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Speaker 1: Here was something, y'all. What's going on dress radio? He's

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Speaker 1: a legendary Queen's rapper. He hands it is your boy

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Speaker 1: in or he's a Miami hip hop pioneer. What up

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Speaker 1: is d J e f N Together they drink it

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Speaker 1: up with some of the biggest players in music and sports.

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Speaker 1: You know what I mean, the most professional, unprofessional podcast

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Speaker 1: and your number one source for drunk fact This is

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Speaker 1: drinks Chap ready where every day is New Year's each

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Speaker 1: that's run Yo y'alla, y'alla yoa. This is your boy

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Speaker 1: and what up is d J E f and his

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Speaker 1: drink chance the podcast and right now for my very

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Speaker 1: own barrow close friend of mine, hands down a legend,

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Speaker 1: a man who put flushing on his back, ran what

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Speaker 1: it had, never took it off. He's when you think

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Speaker 1: of Flushing, you gotta think of him. He's been holding

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Speaker 1: it down for years. Legend dare Restatus records with all

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Speaker 1: the legends, cool with them. The man a guy I've

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Speaker 1: never seen fold, always the same no matter what, from

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Speaker 1: the nineties to now. He raped TVT records earlier night

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Speaker 1: and the game came into do a couple of more legends.

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Speaker 1: Right now, we're talking about my good friend flush past right,

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Speaker 1: someone tell me what this sounds like. I was shameless now.

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Speaker 1: But we just had a crazy weekend. The weekend real quick.

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Speaker 1: It was in Vegas. This is my ship here, don't

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Speaker 1: want what was that? That ship looked like it comes

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Speaker 1: from a ruble. It's fantasy. Just break down our weekend

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Speaker 1: real quickly. When we went, we met up with the

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Speaker 1: bad Boy twin Vegas. Yeah, it was pretty dope. Linked

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Speaker 1: up with them. We got to shoot the show. We

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Speaker 1: got to see the show. It was amazing. The show

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Speaker 1: was amazing. Was I got to see Floyd. I gotta

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Speaker 1: see Floyd, babe. When I was I was started strong Water,

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Speaker 1: I was started. That's my favorite box of all times.

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Speaker 1: I rank them better than Muhammad Ali because I've never

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Speaker 1: seen alive fight live, you know what I'm saying. So

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Speaker 1: a lot of people would disagree. But we also got

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Speaker 1: to see puff. We also got to see the Locks.

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Speaker 1: I spoke the cigarette and the locks woman to make

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Speaker 1: some noise for that. Godamnit. Hude twelve Thomas called Thomas.

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Speaker 1: I apologized to one twelve for throwing a basketball in

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Speaker 1: the ocean because I was in the ocean. Yeah, we

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Speaker 1: was in Jamaica was hot like Jamaica. Um, I was

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Speaker 1: walking around with slippers on. But I was like, man,

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Speaker 1: R and B niggas can't beat me in basketball. And

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Speaker 1: I played them niggas and they and they beat me

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Speaker 1: and I'm a so loser. So I was like, I

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Speaker 1: cadn't go back to New York like R and B

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Speaker 1: niggas just beat me in basketball. So I did whatever

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Speaker 1: New York we're doing at that moment, I'll do the

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Speaker 1: ball in. But I was a child, so I had

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Speaker 1: to come to them as a man and apologize. But

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Speaker 1: you know, it was great, great seeing car times to

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Speaker 1: get At first, I didn't recognize car time, so I apologize.

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Speaker 1: To catch up with X after the episode the first

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Speaker 1: time since the episode that we do. I've seen him

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Speaker 1: on math time since the episode, but he talked about

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Speaker 1: it a lot. Yeah. Yeah, but he definitely said no

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Speaker 1: to another one. Definitely, it was dope moving. I was like,

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Speaker 1: we need you back and he's like, why what are

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Speaker 1: you gonna talk about. I was like, Oh, he's definitely showers.

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Speaker 1: Never had somebody told me that, So he's definitely show

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Speaker 1: us down. But word Flus word plus is in the

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Speaker 1: building with the drink champs right happy. But you know

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Speaker 1: why I like I like um uh kicking it with

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Speaker 1: you because you're one of the old js is like me,

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Speaker 1: you embraced the new generation we came You came in

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Speaker 1: with fresh it correct fresh he got to join that

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Speaker 1: was his name. And wait wait wait wait to make

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Speaker 1: him up, big upokly, big up brook. What I'm saying,

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Speaker 1: you're one of the people that considered the old j

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Speaker 1: consider the legend that you stay up. That's to the

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Speaker 1: new things. You stay in the clubs. You don't only

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Speaker 1: stay in the old school parties like I'll do too.

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Speaker 1: I'll get I'll get those bags too. But you go

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Speaker 1: to the new school parties and things like that. Why

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Speaker 1: is that? I mean you got you gotta keep up

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Speaker 1: to whatever's going on in this world. Man. That's me

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Speaker 1: one thing about me. Whatever whatever is happening, I'm happening.

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Speaker 1: I'm you know, like a lot of people coming about

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Speaker 1: your the nineties. I can't bring that back Stock on

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Speaker 1: the nine. I can't bring that. No. I love the nightlies,

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Speaker 1: I love it. I can't. I can't lose the guy.

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Speaker 1: I'm not looking like the nineties. I'm like, you could

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Speaker 1: diet and because that's because that's interesting that you say that,

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Speaker 1: because there's a lot of people that's in our generation

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Speaker 1: that is that they call them dinosaurs. Yeah, they won't.

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Speaker 1: They won't. They won't. They won't go to the next

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Speaker 1: let where they won't They stuck where they at, which

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Speaker 1: is no good because in hip hop you gotta moved at.

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Speaker 1: None of these new artists on South I might be

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Speaker 1: mad the way they got their hell with the good,

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Speaker 1: but besides that, music is music, man, you know what

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Speaker 1: I'm just I'm quite sure MELI and appreciate the night. Yeah,

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Speaker 1: I wasn't dressing like you know what I'm saying, so

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Speaker 1: they probably was looking at me like I was crazy.

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Speaker 1: But you gotta respect music line move generation to generation,

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Speaker 1: you know. I mean, if it's authentic, if it's good,

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Speaker 1: because sometimes just do just to do it. I didn't

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Speaker 1: I trying to kill myself. Jesus damn. Usually somebody doing that.

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Speaker 1: But um, I said, we know about fresh as big

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Speaker 1: him up once again. But what are some of the

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Speaker 1: other new artists that you're into right now? I mean,

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Speaker 1: I guess I guess like I'm I'm I'm New York,

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Speaker 1: so I guess it's like Uncle murder May No, you know,

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Speaker 1: I'm still a jade of fabulous. I'm yeah young and

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Speaker 1: may definitely you know what I mean. Like I that's

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Speaker 1: that's my book. With the hoodie. I like a boody

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Speaker 1: with the hoodie. I'm up all that too. I think

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Speaker 1: it makes you young, because I think it makes you

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Speaker 1: young when you understand the young generation. Like every now

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Speaker 1: and then, I don't get certain things. And I called

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Speaker 1: my nephew, and I'm just usually me so on my nephew.

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Speaker 1: But I don't mind being school back. I don't mind

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Speaker 1: him putting me on the eight buggy with the hoodie,

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Speaker 1: you know what I mean. He actually put me onto

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Speaker 1: him too. You driving me old schooling the older niggas.

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Speaker 1: What is going on out here? But I think that's healthy.

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Speaker 1: But now let's walk up through your career. In the beginning.

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Speaker 1: You got signed around nineties six nine seven. Yeah, I

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Speaker 1: got signed ninety six, ninety six, right. Gerano got signed

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Speaker 1: ninety five, the beginning of ninety five. Now, Mike Geronimo

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Speaker 1: went through Earth Gotti. He went through that. So he

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Speaker 1: started with guys money click yeah, the original cash money

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Speaker 1: not baby, no, not baby, but might might money j

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Speaker 1: just like the other cash money, I can look at that. Yeah,

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Speaker 1: but so ninety six, So Mike Geronimo came through Earth

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Speaker 1: Gotti and TVT. Yeah, well, well he came through earth

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Speaker 1: Gotti and Earth Gotty got to deal with with Steve

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Speaker 1: Gottli from tv T and it was a deal through

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Speaker 1: now you because it was interesting because it was like

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Speaker 1: you came through Mike Geranimo, but it was like you

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Speaker 1: didn't come My Gerano was from Flushing, but he's like

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Speaker 1: from up the block Flushing, I'm from West because then

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Speaker 1: he shot the video with forty Projects and project Who's

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Speaker 1: going on You? So so um so Mike Geronimo had

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Speaker 1: got signed and one day Mike Geronimo had to do

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Speaker 1: a show and herv couldn't make it. So I went

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Speaker 1: to the show and I'm standing in the front and

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Speaker 1: I'm watching this kidful Flushing and got baseball bass songs

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Speaker 1: and I'm like, it's she's real. So he called me

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Speaker 1: and I got on stage. So when I got on stage,

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Speaker 1: he had his whole label there. It was like his

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Speaker 1: first show. So I wold out on stage and if

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Speaker 1: they've seen that chemistry and I was in then they

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Speaker 1: pulled him to the side gave him his own deal

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Speaker 1: and told me they wanted to sign me. So so

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Speaker 1: when you was with t VT, it was do my

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Speaker 1: geronimo my situation when they had nothing to do it

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Speaker 1: the senior stage. Then that's when they told Mike they

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Speaker 1: want to sign me by myself. And that's something that

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Speaker 1: I noticed with you, Like out of all the industry things,

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Speaker 1: I feel like you feel more most comfortable on stage. Yeah.

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Speaker 1: I mean if I if I could sell my music

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Speaker 1: live strictly live performed to be out of here, you know,

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Speaker 1: I I love that, you know what I mean? I

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Speaker 1: love my character person that's comfortable. Yeah, And I think

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Speaker 1: that's what messed me up growing up because it was

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Speaker 1: I was more worried about how the music had to

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Speaker 1: sound instead of selling myself, like I'm with you want

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Speaker 1: you know what I'm saying, Well, I gotta hit regular

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Speaker 1: not you want to hang out with Roy Flush, you

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Speaker 1: want to smoke with Flush, you want to with the

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Speaker 1: buses with Flush, you want to have a good time

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Speaker 1: with Flush. So I had to know to sell myself

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Speaker 1: instead of my music first. That's very interesting. Was the

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Speaker 1: first single, Cuban Connection. Yeah, I do want I do

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Speaker 1: a worldwide out because we had L A L. That's right,

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Speaker 1: That's right. So we was as a Cuban Cuban connection

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Speaker 1: my last name. I'm like, yeah, like this, guys, you

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Speaker 1: gotta a Cuban side. I went to the Dominican me

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Speaker 1: and they happened to me, and right now about fabulous.

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Speaker 1: They're trying to kidnap fabulous. Be careful to Dominicans. Got

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Speaker 1: a b b out on you. They want you to

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Speaker 1: start repping or they're gonna get you. They're gonna throw

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Speaker 1: you off of a bridge. So start rapping your Cuban side. Yes,

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Speaker 1: I do know. I'm not really gotta fet you about them.

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Speaker 1: So now you got Worldwide, which was a direct record

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Speaker 1: going at l A. It was the because even our

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Speaker 1: record L A L A kind of we was going

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Speaker 1: at them, but it kind of wasn't like we could

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Speaker 1: have got away with No. We were just making a response.

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Speaker 1: But your record you could. Yeah. I mean, and even

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Speaker 1: people were talking about my record, like I wasn't even

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Speaker 1: talking about l A. I was talking about bad Boy,

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Speaker 1: just a boy. You're not bad enough to the shot

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Speaker 1: for no reason? Who shot you? So my whole thing

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Speaker 1: was talking about how bad boy just let you let

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Speaker 1: people come New York, A step on the buildings, and

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Speaker 1: you know, you know what that is. If you don't know,

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Speaker 1: we understand why. I want to know, interrupted cool cool cool,

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Speaker 1: so um, So it wasn't it was. It was to

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Speaker 1: separate that beef with queens. Keep in mind on Queen,

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Speaker 1: I mean separate queens, but you don't have no personal

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Speaker 1: beef with them. No. No, I just felt like Biggie

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Speaker 1: was hot. Man hold us down, New York. Man, I'm

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Speaker 1: out here busting my ass. Man hold me down. And

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Speaker 1: I felt like it wasn't that, you know what I mean? Right,

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Speaker 1: So that's when I came with you know, worldwide, worldwide

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Speaker 1: mind on queens. When the dogs start balking? And now

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Speaker 1: what was what did that record do for you? Did it?

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Speaker 1: Did it? Did? It didn't take you off the underground

202
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Speaker 1: scene or it did? Because you know, like one time

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Speaker 1: I was with Mike Drian and we went to go

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Speaker 1: see jay Z and Biggie was doing that song. They

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Speaker 1: got together to Brooklyn one and you know, Big kind

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Speaker 1: of looked at me because bals and Big kind of

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Speaker 1: looked at me, know what I mean. So I felt

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Speaker 1: it stopped a lot of my blessings with being around

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Speaker 1: that whole little bad Boy family at the time, because

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Speaker 1: I did through some shots, but it and not only that.

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Speaker 1: You know what's funny about that time is as much

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Speaker 1: as we thought we was representing for the East Coast,

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Speaker 1: Ben didn't want to actually respond. He didn't co sign

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Speaker 1: in l A l A like big was like he

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Speaker 1: was like, nah, I didn't want to do That was

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Speaker 1: shocking to me because we actually did it direct big

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Speaker 1: picture in his head. Yeah, he sold a bigger picture,

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Speaker 1: I believe so as well. So so you got this

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Speaker 1: world wide record, Now you come into a Cuban connection.

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Speaker 1: How did this record which samples you know I was

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Speaker 1: on the record, Yeah, I'm I'm on the video and everything.

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Speaker 1: We were to Jamaica Avenue and j ST. Yeah, that's

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Speaker 1: what That's what I at that time when when Eistemond dimes,

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Speaker 1: it was it for me. Just now, what made you

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Speaker 1: think to get this kid from left Franck. Let's predominantly

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Speaker 1: all hoods just now get along like like like the

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Speaker 1: doperst thing about me and Capone's relationship is we actually

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Speaker 1: put two hoods that really didn't funk with each other.

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Speaker 1: That now I can't go to fucking Queen's Bridge that

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Speaker 1: I was seeing somebody from Left Frack and vice versa.

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Speaker 1: And it's even worse for our hoods because we was

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Speaker 1: closer to each other. So what made you say I'm

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Speaker 1: gonna get this kid from Left Frack? I mean, you know,

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Speaker 1: going to John Bound, John Bound, that's all new to

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Speaker 1: high school for people that don't know, It's like it's

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Speaker 1: like if you if you if you're from Left Frack,

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Speaker 1: if you're from Corona, if you're from Flushing, that's the

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Speaker 1: high school your zone too. Now I never went to

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Speaker 1: John Bound, but I used to go there freshman Friday

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Speaker 1: and I was a junior high school. It's real, it's

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Speaker 1: it's weird. It's weird's popping at you know what I'm saying.

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Speaker 1: But that's what a lot of our hoods clash. Not

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Speaker 1: so at that time, like Left Fracking Flushing. I'm told

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Speaker 1: on the beef was it was serious. You know a

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Speaker 1: lot of people got hurt. But for some reason, me,

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Speaker 1: I didn't care. Like after school, I go to the

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Speaker 1: Left Front, I go to my man mini restaurant, but

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Speaker 1: I would just still go. I didn't get no hood

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Speaker 1: scared me. I just said I'm cool, I'm gonna fit

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Speaker 1: in somehow, you know what I'm saying. So that that

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Speaker 1: was it. I went out to Left Front and then

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Speaker 1: they came to me and it was so the LP

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Speaker 1: did the beat. I'm like, bad, well, easy, easy, help.

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Speaker 1: So he said, can we get noris on? I said no,

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Speaker 1: I said, I love too. I said cause my cousin.

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Speaker 1: I said, maybe I can go to coploom. You know

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Speaker 1: what I'm saying, Golden get it. So I was like,

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Speaker 1: damn right, they ain't gonna work and ain't gonna work.

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Speaker 1: So now LP reached out to Nor. Now I had

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Speaker 1: to meet up with and we all got in the

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Speaker 1: studio or something. They was doing all blood money or

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Speaker 1: something like that, and they was not gonna So I

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Speaker 1: came to the session and then me and Nors just

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Speaker 1: that was it. We understood our animals, but we knew

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Speaker 1: what we was. You know what I'm saying. We go

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Speaker 1: we can control them but so much, but we knew

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Speaker 1: our relationship ain't not gonna happen to us. And then

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Speaker 1: it made all. But they stop working with each other,

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Speaker 1: like I mean, we get some brandy one time. They're

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Speaker 1: still started with my man. But as the rappers see,

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Speaker 1: a lot of people don't give us credit for ship

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Speaker 1: like that, because what they'll say is, you know, the

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Speaker 1: bad ship that we do or whatever. But what people

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Speaker 1: gotta realize is, like that ship, like it settled a

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Speaker 1: lot of beefs. It settled a lot of problems, because

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Speaker 1: how could you be mad at the person from Flushing

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Speaker 1: that's hanging out with us? How could you? And it's

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Speaker 1: just it's just like vice versa, Like I go to

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Speaker 1: Queensbridge now and I just pop up and I'm like, oh,

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Speaker 1: ship shot me here, Oh ship sucking this niggahead. I'm like, okay,

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Speaker 1: And then vice versa. I'm in ambassadors And it's true

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Speaker 1: because fight them, roll it all up now, got them,

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Speaker 1: come on, I gotta take some of them home. It's

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Speaker 1: a hurricane season. You know you're in a hurricane. Yeah,

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Speaker 1: I'm stuck. Did you feel like I lined you? Like

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Speaker 1: if I'm like I lined you, it's like you said,

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Speaker 1: give me to the l A damn. I'm watching the

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Speaker 1: news and then Flush hits me. I'm like, holy moly,

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Speaker 1: they got a lot of the more same here. Whatever.

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Speaker 1: Because ten years I lived here, you know this will

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Speaker 1: be my first hurricane. I actually stay, you actually almost

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Speaker 1: had a hurricane when you did uh or gone through? No,

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Speaker 1: I remember depthitane flew me out. I got that. I

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Speaker 1: was telling you that from the video shoot. I told

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Speaker 1: you I gotta go to board of the story right right,

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Speaker 1: they'd be serious about this hurricane shot out here and

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Speaker 1: I see, I see what I was blowing down today.

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Speaker 1: They had iron steels on the doors and tracked off. Now, now,

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Speaker 1: a couple of years back, French Montana sampled one of

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Speaker 1: your records, and at first she was vocal about it.

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Speaker 1: Yeah you didn't, you didn't appreciate it. Can you explain

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00:15:40,320 --> 00:15:42,960
Speaker 1: that to us? And what record it was? He sampled worldwide?

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Speaker 1: He sampled world record. I mean because because with with

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Speaker 1: with him, I also I knew him. I knew him

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Speaker 1: through a DJ called cut Master. See you should be

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Speaker 1: so so when you know I had like I was

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Speaker 1: doing street things, so I little smash cribb in the

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Speaker 1: Bronx and cut Master seems to have him come to me.

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Speaker 1: You know, that's when e's know I was popping and

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Speaker 1: met him. Game that little relationship you're selling, you're selling

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Speaker 1: first montalent ectasy. Let's make some got damn. He loved me.

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Speaker 1: It ain't a lie, you can call. Extacy is a

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Speaker 1: great drug. By the way, you need to try it.

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Speaker 1: I'm sorry, did I just say it just lost? So

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Speaker 1: I felt like he can't reach out to me or whatever.

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Speaker 1: I thought the song was dope, so so I was

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Speaker 1: just looking for a reach out. I didn't want no

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Speaker 1: money or nothing like that. I was dope. But then

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Speaker 1: after I did that interview, I did the interview. Then

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Speaker 1: maybe two days later, Chinks put on Instagram it wouldn't

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Speaker 1: be no Coke Boys without this record. Flush. We respect

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Speaker 1: you and we love you, So you know what I mean.

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Speaker 1: After that, that's what said to He just wanted someone

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Speaker 1: to reach out. But remember we've been having this discussion

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Speaker 1: on drink Chance whatever. It's like it's like, you know,

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Speaker 1: when you touch somebody record, it's that phone call that

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Speaker 1: you own that you know what I'm saying. It's like,

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Speaker 1: it's like that's the reason why, Like I heard what

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00:16:53,960 --> 00:16:56,680
Speaker 1: the DMX has said about Drake, and I heard, you know,

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Speaker 1: the energy towards it. But when Draking him reached out

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Speaker 1: to me, and it's like, Yo, we just just had

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Speaker 1: X on there are forty big up to forty uh

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00:17:05,320 --> 00:17:06,639
Speaker 1: we stouts, like, yo, can you get us on the

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00:17:06,640 --> 00:17:08,520
Speaker 1: phone with X. I thought that was the most honorable

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00:17:08,600 --> 00:17:10,840
Speaker 1: thing artist can do. It's like, even if you don't

336
00:17:10,840 --> 00:17:13,520
Speaker 1: own the record, because sometimes we sample like world wide

337
00:17:13,560 --> 00:17:15,760
Speaker 1: as a sample, so you sample something from somebody else.

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00:17:15,920 --> 00:17:18,560
Speaker 1: So it's like, even though you might not technically own

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00:17:18,600 --> 00:17:20,359
Speaker 1: the record, you own the record because you're the one

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00:17:20,400 --> 00:17:23,800
Speaker 1: who introduced that sample. The hip hol you don't do

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00:17:23,880 --> 00:17:25,320
Speaker 1: miss how much you took of it, like he took

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Speaker 1: out bad back. That's all I had was that I

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00:17:29,280 --> 00:17:31,800
Speaker 1: have a sample left, so I need a little shout out,

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00:17:32,080 --> 00:17:33,960
Speaker 1: but not said love is love? Things you go through

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Speaker 1: you know now? Now? Is that because because because for

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00:17:37,280 --> 00:17:38,920
Speaker 1: us O G s that quote un quote o G

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Speaker 1: legends is that? What is that what we we have

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00:17:42,880 --> 00:17:45,600
Speaker 1: to get for us us to feel good about people

349
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Speaker 1: we're making our music? I sept that shot shout out.

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00:17:51,200 --> 00:17:53,440
Speaker 1: I don't want none of your money. I'm strathing good. Yeah,

351
00:17:53,720 --> 00:17:57,159
Speaker 1: just acknowledge me, Just say yo, I've got this idea.

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00:17:57,800 --> 00:18:00,080
Speaker 1: Yeah I agree with you. That's agree with you. If

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00:18:00,080 --> 00:18:02,960
Speaker 1: you're doing big show, bring me out right right right right?

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Speaker 1: I mean, but in a sense it did work and

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00:18:08,080 --> 00:18:11,000
Speaker 1: it made my record relevant again, right, so it got

356
00:18:11,040 --> 00:18:17,800
Speaker 1: me back again. You said drink drink. What's that ship

357
00:18:17,880 --> 00:18:22,200
Speaker 1: called Scott Macow big up the Busino for the Scott

358
00:18:23,720 --> 00:18:25,600
Speaker 1: a big panther. Also big up to our people at

359
00:18:25,680 --> 00:18:29,240
Speaker 1: Monster Energy drain the said definitely, and also want to

360
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Speaker 1: big up the people at Xbox with my homeboy name

361
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Speaker 1: Aaron Greenberg. Aaron Greenberg looking out fig up Aaron Greenberg.

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Speaker 1: We're just I just know that got the new Xbox,

363
00:18:40,760 --> 00:18:42,320
Speaker 1: and I know a lot of people be hating. And

364
00:18:42,359 --> 00:18:45,800
Speaker 1: it's also big up my people John John Johan and

365
00:18:45,960 --> 00:18:52,760
Speaker 1: Aaron's goddamn it and shout out to drink sir, Yeah,

366
00:18:52,760 --> 00:18:55,040
Speaker 1: get them drink cap shirt. So now I worry flush

367
00:18:56,359 --> 00:18:58,520
Speaker 1: you come to get this Cuban connect now that record.

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00:18:58,560 --> 00:19:01,920
Speaker 1: They're real good for you all. And when people don't realize,

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Speaker 1: like a lot of people in my game that came

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Speaker 1: out of my era. But I only had two songs,

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Speaker 1: but in hip hop, I think I had one of

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Speaker 1: the best violins and the best horns. So them two

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Speaker 1: songs last me. There's people that have been out with

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Speaker 1: thirty hits and still can't come to drink Champs. So

375
00:19:19,240 --> 00:19:21,359
Speaker 1: I said them two songs works for me, and they

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Speaker 1: did it. They didn't the beats work. The samples worked,

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00:19:24,160 --> 00:19:27,359
Speaker 1: it worked now. Steve Gottli was known for being like

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Speaker 1: the guy who had a million suits who just like

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00:19:29,600 --> 00:19:32,600
Speaker 1: to suit people supercentric due that affects you in a

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00:19:32,680 --> 00:19:35,240
Speaker 1: way because I knew every other label kind of hated

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Speaker 1: him because he always sued them, so he's so everybody. Yeah,

382
00:19:41,600 --> 00:19:46,600
Speaker 1: he did sound bank roly, I mean, but he was

383
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Speaker 1: like the most disrespectful million in the world. Like he

384
00:19:52,880 --> 00:19:56,239
Speaker 1: was barefoot on the table. He told me, when they

385
00:19:56,280 --> 00:20:01,119
Speaker 1: put my socks on, my nigg get real slavery everything.

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00:20:01,200 --> 00:20:04,600
Speaker 1: Look you switch right, say no, he said. They said, yeah,

387
00:20:04,600 --> 00:20:06,320
Speaker 1: I got a meeting real quick, you know, grab my

388
00:20:06,359 --> 00:20:07,720
Speaker 1: socks and put them on from me while I put

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00:20:07,760 --> 00:20:10,960
Speaker 1: my shirt on. He said it cool. But I'm like,

390
00:20:11,320 --> 00:20:13,919
Speaker 1: you think I'm really gonna just like I'm gonna roll

391
00:20:14,000 --> 00:20:18,280
Speaker 1: them up and everything like he's bucking. But I never

392
00:20:18,400 --> 00:20:22,159
Speaker 1: heard like that. But after that meet him, kind of,

393
00:20:22,240 --> 00:20:24,440
Speaker 1: you know, we had our little beef that I would

394
00:20:24,440 --> 00:20:27,320
Speaker 1: just let the lawyers up. He's a smart dude, regardless

395
00:20:28,600 --> 00:20:31,919
Speaker 1: TV records that what the TV tuns. But the cartoons right,

396
00:20:31,960 --> 00:20:35,360
Speaker 1: he as he's shown from the Brady shows, he owned

397
00:20:35,359 --> 00:20:39,879
Speaker 1: the music. I don't just cartoons show every all the

398
00:20:40,080 --> 00:20:43,800
Speaker 1: theme songs and all those old TV shows us everything,

399
00:20:44,000 --> 00:20:51,159
Speaker 1: And oh I thought he owned great Pool Paul And

400
00:20:51,200 --> 00:20:55,679
Speaker 1: I was about to say, what ye all like if

401
00:20:55,720 --> 00:20:58,119
Speaker 1: you use that, she got to pay him. Damn that's crazy.

402
00:20:58,280 --> 00:21:00,960
Speaker 1: So music was like his second third huh. So well

403
00:21:01,040 --> 00:21:04,760
Speaker 1: you know he his nails. Yeah, he didn't remember he

404
00:21:04,800 --> 00:21:06,960
Speaker 1: had nine his snails. So, I mean, so hip hop

405
00:21:07,040 --> 00:21:12,240
Speaker 1: wasn't ship. I mean, look, he got starches publishing all

406
00:21:12,280 --> 00:21:16,639
Speaker 1: of its poliship. I mean the level was part. He

407
00:21:16,720 --> 00:21:18,879
Speaker 1: had cash, money clicked and he passed on job. And

408
00:21:18,920 --> 00:21:20,680
Speaker 1: then John Soul Tim man, let's make some noise for

409
00:21:20,720 --> 00:21:27,840
Speaker 1: that guy. But so Steve gott so your expirits with him,

410
00:21:28,480 --> 00:21:32,560
Speaker 1: and now after that you were straight independent. I mean

411
00:21:32,800 --> 00:21:35,880
Speaker 1: the contract that I signed him, I signed until I died,

412
00:21:37,000 --> 00:21:43,400
Speaker 1: until I still signed, like maybe like four years ago

413
00:21:43,480 --> 00:21:45,960
Speaker 1: he found bankruptcy, so they gave me all everything back.

414
00:21:46,160 --> 00:21:50,800
Speaker 1: Wait wait, wait four years ago I signed Like he's

415
00:21:50,800 --> 00:21:55,080
Speaker 1: just gonna say laugh out loud somewhere like you're dead serious. Yeah,

416
00:21:55,480 --> 00:21:57,359
Speaker 1: you gotta tell us for these young people that's listening

417
00:21:58,240 --> 00:22:00,480
Speaker 1: has I mean, at the time he came to me

418
00:22:01,040 --> 00:22:02,960
Speaker 1: and I'm a street dude and gave me a check

419
00:22:03,040 --> 00:22:06,400
Speaker 1: for eighty thousand hours. But now now with that, after

420
00:22:06,480 --> 00:22:09,280
Speaker 1: you learned everything, did you blame Steve Gottli or you

421
00:22:09,359 --> 00:22:13,159
Speaker 1: blame Mike Geronimo. I blame me. I blame me. I

422
00:22:13,240 --> 00:22:16,200
Speaker 1: mean I didn't know the business side lawyer at least. Yeah,

423
00:22:16,320 --> 00:22:18,960
Speaker 1: but he was just making money, were making money. Like

424
00:22:19,040 --> 00:22:21,000
Speaker 1: I had an open budget. I had an open budget

425
00:22:21,040 --> 00:22:23,320
Speaker 1: for like two fifty so every producer that I worked with,

426
00:22:23,520 --> 00:22:25,560
Speaker 1: like you listen, I'm a charge to give me back five.

427
00:22:26,240 --> 00:22:28,440
Speaker 1: So I but I was hurting myself. I was just

428
00:22:28,600 --> 00:22:31,879
Speaker 1: kept raping myself. That's all I kept through the whole budget.

429
00:22:31,960 --> 00:22:33,959
Speaker 1: But I mean I I spent a million up there

430
00:22:33,960 --> 00:22:36,360
Speaker 1: at all, and that's money. Even I probably spent maybe

431
00:22:36,359 --> 00:22:39,399
Speaker 1: two hundred down on the grand car, but had the

432
00:22:39,440 --> 00:22:43,639
Speaker 1: car service. X y z Z. You said, as I

433
00:22:43,760 --> 00:22:46,000
Speaker 1: was x y z. That was my people. But my

434
00:22:46,080 --> 00:22:48,320
Speaker 1: man big up to my man maids. One day I

435
00:22:48,560 --> 00:22:51,800
Speaker 1: came into Jersey. I came into the crib at night

436
00:22:52,400 --> 00:22:54,360
Speaker 1: and I woke up the next day at the same time,

437
00:22:54,400 --> 00:22:56,440
Speaker 1: and he still had a car downstairs. X y z.

438
00:23:03,840 --> 00:23:07,400
Speaker 1: It was at least seventeen that day. I've seen, believe

439
00:23:08,080 --> 00:23:10,040
Speaker 1: hours that it was like a buck sixty hour like

440
00:23:10,440 --> 00:23:12,240
Speaker 1: some like that. Like back in the days there was

441
00:23:12,280 --> 00:23:15,240
Speaker 1: no bus line. Let me get some more arms rocks.

442
00:23:15,280 --> 00:23:19,239
Speaker 1: They're more used to. So now so you so all right,

443
00:23:19,280 --> 00:23:21,800
Speaker 1: I want to people to break this down. So Mike

444
00:23:21,840 --> 00:23:24,399
Speaker 1: Geronimo hooks you up, says I'm gonna hook you up

445
00:23:24,400 --> 00:23:27,040
Speaker 1: with this company. They sit down, they present you with

446
00:23:27,119 --> 00:23:29,680
Speaker 1: a contract. You just want to be out the hood.

447
00:23:29,720 --> 00:23:32,640
Speaker 1: You have heard already when you stepped like no record

448
00:23:32,840 --> 00:23:35,520
Speaker 1: eve knock a rat. I mean you're already being presented

449
00:23:35,560 --> 00:23:39,680
Speaker 1: without even just just because my stage, on the stage

450
00:23:40,280 --> 00:23:42,320
Speaker 1: they thought I was the next was down in the world,

451
00:23:43,400 --> 00:23:45,320
Speaker 1: just my the way, you know, hype man at the

452
00:23:45,400 --> 00:23:47,200
Speaker 1: time they called him. But yeah, I was just so

453
00:23:47,359 --> 00:23:50,040
Speaker 1: because that's what they say, They said you was hype man.

454
00:23:51,640 --> 00:23:53,720
Speaker 1: You know, he was real quiet. So he needed me

455
00:23:53,840 --> 00:23:56,680
Speaker 1: to talk. You outshine in a lot of ways. You

456
00:23:56,800 --> 00:24:01,119
Speaker 1: outshine you going on there, bon bon bon. It very so.

457
00:24:01,520 --> 00:24:05,320
Speaker 1: Now your lawyer didn't say you signed for life? What

458
00:24:05,480 --> 00:24:09,400
Speaker 1: is it like? Does that read? I just I didn't

459
00:24:09,400 --> 00:24:13,520
Speaker 1: need to get more. I get it reached fifteen albums

460
00:24:15,600 --> 00:24:20,359
Speaker 1: like options. I'm sure I still like one right, I

461
00:24:20,480 --> 00:24:23,200
Speaker 1: sold in the contract that you know, if every album

462
00:24:23,280 --> 00:24:28,439
Speaker 1: you renegotiated, or that it said that the recording budget

463
00:24:28,480 --> 00:24:30,840
Speaker 1: will go up. If Minds was to fifty now the

464
00:24:30,960 --> 00:24:34,240
Speaker 1: next year to go five d it kept it kept going,

465
00:24:34,480 --> 00:24:38,320
Speaker 1: and we'll give you a little advance, whether it's we'll

466
00:24:38,359 --> 00:24:41,080
Speaker 1: give you that to start your new album. But I'm

467
00:24:41,119 --> 00:24:45,520
Speaker 1: like you said, this is fifteen albums us that was

468
00:24:45,520 --> 00:24:48,400
Speaker 1: a lot. And then when you finally realized the game

469
00:24:48,520 --> 00:24:53,399
Speaker 1: and you was like, damn, what what? What? What was like?

470
00:24:53,840 --> 00:24:55,959
Speaker 1: Was it frustration or you was just like I'm off

471
00:24:56,000 --> 00:24:59,000
Speaker 1: the streets. I mean, I I ate regardless not. It's

472
00:24:59,040 --> 00:25:00,880
Speaker 1: not like I never you. I never had to use

473
00:25:01,160 --> 00:25:03,600
Speaker 1: music to pay my rent, to pay my bills or

474
00:25:03,680 --> 00:25:06,360
Speaker 1: the cars I drive. I never used that from rap.

475
00:25:06,440 --> 00:25:08,600
Speaker 1: So rap never stressed me, you know what I'm saying.

476
00:25:08,600 --> 00:25:10,680
Speaker 1: I never had to say, yo, son, if I don't

477
00:25:10,680 --> 00:25:13,120
Speaker 1: put a song out, the bills ain't gonna be paid.

478
00:25:13,160 --> 00:25:14,760
Speaker 1: It was like a hobby. I know I'm not making

479
00:25:14,800 --> 00:25:17,480
Speaker 1: it to the NBA, but I can still play ball. No,

480
00:25:17,480 --> 00:25:23,199
Speaker 1: already know that fat nigga with the handle. But I mean,

481
00:25:23,280 --> 00:25:27,679
Speaker 1: I said, you know now and my Mike Geronimo now

482
00:25:27,880 --> 00:25:34,160
Speaker 1: is a locksmith. Correct, locksmith, y'all. Whatever what happens own company. Yeah,

483
00:25:34,280 --> 00:25:36,479
Speaker 1: he's definitely a locksmith running around. Was a little three

484
00:25:36,520 --> 00:25:42,959
Speaker 1: white boys love them. Now we'll ship relationship with Cheeks. Oh,

485
00:25:43,119 --> 00:25:47,920
Speaker 1: I mean right now, me and Cheeks tight. It's my brother.

486
00:25:48,640 --> 00:25:50,040
Speaker 1: I mean, but you know we had we had some

487
00:25:50,160 --> 00:25:53,720
Speaker 1: shaky situations, you know, you know, being I don't think

488
00:25:53,720 --> 00:25:58,320
Speaker 1: I never even kicked the story nowhere Star started off.

489
00:25:58,560 --> 00:26:01,000
Speaker 1: I lived in Basin people, I lived in Bay Side.

490
00:26:06,440 --> 00:26:10,040
Speaker 1: It's actually I just brought a house. So I had

491
00:26:10,119 --> 00:26:17,840
Speaker 1: brought that floss. So I just brought that. It was

492
00:26:17,880 --> 00:26:21,080
Speaker 1: like r Rex two thousand had just came out, like

493
00:26:21,119 --> 00:26:23,159
Speaker 1: the first lext chuck. So I went and brought that.

494
00:26:24,080 --> 00:26:26,280
Speaker 1: So he came by me. Remember I still got the

495
00:26:26,320 --> 00:26:28,320
Speaker 1: cape chain on, so I'm still like sixty seven thou.

496
00:26:28,920 --> 00:26:30,640
Speaker 1: So he came to me, said, came to my crib.

497
00:26:31,080 --> 00:26:33,040
Speaker 1: He was on a motorcycle. He was like, oh, listen,

498
00:26:33,119 --> 00:26:34,840
Speaker 1: take the bike. I want to take the car. Let

499
00:26:34,880 --> 00:26:37,120
Speaker 1: me hold your chain. I'm going to see a betch

500
00:26:37,280 --> 00:26:39,280
Speaker 1: you know what I'm saying. So I said, cool, So

501
00:26:39,400 --> 00:26:41,880
Speaker 1: I gave him changing the bike. So maybe like four

502
00:26:41,920 --> 00:26:45,040
Speaker 1: hours later, I get a phone call, you know. So

503
00:26:45,240 --> 00:26:48,280
Speaker 1: your man just got robbed in the barbershop. I'm like,

504
00:26:49,720 --> 00:26:53,480
Speaker 1: who They said, cheeks. I said, damn, he got all

505
00:26:53,600 --> 00:26:56,560
Speaker 1: my jewelry off. So I said, ship it is the

506
00:26:56,680 --> 00:26:59,080
Speaker 1: car there. They said, yeah, he's the cause there, but

507
00:26:59,160 --> 00:27:01,920
Speaker 1: they took the keys. So cool. I got another set

508
00:27:02,320 --> 00:27:05,960
Speaker 1: that was shop. It was on Linden, Linden in the

509
00:27:06,000 --> 00:27:10,000
Speaker 1: van way right there in the van with so I

510
00:27:10,080 --> 00:27:11,840
Speaker 1: went to see him. Came tell me the story. So

511
00:27:11,920 --> 00:27:14,080
Speaker 1: now you know, at first, you know, if that's your man,

512
00:27:14,960 --> 00:27:17,040
Speaker 1: you ain't worried about the money of the chain or

513
00:27:17,080 --> 00:27:19,200
Speaker 1: you're okay. So we were going it like that. So

514
00:27:19,320 --> 00:27:22,000
Speaker 1: I said, you okay, cool, cool, cool. So now me

515
00:27:22,240 --> 00:27:25,159
Speaker 1: he's hot. I'm not thinking about the chain. I'm like,

516
00:27:25,200 --> 00:27:27,960
Speaker 1: I'm a ride to I'm just my nomo. It's my man.

517
00:27:28,280 --> 00:27:30,320
Speaker 1: I'm gonna get to the top. And the lights came action.

518
00:27:30,520 --> 00:27:33,399
Speaker 1: I'm with him, So I figured, you know, maybe fuck it.

519
00:27:33,720 --> 00:27:35,320
Speaker 1: He know he had a little down for on me,

520
00:27:35,359 --> 00:27:38,200
Speaker 1: a little paper. We can we can go together. So

521
00:27:38,440 --> 00:27:40,840
Speaker 1: now he just went answer my calls and ask my

522
00:27:41,000 --> 00:27:42,680
Speaker 1: calls and ask my call. So then I got on

523
00:27:42,760 --> 00:27:45,560
Speaker 1: case Slay and I mentioned it. He I did a song.

524
00:27:45,680 --> 00:27:48,359
Speaker 1: I did a song. But that's me and him. So

525
00:27:48,520 --> 00:27:51,159
Speaker 1: now back to the story. What happened with him getting robbed,

526
00:27:51,640 --> 00:27:54,280
Speaker 1: arresting peace freaky time. Now I'm gonna get into the story.

527
00:27:55,040 --> 00:27:58,160
Speaker 1: So now the kids that did it, they was from

528
00:27:58,760 --> 00:28:02,600
Speaker 1: some broken some queens whatever. They took it. Now, Cheeks

529
00:28:02,640 --> 00:28:04,440
Speaker 1: and his people. You know, I ain't saying on there,

530
00:28:04,480 --> 00:28:08,200
Speaker 1: but I know it's me and him. He sent somebody back. Now,

531
00:28:08,400 --> 00:28:12,440
Speaker 1: these niggas went hit the wrong nigga. Now, now the

532
00:28:12,800 --> 00:28:15,800
Speaker 1: kid that they hit, his family from down South. They

533
00:28:15,960 --> 00:28:19,320
Speaker 1: kicked up, they hurt. So now these kids come from

534
00:28:19,359 --> 00:28:22,720
Speaker 1: down South and Cheeks and Mr Freaky Todd got some

535
00:28:22,800 --> 00:28:26,800
Speaker 1: show in the hotel. They're looking for Cheeks, but you

536
00:28:26,880 --> 00:28:29,399
Speaker 1: know how that go. I guess they couldn't find Cheeks

537
00:28:29,800 --> 00:28:31,720
Speaker 1: and went for his man. You know what I mean,

538
00:28:32,000 --> 00:28:35,680
Speaker 1: Get the funk out of here. Story you fuck me

539
00:28:35,800 --> 00:28:38,160
Speaker 1: up just now. So now, but now the whole thing,

540
00:28:38,320 --> 00:28:41,880
Speaker 1: like you know, because I feel like Cheeks if you

541
00:28:42,200 --> 00:28:44,080
Speaker 1: if you get my chain back, nigga, hit the right

542
00:28:44,240 --> 00:28:46,880
Speaker 1: you gotta go out the right nigger, hit the right nigga. Whatever, whatever,

543
00:28:47,200 --> 00:28:49,200
Speaker 1: But that's what happened on their side, you know, Rest

544
00:28:49,240 --> 00:28:51,800
Speaker 1: in peace, Freaky Tid that's what happened between the Lost

545
00:28:51,840 --> 00:28:54,200
Speaker 1: Boys and all that. It wasn't never meant for freaky Tip.

546
00:28:54,760 --> 00:28:56,640
Speaker 1: But you know what I'm saying, Cheeks had did something.

547
00:28:56,760 --> 00:28:59,040
Speaker 1: His people did something. They came back to him on that.

548
00:29:00,000 --> 00:29:02,320
Speaker 1: But on my side, now I felt like he had just,

549
00:29:02,480 --> 00:29:04,040
Speaker 1: you know, give me something at this point when I

550
00:29:04,040 --> 00:29:06,400
Speaker 1: ain't win ricking with you, give me some paper. So

551
00:29:06,520 --> 00:29:09,280
Speaker 1: I actually came through. He brought me to Atlanta. So

552
00:29:09,360 --> 00:29:12,160
Speaker 1: now we meet some rich nigga from Atlanta. The nigga goes,

553
00:29:12,200 --> 00:29:14,000
Speaker 1: Joe Flush man, I love you. I want to sign you.

554
00:29:14,440 --> 00:29:18,040
Speaker 1: I give you fifty thou dollars tonight, not to sign

555
00:29:18,240 --> 00:29:28,560
Speaker 1: to come look at my studio. Words. So god something

556
00:29:28,600 --> 00:29:30,720
Speaker 1: he gave me fifteen game Cheeks twenty. I went to

557
00:29:30,800 --> 00:29:33,200
Speaker 1: the studio. Now I was supposed to leave in the day.

558
00:29:33,320 --> 00:29:35,600
Speaker 1: This nigga got He got me in Stone Mountain, buying

559
00:29:35,600 --> 00:29:38,640
Speaker 1: me written and so so I just where I feel

560
00:29:38,640 --> 00:29:41,680
Speaker 1: like Jesus, you know, paying paying this man back. So yeah,

561
00:29:41,760 --> 00:29:43,240
Speaker 1: so the kid was cool. I stayed there for like

562
00:29:43,320 --> 00:29:45,120
Speaker 1: a month, raping for like a buck, came back up,

563
00:29:46,200 --> 00:29:48,280
Speaker 1: I got family and then after that, you know, me

564
00:29:48,360 --> 00:29:49,880
Speaker 1: and Chief's been cool. You know, I mean, we're working

565
00:29:49,920 --> 00:29:51,600
Speaker 1: on a lot of songs, doing a lot of ship together.

566
00:29:51,840 --> 00:29:53,960
Speaker 1: But you know, that's the stories that happened where you know, man,

567
00:29:54,160 --> 00:29:56,400
Speaker 1: But that's my homie. Though we're just doing with the studio.

568
00:29:56,600 --> 00:30:00,920
Speaker 1: We want to go to here Mounta that court something

569
00:30:00,960 --> 00:30:03,520
Speaker 1: like that to him out, Yeah, come over, we got

570
00:30:03,640 --> 00:30:13,040
Speaker 1: we got drink cans. Baby makes So now that's that's

571
00:30:13,200 --> 00:30:15,520
Speaker 1: that's that's a crazy story that I had never knew

572
00:30:15,520 --> 00:30:17,600
Speaker 1: that story. As much as I thought I knew the

573
00:30:17,640 --> 00:30:20,520
Speaker 1: story once you started speaking to it in detail and

574
00:30:20,960 --> 00:30:23,440
Speaker 1: being so intricate about it, I actually didn't know that story.

575
00:30:23,680 --> 00:30:25,440
Speaker 1: You know, the chain I had with the Kate, Yeah

576
00:30:25,760 --> 00:30:28,520
Speaker 1: I had. I never knew that, man, I had never

577
00:30:28,680 --> 00:30:32,760
Speaker 1: knew that. So now you gottest and that what's your

578
00:30:32,800 --> 00:30:36,000
Speaker 1: relationship with Trash? That's my homie. I love he just

579
00:30:36,120 --> 00:30:42,600
Speaker 1: came home trash trash God, yeah, I love him. The

580
00:30:42,720 --> 00:30:44,880
Speaker 1: only thing I regret from you You should have gave

581
00:30:44,920 --> 00:30:49,520
Speaker 1: me a direction book. You should oh yeah that he's yeah, yeah,

582
00:30:50,280 --> 00:30:54,320
Speaker 1: you're to give me. This is how this goes. Working

583
00:30:54,360 --> 00:30:58,520
Speaker 1: with this prog Ye Trag is a very unique person

584
00:30:58,600 --> 00:31:00,720
Speaker 1: in a great way and then and in a in

585
00:31:00,800 --> 00:31:02,680
Speaker 1: a weird way as well. You know what I'm saying.

586
00:31:02,760 --> 00:31:06,640
Speaker 1: But UM's he's like the call like he's a stubborn guy.

587
00:31:07,040 --> 00:31:10,479
Speaker 1: But it's it's, it's, it's it's it's being stubborn can

588
00:31:10,560 --> 00:31:13,600
Speaker 1: be fucked up or being stubborn can be That's just

589
00:31:13,680 --> 00:31:16,440
Speaker 1: who that person is. You can't just change that person,

590
00:31:16,720 --> 00:31:18,040
Speaker 1: you know what I'm saying. That just who he is.

591
00:31:18,160 --> 00:31:19,560
Speaker 1: Like you know what I mean, Like I told you

592
00:31:19,640 --> 00:31:21,680
Speaker 1: as to come to a video one day that nigga

593
00:31:21,720 --> 00:31:24,760
Speaker 1: took a train to a boat to a bus. I

594
00:31:24,800 --> 00:31:26,880
Speaker 1: don't even know we had that much my transportation in

595
00:31:26,920 --> 00:31:29,840
Speaker 1: New York City. Goddamnit that nigga got on the boat.

596
00:31:30,240 --> 00:31:32,920
Speaker 1: That's a fact. To get the jersey, I had no idea.

597
00:31:33,040 --> 00:31:38,200
Speaker 1: Let that's my nigger. That nigga used the play train

598
00:31:38,360 --> 00:31:43,920
Speaker 1: and feel he don't care. The frame has never changed him,

599
00:31:44,400 --> 00:31:49,160
Speaker 1: uh money, He's just he's just the same person. And

600
00:31:49,200 --> 00:31:51,600
Speaker 1: you can love him hating for that I personally and

601
00:31:51,680 --> 00:31:54,880
Speaker 1: are you choose to love him for what I mean?

602
00:31:55,000 --> 00:31:57,200
Speaker 1: But I do know that he's crazy. Let's make some

603
00:32:00,600 --> 00:32:03,880
Speaker 1: compon crazy to the motherfucker too. That's your family, that's

604
00:32:03,880 --> 00:32:06,960
Speaker 1: your fact. Compon out of control. I mean, I dealt

605
00:32:07,000 --> 00:32:08,680
Speaker 1: with him with younger age. You know what I'm saying

606
00:32:09,040 --> 00:32:11,680
Speaker 1: that we're supposed to be DJ's before Paula wrapped me

607
00:32:11,720 --> 00:32:15,560
Speaker 1: and paul was DJ was a co component. Yeah it

608
00:32:15,680 --> 00:32:17,640
Speaker 1: was DJs, but you had to deal with them more.

609
00:32:17,760 --> 00:32:21,400
Speaker 1: I know he's crazy. He's crazy. Components are unique individual

610
00:32:21,440 --> 00:32:23,480
Speaker 1: I love him too. That's my almost like a medium

611
00:32:23,520 --> 00:32:25,520
Speaker 1: and nigga with money and Eddie Murphy, like, it's just

612
00:32:25,720 --> 00:32:29,880
Speaker 1: he's unbelievable. He took the world is his before you

613
00:32:29,960 --> 00:32:34,160
Speaker 1: see it? Yes, you can't take it from listen, it's

614
00:32:34,200 --> 00:32:39,000
Speaker 1: my mother, nigga, Get your mother. This is looking at

615
00:32:39,760 --> 00:32:43,000
Speaker 1: get your mother, pol type of niggla like like he'll

616
00:32:43,080 --> 00:32:46,440
Speaker 1: recognize like your girls toe nails, like what are you doing?

617
00:32:47,960 --> 00:32:51,720
Speaker 1: They've got nice toes like for you, Dagger, don't totally

618
00:32:51,760 --> 00:32:53,960
Speaker 1: mother pucker. I don't even look at the nut cones, nigga.

619
00:32:54,160 --> 00:32:56,800
Speaker 1: You know, I just want to since we was kids

620
00:32:56,920 --> 00:32:58,600
Speaker 1: some like like this is where his kids, like he

621
00:32:58,640 --> 00:33:00,920
Speaker 1: would recognize something or younger that you wouldn't they be

622
00:33:00,960 --> 00:33:03,960
Speaker 1: like me, I'm a jealous nigger and I'm petty pointed

623
00:33:04,000 --> 00:33:07,560
Speaker 1: out to me and listen, nigger, I don't even know

624
00:33:07,720 --> 00:33:17,520
Speaker 1: what told nails look like he will compliment you. He's

625
00:33:17,560 --> 00:33:19,480
Speaker 1: a unique Can he do that come from his body?

626
00:33:19,560 --> 00:33:22,600
Speaker 1: Can do you can tell? Kenny Doers a player was

627
00:33:22,600 --> 00:33:29,040
Speaker 1: a number number the number man from Queens Number Man

628
00:33:29,120 --> 00:33:32,120
Speaker 1: from Queen's Bridge. But also listen, man, come out here

629
00:33:32,120 --> 00:33:35,120
Speaker 1: of a vote weekend. We're gonna be out here, drink Champs.

630
00:33:35,600 --> 00:33:38,800
Speaker 1: We got something that special that's happening for a vote weekend.

631
00:33:38,960 --> 00:33:40,920
Speaker 1: We're gonna save it to a vote weekend. We could

632
00:33:40,920 --> 00:33:43,080
Speaker 1: have blew it up on bad boy weekend, but we're

633
00:33:43,120 --> 00:33:45,720
Speaker 1: gonna save it for a vote weekend. We're gonna do

634
00:33:46,160 --> 00:33:50,800
Speaker 1: something live, but fans can see it live. We are

635
00:33:50,880 --> 00:33:56,880
Speaker 1: doing it, you know. Drink Champs Annoyer, did you get

636
00:33:56,920 --> 00:33:58,840
Speaker 1: your cappin? That's a funny story man. Last night, you

637
00:33:58,840 --> 00:34:00,400
Speaker 1: know what I'm saying. My engineer came. If we saw

638
00:34:00,520 --> 00:34:03,040
Speaker 1: the record, you know what I'm saying. We stayed pretty late,

639
00:34:03,160 --> 00:34:04,960
Speaker 1: but we opened up the mattress in the room because

640
00:34:05,000 --> 00:34:06,959
Speaker 1: my brother, my brother like to, you know, put together things.

641
00:34:07,000 --> 00:34:09,520
Speaker 1: He's the Dominican and he puts things together. And it

642
00:34:09,640 --> 00:34:11,600
Speaker 1: was on the floor. I went up stairs my summers

643
00:34:11,640 --> 00:34:13,320
Speaker 1: in the bed and you know he usually kicks me

644
00:34:13,360 --> 00:34:14,920
Speaker 1: when you sleep, and I said, you know what, I'm

645
00:34:14,920 --> 00:34:17,040
Speaker 1: gonna just go downstairs. I went downstairs, slept on my

646
00:34:17,160 --> 00:34:19,719
Speaker 1: Castra mattress and guess what, my back does not hurt.

647
00:34:19,840 --> 00:34:23,600
Speaker 1: Let's make some noise for I don't know, man, I

648
00:34:23,719 --> 00:34:25,839
Speaker 1: loved it. I don't know what those Casper scientists did,

649
00:34:25,880 --> 00:34:28,279
Speaker 1: but they put together in bed that's crazy. Man. I

650
00:34:28,400 --> 00:34:30,239
Speaker 1: love that bed. And you know it's free shipping and

651
00:34:30,400 --> 00:34:32,880
Speaker 1: returns in the US and Canada like they got smart phones.

652
00:34:33,040 --> 00:34:35,680
Speaker 1: Is a smart bad smart best. You can try Casper

653
00:34:35,760 --> 00:34:38,880
Speaker 1: for a hundred nights risk free and it's made in America.

654
00:34:39,080 --> 00:34:41,279
Speaker 1: Did you know that Time magazine named them one of

655
00:34:41,320 --> 00:34:43,800
Speaker 1: the best inventions of two thousand fifteen, And you know,

656
00:34:44,120 --> 00:34:46,680
Speaker 1: you know Time keep their words. They definitely do. And

657
00:34:46,760 --> 00:34:49,200
Speaker 1: they're doing something. They're supporting the Drink Champs. They want

658
00:34:49,280 --> 00:34:51,200
Speaker 1: the drink Champs on me to get one, and they're

659
00:34:51,200 --> 00:34:53,040
Speaker 1: gonna award them for that. They're gonna get him fifty

660
00:34:53,040 --> 00:34:57,399
Speaker 1: dollars towards any mattress purchase at www dot Casper dot com.

661
00:34:57,520 --> 00:35:00,279
Speaker 1: Forward slash Drink Champs and I say, the drink Champs,

662
00:35:00,320 --> 00:35:01,719
Speaker 1: you get on that right now, get your drink on

663
00:35:01,840 --> 00:35:03,279
Speaker 1: and get your sleep on. Lets make some noise, but

664
00:35:03,320 --> 00:35:09,000
Speaker 1: get your sleep on castle mattresses man fully Coachi man

665
00:35:09,040 --> 00:35:12,520
Speaker 1: I slept on one. That's a fact. Let's go Welcome

666
00:35:12,600 --> 00:35:15,879
Speaker 1: to play a new podcast network featuring radio and TV

667
00:35:16,040 --> 00:35:20,360
Speaker 1: personalities talking business, sports, tech, entertainment, and more. Play it

668
00:35:20,560 --> 00:35:25,040
Speaker 1: at play dot It. We're back to Drink Champs Radio

669
00:35:25,200 --> 00:35:30,840
Speaker 1: with rapper and R and DJ. Then plus, this is

670
00:35:30,880 --> 00:35:35,440
Speaker 1: what I want to do, flush. I want to throw

671
00:35:35,480 --> 00:35:38,879
Speaker 1: out some random new nigga ship that's happening in hip hop,

672
00:35:39,239 --> 00:35:41,200
Speaker 1: and I want to hear how you feel about it.

673
00:35:42,440 --> 00:35:45,200
Speaker 1: First off, I ain scanning these little niggas. Say whatever,

674
00:35:47,080 --> 00:35:49,320
Speaker 1: we're gonna have some wrong conversation. We're gonna do shots

675
00:35:49,320 --> 00:35:53,200
Speaker 1: for a second. You can shots, but yeah, the shots.

676
00:35:53,440 --> 00:35:57,920
Speaker 1: This is what a show tern control act. All our guests. This.

677
00:35:58,080 --> 00:35:59,719
Speaker 1: I don't know if you you've been watching the James

678
00:35:59,760 --> 00:36:01,439
Speaker 1: chap Let's get to this out of the way. They're

679
00:36:01,480 --> 00:36:04,920
Speaker 1: gonna take advertiser stop here, advertiser stop here? Please? Did

680
00:36:05,040 --> 00:36:14,520
Speaker 1: he ask? Yeah? Put it. That's a harder sex at

681
00:36:14,600 --> 00:36:19,240
Speaker 1: my page, like eating pussy like I supposed to do that, Cuban,

682
00:36:21,440 --> 00:36:25,040
Speaker 1: And you're right. I started when I was young. I

683
00:36:25,120 --> 00:36:28,160
Speaker 1: was like ten. I was like, you you're nasty, knowing

684
00:36:28,960 --> 00:36:32,000
Speaker 1: because because because because you're black and Cuban. Correct, because

685
00:36:32,040 --> 00:36:34,560
Speaker 1: the black Cubans are black too, But I know that,

686
00:36:34,719 --> 00:36:38,640
Speaker 1: but black nick is. In the nineties the late eighties,

687
00:36:39,520 --> 00:36:43,359
Speaker 1: we thought I and Pussy was bad, disgusted, especially if

688
00:36:43,360 --> 00:36:49,160
Speaker 1: you had a Jamaican. Jamaican friend ship beat for some days.

689
00:36:49,400 --> 00:36:56,640
Speaker 1: But in the nineties, the naties, the rosters ran like

690
00:36:56,760 --> 00:36:58,640
Speaker 1: New York City, like, you know what I'm saying. So

691
00:36:58,920 --> 00:37:00,759
Speaker 1: if you had a Jamaica friend you definitely But see,

692
00:37:00,800 --> 00:37:03,279
Speaker 1: I was conflicting because my grandfather. I don't think he

693
00:37:03,360 --> 00:37:05,359
Speaker 1: never taught me to borris in the bees or hey

694
00:37:05,640 --> 00:37:07,839
Speaker 1: that His first conversation was what's up? How are you doing?

695
00:37:07,880 --> 00:37:15,239
Speaker 1: You eat pussy? Yet, oh my god this day Like

696
00:37:15,560 --> 00:37:17,319
Speaker 1: that was like it's it's fourth word to me, Hey

697
00:37:17,840 --> 00:37:21,320
Speaker 1: you eat pussy, Like like, I'm sorry, you're my grandfather.

698
00:37:21,400 --> 00:37:26,759
Speaker 1: I don't really know how to take this. This is

699
00:37:26,880 --> 00:37:29,879
Speaker 1: real ship, this is what god, that's my grandfather. Bet

700
00:37:30,320 --> 00:37:31,680
Speaker 1: you know what I'm saying. And my brother was on

701
00:37:31,719 --> 00:37:34,359
Speaker 1: the phone, Big up my brother, Cookie out, motherfucker um

702
00:37:34,560 --> 00:37:37,359
Speaker 1: plus Chicago, big up my uncle Mario, and big up

703
00:37:37,640 --> 00:37:40,960
Speaker 1: all the mother motherfucker's they all eat pussy Like that's

704
00:37:41,120 --> 00:37:44,120
Speaker 1: that's a first conversation, Like like, so you trained in

705
00:37:44,200 --> 00:37:47,239
Speaker 1: Porto vegan culture, but now how did you graduate to

706
00:37:47,320 --> 00:37:51,120
Speaker 1: it as flush? How did how did it happen? How

707
00:37:51,160 --> 00:37:55,040
Speaker 1: did you cuban? It's natural put your black side is

708
00:37:55,040 --> 00:38:01,439
Speaker 1: telling you different. Let's make the noise of job the drop.

709
00:38:02,040 --> 00:38:05,480
Speaker 1: So that's what happened. So in the east made it happen.

710
00:38:08,719 --> 00:38:12,280
Speaker 1: That wasn't your first time? Did you? Did you intentionally

711
00:38:12,400 --> 00:38:13,880
Speaker 1: go there? Once you got there, it was like, it's

712
00:38:13,920 --> 00:38:17,319
Speaker 1: too late. I like that. You like it because when

713
00:38:17,400 --> 00:38:23,880
Speaker 1: she was moving different. If you give a shot on that,

714
00:38:24,080 --> 00:38:27,759
Speaker 1: she could take it. But that little lick first, that's

715
00:38:27,800 --> 00:38:30,680
Speaker 1: how it comes. And you say it doesn't taste that bad.

716
00:38:31,600 --> 00:38:33,680
Speaker 1: You know what I think happens. It's like we lose.

717
00:38:34,520 --> 00:38:37,160
Speaker 1: I think we gained the female listeners, gaining female We

718
00:38:37,280 --> 00:38:41,080
Speaker 1: need female listeners, man, we need female listen man. Flush,

719
00:38:41,840 --> 00:38:45,000
Speaker 1: We're gonna talk some hip hop and and our day,

720
00:38:46,120 --> 00:38:49,239
Speaker 1: like we knew what a battle racket was, we knew

721
00:38:49,320 --> 00:38:55,320
Speaker 1: what beef was. And I look at these the drama

722
00:38:55,400 --> 00:38:57,800
Speaker 1: that took place in hip hop, this last couple of

723
00:38:58,120 --> 00:39:02,520
Speaker 1: beaks and then see like it was. It was not

724
00:39:02,680 --> 00:39:05,520
Speaker 1: really clear to to what was going on with the

725
00:39:06,200 --> 00:39:09,759
Speaker 1: the game meek, males and beans. But what what is

726
00:39:09,800 --> 00:39:13,799
Speaker 1: your take on it? I mean, I don't know. I hear,

727
00:39:13,840 --> 00:39:16,240
Speaker 1: I hear the story. I mean I know the story.

728
00:39:18,440 --> 00:39:20,600
Speaker 1: I don't know. You just just don't talk. I mean,

729
00:39:20,920 --> 00:39:24,480
Speaker 1: I don't snitches a snitch. If you're telling they guy

730
00:39:24,520 --> 00:39:26,759
Speaker 1: walked around the corner, nigger, you snitched on me. You

731
00:39:26,760 --> 00:39:29,279
Speaker 1: know what I'm saying. If you show me your dollar,

732
00:39:29,760 --> 00:39:33,120
Speaker 1: you tell somebody snitch, snitch and snitch, I don't. I don't,

733
00:39:33,160 --> 00:39:35,239
Speaker 1: I don't. I can't clean that up. If you're telling

734
00:39:35,239 --> 00:39:37,480
Speaker 1: another man what happened on the situation, if that's not

735
00:39:37,640 --> 00:39:40,799
Speaker 1: your ride and die, nigga, your blood brother, I mean, man,

736
00:39:40,880 --> 00:39:43,840
Speaker 1: your business in that situation. You think loyalty cosist in

737
00:39:43,960 --> 00:39:47,360
Speaker 1: hip hop, any mean with the money, that's not because

738
00:39:47,400 --> 00:39:51,440
Speaker 1: because when people want to know what loyalty, loyalty is.

739
00:39:52,400 --> 00:39:54,880
Speaker 1: It's a word, but it's something that comes with a

740
00:39:55,000 --> 00:39:58,480
Speaker 1: part of life. Like when we came out, loyalty was

741
00:39:58,760 --> 00:40:01,920
Speaker 1: I didn't have Instagram a Facebook. I had to go

742
00:40:02,080 --> 00:40:05,600
Speaker 1: see this motherfucker and let him know, higg on your money, nigger,

743
00:40:06,360 --> 00:40:08,600
Speaker 1: you see the four fronted or anything, you know, you

744
00:40:08,719 --> 00:40:11,719
Speaker 1: know more about your partner. Hands on, These niggas are

745
00:40:11,760 --> 00:40:13,960
Speaker 1: put a picture up and y'all making famous in a week.

746
00:40:14,560 --> 00:40:16,360
Speaker 1: He can't put no work in the streets. So how

747
00:40:16,400 --> 00:40:18,680
Speaker 1: are you who is he loyal to nigga the computer?

748
00:40:19,400 --> 00:40:24,920
Speaker 1: Because your phone, He's not loyal to the nigga that

749
00:40:25,080 --> 00:40:26,960
Speaker 1: that's around him. How if you if you're not hanging

750
00:40:26,960 --> 00:40:28,239
Speaker 1: out with your friends, how you going? How you know

751
00:40:28,320 --> 00:40:31,719
Speaker 1: your friends? You know what I'm saying. So that's that's

752
00:40:31,760 --> 00:40:34,040
Speaker 1: the difference between now and then in that world. Loyaltyam

753
00:40:34,400 --> 00:40:36,680
Speaker 1: you gotta loyalty is when you go out and touching

754
00:40:36,760 --> 00:40:38,680
Speaker 1: the hand, you shake his hand and get my hog,

755
00:40:39,239 --> 00:40:42,400
Speaker 1: your team behind cameras and pictures my nigga, don't you

756
00:40:42,760 --> 00:40:44,640
Speaker 1: can't love me? If you just like go on my

757
00:40:44,760 --> 00:40:52,080
Speaker 1: pictures on Instagram, you love me? He got he got

758
00:40:52,160 --> 00:40:57,879
Speaker 1: some college team. So because you know what I said

759
00:40:57,920 --> 00:41:02,200
Speaker 1: something interesting. He said that when we needed to work

760
00:41:02,239 --> 00:41:03,480
Speaker 1: with each other back in the day, you had to

761
00:41:03,520 --> 00:41:05,800
Speaker 1: come see each other, like when you look at some

762
00:41:05,880 --> 00:41:08,880
Speaker 1: of the dopest albums in the world. That's the reason,

763
00:41:08,920 --> 00:41:11,120
Speaker 1: that's how it was made. There was no email you

764
00:41:11,200 --> 00:41:15,560
Speaker 1: couldn't email. We had fucking what's that you called? Um?

765
00:41:16,280 --> 00:41:20,600
Speaker 1: Two inch rails just like little the whole a little dog.

766
00:41:20,719 --> 00:41:25,360
Speaker 1: And if we had to cut, please don't sunk up.

767
00:41:25,560 --> 00:41:29,880
Speaker 1: Don't up ready like like you know, you go punching.

768
00:41:30,360 --> 00:41:34,000
Speaker 1: But I feel like the quality of music what's better

769
00:41:34,080 --> 00:41:38,799
Speaker 1: than because of that? You think? You think so because together?

770
00:41:40,719 --> 00:41:44,600
Speaker 1: That's yeah. I mean because now if I send someone

771
00:41:44,600 --> 00:41:46,840
Speaker 1: in a song and and he do something on it,

772
00:41:47,239 --> 00:41:49,720
Speaker 1: if I don't like it, I'm like, why he didn't,

773
00:41:50,880 --> 00:41:54,240
Speaker 1: I'm gonna keeping and throwing out anyway, when we see joint,

774
00:41:54,640 --> 00:41:58,200
Speaker 1: I wanted, I wanted what album was that? Now I'm

775
00:41:58,239 --> 00:42:01,600
Speaker 1: doing too much of God, what was the last album? Lessons? Ay? Goddamn,

776
00:42:01,640 --> 00:42:04,560
Speaker 1: I'm sorry, but yeah we did Lessons album. We just

777
00:42:04,680 --> 00:42:07,560
Speaker 1: se it with us all they're ill. Wouldn't do it

778
00:42:07,680 --> 00:42:09,920
Speaker 1: because that was the feeling for the War Report and

779
00:42:09,960 --> 00:42:12,759
Speaker 1: I wasn't trying to recreate the War Report feeling. But um,

780
00:42:13,200 --> 00:42:15,279
Speaker 1: I feel like that's that's that's a jewel us as

781
00:42:15,360 --> 00:42:18,680
Speaker 1: O G should give the young young brother and tell them, yo,

782
00:42:18,760 --> 00:42:23,480
Speaker 1: look it's cool too, you know, you know, email whoever, whoever,

783
00:42:23,640 --> 00:42:26,920
Speaker 1: But getting the studio vibe with him hang out. I

784
00:42:26,960 --> 00:42:29,640
Speaker 1: had a bring conversation with Kevin Lows and the good

785
00:42:29,680 --> 00:42:32,840
Speaker 1: people at three hundred and you know, they were inviting me,

786
00:42:33,400 --> 00:42:35,560
Speaker 1: uh for a couple of day artists to come on

787
00:42:35,640 --> 00:42:37,279
Speaker 1: the show, and I was like, Yo, we really don't

788
00:42:37,320 --> 00:42:39,839
Speaker 1: do blue guys, but will we will show some love.

789
00:42:40,120 --> 00:42:41,600
Speaker 1: But the thing about it is I want to hang

790
00:42:41,680 --> 00:42:44,080
Speaker 1: out with them, Like I don't want to make up stories.

791
00:42:44,120 --> 00:42:45,560
Speaker 1: I want to hang out with them. So the next

792
00:42:45,600 --> 00:42:47,239
Speaker 1: time they want to build that relationship, you know what

793
00:42:47,280 --> 00:42:50,760
Speaker 1: I'm saying. But that's not what fame is now. Famous

794
00:42:50,880 --> 00:42:54,799
Speaker 1: just he gets on Instagram, you front that relationship. It's

795
00:42:54,840 --> 00:42:57,760
Speaker 1: from they just front and you can do something todded

796
00:42:57,840 --> 00:42:59,920
Speaker 1: and win, like how many mothers just take pictures with

797
00:43:00,040 --> 00:43:02,400
Speaker 1: people they don't even know? Mother people like damn and

798
00:43:03,200 --> 00:43:05,000
Speaker 1: I'm exciting. I can look at the picture and ChIL,

799
00:43:05,080 --> 00:43:07,320
Speaker 1: you asked that man for a fucking picture, Like it

800
00:43:07,480 --> 00:43:10,160
Speaker 1: wasn't hang out even looking at you like you're what

801
00:43:10,200 --> 00:43:13,400
Speaker 1: I'm saying. It wasn't picture. It wasn't a hanging And

802
00:43:13,760 --> 00:43:16,680
Speaker 1: I feel like that's what music is lacking nowadays. But

803
00:43:16,840 --> 00:43:18,920
Speaker 1: I don't feel like it's lost. It's not like I

804
00:43:18,960 --> 00:43:20,719
Speaker 1: feel like you said, we if we mentioned it, that

805
00:43:20,840 --> 00:43:23,600
Speaker 1: may make it because that and it makes for a

806
00:43:23,680 --> 00:43:26,840
Speaker 1: better relationship, like I do about it like this, Like

807
00:43:27,120 --> 00:43:29,080
Speaker 1: as much as our hoods went through, we had to

808
00:43:29,120 --> 00:43:31,440
Speaker 1: see each other and we had to actually like each

809
00:43:31,440 --> 00:43:34,320
Speaker 1: other for us to want to do that. But we

810
00:43:34,400 --> 00:43:36,040
Speaker 1: had to see each other knowing that it could be

811
00:43:36,200 --> 00:43:39,960
Speaker 1: something if we see exactly take that chance, exactly exactly.

812
00:43:40,600 --> 00:43:42,759
Speaker 1: If he loved me, he loved me, but I was

813
00:43:42,800 --> 00:43:45,160
Speaker 1: on and I love you. Goddamn. It makes for that

814
00:43:45,160 --> 00:43:51,839
Speaker 1: about It makes some frings ever since. Man, Now, what's

815
00:43:51,880 --> 00:43:55,359
Speaker 1: your favorite moment of hip hop right now? Um? Hanging out?

816
00:43:55,640 --> 00:43:58,080
Speaker 1: I don't know, Like I just songs with big. This

817
00:43:58,200 --> 00:44:02,040
Speaker 1: song was I just then old dirty bastard. Damn what

818
00:44:02,080 --> 00:44:04,279
Speaker 1: I'm saying that to give us a big he was

819
00:44:04,320 --> 00:44:09,680
Speaker 1: a three restide But pick up that big old story.

820
00:44:09,719 --> 00:44:11,440
Speaker 1: Let's go and just get to that. But I was

821
00:44:11,480 --> 00:44:13,239
Speaker 1: just cool every time you see, it's just cool. Man.

822
00:44:13,320 --> 00:44:15,200
Speaker 1: We just went to the city. It was flaming boy

823
00:44:15,280 --> 00:44:17,800
Speaker 1: in this flaty. He took me the Um it was

824
00:44:17,880 --> 00:44:20,279
Speaker 1: a spot gust Sammy or something. We're fat joining him

825
00:44:20,360 --> 00:44:22,359
Speaker 1: used to go on the bronx to go right right

826
00:44:22,400 --> 00:44:26,040
Speaker 1: on the wall, Jimmy jim he you know he did

827
00:44:26,719 --> 00:44:28,359
Speaker 1: told me how to get the twin lops and tells

828
00:44:28,360 --> 00:44:30,160
Speaker 1: I ain't know. I don't even know what lopster was.

829
00:44:30,200 --> 00:44:32,759
Speaker 1: That I was Chinese Chinese food staresa some looks a

830
00:44:32,760 --> 00:44:37,600
Speaker 1: big sell off himself. God damn it. But I mean

831
00:44:37,640 --> 00:44:40,360
Speaker 1: hanging out with old dirty Yeah, let's let's give us

832
00:44:40,360 --> 00:44:44,840
Speaker 1: an old dirty story. Man. I get your old dirty

833
00:44:44,840 --> 00:44:47,680
Speaker 1: story real quick. I'm in rocket Fellow office one day.

834
00:44:47,680 --> 00:44:50,160
Speaker 1: I seen straight in his ass and then get somebody.

835
00:44:50,200 --> 00:44:53,879
Speaker 1: I said, I'm not walking by that day right there,

836
00:44:54,200 --> 00:44:56,080
Speaker 1: I help old that nigga from the rest of my

837
00:44:57,280 --> 00:45:01,000
Speaker 1: I haven't think that like my nigger, your old dirty.

838
00:45:05,000 --> 00:45:07,920
Speaker 1: I mean, I got a punt story that that you

839
00:45:08,040 --> 00:45:10,880
Speaker 1: never so, so I had to. I had to do

840
00:45:11,000 --> 00:45:13,920
Speaker 1: a song. Doing the song is actually me Nori and

841
00:45:14,040 --> 00:45:17,759
Speaker 1: Punt so Punk came to the studio your down. Yeah,

842
00:45:18,040 --> 00:45:21,279
Speaker 1: so you did geoge already. Now, Punt came a day later.

843
00:45:21,800 --> 00:45:23,680
Speaker 1: So he's in the studio at this time. When you're

844
00:45:23,680 --> 00:45:26,040
Speaker 1: in the studio, you gotta you gotta a budget, you

845
00:45:26,080 --> 00:45:27,319
Speaker 1: gotta you know what I mean, you can order food

846
00:45:27,400 --> 00:45:30,640
Speaker 1: or whatever. So it's him Cue and all them sit

847
00:45:30,719 --> 00:45:34,760
Speaker 1: three pizza. So I sit down. I said, your punt

848
00:45:35,280 --> 00:45:38,680
Speaker 1: you hungry? Yeah, hand me. He lift his hand up

849
00:45:38,719 --> 00:45:43,959
Speaker 1: and smacked the shot out of me. Let's say your face,

850
00:45:44,320 --> 00:45:50,680
Speaker 1: let's say not what the pun? So now I stopped.

851
00:45:51,719 --> 00:45:53,880
Speaker 1: So now I'm looking at everybody else and then he

852
00:45:53,960 --> 00:45:55,920
Speaker 1: looks at me and go look at me. I'm an

853
00:45:56,000 --> 00:45:59,520
Speaker 1: ask a fatnick, what's me? So I had to shake

854
00:45:59,560 --> 00:46:02,839
Speaker 1: it off, like, yeah, you're right. I should have knew

855
00:46:02,840 --> 00:46:12,000
Speaker 1: you was a little money. And you know it came

856
00:46:12,040 --> 00:46:18,480
Speaker 1: from I came from part and then I love this

857
00:46:19,080 --> 00:46:21,160
Speaker 1: love puts a foul that. I went to a dina

858
00:46:21,239 --> 00:46:24,560
Speaker 1: with point one day and the nigger just planned it

859
00:46:24,680 --> 00:46:27,400
Speaker 1: the whole time. He waited for me to sit inside.

860
00:46:28,080 --> 00:46:30,600
Speaker 1: And then as soon as I satisfide and he squeezed over.

861
00:46:33,600 --> 00:46:35,680
Speaker 1: It was like I want part jocks and apple. So

862
00:46:36,560 --> 00:46:39,320
Speaker 1: I'm like, yo, yeah, I don't want to be around

863
00:46:39,440 --> 00:46:44,000
Speaker 1: that ship. He said, I gotta live my lyrics because

864
00:46:44,040 --> 00:46:45,920
Speaker 1: you know he said that on Man from TV. But

865
00:46:46,880 --> 00:46:49,080
Speaker 1: I was like, oh my god, He's like, yo, chill

866
00:46:49,480 --> 00:46:51,520
Speaker 1: just for a little while. Your nose is not Muslim

867
00:46:51,600 --> 00:46:54,560
Speaker 1: to death. He puts a foul nigger. He was a

868
00:46:54,600 --> 00:46:59,200
Speaker 1: great guy. Man, that was It's wonderful. So you said

869
00:46:59,239 --> 00:47:02,160
Speaker 1: you met Big yeah and O d B. Did you

870
00:47:02,520 --> 00:47:07,960
Speaker 1: recorded record? Actually, Dame Dash had this signed you. You

871
00:47:08,000 --> 00:47:10,000
Speaker 1: know I wrote it. I wrote that whole album. I

872
00:47:10,040 --> 00:47:17,800
Speaker 1: wrote this ship with Swiss, I wrote because I just

873
00:47:17,920 --> 00:47:19,839
Speaker 1: was talking that ship. I don't know when every one

874
00:47:19,920 --> 00:47:23,040
Speaker 1: guy Ryan came home and yeah, I got you from

875
00:47:23,120 --> 00:47:25,480
Speaker 1: jail and on Yeah, I wrote, hold that whole ship.

876
00:47:27,080 --> 00:47:30,239
Speaker 1: Now they never threw it out. Now it never came out.

877
00:47:31,760 --> 00:47:34,640
Speaker 1: How did you get on the How did you even become?

878
00:47:34,719 --> 00:47:36,760
Speaker 1: I was some some of my man's from from Brooklyn

879
00:47:36,840 --> 00:47:39,839
Speaker 1: and beat Um Bowling Lee. They was managing the time

880
00:47:39,920 --> 00:47:41,920
Speaker 1: like two they was like half calf Spat, I mean

881
00:47:41,960 --> 00:47:45,200
Speaker 1: half a umm Kareem and something in black. But you

882
00:47:45,280 --> 00:47:46,759
Speaker 1: you know what I mean. So those were his two

883
00:47:46,800 --> 00:47:48,719
Speaker 1: bodyguards at the time, and I got cool with one

884
00:47:48,760 --> 00:47:50,880
Speaker 1: of them in l A and then you know, he

885
00:47:50,960 --> 00:47:53,200
Speaker 1: linked me up to him and I was it. You

886
00:47:53,480 --> 00:47:55,320
Speaker 1: describe one of the O. D B rhymes that you

887
00:47:55,560 --> 00:47:59,399
Speaker 1: wrote that he used. Look couple of the sky, it's

888
00:47:59,440 --> 00:48:02,479
Speaker 1: some birds, some planes, this old dog and the damn

889
00:48:02,560 --> 00:48:07,040
Speaker 1: thing changed still being room. I mean the you know

890
00:48:07,160 --> 00:48:12,360
Speaker 1: what was right? Carry just cat she she just bailed

891
00:48:12,400 --> 00:48:13,680
Speaker 1: me out, and I mean she picked me up from

892
00:48:13,760 --> 00:48:16,520
Speaker 1: jail or whatever. Carry must have picked him up from jail. Yeah,

893
00:48:16,520 --> 00:48:20,960
Speaker 1: I wrote that one switch that did it. That's what

894
00:48:20,960 --> 00:48:24,360
Speaker 1: I'm like. That's a I mean I was getting so

895
00:48:24,400 --> 00:48:26,320
Speaker 1: I was getting sneaking money. But I mean this, the

896
00:48:26,400 --> 00:48:29,719
Speaker 1: streets took care of me house but never actually goes

897
00:48:29,800 --> 00:48:33,960
Speaker 1: writing credit. No no, no, no no no. This is

898
00:48:34,280 --> 00:48:36,440
Speaker 1: me up like I have a Bufoto moment and a

899
00:48:36,520 --> 00:48:40,400
Speaker 1: long time boat to get something. Let me get some

900
00:48:40,880 --> 00:48:47,479
Speaker 1: rocks that cool and not want you want to shout

901
00:48:47,480 --> 00:48:51,040
Speaker 1: a Royally, I got my name in anything, but that's

902
00:48:51,080 --> 00:48:53,359
Speaker 1: fat Joe. That's fat Joe. I'm gonna taking a shot

903
00:48:53,600 --> 00:48:56,320
Speaker 1: your mom, Like your mom, I'm gonna taking shot to

904
00:48:56,520 --> 00:49:00,719
Speaker 1: show ship that's fat for you of fan cut the

905
00:49:00,840 --> 00:49:03,600
Speaker 1: check man. We see you in Gucci Man. We see

906
00:49:03,719 --> 00:49:06,600
Speaker 1: rorialle and Gucci Man video, and we know you have

907
00:49:06,719 --> 00:49:11,799
Speaker 1: to pay for that. So Weal has been on all

908
00:49:11,840 --> 00:49:15,640
Speaker 1: these weeks on your show. We can take a break.

909
00:49:15,680 --> 00:49:18,160
Speaker 1: We stake take bogy break, We take bogie break. We

910
00:49:18,200 --> 00:49:20,080
Speaker 1: want to take a bogie break because I just want

911
00:49:20,120 --> 00:49:22,160
Speaker 1: to kick it to you about you know why, because

912
00:49:23,080 --> 00:49:26,399
Speaker 1: you're one of the you're one of the guys that's

913
00:49:26,440 --> 00:49:28,719
Speaker 1: like me. And what I mean by that is you

914
00:49:28,960 --> 00:49:32,759
Speaker 1: fully accept the young generation. A lot of people like,

915
00:49:32,960 --> 00:49:35,560
Speaker 1: like we speak to spoke earlier, a lot of people

916
00:49:35,840 --> 00:49:37,680
Speaker 1: don't you know what I'm saying. A lot like like

917
00:49:37,800 --> 00:49:40,400
Speaker 1: you hit me and was like, you know, what's my

918
00:49:40,480 --> 00:49:44,120
Speaker 1: new artist? What's my man name? Freshet, that's my nigga.

919
00:49:44,960 --> 00:49:47,000
Speaker 1: You hit me with the song. I'm like, oh, that's dope,

920
00:49:47,239 --> 00:49:49,719
Speaker 1: Like it was dope to me that you're up on it,

921
00:49:49,840 --> 00:49:52,120
Speaker 1: Like I know the song. I didn't just my first

922
00:49:52,160 --> 00:49:54,600
Speaker 1: time meeting him. So I want to show him mad respect. Um,

923
00:49:54,960 --> 00:49:56,640
Speaker 1: I'm gonna show him my guy is back in New York,

924
00:49:56,719 --> 00:49:58,920
Speaker 1: nigga everything. You know. I want to keep saying his name,

925
00:49:59,000 --> 00:50:00,960
Speaker 1: keepicking him up, gonna get gonna get mombiated a little

926
00:50:00,960 --> 00:50:04,680
Speaker 1: while too as a guy. But it's that you're aware

927
00:50:04,920 --> 00:50:07,759
Speaker 1: and and and I noticed that with Jada Kiss, Jada Kiss.

928
00:50:07,840 --> 00:50:10,080
Speaker 1: We did the Apollo and you know, I walked in

929
00:50:10,200 --> 00:50:12,480
Speaker 1: Jada Kiss room. He had younger may and man, it's

930
00:50:12,560 --> 00:50:16,920
Speaker 1: like it's like and and to me, I know we

931
00:50:17,040 --> 00:50:21,080
Speaker 1: spoke about it earlier, but is that what is that

932
00:50:21,280 --> 00:50:25,640
Speaker 1: what makes us not not hate the music. It's because

933
00:50:25,680 --> 00:50:29,520
Speaker 1: we understand it already, or it's because we understand our

934
00:50:29,600 --> 00:50:32,960
Speaker 1: old position as the people that was in the forefront

935
00:50:33,000 --> 00:50:36,320
Speaker 1: of music and now sitting back watching another generation to

936
00:50:36,600 --> 00:50:40,720
Speaker 1: do it. We understood that our generation that came before

937
00:50:40,800 --> 00:50:43,840
Speaker 1: us didn't understand us like that. Because I don't remember

938
00:50:43,960 --> 00:50:46,919
Speaker 1: this more reporters being a classic till two years later,

939
00:50:47,640 --> 00:50:50,160
Speaker 1: Like people didn't. I mean, I'm just saying. I'm just saying,

940
00:50:50,560 --> 00:50:54,960
Speaker 1: I'm just kidding. I mean, but I might have not

941
00:50:55,120 --> 00:50:56,840
Speaker 1: saw it what y'all saw because I was in it.

942
00:50:59,440 --> 00:51:01,719
Speaker 1: It was really like we saw a quick listen. I

943
00:51:01,800 --> 00:51:03,759
Speaker 1: didn't feel like I was still a left rack selling

944
00:51:03,800 --> 00:51:05,799
Speaker 1: crack on a any seven avenue for the finny piece

945
00:51:05,800 --> 00:51:08,920
Speaker 1: of my nigga. So I didn't feel like the ward

946
00:51:09,000 --> 00:51:11,239
Speaker 1: War was class. Honestly, I can only have to come

947
00:51:11,280 --> 00:51:15,240
Speaker 1: out one day and say, look, idiot, every car driving

948
00:51:15,360 --> 00:51:18,040
Speaker 1: by own. You didn't have the internet, nigga, We didn't

949
00:51:18,040 --> 00:51:20,360
Speaker 1: have that person to hear that song. You had to

950
00:51:20,400 --> 00:51:22,560
Speaker 1: go perform, You had to show up. We had to

951
00:51:22,600 --> 00:51:30,320
Speaker 1: show your falian like people that is from from vision

952
00:51:31,000 --> 00:51:35,399
Speaker 1: show the persons that gap between that, It's unbelievable, said again,

953
00:51:35,400 --> 00:51:38,000
Speaker 1: I'm sorry. I said, people don't understand between the vision

954
00:51:38,040 --> 00:51:40,080
Speaker 1: and showing the person of vision that it's a big

955
00:51:40,160 --> 00:51:42,680
Speaker 1: gap between that. Because I said to for us to

956
00:51:42,760 --> 00:51:49,000
Speaker 1: make our records hot. I know we had ups we

957
00:51:49,040 --> 00:51:51,239
Speaker 1: didn't like, but we needed more niggas with us to

958
00:51:51,280 --> 00:51:54,040
Speaker 1: make sure that hand got out there. My nigga, what

959
00:51:54,080 --> 00:51:59,640
Speaker 1: I'm saying, the grind was the grind you're saying back then,

960
00:51:59,719 --> 00:52:03,440
Speaker 1: it's I that I remember a friends who's to run

961
00:52:03,520 --> 00:52:08,120
Speaker 1: the street teams? That was the labels had the the mixtapes.

962
00:52:08,160 --> 00:52:10,360
Speaker 1: I was doing the whole mixtapes. Street teams is online

963
00:52:10,440 --> 00:52:13,960
Speaker 1: now right, there's no street team anymore? Like stre how

964
00:52:14,000 --> 00:52:15,960
Speaker 1: it used to be, Oh my god, like how it

965
00:52:16,040 --> 00:52:18,279
Speaker 1: used to be speak sweetness, look like what the fund

966
00:52:18,400 --> 00:52:20,120
Speaker 1: is going on? Sweetness? You know what ain't like? It

967
00:52:20,239 --> 00:52:21,920
Speaker 1: used to be come over in sweetness. You know what

968
00:52:22,000 --> 00:52:24,640
Speaker 1: they're like? It used to be like it used to be.

969
00:52:26,920 --> 00:52:29,040
Speaker 1: That's all I'm saying. So like it used to what

970
00:52:29,280 --> 00:52:33,880
Speaker 1: is the streets? Right? You cant team? Now it's online?

971
00:52:36,360 --> 00:52:38,719
Speaker 1: It is online. How many followers you physically you go

972
00:52:38,840 --> 00:52:43,879
Speaker 1: to the clubs like sweetness, that's how she does. She's

973
00:52:43,920 --> 00:52:45,799
Speaker 1: physically in the clubs, and that's what she's doing, right,

974
00:52:45,840 --> 00:52:49,200
Speaker 1: but in the totality of three teams post boarding. But

975
00:52:49,360 --> 00:52:53,520
Speaker 1: you don't, you don't consider what you're doing street teaming, right, sweetness,

976
00:52:53,560 --> 00:52:57,120
Speaker 1: So you consider it more. She's a marketer man working

977
00:52:57,200 --> 00:53:05,400
Speaker 1: the record, she's by herself records. That's your himself. What

978
00:53:05,600 --> 00:53:10,840
Speaker 1: was the street team back then? The same we're supposed

979
00:53:10,880 --> 00:53:15,319
Speaker 1: to disrespecting every spend with the tickets. I ain't going

980
00:53:15,400 --> 00:53:17,279
Speaker 1: for you. You didn't want to go you you brought

981
00:53:17,280 --> 00:53:20,480
Speaker 1: your street team skills out that later recently, um I

982
00:53:20,640 --> 00:53:23,040
Speaker 1: was I was like, goddamn, we're gonna get But I

983
00:53:23,200 --> 00:53:29,799
Speaker 1: was supposed to hold on, hold, you can't just take

984
00:53:29,920 --> 00:53:32,040
Speaker 1: royal leave. I don't know, you can't have you can't

985
00:53:32,080 --> 00:53:38,520
Speaker 1: just take you know, like that with you like that,

986
00:53:41,640 --> 00:53:47,120
Speaker 1: do what you taking the shot royally? Wait? Wait, wait, wait,

987
00:53:47,200 --> 00:53:50,600
Speaker 1: wait a minute, that's my nigger right there. I really

988
00:53:50,640 --> 00:53:53,200
Speaker 1: fully supporting you, man, me and you once again, and

989
00:53:53,280 --> 00:53:54,839
Speaker 1: we're gonna throw you over here in a little while.

990
00:53:55,360 --> 00:53:58,759
Speaker 1: Try to get him in a shot anything. We're just

991
00:53:58,840 --> 00:54:01,160
Speaker 1: gonna do. You gonna do your oh shapally and mark

992
00:54:01,760 --> 00:54:05,000
Speaker 1: you got you got it, you got it, got it too,

993
00:54:05,080 --> 00:54:07,040
Speaker 1: And so he got the only v neck that drink Champs.

994
00:54:07,280 --> 00:54:14,120
Speaker 1: I'm not I'm not gonna lie. So he got it.

995
00:54:16,000 --> 00:54:21,640
Speaker 1: You don't Mr leag Star cloth dog dog don't go

996
00:54:21,719 --> 00:54:24,719
Speaker 1: to clothing. Yeah he's he's all pushing T albums as

997
00:54:24,800 --> 00:54:31,440
Speaker 1: even that he didn't one your dog. Yeah. Yeah, he's

998
00:54:31,520 --> 00:54:37,600
Speaker 1: very good. You're very famous. Number good sounds rich. So

999
00:54:37,760 --> 00:54:42,360
Speaker 1: now do you still love it? Yeah? Yeah? Look you

1000
00:54:42,440 --> 00:54:46,080
Speaker 1: still my nigger? He looks like I came about ninety seven.

1001
00:54:46,120 --> 00:54:48,279
Speaker 1: Look where I'm at, nigga, And I used to sitting

1002
00:54:48,280 --> 00:54:50,880
Speaker 1: and watch every episode and I'm like, damn, stars is

1003
00:54:50,920 --> 00:54:53,279
Speaker 1: getting bigger, harder, chance to get up. But I know, Nori,

1004
00:54:55,400 --> 00:55:02,040
Speaker 1: you have good, don't And then he hit me and

1005
00:55:02,160 --> 00:55:03,719
Speaker 1: like he had, he just hit me like it comes

1006
00:55:03,760 --> 00:55:07,239
Speaker 1: to them all yeah, ship, wait a minute, let me.

1007
00:55:07,239 --> 00:55:09,520
Speaker 1: I didn't send anybody. All right, give me next week.

1008
00:55:09,520 --> 00:55:10,839
Speaker 1: You know what I'm saying. But I knew. I knew,

1009
00:55:11,000 --> 00:55:14,279
Speaker 1: but I'm happy to be. But it's like it's like

1010
00:55:14,440 --> 00:55:18,000
Speaker 1: I said, two singles, that's it. Yeah, but it's like

1011
00:55:18,520 --> 00:55:22,640
Speaker 1: for doing something for so long, like like it was

1012
00:55:22,760 --> 00:55:27,840
Speaker 1: one time I remember really recording Moose and May's album

1013
00:55:29,200 --> 00:55:31,279
Speaker 1: and Moose and made Step to Farrell and almost like yo,

1014
00:55:31,360 --> 00:55:33,960
Speaker 1: I want to pay for a beat, and Pharrell I

1015
00:55:34,040 --> 00:55:36,200
Speaker 1: was like, I'm not doing hip hop right now, and

1016
00:55:36,280 --> 00:55:39,520
Speaker 1: I thought that. I thought that was the most despread

1017
00:55:39,760 --> 00:55:42,080
Speaker 1: ship ever to say in the world at that time.

1018
00:55:42,560 --> 00:55:45,600
Speaker 1: But in a lot of ways, Farrell is older than me,

1019
00:55:46,000 --> 00:55:48,320
Speaker 1: even if he's he is older than me. But in

1020
00:55:48,400 --> 00:55:51,160
Speaker 1: a lot more ways, like at certain times he just

1021
00:55:51,200 --> 00:55:53,439
Speaker 1: had to take a break from hip hop. I didn't

1022
00:55:53,520 --> 00:55:56,840
Speaker 1: understand that. Then I was like, you can you know

1023
00:55:56,880 --> 00:56:00,200
Speaker 1: what I'm saying? Like and now I'll be like like

1024
00:56:00,360 --> 00:56:04,200
Speaker 1: sometimes that I ain't doing hip hop this week I've

1025
00:56:04,200 --> 00:56:06,840
Speaker 1: been saying that, you know what I mean. It's like

1026
00:56:07,040 --> 00:56:09,279
Speaker 1: like I don't want to listen to music. I don't

1027
00:56:09,280 --> 00:56:11,840
Speaker 1: want to be in that mood like like it's like

1028
00:56:12,160 --> 00:56:14,600
Speaker 1: I don't want to go to shows, like I don't

1029
00:56:14,640 --> 00:56:16,839
Speaker 1: want to no more. It's like I rather stay home,

1030
00:56:17,040 --> 00:56:21,760
Speaker 1: do the podcast, drink my ass off, and what the funk?

1031
00:56:21,880 --> 00:56:25,160
Speaker 1: So I kind of lost certain love for certain things.

1032
00:56:25,760 --> 00:56:29,480
Speaker 1: Have you have you all still felt black? That's why

1033
00:56:29,520 --> 00:56:33,399
Speaker 1: you sign this is because we do here nigger signed

1034
00:56:33,400 --> 00:56:36,319
Speaker 1: an album for twenty years, it was always felt lucky

1035
00:56:36,480 --> 00:56:39,920
Speaker 1: that that is a real ship man I'm gonna make

1036
00:56:40,000 --> 00:56:44,759
Speaker 1: money signed me for two hundred years. But see, you

1037
00:56:44,840 --> 00:56:47,439
Speaker 1: know what it was for me. I kept I kept

1038
00:56:47,440 --> 00:56:49,960
Speaker 1: seeing the contracts and trying to make it, trying to

1039
00:56:50,080 --> 00:56:53,239
Speaker 1: change it, and trying to do other things. So a

1040
00:56:53,360 --> 00:56:55,680
Speaker 1: lot of the I tell the artist, I tell a

1041
00:56:55,760 --> 00:56:59,759
Speaker 1: new artist like this, find somebody you trust. I never

1042
00:57:00,040 --> 00:57:03,480
Speaker 1: learned the business, because if you learn the business, if

1043
00:57:03,520 --> 00:57:05,520
Speaker 1: you gotta nigger this in there that you trust and

1044
00:57:05,600 --> 00:57:07,200
Speaker 1: you know we're gonna keep it on hunting with you,

1045
00:57:07,200 --> 00:57:10,680
Speaker 1: you will be the best artist ever. Like look at

1046
00:57:10,680 --> 00:57:13,880
Speaker 1: the artists. When the artist ever looks at this contract,

1047
00:57:14,320 --> 00:57:18,360
Speaker 1: it sucks up their creativity, It focks it up. And

1048
00:57:18,440 --> 00:57:20,680
Speaker 1: I don't want to name artists, but any anybody that

1049
00:57:20,840 --> 00:57:23,800
Speaker 1: you love that's an artist. And they realized they recollabor

1050
00:57:23,880 --> 00:57:26,760
Speaker 1: was doing something wrong to them more they recon hold

1051
00:57:26,840 --> 00:57:29,280
Speaker 1: enough day they project fus up and look at me.

1052
00:57:29,480 --> 00:57:33,840
Speaker 1: I'm an example, Melvine, Melvin Flint. My heart was not there.

1053
00:57:35,000 --> 00:57:36,200
Speaker 1: I mean a lot of us think is still a

1054
00:57:36,240 --> 00:57:39,800
Speaker 1: classic album, but it wasn't even my recollator at that point.

1055
00:57:40,120 --> 00:57:43,400
Speaker 1: It was me dealing with the depths of of pun

1056
00:57:44,200 --> 00:57:46,520
Speaker 1: and my depths of my father and getting money that

1057
00:57:46,640 --> 00:57:48,960
Speaker 1: I had to. I feel obligated. I had to make

1058
00:57:49,080 --> 00:57:52,440
Speaker 1: But at the end of the day, the album was compromised.

1059
00:57:52,480 --> 00:57:54,520
Speaker 1: It's still days. I listened to it and be like

1060
00:57:54,760 --> 00:57:57,400
Speaker 1: those missy vocals, I should have did those over. You

1061
00:57:57,480 --> 00:57:59,440
Speaker 1: know what I'm saying. There's still things that I was like,

1062
00:57:59,720 --> 00:58:03,040
Speaker 1: this is that for real? And track masters had to

1063
00:58:03,080 --> 00:58:05,320
Speaker 1: start to me an n R E album that I

1064
00:58:05,400 --> 00:58:09,000
Speaker 1: didn't respect during Melvine Flinn album, you know what I'm

1065
00:58:09,000 --> 00:58:11,280
Speaker 1: saying that so I can never look at this album.

1066
00:58:11,280 --> 00:58:14,920
Speaker 1: Even if you love this album, it was a serious

1067
00:58:15,400 --> 00:58:18,200
Speaker 1: that wasn't right and and but that was a part

1068
00:58:18,280 --> 00:58:22,080
Speaker 1: of me starting to learn the business started instead of

1069
00:58:22,160 --> 00:58:26,760
Speaker 1: me falling into staying in the creative zone. You understand

1070
00:58:27,920 --> 00:58:30,560
Speaker 1: the business is fucked up. It is. It's a fund

1071
00:58:30,600 --> 00:58:33,120
Speaker 1: up business. I mean what you got a lot of

1072
00:58:33,120 --> 00:58:37,520
Speaker 1: pussy though, keep it real. Yeah I'm married now. Yeah,

1073
00:58:37,560 --> 00:58:40,320
Speaker 1: but just talk about after this and the astray right here,

1074
00:58:40,360 --> 00:58:43,960
Speaker 1: don't on the what is that Armadillo ship? Yeah? That

1075
00:58:44,120 --> 00:58:49,640
Speaker 1: smells hardest? Um roll another one board from Las Vegas.

1076
00:58:49,680 --> 00:58:53,920
Speaker 1: I brought it back by mistake, yo record. You know,

1077
00:58:54,280 --> 00:58:57,040
Speaker 1: I go on my bag. I got mad, but in

1078
00:58:57,160 --> 00:59:01,040
Speaker 1: my bag and I've realized gave me mad bought in Vegas.

1079
00:59:01,400 --> 00:59:03,240
Speaker 1: I take the butt, I put it in my bag.

1080
00:59:03,440 --> 00:59:07,880
Speaker 1: I never check my bag again. I come home, I

1081
00:59:08,000 --> 00:59:10,600
Speaker 1: go on my pockets and I plan to roll around.

1082
00:59:12,040 --> 00:59:15,080
Speaker 1: I got because I don't like real glue with Vegas.

1083
00:59:15,080 --> 00:59:16,600
Speaker 1: But I still took it because he gave it. It's

1084
00:59:16,600 --> 00:59:22,720
Speaker 1: for free. Nigga, you know what I'm saying. But yeah,

1085
00:59:23,720 --> 00:59:27,120
Speaker 1: the conversation got awkward. I'm sorry, but listen to family.

1086
00:59:29,000 --> 00:59:31,200
Speaker 1: So what's next for your flush? At this point? I

1087
00:59:31,280 --> 00:59:35,919
Speaker 1: mean right now though, I said. You know, like I said,

1088
00:59:36,080 --> 00:59:39,680
Speaker 1: I just learned how to sell myself. So all the money,

1089
00:59:39,720 --> 00:59:41,960
Speaker 1: a lot of money I made street wise, I said,

1090
00:59:41,960 --> 00:59:44,960
Speaker 1: a lot of these artists. Everybody wants a little paper.

1091
00:59:45,720 --> 00:59:48,000
Speaker 1: If that's what you do, you get paper. Everybody want

1092
00:59:48,000 --> 00:59:50,360
Speaker 1: a little paper. So I was told. I sat down

1093
00:59:50,360 --> 00:59:52,280
Speaker 1: with my brother and I said, we gotta do an album.

1094
00:59:53,120 --> 00:59:55,120
Speaker 1: So I said, we're gonna grow in your bag, going

1095
00:59:55,200 --> 00:59:56,800
Speaker 1: our bag. It might hurt us, but let's do it.

1096
00:59:57,320 --> 00:59:59,760
Speaker 1: So we put we said we're gonna do the last album,

1097
01:00:00,280 --> 01:00:03,080
Speaker 1: get a millionaire, all cards on the table. So I

1098
01:00:03,160 --> 01:00:05,760
Speaker 1: went in the first album right now, yeah, yeah, But

1099
01:00:05,840 --> 01:00:07,680
Speaker 1: the second album was old cards on the table. I'm

1100
01:00:07,680 --> 01:00:09,960
Speaker 1: just gonna let it out anything. So I went, I

1101
01:00:10,040 --> 01:00:13,080
Speaker 1: got Pete Rock, ain't got the mayor, I ain't got

1102
01:00:13,280 --> 01:00:16,480
Speaker 1: large professor. We ain't got buck Will, I win't got

1103
01:00:16,680 --> 01:00:19,200
Speaker 1: I only got a couple of people with classlocks. And

1104
01:00:19,280 --> 01:00:22,600
Speaker 1: then I win't got Uncle Murder, Dan me small d

1105
01:00:23,120 --> 01:00:26,160
Speaker 1: what I'm saying. So it worked on it like that,

1106
01:00:26,360 --> 01:00:28,840
Speaker 1: you know. I mean I had to pay Biggers, pay Niggs.

1107
01:00:28,880 --> 01:00:31,280
Speaker 1: I mean Uncle Murder gave me a good deal coming

1108
01:00:31,360 --> 01:00:32,960
Speaker 1: nigg is the charge a little higher, but you know,

1109
01:00:33,080 --> 01:00:35,360
Speaker 1: whatever it is, though, I mean, if it's gonna be

1110
01:00:35,440 --> 01:00:37,440
Speaker 1: my craft and it's gonna be my last time for

1111
01:00:37,560 --> 01:00:39,320
Speaker 1: a little month on the fun I'm thinking about doing

1112
01:00:39,320 --> 01:00:41,800
Speaker 1: the last album a little people want to go to

1113
01:00:41,840 --> 01:00:44,160
Speaker 1: the last one and just tell you all niggas niggas

1114
01:00:44,200 --> 01:00:46,160
Speaker 1: for life, I said, I mean, that's that's that's what

1115
01:00:46,200 --> 01:00:48,320
Speaker 1: I'm doing. Ever see me at the show again, I mean,

1116
01:00:48,400 --> 01:00:51,200
Speaker 1: because I see you know the only reason why I

1117
01:00:51,240 --> 01:00:54,240
Speaker 1: asked you, Because I see certain artists and I feel

1118
01:00:54,280 --> 01:00:56,760
Speaker 1: like it's unfair to the fans. Like I've been watching

1119
01:00:56,840 --> 01:01:00,640
Speaker 1: certain artists lately, and I've been backstage and I've been

1120
01:01:00,840 --> 01:01:02,520
Speaker 1: and I've been seeing certain artist who've been doing it

1121
01:01:02,600 --> 01:01:05,160
Speaker 1: for twenty years and they'll perform and they got a

1122
01:01:05,240 --> 01:01:08,160
Speaker 1: smile for the fans and they was so happy. But

1123
01:01:08,160 --> 01:01:11,440
Speaker 1: as soon as they stage right then be like the

1124
01:01:11,520 --> 01:01:13,760
Speaker 1: Kanye face. You've ever seen the Kanye face, and he's

1125
01:01:13,760 --> 01:01:16,600
Speaker 1: like and as soon as as soon as you see

1126
01:01:16,640 --> 01:01:18,720
Speaker 1: you see him. It was like I'd be seeing artists

1127
01:01:18,760 --> 01:01:21,080
Speaker 1: like you know, artists that people really look up to.

1128
01:01:21,800 --> 01:01:24,920
Speaker 1: People you know, I'm looking and I see that, It's like, damn,

1129
01:01:25,000 --> 01:01:27,240
Speaker 1: that's kind of being face. I don't want to do.

1130
01:01:27,960 --> 01:01:29,720
Speaker 1: Like if I don't, if I don't want to be

1131
01:01:29,880 --> 01:01:33,080
Speaker 1: somewhere no more, because when you feel obligated to be somewhere,

1132
01:01:34,160 --> 01:01:36,640
Speaker 1: any little thing could take you the funk off, and

1133
01:01:36,680 --> 01:01:39,560
Speaker 1: I don't. I just kind of starting to lose the love.

1134
01:01:39,600 --> 01:01:43,480
Speaker 1: I'm I'm not doing hip hop this week again. But

1135
01:01:43,640 --> 01:01:48,520
Speaker 1: this is regardless. It ain't no music. And let me

1136
01:01:49,280 --> 01:01:53,280
Speaker 1: let me tell you something that automatically as a musician, Maggie,

1137
01:01:53,320 --> 01:01:55,840
Speaker 1: as a musician, I can't do nothing else in life

1138
01:01:55,920 --> 01:01:58,760
Speaker 1: and listen to music at the same time because as

1139
01:01:58,800 --> 01:02:01,400
Speaker 1: an artist, I'm taking I check it apart. So if

1140
01:02:01,440 --> 01:02:03,800
Speaker 1: I'm playing, if you notice, like if if you know

1141
01:02:03,920 --> 01:02:06,120
Speaker 1: every time we play space in your office back in

1142
01:02:06,160 --> 01:02:08,920
Speaker 1: the days, anytime I ever played there's never music on.

1143
01:02:10,000 --> 01:02:12,280
Speaker 1: I would always be like, I'm not playing if it's

1144
01:02:12,400 --> 01:02:14,400
Speaker 1: music on, I don't know if I remember that. Well,

1145
01:02:14,400 --> 01:02:17,560
Speaker 1: I'm telling you because I'm petty like that. I gotta win.

1146
01:02:18,000 --> 01:02:20,200
Speaker 1: I gotta I can't win because if you play music,

1147
01:02:20,240 --> 01:02:24,040
Speaker 1: whether it's nineties, I'm gonna remember this when when when

1148
01:02:24,120 --> 01:02:26,520
Speaker 1: main Source came out, you're playing some main Source. I'm

1149
01:02:26,560 --> 01:02:29,000
Speaker 1: not listening to it like the average person is listening

1150
01:02:29,040 --> 01:02:30,920
Speaker 1: to it. I'm listening to it like thinking the flushing

1151
01:02:30,920 --> 01:02:33,959
Speaker 1: metal part. I'm thinking a motherfucking main Street. I'm thinking

1152
01:02:34,000 --> 01:02:36,680
Speaker 1: a you know certain things what you're trying to Yeah,

1153
01:02:36,760 --> 01:02:40,160
Speaker 1: and I can't focus, Like so it's because I'm too

1154
01:02:40,440 --> 01:02:43,720
Speaker 1: involved as a musician. I know you stuffing from the

1155
01:02:43,760 --> 01:02:47,200
Speaker 1: same ship. I can't even say that second shot. Many

1156
01:02:47,240 --> 01:02:48,840
Speaker 1: look like you need a shot. I have like twelve,

1157
01:02:49,960 --> 01:02:52,320
Speaker 1: but I'm waiting for that cigarette break. Oh you want

1158
01:02:52,320 --> 01:02:54,560
Speaker 1: to Let's get to a cigarette break and we come

1159
01:02:54,560 --> 01:02:57,080
Speaker 1: back with do another ten minutes. Let's do it right? Cool?

1160
01:02:57,800 --> 01:03:00,520
Speaker 1: They got Newport right, you know, smoke camp back from

1161
01:03:00,560 --> 01:03:03,360
Speaker 1: a motherfucking cigarette break. One of the podcast does a

1162
01:03:03,480 --> 01:03:09,040
Speaker 1: cigarette break? Did you smoke a cigarette in the break?

1163
01:03:12,360 --> 01:03:14,920
Speaker 1: It was a great weekend once again, many Let's back

1164
01:03:15,000 --> 01:03:17,200
Speaker 1: up to the did you get Rich Blonco drunk? On purpose?

1165
01:03:20,720 --> 01:03:23,520
Speaker 1: He was done when when we're at the bad Boy

1166
01:03:23,600 --> 01:03:26,560
Speaker 1: Console the next day, remember we let the ball afterwards,

1167
01:03:26,600 --> 01:03:29,520
Speaker 1: went to eat the crawfish after and then right after

1168
01:03:30,320 --> 01:03:32,560
Speaker 1: when you left, he left. And then you look at

1169
01:03:33,000 --> 01:03:37,000
Speaker 1: right now, I think I think I think we got

1170
01:03:37,120 --> 01:03:41,760
Speaker 1: drunk together. Man. You know, we realized that we know,

1171
01:03:42,200 --> 01:03:44,320
Speaker 1: it was a great trip. We wanted to appreciate our people.

1172
01:03:44,400 --> 01:03:46,120
Speaker 1: Let's pick up to rich Blanco. Let's pick up to

1173
01:03:46,160 --> 01:03:50,960
Speaker 1: have that sound big drain, you know, big drain roster,

1174
01:03:51,720 --> 01:03:54,080
Speaker 1: you know, all our people, and we realized that, you

1175
01:03:54,160 --> 01:03:56,800
Speaker 1: know what podcast, while we're out here, we're gonna have fun.

1176
01:03:57,080 --> 01:04:02,200
Speaker 1: You know, I feel like Vegas should be drink champs destination. Yeah, yeah,

1177
01:04:02,280 --> 01:04:05,360
Speaker 1: because you know, besides Miami, Miami is a big party city.

1178
01:04:05,680 --> 01:04:08,240
Speaker 1: You know, we also from New York and um, but

1179
01:04:08,400 --> 01:04:11,280
Speaker 1: Vegas should be in l A. You're big at my people,

1180
01:04:11,920 --> 01:04:14,480
Speaker 1: but Vegas should be a prim destination. But being I'm

1181
01:04:14,520 --> 01:04:17,440
Speaker 1: from New York, we got one of the hottest duds

1182
01:04:17,480 --> 01:04:19,680
Speaker 1: with the hottest records out there. His name is Fresher.

1183
01:04:19,800 --> 01:04:24,400
Speaker 1: He's from what part of He's New York. You know

1184
01:04:28,240 --> 01:04:30,040
Speaker 1: one time, my first time in New York. And I

1185
01:04:30,120 --> 01:04:32,160
Speaker 1: feel like I feel like, you mean he was crazy.

1186
01:04:32,280 --> 01:04:35,120
Speaker 1: I feel like you're paying a meeting or something. Trinity.

1187
01:04:35,160 --> 01:04:37,080
Speaker 1: I knew you wouldn't. It wasn't straight black. I knew

1188
01:04:37,080 --> 01:04:45,640
Speaker 1: it way way because Fresher. For some reason, that's the

1189
01:04:45,720 --> 01:04:49,200
Speaker 1: name Fresher, right. I feel like that. I feel like

1190
01:04:49,320 --> 01:04:51,560
Speaker 1: like that. I feel like like the Haitian. That's like

1191
01:04:51,600 --> 01:04:56,800
Speaker 1: a Haitian. Everybody think I'm Haitian. Man. Look, Mandy need

1192
01:04:56,880 --> 01:05:01,959
Speaker 1: met ready to claim? You take you to the fleet

1193
01:05:02,000 --> 01:05:05,400
Speaker 1: market if you want to market. You know, that's my nigga.

1194
01:05:05,760 --> 01:05:08,320
Speaker 1: That's my nigga. King Haitian came to the fleet market.

1195
01:05:12,200 --> 01:05:14,640
Speaker 1: It's called run out fast, so you gotta watch out,

1196
01:05:15,080 --> 01:05:17,760
Speaker 1: so listen. But he is the king of the fleet markets.

1197
01:05:17,800 --> 01:05:20,520
Speaker 1: You know what the fleet market is. It's like Kylosseum's

1198
01:05:20,520 --> 01:05:25,040
Speaker 1: a little little brother, like the little old man. Lots

1199
01:05:25,120 --> 01:05:29,160
Speaker 1: of them, yeah, their cousins, yeah yeah, but they got

1200
01:05:29,240 --> 01:05:32,320
Speaker 1: like straight like out here, they got straight bootleg fleet markets.

1201
01:05:32,320 --> 01:05:35,560
Speaker 1: And if they bootleg, my nigga is the killer Sunny

1202
01:05:35,640 --> 01:05:38,480
Speaker 1: d Man. We got the bootleg of the Fleet Market

1203
01:05:38,520 --> 01:05:41,440
Speaker 1: following him at Mr super Slide. You know what I mean?

1204
01:05:41,680 --> 01:05:43,640
Speaker 1: So Flux, how did you hook up for Pressure? And

1205
01:05:44,400 --> 01:05:46,520
Speaker 1: you know what I'm saying, how did this happen? You know,

1206
01:05:47,640 --> 01:05:49,360
Speaker 1: honestly we were you know, I love this song. I

1207
01:05:49,480 --> 01:05:50,840
Speaker 1: used to go. I went to the spot we were

1208
01:05:50,880 --> 01:05:52,840
Speaker 1: talking to him earlier. But I went to this strip

1209
01:05:52,960 --> 01:05:57,920
Speaker 1: club called trap House. Yeah, I was in there out

1210
01:05:58,880 --> 01:06:01,480
Speaker 1: it's like board in my broke my Queen's was on Atlantic,

1211
01:06:02,320 --> 01:06:12,040
Speaker 1: so that the clubs called trap house, like I ain't

1212
01:06:13,760 --> 01:06:17,240
Speaker 1: heard of it, but it's our racheting sound like, sounds

1213
01:06:17,240 --> 01:06:20,720
Speaker 1: like the bitches. This guy bullet holes and it's crazy

1214
01:06:21,840 --> 01:06:25,960
Speaker 1: with guns on yeah, got guns it was. I was

1215
01:06:26,080 --> 01:06:28,920
Speaker 1: walking in just bounce up and checking me down and

1216
01:06:29,080 --> 01:06:30,920
Speaker 1: walked in. I knew what the promoters he got me

1217
01:06:31,000 --> 01:06:34,200
Speaker 1: by else said so that his song come on, wait, wait,

1218
01:06:34,280 --> 01:06:37,440
Speaker 1: wait a bit. But he run up to the hole, nigga,

1219
01:06:37,480 --> 01:06:41,000
Speaker 1: grabbed the mic, take his shirt off. He got into

1220
01:06:41,080 --> 01:06:43,320
Speaker 1: it and he did it so and he played it twice,

1221
01:06:43,320 --> 01:06:45,280
Speaker 1: and he did it twice. So I said, damn, how

1222
01:06:45,360 --> 01:06:47,400
Speaker 1: long ago was this long? Maybe before we should go

1223
01:06:49,800 --> 01:06:55,120
Speaker 1: like old school Mexico. Son did it. So after after

1224
01:06:55,200 --> 01:06:57,640
Speaker 1: he did, I said, so that's your song. He's like nah,

1225
01:06:57,800 --> 01:07:00,320
Speaker 1: So I said, I love that ship, my nigga. So

1226
01:07:00,440 --> 01:07:03,440
Speaker 1: then I had to do Angels with Lady l what

1227
01:07:03,480 --> 01:07:05,800
Speaker 1: I'm saying. So when I did Angels, he was hosting.

1228
01:07:05,840 --> 01:07:08,680
Speaker 1: I was hosting, and he performed when Flex was playing

1229
01:07:08,720 --> 01:07:13,920
Speaker 1: in Oh My God was in Queens. Yeah, flushing, flushing,

1230
01:07:17,320 --> 01:07:22,320
Speaker 1: flush like that. I like that. I came out to Miami.

1231
01:07:22,600 --> 01:07:24,920
Speaker 1: You know my boy Pops and that's my heart. And

1232
01:07:25,520 --> 01:07:27,120
Speaker 1: we got off the plane. This bitch that came and

1233
01:07:27,160 --> 01:07:28,919
Speaker 1: picked us up. She was singing this ship. I said.

1234
01:07:29,200 --> 01:07:31,959
Speaker 1: I told my brother. I said, so I gotta meet something.

1235
01:07:32,040 --> 01:07:33,800
Speaker 1: We gotta with Pop. He was like, Yo, that's my

1236
01:07:33,920 --> 01:07:36,800
Speaker 1: nigga with nigger, that's my nigga. And I was it

1237
01:07:37,520 --> 01:07:39,600
Speaker 1: said he's got the Cleveland. When we had a drink

1238
01:07:39,640 --> 01:07:43,960
Speaker 1: show hands, we really recognized round. And now you had

1239
01:07:44,040 --> 01:07:47,080
Speaker 1: drink Chats. You're officially the first new artists that ever

1240
01:07:47,160 --> 01:07:54,480
Speaker 1: been on drink Chats. We only we only interview he's

1241
01:07:54,520 --> 01:07:57,360
Speaker 1: the first. He's the first, the only new artists period

1242
01:07:57,600 --> 01:08:00,000
Speaker 1: and it's been people offering us. I was here before

1243
01:08:00,000 --> 01:08:01,920
Speaker 1: for it though, Yeah, because because you're a real nigger.

1244
01:08:03,800 --> 01:08:05,800
Speaker 1: That fifty podcast he was talking about me and he

1245
01:08:05,880 --> 01:08:10,720
Speaker 1: was like, yo, some dude brook song right now? Yeah yeah,

1246
01:08:11,040 --> 01:08:14,880
Speaker 1: I gotta yeah you know you're actually right? Yes, yeah

1247
01:08:14,960 --> 01:08:19,320
Speaker 1: yeah he was talking about it right here. Yeah. Yeah.

1248
01:08:20,360 --> 01:08:24,760
Speaker 1: So so now is all you signed to anybody at all?

1249
01:08:25,439 --> 01:08:27,160
Speaker 1: So dumb down because you know her duck Down got

1250
01:08:27,200 --> 01:08:32,040
Speaker 1: young at Meg duck Down. Yeah yeah, they had like

1251
01:08:32,200 --> 01:08:35,000
Speaker 1: four or five months earlier. That's why. But then she's

1252
01:08:35,000 --> 01:08:37,000
Speaker 1: not with duck Down. She is. They've been doing like

1253
01:08:37,080 --> 01:08:43,120
Speaker 1: consulting like this down like duck down yea wow. Yeah,

1254
01:08:43,800 --> 01:08:46,200
Speaker 1: they're doing a lot. Many believe that they're getting busy,

1255
01:08:46,240 --> 01:08:49,360
Speaker 1: big of the drawer about there because the buck shot

1256
01:08:49,800 --> 01:08:53,280
Speaker 1: what I'm saying, yeah she was. Actually I was actually

1257
01:08:53,360 --> 01:08:56,600
Speaker 1: happy because you can actually if if if what I

1258
01:08:56,720 --> 01:08:58,880
Speaker 1: heard is correct and they're involved in the project. I

1259
01:08:59,040 --> 01:09:02,000
Speaker 1: like the fact that it feels like they're letting they're

1260
01:09:02,080 --> 01:09:04,880
Speaker 1: letting her do like they ain't trying to get in

1261
01:09:05,080 --> 01:09:07,320
Speaker 1: and tell them to you know, to buy Evil D

1262
01:09:07,479 --> 01:09:10,280
Speaker 1: beats or you know what I'm saying. Like that they're

1263
01:09:10,360 --> 01:09:13,839
Speaker 1: like like, yo, you do you so if I actually

1264
01:09:13,960 --> 01:09:15,880
Speaker 1: they want him to sit motivated me. If what I

1265
01:09:16,000 --> 01:09:19,120
Speaker 1: heard is true at Duckdown, they definitely want to follow

1266
01:09:19,120 --> 01:09:21,040
Speaker 1: at some point for sure. That's what I would want

1267
01:09:21,040 --> 01:09:23,479
Speaker 1: to do this just like it's like like like I

1268
01:09:23,560 --> 01:09:25,400
Speaker 1: got like him, I would be like I would I

1269
01:09:25,439 --> 01:09:27,680
Speaker 1: would get involved, but I would I would just I

1270
01:09:27,680 --> 01:09:30,880
Speaker 1: would never be involved exactly. That's the thing I'm saying.

1271
01:09:31,640 --> 01:09:33,320
Speaker 1: This is a new er man. Let me make the

1272
01:09:33,400 --> 01:09:35,840
Speaker 1: music that attracted you to me. You know what I'm saying.

1273
01:09:36,200 --> 01:09:38,040
Speaker 1: If it's working, look at the streets. I got the

1274
01:09:38,080 --> 01:09:41,360
Speaker 1: streets right right, what it works. Let me work. You

1275
01:09:41,400 --> 01:09:43,760
Speaker 1: get what I'm saying. Now, what you're expecting about the game,

1276
01:09:45,720 --> 01:09:47,479
Speaker 1: and you want to be independent or you want to

1277
01:09:47,520 --> 01:09:49,599
Speaker 1: be it's not it's just the money gotta be right.

1278
01:09:50,280 --> 01:09:51,760
Speaker 1: We got a bunch of suitors, you know what I'm saying.

1279
01:09:51,760 --> 01:09:54,040
Speaker 1: We got label saying they signed me already. I gotta

1280
01:09:54,040 --> 01:09:57,360
Speaker 1: text somebody to grass like rest one. Yeah, I heard

1281
01:09:57,400 --> 01:10:00,800
Speaker 1: you signed work. That's what he's saying. What I'm saying.

1282
01:10:00,840 --> 01:10:03,280
Speaker 1: So that's what I'm blessed on. Man. I'm happy to

1283
01:10:03,320 --> 01:10:05,040
Speaker 1: be here, you know mean, But what do I wanted?

1284
01:10:05,120 --> 01:10:07,080
Speaker 1: The game motive? It's it's just a man. You gotta

1285
01:10:07,120 --> 01:10:09,120
Speaker 1: pay me right first. What I'm saying like I'm in

1286
01:10:09,160 --> 01:10:12,479
Speaker 1: a position to to to dictate my you know what

1287
01:10:12,520 --> 01:10:13,920
Speaker 1: I'm saying, my next movie. You know what I'm saying,

1288
01:10:13,960 --> 01:10:15,519
Speaker 1: Like I'm I don't gotta rush. What I'm saying, I'm

1289
01:10:15,520 --> 01:10:17,680
Speaker 1: getting checks every night. I only got a rush, not you.

1290
01:10:17,720 --> 01:10:20,200
Speaker 1: So this is a matter of the paper being right

1291
01:10:20,400 --> 01:10:22,120
Speaker 1: and the numbers being round, you know what I'm saying,

1292
01:10:22,439 --> 01:10:24,559
Speaker 1: because you know, and then saying ship you gotta pay

1293
01:10:24,600 --> 01:10:26,920
Speaker 1: that back? What you what? Some numbers are going to

1294
01:10:27,120 --> 01:10:28,960
Speaker 1: album numbers that we're gonna see what I'm saying. So

1295
01:10:29,360 --> 01:10:31,400
Speaker 1: it's just you know, smart enough open the market on

1296
01:10:31,479 --> 01:10:34,080
Speaker 1: top Shop, right, smart enough? That's what's up. And you

1297
01:10:34,160 --> 01:10:36,640
Speaker 1: know what. The best advice I could give you is

1298
01:10:36,720 --> 01:10:39,960
Speaker 1: love the game because sometimes it ain't about this money,

1299
01:10:40,320 --> 01:10:43,080
Speaker 1: you know what about sometimes it's not in a long one.

1300
01:10:43,160 --> 01:10:52,000
Speaker 1: But you know, how do you I got? I mean,

1301
01:10:52,160 --> 01:11:01,840
Speaker 1: I think you The first thing on my mind, my

1302
01:11:02,000 --> 01:11:06,320
Speaker 1: mind Cooree guys nowneed is sometimes to me and my

1303
01:11:06,439 --> 01:11:09,280
Speaker 1: mind that's my nigga, big up Cooree guns. But yeah,

1304
01:11:09,520 --> 01:11:12,720
Speaker 1: so look, I mean this is dope because um, you

1305
01:11:12,840 --> 01:11:16,519
Speaker 1: know we know we we are show is based on Legends.

1306
01:11:16,560 --> 01:11:18,200
Speaker 1: But the thing about it is, we know we can't

1307
01:11:18,240 --> 01:11:20,560
Speaker 1: get through a whole season without showing love to the

1308
01:11:20,840 --> 01:11:23,760
Speaker 1: young generations at some point. And it's glad. I'm glad

1309
01:11:23,800 --> 01:11:25,360
Speaker 1: that it could be. You are black, should be a

1310
01:11:25,400 --> 01:11:27,320
Speaker 1: guy from New York and you say from Brooklyn, East

1311
01:11:27,360 --> 01:11:29,840
Speaker 1: New York. I've been locked up with nothing but East

1312
01:11:29,880 --> 01:11:32,280
Speaker 1: New York niggers and they all have bodies, and they

1313
01:11:32,360 --> 01:11:37,160
Speaker 1: all have bodies, and please don't catch a body. Yeah,

1314
01:11:37,560 --> 01:11:44,960
Speaker 1: don't get bodied out there. Get yeah, yeah, moved um um.

1315
01:11:45,040 --> 01:11:48,879
Speaker 1: It's a life spaces in Long Island. And I recommend

1316
01:11:50,880 --> 01:11:52,400
Speaker 1: well big of my niggas from East New York. But

1317
01:11:52,880 --> 01:11:56,479
Speaker 1: I don't even know what I'm taking big, Like that's

1318
01:11:56,560 --> 01:11:59,439
Speaker 1: the ultimate slums, like you know that York slum and

1319
01:11:59,479 --> 01:12:06,400
Speaker 1: then you got the mud this time. So I really

1320
01:12:06,479 --> 01:12:08,920
Speaker 1: wish you the best of luck. I hope you go

1321
01:12:09,040 --> 01:12:10,800
Speaker 1: out there and you kill them and you get them.

1322
01:12:11,000 --> 01:12:13,519
Speaker 1: I think that Royal Flush needs to be involved some way.

1323
01:12:13,600 --> 01:12:15,640
Speaker 1: I think he said, I feel like he feels like

1324
01:12:15,640 --> 01:12:18,840
Speaker 1: he leaning on management something like that. Flush, Let's make

1325
01:12:18,880 --> 01:12:21,559
Speaker 1: it happen right now, Let's do something. How about because

1326
01:12:21,840 --> 01:12:24,640
Speaker 1: you know why, It's like I said, what what what? What?

1327
01:12:24,840 --> 01:12:29,640
Speaker 1: The duck down me hearing that and then seeing if

1328
01:12:29,680 --> 01:12:33,760
Speaker 1: what I heard is correct, them just letting her do it.

1329
01:12:33,880 --> 01:12:36,080
Speaker 1: I feel like that is one of the smartest industry,

1330
01:12:37,360 --> 01:12:39,600
Speaker 1: you know what I'm saying, Because the thing is is

1331
01:12:39,680 --> 01:12:42,560
Speaker 1: we got to let the young generation be young. But

1332
01:12:42,640 --> 01:12:45,120
Speaker 1: that's you think, why why the older generation? We need

1333
01:12:45,200 --> 01:12:46,840
Speaker 1: to let them look like they don't have to do

1334
01:12:47,439 --> 01:12:49,320
Speaker 1: go through all the wrongs that we did. We could

1335
01:12:49,360 --> 01:12:51,200
Speaker 1: teach them exactly. And that's what I think, Duck that

1336
01:12:51,360 --> 01:12:54,720
Speaker 1: is bring to the table, like yes, young man. But

1337
01:12:54,840 --> 01:12:58,840
Speaker 1: jump Down is not involved with Joey Yeah, yeah, I

1338
01:12:58,920 --> 01:13:02,200
Speaker 1: definitely didn't hear that one. He signed to ATAB no No.

1339
01:13:02,400 --> 01:13:04,800
Speaker 1: But they get involved at some point, they consulted the situation.

1340
01:13:04,800 --> 01:13:07,320
Speaker 1: I don't know that the details. They're involved at some point.

1341
01:13:07,560 --> 01:13:11,280
Speaker 1: But the kidd from having seven Rosesberger got him signed

1342
01:13:11,320 --> 01:13:14,080
Speaker 1: to something bug Joe bad as you telling them speak

1343
01:13:14,080 --> 01:13:16,800
Speaker 1: to Peter Rosenberg got him signed to somebody or something

1344
01:13:17,040 --> 01:13:23,040
Speaker 1: and so many Peter Rosenberg is definitely involved with Joe. Listen,

1345
01:13:24,200 --> 01:13:30,360
Speaker 1: now you're now your record is taken off. How is

1346
01:13:30,400 --> 01:13:32,080
Speaker 1: it taking off if you're not You don't have no

1347
01:13:32,240 --> 01:13:35,160
Speaker 1: paperwork where nobody. Nobody's helping on the side now, not

1348
01:13:35,240 --> 01:13:37,800
Speaker 1: somebody helping on the side exactly. I'm not signed. It's

1349
01:13:37,800 --> 01:13:39,640
Speaker 1: an artist or what I'm saying, like, yeah, the right

1350
01:13:39,720 --> 01:13:42,720
Speaker 1: thing was already going and then somebody came in, like y'all,

1351
01:13:43,200 --> 01:13:49,320
Speaker 1: let's do something to get I'm saying Empires exactly. Yeah. Yeah,

1352
01:13:49,920 --> 01:13:52,800
Speaker 1: He's like, you can't guess right now, I'm talking to

1353
01:13:52,880 --> 01:13:55,080
Speaker 1: guys right now, you know what I'm saying, just like

1354
01:13:55,360 --> 01:13:57,840
Speaker 1: Apple put you on this big let's I'm gonna get

1355
01:13:57,920 --> 01:14:01,400
Speaker 1: tough spotif butt out, it's guys he involved with just

1356
01:14:01,560 --> 01:14:06,240
Speaker 1: hiring the radio or he's involved because like h he's

1357
01:14:06,439 --> 01:14:12,200
Speaker 1: uh like acting as the label until the label exactly exactly.

1358
01:14:12,360 --> 01:14:15,680
Speaker 1: That's a great, great guy. He's a great guy. That's

1359
01:14:15,720 --> 01:14:19,240
Speaker 1: my man. Let's go. He got up on this belt

1360
01:14:19,320 --> 01:14:28,280
Speaker 1: right now. The plug you know what I mean. I

1361
01:14:28,600 --> 01:14:30,760
Speaker 1: said it on Worry Flush you know, Recking a long

1362
01:14:30,840 --> 01:14:36,000
Speaker 1: time ago. You know, Cupid connection. You know I'm the connection.

1363
01:14:36,439 --> 01:14:37,840
Speaker 1: I said that was the plug. I knew I was

1364
01:14:37,880 --> 01:14:39,720
Speaker 1: the plug back then. I'm sorry I didn't know. I

1365
01:14:39,800 --> 01:14:43,200
Speaker 1: didn't know, but but yeah, big up guys, he big

1366
01:14:43,280 --> 01:14:45,920
Speaker 1: up Empire, young young brother. I wish you the best

1367
01:14:46,000 --> 01:14:49,680
Speaker 1: of love, Shi, I really wish I love. I love

1368
01:14:49,760 --> 01:14:51,719
Speaker 1: to see new artists. We know what I love about

1369
01:14:51,760 --> 01:14:54,479
Speaker 1: new artists. You got a new artist, go on, and

1370
01:14:54,600 --> 01:14:59,680
Speaker 1: at some point you're gonna be miserable showing it out

1371
01:15:03,720 --> 01:15:05,840
Speaker 1: thinking about it, even a point, even if you got

1372
01:15:05,920 --> 01:15:10,040
Speaker 1: your dicks up for ten years straight on camera while

1373
01:15:10,080 --> 01:15:11,680
Speaker 1: you're gonna be like, I don't want to get my

1374
01:15:11,760 --> 01:15:14,560
Speaker 1: things something. It's true, like I'm just saying if he

1375
01:15:14,640 --> 01:15:17,120
Speaker 1: was a point on star. So the thing about it is,

1376
01:15:17,240 --> 01:15:20,040
Speaker 1: you got a great you know, five to ten years

1377
01:15:20,160 --> 01:15:22,800
Speaker 1: where you're gonna really really really love it, and at

1378
01:15:22,880 --> 01:15:24,840
Speaker 1: some point you're gonna come to a point where you're

1379
01:15:24,880 --> 01:15:28,679
Speaker 1: just like damn me and about finances and about it's

1380
01:15:28,680 --> 01:15:32,040
Speaker 1: just about being tired of doing something. So my greatest

1381
01:15:32,080 --> 01:15:35,519
Speaker 1: suggestion is do do all you can do, but also

1382
01:15:35,640 --> 01:15:38,160
Speaker 1: do other things, you know what I'm saying. So so

1383
01:15:38,320 --> 01:15:41,120
Speaker 1: you don't have you know, there's people like I spoke

1384
01:15:41,160 --> 01:15:44,160
Speaker 1: to artists earlier today and he was like, you know,

1385
01:15:45,280 --> 01:15:48,160
Speaker 1: it was it was so old school because he was like, yeah,

1386
01:15:48,400 --> 01:15:50,960
Speaker 1: I gotta re reading about getting this this album out,

1387
01:15:51,240 --> 01:15:53,200
Speaker 1: and it was just like what like to me, I

1388
01:15:53,360 --> 01:15:55,920
Speaker 1: was just like damn, like we still gotta do that

1389
01:15:56,120 --> 01:15:58,240
Speaker 1: in the times, And Dame said that to me on

1390
01:15:58,360 --> 01:16:00,840
Speaker 1: my own podcast, like you still gotta do that, And

1391
01:16:01,000 --> 01:16:03,360
Speaker 1: it didn't hit me until I heard somebody else say that,

1392
01:16:03,720 --> 01:16:06,720
Speaker 1: like certain people they did this for so long that

1393
01:16:06,880 --> 01:16:09,120
Speaker 1: they only know how to put an album out and

1394
01:16:09,200 --> 01:16:12,160
Speaker 1: make money. That's it. If they don't put an album

1395
01:16:12,200 --> 01:16:14,839
Speaker 1: on and make money, they don't. They don't do side movies,

1396
01:16:15,280 --> 01:16:19,360
Speaker 1: they don't do anything else. They don't. They just do.

1397
01:16:19,520 --> 01:16:21,760
Speaker 1: They have prices of the shows and that's it. They don't,

1398
01:16:21,920 --> 01:16:24,640
Speaker 1: you know what I mean. And stuck. It's they're so

1399
01:16:24,880 --> 01:16:28,960
Speaker 1: old school that and it's like, but they're not. They're

1400
01:16:29,000 --> 01:16:32,360
Speaker 1: not broke. They're not broke. But it's just like, damn,

1401
01:16:33,240 --> 01:16:35,920
Speaker 1: but what they only have one hustle and it's just

1402
01:16:36,000 --> 01:16:37,960
Speaker 1: like it's just like, yo, let me just get this

1403
01:16:38,080 --> 01:16:40,559
Speaker 1: album out. Let me havery up and get this album out.

1404
01:16:40,560 --> 01:16:43,559
Speaker 1: And I was just like it made me reminiscent. It's like, Damn,

1405
01:16:43,880 --> 01:16:46,040
Speaker 1: it's so much more to this because music is just

1406
01:16:46,160 --> 01:16:48,400
Speaker 1: a stepping stone, you know what I'm saying. It's just

1407
01:16:48,560 --> 01:16:51,240
Speaker 1: one thing for you to own this company now, or

1408
01:16:51,320 --> 01:16:53,479
Speaker 1: for you to be you know, running your own shows.

1409
01:16:53,520 --> 01:16:56,080
Speaker 1: So this company pays you. You know, understand what I'm saying, Like,

1410
01:16:56,520 --> 01:16:58,800
Speaker 1: that's what it's all about. It's about you know, being

1411
01:16:58,880 --> 01:17:01,920
Speaker 1: well around it. And because anything in life you're gonna

1412
01:17:01,920 --> 01:17:04,280
Speaker 1: be bored at it, you're gonna get it. I don't give.

1413
01:17:04,640 --> 01:17:06,439
Speaker 1: Like I just said, I think it's get his dick's

1414
01:17:06,479 --> 01:17:12,360
Speaker 1: up every day seventeen times for twenty years, and I

1415
01:17:12,439 --> 01:17:14,519
Speaker 1: think it's gonna be like, I don't he gonna want

1416
01:17:14,560 --> 01:17:17,360
Speaker 1: to ask. That's all you're gonna want to do that.

1417
01:17:17,400 --> 01:17:20,400
Speaker 1: I don't. I don't don't get no more. What I

1418
01:17:20,560 --> 01:17:22,479
Speaker 1: do is he asked. That's it. That's it's all he

1419
01:17:22,560 --> 01:17:25,280
Speaker 1: can pleasure the thing of now because the nig just

1420
01:17:25,400 --> 01:17:28,920
Speaker 1: fuck you understand what I'm saying. So that's my that's

1421
01:17:29,000 --> 01:17:39,040
Speaker 1: my advice to you. Welcome to play a new podcast

1422
01:17:39,120 --> 01:17:44,080
Speaker 1: network featuring radio and TV personalities talking business, sports, tech, entertainment,

1423
01:17:44,160 --> 01:17:48,760
Speaker 1: and more. Play it at play dot It. We're back

1424
01:17:48,840 --> 01:17:52,400
Speaker 1: to Drink Champs Radio with Rapper and R and d J.

1425
01:17:53,080 --> 01:17:58,679
Speaker 1: Then where you flush, Man, you gotta give us another

1426
01:17:58,720 --> 01:18:00,840
Speaker 1: old school story before you get I heard you just

1427
01:18:00,960 --> 01:18:09,360
Speaker 1: like I just like to the old DV stories. Man ship,

1428
01:18:10,439 --> 01:18:14,080
Speaker 1: It's an old faults. Please please say this OLDB story. Hey,

1429
01:18:14,160 --> 01:18:16,200
Speaker 1: we'll tell you. I love y'all. Listen. But I funk

1430
01:18:16,280 --> 01:18:19,000
Speaker 1: with y'all man for the last and I mean yeah

1431
01:18:19,120 --> 01:18:22,439
Speaker 1: before he had passed. So we used to hang out together.

1432
01:18:22,600 --> 01:18:24,679
Speaker 1: Old dB did this thing. You know what I'm saying.

1433
01:18:24,680 --> 01:18:27,120
Speaker 1: I would funk with a little ease and fun with

1434
01:18:27,200 --> 01:18:29,440
Speaker 1: the way, and he, you know, he fun with the grenades,

1435
01:18:30,280 --> 01:18:35,479
Speaker 1: the crack and the thing is that. Yeah, for some reason,

1436
01:18:37,160 --> 01:18:45,799
Speaker 1: I'm sorry that way. It's like a different what everybody

1437
01:18:45,840 --> 01:18:49,080
Speaker 1: knew Old B. I mean, but like I said, I

1438
01:18:49,520 --> 01:18:51,800
Speaker 1: threw out the album. I threw out something a little,

1439
01:18:51,800 --> 01:18:54,160
Speaker 1: a little mixtape, and I got him singing this ship

1440
01:18:54,240 --> 01:18:57,280
Speaker 1: on live, so I know I gonna love loss. It

1441
01:18:57,400 --> 01:19:02,720
Speaker 1: is what it is, every every mean whatever, motherfucker. I

1442
01:19:03,080 --> 01:19:06,520
Speaker 1: got Sunday DBT. His name is Mrs super Slide, whole Instagram.

1443
01:19:07,360 --> 01:19:10,920
Speaker 1: He just got cleaned, he just got clean. He's smoking.

1444
01:19:12,000 --> 01:19:15,240
Speaker 1: So yeah, so so so the nigger took me to Brooklyn.

1445
01:19:15,320 --> 01:19:17,400
Speaker 1: But he took me to Brooklyn. It's like two thousand

1446
01:19:19,760 --> 01:19:21,840
Speaker 1: two dollars to baby. I don't have felt like he

1447
01:19:21,880 --> 01:19:24,920
Speaker 1: was sign the rocket whatever year that was. So we

1448
01:19:24,960 --> 01:19:26,800
Speaker 1: went out to Brooklyn, so he said, yo, drop me,

1449
01:19:26,800 --> 01:19:28,680
Speaker 1: I'm going to get some grenas. Now to me, I'm

1450
01:19:28,680 --> 01:19:33,080
Speaker 1: thinking name could be anything like a little bit Okay,

1451
01:19:33,200 --> 01:19:35,160
Speaker 1: I'm sucking with him. He fucking with the bitches. He's

1452
01:19:35,240 --> 01:19:37,400
Speaker 1: yelling out the window and he just you know, yeah,

1453
01:19:37,400 --> 01:19:39,000
Speaker 1: I just came on from jails. He was telling me

1454
01:19:39,120 --> 01:19:41,720
Speaker 1: how to see the society got him trapped. So he

1455
01:19:41,880 --> 01:19:44,080
Speaker 1: pulled up to this little brown stone. He walked up

1456
01:19:44,120 --> 01:19:46,479
Speaker 1: and came back. He had a brown bag. He said,

1457
01:19:46,479 --> 01:19:50,479
Speaker 1: I got grenais. I said, my nigger's creeds. Some singer

1458
01:19:50,560 --> 01:19:52,920
Speaker 1: pulled out an old school bag and pulled out like

1459
01:19:53,040 --> 01:19:58,960
Speaker 1: motherfucking a hunted nickels. But but I said, Brooklyn money,

1460
01:19:59,040 --> 01:20:03,960
Speaker 1: you still got like they had capsules and the two

1461
01:20:04,880 --> 01:20:06,640
Speaker 1: So he would call the sip grenades and he was like,

1462
01:20:07,120 --> 01:20:08,439
Speaker 1: this is what this is. I said, what is that?

1463
01:20:08,920 --> 01:20:15,160
Speaker 1: This is what the grenade is? He in the studio,

1464
01:20:15,920 --> 01:20:25,080
Speaker 1: in the studio, this is got a advertise. I love you.

1465
01:20:27,040 --> 01:20:29,040
Speaker 1: I need to give you. I need you to give

1466
01:20:29,080 --> 01:20:32,439
Speaker 1: me your wireless mayor cocaine story. We gotta do name

1467
01:20:32,520 --> 01:20:34,960
Speaker 1: mayor that we're both friends with. His name is Derek

1468
01:20:35,320 --> 01:20:37,679
Speaker 1: and at one point he's our friend. He's our front.

1469
01:20:40,000 --> 01:20:41,719
Speaker 1: He was doing a lot of cocaine. At one point

1470
01:20:41,960 --> 01:20:47,479
Speaker 1: I got a great brocade story my nigga, Maya Man said,

1471
01:20:47,479 --> 01:20:49,479
Speaker 1: I mean I know him for yees. So listen now

1472
01:20:49,520 --> 01:20:52,040
Speaker 1: I'm gonna tell you how he started doing the ship

1473
01:20:53,280 --> 01:21:04,280
Speaker 1: put them on. I was saying, that's so we went

1474
01:21:04,320 --> 01:21:08,200
Speaker 1: to were in the China clubs man, so we mean

1475
01:21:08,360 --> 01:21:10,120
Speaker 1: man and I think that was on the same China

1476
01:21:10,160 --> 01:21:12,799
Speaker 1: Club was on the same block as the forty twond

1477
01:21:13,080 --> 01:21:16,960
Speaker 1: w Street on Times Squad. You can actually walk there

1478
01:21:17,080 --> 01:21:19,040
Speaker 1: from there. I went to the time I went to

1479
01:21:19,040 --> 01:21:23,599
Speaker 1: the club with Maya before, and he was also on cocaine. Listen,

1480
01:21:23,920 --> 01:21:28,519
Speaker 1: I'll give the first day. You know, we love to

1481
01:21:28,600 --> 01:21:32,840
Speaker 1: get a lot of money. So we're back the two

1482
01:21:33,080 --> 01:21:36,120
Speaker 1: baddest bitches in the world. Man, we got like thirtys.

1483
01:21:36,439 --> 01:21:38,880
Speaker 1: So now we go to the w So now we're

1484
01:21:38,920 --> 01:21:41,400
Speaker 1: getting there. We got we got ease. I'm taking he

1485
01:21:41,520 --> 01:21:44,840
Speaker 1: taking ease. She drinking drinking. So the best pulls out

1486
01:21:44,880 --> 01:21:47,800
Speaker 1: a bag of coat. So I look at man, look

1487
01:21:47,840 --> 01:21:49,519
Speaker 1: at me, and she goes, yo, who would do this?

1488
01:21:49,600 --> 01:21:56,479
Speaker 1: Off my asshole? He's also but me, I never did it.

1489
01:21:56,520 --> 01:21:58,640
Speaker 1: He never did it. He's gonna he's the wing. He's

1490
01:21:58,640 --> 01:22:08,120
Speaker 1: gonna go first. It's getting crazy. Let's go the best,

1491
01:22:08,600 --> 01:22:10,479
Speaker 1: she said, yea, she told me taking out the bag.

1492
01:22:10,840 --> 01:22:12,920
Speaker 1: Now when she said an asshole, does she mean the bundle,

1493
01:22:13,040 --> 01:22:15,400
Speaker 1: she means not straight down the crust, right down, because

1494
01:22:15,600 --> 01:22:18,080
Speaker 1: she's like, okay, let's she wants. She wants to go

1495
01:22:18,160 --> 01:22:22,240
Speaker 1: over the mountain story and a coke coke sniffing story.

1496
01:22:25,200 --> 01:22:29,120
Speaker 1: I take cover the bed, said take a bump out,

1497
01:22:29,200 --> 01:22:32,519
Speaker 1: so I put the whole ship boo. So how did

1498
01:22:32,560 --> 01:22:37,759
Speaker 1: you know what the bump was? She told me, okay,

1499
01:22:38,160 --> 01:22:50,160
Speaker 1: ok I know what. So so he did it. Bon

1500
01:22:51,320 --> 01:22:53,600
Speaker 1: I watched him. Then again she sniffed it or he

1501
01:22:53,720 --> 01:22:57,479
Speaker 1: licked it, and I felt like he licked it. Now,

1502
01:22:57,960 --> 01:22:59,519
Speaker 1: I don't know the way you describing it. It is

1503
01:22:59,520 --> 01:23:03,200
Speaker 1: an ass whole ahead continued, He shifted first, everything left,

1504
01:23:03,280 --> 01:23:07,160
Speaker 1: and he might have looked at what I feel like

1505
01:23:07,880 --> 01:23:11,360
Speaker 1: it was a lick at that somewhere. So he did it. Cool.

1506
01:23:11,439 --> 01:23:14,160
Speaker 1: So now I got a friend. So now they're saying this,

1507
01:23:14,320 --> 01:23:17,120
Speaker 1: and now she's telling him all you the best. So

1508
01:23:17,200 --> 01:23:19,320
Speaker 1: now he asked us get separate room. So he paid

1509
01:23:19,360 --> 01:23:22,200
Speaker 1: for my room, get my own. He's a rich nigger. Yeah,

1510
01:23:22,960 --> 01:23:28,160
Speaker 1: I mean, we're probably like and then I just started

1511
01:23:29,000 --> 01:23:33,720
Speaker 1: and I just started the story but involved ship. Yeah

1512
01:23:36,080 --> 01:23:47,840
Speaker 1: this same guys, my guy. Yeah, man, that's man. We

1513
01:23:48,000 --> 01:23:50,840
Speaker 1: love you. Hold on, let's get this story to us.

1514
01:23:50,880 --> 01:23:56,400
Speaker 1: I don't want to criminate myself look stupid, so right now,

1515
01:23:56,760 --> 01:24:00,680
Speaker 1: So I had boom. So I went back to his

1516
01:24:00,840 --> 01:24:03,280
Speaker 1: room like an hour later. I said, what's up? Said nothing,

1517
01:24:03,520 --> 01:24:06,800
Speaker 1: bitch fund or whatever whatever. So I said, go get

1518
01:24:06,880 --> 01:24:08,840
Speaker 1: some ice. You when I got some ice, so not

1519
01:24:09,000 --> 01:24:11,280
Speaker 1: going around the bitch and take a bump off my ass.

1520
01:24:12,000 --> 01:24:15,400
Speaker 1: You get you're gonna suck me. You're gonna if I

1521
01:24:15,479 --> 01:24:18,040
Speaker 1: do that, You're gonna suck me. That's what you're saying. Listen.

1522
01:24:18,120 --> 01:24:33,120
Speaker 1: So after we shocked, right, just make some Yeah I

1523
01:24:33,760 --> 01:24:38,640
Speaker 1: was back then. Yeah, yeah, it was, it was. It was.

1524
01:24:38,720 --> 01:24:40,240
Speaker 1: It was a lot of things that was getting money

1525
01:24:40,280 --> 01:24:42,479
Speaker 1: in queens. You had to sniff a little something. She's

1526
01:24:42,520 --> 01:24:44,640
Speaker 1: getting money in questions. The strippers made you do it,

1527
01:24:44,680 --> 01:24:48,120
Speaker 1: I mean strippers made you dance. Yeah, it was at

1528
01:24:48,160 --> 01:24:50,240
Speaker 1: that time. That was it. That was a couple of

1529
01:24:50,320 --> 01:24:57,599
Speaker 1: times for him. I watched by the Nag. But listen,

1530
01:24:57,920 --> 01:25:00,559
Speaker 1: Broy flush Man, thank you for co but out here

1531
01:25:00,680 --> 01:25:03,000
Speaker 1: bugging out with us. You know, this is a drink champs,

1532
01:25:03,280 --> 01:25:06,360
Speaker 1: We have fun and all the whole things. To respect legends.

1533
01:25:07,000 --> 01:25:10,639
Speaker 1: And you know why because hip hop nowadays people will

1534
01:25:10,720 --> 01:25:13,599
Speaker 1: kill off our legends. They don't do that to Motley Crue,

1535
01:25:13,880 --> 01:25:16,240
Speaker 1: they don't do that to the Rolling Stones. They don't

1536
01:25:16,280 --> 01:25:18,880
Speaker 1: do that to no other genre of music. And I

1537
01:25:19,040 --> 01:25:22,240
Speaker 1: want to always honor and respect our legends. And another

1538
01:25:22,320 --> 01:25:24,320
Speaker 1: thing I want to start doing. I want to start

1539
01:25:24,400 --> 01:25:27,639
Speaker 1: this trend. We gotta stop watching these fucking stupid ass

1540
01:25:28,000 --> 01:25:31,960
Speaker 1: young girls fighting on the fucking internet. We gotta stop like,

1541
01:25:32,160 --> 01:25:35,200
Speaker 1: we gotta start, you know, taking a stand somewhere. I'm

1542
01:25:35,560 --> 01:25:37,439
Speaker 1: I'm just so terrified when I look at what's just

1543
01:25:37,600 --> 01:25:40,760
Speaker 1: calling my Explorer page, look at my Explorer page, and

1544
01:25:40,800 --> 01:25:44,280
Speaker 1: I'm like, why the people I'm following? Because your Explorer

1545
01:25:44,320 --> 01:25:47,599
Speaker 1: pages based on the people you're following, So it's like, damn,

1546
01:25:47,680 --> 01:25:51,680
Speaker 1: I followed some people, Like why am I looking at this?

1547
01:25:52,040 --> 01:25:54,320
Speaker 1: There's nothing but a bit of shaking their ass and

1548
01:25:54,400 --> 01:25:57,080
Speaker 1: then the little girls fighting, and I don't want to

1549
01:25:57,640 --> 01:25:59,960
Speaker 1: We gotta start doing we gotta start outlawing this as

1550
01:26:00,080 --> 01:26:02,800
Speaker 1: hip hop people. We gotta stop doing that. That's not

1551
01:26:02,880 --> 01:26:05,320
Speaker 1: what hip hop is just about it. We got a

1552
01:26:05,360 --> 01:26:08,200
Speaker 1: whole bunch of bigger and better things. You know what

1553
01:26:08,240 --> 01:26:10,400
Speaker 1: I'm saying, have fun of us. Let's get this ship

1554
01:26:10,520 --> 01:26:13,599
Speaker 1: out of the out of here this negative bullshit. But Fresher,

1555
01:26:13,720 --> 01:26:16,000
Speaker 1: I also want to thank you for coming to being

1556
01:26:16,040 --> 01:26:18,479
Speaker 1: in the part of the drink Champs, coming here eight

1557
01:26:18,520 --> 01:26:20,840
Speaker 1: and nine clothing store where fifty cent was head and

1558
01:26:20,920 --> 01:26:25,080
Speaker 1: picked you up, you know what I'm saying. And we

1559
01:26:25,200 --> 01:26:28,439
Speaker 1: appreciate you being one of the you know, the only

1560
01:26:28,560 --> 01:26:30,880
Speaker 1: new artists to ever come around here. But you know what,

1561
01:26:31,200 --> 01:26:33,519
Speaker 1: we want to wish you the best if we want

1562
01:26:33,560 --> 01:26:36,400
Speaker 1: you to keep going, because we want to because there's

1563
01:26:36,400 --> 01:26:38,559
Speaker 1: a lot of new artists. There's people from three hundred

1564
01:26:38,600 --> 01:26:41,280
Speaker 1: and people from you know, Atlantic and people from definitely

1565
01:26:41,280 --> 01:26:43,000
Speaker 1: and it's gonna call me and say, we offer the

1566
01:26:43,360 --> 01:26:46,920
Speaker 1: artists first, but guess what, you got here first. Appreciate

1567
01:26:47,080 --> 01:26:49,759
Speaker 1: you got here first. Now we want you to deserve

1568
01:26:49,840 --> 01:26:51,479
Speaker 1: it and go out there and be that big star.

1569
01:26:51,960 --> 01:26:54,240
Speaker 1: So just remember it's not always just about the money,

1570
01:26:54,280 --> 01:26:56,680
Speaker 1: because some people will give you all the money in

1571
01:26:56,720 --> 01:26:59,040
Speaker 1: the world and take all your souls and it don't

1572
01:26:59,040 --> 01:27:01,840
Speaker 1: mean nothing old, you know what I mean. Just just

1573
01:27:02,080 --> 01:27:04,640
Speaker 1: make sure you're taking care of yourself. Make sure you've

1574
01:27:04,640 --> 01:27:07,600
Speaker 1: got people in a position that you trust, that that

1575
01:27:08,200 --> 01:27:10,760
Speaker 1: that you don't have to you know, o, dal we

1576
01:27:10,840 --> 01:27:15,240
Speaker 1: gotta get okay showing off for y'all. We gotta get

1577
01:27:16,000 --> 01:27:19,840
Speaker 1: you know what I'm saying, it's a nine cold, a

1578
01:27:20,120 --> 01:27:32,000
Speaker 1: nine colon store. I'm about make sure whatever you're do

1579
01:27:32,080 --> 01:27:35,560
Speaker 1: and you love what you're doing, just just just a

1580
01:27:36,240 --> 01:27:38,800
Speaker 1: just so I gotta do this. You love you tell

1581
01:27:38,800 --> 01:27:41,680
Speaker 1: you something. I was budgeting when he said that he

1582
01:27:41,800 --> 01:27:44,679
Speaker 1: couldn't play speeds and lis some music at the same

1583
01:27:44,800 --> 01:27:47,960
Speaker 1: time before I was deep in this music ship. But

1584
01:27:48,960 --> 01:27:51,640
Speaker 1: I couldn't do anything and listen to music at the

1585
01:27:51,720 --> 01:27:55,320
Speaker 1: same time because I dissected it too much like I

1586
01:27:55,479 --> 01:27:58,720
Speaker 1: was your before I started rapping. As I said, I

1587
01:27:58,840 --> 01:28:01,559
Speaker 1: was destined to do the show awfully, pertracting the safety

1588
01:28:01,680 --> 01:28:04,040
Speaker 1: while I received what you know. I'm saying. But I

1589
01:28:04,200 --> 01:28:06,519
Speaker 1: couldn't play the game or do anything and listen to

1590
01:28:06,640 --> 01:28:09,639
Speaker 1: music because I was took me deep in the lyrics.

1591
01:28:09,720 --> 01:28:12,640
Speaker 1: I should not envisioned it. I whatever I heard, I

1592
01:28:12,720 --> 01:28:15,160
Speaker 1: had you know it was you killed me when you

1593
01:28:15,200 --> 01:28:21,200
Speaker 1: said that when you said that. So you'll see how

1594
01:28:21,400 --> 01:28:23,880
Speaker 1: how much how serious. I take this thought ship. What

1595
01:28:23,880 --> 01:28:27,800
Speaker 1: I'm saying. My my grandfather was a poet, my pops artists.

1596
01:28:27,840 --> 01:28:29,519
Speaker 1: I take this ship serious. You know what I'm saying.

1597
01:28:29,800 --> 01:28:31,600
Speaker 1: But at the same time, you're not gonna jerk me.

1598
01:28:31,640 --> 01:28:33,400
Speaker 1: At the same time, I love that. And that's all

1599
01:28:33,439 --> 01:28:35,920
Speaker 1: it was. It's not about the money. It's about it's

1600
01:28:35,920 --> 01:28:38,920
Speaker 1: about spreading up, you know, delivering a message. You get

1601
01:28:38,920 --> 01:28:41,160
Speaker 1: what I'm saying, because you can't tell my story. You understanding.

1602
01:28:41,520 --> 01:28:44,480
Speaker 1: And now it's time to talk about ship that I'd experienced,

1603
01:28:44,520 --> 01:28:46,720
Speaker 1: my family and so much what I'm saying that so

1604
01:28:46,920 --> 01:28:48,920
Speaker 1: I'm it's so much I want to give the world,

1605
01:28:48,920 --> 01:28:51,479
Speaker 1: you know what I'm saying. But at the same want

1606
01:28:51,520 --> 01:28:56,760
Speaker 1: to it was about money. Is that you know what

1607
01:28:56,880 --> 01:28:59,680
Speaker 1: you do? That's all it was. I just don't want

1608
01:28:59,720 --> 01:29:02,320
Speaker 1: to get twist your money. Money money now, ain't that

1609
01:29:02,400 --> 01:29:05,559
Speaker 1: type of pard But you yeah, exactly what you want

1610
01:29:05,560 --> 01:29:07,439
Speaker 1: to Listen, what would you rather do? Would you rather

1611
01:29:07,560 --> 01:29:09,840
Speaker 1: maintain independent or would you would you want to go

1612
01:29:09,960 --> 01:29:13,240
Speaker 1: to a label? See, I don't have a rather you

1613
01:29:13,280 --> 01:29:21,360
Speaker 1: see that's like a tough question again, and I so

1614
01:29:21,600 --> 01:29:29,240
Speaker 1: much I tell people take it off the time real quick.

1615
01:29:30,280 --> 01:29:33,320
Speaker 1: But he just came around anybody saying stay independent, stay independent.

1616
01:29:33,560 --> 01:29:36,000
Speaker 1: But my thing is okay, they say you get more. Listen,

1617
01:29:36,200 --> 01:29:39,040
Speaker 1: even if even if you get less with a label,

1618
01:29:39,320 --> 01:29:40,960
Speaker 1: you're still make it more because it's more of a

1619
01:29:41,000 --> 01:29:50,040
Speaker 1: bigger time say exactly so, so there's no rather, it's

1620
01:29:50,080 --> 01:29:53,160
Speaker 1: like that's what you and you allow me to just

1621
01:29:53,360 --> 01:29:54,960
Speaker 1: make me because that's at the night, and you're gonna

1622
01:29:54,960 --> 01:29:57,519
Speaker 1: make it independate, but you're gonna your grind is gonna

1623
01:29:57,600 --> 01:30:01,880
Speaker 1: be that much. It's and listen, you can't do it.

1624
01:30:02,520 --> 01:30:04,840
Speaker 1: You can build it. You can build an empire better

1625
01:30:04,960 --> 01:30:08,639
Speaker 1: than anybody can. But I'm gonna just tell you your grinds,

1626
01:30:09,200 --> 01:30:11,439
Speaker 1: and I'm gonna just tell you. I'm gonna tell you

1627
01:30:11,520 --> 01:30:14,040
Speaker 1: how ill my grind is. I wake up in the

1628
01:30:14,160 --> 01:30:18,240
Speaker 1: morning sometimes just to beat my seven year old son

1629
01:30:18,360 --> 01:30:22,280
Speaker 1: to the bathroom because I don't want him to use

1630
01:30:22,320 --> 01:30:24,679
Speaker 1: the bathroom because further though, he should be sleeping downstairs

1631
01:30:24,680 --> 01:30:28,120
Speaker 1: in his own room. But then they're sleeping next he's

1632
01:30:28,160 --> 01:30:32,760
Speaker 1: sleeping some good ship to me, some good ship, but

1633
01:30:32,880 --> 01:30:34,840
Speaker 1: he's sleeping next to my room and is on all

1634
01:30:34,880 --> 01:30:37,599
Speaker 1: the little wrong and he just come in and violates

1635
01:30:37,680 --> 01:30:39,960
Speaker 1: sometimes and just pressed on my toilet seat, like I like,

1636
01:30:40,080 --> 01:30:43,720
Speaker 1: come on, you seven. You gotta get it together. You

1637
01:30:43,840 --> 01:30:46,840
Speaker 1: gotta get it together. You understand. But my grind is

1638
01:30:46,920 --> 01:30:49,880
Speaker 1: so good I wake up so and I'm telling you

1639
01:30:50,040 --> 01:30:54,360
Speaker 1: independent is real this because one thing about being on

1640
01:30:54,479 --> 01:30:56,439
Speaker 1: the label. If you commit to something and you don't

1641
01:30:56,479 --> 01:31:00,040
Speaker 1: go there, you can always blame the label. But you

1642
01:31:00,320 --> 01:31:04,599
Speaker 1: got twitter. Let me just this ownership. It's ownership. That's

1643
01:31:04,640 --> 01:31:10,200
Speaker 1: true forever. But listen, you can own a hundred percent

1644
01:31:10,320 --> 01:31:16,200
Speaker 1: of nothing and you so what suits you and your team.

1645
01:31:16,280 --> 01:31:21,160
Speaker 1: So what I'm trying to tell you is when you

1646
01:31:21,320 --> 01:31:23,880
Speaker 1: sunk up an Independent and you say I'm gonna be

1647
01:31:24,040 --> 01:31:26,920
Speaker 1: at this place at this certain time and you don't

1648
01:31:26,960 --> 01:31:30,360
Speaker 1: show up, it's a right. They don't take it out

1649
01:31:30,439 --> 01:31:35,400
Speaker 1: on nobody else. They take it out on you. And

1650
01:31:35,960 --> 01:31:38,960
Speaker 1: that one station that you missed, that you didn't know

1651
01:31:39,160 --> 01:31:42,280
Speaker 1: because he was getting hi, getting with some bitches and

1652
01:31:42,360 --> 01:31:45,960
Speaker 1: you showed up fifty seven minutes late. They owned fifty

1653
01:31:46,040 --> 01:31:49,360
Speaker 1: seven stations. So you funked up because you thought this

1654
01:31:49,479 --> 01:31:53,120
Speaker 1: was the rock station. You thought this was the country

1655
01:31:53,200 --> 01:31:55,639
Speaker 1: ship and this was the extra ship that But when

1656
01:31:55,680 --> 01:32:00,080
Speaker 1: you independent, that one station warned don't get it. You

1657
01:32:00,120 --> 01:32:02,559
Speaker 1: know what I'm saying, I get it first. I'm giving

1658
01:32:02,600 --> 01:32:11,000
Speaker 1: out game right, I was giving you get you get

1659
01:32:11,080 --> 01:32:14,479
Speaker 1: shut down, but I'm not. Now, if you got the grind,

1660
01:32:14,560 --> 01:32:16,400
Speaker 1: then you you you know what you got. The new

1661
01:32:16,520 --> 01:32:19,160
Speaker 1: artists feel you know, the new artists and new artists flush,

1662
01:32:19,360 --> 01:32:21,840
Speaker 1: they'll go out and like, that's why I recognize because

1663
01:32:21,840 --> 01:32:25,960
Speaker 1: I know it. You little, you see that little you

1664
01:32:26,479 --> 01:32:28,360
Speaker 1: know you gotta get it. But well, I'm talking to him,

1665
01:32:28,360 --> 01:32:31,439
Speaker 1: I saying, I'm schooling like my nigga, listen that door short,

1666
01:32:32,320 --> 01:32:36,280
Speaker 1: I ne come back, come back, don't. I've been kicking

1667
01:32:36,360 --> 01:32:38,880
Speaker 1: with him all damn some real ship now was something

1668
01:32:38,920 --> 01:32:41,040
Speaker 1: happy to be around the nigger ship. I'm a fan,

1669
01:32:41,520 --> 01:32:43,360
Speaker 1: but I've also been giving him some knowledge because I

1670
01:32:43,479 --> 01:32:45,280
Speaker 1: know that he's gonna get it here. I've been through

1671
01:32:45,320 --> 01:32:47,720
Speaker 1: it and you've been god damn it through it. And

1672
01:32:47,800 --> 01:32:50,320
Speaker 1: that's that's what it is. Man. Never lose yourself. Be

1673
01:32:50,439 --> 01:32:52,680
Speaker 1: who you all, love, what you do, do what you love,

1674
01:32:53,200 --> 01:32:55,240
Speaker 1: and motherfucking be happy about it. Man. You know what

1675
01:32:55,240 --> 01:32:56,680
Speaker 1: I'm saying. There's so many people that have been in

1676
01:32:56,760 --> 01:32:59,400
Speaker 1: this game for so many years, and they're miserable people

1677
01:32:59,439 --> 01:33:04,000
Speaker 1: and they're not row you shouldn't look at me because

1678
01:33:04,000 --> 01:33:05,960
Speaker 1: a lot of people think, because a lot of people

1679
01:33:06,040 --> 01:33:09,559
Speaker 1: think your happiness is based on financial and and that's

1680
01:33:09,640 --> 01:33:14,160
Speaker 1: not I know, I know rich unhappy motherfucker's that. I know.

1681
01:33:14,280 --> 01:33:17,400
Speaker 1: I know motherfucker's that they're so used to drama that

1682
01:33:17,520 --> 01:33:20,320
Speaker 1: they don't they life incomplete less. They have drama because

1683
01:33:20,400 --> 01:33:23,840
Speaker 1: that's all they used to And to me, I got

1684
01:33:24,000 --> 01:33:30,200
Speaker 1: weeded much that is, man. But listen, man, I want

1685
01:33:30,240 --> 01:33:32,280
Speaker 1: to thank you guys for coming through showing something. You know,

1686
01:33:32,360 --> 01:33:34,439
Speaker 1: o G too young Nigga game. That was just a

1687
01:33:34,479 --> 01:33:36,960
Speaker 1: super dope you know, wory flush. Thank you for coming by,

1688
01:33:37,080 --> 01:33:40,640
Speaker 1: thank you for bringing fresh, Thank you guys for coming through. Sweetness,

1689
01:33:40,680 --> 01:33:42,680
Speaker 1: what's going on? Man, Let's talk about this street team thing.

1690
01:33:42,800 --> 01:33:44,600
Speaker 1: Look at she's very shot. I don't know what we

1691
01:33:44,680 --> 01:33:46,840
Speaker 1: gott why, But if you need her to get help

1692
01:33:46,880 --> 01:33:53,880
Speaker 1: your record play in Miami, run down? What a night

1693
01:33:53,960 --> 01:33:55,880
Speaker 1: you God damn it. You know what I'm saying, Sweeten,

1694
01:33:55,880 --> 01:33:57,960
Speaker 1: this bigger, bigger, my man pot from left frack here.

1695
01:33:58,200 --> 01:33:59,960
Speaker 1: You know what I'm saying, big Nully for having them

1696
01:34:00,000 --> 01:34:03,320
Speaker 1: out here, big up. You know all our people drain hazard.

1697
01:34:03,360 --> 01:34:07,040
Speaker 1: Its sounds rich Blanco twin twin and getting much Sean today.

1698
01:34:07,080 --> 01:34:11,479
Speaker 1: But he's standing next to me for sports. I can't

1699
01:34:11,520 --> 01:34:15,400
Speaker 1: forget pots say something doing he's been. It's good Jake

1700
01:34:15,479 --> 01:34:18,120
Speaker 1: Champ something I love, y'all. You already known. It's another one, baby,

1701
01:34:18,120 --> 01:34:21,599
Speaker 1: another classic. Like always, I'm more to come. Big up

1702
01:34:21,640 --> 01:34:24,280
Speaker 1: the Boris Carlito, Big up my man. I always pronounced

1703
01:34:24,360 --> 01:34:28,679
Speaker 1: his name wrong. Man, my old Naps, Snaps and Black

1704
01:34:29,000 --> 01:34:34,479
Speaker 1: because the Naps Ray eight and nine once again, Dotty,

1705
01:34:34,560 --> 01:34:38,360
Speaker 1: big up the Dotty Mr League, start rock clothing. You

1706
01:34:38,439 --> 01:34:41,360
Speaker 1: know what I mean. I mean, big up to drain

1707
01:34:41,439 --> 01:34:46,000
Speaker 1: again a rock star. Randy to Dolly and ran S

1708
01:34:46,560 --> 01:34:53,280
Speaker 1: come back. Motherfucker's love, y'all. I love y'all, don't know,

1709
01:34:53,320 --> 01:34:55,439
Speaker 1: I didn't know what. I'm working with him, Randy Acono.

1710
01:34:55,479 --> 01:34:58,519
Speaker 1: I hold him down every episode. Ali knows He's probably

1711
01:34:58,520 --> 01:35:01,320
Speaker 1: around almost every other so and I just want to

1712
01:35:01,320 --> 01:35:03,679
Speaker 1: pick up there, you know. The Bad Boy reunion once again.

1713
01:35:03,720 --> 01:35:05,360
Speaker 1: We went out to Vegas. We had a We had

1714
01:35:05,360 --> 01:35:08,120
Speaker 1: a real good time for Vegas, just sitting around, hanging

1715
01:35:08,160 --> 01:35:10,760
Speaker 1: out with the crew and and it's great to just

1716
01:35:10,880 --> 01:35:13,360
Speaker 1: hang out with your boys. You know. It's ideas that

1717
01:35:13,439 --> 01:35:16,160
Speaker 1: we all came together and you know, just to hang

1718
01:35:16,200 --> 01:35:17,840
Speaker 1: out and celebrate. Man, you know what I'm saying. We go,

1719
01:35:17,960 --> 01:35:21,080
Speaker 1: we're doing a good thing. And like I said, we

1720
01:35:21,240 --> 01:35:24,280
Speaker 1: want to continue to pick up our culture because every

1721
01:35:24,720 --> 01:35:27,360
Speaker 1: no other culture in the world. Uh you can you

1722
01:35:27,400 --> 01:35:30,160
Speaker 1: can have a fight on Instagram or something that can

1723
01:35:30,200 --> 01:35:32,000
Speaker 1: happen on Instagram and people say, you're not a leg

1724
01:35:32,080 --> 01:35:35,000
Speaker 1: you no more or no no other cultures. So we

1725
01:35:35,080 --> 01:35:36,400
Speaker 1: want to dad that, you know what I mean. We

1726
01:35:36,439 --> 01:35:37,920
Speaker 1: want to dad that. We want to pick up our

1727
01:35:37,960 --> 01:35:40,720
Speaker 1: people and pick up the Sunday DBT taking a big

1728
01:35:40,840 --> 01:35:48,320
Speaker 1: shot of Roy your league. He's yeah, he can drink

1729
01:35:48,400 --> 01:35:50,240
Speaker 1: with everybody but me. You know, I made him thought,

1730
01:35:50,320 --> 01:35:54,120
Speaker 1: but it's no, it's a fact. It came to my

1731
01:35:54,200 --> 01:35:56,000
Speaker 1: career one day. Let me just tell you someone, we're

1732
01:35:56,000 --> 01:35:57,800
Speaker 1: gonna get up out of here after this. It came

1733
01:35:57,840 --> 01:36:00,040
Speaker 1: to my career one day, like I like Thanksgiving. It

1734
01:36:00,200 --> 01:36:02,880
Speaker 1: was disrespectful, Like, how are you gonna try to drink

1735
01:36:02,920 --> 01:36:04,840
Speaker 1: me on the holiday? Nigga, this is something to do

1736
01:36:04,960 --> 01:36:08,040
Speaker 1: with God. You ain't supposed to be over here. Yeah,

1737
01:36:08,080 --> 01:36:11,160
Speaker 1: it's a holiday. He came over he broke he probably

1738
01:36:11,240 --> 01:36:15,040
Speaker 1: his own ship came upstairs, like what's up niggle. I'm like,

1739
01:36:15,200 --> 01:36:18,439
Speaker 1: oh ship, I'm like, I'm not even drinking today like

1740
01:36:18,680 --> 01:36:22,960
Speaker 1: this this turkey or nothing like what's going on? He challenged,

1741
01:36:23,000 --> 01:36:26,439
Speaker 1: And nigga, alright, cool boom, I'll drink whatever the funk

1742
01:36:26,479 --> 01:36:29,400
Speaker 1: he drank. Then I switched it up on him. Now

1743
01:36:29,560 --> 01:36:33,920
Speaker 1: it's my turn, and I hit him with that that

1744
01:36:34,080 --> 01:36:37,439
Speaker 1: bone check that that point that they came your phone check,

1745
01:36:38,439 --> 01:36:42,719
Speaker 1: said Haiti. He never had. He never had the phone

1746
01:36:43,400 --> 01:36:45,640
Speaker 1: mixing up that joint you and I'm making up my

1747
01:36:45,680 --> 01:36:47,600
Speaker 1: own bunch of you know what, man shout out to

1748
01:36:47,600 --> 01:36:51,840
Speaker 1: the piece who drunk or Nori colado or punch and yeah,

1749
01:36:51,920 --> 01:36:54,760
Speaker 1: and then look he tried to He tried. That's how

1750
01:36:54,800 --> 01:36:56,920
Speaker 1: you know. He was smooth. And I was like, yo,

1751
01:36:57,280 --> 01:36:59,400
Speaker 1: I got knew I had him there he drank some

1752
01:36:59,479 --> 01:37:01,479
Speaker 1: of my ship, and I knew I had him, like

1753
01:37:01,560 --> 01:37:04,840
Speaker 1: I got over the bathroom. But he wouldn't like he

1754
01:37:05,000 --> 01:37:10,920
Speaker 1: wasn't because it's coming out friend of noodles too, have

1755
01:37:11,080 --> 01:37:13,720
Speaker 1: some loods. He thought he was gonna hold him down

1756
01:37:13,880 --> 01:37:18,840
Speaker 1: to stop. You came here, my late man. I got

1757
01:37:18,920 --> 01:37:22,520
Speaker 1: no mercy. I got no Then they went out her

1758
01:37:22,960 --> 01:37:27,200
Speaker 1: the back covered his mouth and the girl wanted to

1759
01:37:27,280 --> 01:37:31,120
Speaker 1: come out and went off through his nose and nasty.

1760
01:37:31,240 --> 01:37:36,200
Speaker 1: This in my house like yours. But at the same time,

1761
01:37:36,280 --> 01:37:40,720
Speaker 1: I'm like, that's right. You shouldn't have came over here

1762
01:37:41,000 --> 01:37:43,600
Speaker 1: on some bullshit, So big up the sunny dB do.

1763
01:37:43,680 --> 01:37:46,200
Speaker 1: You can follow him on Instagram at Mr super slive.

1764
01:37:46,680 --> 01:37:48,960
Speaker 1: You know what I'm saying, Mr super slam. I gave

1765
01:37:49,000 --> 01:37:52,080
Speaker 1: him my hand, dude, and I once again drink chats,

1766
01:37:52,120 --> 01:37:59,800
Speaker 1: motherfucking podcast, motherfucking in all key since seven. Tell him

1767
01:37:59,840 --> 01:38:02,120
Speaker 1: he's a kind of chat. He sell us a round

1768
01:38:02,160 --> 01:38:04,120
Speaker 1: the cut of Shout to monster what I'm saying, Shout

1769
01:38:04,120 --> 01:38:07,800
Speaker 1: out the monster energy, Shout out to Colombian White, shout

1770
01:38:07,800 --> 01:38:10,800
Speaker 1: out TYPERCARDI. You're not even acknowledging us. I'm sick of

1771
01:38:10,880 --> 01:38:12,920
Speaker 1: six Swiss speaks on y'all and shout out to that

1772
01:38:13,000 --> 01:38:15,160
Speaker 1: other ship. What the fund is that? Again? Which one?

1773
01:38:16,280 --> 01:38:20,000
Speaker 1: Big up? Mesquite? How are you saying? Cow? We up

1774
01:38:20,040 --> 01:38:23,479
Speaker 1: to Busino sitting that my scale. You should have said

1775
01:38:23,520 --> 01:38:27,160
Speaker 1: more bottles, you big up, big up to that, and

1776
01:38:27,200 --> 01:38:31,680
Speaker 1: we said ship right there, that's so fast and to us,

1777
01:38:32,240 --> 01:38:38,400
Speaker 1: nobody ain't trying. That's I mean, I don't know nobody trying.

1778
01:38:42,720 --> 01:38:46,400
Speaker 1: It's the oldest. What the fund is that again? Let's

1779
01:38:46,439 --> 01:38:48,840
Speaker 1: shot him out trying to kill me. You know, we

1780
01:38:49,080 --> 01:38:52,680
Speaker 1: people saying this random list. Yeah you drank that wine.

1781
01:38:52,720 --> 01:38:55,880
Speaker 1: We gotta help me, said us one. Yeah, listen, listen,

1782
01:38:56,120 --> 01:39:00,280
Speaker 1: I'm gonna keep it. I'm gonna keep it at k No,

1783
01:39:00,560 --> 01:39:03,519
Speaker 1: you're give it the sunny No say grab it's called

1784
01:39:03,640 --> 01:39:06,200
Speaker 1: like this like I gave it. I gave it to

1785
01:39:06,280 --> 01:39:11,200
Speaker 1: somebody who works in my house. I don't gave me

1786
01:39:11,240 --> 01:39:13,840
Speaker 1: a couple of bottles. They gave us a case. They

1787
01:39:13,920 --> 01:39:16,400
Speaker 1: haven't they haven't came back. But I don't know. I

1788
01:39:16,439 --> 01:39:18,960
Speaker 1: don't know they haven't back. I mean when the job

1789
01:39:19,120 --> 01:39:25,679
Speaker 1: was done, we're gonna flawless, like you know. But yeah,

1790
01:39:25,720 --> 01:39:29,439
Speaker 1: it wasn't many. We went through two bottles and Colombian

1791
01:39:29,439 --> 01:39:32,240
Speaker 1: white to Colombia and white. Where couldn't get the Columbia

1792
01:39:32,280 --> 01:39:36,040
Speaker 1: white from We're still working seven seven. Well, you don't

1793
01:39:36,040 --> 01:39:41,760
Speaker 1: flush our swaything. I've seen out I've seen flush out

1794
01:39:41,840 --> 01:39:44,160
Speaker 1: water to a well. I've seen him before, and I've

1795
01:39:44,160 --> 01:39:48,639
Speaker 1: seen him before. He's a great hustler. But we're getting

1796
01:39:48,720 --> 01:39:50,800
Speaker 1: up out of here. You got a great episode. Thank

1797
01:39:50,840 --> 01:39:56,160
Speaker 1: you guys. Once again and a little tornado. I appreciate you.

1798
01:39:56,240 --> 01:40:00,759
Speaker 1: Yeah yeah, oh yeah, yeah, you stuck out here hurricane

1799
01:40:00,840 --> 01:40:05,160
Speaker 1: hurricane and listen hopefully to get Klar tomorrow. I think

1800
01:40:05,200 --> 01:40:07,080
Speaker 1: he's a little nervous of the hurricane too. It's just

1801
01:40:07,200 --> 01:40:09,760
Speaker 1: a normal thing because Miami niggas don't give a fun.

1802
01:40:11,000 --> 01:40:15,479
Speaker 1: Tomorrow's serious. You know, we're back on Friday, though. Is

1803
01:40:15,520 --> 01:40:17,759
Speaker 1: it gonna be like Paul and Paul post courts casters

1804
01:40:17,840 --> 01:40:19,559
Speaker 1: and say, Miami he was gonna wear the last year

1805
01:40:19,600 --> 01:40:22,160
Speaker 1: or something like that, because we don't really know because

1806
01:40:22,160 --> 01:40:24,479
Speaker 1: the hurricane is not predictable. Correct, You cannot predict that.

1807
01:40:24,680 --> 01:40:27,000
Speaker 1: You cannot predicting that. When she was out here through Andrews,

1808
01:40:27,320 --> 01:40:30,320
Speaker 1: yeah yeah, I was my senior in high school. Yeah,

1809
01:40:30,520 --> 01:40:33,280
Speaker 1: and then she was all fucked up. Who got hit

1810
01:40:33,320 --> 01:40:36,479
Speaker 1: the hardest? National Guard came in. That bitch was. She

1811
01:40:36,560 --> 01:40:42,040
Speaker 1: was like a nuclear bombler. She was not cool. That's cool.

1812
01:40:42,280 --> 01:40:46,080
Speaker 1: Let's pick up the hurricane niggas. Let's that big up

1813
01:40:46,120 --> 01:40:48,080
Speaker 1: with hurricane. I don't know, you know what, you know,

1814
01:40:48,160 --> 01:40:53,959
Speaker 1: it's crazy On Miami Instagram, they're like regular people hurricane

1815
01:40:54,040 --> 01:40:57,479
Speaker 1: watch and then they say I think they say, Miami

1816
01:40:57,600 --> 01:41:00,760
Speaker 1: niggas hurricane. You know, be like by more, lick up

1817
01:41:01,600 --> 01:41:04,680
Speaker 1: like barbed more. Everybody get drunk during the hurricane. So yeah,

1818
01:41:04,680 --> 01:41:12,200
Speaker 1: I have hurricane parties. This is the fast harricane. You

1819
01:41:12,240 --> 01:41:20,479
Speaker 1: don't get drunk haunting that ship. Yeah, but you gotta

1820
01:41:20,479 --> 01:41:23,479
Speaker 1: you gotta, you gotta prepare. I know, dude, we know.

1821
01:41:23,680 --> 01:41:26,960
Speaker 1: Do you got killed ship? We had a hurricane party.

1822
01:41:27,160 --> 01:41:33,040
Speaker 1: Listen to this episode hurricane Wait, wait, wait a bit,

1823
01:41:33,120 --> 01:41:36,640
Speaker 1: but this drop dri is the hurricane. We had a

1824
01:41:36,720 --> 01:41:40,080
Speaker 1: hurricane party. We gotta beat I feel like I feel

1825
01:41:40,120 --> 01:41:42,760
Speaker 1: like that, but I feel like that changing into a

1826
01:41:42,840 --> 01:41:45,599
Speaker 1: tropical storm. I feel like that. You don't been through

1827
01:41:45,600 --> 01:41:47,599
Speaker 1: a hurricane. I ain't been doing to my ten years here.

1828
01:41:48,720 --> 01:41:50,920
Speaker 1: You ain't through it tomorrow. But we gotta get that

1829
01:41:50,920 --> 01:41:56,519
Speaker 1: episode off before we lose power. Been yeah, lose my office.

1830
01:41:56,560 --> 01:42:02,120
Speaker 1: He's been the whole show, flooded, lose. Pollitt contends never

1831
01:42:02,200 --> 01:42:04,240
Speaker 1: seen one am. We always been out of town. There

1832
01:42:04,320 --> 01:42:05,960
Speaker 1: was one light one and then and then there was

1833
01:42:06,000 --> 01:42:09,840
Speaker 1: one track storm. I actually was the way. Yeah, yeah,

1834
01:42:10,120 --> 01:42:12,439
Speaker 1: this is this is this could be serious. But the

1835
01:42:12,520 --> 01:42:14,360
Speaker 1: things you never know, because the ship could just move.

1836
01:42:14,439 --> 01:42:16,800
Speaker 1: If impost that you turn her, oh if it bust

1837
01:42:16,840 --> 01:42:22,360
Speaker 1: that you because they ain't Cuba Cuba. They show. It's

1838
01:42:22,400 --> 01:42:25,439
Speaker 1: like it's like an older driving. It's like old everything,

1839
01:42:25,520 --> 01:42:28,160
Speaker 1: like the old driving that you ain't higher, Just didn't

1840
01:42:28,560 --> 01:42:30,680
Speaker 1: you ain't higher? It's the car and the ship just

1841
01:42:31,520 --> 01:42:36,720
Speaker 1: sad haiti again that y'all. Yeah, that's pretty, that's quba.

1842
01:42:37,280 --> 01:42:39,280
Speaker 1: But hayy, the Bahamas will get hit right now. Let

1843
01:42:40,600 --> 01:42:42,640
Speaker 1: why I don't never hate the dominicame of public. I

1844
01:42:42,680 --> 01:42:48,840
Speaker 1: didn't hated because Dondie stopped and said, O god, Mr

1845
01:42:49,000 --> 01:42:54,120
Speaker 1: Lee stops it up. Oh my god, you're listen. Last

1846
01:42:54,280 --> 01:42:58,559
Speaker 1: last podcast, game Talk niggas is actually talking about hurricane.

1847
01:42:58,680 --> 01:43:03,720
Speaker 1: Let's make the noise for that guy, the super You know,

1848
01:43:04,800 --> 01:43:07,880
Speaker 1: when you move from New York, you miss winters. But

1849
01:43:08,000 --> 01:43:10,000
Speaker 1: then every now and then this is what you gotta

1850
01:43:10,040 --> 01:43:13,720
Speaker 1: deal with because you're missing winners. You you gotta see

1851
01:43:13,760 --> 01:43:15,200
Speaker 1: these things. You think it as funny as hell. This

1852
01:43:15,240 --> 01:43:17,439
Speaker 1: should be, this should be fifty degrees. These things were

1853
01:43:17,439 --> 01:43:21,240
Speaker 1: having a start of jackets, these thigs like, yo, you

1854
01:43:21,680 --> 01:43:29,559
Speaker 1: have you o d you don't have degrees? What are

1855
01:43:29,600 --> 01:43:40,960
Speaker 1: you doing? Sixty? Agree? These niggers gots got on Scholas

1856
01:43:41,040 --> 01:43:45,760
Speaker 1: and ship and now I'm for gazing now too, because

1857
01:43:45,800 --> 01:43:48,960
Speaker 1: now I'm not trying to put the standing. Like at first,

1858
01:43:49,000 --> 01:43:51,200
Speaker 1: I us a laugh member at the office. You know

1859
01:43:51,240 --> 01:43:53,679
Speaker 1: what the fund is wrong with y'all? Like these niggers

1860
01:43:53,720 --> 01:43:56,600
Speaker 1: got on bombers it's sixty degrees. They're like, yo, what

1861
01:43:56,720 --> 01:44:04,439
Speaker 1: a whole don't even know about masks. But now now

1862
01:44:04,600 --> 01:44:07,240
Speaker 1: that I won't get in the pool if that ship

1863
01:44:07,280 --> 01:44:09,960
Speaker 1: isn't ninety agrees, Like I can't even look at the

1864
01:44:10,040 --> 01:44:13,479
Speaker 1: pool like they gotta be ninety My blood has did

1865
01:44:13,560 --> 01:44:23,360
Speaker 1: in like Miami Ngle, you gotta we're gonna look at

1866
01:44:23,400 --> 01:44:25,679
Speaker 1: that like he didn't for the well, he just said

1867
01:44:25,800 --> 01:44:30,360
Speaker 1: New York got you gotta walk that walk right now,

1868
01:44:31,160 --> 01:44:33,360
Speaker 1: like you gotta that, Like we're gonna we're gonna finish

1869
01:44:33,400 --> 01:44:36,040
Speaker 1: this the rock though, but we're gonna this episode is

1870
01:44:36,080 --> 01:44:45,320
Speaker 1: now finished. That thank you Brother Street Chance podcast. Wait

1871
01:44:45,439 --> 01:45:02,280
Speaker 1: wait wait a minute, wait wait wait ayo has hold

1872
01:45:02,360 --> 01:45:04,519
Speaker 1: up one second while everybody know they could check us

1873
01:45:04,520 --> 01:45:07,719
Speaker 1: at drink Champs dot com. Follow us at drink Champs

1874
01:45:07,760 --> 01:45:11,680
Speaker 1: on Twitter, Instagram, and Facebook. Check Noriatta at the Real

1875
01:45:11,760 --> 01:45:15,360
Speaker 1: norieg on Instagram, at Noriega on Twitter and New Year

1876
01:45:15,439 --> 01:45:18,040
Speaker 1: Nori on Snapchat. You can check me d j e

1877
01:45:18,160 --> 01:45:21,360
Speaker 1: f at at Who's Crazy Instagram, at d j e

1878
01:45:21,520 --> 01:45:25,200
Speaker 1: f n on Twitter, at Who's Crazy on Snapchat. Make

1879
01:45:25,200 --> 01:45:28,200
Speaker 1: sure you follow the team our visual media manager Rich

1880
01:45:28,280 --> 01:45:32,360
Speaker 1: Blanco at Rich Underscore Blanco on Instagram and Twitter. Our

1881
01:45:32,400 --> 01:45:35,080
Speaker 1: engineer has it Its Sounds at Hazard its Sounds on

1882
01:45:35,200 --> 01:45:38,920
Speaker 1: Instagram and Twitter. Our photographer Big Drain at Drain on

1883
01:45:39,080 --> 01:45:42,719
Speaker 1: Instagram and at big Drain on Twitter. Are graphic artists

1884
01:45:42,760 --> 01:45:47,640
Speaker 1: Akz at Akz on Instagram and Twitter. Also shout out

1885
01:45:47,680 --> 01:45:50,360
Speaker 1: the whole CBS play dot It team. Follow them at

1886
01:45:50,479 --> 01:45:53,280
Speaker 1: at play it on Twitter, and make sure you grab

1887
01:45:53,320 --> 01:45:56,200
Speaker 1: yourself some Drink Champs shirts, shot glasses and cups and

1888
01:45:56,280 --> 01:45:59,000
Speaker 1: all that merch at drink Champs dot com. Or check

1889
01:45:59,080 --> 01:46:01,479
Speaker 1: our homies at eight and Iron dot com. Head over

1890
01:46:01,520 --> 01:46:04,080
Speaker 1: to iTunes and pick up the singles for the Win

1891
01:46:04,479 --> 01:46:07,120
Speaker 1: Moguls and Petty, as well as a Drunk Uncle project

1892
01:46:07,160 --> 01:46:10,040
Speaker 1: from Nori. Also, my album Another Time is out now

1893
01:46:10,080 --> 01:46:14,240
Speaker 1: available on iTunes, Spotify, Google Play, or physicals at Crazyhood

1894
01:46:14,280 --> 01:46:17,360
Speaker 1: dot com. Check Hasard its Sounds projects Save the Culture

1895
01:46:17,640 --> 01:46:19,800
Speaker 1: and you can check that it has its Sounds dot

1896
01:46:19,880 --> 01:46:22,880
Speaker 1: com or check it on all digital platforms. Also look

1897
01:46:22,920 --> 01:46:25,640
Speaker 1: out for Nori's Cooking show coming very soon, and My

1898
01:46:25,840 --> 01:46:28,439
Speaker 1: Coming Home Vietnam film which you can see the previous

1899
01:46:28,479 --> 01:46:31,800
Speaker 1: films about Haiti, Cuba and Peru currently on Revolt TV.

1900
01:46:32,439 --> 01:46:35,280
Speaker 1: Shout out the whole dream, Chafts Army. We really appreciate

1901
01:46:35,360 --> 01:46:58,320
Speaker 1: your support and we out of here. Find all your

1902
01:46:58,360 --> 01:47:01,000
Speaker 1: favorite movies and shows faster with just speaking to the

1903
01:47:01,040 --> 01:47:03,759
Speaker 1: excellent voice remote to search across live TV, on demand,

1904
01:47:03,920 --> 01:47:07,280
Speaker 1: even Netflix and Prime Videos. Now that's simple, easy, awesome.

1905
01:47:07,479 --> 01:47:10,000
Speaker 1: Go to excitity dot com, call one d exfity, or

1906
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Speaker 1: visit a store today restricts can supply