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Speaker 1: Yo, yo yo.

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Speaker 2: Welcome to It's Up There podcast. I go by Big Loan.

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Speaker 2: I want to thank everybody that's tuned in. We are

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Speaker 2: on a crazy run, man, this is such an extraordinary

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Speaker 2: time for podcasting. We are we are in an amazing position,

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Speaker 2: and I want to thank everybody that listens to us

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Speaker 2: each week, all the people that retweet us, all the subscribers,

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Speaker 2: especially the people that's on Patreon.

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Speaker 1: I want to give y'all a real, real deal shout out.

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Speaker 2: Y'all been patient with me as I work through what

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Speaker 2: it is that I needed to have done in regards

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Speaker 2: to business.

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Speaker 1: Now we here, so I want to thank everybody.

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Speaker 3: Man.

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Speaker 2: We hear the statement we're gonna we're gonna get a

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Speaker 2: culture what it deserves out of us, and just had

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Speaker 2: the best conversations.

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Speaker 1: I see a hive starting out there.

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Speaker 2: I see people starting to defend me and provide arguments

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Speaker 2: on my behalf in the market, man, and it's amusing

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Speaker 2: to me.

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Speaker 1: Right, I'm a big boy.

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Speaker 2: I can handle myself, but I thank the people that

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Speaker 2: stand up for us.

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Speaker 4: Man.

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Speaker 1: You know, we speak the truth. On this side.

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Speaker 2: We got a long show, a lot to get into today. Nonetheless,

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Speaker 2: we come into game to hustle. I feel good about

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Speaker 2: my position. I feel like a point guard just getting drafted,

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Speaker 2: with all the skills set that I need, with the

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Speaker 2: energy I need, with the strength I need, with the

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Speaker 2: dedication I need, with the discipline I need, with the

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Speaker 2: coaches I need, with the funding I need, with the

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Speaker 2: gym I need, with the facility I need on the

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Speaker 2: field I need.

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Speaker 1: I feel comfortable. I feel right at home.

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Speaker 2: I always remember, being a young man, had to take tests,

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Speaker 2: and I would always say, damn, if I could just

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Speaker 2: put myself in a position to be prepared, I would

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Speaker 2: have his confidence. Like if I really studied for the tests,

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Speaker 2: if I really prepared, if I really knew, I really

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Speaker 2: put the time in for this subject, I walk into

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Speaker 2: that test with a certain confidence in regards to this game.

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Speaker 2: I've been able to be as prepared as one could be.

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Speaker 2: You know, when I look at American the structure that

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Speaker 2: it has in place, right when you get to a

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Speaker 2: certain age, like I look at a lot of my counterparts,

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Speaker 2: dudes that I might have hustled with it or not

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Speaker 2: even that, because I don't want to even say it's

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Speaker 2: my experiences. I want to just speak about what I

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Speaker 2: believe to be happening in culture what I believe to

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Speaker 2: be happening in America. And it feels like that when

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Speaker 2: you get to a certain age, no matter what you've done,

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Speaker 2: you look back and you say, damn, I'm stuck in.

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Speaker 1: This little place.

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Speaker 2: Like if you never took a chance, if you never

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Speaker 2: put yourself in a position to really chase a dream

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Speaker 2: or change something financially, you can get caught working for

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Speaker 2: this company for twenty five years and then look up

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Speaker 2: and be too old to do something about it.

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Speaker 1: It no longer make sense.

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Speaker 2: And so I was lucky enough to take what I

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Speaker 2: had and say, all right, it's about time to transition

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Speaker 2: into something that makes sense for your family, for yourself,

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Speaker 2: and just.

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Speaker 1: Be, you know, more of a man, more than just

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Speaker 1: that street gap.

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Speaker 2: I finally got, you know, a couple of my deals done,

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Speaker 2: and a lot of business tooken care of, and so

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Speaker 2: now it's time for us to get back on the road,

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Speaker 2: get these episodes dropped, and just try to be influential

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Speaker 2: in the market.

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Speaker 1: I feel comfortable about that.

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Speaker 2: With that being said, I kind of spoke about last

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Speaker 2: week that I had my kids, I kept up out

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Speaker 2: of school, and we went and seen John Wick and

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Speaker 2: I hate that I have to report on these things

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Speaker 2: because they're so heavy, and we had to start to

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Speaker 2: part with it. But it is my hometown and it

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Speaker 2: is heavy on my heart as I understand that tragedy

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Speaker 2: just struck right down the street from people that I know. Right,

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Speaker 2: So now I no longer wonder what it feels like.

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Speaker 2: I no longer am absent of the feeling of dealing

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Speaker 2: with kids being affected by cowards.

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Speaker 1: And so for those of you are unaware, it's up.

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Speaker 2: The podcast headquarters is in Nashville, Tennessee, and Nashville, Tennessee

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Speaker 2: had a mass shooting where a transgender went into a

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Speaker 2: Christian school and shot. Let me speed this up because

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Speaker 2: I don't want to spend a lot of time on this,

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Speaker 2: because I don't want to just sad the whole part

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Speaker 2: out right, So let's speed this up. I get the

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Speaker 2: news right boom, because I'm on top of all of

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Speaker 2: everything that's happening. I get the news mass shooting in

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Speaker 2: Nashville at school. First thing, I say, wow, what school?

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Speaker 2: They say the school name. It's a Christian school. It's

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Speaker 2: over it's over by the Green Hills area. That area,

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Speaker 2: it's kind of a rich area over there. So it's

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Speaker 2: a Christian school, and so I said, damn. First thing

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Speaker 2: I did. I look over and I got my children

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Speaker 2: with me. I just happened to have them out of

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Speaker 2: school at that time. So God, I looked up and

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Speaker 2: thanked the universe just to be able to lay eyes

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Speaker 2: on my seeds, my lifelines.

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Speaker 1: You know what I'm saying. And that was number one,

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Speaker 1: and then number two.

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Speaker 2: I instantly felt sad, instantly felt like, damn, it was

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Speaker 2: just a day of sorrow.

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Speaker 1: It was just so much coming out.

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Speaker 4: You know.

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Speaker 2: I want to plawed dementtro Nashville Police Department for their

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Speaker 2: attempt and their approach as they went in and neutralized

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Speaker 2: as cow with as soon as they could. Wasn't no

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Speaker 2: Texas Uvandi thing happening in Nashville right now. Let's take

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Speaker 2: a look at what the news said about this, and

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Speaker 2: then we'll come back with how we feel about it.

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Speaker 3: We are now listening into a press conference by Tennessee

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Speaker 3: and Nashville's Metropolitan Police parmaticulas.

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Speaker 5: From the second level, they immediately went to the gunfire.

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Speaker 5: When the officers got to the second level, they saw

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Speaker 5: a shooter, a female who was firing.

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Speaker 6: The officers engaged her.

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Speaker 5: She was fatally shot by responding police officers. There was

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Speaker 5: a five member team who was on the that was

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Speaker 5: on the second floor at that time. Two individuals from

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Speaker 5: that five member team opened fire on the shooter. We

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Speaker 5: know at this point that this shooter is a female.

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Speaker 5: She appears to be in her teens, although her identification

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Speaker 5: has not been confirmed at this juncture.

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Speaker 6: We know that she was armed with at.

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Speaker 5: Least two assault type rifles and a handgun. We are

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Speaker 5: efforting now to identify her.

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Speaker 7: She entered the.

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Speaker 5: School through a side entrance and traversed her way from

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Speaker 5: the first floor to the second floor, firing multiple shots.

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Speaker 5: We now know that there are three students who were

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Speaker 5: fatally wounded, as well as three adults inside the school.

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Speaker 5: We are working to identify those victims, including the shooter.

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Speaker 5: A total of seven persons were killed as a result

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Speaker 5: of this morning's incident at the school. By ten twenty seven,

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Speaker 5: the shooter was deceased. The officers had engaged the shooter

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Speaker 5: by ten seven, and she was deceased again. I said,

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Speaker 5: the first call came in at ten thirteen this morning.

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Speaker 5: I'll take just a couple of questions before we go back.

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Speaker 8: Clear.

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Speaker 9: So the seven dead, and then.

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Speaker 6: Nature of injuries.

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Speaker 10: How many injured do you know.

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Speaker 6: You ever been treated still or injuries?

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Speaker 8: I know the first responders weren't.

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Speaker 5: An officer had a wound from cut glass. That is

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Speaker 5: the only other injury that I'm aware of.

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Speaker 11: Do we know if the injuries the students are in

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Speaker 11: critical or in the commission.

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Speaker 5: The three students are deceased, the three students who were

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Speaker 5: shot are deceased, three staff members who were shot are deceased.

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Speaker 6: That's a total of six victims.

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Speaker 5: And then you have the shooter who was engaged by

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Speaker 5: two of our police officers, part of the five member team,

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Speaker 5: and she is deceased.

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Speaker 7: For a total of seven individuals.

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Speaker 2: Man man man man. So they spoke to him in

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Speaker 2: regards to what was happening in real time. This was

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Speaker 2: a compound under this shoot. This is extremely heavy though,

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Speaker 2: as you hear him speaking again, I do want to

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Speaker 2: applaud the fifteen minute on the around fifteen minute timeframe

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Speaker 2: for them to get the call to be there and

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Speaker 2: be ready to go in and get that took care of.

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Speaker 2: I think there is something to be said about that.

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Speaker 2: And so when you look deeper into what's being said

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Speaker 2: out there, you have the left kind of speaking about

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Speaker 2: that this individual, this cowward, had a conversation or argument

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Speaker 2: with a doctor, so he came there. She came there

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Speaker 2: to target that doctor's child. And for me, that's just

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Speaker 2: so unfortunate that your brain is wired that way. I

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Speaker 2: don't believe these people to be like violent, even though

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Speaker 2: they do some horrific things like school shootings.

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Speaker 1: I believe these people to be soft. I believe these

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Speaker 1: people to be cowards.

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Speaker 2: I don't think they about what they you know, how

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Speaker 2: it comes out, or the damage that they do.

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Speaker 1: I don't think they willing to stand behind none of that.

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Speaker 2: Most times, and I heard shots speak about this and

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Speaker 2: it made me look into it.

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Speaker 1: Most times, when.

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Speaker 2: People engage these individuals, they self transition. They ain't willing

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Speaker 2: to stand on the principle, They ain't willing to stand

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Speaker 2: on nothing they like it. So it's a rebel without

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Speaker 2: a cause. And so you see them as soon as

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Speaker 2: they are engaged. It's just over the universe. Don't protect

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Speaker 2: things like that. Now, when you hear the statements that

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Speaker 2: was made in that clip, you also pay attention that.

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Speaker 1: We don't necessarily hear anyone claiming this.

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Speaker 2: We don't necessarily hear anyone saying, hey, you're classifying her

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Speaker 2: as a woman and she and she's a man because

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Speaker 2: you know it was the transgender process. I know this

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Speaker 2: ain't the time for that argument, but I just want

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Speaker 2: to point that out because there is a conversation to

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Speaker 2: be had about responsibility and where to place it, like

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Speaker 2: who was responsible for this?

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Speaker 1: So with three adults three.

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Speaker 2: Kids, you start to focus on like the characteristics of

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Speaker 2: the individuals that's doing it, the ideology the people that's

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Speaker 2: doing it again, and that's why it's important for us

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Speaker 2: to know from what you came or what you believe in,

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Speaker 2: or who what you represent, because it's like we need

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Speaker 2: to kind of track back to thinking behind some of

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Speaker 2: these horrific things. And that don't go for any specific group,

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Speaker 2: that's for everybody. When you do something that's horrific as this,

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Speaker 2: we need to figure out where you got this motivation from?

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Speaker 1: What was this?

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Speaker 2: And a lot of times it feels like we don't

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Speaker 2: get the opportunity to do that. Let's take a look

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Speaker 2: at some of the video of them approaching this individual,

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Speaker 2: as this individual has caused terror and did the unthinkable

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Speaker 2: to innocent children, Like I cannot understand how your brain

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Speaker 2: can be wide in a way that you can hurt children.

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Speaker 2: They're helpless, they're harmless. They ain't even figured out how

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Speaker 2: to be anything but children. And you got the audacity

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Speaker 2: to shoot through the window and climb through the door

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Speaker 2: and come in.

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Speaker 1: And shoot child. Man.

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Speaker 2: I wish I could have been somewhere around. And I

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Speaker 2: know people say that and they and I know a

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Speaker 2: lot of people might say that, and you think it. Man,

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Speaker 2: I wish someone could have been around to say the

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Speaker 2: lives of them children, man, because I think about it

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Speaker 2: and it just makes me, It just makes my heart hurt.

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Speaker 2: And I got my two little boys, they was with me.

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Speaker 2: I just hugged them tight, one of my little one,

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Speaker 2: my youngest son. I'm like, man, a school shooting just happened. Man,

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Speaker 2: you know, I gotta talk to y'all about you know,

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Speaker 2: what to do and and hide and certain things when

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Speaker 2: these things happen. If it ever happens, God forbid that

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Speaker 2: it happens. My youngest son looked back at me and

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Speaker 2: he said, Daddy, they did it for nothing, Because he

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Speaker 2: was trying to say, like, we don't gonna we ain't

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Speaker 2: gonna do nothing for our school to be done like

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Speaker 2: it he couldn't understand, like, Nah, you don't got to

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Speaker 2: do nothing, Like I had to tell him now, No, son,

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Speaker 2: that that sometimes they coming.

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Speaker 1: It ain't got nothing to.

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Speaker 2: Do with you. You know, some of these things happening.

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Speaker 2: It's that unexplainable, and I hate that we gotta have

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Speaker 2: these conversations.

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Speaker 1: But I would hate for.

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Speaker 2: A situation to pop off and you have no information

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Speaker 2: on it. So for those of you listening, I'll try

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Speaker 2: to keep y'all abreast. What we're looking at is the

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Speaker 2: police showing up at the school while the shooting is happening.

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Speaker 1: You see no hesitation. These guys coming to kill something.

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Speaker 12: Okay, he just cocked his guard.

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Speaker 2: For those of you listening, keep y' all up today, he.

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Speaker 8: Jimmy, jimmy three.

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Speaker 7: Let's three.

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Speaker 1: So they just handing them a key card. Here they go, here, we.

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Speaker 11: Go down there, and then upstairs for a county text.

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Speaker 2: What you're listening to is I guess the director of

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Speaker 2: someone at the at the school trying to tell the police,

259
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Speaker 2: this is what you need to do, this is where

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Speaker 2: they are. Here we go, not your police. Then you

261
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Speaker 2: gotta think, man, let me pause it really quick. You

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Speaker 2: gotta think with the fire alarm going off with all

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Speaker 2: these things happening and make it harder. You don't know

264
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Speaker 2: when he's shooting. You gotta be trained to deal with this.

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Speaker 2: These boys didn't flinch. Pay attention. I mean, I mean,

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Speaker 2: look like he got scared a little bit. He had

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Speaker 2: to push him.

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Speaker 10: That's your guys.

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Speaker 11: Who's up?

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Speaker 3: Man?

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Speaker 1: Could you imagine though? For real?

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Speaker 2: Now, Ak Shelby, could you imagine because in your brain,

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Speaker 2: the first thing you think is, Oh, I'm dealing with

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Speaker 2: somebody that's willing to die. I gotta come save the children.

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Speaker 2: That ain't my children, But I gotta come. These dudes

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Speaker 2: are humans, These police officers humans. That's why in Texas

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Speaker 2: you see them say, well, hold up, I got kids.

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Speaker 2: My kids ain't in there, man. The folks might be

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Speaker 2: willing to kill something. I just want to pull people

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Speaker 2: over and give tickets.

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Speaker 11: Nah.

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Speaker 2: I just want to pull up eight or nine deep

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Speaker 2: against one dude, drunk man and beat up on him.

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Speaker 1: And I don't want to be in no gunfight.

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Speaker 2: All let training, I've been through bulletproof vests, I all

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Speaker 2: let advantage I got.

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Speaker 1: I don't want to do that.

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Speaker 2: See down in you Von Di Texas. Them police officers

289
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Speaker 2: flight kick there and not fight. I can only imagine

290
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Speaker 2: the kind of nuts you gotta gotta kick in. You

291
00:15:07,640 --> 00:15:10,080
Speaker 2: got to be just one of them men. You just

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Speaker 2: gotta be Oh he did what to some man? Hey,

293
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Speaker 2: let's go, and you just got to go. Go, Let's go,

294
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Speaker 2: you got to go. Sometimes you'll see guys shy a weighing.

295
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Speaker 2: I'm gonna be the way. I'm gonna look out right here.

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Speaker 2: You know, I'm gonna stay out. That's why I'm saying.

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Speaker 2: I want to interview.

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Speaker 4: You know.

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Speaker 2: I'm gonna ask my people, my business partners, to help

300
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Speaker 2: me reach out to the police officer whose body care

301
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Speaker 2: footages is. I want to have a round table with

302
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Speaker 2: him and a couple of people that was involved with this.

303
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Speaker 2: I really want to have a conversation and applaud them, dudes,

304
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Speaker 2: because man, this is not a small task.

305
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Speaker 1: This is not a small feat. Pay attention.

306
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Speaker 8: Shut door doors with me with me, fast over, I

307
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Speaker 8: got it, I got it, Let's go.

308
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Speaker 11: It's right.

309
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Speaker 8: Hover a lot, hover lot.

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Speaker 1: Cut that down a little bit.

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Speaker 2: But what we're looking at again, ladies and gentlemen, it's

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Speaker 2: police officer ricks engle Bert. Doors are locked. They're looking

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Speaker 2: to engage. I don't know how they know what a

314
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Speaker 2: person is. I don't hear any shots, but I believe

315
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Speaker 2: shots of being fired. Let's see, I'm gonna cut it

316
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Speaker 2: over a listener. Yeah, shots of being fired. So he's

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Speaker 2: running the weather shot. They're running to the fire. I

318
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Speaker 2: want people to understand that running to the gun shots.

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Speaker 1: All right. So now this is where it gets crazy.

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Speaker 2: They have now found what it's coward is that has

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Speaker 2: been responsible for the death of I believe three adults

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Speaker 2: and two kids. Three adults and three kids. This individual

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Speaker 2: has winning in school and starts shooting. Your instinct kicks in,

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Speaker 2: because you're still a human being. Your instinct kicks in

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Speaker 2: and say, oh, this person here ready to die. This

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Speaker 2: ain't nobody planning. This individual right here, ready to go

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Speaker 2: as far as need to be going to get this

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Speaker 2: took care. This is what you're gonna think in your brain.

329
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Speaker 2: So as a police officer, they running to the gunshots.

330
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Speaker 2: They don't got no choice. This day job right here.

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Speaker 2: Picture somebody'll saving your kids life. I know a lot

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Speaker 2: of people that won't even do that for their own children.

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Speaker 2: Run towards some gunshots. A lot of y'all won't do

334
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Speaker 2: that for y'all own children. Let's keep it a buck.

335
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Speaker 2: Let's pay attention to what they are now by engaged

336
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Speaker 2: this individual. If this don't look like call of duty,

337
00:18:13,359 --> 00:18:16,320
Speaker 2: I don't know what he is. But listen to the gunshots.

338
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Speaker 2: Listen to how loud it is we coming to that.

339
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Speaker 2: No mad on, no shield, We finel were coming football.

340
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Speaker 1: What's what's he gunned them down? Yeah?

341
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Speaker 2: Come on, put some more in it. You're gonna shot

342
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Speaker 2: some kids. Push the more in it, I hope. So

343
00:19:04,840 --> 00:19:07,360
Speaker 2: this is another officer. So what we're looking at now

344
00:19:07,600 --> 00:19:10,040
Speaker 2: is a different officer. I'm gonna try to fast forward

345
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Speaker 2: to the part where they kind of engage and see

346
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Speaker 2: which officer this is again running towards the gun shot.

347
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Speaker 1: Push it up, push it.

348
00:19:18,800 --> 00:19:22,120
Speaker 2: But again, if you always understand something, these people never

349
00:19:22,440 --> 00:19:26,479
Speaker 2: engage the guys with the guns. It's always like they

350
00:19:26,600 --> 00:19:29,440
Speaker 2: willing to fight everybody, but the guys with the guns.

351
00:19:29,480 --> 00:19:32,920
Speaker 2: They are harmed the children. That's what be getting my man, man,

352
00:19:33,040 --> 00:19:36,120
Speaker 2: My heart be hurting about that. Man, Like you'll see

353
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Speaker 2: me do everything in my work, in my in my

354
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Speaker 2: power to squash something.

355
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Speaker 1: Man.

356
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Speaker 2: I know I'm gonna smush you, man, And I know

357
00:19:42,600 --> 00:19:45,040
Speaker 2: what the family gonna feel like because my family done

358
00:19:45,119 --> 00:19:48,480
Speaker 2: felt this shit be starting wars and violence, and it

359
00:19:48,640 --> 00:19:50,760
Speaker 2: be all kind of shit happening. I don't be trying

360
00:19:50,800 --> 00:19:54,480
Speaker 2: to be involved in all unless it's completely necessary or

361
00:19:54,560 --> 00:19:58,320
Speaker 2: somebody violated the paper, you know what I'm saying, So

362
00:19:58,440 --> 00:20:00,800
Speaker 2: I try to stay away from it. Bro Up these

363
00:20:01,000 --> 00:20:04,280
Speaker 2: people right here, a job call for them there any moment,

364
00:20:04,359 --> 00:20:07,560
Speaker 2: gotta go defend the school. Now, how do you run schools?

365
00:20:08,440 --> 00:20:10,800
Speaker 2: Do schools need to be defended in a way where

366
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Speaker 2: these kind of individuals need to already be there waiting

367
00:20:13,680 --> 00:20:19,240
Speaker 2: on that? But again, I'm telling you, everybody talking, everybody

368
00:20:19,359 --> 00:20:24,720
Speaker 2: looking hardcore, tattoos on their face and gang signs in

369
00:20:24,800 --> 00:20:28,360
Speaker 2: their video, but running to them bullets is a different vibration.

370
00:20:28,520 --> 00:20:42,800
Speaker 1: Pay attention, right' Oh yeah, what's what?

371
00:20:43,040 --> 00:20:43,359
Speaker 10: What's what?

372
00:20:45,359 --> 00:20:45,680
Speaker 8: You've seen?

373
00:20:45,760 --> 00:20:46,720
Speaker 1: That body? Jump?

374
00:20:46,840 --> 00:20:50,080
Speaker 2: Man, that's a lot to deal with. So trigger warning

375
00:20:50,240 --> 00:20:52,600
Speaker 2: on that. And so now the new question is how

376
00:20:52,640 --> 00:20:53,720
Speaker 2: do you run the schools?

377
00:20:54,960 --> 00:20:55,000
Speaker 3: Like?

378
00:20:55,160 --> 00:20:57,679
Speaker 2: Do you gotta run the school like prison? Do your

379
00:20:57,720 --> 00:21:00,679
Speaker 2: school need to be ran like a prison yard? Because

380
00:21:00,720 --> 00:21:04,040
Speaker 2: it's starting to feel like, like I'm telling you, at

381
00:21:04,080 --> 00:21:06,840
Speaker 2: some point, man, it's gonna be to the point if

382
00:21:06,840 --> 00:21:09,240
Speaker 2: they don't figure out it's gonna be to the point

383
00:21:09,280 --> 00:21:13,679
Speaker 2: where the rich and the wealthy are gonna send their

384
00:21:13,800 --> 00:21:16,159
Speaker 2: kids to school with a security guard. It's gonna be

385
00:21:16,320 --> 00:21:19,320
Speaker 2: like a You're gonna see security at school with children.

386
00:21:20,240 --> 00:21:22,920
Speaker 2: You gonna see them there, and then what happens when

387
00:21:22,960 --> 00:21:25,280
Speaker 2: somebody let a child die because they wasn't paid to

388
00:21:25,440 --> 00:21:26,480
Speaker 2: defend their children.

389
00:21:26,560 --> 00:21:29,640
Speaker 1: They was just the paid to defend these children.

390
00:21:30,480 --> 00:21:33,520
Speaker 2: Right, It's like wow, But I think it's gonna create

391
00:21:33,560 --> 00:21:37,600
Speaker 2: a different problem even if you know whatever whatever action

392
00:21:37,800 --> 00:21:40,600
Speaker 2: that they brain man, because these are psycho people. These

393
00:21:40,600 --> 00:21:42,879
Speaker 2: are people that's doing it. I just don't understand how

394
00:21:42,960 --> 00:21:45,760
Speaker 2: my mind can't wrap around it. What do you do

395
00:21:45,920 --> 00:21:48,560
Speaker 2: at schools? You get a metal detector that don't stop them.

396
00:21:48,640 --> 00:21:51,359
Speaker 2: You lock the door, Like I went to my son's school.

397
00:21:52,160 --> 00:21:54,960
Speaker 2: I gotta show my ID through a little ring doorbell

398
00:21:55,119 --> 00:21:57,840
Speaker 2: thingfo they open the door. But you see people that

399
00:21:58,400 --> 00:22:00,920
Speaker 2: this shit only fix the pair parents and stuff. It's

400
00:22:00,960 --> 00:22:03,280
Speaker 2: not gonna affect the people that come with that in mind.

401
00:22:03,800 --> 00:22:05,960
Speaker 2: They gonna shoot the door step through it, just like

402
00:22:06,080 --> 00:22:11,119
Speaker 2: that individual done. It was interesting because this individual reached

403
00:22:11,119 --> 00:22:12,119
Speaker 2: out to a girl I.

404
00:22:12,240 --> 00:22:14,040
Speaker 1: Know named Avianna, and I see it.

405
00:22:14,160 --> 00:22:16,600
Speaker 2: She does a lot of radio, and she does big

406
00:22:16,720 --> 00:22:19,840
Speaker 2: things like around around the town, like as far as

407
00:22:20,000 --> 00:22:25,960
Speaker 2: media and broadcast, and she's like a radio you know individual,

408
00:22:26,119 --> 00:22:29,960
Speaker 2: and this this person who shot the school love and

409
00:22:30,080 --> 00:22:32,280
Speaker 2: I say this on purpose. I try not to say

410
00:22:32,320 --> 00:22:37,200
Speaker 2: the names of these individuals to get them any any validity,

411
00:22:37,840 --> 00:22:40,879
Speaker 2: you know, in the in the space or in the universe.

412
00:22:41,800 --> 00:22:44,280
Speaker 2: But reached out to Avianna and just kind of said, hey, man,

413
00:22:44,320 --> 00:22:47,000
Speaker 2: it's my last day living and it's gonna be the

414
00:22:47,119 --> 00:22:49,119
Speaker 2: last time you hear from me, and I just gotta

415
00:22:49,240 --> 00:22:51,840
Speaker 2: die and I'm willing to die. And then avian reached

416
00:22:51,840 --> 00:22:55,199
Speaker 2: out to the suicide hotline, like I'm gonna reach out

417
00:22:55,240 --> 00:22:57,679
Speaker 2: to her and see about having a conversation with her

418
00:22:58,600 --> 00:23:01,920
Speaker 2: whenever she calmed down. I'm sure she's probably affected from it,

419
00:23:02,680 --> 00:23:05,439
Speaker 2: because that's a lot to deal with, man, all Right,

420
00:23:05,520 --> 00:23:08,040
Speaker 2: So what we're looking at here is the dirt bag,

421
00:23:09,480 --> 00:23:11,280
Speaker 2: the dirt bag that went up there. As you see,

422
00:23:11,320 --> 00:23:15,800
Speaker 2: they're gonna shoot through the window. For those of you listening,

423
00:23:15,880 --> 00:23:18,119
Speaker 2: this is the video of the individual going into the

424
00:23:18,160 --> 00:23:20,080
Speaker 2: school shoot right through the school window.

425
00:23:38,320 --> 00:23:41,640
Speaker 1: And the motherfucker got vests on, and I all kind

426
00:23:41,640 --> 00:23:42,359
Speaker 1: of got a little hat.

427
00:23:42,440 --> 00:23:44,480
Speaker 2: I don't like it's a video game, like it be

428
00:23:44,640 --> 00:23:48,840
Speaker 2: weird those man be Look Kyles ain't got a big rifle?

429
00:24:12,160 --> 00:24:17,200
Speaker 2: Is like, this person is looking for people to kill

430
00:24:17,840 --> 00:24:33,920
Speaker 2: and for what? And so as we struggle in America,

431
00:24:34,040 --> 00:24:38,280
Speaker 2: we're trying to find balance. We're trying to find resolve

432
00:24:39,119 --> 00:24:42,679
Speaker 2: with such a complex issue because we can't attack guns

433
00:24:42,760 --> 00:24:46,600
Speaker 2: and the gun laws because really the gun laws only

434
00:24:46,680 --> 00:24:50,359
Speaker 2: abide by the citizens, it does not abide to the

435
00:24:50,440 --> 00:24:53,639
Speaker 2: criminal someone like that. The question becomes, how do you

436
00:24:53,760 --> 00:24:56,720
Speaker 2: stop that individual from getting that gun to be able

437
00:24:56,760 --> 00:24:59,920
Speaker 2: to do that amount of damage Because we understand it

438
00:25:00,160 --> 00:25:02,680
Speaker 2: taking account that people are gonna snap, so they're gonna

439
00:25:02,680 --> 00:25:07,520
Speaker 2: be these instances where people had these outbursting, these infractions

440
00:25:07,760 --> 00:25:10,280
Speaker 2: in the universe where they try to harm people and

441
00:25:10,359 --> 00:25:12,840
Speaker 2: go on these ramp pages. What you hope is that

442
00:25:12,960 --> 00:25:14,960
Speaker 2: they have to do it with a fork or a

443
00:25:15,080 --> 00:25:20,000
Speaker 2: knife or somewhere that limits their ability. The argument is, hey,

444
00:25:20,040 --> 00:25:21,879
Speaker 2: when you can get an AAR fifteen and you go

445
00:25:22,000 --> 00:25:24,920
Speaker 2: into that snap mind state, you can harm one hundred

446
00:25:24,960 --> 00:25:26,480
Speaker 2: people within minutes.

447
00:25:26,800 --> 00:25:28,080
Speaker 1: Before you are even reached.

448
00:25:28,119 --> 00:25:32,440
Speaker 2: When any pushback because I always watch you, right and

449
00:25:32,560 --> 00:25:34,760
Speaker 2: how you do when you get a little pushback, because

450
00:25:34,840 --> 00:25:37,320
Speaker 2: y'all do good when y'all doing all the pushing.

451
00:25:38,400 --> 00:25:40,720
Speaker 1: Y'all don't do good when your mouth bleeding. And the

452
00:25:40,800 --> 00:25:42,280
Speaker 1: fight just in the first round.

453
00:25:43,119 --> 00:25:49,040
Speaker 2: Y'all ain't warriors like that, right, And these individuals in

454
00:25:49,160 --> 00:25:52,440
Speaker 2: this situation in Nashville cause for the people of Nasvilla

455
00:25:52,480 --> 00:25:56,920
Speaker 2: the head down to the Tennessee State Capital building and

456
00:25:57,040 --> 00:25:59,520
Speaker 2: do a protest. I wish I knew this was happening.

457
00:25:59,560 --> 00:26:02,200
Speaker 2: I would have went down. They reported on this. Let's

458
00:26:02,280 --> 00:26:02,880
Speaker 2: pay attention.

459
00:26:08,080 --> 00:26:11,680
Speaker 13: It was a storming of the capital on the state level.

460
00:26:12,240 --> 00:26:12,760
Speaker 11: That's a lot of.

461
00:26:12,760 --> 00:26:14,960
Speaker 5: People for forty five minutes before a short.

462
00:26:14,800 --> 00:26:18,280
Speaker 13: Time, hundreds of parents and students marched all the way

463
00:26:18,359 --> 00:26:21,720
Speaker 13: to the Tennessee Capital in Nashville, just days after a

464
00:26:21,800 --> 00:26:25,840
Speaker 13: shooter killed six people, including three nine year old kids,

465
00:26:26,160 --> 00:26:30,280
Speaker 13: at a nearby private Christian school. They demanded lawmakers take

466
00:26:30,359 --> 00:26:33,680
Speaker 13: action to prevent another tragedy like this from happening again.

467
00:26:36,880 --> 00:26:39,760
Speaker 13: They shouted out lawmakers who were going about their business

468
00:26:39,840 --> 00:26:43,200
Speaker 13: in the building. Some even stopped to encourage the protesters.

469
00:26:44,920 --> 00:26:47,159
Speaker 14: The boy of the people.

470
00:26:51,080 --> 00:26:55,720
Speaker 13: So little has been done following past school shootings to

471
00:26:55,800 --> 00:26:58,959
Speaker 13: prevent the next one. Now that another community has been

472
00:26:59,000 --> 00:27:02,880
Speaker 13: affected by gun is. Many people are hoping politicians will

473
00:27:02,920 --> 00:27:03,440
Speaker 13: take action.

474
00:27:03,840 --> 00:27:06,639
Speaker 2: Yeah, man, we just send our prayers and condolencence to

475
00:27:06,720 --> 00:27:11,320
Speaker 2: those families affected by that, and hopefully the universe corrects

476
00:27:11,359 --> 00:27:14,959
Speaker 2: itself and does something about the energy that's out there.

477
00:27:15,040 --> 00:27:18,679
Speaker 2: The evil energy it's out there that goes and harms

478
00:27:18,760 --> 00:27:22,320
Speaker 2: innocent children. That is just go harm some adults. It's

479
00:27:22,400 --> 00:27:25,000
Speaker 2: printing neighborhoods. If you want a gun battle, there's plenty

480
00:27:25,080 --> 00:27:27,720
Speaker 2: places you can go. Yeah, nah, pull up in the

481
00:27:27,800 --> 00:27:30,520
Speaker 2: prozet and just go to shooting. Somebody pop out.

482
00:27:31,560 --> 00:27:32,040
Speaker 1: You feel me?

483
00:27:32,040 --> 00:27:34,320
Speaker 2: If you just want a gunfighter, you say, man, I

484
00:27:34,440 --> 00:27:37,080
Speaker 2: want to die. You can go out a couple different ways. Now,

485
00:27:37,160 --> 00:27:38,879
Speaker 2: you don't got to pick the school where you know

486
00:27:39,760 --> 00:27:42,720
Speaker 2: less resistance. These people in here. Just picture that these

487
00:27:42,840 --> 00:27:44,840
Speaker 2: kids in here want to go eat lunch and thinking

488
00:27:44,920 --> 00:27:49,600
Speaker 2: about trying to trick the teacher into watching the movie today,

489
00:27:49,800 --> 00:27:51,840
Speaker 2: or get on the computer a little more, or go

490
00:27:52,000 --> 00:27:55,760
Speaker 2: to pe and here you come in with some shooting. Man,

491
00:27:55,840 --> 00:28:00,680
Speaker 2: why you don't go die somewhere else? All the places

492
00:28:00,760 --> 00:28:03,320
Speaker 2: you can pick in America, Why don't you just come

493
00:28:03,400 --> 00:28:07,440
Speaker 2: to the trap. There's plenty of traps. Go to the

494
00:28:07,560 --> 00:28:10,439
Speaker 2: rich neighborhoods and go to shooting. Just pull up out there.

495
00:28:10,520 --> 00:28:14,080
Speaker 2: What's some rich folks say and see it on some

496
00:28:14,200 --> 00:28:16,800
Speaker 2: bodyguards or some police or something. You're gonna get med.

497
00:28:16,920 --> 00:28:21,440
Speaker 2: Go to the police station. If you really built like that,

498
00:28:21,640 --> 00:28:24,280
Speaker 2: show up at the police station with the bulls. But

499
00:28:24,440 --> 00:28:28,440
Speaker 2: they ain't cut like that. They trying to get clout

500
00:28:28,560 --> 00:28:31,640
Speaker 2: chasing they I don't know, man, it's a weird energy

501
00:28:31,680 --> 00:28:35,560
Speaker 2: out tell. So again I get a universe my prayers.

502
00:28:37,320 --> 00:28:40,280
Speaker 2: Let's speak on this. DJ academics spoke on J Cole

503
00:28:40,440 --> 00:28:45,640
Speaker 2: not dealing with hip hop rap platforms, and again I

504
00:28:45,720 --> 00:28:48,680
Speaker 2: have my issues with academics, but when he's right, he's right.

505
00:28:48,880 --> 00:28:51,280
Speaker 2: Joe Budden the same. The market is the market. We

506
00:28:51,800 --> 00:28:54,440
Speaker 2: view the market, That's what the market is. They all

507
00:28:54,520 --> 00:28:57,760
Speaker 2: know I'm big dog in the space. Pay attention. But

508
00:28:58,000 --> 00:29:00,160
Speaker 2: academics spoke on this, and I don't find them to

509
00:29:00,200 --> 00:29:02,080
Speaker 2: be wrong. And we want to add to the conversation.

510
00:29:02,200 --> 00:29:04,320
Speaker 2: Let's pay attention to watch the video or what accent

511
00:29:05,640 --> 00:29:06,360
Speaker 2: interview he did.

512
00:29:07,920 --> 00:29:11,680
Speaker 15: J cole interview wasn't with any outlet that I knew of,

513
00:29:12,360 --> 00:29:14,200
Speaker 15: but I guess he did an interview with H what

514
00:29:14,360 --> 00:29:14,520
Speaker 15: is this.

515
00:29:14,680 --> 00:29:15,760
Speaker 1: Oh that's Bob Myers.

516
00:29:17,120 --> 00:29:18,360
Speaker 8: Believe it, you know what I mean?

517
00:29:18,440 --> 00:29:22,000
Speaker 15: Like, hey, let me just say this. Man, ain't nobody

518
00:29:22,080 --> 00:29:24,120
Speaker 15: gonna say, but I'm gonna say it. If J Cole

519
00:29:24,160 --> 00:29:25,840
Speaker 15: and the rest of you, y'all big rappers, no one

520
00:29:25,880 --> 00:29:28,000
Speaker 15: of y'all get shitted on by the hip hop outlests.

521
00:29:28,040 --> 00:29:30,000
Speaker 6: Man, y'all get so big in the game, y'all don't.

522
00:29:30,160 --> 00:29:31,880
Speaker 15: I don't fuck it. By the way, I'm good off

523
00:29:31,920 --> 00:29:33,680
Speaker 15: a J Cole interview. I'm good off for most of

524
00:29:33,680 --> 00:29:36,680
Speaker 15: these big rappers. They use the culture and they use

525
00:29:36,680 --> 00:29:38,280
Speaker 15: all these blocks, not saying you need to Like, I

526
00:29:38,320 --> 00:29:40,320
Speaker 15: don't care if they do an interview with me. But

527
00:29:40,960 --> 00:29:42,720
Speaker 15: I know a lot of journalists in the game, and

528
00:29:42,800 --> 00:29:44,480
Speaker 15: they won't speak up because a lot of them, like

529
00:29:44,680 --> 00:29:46,920
Speaker 15: they really still hope to get an interview. I say,

530
00:29:47,000 --> 00:29:49,480
Speaker 15: fuck all these niggas, like Big Actmated on his own,

531
00:29:49,760 --> 00:29:52,440
Speaker 15: fuck these niggs in an interview. I just look at

532
00:29:52,520 --> 00:29:54,200
Speaker 15: niggas like J Cole when I see you doing some

533
00:29:54,240 --> 00:29:56,160
Speaker 15: shit on ESPN. But you won't do an interview with

534
00:29:56,400 --> 00:29:58,400
Speaker 15: a nigga in the culture. You won't hop one million

535
00:29:58,440 --> 00:30:00,000
Speaker 15: dollars worth of game. You won't hop on mother fuck

536
00:30:00,000 --> 00:30:02,120
Speaker 15: fucking drink Chams. She won't be with Joe butten or

537
00:30:02,160 --> 00:30:05,160
Speaker 15: somebody like that. I look at it as some weird shit. Okay,

538
00:30:05,560 --> 00:30:07,680
Speaker 15: you're doing an interview with ESPN when you don't do

539
00:30:07,760 --> 00:30:09,600
Speaker 15: nothing with the culture. I look at I kind of

540
00:30:09,640 --> 00:30:12,040
Speaker 15: look down on you for that. That's kind of weird.

541
00:30:12,160 --> 00:30:13,760
Speaker 15: You get what I mean. Like, I'll give it to

542
00:30:13,840 --> 00:30:16,120
Speaker 15: Nikki sometimes because she still kind of does interact and

543
00:30:16,160 --> 00:30:18,440
Speaker 15: she'll she'll pop on a she'll well, she does her

544
00:30:18,480 --> 00:30:20,600
Speaker 15: own version, which is Queen Radio, and she interacts to

545
00:30:20,600 --> 00:30:22,719
Speaker 15: a lot of people in the culture. But a lot

546
00:30:22,760 --> 00:30:25,640
Speaker 15: of y'all man like y'all are all about the cultural

547
00:30:25,720 --> 00:30:27,680
Speaker 15: type of places until y'all get too big, think y'

548
00:30:27,680 --> 00:30:29,160
Speaker 15: I don't want to do nothing with hip hop culture

549
00:30:29,200 --> 00:30:31,320
Speaker 15: no more. Again, I'm not speaking for myself. I'm speaking

550
00:30:31,360 --> 00:30:32,720
Speaker 15: for the peers who are too pussy to say do

551
00:30:32,760 --> 00:30:35,320
Speaker 15: n to y'all. And Jacob's name came up a lot,

552
00:30:35,880 --> 00:30:37,480
Speaker 15: you know what I mean? They always said, Yo, when

553
00:30:37,520 --> 00:30:39,479
Speaker 15: Jacob was coming up, you would give everybody the interviews.

554
00:30:39,520 --> 00:30:40,400
Speaker 15: You'd be like, you would love to.

555
00:30:40,440 --> 00:30:42,520
Speaker 1: Be like, Yo, what up? Nowadays?

556
00:30:42,560 --> 00:30:44,360
Speaker 15: The only way could catch this motherfucker doing the interviews

557
00:30:44,400 --> 00:30:48,719
Speaker 15: on ESPN ESPN Good Morning America, bro, Come the fuck on, man,

558
00:30:49,200 --> 00:30:51,960
Speaker 15: you gotta look like I look down on artists that

559
00:30:52,080 --> 00:30:54,239
Speaker 15: do that, and this is why I'll be looking at

560
00:30:54,480 --> 00:30:57,000
Speaker 15: these outlets when they dick sucking these niggas like why

561
00:30:57,240 --> 00:30:59,760
Speaker 15: Like these niggas don't be caring about y'all. The most

562
00:30:59,840 --> 00:31:01,680
Speaker 15: they do is when you dick sucking them. When they're

563
00:31:01,720 --> 00:31:04,240
Speaker 15: dropping you album, they'll DM you like, oh good looks

564
00:31:04,280 --> 00:31:06,640
Speaker 15: on that review. They won't come to your platform. They're

565
00:31:06,680 --> 00:31:08,720
Speaker 15: not helping you no more. You help them get to

566
00:31:08,800 --> 00:31:10,280
Speaker 15: another level, and when they get to that level, they

567
00:31:10,320 --> 00:31:12,520
Speaker 15: don't give a fuck about you, So you know what

568
00:31:12,560 --> 00:31:14,120
Speaker 15: I mean again.

569
00:31:14,240 --> 00:31:16,320
Speaker 2: All right, there's a lot of conversation to be had

570
00:31:16,400 --> 00:31:19,280
Speaker 2: around this topic. I think again AC made a good

571
00:31:19,360 --> 00:31:22,760
Speaker 2: point there. I believe that there is a situation where

572
00:31:24,600 --> 00:31:28,040
Speaker 2: rapper star to remove themselves from some of these platforms.

573
00:31:28,840 --> 00:31:33,160
Speaker 2: I do think that at some points. I won't call

574
00:31:33,280 --> 00:31:37,960
Speaker 2: it used though, because you are getting monetary value in

575
00:31:38,080 --> 00:31:42,520
Speaker 2: the same time as they are growing. No, hold on,

576
00:31:42,680 --> 00:31:49,560
Speaker 2: let's put that way more robust. Now, I would think

577
00:31:49,680 --> 00:31:54,280
Speaker 2: categorizzing is now, I would think categorizing is being used

578
00:31:55,160 --> 00:31:58,400
Speaker 2: or j Cole or people like Cole using someone to

579
00:31:58,480 --> 00:32:00,800
Speaker 2: get to a level and then not make them no more.

580
00:32:00,840 --> 00:32:03,280
Speaker 2: I think that is a reach in regards to how

581
00:32:03,360 --> 00:32:06,040
Speaker 2: it's being phrased. I think what's happening is is there's

582
00:32:06,120 --> 00:32:11,840
Speaker 2: a marriage, right, there's a collaborative effort in pushing the

583
00:32:12,040 --> 00:32:15,480
Speaker 2: artists or pushing the bread and both parties are winning

584
00:32:15,560 --> 00:32:18,240
Speaker 2: at that time because not only is J Cole J Cole,

585
00:32:18,320 --> 00:32:20,880
Speaker 2: you become one of the people that's known that had

586
00:32:20,920 --> 00:32:23,800
Speaker 2: one of J. Cole legendary interviews. And I think that's

587
00:32:23,840 --> 00:32:27,040
Speaker 2: what people are falling off at out side of the culture.

588
00:32:27,200 --> 00:32:30,640
Speaker 2: Before me, it's been a long time since people has

589
00:32:30,760 --> 00:32:34,640
Speaker 2: been excited about seeing people have interviews together, like, man,

590
00:32:34,640 --> 00:32:36,440
Speaker 2: I want to see you in such and such sitdown.

591
00:32:36,440 --> 00:32:39,080
Speaker 2: It's been a long Breakfast Club done it right. They

592
00:32:39,520 --> 00:32:42,440
Speaker 2: solidified themselves. Joe and them done it right. It's certain

593
00:32:42,480 --> 00:32:44,680
Speaker 2: people done it, but I'm saying it's been a long

594
00:32:44,800 --> 00:32:47,280
Speaker 2: time since it's really been like, Hey, yo, when them

595
00:32:47,320 --> 00:32:50,000
Speaker 2: two sit down, it's gonna be some game. It's gonna

596
00:32:50,000 --> 00:32:52,560
Speaker 2: be some shit. They gonna be talking this shit, not

597
00:32:52,800 --> 00:32:56,040
Speaker 2: just some entertainment. It's gonna be some game. It's been

598
00:32:56,080 --> 00:32:59,880
Speaker 2: a very long time for that. Some of them dame

599
00:33:00,120 --> 00:33:02,320
Speaker 2: dash moments and some of them moments on some of

600
00:33:02,360 --> 00:33:05,400
Speaker 2: the even Nick Kennon has some good moments on his part,

601
00:33:05,520 --> 00:33:08,959
Speaker 2: and just those conversations living in the market, it's been

602
00:33:09,000 --> 00:33:11,720
Speaker 2: a long time since people are being excited before me,

603
00:33:12,400 --> 00:33:16,120
Speaker 2: these people don't add anything, right, So as these artists

604
00:33:16,200 --> 00:33:18,560
Speaker 2: grow like a drake, what I'm gonna talk to academics

605
00:33:18,560 --> 00:33:23,200
Speaker 2: about the drama and the beef na, I want to

606
00:33:23,280 --> 00:33:25,280
Speaker 2: talk about the bed and I want to talk about

607
00:33:25,320 --> 00:33:27,680
Speaker 2: some of these other things. I think when these people

608
00:33:27,760 --> 00:33:30,800
Speaker 2: do sit down and speak with these individuals, they also say,

609
00:33:31,440 --> 00:33:33,800
Speaker 2: all right, I've sat with you three times. You keep

610
00:33:33,880 --> 00:33:36,760
Speaker 2: asking me the same questions we get like five minutes

611
00:33:36,760 --> 00:33:39,200
Speaker 2: seeing on my little album, and then you go back

612
00:33:39,240 --> 00:33:41,200
Speaker 2: to the same shit we done talked about three or

613
00:33:41,240 --> 00:33:44,560
Speaker 2: four times. You just add new information that's been brought

614
00:33:44,600 --> 00:33:48,360
Speaker 2: out of it, like y'all not adding anything to the conversation, right.

615
00:33:48,520 --> 00:33:51,920
Speaker 2: I think the interview will cold and the Gentleman on

616
00:33:52,200 --> 00:33:55,400
Speaker 2: ESPN was a good interview. Do I believe he should

617
00:33:55,440 --> 00:33:58,040
Speaker 2: have came to the culture. Hell yeah, I believe that.

618
00:33:59,280 --> 00:34:01,960
Speaker 2: I don't give a who they get from ESPN. I

619
00:34:02,080 --> 00:34:04,480
Speaker 2: don't think they can carry out the conversation in the

620
00:34:04,520 --> 00:34:06,160
Speaker 2: way that they needed to be carried out.

621
00:34:06,480 --> 00:34:09,440
Speaker 1: If we want to speak to us now, that speaks

622
00:34:09,520 --> 00:34:09,839
Speaker 1: to us.

623
00:34:10,000 --> 00:34:12,520
Speaker 2: But they did the best version that you can do

624
00:34:13,160 --> 00:34:17,040
Speaker 2: of a high production, Like even with Drake, you see them,

625
00:34:17,080 --> 00:34:19,480
Speaker 2: they doing the best they can do with that high

626
00:34:19,600 --> 00:34:23,360
Speaker 2: level of production. It's been a long time since you

627
00:34:23,480 --> 00:34:26,399
Speaker 2: insert somebody like me that can come have them conversations.

628
00:34:26,880 --> 00:34:29,399
Speaker 2: Charlemagne don't want to really kick it with dudes. Joe,

629
00:34:29,480 --> 00:34:32,080
Speaker 2: don't go kick it with guys now. Also, I'm taking

630
00:34:32,640 --> 00:34:35,680
Speaker 2: academics at his word, and I'm thinking academics is dealing

631
00:34:35,719 --> 00:34:39,280
Speaker 2: with the results that he's created itself. I think also

632
00:34:39,440 --> 00:34:41,960
Speaker 2: what academics is dealing with that he is having trouble

633
00:34:42,000 --> 00:34:46,000
Speaker 2: getting interviews because he gets drunk and he gets in

634
00:34:46,080 --> 00:34:49,799
Speaker 2: the moment. He does no forecast, and I can tell

635
00:34:49,880 --> 00:34:53,640
Speaker 2: by how he moves right. You disrespect Metro, you can't

636
00:34:53,680 --> 00:34:57,400
Speaker 2: get future. You disrespect baby. They cut you off of

637
00:34:57,480 --> 00:34:58,920
Speaker 2: a lot of people, savaging them.

638
00:34:58,960 --> 00:34:59,480
Speaker 1: Fuck with you.

639
00:34:59,480 --> 00:35:01,759
Speaker 2: I don't know that's something y'all doing, but it's like,

640
00:35:02,560 --> 00:35:06,080
Speaker 2: you disrespect certain people with these words. It's like, oh, man, now,

641
00:35:06,120 --> 00:35:08,279
Speaker 2: who you gonna interview, because don't nobody want to hear

642
00:35:08,320 --> 00:35:11,359
Speaker 2: you talk. I said this months ago that ain't being

643
00:35:11,440 --> 00:35:14,480
Speaker 2: disrespectful to act. I'm telling y'all from a bid in perspective.

644
00:35:14,840 --> 00:35:17,080
Speaker 2: I'm dealing with the product. It's just like you're tasting

645
00:35:17,160 --> 00:35:20,040
Speaker 2: some Doritos and saying these right here too hot. I

646
00:35:20,120 --> 00:35:23,399
Speaker 2: probably won't get these again. But Doritos is a brand

647
00:35:23,440 --> 00:35:26,680
Speaker 2: we know, like they needed you critical of the product.

648
00:35:27,239 --> 00:35:30,080
Speaker 2: I'm talking about the product that these guys are putting out.

649
00:35:31,400 --> 00:35:34,799
Speaker 2: The product of academics is not somebody that people want

650
00:35:34,880 --> 00:35:36,880
Speaker 2: to just hear talk about things I'm talking about. In

651
00:35:37,000 --> 00:35:41,640
Speaker 2: the industry, nobody is wanting to hear that shit. So

652
00:35:41,840 --> 00:35:45,600
Speaker 2: now you donna become disrespectful. You can't get no interviewed.

653
00:35:46,400 --> 00:35:48,520
Speaker 2: So now he's tapping out. See I can do this.

654
00:35:48,800 --> 00:35:53,759
Speaker 2: You see my audience, all five hundred thousand people. It's

655
00:35:53,800 --> 00:35:56,640
Speaker 2: because of Loon Voice what I've been able to say.

656
00:35:56,760 --> 00:36:01,520
Speaker 2: People are interested in our conversation over here. The conversations

657
00:36:01,600 --> 00:36:06,040
Speaker 2: we have over this up there podcast penetrate our community.

658
00:36:06,400 --> 00:36:08,640
Speaker 1: We don't care if it never go out of our community.

659
00:36:08,719 --> 00:36:11,200
Speaker 2: We be kicking it over here, having our little conversation

660
00:36:11,640 --> 00:36:14,040
Speaker 2: going back and forth about who the best, who done this,

661
00:36:14,200 --> 00:36:19,600
Speaker 2: who put it that, what we doing, and it seeps

662
00:36:19,640 --> 00:36:22,440
Speaker 2: out of that and it grows and it ends up

663
00:36:22,560 --> 00:36:23,600
Speaker 2: in the locker rooms.

664
00:36:23,640 --> 00:36:25,799
Speaker 1: It ends up in the barber shops. It ends up

665
00:36:25,840 --> 00:36:27,080
Speaker 1: in the studio sessions.

666
00:36:27,120 --> 00:36:29,359
Speaker 2: It ends up in the Rose Rosses and the may

667
00:36:29,480 --> 00:36:32,480
Speaker 2: Bags and the hell Cats and the SRTs, in the

668
00:36:32,600 --> 00:36:36,120
Speaker 2: Bentley Trust, It ends up in the amgs, It ends

669
00:36:36,160 --> 00:36:39,080
Speaker 2: ups on the private jets, it ends it ends up

670
00:36:39,200 --> 00:36:41,800
Speaker 2: everywhere because people start to say, Yo, we just like

671
00:36:41,920 --> 00:36:44,560
Speaker 2: the conversation. Let's just have a conversation. And I don't

672
00:36:44,560 --> 00:36:46,440
Speaker 2: want people to think I'm hating on exs. So I

673
00:36:46,560 --> 00:36:48,480
Speaker 2: want to play a clip of him speaking on him

674
00:36:48,560 --> 00:36:53,040
Speaker 2: having trouble, because again I'm talking about the business model,

675
00:36:53,120 --> 00:36:54,120
Speaker 2: ladies and gentlemen.

676
00:36:54,480 --> 00:36:56,959
Speaker 1: I've been able to do things in eighteen months.

677
00:36:57,000 --> 00:36:59,960
Speaker 2: It's never been seen two years, It's never been seen

678
00:37:00,280 --> 00:37:03,480
Speaker 2: with the help of a with God and these individuals.

679
00:37:03,560 --> 00:37:05,799
Speaker 2: Shout out the p shout out the little Baby, Shout

680
00:37:05,840 --> 00:37:09,120
Speaker 2: out to Charlemagne, shout out the Revote. All these individuals

681
00:37:09,239 --> 00:37:12,560
Speaker 2: have helped me be Marshall. All these people have helped

682
00:37:12,640 --> 00:37:16,720
Speaker 2: me Maine get in position to what I've been blessed

683
00:37:16,760 --> 00:37:19,600
Speaker 2: to do something that's never been done before, and people

684
00:37:19,680 --> 00:37:23,480
Speaker 2: are interested in the conversation. That's the number one thing

685
00:37:23,560 --> 00:37:26,239
Speaker 2: that these guys lack do. People want to hear what

686
00:37:26,360 --> 00:37:31,239
Speaker 2: you got to say, yes or no? And if it's no,

687
00:37:31,760 --> 00:37:35,200
Speaker 2: keep somebody next to you. If it's yes, like somebody

688
00:37:35,360 --> 00:37:37,719
Speaker 2: like me. Boy, you got a legacy run you can

689
00:37:37,840 --> 00:37:39,759
Speaker 2: go on if you tie your boosh up and do

690
00:37:39,880 --> 00:37:43,360
Speaker 2: this thing right. But let's pay attention to academics and

691
00:37:43,480 --> 00:37:46,320
Speaker 2: him saying that he basically tapping out on the interview

692
00:37:46,400 --> 00:37:50,040
Speaker 2: side of the business, which is so lucrative for somebody

693
00:37:50,120 --> 00:37:50,799
Speaker 2: with his reach.

694
00:37:51,719 --> 00:37:52,520
Speaker 1: Let's pay attention.

695
00:37:53,480 --> 00:37:57,000
Speaker 15: And uh, this is a solo episode of Off the

696
00:37:57,080 --> 00:37:59,680
Speaker 15: Record podcast. You don't really thinking about what I should

697
00:37:59,680 --> 00:38:03,080
Speaker 15: be doing with this podcast recently, just because when I

698
00:38:03,200 --> 00:38:06,960
Speaker 15: first imagined it to be, it was supposed to be

699
00:38:07,719 --> 00:38:12,720
Speaker 15: like a Bilbird Monday Morning, like his Monday Morning podcasts

700
00:38:12,880 --> 00:38:15,400
Speaker 15: and that podcast. He just kind of sits there, he

701
00:38:15,480 --> 00:38:18,000
Speaker 15: talks to himself. He basically just kind of ranso and raised,

702
00:38:18,000 --> 00:38:21,040
Speaker 15: but he gives jokes along the way. I'm a huge

703
00:38:21,080 --> 00:38:23,759
Speaker 15: fan of that type of style of podcasting because I

704
00:38:23,840 --> 00:38:27,080
Speaker 15: built my whole career off never really enjoying sitting down

705
00:38:27,120 --> 00:38:27,399
Speaker 15: with people.

706
00:38:27,440 --> 00:38:28,680
Speaker 1: The only reason why I ever sat down with.

707
00:38:28,680 --> 00:38:33,320
Speaker 15: People at all was basically just because people got tired

708
00:38:33,480 --> 00:38:35,560
Speaker 15: or not want to say people got tired, but people

709
00:38:35,600 --> 00:38:37,400
Speaker 15: want to see me get challenged, right, So you know,

710
00:38:37,840 --> 00:38:39,719
Speaker 15: I could make great points and I could like put

711
00:38:39,760 --> 00:38:43,000
Speaker 15: out the opinions of mine, but if they're never challenged,

712
00:38:43,120 --> 00:38:44,600
Speaker 15: we're basically gonna be an echo chamber.

713
00:38:44,600 --> 00:38:45,640
Speaker 1: It's gonna be in a vacuum.

714
00:38:45,719 --> 00:38:45,839
Speaker 11: Right.

715
00:38:46,200 --> 00:38:49,200
Speaker 15: Also, sometimes people like to see people who they like

716
00:38:49,400 --> 00:38:51,360
Speaker 15: get some pushbacks. So I go on every day struggle

717
00:38:51,960 --> 00:38:55,680
Speaker 15: and later on and subsequently do start doing more and

718
00:38:55,800 --> 00:39:00,440
Speaker 15: more interviews. But when I came to really I was

719
00:39:00,480 --> 00:39:02,680
Speaker 15: gonna do a podcast, I didn't want to be the

720
00:39:02,719 --> 00:39:05,040
Speaker 15: guy who was trying to do a bunch of interviews.

721
00:39:05,640 --> 00:39:11,440
Speaker 15: I also didn't necessarily feel that there was organically a

722
00:39:11,640 --> 00:39:15,040
Speaker 15: great number of creators around me that I could just like,

723
00:39:15,120 --> 00:39:18,239
Speaker 15: you know, just start a podcast with. So I really said, yo,

724
00:39:19,040 --> 00:39:23,440
Speaker 15: do it yourself, and you know, being very honest and transparent.

725
00:39:23,800 --> 00:39:26,960
Speaker 15: And I've been a little bit inconsistent on the podcast recently,

726
00:39:27,480 --> 00:39:30,240
Speaker 15: and a lot of that is because we got into

727
00:39:30,480 --> 00:39:34,560
Speaker 15: a mode of trying to chase and schedule with guests.

728
00:39:34,600 --> 00:39:38,640
Speaker 15: So for example, you guys should have Gottenn episode on Monday,

729
00:39:38,920 --> 00:39:42,440
Speaker 15: but then guests canceled or we shot late, and now

730
00:39:42,480 --> 00:39:42,839
Speaker 15: we need.

731
00:39:42,800 --> 00:39:44,840
Speaker 11: To be edited all that type of stuff.

732
00:39:45,320 --> 00:39:47,840
Speaker 15: And I've just got to realize, Man, it's making me

733
00:39:48,000 --> 00:39:52,600
Speaker 15: feel as frustrated as I once felt when I didn't

734
00:39:52,840 --> 00:39:55,320
Speaker 15: want to do guest based episodes anymore.

735
00:39:56,040 --> 00:39:58,640
Speaker 2: All right, let me bring you guys the information. This

736
00:39:58,719 --> 00:40:03,040
Speaker 2: Spotify deal is old for academics. He probably can't get

737
00:40:03,080 --> 00:40:05,560
Speaker 2: a peanut butter sandwich out of Spotify. At this point,

738
00:40:05,960 --> 00:40:08,960
Speaker 2: they probably going in for renegotiation. They probably saying, look,

739
00:40:09,040 --> 00:40:12,120
Speaker 2: we really not interested. If you won't take an eighty

740
00:40:12,320 --> 00:40:14,879
Speaker 2: seventy percent pay cut, we not doing it. You didn't

741
00:40:14,920 --> 00:40:17,600
Speaker 2: bring what we thought you would bring. We overpriced you,

742
00:40:18,200 --> 00:40:22,440
Speaker 2: we overestimated you wasn't even proving in the market. We

743
00:40:22,560 --> 00:40:25,000
Speaker 2: allowed you to leverage your brand on us, and we

744
00:40:25,160 --> 00:40:27,320
Speaker 2: kind of you put us in a trick bag. Applause

745
00:40:27,880 --> 00:40:30,279
Speaker 2: cause you didn't give us nothing for what we paid you.

746
00:40:30,920 --> 00:40:33,279
Speaker 2: Right now, shout out to ask for getting them some money.

747
00:40:33,320 --> 00:40:36,360
Speaker 2: That way, this game is about hustling. I don't knock nobody,

748
00:40:36,520 --> 00:40:38,439
Speaker 2: but when we take a look at the business let's

749
00:40:38,520 --> 00:40:41,880
Speaker 2: rewind Academics was in one of the best positions in

750
00:40:41,960 --> 00:40:45,640
Speaker 2: regards to podcasters before he aligned itself with Takashi six ' nine.

751
00:40:46,480 --> 00:40:47,880
Speaker 1: I didn't know what that was about.

752
00:40:48,040 --> 00:40:50,080
Speaker 2: I ain't saying he couldn't have interviewed him or whatever,

753
00:40:50,239 --> 00:40:54,080
Speaker 2: but he took a liking to him and kind of said, Hey, whatever,

754
00:40:54,200 --> 00:40:56,520
Speaker 2: you wan our own and I'm taking hits on behalf

755
00:40:56,600 --> 00:40:59,720
Speaker 2: of you for my brand. Now, this alienated his brand

756
00:40:59,760 --> 00:41:04,240
Speaker 2: a little bit, and it slowly took chips, slowly took chips.

757
00:41:04,520 --> 00:41:07,080
Speaker 2: Now he could keep making money like he's making. But

758
00:41:07,800 --> 00:41:09,680
Speaker 2: I knew what he was trying to do at the beginning,

759
00:41:09,920 --> 00:41:11,920
Speaker 2: because you would see him do this thing where he

760
00:41:11,960 --> 00:41:14,440
Speaker 2: would say, don't ask me to post you on my

761
00:41:14,600 --> 00:41:17,000
Speaker 2: page if you don't come and do an interview. So

762
00:41:17,200 --> 00:41:20,600
Speaker 2: at first he was leveraging his platform, and I was like, oh,

763
00:41:20,719 --> 00:41:22,879
Speaker 2: that's a little trick. That's a hell of a little

764
00:41:22,920 --> 00:41:26,280
Speaker 2: tricky doing that. Like, hey, I'm leveraging my Instagram presence

765
00:41:26,640 --> 00:41:30,600
Speaker 2: to build my Spotify exclusive podcast presence to re up

766
00:41:30,680 --> 00:41:33,120
Speaker 2: for the millions. I thought he was doing a hell

767
00:41:33,160 --> 00:41:35,520
Speaker 2: of a thing. Then he tore it down, and I shit,

768
00:41:35,640 --> 00:41:38,600
Speaker 2: damn it, dude, dumb, ain't it? Oh, he didn't really

769
00:41:38,719 --> 00:41:40,880
Speaker 2: know what he was doing. The universe was just in

770
00:41:40,960 --> 00:41:43,640
Speaker 2: his favor. He wasn't even paying attention. But he could

771
00:41:43,680 --> 00:41:47,400
Speaker 2: have built something that took what he built on Instagram

772
00:41:47,920 --> 00:41:55,400
Speaker 2: and transferred that via relationship to his exclusive platform on Spotify,

773
00:41:55,600 --> 00:41:58,120
Speaker 2: leveraged that in his three year market I mean in

774
00:41:58,200 --> 00:42:01,120
Speaker 2: his three year term, and hit him across the head

775
00:42:01,200 --> 00:42:04,520
Speaker 2: for a big payday. But instead what he done was

776
00:42:04,600 --> 00:42:07,640
Speaker 2: aligns himself for six ' nine, continue to shit on rappers,

777
00:42:07,680 --> 00:42:10,640
Speaker 2: called rappers out, and his roller decks got smaller and

778
00:42:10,800 --> 00:42:13,279
Speaker 2: smaller in regards to who will come sit on the

779
00:42:13,360 --> 00:42:17,960
Speaker 2: platform now here, I am inexclusive deal talking about being

780
00:42:18,080 --> 00:42:22,120
Speaker 2: scattered brain ranting on a podcast. They probably pay me

781
00:42:22,239 --> 00:42:24,160
Speaker 2: seven figures a year. They don't want to hear that.

782
00:42:24,880 --> 00:42:26,759
Speaker 2: That's how I know the deal, though, I ain't no way.

783
00:42:26,840 --> 00:42:28,759
Speaker 2: You went in there and negotiated we ain't doing no

784
00:42:28,960 --> 00:42:31,879
Speaker 2: guests with academics over here and got the same money.

785
00:42:31,880 --> 00:42:32,440
Speaker 1: Ain't no way.

786
00:42:32,800 --> 00:42:35,320
Speaker 2: So I'm going based on information, But you hear it

787
00:42:35,400 --> 00:42:37,600
Speaker 2: in his voice like, hey, look, I'm Finn double down

788
00:42:37,640 --> 00:42:39,040
Speaker 2: on disrespecting these dudes.

789
00:42:39,400 --> 00:42:40,880
Speaker 1: They ain't coming on my platform.

790
00:42:41,000 --> 00:42:44,200
Speaker 2: So I'm finna lose as far as podcast concern, I'm

791
00:42:44,200 --> 00:42:45,600
Speaker 2: gonna try to turn up a little bit more.

792
00:42:45,640 --> 00:42:47,040
Speaker 1: On the other side, I'm.

793
00:42:46,960 --> 00:42:49,759
Speaker 2: Like two seconds away from just being like looking at

794
00:42:49,800 --> 00:42:52,439
Speaker 2: academics and just saying, hey, yo, wish you the best, dude,

795
00:42:53,040 --> 00:42:56,000
Speaker 2: I ain't even considering you as competition anymore as far

796
00:42:56,080 --> 00:42:59,560
Speaker 2: as his podcast. Now you almost at the loop. I'm

797
00:42:59,560 --> 00:43:01,840
Speaker 2: almost look at you saying you ain't even on this

798
00:43:02,120 --> 00:43:03,919
Speaker 2: level far as what we're doing.

799
00:43:04,160 --> 00:43:04,759
Speaker 1: You know what I mean?

800
00:43:04,920 --> 00:43:07,960
Speaker 2: Far as and no disrespect your content. Guy, I'm talking

801
00:43:07,960 --> 00:43:10,879
Speaker 2: about talking. I'm talking about own this mic. Who want

802
00:43:10,920 --> 00:43:12,640
Speaker 2: to hear what you got to say on this mic?

803
00:43:13,040 --> 00:43:17,160
Speaker 2: Bringing something to this microphone, having some experience, being able

804
00:43:17,239 --> 00:43:21,680
Speaker 2: to explain how to evolve, or anything entertaining or whatever

805
00:43:21,719 --> 00:43:22,200
Speaker 2: it might be.

806
00:43:22,680 --> 00:43:24,920
Speaker 1: What do you bring outside of your audience?

807
00:43:25,840 --> 00:43:28,719
Speaker 2: Because soon it's going to be a situation where everybody

808
00:43:28,840 --> 00:43:31,800
Speaker 2: got an audience, So the new question will become what

809
00:43:31,960 --> 00:43:36,680
Speaker 2: do you bring outside of your audience? Do people learn

810
00:43:36,760 --> 00:43:40,080
Speaker 2: from your content? Are they engaged with it even if

811
00:43:40,120 --> 00:43:45,200
Speaker 2: they not learning? Do people seek after your content or

812
00:43:45,280 --> 00:43:47,759
Speaker 2: is your content looked at just a report of what

813
00:43:48,000 --> 00:43:50,600
Speaker 2: is already happening. So when I can find a new reporter,

814
00:43:50,880 --> 00:43:54,000
Speaker 2: I stop watching that channel, or do I want to

815
00:43:54,040 --> 00:43:57,759
Speaker 2: hear your perspective on what's been reported? These are going

816
00:43:57,840 --> 00:44:01,680
Speaker 2: to be the distinguishing factors moving forward because in a minute,

817
00:44:01,840 --> 00:44:05,120
Speaker 2: dealing with this social media and how TikTok is integrated

818
00:44:05,400 --> 00:44:08,040
Speaker 2: and how now it's gonna force other people because what's

819
00:44:08,080 --> 00:44:10,600
Speaker 2: gonna happen with that? And I'll move on, But what's

820
00:44:10,640 --> 00:44:13,239
Speaker 2: gonna happen with this social media thing? And I'm gonna

821
00:44:13,239 --> 00:44:16,000
Speaker 2: call this early. They gonna get TikTok out of the

822
00:44:16,080 --> 00:44:21,160
Speaker 2: way Facebook and them gonna double down, take away the

823
00:44:21,239 --> 00:44:23,920
Speaker 2: money from everything, stop paying creators because they know they

824
00:44:23,960 --> 00:44:25,719
Speaker 2: don't have nobody to compete with no more.

825
00:44:25,760 --> 00:44:27,919
Speaker 1: So they gonna get real strict on things. They gonna

826
00:44:27,960 --> 00:44:29,640
Speaker 1: double all the way down, and.

827
00:44:29,680 --> 00:44:34,680
Speaker 2: They gonna lose again because TikTok gonna transfer everybody to

828
00:44:34,760 --> 00:44:37,200
Speaker 2: cap cut and that's gonna blow up. But something else

829
00:44:37,320 --> 00:44:40,359
Speaker 2: is gonna blow up without those restrictions. They gonna try

830
00:44:40,400 --> 00:44:42,320
Speaker 2: to stop it. I don't think they're gonna be able to.

831
00:44:42,480 --> 00:44:44,520
Speaker 2: But when you look at the field, you're like, oh man,

832
00:44:44,600 --> 00:44:47,200
Speaker 2: it seemed like he going on the bench. He going

833
00:44:47,239 --> 00:44:50,080
Speaker 2: from sixth man to seventh man, the eight MANFO you

834
00:44:50,239 --> 00:44:52,520
Speaker 2: know he gonna be off the team in the D League,

835
00:44:53,440 --> 00:44:55,040
Speaker 2: you know what I mean, might be rich and them

836
00:44:55,040 --> 00:44:58,120
Speaker 2: off they're playing in the D League. But we know

837
00:44:58,280 --> 00:45:00,919
Speaker 2: this is about credative. This was about money. People would

838
00:45:00,920 --> 00:45:03,600
Speaker 2: have been stopped. This is about who could put it down,

839
00:45:04,120 --> 00:45:06,480
Speaker 2: who can run it up? Who got it gone? Who

840
00:45:06,560 --> 00:45:10,400
Speaker 2: got the people rocking? This shit is about that, you know.

841
00:45:10,520 --> 00:45:12,400
Speaker 2: I mean if it wasn't about that, none of us

842
00:45:12,440 --> 00:45:15,400
Speaker 2: wouldn't do it right. The money go with that, now

843
00:45:15,520 --> 00:45:18,480
Speaker 2: be clear, it's a service fee attached to it. Now,

844
00:45:18,960 --> 00:45:21,040
Speaker 2: let's be clear on that. But I'm just telling you

845
00:45:21,160 --> 00:45:23,239
Speaker 2: that all of us want to provide the market a

846
00:45:23,360 --> 00:45:27,480
Speaker 2: great product, something that people are messing with. And you

847
00:45:27,640 --> 00:45:30,279
Speaker 2: can clearly hear that he's having trouble getting guessed. He

848
00:45:30,480 --> 00:45:33,360
Speaker 2: just had two guests canceled on him. Now, picture that

849
00:45:33,480 --> 00:45:35,480
Speaker 2: he has a contract saying he got to deliver a

850
00:45:35,520 --> 00:45:39,960
Speaker 2: certain amount of episodes. They one hundred percent assumed that

851
00:45:40,200 --> 00:45:44,880
Speaker 2: DJ academics would have guests. Trust me that they one

852
00:45:45,040 --> 00:45:48,360
Speaker 2: hundred percent assume that. Again, looking at the market, I

853
00:45:48,480 --> 00:45:50,400
Speaker 2: clearly see a path for me to be the biggest

854
00:45:50,480 --> 00:45:54,120
Speaker 2: podcast a period. Now I hope that don't offend nobody.

855
00:45:54,160 --> 00:45:56,359
Speaker 2: I don't care if it do. I also heard act

856
00:45:56,440 --> 00:45:59,440
Speaker 2: and Joe speaking I want to talk about this. They

857
00:45:59,440 --> 00:46:02,759
Speaker 2: were speaking of Andrew shows. Let's take a listen to

858
00:46:02,800 --> 00:46:04,680
Speaker 2: what they said and we'll come back with some gang.

859
00:46:05,840 --> 00:46:11,520
Speaker 15: I remember we discussed uh, Andrew shows and you felt

860
00:46:11,600 --> 00:46:16,719
Speaker 15: like he occupied the Lackey role, and I was saying

861
00:46:16,719 --> 00:46:19,640
Speaker 15: he was a huge star, just just a fucking you know,

862
00:46:20,280 --> 00:46:22,160
Speaker 15: he's going to be one of these guys as just

863
00:46:22,239 --> 00:46:26,560
Speaker 15: go down that as you know, one of the comedy greats.

864
00:46:27,000 --> 00:46:28,759
Speaker 15: As you've seen it in his podcast, is blown the

865
00:46:28,800 --> 00:46:32,279
Speaker 15: funk up. What do you think about it? I think

866
00:46:32,320 --> 00:46:33,719
Speaker 15: you've probably have changed your mind.

867
00:46:33,520 --> 00:46:33,960
Speaker 11: On that now.

868
00:46:34,200 --> 00:46:38,760
Speaker 4: No, no on which part of the Lackey part.

869
00:46:38,960 --> 00:46:41,480
Speaker 15: About the whole thing, about just even where his trajectory

870
00:46:41,640 --> 00:46:44,160
Speaker 15: is his work to get to this point.

871
00:46:44,280 --> 00:46:44,560
Speaker 4: I think it.

872
00:46:45,040 --> 00:46:48,120
Speaker 16: Let me make myself clear, because people misunderstand me a lot,

873
00:46:48,760 --> 00:46:52,960
Speaker 16: and maybe I misspeak a lot. I never thought that

874
00:46:53,600 --> 00:46:55,200
Speaker 16: Schultz would be unsuccessful.

875
00:46:56,640 --> 00:47:01,839
Speaker 15: Oh okay, lack you thing about hack like somebody says

876
00:47:01,880 --> 00:47:02,319
Speaker 15: you're a hack.

877
00:47:02,680 --> 00:47:04,920
Speaker 6: That means like you have no talent.

878
00:47:05,440 --> 00:47:07,080
Speaker 16: Oh no, that's not what I meant when I said

879
00:47:07,120 --> 00:47:10,160
Speaker 16: that what I mean, what I meant by lack is

880
00:47:10,360 --> 00:47:14,759
Speaker 16: someone that will someone that will get in the room

881
00:47:14,960 --> 00:47:18,680
Speaker 16: and adopt whatever they need to adopt to find success

882
00:47:18,960 --> 00:47:19,720
Speaker 16: in this space.

883
00:47:21,520 --> 00:47:23,280
Speaker 4: That's what I meant by Lackie.

884
00:47:25,120 --> 00:47:26,080
Speaker 10: It's like a chameleon.

885
00:47:26,960 --> 00:47:32,400
Speaker 4: Yeah, just somebody that will just do it all like.

886
00:47:35,440 --> 00:47:35,480
Speaker 17: That.

887
00:47:35,800 --> 00:47:39,960
Speaker 16: Like in the black space, he'll lean into the black space.

888
00:47:40,360 --> 00:47:43,240
Speaker 16: I think in the white space and his rogan spaces,

889
00:47:43,280 --> 00:47:46,160
Speaker 16: he'll lean into all of that alien Isn't that a

890
00:47:46,160 --> 00:47:47,080
Speaker 16: good thing? White shit?

891
00:47:47,280 --> 00:47:47,640
Speaker 8: I mean.

892
00:47:49,800 --> 00:47:49,840
Speaker 5: It?

893
00:47:49,840 --> 00:47:51,719
Speaker 16: Who depends on who's calling it. I like to be

894
00:47:52,640 --> 00:47:54,600
Speaker 16: I like to be the same person in every space

895
00:47:54,920 --> 00:47:58,000
Speaker 16: that I go in. But in terms of audience, bring

896
00:47:58,160 --> 00:47:59,480
Speaker 16: me to an equation.

897
00:48:01,000 --> 00:48:01,520
Speaker 11: And I hear you.

898
00:48:03,000 --> 00:48:06,120
Speaker 4: Anything that can just easily be molded or.

899
00:48:06,640 --> 00:48:11,879
Speaker 16: Impressionable or just you can just like Clay, I don't

900
00:48:12,000 --> 00:48:16,440
Speaker 16: like anybody who you never really know the true spirit

901
00:48:17,280 --> 00:48:20,320
Speaker 16: of how they feel and think because you can't trust

902
00:48:20,400 --> 00:48:23,040
Speaker 16: who they are in all of these different spaces.

903
00:48:23,360 --> 00:48:25,880
Speaker 4: That's only my opinion. I'm not telling anybody else to

904
00:48:25,920 --> 00:48:26,360
Speaker 4: feel like that.

905
00:48:27,880 --> 00:48:30,120
Speaker 2: So we also got to keep in mind that Joe

906
00:48:30,200 --> 00:48:33,640
Speaker 2: Budden is speaking about on camera, and then they always

907
00:48:33,719 --> 00:48:36,560
Speaker 2: talk about content over everything, So I'm kind of confused

908
00:48:36,600 --> 00:48:40,560
Speaker 2: as to that stance, but I do agree that we've

909
00:48:40,640 --> 00:48:45,920
Speaker 2: watched but Scholtz has surprised all of us. Schultz, in

910
00:48:46,080 --> 00:48:50,280
Speaker 2: my opinion, came in and he underwent a certain amount

911
00:48:50,320 --> 00:48:52,960
Speaker 2: of criticism because he's stood next to Charlemagne. So we

912
00:48:53,120 --> 00:48:56,520
Speaker 2: watched him like, man, is he using Charlemagne? Come to

913
00:48:56,600 --> 00:49:01,160
Speaker 2: find out he had a plan because at first we

914
00:49:01,320 --> 00:49:04,480
Speaker 2: all felt like what was he doing? Like I tell

915
00:49:04,560 --> 00:49:08,000
Speaker 2: shows now, Bro, you surprised out of me. Bro, Like

916
00:49:08,200 --> 00:49:11,359
Speaker 2: I'm talking about, I knew you would be okay, right,

917
00:49:11,480 --> 00:49:13,920
Speaker 2: I knew you would be you know, straight, but I

918
00:49:14,000 --> 00:49:16,640
Speaker 2: didn't know you would go where you went like you

919
00:49:16,800 --> 00:49:20,080
Speaker 2: went somewhere else with it. And that speaks to you

920
00:49:20,200 --> 00:49:23,000
Speaker 2: having a plan. So that plan speak to you not

921
00:49:23,160 --> 00:49:25,879
Speaker 2: being a cold tail rider. You just needed an opportunity.

922
00:49:27,120 --> 00:49:29,520
Speaker 2: Those are you guys that get the opportunity and just

923
00:49:29,640 --> 00:49:32,799
Speaker 2: stand next to Charlemagne for twenty years, or stand next

924
00:49:32,840 --> 00:49:35,759
Speaker 2: to QC for twenty years, or stand next to jay

925
00:49:35,880 --> 00:49:38,320
Speaker 2: Z for twenty years, or stand next to some of

926
00:49:38,400 --> 00:49:40,839
Speaker 2: these guys for twenty years and never getting nothing done.

927
00:49:40,960 --> 00:49:45,000
Speaker 2: Your only source of income is standing next to him.

928
00:49:45,040 --> 00:49:47,759
Speaker 2: You haven't created anything. You haven't took the ball and

929
00:49:47,880 --> 00:49:51,799
Speaker 2: done nothing with it. We're not talking to y'all. Were

930
00:49:51,840 --> 00:49:55,759
Speaker 2: talking about the people that turn water into wine. He's

931
00:49:55,880 --> 00:49:58,440
Speaker 2: been able to do that, dude, And for me, I

932
00:49:58,560 --> 00:50:00,520
Speaker 2: think it's a plus to be able to going all

933
00:50:00,600 --> 00:50:02,399
Speaker 2: these different rooms, right.

934
00:50:02,480 --> 00:50:04,439
Speaker 1: I think that's a hell of a thing. That's something

935
00:50:04,480 --> 00:50:05,320
Speaker 1: that we need to do.

936
00:50:06,120 --> 00:50:08,759
Speaker 2: We need to learn how to have conversations outside of

937
00:50:08,800 --> 00:50:11,160
Speaker 2: who beef and the drill of music and all of that.

938
00:50:11,960 --> 00:50:15,040
Speaker 2: And we need to learn how to stop stealing formats

939
00:50:15,080 --> 00:50:17,160
Speaker 2: of sixty minutes or some of these that we need

940
00:50:17,280 --> 00:50:20,239
Speaker 2: to learn how to be creative with our approach, have

941
00:50:20,440 --> 00:50:24,040
Speaker 2: the conversations with the black people, right man, you know

942
00:50:24,120 --> 00:50:25,839
Speaker 2: what kind of culture black people got.

943
00:50:26,360 --> 00:50:29,279
Speaker 1: You know, the things we've been able to do and overcome,

944
00:50:29,800 --> 00:50:30,640
Speaker 1: or the things.

945
00:50:30,440 --> 00:50:34,360
Speaker 2: We've invented, the stuff we've been involved with, the records

946
00:50:34,440 --> 00:50:37,279
Speaker 2: we've been able to break in regards to fitness, or

947
00:50:37,400 --> 00:50:39,320
Speaker 2: scientific breakthroughs we've.

948
00:50:39,239 --> 00:50:42,840
Speaker 1: Been responsible for. Yo, I got a landscape.

949
00:50:44,560 --> 00:50:47,480
Speaker 2: I'm finna take podcasting and show y'all what y'all should

950
00:50:47,480 --> 00:50:52,360
Speaker 2: have been done, and we'll do it in the blink.

951
00:50:52,120 --> 00:50:52,600
Speaker 1: Of a NYE.

952
00:50:53,000 --> 00:50:55,120
Speaker 16: I have all the respect in the world for Shulton,

953
00:50:55,200 --> 00:50:58,759
Speaker 16: what he's built and it's work ethic, and you watched it.

954
00:50:59,080 --> 00:51:01,040
Speaker 16: You just watch it over years, so you But that's

955
00:51:01,040 --> 00:51:02,920
Speaker 16: what I mean about respect, Like you don't have to

956
00:51:03,120 --> 00:51:05,520
Speaker 16: like everybody. You don't have to be key key with

957
00:51:05,680 --> 00:51:08,920
Speaker 16: everybody to have respect for people. I don't fuck with

958
00:51:08,960 --> 00:51:11,440
Speaker 16: Glad at all. You know that for years. It's over

959
00:51:11,440 --> 00:51:15,960
Speaker 16: a decade. But I respect what Blad is built and

960
00:51:16,120 --> 00:51:18,520
Speaker 16: the work he put into it. Whatever he did, whether

961
00:51:18,520 --> 00:51:20,279
Speaker 16: I agree with it or not, it worked for him.

962
00:51:21,560 --> 00:51:21,759
Speaker 4: Yeah.

963
00:51:22,880 --> 00:51:26,520
Speaker 16: I'm saying the same thing about about Schultz, and I

964
00:51:26,560 --> 00:51:27,400
Speaker 16: think they'll both.

965
00:51:27,239 --> 00:51:30,879
Speaker 4: Continue to have great success. But I don't I don't

966
00:51:30,920 --> 00:51:31,400
Speaker 4: fuck with that.

967
00:51:32,200 --> 00:51:35,960
Speaker 16: It's like Adam, see Adam, Adam is successful, Adam is

968
00:51:36,160 --> 00:51:38,920
Speaker 16: doing that. Only will do pouring all this shit. I'm

969
00:51:38,920 --> 00:51:46,040
Speaker 16: looking at that saying I can't fuck with it. I

970
00:51:46,200 --> 00:51:50,320
Speaker 16: can't do it right. But this is also my problem

971
00:51:50,480 --> 00:51:54,359
Speaker 16: and I'm not going to make this racy, so I'll

972
00:51:54,440 --> 00:51:57,799
Speaker 16: just say this and get out of there. So you're

973
00:51:57,840 --> 00:52:01,719
Speaker 16: saying that, oh yeah, So you're saying that Schultz has

974
00:52:01,760 --> 00:52:09,920
Speaker 16: been able to successfully uh build audience, Yes, very much so,

975
00:52:11,880 --> 00:52:16,960
Speaker 16: and for the most part switch audiences successfully.

976
00:52:18,360 --> 00:52:21,239
Speaker 6: Yes, these are all good things.

977
00:52:21,600 --> 00:52:26,240
Speaker 16: I agree, there are also some of the same things

978
00:52:27,400 --> 00:52:33,360
Speaker 16: that some other people have failed at for years and

979
00:52:33,480 --> 00:52:36,520
Speaker 16: years and years and years and years, some other black people.

980
00:52:37,000 --> 00:52:39,360
Speaker 16: And when you start having the conversations behind the scenes

981
00:52:39,400 --> 00:52:41,080
Speaker 16: with these companies, what do you mean algorithms?

982
00:52:41,120 --> 00:52:45,319
Speaker 15: Like you constantly use the word algorithms, But because I'll

983
00:52:45,320 --> 00:52:46,440
Speaker 15: say this question, I'll say.

984
00:52:46,320 --> 00:52:50,480
Speaker 16: That somebody designs an algorithm. Somebody designs it. That's a

985
00:52:50,600 --> 00:52:56,279
Speaker 16: person into No, so you're naming companies. Companies have to

986
00:52:56,440 --> 00:52:59,200
Speaker 16: hire the people to come in and build the algorithm,

987
00:53:00,160 --> 00:53:03,560
Speaker 16: some other shit that only the company can do on

988
00:53:03,680 --> 00:53:06,560
Speaker 16: their own, like somebody like this Lebra that you're talking about.

989
00:53:06,760 --> 00:53:09,719
Speaker 15: That's interesting because I get it. Any type of edginess

990
00:53:09,840 --> 00:53:11,279
Speaker 15: or whatever it gets you on that list.

991
00:53:11,440 --> 00:53:13,120
Speaker 4: And that's why Charlemagne is like that.

992
00:53:13,280 --> 00:53:17,239
Speaker 16: Now, well we'll also look at this like excusing him

993
00:53:17,280 --> 00:53:20,279
Speaker 16: as the example. I'm not trying to say that's all.

994
00:53:20,520 --> 00:53:23,440
Speaker 16: I think that the algorithm is working in Schultz's favor

995
00:53:23,600 --> 00:53:25,440
Speaker 16: right now because of all of the work that he's

996
00:53:25,520 --> 00:53:29,040
Speaker 16: done and just relationships and like it's working for him

997
00:53:29,080 --> 00:53:32,880
Speaker 16: and you see that. Really, Yeah, that's the point I

998
00:53:33,000 --> 00:53:37,560
Speaker 16: was making about how on his show is just going crazy,

999
00:53:37,680 --> 00:53:41,920
Speaker 16: crazy crazy. But when you take him, who I believe

1000
00:53:42,040 --> 00:53:44,359
Speaker 16: to be everything that you say he is, and put

1001
00:53:44,440 --> 00:53:48,800
Speaker 16: him somewhere else, that's not happening. Like you're not seeing

1002
00:53:49,239 --> 00:53:54,239
Speaker 16: any of the of the carryover from what I did.

1003
00:53:54,400 --> 00:53:56,000
Speaker 16: You sold out Radio City, so I know it's a

1004
00:53:56,040 --> 00:53:59,000
Speaker 16: real thing, all right, So let me address this and

1005
00:53:59,040 --> 00:54:01,200
Speaker 16: then I'll let him continue. What I think he's saying

1006
00:54:01,360 --> 00:54:03,600
Speaker 16: is that yo, and he's wrong about this. If he

1007
00:54:03,680 --> 00:54:06,400
Speaker 16: checked the numbers within the last couple of months. What

1008
00:54:06,520 --> 00:54:08,360
Speaker 16: I think he's trying to say is, hey, Schultz and

1009
00:54:08,480 --> 00:54:12,160
Speaker 16: Charlemagne Partkass don't do those numbers. But Shultz Partcass does

1010
00:54:12,239 --> 00:54:12,920
Speaker 16: those numbers.

1011
00:54:13,440 --> 00:54:15,359
Speaker 2: I think that's what he's trying to say, because he's

1012
00:54:15,360 --> 00:54:17,440
Speaker 2: saying that, hey, you take shows, put him somewhere else,

1013
00:54:17,560 --> 00:54:20,120
Speaker 2: not on flagrant, and then you don't have you don't

1014
00:54:20,160 --> 00:54:24,200
Speaker 2: have those numbers. And if you paid attention within the

1015
00:54:24,280 --> 00:54:26,680
Speaker 2: last couple of months, brilliant it. He has probably been

1016
00:54:26,719 --> 00:54:30,040
Speaker 2: doing three hundred thousand in three days on YouTube, and

1017
00:54:30,320 --> 00:54:33,200
Speaker 2: of course the audio numbers has been what it's been.

1018
00:54:33,320 --> 00:54:37,600
Speaker 2: It's like a guaranteed certain amount. But I don't I

1019
00:54:37,640 --> 00:54:40,120
Speaker 2: don't know. I think that's what he's saying, right, I

1020
00:54:40,239 --> 00:54:45,480
Speaker 2: think he's saying that, it's not translating. The issue I

1021
00:54:45,640 --> 00:54:49,880
Speaker 2: think Joe Budden has with Shows is when Schultz spoke

1022
00:54:50,040 --> 00:54:54,120
Speaker 2: on Joe Budden's Spotify situation. I think at some point

1023
00:54:54,239 --> 00:54:57,839
Speaker 2: Joe Budden'll look back at that Spotify situation and say, damn,

1024
00:54:57,960 --> 00:55:01,320
Speaker 2: a lot of my relationships was ruined and in that

1025
00:55:01,480 --> 00:55:04,800
Speaker 2: little time right there. And of course that's a question

1026
00:55:05,160 --> 00:55:08,000
Speaker 2: piece of content for some of y'all that if I

1027
00:55:08,120 --> 00:55:10,759
Speaker 2: interviewed him, I would definitely ask him that question, like what,

1028
00:55:11,760 --> 00:55:17,319
Speaker 2: because it seems like that Spotify situation kind of sent

1029
00:55:17,440 --> 00:55:20,239
Speaker 2: the pool ball through and broke his pool balls up

1030
00:55:20,320 --> 00:55:22,160
Speaker 2: and kind of toe down a lot of things in

1031
00:55:22,280 --> 00:55:25,319
Speaker 2: his life, even with his relationship with Charlemagne. I think

1032
00:55:25,400 --> 00:55:29,400
Speaker 2: the Spotify situation affected that. The Andrew Schultz thing, the

1033
00:55:29,520 --> 00:55:33,000
Speaker 2: ro Ryan Mall thing, the manded, all these different things

1034
00:55:33,080 --> 00:55:36,680
Speaker 2: I think kind of came surrounded by people having expectations

1035
00:55:37,120 --> 00:55:40,920
Speaker 2: that was some were tied into that Spotify deal. But

1036
00:55:41,080 --> 00:55:43,719
Speaker 2: I think him and Shows his situation is that I

1037
00:55:43,800 --> 00:55:47,000
Speaker 2: think he really feels like, oh he said something, he

1038
00:55:47,080 --> 00:55:50,279
Speaker 2: took it personal, and Scholtz literally, in my opinion, as

1039
00:55:50,320 --> 00:55:53,880
Speaker 2: outgrew everything that's moving. That dude is moving numbers. You

1040
00:55:54,000 --> 00:55:57,399
Speaker 2: gotta just give it in where it's flagrant is doing

1041
00:55:57,480 --> 00:56:00,799
Speaker 2: big numbers. He's tied the Rogan. Rogan the biggest dude

1042
00:56:00,800 --> 00:56:03,279
Speaker 2: in the game. He's tied to Charlemagne. Charlomagne is the

1043
00:56:03,280 --> 00:56:06,200
Speaker 2: biggest dude on our side. I don't see how they

1044
00:56:06,320 --> 00:56:07,360
Speaker 2: think dude can lose.

1045
00:56:07,880 --> 00:56:10,239
Speaker 1: Again. When I first saw him, I'm like, damn man,

1046
00:56:10,320 --> 00:56:11,600
Speaker 1: he with Charlemagne.

1047
00:56:11,680 --> 00:56:16,200
Speaker 2: Now his chols did provide us with this uncomfortable transition.

1048
00:56:16,360 --> 00:56:19,240
Speaker 2: That was this part where Schultz was trying to figure

1049
00:56:19,280 --> 00:56:22,600
Speaker 2: out black culture sitting next to Charlemagne, and we was

1050
00:56:22,920 --> 00:56:25,320
Speaker 2: being cringed, like, man, what is he saying? Like he

1051
00:56:25,400 --> 00:56:28,040
Speaker 2: don't get that? And it's like that was this moment

1052
00:56:28,120 --> 00:56:31,160
Speaker 2: where that was the case. But far as business wise,

1053
00:56:32,080 --> 00:56:35,960
Speaker 2: Scholtz has grew into being what you should be if

1054
00:56:36,280 --> 00:56:38,360
Speaker 2: you get that opportunity, you need to be waiting on

1055
00:56:38,440 --> 00:56:41,080
Speaker 2: the pass, ready to score. And he has been someone

1056
00:56:41,719 --> 00:56:45,480
Speaker 2: who's proven to have been ready with a plan and

1057
00:56:45,880 --> 00:56:49,480
Speaker 2: willing to score. Like I even remember when Scholtz when

1058
00:56:49,520 --> 00:56:52,160
Speaker 2: it sat with Adam and Adam asked him about Joe.

1059
00:56:52,280 --> 00:56:53,640
Speaker 1: He didn't really give Adam nothing.

1060
00:56:53,840 --> 00:56:56,960
Speaker 2: You know in regards to it, because I know people

1061
00:56:57,080 --> 00:56:59,920
Speaker 2: again look at Adam like this is probably a missy.

1062
00:57:00,360 --> 00:57:02,839
Speaker 2: You ain't really trying to figure this out. And even

1063
00:57:02,920 --> 00:57:05,319
Speaker 2: with the Spotify thing, I look at someone like Joe

1064
00:57:05,560 --> 00:57:07,600
Speaker 2: right because he went through kind of what Adam twenty

1065
00:57:07,640 --> 00:57:09,719
Speaker 2: two is going through right now, where his views took

1066
00:57:09,800 --> 00:57:12,480
Speaker 2: a dip in all of these kind of things. Now,

1067
00:57:12,600 --> 00:57:16,320
Speaker 2: Joe is a little bit more charismatic. Adam is good

1068
00:57:16,400 --> 00:57:19,480
Speaker 2: at interviewing people, but he I don't see him being

1069
00:57:19,480 --> 00:57:22,520
Speaker 2: as charismatic as Joe is. So he basically just did

1070
00:57:22,640 --> 00:57:24,800
Speaker 2: the same thing Joe had to go through, which is

1071
00:57:25,280 --> 00:57:28,000
Speaker 2: a your fan base pulled back from you, and now

1072
00:57:28,040 --> 00:57:30,520
Speaker 2: they finna look at you and see exactly what you

1073
00:57:30,640 --> 00:57:32,480
Speaker 2: wiz and how entertaining you is.

1074
00:57:32,520 --> 00:57:34,720
Speaker 1: And if you can't make it through this man, you

1075
00:57:34,800 --> 00:57:36,880
Speaker 1: ain't gonna have no plan for him moving forward.

1076
00:57:38,200 --> 00:57:38,360
Speaker 11: Now.

1077
00:57:38,520 --> 00:57:40,600
Speaker 2: I don't think Adam can do it in the way

1078
00:57:40,680 --> 00:57:43,360
Speaker 2: that Joe done it, But I do believe Adam may

1079
00:57:43,480 --> 00:57:45,800
Speaker 2: have a shot. But how does he do it Because

1080
00:57:45,800 --> 00:57:48,280
Speaker 2: he can't do it with purely interviews. He has to

1081
00:57:48,400 --> 00:57:51,400
Speaker 2: be a personality because he just walked away from his

1082
00:57:51,560 --> 00:57:55,280
Speaker 2: niche this is something you gotta be careful of doing.

1083
00:57:55,360 --> 00:57:57,280
Speaker 2: You don't just get up and walk away from your

1084
00:57:57,360 --> 00:58:00,720
Speaker 2: niche and just think the rest of the market gonna

1085
00:58:00,760 --> 00:58:03,040
Speaker 2: accept you because you got numbers, or you got money,

1086
00:58:03,160 --> 00:58:06,320
Speaker 2: or you got brand reach or brand recognition. Now they

1087
00:58:06,400 --> 00:58:09,560
Speaker 2: may not consume your product in the same way, which

1088
00:58:09,640 --> 00:58:12,000
Speaker 2: then to fix the way that your product is stationed

1089
00:58:12,080 --> 00:58:15,400
Speaker 2: in the market and how to add companies respond to

1090
00:58:15,560 --> 00:58:18,040
Speaker 2: your product. But I know Adam twenty two is somewhat

1091
00:58:18,120 --> 00:58:21,080
Speaker 2: looking at Joe Budden like the canary and the coal Man,

1092
00:58:21,240 --> 00:58:23,480
Speaker 2: like a I'm looking at Joe.

1093
00:58:23,600 --> 00:58:25,040
Speaker 1: Joe went through it. Joe went through it.

1094
00:58:25,080 --> 00:58:27,600
Speaker 2: I can imagine he's having these conversations. So Joe went

1095
00:58:27,680 --> 00:58:29,760
Speaker 2: through it. Joe went through it. He went through it.

1096
00:58:29,760 --> 00:58:32,480
Speaker 2: It's like, brother, do you have that? Do you have

1097
00:58:32,680 --> 00:58:35,680
Speaker 2: the relationship with the audience in the same way? Because

1098
00:58:35,760 --> 00:58:38,840
Speaker 2: back on fig and ad them they getting two three

1099
00:58:38,920 --> 00:58:43,280
Speaker 2: hundred thousand views on YouTube and you bet and if

1100
00:58:43,320 --> 00:58:45,760
Speaker 2: you look at Adam views, they've tooken a major dip.

1101
00:58:45,880 --> 00:58:49,840
Speaker 2: But he don't care based according to him, he just

1102
00:58:49,920 --> 00:58:52,360
Speaker 2: want to live a regular life even if his views

1103
00:58:52,440 --> 00:58:52,920
Speaker 2: take a dip.

1104
00:58:53,000 --> 00:58:55,800
Speaker 1: I'm cool with that. I don't know. I think it's risky.

1105
00:58:56,280 --> 00:58:58,600
Speaker 2: And I think the difference with Adam twenty two and

1106
00:58:58,720 --> 00:59:03,040
Speaker 2: Andrew shoul says, is that Andrew Schultz has showed us

1107
00:59:03,080 --> 00:59:06,280
Speaker 2: that he can play ball in different systems. Right, It's

1108
00:59:06,360 --> 00:59:10,200
Speaker 2: like Chris Paul being traded from the Phoenix to Them,

1109
00:59:10,320 --> 00:59:14,120
Speaker 2: from LA to Phoenix to these different teams, but he's

1110
00:59:14,160 --> 00:59:16,800
Speaker 2: showing you in each one of these teams, I'm effective.

1111
00:59:17,640 --> 00:59:20,440
Speaker 2: You got some people that's only effective in the structure

1112
00:59:20,480 --> 00:59:22,560
Speaker 2: that they've been placed in. And I'm not sure if

1113
00:59:22,600 --> 00:59:26,360
Speaker 2: Adam had placed himself kind of in this bunker where

1114
00:59:26,400 --> 00:59:30,360
Speaker 2: he was kind of insulated of like criticism, where he

1115
00:59:30,440 --> 00:59:35,080
Speaker 2: had built something where it was like so much viewership

1116
00:59:35,160 --> 00:59:37,720
Speaker 2: surrounding him where you couldn't do nothing but salute them.

1117
00:59:38,080 --> 00:59:40,439
Speaker 2: If he could have carried that three or four more years,

1118
00:59:40,480 --> 00:59:43,160
Speaker 2: what would his legacy look like? Right, he might have

1119
00:59:43,240 --> 00:59:45,320
Speaker 2: hit a tough bump and if he could have made

1120
00:59:45,360 --> 00:59:48,320
Speaker 2: it over that, that might would have been the next X, Y,

1121
00:59:48,360 --> 00:59:48,640
Speaker 2: and Z.

1122
00:59:49,120 --> 00:59:51,480
Speaker 1: But now he just basically tow that all down. He

1123
00:59:51,600 --> 00:59:53,200
Speaker 1: gonna try to build it brick by brick.

1124
00:59:53,320 --> 00:59:56,320
Speaker 2: I see him giving up on them dudes soon, because

1125
00:59:56,360 --> 01:00:00,000
Speaker 2: I don't see him having the time or the wheel power.

1126
01:00:00,040 --> 01:00:02,360
Speaker 2: I won't want to do it. I don't find anyone

1127
01:00:02,480 --> 01:00:05,640
Speaker 2: that interesting over that. Or he's saying, man, I can't wait. Man,

1128
01:00:05,680 --> 01:00:07,200
Speaker 2: we just got rid of them. Were finna build it?

1129
01:00:07,320 --> 01:00:09,720
Speaker 2: I just I don't see that. But you don't never

1130
01:00:09,920 --> 01:00:12,520
Speaker 2: just walk away from your niche. Sometimes you lean on

1131
01:00:12,640 --> 01:00:16,280
Speaker 2: your system other people like us, you know, even like

1132
01:00:16,320 --> 01:00:19,160
Speaker 2: a Charlamagne. It's certain names in our in our game.

1133
01:00:19,320 --> 01:00:21,440
Speaker 2: Right they have showed you. Ay, I can go over

1134
01:00:21,480 --> 01:00:23,440
Speaker 2: there and talk with them people. Talk over there, get

1135
01:00:23,480 --> 01:00:25,720
Speaker 2: a bag wallo doing it right now? Talk over there,

1136
01:00:25,800 --> 01:00:27,760
Speaker 2: get a bag talk right there with them. Folk, get

1137
01:00:27,800 --> 01:00:32,480
Speaker 2: a bad talking that you know them, the guys, them

1138
01:00:32,640 --> 01:00:35,440
Speaker 2: is the guys. You guys that ain't really you go

1139
01:00:35,520 --> 01:00:38,040
Speaker 2: over here and it really ain't doing nothing. Hey, you

1140
01:00:38,240 --> 01:00:40,480
Speaker 2: probably need to. If you build something that's winning, you

1141
01:00:40,560 --> 01:00:43,600
Speaker 2: probably need to thank God and try to just water

1142
01:00:43,760 --> 01:00:46,600
Speaker 2: your flowers over here, man, and get this guard looking

1143
01:00:46,640 --> 01:00:48,840
Speaker 2: as good as you can. Because you you may have

1144
01:00:49,040 --> 01:00:51,400
Speaker 2: a little bit more confidence than what you have earned.

1145
01:00:52,160 --> 01:00:54,200
Speaker 2: Money does it do that to you? It's a trick

1146
01:00:54,320 --> 01:00:57,640
Speaker 2: money due to you. Money give you more confidence than

1147
01:00:57,680 --> 01:01:01,600
Speaker 2: you earned. Money make you think you stronger than you

1148
01:01:01,800 --> 01:01:08,200
Speaker 2: really because you're resourceful, see they think resourceful mean powerful.

1149
01:01:09,520 --> 01:01:11,720
Speaker 1: You need to know what to do with the resources

1150
01:01:11,800 --> 01:01:12,840
Speaker 1: to become powerful.

1151
01:01:13,280 --> 01:01:16,760
Speaker 2: Okay, So now as I'm thinking about this, this one

1152
01:01:16,960 --> 01:01:20,120
Speaker 2: hundred percent was the Spotify situation.

1153
01:01:20,400 --> 01:01:22,880
Speaker 1: Just rewind a little bit. Think about it.

1154
01:01:23,160 --> 01:01:27,840
Speaker 2: Joe Budden took offense to Andrew Charlemagne and really anyone

1155
01:01:27,960 --> 01:01:30,280
Speaker 2: that was in the business. I think that he believed

1156
01:01:30,320 --> 01:01:33,480
Speaker 2: to have a voice that may can interfere with what

1157
01:01:33,720 --> 01:01:36,200
Speaker 2: was going on. I think he was emotionally attached to

1158
01:01:36,280 --> 01:01:39,960
Speaker 2: everybody riding with him at that time, and I believe

1159
01:01:40,120 --> 01:01:44,160
Speaker 2: that decision right there cost him a lot if he

1160
01:01:44,280 --> 01:01:48,400
Speaker 2: didn't learn from that, that emotional behavior that he exhibited

1161
01:01:48,840 --> 01:01:51,480
Speaker 2: when he went through that Spotify situation, and some of

1162
01:01:51,560 --> 01:01:55,320
Speaker 2: the market was rejecting the fact that hey, the direction

1163
01:01:55,600 --> 01:02:00,479
Speaker 2: is off, and it severed relationships that he his head,

1164
01:02:00,600 --> 01:02:06,080
Speaker 2: and it made him create enemies with people like shows. Granted,

1165
01:02:06,200 --> 01:02:10,400
Speaker 2: shots took shots as well as button. Everybody's gonna talk

1166
01:02:10,480 --> 01:02:13,360
Speaker 2: about you. When you're a top podcast, you become a

1167
01:02:13,480 --> 01:02:17,120
Speaker 2: topic of conversation. There's so many podcasts in that way

1168
01:02:17,240 --> 01:02:19,680
Speaker 2: where you can't get mad at people for reporting on

1169
01:02:19,840 --> 01:02:22,120
Speaker 2: podcasts if they look on screen and say, oh it

1170
01:02:22,200 --> 01:02:24,760
Speaker 2: looks like they're fighting, look like they don't really like

1171
01:02:24,880 --> 01:02:29,400
Speaker 2: each other, and podcasters talk about that. Another podcaster can't

1172
01:02:29,440 --> 01:02:32,560
Speaker 2: say nothing because that's how they do. As matter of fact,

1173
01:02:33,120 --> 01:02:37,720
Speaker 2: that podcast talk more than everybody. And that's not disrespectful, nigga,

1174
01:02:37,760 --> 01:02:41,000
Speaker 2: that's information. And if you don't respect information, you got

1175
01:02:41,040 --> 01:02:43,120
Speaker 2: the wrong show on. Right now, let's get to that.

1176
01:02:44,440 --> 01:02:46,960
Speaker 2: If you ain't one of them guys that respect information,

1177
01:02:47,400 --> 01:02:51,560
Speaker 2: you got the wrong show on. But I want to

1178
01:02:51,640 --> 01:02:55,440
Speaker 2: take you back to when Joe Budden started to say, hey,

1179
01:02:55,640 --> 01:02:58,400
Speaker 2: we're leaving Spotify, and he took a shot at Spotify,

1180
01:02:58,480 --> 01:03:01,400
Speaker 2: he took a shot at Charlemagne. This is I think

1181
01:03:01,520 --> 01:03:05,080
Speaker 2: one of the videos that calls for the friction between

1182
01:03:05,200 --> 01:03:05,760
Speaker 2: him and shows.

1183
01:03:05,800 --> 01:03:06,560
Speaker 1: Let's pay attention.

1184
01:03:07,320 --> 01:03:09,320
Speaker 18: You know, I got now this YouTube game if he wants.

1185
01:03:09,360 --> 01:03:10,360
Speaker 18: But it's all good, it's all good.

1186
01:03:10,720 --> 01:03:14,960
Speaker 6: So and I thought al I thought that I was

1187
01:03:15,040 --> 01:03:17,000
Speaker 6: being incredibly fair.

1188
01:03:17,240 --> 01:03:22,800
Speaker 18: I complimented him. I complimented his uh listenability, I complimented

1189
01:03:22,800 --> 01:03:25,400
Speaker 18: his ability to garner an audience, and I complimented the

1190
01:03:25,480 --> 01:03:28,280
Speaker 18: connectivity that he has with his fans. My criticism came

1191
01:03:28,680 --> 01:03:34,600
Speaker 18: from a fundamental lack of understanding of corporate dynamics and

1192
01:03:34,760 --> 01:03:38,800
Speaker 18: how they do try to own you. I thought we

1193
01:03:38,960 --> 01:03:42,240
Speaker 18: articulated that where's the pushback al because everybody in the

1194
01:03:42,280 --> 01:03:44,320
Speaker 18: comments were like, y'all didn't listen to shit, and so

1195
01:03:44,400 --> 01:03:45,160
Speaker 18: many people said that.

1196
01:03:45,240 --> 01:03:49,160
Speaker 6: I was like, maybe we listen to everything, bro tell

1197
01:03:49,200 --> 01:03:50,400
Speaker 6: you nah, And I.

1198
01:03:50,480 --> 01:03:53,040
Speaker 18: Said, I think in the piece like he's he's garnered

1199
01:03:53,200 --> 01:03:56,640
Speaker 18: intense fans, which is amazing, and that's credit to him.

1200
01:03:58,400 --> 01:04:00,400
Speaker 18: I just from what I read in the clip, heat

1201
01:04:00,560 --> 01:04:05,160
Speaker 18: not listened to it. A crypto he posted, I didn't see.

1202
01:04:05,680 --> 01:04:08,960
Speaker 18: I saw a fundamental lack of understanding of how corporations operate.

1203
01:04:11,160 --> 01:04:11,840
Speaker 1: Again, so to.

1204
01:04:11,880 --> 01:04:14,880
Speaker 2: Catch everybody up, this is at the time when Joe

1205
01:04:14,920 --> 01:04:17,080
Speaker 2: Budden was coming out, and I think Joe did like

1206
01:04:17,120 --> 01:04:20,120
Speaker 2: a two hour podcast explained to Spotify by Watches and

1207
01:04:20,200 --> 01:04:24,800
Speaker 2: all of these different corporate shenanigans that was going on,

1208
01:04:25,080 --> 01:04:27,960
Speaker 2: and how he was trying to negotiate a proper and

1209
01:04:28,120 --> 01:04:33,240
Speaker 2: fair deal for his IP and he was taking arrows

1210
01:04:33,320 --> 01:04:35,280
Speaker 2: for his people and just trying to make sure that

1211
01:04:35,360 --> 01:04:37,400
Speaker 2: they structured this deal in a way that he can

1212
01:04:37,520 --> 01:04:41,840
Speaker 2: sleep at night, right, And a couple of people came

1213
01:04:41,880 --> 01:04:43,040
Speaker 2: out and push you back about that.

1214
01:04:43,280 --> 01:04:49,160
Speaker 1: I came out and said, yo about maybe I let's

1215
01:04:49,160 --> 01:04:50,720
Speaker 1: see I.

1216
01:04:51,160 --> 01:04:53,000
Speaker 2: I was probably one of the first people that came

1217
01:04:53,000 --> 01:04:55,360
Speaker 2: out and said, oh, he negotiating in public. This was

1218
01:04:55,480 --> 01:04:57,520
Speaker 2: before he even came out and said, look, we can't

1219
01:04:57,600 --> 01:05:02,160
Speaker 2: come to anything in terms with Spotify, right DJ Academics

1220
01:05:02,280 --> 01:05:05,160
Speaker 2: is doing the same thing right now. It's like basically

1221
01:05:05,280 --> 01:05:09,280
Speaker 2: telling you, yo, behind the scenes, there's no movement with Spotify,

1222
01:05:09,480 --> 01:05:12,320
Speaker 2: so we're about to try to do something else. You know,

1223
01:05:13,800 --> 01:05:16,120
Speaker 2: Joe Budden was in that situation, so I said, damn,

1224
01:05:16,160 --> 01:05:18,560
Speaker 2: it seemed like he negotiating in public. He's trying to

1225
01:05:18,720 --> 01:05:21,320
Speaker 2: kind of weaponize his audience and use it in a

1226
01:05:21,360 --> 01:05:25,919
Speaker 2: way to make them move right. His numbers garner a bag,

1227
01:05:26,120 --> 01:05:29,320
Speaker 2: let's keep a gangster. But what kind of bag is

1228
01:05:29,400 --> 01:05:32,440
Speaker 2: in question? And that's what people started to speak out

1229
01:05:32,480 --> 01:05:36,120
Speaker 2: against it. Granted you hear shows try to explain how

1230
01:05:36,200 --> 01:05:38,040
Speaker 2: he felt about this whole conversation.

1231
01:05:39,080 --> 01:05:39,920
Speaker 10: That's just what I saw.

1232
01:05:40,600 --> 01:05:40,760
Speaker 1: Now.

1233
01:05:41,200 --> 01:05:48,880
Speaker 18: His criticism of corporations is accurate, and I now understand.

1234
01:05:48,920 --> 01:05:51,000
Speaker 18: I didn't understand this prior, but not because of Joe Budden,

1235
01:05:51,000 --> 01:05:54,960
Speaker 18: because of something else. But I now understand why you

1236
01:05:55,160 --> 01:05:59,880
Speaker 18: often hear the slave analogy used when it comes to

1237
01:06:00,120 --> 01:06:03,560
Speaker 18: like athletes and like the owners of the teams, like

1238
01:06:03,720 --> 01:06:06,600
Speaker 18: they go, well, here's the thing. I never realized it

1239
01:06:06,680 --> 01:06:08,560
Speaker 18: before for this reason. I was like, well, you can't

1240
01:06:08,600 --> 01:06:10,520
Speaker 18: be a slave if you're getting paid millions of dollars

1241
01:06:10,680 --> 01:06:12,160
Speaker 18: and you wanted to do it, and you want to

1242
01:06:12,240 --> 01:06:14,440
Speaker 18: do it and it's your choice, right, And I always

1243
01:06:14,440 --> 01:06:16,400
Speaker 18: thought that was like insulting to what slaves went through.

1244
01:06:16,400 --> 01:06:18,120
Speaker 18: It's like, why would you compare you know, what you're

1245
01:06:18,200 --> 01:06:20,479
Speaker 18: doing playing a sport and getting paid millions of dollars

1246
01:06:20,560 --> 01:06:22,360
Speaker 18: compared to like these people who are like forced into

1247
01:06:22,400 --> 01:06:24,440
Speaker 18: serve it to for their entire life, and like those

1248
01:06:24,480 --> 01:06:30,880
Speaker 18: things are fundamentally different. Here is the connectivity being owned.

1249
01:06:31,000 --> 01:06:31,560
Speaker 1: They do own you.

1250
01:06:31,640 --> 01:06:32,440
Speaker 9: That's what I was gonna say.

1251
01:06:32,440 --> 01:06:32,920
Speaker 1: They do own you.

1252
01:06:34,120 --> 01:06:37,120
Speaker 18: You are are They pay a lot to own you,

1253
01:06:37,440 --> 01:06:39,600
Speaker 18: and the money goes to you that they own you.

1254
01:06:39,680 --> 01:06:46,960
Speaker 6: They own you, and that lack of freedom when we equate,

1255
01:06:47,160 --> 01:06:47,360
Speaker 6: what do.

1256
01:06:47,400 --> 01:06:48,320
Speaker 18: We think of with slavery?

1257
01:06:49,040 --> 01:06:51,560
Speaker 2: And let me be fair, right, because I know a

1258
01:06:51,640 --> 01:06:53,520
Speaker 2: lot of y'all think I hate Joe Budden or I

1259
01:06:53,560 --> 01:06:56,320
Speaker 2: don't like Himore. I think you'll sucker. I don't really

1260
01:06:56,400 --> 01:06:58,880
Speaker 2: think that much about Joe Budden. But I do know,

1261
01:06:59,320 --> 01:07:01,680
Speaker 2: as far as I've been able to draw from what

1262
01:07:01,840 --> 01:07:05,320
Speaker 2: he's done in the market, that's extremely important to the

1263
01:07:05,480 --> 01:07:09,400
Speaker 2: infrastructure of this podcast space, as well as Charlemagne, as

1264
01:07:09,480 --> 01:07:11,080
Speaker 2: well as a lot of the people that you hear

1265
01:07:11,200 --> 01:07:14,120
Speaker 2: me speak about a lot of the time.

1266
01:07:14,240 --> 01:07:15,040
Speaker 1: Now here's the thing.

1267
01:07:15,480 --> 01:07:17,960
Speaker 2: When Joe Budden was going through that with Spotify, a

1268
01:07:18,040 --> 01:07:20,440
Speaker 2: lot of great content came out of that. A lot

1269
01:07:20,520 --> 01:07:25,680
Speaker 2: of great conversations was berthed off of that, right, the ownership,

1270
01:07:25,920 --> 01:07:32,720
Speaker 2: the slave conversation, right, the breakdown of deals like thirty

1271
01:07:32,800 --> 01:07:36,240
Speaker 2: forty million over this amount of years, then an operational

1272
01:07:36,360 --> 01:07:38,480
Speaker 2: budget it's took out of that. Now you have to

1273
01:07:38,560 --> 01:07:42,000
Speaker 2: take what's left and pay the people. Right, it was

1274
01:07:42,080 --> 01:07:44,880
Speaker 2: so much. And so I tend to believe that when

1275
01:07:44,960 --> 01:07:48,440
Speaker 2: someone is great at speaking or great at getting their

1276
01:07:48,520 --> 01:07:51,320
Speaker 2: port across, you can watch them in the moment and

1277
01:07:51,440 --> 01:07:55,080
Speaker 2: the truth don't even matter because they have crafted their

1278
01:07:55,280 --> 01:07:58,680
Speaker 2: argument in a way that'll keep you just watching, like, Okay,

1279
01:07:58,720 --> 01:08:01,760
Speaker 2: I kind of see where you're going now, right without

1280
01:08:01,840 --> 01:08:05,240
Speaker 2: breaking it all down. And the Spotify thing for Joe

1281
01:08:05,440 --> 01:08:07,160
Speaker 2: was a monumental time in his life.

1282
01:08:07,240 --> 01:08:07,400
Speaker 4: Man.

1283
01:08:07,560 --> 01:08:11,040
Speaker 2: I think because he had never been someone that had money.

1284
01:08:11,120 --> 01:08:13,600
Speaker 2: Because he had never been someone that been in a

1285
01:08:13,760 --> 01:08:16,680
Speaker 2: situation like that, he crashed a lot of shit. I

1286
01:08:16,800 --> 01:08:19,759
Speaker 2: believe he may have had a conscious effort that time

1287
01:08:20,000 --> 01:08:23,519
Speaker 2: not to self sabotage, and it still did it. But see,

1288
01:08:23,640 --> 01:08:26,479
Speaker 2: this time, it wasn't because your reasoning, It was because

1289
01:08:26,520 --> 01:08:30,480
Speaker 2: your reaction. This time it was because, damn man, Spotify

1290
01:08:30,600 --> 01:08:33,560
Speaker 2: offered us this right, And it's like a lot of

1291
01:08:33,600 --> 01:08:36,120
Speaker 2: the shit that that I was standing on and thought

1292
01:08:36,280 --> 01:08:40,720
Speaker 2: was coming, we didn't plan for the winner, and we

1293
01:08:40,840 --> 01:08:43,519
Speaker 2: found ourselves in the winter months, right, And so now

1294
01:08:43,640 --> 01:08:46,960
Speaker 2: people start to have expectations things ain't going like you said,

1295
01:08:47,600 --> 01:08:49,760
Speaker 2: and we're trying to tighten the belt up around here

1296
01:08:50,720 --> 01:08:55,240
Speaker 2: and see exactly what's going on. And I think he

1297
01:08:55,320 --> 01:09:00,320
Speaker 2: allowed that to blur's vision and he started to I mean,

1298
01:09:00,560 --> 01:09:04,280
Speaker 2: he's friends. I wonder what dude learned from that time.

1299
01:09:06,600 --> 01:09:07,639
Speaker 2: Let's look at it a little more.

1300
01:09:08,080 --> 01:09:14,040
Speaker 18: Did Joe asked Spotify for two hundred and fifty million dollars?

1301
01:09:15,800 --> 01:09:15,840
Speaker 7: What?

1302
01:09:18,040 --> 01:09:23,000
Speaker 8: Yes, wheeze, what this is a reliable grapevine?

1303
01:09:23,040 --> 01:09:25,240
Speaker 6: This is this is a reliable grapevine.

1304
01:09:25,560 --> 01:09:30,679
Speaker 18: Did he asked Spotify for two hundred and fifty million dollars?

1305
01:09:30,960 --> 01:09:37,160
Speaker 6: So everybody in the comments, shut the fuck up. This

1306
01:09:37,400 --> 01:09:41,679
Speaker 6: goofy out here talking about twarter fifty million dollars. Under

1307
01:09:41,760 --> 01:09:42,880
Speaker 6: fifty million dollars.

1308
01:09:43,360 --> 01:09:45,599
Speaker 19: Yo, that business has a education he was talking about,

1309
01:09:45,640 --> 01:09:48,320
Speaker 19: and he's getting You need to keep educating buddy too.

1310
01:09:48,360 --> 01:09:49,120
Speaker 6: Fifty million.

1311
01:09:49,800 --> 01:09:52,959
Speaker 18: Wait what they won't even give you a fucking ROLEXU

1312
01:09:53,080 --> 01:09:55,439
Speaker 18: Mariner your fifty million dollars line.

1313
01:09:55,880 --> 01:09:56,400
Speaker 1: This is alleged.

1314
01:09:56,520 --> 01:09:57,599
Speaker 8: I can't say it's a fact.

1315
01:09:58,240 --> 01:09:59,120
Speaker 18: This is alleged.

1316
01:09:59,680 --> 01:09:59,800
Speaker 8: You know.

1317
01:10:00,520 --> 01:10:04,719
Speaker 18: Now, usually that's not that's enough information for the media

1318
01:10:04,720 --> 01:10:05,240
Speaker 18: to run wild.

1319
01:10:05,320 --> 01:10:07,240
Speaker 1: I gotta hear how he came to this number.

1320
01:10:08,880 --> 01:10:11,080
Speaker 6: God, jack, bro. You know what's more ludicrous?

1321
01:10:11,400 --> 01:10:14,719
Speaker 18: Doctor Dre's ex wife, she sayds man reasonable after join.

1322
01:10:16,240 --> 01:10:21,840
Speaker 6: Fifty million dollars right, at least she was married to

1323
01:10:21,920 --> 01:10:22,240
Speaker 6: the man.

1324
01:10:23,320 --> 01:10:28,120
Speaker 18: Oh my wow, twar a fifty million, bro, I think

1325
01:10:28,240 --> 01:10:29,559
Speaker 18: that's more than Rogan God.

1326
01:10:30,200 --> 01:10:33,720
Speaker 6: You gotta be crazy to ask for that. I think

1327
01:10:33,880 --> 01:10:35,320
Speaker 6: that's more than Rogan God.

1328
01:10:36,400 --> 01:10:38,759
Speaker 8: So this is what we were talking.

1329
01:10:38,600 --> 01:10:43,280
Speaker 18: About about, not truly understanding how corporations operate, in the

1330
01:10:43,520 --> 01:10:47,800
Speaker 18: dynamics within a corporation. And that was my criticism in

1331
01:10:47,960 --> 01:10:51,920
Speaker 18: that video. And thank you so much, Joseph Budden, for.

1332
01:10:53,520 --> 01:10:54,160
Speaker 10: Making me right.

1333
01:10:54,600 --> 01:10:57,120
Speaker 1: I believe this is where that friction came from.

1334
01:10:57,360 --> 01:11:00,679
Speaker 2: Now that that's in context, that go back and see

1335
01:11:00,720 --> 01:11:02,040
Speaker 2: what Joe was saying about Andrew.

1336
01:11:02,640 --> 01:11:05,559
Speaker 16: I think that the algorithm is working in Schultz's favor

1337
01:11:05,720 --> 01:11:07,559
Speaker 16: right now because of all of the work that he's

1338
01:11:07,640 --> 01:11:11,160
Speaker 16: done and just relationships and like it's working for him.

1339
01:11:11,200 --> 01:11:15,360
Speaker 16: And you see that, really, See that's what i'm That's

1340
01:11:15,400 --> 01:11:17,280
Speaker 16: what i'man. You got to use people and get evidence,

1341
01:11:17,400 --> 01:11:21,400
Speaker 16: not about the people, but about the tech. Andrew Schultz

1342
01:11:21,520 --> 01:11:23,760
Speaker 16: is a real thing. And if he can do this

1343
01:11:23,960 --> 01:11:26,800
Speaker 16: here and not do it over here, then y'all are

1344
01:11:26,840 --> 01:11:29,760
Speaker 16: doing something back there. Okay, So and I think that's

1345
01:11:29,800 --> 01:11:32,240
Speaker 16: a fact. I think the people that have created content

1346
01:11:32,320 --> 01:11:35,400
Speaker 16: long enough know that they're doing something back there. Do

1347
01:11:35,439 --> 01:11:37,040
Speaker 16: you want to tell me that Charlomagne and God has

1348
01:11:37,080 --> 01:11:38,000
Speaker 16: not talked about politics?

1349
01:11:40,880 --> 01:11:42,280
Speaker 4: Come on, come on, come on.

1350
01:11:42,520 --> 01:11:42,720
Speaker 7: Yeah.

1351
01:11:42,760 --> 01:11:45,280
Speaker 15: But it's like different, like that's my UFC. There's about

1352
01:11:45,280 --> 01:11:47,439
Speaker 15: a bunch of shit. Like when I watch this podcast,

1353
01:11:47,479 --> 01:11:48,000
Speaker 15: I feel like.

1354
01:11:48,240 --> 01:11:51,320
Speaker 16: I think everything you're saying could be true. I also

1355
01:11:51,439 --> 01:11:55,840
Speaker 16: think along with that the lever could be pulled a tour.

1356
01:11:56,000 --> 01:11:58,360
Speaker 16: But that's why I applaud all the people that I

1357
01:11:58,439 --> 01:12:00,760
Speaker 16: have respect for. I don't have to like y'all.

1358
01:12:00,840 --> 01:12:01,320
Speaker 4: I don't want to.

1359
01:12:01,479 --> 01:12:03,479
Speaker 16: I don't have to have to want to work with

1360
01:12:03,640 --> 01:12:07,439
Speaker 16: y'all or be around y'all. But y'all out there that

1361
01:12:07,560 --> 01:12:11,519
Speaker 16: are doing it correctly and successfully, we all inspire each other.

1362
01:12:12,720 --> 01:12:15,040
Speaker 16: You all got to look and just pull whatever you

1363
01:12:15,120 --> 01:12:16,800
Speaker 16: could pull like that.

1364
01:12:16,960 --> 01:12:18,960
Speaker 4: Respect. My respect level was enormous.

1365
01:12:19,400 --> 01:12:22,280
Speaker 2: Let's get to this bTB Savage for those of you unawell.

1366
01:12:22,360 --> 01:12:26,440
Speaker 2: bTB Savages a rapper from Texas. He was an individual

1367
01:12:26,520 --> 01:12:30,080
Speaker 2: that underwent a home invasion to set up a robbery.

1368
01:12:30,960 --> 01:12:32,960
Speaker 2: They try to get active and get with him and

1369
01:12:33,080 --> 01:12:37,200
Speaker 2: take him down, and he survived. Him and the guy

1370
01:12:37,240 --> 01:12:39,920
Speaker 2: scuffle for the gun. It was a long fight, so

1371
01:12:40,000 --> 01:12:42,519
Speaker 2: old Lady was involved. She came out she was actually

1372
01:12:42,560 --> 01:12:44,360
Speaker 2: the one that pulled the trigger and shot a couple

1373
01:12:44,439 --> 01:12:46,880
Speaker 2: of times to save his life. I think we've all

1374
01:12:47,000 --> 01:12:50,120
Speaker 2: followed my story so far, and I think it sounds normal.

1375
01:12:50,200 --> 01:12:53,840
Speaker 2: Somebody defending them their life, probably making a mistake by

1376
01:12:53,920 --> 01:12:56,720
Speaker 2: letting someone know where they are, and we'll get to

1377
01:12:56,800 --> 01:12:59,720
Speaker 2: all that in a minute. But he decided to do

1378
01:12:59,840 --> 01:13:03,599
Speaker 2: a Glad TV interview and use these circumstances to promote

1379
01:13:03,640 --> 01:13:07,839
Speaker 2: his music. He also took a picture in the guy's

1380
01:13:07,960 --> 01:13:11,680
Speaker 2: blood and uploaded it on the internet. So what was

1381
01:13:11,720 --> 01:13:15,720
Speaker 2: seen as unfortunate and that knot was tied to what

1382
01:13:15,920 --> 01:13:19,160
Speaker 2: people believe this to be a miracle.

1383
01:13:19,720 --> 01:13:21,719
Speaker 1: This young man unraveled that knot.

1384
01:13:23,240 --> 01:13:27,320
Speaker 2: And boasted and with the grand standing because he believed

1385
01:13:27,360 --> 01:13:31,120
Speaker 2: that this would push his music. I believe that he

1386
01:13:31,880 --> 01:13:34,600
Speaker 2: understood what he went through. I just think he utilized

1387
01:13:34,640 --> 01:13:36,400
Speaker 2: the gas in the wrong place.

1388
01:13:37,840 --> 01:13:38,000
Speaker 1: Right.

1389
01:13:38,120 --> 01:13:41,679
Speaker 2: That was fuel, Right, Whatever happens to you becomes fuel

1390
01:13:41,760 --> 01:13:43,400
Speaker 2: in your life. But you got to know where he

1391
01:13:43,560 --> 01:13:48,000
Speaker 2: used at and where to burn that fuel off at. Right,

1392
01:13:48,720 --> 01:13:50,960
Speaker 2: if you take that aggression and use it on your family,

1393
01:13:51,040 --> 01:13:53,519
Speaker 2: you used it in the wrong place, you know, But

1394
01:13:53,800 --> 01:13:55,920
Speaker 2: you got to understand how to navigate life.

1395
01:13:56,240 --> 01:13:58,479
Speaker 1: So what we're gonna do is take a look at

1396
01:13:58,520 --> 01:13:59,879
Speaker 1: this lad TV interview.

1397
01:14:00,240 --> 01:14:01,599
Speaker 4: All this happened, san Antonio.

1398
01:14:02,000 --> 01:14:06,479
Speaker 15: Yeah, I say, okay, so tell me exactly what happened

1399
01:14:06,680 --> 01:14:07,759
Speaker 15: leading up to the situation.

1400
01:14:08,840 --> 01:14:10,840
Speaker 10: Shit, they was always hitting me up to do music

1401
01:14:10,920 --> 01:14:13,400
Speaker 10: and shit like that. So I was like, all right,

1402
01:14:13,479 --> 01:14:16,840
Speaker 10: bet well, one day it was late. I was like, shit,

1403
01:14:17,360 --> 01:14:19,320
Speaker 10: they were gonna pay for the future or whatever. We're

1404
01:14:19,360 --> 01:14:21,360
Speaker 10: gonna do the song and then they gotta do the

1405
01:14:21,400 --> 01:14:23,679
Speaker 10: problem with it. I was gonna do it at first.

1406
01:14:23,760 --> 01:14:25,320
Speaker 10: I wasn't gonna do that first. I mean, because it

1407
01:14:25,400 --> 01:14:28,200
Speaker 10: was so late. It was like, damn there ten eleven.

1408
01:14:28,720 --> 01:14:30,360
Speaker 10: When I was talking to the girl I was with

1409
01:14:30,439 --> 01:14:32,000
Speaker 10: at the time, I'm like, shit, I do this shit

1410
01:14:32,040 --> 01:14:33,880
Speaker 10: up the way till tomorrow and just meet him at

1411
01:14:33,880 --> 01:14:37,320
Speaker 10: a real studio and then but I ain't gonna lie.

1412
01:14:37,400 --> 01:14:38,840
Speaker 10: Just want the bread. I'm like, all right, bet they

1413
01:14:38,960 --> 01:14:41,200
Speaker 10: gonna pull up, got the bread real quick, dip out,

1414
01:14:41,680 --> 01:14:44,439
Speaker 10: and then go back to my other crip with my cousin.

1415
01:14:45,280 --> 01:14:48,360
Speaker 2: So that's the first thing I want to speak about,

1416
01:14:48,920 --> 01:14:51,400
Speaker 2: because when I was explaining this situation to somebody, I

1417
01:14:51,520 --> 01:14:53,760
Speaker 2: had to let them know, like it don't matter how

1418
01:14:53,840 --> 01:14:56,160
Speaker 2: good a lot of these dudes look. These dudes be

1419
01:14:56,320 --> 01:15:00,200
Speaker 2: needing them little extra sixes and sevens and eights, them

1420
01:15:00,240 --> 01:15:03,280
Speaker 2: the extra dimes and fit ins. Yeah nah, he got

1421
01:15:03,400 --> 01:15:06,360
Speaker 2: plenty of jee room made bag all that, But here

1422
01:15:06,520 --> 01:15:07,880
Speaker 2: he can he'll take a sale.

1423
01:15:08,000 --> 01:15:08,360
Speaker 11: My aid.

1424
01:15:08,920 --> 01:15:11,840
Speaker 2: He might need that right now. Like so spencially on

1425
01:15:12,000 --> 01:15:14,360
Speaker 2: to come up. A lot of the rap guys that's

1426
01:15:15,520 --> 01:15:17,720
Speaker 2: situated in the game, they don't go through this. But

1427
01:15:17,880 --> 01:15:20,880
Speaker 2: in the entertainment industry, a lot of this is you

1428
01:15:21,040 --> 01:15:23,960
Speaker 2: live in uncertainty. You don't know when the next bag come,

1429
01:15:24,600 --> 01:15:26,720
Speaker 2: you know, Nigga, I warn a bag. I got a

1430
01:15:26,800 --> 01:15:28,920
Speaker 2: big brand. I'd have done this that. I warn a

1431
01:15:29,000 --> 01:15:30,200
Speaker 2: bag where's gonna come?

1432
01:15:30,720 --> 01:15:30,920
Speaker 7: You know?

1433
01:15:31,040 --> 01:15:33,479
Speaker 2: And it's like you gotta make them bags come. So

1434
01:15:33,600 --> 01:15:36,320
Speaker 2: if a nigga call you, you ain't really had no

1435
01:15:36,479 --> 01:15:39,120
Speaker 2: show in two weeks. You might have had no verse

1436
01:15:39,200 --> 01:15:41,640
Speaker 2: in a month or two. Nigga hit you, hey, we

1437
01:15:41,720 --> 01:15:43,680
Speaker 2: want to get that verse. Brother, it's gonna do that.

1438
01:15:44,080 --> 01:15:46,680
Speaker 2: Here you wheels with all this jewel and shit. I

1439
01:15:46,720 --> 01:15:49,320
Speaker 2: ain't got enough money to tell a nigga no see,

1440
01:15:49,320 --> 01:15:51,040
Speaker 2: I done saw this. I come from the street.

1441
01:15:51,120 --> 01:15:51,599
Speaker 1: In the street.

1442
01:15:51,640 --> 01:15:52,040
Speaker 11: They do this.

1443
01:15:52,120 --> 01:15:55,799
Speaker 2: They hustle so much, right, nigga got se call six houses,

1444
01:15:56,120 --> 01:16:01,120
Speaker 2: two apartments of condo and four bits. He gotta sell

1445
01:16:01,320 --> 01:16:06,719
Speaker 2: every he can't afford to slip up. Now every dollar

1446
01:16:06,800 --> 01:16:09,920
Speaker 2: he gets is accounted for. He got so much bills,

1447
01:16:10,000 --> 01:16:12,080
Speaker 2: his overhead high. He don't know how to bring the

1448
01:16:12,160 --> 01:16:14,519
Speaker 2: overhead down and make the money rise. They don't know

1449
01:16:14,560 --> 01:16:17,840
Speaker 2: how to do that. They call it balling. Be able

1450
01:16:17,880 --> 01:16:20,839
Speaker 2: to pay a whole bunch of bills that wasn't called balling,

1451
01:16:21,400 --> 01:16:23,599
Speaker 2: not owning a whole bunch of shit. I'm giving y'all

1452
01:16:23,720 --> 01:16:26,679
Speaker 2: real game. Ain't nobody else I'm giving y'all real game.

1453
01:16:27,040 --> 01:16:29,360
Speaker 2: A lot of people don't even understand if they call

1454
01:16:29,520 --> 01:16:32,000
Speaker 2: balling being able to pay a bunch of bills not

1455
01:16:32,200 --> 01:16:35,439
Speaker 2: owning a bunch of shit. When you get you a boss,

1456
01:16:35,560 --> 01:16:37,680
Speaker 2: when you own a bunch of you balling, when you

1457
01:16:37,760 --> 01:16:39,920
Speaker 2: can pay a bunch of bills. I'm laying the blueprint

1458
01:16:39,960 --> 01:16:42,599
Speaker 2: out for y'all, and it's a difference in that both

1459
01:16:42,640 --> 01:16:44,960
Speaker 2: of them you doing good in life. But don't confuse

1460
01:16:45,000 --> 01:16:49,000
Speaker 2: a baller with a boss. Don't never confuse a ball

1461
01:16:49,080 --> 01:16:53,160
Speaker 2: over a boss. A lot of these balling don't own nothing.

1462
01:16:54,479 --> 01:16:58,120
Speaker 2: They got right now money now back to bTB sevice.

1463
01:16:58,240 --> 01:17:01,360
Speaker 2: This would make somebody say, damn man, say Bay, you

1464
01:17:01,400 --> 01:17:03,960
Speaker 2: think I should take the money? She might say, hell,

1465
01:17:04,080 --> 01:17:06,679
Speaker 2: I don't even make sense. She ain't even from the streets.

1466
01:17:06,680 --> 01:17:08,559
Speaker 2: She might not even They don't even you finna call

1467
01:17:08,680 --> 01:17:12,000
Speaker 2: him over here? What but he he need the money?

1468
01:17:14,040 --> 01:17:16,479
Speaker 2: You don't give a fuck about them cordiers. And I'll

1469
01:17:16,600 --> 01:17:19,320
Speaker 2: let you have and I know you just need the money,

1470
01:17:20,600 --> 01:17:23,679
Speaker 2: Y'all't man listen, I'm gonna be quiet and i'mna relax

1471
01:17:23,800 --> 01:17:26,599
Speaker 2: because it's people that need this information. So what happens

1472
01:17:26,760 --> 01:17:30,280
Speaker 2: is he goes on to say, come on where I'm at.

1473
01:17:31,720 --> 01:17:35,559
Speaker 2: And that's the mistake. But if his business was right

1474
01:17:35,600 --> 01:17:37,360
Speaker 2: and he was streaming good, and he was in a

1475
01:17:37,439 --> 01:17:39,680
Speaker 2: situation to be paid for what he's doing and the

1476
01:17:39,800 --> 01:17:42,880
Speaker 2: visibility that's attached to his name, that's the that's your

1477
01:17:42,920 --> 01:17:46,400
Speaker 2: worst night, ma'am. Man to be a street blow your

1478
01:17:46,439 --> 01:17:49,840
Speaker 2: face up and you ain't been paid. Oh my god,

1479
01:17:51,320 --> 01:17:55,280
Speaker 2: that's a night, ma'am. Under no circumstances. What I call

1480
01:17:55,400 --> 01:17:57,160
Speaker 2: somebody where I live at, I don't give a damn

1481
01:17:57,240 --> 01:18:00,800
Speaker 2: what they spending. I don't give a damn what you

1482
01:18:00,920 --> 01:18:02,760
Speaker 2: spend it. You can't come to where I live at.

1483
01:18:04,080 --> 01:18:06,840
Speaker 2: It gotta be a relationship thing. The amount of money

1484
01:18:06,880 --> 01:18:09,400
Speaker 2: you I never meet you for the first time at

1485
01:18:09,479 --> 01:18:13,840
Speaker 2: my house. These are rookie mistakes. I'd have met you

1486
01:18:13,960 --> 01:18:16,920
Speaker 2: for the first time at my house. If somebody get

1487
01:18:17,040 --> 01:18:19,200
Speaker 2: me like that, it's gonna be a worker. Somebody you

1488
01:18:19,280 --> 01:18:22,080
Speaker 2: gotta call in. Hey, man, I need some dry wall

1489
01:18:22,200 --> 01:18:24,920
Speaker 2: hung or I need some concrete poured. He gonna have

1490
01:18:25,000 --> 01:18:27,840
Speaker 2: to up on me with the work outfiting on. He

1491
01:18:27,960 --> 01:18:30,759
Speaker 2: probably don't even can get close enough to you feeling.

1492
01:18:30,840 --> 01:18:33,000
Speaker 2: But anybody you're not finna pull up for the first

1493
01:18:33,080 --> 01:18:34,720
Speaker 2: time and this matter for what you doing?

1494
01:18:34,840 --> 01:18:35,160
Speaker 1: Family?

1495
01:18:35,479 --> 01:18:35,639
Speaker 4: Man?

1496
01:18:35,720 --> 01:18:38,080
Speaker 2: My my name Loran, what your name? My name Rake?

1497
01:18:38,240 --> 01:18:41,120
Speaker 2: My name Rico, and you at my house and my

1498
01:18:41,280 --> 01:18:43,879
Speaker 2: kids back there. It's a total mistake. Let's pay attention.

1499
01:18:47,000 --> 01:18:48,840
Speaker 10: Said so last minute, I'm like, share, just come on.

1500
01:18:49,000 --> 01:18:50,880
Speaker 10: They're like, we got our own studio. Like if I

1501
01:18:50,960 --> 01:18:53,840
Speaker 10: say something, they got something to respond to it. Oh

1502
01:18:54,080 --> 01:18:55,800
Speaker 10: I don't got this. Oh I got it, I got this.

1503
01:18:55,960 --> 01:18:56,280
Speaker 1: I got that.

1504
01:18:56,840 --> 01:18:58,679
Speaker 10: So I'm like, shit, pull up, let's do this home quick.

1505
01:18:59,200 --> 01:19:01,920
Speaker 10: So they pull up a whatever and it's him. I mean,

1506
01:19:01,960 --> 01:19:04,960
Speaker 10: it's other people in the car, so I don't know

1507
01:19:05,000 --> 01:19:05,519
Speaker 10: how that goes.

1508
01:19:05,600 --> 01:19:05,840
Speaker 4: Whatever.

1509
01:19:05,920 --> 01:19:07,479
Speaker 10: I don't know if it was dropping him off for what,

1510
01:19:08,040 --> 01:19:10,519
Speaker 10: so boom they both hop out and I'm like, what's up.

1511
01:19:10,520 --> 01:19:12,240
Speaker 10: I'm talking to him, like what's up? What y'all loan

1512
01:19:12,280 --> 01:19:14,479
Speaker 10: blah blah blah. They're like, oh man, we just chilling.

1513
01:19:14,720 --> 01:19:16,559
Speaker 10: They're like, we've been trying to do this for the longest. Brother,

1514
01:19:16,560 --> 01:19:19,040
Speaker 10: you be bullshit, and Dad, I'm like, all right, bet

1515
01:19:19,320 --> 01:19:22,360
Speaker 10: we go inside the crib and then they just talking

1516
01:19:22,439 --> 01:19:25,800
Speaker 10: and shit like looking around. That's why I figured it

1517
01:19:25,880 --> 01:19:27,599
Speaker 10: was kind of weird. They're looking around when they first

1518
01:19:27,640 --> 01:19:30,560
Speaker 10: walking my crib like moing like that and shit. But

1519
01:19:30,920 --> 01:19:32,240
Speaker 10: I just kind of didn't pay it no mind. I

1520
01:19:32,320 --> 01:19:34,040
Speaker 10: was just more of like, come on, when they get

1521
01:19:34,080 --> 01:19:36,120
Speaker 10: this out the way, I'm just gonna knock this shout

1522
01:19:36,200 --> 01:19:39,200
Speaker 10: thirty seconds rapping real quick, and now I'm done. I

1523
01:19:39,240 --> 01:19:42,840
Speaker 10: ain't tripping, so boom they got damn started putting out

1524
01:19:42,880 --> 01:19:46,240
Speaker 10: the equipment or whatever or fake equipment. Like he pulled

1525
01:19:46,280 --> 01:19:49,160
Speaker 10: out a little box that it's a studio box, but

1526
01:19:49,320 --> 01:19:51,439
Speaker 10: like it got the mixer in it, it ain't have

1527
01:19:51,640 --> 01:19:54,360
Speaker 10: really shit in it. So then a dude, I guess,

1528
01:19:54,439 --> 01:19:56,479
Speaker 10: the older dude. I ain't really know him like that.

1529
01:19:56,680 --> 01:19:58,680
Speaker 10: I don't know I don't know them like that. I

1530
01:19:58,760 --> 01:20:03,719
Speaker 10: didn't know him at all. So whenever he was talking

1531
01:20:03,800 --> 01:20:05,360
Speaker 10: to me, the dude that I'm talking to for the

1532
01:20:05,439 --> 01:20:09,840
Speaker 10: future or whatever, he talking to his uncle like he

1533
01:20:09,960 --> 01:20:12,040
Speaker 10: was like, oh, I ain't got this, I ain't got that.

1534
01:20:12,400 --> 01:20:14,760
Speaker 10: So his uncle said go to the car and get

1535
01:20:14,920 --> 01:20:16,920
Speaker 10: more like get your get the rest of the equipment

1536
01:20:17,000 --> 01:20:18,120
Speaker 10: or whatever you asked me.

1537
01:20:18,280 --> 01:20:20,840
Speaker 2: That's another red flag. So you mean to tell me,

1538
01:20:20,960 --> 01:20:23,720
Speaker 2: y'all just came in my house with a box. And

1539
01:20:24,000 --> 01:20:26,280
Speaker 2: as soon as y'all got in here, you realize, oh,

1540
01:20:26,400 --> 01:20:31,000
Speaker 2: we love something in the car. See that's fishy. Something

1541
01:20:31,080 --> 01:20:35,960
Speaker 2: ain't right about that. Now he recovered. So he had

1542
01:20:36,000 --> 01:20:38,880
Speaker 2: to come from the street because he recovered. And this

1543
01:20:39,040 --> 01:20:41,559
Speaker 2: is what I be saying about these internet gangsters, these

1544
01:20:41,640 --> 01:20:45,000
Speaker 2: internet guys, these trolls, these people that play online and

1545
01:20:45,120 --> 01:20:47,320
Speaker 2: all of that. They don't know how to recover. They

1546
01:20:47,360 --> 01:20:49,840
Speaker 2: can get themselves in a situation and they don't know

1547
01:20:49,920 --> 01:20:52,880
Speaker 2: how to recover. Because see him letting them know where

1548
01:20:52,880 --> 01:20:55,920
Speaker 2: he was at was the mistake posted cost him his life,

1549
01:20:56,720 --> 01:20:59,880
Speaker 2: but he was able to recover. It's times where you

1550
01:21:00,120 --> 01:21:02,760
Speaker 2: and when you engaged with things that can cause you

1551
01:21:02,920 --> 01:21:06,280
Speaker 2: damage when you have recover time, if you have intel

1552
01:21:06,360 --> 01:21:08,760
Speaker 2: on what to do. You know, like a dude might

1553
01:21:08,880 --> 01:21:12,080
Speaker 2: up his gun, but he's too close or he's too far.

1554
01:21:13,200 --> 01:21:15,479
Speaker 2: You know, you gotta kind of know how to maneuver

1555
01:21:15,600 --> 01:21:19,120
Speaker 2: around both situations. You might be in a situation where

1556
01:21:19,120 --> 01:21:21,519
Speaker 2: you be where you involved with a guy across town

1557
01:21:21,600 --> 01:21:23,800
Speaker 2: and you might be bad something from him for the

1558
01:21:23,880 --> 01:21:26,280
Speaker 2: first time, because you need something bad and you really

1559
01:21:26,320 --> 01:21:28,439
Speaker 2: done got a little thirsty. You're supposed to be waiting

1560
01:21:28,479 --> 01:21:30,759
Speaker 2: on your people, but you done got a little thursty.

1561
01:21:30,800 --> 01:21:32,479
Speaker 2: So you reach out to the dude. You ain't never

1562
01:21:32,640 --> 01:21:35,800
Speaker 2: met the guy. That's the mistake. He get over there

1563
01:21:35,840 --> 01:21:38,000
Speaker 2: to sell you some bad. It ain't no good, but

1564
01:21:38,120 --> 01:21:41,160
Speaker 2: you recovered because you've been in this game a long time.

1565
01:21:41,280 --> 01:21:43,240
Speaker 2: So when you got in the car, he thought you

1566
01:21:43,320 --> 01:21:45,000
Speaker 2: were gonna get it, paying me and get out. You

1567
01:21:45,160 --> 01:21:47,880
Speaker 2: got it and open the bag. You want to check it.

1568
01:21:48,920 --> 01:21:51,040
Speaker 2: You saying, if it's sticking to the players to you

1569
01:21:51,200 --> 01:21:53,479
Speaker 2: know what to look for. This is to recover time.

1570
01:21:53,960 --> 01:21:55,599
Speaker 2: This dude has some recover time.

1571
01:21:55,680 --> 01:21:56,439
Speaker 1: And he peeped it.

1572
01:21:56,520 --> 01:22:00,240
Speaker 2: He said, damn, hew, y'all, nigga, just come in my house.

1573
01:22:00,320 --> 01:22:02,439
Speaker 2: Ain't been in here one minute, and then you gotta

1574
01:22:02,520 --> 01:22:04,840
Speaker 2: go back to the car. Something ain't right about that.

1575
01:22:05,479 --> 01:22:07,479
Speaker 2: His next move this what saved his life.

1576
01:22:08,400 --> 01:22:11,880
Speaker 10: So I'm thinking, like, damn, why would you? It should

1577
01:22:11,880 --> 01:22:15,000
Speaker 10: be the opposite way you tell him to go, because

1578
01:22:15,040 --> 01:22:18,120
Speaker 10: I'm we like the ones we we locked in, we

1579
01:22:18,280 --> 01:22:20,519
Speaker 10: talked or whatever about the song to do the song

1580
01:22:20,960 --> 01:22:22,719
Speaker 10: and you're gonna leave the random dude in my credit

1581
01:22:23,040 --> 01:22:25,120
Speaker 10: type shit. So when he walked out, I was kind

1582
01:22:25,160 --> 01:22:27,920
Speaker 10: of nervous, so I locked the door both locks, and

1583
01:22:29,080 --> 01:22:32,320
Speaker 10: his uncle he put it out like, oh man, we

1584
01:22:32,360 --> 01:22:34,360
Speaker 10: ain't on that. We ain't on that. Uh we're not

1585
01:22:34,439 --> 01:22:36,040
Speaker 10: on no beer shit or nothing like that. You ain't

1586
01:22:36,040 --> 01:22:38,400
Speaker 10: gotta lock the doors, and like that. I'm a grown

1587
01:22:38,439 --> 01:22:41,200
Speaker 10: Man's kind of nervous. So I locked the door both locks.

1588
01:22:41,479 --> 01:22:42,400
Speaker 1: That saved his life.

1589
01:22:42,479 --> 01:22:42,800
Speaker 4: Right though.

1590
01:22:43,000 --> 01:22:46,120
Speaker 10: His uncle he pulled out some bread. He like, oh man,

1591
01:22:46,160 --> 01:22:48,160
Speaker 10: we ain't on that. We ain't on that. Uh we're

1592
01:22:48,160 --> 01:22:49,680
Speaker 10: not on no beer shit or nothing like that. You

1593
01:22:49,680 --> 01:22:51,880
Speaker 10: ain't got to lock the doors, and like that. I'm

1594
01:22:51,920 --> 01:22:54,519
Speaker 10: a grown man or whatever. I was like, oh no, bro,

1595
01:22:54,680 --> 01:22:57,400
Speaker 10: I just got PTSD, Like whenever he come and knock

1596
01:22:57,439 --> 01:22:59,559
Speaker 10: on the door, I'll just open it like that. I'm

1597
01:22:59,600 --> 01:23:01,439
Speaker 10: not I'm not. I don't let nobody random person walking

1598
01:23:01,479 --> 01:23:03,960
Speaker 10: my crib. And then he like he's like, oh no,

1599
01:23:04,040 --> 01:23:06,160
Speaker 10: I respect that. I respect that. And I was like yeah,

1600
01:23:06,200 --> 01:23:07,760
Speaker 10: and he was like, yeah, we be doing that shit.

1601
01:23:07,840 --> 01:23:09,880
Speaker 10: We be active too. He pulling our bread. He was

1602
01:23:09,880 --> 01:23:11,679
Speaker 10: like yeah, I've been doing this and blah blah blah,

1603
01:23:11,960 --> 01:23:15,400
Speaker 10: and I'm like, I was like, shut it no for

1604
01:23:15,520 --> 01:23:18,439
Speaker 10: shure like respect, like do your thing. I ain't tripping,

1605
01:23:18,439 --> 01:23:19,920
Speaker 10: I don't care. I actually don't give a fuck what

1606
01:23:20,000 --> 01:23:22,960
Speaker 10: they were doing. And where a bread at pay for?

1607
01:23:23,040 --> 01:23:23,080
Speaker 6: This?

1608
01:23:23,120 --> 01:23:23,320
Speaker 11: Ship?

1609
01:23:23,439 --> 01:23:27,479
Speaker 10: Got my face real. So while he talking, he asked

1610
01:23:27,520 --> 01:23:30,599
Speaker 10: me about my chaining. He like, how much what Juli

1611
01:23:30,680 --> 01:23:32,320
Speaker 10: you go to blah blah blah, how much you hit

1612
01:23:32,400 --> 01:23:34,240
Speaker 10: you for? And I'm telling Hi, I'm like, oh, yeah,

1613
01:23:34,560 --> 01:23:36,519
Speaker 10: I dropped the back of this one. Da da da

1614
01:23:36,680 --> 01:23:39,240
Speaker 10: da dah. And then while as I'm talking, I go

1615
01:23:39,400 --> 01:23:42,519
Speaker 10: down and look at like look at my piece. While

1616
01:23:42,520 --> 01:23:44,760
Speaker 10: he's talking, I'm like this one. I'm like, yeah, this one.

1617
01:23:44,800 --> 01:23:46,519
Speaker 10: While I'm looking down like that, that's when he up

1618
01:23:46,600 --> 01:23:48,880
Speaker 10: the pole on me and he's like, oh yeah, run that,

1619
01:23:49,439 --> 01:23:52,240
Speaker 10: and he had a distance stuff and I'm like, man,

1620
01:23:52,280 --> 01:23:54,760
Speaker 10: you got me fucked up. I ain't running ship. So

1621
01:24:00,080 --> 01:24:01,640
Speaker 10: you were like, shit, y're runner, I'm gonna blow you

1622
01:24:02,439 --> 01:24:03,960
Speaker 10: and he like I'm gonna shoot you type shit, and

1623
01:24:04,040 --> 01:24:06,240
Speaker 10: I was like I was like, bro, you dad, I

1624
01:24:06,320 --> 01:24:07,840
Speaker 10: see it right now. And you were like, I'll shoot

1625
01:24:07,880 --> 01:24:10,720
Speaker 10: your bitch. Nigga, run that shit. So while I'm sitting there.

1626
01:24:12,320 --> 01:24:15,320
Speaker 10: I'm talking to him or whatever. He's like running. I'm like, naw,

1627
01:24:15,360 --> 01:24:16,160
Speaker 10: you got me fucked up.

1628
01:24:16,640 --> 01:24:22,160
Speaker 2: So you have to understand that the circumstances of this situation, right,

1629
01:24:23,160 --> 01:24:26,400
Speaker 2: his son is back to sleep, his old lady back there.

1630
01:24:26,880 --> 01:24:29,760
Speaker 2: He done invited some niggas over here by some peanuts

1631
01:24:29,840 --> 01:24:32,080
Speaker 2: to what he fol laying. And so because he's finna

1632
01:24:32,120 --> 01:24:36,479
Speaker 2: do a verse, they done brought some studio equipment. It

1633
01:24:36,560 --> 01:24:38,880
Speaker 2: ain't no way you a rich nigga, you and you

1634
01:24:39,040 --> 01:24:41,600
Speaker 2: make that kind of move unless you just dumb. And

1635
01:24:41,760 --> 01:24:43,920
Speaker 2: I don't take nobody to be dumb. That had to

1636
01:24:43,960 --> 01:24:47,479
Speaker 2: operate in the streets. So I'm saying that this had

1637
01:24:47,560 --> 01:24:50,760
Speaker 2: to be because money was you know, I needed that

1638
01:24:50,920 --> 01:24:51,559
Speaker 2: little chatter.

1639
01:24:51,720 --> 01:24:52,439
Speaker 1: I needed that.

1640
01:24:54,560 --> 01:24:56,760
Speaker 2: Man, you think I'm finna lest somebody pull up to

1641
01:24:56,840 --> 01:25:00,599
Speaker 2: my house with some studio equipment. Some random them niggas

1642
01:25:00,760 --> 01:25:03,160
Speaker 2: want a verse paying me finna come set up in

1643
01:25:03,280 --> 01:25:08,760
Speaker 2: my crib. Never I take them niggas in the middle

1644
01:25:08,800 --> 01:25:11,760
Speaker 2: of the projects. Let's do it in the projects. Pull

1645
01:25:11,840 --> 01:25:16,519
Speaker 2: up in the projects with your studio equipment. Let's do

1646
01:25:16,640 --> 01:25:21,240
Speaker 2: it in Apartment ACE sixteen B right there. Yeah, yeah,

1647
01:25:21,320 --> 01:25:22,280
Speaker 2: we and I do it.

1648
01:25:22,439 --> 01:25:25,200
Speaker 1: I ain't come on, man, His old lady in the

1649
01:25:25,320 --> 01:25:28,320
Speaker 1: back don't even know they all in and fighting. Don't

1650
01:25:28,360 --> 01:25:30,439
Speaker 1: even know up the gun lips. See that's what I'm saying.

1651
01:25:30,439 --> 01:25:32,479
Speaker 2: Another thing you done told her mind your being and

1652
01:25:32,560 --> 01:25:35,120
Speaker 2: when the niggas, anybody come over here. You don't got

1653
01:25:35,160 --> 01:25:37,599
Speaker 2: no biding's dining there with these niggas and worried about

1654
01:25:37,800 --> 01:25:40,000
Speaker 2: you done, gave all let's speech. Now you down that

1655
01:25:40,120 --> 01:25:43,439
Speaker 2: nigga and drew dying on you. She ain't even coming in.

1656
01:25:43,720 --> 01:25:46,880
Speaker 2: She don't you told us stay away. You so insecure

1657
01:25:46,960 --> 01:25:50,840
Speaker 2: she can't walk to the bathroom. Now you down there,

1658
01:25:51,000 --> 01:25:55,200
Speaker 2: nigga got the pole on. You can't do nothing. Pay attention,

1659
01:25:56,240 --> 01:25:57,960
Speaker 2: not saying he done that, but pay attention.

1660
01:25:58,439 --> 01:26:01,280
Speaker 10: What the hell you got going? And then he was like, no,

1661
01:26:01,439 --> 01:26:04,000
Speaker 10: well I see you flexing on Instagram. All that ship that?

1662
01:26:04,120 --> 01:26:04,720
Speaker 10: Where is that?

1663
01:26:05,200 --> 01:26:05,400
Speaker 7: Like that?

1664
01:26:06,479 --> 01:26:09,280
Speaker 10: I was like, man, all right, bro, I started taking

1665
01:26:09,320 --> 01:26:11,719
Speaker 10: off my chain first because he started asking him about

1666
01:26:11,720 --> 01:26:14,800
Speaker 10: other ship like where is? So I'm like, I'm giving

1667
01:26:14,880 --> 01:26:17,040
Speaker 10: what he wanted real quick. So I took off my

1668
01:26:17,200 --> 01:26:19,360
Speaker 10: chain and he's standing at a distance. He's still at

1669
01:26:19,400 --> 01:26:21,720
Speaker 10: a distance, so I can't like move quick and jump,

1670
01:26:23,040 --> 01:26:26,240
Speaker 10: so when he come over, he uh, he reached for

1671
01:26:26,320 --> 01:26:29,240
Speaker 10: the the chain and he took the gun off me

1672
01:26:29,760 --> 01:26:32,640
Speaker 10: right there. I hit him with like both of his

1673
01:26:32,800 --> 01:26:35,560
Speaker 10: arms under my arm pit like this, and I like

1674
01:26:35,720 --> 01:26:37,960
Speaker 10: leaning back, like all the way back, so the elbows

1675
01:26:38,200 --> 01:26:40,160
Speaker 10: lock up like that. So he holding the gun, he

1676
01:26:40,280 --> 01:26:43,040
Speaker 10: turned it and fire after refrigerator and then he like

1677
01:26:43,120 --> 01:26:45,840
Speaker 10: running run at so I felt all I feel fell

1678
01:26:45,920 --> 01:26:47,760
Speaker 10: back like if he would have like tried to hold back,

1679
01:26:47,800 --> 01:26:50,160
Speaker 10: his arms gonna break. So I did jump back and

1680
01:26:50,240 --> 01:26:52,280
Speaker 10: fall all the way back. And then when we fell

1681
01:26:52,320 --> 01:26:54,960
Speaker 10: down to the ground, his hands slammed under me, so

1682
01:26:55,080 --> 01:26:56,840
Speaker 10: he let the gun go, and then he tried to

1683
01:26:56,880 --> 01:26:58,720
Speaker 10: pull out. I don't know if what he was pulling out,

1684
01:26:58,920 --> 01:27:00,479
Speaker 10: but I took his army in the again while he

1685
01:27:00,560 --> 01:27:02,160
Speaker 10: was on top of me on the floor, so his

1686
01:27:02,360 --> 01:27:04,640
Speaker 10: arms under me, both his arms under me, and I

1687
01:27:04,680 --> 01:27:07,040
Speaker 10: can feel the guns on my back. So I pushed

1688
01:27:07,080 --> 01:27:09,120
Speaker 10: my back all the way down and like bring them

1689
01:27:09,120 --> 01:27:12,400
Speaker 10: closer to me. I'm like, I'm like, damn, come shoot him,

1690
01:27:12,560 --> 01:27:13,960
Speaker 10: come shoot him. I'm yelling at Hi. I'm like, come

1691
01:27:13,960 --> 01:27:16,240
Speaker 10: shoot him, come shoot him. I don't know where she at,

1692
01:27:16,360 --> 01:27:18,280
Speaker 10: so I just keep tuggling with him like that until

1693
01:27:18,320 --> 01:27:20,400
Speaker 10: I get rustled them shits out of her hand, out

1694
01:27:20,479 --> 01:27:23,439
Speaker 10: his head, so then she running over there. She got

1695
01:27:23,560 --> 01:27:25,920
Speaker 10: damn shaking and shit, and I'm looking at it. I'm like,

1696
01:27:25,920 --> 01:27:28,760
Speaker 10: shoot him, shoot him, So like I edged, I swing

1697
01:27:28,840 --> 01:27:30,840
Speaker 10: my hip under him like that to put him on

1698
01:27:30,920 --> 01:27:32,320
Speaker 10: top of me all the way on top of me,

1699
01:27:32,760 --> 01:27:34,840
Speaker 10: and then she's popping in the back twice. She's like

1700
01:27:35,200 --> 01:27:38,360
Speaker 10: boom boom in the back. You're like, oh, fuck, this

1701
01:27:38,479 --> 01:27:41,120
Speaker 10: nigga turned into the motherfucking hawk right there. You would

1702
01:27:41,160 --> 01:27:43,320
Speaker 10: think he'll be the hawk before he got shot. But

1703
01:27:43,640 --> 01:27:45,280
Speaker 10: right there, that's when I guess he got a fooling

1704
01:27:45,360 --> 01:27:48,360
Speaker 10: drenaline rush. He started going crazy, like he said, I

1705
01:27:48,360 --> 01:27:50,799
Speaker 10: ain't gonna lie. He got the edge over me basically

1706
01:27:50,880 --> 01:27:52,760
Speaker 10: to where I was on his like on his back.

1707
01:27:53,280 --> 01:27:55,559
Speaker 10: He pulled the guns out, and I got nervous or whatever,

1708
01:27:55,880 --> 01:27:58,000
Speaker 10: so I just swing off from under him and I

1709
01:27:58,080 --> 01:27:59,920
Speaker 10: get on his back and I start wrestling with him,

1710
01:28:00,240 --> 01:28:02,000
Speaker 10: and then I see he got two guns in his hand,

1711
01:28:02,360 --> 01:28:04,000
Speaker 10: so I'm like, where the fuck this nigga get two

1712
01:28:04,040 --> 01:28:06,360
Speaker 10: guns from him? Like the fuck. So I'm holding him

1713
01:28:06,400 --> 01:28:08,760
Speaker 10: down like that, and I grabbed control of the gun

1714
01:28:08,800 --> 01:28:10,400
Speaker 10: because he got his hand on the ground trying to

1715
01:28:10,439 --> 01:28:12,679
Speaker 10: get up, so I'm all on his back. I put

1716
01:28:12,720 --> 01:28:14,720
Speaker 10: my left hand on the gun and the right girl

1717
01:28:14,760 --> 01:28:17,960
Speaker 10: he aim at the bitch or whatever he like, aiming

1718
01:28:18,000 --> 01:28:19,840
Speaker 10: at her head, trying to put the beam. So I'm

1719
01:28:19,840 --> 01:28:21,960
Speaker 10: grabbing his arm like he really trying to aim and

1720
01:28:22,000 --> 01:28:24,439
Speaker 10: shoot at her face type shit. So like he put

1721
01:28:24,520 --> 01:28:26,920
Speaker 10: the beam on her head and I'm like, run, bitch,

1722
01:28:27,040 --> 01:28:30,200
Speaker 10: run like move out the way, and then she take off, honey.

1723
01:28:30,439 --> 01:28:33,880
Speaker 10: He fired three times, boom boom boom. I'm like, oh no,

1724
01:28:34,120 --> 01:28:36,200
Speaker 10: So when I grab him, I make him put the

1725
01:28:36,280 --> 01:28:37,920
Speaker 10: gun down. So he got both of his hands on

1726
01:28:38,000 --> 01:28:40,200
Speaker 10: the ground, but his hands still on the guns and

1727
01:28:40,280 --> 01:28:42,160
Speaker 10: I don't got a good grip. So I'm like, bro,

1728
01:28:42,280 --> 01:28:43,680
Speaker 10: what the fuck are you doing? My kid in that

1729
01:28:43,800 --> 01:28:46,080
Speaker 10: back room family tripping. I'm like, go ahead and get

1730
01:28:46,120 --> 01:28:48,639
Speaker 10: up out of here. Bro, you already fired like five shots.

1731
01:28:48,880 --> 01:28:51,200
Speaker 10: It's hot, the police on the way. Whatever you're trying

1732
01:28:51,200 --> 01:28:52,519
Speaker 10: to do, gonna go back for it. You're gonna go

1733
01:28:52,520 --> 01:28:54,600
Speaker 10: straight to prison. Go ahead and get the fuck up

1734
01:28:54,600 --> 01:28:56,680
Speaker 10: out of here. He's like, no, no, I'm leaving with

1735
01:28:56,760 --> 01:28:58,640
Speaker 10: some nigga. I'm like, bro, you got me fucked up.

1736
01:28:58,800 --> 01:29:00,479
Speaker 10: He was like, oh, you're gonna die. He was like,

1737
01:29:00,479 --> 01:29:02,240
Speaker 10: you're gonna DiPT in here, and I was like, you

1738
01:29:02,320 --> 01:29:03,719
Speaker 10: got me fucked up and then you dying.

1739
01:29:03,800 --> 01:29:04,080
Speaker 1: Fuck that.

1740
01:29:04,479 --> 01:29:07,280
Speaker 10: So I sat going crazy, like getting all over room

1741
01:29:07,360 --> 01:29:07,759
Speaker 10: just whatever.

1742
01:29:08,680 --> 01:29:12,519
Speaker 2: So again, I want to kind of fast forward a

1743
01:29:12,560 --> 01:29:14,959
Speaker 2: little bit, not through the interview, but through the process,

1744
01:29:15,040 --> 01:29:17,519
Speaker 2: because I need us to understand that we are looking

1745
01:29:17,600 --> 01:29:21,960
Speaker 2: at this video knowing the results of the circumstances that

1746
01:29:22,080 --> 01:29:25,240
Speaker 2: he's speaking on. I believe in his mind he's explaining

1747
01:29:25,320 --> 01:29:27,479
Speaker 2: that Yo, I asked dude to leave, he didn't leave.

1748
01:29:27,680 --> 01:29:29,240
Speaker 2: To me, you got to read the room on the

1749
01:29:29,360 --> 01:29:31,639
Speaker 2: kind of individuals you're dealing with. That's why I always

1750
01:29:31,720 --> 01:29:35,040
Speaker 2: tell people all this blind like anybody can get it. Well, yeah,

1751
01:29:35,320 --> 01:29:39,759
Speaker 2: somebody won't it. You might be giving it to somebody

1752
01:29:39,840 --> 01:29:43,400
Speaker 2: that won't it. And you ain't doing me no disservice

1753
01:29:43,479 --> 01:29:46,479
Speaker 2: coming over here, coming to me with drama when I

1754
01:29:46,640 --> 01:29:50,000
Speaker 2: love drama. Right, So you got to navigate this little

1755
01:29:50,040 --> 01:29:53,160
Speaker 2: thin line out here. You dealing with a dude that's

1756
01:29:53,160 --> 01:29:56,160
Speaker 2: wrestling you with a gun them and slammed. He got

1757
01:29:56,200 --> 01:29:57,880
Speaker 2: a chance to run out of there. He's saying he

1758
01:29:57,960 --> 01:30:01,320
Speaker 2: ain't going nowhere. I just want to point that out

1759
01:30:01,360 --> 01:30:05,040
Speaker 2: because that's a characteristic point. Pay attention to who you're

1760
01:30:05,080 --> 01:30:06,920
Speaker 2: dealing with. That's number one.

1761
01:30:07,479 --> 01:30:09,360
Speaker 10: Just take a look, dude, to get the guns off

1762
01:30:09,400 --> 01:30:12,160
Speaker 10: of them. So were on the ground tussling. He like,

1763
01:30:12,200 --> 01:30:15,240
Speaker 10: shoot through the door. Shoot through the door. So then

1764
01:30:15,479 --> 01:30:17,639
Speaker 10: I hear like a boom, like as if they tried

1765
01:30:17,640 --> 01:30:20,240
Speaker 10: to kick the door. They try to kick the door

1766
01:30:20,280 --> 01:30:23,720
Speaker 10: or whatever. I'm like, uh, I'm still on top of him,

1767
01:30:24,880 --> 01:30:26,679
Speaker 10: so I'm looking at her. I'm like I'm like, pass

1768
01:30:26,760 --> 01:30:28,840
Speaker 10: me the gun, Pass me the gun. He about shoot

1769
01:30:28,840 --> 01:30:30,880
Speaker 10: through the door because I was gonna lay down and

1770
01:30:31,080 --> 01:30:33,400
Speaker 10: just turn around, and started dumbing through the door. And

1771
01:30:33,520 --> 01:30:35,519
Speaker 10: then she like she's scared to go over there because

1772
01:30:35,520 --> 01:30:38,280
Speaker 10: they fired twice and they stopped, so like a five

1773
01:30:38,320 --> 01:30:40,439
Speaker 10: second Paul, they were like boom, boom through the through

1774
01:30:40,439 --> 01:30:42,320
Speaker 10: my door. So I'm still on top of him, and

1775
01:30:42,360 --> 01:30:44,360
Speaker 10: he stayed trying to kick me towards the door. So

1776
01:30:44,439 --> 01:30:46,560
Speaker 10: he like pushing me, shoves me towards the door, and

1777
01:30:46,600 --> 01:30:48,080
Speaker 10: I'm like moving his arms up the way, trying to

1778
01:30:48,080 --> 01:30:48,800
Speaker 10: get on top of him.

1779
01:30:49,360 --> 01:30:52,040
Speaker 1: So then i ain't gonna lie. That's the hell of

1780
01:30:52,160 --> 01:30:52,479
Speaker 1: a thing.

1781
01:30:52,600 --> 01:30:55,080
Speaker 2: Nigga kicking you towards the door his home is kicking

1782
01:30:55,160 --> 01:30:57,559
Speaker 2: at the door, shots duff me and let off.

1783
01:30:57,520 --> 01:30:59,160
Speaker 10: Just a hell of a little thing at the edge

1784
01:30:59,200 --> 01:31:01,639
Speaker 10: of the island. So it's like she can't go around

1785
01:31:01,680 --> 01:31:04,160
Speaker 10: there and grab that gun or slide the gun because

1786
01:31:04,320 --> 01:31:07,160
Speaker 10: I'm I'm under like where his waistline is grabbing all that.

1787
01:31:07,360 --> 01:31:09,160
Speaker 10: He's trying to push me down, and I just keep

1788
01:31:09,200 --> 01:31:11,320
Speaker 10: calling up him and grabbing him, blowing on the ground

1789
01:31:11,400 --> 01:31:13,800
Speaker 10: and keeping my head down. So while they firing through

1790
01:31:13,800 --> 01:31:16,000
Speaker 10: the door, they fired twice. I'm like, slot me the gun,

1791
01:31:16,080 --> 01:31:18,040
Speaker 10: slied me the gun. She's like, they shoot him through

1792
01:31:18,040 --> 01:31:19,680
Speaker 10: the door, like she don't want to run over there.

1793
01:31:19,760 --> 01:31:21,760
Speaker 10: And I don't blame it. It's her first time, like

1794
01:31:22,120 --> 01:31:24,760
Speaker 10: even shooting a gun or shooting somebody, so I don't

1795
01:31:24,800 --> 01:31:28,200
Speaker 10: expect her to be on point about everything type shit.

1796
01:31:28,680 --> 01:31:30,519
Speaker 10: So I'm like, all right, I'm all right. I'm like

1797
01:31:30,520 --> 01:31:32,880
Speaker 10: shoot him then, and shoot him. But after I said

1798
01:31:32,920 --> 01:31:36,920
Speaker 10: shoot him, but I probably say, like twenty rounds just

1799
01:31:36,960 --> 01:31:40,360
Speaker 10: go off through my door. Boo boo, boom boom, back

1800
01:31:40,400 --> 01:31:42,240
Speaker 10: to back to back to back to back, non stop,

1801
01:31:42,360 --> 01:31:45,000
Speaker 10: like that ship will not stopping. I'm like all right,

1802
01:31:45,080 --> 01:31:47,880
Speaker 10: bet so boom. I'm still sticking down and I tell

1803
01:31:47,880 --> 01:31:49,479
Speaker 10: her shoot to the door. I'm like, shoot through the door.

1804
01:31:50,040 --> 01:31:50,360
Speaker 4: Fuck it.

1805
01:31:50,400 --> 01:31:51,800
Speaker 10: Then you don't want to slide me the gun? Blow

1806
01:31:51,840 --> 01:31:53,840
Speaker 10: that bit through the door. Then so she shoot through

1807
01:31:53,880 --> 01:31:55,960
Speaker 10: the door twice. She like boom boom and shoot through

1808
01:31:55,960 --> 01:31:58,880
Speaker 10: the door. And then, uh, they left him. They left

1809
01:31:58,960 --> 01:32:03,280
Speaker 10: him like nobody shooting through the door. Nobody you would think,

1810
01:32:03,400 --> 01:32:05,439
Speaker 10: like if you gonna, I ain't gonna say if you're

1811
01:32:05,439 --> 01:32:09,240
Speaker 10: gonna go do something like that, everybody gonna be on tack.

1812
01:32:09,360 --> 01:32:13,120
Speaker 10: Like especially if y'all call y'allself family or whatever, you

1813
01:32:13,160 --> 01:32:15,599
Speaker 10: would think their partner's gonna go all out. Like once

1814
01:32:15,640 --> 01:32:17,360
Speaker 10: they shoot through the door, my door is week At

1815
01:32:17,400 --> 01:32:20,080
Speaker 10: that point, all you could do is just step through it.

1816
01:32:21,320 --> 01:32:23,439
Speaker 10: Like they didn't do nothing. They just completely left them

1817
01:32:23,479 --> 01:32:26,559
Speaker 10: for dead type shit. So I'm like, oh, they're scary.

1818
01:32:26,800 --> 01:32:28,439
Speaker 10: Like that's when I knew I had the edge over.

1819
01:32:28,640 --> 01:32:30,880
Speaker 10: I'm like, oh, they left them. I don't hear nothing,

1820
01:32:30,960 --> 01:32:33,000
Speaker 10: no more Like we tousling in the fighting, I don't

1821
01:32:33,040 --> 01:32:35,599
Speaker 10: hear nothing. So we get over there by my couch

1822
01:32:35,640 --> 01:32:37,479
Speaker 10: and we just wrestling, and shit, I'm.

1823
01:32:37,400 --> 01:32:40,600
Speaker 1: Like, that's another mistake. You took that to mean they

1824
01:32:40,760 --> 01:32:41,240
Speaker 1: was scary.

1825
01:32:41,320 --> 01:32:43,519
Speaker 2: They could have meant they heard Cyrus, they might have

1826
01:32:43,600 --> 01:32:46,280
Speaker 2: heard somebody say call the police, they somebody, They could

1827
01:32:46,320 --> 01:32:48,080
Speaker 2: have heard something that made them leave.

1828
01:32:48,120 --> 01:32:49,799
Speaker 1: But he took that as them being scared.

1829
01:32:49,880 --> 01:32:52,400
Speaker 2: Then went on the platform, one of the biggest platforms

1830
01:32:52,479 --> 01:32:56,320
Speaker 2: in hip hop, and called these niggas scary after being

1831
01:32:56,520 --> 01:33:01,200
Speaker 2: there and responsible for one of their homeboys down. I

1832
01:33:01,280 --> 01:33:03,160
Speaker 2: think niggas could have been and said, they say, you

1833
01:33:03,240 --> 01:33:05,439
Speaker 2: went on the mission, and you didn't. You didn't get

1834
01:33:05,479 --> 01:33:08,200
Speaker 2: to get the mission out. But now you running around

1835
01:33:08,280 --> 01:33:10,120
Speaker 2: with the badge of honor. And now here's the thing.

1836
01:33:10,400 --> 01:33:12,240
Speaker 2: You are supposed to be able to talk about your

1837
01:33:12,320 --> 01:33:14,799
Speaker 2: life because that's your life. But how you do everything,

1838
01:33:15,400 --> 01:33:17,720
Speaker 2: it's so important. Let's pay attention.

1839
01:33:17,920 --> 01:33:19,800
Speaker 10: Shooting him again because he got one gun in his hand.

1840
01:33:19,800 --> 01:33:21,120
Speaker 10: I already got the other one out of his hand.

1841
01:33:21,520 --> 01:33:23,439
Speaker 10: So I'm like, come shoot him again, come shoot him again.

1842
01:33:23,920 --> 01:33:26,240
Speaker 10: And then he run over there, or she run over

1843
01:33:26,280 --> 01:33:28,720
Speaker 10: there and she aiming a gun. But he's sitting down

1844
01:33:29,040 --> 01:33:31,400
Speaker 10: and I'm like standing over him, and I'm like witch

1845
01:33:31,439 --> 01:33:35,320
Speaker 10: a nigga. Oh, I'm punching him, nigga, watch out, and

1846
01:33:35,400 --> 01:33:37,599
Speaker 10: then I hit him with a knee in the face,

1847
01:33:37,800 --> 01:33:40,000
Speaker 10: and that's when he started going to like PANICG mode,

1848
01:33:40,080 --> 01:33:42,160
Speaker 10: like going crazy, trying to grab for the gun and

1849
01:33:42,200 --> 01:33:44,160
Speaker 10: grabbing my leg and I'm like, shoot him, shoot him,

1850
01:33:44,439 --> 01:33:46,479
Speaker 10: and then she like trying to aim, but he keeps

1851
01:33:46,520 --> 01:33:48,960
Speaker 10: pushing me in front of him because he's sitting down

1852
01:33:49,320 --> 01:33:52,160
Speaker 10: in between my legs holding both of my legs like that.

1853
01:33:52,680 --> 01:33:54,559
Speaker 10: At that point, like he just stopped reaching for the gun.

1854
01:33:54,600 --> 01:33:57,080
Speaker 10: He just started trying to get me down. So I'm like,

1855
01:33:57,600 --> 01:33:59,960
Speaker 10: so I'm like moving over or whatever. And when I

1856
01:34:00,200 --> 01:34:02,479
Speaker 10: finally like push over and get my leg out the

1857
01:34:02,520 --> 01:34:04,559
Speaker 10: way that my arm is on him like in front

1858
01:34:04,600 --> 01:34:06,360
Speaker 10: of him. So when she fired a shot and the

1859
01:34:06,400 --> 01:34:09,360
Speaker 10: bullet hit me straight on my elbow just snapped, I'm like,

1860
01:34:09,560 --> 01:34:12,479
Speaker 10: oh fuck, did you shot me? So that bitch had

1861
01:34:12,479 --> 01:34:15,680
Speaker 10: a nigga didn't shoot me at all. I don't know

1862
01:34:15,920 --> 01:34:18,120
Speaker 10: if they getting you know what I'm saying that he

1863
01:34:18,200 --> 01:34:22,760
Speaker 10: didn't hit me at all. Here was just straight soft week.

1864
01:34:23,240 --> 01:34:27,360
Speaker 10: So anyway, God damn, she shoot me on my elbow

1865
01:34:27,400 --> 01:34:28,439
Speaker 10: and instantly break.

1866
01:34:28,400 --> 01:34:29,880
Speaker 1: I'm like, and then I ain't gonna lie.

1867
01:34:29,880 --> 01:34:32,720
Speaker 2: At the same time, you say, well, damn long you

1868
01:34:32,800 --> 01:34:35,280
Speaker 2: sposed to feel away about some niggas that come to kid.

1869
01:34:35,439 --> 01:34:39,400
Speaker 2: It's just the same thing we saw with Gucci. Gucci man, like, hey, yo,

1870
01:34:40,080 --> 01:34:43,960
Speaker 2: you and them, I don't give a who. It's like, Yo,

1871
01:34:44,080 --> 01:34:45,960
Speaker 2: they came to do something to me, So I do

1872
01:34:46,160 --> 01:34:48,960
Speaker 2: got feelings about that. But if you're gonna come out,

1873
01:34:49,000 --> 01:34:51,439
Speaker 2: you need it. You need a squad. Like but I

1874
01:34:51,560 --> 01:34:55,439
Speaker 2: think you ignored the first action that came from these guys,

1875
01:34:56,520 --> 01:34:59,920
Speaker 2: which is yo, bro, they willing to come to you

1876
01:35:00,200 --> 01:35:01,000
Speaker 2: house and try you.

1877
01:35:01,240 --> 01:35:03,160
Speaker 1: They ain't think you had no AI back.

1878
01:35:03,240 --> 01:35:04,920
Speaker 2: Yeah, they ain't think you as the kind of nigga

1879
01:35:05,000 --> 01:35:07,400
Speaker 2: come to the It's like, man, they ain't think you

1880
01:35:07,520 --> 01:35:10,040
Speaker 2: come to the door with the AK. They don't think

1881
01:35:10,120 --> 01:35:11,960
Speaker 2: you just got it on you and you just finish.

1882
01:35:12,000 --> 01:35:15,040
Speaker 2: It's gonna be a bain got something stupid. You got

1883
01:35:15,160 --> 01:35:18,439
Speaker 2: grenades and bulletproof. They ain't even think they came to

1884
01:35:18,479 --> 01:35:20,880
Speaker 2: your house. So that's telling me what they think about

1885
01:35:20,960 --> 01:35:24,920
Speaker 2: you or somebody that motivated them to say, man, you

1886
01:35:25,000 --> 01:35:29,160
Speaker 2: can go to that boy house. He green, he gone,

1887
01:35:29,320 --> 01:35:33,519
Speaker 2: But you thinking the other side them nigga sout that's.

1888
01:35:33,400 --> 01:35:36,440
Speaker 1: The bad be the problem. Ain't nobody did no real research.

1889
01:35:37,560 --> 01:35:41,040
Speaker 10: Fuck you just shopping, bitch. What the fuck ain't ain't right?

1890
01:35:41,439 --> 01:35:43,840
Speaker 10: So whenever she's do that, I move all the way

1891
01:35:43,880 --> 01:35:46,400
Speaker 10: out the way because my shit is completely broken, like

1892
01:35:46,560 --> 01:35:48,960
Speaker 10: dangling in it. I can see my whole bone out

1893
01:35:48,960 --> 01:35:51,439
Speaker 10: of my arm. He's like fuck. And then we wrestling

1894
01:35:51,479 --> 01:35:53,519
Speaker 10: again on the ground. We just tuggling up for that

1895
01:35:53,600 --> 01:35:56,400
Speaker 10: shit or whatever. So I kicked the gun and I'm

1896
01:35:56,400 --> 01:35:58,880
Speaker 10: thinking this away from him or like he good, So

1897
01:35:59,280 --> 01:36:01,280
Speaker 10: I stepped over to talk. I'm like, I'm like, go

1898
01:36:01,400 --> 01:36:03,559
Speaker 10: grind my son and get your ship and let's fucking

1899
01:36:03,600 --> 01:36:05,960
Speaker 10: go like that. And I'm like, get the fuck up

1900
01:36:05,960 --> 01:36:08,559
Speaker 10: out of here. Dip, let's dip. And then I see

1901
01:36:08,640 --> 01:36:11,479
Speaker 10: him still crawling over like still moving this shit, like

1902
01:36:11,560 --> 01:36:14,080
Speaker 10: trying to get and then like, I ain't gonna lie

1903
01:36:14,080 --> 01:36:16,800
Speaker 10: where I kicked it. It was in the hallway, right,

1904
01:36:17,200 --> 01:36:19,120
Speaker 10: but he got towards it, and it looked like he

1905
01:36:19,240 --> 01:36:21,519
Speaker 10: was moving towards where my son was. So I just

1906
01:36:22,200 --> 01:36:23,960
Speaker 10: went the panic mode and I dove on him like

1907
01:36:24,280 --> 01:36:26,240
Speaker 10: as if I was diving in the pool. Literally jumped

1908
01:36:26,280 --> 01:36:28,439
Speaker 10: on him, and I'm on his back holding him down

1909
01:36:28,560 --> 01:36:31,120
Speaker 10: like tight like that. I'm like, watch y'all, brother, watch

1910
01:36:31,160 --> 01:36:32,720
Speaker 10: the funk out. What are you doing, bro? Get the

1911
01:36:32,800 --> 01:36:34,519
Speaker 10: fuck up out of here to go now like that,

1912
01:36:34,920 --> 01:36:36,439
Speaker 10: And he was like, no, I'm leaving here with something.

1913
01:36:36,439 --> 01:36:39,519
Speaker 10: I'm leaving here with something. So I just while we're talking,

1914
01:36:39,640 --> 01:36:42,559
Speaker 10: and you can tell his back, like the bullets from

1915
01:36:42,600 --> 01:36:44,960
Speaker 10: his back is getting to him, because right when he

1916
01:36:45,040 --> 01:36:46,760
Speaker 10: tried to get up when I walked away to talk

1917
01:36:46,840 --> 01:36:49,000
Speaker 10: to her, he tried to get up and his legs buckled.

1918
01:36:49,040 --> 01:36:51,320
Speaker 10: He just instantly fell. He tried to stand up, boom,

1919
01:36:51,400 --> 01:36:53,839
Speaker 10: he just set down and his leg like looked crazy

1920
01:36:53,880 --> 01:36:56,840
Speaker 10: as hell while he moving towards the gun. So when

1921
01:36:56,880 --> 01:36:58,280
Speaker 10: I jump on him, he got his hand on the

1922
01:36:58,320 --> 01:37:01,439
Speaker 10: gun already and his finger on the tree. But it's

1923
01:37:01,520 --> 01:37:04,519
Speaker 10: like the hallway. And then my son from took.

1924
01:37:05,479 --> 01:37:08,479
Speaker 2: Again as a street dude, as a dude that comes

1925
01:37:08,520 --> 01:37:11,120
Speaker 2: from the streets. This dude say he come from the streets.

1926
01:37:11,760 --> 01:37:14,320
Speaker 2: I don't understand why he didn't get no information from that.

1927
01:37:16,920 --> 01:37:20,040
Speaker 2: That boy was fighting. That boy kept coming, kept fighting.

1928
01:37:20,040 --> 01:37:22,640
Speaker 2: According to him, That means this ain't one of them,

1929
01:37:22,760 --> 01:37:26,800
Speaker 2: scary like this is a cloth for them, you know

1930
01:37:26,840 --> 01:37:28,760
Speaker 2: what I'm saying. Usually it ain't just one of them,

1931
01:37:28,840 --> 01:37:31,160
Speaker 2: it's a couple of them. So now you talking about

1932
01:37:31,160 --> 01:37:33,800
Speaker 2: it like this from an who you were begging to

1933
01:37:33,920 --> 01:37:38,120
Speaker 2: leave after you shot him high Cloud, make you ignore that.

1934
01:37:40,000 --> 01:37:42,200
Speaker 2: That sounded like a nightmare to me. I just shot

1935
01:37:42,320 --> 01:37:44,320
Speaker 2: this dude and I'm begging him, man, fin you got

1936
01:37:44,479 --> 01:37:47,840
Speaker 2: come on man, leave man, damn bro, he got the

1937
01:37:47,920 --> 01:37:51,640
Speaker 2: best of you. You doing the interview about that far.

1938
01:37:52,400 --> 01:37:55,680
Speaker 2: We don't confuse wins in this new era. Man, you

1939
01:37:55,840 --> 01:37:58,760
Speaker 2: done got shot. Your child was in here. Man, I

1940
01:37:58,840 --> 01:37:59,920
Speaker 2: really don't want to talk about it.

1941
01:38:00,040 --> 01:38:00,599
Speaker 7: That lad.

1942
01:38:01,840 --> 01:38:03,439
Speaker 2: I kind of hit on him, but I really don't

1943
01:38:03,439 --> 01:38:05,519
Speaker 2: want to go too deep in it. That's me, especially

1944
01:38:05,600 --> 01:38:09,320
Speaker 2: when it's fresh, and I ain't just bunker down. I

1945
01:38:09,360 --> 01:38:11,680
Speaker 2: ain't securious. I need to be the star no war,

1946
01:38:11,760 --> 01:38:15,000
Speaker 2: and I don't really know who them dudes was. These

1947
01:38:15,080 --> 01:38:17,280
Speaker 2: dudes are go do an interview before they find out

1948
01:38:17,479 --> 01:38:20,600
Speaker 2: exactly who they even dealing with. We might've had a

1949
01:38:20,680 --> 01:38:22,360
Speaker 2: bang got at the Marow Year. I got off on

1950
01:38:22,520 --> 01:38:24,120
Speaker 2: Loan there. I hit him in his mouth too.

1951
01:38:24,200 --> 01:38:24,360
Speaker 7: Man.

1952
01:38:24,400 --> 01:38:27,080
Speaker 2: When I catch you, ain't know, man, Loan plugged all

1953
01:38:27,160 --> 01:38:29,400
Speaker 2: around the world. Then people trying to catch up with

1954
01:38:29,520 --> 01:38:32,840
Speaker 2: you and give you a message from dude. You know

1955
01:38:32,920 --> 01:38:35,479
Speaker 2: what I'm saying. They looking for you, hind low man,

1956
01:38:36,040 --> 01:38:37,280
Speaker 2: trying to get a message to you.

1957
01:38:37,520 --> 01:38:37,720
Speaker 7: Man.

1958
01:38:39,160 --> 01:38:41,320
Speaker 2: You see what I'm saying. And that's the thing people

1959
01:38:41,360 --> 01:38:45,760
Speaker 2: don't be knowing. I don't think I'll be doing no

1960
01:38:45,920 --> 01:38:48,880
Speaker 2: interview by the gout and shot, and I ain't finished

1961
01:38:48,920 --> 01:38:51,200
Speaker 2: the job. It ain't like he was no hell of

1962
01:38:51,240 --> 01:38:54,160
Speaker 2: a tough eater, because had I shot him, he still moved.

1963
01:38:54,160 --> 01:38:57,439
Speaker 1: He give me the gun fire five, I'm finish. Stop this.

1964
01:38:57,760 --> 01:38:58,639
Speaker 1: My kids in here.

1965
01:38:58,720 --> 01:39:01,640
Speaker 2: I got to stop this. He didn't go out like that,

1966
01:39:01,800 --> 01:39:03,960
Speaker 2: so he wasn't really trying to. So why he doing

1967
01:39:04,000 --> 01:39:05,840
Speaker 2: the interview about it, I don't know, but I know

1968
01:39:06,280 --> 01:39:09,600
Speaker 2: he thinks that validates his career. And I hate that

1969
01:39:09,720 --> 01:39:13,400
Speaker 2: for the young brother because now he's rip. I hate

1970
01:39:13,439 --> 01:39:15,439
Speaker 2: that for our culture that we feel that and we

1971
01:39:15,560 --> 01:39:16,960
Speaker 2: that misguided pay attention.

1972
01:39:18,479 --> 01:39:20,160
Speaker 10: So he right in the middle, all he do is

1973
01:39:20,200 --> 01:39:23,640
Speaker 10: gotta crawl two more inches and turn left in My

1974
01:39:23,760 --> 01:39:26,479
Speaker 10: son right there. So while I'm doing that, I drag

1975
01:39:26,680 --> 01:39:28,720
Speaker 10: his arm down a little bit where it's towards the

1976
01:39:28,800 --> 01:39:31,080
Speaker 10: wall in the bathroom, facing the wall in the bathroom,

1977
01:39:31,320 --> 01:39:33,200
Speaker 10: and I put my finger on top of his finger,

1978
01:39:33,600 --> 01:39:35,800
Speaker 10: and I start firing the gun and I can tell

1979
01:39:35,840 --> 01:39:38,479
Speaker 10: you what. He couldn't really moved like that because it's

1980
01:39:38,520 --> 01:39:41,479
Speaker 10: he weak. But at that point he just feeling everything.

1981
01:39:42,280 --> 01:39:44,160
Speaker 10: So I put my knee on his neck like that

1982
01:39:44,240 --> 01:39:46,080
Speaker 10: and I'm holding him down. I put my finger on

1983
01:39:46,160 --> 01:39:48,519
Speaker 10: top of his finger. I'm firing all the bullets for him.

1984
01:39:49,040 --> 01:39:51,400
Speaker 10: So when all the bullets empty, he's like, oh, bro,

1985
01:39:51,600 --> 01:39:53,960
Speaker 10: my bad. Come on, Bro, I got kids too, brother,

1986
01:39:54,040 --> 01:39:55,960
Speaker 10: let me make it home, and oh don't let me

1987
01:39:56,080 --> 01:39:58,280
Speaker 10: die or whatever like that. I'm like, Bro, you're good.

1988
01:39:58,439 --> 01:40:00,280
Speaker 10: I'm like, I'm like, you good, nigga. I'm like, I

1989
01:40:00,280 --> 01:40:02,559
Speaker 10: give a fuck about you. I hope you got bitch

1990
01:40:02,760 --> 01:40:04,479
Speaker 10: like that. I like, you just said you're gonna kill

1991
01:40:04,520 --> 01:40:07,200
Speaker 10: my son. And then he was like no, bro, no, bro, no,

1992
01:40:07,400 --> 01:40:09,600
Speaker 10: it's not like that. I was like, fuck you like that,

1993
01:40:09,920 --> 01:40:12,679
Speaker 10: So boom, whenever I'll run to the back.

1994
01:40:14,800 --> 01:40:16,920
Speaker 1: We're gonna listen to the rest of the interview or

1995
01:40:17,000 --> 01:40:17,519
Speaker 1: some of it.

1996
01:40:18,160 --> 01:40:20,040
Speaker 2: But I think that's the part right there that cost

1997
01:40:20,080 --> 01:40:23,200
Speaker 2: him is life, because I know, if I'm sitting somewhere

1998
01:40:23,240 --> 01:40:25,400
Speaker 2: in there, that's something one of my little ones.

1999
01:40:25,400 --> 01:40:27,240
Speaker 1: And you say they were begging you, and I know

2000
01:40:27,360 --> 01:40:30,560
Speaker 1: they did something wrong, but you basically telling me.

2001
01:40:30,640 --> 01:40:33,599
Speaker 2: He was talking about my little niece now, my nephew now,

2002
01:40:34,600 --> 01:40:35,920
Speaker 2: and you said fuck them.

2003
01:40:36,520 --> 01:40:39,000
Speaker 1: And I'm still looking. It's still fresh. I'm still looking

2004
01:40:39,080 --> 01:40:41,599
Speaker 1: at them, you know what I'm saying.

2005
01:40:42,000 --> 01:40:45,560
Speaker 2: Because the thing about pain, people can't share it, so

2006
01:40:45,680 --> 01:40:47,920
Speaker 2: they don't see his pain on his side. Like yo,

2007
01:40:48,160 --> 01:40:49,960
Speaker 2: my kids was in there, they tried to come care.

2008
01:40:50,320 --> 01:40:52,280
Speaker 2: They don't see that. All they see is them little

2009
01:40:52,360 --> 01:40:56,280
Speaker 2: kids that he might have left and said, damn. He

2010
01:40:56,479 --> 01:41:01,560
Speaker 2: boasting about that. That was a very dangerous statement in

2011
01:41:01,600 --> 01:41:05,040
Speaker 2: the mate. But he stood on it, like you got

2012
01:41:05,080 --> 01:41:06,960
Speaker 2: my son, and she's like, I'm picking them up now.

2013
01:41:07,320 --> 01:41:08,800
Speaker 10: So I heard that. When she picked him up, she

2014
01:41:08,880 --> 01:41:11,080
Speaker 10: put the blanket over his head. But it's it's like

2015
01:41:11,160 --> 01:41:13,200
Speaker 10: the middle of the night. He's knocked out, got school

2016
01:41:13,200 --> 01:41:16,280
Speaker 10: in the morning, so he, like Dave, is super tired.

2017
01:41:16,320 --> 01:41:17,960
Speaker 10: He in the middle of his sweep, my son sweep

2018
01:41:18,080 --> 01:41:20,760
Speaker 10: like that, so he got damn. She put him on

2019
01:41:20,800 --> 01:41:23,519
Speaker 10: the shoulder. He's stay asleep. She put the blanket over

2020
01:41:23,560 --> 01:41:25,479
Speaker 10: his head. He's not seeing nothing. He did sleep on

2021
01:41:25,560 --> 01:41:30,040
Speaker 10: her shoulder walking out, and then right when she come out,

2022
01:41:30,080 --> 01:41:32,200
Speaker 10: I'm standing by the bathroom watching her, waiting for her

2023
01:41:32,240 --> 01:41:34,200
Speaker 10: to come out. So I can take everybody out at once.

2024
01:41:34,720 --> 01:41:36,519
Speaker 10: And then I hear like a boom, and I just

2025
01:41:36,560 --> 01:41:38,280
Speaker 10: told her go to the bathroom, go to the bathroom.

2026
01:41:38,479 --> 01:41:41,000
Speaker 10: And then she start crying because she's scared. So I

2027
01:41:41,080 --> 01:41:43,240
Speaker 10: grabbed the knock the narn from her and I put

2028
01:41:43,280 --> 01:41:45,280
Speaker 10: it on my hip and I was like, chill out,

2029
01:41:45,320 --> 01:41:47,680
Speaker 10: chill out, shut the fuck up. I don't know who

2030
01:41:47,720 --> 01:41:49,960
Speaker 10: are here. And then like I hear him, You're like, fuck,

2031
01:41:50,600 --> 01:41:52,559
Speaker 10: I don't know what the fuck. Maybe they cleaned up,

2032
01:41:52,640 --> 01:41:55,360
Speaker 10: maybe they grabbed sticks or whatever whatever we're laying around.

2033
01:41:55,400 --> 01:41:56,960
Speaker 10: Maybe they're trying to I don't know what the fuck

2034
01:41:57,000 --> 01:41:59,040
Speaker 10: they did for her. I just was chilling in the

2035
01:41:59,120 --> 01:42:01,800
Speaker 10: back and she started I ain't like hell aloud, Like

2036
01:42:02,040 --> 01:42:03,760
Speaker 10: I wouldn't say a loud but a loud enough to

2037
01:42:03,800 --> 01:42:06,160
Speaker 10: where somebody can hear you. So I smashed my hand on.

2038
01:42:06,479 --> 01:42:07,920
Speaker 10: I'm like, shut the fuck up for you. Wake my

2039
01:42:08,000 --> 01:42:09,640
Speaker 10: son up, and you see what the fuck going on.

2040
01:42:10,200 --> 01:42:12,120
Speaker 10: So I'm like I got my handle, run out, quiet

2041
01:42:12,120 --> 01:42:14,000
Speaker 10: as fuck. I'm like, shut the fuck up, like be quiet.

2042
01:42:14,400 --> 01:42:16,400
Speaker 10: And then she's like sitting in the back chiller and

2043
01:42:16,479 --> 01:42:17,840
Speaker 10: she's like all right, I'm about to go out there

2044
01:42:17,840 --> 01:42:20,040
Speaker 10: and check. So I pull a gun up and then

2045
01:42:20,160 --> 01:42:22,200
Speaker 10: I walk out there and I'm just aiming, and I

2046
01:42:22,280 --> 01:42:25,160
Speaker 10: see him right there by the by the door, and

2047
01:42:25,280 --> 01:42:28,120
Speaker 10: then he like he crawled over by the side where

2048
01:42:28,120 --> 01:42:30,599
Speaker 10: my front door is and it's like a little edgeway.

2049
01:42:30,600 --> 01:42:33,920
Speaker 10: He just lay right there and then he's like while

2050
01:42:33,920 --> 01:42:37,000
Speaker 10: I walk by, he grabbed my foot like like, come on, brother,

2051
01:42:37,120 --> 01:42:38,880
Speaker 10: take me with you. Brother. I can make it to

2052
01:42:38,960 --> 01:42:40,799
Speaker 10: the hospital. I just need to go to the hospital.

2053
01:42:41,000 --> 01:42:42,800
Speaker 10: I was a nigga, fuck you like it ain't checking

2054
01:42:42,920 --> 01:42:45,880
Speaker 10: the fucking hospital, but it was about to fry right here.

2055
01:42:46,160 --> 01:42:47,960
Speaker 10: And if they come save it, then they come saved.

2056
01:42:48,120 --> 01:42:52,599
Speaker 10: I'm not ne yo a toasty you're gone, last day,

2057
01:42:53,200 --> 01:42:56,280
Speaker 10: last supper, whoever the fuck he ate before he came there.

2058
01:42:57,280 --> 01:43:00,400
Speaker 10: That shit gone. So that was pretty much of that.

2059
01:43:00,640 --> 01:43:03,400
Speaker 10: After that, I rush at the hospital. Well, I go down.

2060
01:43:03,439 --> 01:43:05,280
Speaker 10: I'm trying to stuff everything in the car and my

2061
01:43:05,400 --> 01:43:06,080
Speaker 10: son wake up.

2062
01:43:08,960 --> 01:43:12,200
Speaker 2: Let me also say this, I feel him now, y'all.

2063
01:43:12,280 --> 01:43:15,240
Speaker 2: Nigga try to kill me now. I feel him. But

2064
01:43:15,320 --> 01:43:17,280
Speaker 2: I don't know if he was strong enough to put

2065
01:43:17,360 --> 01:43:21,000
Speaker 2: that other plate on his bar. A lot of you

2066
01:43:21,120 --> 01:43:25,280
Speaker 2: niggas got too many plays on your bar. Now came

2067
01:43:25,400 --> 01:43:27,720
Speaker 2: bench prince kind of wait, I ain't see it.

2068
01:43:28,160 --> 01:43:30,080
Speaker 10: He like, oh, what's up that ad? But I'm already

2069
01:43:30,080 --> 01:43:32,840
Speaker 10: in a driver's heat, like high in my elbow. I'm like,

2070
01:43:33,000 --> 01:43:34,800
Speaker 10: we're gonna play a little game. We're gonna play a

2071
01:43:34,800 --> 01:43:36,560
Speaker 10: little game real quick, and I'm gonna take you to

2072
01:43:36,640 --> 01:43:38,560
Speaker 10: your mama house. And then he was like what. I

2073
01:43:38,680 --> 01:43:41,000
Speaker 10: was like, you gotta go like this and coach your

2074
01:43:41,000 --> 01:43:44,080
Speaker 10: eyes and then you can't open him until I tell

2075
01:43:44,080 --> 01:43:46,040
Speaker 10: you to open them, or are you gonna go to

2076
01:43:46,120 --> 01:43:48,400
Speaker 10: mama's house and get a toy? And he was like okay,

2077
01:43:48,479 --> 01:43:50,160
Speaker 10: and he put his hands over his face. But I

2078
01:43:50,320 --> 01:43:52,200
Speaker 10: was doing that because the way my arm was, it

2079
01:43:52,320 --> 01:43:54,400
Speaker 10: was just hanging off and I couldn't move it because

2080
01:43:54,439 --> 01:43:56,760
Speaker 10: it's like pressure in my bone on my elbow. So

2081
01:43:56,840 --> 01:43:58,839
Speaker 10: I just picked my arm up and put that motherfucker

2082
01:43:58,920 --> 01:44:02,400
Speaker 10: right here. Take it off. And he to take it off.

2083
01:44:02,479 --> 01:44:05,360
Speaker 10: I'm he could, so when I dropped down, I got

2084
01:44:05,720 --> 01:44:07,040
Speaker 10: blood all over my arm.

2085
01:44:07,920 --> 01:44:10,040
Speaker 2: But then when you think about this aspect of it,

2086
01:44:10,160 --> 01:44:12,599
Speaker 2: you say, damn, least his son get to hear what happened,

2087
01:44:13,400 --> 01:44:15,439
Speaker 2: you know, because his son to get old and maybe

2088
01:44:15,520 --> 01:44:18,720
Speaker 2: don't have an indication of what happened to my dad

2089
01:44:18,840 --> 01:44:21,080
Speaker 2: or how my daddy fell about me, or what happened

2090
01:44:21,160 --> 01:44:24,680
Speaker 2: what was going on, Like, at least he get to

2091
01:44:24,760 --> 01:44:29,120
Speaker 2: leave that, But I don't know ripizza. This dude, man,

2092
01:44:29,160 --> 01:44:32,000
Speaker 2: he left a young son. I gotta say, Man, this

2093
01:44:32,160 --> 01:44:34,000
Speaker 2: is unfortunate circumstances.

2094
01:44:34,080 --> 01:44:38,160
Speaker 1: It's ay the vibration of the world right now. Man,

2095
01:44:38,200 --> 01:44:39,280
Speaker 1: you better be in tune.

2096
01:44:40,520 --> 01:44:46,840
Speaker 10: Whatever the fuck. So uh reminder, I already dipped out.

2097
01:44:47,400 --> 01:44:49,040
Speaker 10: I don't know where the fuck they at. I'm thinking

2098
01:44:49,040 --> 01:44:51,679
Speaker 10: they're gonna be in the parking garage or something. Nobody

2099
01:44:51,760 --> 01:44:54,320
Speaker 10: in the parking garage at all. So I go I

2100
01:44:54,479 --> 01:44:56,920
Speaker 10: dropped down or whatever, and then I stopped. I'm like,

2101
01:44:57,000 --> 01:44:58,640
Speaker 10: oh no, I can't do it. I can't do it.

2102
01:44:58,680 --> 01:45:00,960
Speaker 10: I can't drive, I can't. Somebody gonna have to come.

2103
01:45:01,200 --> 01:45:02,920
Speaker 10: So I called my boy. I'm like, hey, pull up,

2104
01:45:02,960 --> 01:45:05,000
Speaker 10: pull up, I can go to the hospital. Bro, I

2105
01:45:05,080 --> 01:45:07,800
Speaker 10: shot my boom, brother, you got shot. He was like, Bro,

2106
01:45:07,840 --> 01:45:09,960
Speaker 10: where you at. I'm I'm downtown at the spot on

2107
01:45:10,040 --> 01:45:12,080
Speaker 10: my crib. He was like, oh, I was eating with

2108
01:45:12,120 --> 01:45:14,840
Speaker 10: a bitch or whatever. Bro, I'm seven minutes away. I'm

2109
01:45:14,840 --> 01:45:16,479
Speaker 10: about to turn lift to the crib. I'm like back,

2110
01:45:17,000 --> 01:45:18,920
Speaker 10: so boo. When he pull up, he swing around, I

2111
01:45:19,080 --> 01:45:22,240
Speaker 10: jump in the car. We go to the hospital, share

2112
01:45:22,320 --> 01:45:24,200
Speaker 10: I land. I passed out for like an hour or

2113
01:45:24,240 --> 01:45:26,519
Speaker 10: two just because I started losing so much. But I

2114
01:45:26,600 --> 01:45:28,960
Speaker 10: started feeling weak, so I guess they plugged me up

2115
01:45:29,040 --> 01:45:30,960
Speaker 10: or whatever. I woke up with like an IV in

2116
01:45:31,040 --> 01:45:33,680
Speaker 10: my arm type shit. And then the police is like,

2117
01:45:33,840 --> 01:45:35,439
Speaker 10: are you good to talk? I guess they sitting there

2118
01:45:35,479 --> 01:45:37,439
Speaker 10: and I woke up, So how you get to talk?

2119
01:45:37,520 --> 01:45:39,960
Speaker 10: I'm like, what's up? And then ship they asked me

2120
01:45:40,000 --> 01:45:42,599
Speaker 10: what happened. I broke down the story to him. I'm like, yeah,

2121
01:45:42,680 --> 01:45:44,920
Speaker 10: they this something whatever. Then he tried to rob me

2122
01:45:44,960 --> 01:45:47,560
Speaker 10: for my jueil or take whatever was he think was

2123
01:45:47,640 --> 01:45:50,960
Speaker 10: in the house, so boom. He's like, all right, well,

2124
01:45:51,880 --> 01:45:53,200
Speaker 10: we just want to get your side of the story.

2125
01:45:53,240 --> 01:45:55,439
Speaker 10: We're going to ask the girl at the time. The

2126
01:45:55,479 --> 01:45:57,559
Speaker 10: girl at the time I was with. They they asking

2127
01:45:57,640 --> 01:46:00,240
Speaker 10: her too, but I guess they talked to her before me. Yeah,

2128
01:46:00,240 --> 01:46:01,479
Speaker 10: I already talked to that shit.

2129
01:46:01,600 --> 01:46:03,879
Speaker 2: He went on to explain what happened with the police

2130
01:46:03,920 --> 01:46:07,280
Speaker 2: asking them questions, and now led proceeded to call himself

2131
01:46:08,080 --> 01:46:11,800
Speaker 2: showed a pitch of him standing in the blood. I

2132
01:46:11,880 --> 01:46:15,439
Speaker 2: think that was unfortunate and I want to take a

2133
01:46:15,520 --> 01:46:17,280
Speaker 2: look at what the news says. So let's look at

2134
01:46:17,320 --> 01:46:18,920
Speaker 2: what the news said when they reported it.

2135
01:46:19,760 --> 01:46:22,840
Speaker 20: Brokes Area Police say a man was shot and killed

2136
01:46:22,840 --> 01:46:24,920
Speaker 20: and what they believed was a targeted attack.

2137
01:46:25,120 --> 01:46:26,880
Speaker 7: This morning, they're still looking for the gunman.

2138
01:46:26,920 --> 01:46:27,040
Speaker 11: Now.

2139
01:46:27,080 --> 01:46:30,400
Speaker 7: The shooting happened near mid Lane and Sam Phillippy. Brittany

2140
01:46:30,479 --> 01:46:32,839
Speaker 7: Jeffers is live with us to tell us more information

2141
01:46:32,880 --> 01:46:34,519
Speaker 7: about the victim. Britney, good morning, and.

2142
01:46:34,560 --> 01:46:36,880
Speaker 3: Good morning to you. Now, Houston Police tell us that

2143
01:46:36,960 --> 01:46:39,320
Speaker 3: the victim is a rapper. They say, a man in

2144
01:46:39,439 --> 01:46:42,400
Speaker 3: his twenties, although they wouldn't go into detail how they

2145
01:46:42,479 --> 01:46:44,720
Speaker 3: knew this was a targeted attack, but say that this

2146
01:46:44,960 --> 01:46:48,559
Speaker 3: was based off of evidence from the scene. Now, according

2147
01:46:48,560 --> 01:46:51,439
Speaker 3: to detectives, they say this drive by shooting happened around

2148
01:46:51,680 --> 01:46:55,200
Speaker 3: six ' ten last night. HPD says that witnesses tell

2149
01:46:55,280 --> 01:46:58,680
Speaker 3: them two men in a black Sugaru started firing at

2150
01:46:58,760 --> 01:47:02,400
Speaker 3: the victim's vehicle. Police say that multiple shots were fired

2151
01:47:02,479 --> 01:47:05,719
Speaker 3: and evidence markers showed dozens of showcasings on the ground.

2152
01:47:06,120 --> 01:47:08,960
Speaker 2: According to and So now we want to just take

2153
01:47:09,000 --> 01:47:14,519
Speaker 2: a look at the news reporting his unfortunate passing. Now,

2154
01:47:14,800 --> 01:47:18,479
Speaker 2: this video with Vlad was up I think about five days.

2155
01:47:18,880 --> 01:47:21,760
Speaker 2: This altercation was like four months old, so it was

2156
01:47:21,840 --> 01:47:24,360
Speaker 2: almost like the altercation had started to die down. But

2157
01:47:24,439 --> 01:47:28,080
Speaker 2: when the video hit the neighborhood, I keep telling y'all

2158
01:47:28,160 --> 01:47:30,479
Speaker 2: to meta versus a fake in the universe. Y'all don't

2159
01:47:30,479 --> 01:47:34,360
Speaker 2: want to hit me, but again that's my campaign, right,

2160
01:47:34,680 --> 01:47:39,240
Speaker 2: But when that video went out five days later, he's

2161
01:47:39,320 --> 01:47:41,320
Speaker 2: caught by somebody and killed.

2162
01:47:41,360 --> 01:47:42,919
Speaker 1: Let's look at what the news said.

2163
01:47:43,760 --> 01:47:46,599
Speaker 20: Story right now, out of the river Oaks area, police

2164
01:47:46,600 --> 01:47:48,640
Speaker 20: say a man was shot and killed and what they

2165
01:47:48,720 --> 01:47:50,320
Speaker 20: believed was a targeted attack.

2166
01:47:50,520 --> 01:47:52,439
Speaker 7: It's one of they're still looking for the gunman. Now.

2167
01:47:52,439 --> 01:47:55,799
Speaker 7: The shooting happened near mid Lane and Sam Philippine. Brittany

2168
01:47:55,880 --> 01:47:58,240
Speaker 7: Jeffers is live with us to tell us more information

2169
01:47:58,280 --> 01:48:00,640
Speaker 7: about the victim. Britney, good morning, Good morning to you.

2170
01:48:00,800 --> 01:48:03,840
Speaker 3: Now, Houston police tell us that the victim is a rapper.

2171
01:48:03,960 --> 01:48:06,280
Speaker 3: They say a man in his twenties, although they wouldn't

2172
01:48:06,280 --> 01:48:09,519
Speaker 3: go into detail how they knew this was a targeted attack,

2173
01:48:09,600 --> 01:48:12,479
Speaker 3: but say that this was based off of evidence from

2174
01:48:12,600 --> 01:48:15,639
Speaker 3: the scene. Now, according to detectives, they say. This drive

2175
01:48:15,680 --> 01:48:19,280
Speaker 3: by shooting happened around six ' ten last night. HPD

2176
01:48:19,400 --> 01:48:21,960
Speaker 3: says that witnesses tell them two men in a black

2177
01:48:22,040 --> 01:48:26,080
Speaker 3: Sugaru started firing at the victim's vehicle. Police say that

2178
01:48:26,400 --> 01:48:29,680
Speaker 3: multiple shots were fired and evidence markers showed dozens of

2179
01:48:29,800 --> 01:48:33,040
Speaker 3: shell casings on the ground. According to police, the two

2180
01:48:33,160 --> 01:48:37,160
Speaker 3: suspects fled along San Philippi, and they say that victim

2181
01:48:37,680 --> 01:48:38,679
Speaker 3: died at the scene.

2182
01:48:39,360 --> 01:48:41,000
Speaker 2: And we'll make you believe it's talking to the tun

2183
01:48:42,000 --> 01:48:44,600
Speaker 2: based on our experience, and it's a few things that

2184
01:48:44,880 --> 01:48:46,439
Speaker 2: I just don't want to go into right now.

2185
01:48:47,400 --> 01:48:48,200
Speaker 1: Is not Ramdomant.

2186
01:48:49,960 --> 01:48:53,200
Speaker 3: So again this morning, police still looking for those suspects.

2187
01:48:53,240 --> 01:48:55,559
Speaker 3: They tell us they believe that they were wearing black hoodies,

2188
01:48:55,960 --> 01:48:59,480
Speaker 3: possibly with shades on, and we're driving a black Subaru.

2189
01:49:00,000 --> 01:49:04,400
Speaker 1: And so again that was the results of the situation.

2190
01:49:04,560 --> 01:49:07,200
Speaker 2: I again, I want to send my condolences to both families,

2191
01:49:07,760 --> 01:49:11,120
Speaker 2: you know, and also to this young man man that

2192
01:49:11,280 --> 01:49:13,800
Speaker 2: just left his son. Again, I'm a true believer in

2193
01:49:13,880 --> 01:49:16,360
Speaker 2: the universe. Right, you come fucking with me, you breaking

2194
01:49:16,439 --> 01:49:18,960
Speaker 2: my house. I look at it like this. If I'm

2195
01:49:19,080 --> 01:49:24,160
Speaker 2: right and you wrong, I win. This is the universal law, right,

2196
01:49:24,880 --> 01:49:26,919
Speaker 2: this is how I feel. I ain't getting no research

2197
01:49:27,000 --> 01:49:29,240
Speaker 2: on it, but this is what my experience is being

2198
01:49:29,720 --> 01:49:33,599
Speaker 2: along my journey is that when I'm right and you wrong,

2199
01:49:33,800 --> 01:49:37,000
Speaker 2: I win. When you wrong, No, when you right and

2200
01:49:37,120 --> 01:49:41,360
Speaker 2: I'm wrong, I lose. When we both wrong, that's when

2201
01:49:41,400 --> 01:49:43,960
Speaker 2: the judgment play comes in. It's saying that who's more

2202
01:49:44,040 --> 01:49:47,479
Speaker 2: wrong and what goes into it and who's genuine. It's

2203
01:49:47,560 --> 01:49:49,599
Speaker 2: like more things to go into it. But I truly

2204
01:49:49,720 --> 01:49:52,519
Speaker 2: believe that God in the universal spell you in those

2205
01:49:52,640 --> 01:49:55,040
Speaker 2: kind of situations. Right, your kids and here your girl,

2206
01:49:55,439 --> 01:49:57,439
Speaker 2: niggas trying to get you. So the instinct told you

2207
01:49:57,560 --> 01:49:59,680
Speaker 2: to lock the door that saved your life. Now with

2208
01:49:59,800 --> 01:50:01,960
Speaker 2: something much like the energy I put out in the world.

2209
01:50:02,080 --> 01:50:05,439
Speaker 2: Now it's like I'm claiming victory over that. And now

2210
01:50:05,479 --> 01:50:09,120
Speaker 2: it's like for every action as a reaction, So now

2211
01:50:09,200 --> 01:50:12,640
Speaker 2: what is the reaction to that? Now I lay in that,

2212
01:50:15,160 --> 01:50:16,599
Speaker 2: and when I look at this, and I look at

2213
01:50:16,680 --> 01:50:19,320
Speaker 2: tour relanes, and I look at so many situations that's

2214
01:50:19,360 --> 01:50:22,679
Speaker 2: been affected by the Internet and the metavers is starting

2215
01:50:22,720 --> 01:50:26,600
Speaker 2: the interfl with the universe, I say, man, we got

2216
01:50:26,720 --> 01:50:27,760
Speaker 2: to do a better job.

2217
01:50:28,479 --> 01:50:31,679
Speaker 1: We're navigating our way around social media.

2218
01:50:32,000 --> 01:50:34,840
Speaker 2: We got to do a better job at teaching our

2219
01:50:34,880 --> 01:50:37,600
Speaker 2: little boys and our little girls that social media is

2220
01:50:37,720 --> 01:50:43,479
Speaker 2: not an identity. Social media is literally a marketplace, and

2221
01:50:43,600 --> 01:50:46,439
Speaker 2: we need to express that to the people that's engaging

2222
01:50:46,520 --> 01:50:50,200
Speaker 2: with it without understanding what those analytics are doing and

2223
01:50:50,320 --> 01:50:54,040
Speaker 2: what they're doing with the analytical data. I've seen you

2224
01:50:54,200 --> 01:50:56,400
Speaker 2: niggas do a lot of things. I've seen you niggas

2225
01:50:56,400 --> 01:50:59,439
Speaker 2: put rims on cars. I've seen you niggas by the

2226
01:50:59,520 --> 01:51:02,479
Speaker 2: same next list. It's six times. I've seen you niggas

2227
01:51:02,560 --> 01:51:06,280
Speaker 2: buy ten different color tones, are the same watches. I

2228
01:51:06,400 --> 01:51:09,360
Speaker 2: need to see you niggas teach the kids not cloud chasing,

2229
01:51:11,520 --> 01:51:14,160
Speaker 2: because cloud chasing costs these young men in they life.

2230
01:51:14,240 --> 01:51:16,479
Speaker 2: I need you niggas to do something. I need you

2231
01:51:16,600 --> 01:51:20,200
Speaker 2: niggas to teach the kids not to be cloud chas us.

2232
01:51:20,240 --> 01:51:21,000
Speaker 1: I need us to.

2233
01:51:21,120 --> 01:51:24,680
Speaker 2: Understand the difference between getting it, having it, and chasing it.

2234
01:51:26,520 --> 01:51:30,599
Speaker 2: A lot of y'all chasing it, and whether that's money,

2235
01:51:30,720 --> 01:51:33,599
Speaker 2: cloud fame, whatever, that might be a lot of y'all

2236
01:51:33,760 --> 01:51:36,560
Speaker 2: chasing it. It's a difference when you're getting it, you

2237
01:51:36,800 --> 01:51:39,280
Speaker 2: having it, or chasing it. When you getting it, it

2238
01:51:39,400 --> 01:51:42,880
Speaker 2: comes to you. When you getting it, you warranted. It

2239
01:51:43,000 --> 01:51:46,400
Speaker 2: comes to you when you having it, you established when

2240
01:51:46,439 --> 01:51:50,240
Speaker 2: you chasing it. You're in a bad place because chasing

2241
01:51:50,320 --> 01:51:53,840
Speaker 2: becomes exhausting, and when you exhausted, you make bad decisions.

2242
01:51:54,160 --> 01:51:56,479
Speaker 2: We find in ourselves in an era where our kids

2243
01:51:56,560 --> 01:52:00,320
Speaker 2: are chasing clout to the point where it can cast

2244
01:52:00,400 --> 01:52:04,720
Speaker 2: them their lives. I sit my kids down and I

2245
01:52:04,840 --> 01:52:08,880
Speaker 2: try to give them the game. I try to give

2246
01:52:08,920 --> 01:52:11,519
Speaker 2: them the game. And I don't expect everybody to give game,

2247
01:52:11,560 --> 01:52:15,240
Speaker 2: because everybody ain't got game, and what you give would

2248
01:52:15,320 --> 01:52:18,760
Speaker 2: love you have. I don't expect y'all to give what

2249
01:52:18,880 --> 01:52:22,120
Speaker 2: you don't have. Y'all are camouflaged in this game. That's

2250
01:52:22,160 --> 01:52:24,640
Speaker 2: why you ain't made no moves. Your paranoid. You know

2251
01:52:24,720 --> 01:52:27,400
Speaker 2: you can't recover if you make a mistake. I'm confident

2252
01:52:27,479 --> 01:52:30,720
Speaker 2: in mine. I done lost the money several times and

2253
01:52:30,800 --> 01:52:32,560
Speaker 2: got it back. I know ain't nothing that can do

2254
01:52:32,760 --> 01:52:35,799
Speaker 2: with me. I've been down in the dirt several times.

2255
01:52:35,880 --> 01:52:38,000
Speaker 2: I know ain't nobody that can do nothing with me.

2256
01:52:38,720 --> 01:52:42,160
Speaker 2: I ain't having no confidence issues about me getting up

2257
01:52:42,280 --> 01:52:46,280
Speaker 2: eight times after I unfailed seven climbing the mountain, ten

2258
01:52:46,400 --> 01:52:48,880
Speaker 2: times after they done knock me down. Nine I don't

2259
01:52:48,920 --> 01:52:52,640
Speaker 2: have no reservations on or no pride attached to what

2260
01:52:52,800 --> 01:52:54,799
Speaker 2: I need to do to take care of my family.

2261
01:52:55,000 --> 01:52:57,280
Speaker 2: I'm willing to go on top of the mountain and

2262
01:52:57,400 --> 01:53:01,599
Speaker 2: scream down I'm on my way back, just to climb

2263
01:53:01,680 --> 01:53:05,040
Speaker 2: back up and bring somebody with me. I probably sacrificed

2264
01:53:05,160 --> 01:53:07,439
Speaker 2: millions out the street back because I didn't want to

2265
01:53:07,479 --> 01:53:10,559
Speaker 2: blow my face up. I had the plug, I had

2266
01:53:10,600 --> 01:53:12,479
Speaker 2: the line, I had the reason. I had it all.

2267
01:53:12,760 --> 01:53:15,400
Speaker 2: But I was planning it. I was smart enough to

2268
01:53:15,520 --> 01:53:18,439
Speaker 2: know this day right here was coming. I believe that

2269
01:53:18,640 --> 01:53:20,880
Speaker 2: this day right here was coming. A lot of y'all,

2270
01:53:21,320 --> 01:53:24,040
Speaker 2: I believe that this day right here that you looking

2271
01:53:24,120 --> 01:53:28,160
Speaker 2: at me, I believe that this was coming. Nobody could

2272
01:53:28,200 --> 01:53:31,479
Speaker 2: have told me anything different. I was not wavering off

2273
01:53:31,560 --> 01:53:33,600
Speaker 2: the gold. I knew I had it in man. I

2274
01:53:33,680 --> 01:53:35,600
Speaker 2: knew I was going to get it. I know they

2275
01:53:35,600 --> 01:53:37,760
Speaker 2: ain't had a dog in them, and even if they did,

2276
01:53:38,080 --> 01:53:40,880
Speaker 2: it was gonna be dog on dog. I went from

2277
01:53:40,920 --> 01:53:46,160
Speaker 2: aggravated to a mused. I went from disappointed to dignifying.

2278
01:53:47,000 --> 01:53:49,960
Speaker 2: That's why I'd be so critical about these podcast dudes.

2279
01:53:50,000 --> 01:53:52,479
Speaker 2: With all these people listening, and they ain't shining no

2280
01:53:52,600 --> 01:53:55,200
Speaker 2: light on our heritage. They ain't shining no light on

2281
01:53:55,320 --> 01:53:58,160
Speaker 2: our history. They ain't shining no light on our nothing.

2282
01:53:58,400 --> 01:54:01,920
Speaker 2: They just talking and having fun and asking about dinner days.

2283
01:54:02,160 --> 01:54:03,960
Speaker 2: Get out a long way, man. I come to put

2284
01:54:04,000 --> 01:54:08,439
Speaker 2: the real game down. I come to shine light on

2285
01:54:08,640 --> 01:54:13,439
Speaker 2: what it is to be black in America. Yeah we

2286
01:54:13,600 --> 01:54:16,600
Speaker 2: talked to rappers, but we talk to lawyers. Yeah we

2287
01:54:16,800 --> 01:54:20,880
Speaker 2: spend money, but we make money. Yeah, we run around

2288
01:54:20,960 --> 01:54:25,400
Speaker 2: having kids, but we take care. We don't drop children

2289
01:54:25,520 --> 01:54:29,360
Speaker 2: off and not be active. The more information I take

2290
01:54:29,439 --> 01:54:32,280
Speaker 2: in about the culture, I start to realize I may

2291
01:54:32,440 --> 01:54:37,600
Speaker 2: be the most resilient individual left. Either they don't know nothing,

2292
01:54:37,720 --> 01:54:39,800
Speaker 2: or they acting like they don't know nothing, and either

2293
01:54:39,880 --> 01:54:40,879
Speaker 2: way it's a problem.

2294
01:54:42,080 --> 01:54:44,600
Speaker 1: I know the podcast world, and I'm gonna move on

2295
01:54:44,760 --> 01:54:45,000
Speaker 1: from this.

2296
01:54:45,160 --> 01:54:47,200
Speaker 2: But man, I'm just renting right now, and I get

2297
01:54:47,240 --> 01:54:50,520
Speaker 2: off on a tangent sometime. But I know the podcast world.

2298
01:54:50,960 --> 01:54:55,680
Speaker 2: Some of these guys can't embrace me. It's impossible for

2299
01:54:55,760 --> 01:55:01,520
Speaker 2: them to embrace anything. They scared to death. They shaking

2300
01:55:01,600 --> 01:55:05,960
Speaker 2: in their boots in their position. And I constantly tell people,

2301
01:55:06,080 --> 01:55:10,120
Speaker 2: you judge a man by what he engages in, not

2302
01:55:10,320 --> 01:55:13,040
Speaker 2: by what come out of his mouth. And not by

2303
01:55:13,160 --> 01:55:16,480
Speaker 2: what he leads you to believe, but what he engages

2304
01:55:16,600 --> 01:55:19,480
Speaker 2: in tells you everything about a man, and you don't

2305
01:55:19,560 --> 01:55:22,720
Speaker 2: let him trick you into nothing else. Yeah, we kept

2306
01:55:22,760 --> 01:55:27,360
Speaker 2: the files. We got the evidence that these niggas is cowards.

2307
01:55:29,320 --> 01:55:31,640
Speaker 2: You don't think you can be popping and be a coward.

2308
01:55:32,920 --> 01:55:34,840
Speaker 2: You don't think you can have recond seals and be

2309
01:55:34,960 --> 01:55:37,880
Speaker 2: a coward. You don't think you can get views and

2310
01:55:38,120 --> 01:55:40,880
Speaker 2: likes and comments and being coward, or have stands and

2311
01:55:41,000 --> 01:55:42,920
Speaker 2: be a coward. You don't think you can have a

2312
01:55:43,040 --> 01:55:46,720
Speaker 2: Bentley truck and be a coward. I agree with you sometime,

2313
01:55:46,880 --> 01:55:50,280
Speaker 2: not all the time. I agree with you sometime. Money

2314
01:55:50,320 --> 01:55:52,880
Speaker 2: don't make you real, But money don't make you fake either.

2315
01:55:53,880 --> 01:55:58,600
Speaker 2: A lot of you pat got money all let money

2316
01:55:58,680 --> 01:56:02,160
Speaker 2: don't make you real? Talk oh funny? Don't make you

2317
01:56:02,240 --> 01:56:05,960
Speaker 2: a sucker, eaiter because I'm fine dying and it don't

2318
01:56:05,960 --> 01:56:09,000
Speaker 2: make me no sucker. Because I've been afforded a lifestyle

2319
01:56:09,080 --> 01:56:11,560
Speaker 2: that most men can only dream more of. That don't

2320
01:56:11,600 --> 01:56:15,000
Speaker 2: make me no lame, But that don't make you no

2321
01:56:15,200 --> 01:56:20,880
Speaker 2: red eater. What make me identify you guys as cows

2322
01:56:20,960 --> 01:56:23,320
Speaker 2: is because every time something pop off, I see which

2323
01:56:23,360 --> 01:56:27,520
Speaker 2: way you niggas run, and it's always away from the solution.

2324
01:56:28,040 --> 01:56:30,440
Speaker 2: Every time somebody need help, I see which way you

2325
01:56:30,560 --> 01:56:34,280
Speaker 2: niggas run, and it's always away from rendering, they aid.

2326
01:56:35,040 --> 01:56:37,080
Speaker 2: And you know, they say, the difference between the hero

2327
01:56:37,280 --> 01:56:40,880
Speaker 2: and the cowvit is the direction they run when shit

2328
01:56:41,000 --> 01:56:44,000
Speaker 2: pop off. And every single time I've watched you niggas,

2329
01:56:44,760 --> 01:56:46,760
Speaker 2: I watch my little boys, and I make sure to

2330
01:56:46,840 --> 01:56:49,880
Speaker 2: pull into him and I pour in to him by

2331
01:56:49,960 --> 01:56:53,880
Speaker 2: my words, by my conversation. But I'm noticing as they

2332
01:56:53,920 --> 01:56:56,880
Speaker 2: get older, I gotta pull into them by my examples.

2333
01:56:58,440 --> 01:57:01,200
Speaker 1: I gotta educate them whatever it is.

2334
01:57:01,600 --> 01:57:03,920
Speaker 2: I can no longer just speak to them because they

2335
01:57:04,040 --> 01:57:08,960
Speaker 2: eyes it's providing them evidence that they ears won't interpret.

2336
01:57:09,800 --> 01:57:13,720
Speaker 2: And so I find myself trying to teach and freedom

2337
01:57:13,760 --> 01:57:16,200
Speaker 2: with some of the cages that I found myself in

2338
01:57:16,400 --> 01:57:20,440
Speaker 2: as a young man. You know, they've been with me

2339
01:57:20,560 --> 01:57:22,960
Speaker 2: since they was little boys, and so they naturally pick

2340
01:57:23,080 --> 01:57:25,920
Speaker 2: up on things that I do. And so since they've

2341
01:57:25,920 --> 01:57:28,520
Speaker 2: been around me and I've been in their life, they

2342
01:57:28,640 --> 01:57:31,920
Speaker 2: want't Daddy. They noticed that man, my daddy don't give

2343
01:57:32,040 --> 01:57:35,960
Speaker 2: nobody's real name. My daddy move in stealth like he

2344
01:57:36,120 --> 01:57:40,320
Speaker 2: do he slicked like, And so I started to pay

2345
01:57:40,360 --> 01:57:44,480
Speaker 2: attention that they adopted that and started to kind of move.

2346
01:57:44,560 --> 01:57:47,080
Speaker 2: I said, oh no, let me rid you in. Y'all

2347
01:57:47,120 --> 01:57:50,880
Speaker 2: stand on thy name, y'all stand on my name. And

2348
01:57:51,000 --> 01:57:52,760
Speaker 2: so now when they wear me, I got to use

2349
01:57:52,840 --> 01:57:55,360
Speaker 2: my real name. I'm no longer in their lifestyle. So

2350
01:57:55,480 --> 01:58:00,960
Speaker 2: it feels funny, but it's necessary because I'm leading by example, right,

2351
01:58:01,000 --> 01:58:01,880
Speaker 2: It's necessary.

2352
01:58:02,040 --> 01:58:03,040
Speaker 1: Stand on that name.

2353
01:58:03,600 --> 01:58:06,760
Speaker 2: We building something on behalf of that name, stand on it.

2354
01:58:07,640 --> 01:58:10,840
Speaker 2: I also know it's an obstacle to free our people

2355
01:58:10,880 --> 01:58:15,320
Speaker 2: of the mindset that being cool lives inside of being criminal.

2356
01:58:16,120 --> 01:58:19,040
Speaker 2: I want to be one of the loudest voices in

2357
01:58:19,120 --> 01:58:21,760
Speaker 2: the room now for us we survive the ghetto before

2358
01:58:21,840 --> 01:58:26,000
Speaker 2: our children and our children's children and our grandchildren's children

2359
01:58:26,280 --> 01:58:28,760
Speaker 2: and the people who come up under us. That we

2360
01:58:28,840 --> 01:58:32,920
Speaker 2: can adopt cool without adopting criminal. And the thing about

2361
01:58:32,960 --> 01:58:35,520
Speaker 2: that the white people can't use that against us. We

2362
01:58:35,720 --> 01:58:38,440
Speaker 2: only can use that against each other. We can have

2363
01:58:38,560 --> 01:58:41,080
Speaker 2: the same outfit on both of them, can come from Gucci,

2364
01:58:41,160 --> 01:58:43,680
Speaker 2: can be a fifteen thousand dollars our fit. We can

2365
01:58:43,720 --> 01:58:46,040
Speaker 2: had the same coddier as them. Shits might have cost

2366
01:58:46,160 --> 01:58:50,040
Speaker 2: twelve grand with the pointers in them. We might look

2367
01:58:50,080 --> 01:58:53,000
Speaker 2: the exact same, and I might tell you, nigga, you

2368
01:58:53,040 --> 01:58:53,520
Speaker 2: ain't got.

2369
01:58:53,480 --> 01:58:56,640
Speaker 1: Nothing on me. Nigga, you ain't never been to the trenches.

2370
01:59:00,040 --> 01:59:01,400
Speaker 1: And they gave me an edge on you.

2371
01:59:01,520 --> 01:59:03,840
Speaker 2: Cause nigga, we know the women like the bad boys,

2372
01:59:04,080 --> 01:59:06,920
Speaker 2: but were using that against each other, and by proxy

2373
01:59:07,000 --> 01:59:09,120
Speaker 2: we done pass that down to the kids trying to

2374
01:59:09,240 --> 01:59:12,160
Speaker 2: chase that side of the street, thinking that results in

2375
01:59:12,240 --> 01:59:14,480
Speaker 2: getting the women. Yeah, you might get the women. If

2376
01:59:14,520 --> 01:59:19,560
Speaker 2: you survive, it'll ruin your life. Otherwise, though you a

2377
01:59:19,720 --> 01:59:21,640
Speaker 2: die going that way. You don't know as much as

2378
01:59:21,680 --> 01:59:27,000
Speaker 2: we knew. We had a special ability to read the room.

2379
01:59:28,680 --> 01:59:30,000
Speaker 2: Some feel fun in him?

2380
01:59:30,080 --> 01:59:32,600
Speaker 1: What's going on? Who is that new dude? I ain't

2381
01:59:32,680 --> 01:59:34,560
Speaker 1: never saw him. He's twitching.

2382
01:59:34,640 --> 01:59:37,480
Speaker 2: He it's certain thing we can pick up on because

2383
01:59:37,520 --> 01:59:41,880
Speaker 2: it been necessary for survival, and maybe not even from us,

2384
01:59:41,960 --> 01:59:44,320
Speaker 2: but I were close enough to see him make that mistake.

2385
01:59:45,040 --> 01:59:47,760
Speaker 1: He didn't locked that door when he came in. Such

2386
01:59:47,800 --> 01:59:49,680
Speaker 1: and such kept his winder open, and they gave he

2387
01:59:49,760 --> 01:59:52,480
Speaker 1: climbed through the window wood the wool put the lights

2388
01:59:52,520 --> 01:59:54,600
Speaker 1: in his name. Dude and him had somebody work at

2389
01:59:54,680 --> 01:59:57,280
Speaker 1: any years. They don't figured out where he lived at

2390
01:59:57,640 --> 01:59:59,600
Speaker 1: such and such put an ad tag on their car,

2391
02:00:00,480 --> 02:00:02,520
Speaker 1: you know, and you pick this information though.

2392
02:00:02,720 --> 02:00:04,840
Speaker 2: But I think our people ain't bond. It's not even

2393
02:00:04,880 --> 02:00:09,080
Speaker 2: our children, our dolts. We have adults that ain't adopted

2394
02:00:09,560 --> 02:00:13,480
Speaker 2: the fact that community collaboration by black people is the

2395
02:00:13,560 --> 02:00:16,080
Speaker 2: most beautiful process that we can put, that we can

2396
02:00:16,200 --> 02:00:19,480
Speaker 2: leave to our children, even if we scared, even if

2397
02:00:19,520 --> 02:00:21,720
Speaker 2: we pair of renoid. Because I know, trust me, I know,

2398
02:00:21,880 --> 02:00:24,960
Speaker 2: I don't want to pull up on everybody. I don't

2399
02:00:25,000 --> 02:00:27,200
Speaker 2: trust these niggas. I don't need them to know it.

2400
02:00:27,760 --> 02:00:27,920
Speaker 4: Man.

2401
02:00:27,960 --> 02:00:30,120
Speaker 2: I drive one car to everybody. When I'm out, I

2402
02:00:30,280 --> 02:00:32,240
Speaker 2: drive this old car. I don't give it that they

2403
02:00:32,280 --> 02:00:34,880
Speaker 2: don't know what I'm mean. When I'm outside of one

2404
02:00:35,000 --> 02:00:37,560
Speaker 2: cor everybody in the city, no one cor outside of that,

2405
02:00:37,720 --> 02:00:39,680
Speaker 2: they don't know what's going on. I keep it that

2406
02:00:39,840 --> 02:00:42,280
Speaker 2: way cause and I ain't got to do that no more,

2407
02:00:42,880 --> 02:00:44,760
Speaker 2: or at least I would like to believe I ain't

2408
02:00:44,760 --> 02:00:47,080
Speaker 2: got to do that no more. But I have been

2409
02:00:47,240 --> 02:00:50,080
Speaker 2: birthed in a place that provided me a reality that

2410
02:00:50,200 --> 02:00:54,440
Speaker 2: told me when you become financially stable and you drink wine.

2411
02:00:54,480 --> 02:00:57,960
Speaker 2: Amongst Bill Simples, you become a target and love and

2412
02:00:58,080 --> 02:01:02,480
Speaker 2: respect it goes so far until opportunity had to cross

2413
02:01:02,600 --> 02:01:06,880
Speaker 2: path with respect. Now respect boundaries are tested because opportunity

2414
02:01:06,960 --> 02:01:09,680
Speaker 2: lives on the other side of respect, which is disrespect,

2415
02:01:09,760 --> 02:01:10,880
Speaker 2: which is stealing, which.

2416
02:01:10,800 --> 02:01:12,320
Speaker 1: Is going there and get it. I know where he

2417
02:01:12,440 --> 02:01:12,760
Speaker 1: live at.

2418
02:01:12,840 --> 02:01:18,720
Speaker 2: He trusts me, you're disrespecting me, But it's opportunity on

2419
02:01:18,800 --> 02:01:20,880
Speaker 2: the other side of that. A lot of people looking

2420
02:01:20,920 --> 02:01:23,320
Speaker 2: at other grown men saying he ain't gave me nothing.

2421
02:01:25,000 --> 02:01:27,480
Speaker 2: And I'm the grown man that's looking at them niggas

2422
02:01:27,480 --> 02:01:31,840
Speaker 2: saying you ain't got you nothing. You looking at him

2423
02:01:31,920 --> 02:01:34,160
Speaker 2: saying he ain't gave you nothing. I'm looking at you saying,

2424
02:01:34,240 --> 02:01:35,040
Speaker 2: damn you ain't.

2425
02:01:34,840 --> 02:01:38,760
Speaker 1: Got you nothing. I don't let opportunity attach to some

2426
02:01:38,880 --> 02:01:39,480
Speaker 1: of these niggas.

2427
02:01:39,560 --> 02:01:42,600
Speaker 2: Y'all running behind and y'all don't want to do nothing

2428
02:01:42,640 --> 02:01:45,200
Speaker 2: but get the nigga at Force one and his old

2429
02:01:45,280 --> 02:01:48,720
Speaker 2: designer and the shirt. He can't find the pants too,

2430
02:01:48,800 --> 02:01:50,880
Speaker 2: so he'll let a nigga have the five thousand dollar

2431
02:01:51,040 --> 02:01:52,200
Speaker 2: coat cause he can't.

2432
02:01:52,080 --> 02:01:54,000
Speaker 1: Find nothing to match it. You nigga just want to

2433
02:01:54,080 --> 02:01:59,080
Speaker 1: ride nigga coat, tell and ride nigga wavee You nigga

2434
02:01:59,080 --> 02:02:04,480
Speaker 1: don't even want nothing all that. He ain't gave me nothing. Talk.

2435
02:02:04,880 --> 02:02:06,840
Speaker 1: It ain't never about what I get. It's about what

2436
02:02:06,920 --> 02:02:08,160
Speaker 1: you nigga's gonna do with it.

2437
02:02:10,800 --> 02:02:12,760
Speaker 2: If I knew you, niggas was gonna stunt with it

2438
02:02:12,840 --> 02:02:16,160
Speaker 2: out of kepting it, stunt with it myself. I'm thinking,

2439
02:02:16,240 --> 02:02:19,360
Speaker 2: you're going to help your mama when I gave you something.

2440
02:02:19,520 --> 02:02:22,040
Speaker 2: A lot of things be tests man, the universe.

2441
02:02:22,080 --> 02:02:22,560
Speaker 1: A test you.

2442
02:02:22,720 --> 02:02:24,760
Speaker 2: I'm gonna throw a fifty in your hand, go get

2443
02:02:24,840 --> 02:02:28,760
Speaker 2: mama straight, and if you do that, I'm gonna bless

2444
02:02:28,800 --> 02:02:31,240
Speaker 2: you with another fifty immediately. If you don't do that,

2445
02:02:31,320 --> 02:02:33,600
Speaker 2: I'm gonna let that fifty during the loan back down.

2446
02:02:34,400 --> 02:02:36,160
Speaker 2: A dude asked me the other day. One of my

2447
02:02:36,240 --> 02:02:38,920
Speaker 2: homeboys was asking me, yo, loan, I want to start

2448
02:02:39,000 --> 02:02:41,480
Speaker 2: doing content or twitching or streaming because I'm about to

2449
02:02:41,480 --> 02:02:42,160
Speaker 2: get into the game.

2450
02:02:42,200 --> 02:02:44,800
Speaker 1: And shout out said four PF gaming. You know the vibe.

2451
02:02:45,600 --> 02:02:47,960
Speaker 2: We're finna get into the game inside of things right,

2452
02:02:49,400 --> 02:02:52,240
Speaker 2: And the little nigga w was asking me right because

2453
02:02:52,240 --> 02:02:53,280
Speaker 2: the nigga's out the trenches.

2454
02:02:53,360 --> 02:02:56,080
Speaker 1: They asked me. Now, they say, loon, you done done it?

2455
02:02:56,240 --> 02:02:56,920
Speaker 1: Like how you do it?

2456
02:02:57,000 --> 02:02:57,440
Speaker 7: Can we do?

2457
02:02:57,640 --> 02:02:59,840
Speaker 2: Is it really possible? I'm telling niggas, yeah, you gotta.

2458
02:03:00,640 --> 02:03:03,560
Speaker 2: And the weird thing about cloud chasing. I was telling

2459
02:03:03,800 --> 02:03:07,480
Speaker 2: little homie this, don't do too much cloud chasing. The

2460
02:03:07,560 --> 02:03:12,560
Speaker 2: weird thing about cloud chasing is unless you somebody like

2461
02:03:12,680 --> 02:03:14,720
Speaker 2: me that done got rich in media or got rich

2462
02:03:14,760 --> 02:03:17,080
Speaker 2: from talking, like if you just a regular parent and

2463
02:03:17,120 --> 02:03:19,040
Speaker 2: you're trying to tell your kid, man, look, don't do

2464
02:03:19,160 --> 02:03:20,080
Speaker 2: the cloud chasing thing.

2465
02:03:20,200 --> 02:03:21,080
Speaker 1: That donna last long.

2466
02:03:21,240 --> 02:03:24,560
Speaker 2: You can't sustain it, meaning it meaning you can't keep

2467
02:03:24,640 --> 02:03:26,480
Speaker 2: cloud chasing for the rest of your life. And then

2468
02:03:26,520 --> 02:03:28,960
Speaker 2: when you mask yourself and put that pain on your face,

2469
02:03:29,240 --> 02:03:31,560
Speaker 2: you really can't take it pain off your face. I

2470
02:03:31,600 --> 02:03:33,640
Speaker 2: don't give a damn hot serious you give. You really

2471
02:03:33,680 --> 02:03:37,440
Speaker 2: gotta do something that's classified as stupid to get that

2472
02:03:37,560 --> 02:03:40,280
Speaker 2: pain off your face, and that'll cost you something you

2473
02:03:40,360 --> 02:03:42,640
Speaker 2: can't recover. Like it's like a It puts you in

2474
02:03:42,720 --> 02:03:44,600
Speaker 2: a maze you can't get out of. So let's try

2475
02:03:44,680 --> 02:03:47,840
Speaker 2: not to cloud chase. But the kids identify the OG's

2476
02:03:47,960 --> 02:03:49,960
Speaker 2: or the people with the information it's trying to tell

2477
02:03:50,040 --> 02:03:52,520
Speaker 2: them slow down on the cloud chasing. They view that

2478
02:03:52,720 --> 02:03:56,000
Speaker 2: is he out of touch because cloud chasing is new

2479
02:03:57,480 --> 02:04:01,080
Speaker 2: in this format in the same way that medical field works.

2480
02:04:01,120 --> 02:04:03,080
Speaker 2: You need ten or fifteen years of research to know

2481
02:04:03,200 --> 02:04:07,400
Speaker 2: the ramifications or the effects of some of these things

2482
02:04:07,520 --> 02:04:08,440
Speaker 2: like cloud chasing.

2483
02:04:08,520 --> 02:04:09,440
Speaker 1: So people don't know it.

2484
02:04:09,560 --> 02:04:11,800
Speaker 2: And because they don't know the results, and you don't

2485
02:04:11,840 --> 02:04:13,920
Speaker 2: know the results, and you can't convince them you know

2486
02:04:14,040 --> 02:04:16,720
Speaker 2: the results, they gonna say you out of touch. Because

2487
02:04:16,760 --> 02:04:20,240
Speaker 2: cloud chasing has fame somewhere in there, it gets blurred up.

2488
02:04:20,320 --> 02:04:22,680
Speaker 2: If you cloud chase, you might can get famous. Famous

2489
02:04:22,760 --> 02:04:24,840
Speaker 2: for what though? What are you famous for?

2490
02:04:26,160 --> 02:04:26,280
Speaker 6: Right?

2491
02:04:26,400 --> 02:04:28,920
Speaker 2: So you gotta ask yourself that are you famous enough

2492
02:04:29,000 --> 02:04:32,280
Speaker 2: to have a sell through rate? These are conversational pieces.

2493
02:04:33,240 --> 02:04:35,160
Speaker 2: What's your sell through rate? Cloud chasing?

2494
02:04:35,200 --> 02:04:35,440
Speaker 6: Ass?

2495
02:04:35,560 --> 02:04:40,200
Speaker 2: Nigga, you donna set yourself on fire. You done jumped

2496
02:04:40,240 --> 02:04:44,440
Speaker 2: off rules? What's your sell through rate? It's the view

2497
02:04:44,560 --> 02:04:47,640
Speaker 2: doing anything for the companies attached to you? Anything for you?

2498
02:04:47,840 --> 02:04:50,040
Speaker 2: Or is it just taking from your brand? You think

2499
02:04:50,080 --> 02:04:54,200
Speaker 2: it's brand building when it's brand recognition. I can literally

2500
02:04:54,320 --> 02:04:56,600
Speaker 2: sell you these things. This is real game. I can

2501
02:04:56,720 --> 02:04:58,840
Speaker 2: sell you these things. But what you give with love

2502
02:04:58,920 --> 02:05:00,760
Speaker 2: you have and I have in the game. So I

2503
02:05:00,880 --> 02:05:02,800
Speaker 2: give it to you with love. Do something with it.

2504
02:05:05,640 --> 02:05:07,880
Speaker 2: I don't expect none of these podcasts the dudes to

2505
02:05:07,920 --> 02:05:09,920
Speaker 2: fuck with me. I'm come in the game by myself

2506
02:05:10,000 --> 02:05:12,440
Speaker 2: and done it by myself. I'm free. I'm not a

2507
02:05:12,480 --> 02:05:16,480
Speaker 2: slave to a corporation or company. I don't have anybody interest.

2508
02:05:16,560 --> 02:05:18,680
Speaker 2: I don't have anybody in my pocket. I don't have

2509
02:05:18,760 --> 02:05:22,320
Speaker 2: a percentage giving to anyone in regards to my company.

2510
02:05:22,680 --> 02:05:25,240
Speaker 2: I ain't had no financial restraints to where I had

2511
02:05:25,320 --> 02:05:28,000
Speaker 2: to sell off a piece of the percentages to get

2512
02:05:28,080 --> 02:05:30,480
Speaker 2: us some equity or to get some financial bag. I

2513
02:05:30,520 --> 02:05:33,600
Speaker 2: ain't did none of that. So I'm free. I'm able

2514
02:05:33,680 --> 02:05:37,000
Speaker 2: to speak to my people. I'm able to have great conversations,

2515
02:05:37,040 --> 02:05:39,480
Speaker 2: and I'm able to examine some of this evidence that's

2516
02:05:39,520 --> 02:05:42,080
Speaker 2: been left by the people that's been leading the culture.

2517
02:05:42,360 --> 02:05:44,880
Speaker 2: I imagine that to be uncomfortable for people, but I

2518
02:05:45,080 --> 02:05:52,320
Speaker 2: know one thing. History is kind to the brave, and

2519
02:05:52,440 --> 02:05:55,040
Speaker 2: if I was lying, I wouldn't speak with such conviction.

2520
02:05:57,400 --> 02:06:00,919
Speaker 2: I'm vindicated when I speak, I'm validated, and then my approach.

2521
02:06:01,000 --> 02:06:03,000
Speaker 2: I know exactly what I want to say to these

2522
02:06:03,080 --> 02:06:04,920
Speaker 2: people and how it need to be said for it

2523
02:06:05,000 --> 02:06:05,760
Speaker 2: to be effective.

2524
02:06:06,360 --> 02:06:08,280
Speaker 1: I know these guys don't know nothing.

2525
02:06:08,320 --> 02:06:10,680
Speaker 2: I ain't guessing when I say that, and I ain't

2526
02:06:10,760 --> 02:06:14,120
Speaker 2: being disrespectful when I say that. I'm trying to spark

2527
02:06:14,200 --> 02:06:16,320
Speaker 2: the mind of some of these individuals that has the

2528
02:06:16,400 --> 02:06:19,320
Speaker 2: ability to pivot and transition in a way that we

2529
02:06:19,440 --> 02:06:22,920
Speaker 2: ain't seen done yet, as that we see our counterparts

2530
02:06:23,000 --> 02:06:23,600
Speaker 2: continue to.

2531
02:06:23,640 --> 02:06:25,960
Speaker 1: Do over and over and over and over and over.

2532
02:06:27,320 --> 02:06:29,680
Speaker 2: So when closing of me just going on my rant,

2533
02:06:29,720 --> 02:06:32,560
Speaker 2: I want to say this, I know you niggas can't

2534
02:06:32,600 --> 02:06:36,760
Speaker 2: touch me because you nothing like me. You ain't willing

2535
02:06:36,840 --> 02:06:38,480
Speaker 2: to go as far as I'm willing to go. You

2536
02:06:38,560 --> 02:06:42,720
Speaker 2: ain't willing to stay up late nights, get up early mornings.

2537
02:06:43,360 --> 02:06:45,600
Speaker 2: You ain't willing to do a flight. Get off their flight,

2538
02:06:45,720 --> 02:06:48,000
Speaker 2: take care of the business. Get on another flight, get

2539
02:06:48,040 --> 02:06:50,720
Speaker 2: off their flight, take care of the business. Mama, don't

2540
02:06:50,760 --> 02:06:53,320
Speaker 2: know where you are. Family, don't know really what's going on.

2541
02:06:53,520 --> 02:06:56,040
Speaker 2: But you raking in the bank and you bringing the paper.

2542
02:06:56,400 --> 02:07:00,520
Speaker 2: You nothing like dude. Now due know how to go

2543
02:07:00,760 --> 02:07:02,600
Speaker 2: get it. They know how to bring it back and

2544
02:07:02,760 --> 02:07:07,400
Speaker 2: do something with it. Not only am I financially free,

2545
02:07:07,480 --> 02:07:14,560
Speaker 2: I'm capable my capabilities in combination and in concert with

2546
02:07:14,720 --> 02:07:18,320
Speaker 2: my financial freedom, it's gonna help me unleash the dog,

2547
02:07:19,040 --> 02:07:22,440
Speaker 2: and a lot of people say loan. They classify a

2548
02:07:22,480 --> 02:07:25,920
Speaker 2: lot of these guys as lines, And once I get

2549
02:07:25,960 --> 02:07:28,240
Speaker 2: the information, I'll be a line. But right now I'm

2550
02:07:28,240 --> 02:07:30,680
Speaker 2: a dog. I'm a free dog, and a free dog

2551
02:07:30,760 --> 02:07:33,560
Speaker 2: and do more damage than a cage line. They caged,

2552
02:07:34,800 --> 02:07:39,120
Speaker 2: they stuck, they lost. What good is being a line

2553
02:07:39,120 --> 02:07:42,720
Speaker 2: if you can no longer hunt? What's good is being

2554
02:07:42,800 --> 02:07:45,280
Speaker 2: a snipe if you can no longer shoot? What good

2555
02:07:45,400 --> 02:07:47,120
Speaker 2: is having love for the game when you can no

2556
02:07:47,240 --> 02:07:51,080
Speaker 2: longer play? Change is coming. Y'all be prepared. Let's move on.

2557
02:07:51,320 --> 02:07:53,640
Speaker 2: All right, let's talk about this. This one is This

2558
02:07:53,800 --> 02:07:55,960
Speaker 2: one gets a little I don't know, this gets a

2559
02:07:56,000 --> 02:08:00,040
Speaker 2: little sticky. TROYV Maino text on this whole situation. I

2560
02:08:00,120 --> 02:08:02,720
Speaker 2: kind of spoke about it last week with text on

2561
02:08:02,840 --> 02:08:05,520
Speaker 2: in Troy AV free text on RP bang A whole

2562
02:08:05,600 --> 02:08:10,120
Speaker 2: situation messy. This is a cautionary tale for all people

2563
02:08:10,160 --> 02:08:14,120
Speaker 2: that's paying attention. Troy AV has been running around celebrating something.

2564
02:08:14,240 --> 02:08:16,520
Speaker 2: I'm not sure if he understands how that is being

2565
02:08:16,640 --> 02:08:18,560
Speaker 2: received by some people.

2566
02:08:18,640 --> 02:08:20,560
Speaker 1: Of course, is hate mixed up in that. A lot

2567
02:08:20,600 --> 02:08:21,320
Speaker 1: of dudes hating.

2568
02:08:21,440 --> 02:08:24,440
Speaker 2: But I think he needs to understand that somebody lost

2569
02:08:24,480 --> 02:08:26,840
Speaker 2: their life, somebody close to you, on your behalf, on

2570
02:08:26,960 --> 02:08:30,560
Speaker 2: your watch. So, in my opinion, celebration is not warranted

2571
02:08:30,680 --> 02:08:32,760
Speaker 2: in that each one do what they want to do.

2572
02:08:32,960 --> 02:08:35,640
Speaker 2: But I'm saying far as my thoughts. Now, let's take

2573
02:08:35,680 --> 02:08:38,360
Speaker 2: a look at what caused the altercation between Mano and

2574
02:08:38,440 --> 02:08:42,160
Speaker 2: troy AV, because now troy AV has responded to Mano.

2575
02:08:42,720 --> 02:08:45,440
Speaker 2: Mano came out and was speaking with Angela Yee and

2576
02:08:45,600 --> 02:08:49,960
Speaker 2: he was speaking about yo textone just was convicted and

2577
02:08:50,320 --> 02:08:52,480
Speaker 2: he kind of didn't like how Troy AV spent it.

2578
02:08:52,600 --> 02:08:53,360
Speaker 1: Let's pay attention.

2579
02:08:55,840 --> 02:08:59,040
Speaker 19: It happened in the dressing room that I was occupying

2580
02:08:59,080 --> 02:09:01,560
Speaker 19: with me and Uncle Murder. We was performing at night,

2581
02:09:01,960 --> 02:09:04,160
Speaker 19: or we were set to perform at night. My only

2582
02:09:04,240 --> 02:09:06,880
Speaker 19: issue with that is is that I just don't agree

2583
02:09:06,920 --> 02:09:09,080
Speaker 19: with the narrative that's been put out there as if

2584
02:09:09,520 --> 02:09:11,560
Speaker 19: you know, Taxtone was there to try to look for

2585
02:09:11,640 --> 02:09:12,080
Speaker 19: a problem.

2586
02:09:12,240 --> 02:09:13,800
Speaker 1: Tax Tone was actually there.

2587
02:09:14,200 --> 02:09:16,960
Speaker 19: That man was there, chilling, right, That man was there,

2588
02:09:17,520 --> 02:09:20,280
Speaker 19: you know, you know, chilling, you know, enjoying the moment,

2589
02:09:20,480 --> 02:09:22,960
Speaker 19: and you know, you know these other dudes came in

2590
02:09:23,040 --> 02:09:25,000
Speaker 19: there looking for a problem. These other dudes came in

2591
02:09:25,040 --> 02:09:28,320
Speaker 19: there with that energy looking to try to have a moment,

2592
02:09:28,400 --> 02:09:30,960
Speaker 19: and the moment just didn't go their way. So I mean,

2593
02:09:31,000 --> 02:09:34,280
Speaker 19: I just have a you know, I just in disagreement

2594
02:09:34,440 --> 02:09:37,440
Speaker 19: with the whole narrative of becoming a victim after you

2595
02:09:37,600 --> 02:09:38,120
Speaker 19: tried to be.

2596
02:09:39,800 --> 02:09:41,720
Speaker 1: An aggressive all right.

2597
02:09:41,840 --> 02:09:43,920
Speaker 21: Well, the one thing for tax done is that it

2598
02:09:44,080 --> 02:09:46,960
Speaker 21: was not first degree murder, right that he ended up

2599
02:09:47,000 --> 02:09:50,320
Speaker 21: getting charged to shut out the Taxtone man. It was manslaughter,

2600
02:09:50,480 --> 02:09:54,400
Speaker 21: right right? So yeah, and I think try IV is

2601
02:09:54,760 --> 02:09:57,400
Speaker 21: you know, very happy about this whole situation.

2602
02:09:57,280 --> 02:09:59,040
Speaker 14: Right, Have you spoke to Taxton or you have been

2603
02:09:59,040 --> 02:09:59,520
Speaker 14: in contact with.

2604
02:09:59,520 --> 02:10:02,480
Speaker 19: It throughout the time somewhat?

2605
02:10:02,560 --> 02:10:03,120
Speaker 1: Yeah, definitely.

2606
02:10:03,160 --> 02:10:04,680
Speaker 19: But I mean my whole thing is this, though, like

2607
02:10:04,760 --> 02:10:07,400
Speaker 19: how you like how you out here celebrating, you know,

2608
02:10:08,040 --> 02:10:10,280
Speaker 19: just getting on the stand after you tried to create

2609
02:10:10,360 --> 02:10:14,000
Speaker 19: a situation that you know that just didn't go your way, right,

2610
02:10:14,120 --> 02:10:16,920
Speaker 19: So when you and then here's another narrative that's that

2611
02:10:17,080 --> 02:10:19,640
Speaker 19: that people I see people out here trying to hang

2612
02:10:19,720 --> 02:10:23,320
Speaker 19: on to that man was never accused of of of

2613
02:10:23,840 --> 02:10:27,280
Speaker 19: murder of his friend, right, so he was never arrested

2614
02:10:27,360 --> 02:10:29,320
Speaker 19: for the murder of his own friend. They was never

2615
02:10:29,480 --> 02:10:31,960
Speaker 19: putting the murder of his of his frint on him.

2616
02:10:32,120 --> 02:10:34,000
Speaker 21: It was for firing the gun in there, that right,

2617
02:10:34,080 --> 02:10:34,680
Speaker 21: and the guns that.

2618
02:10:34,880 --> 02:10:36,080
Speaker 11: The guns that he got caught with.

2619
02:10:36,280 --> 02:10:39,320
Speaker 19: So he worked out a deal with the prosecutor to

2620
02:10:39,400 --> 02:10:42,080
Speaker 19: get less time for those guns that he got caught with,

2621
02:10:42,920 --> 02:10:46,400
Speaker 19: you understand. So that was his uh uh uh, you

2622
02:10:46,480 --> 02:10:51,080
Speaker 19: know motivation to get on the stand and testify against Taxon.

2623
02:10:52,160 --> 02:10:54,000
Speaker 21: All right, Well, I mean and clearly the two of

2624
02:10:54,080 --> 02:10:56,600
Speaker 21: them had already had issues before that, so right, I mean,

2625
02:10:56,680 --> 02:10:59,840
Speaker 21: so that that that was the motivation, and that people

2626
02:11:00,080 --> 02:11:03,160
Speaker 21: on social media like, well, why wouldn't he testify against somebody?

2627
02:11:03,200 --> 02:11:04,760
Speaker 1: That's not cool?

2628
02:11:04,960 --> 02:11:05,640
Speaker 11: Cool? Right?

2629
02:11:05,720 --> 02:11:08,280
Speaker 19: But if say the whole truth, right, don't make it

2630
02:11:08,320 --> 02:11:10,480
Speaker 19: seem like that man was there to try to assassinate you,

2631
02:11:10,560 --> 02:11:12,880
Speaker 19: and that's not the truth. The truth of the matter

2632
02:11:13,040 --> 02:11:16,720
Speaker 19: is you actually came there on that time. You walked

2633
02:11:16,760 --> 02:11:18,440
Speaker 19: in there in that room and try to create the

2634
02:11:18,520 --> 02:11:22,760
Speaker 19: situation that left you a victor. You thought that maybe

2635
02:11:22,800 --> 02:11:24,360
Speaker 19: you was gonna get you a world star moment.

2636
02:11:24,800 --> 02:11:26,960
Speaker 1: Okay, So now, Maino, what's there?

2637
02:11:27,720 --> 02:11:31,120
Speaker 2: Maino says, Now, y'all came in a south dude, and

2638
02:11:31,240 --> 02:11:33,520
Speaker 2: y'all was trying to approach him on some tough shit

2639
02:11:33,920 --> 02:11:36,560
Speaker 2: and you thought things would go your way, and I

2640
02:11:36,640 --> 02:11:39,920
Speaker 2: guess things didn't really go your way. Now that's different

2641
02:11:40,480 --> 02:11:45,120
Speaker 2: because Troy Avis saying, Yo, I got understand because they

2642
02:11:45,240 --> 02:11:47,560
Speaker 2: charged me with murder my friend that night because I

2643
02:11:47,640 --> 02:11:50,400
Speaker 2: was shooting in the club. The saying no, no, no, no,

2644
02:11:50,600 --> 02:11:54,240
Speaker 2: that's not what's happening. What's happening is you would charge

2645
02:11:54,440 --> 02:11:57,560
Speaker 2: with the reckless shooting in the club. In response to

2646
02:11:57,720 --> 02:12:00,600
Speaker 2: y'all going up to a guy thinking I was gonna

2647
02:12:00,680 --> 02:12:02,680
Speaker 2: I guess beat beat him down or something and it

2648
02:12:02,760 --> 02:12:03,560
Speaker 2: didn't go your way.

2649
02:12:05,200 --> 02:12:08,360
Speaker 1: Troy a response to main On and he says, this.

2650
02:12:11,040 --> 02:12:14,480
Speaker 11: The fucking nigga, what you mad seven years.

2651
02:12:16,040 --> 02:12:16,280
Speaker 14: Seven?

2652
02:12:17,560 --> 02:12:18,440
Speaker 17: Let's talk about kitchen.

2653
02:12:18,480 --> 02:12:18,840
Speaker 16: Let's have a.

2654
02:12:23,400 --> 02:12:24,640
Speaker 11: Nigga. What you mad about?

2655
02:12:25,360 --> 02:12:28,280
Speaker 17: Why do you niggas got so much ings on spot

2656
02:12:29,360 --> 02:12:32,200
Speaker 17: one thing? Nigga, I got more real goal than it

2657
02:12:32,240 --> 02:12:33,520
Speaker 17: took my shoelaces.

2658
02:12:33,160 --> 02:12:34,320
Speaker 11: Than you niggas got them.

2659
02:12:34,360 --> 02:12:36,640
Speaker 1: Focus has change you there, feel me.

2660
02:12:38,000 --> 02:12:42,960
Speaker 17: First of all, it's a common theme field rappers, Oh yes,

2661
02:12:43,280 --> 02:12:45,520
Speaker 17: say about especially the New York niggas.

2662
02:12:46,480 --> 02:12:46,920
Speaker 1: Your nigga.

2663
02:12:47,080 --> 02:12:49,600
Speaker 17: What I never do is I don't comment on the

2664
02:12:49,720 --> 02:12:51,600
Speaker 17: niggas out of nowhere. I just see him come, that's

2665
02:12:51,640 --> 02:12:54,760
Speaker 17: what you need to ship say. I may have got

2666
02:12:54,800 --> 02:12:56,880
Speaker 17: a lot to say it. I'm adjusting on the fact

2667
02:12:56,920 --> 02:12:58,960
Speaker 17: that the sh so we get paid for that. That's

2668
02:12:59,040 --> 02:13:02,680
Speaker 17: I like, do I like to get more this shitas

2669
02:13:04,400 --> 02:13:07,120
Speaker 17: I don't think this personally yet except for the person

2670
02:13:07,920 --> 02:13:10,160
Speaker 17: shot in the bitch and he's seen a lot, but

2671
02:13:10,240 --> 02:13:10,800
Speaker 17: I didn't.

2672
02:13:10,560 --> 02:13:15,040
Speaker 11: Seen so much. Had you read it by his shoes?

2673
02:13:16,080 --> 02:13:17,800
Speaker 17: I still like, okay, cool.

2674
02:13:19,120 --> 02:13:22,080
Speaker 2: The interaction between Mayno and Troy a F has been

2675
02:13:22,360 --> 02:13:26,480
Speaker 2: mild up until that point. Troy Avers always kind of

2676
02:13:26,680 --> 02:13:28,600
Speaker 2: looked at him like, yo, you was there. You ain't

2677
02:13:28,640 --> 02:13:31,520
Speaker 2: help me. He's been vocal about certain things about Mayo,

2678
02:13:31,640 --> 02:13:34,320
Speaker 2: and Mayo just kind of been letting it ride, probably saying, yo,

2679
02:13:35,000 --> 02:13:36,200
Speaker 2: somebody died that night.

2680
02:13:36,360 --> 02:13:37,680
Speaker 1: I really ain't getting into it.

2681
02:13:37,760 --> 02:13:41,520
Speaker 2: And now it's coming to the surface, I think because

2682
02:13:41,560 --> 02:13:44,720
Speaker 2: the case is over, you know, may No maybe coming

2683
02:13:44,760 --> 02:13:45,600
Speaker 2: out speaking on it.

2684
02:13:45,920 --> 02:13:48,560
Speaker 1: So Troy ev getting it. May No like that.

2685
02:13:49,480 --> 02:13:53,040
Speaker 2: May No responds with this video and says, I'm exposed

2686
02:13:53,120 --> 02:13:53,800
Speaker 2: as Troy a F.

2687
02:13:53,920 --> 02:13:54,120
Speaker 4: Dude.

2688
02:13:54,240 --> 02:13:55,400
Speaker 1: Let's look, I.

2689
02:13:55,640 --> 02:13:58,320
Speaker 11: Never was nobody, so I said all that to say,

2690
02:13:58,440 --> 02:13:59,200
Speaker 11: not to put you down.

2691
02:13:59,320 --> 02:14:03,480
Speaker 19: What to say to you, this narrative about people hating

2692
02:14:03,520 --> 02:14:05,600
Speaker 19: on you, everybody hating on you, everybody against you. I'm

2693
02:14:05,640 --> 02:14:07,360
Speaker 19: not against you. I don't hate on you. I've never

2694
02:14:07,400 --> 02:14:08,920
Speaker 19: hated on you. I never had a problem with you,

2695
02:14:09,040 --> 02:14:12,240
Speaker 19: because guess what, you could never have been a problem

2696
02:14:12,360 --> 02:14:15,200
Speaker 19: with me. You could have never been a problem for me.

2697
02:14:15,680 --> 02:14:19,040
Speaker 11: Alright. So with that being said, I just wanna tell you, listen,

2698
02:14:19,080 --> 02:14:19,880
Speaker 11: I I been, I been.

2699
02:14:21,120 --> 02:14:23,040
Speaker 19: I've been holding something for you because I I I

2700
02:14:23,280 --> 02:14:26,880
Speaker 19: figured that maybe at some point you would, uh you

2701
02:14:26,880 --> 02:14:29,200
Speaker 19: would believe so much of these these these these tall

2702
02:14:29,280 --> 02:14:32,200
Speaker 19: tales about yourself that you would maybe one day I

2703
02:14:32,240 --> 02:14:33,840
Speaker 19: would have to put you back back in your place,

2704
02:14:33,880 --> 02:14:34,560
Speaker 19: because prior.

2705
02:14:34,400 --> 02:14:35,880
Speaker 11: To this, we we it it was all good.

2706
02:14:35,960 --> 02:14:37,520
Speaker 19: It was a little nigga that I met at the

2707
02:14:37,560 --> 02:14:40,560
Speaker 19: gas station, handed out the CDs. I never seen no bands,

2708
02:14:40,600 --> 02:14:42,920
Speaker 19: never seen no jewey, never seen none of that. But listen,

2709
02:14:43,440 --> 02:14:46,160
Speaker 19: who am I to judge? Everybody? Everybody got a uh a,

2710
02:14:46,280 --> 02:14:49,600
Speaker 19: a a road to follow. So I never had issues

2711
02:14:49,640 --> 02:14:55,880
Speaker 19: with you. But now you know, after all these bricks

2712
02:14:55,920 --> 02:15:00,120
Speaker 19: and in in y in these backpacks, after all this talk, what.

2713
02:15:03,000 --> 02:15:06,240
Speaker 11: No listen, listen, after all this talk, these bricks and

2714
02:15:06,320 --> 02:15:06,800
Speaker 11: is backpack.

2715
02:15:06,920 --> 02:15:09,480
Speaker 19: You're talking so crazy, and you're talking about this money

2716
02:15:09,520 --> 02:15:11,800
Speaker 19: and you're talking about this jury and all that. Brother,

2717
02:15:11,880 --> 02:15:14,480
Speaker 19: you should never talk money. And Jerry, please, because I

2718
02:15:14,560 --> 02:15:16,240
Speaker 19: bought something for you that I've been holding. I've been

2719
02:15:16,280 --> 02:15:17,640
Speaker 19: keeping it on ice for a long time.

2720
02:15:18,120 --> 02:15:20,320
Speaker 11: You know, I'm gonna show you what it is.

2721
02:15:20,600 --> 02:15:23,320
Speaker 19: I've been holding this because I figured at some point

2722
02:15:23,360 --> 02:15:25,040
Speaker 19: that I would have to put you back in your place.

2723
02:15:28,840 --> 02:15:35,920
Speaker 19: And it's cold, shure, half brother, I've been.

2724
02:15:35,880 --> 02:15:37,480
Speaker 11: Holding this for you. Do you remember this is your

2725
02:15:37,560 --> 02:15:38,160
Speaker 11: Jesus peace.

2726
02:15:39,640 --> 02:15:41,880
Speaker 19: This is the Jesus peace that you wore every single

2727
02:15:41,960 --> 02:15:43,720
Speaker 19: day you got up, you went to video shoots with

2728
02:15:44,120 --> 02:15:45,800
Speaker 19: you got up, you put this around your neck, you

2729
02:15:46,080 --> 02:15:48,360
Speaker 19: to you went to parties with this, You went to

2730
02:15:48,480 --> 02:15:51,040
Speaker 19: industry events, you went to all you just shows with

2731
02:15:51,120 --> 02:15:52,960
Speaker 19: this on. You took a lot of pictures with this

2732
02:15:53,120 --> 02:15:56,040
Speaker 19: on right here. Anybody that's watching us can find could

2733
02:15:56,080 --> 02:15:58,600
Speaker 19: find out that you could. You can easily find pictures

2734
02:15:58,640 --> 02:16:01,440
Speaker 19: of the same the same chain around your neck.

2735
02:16:01,760 --> 02:16:01,880
Speaker 12: Right.

2736
02:16:03,760 --> 02:16:06,280
Speaker 19: The thing that the significant thing about this chaining, because

2737
02:16:06,280 --> 02:16:07,880
Speaker 19: I don't want people think oh Man on grime and

2738
02:16:07,920 --> 02:16:10,120
Speaker 19: he had his chain. This is a chain that that

2739
02:16:10,240 --> 02:16:12,760
Speaker 19: Troy app was wearing when he was uh you know,

2740
02:16:12,880 --> 02:16:16,160
Speaker 19: got into his his his scuffle at uh at Urban Plaza.

2741
02:16:17,640 --> 02:16:20,000
Speaker 19: And the reason why I held his chain is because

2742
02:16:20,880 --> 02:16:22,480
Speaker 19: not because I didn't wanna give it back, because I

2743
02:16:22,560 --> 02:16:26,040
Speaker 19: just felt like, you know, maybe maybe maybe one day

2744
02:16:26,080 --> 02:16:28,640
Speaker 19: I would have to like step on him a little

2745
02:16:28,680 --> 02:16:32,000
Speaker 19: bit and remind him who he really is. Right, The

2746
02:16:32,040 --> 02:16:33,480
Speaker 19: reason why I held his chain is not because I

2747
02:16:33,480 --> 02:16:35,280
Speaker 19: didn't wanna give it back, but but the chain's fake.

2748
02:16:36,000 --> 02:16:38,360
Speaker 11: This is faith. This is a fake chain. This is

2749
02:16:38,400 --> 02:16:40,000
Speaker 11: this chain that you wore every single day.

2750
02:16:40,160 --> 02:16:42,800
Speaker 19: This chain is fake. You wore this chain every fucking day.

2751
02:16:42,920 --> 02:16:45,080
Speaker 19: And I know y'all gonna say, oh, that's not his change.

2752
02:16:45,120 --> 02:16:46,800
Speaker 19: He gonna say that's not his chain. But guess what

2753
02:16:46,959 --> 02:16:50,440
Speaker 19: you They gonna say, we photoshopped it. They gonna say,

2754
02:16:50,560 --> 02:16:54,039
Speaker 19: they gonna say we photoshopped it. They gonna man came

2755
02:16:54,120 --> 02:16:56,240
Speaker 19: with a chain and photoshopped it because he tryna he

2756
02:16:56,480 --> 02:16:58,240
Speaker 19: he hating on on on on Troy app I, I

2757
02:16:58,640 --> 02:17:01,440
Speaker 19: I n I have no reason. My life's been good.

2758
02:17:01,959 --> 02:17:03,959
Speaker 19: I've been doing my thing cool. I'm not the greatest

2759
02:17:04,040 --> 02:17:06,080
Speaker 19: nigga in the world, but I'm definitely not the lowest

2760
02:17:06,120 --> 02:17:10,960
Speaker 19: on the totem pole. You know, life's been good, but yeah,

2761
02:17:12,240 --> 02:17:15,880
Speaker 19: the thing is this, The reason why I'm pointing the

2762
02:17:16,000 --> 02:17:20,560
Speaker 19: chain house is to show you that you you have

2763
02:17:20,640 --> 02:17:23,240
Speaker 19: been a You've been a liar since day one, right,

2764
02:17:23,320 --> 02:17:27,400
Speaker 19: You've you've you've built a small career on on lies.

2765
02:17:28,000 --> 02:17:29,959
Speaker 11: You've you've built everything on lies.

2766
02:17:30,680 --> 02:17:34,320
Speaker 19: You any man that get up every day and put

2767
02:17:34,400 --> 02:17:36,440
Speaker 19: this hunk of doe cast metallicist?

2768
02:17:36,560 --> 02:17:39,760
Speaker 14: For God, God, this is horrible.

2769
02:17:40,640 --> 02:17:41,120
Speaker 8: What is this?

2770
02:17:41,879 --> 02:17:41,920
Speaker 5: What?

2771
02:17:42,200 --> 02:17:42,760
Speaker 11: What gotty?

2772
02:17:42,879 --> 02:17:43,200
Speaker 7: What is this?

2773
02:17:43,440 --> 02:17:44,520
Speaker 17: What? What is this?

2774
02:17:45,400 --> 02:17:46,000
Speaker 11: What the fuck?

2775
02:17:46,120 --> 02:17:48,240
Speaker 14: This is a piece? This is a piece of ship.

2776
02:17:49,200 --> 02:17:52,800
Speaker 14: This is this is this is a piece of ship.

2777
02:17:53,200 --> 02:17:56,280
Speaker 11: Like any man that put this on every single day

2778
02:17:56,800 --> 02:17:57,760
Speaker 11: and goes out.

2779
02:17:59,240 --> 02:18:03,199
Speaker 19: To parties, goes in bitches faces, goes to the studio,

2780
02:18:03,400 --> 02:18:07,800
Speaker 19: goes to these events. It's a liar. You're a liar.

2781
02:18:09,000 --> 02:18:12,119
Speaker 19: You are a liar. You you you have not stopped

2782
02:18:12,160 --> 02:18:14,480
Speaker 19: lying yet. And I'm not trying to put you down.

2783
02:18:14,520 --> 02:18:17,080
Speaker 19: I'm just trying to show you who you're really not right.

2784
02:18:18,200 --> 02:18:22,080
Speaker 11: You said you you said things and and it's like,

2785
02:18:22,440 --> 02:18:23,440
Speaker 11: why why would you say that?

2786
02:18:23,520 --> 02:18:25,640
Speaker 19: Because the only thing I ever said about you is

2787
02:18:25,720 --> 02:18:28,520
Speaker 19: and I and I didn't I didn't mean you No disrespect.

2788
02:18:28,600 --> 02:18:31,959
Speaker 19: I just told you that, or rather I just said

2789
02:18:32,000 --> 02:18:34,800
Speaker 19: that I didn't agree with the narrative that was being

2790
02:18:34,840 --> 02:18:36,680
Speaker 19: put out there about what took.

2791
02:18:36,560 --> 02:18:37,800
Speaker 11: Place, and I stand on that.

2792
02:18:37,959 --> 02:18:38,520
Speaker 12: I was there.

2793
02:18:40,200 --> 02:18:41,600
Speaker 11: I don't agree with the narrative.

2794
02:18:42,080 --> 02:18:46,240
Speaker 19: But now you gotta give an explanation of why you

2795
02:18:46,360 --> 02:18:49,360
Speaker 19: spent your whole career wearing fake jury, why we we

2796
02:18:49,840 --> 02:18:50,640
Speaker 19: what the fuck is this?

2797
02:18:52,320 --> 02:18:53,240
Speaker 11: And don't say it's.

2798
02:18:53,320 --> 02:18:57,119
Speaker 19: It's not right because I don't want to make another video,

2799
02:18:57,160 --> 02:18:59,080
Speaker 19: But the next one is gonna be meet hooking up

2800
02:18:59,080 --> 02:19:01,000
Speaker 19: with one of your one of your your homies and

2801
02:19:01,080 --> 02:19:02,920
Speaker 19: taking this to the jeweler to prove to everybody that

2802
02:19:03,160 --> 02:19:04,039
Speaker 19: is I don't I don't.

2803
02:19:03,920 --> 02:19:04,560
Speaker 11: Even want to do that.

2804
02:19:05,200 --> 02:19:07,200
Speaker 19: I don't want to do that. This is anybody know me.

2805
02:19:07,640 --> 02:19:11,119
Speaker 19: They very rarely hear me talk. They very rarely ever

2806
02:19:11,200 --> 02:19:15,640
Speaker 19: hear me address niggas. You understand, I don't want to

2807
02:19:15,680 --> 02:19:17,600
Speaker 19: dress you. This is not a beef between me and you.

2808
02:19:17,760 --> 02:19:20,600
Speaker 19: I'm not looking for you. Right, It's not gonna come

2809
02:19:20,640 --> 02:19:23,640
Speaker 19: to that because we already understand what what pressure is

2810
02:19:23,720 --> 02:19:25,720
Speaker 19: to you. What pressure is to you is that you

2811
02:19:25,840 --> 02:19:29,400
Speaker 19: become the prosecution start witness. We've seen that, we witness

2812
02:19:29,520 --> 02:19:32,360
Speaker 19: that I don't want no smoke with that cool. I'm

2813
02:19:32,440 --> 02:19:34,800
Speaker 19: not looking for you. This is about me giving you game.

2814
02:19:34,959 --> 02:19:37,080
Speaker 19: There was a time when you used to call me right,

2815
02:19:37,160 --> 02:19:39,320
Speaker 19: remember that, Remember those days, and used to say to.

2816
02:19:39,400 --> 02:19:45,800
Speaker 11: Me, big homie, yo, how you how you move around

2817
02:19:45,840 --> 02:19:46,280
Speaker 11: the industry?

2818
02:19:46,320 --> 02:19:46,640
Speaker 3: Man? Like?

2819
02:19:46,840 --> 02:19:48,240
Speaker 19: How you deal with all this faction. I used to

2820
02:19:48,280 --> 02:19:50,119
Speaker 19: give you advice. I used to talk to you because

2821
02:19:50,160 --> 02:19:51,280
Speaker 19: you was all right. I talked to you like the

2822
02:19:51,280 --> 02:19:54,000
Speaker 19: little homie that you was. So I'm I'm not gonna

2823
02:19:54,040 --> 02:19:55,760
Speaker 19: talk down to you like you are because you're not.

2824
02:19:55,879 --> 02:19:57,680
Speaker 19: Like I said, you never can never have a problem

2825
02:19:57,760 --> 02:19:59,840
Speaker 19: with you because you're not a problem for me. You

2826
02:20:00,040 --> 02:20:03,240
Speaker 19: couldn't do nothing with me, all right, So with that

2827
02:20:03,400 --> 02:20:07,640
Speaker 19: being understand understood, I'm gonna give you some game. This

2828
02:20:07,840 --> 02:20:10,320
Speaker 19: is not about beef. This is nothing to see here, right.

2829
02:20:13,000 --> 02:20:17,200
Speaker 19: This is about accountability. This is about the fact that

2830
02:20:17,640 --> 02:20:22,320
Speaker 19: you made a decision to run down on on on

2831
02:20:22,400 --> 02:20:24,200
Speaker 19: a on an op or whatever it is. And and

2832
02:20:24,440 --> 02:20:26,640
Speaker 19: and you had a friend your friend was was very

2833
02:20:26,800 --> 02:20:29,880
Speaker 19: was a very loyal brother, and you know, uh uh.

2834
02:20:30,560 --> 02:20:34,119
Speaker 19: Pursued to your decision, your friend, your friend lost his life.

2835
02:20:34,320 --> 02:20:36,040
Speaker 19: And I've yet to see you have any amount of

2836
02:20:36,080 --> 02:20:38,760
Speaker 19: res of of remorse for that, and and and brother,

2837
02:20:39,000 --> 02:20:41,240
Speaker 19: as a as a as a leader, we all have

2838
02:20:41,440 --> 02:20:43,320
Speaker 19: the responsibility to make.

2839
02:20:43,240 --> 02:20:47,600
Speaker 2: Sure that I I find it extremely incredibly interesting that

2840
02:20:49,000 --> 02:20:51,840
Speaker 2: you know your home bought down your watch. And it's like,

2841
02:20:53,760 --> 02:20:56,039
Speaker 2: I tell y'all, I mean we uh and where we from?

2842
02:20:56,160 --> 02:20:58,600
Speaker 2: We talked to be selfish doing think about us like

2843
02:20:59,680 --> 02:21:02,360
Speaker 2: he probably in some way feel like I defended his life.

2844
02:21:02,480 --> 02:21:05,360
Speaker 2: But it's like, Bro, his family got to watch this,

2845
02:21:06,920 --> 02:21:11,120
Speaker 2: gotta keep replaying his name being brought up, you celebrating you.

2846
02:21:11,840 --> 02:21:13,880
Speaker 2: It's like, bro, we don't know how to take this.

2847
02:21:14,000 --> 02:21:17,120
Speaker 2: It's like it's a weird thing. But let's focus on

2848
02:21:17,200 --> 02:21:20,440
Speaker 2: the main know in Troy aff situation. Troy AF then

2849
02:21:20,520 --> 02:21:25,200
Speaker 2: responds with this video. This situation is ongoing, so after

2850
02:21:25,320 --> 02:21:27,680
Speaker 2: this video, we're gonna move on. Let's pay attention.

2851
02:21:28,800 --> 02:21:31,840
Speaker 14: This is a piece of ship. This is this is

2852
02:21:33,280 --> 02:21:36,280
Speaker 14: this is a piece of ship. Like put this on

2853
02:21:36,879 --> 02:21:37,959
Speaker 14: every single day.

2854
02:21:38,480 --> 02:21:46,560
Speaker 11: It goes out its voting, studio voting again.

2855
02:21:47,080 --> 02:21:51,600
Speaker 22: It's a liar. It's a liar. It's a liar. It's

2856
02:21:51,640 --> 02:21:55,480
Speaker 22: a liar. It's a liar. Is a liar, Bro, it's

2857
02:21:55,560 --> 02:21:59,879
Speaker 22: a liar. It's a liar. It's a liar. It's a liar.

2858
02:22:00,640 --> 02:22:01,199
Speaker 22: It's a liar.

2859
02:22:01,959 --> 02:22:06,080
Speaker 11: It's a lie. It's a lie. It's a liar. It's

2860
02:22:06,120 --> 02:22:10,480
Speaker 11: a liar. It's a liar. It's a liar. It's a liar.

2861
02:22:13,640 --> 02:22:15,720
Speaker 2: So, for those of you listening, this is some sort

2862
02:22:15,760 --> 02:22:19,480
Speaker 2: of masshup that Troy Avers put together. Responding to Mayo,

2863
02:22:20,200 --> 02:22:23,640
Speaker 2: I definitely want y'all to pay attention because I don't know.

2864
02:22:23,720 --> 02:22:25,920
Speaker 2: I guess they're going back and forth about who chain

2865
02:22:26,040 --> 02:22:28,760
Speaker 2: it was. He's denying it is his chain, Mayo saying,

2866
02:22:28,840 --> 02:22:30,400
Speaker 2: that's one hundred percent of change.

2867
02:22:30,520 --> 02:22:32,879
Speaker 1: So we're going through it right now.

2868
02:22:36,160 --> 02:22:39,280
Speaker 9: At the end of the day, Right, the root of

2869
02:22:39,320 --> 02:22:42,000
Speaker 9: all of this, the rule of all of this is

2870
02:22:43,120 --> 02:22:48,960
Speaker 9: tax tune, you know, uh, trolling this man and asking

2871
02:22:49,040 --> 02:22:53,960
Speaker 9: for issues. You know that he clearly that he clearly

2872
02:22:54,040 --> 02:22:56,760
Speaker 9: felt like he needed to be strapped for the handle.

2873
02:22:59,360 --> 02:22:59,720
Speaker 8: Mm hmm.

2874
02:22:59,840 --> 02:23:02,280
Speaker 9: So it's like if that, if that's the root of

2875
02:23:02,360 --> 02:23:05,320
Speaker 9: it all, and in the process of that being addressed

2876
02:23:05,320 --> 02:23:09,600
Speaker 9: and being dealt with, this man brought harm to a

2877
02:23:09,720 --> 02:23:13,200
Speaker 9: female companion of your that was an innocent bystander. Right,

2878
02:23:14,600 --> 02:23:17,640
Speaker 9: I'm wondering how much how much animosity you gotta have

2879
02:23:17,760 --> 02:23:20,560
Speaker 9: for Troy ass to bypass all of that and do

2880
02:23:20,680 --> 02:23:23,160
Speaker 9: something like this. You know what I'm saying.

2881
02:23:25,560 --> 02:23:27,840
Speaker 2: So what you hear text one and may Know basically

2882
02:23:28,040 --> 02:23:32,040
Speaker 2: arguing about I'm gonna try to summarize this. Detroit basically

2883
02:23:32,160 --> 02:23:34,440
Speaker 2: was saying, Yo, may no ring, that dude was scared.

2884
02:23:34,680 --> 02:23:37,359
Speaker 2: That dude was scared. He shot your he shot your girlfriend,

2885
02:23:37,440 --> 02:23:39,959
Speaker 2: and you ran. May Not pull it down the chain saying, nah,

2886
02:23:39,959 --> 02:23:41,840
Speaker 2: I didn't run. I was there so long. I got

2887
02:23:41,920 --> 02:23:46,080
Speaker 2: the change you dropped in the skurfufffle so now I

2888
02:23:46,240 --> 02:23:49,840
Speaker 2: wasn't running. Another point of contact, may No Sight says, hey,

2889
02:23:49,879 --> 02:23:52,680
Speaker 2: you mad at me because you think that we to

2890
02:23:52,840 --> 02:23:55,400
Speaker 2: hip you with your friend were on the fourth floor.

2891
02:23:55,480 --> 02:23:58,360
Speaker 2: What we're gonna do? Carry him downstairs? No, you're supposed

2892
02:23:58,400 --> 02:24:01,359
Speaker 2: to leave him there, get some help for him. Basically,

2893
02:24:01,400 --> 02:24:04,920
Speaker 2: it's what he was saying. So situation is just for me.

2894
02:24:05,040 --> 02:24:07,039
Speaker 2: It's just a lot going on. I mean, we'll keep

2895
02:24:07,080 --> 02:24:09,600
Speaker 2: our eyes out on it, see what information we can

2896
02:24:09,680 --> 02:24:13,240
Speaker 2: get from it. I don't know, And we're gonna.

2897
02:24:13,000 --> 02:24:14,760
Speaker 1: Get out of here today. I want to speak about

2898
02:24:14,800 --> 02:24:16,280
Speaker 1: this right before I leave. Though.

2899
02:24:17,600 --> 02:24:19,920
Speaker 2: I was talking to my homeboy about being a hustler

2900
02:24:19,920 --> 02:24:24,920
Speaker 2: in the street, right, And it's almost good.

2901
02:24:26,280 --> 02:24:28,440
Speaker 1: For you to teach your children or your sons not

2902
02:24:28,560 --> 02:24:29,160
Speaker 1: to even.

2903
02:24:31,560 --> 02:24:33,720
Speaker 2: Not to even go to the streets for that, you know,

2904
02:24:33,840 --> 02:24:35,800
Speaker 2: because the more I look back at it, when you

2905
02:24:36,000 --> 02:24:39,760
Speaker 2: successful on that level in that dog place, it's hard

2906
02:24:39,800 --> 02:24:42,600
Speaker 2: to convince you to learn something outside of that.

2907
02:24:43,680 --> 02:24:45,440
Speaker 1: And so it helps you in the moment, but it

2908
02:24:45,520 --> 02:24:46,920
Speaker 1: cripples you in the long run.

2909
02:24:47,840 --> 02:24:48,120
Speaker 8: And so.

2910
02:24:50,160 --> 02:24:52,800
Speaker 2: Even if you're born in the ghetto, even if you're

2911
02:24:52,840 --> 02:24:55,760
Speaker 2: born in the hood, but you never really got no

2912
02:24:55,920 --> 02:24:58,680
Speaker 2: real money out the street, you never really hustled and

2913
02:24:58,760 --> 02:25:02,280
Speaker 2: got no money out selling and drugs or robing or

2914
02:25:02,400 --> 02:25:06,920
Speaker 2: kicking dolls or whatever it might have been, then you

2915
02:25:07,080 --> 02:25:13,320
Speaker 2: still can operate with that, with that bluetoothed mindset where

2916
02:25:13,320 --> 02:25:15,560
Speaker 2: you still want to kind of discover what the world

2917
02:25:15,680 --> 02:25:19,240
Speaker 2: has to offer. I truly believe the minute that you're

2918
02:25:19,280 --> 02:25:23,640
Speaker 2: successful with hustling, it turns something on in your brain

2919
02:25:24,959 --> 02:25:28,600
Speaker 2: that gets you more addicted than the people are who

2920
02:25:28,640 --> 02:25:33,600
Speaker 2: are your customers, and it blurs your vision. The reason

2921
02:25:33,640 --> 02:25:35,920
Speaker 2: I believe it blurs your vision is because it does

2922
02:25:36,080 --> 02:25:40,359
Speaker 2: have results, right, it has results, but it also has impacts.

2923
02:25:42,200 --> 02:25:44,720
Speaker 2: And we so focused on the results. Man, we ain't

2924
02:25:44,720 --> 02:25:46,720
Speaker 2: never been able to just buy somebody at cor We

2925
02:25:46,760 --> 02:25:48,640
Speaker 2: ain't never been able to just pay the rent like it.

2926
02:25:48,720 --> 02:25:50,520
Speaker 2: We ain't never been able to make sure mama ain't

2927
02:25:50,520 --> 02:25:53,680
Speaker 2: have to write. So sometime we'll lean on that and

2928
02:25:53,840 --> 02:25:58,920
Speaker 2: disregard to impacts. It's almost like smoking cigarettes, you know.

2929
02:25:59,040 --> 02:26:02,400
Speaker 2: The results is, Man, look I'm gonna break. I'm smoking.

2930
02:26:03,120 --> 02:26:05,320
Speaker 2: You know, I get this little rush, this little feeling,

2931
02:26:05,680 --> 02:26:08,400
Speaker 2: you know, in this fifteen minute little break kind of

2932
02:26:08,480 --> 02:26:11,160
Speaker 2: soothes me, calmed me down, I got me old mentha all,

2933
02:26:11,240 --> 02:26:14,879
Speaker 2: I'm chilling right. That has a result in that moment,

2934
02:26:14,959 --> 02:26:18,080
Speaker 2: but it also has a consequence. It also has an impact.

2935
02:26:18,879 --> 02:26:21,600
Speaker 2: And when you deal with the streets, it's so hard

2936
02:26:21,680 --> 02:26:26,720
Speaker 2: to understand the impact of the things that you're doing.

2937
02:26:27,360 --> 02:26:31,920
Speaker 1: And that's sitting to the side that you're selling whatever.

2938
02:26:31,760 --> 02:26:34,120
Speaker 2: The people and what that's doing in the community, because

2939
02:26:34,160 --> 02:26:36,920
Speaker 2: we know that's an issue or whatever happens there. We

2940
02:26:37,040 --> 02:26:40,320
Speaker 2: didn't transport drugs here, we don't import drugs, we don't

2941
02:26:40,400 --> 02:26:43,880
Speaker 2: manufacture drugs. So there's a larger conversation that needs to

2942
02:26:43,959 --> 02:26:47,280
Speaker 2: be had in regards to the avenues in which this

2943
02:26:47,360 --> 02:26:50,640
Speaker 2: stuff makes it to the places that it's in right,

2944
02:26:52,000 --> 02:26:53,960
Speaker 2: but I'm saying the damage that it does to you,

2945
02:26:54,200 --> 02:26:57,240
Speaker 2: your mindset, your mind frame, what you're willing to indulge in,

2946
02:26:57,360 --> 02:26:59,640
Speaker 2: the things you willing to accept, the things you're willing

2947
02:26:59,680 --> 02:27:03,960
Speaker 2: to nevergate around what you can endure. It's almost like

2948
02:27:04,080 --> 02:27:08,320
Speaker 2: turning the light on in this room but taking the

2949
02:27:08,440 --> 02:27:11,160
Speaker 2: power from the rest of the house. I find myself

2950
02:27:11,200 --> 02:27:14,400
Speaker 2: also living in this little place right where it's like, yo,

2951
02:27:14,520 --> 02:27:17,200
Speaker 2: I gotta claim my spot, but I gotta let the

2952
02:27:17,320 --> 02:27:22,400
Speaker 2: universe know that I'm humble and I appreciate the opportunity.

2953
02:27:23,160 --> 02:27:26,440
Speaker 2: So sometimes you hit me pop it because I gotta

2954
02:27:26,520 --> 02:27:29,120
Speaker 2: pop it, because don't nobody else gonna pop it for me?

2955
02:27:30,280 --> 02:27:32,840
Speaker 2: It's so much money at stake, man, these folks that

2956
02:27:32,959 --> 02:27:36,080
Speaker 2: act like, ain't nobody else moving because whoever moving get

2957
02:27:36,120 --> 02:27:40,360
Speaker 2: the money, and nothing in the industry is genuine. I

2958
02:27:40,440 --> 02:27:45,400
Speaker 2: don't be interested in really kicking it and involving myself with.

2959
02:27:45,440 --> 02:27:46,320
Speaker 1: A lot of these guys.

2960
02:27:46,400 --> 02:27:48,880
Speaker 2: I know they morals lying in the place that's uncomfortable

2961
02:27:48,920 --> 02:27:51,480
Speaker 2: for people to stand next to the things that come

2962
02:27:51,560 --> 02:27:53,280
Speaker 2: out of their mouth. So for me, I try to

2963
02:27:53,720 --> 02:28:00,200
Speaker 2: have limited engagement with these podcast guys in particular. Now

2964
02:28:00,200 --> 02:28:02,760
Speaker 2: they got me bumping shoulders with dudes. Then they having

2965
02:28:02,800 --> 02:28:05,760
Speaker 2: a dying that may gotta get spanked for getting in

2966
02:28:05,879 --> 02:28:09,960
Speaker 2: my business. And let me say this, I hear a

2967
02:28:10,000 --> 02:28:12,640
Speaker 2: whole lot of shit said online about how people gonna

2968
02:28:12,680 --> 02:28:15,160
Speaker 2: run up on folks and beat them up and fighting them,

2969
02:28:15,200 --> 02:28:21,119
Speaker 2: and y'all niggas have y'all niggas got some real audacity

2970
02:28:21,200 --> 02:28:27,480
Speaker 2: to be thinking people running around fighting. Man down here

2971
02:28:27,520 --> 02:28:29,400
Speaker 2: in the South, Man, you run up with that, I'm

2972
02:28:29,440 --> 02:28:31,720
Speaker 2: finna fight one of these little skinny little nigga.

2973
02:28:31,720 --> 02:28:33,119
Speaker 1: They gonna blow your shit off.

2974
02:28:33,240 --> 02:28:33,400
Speaker 10: Man.

2975
02:28:34,879 --> 02:28:37,640
Speaker 2: See one thing I know about you, especially you cloud

2976
02:28:37,720 --> 02:28:42,199
Speaker 2: chasing you nigga, mind getting knocked out? That don't even matter.

2977
02:28:43,040 --> 02:28:47,040
Speaker 2: Y'all think is honor ain't getting knocked out. What you

2978
02:28:47,160 --> 02:28:51,280
Speaker 2: don't understand is nigga pimping is a non contact sport.

2979
02:28:52,520 --> 02:28:56,840
Speaker 2: A nigga better not put his motherfucking hands on me. See,

2980
02:28:56,879 --> 02:29:00,440
Speaker 2: we dealing with two different kind of individuals. One of

2981
02:29:00,520 --> 02:29:02,920
Speaker 2: these people think it's cool to be knocked out. It's

2982
02:29:03,000 --> 02:29:06,400
Speaker 2: honoring that I showed that I'm a warrior by getting

2983
02:29:06,480 --> 02:29:09,000
Speaker 2: up off the ground with my eyes knotted up and

2984
02:29:09,160 --> 02:29:12,959
Speaker 2: my nose bleeding. And you got the other nigga to say,

2985
02:29:13,000 --> 02:29:15,400
Speaker 2: a grown man better not put his motherfucking hands on

2986
02:29:15,520 --> 02:29:18,199
Speaker 2: me about nothing. I don't care nothing about how he feel.

2987
02:29:18,280 --> 02:29:22,880
Speaker 2: He better control his emotions. So the ideologies are different.

2988
02:29:24,320 --> 02:29:26,520
Speaker 2: But we got to shet a industry. We gotta shut

2989
02:29:26,560 --> 02:29:27,160
Speaker 2: a culture.

2990
02:29:28,240 --> 02:29:28,400
Speaker 1: You know.

2991
02:29:28,560 --> 02:29:31,280
Speaker 2: I spend hours out today convincing myself that I ain't

2992
02:29:31,320 --> 02:29:33,960
Speaker 2: gonna crash out because I know it's a possibility for me.

2993
02:29:36,000 --> 02:29:37,880
Speaker 2: I know if you catch me on the wrong day

2994
02:29:37,959 --> 02:29:39,800
Speaker 2: and play with me in the wrong way, I'm gonna

2995
02:29:39,800 --> 02:29:42,680
Speaker 2: deal with you like I ain't like I ain't having

2996
02:29:42,760 --> 02:29:43,959
Speaker 2: no money or no motion.

2997
02:29:44,320 --> 02:29:45,480
Speaker 1: I know this about me.

2998
02:29:45,640 --> 02:29:48,920
Speaker 2: That's why I keep myself out of things, and I

2999
02:29:49,000 --> 02:29:52,560
Speaker 2: continue just to try to prosper. One of my homeboys

3000
02:29:52,640 --> 02:29:54,920
Speaker 2: was hitting me up, saying, Yo, the internet, time out

3001
02:29:54,959 --> 02:29:58,080
Speaker 2: to shooting at the YO got a restaurant, and you

3002
02:29:58,200 --> 02:30:00,920
Speaker 2: know what they what they thinking is this. You know,

3003
02:30:01,000 --> 02:30:02,560
Speaker 2: I'm gonna tell you how this is now long I

3004
02:30:02,600 --> 02:30:06,280
Speaker 2: don't be entertaining these blogs and all that. I know

3005
02:30:06,400 --> 02:30:09,879
Speaker 2: they moving without information and they living off the clicks.

3006
02:30:11,080 --> 02:30:13,360
Speaker 2: I know these folk paying they rent off their views.

3007
02:30:14,560 --> 02:30:16,760
Speaker 2: I know the first time they see an eighteen thousand

3008
02:30:16,800 --> 02:30:19,720
Speaker 2: dollars check from you two. They ain't never turning back.

3009
02:30:20,720 --> 02:30:23,120
Speaker 2: So I don't take nothing that these guys say with

3010
02:30:23,480 --> 02:30:28,000
Speaker 2: especially since I can make a call to anybody in

3011
02:30:28,120 --> 02:30:32,680
Speaker 2: this shit. But I don't waste though, I don't waste

3012
02:30:32,760 --> 02:30:37,360
Speaker 2: my people time with this internet bullshit. I gotta be

3013
02:30:37,480 --> 02:30:39,880
Speaker 2: aware of it because I gotta be divorce to defend

3014
02:30:40,000 --> 02:30:42,880
Speaker 2: some of the stupid shit that's influencing our children to

3015
02:30:43,000 --> 02:30:46,879
Speaker 2: think that it's a war going on. What guys continue

3016
02:30:46,920 --> 02:30:50,520
Speaker 2: to go back and forth, whatever damage has been done

3017
02:30:51,120 --> 02:30:54,520
Speaker 2: or whatever feelings are there, they don't even need to

3018
02:30:54,600 --> 02:30:58,800
Speaker 2: be spoke about. But the reality of it is, it's

3019
02:30:58,920 --> 02:31:02,040
Speaker 2: before the news come. I'm out the internet run with bullshit.

3020
02:31:02,440 --> 02:31:05,080
Speaker 2: And I instantly said, Donald, what are they talking about?

3021
02:31:05,160 --> 02:31:08,640
Speaker 2: These is innocent people? If that's the case, Like, what

3022
02:31:08,879 --> 02:31:10,880
Speaker 2: kind of shit do they be putting together on the

3023
02:31:10,959 --> 02:31:12,279
Speaker 2: internet for these clicks?

3024
02:31:13,200 --> 02:31:13,320
Speaker 12: Yo?

3025
02:31:13,520 --> 02:31:13,680
Speaker 11: Man?

3026
02:31:13,760 --> 02:31:15,240
Speaker 1: They yeah, da da d up man.

3027
02:31:15,360 --> 02:31:17,680
Speaker 2: Listen, doll, you think people come in and fucking with

3028
02:31:17,760 --> 02:31:21,080
Speaker 2: innocent folks. Ain't no honor in that kind of shit.

3029
02:31:21,240 --> 02:31:21,440
Speaker 9: Man.

3030
02:31:24,320 --> 02:31:26,480
Speaker 2: My uncle told me long time ago when I was

3031
02:31:26,560 --> 02:31:33,000
Speaker 2: a little boy. Man, he said, make sure you try

3032
02:31:33,080 --> 02:31:35,080
Speaker 2: to avoid it, but if it need to happen, get

3033
02:31:35,120 --> 02:31:41,040
Speaker 2: your man and it's a lot rapped into that that.

3034
02:31:41,160 --> 02:31:43,440
Speaker 2: If you ain't come from where I come from, that

3035
02:31:43,680 --> 02:31:47,120
Speaker 2: just sound like a couple of words to you, but

3036
02:31:47,240 --> 02:31:50,200
Speaker 2: it's years of understanding and information in that.

3037
02:31:51,520 --> 02:31:53,279
Speaker 1: I hate that this rap game.

3038
02:31:54,560 --> 02:31:59,160
Speaker 2: Is fueled by people who are paying rent, running false narratives.

3039
02:32:00,040 --> 02:32:03,920
Speaker 2: They taking care of their families on the backs of misunderstandings.

3040
02:32:04,040 --> 02:32:04,720
Speaker 1: Right, So me and.

3041
02:32:06,520 --> 02:32:10,080
Speaker 2: Like say, me and Joe Budden, Me and Joe Buden

3042
02:32:10,160 --> 02:32:14,280
Speaker 2: run in, you know, with me being critical of some

3043
02:32:14,360 --> 02:32:16,120
Speaker 2: of the business, some of the lies I feel like

3044
02:32:16,200 --> 02:32:18,880
Speaker 2: he's told, or the mispositioning of things, which he's just

3045
02:32:19,040 --> 02:32:23,040
Speaker 2: pardon but I'm pardon right. And so for my my

3046
02:32:23,200 --> 02:32:27,080
Speaker 2: thing is there'll be a YouTuber created that'll take that

3047
02:32:27,560 --> 02:32:31,520
Speaker 2: narrative and throw fuel on it, throw fuel loaning, and

3048
02:32:31,600 --> 02:32:34,000
Speaker 2: then one of those is a catch and then next

3049
02:32:34,080 --> 02:32:38,120
Speaker 2: thing you know, he's living off that money. He didn't

3050
02:32:38,160 --> 02:32:40,400
Speaker 2: baby got his old lady, Kay's old lady ain't never

3051
02:32:40,520 --> 02:32:41,480
Speaker 2: been this nice toe.

3052
02:32:42,360 --> 02:32:43,600
Speaker 1: Naw, he's paying bills now.

3053
02:32:43,680 --> 02:32:45,680
Speaker 2: She used to tell him shut the up back yard

3054
02:32:45,720 --> 02:32:48,920
Speaker 2: with all that Cameron on with the light making the

3055
02:32:49,040 --> 02:32:52,960
Speaker 2: room hot. Got nine lights in that little room that

3056
02:32:53,080 --> 02:32:56,400
Speaker 2: lady trying to sleep in he got the room hot

3057
02:32:56,480 --> 02:33:00,560
Speaker 2: as a mother man, you see one. So she used

3058
02:33:00,600 --> 02:33:02,880
Speaker 2: to tell him shut up, now the check come in.

3059
02:33:03,080 --> 02:33:07,280
Speaker 2: It's yo, old babe, you want us to Yeah, do

3060
02:33:07,480 --> 02:33:11,800
Speaker 2: your thing, babe. And that same guy, his next video

3061
02:33:11,840 --> 02:33:16,920
Speaker 2: will be about nothing, and then it won't have that reaction.

3062
02:33:17,160 --> 02:33:19,400
Speaker 2: He doesn't have any industry pulled, so you won't see

3063
02:33:19,440 --> 02:33:21,960
Speaker 2: him sitting next to people and have interesting conversations. So

3064
02:33:22,040 --> 02:33:27,199
Speaker 2: he'll go back to that thing, and then his channel

3065
02:33:27,200 --> 02:33:29,680
Speaker 2: will react a little more. He'll go back to that thing,

3066
02:33:30,280 --> 02:33:33,240
Speaker 2: his channel will react, and now that's his job.

3067
02:33:34,040 --> 02:33:34,600
Speaker 1: He can't wait.

3068
02:33:35,760 --> 02:33:38,480
Speaker 2: He can't wait to be able to misclassify something as

3069
02:33:38,560 --> 02:33:42,520
Speaker 2: something because that helps him feed his family. I hate

3070
02:33:42,560 --> 02:33:47,120
Speaker 2: the industry has parked at that place like that. You know,

3071
02:33:47,280 --> 02:33:50,280
Speaker 2: like I said, moving forward, everybody gonna be talking. It's

3072
02:33:50,320 --> 02:33:55,000
Speaker 2: about who you're listening to. Everybody gonna have a mic,

3073
02:33:55,120 --> 02:33:57,920
Speaker 2: everybody gonna have a camera, just like everybody got an Instagram.

3074
02:33:58,000 --> 02:33:59,920
Speaker 2: It's gonna be a lot of talking, but it's gonna

3075
02:33:59,920 --> 02:34:02,960
Speaker 2: be who you listening to, Who having the real conversations?

3076
02:34:03,000 --> 02:34:06,680
Speaker 1: Who line Some of y'all we listening too for the livees.

3077
02:34:06,800 --> 02:34:10,119
Speaker 1: We know you line. We come over here to listen

3078
02:34:10,200 --> 02:34:14,240
Speaker 1: to the liwar ain't nothing. Yeah nah, you done parking

3079
02:34:14,320 --> 02:34:15,360
Speaker 1: in that parking spot.

3080
02:34:15,440 --> 02:34:15,720
Speaker 11: That's you.

3081
02:34:17,000 --> 02:34:20,080
Speaker 2: The industry teaches me things, right, these grown men are

3082
02:34:20,240 --> 02:34:22,560
Speaker 2: chasing jay Z down and taking pictures with him. I

3083
02:34:22,640 --> 02:34:27,640
Speaker 2: find that uncomfortable. I'm talking about knowing me niggas is

3084
02:34:27,800 --> 02:34:30,680
Speaker 2: chasing jay Z down and taking pictures with him, trying

3085
02:34:30,720 --> 02:34:37,440
Speaker 2: to get a picture with this man. I'm talking about

3086
02:34:37,480 --> 02:34:40,440
Speaker 2: some of the weirdest behavior in the world. We respect

3087
02:34:40,520 --> 02:34:42,240
Speaker 2: his hustle, but I ain't never try to take a

3088
02:34:42,320 --> 02:34:46,160
Speaker 2: picture with me. Go, I ain't never try to take it.

3089
02:34:46,320 --> 02:34:49,560
Speaker 2: Like I'm saying, when you in the industry, listen, let

3090
02:34:49,600 --> 02:34:51,840
Speaker 2: me be clear, I understand what it does for your

3091
02:34:51,920 --> 02:34:54,640
Speaker 2: brand or what these guys think the indicators out when

3092
02:34:54,680 --> 02:34:56,320
Speaker 2: they stand next to jay Z.

3093
02:34:57,120 --> 02:35:01,959
Speaker 1: I find it to be atrocious that grown men.

3094
02:35:02,800 --> 02:35:05,800
Speaker 2: Are chasing jay Z down to take a picture with

3095
02:35:05,959 --> 02:35:08,400
Speaker 2: him or request pictures or request to like.

3096
02:35:08,959 --> 02:35:12,360
Speaker 1: I don't understand, and maybe I'm I don't know. I

3097
02:35:12,560 --> 02:35:13,680
Speaker 1: don't understand that.

3098
02:35:14,760 --> 02:35:17,960
Speaker 2: And for me, you know, if Jay listening to this,

3099
02:35:18,680 --> 02:35:22,240
Speaker 2: that don't question jay legacy or that's that question these

3100
02:35:22,280 --> 02:35:27,880
Speaker 2: other niggas motives, Yo, let this shit happen organically, bro,

3101
02:35:28,200 --> 02:35:30,920
Speaker 2: what these nigga run. I'm trying to tell you, nah man,

3102
02:35:31,000 --> 02:35:34,240
Speaker 2: if we end up in the same place, like you

3103
02:35:34,360 --> 02:35:37,600
Speaker 2: know what I mean, I don't know. There's a weird

3104
02:35:37,840 --> 02:35:41,400
Speaker 2: energy surrounding a jay Z picture that I'm uncomfortable with.

3105
02:35:41,560 --> 02:35:45,560
Speaker 1: Though I ain't bullshit.

3106
02:35:46,840 --> 02:35:49,600
Speaker 2: Grown men. Though I ain't talking about the women. I

3107
02:35:49,640 --> 02:35:53,360
Speaker 2: ain't even talking about like the fans. I ain't even

3108
02:35:53,360 --> 02:35:56,320
Speaker 2: talking about the fans. I'm talking about the hustlers, the

3109
02:35:56,440 --> 02:35:59,959
Speaker 2: so called hustlers, the so called niggas is getting money,

3110
02:36:00,120 --> 02:36:02,400
Speaker 2: the so called business entrepreneur.

3111
02:36:02,080 --> 02:36:05,200
Speaker 1: Like it's something on that and we all know what

3112
02:36:05,400 --> 02:36:06,119
Speaker 1: jay undone.

3113
02:36:06,160 --> 02:36:09,480
Speaker 2: That ain't to disrespect j that's to just highlight you niggas,

3114
02:36:10,200 --> 02:36:13,160
Speaker 2: what you nigga doing running behind a man and then

3115
02:36:13,360 --> 02:36:15,760
Speaker 2: put these captions up under the picture and jay Z

3116
02:36:15,920 --> 02:36:18,039
Speaker 2: don't even he probably looking like it ain't even.

3117
02:36:17,920 --> 02:36:18,600
Speaker 1: That type thing.

3118
02:36:19,640 --> 02:36:23,600
Speaker 2: I have absolutely no business with this dude, right. I

3119
02:36:23,760 --> 02:36:26,720
Speaker 2: just wonder how he fit it. Just it's a weird energy, bro.

3120
02:36:28,000 --> 02:36:31,720
Speaker 2: It's weird. But respect to y'all, respect the y'all.

3121
02:36:31,760 --> 02:36:34,240
Speaker 1: I ain't doing no hate. I ain't trying to respect

3122
02:36:34,280 --> 02:36:34,600
Speaker 1: the y'all.

3123
02:36:34,680 --> 02:36:38,440
Speaker 2: If y'all love if that's the hustle, because don't think

3124
02:36:38,520 --> 02:36:42,640
Speaker 2: I don't know niggas hustling pictures. Nah nah, They taking

3125
02:36:42,680 --> 02:36:44,880
Speaker 2: they pictures and putting it next to a position. They

3126
02:36:45,000 --> 02:36:46,119
Speaker 2: hustling that situation.

3127
02:36:46,280 --> 02:36:46,920
Speaker 1: Now, I'll be with you.

3128
02:36:47,000 --> 02:36:49,560
Speaker 2: I cain't call j I had a nigga call me

3129
02:36:49,680 --> 02:36:51,760
Speaker 2: one time, say man, you give me fifteen k I

3130
02:36:51,840 --> 02:36:55,720
Speaker 2: get you on the phone with ya. I said, you

3131
02:36:55,840 --> 02:36:59,200
Speaker 2: can't be talking to me. You know my reach. If

3132
02:36:59,280 --> 02:37:01,240
Speaker 2: I really want to get yay on the phone, do

3133
02:37:01,360 --> 02:37:01,600
Speaker 2: you know?

3134
02:37:02,080 --> 02:37:03,280
Speaker 1: Do you know who I am?

3135
02:37:05,320 --> 02:37:07,840
Speaker 2: No, no disrespect to who you are, but you can't

3136
02:37:07,920 --> 02:37:10,680
Speaker 2: hustle relationships to me. I don't even get out like that.

3137
02:37:14,600 --> 02:37:17,040
Speaker 2: None of these dudes in this industry is that important

3138
02:37:17,080 --> 02:37:19,800
Speaker 2: to me. Where it's like, YO, pay the media or

3139
02:37:19,840 --> 02:37:22,360
Speaker 2: pay for it. I ain't doing that. I'm providing great

3140
02:37:22,440 --> 02:37:25,760
Speaker 2: conversations to the culture. If that don't inspire a nigga

3141
02:37:25,800 --> 02:37:27,800
Speaker 2: to say, man, I want to tell my story with Bruh,

3142
02:37:27,800 --> 02:37:29,800
Speaker 2: I want to sit down with Bruh. I can't do

3143
02:37:29,959 --> 02:37:33,360
Speaker 2: nothing about it. We ain't doing no cock buffing over here.

3144
02:37:34,080 --> 02:37:37,800
Speaker 2: We gonna salute p of QC. Were gonna salute baby,

3145
02:37:37,840 --> 02:37:41,119
Speaker 2: and we're gonna salute Charlamagne and be Marshall Willow. People

3146
02:37:41,280 --> 02:37:45,160
Speaker 2: like that forever they help me. Outside of that, man,

3147
02:37:45,200 --> 02:37:48,040
Speaker 2: it's gonna be. It's gonna be just conversations. And if

3148
02:37:48,120 --> 02:37:50,920
Speaker 2: relationships come from that, cool, If we cool from that, cool,

3149
02:37:50,959 --> 02:37:54,200
Speaker 2: But if not cool, I ain't tripping. I'm gonna be

3150
02:37:54,320 --> 02:37:57,120
Speaker 2: all height. Hey, we're finna go live on Patreon right now.

3151
02:37:57,240 --> 02:38:00,800
Speaker 2: If y'all are listening to this, I'm telling you to

3152
02:38:00,879 --> 02:38:01,720
Speaker 2: come to Patreon.

3153
02:38:02,760 --> 02:38:03,840
Speaker 1: We have the Mall.

3154
02:38:03,680 --> 02:38:06,279
Speaker 4: Episode out right now on Patreon. Don't tell nobody.

3155
02:38:06,800 --> 02:38:09,680
Speaker 1: I ain't supposed to drop it yet, but the Mall

3156
02:38:09,840 --> 02:38:12,400
Speaker 1: episode is out on Patreon a right now.

3157
02:38:12,480 --> 02:38:13,520
Speaker 10: Don't tell nobody.

3158
02:38:14,320 --> 02:38:17,440
Speaker 1: It ain't even supposed to be out yet. We talked

3159
02:38:17,480 --> 02:38:21,920
Speaker 1: about everything. Shout out to Mall real scope.

3160
02:38:23,160 --> 02:38:24,119
Speaker 8: It's up to Parker.

3161
02:38:24,400 --> 02:38:27,480
Speaker 10: See y'all next week. Fuck, don't tell nobody.