WEBVTT - Curious Incidents in Cancel Culture

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<v Speaker 1>You were listening and waiting on reparations. Production of I

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<v Speaker 1>Heart Radio. Yeah, Yeah, yeah, I walk like a g

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<v Speaker 1>talk like a wimp, wrappers a feast like lobster and

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<v Speaker 1>shrimp mac on the track song on the Pimp Medieval

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<v Speaker 1>Time tells zed get the Gilm out of ship. Don't

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<v Speaker 1>change is a unity call. When they had their chance,

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<v Speaker 1>they was building a wall. I ain't shaking no hands.

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<v Speaker 1>I don't feel them at all. Yo, didn't y'all lose.

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<v Speaker 1>I don't listen to y'all know. Hey, this is like, well, Franca,

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<v Speaker 1>I'm dope knife and we are waiting on reparations. Harry,

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<v Speaker 1>please do so what you got going on on my end?

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<v Speaker 1>You know, it's UM Black History Month, as we all know,

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<v Speaker 1>and I'm very pleased that this month, after almost two

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<v Speaker 1>years of working on UM trying to get reparations for

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<v Speaker 1>folks displaced by urban renewal here in Athens in the

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<v Speaker 1>nineteen sixties, is I feel, like I've discussed on previous episodes,

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<v Speaker 1>we finally have UM resolution UM recognizing the harm that

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<v Speaker 1>was done to them and their families when the university

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<v Speaker 1>and the city of Athens conspired to have them moved

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<v Speaker 1>out of their neighborhood for dormitory expansion in in the

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<v Speaker 1>nineteen sixties. UM, we're gonna be building a wall of

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<v Speaker 1>recognition on the site where their neighborhood used to be,

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<v Speaker 1>so that UM students that traverse that corridor frequently can

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<v Speaker 1>understand a bit of the history of the land which

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<v Speaker 1>they stand. And we're hoping it's the beginning of continued

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<v Speaker 1>work and getting some state laws changed so that we're

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<v Speaker 1>going to provide some material redress for the losses UM

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<v Speaker 1>they incurred. These properties that were taken from their families

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<v Speaker 1>would today be worth hundreds of thousands of dollars, and

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<v Speaker 1>so thinking about how we can get that money back

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<v Speaker 1>in their hands and sort of recoup some of the

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<v Speaker 1>financial losses to stay and as a part of that UM.

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<v Speaker 1>It's ongoing work, but we're really pleased we finally made

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<v Speaker 1>it this are and the Mayor of Athens will be

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<v Speaker 1>reading a proclamation formally apologizing for urban renewal later this month.

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<v Speaker 1>So we're like not only just talking about black history

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<v Speaker 1>in terms of forgotten figures in our national historical landscape,

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<v Speaker 1>but thinking locally about the history of black communities here

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<v Speaker 1>in Ankananda. Then this month, which I think think it's

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<v Speaker 1>really exciting and she gotten you know, just chilling living. Oh,

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<v Speaker 1>my mom's got her first dose of the vaccine, so

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<v Speaker 1>that's cool. Been making music, oh, speaking of you know,

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<v Speaker 1>I feel like since we've been doing this, I've been

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<v Speaker 1>pretty good at being ethical, Like I don't get up

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<v Speaker 1>here in hawk music at people all the time. But

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<v Speaker 1>I do have a new song that I'm putting out

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<v Speaker 1>on the twelfth of February, so I think like next Friday.

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<v Speaker 1>So that's exciting getting ready for that's doun A little

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<v Speaker 1>bit about the song. Oh, it's called Sundance. It's a

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<v Speaker 1>little love song and put know for Valentine's Day, so

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<v Speaker 1>it's like a wildly off brand. Actually it's it's a

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<v Speaker 1>funny story behind it. My um there was an ex

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<v Speaker 1>that I had and I had written it for her.

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<v Speaker 1>It was like a sweet ass, you know, love song

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<v Speaker 1>just about our relationship and ship like that, and then

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<v Speaker 1>we broke up like maybe two weeks after I wrote it,

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<v Speaker 1>so I never really used it for anything because I

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<v Speaker 1>was like, man, I don't even feel it into this

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<v Speaker 1>ship anymore. But next thing you know, it's been like

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<v Speaker 1>seven or eight years, me and her are still good. Friends,

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<v Speaker 1>and uh, I don't know how it came up, but

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<v Speaker 1>I let her hear a demo and she was like,

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<v Speaker 1>oh yo, why didn't you ever put that out? So

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<v Speaker 1>you know, she she got on me enough that I

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<v Speaker 1>ended up rerecording it as part of like all these

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<v Speaker 1>new songs that I was making, So you know, it's

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<v Speaker 1>a good, good, different thing to have there. I'm gonna

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<v Speaker 1>be putting out a lot of ignorant ship afterwards, so

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<v Speaker 1>it's like a good way to get my feet back

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<v Speaker 1>into ship. But yeah, and I'm excited about it. Um

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<v Speaker 1>it's been it's been a minute since I put out

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<v Speaker 1>some new music, so there's all the excitement that comes

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<v Speaker 1>with that sort of ship. And I'm gonna start, you know,

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<v Speaker 1>putting out like songs on the regular while I'm working

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<v Speaker 1>on an album, you know, just so I'm not inactive

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<v Speaker 1>and shipped. So it's exciting times for me. I'm excited

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<v Speaker 1>for people to hear my lockdown raps that I wrote.

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<v Speaker 1>So that's gonna be February twelfth, and it'll be on

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<v Speaker 1>all the streaming ship wherever you listen to ship, you'll

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<v Speaker 1>be able to find it. Alright, let's get to it,

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<v Speaker 1>So to set up what we're gonna be talking about today,

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<v Speaker 1>kind of gotta give you a little bit of a

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<v Speaker 1>backstory as to why I was thinking about this in

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<v Speaker 1>the first place. So it very much involves recent events

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<v Speaker 1>and things that are going on in politics right now.

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<v Speaker 1>So in the wake of the Capital Rights a few

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<v Speaker 1>weeks ago, while Republican politicians have stood pretty strong by

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<v Speaker 1>their former disgrace president, there's been a wider public backlash

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<v Speaker 1>against the Trump Field assault. Not only do a awhelming

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<v Speaker 1>majority of Americans not support what happened, but fifty eight

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<v Speaker 1>percent of Americans directly blame Trump according to MPR PBS poll. Now,

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<v Speaker 1>if you ask ani like meent is not nearly enough,

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<v Speaker 1>so everyone should be alarmed by that. But um, there

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<v Speaker 1>is eight percent of Republicans who fully support the ship

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<v Speaker 1>like they are behind what happened on January six, and

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<v Speaker 1>apparently that's who elected Republicans in Congress are representing at

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<v Speaker 1>this point. Regardless, the backlash has been severe for them

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<v Speaker 1>so far. A lot of America's biggest companies are suspending

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<v Speaker 1>our Nation to Republican congress members who objected to the

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<v Speaker 1>Electoral College's votes, including American Express, the Cross Blue Shield, Commerce,

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<v Speaker 1>bankdal Chemical, Marriott, AIRBNBA, Amazon A, t n D, Comcast, Disney,

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<v Speaker 1>MasterCard for Google, Facebook, and more. UM. Speaking in Facebook

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<v Speaker 1>as many of us problem only know social media companies vanished,

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<v Speaker 1>Trump permanently suspending his Twitter account. He's been kicked off Twitch, YouTube,

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<v Speaker 1>and Facebook tools like TikTok and others um, though it's

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<v Speaker 1>unclear the permanence of those suspensions. The conservative alternative for Twitter,

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<v Speaker 1>Parlor was banished from app stores and essentially rendered inaccessible

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<v Speaker 1>as it became a cesspool for q and On and

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<v Speaker 1>Nazis just straight up planning kidnappings and murders out in

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<v Speaker 1>the open and shipped. Then there was Senator Josh Holly,

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<v Speaker 1>who was one of the leading members of the Trees

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<v Speaker 1>and Caucus, who was so upset that he couldn't make

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<v Speaker 1>black people's votes not count that he just had to

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<v Speaker 1>help Trump inspire a riot that killed a cop, but

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<v Speaker 1>he ended up losing his Simon and Schuster's book deal,

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<v Speaker 1>and he's asked her about that. All this, along with

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<v Speaker 1>the fact that people who participated in the riots have

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<v Speaker 1>been getting put on no fly lists, lit their jobs,

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<v Speaker 1>getting divorced, and ma called terrorists, the American riot has

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<v Speaker 1>being out a screech about their new favorite part of

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<v Speaker 1>the culture war inns the culture as I feel, all

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<v Speaker 1>this accountability is part of arguments that they're being canceled.

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<v Speaker 1>So today we're gonna be talking about cancel culture, what

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<v Speaker 1>it is, what it isn't, what we think of it,

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<v Speaker 1>and what his hip hop's reaction been to it in

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<v Speaker 1>this new climate that we're in. Later on, we're also

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<v Speaker 1>going to be chatting with hip hop artists and professor

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<v Speaker 1>at Bryant and Stranton College and Buffalo, n Y, Chucky Campbell,

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<v Speaker 1>about his newest album, The Curious Incidents and Cancel Culture,

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<v Speaker 1>and see if he can help us shed some light

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<v Speaker 1>on this a little bit. We're gonna get into all

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<v Speaker 1>of that after the job. Okay, So what is cancel culture. Well,

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<v Speaker 1>you guys know how I love my Wikipedia results, So

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<v Speaker 1>let's see what Wikipedia has to say. Okay, So if

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<v Speaker 1>you search cancel culture in Wikipedia, what it says is

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<v Speaker 1>cancel culture is a modern form of ostracism in which

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<v Speaker 1>someone is thrust out of a social or professional circle,

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<v Speaker 1>either online on social media, in the real world, or both.

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<v Speaker 1>Those who are subject to this ostracism are said to

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<v Speaker 1>be canceled. Marion Webster's notes that to cancel, as used

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<v Speaker 1>in the context, means to stop giving support to that person,

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<v Speaker 1>while dictionary dot com it says in its pop Cultural

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<v Speaker 1>Dictionary defines cancel culture as withdrawing support or canceling a

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<v Speaker 1>public figure and companies after they have done or said

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<v Speaker 1>something considered objectionable or offensive. The expression cancel culture has

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<v Speaker 1>mostly negative connotations and is commonly used in debates on

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<v Speaker 1>free speech and censorship. The notion of cancel culture is

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<v Speaker 1>a variant of the term call out culture and constitutes

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<v Speaker 1>a form of boycott involving an individual, usually a celebrity,

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<v Speaker 1>who is deemed who have acted or spoken in a

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<v Speaker 1>questionable or controversial manner. For those at the receive even

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<v Speaker 1>end of cancel culture, the consequences can lead to loss

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<v Speaker 1>of reputation and income that can be hard to recover from.

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<v Speaker 1>So that's what you have in on Wikipedia. I mean,

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<v Speaker 1>I mean, I guess I agree with that. When you know,

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<v Speaker 1>if I hear the term cancel culture, I imagine that

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<v Speaker 1>most reasonable people kind of are thinking this when they

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<v Speaker 1>hear the term cancel culture. I mean, scratch that, I

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<v Speaker 1>don't even know what people think now. I mean, there's

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<v Speaker 1>been so much. It's been propagandized so much that it's like,

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<v Speaker 1>I don't even know what people are thinking. And maybe

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<v Speaker 1>everyone just like automatically thinks of like screeching hordes of

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<v Speaker 1>purple haired Antifa or something now because they think of

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<v Speaker 1>cancel culture people being canceled. I don't know, what do

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<v Speaker 1>you think about this definition? I feel like, um, the

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<v Speaker 1>Wikipedia definition of cancel culture does neglect that financial element.

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<v Speaker 1>I mean, I guess if you're thrust out of your

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<v Speaker 1>professional circle, with that comes some um financial harm like

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<v Speaker 1>loss of income, salary. Um we're seeing, you know with

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<v Speaker 1>the Republican Party, UM, loss of donations from big companies,

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<v Speaker 1>which actually I want to point out that some of

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<v Speaker 1>these companies UM have suspended donations all political campaigns. So

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<v Speaker 1>it's like great collapropment getting money out of politics. But

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<v Speaker 1>like this both sides is UM, that's a little ridiculous.

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<v Speaker 1>It's kind of funny, but UM, yeah, I mean I

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<v Speaker 1>think these are pretty apt to Miriam Webster, you know,

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<v Speaker 1>stop giving support for that person. Support can be material, social, um,

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<v Speaker 1>et cetera. Stuff like that gets at it pretty well.

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<v Speaker 1>I would I would, um say that the key thing

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<v Speaker 1>that's missing composition is discussion of accountability. That this to

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<v Speaker 1>me is a form of accountability. UM, that's like, Yo,

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<v Speaker 1>we're gonna hold you accountable by you know, punishing you

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<v Speaker 1>for what you've done. It's interesting to me that that

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<v Speaker 1>accountability is not really included among the way this uh

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<v Speaker 1>future of our society and media landscape is defined. Conservative

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<v Speaker 1>political analysts Ross do That wrote a piece for The

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<v Speaker 1>New York Times titled tenth Thesis about cancel culture, and

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<v Speaker 1>it's an interesting piece of insight into how traditional conservatives

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<v Speaker 1>interpreted these things. To his credit, he doesn't frame it

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<v Speaker 1>as a First Amendment issue, which many conservative types too.

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<v Speaker 1>Perhaps the most time of thing is what he what

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<v Speaker 1>he chose as his first thesis. Cancelation he says, properly

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<v Speaker 1>understood or first to an attack on someone's employment and

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<v Speaker 1>reputation by a determined collective of critics based on an

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<v Speaker 1>opinion or an action that it alleged to be disgraceful.

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<v Speaker 1>It is qualifying. Reputation and appointment are key terms here.

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<v Speaker 1>You're not simply you're not being hanceled if you um

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<v Speaker 1>have been canceled, if you're really being heckled or insulted.

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<v Speaker 1>So like what are your overall it's just your your

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<v Speaker 1>overall view on cancel culture. I mean, I have interesting

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<v Speaker 1>thoughts on cancel culture as an abolitionist one that does

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<v Speaker 1>believe in transformative justice, as a means of holding people

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<v Speaker 1>accountable for the harm that they do others, but also

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<v Speaker 1>calling them in to see see what they've done wrong,

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<v Speaker 1>to understand how they've harmed others, to change their behavior,

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<v Speaker 1>change their thinking so that they don't harm others in future.

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<v Speaker 1>And so I worry at times that cancel culture UM

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<v Speaker 1>replicates like carcero logics, uh, banishing someone just putting them

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<v Speaker 1>some other place, be in a physical space of a prison,

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<v Speaker 1>or casting them out of social circle, or you know, uh,

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<v Speaker 1>UM stripping them of their of their networks. UM. That

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<v Speaker 1>is ultimately is ultimately harmful. But at the same time,

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<v Speaker 1>I don't really understand what you I don't really understand

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<v Speaker 1>what else you can do with some people like UM.

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<v Speaker 1>Take for example, Marjorie Taylor Green having UM express support

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<v Speaker 1>for the executions of prominent democratic lawmakers UM and things

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<v Speaker 1>like that, and seeing how the rhetoric of UM you know,

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<v Speaker 1>stole an election, inspired a deadly mob then ended up

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<v Speaker 1>you know, seeing the lives of five people taken that

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<v Speaker 1>you know, two police officers who took their own lives

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<v Speaker 1>in the aftermath of the storming of the capitol. Um

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<v Speaker 1>like the lack of remorse, the lack of self um reflection,

0:13:52.000 --> 0:14:02.320
<v Speaker 1>willingness to engage in like yeah, like reflection on once actions, uh,

0:14:02.640 --> 0:14:06.240
<v Speaker 1>resistance to accountability of any kind. Like I really don't

0:14:06.320 --> 0:14:08.240
<v Speaker 1>understand what else we can do with these people other

0:14:08.280 --> 0:14:12.160
<v Speaker 1>than like, all right, you're in time out until uh

0:14:12.320 --> 0:14:13.960
<v Speaker 1>you get your act together, and if you don't, at

0:14:14.000 --> 0:14:17.000
<v Speaker 1>least you're not enable to continue harming people by having

0:14:17.040 --> 0:14:22.400
<v Speaker 1>the material resources to um engage in campaigns that you know,

0:14:22.480 --> 0:14:26.160
<v Speaker 1>wage war on the vulnerable, or you know, having these

0:14:26.200 --> 0:14:29.520
<v Speaker 1>platforms where you can inspire further violence. Things like that. Like,

0:14:29.560 --> 0:14:31.560
<v Speaker 1>I really don't know what else we can do. I'm

0:14:31.600 --> 0:14:34.400
<v Speaker 1>really interested to hear others and read others way in

0:14:34.560 --> 0:14:38.080
<v Speaker 1>on this From annapoligious perspective, it's like, if somebody really

0:14:38.080 --> 0:14:41.360
<v Speaker 1>doesn't want to gain accountability, really really doesn't want to

0:14:41.400 --> 0:14:44.120
<v Speaker 1>engage in process accountability, like what else are you supposed

0:14:44.160 --> 0:14:46.720
<v Speaker 1>to do with them? So, I mean, I don't know.

0:14:46.880 --> 0:14:48.760
<v Speaker 1>I don't think it's a bad thing to hold people accountable.

0:14:48.760 --> 0:14:51.320
<v Speaker 1>I don't think it's I think it can be helpful

0:14:51.320 --> 0:14:55.760
<v Speaker 1>to inspire that reflection by showing people like your actions

0:14:55.760 --> 0:14:59.440
<v Speaker 1>have consequences, like you can't have your fancy platform or

0:14:59.480 --> 0:15:02.280
<v Speaker 1>your a she job if you funk around and hurt people.

0:15:03.080 --> 0:15:06.440
<v Speaker 1>Um So maybe step back and be listen. All right,

0:15:07.600 --> 0:15:11.120
<v Speaker 1>this sucks. Um maybe I should think about how all

0:15:11.200 --> 0:15:15.320
<v Speaker 1>my actions have harmed others. Um So, yeah, I don't

0:15:15.320 --> 0:15:18.120
<v Speaker 1>really know whether option we have in this day and age,

0:15:18.160 --> 0:15:21.400
<v Speaker 1>though I do think like engaging with singing around what

0:15:22.120 --> 0:15:25.600
<v Speaker 1>accountability can look like that brings people in and helps

0:15:25.640 --> 0:15:29.560
<v Speaker 1>transform your behavior is really important to do. I tend

0:15:29.600 --> 0:15:34.240
<v Speaker 1>to look at what is the opposite of that. So

0:15:34.360 --> 0:15:40.240
<v Speaker 1>if there's there's definitely mad instances where quote unquote cancel

0:15:40.320 --> 0:15:45.120
<v Speaker 1>culture can be like cringe, and there's even some instances

0:15:45.120 --> 0:15:47.120
<v Speaker 1>where it can kind of be dangerous and can kind

0:15:47.120 --> 0:15:50.640
<v Speaker 1>of just be like a go with the mob whatever whatever,

0:15:50.680 --> 0:15:54.960
<v Speaker 1>I'm mad, But the opposite of that is like just

0:15:55.080 --> 0:16:01.440
<v Speaker 1>straight up bigotry. And you know, so, I don't know,

0:16:01.560 --> 0:16:05.120
<v Speaker 1>like I can deal with the annoyance and cringe factor

0:16:05.800 --> 0:16:08.760
<v Speaker 1>better than I could deal with it if just nobody

0:16:08.800 --> 0:16:14.000
<v Speaker 1>gave a fuck and there was zero accountability for anything. However,

0:16:14.920 --> 0:16:20.320
<v Speaker 1>I personally don't see the use in using activism or

0:16:21.840 --> 0:16:27.320
<v Speaker 1>organizational or boycott energy over stupid ship, you know what

0:16:27.360 --> 0:16:30.240
<v Speaker 1>I'm saying. And amongst stupid ship, I would be like, Yo,

0:16:30.520 --> 0:16:37.080
<v Speaker 1>why why are we organizing over like who's getting a

0:16:37.200 --> 0:16:40.560
<v Speaker 1>Netflix special or who's going to be in this movie

0:16:41.240 --> 0:16:43.760
<v Speaker 1>or who's voicing this character or whatever? You know what

0:16:43.800 --> 0:16:47.520
<v Speaker 1>I'm saying. It's like, I would rather that energy solely

0:16:47.560 --> 0:16:50.360
<v Speaker 1>be put to more important ship. And then once we

0:16:50.400 --> 0:16:52.440
<v Speaker 1>get through the checklist of important ship that we have

0:16:52.520 --> 0:16:55.240
<v Speaker 1>to do, then I guess we can direct some energy

0:16:55.320 --> 0:16:57.360
<v Speaker 1>to that. And I know people can chew gum and

0:16:57.360 --> 0:17:00.320
<v Speaker 1>walk at the same time, so whatever. But again, at

0:17:00.320 --> 0:17:01.920
<v Speaker 1>the end of the day, that's the aspect of the

0:17:01.960 --> 0:17:04.680
<v Speaker 1>ship that bothers me is like, damn, you know, y'all

0:17:04.680 --> 0:17:08.200
<v Speaker 1>are using all this energy over over that ship. But

0:17:08.320 --> 0:17:11.520
<v Speaker 1>other than that, yeah, it's just it's just annoying. It's

0:17:11.560 --> 0:17:16.040
<v Speaker 1>not really like I don't see it as a as

0:17:16.080 --> 0:17:19.240
<v Speaker 1>like this thing that is dominating society and is going

0:17:19.280 --> 0:17:23.959
<v Speaker 1>to make society collapse. Right by the name of Sarah

0:17:23.960 --> 0:17:27.800
<v Speaker 1>Hagee wrote an article for Time magazine called Cancel Culture

0:17:28.040 --> 0:17:30.680
<v Speaker 1>Isn't Real at least not in the way that people think.

0:17:31.119 --> 0:17:33.400
<v Speaker 1>And she made a pretty good point in this passage

0:17:33.440 --> 0:17:36.600
<v Speaker 1>here she says the idea is that if you do

0:17:36.720 --> 0:17:41.240
<v Speaker 1>something that others deemed problematic, you automatically lose all your currency,

0:17:41.640 --> 0:17:45.359
<v Speaker 1>your voice of silence. You're done. Those who condemn cancel

0:17:45.440 --> 0:17:49.760
<v Speaker 1>culture usually imply that it's unfair and indiscriminate. The problem

0:17:49.800 --> 0:17:53.080
<v Speaker 1>with this perspective is cancel culture isn't real, at least

0:17:53.080 --> 0:17:55.639
<v Speaker 1>not in the way that people believe it is. Instead,

0:17:56.000 --> 0:17:58.600
<v Speaker 1>it's turned into a catch all for when people in

0:17:58.720 --> 0:18:02.320
<v Speaker 1>power face consequences for their actions or receive any type

0:18:02.320 --> 0:18:06.800
<v Speaker 1>of criticism something that they're not used to. And that

0:18:07.320 --> 0:18:10.159
<v Speaker 1>right there at the heart of it is why I

0:18:10.320 --> 0:18:13.399
<v Speaker 1>just don't really funk with people who complain about cancel

0:18:13.440 --> 0:18:15.840
<v Speaker 1>culture like that. And I would disagree with her that

0:18:15.840 --> 0:18:18.840
<v Speaker 1>it's not necessarily a thing about rich or powerful, it's

0:18:18.840 --> 0:18:21.960
<v Speaker 1>just people in general, like people are starting to wrap

0:18:22.040 --> 0:18:25.760
<v Speaker 1>that ship up at any and all criticism. I think

0:18:26.040 --> 0:18:31.119
<v Speaker 1>um ms Haggy is completely on point with this um

0:18:31.160 --> 0:18:33.160
<v Speaker 1>it is turning into a catch all for when people

0:18:33.200 --> 0:18:35.440
<v Speaker 1>in power face any kinds of consequences for their action

0:18:35.560 --> 0:18:39.840
<v Speaker 1>or receive any type of criticism. UM, Like, I don't

0:18:39.840 --> 0:18:44.000
<v Speaker 1>know if J. K Rowling has experiencing sort of financial

0:18:44.080 --> 0:18:46.879
<v Speaker 1>hardship as a result of her transportic comments that have

0:18:47.119 --> 0:18:53.160
<v Speaker 1>led her to, you know, cry cancelation, Um, like from

0:18:53.200 --> 0:18:55.800
<v Speaker 1>what I understand, but still that books coming out and ship.

0:18:56.359 --> 0:19:00.520
<v Speaker 1>So I mean like when people are so Bela getting

0:19:00.560 --> 0:19:04.240
<v Speaker 1>heckled online as I believe Mr do that was talking

0:19:04.240 --> 0:19:07.160
<v Speaker 1>about in his New York Times piece, and they want

0:19:07.200 --> 0:19:12.440
<v Speaker 1>to call it cancelation. It's like yo, Like, still, the

0:19:12.520 --> 0:19:15.520
<v Speaker 1>internet is a harsh place. You funk around, you find

0:19:15.560 --> 0:19:22.080
<v Speaker 1>out period. Um. Getting heckled, getting criticized is not is

0:19:22.240 --> 0:19:25.480
<v Speaker 1>not the same as being deep platform and people need

0:19:25.560 --> 0:19:29.920
<v Speaker 1>to start stop complaining the two. So I mentioned J.

0:19:30.040 --> 0:19:33.800
<v Speaker 1>K Rowling, even Murby Atwood, No Chomsky, Gary Kasparov, someone

0:19:33.880 --> 0:19:37.000
<v Speaker 1>Rushdie and over a hundred and forty other intellectual cultural

0:19:37.119 --> 0:19:41.879
<v Speaker 1>figures UM signed on an open letter UM called the

0:19:41.960 --> 0:19:45.600
<v Speaker 1>Letter on Justice and Debate for Harper's Magazine, which criticized

0:19:45.640 --> 0:19:49.680
<v Speaker 1>the current tour and public shaming and ostracism, ostracism, public

0:19:49.720 --> 0:19:53.719
<v Speaker 1>shaming and ostracism of those proposing views I e. Canceled culture.

0:19:54.280 --> 0:19:56.360
<v Speaker 1>But then with the letter, is that caught a lot

0:19:56.440 --> 0:19:59.919
<v Speaker 1>of it caused a huge cur fluffle at the time,

0:20:00.920 --> 0:20:02.920
<v Speaker 1>is that there's some dope people who signed it. There's

0:20:03.000 --> 0:20:08.479
<v Speaker 1>some respect to people, there are some grifters, there's definitely

0:20:08.560 --> 0:20:12.360
<v Speaker 1>some kuks. The diversity of people signed it was kind

0:20:12.400 --> 0:20:16.400
<v Speaker 1>of the gimmick of it. Journalist Jeff Yang criticized the letter,

0:20:16.680 --> 0:20:19.600
<v Speaker 1>writing for CNN dot com, it's hard not to see

0:20:19.640 --> 0:20:24.119
<v Speaker 1>the letters merely an elegantly written affirmation of elitism and privilege,

0:20:24.280 --> 0:20:26.760
<v Speaker 1>and he said that the signatories, in the face of

0:20:26.960 --> 0:20:30.639
<v Speaker 1>result and backlash, dismissed rebuttals and positioned themselves as be

0:20:30.760 --> 0:20:34.359
<v Speaker 1>leaguered victims of a current culture, turning their support for

0:20:34.480 --> 0:20:37.680
<v Speaker 1>open debate and free expression into an example of stark

0:20:37.760 --> 0:20:42.720
<v Speaker 1>hypocrisy or sly gas lighting. Public Seminar criticized the letters timing,

0:20:42.880 --> 0:20:46.600
<v Speaker 1>stating that the letter primarily blamed cancel culture for disrupting

0:20:46.720 --> 0:20:49.919
<v Speaker 1>free and open conversation at a moment during the George

0:20:49.960 --> 0:20:53.640
<v Speaker 1>Floyd protest when it was becoming clear what influences institutions

0:20:53.680 --> 0:20:56.639
<v Speaker 1>had on controlling the debate. There's a dope article in

0:20:56.680 --> 0:20:59.000
<v Speaker 1>the Washington Post about the letter by one of the

0:20:59.160 --> 0:21:03.760
<v Speaker 1>people who signed it, Phoebe Maltz Bovy who also wrote

0:21:03.800 --> 0:21:06.480
<v Speaker 1>the Perils of Privilege, and she breaks down in a

0:21:06.560 --> 0:21:09.080
<v Speaker 1>nutshell pretty much what the problem is with the freak

0:21:09.119 --> 0:21:12.600
<v Speaker 1>out over the cancel culture boogevan, and why it's important

0:21:13.160 --> 0:21:15.240
<v Speaker 1>you know that regular people don't get caught up in

0:21:15.359 --> 0:21:18.800
<v Speaker 1>that scene. She describes how she agreed with her understanding

0:21:18.840 --> 0:21:22.160
<v Speaker 1>of the gist of the letter quote that writer should

0:21:22.160 --> 0:21:25.080
<v Speaker 1>get to choose their topics and that progressive over correction

0:21:25.240 --> 0:21:28.560
<v Speaker 1>helps trump all free speech. Sometimes there's as an euthemism

0:21:28.640 --> 0:21:31.360
<v Speaker 1>for the right to hold forth allah archie bunker. It's

0:21:31.400 --> 0:21:34.440
<v Speaker 1>being bigger trade from the comfort of an armchair, consequence free.

0:21:35.080 --> 0:21:39.080
<v Speaker 1>I happen to believe that's all of this, and she continues,

0:21:39.720 --> 0:21:42.359
<v Speaker 1>but on a more principal level, I credit here was

0:21:42.359 --> 0:21:45.800
<v Speaker 1>a list made up of largely uncancellables Margaret Atwood, J K.

0:21:45.960 --> 0:21:50.240
<v Speaker 1>Bowling and high profile and high profile you hold suspects Marklima,

0:21:50.400 --> 0:21:54.600
<v Speaker 1>Stephen Pinker and yes a few expected and yes a

0:21:54.680 --> 0:21:58.000
<v Speaker 1>few unexpected names here and there, Noam chom Ski. The

0:21:58.080 --> 0:22:02.520
<v Speaker 1>message was is sound the messengers as a collective risk

0:22:02.600 --> 0:22:07.320
<v Speaker 1>obscaring it. I mean, no Times has gotten trouble before

0:22:07.560 --> 0:22:11.640
<v Speaker 1>for I think defending if I recall correctly a holocaust,

0:22:11.760 --> 0:22:14.960
<v Speaker 1>and I are not for his beliefs for his right

0:22:15.160 --> 0:22:20.800
<v Speaker 1>to publish work. Um uh, you know about his beliefs,

0:22:21.560 --> 0:22:24.080
<v Speaker 1>and so I you know, I wasn't super surprised to

0:22:24.160 --> 0:22:26.360
<v Speaker 1>see his name there. Oh I don't fucking I don't

0:22:26.800 --> 0:22:31.280
<v Speaker 1>care about UM. But the thing, it's interesting that like

0:22:32.640 --> 0:22:36.080
<v Speaker 1>it's like an interesting reflection of like how cancel culture works,

0:22:36.119 --> 0:22:39.879
<v Speaker 1>where UM people are like on board with the idea

0:22:39.960 --> 0:22:43.000
<v Speaker 1>until they realize that people are agreeing with them that

0:22:43.119 --> 0:22:46.880
<v Speaker 1>they don't like UM or it's like oh wait, wait,

0:22:47.080 --> 0:22:49.520
<v Speaker 1>that person is down with this, that person is now

0:22:49.560 --> 0:22:53.359
<v Speaker 1>on this, where like cancel culture is okay as long

0:22:53.440 --> 0:22:55.560
<v Speaker 1>as it's not happening to you or to someone that

0:22:55.680 --> 0:22:59.240
<v Speaker 1>you agree with. Yeah, funk with that heavy. I mean

0:23:00.000 --> 0:23:02.240
<v Speaker 1>it's like we all want free and open debate, but

0:23:02.320 --> 0:23:05.240
<v Speaker 1>it's like I don't wanna just me personally. It's like

0:23:05.359 --> 0:23:08.800
<v Speaker 1>I don't want to be associated with any whack ship

0:23:09.119 --> 0:23:11.760
<v Speaker 1>when I'm trying to make like a good point, you

0:23:11.800 --> 0:23:14.639
<v Speaker 1>know what I'm saying. So I don't know, it's like

0:23:15.440 --> 0:23:20.119
<v Speaker 1>whatever objections to quote unquote cancel culture that I may have,

0:23:21.440 --> 0:23:23.520
<v Speaker 1>it's like I don't want to express that ship because

0:23:24.160 --> 0:23:26.480
<v Speaker 1>I don't want to be fucking associated with Ben Shapiro

0:23:26.760 --> 0:23:30.200
<v Speaker 1>or Dave Ruben like that if you you listen to

0:23:30.240 --> 0:23:34.199
<v Speaker 1>those motherfucker's like, cancel culture is worse than fucking climate

0:23:34.320 --> 0:23:38.639
<v Speaker 1>change and ship. So it's like when they're mucking up

0:23:39.720 --> 0:23:42.040
<v Speaker 1>that argument against it, it's like, you know, it's not

0:23:42.119 --> 0:23:44.120
<v Speaker 1>really that important enough an argument for you to make.

0:23:44.240 --> 0:23:52.560
<v Speaker 1>I'm just gonna sit this one out. So today we

0:23:52.720 --> 0:23:56.360
<v Speaker 1>are talking with a good friend of mine, Chucky Campbell.

0:23:56.520 --> 0:23:59.520
<v Speaker 1>He is a professor at the Bryant and Stratton College

0:23:59.560 --> 0:24:02.840
<v Speaker 1>and buff Low and Why, where he teaches media and ethics,

0:24:03.000 --> 0:24:09.200
<v Speaker 1>public speaking, information, literacy, learning, communities, and almost any other

0:24:09.320 --> 0:24:12.159
<v Speaker 1>writing and communication course at the college. He has a

0:24:12.280 --> 0:24:16.879
<v Speaker 1>PhD in English Literature, Creative Writing, and Composition Rhetoric from

0:24:16.920 --> 0:24:19.879
<v Speaker 1>the University of Southern Mississippi. He's the winner of the

0:24:20.000 --> 0:24:24.600
<v Speaker 1>Eastern Kentucky University Fiction Award, uh the Julia Visor Award

0:24:24.720 --> 0:24:28.119
<v Speaker 1>presented by the National College Learning Center and Association, and

0:24:28.440 --> 0:24:32.919
<v Speaker 1>numerous other awards. He's also a national touring hip hop artists.

0:24:33.000 --> 0:24:36.040
<v Speaker 1>Who's the newest album, Curious Incidents in Cancel Culture? That's

0:24:36.080 --> 0:24:39.200
<v Speaker 1>out right now? How are you doing, Chucky? I'm doing well.

0:24:39.640 --> 0:24:41.800
<v Speaker 1>Thank you guys for inviting me on. Yeah, it's great

0:24:41.840 --> 0:24:43.639
<v Speaker 1>to have you. Good to have you. How are you

0:24:43.720 --> 0:24:47.800
<v Speaker 1>holding up in these times? Um about like everybody else,

0:24:48.440 --> 0:24:52.040
<v Speaker 1>very confused about the strange things happening. But uh, for

0:24:52.119 --> 0:24:54.280
<v Speaker 1>the most part, I'm doing well well. I mean I'm

0:24:54.480 --> 0:24:57.919
<v Speaker 1>We're always curious as to, you know, people who are

0:24:58.240 --> 0:25:02.240
<v Speaker 1>working artists and things like at to how the new

0:25:03.040 --> 0:25:05.880
<v Speaker 1>way of life as it is is like affected your

0:25:05.960 --> 0:25:08.320
<v Speaker 1>craft and what you've been doing and how you have

0:25:08.400 --> 0:25:12.360
<v Speaker 1>to change things up. UM. Well, for somebody who's been

0:25:12.800 --> 0:25:15.560
<v Speaker 1>supported by the gig economy for so many years and

0:25:15.960 --> 0:25:19.359
<v Speaker 1>relied so heavily on live shows and live events, UM,

0:25:19.600 --> 0:25:23.160
<v Speaker 1>it's been troubling trying to put together things to coordinate people,

0:25:23.320 --> 0:25:28.239
<v Speaker 1>and UM it shifted everything online. A lot of my uh,

0:25:28.960 --> 0:25:32.680
<v Speaker 1>I would say, other work in terms of education, UM

0:25:33.160 --> 0:25:36.159
<v Speaker 1>is all remote learning. So that's a that's definitely a

0:25:36.200 --> 0:25:39.399
<v Speaker 1>shift and a change. And it's shifted the way I

0:25:39.480 --> 0:25:42.000
<v Speaker 1>do art out of the live environment, less of a

0:25:42.080 --> 0:25:46.480
<v Speaker 1>performance space and more into the virtual world. So I've

0:25:46.520 --> 0:25:50.200
<v Speaker 1>had to adjust to some of that. How in your

0:25:50.240 --> 0:25:54.480
<v Speaker 1>experience with remote learning, if at all, have you encountered, um,

0:25:54.760 --> 0:25:59.600
<v Speaker 1>issues of educational equity with different folks access to things

0:25:59.680 --> 0:26:03.040
<v Speaker 1>like odd Brand and now down here UM in Georgia.

0:26:03.400 --> 0:26:06.000
<v Speaker 1>I've had a number of students who come from rural

0:26:06.080 --> 0:26:08.560
<v Speaker 1>areas and have had to like sit in the parking

0:26:08.640 --> 0:26:12.119
<v Speaker 1>lot of the McDonald's to get WiFi to attend the

0:26:12.200 --> 0:26:14.560
<v Speaker 1>synchronous portions of our teaching. And I was wondering if

0:26:14.600 --> 0:26:19.640
<v Speaker 1>you had experienced anything similar with your UM past remote

0:26:19.720 --> 0:26:22.600
<v Speaker 1>learning during this time as well. Absolutely, I have a

0:26:22.640 --> 0:26:27.080
<v Speaker 1>lot of students that, especially if you come from a

0:26:27.200 --> 0:26:32.120
<v Speaker 1>disadvantaged background or low income background, you have less access

0:26:32.200 --> 0:26:36.720
<v Speaker 1>to technology, less access to the internet, and uh, a

0:26:36.760 --> 0:26:40.159
<v Speaker 1>lot of those students have been forced to try to

0:26:40.200 --> 0:26:45.160
<v Speaker 1>find different methods um of joining in in remote learning.

0:26:45.280 --> 0:26:48.080
<v Speaker 1>In terms of the college, the college is offered some

0:26:49.200 --> 0:26:53.600
<v Speaker 1>laptops and things of that nature to try to help

0:26:53.680 --> 0:26:58.119
<v Speaker 1>those students out, but unfortunately there's only so much you

0:26:58.200 --> 0:27:02.080
<v Speaker 1>can do, especially and a lot of your students are

0:27:02.480 --> 0:27:06.240
<v Speaker 1>from the background and from places like my students come from.

0:27:06.920 --> 0:27:10.280
<v Speaker 1>And uh, what you were talking about in terms of

0:27:10.359 --> 0:27:12.639
<v Speaker 1>rule environments, a lot of those same things carry over

0:27:12.760 --> 0:27:17.800
<v Speaker 1>to more urban city based environments as well. So just

0:27:17.960 --> 0:27:20.639
<v Speaker 1>to backtrack a little bit, so could you tell us

0:27:20.680 --> 0:27:23.879
<v Speaker 1>a little a little about your your story as it were,

0:27:24.000 --> 0:27:27.359
<v Speaker 1>because you're you're hip hop artists, your professor. So how

0:27:27.440 --> 0:27:31.600
<v Speaker 1>did that come about? Um? So, I'm I'm basically a

0:27:31.680 --> 0:27:35.400
<v Speaker 1>child of hip hop. Hip hop raised me so to speak, um,

0:27:36.920 --> 0:27:39.320
<v Speaker 1>and I grew up with it. It was initially you know,

0:27:39.440 --> 0:27:43.240
<v Speaker 1>I'm from a low income, high crime environment. Um, I

0:27:43.359 --> 0:27:48.040
<v Speaker 1>grew up and uh spaces besides the color of my skin,

0:27:48.680 --> 0:27:53.600
<v Speaker 1>I really um, it wasn't in a privileged environment. Um.

0:27:54.080 --> 0:27:58.200
<v Speaker 1>And so hip hop was like my access to learning

0:27:58.240 --> 0:28:01.120
<v Speaker 1>about my voice, my entrance into the world of ideas.

0:28:01.600 --> 0:28:04.000
<v Speaker 1>It was like the reason I wanted to read books

0:28:04.119 --> 0:28:08.480
<v Speaker 1>and challenge my thoughts, challenged myself with thoughts that were

0:28:10.040 --> 0:28:13.679
<v Speaker 1>just not readily available to me, I would say at

0:28:13.720 --> 0:28:19.679
<v Speaker 1>that moment. Um. So, I started out like in Kentucky. Actually,

0:28:19.840 --> 0:28:22.720
<v Speaker 1>like I'm from Richmond, Kentucky. Um and I used to

0:28:23.320 --> 0:28:26.200
<v Speaker 1>with one of my friends, traveled down and participate in

0:28:26.240 --> 0:28:29.960
<v Speaker 1>some of the mic battles. And uh, that's how I

0:28:30.080 --> 0:28:32.840
<v Speaker 1>really kind of was ushered into hip hop. It was

0:28:32.960 --> 0:28:35.879
<v Speaker 1>a community, um that I was just a part of

0:28:36.320 --> 0:28:37.960
<v Speaker 1>in that kind of way of life, a way of

0:28:38.240 --> 0:28:41.800
<v Speaker 1>learning how to speak and talk and walk and you know,

0:28:42.080 --> 0:28:45.080
<v Speaker 1>as I got older, you know, it became something else

0:28:45.160 --> 0:28:47.400
<v Speaker 1>to me. I was not just a student of it.

0:28:47.520 --> 0:28:51.480
<v Speaker 1>I became someone who also wanted to get back to it. So, like,

0:28:51.680 --> 0:28:54.720
<v Speaker 1>what what type of what what artists were you listening

0:28:54.760 --> 0:28:57.840
<v Speaker 1>to around that time? A lot of different ones because

0:28:57.880 --> 0:29:00.600
<v Speaker 1>I was, I guess Kentucky is a strange place. It's

0:29:00.640 --> 0:29:02.240
<v Speaker 1>like not in the South, and it's not in the North.

0:29:02.360 --> 0:29:06.360
<v Speaker 1>It's like kind of not even Midwest either. So, um,

0:29:07.320 --> 0:29:10.880
<v Speaker 1>I was listening to everything you know coming up. Um,

0:29:11.080 --> 0:29:15.320
<v Speaker 1>everything from like Tupac and Biggie two, Outcast Too, No

0:29:15.520 --> 0:29:19.320
<v Speaker 1>Limit to Freestyle Fellowship two. I mean, it was just

0:29:19.440 --> 0:29:22.640
<v Speaker 1>so many different influences coming together. Um, there were a

0:29:22.680 --> 0:29:24.840
<v Speaker 1>lot of like strict lines and divides in our hip

0:29:24.880 --> 0:29:28.920
<v Speaker 1>hop community because um, a lot of those people who

0:29:29.000 --> 0:29:31.560
<v Speaker 1>kind of are part of those different factions don't get along.

0:29:35.000 --> 0:29:37.000
<v Speaker 1>What I mean is that all like it all converges

0:29:37.160 --> 0:29:40.560
<v Speaker 1>in Kentucky like this was there is there no strong

0:29:40.720 --> 0:29:43.280
<v Speaker 1>was there no strong local scene at the time. There

0:29:43.480 --> 0:29:46.600
<v Speaker 1>was there was a strong local scene, but there were

0:29:46.680 --> 0:29:50.560
<v Speaker 1>hard lines that divided it. So a lot of the

0:29:51.680 --> 0:29:53.920
<v Speaker 1>a lot of the scene that was in coming out

0:29:53.960 --> 0:29:55.880
<v Speaker 1>of Lexington. You would have a lot of like really

0:29:55.960 --> 0:29:59.880
<v Speaker 1>really strong down South rap, you know, a lot of

0:30:00.040 --> 0:30:03.920
<v Speaker 1>then the I would say vogue of say like no

0:30:04.080 --> 0:30:07.360
<v Speaker 1>Limit Cash Money records. And then on the other side

0:30:07.400 --> 0:30:11.800
<v Speaker 1>of that you had some very heavily like Wootang East

0:30:11.840 --> 0:30:16.400
<v Speaker 1>Coast influenced music. And those two groups, while they were

0:30:16.560 --> 0:30:19.960
<v Speaker 1>part of the same community, didn't necessarily, um talk to

0:30:20.000 --> 0:30:22.680
<v Speaker 1>each other collaborate very much, so there wasn't a lot

0:30:22.720 --> 0:30:27.040
<v Speaker 1>of like cross pollination between those two styles. Yeah, those

0:30:27.040 --> 0:30:32.360
<v Speaker 1>two bases, it kind of divided the community. So Okay,

0:30:32.760 --> 0:30:36.160
<v Speaker 1>So at this time, hip hop captures your imagination and

0:30:36.800 --> 0:30:38.760
<v Speaker 1>you're kind of learning about your voice through it. So

0:30:38.840 --> 0:30:42.360
<v Speaker 1>then what makes you actually pick up the pen and

0:30:42.400 --> 0:30:45.800
<v Speaker 1>the mic and start rapping. I had a friend, Dame

0:30:45.960 --> 0:30:50.840
<v Speaker 1>Ralph prador Uh, and he was in a group called

0:30:50.880 --> 0:30:54.680
<v Speaker 1>Microphone Microphone Fanatics at that time, and they were collaborating

0:30:54.680 --> 0:30:58.160
<v Speaker 1>with another group named Mad Militia and Lexington and UM.

0:30:59.320 --> 0:31:01.800
<v Speaker 1>I went to some battles with him, and then when

0:31:01.800 --> 0:31:04.200
<v Speaker 1>I got like kind of brave enough to step on

0:31:04.320 --> 0:31:07.920
<v Speaker 1>stage and do my own thing, UM because he kind

0:31:07.920 --> 0:31:10.920
<v Speaker 1>of pushed me into that, UM, I found out that

0:31:11.160 --> 0:31:15.840
<v Speaker 1>it was something that I really liked. UM after kind

0:31:15.840 --> 0:31:18.920
<v Speaker 1>of that cultivated itself, me and Ralph started doing projects together,

0:31:19.840 --> 0:31:25.360
<v Speaker 1>and uh, that grew its own legs in a certain way. Um,

0:31:26.920 --> 0:31:29.920
<v Speaker 1>it wouldn't be too many years later that I would

0:31:30.160 --> 0:31:33.880
<v Speaker 1>start releasing stuff like publicly and it was first under

0:31:33.920 --> 0:31:38.719
<v Speaker 1>a moniker named soul Asleep. Um, it was the when

0:31:38.760 --> 0:31:40.520
<v Speaker 1>I first started putting out music. No one knew me

0:31:40.560 --> 0:31:44.600
<v Speaker 1>as Chucky Campbell. So so I mean if you were

0:31:44.640 --> 0:31:46.960
<v Speaker 1>doing all of that at the same time that you know,

0:31:47.040 --> 0:31:50.960
<v Speaker 1>obviously you were getting yourself educated and ready to like

0:31:51.680 --> 0:31:54.560
<v Speaker 1>get into the career path that you're in. So was

0:31:54.640 --> 0:31:56.240
<v Speaker 1>that something that you always knew was going to be

0:31:56.280 --> 0:31:59.240
<v Speaker 1>the case? The joys know, you were gonna be putting

0:31:59.320 --> 0:32:04.080
<v Speaker 1>as much time and effort into your music as you

0:32:05.000 --> 0:32:09.280
<v Speaker 1>were as you are your your teaching career. Um, not

0:32:09.400 --> 0:32:11.600
<v Speaker 1>really at all. I mean at first, I mean, like

0:32:11.680 --> 0:32:14.000
<v Speaker 1>a lot of people that come from like local, low income,

0:32:14.080 --> 0:32:19.720
<v Speaker 1>high crime environments, like I really wasn't into um my

0:32:19.960 --> 0:32:23.080
<v Speaker 1>education very young. I came from a public school that

0:32:23.280 --> 0:32:27.880
<v Speaker 1>was really not funded well, um, and it had its

0:32:27.920 --> 0:32:30.560
<v Speaker 1>own issues, you know, And so I didn't have a

0:32:30.600 --> 0:32:33.880
<v Speaker 1>lot of people on that side of education, and that

0:32:34.120 --> 0:32:36.880
<v Speaker 1>was that were influencing me and valued what I was doing.

0:32:37.040 --> 0:32:42.120
<v Speaker 1>So initially gravitated towards athletics. So I was a basketball player,

0:32:42.840 --> 0:32:45.800
<v Speaker 1>and uh I earned a scholarship to play basketball at

0:32:45.840 --> 0:32:49.760
<v Speaker 1>Lee University. UM I played four years of college basketball there,

0:32:50.760 --> 0:32:53.960
<v Speaker 1>um and then after that for a very short stint

0:32:54.200 --> 0:32:58.840
<v Speaker 1>some professional basketball before my knee. And then when I

0:32:58.960 --> 0:33:02.160
<v Speaker 1>came back after my knee injury, UM, I had at

0:33:02.240 --> 0:33:04.760
<v Speaker 1>that time kind of been balancing my academic life with

0:33:05.280 --> 0:33:08.040
<v Speaker 1>hip hop and rap music. So I had dropped like

0:33:08.120 --> 0:33:12.160
<v Speaker 1>a couple of EPs, and they had did um I

0:33:12.240 --> 0:33:16.040
<v Speaker 1>guess pretty well at that time for what for the

0:33:16.160 --> 0:33:20.920
<v Speaker 1>kind of industry that there was for independent art, And

0:33:21.000 --> 0:33:23.160
<v Speaker 1>so I decided when I came back after I hurt

0:33:23.200 --> 0:33:25.080
<v Speaker 1>my knee, that I was gonna move to Nashville, Tennessee

0:33:25.880 --> 0:33:28.480
<v Speaker 1>without producer. And we lived there for about a year,

0:33:29.800 --> 0:33:32.480
<v Speaker 1>and um, so I ran out of money. So I

0:33:32.560 --> 0:33:35.720
<v Speaker 1>ran out all the money that I had professionally and

0:33:36.320 --> 0:33:39.840
<v Speaker 1>built up from playing basketball. And then so when we

0:33:39.920 --> 0:33:43.760
<v Speaker 1>were forced to go back to Kentucky together, I was

0:33:43.880 --> 0:33:47.240
<v Speaker 1>there probably for about five or six months before Ralph

0:33:47.680 --> 0:33:50.880
<v Speaker 1>had moved back from Seattle, Washington, and so me and

0:33:50.960 --> 0:33:53.280
<v Speaker 1>Ralph were talking about doing some stuff again, forming a

0:33:53.680 --> 0:33:58.920
<v Speaker 1>live band and doing hip hop together. And um, then

0:33:59.320 --> 0:34:03.360
<v Speaker 1>there was and um an issue between me and Ralph.

0:34:03.400 --> 0:34:04.760
<v Speaker 1>I don't know if you want me to tell that story,

0:34:04.800 --> 0:34:08.720
<v Speaker 1>but my um, my job was broken in two places,

0:34:08.800 --> 0:34:11.040
<v Speaker 1>so I have two metal plates in my face. UM,

0:34:11.360 --> 0:34:17.080
<v Speaker 1>and uh that with the doctors. Initially after that happened,

0:34:17.120 --> 0:34:18.439
<v Speaker 1>they told me I was not going to be able

0:34:18.480 --> 0:34:23.799
<v Speaker 1>to rap again. So I stopped rapping for like seven years. Um.

0:34:23.960 --> 0:34:26.840
<v Speaker 1>And during that time, my mother kind of helped me

0:34:27.200 --> 0:34:31.160
<v Speaker 1>condition myself where I was able to articulate and speak

0:34:31.160 --> 0:34:34.719
<v Speaker 1>again in a somewhat normal fashion. Most people can't tell

0:34:34.800 --> 0:34:38.160
<v Speaker 1>that I've ever had that happened to me now, UM,

0:34:39.440 --> 0:34:41.680
<v Speaker 1>but yeah, I wouldn't. I went off after that and

0:34:41.800 --> 0:34:44.120
<v Speaker 1>channeled all that creative energy, went back to school d

0:34:44.200 --> 0:34:48.719
<v Speaker 1>Skentuck University, got my masters, and then uh won some

0:34:48.840 --> 0:34:55.000
<v Speaker 1>awards and did some did some work in academia, and

0:34:55.120 --> 0:34:58.040
<v Speaker 1>then decided that I wanted to continue that work is

0:34:58.320 --> 0:35:00.560
<v Speaker 1>teaching English as a second language. So I moved to

0:35:00.680 --> 0:35:05.680
<v Speaker 1>China for price six to eight months and taught in

0:35:05.840 --> 0:35:09.799
<v Speaker 1>Beijing and Hining and Shanghai, and then I got into

0:35:09.840 --> 0:35:13.480
<v Speaker 1>a PhD program. How was the time that you spent overseas. Oh,

0:35:13.560 --> 0:35:16.239
<v Speaker 1>it was fun. I enjoyed it very much. That I

0:35:16.400 --> 0:35:19.279
<v Speaker 1>was learning some Mandarin Chinese at the time. It was

0:35:19.360 --> 0:35:22.920
<v Speaker 1>like a language program, exchange program. And uh, A lot

0:35:22.960 --> 0:35:24.560
<v Speaker 1>of the kids that we were teaching, we were teaching

0:35:24.680 --> 0:35:28.200
<v Speaker 1>language English, language through English by our American culture, I

0:35:28.200 --> 0:35:30.880
<v Speaker 1>would say. And uh, a lot of the kids were

0:35:31.000 --> 0:35:35.560
<v Speaker 1>very young, you know, elementary UM or middle school. So

0:35:35.800 --> 0:35:38.600
<v Speaker 1>with the things that you learned and experience being an

0:35:38.760 --> 0:35:42.960
<v Speaker 1>m C and performing and you know, talking to crowds

0:35:43.040 --> 0:35:45.880
<v Speaker 1>of people or even just putting ideas out there for

0:35:45.920 --> 0:35:48.640
<v Speaker 1>people to respond to, does any of that translate into

0:35:48.719 --> 0:35:51.640
<v Speaker 1>being an educator? Oh? Yeah, I think I've almost learned

0:35:52.239 --> 0:35:56.120
<v Speaker 1>the backward you know, like it was almost like him

0:35:56.160 --> 0:35:58.480
<v Speaker 1>seeing was what taught me how to teach instead of

0:35:58.600 --> 0:36:03.200
<v Speaker 1>like teaching help my m seeing out. So it was

0:36:03.280 --> 0:36:09.400
<v Speaker 1>like kind of learning to project my voice learning. Uh,

0:36:09.920 --> 0:36:14.759
<v Speaker 1>authenticity leads to true authority. Um. You know, some of

0:36:14.840 --> 0:36:18.560
<v Speaker 1>the values that carry over and in the culture of

0:36:18.640 --> 0:36:21.479
<v Speaker 1>hip hop work well in the classroom, and they also

0:36:21.560 --> 0:36:26.719
<v Speaker 1>work well to inspire especially kids that have been kind

0:36:26.760 --> 0:36:31.239
<v Speaker 1>of um have troubled educational histories or backgrounds that don't

0:36:31.320 --> 0:36:38.440
<v Speaker 1>necessarily lend themselves to um to wanting to read literature

0:36:38.719 --> 0:36:44.640
<v Speaker 1>or engage and uh and some more academic kinds of activities.

0:36:46.280 --> 0:36:48.880
<v Speaker 1>So I think that hip hop is kind of what

0:36:49.040 --> 0:36:51.920
<v Speaker 1>taught me about community and what allows people to come

0:36:51.960 --> 0:36:56.480
<v Speaker 1>together and and stitch those uh, those ideas into one thing.

0:36:57.480 --> 0:37:01.480
<v Speaker 1>Do hip hop texts or practices of wreck? I'm into uh,

0:37:02.480 --> 0:37:07.400
<v Speaker 1>composition classrooms in terms of analysis or is a jumping

0:37:07.440 --> 0:37:10.880
<v Speaker 1>off place to discuss um social issues or anything like

0:37:10.960 --> 0:37:14.239
<v Speaker 1>that all the time. I use Kindrick Lamar a whole

0:37:14.280 --> 0:37:19.399
<v Speaker 1>lot um. I use Lauren Hill a whole whole lot um.

0:37:20.960 --> 0:37:25.080
<v Speaker 1>Who's some other people. Recently I've used Blueprint and some

0:37:25.239 --> 0:37:29.640
<v Speaker 1>of his music. He has a song called Perspective that

0:37:29.840 --> 0:37:34.880
<v Speaker 1>is a really good one. Um lupe Fiasco. He has

0:37:34.880 --> 0:37:38.360
<v Speaker 1>a song named Jennala Forever which is pretty like craftably

0:37:38.520 --> 0:37:43.360
<v Speaker 1>written and uh. We use that in terms of understanding reading,

0:37:43.440 --> 0:37:47.080
<v Speaker 1>not just as words on a page, but reading in

0:37:47.160 --> 0:37:51.320
<v Speaker 1>a more uh kind of critical thinking, since seeing the

0:37:51.400 --> 0:37:56.319
<v Speaker 1>deep structure of things understanding that meaning often is kind

0:37:56.360 --> 0:38:01.880
<v Speaker 1>of like him hemming ways iceberg theory, like, so the

0:38:01.960 --> 0:38:04.680
<v Speaker 1>top and tip of the iceberg is what you see,

0:38:04.800 --> 0:38:07.400
<v Speaker 1>but most of the meaning lies beneath it, and that

0:38:07.520 --> 0:38:11.560
<v Speaker 1>meets kind of hand in hand theoretically with another communication

0:38:11.640 --> 0:38:16.080
<v Speaker 1>theorist that I implement, Michael Polani, who talks about communication

0:38:16.160 --> 0:38:19.040
<v Speaker 1>has a tacit dimension where we often when we speak,

0:38:19.080 --> 0:38:20.600
<v Speaker 1>we mean more than we say, and we say more

0:38:20.640 --> 0:38:23.560
<v Speaker 1>than we mean. So I kind of take those kinds

0:38:23.600 --> 0:38:32.080
<v Speaker 1>of propositions into the classroom. Um. That's especially true of

0:38:32.160 --> 0:38:35.520
<v Speaker 1>hip hop, the way we sort of circumlow qute through

0:38:35.680 --> 0:38:40.160
<v Speaker 1>metaphor and through um slang and stuff like that, sort

0:38:40.200 --> 0:38:42.600
<v Speaker 1>of obscuring the meeting, so that we do have this

0:38:43.000 --> 0:38:47.040
<v Speaker 1>tip of an iceberg that is um very aesthetic. But

0:38:47.200 --> 0:38:50.439
<v Speaker 1>what do you you know, do repeated listens or sort

0:38:50.480 --> 0:38:52.960
<v Speaker 1>of breakdown what people are saying. There's a lot more

0:38:53.080 --> 0:38:56.840
<v Speaker 1>meaning there. Um. So there's a lot of rich potential

0:38:56.960 --> 0:39:01.520
<v Speaker 1>for um exploration of hip obtects in the classroom generally.

0:39:01.640 --> 0:39:04.279
<v Speaker 1>But interesting to hear what a particular artists have come

0:39:04.320 --> 0:39:08.120
<v Speaker 1>into play in your classrooms specifically. Right. I also think

0:39:08.200 --> 0:39:12.560
<v Speaker 1>it's important that I have students that are performatively kind

0:39:12.600 --> 0:39:17.080
<v Speaker 1>of expressing themselves through not just rap music but the

0:39:17.160 --> 0:39:19.560
<v Speaker 1>culture of hip hop in the classroom as well. You know,

0:39:19.719 --> 0:39:22.680
<v Speaker 1>like so It's not as if I'm kind of just

0:39:22.880 --> 0:39:27.400
<v Speaker 1>using hip hop as a bridge. I'm actually giving hip

0:39:27.440 --> 0:39:30.080
<v Speaker 1>hop a voice in the classroom, you know. So it's

0:39:30.120 --> 0:39:32.759
<v Speaker 1>not that I'm forcing them into academic culture. It has

0:39:32.800 --> 0:39:35.799
<v Speaker 1>to be a gateway instead. Academic culture and hip hop

0:39:36.040 --> 0:39:39.560
<v Speaker 1>don't have to contradict themselves. You So, now, like that

0:39:39.680 --> 0:39:41.279
<v Speaker 1>is kind of a question for both of you, because

0:39:41.600 --> 0:39:44.520
<v Speaker 1>y'all are two people who I know personally in my

0:39:44.640 --> 0:39:47.560
<v Speaker 1>life who are to teach and do hip hop. So

0:39:47.680 --> 0:39:51.680
<v Speaker 1>do you guys like see even broader use for hipolo?

0:39:51.719 --> 0:39:55.320
<v Speaker 1>Do you think that that, um, there's a more of

0:39:55.360 --> 0:39:59.799
<v Speaker 1>a there's a more of an opportunity for teachers who

0:39:59.840 --> 0:40:03.880
<v Speaker 1>have of backgrounds like you guys to utilize just different

0:40:03.920 --> 0:40:06.719
<v Speaker 1>aspects of hip hop to like, you know, get messages

0:40:06.880 --> 0:40:10.239
<v Speaker 1>across into more effectively teach classes. Like does it work

0:40:10.280 --> 0:40:14.120
<v Speaker 1>that way? Is there any yes? For sure? I mean,

0:40:14.600 --> 0:40:16.839
<v Speaker 1>I mean, my whole I don't know if you've talked

0:40:16.880 --> 0:40:19.800
<v Speaker 1>about this techy, but my whole dissertation is on like

0:40:19.880 --> 0:40:23.120
<v Speaker 1>hip hop paedagogy and like the many decades of research

0:40:23.200 --> 0:40:25.520
<v Speaker 1>people have put in to look at how we can

0:40:25.719 --> 0:40:30.880
<v Speaker 1>use um poetic devices within hip hop to teach poetic

0:40:30.960 --> 0:40:34.960
<v Speaker 1>devices and Shakespeare to use hip hop to respond to literature,

0:40:35.520 --> 0:40:39.840
<v Speaker 1>so giving students the opportunity to respond to works of

0:40:40.040 --> 0:40:43.560
<v Speaker 1>art and using wrap as well as practices or you know,

0:40:43.760 --> 0:40:47.000
<v Speaker 1>mind states akin to like being in the cipher for example,

0:40:47.200 --> 0:40:49.680
<v Speaker 1>some way to structure dialogue in the classroom to both

0:40:49.760 --> 0:40:52.040
<v Speaker 1>like the use of hip hop text and then the

0:40:52.560 --> 0:40:55.800
<v Speaker 1>hip hop practices more broadly with regards to like stance

0:40:55.840 --> 0:40:59.920
<v Speaker 1>as we take or um sort of activities we engage

0:41:00.040 --> 0:41:02.319
<v Speaker 1>in to build community as as you were kind of saying,

0:41:02.400 --> 0:41:07.239
<v Speaker 1>checky um. But I but I guess the problem we've

0:41:07.280 --> 0:41:10.880
<v Speaker 1>seen in the research of that very often times these

0:41:10.960 --> 0:41:14.720
<v Speaker 1>practices of pedagogy are taken up by hip hop heads

0:41:15.160 --> 0:41:18.960
<v Speaker 1>and not as frequently actual hip hop practitioners as it were,

0:41:19.120 --> 0:41:23.359
<v Speaker 1>like folks like Chuckie and I um and so uh.

0:41:23.719 --> 0:41:26.080
<v Speaker 1>It is interesting to hear from someone that does do

0:41:26.280 --> 0:41:31.040
<v Speaker 1>hip hop what that looks like for them in their classroom, right.

0:41:31.080 --> 0:41:34.320
<v Speaker 1>And I think it doesn't just extend to education. I

0:41:34.400 --> 0:41:37.120
<v Speaker 1>think it speaks to the importance of civil discourse and

0:41:37.200 --> 0:41:40.680
<v Speaker 1>what education where those two lines come to come together

0:41:40.880 --> 0:41:44.520
<v Speaker 1>or overlap, you know, I mean hip hop as even

0:41:44.600 --> 0:41:47.840
<v Speaker 1>what Mariah has done, you know politically, you know, the

0:41:48.800 --> 0:41:53.319
<v Speaker 1>it trains you and conditions you for those places once

0:41:53.400 --> 0:41:57.680
<v Speaker 1>you evolve to to take them on, you know. So

0:41:57.840 --> 0:42:00.920
<v Speaker 1>it's it's a place, it's where, like I mean, it

0:42:01.000 --> 0:42:03.880
<v Speaker 1>doesn't prepare you completely for all the things that are

0:42:03.920 --> 0:42:08.399
<v Speaker 1>gonna happen to you, um once you take that spot. Um,

0:42:08.960 --> 0:42:14.040
<v Speaker 1>but I think it's a training ground. So if um

0:42:15.520 --> 0:42:18.360
<v Speaker 1>just your your your opinion the way that you see it,

0:42:18.520 --> 0:42:23.680
<v Speaker 1>what is the probably like the biggest obstacle in the

0:42:23.760 --> 0:42:29.080
<v Speaker 1>way right now, like America's education system. Um, I think

0:42:29.120 --> 0:42:31.480
<v Speaker 1>it's the opposite thing of what most people think. It is,

0:42:32.000 --> 0:42:34.320
<v Speaker 1>like a lot of people think that, you know, the

0:42:34.760 --> 0:42:37.719
<v Speaker 1>university system is all like left wing. In my experience,

0:42:37.760 --> 0:42:42.600
<v Speaker 1>it's almost the opposite. It's very um conservative, and uh

0:42:42.719 --> 0:42:44.560
<v Speaker 1>you know, I think that that's also being propped up

0:42:44.600 --> 0:42:46.800
<v Speaker 1>right now by a number of voices and talking heads

0:42:47.440 --> 0:42:50.960
<v Speaker 1>that are dangerous to civil discourse in our country, people

0:42:51.080 --> 0:42:57.600
<v Speaker 1>like uh Canadian Jordan Peterson or Sam Harris, Ben Shapiro. Yeah,

0:42:58.800 --> 0:43:02.239
<v Speaker 1>those are all the dirt problems, the surf one. I

0:43:02.239 --> 0:43:05.640
<v Speaker 1>haven't heard that one that like that. Yeah for sure. Yeah,

0:43:07.440 --> 0:43:10.680
<v Speaker 1>I was really curious about some of your advocacy. I

0:43:10.760 --> 0:43:13.000
<v Speaker 1>know that for a while you ran hip Hop as

0:43:13.080 --> 0:43:16.239
<v Speaker 1>Revolution the music series and collaboration with Push Buffalo. I

0:43:16.320 --> 0:43:17.680
<v Speaker 1>was wondering if you talk to us a little bit

0:43:17.719 --> 0:43:22.560
<v Speaker 1>about that, right, Push Buffalo's incredible organization. You know, uh

0:43:23.200 --> 0:43:28.640
<v Speaker 1>pushes responsible for you know, keeping people up the streets

0:43:28.719 --> 0:43:31.520
<v Speaker 1>almost at this point, like with rent control and all

0:43:31.560 --> 0:43:36.200
<v Speaker 1>of those issues. And then they're also deeply kind of

0:43:36.760 --> 0:43:41.080
<v Speaker 1>entrenched in some of the more revolutionary time talk about

0:43:41.120 --> 0:43:44.839
<v Speaker 1>sustainable housing and the environment and where that meets economically

0:43:44.960 --> 0:43:49.560
<v Speaker 1>with government. And so I collaborated with guy named John Washington,

0:43:50.120 --> 0:43:55.120
<v Speaker 1>and John and me had this idea to uh cover

0:43:55.160 --> 0:43:57.920
<v Speaker 1>it up and and begin a hip hop platform that

0:43:58.360 --> 0:44:03.640
<v Speaker 1>not only brought in heavily influential political hip hop artists

0:44:04.360 --> 0:44:07.640
<v Speaker 1>and match them with some local artists that also have

0:44:07.800 --> 0:44:10.680
<v Speaker 1>that kind of tilt to their music and their their art,

0:44:11.239 --> 0:44:14.520
<v Speaker 1>but also um and form the public too. So those

0:44:14.560 --> 0:44:18.920
<v Speaker 1>events were you know, used to get people involved in

0:44:19.280 --> 0:44:22.439
<v Speaker 1>other parts of not just their political education, but also

0:44:22.560 --> 0:44:26.719
<v Speaker 1>taking taking part in changing some of the unfair properties

0:44:26.760 --> 0:44:30.480
<v Speaker 1>about the way our society is form and institutionalized. So

0:44:30.920 --> 0:44:34.000
<v Speaker 1>what was the role of hip hop as Resolution in

0:44:34.200 --> 0:44:36.600
<v Speaker 1>some of the organizing what they were doing was like

0:44:36.680 --> 0:44:40.399
<v Speaker 1>sort of recruitment space, educational like what how how were

0:44:40.440 --> 0:44:43.799
<v Speaker 1>you using that event to advance some of their prerogatives.

0:44:44.200 --> 0:44:46.680
<v Speaker 1>But we tried to bring in like anyone in the

0:44:46.760 --> 0:44:49.440
<v Speaker 1>community that had a part in hip hop, so anyone

0:44:49.560 --> 0:44:53.240
<v Speaker 1>that was related even like from culinary arts and food

0:44:53.640 --> 0:44:59.480
<v Speaker 1>to UM, an entire like booths that have UM you know,

0:44:59.600 --> 0:45:04.759
<v Speaker 1>inform a about how to organize UM, I mean the

0:45:05.160 --> 0:45:07.200
<v Speaker 1>artists themselves, kind of propping them up and giving them

0:45:07.239 --> 0:45:08.640
<v Speaker 1>a stage to say what they need to say and

0:45:08.760 --> 0:45:12.200
<v Speaker 1>voice their opinions, and then matching them with UM artists

0:45:12.280 --> 0:45:15.719
<v Speaker 1>that already have an audience and a crowd. So you're

0:45:15.719 --> 0:45:18.960
<v Speaker 1>bringing out people that normally wouldn't come to an independent

0:45:19.719 --> 0:45:22.640
<v Speaker 1>arts event and then kind of using that as a

0:45:22.719 --> 0:45:27.000
<v Speaker 1>springboard to get people interested in some of the more

0:45:27.480 --> 0:45:31.239
<v Speaker 1>important positions of our day. UM. Because it's I mean

0:45:31.320 --> 0:45:34.480
<v Speaker 1>really at this point, like we're in a slippery slope

0:45:34.640 --> 0:45:36.840
<v Speaker 1>I feel like almost a turning point in society, and

0:45:37.120 --> 0:45:39.520
<v Speaker 1>it's all of the there's been many things that are

0:45:39.560 --> 0:45:44.640
<v Speaker 1>working together to cause that two come about and get

0:45:44.719 --> 0:45:48.400
<v Speaker 1>this outcome that we're all working through right now. So,

0:45:50.239 --> 0:45:52.560
<v Speaker 1>So can you tell us a bit about the new album,

0:45:53.600 --> 0:45:58.000
<v Speaker 1>Oh curious incidents and cancel culture all right, Um, really

0:45:58.080 --> 0:46:02.719
<v Speaker 1>the point of the uh the point I really at

0:46:02.760 --> 0:46:05.600
<v Speaker 1>this point, like for years I've been collaborating with like

0:46:05.680 --> 0:46:09.360
<v Speaker 1>bigger artists and um, taking a whole different approach to

0:46:09.680 --> 0:46:14.160
<v Speaker 1>rap music and kind of like instead of just doing

0:46:14.200 --> 0:46:17.200
<v Speaker 1>whatever with stereotypical, just being as free as I could artistically.

0:46:18.040 --> 0:46:20.279
<v Speaker 1>And so I had like the band and all of

0:46:20.320 --> 0:46:24.279
<v Speaker 1>these different moving parts that where we're doing all the

0:46:24.360 --> 0:46:29.719
<v Speaker 1>touring and doing really high in music videos and um,

0:46:30.719 --> 0:46:33.120
<v Speaker 1>you know, collaborating with singers across the aisle from like

0:46:33.200 --> 0:46:35.799
<v Speaker 1>folk music. That's the thing I wanna I just need

0:46:35.880 --> 0:46:40.080
<v Speaker 1>to interject, You'll need to check out Chucky's music videos

0:46:40.080 --> 0:46:43.920
<v Speaker 1>because especially in the indie scene, like Chucky's videos are

0:46:44.040 --> 0:46:47.560
<v Speaker 1>especially like it looked like Martin Scorsese films and ship

0:46:50.120 --> 0:46:52.799
<v Speaker 1>uh this I think this project right here. We um,

0:46:53.239 --> 0:46:56.400
<v Speaker 1>so we we noticed that most of what's happening with

0:46:56.520 --> 0:46:58.359
<v Speaker 1>independent music right now is a lot of things are

0:46:58.400 --> 0:47:02.520
<v Speaker 1>going visual, you know, and since we're kind of confined

0:47:02.719 --> 0:47:08.080
<v Speaker 1>this virtual platform right now and we can't perform live. Um, Instead,

0:47:08.160 --> 0:47:11.160
<v Speaker 1>what I've done is that packaged an entire EP into

0:47:11.640 --> 0:47:15.200
<v Speaker 1>a video project, and so there are six interconnected videos

0:47:15.239 --> 0:47:18.000
<v Speaker 1>feature song. Um right now, I think we've learned the

0:47:18.040 --> 0:47:22.120
<v Speaker 1>song too. UM. But there's just a lot of heavy symbolism, symbolism,

0:47:22.400 --> 0:47:26.120
<v Speaker 1>and I wanted to speak directly to some of the

0:47:26.440 --> 0:47:31.440
<v Speaker 1>confusion and chaos um things like, um, you know, the

0:47:32.480 --> 0:47:36.759
<v Speaker 1>loss of the apprentice becomes president, murder hornets, you know,

0:47:36.920 --> 0:47:41.200
<v Speaker 1>like these these crazy things that you could not have

0:47:41.520 --> 0:47:48.120
<v Speaker 1>possibly foreseen, potentially you know, kind of happening. And I

0:47:48.160 --> 0:47:53.080
<v Speaker 1>feel like that's all too kind of put into like this,

0:47:54.360 --> 0:47:57.560
<v Speaker 1>this entire discourse about what cancel culture is too, because

0:47:57.600 --> 0:47:59.920
<v Speaker 1>they're good things that cancel culture does, like a lot

0:48:00.080 --> 0:48:03.360
<v Speaker 1>of a lot of there's a lot of good aspects

0:48:03.480 --> 0:48:07.360
<v Speaker 1>to woke to wokeness and woke culture and to cancel culture.

0:48:07.440 --> 0:48:10.560
<v Speaker 1>Because some some of these people who are being called

0:48:10.600 --> 0:48:12.719
<v Speaker 1>out deserved to be, and we should believe the people

0:48:12.719 --> 0:48:15.960
<v Speaker 1>who are calling them out. I mean, I think it's

0:48:15.960 --> 0:48:17.600
<v Speaker 1>I think a lot of them we were getting called

0:48:17.640 --> 0:48:19.759
<v Speaker 1>out deserve to be. I just for me, the thing

0:48:19.880 --> 0:48:25.279
<v Speaker 1>that really grates me about the crowd that is like

0:48:26.560 --> 0:48:28.760
<v Speaker 1>goes out of their way to be anti cancel culture

0:48:28.920 --> 0:48:31.720
<v Speaker 1>is just they treat it that the things about cancel

0:48:31.800 --> 0:48:34.320
<v Speaker 1>culture or woke culture, whatever you want to call it,

0:48:34.480 --> 0:48:38.440
<v Speaker 1>that are at the worst annoying. They treat it as

0:48:38.520 --> 0:48:44.280
<v Speaker 1>if it's like some giant incident that's gonna make Western

0:48:44.400 --> 0:48:47.640
<v Speaker 1>civilization collapse if if we don't quell it right now,

0:48:47.680 --> 0:48:50.840
<v Speaker 1>and it's like, well, the opposite of cancel culture is

0:48:51.320 --> 0:48:55.000
<v Speaker 1>people just you know, kind of being openly bigoted and ships.

0:48:55.120 --> 0:49:00.799
<v Speaker 1>So it's like right, auntability from ones like I don't know, yeah,

0:49:00.880 --> 0:49:05.160
<v Speaker 1>bigotry or transgressions are just harm that are done to others.

0:49:05.520 --> 0:49:08.239
<v Speaker 1>I kind of think that cancel culture is you know,

0:49:08.520 --> 0:49:11.920
<v Speaker 1>like a lot of things good and bad, so um.

0:49:12.400 --> 0:49:15.440
<v Speaker 1>Mostly I feel like it's a form of descent, and

0:49:16.040 --> 0:49:18.120
<v Speaker 1>a good form of descent, a good form of kind

0:49:18.160 --> 0:49:23.520
<v Speaker 1>of protesting. It'st um things in society that are unfair

0:49:23.719 --> 0:49:26.880
<v Speaker 1>or target unfair groups or people without lots of power,

0:49:27.440 --> 0:49:30.160
<v Speaker 1>And so cancel culture is good in the respect that

0:49:31.040 --> 0:49:34.759
<v Speaker 1>it kind of um allows the voices of the people

0:49:34.840 --> 0:49:38.640
<v Speaker 1>to speak up against some of the injustices that consistently

0:49:39.239 --> 0:49:43.719
<v Speaker 1>society doesn't do a good job regulating or um protecting

0:49:43.760 --> 0:49:46.719
<v Speaker 1>people from on the other side of some of this,

0:49:47.160 --> 0:49:53.080
<v Speaker 1>it is a kind of um I would say, unchecked

0:49:54.120 --> 0:50:01.160
<v Speaker 1>um form of of power. I mean, it's power in

0:50:01.280 --> 0:50:03.880
<v Speaker 1>the people's hands, but sometimes that can be good and

0:50:04.040 --> 0:50:08.040
<v Speaker 1>bad depending on how much powers in whose hands. So

0:50:08.760 --> 0:50:12.640
<v Speaker 1>one of the things that UM has commonly been I

0:50:12.680 --> 0:50:16.440
<v Speaker 1>would say issue in our current media climate is that

0:50:17.320 --> 0:50:23.200
<v Speaker 1>UM social media has made UM information flow in such

0:50:23.200 --> 0:50:28.600
<v Speaker 1>a way where there's not UM a real UM kind

0:50:28.640 --> 0:50:32.520
<v Speaker 1>of fabric in society that we can truly trust. So

0:50:33.080 --> 0:50:37.759
<v Speaker 1>UM I would say that when you ruin like that,

0:50:38.360 --> 0:50:43.000
<v Speaker 1>that feeling of trust in the society, then also solidarity

0:50:43.120 --> 0:50:46.880
<v Speaker 1>kind of diminishes, and UH that can be problematic for

0:50:46.960 --> 0:50:51.240
<v Speaker 1>a lot of different reasons because UM, there's no editor

0:50:52.040 --> 0:50:55.080
<v Speaker 1>to edit all of these different pieces of information that

0:50:55.160 --> 0:50:57.480
<v Speaker 1>are going out and coordinating to make meaning and make

0:50:57.560 --> 0:51:01.400
<v Speaker 1>sense of the world for people. UM. And it's not

0:51:01.600 --> 0:51:05.640
<v Speaker 1>that we would prefer like all corporate entities kind of

0:51:05.920 --> 0:51:08.400
<v Speaker 1>control this and that the power flow from top to

0:51:08.480 --> 0:51:11.560
<v Speaker 1>bottom all the time. But when there's no one checking

0:51:12.000 --> 0:51:14.719
<v Speaker 1>to make sure something is true, then now you've put

0:51:14.760 --> 0:51:19.000
<v Speaker 1>all narratives on an equal playing field. So people who

0:51:19.120 --> 0:51:23.560
<v Speaker 1>have any sort of opinion UM. And it seems that

0:51:23.880 --> 0:51:26.359
<v Speaker 1>nowadays everybody thinks that they not only have a right

0:51:26.440 --> 0:51:29.960
<v Speaker 1>to an opinion, but that all opinions are equal, it

0:51:30.040 --> 0:51:32.920
<v Speaker 1>makes it harder to siphon out the good opinions from

0:51:32.920 --> 0:51:35.439
<v Speaker 1>the bad opinions, a higher truth from a lower truth.

0:51:36.160 --> 0:51:38.919
<v Speaker 1>And obviously, like there are differences between that. I would

0:51:39.120 --> 0:51:42.920
<v Speaker 1>much rather take an informed opinion, like let's say, on

0:51:43.080 --> 0:51:47.160
<v Speaker 1>race um, from someone like Martin Luther King, than I

0:51:47.200 --> 0:51:51.880
<v Speaker 1>would and Adolf Hitler. You know, so, Um, the the

0:51:52.040 --> 0:51:56.160
<v Speaker 1>idea there is that um, when you put with narrative

0:51:56.280 --> 0:51:58.920
<v Speaker 1>is the only thing that we have here, then you

0:51:59.040 --> 0:52:04.280
<v Speaker 1>have nothing to quy, defy, to test um, to prove

0:52:04.400 --> 0:52:07.879
<v Speaker 1>factually right. So when you put facts up against alternative facts,

0:52:07.920 --> 0:52:11.800
<v Speaker 1>it's just whoever has more power because each story is

0:52:11.840 --> 0:52:16.120
<v Speaker 1>going against the other story. And uh, that's that's definitely

0:52:16.200 --> 0:52:18.520
<v Speaker 1>an issue if you have, like, let's say, a president

0:52:18.600 --> 0:52:21.800
<v Speaker 1>who's saying fake news to everything that he doesn't like,

0:52:22.239 --> 0:52:24.040
<v Speaker 1>and it's just kind of using the power of his

0:52:24.120 --> 0:52:28.360
<v Speaker 1>pulpit to tell people whatever stories he wants them to believe,

0:52:29.040 --> 0:52:33.840
<v Speaker 1>which could be kind of what happened at the capitoling.

0:52:33.920 --> 0:52:39.080
<v Speaker 1>You know, so what, um, what made you want to

0:52:39.200 --> 0:52:43.800
<v Speaker 1>like tackle this on your album? I think just because

0:52:44.280 --> 0:52:47.880
<v Speaker 1>it's confusing, you know, Like I think that there's no

0:52:49.040 --> 0:52:55.880
<v Speaker 1>real straightforward, perfect answer. Two. Um, there's the current social

0:52:55.920 --> 0:52:59.560
<v Speaker 1>climate we're in. We're we're in a pretty dark place.

0:53:00.040 --> 0:53:02.600
<v Speaker 1>And I feel that what I was trying to tackle

0:53:02.680 --> 0:53:07.200
<v Speaker 1>specifically is, uh, the cognitive dissonance that comes with that.

0:53:07.680 --> 0:53:11.680
<v Speaker 1>UM also some of just the confusion about who to

0:53:11.760 --> 0:53:15.359
<v Speaker 1>believe and what to believe, and UM, how the degradation

0:53:15.440 --> 0:53:19.480
<v Speaker 1>of that entire fabric kind of leads us to this

0:53:19.640 --> 0:53:24.200
<v Speaker 1>space where almost nothing is believable. We're in a very

0:53:24.320 --> 0:53:29.800
<v Speaker 1>strange existential kind of situation. UM. So I felt that

0:53:30.280 --> 0:53:33.280
<v Speaker 1>very real. You know, like, UM, some of the songs

0:53:33.360 --> 0:53:38.040
<v Speaker 1>on the album tackle um ag is m you know

0:53:38.160 --> 0:53:40.840
<v Speaker 1>the idea that you know, you have this older generation

0:53:41.880 --> 0:53:44.880
<v Speaker 1>uh coming up and the younger people are calling them

0:53:44.880 --> 0:53:49.480
<v Speaker 1>boomers and saying they don't they don't understand the current

0:53:50.000 --> 0:53:52.040
<v Speaker 1>generation and the way to do things, and that they

0:53:52.239 --> 0:53:55.640
<v Speaker 1>mounted up this huge amount of debt and put these

0:53:55.760 --> 0:53:57.520
<v Speaker 1>and put these young kids in that debt. And then

0:53:57.800 --> 0:54:00.719
<v Speaker 1>on the other side of the older narration is looking

0:54:00.760 --> 0:54:02.759
<v Speaker 1>back and saying, well, you guys know nothing about the world.

0:54:02.840 --> 0:54:07.040
<v Speaker 1>You're obsessed with um social media and with your Instagram

0:54:07.080 --> 0:54:11.880
<v Speaker 1>pictures and snapchat, and UM, there's wait to both of

0:54:12.040 --> 0:54:14.960
<v Speaker 1>that to those things you know there is, But then

0:54:15.000 --> 0:54:18.520
<v Speaker 1>it kind of gets stupid because like I had motherfucker

0:54:18.560 --> 0:54:22.520
<v Speaker 1>trying to call me a boomer and ship it was like, yo, no,

0:54:22.719 --> 0:54:24.560
<v Speaker 1>I think I just think you're wrong. I'm six years

0:54:24.600 --> 0:54:29.400
<v Speaker 1>older than you. Shut the buck up, right right? No, absolutely,

0:54:29.480 --> 0:54:31.560
<v Speaker 1>that's I mean, that's where I'm kind of getting. I mean,

0:54:31.600 --> 0:54:33.840
<v Speaker 1>if I had to stand on one side of cancel culture,

0:54:33.880 --> 0:54:35.880
<v Speaker 1>I would stand with the people who are marginalized and

0:54:36.400 --> 0:54:39.959
<v Speaker 1>and fight for their voices to be heard. Um. I would.

0:54:40.200 --> 0:54:43.000
<v Speaker 1>I would fight for you know, women to be believed

0:54:43.080 --> 0:54:46.600
<v Speaker 1>when they called out someone as you know, a rapist

0:54:46.800 --> 0:54:51.239
<v Speaker 1>or someone who's committed some of these grotesque kinds of

0:54:51.320 --> 0:54:56.560
<v Speaker 1>crimes to just commit consistently go on checked. Um. But

0:54:56.719 --> 0:54:59.600
<v Speaker 1>then there's someone like, you know, maybe Dave Chappelle stands

0:54:59.680 --> 0:55:02.200
<v Speaker 1>up and starts poking holes in some of that stuff,

0:55:02.239 --> 0:55:05.200
<v Speaker 1>and it makes me think, I'm like, okay, well, you know,

0:55:05.320 --> 0:55:08.920
<v Speaker 1>should we be able to call people out and make

0:55:09.000 --> 0:55:13.359
<v Speaker 1>them guilty before proven innocent and the um social court

0:55:13.400 --> 0:55:17.279
<v Speaker 1>of law? You know, um? And so it does make

0:55:17.360 --> 0:55:19.839
<v Speaker 1>me stand in that gray area because I don't want

0:55:19.880 --> 0:55:24.160
<v Speaker 1>to just slam the gabble and and commit myself that

0:55:24.360 --> 0:55:27.160
<v Speaker 1>everybody might be guilty of something that they've just been

0:55:27.160 --> 0:55:30.440
<v Speaker 1>accused of before really taking my time to sift through

0:55:30.440 --> 0:55:33.120
<v Speaker 1>the information and get my mind wrapped around some of

0:55:33.160 --> 0:55:35.120
<v Speaker 1>this stuff. And you know, I was dealing with this.

0:55:35.239 --> 0:55:37.839
<v Speaker 1>I feel like it's been coming for a long time. Um.

0:55:38.200 --> 0:55:40.319
<v Speaker 1>You know some of the names that I just used

0:55:40.360 --> 0:55:43.520
<v Speaker 1>on the album, like Tommy Laren and you know, Brett

0:55:43.600 --> 0:55:48.400
<v Speaker 1>Kavanaugh and um, you know Kyrie Irvin. You know, like

0:55:48.600 --> 0:55:51.240
<v Speaker 1>whether you're talking about flat earth or you're talking about

0:55:51.719 --> 0:55:57.520
<v Speaker 1>extreme right wing politics, UM, that to me leads to

0:55:57.520 --> 0:56:01.480
<v Speaker 1>almost fascism. Um. You know, all of that creates this

0:56:01.680 --> 0:56:04.400
<v Speaker 1>kind of climate, and then when you combine that with

0:56:04.560 --> 0:56:07.560
<v Speaker 1>this isolation of the pandemic, you kind of have the

0:56:07.640 --> 0:56:14.520
<v Speaker 1>perfect petri dish for um for you know, yeah, no,

0:56:14.800 --> 0:56:19.279
<v Speaker 1>for real, UM, what are some standout tracks to you? Um?

0:56:19.920 --> 0:56:22.719
<v Speaker 1>I really personally, and I always like the tracks that

0:56:23.120 --> 0:56:26.480
<v Speaker 1>I think other people don't get into as much, you know,

0:56:26.719 --> 0:56:29.400
<v Speaker 1>I think because I mean when you're behind it writing

0:56:29.440 --> 0:56:32.719
<v Speaker 1>and it's different. But I really like the second track

0:56:32.800 --> 0:56:36.440
<v Speaker 1>swipe Right. I feel like it's um that line, um,

0:56:36.600 --> 0:56:39.200
<v Speaker 1>and every human heart there's a guide shaped whole you

0:56:39.280 --> 0:56:44.359
<v Speaker 1>know that comes from uh Sartre and existentialism, and you know, um,

0:56:44.600 --> 0:56:47.160
<v Speaker 1>we do. I think everyone kind of fills that up

0:56:47.239 --> 0:56:51.279
<v Speaker 1>with all of this stuff that is um really kind

0:56:51.280 --> 0:56:56.120
<v Speaker 1>of unhealthy and it's really you can never achieve that

0:56:56.200 --> 0:57:00.480
<v Speaker 1>original plnitude of being a whole with everything again um

0:57:00.680 --> 0:57:06.040
<v Speaker 1>and so I feel like that's what's really appealing about existentialism,

0:57:06.160 --> 0:57:10.680
<v Speaker 1>especially right now. UM. But UM, I think it sums

0:57:10.800 --> 0:57:14.680
<v Speaker 1>up almost perfect what people would do just for any

0:57:14.760 --> 0:57:17.760
<v Speaker 1>sort of love right now, whether like they're getting likes

0:57:17.880 --> 0:57:22.000
<v Speaker 1>or comments on Instagram or or Facebook or whatever it

0:57:22.120 --> 0:57:25.520
<v Speaker 1>might be, or um, why they're listening to some of

0:57:25.600 --> 0:57:28.280
<v Speaker 1>the stuff that sounds just ridiculous, you know, whether it's

0:57:28.320 --> 0:57:36.360
<v Speaker 1>Alex Jones saying so I think he said something about yeah, so,

0:57:36.560 --> 0:57:38.960
<v Speaker 1>I mean some of the things that people are believing,

0:57:39.000 --> 0:57:41.000
<v Speaker 1>you would think would be way too outrageous or out

0:57:41.040 --> 0:57:43.640
<v Speaker 1>of bounds for them believe. But then again they're in,

0:57:44.440 --> 0:57:47.560
<v Speaker 1>um a space that they've never been in, and it's

0:57:47.600 --> 0:57:50.760
<v Speaker 1>a terrifying space full of fear. And so you know,

0:57:50.880 --> 0:57:54.880
<v Speaker 1>someone believing like a Q and on um, you know,

0:57:55.000 --> 0:57:59.880
<v Speaker 1>conspiracy about you know, wayfair selling children on the internet.

0:58:00.040 --> 0:58:02.160
<v Speaker 1>You know, like as if is it was a couch

0:58:02.280 --> 0:58:05.960
<v Speaker 1>or something. You know, like, um, that sounds crazy, but

0:58:06.080 --> 0:58:10.120
<v Speaker 1>in someone's mind where they're reinforcing these narratives consistently, what

0:58:10.360 --> 0:58:12.480
<v Speaker 1>really makes sense? Right now? You know that we're in

0:58:12.520 --> 0:58:16.320
<v Speaker 1>a world wide pandemic and before storming the capital and

0:58:16.760 --> 0:58:20.480
<v Speaker 1>they're believing that the president, uh, the election was still run.

0:58:20.600 --> 0:58:23.480
<v Speaker 1>You know, well, what is how do you feel about

0:58:24.440 --> 0:58:28.000
<v Speaker 1>like hip hop's place in this social climate of cancel

0:58:28.080 --> 0:58:31.040
<v Speaker 1>culture existing? And no, I think that I think that

0:58:31.160 --> 0:58:35.000
<v Speaker 1>a lot of people, you know, just because they're not

0:58:35.080 --> 0:58:38.320
<v Speaker 1>being agreed with, they're using cancel culture as an excuse

0:58:38.880 --> 0:58:42.600
<v Speaker 1>to um to kind of hold beliefs that they shouldn't

0:58:42.600 --> 0:58:45.720
<v Speaker 1>be holding. You know, instead of thinking critically about what's

0:58:45.760 --> 0:58:48.200
<v Speaker 1>going on or looking at the D structure of a situation,

0:58:48.600 --> 0:58:51.840
<v Speaker 1>they would rather um point fingers, which is easier, you know.

0:58:52.600 --> 0:58:55.200
<v Speaker 1>And what's missing here is the fine nuance you know

0:58:55.520 --> 0:58:58.880
<v Speaker 1>to some of these arguments. You know, someone uh says

0:58:58.960 --> 0:59:02.520
<v Speaker 1>something is as absurd like the Kanye West thing, you know,

0:59:02.680 --> 0:59:05.720
<v Speaker 1>like slavery is a choice thing. Obviously you have to

0:59:05.800 --> 0:59:09.640
<v Speaker 1>check them. You know, immediately I got just the complete

0:59:09.680 --> 0:59:12.640
<v Speaker 1>absurdity of something like that just deserves to be called out.

0:59:12.880 --> 0:59:15.680
<v Speaker 1>It's not canceling at all. That's telling me the truth.

0:59:17.440 --> 0:59:19.800
<v Speaker 1>Do you think do you think you were able to

0:59:20.680 --> 0:59:23.400
<v Speaker 1>like capture that and express that on the album? I don't.

0:59:23.400 --> 0:59:25.120
<v Speaker 1>I don't know. I think all artists kind of fail

0:59:25.160 --> 0:59:29.800
<v Speaker 1>at their vision, you know. Um yeah, but I did

0:59:29.880 --> 0:59:32.920
<v Speaker 1>my best to to to kind of shape that in

0:59:33.000 --> 0:59:35.960
<v Speaker 1>a way that I think other people would be um

0:59:36.840 --> 0:59:40.040
<v Speaker 1>asking questions about it, you know, like, instead of kind

0:59:40.040 --> 0:59:42.000
<v Speaker 1>of preaching at them or telling them what they're supposed

0:59:42.000 --> 0:59:43.800
<v Speaker 1>to think or telling them what's supposed to be true,

0:59:43.840 --> 0:59:46.800
<v Speaker 1>I thought that the bigger win would be to have

0:59:46.960 --> 0:59:49.320
<v Speaker 1>them question and think about it for themselves and come

0:59:49.400 --> 0:59:53.120
<v Speaker 1>to those conclusions by presenting them kind of evidence in

0:59:53.160 --> 0:59:55.720
<v Speaker 1>a different way, you know. And I feel like that's

0:59:55.760 --> 0:59:58.080
<v Speaker 1>what art's supposed to do. Instead of being like didactic

0:59:58.360 --> 1:00:02.360
<v Speaker 1>didactic and telling you what, uh this means, you're supposed

1:00:02.360 --> 1:00:05.560
<v Speaker 1>to kind of interpret it and kind of find the

1:00:05.640 --> 1:00:08.960
<v Speaker 1>meaning to you know. So it's like a co construction.

1:00:11.960 --> 1:00:13.680
<v Speaker 1>So I don't know if I I don't know if

1:00:13.720 --> 1:00:17.160
<v Speaker 1>I achieved what I wanted to achieve. Um, but I

1:00:17.960 --> 1:00:22.040
<v Speaker 1>am very proud of the record. Well for folks listening

1:00:22.240 --> 1:00:24.920
<v Speaker 1>who want to answer that question for themselves. Where can

1:00:24.960 --> 1:00:28.040
<v Speaker 1>they go check out your music? The best place to

1:00:28.080 --> 1:00:31.080
<v Speaker 1>go is to my website. It's w W dot Chucky

1:00:31.160 --> 1:00:34.560
<v Speaker 1>Campbell music dot com and Chucky with an I and E.

1:00:35.680 --> 1:00:42.000
<v Speaker 1>It's not like a demonic possess. Okay, it's Curious Incidents

1:00:42.560 --> 1:00:46.960
<v Speaker 1>and cancel culture um or if you google it, it'll

1:00:47.000 --> 1:00:49.200
<v Speaker 1>pop up all over the place. It's it's on Spotify

1:00:49.400 --> 1:00:51.919
<v Speaker 1>and it's been it did really well. It's an ep

1:00:52.480 --> 1:00:55.080
<v Speaker 1>so um I was. I was happy the way the

1:00:55.160 --> 1:00:58.200
<v Speaker 1>way it performed, especially during the pandemic. Yeah. Yeah, you

1:00:58.360 --> 1:01:00.800
<v Speaker 1>gotta make sure you go check out Jackie Campbell and

1:01:00.920 --> 1:01:02.840
<v Speaker 1>his his work. It's all on YouTube and all on

1:01:02.920 --> 1:01:05.280
<v Speaker 1>the internet. Man, thank you for coming through again. Yeah,

1:01:06.640 --> 1:01:12.280
<v Speaker 1>alright and blessings. Author Michael Eric Dyson said something when

1:01:12.360 --> 1:01:14.800
<v Speaker 1>talking about Colin Kaepernick that kind of stuck with me.

1:01:15.160 --> 1:01:19.040
<v Speaker 1>He said, cancel culture is the internalization of the of

1:01:19.120 --> 1:01:23.080
<v Speaker 1>an ethic of white supremacy. And it's with the Colin

1:01:23.200 --> 1:01:27.760
<v Speaker 1>Kaepernick situation that should pretty much inform you. Whenever you're

1:01:28.360 --> 1:01:31.080
<v Speaker 1>talking to someone or whenever you hear somebody complaining about

1:01:31.840 --> 1:01:37.200
<v Speaker 1>cancel culture, just think about Colin Kaepernick, point blank, period, Like,

1:01:38.840 --> 1:01:42.840
<v Speaker 1>just think about the situation. Right, you have somebody who

1:01:42.960 --> 1:01:47.280
<v Speaker 1>did something that wasn't politically correct, and as a result,

1:01:47.440 --> 1:01:50.960
<v Speaker 1>he had a rabid PC mob that wouldn't hear him

1:01:51.000 --> 1:01:54.760
<v Speaker 1>out and wouldn't show empathy and refuse to lend any

1:01:54.840 --> 1:01:57.560
<v Speaker 1>sort of good faith interpretation to the context of his

1:01:57.680 --> 1:01:59.920
<v Speaker 1>side of the story, and as a result, he got

1:02:00.080 --> 1:02:02.800
<v Speaker 1>fire from his job. So whenever you hear any of

1:02:02.840 --> 1:02:05.720
<v Speaker 1>these motherfucker's talking about, Okay, how's the culture this, how

1:02:05.840 --> 1:02:09.440
<v Speaker 1>come I can't speak on this college campus, I guarantee

1:02:09.520 --> 1:02:12.880
<v Speaker 1>you of them saying that would tell you all college

1:02:12.920 --> 1:02:14.440
<v Speaker 1>camra Dick he used to shut up. He needed to

1:02:14.480 --> 1:02:16.240
<v Speaker 1>do what he's told to stand out for the flags

1:02:16.320 --> 1:02:19.480
<v Speaker 1>with the troops. So you know that's why at the

1:02:19.560 --> 1:02:21.000
<v Speaker 1>end of the day, a lot of this ship is

1:02:21.080 --> 1:02:23.000
<v Speaker 1>capped and I don't I don't buy any of it.

1:02:24.280 --> 1:02:28.280
<v Speaker 1>We've talked a lot in recent episodes about um the

1:02:28.440 --> 1:02:31.320
<v Speaker 1>Maga rappers, who like in the sense we're canceled. I mean,

1:02:31.320 --> 1:02:33.920
<v Speaker 1>they were like criticized online, but as we discussed as

1:02:33.960 --> 1:02:36.160
<v Speaker 1>well in previous episodes, like I'm not sure I've really

1:02:36.240 --> 1:02:38.040
<v Speaker 1>had hurt their pockets so that it came out in

1:02:38.040 --> 1:02:43.400
<v Speaker 1>support of Trump or anything like that. Um Trina. As

1:02:43.400 --> 1:02:47.320
<v Speaker 1>another example, rapper Trina called protesters during the George Floyd

1:02:47.400 --> 1:02:51.640
<v Speaker 1>protests animals, and she was allegedly canceled for it. Um

1:02:52.120 --> 1:02:55.960
<v Speaker 1>apparently super disturbing to me. A little boozy paid an

1:02:56.000 --> 1:02:58.680
<v Speaker 1>adult woman to give oral sex his son and pup

1:02:59.280 --> 1:03:02.960
<v Speaker 1>and publicly a tacked fame basketball players transgender son, and

1:03:03.240 --> 1:03:06.760
<v Speaker 1>he was canceled allegedly. I say allegedly because I think

1:03:07.320 --> 1:03:09.080
<v Speaker 1>if they were to put out new music, its success

1:03:09.120 --> 1:03:11.720
<v Speaker 1>would be determined how hot they are, and by none

1:03:11.760 --> 1:03:15.200
<v Speaker 1>of those contrapartues. I mean, I can to like he

1:03:15.280 --> 1:03:18.560
<v Speaker 1>talked about Llewayne and on one of the most recent episodes,

1:03:19.120 --> 1:03:25.080
<v Speaker 1>like his new album was new music, like probably like

1:03:25.200 --> 1:03:27.880
<v Speaker 1>I don't know how it was doing, but I wouldn't

1:03:27.920 --> 1:03:29.960
<v Speaker 1>be surprised if a flop because it sucks, and not

1:03:30.000 --> 1:03:31.960
<v Speaker 1>necessarily because he came out in favor of Trump. It's

1:03:32.000 --> 1:03:35.000
<v Speaker 1>really about your artistic production and how people value it

1:03:35.840 --> 1:03:40.280
<v Speaker 1>because people and you know, end up bobbing their heads

1:03:40.320 --> 1:03:41.960
<v Speaker 1>and like this in the club to all sorts. A

1:03:41.960 --> 1:03:44.080
<v Speaker 1>problem matter rappers all the time. It's really about the

1:03:44.200 --> 1:03:48.520
<v Speaker 1>quality of your music. I mean, does anybody famous barring

1:03:49.200 --> 1:03:52.880
<v Speaker 1>them committing like serious crimes and ship like that. But

1:03:53.200 --> 1:03:58.200
<v Speaker 1>is anybody famous ever been successfully canceled for some ship

1:03:58.320 --> 1:04:01.120
<v Speaker 1>that they said? I, I mean, has that happened? I'm

1:04:01.160 --> 1:04:04.240
<v Speaker 1>not I'm not sure, But like you know, whenever they've

1:04:04.320 --> 1:04:07.600
<v Speaker 1>dug up somebody's old tweets or somebody has been caught

1:04:07.640 --> 1:04:11.880
<v Speaker 1>on cameras, has this like actually tangibly affected anybody's career

1:04:12.400 --> 1:04:14.920
<v Speaker 1>Because none of the people that we just talked about,

1:04:15.200 --> 1:04:17.280
<v Speaker 1>I don't think their career is going to be affected

1:04:17.320 --> 1:04:19.840
<v Speaker 1>by you know, like you just said, if people aren't

1:04:19.840 --> 1:04:23.000
<v Speaker 1>gonna buy a new Trina album, it's gonna be because

1:04:23.080 --> 1:04:26.680
<v Speaker 1>nobody is really checking for new treat of music as

1:04:26.720 --> 1:04:30.480
<v Speaker 1>opposed to ah Man. I was a treat A fan.

1:04:30.640 --> 1:04:33.280
<v Speaker 1>But then she said, like, I don't just think. I

1:04:33.320 --> 1:04:35.680
<v Speaker 1>don't think her fans are even looking at caring about

1:04:35.760 --> 1:04:38.560
<v Speaker 1>that ship. I would, but I don't think her fans are.

1:04:40.760 --> 1:04:44.040
<v Speaker 1>Little Wayne is definitely not canceled. You know what I'm saying.

1:04:44.120 --> 1:04:47.320
<v Speaker 1>He's he's gonna he's gonna do do his numbers when

1:04:47.360 --> 1:04:50.160
<v Speaker 1>he comes out, Kanye West, whatever he drops a new album,

1:04:50.240 --> 1:04:53.280
<v Speaker 1>he's gonna do his numbers. So Lynn Minuel Miranda Face

1:04:53.320 --> 1:04:56.400
<v Speaker 1>claims his renowned musical, Hamilton's whitewash crimes of the u

1:04:56.520 --> 1:04:59.640
<v Speaker 1>S founding Fathers. That's cool, but what had happened? There's

1:04:59.640 --> 1:05:01.880
<v Speaker 1>a good one of hip hop bands grind cancel culture

1:05:01.920 --> 1:05:04.840
<v Speaker 1>despite the man of self tweeting all criticisms. The valid

1:05:05.160 --> 1:05:07.720
<v Speaker 1>is your tonage of complexities and failings of these people.

1:05:08.120 --> 1:05:11.280
<v Speaker 1>I couldn't get or wrestled with boot cut I took

1:05:11.360 --> 1:05:13.240
<v Speaker 1>six years and fits as much as they could into

1:05:13.280 --> 1:05:15.160
<v Speaker 1>a two and a half hour musical have been my best.

1:05:15.440 --> 1:05:18.560
<v Speaker 1>It's all fair game. That's interesting. The people who are

1:05:18.600 --> 1:05:23.240
<v Speaker 1>super opposed to cancel culture, we'll freak out about celebrities.

1:05:23.280 --> 1:05:27.400
<v Speaker 1>They like receiving criticism, even in those celebrities themselves embrace

1:05:27.520 --> 1:05:32.680
<v Speaker 1>that process of accountability. In my opinion, that's pretty much

1:05:32.720 --> 1:05:35.680
<v Speaker 1>just what Chucky was saying, and Lynn had the right

1:05:35.960 --> 1:05:39.840
<v Speaker 1>sort of perspective of it. But it's like, YO, shut

1:05:39.880 --> 1:05:44.520
<v Speaker 1>the funk up. Just because people don't like something that

1:05:44.680 --> 1:05:48.680
<v Speaker 1>someone did doesn't mean that they're being canceled. That means

1:05:48.720 --> 1:05:51.000
<v Speaker 1>that a motherfucker is telling you they have a problem

1:05:51.080 --> 1:05:53.680
<v Speaker 1>with you, and you can either be like, oh damn,

1:05:53.760 --> 1:05:55.480
<v Speaker 1>you have a problem with me. Damn, what did I

1:05:55.560 --> 1:05:57.560
<v Speaker 1>do wrong? How can I fix this, How can I

1:05:57.640 --> 1:05:59.760
<v Speaker 1>be better? Or you can say, yeah, I don't give

1:05:59.760 --> 1:06:01.600
<v Speaker 1>an if you got a problem with meks my ass,

1:06:01.960 --> 1:06:06.360
<v Speaker 1>but don't fucking cry about your being canceled. And oh

1:06:06.440 --> 1:06:08.760
<v Speaker 1>this is canceled culture. Oh my god, did you hear

1:06:08.840 --> 1:06:12.200
<v Speaker 1>those four hundred people? Four hundred of my million Twitter

1:06:12.320 --> 1:06:14.880
<v Speaker 1>followers are upset that I did something? Why are you

1:06:15.000 --> 1:06:19.200
<v Speaker 1>canceling me? It's it sounds fucking pathetic. After a point,

1:06:20.960 --> 1:06:24.000
<v Speaker 1>Atlanta rapper t I Mr t I P. Do they

1:06:24.000 --> 1:06:28.560
<v Speaker 1>still call t t I P? Anyway? T I said,

1:06:28.680 --> 1:06:31.720
<v Speaker 1>all this cancel culture I think is fake. Like jay

1:06:31.800 --> 1:06:34.080
<v Speaker 1>Z said, first they hate you, then they love you,

1:06:34.200 --> 1:06:37.920
<v Speaker 1>then they hate you again. You'll cancel Kanye. You canceled

1:06:38.000 --> 1:06:41.160
<v Speaker 1>someone like Kanye. Now, I don't agree with his views.

1:06:42.040 --> 1:06:44.080
<v Speaker 1>There are a lot of things he says, a lot

1:06:44.160 --> 1:06:46.920
<v Speaker 1>of positions and perspectives he speaks from that I have

1:06:47.080 --> 1:06:49.760
<v Speaker 1>no agreeance with. But that's not going to take away

1:06:49.800 --> 1:06:52.000
<v Speaker 1>from the fact that he's a phenomenal artist and he

1:06:52.120 --> 1:06:56.200
<v Speaker 1>makes great music. T I said, but you'll cancel him.

1:06:56.880 --> 1:06:59.640
<v Speaker 1>But at the same time, when someone like Gucci does

1:06:59.720 --> 1:07:02.200
<v Speaker 1>black face, then you're cool with that, so you'll keep

1:07:02.240 --> 1:07:08.520
<v Speaker 1>wearing Gucci, but you canceled Kanye. No, nigga, you'll keep

1:07:08.600 --> 1:07:14.760
<v Speaker 1>wearing Gucci, Yo, man, I don't understand Yeah, ladies and gentlemen,

1:07:14.840 --> 1:07:18.240
<v Speaker 1>I just I've just read the news. I don't claim

1:07:18.280 --> 1:07:20.800
<v Speaker 1>to understand it. I don't know what the funk any

1:07:20.880 --> 1:07:23.880
<v Speaker 1>of that ship means. But it's like, no, I don't

1:07:23.960 --> 1:07:27.360
<v Speaker 1>wear Gucci and I'm not gonna be listening to Kanye.

1:07:27.800 --> 1:07:30.040
<v Speaker 1>It's just a personal decision. And I think that's all

1:07:30.200 --> 1:07:33.560
<v Speaker 1>the any point that anybody was making. The few people

1:07:33.640 --> 1:07:36.520
<v Speaker 1>who were willing to go that far, that's all they

1:07:36.600 --> 1:07:40.080
<v Speaker 1>were saying. I didn't hear any sort of calls for

1:07:40.280 --> 1:07:43.920
<v Speaker 1>a this company shouldn't sell the new Yea Zys or

1:07:44.040 --> 1:07:47.800
<v Speaker 1>like Yo, Kanye's record labels should drop them, even after

1:07:47.920 --> 1:07:50.080
<v Speaker 1>all the slavery was a choice ship. I didn't hear

1:07:50.120 --> 1:07:53.400
<v Speaker 1>anybody calling for that ship. There was just, you know,

1:07:54.040 --> 1:07:57.160
<v Speaker 1>a decent chunk of people who were like, oh, Kanye

1:07:57.280 --> 1:08:00.400
<v Speaker 1>is sucking with the Nazis. I don't funk with Kanye anymore.

1:08:01.240 --> 1:08:03.280
<v Speaker 1>And that's it. Now at the point that t is

1:08:03.320 --> 1:08:06.760
<v Speaker 1>trying to make it, NA, you can't do that. That's canceling.

1:08:07.280 --> 1:08:09.760
<v Speaker 1>You gotta buy his new album or else you're part

1:08:09.800 --> 1:08:12.840
<v Speaker 1>of the PC mob. Get the funk out of here

1:08:12.880 --> 1:08:16.320
<v Speaker 1>with that dumb ship. Okay, that is gonna do it

1:08:16.520 --> 1:08:19.120
<v Speaker 1>for us today, Ladies and gentlemen, don't forget to go

1:08:19.200 --> 1:08:23.040
<v Speaker 1>out and check out Chucky Campbell stuff. And don't forget

1:08:23.280 --> 1:08:26.599
<v Speaker 1>to check me out my new song Sundance coming out

1:08:26.640 --> 1:08:30.320
<v Speaker 1>in February twelve. Hey, shameless promotion in February twelve. Dope

1:08:30.400 --> 1:08:34.240
<v Speaker 1>Knife new song Sundance. Check it out Spotify YouTube, all

1:08:34.320 --> 1:08:38.479
<v Speaker 1>that ship. Um, I feel like rapping your joel. Let

1:08:38.560 --> 1:08:44.639
<v Speaker 1>her brother get a beat? Check check check did dope

1:08:46.080 --> 1:08:51.240
<v Speaker 1>waiting on reparations? Dope Knife is an effect while you

1:08:51.320 --> 1:08:53.519
<v Speaker 1>hating the brother. The only thing that I'm gonna cancel

1:08:53.640 --> 1:08:55.920
<v Speaker 1>is a date with your mother like a motherfucking all

1:08:55.960 --> 1:08:58.800
<v Speaker 1>star knocking out the ballpark. Keep a short and simple dog.

1:08:58.840 --> 1:09:01.639
<v Speaker 1>I've never been a tall dog. Cancel take the rap game.

1:09:01.680 --> 1:09:04.080
<v Speaker 1>Holding for ransom. The only rat nigget it. Used to

1:09:04.200 --> 1:09:06.720
<v Speaker 1>listen to hands and pouring beers and yelling cheers like

1:09:06.800 --> 1:09:09.280
<v Speaker 1>Teddy dancing. I gotta be boys in my squad his

1:09:09.320 --> 1:09:11.760
<v Speaker 1>steady dancing. I'm about to bug out and cause a

1:09:11.840 --> 1:09:14.880
<v Speaker 1>fucking wreck. If biding the democrats, don't send me another check.

1:09:15.000 --> 1:09:16.760
<v Speaker 1>I don't know what the hell is taken long? Why

1:09:16.800 --> 1:09:18.920
<v Speaker 1>I had to make the song, need the reparations with

1:09:19.000 --> 1:09:23.120
<v Speaker 1>the hell you people waiting all imagine for a second

1:09:23.160 --> 1:09:25.400
<v Speaker 1>that your name is Joe Wynn Woklin and feeling the

1:09:25.520 --> 1:09:29.000
<v Speaker 1>heat so transported. Now get crying. I cancel culture all

1:09:29.040 --> 1:09:30.640
<v Speaker 1>your fans. So just why can't I just be a

1:09:30.720 --> 1:09:33.080
<v Speaker 1>big weep on the French shoulder. Well, if it is

1:09:33.120 --> 1:09:35.680
<v Speaker 1>in the consequences of oma shitty actually coming up to

1:09:35.760 --> 1:09:37.639
<v Speaker 1>catch it, it's and it's so sad. You gotta answer

1:09:37.640 --> 1:09:39.400
<v Speaker 1>to the people who made it so you could buy

1:09:39.400 --> 1:09:41.559
<v Speaker 1>a fancy man. Just be in hell on the internet

1:09:41.640 --> 1:09:44.400
<v Speaker 1>where the total possessed get a grip taken out of it.

1:09:44.800 --> 1:09:46.720
<v Speaker 1>This is how bad against And trust me, girl, you're

1:09:46.880 --> 1:09:49.160
<v Speaker 1>much luckier than the average. All the rest of us

1:09:49.200 --> 1:09:51.080
<v Speaker 1>are broken ship between the bills and rent. You could

1:09:51.120 --> 1:09:54.640
<v Speaker 1>to sit our neuro stickpy and hated, filthy rich. Hey yo,

1:09:55.120 --> 1:10:00.160
<v Speaker 1>my name's Dove. We are waiting on reparations for up

1:10:00.400 --> 1:10:03.120
<v Speaker 1>see you next week. Waiting on Reparations is a production

1:10:03.160 --> 1:10:06.000
<v Speaker 1>of I Heart Radio. Listen to Waiting on Reparations on

1:10:06.080 --> 1:10:09.040
<v Speaker 1>the I Heart Radio app, Apple Podcasts, or wherever you

1:10:09.080 --> 1:10:09.919
<v Speaker 1>get your podcasts.