329
01:02:48,360 --> 01:02:52,840
Speaker 2: you acting like, oh you no children rub nothing on you.

1330
01:02:52,920 --> 01:02:55,280
Speaker 2: No no, no, no no no no no no, I tell you,

1331
01:02:55,320 --> 01:02:58,680
Speaker 2: I mean, I help. I don't see it. I help.

1332
01:02:58,760 --> 01:03:00,840
Speaker 2: You just said you ain't gonna get there bad because

1333
01:03:01,120 --> 01:03:03,360
Speaker 2: you worry about who else she wearing it with. You

1334
01:03:03,440 --> 01:03:06,080
Speaker 2: got no no no no no no host them games.

1335
01:03:06,400 --> 01:03:08,479
Speaker 2: You ain't gonna be there all the time. So when

1336
01:03:08,520 --> 01:03:10,600
Speaker 2: you get into that bag and then I come in

1337
01:03:10,680 --> 01:03:15,800
Speaker 2: town for my show, I'm be like, oh, son, put

1338
01:03:15,840 --> 01:03:19,479
Speaker 2: your little bag on you. Oh that's why you ain't.

1339
01:03:19,600 --> 01:03:22,240
Speaker 1: I said my call, no more, no, just say this

1340
01:03:22,320 --> 01:03:25,360
Speaker 1: how I go in the beginning. If you all you

1341
01:03:25,560 --> 01:03:27,720
Speaker 1: ask is for stuff for the kids where the kids

1342
01:03:27,800 --> 01:03:29,480
Speaker 1: want to go to summer camp where the kids need

1343
01:03:29,480 --> 01:03:30,960
Speaker 1: to be in rolling this and the kids need to

1344
01:03:31,000 --> 01:03:34,200
Speaker 1: be rolling that. That shows me that you focus. Then

1345
01:03:34,920 --> 01:03:38,400
Speaker 1: I'll do like, okay, you know what boo, I hear

1346
01:03:38,480 --> 01:03:40,440
Speaker 1: it with a little bad and you acting like you

1347
01:03:40,520 --> 01:03:41,800
Speaker 1: got a job I do.

1348
01:03:42,440 --> 01:03:45,800
Speaker 2: I don't like that. I don't like that. Man. See

1349
01:03:45,840 --> 01:03:49,240
Speaker 2: this is why the black economy is messed up. I

1350
01:03:49,280 --> 01:03:51,920
Speaker 2: got I got kids too. I got a sister that

1351
01:03:51,960 --> 01:03:52,520
Speaker 2: I take care of.

1352
01:03:52,560 --> 01:03:54,240
Speaker 1: I got a brother I take care I got a mom,

1353
01:03:54,280 --> 01:03:57,120
Speaker 1: I take care of I got I got responsibilities.

1354
01:03:57,920 --> 01:03:59,840
Speaker 2: You're supposed to show up like gold the like look

1355
01:04:00,160 --> 01:04:02,840
Speaker 2: in school. You could be anything you want to be. Ill,

1356
01:04:02,880 --> 01:04:04,640
Speaker 2: come here, let me give you all some of this money.

1357
01:04:04,720 --> 01:04:08,200
Speaker 2: That's how you're supposed to be. Man. Oh oh that's why,

1358
01:04:08,440 --> 01:04:13,840
Speaker 2: yeah could being snedgy. I guess it is six colors.

1359
01:04:13,920 --> 01:04:15,400
Speaker 1: I don't know what you think I got this, this

1360
01:04:15,760 --> 01:04:17,760
Speaker 1: enormous or this absorbed amount of money.

1361
01:04:17,920 --> 01:04:20,720
Speaker 2: Bro, do you understand you got about twenty minutes of

1362
01:04:20,800 --> 01:04:25,200
Speaker 2: football highlights on YouTube. I don't get paid for them,

1363
01:04:25,200 --> 01:04:29,800
Speaker 2: shaped more numbers than Joe Roger. You got liquor. I'm

1364
01:04:29,800 --> 01:04:32,440
Speaker 2: sure you got a sponsorship from these little comfortable sweat

1365
01:04:32,480 --> 01:04:36,040
Speaker 2: suits we're working on. We're working up, were working. Ye.

1366
01:04:36,120 --> 01:04:38,280
Speaker 2: We ain't got it yet, we got it. You ain't

1367
01:04:38,280 --> 01:04:40,720
Speaker 2: gotten a little strapless bags and ship na, I ain't

1368
01:04:40,720 --> 01:04:42,720
Speaker 2: got the bag today. Who are doing your marketing for?

1369
01:04:42,840 --> 01:04:45,880
Speaker 2: You need to holler at me? Okay, I'm just looking up.

1370
01:04:46,680 --> 01:04:48,800
Speaker 1: Hey, I can talk nah, because then what you call

1371
01:04:48,800 --> 01:04:50,640
Speaker 1: it will happen, and then the women go see this

1372
01:04:50,680 --> 01:04:52,320
Speaker 1: and said, but Collins will hook you up, so to

1373
01:04:52,360 --> 01:04:53,000
Speaker 1: break me off.

1374
01:04:53,480 --> 01:04:56,320
Speaker 2: Bro, I'm telling you they already know anyway, I got

1375
01:04:56,400 --> 01:05:00,600
Speaker 2: first of all, whatever you're gonna get in all that. Yeah,

1376
01:05:00,640 --> 01:05:01,960
Speaker 2: this treems is tokya.

1377
01:05:02,120 --> 01:05:05,040
Speaker 1: This concludes the first half of my conversation. Part two

1378
01:05:05,120 --> 01:05:07,320
Speaker 1: is also posted and you can access it to whichever

1379
01:05:07,680 --> 01:05:10,840
Speaker 1: podcast platform you just listen to part one on. Just

1380
01:05:10,920 --> 01:05:13,720
Speaker 1: simply go back to club Shashay profile and I'll see

1381
01:05:13,760 --> 01:05:14,080
Speaker 1: you there