WEBVTT - Questlove Supreme: Ledisi

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. Ladies and gentlemen,

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<v Speaker 1>Welcome to Quest Love Supreme. Neil's Quest five. We have

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<v Speaker 1>Teams Supreme with us. This is a morning episode of

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<v Speaker 1>Quest Love Supreme. So it would be very interesting to

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<v Speaker 1>see how the energy is this morning, because you know

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<v Speaker 1>how you doing.

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<v Speaker 2>Tries you ready to go?

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<v Speaker 3>That's an instant Jiff right there.

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<v Speaker 1>I think it's Kiff. It's not Jif. Steve is Jip.

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<v Speaker 1>Jip is a peanut butter bro yo man before Money died.

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<v Speaker 3>Before he passed, he told me it was Jiff.

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<v Speaker 4>Hey man, it's just like the thing.

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<v Speaker 2>Come on, man, draw draws.

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<v Speaker 1>I get it all right, all right, I'll roll with

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<v Speaker 1>the mob.

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<v Speaker 5>Call the creator of the gift.

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<v Speaker 1>The creator of the gift, like he was one of

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<v Speaker 1>the early people to die in the pandemic. But the

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<v Speaker 1>last thing we did together some awards thing, and I

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<v Speaker 1>asked him.

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<v Speaker 3>I didn't even ask him, he says Jim.

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<v Speaker 1>I was like, how do you know? I was going

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<v Speaker 1>to ask you? Like I get asked this one hundred

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<v Speaker 1>times a day. But then he also said I should

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<v Speaker 1>have said.

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<v Speaker 3>Gift, but yeah, or used a jay if he wanted it.

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<v Speaker 1>I get it.

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<v Speaker 3>It's above him now, so you know he's not here,

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<v Speaker 3>so he's.

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<v Speaker 2>Above us now.

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<v Speaker 1>He's oh god, all right, So Bill, how you doing? Man?

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<v Speaker 6>I just I just googled it said. He called it

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<v Speaker 6>a gift with a soft g. Choosy developers, he said,

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<v Speaker 6>choose Jiff. This was, of course, a play on the

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<v Speaker 6>peanut butter brand Jeff's line.

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<v Speaker 2>Choosy mothers, choose Jeff. That's all.

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<v Speaker 6>And the Internet never lies, So I'm going gift. I'm fine,

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<v Speaker 6>by the way, thank you very much for asking.

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<v Speaker 3>Well, and thank you and Steve. Yes, I'm good, Fante.

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<v Speaker 4>I'm good, Man, I'm good. Been working. Men just did something,

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<v Speaker 4>but it said, yeah, what are you working on? I

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<v Speaker 4>don't know how much I'm a livinged to say, so

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<v Speaker 4>I let William Bill.

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<v Speaker 1>I'll explain what it happened once. Tell us.

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<v Speaker 6>What it happened was Sponte and his producing partner Zoe

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<v Speaker 6>have created a jam for the children that will air

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<v Speaker 6>sometime in September by very famous, fantastic artist on this

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<v Speaker 6>films today. But we're not allowed to say who that

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<v Speaker 6>person is other than it's gonna be awesome.

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<v Speaker 1>Wait, Fante wrote an Elmo jam.

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<v Speaker 2>Yeah, I've been right, I've been writing.

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<v Speaker 1>Anyway, ladies and gentlemen, I will say that our guests today,

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<v Speaker 1>what's an understatement to say that she is a monster talent,

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<v Speaker 1>as talented as they come. Uh, she's an unworldly singer,

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<v Speaker 1>one of the you know, there's there's people that ooze

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<v Speaker 1>with charisma, and I mean I've probably have been. Yeah,

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<v Speaker 1>I think we're our careers are borderline neck and neck.

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<v Speaker 1>So since the Roots have been.

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<v Speaker 7>Years older, but that's okay.

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<v Speaker 3>Yeah, but like I just started late.

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<v Speaker 1>Okay, so our guest started when she was two years old, Okay, anyway, Yeah, no,

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<v Speaker 1>I'll say that, even if my memory serves me correct,

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<v Speaker 1>whenever the Roots would come to the Bay Area, I

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<v Speaker 1>believe that this person has been kind of a presence

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<v Speaker 1>in the entirety of my career. And even from the

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<v Speaker 1>first moment we've laid eyes on her, like just absolute charisma,

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<v Speaker 1>Like she owned the stage and that's that's something that

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<v Speaker 1>you can't find anywhere pretty much in entertainment.

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<v Speaker 3>Like that's a special gift.

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<v Speaker 1>As of now, as we speak, her eleventh album, entitled

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<v Speaker 1>Good Life, has just been released. By the time it

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<v Speaker 1>gets on the air, it should have been out by then.

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<v Speaker 1>So in addition to a Grammy Award winning music career

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<v Speaker 1>in multiple genres, he's also an actress of stage screen,

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<v Speaker 1>don't forget, an author, an educator, and an advocate for others.

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<v Speaker 1>And this is a long time coming. So welcome to

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<v Speaker 1>q LS today we have let usy welcome to question.

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<v Speaker 7>Thank you so much. What that means a lot just

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<v Speaker 7>hearing you talk about me because I see you DJing

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<v Speaker 7>all the time. You know, I would always go to

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<v Speaker 7>your shows. That's like one of my favorite things.

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<v Speaker 1>I know. This is the thing. As long as we've

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<v Speaker 1>known each other, like, we've never had a moment to

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<v Speaker 1>really just chop it up like in every real way.

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<v Speaker 1>So this is almost like our first real in depth conversation,

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<v Speaker 1>even though you know, again it's it's been several decades

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<v Speaker 1>and you know this is a long time coming. Uh well,

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<v Speaker 1>I'll ask you because you know today's is the what

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<v Speaker 1>I say, the birth day of your new album. Do

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<v Speaker 1>you still get excited about these things as if it

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<v Speaker 1>were like your children out in the world, or like

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<v Speaker 1>you still get like butterflies and anticipation and excitement of

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<v Speaker 1>presenting it to the world.

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<v Speaker 7>I am so nervous right now, but I really every

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<v Speaker 7>single time, but I think this one even more so

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<v Speaker 7>because of the growth. I never chase relevancy. It's not

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<v Speaker 7>my thing. I love growth and perseverance in history more

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<v Speaker 7>than anything, and so me, I'm always adding colors to

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<v Speaker 7>my version of whoever I am in that era and

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<v Speaker 7>hoping for people to see another side of myself that

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<v Speaker 7>I never get to show. So this is another side

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<v Speaker 7>and kind of full circle, coming back to the root

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<v Speaker 7>of feel good music, like when I started, you know,

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<v Speaker 7>so this one, I'm kind of grown and I don't

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<v Speaker 7>care what people think anymore. I just want to put

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<v Speaker 7>feel good out there. I think we needed it. I

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<v Speaker 7>needed it, And what I'm nervous about is, after three

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<v Speaker 7>years of work, is it enough? You know?

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<v Speaker 1>Yes, I'm so glad you said that, because right now

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<v Speaker 1>we're going through a cycle. I mean, you'll be maybe

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<v Speaker 1>the fourth or fifth artist that we've interviewed in which

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<v Speaker 1>their product is kind of a direct result of whatever

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<v Speaker 1>they learned from the pandemic. This restart thing, like it

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<v Speaker 1>happened with Brittany, with Brittany Howard and also with Green

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<v Speaker 1>Bailey Ray.

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<v Speaker 7>Yeah.

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<v Speaker 1>Yeah, Like you're seeing these artists who kind of had

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<v Speaker 1>either a pivot or a transformation, or they got to

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<v Speaker 1>know themselves better. They have a lot of self work

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<v Speaker 1>and the creativity that normally went on their product before

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<v Speaker 1>twenty twenty is not the same way as it is now.

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<v Speaker 3>So would you say that for you? That's also the case.

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<v Speaker 7>I think I'm a chameleon every album, though I've always

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<v Speaker 7>been different every project. I think I did a complete

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<v Speaker 7>pivot by doing Lettucey sings Nina when I'm an R

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<v Speaker 7>and B. You know me as an R and B artist,

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<v Speaker 7>but I've seen classical and opera and in French and Italian,

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<v Speaker 7>but I never get to show that in R and B.

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<v Speaker 7>So to me, it's like for me, it's how I feel,

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<v Speaker 7>And a lot of it has to do with ownership,

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<v Speaker 7>being my own under my own label and doing my

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<v Speaker 7>own thing, so I've never had that. The pandemic only

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<v Speaker 7>pushed me forward to be more active in socially active

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<v Speaker 7>online and talking to people. Before I was more like

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<v Speaker 7>just putting stuff out and going away. This is new

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<v Speaker 7>for me, actually talking to people more.

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<v Speaker 1>Wait, so you're not an engager, No, I try to be.

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<v Speaker 7>I've gotten better. Twenty twenty taught me that I have

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<v Speaker 7>my own podcasts. I started talking more to my friends privately,

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<v Speaker 7>but then I'm like, I might as well put this

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<v Speaker 7>out and show people that I'm talking. You know, no

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<v Speaker 7>one knows and knew anything much about me, but you

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<v Speaker 7>seeing me around, you know what I mean. I'm like

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<v Speaker 7>the the oh let Usy said the show, what is

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<v Speaker 7>she doing here?

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<v Speaker 5>You know what I mean?

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<v Speaker 3>Well, you know what, I would have thought the opposite,

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<v Speaker 3>because when you're on.

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<v Speaker 7>Stage, that's another thing you do.

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<v Speaker 1>But when you're on stage, you do this like zero

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<v Speaker 1>to one hundred in two seconds. And you know, I'm

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<v Speaker 1>not even trying to blow smoke up your ass or anything,

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<v Speaker 1>but literally like charisma, connecting with the audience, talking to

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<v Speaker 1>the audience, engaging them, telling jokes, yeah, talking about your life.

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<v Speaker 1>Like that's a hard thing to do. Like I avoided

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<v Speaker 1>it all costs, you know what I mean. I hide

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<v Speaker 1>behind a drum set. I hide behind turntables and the

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<v Speaker 1>internet and all these things like where you have to

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<v Speaker 1>be out there. And I just naturally thought there was

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<v Speaker 1>one show I saw where I was like, I will

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<v Speaker 1>be none surprised if you know, you get an OPRAH

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<v Speaker 1>platform just the way that you were doing one on

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<v Speaker 1>one with your your audience. But that's weird to hear

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<v Speaker 1>that in your personal off stage life that you're you're

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<v Speaker 1>saying you're an introvert sort of or worth I'm a little.

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<v Speaker 7>Bit of both, but more so introverted, really shy stage though.

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<v Speaker 7>It's I think of the audience more so. I don't

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<v Speaker 7>think of myself. I think of them and making time

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<v Speaker 7>and moments to come to the show and entertain them

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<v Speaker 7>and be honest and authentic because I wouldn't want to

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<v Speaker 7>pay for that and then put myself in their position.

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<v Speaker 7>But what would I if I'm sitting out there watching

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<v Speaker 7>you guys? I want to be like this, you know

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<v Speaker 7>what I mean. I want feel something. So if I'm

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<v Speaker 7>standing there like glue, just letting it dry, just boring.

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<v Speaker 7>So I always think of put myself in the audience's position.

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<v Speaker 1>Well, look, so if you are shy in your personal life.

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<v Speaker 1>And this is something I'm just discovering maybe in the

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<v Speaker 1>last two or three years and talking to artists like

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<v Speaker 1>on this platform and also just interviewing them in general.

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<v Speaker 1>I think a lot of the general public is rather

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<v Speaker 1>shocked that some artists might have anxiety, social anxiety, that

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<v Speaker 1>sort of thing. And so I'm often finding out that

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<v Speaker 1>they have to sort of psyche themselves up, like a

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<v Speaker 1>half hour before going on stage or like transform into

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<v Speaker 1>a new character, that sort of thing like so what

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<v Speaker 1>is your process to get out of your social shyness

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<v Speaker 1>of non stage life into like what is your process

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<v Speaker 1>like an hour before the before showtime?

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<v Speaker 7>A lot of breathing High Hills does it for me.

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<v Speaker 1>I love wearing, so you become a new character that

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<v Speaker 1>I love.

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<v Speaker 7>High heels, I love makeup. I just love this becoming

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<v Speaker 7>grown woman like energy. It's so good for me. It

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<v Speaker 7>says I belong, It says I'm worthy, it says power,

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<v Speaker 7>and inside my heart is racing. I'm still afraid. But

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<v Speaker 7>I recycle the fear into win and gather tell them

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<v Speaker 7>about who you are, where you come from, the music,

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<v Speaker 7>the root, everything, it's not it's bigger than me. But

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<v Speaker 7>all of that gives me power to just execute the stories.

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<v Speaker 7>We're storytellers, we're creative, so we gotta It's not about us,

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<v Speaker 7>It's about what we're trying to ignite and inspire other people.

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<v Speaker 7>They want to feel something. So I go back to that,

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<v Speaker 7>and but the high Hills six it ashow hold. I

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<v Speaker 7>can get it off even one.

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<v Speaker 6>Keeping clothes again the first the first guest to go

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<v Speaker 6>and grab their shoes.

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<v Speaker 7>I will fight you.

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<v Speaker 5>That is not a way.

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<v Speaker 8>What that is my uncles, all your ankles, so much fun.

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<v Speaker 7>That's a whole performance and notes. Yeah, yes, ma'am ninety's

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<v Speaker 7>Warrior ninety minutes. I love a good hell. It makes

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<v Speaker 7>me taller. I'm five five. I need some y'all are

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<v Speaker 7>tall short, all.

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<v Speaker 1>Right, so noted, I will be writing crocks for.

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<v Speaker 7>I have some nice make her some nice high crocks.

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<v Speaker 2>Me.

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<v Speaker 7>You have some heels with cracks.

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<v Speaker 1>They actually have platform crocks.

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<v Speaker 5>But yeah, have some, but they don't.

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<v Speaker 3>They don't go beyond size fourteen.

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<v Speaker 7>So you know, I don't know. I need.

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<v Speaker 1>I love it.

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<v Speaker 3>It's happening, but I'll produce it.

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<v Speaker 7>Down in two years as well. Do it as long

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<v Speaker 7>as I can watch those hips.

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<v Speaker 3>Yeah, let to see.

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<v Speaker 1>I thought you were born in the Bay Area, but

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<v Speaker 1>I found out I was wrong. He tell us where

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<v Speaker 1>you were born.

0:13:16.840 --> 0:13:20.480
<v Speaker 7>I'm originally from New Orleans, Louisiana, and my family comes

0:13:20.480 --> 0:13:23.000
<v Speaker 7>from the Holly Grove area. I don't have an accent

0:13:23.040 --> 0:13:25.920
<v Speaker 7>because I moved when I was twelve years old to

0:13:26.320 --> 0:13:30.280
<v Speaker 7>the Bay Area. So it's raised in Oakland, East Oakland.

0:13:31.000 --> 0:13:33.480
<v Speaker 7>But when I get mad, my accent comes out really

0:13:33.559 --> 0:13:38.959
<v Speaker 7>nicely bit bad. It gets round.

0:13:40.880 --> 0:13:41.880
<v Speaker 5>A new Ornan's accent.

0:13:43.240 --> 0:13:45.520
<v Speaker 8>Wait, can I ask the question of mirror that I

0:13:45.520 --> 0:13:47.000
<v Speaker 8>feel like we might have to skip because I.

0:13:46.960 --> 0:13:50.319
<v Speaker 5>Need to know where lettu see ane by Day came from.

0:13:50.480 --> 0:13:54.240
<v Speaker 7>It's a year, but where my mom named me. It

0:13:54.400 --> 0:13:59.040
<v Speaker 7>comes from a o'chosea song a year, but word god,

0:13:59.559 --> 0:14:02.360
<v Speaker 7>my mom loves year of a music and would sing it.

0:14:03.040 --> 0:14:06.480
<v Speaker 7>And that's where the name. It means to bring forth

0:14:07.480 --> 0:14:10.120
<v Speaker 7>is let us see and aniba day means to bring luck,

0:14:11.040 --> 0:14:14.440
<v Speaker 7>so bring forth, bring luck. And so that's my real name.

0:14:14.559 --> 0:14:16.599
<v Speaker 7>My mom and dad named me. They were kind of

0:14:16.679 --> 0:14:22.200
<v Speaker 7>hippies and uh that was their thing, you know. So

0:14:22.240 --> 0:14:23.600
<v Speaker 7>that's where my name comes from.

0:14:24.320 --> 0:14:28.040
<v Speaker 1>Do you remember what was your first musical memory.

0:14:29.040 --> 0:14:32.960
<v Speaker 7>My mom would sing at this park across the street

0:14:33.440 --> 0:14:37.280
<v Speaker 7>with her band, and she had this big afro and

0:14:37.400 --> 0:14:40.520
<v Speaker 7>bell bottoms, blue jeans, bell bottoms in a green shirt

0:14:41.560 --> 0:14:45.520
<v Speaker 7>and some big hoops, and she had this tambourine but

0:14:45.560 --> 0:14:47.400
<v Speaker 7>she would hit it with her hip all the time,

0:14:48.240 --> 0:14:51.160
<v Speaker 7>and I just love every time her hip would move

0:14:51.200 --> 0:14:54.200
<v Speaker 7>her she'd sing the audience would just I just saw

0:14:54.240 --> 0:14:57.760
<v Speaker 7>them go crazy. I didn't know what that meant, but

0:14:57.800 --> 0:15:01.040
<v Speaker 7>the sound of her voice always would do something here.

0:15:01.960 --> 0:15:06.280
<v Speaker 7>So that memory always, I always remember that before I

0:15:06.360 --> 0:15:08.480
<v Speaker 7>go on stage. But that was my one of my

0:15:08.520 --> 0:15:12.400
<v Speaker 7>first memories of music. The other one is the A track.

0:15:12.720 --> 0:15:15.400
<v Speaker 7>The band would record to the A track and it

0:15:15.440 --> 0:15:17.680
<v Speaker 7>would sit in our room. We had a shotgun house

0:15:18.160 --> 0:15:20.640
<v Speaker 7>to just go straight ahead and in the living room.

0:15:20.680 --> 0:15:24.240
<v Speaker 7>The band would record in the living room and my

0:15:24.320 --> 0:15:27.600
<v Speaker 7>mom would record her vocal part with the A track

0:15:27.680 --> 0:15:30.640
<v Speaker 7>in our bedroom, which was the next room. So I

0:15:30.640 --> 0:15:33.920
<v Speaker 7>would stare at the A track and watch my mom

0:15:34.080 --> 0:15:36.880
<v Speaker 7>record on the edge of the bed, and then when

0:15:36.920 --> 0:15:39.200
<v Speaker 7>they pressed play and her voice came out of it,

0:15:39.280 --> 0:15:42.320
<v Speaker 7>I was just blown away. And that's when I like

0:15:42.840 --> 0:15:45.680
<v Speaker 7>those two memories. That's when I wanted to sing.

0:15:46.360 --> 0:15:48.600
<v Speaker 2>Did your mother does she like make records of you're

0:15:48.640 --> 0:15:50.160
<v Speaker 2>recording artists? Or did she just sing?

0:15:50.520 --> 0:15:52.320
<v Speaker 7>And she was a recording artist. She had her own

0:15:52.360 --> 0:15:56.920
<v Speaker 7>band called car Nova in New Orleans. They had their

0:15:56.960 --> 0:16:03.120
<v Speaker 7>own band. It was interracial race bass player guitar. My

0:16:03.280 --> 0:16:06.600
<v Speaker 7>stepdad played drums. That's why I started on the drums.

0:16:06.880 --> 0:16:09.360
<v Speaker 7>That's why I love watching drummers. That's why I became

0:16:09.400 --> 0:16:14.800
<v Speaker 7>a fan of me. And I would watch the way

0:16:14.920 --> 0:16:17.720
<v Speaker 7>drummers set up their snares. It slanted, is it low?

0:16:18.080 --> 0:16:21.040
<v Speaker 7>Is it below their knees? Like every little technical thing.

0:16:21.760 --> 0:16:24.680
<v Speaker 7>So I started on the drums and I would watch

0:16:24.760 --> 0:16:28.160
<v Speaker 7>them perform rehearse in our bedroom. But we were too

0:16:28.240 --> 0:16:30.640
<v Speaker 7>young to go in the club, so they would have

0:16:30.640 --> 0:16:34.040
<v Speaker 7>the car close to the side door so that my

0:16:34.080 --> 0:16:39.200
<v Speaker 7>mom can babysit while performing, so she would do double duty.

0:16:39.240 --> 0:16:42.400
<v Speaker 7>So I'm a kid from that kind of era where

0:16:42.400 --> 0:16:46.120
<v Speaker 7>they did a lot of performing and recording at the

0:16:46.120 --> 0:16:48.720
<v Speaker 7>same time. But she had her own band lead singer,

0:16:48.760 --> 0:16:52.000
<v Speaker 7>and her and the bass player would write songs together

0:16:52.040 --> 0:16:52.600
<v Speaker 7>all the time.

0:16:53.160 --> 0:16:57.480
<v Speaker 1>Wow, I know you're probably obsessed with Darry Jones if

0:16:57.480 --> 0:17:02.360
<v Speaker 1>you're trying to figure out drummer angles, because I'm still

0:17:02.400 --> 0:17:04.359
<v Speaker 1>trying to figure that out out right.

0:17:04.560 --> 0:17:05.119
<v Speaker 7>That's set up.

0:17:05.160 --> 0:17:10.400
<v Speaker 1>It's crazy, Okay, are you still drumming now?

0:17:10.560 --> 0:17:10.679
<v Speaker 2>Like?

0:17:10.760 --> 0:17:14.760
<v Speaker 7>Do you can paradiddles on a pad when I get

0:17:14.760 --> 0:17:18.760
<v Speaker 7>nervous or things like that? But not Nah. The band

0:17:18.800 --> 0:17:21.040
<v Speaker 7>always trying to make me play, but I won't play it.

0:17:21.119 --> 0:17:24.560
<v Speaker 7>I told you, I get a little nerdy on certain times.

0:17:24.560 --> 0:17:26.120
<v Speaker 7>And that's one of them. I don't want to play

0:17:26.119 --> 0:17:28.600
<v Speaker 7>in front of it. I know, like an African beat

0:17:28.640 --> 0:17:31.520
<v Speaker 7>and a James Brown beat. That's all I know right now.

0:17:32.560 --> 0:17:34.439
<v Speaker 3>You don't think your audience would go crazy if you

0:17:34.560 --> 0:17:35.399
<v Speaker 3>just suddenly started.

0:17:39.119 --> 0:17:42.040
<v Speaker 5>It was a little especially for afrobeats.

0:17:42.119 --> 0:17:43.920
<v Speaker 7>Let's go. You think I can do it?

0:17:44.359 --> 0:17:46.560
<v Speaker 1>I mean I know you can do it. You know

0:17:46.640 --> 0:17:47.280
<v Speaker 1>you can do it.

0:17:48.520 --> 0:17:51.639
<v Speaker 7>I'm in practice. If you're there, definitely not doing it.

0:17:52.680 --> 0:17:54.040
<v Speaker 1>Do you own a drum set?

0:17:54.600 --> 0:17:57.040
<v Speaker 7>No, I think when we get a bigger house, i'll

0:17:57.080 --> 0:17:59.240
<v Speaker 7>get one. But right now, I'll wait, I have a

0:17:59.359 --> 0:18:00.800
<v Speaker 7>I have a road. It's right there.

0:18:01.720 --> 0:18:03.280
<v Speaker 1>I'm sending you a drum set.

0:18:03.600 --> 0:18:04.520
<v Speaker 7>Really what?

0:18:05.280 --> 0:18:07.360
<v Speaker 1>Well, yeah, you're also helping me because you know I'm

0:18:07.400 --> 0:18:11.160
<v Speaker 1>a hoarder. And yeah, the less less boxes I have.

0:18:12.119 --> 0:18:14.280
<v Speaker 7>Well, if you send it, I'll practice and then i'll

0:18:14.280 --> 0:18:15.000
<v Speaker 7>play and record.

0:18:15.160 --> 0:18:17.240
<v Speaker 1>I'm not bullstitting you. I'm trying to get rid of

0:18:17.280 --> 0:18:19.040
<v Speaker 1>these boxes. I'm giving you a drum set.

0:18:19.160 --> 0:18:22.840
<v Speaker 7>So well, thank you. I appreciate it. I love the doms,

0:18:23.160 --> 0:18:27.240
<v Speaker 7>you know what, My monitor's mirror, the rim shot, the

0:18:27.280 --> 0:18:30.600
<v Speaker 7>snare and the kick and my vocal. That's it. That's

0:18:30.640 --> 0:18:33.840
<v Speaker 7>all I have in my my monitor ears. Everyone's like,

0:18:33.880 --> 0:18:36.920
<v Speaker 7>you're crazy. I'm like I need to beat Yeah.

0:18:36.640 --> 0:18:40.160
<v Speaker 3>I know this, no, this, this is great. I encourage

0:18:40.160 --> 0:18:45.800
<v Speaker 3>this highly. I encourage What was the first album that

0:18:45.880 --> 0:18:46.439
<v Speaker 3>you owned?

0:18:47.200 --> 0:18:51.720
<v Speaker 7>First album? My own Thriller, Purple Rain was there? Those

0:18:51.760 --> 0:18:53.560
<v Speaker 7>two was what I had, But.

0:18:53.520 --> 0:18:55.400
<v Speaker 1>Thriller was allowed to listen to Purple Rain.

0:18:56.359 --> 0:18:59.960
<v Speaker 7>I snuck it in, Okay, I'm just gonna say, sneak

0:19:00.119 --> 0:19:00.320
<v Speaker 7>it in.

0:19:01.840 --> 0:19:03.800
<v Speaker 1>I think I think we've had one guest on the

0:19:03.840 --> 0:19:06.280
<v Speaker 1>show that was like freely allowed to listen to Prince

0:19:07.560 --> 0:19:11.320
<v Speaker 1>in their childhood, Like Prince wasn't contraband after the.

0:19:11.200 --> 0:19:15.480
<v Speaker 7>Movie, they let it go because we had saw the movie.

0:19:15.520 --> 0:19:18.160
<v Speaker 7>It's a rap, you know. The Thriller was the one

0:19:18.400 --> 0:19:19.880
<v Speaker 7>that was the that.

0:19:19.880 --> 0:19:22.720
<v Speaker 3>Was okay, what about your first content?

0:19:23.440 --> 0:19:26.639
<v Speaker 7>I didn't you know my during my time, we couldn't go.

0:19:26.840 --> 0:19:31.040
<v Speaker 7>It was run DMC, a fresh vest. It was, yes,

0:19:31.119 --> 0:19:34.040
<v Speaker 7>we couldn't go. I couldn't go. My parents wouldn't let

0:19:34.119 --> 0:19:36.920
<v Speaker 7>us go. So I have my little General Electric radio

0:19:36.960 --> 0:19:39.159
<v Speaker 7>and I would just play the cassette on the porch

0:19:39.200 --> 0:19:42.960
<v Speaker 7>and just listen like that and pretend like we were there.

0:19:43.320 --> 0:19:46.040
<v Speaker 7>But I didn't go to a concert until I was

0:19:46.080 --> 0:19:51.320
<v Speaker 7>in college and the first concert, yes did never had

0:19:51.359 --> 0:19:54.520
<v Speaker 7>never been a concert. My first concert was Dian Reeves

0:19:54.680 --> 0:20:02.280
<v Speaker 7>opening for George Benson in Sonoma somewhere. It was a date.

0:20:02.560 --> 0:20:05.320
<v Speaker 7>This guy took me on a date. That's I got

0:20:05.320 --> 0:20:07.480
<v Speaker 7>to go to a concert. Crazy, right.

0:20:07.800 --> 0:20:11.520
<v Speaker 1>It's funny you said that because for some reason three

0:20:11.600 --> 0:20:17.760
<v Speaker 1>days ago, what was the song about Grandma Better Days? Yeah,

0:20:17.960 --> 0:20:21.640
<v Speaker 1>I don't know why I had this need to hear

0:20:22.920 --> 0:20:25.359
<v Speaker 1>that song, like it was always on radio when I

0:20:25.400 --> 0:20:26.199
<v Speaker 1>was in high school.

0:20:27.040 --> 0:20:29.000
<v Speaker 5>Really, oh god.

0:20:29.040 --> 0:20:30.960
<v Speaker 1>That was like I forgot there was a time in which,

0:20:31.000 --> 0:20:34.119
<v Speaker 1>like Diane Reeves had like the number one song on

0:20:34.240 --> 0:20:38.679
<v Speaker 1>Power ninety nine, like and that was the thing that also.

0:20:38.600 --> 0:20:41.720
<v Speaker 4>Likely record and also kind of a Piano in the

0:20:41.840 --> 0:20:42.399
<v Speaker 4>Dark by.

0:20:42.280 --> 0:20:43.840
<v Speaker 7>Brenda Ronda Russell.

0:20:43.960 --> 0:20:47.080
<v Speaker 1>Yeah, yeah, e well that still gets played on like

0:20:47.960 --> 0:20:51.600
<v Speaker 1>Piano the Dark has this travel to well I don't

0:20:51.600 --> 0:20:55.000
<v Speaker 1>call it yacht rock radio, but whatever, like yeah, yeah,

0:20:56.000 --> 0:20:58.639
<v Speaker 1>wherever when you're in CVS at three in the morning.

0:21:01.600 --> 0:21:04.280
<v Speaker 8>That's one of the best albums of all time, the

0:21:04.359 --> 0:21:07.000
<v Speaker 8>Russell album.

0:21:07.160 --> 0:21:10.280
<v Speaker 1>It is tell us about your your musical development, Like

0:21:10.320 --> 0:21:11.960
<v Speaker 1>do you have any siblings or is it just you?

0:21:12.880 --> 0:21:15.239
<v Speaker 7>I have an older sister, a younger sister, and on

0:21:15.280 --> 0:21:18.399
<v Speaker 7>my dad's side, I have I have eleven and I

0:21:18.760 --> 0:21:21.520
<v Speaker 7>think I'm twelve. I'm twelve in there in that mix.

0:21:21.760 --> 0:21:24.320
<v Speaker 7>I know you're interviewing, but I wanted to ask you

0:21:24.359 --> 0:21:28.680
<v Speaker 7>about when we did the VH one Anita.

0:21:28.320 --> 0:21:32.720
<v Speaker 1>I'm gonna get to that. I'm gone, I'm sorry. That

0:21:32.920 --> 0:21:34.920
<v Speaker 1>is all right, all right, let's just have it now,

0:21:37.320 --> 0:21:40.439
<v Speaker 1>all right. I'm trying to rap up to this. You know,

0:21:40.680 --> 0:21:44.240
<v Speaker 1>the thing for me is, as an artist, the two

0:21:44.280 --> 0:21:47.879
<v Speaker 1>things that I look forward to most in life is

0:21:48.000 --> 0:21:54.480
<v Speaker 1>when someone puts me onto an album that will later

0:21:54.680 --> 0:21:57.399
<v Speaker 1>like change my life and all that stuff. So, I mean,

0:21:57.440 --> 0:22:00.720
<v Speaker 1>I've had that a few times, you know, like Jill

0:22:00.840 --> 0:22:04.879
<v Speaker 1>handing me her record, Oh shit, Fonte handed me his

0:22:05.119 --> 0:22:09.040
<v Speaker 1>you know, the the Little Brother album or record blow

0:22:09.119 --> 0:22:12.679
<v Speaker 1>or whatever. But the only thing that tops that for

0:22:12.800 --> 0:22:19.919
<v Speaker 1>me is when I witnessed a star is born moment

0:22:20.840 --> 0:22:25.359
<v Speaker 1>and to see what transpired that day. Now we're doing

0:22:26.600 --> 0:22:31.679
<v Speaker 1>VH on'es uh, it's not women who rockets, it's is

0:22:31.720 --> 0:22:33.080
<v Speaker 1>a divas. Was it Divas?

0:22:33.520 --> 0:22:36.800
<v Speaker 7>I think I can't remember. Yeah, I think it was

0:22:37.760 --> 0:22:39.119
<v Speaker 7>Divas R and B Divs.

0:22:40.560 --> 0:22:44.040
<v Speaker 1>And I've told many stories of whenever I'm put in

0:22:44.040 --> 0:22:47.040
<v Speaker 1>those situations in which you got to curate a bunch

0:22:47.040 --> 0:22:47.760
<v Speaker 1>of artists.

0:22:48.240 --> 0:22:49.200
<v Speaker 3>That's the first.

0:22:48.920 --> 0:22:51.280
<v Speaker 1>Time, like, but even before Hip Hop fifty, that's the

0:22:51.280 --> 0:22:54.560
<v Speaker 1>first time I had to learn that it's not just

0:22:54.600 --> 0:22:59.040
<v Speaker 1>about music, but you also have to manage artists in

0:22:59.160 --> 0:23:04.320
<v Speaker 1>general personalities, personalities which I didn't know. Now the first

0:23:04.320 --> 0:23:07.040
<v Speaker 1>half of the story kind of isn't mine to tell

0:23:07.960 --> 0:23:11.160
<v Speaker 1>all the pieces of the jinga fell down with seconds

0:23:11.280 --> 0:23:13.600
<v Speaker 1>left on the clock and or when I say seconds

0:23:13.680 --> 0:23:17.359
<v Speaker 1>left on the clock, I mean, you know, in TV world,

0:23:17.680 --> 0:23:22.720
<v Speaker 1>one should at least thoroughly kind of you know, at

0:23:22.800 --> 0:23:26.480
<v Speaker 1>least have three a minimum of three hours of working

0:23:26.520 --> 0:23:30.000
<v Speaker 1>out kinks and whatnot. I mean, we probably had all

0:23:30.040 --> 0:23:34.600
<v Speaker 1>of twenty seven minutes before we started taping, and you know,

0:23:34.640 --> 0:23:39.240
<v Speaker 1>we have a giant, gaping hole of space left that

0:23:39.480 --> 0:23:43.399
<v Speaker 1>needed to be filled, which is who's gonna now sing

0:23:43.440 --> 0:23:47.680
<v Speaker 1>sweet Love? You know you did it in such Now

0:23:47.720 --> 0:23:49.919
<v Speaker 1>I realize that, Yeah, you're telling the truth about your

0:23:49.920 --> 0:23:55.400
<v Speaker 1>shyness because you kind of very don't. Was Sondra there

0:23:55.480 --> 0:23:57.760
<v Speaker 1>as well or was it just you?

0:23:57.760 --> 0:23:59.760
<v Speaker 7>No, it was me and Sindra, Yeah, because I had

0:24:00.200 --> 0:24:02.000
<v Speaker 7>done a tribute ever on television.

0:24:02.080 --> 0:24:05.320
<v Speaker 1>That was like, right, first, first, correct me if I'm wrong.

0:24:05.320 --> 0:24:09.800
<v Speaker 1>What were you initially there for Aaron Jones, Karen Jones. Yes,

0:24:10.600 --> 0:24:13.280
<v Speaker 1>what I do remember was I didn't go to you first.

0:24:13.400 --> 0:24:14.880
<v Speaker 1>I think I went to Sundra.

0:24:15.320 --> 0:24:19.640
<v Speaker 7>No, Marcia, right, Oh, you went to Sundra to talk

0:24:19.680 --> 0:24:19.840
<v Speaker 7>to her?

0:24:20.280 --> 0:24:22.440
<v Speaker 1>Yes, right, I mean, well she was there in proximity

0:24:22.440 --> 0:24:25.280
<v Speaker 1>because she was also like, were you there to watch

0:24:25.320 --> 0:24:26.119
<v Speaker 1>the rehearsal?

0:24:27.320 --> 0:24:30.320
<v Speaker 7>Yeah, we were trying to watch rehearsal, and then we

0:24:30.359 --> 0:24:32.720
<v Speaker 7>got kicked out of a room and we went back

0:24:32.760 --> 0:24:35.359
<v Speaker 7>to our dressing room and stayed out of the way,

0:24:35.440 --> 0:24:36.919
<v Speaker 7>which is what I love to do.

0:24:36.800 --> 0:24:39.600
<v Speaker 3>Because I'll wait all I'm going to say.

0:24:40.320 --> 0:24:42.800
<v Speaker 1>The only thing I'm going to say, I don't know

0:24:42.880 --> 0:24:46.000
<v Speaker 1>if I ever shared this part of the story. So again, yes,

0:24:46.600 --> 0:24:50.399
<v Speaker 1>the initial plan for that moment was in motion, like

0:24:50.560 --> 0:24:53.520
<v Speaker 1>both artists were on stage and verse and the parts

0:24:53.520 --> 0:24:54.080
<v Speaker 1>and whatnot.

0:24:54.240 --> 0:24:56.800
<v Speaker 3>And then this is the craziest.

0:24:56.280 --> 0:24:59.240
<v Speaker 1>Real moment of all time I've ever witnessed an artist

0:24:59.359 --> 0:25:00.720
<v Speaker 1>due and.

0:25:00.560 --> 0:25:03.200
<v Speaker 3>I'm respectfully recapitulating the story.

0:25:03.280 --> 0:25:05.119
<v Speaker 8>So you are so respectful right now, I can't even

0:25:05.160 --> 0:25:06.800
<v Speaker 8>understand the story.

0:25:06.800 --> 0:25:09.080
<v Speaker 1>Look after I'm losing my mind.

0:25:09.119 --> 0:25:10.879
<v Speaker 5>I'm like, I need to get a less respectful remix.

0:25:10.960 --> 0:25:13.960
<v Speaker 1>Yes, story, I know that we're about that, but I've

0:25:14.000 --> 0:25:20.399
<v Speaker 1>already been roasted by another artist, by her other group members,

0:25:20.720 --> 0:25:22.600
<v Speaker 1>I was the wicked boy, and I had nothing to

0:25:22.600 --> 0:25:23.439
<v Speaker 1>do with it. You know.

0:25:23.760 --> 0:25:25.359
<v Speaker 3>Again it's it's above me.

0:25:25.600 --> 0:25:29.000
<v Speaker 1>But anyway, the whole point was that there was a

0:25:29.040 --> 0:25:32.760
<v Speaker 1>moment right after the bridge in which the song started

0:25:32.800 --> 0:25:36.679
<v Speaker 1>to go rogue, and Anita Baker decided that this moment's

0:25:36.720 --> 0:25:39.920
<v Speaker 1>not going to go down. She literally like, so go

0:25:40.000 --> 0:25:42.760
<v Speaker 1>after the bridge of Sweet Love, like, and she's walking

0:25:42.800 --> 0:25:46.040
<v Speaker 1>down the stairs. She's singing. Then she puts her cote

0:25:46.040 --> 0:25:48.679
<v Speaker 1>on and she's still singing the song, and then we

0:25:48.720 --> 0:25:51.200
<v Speaker 1>get to the chorus and she's putting a pocketbook on

0:25:51.760 --> 0:25:54.919
<v Speaker 1>and then she's like walking down to the audience. You know,

0:25:54.960 --> 0:25:58.439
<v Speaker 1>we're camera blocking and all that stuff. Yo, She sang

0:25:59.320 --> 0:26:03.760
<v Speaker 1>the last of those ad libs, walked out the door,

0:26:05.119 --> 0:26:09.520
<v Speaker 1>hailed the cab and it went straight to the airport.

0:26:09.880 --> 0:26:13.439
<v Speaker 1>Like but that was rehearsal though, right, that was I mean,

0:26:13.480 --> 0:26:15.520
<v Speaker 1>it was it was camera blocking for a show we

0:26:15.520 --> 0:26:18.440
<v Speaker 1>were gonna shoot in two hours. Like the average person

0:26:18.440 --> 0:26:21.919
<v Speaker 1>would have been like, hey, stop the song. Guys, I

0:26:21.960 --> 0:26:26.040
<v Speaker 1>appreciate this, but I cannot do this. I'm leaving goodbye.

0:26:26.160 --> 0:26:28.600
<v Speaker 1>She didn't do that, like she literally sang the song

0:26:29.320 --> 0:26:31.359
<v Speaker 1>and then like the way mister Rogers like puts a

0:26:31.400 --> 0:26:33.639
<v Speaker 1>sweater on, and she put her coat on.

0:26:34.800 --> 0:26:35.520
<v Speaker 5>You see, did you see?

0:26:36.000 --> 0:26:38.320
<v Speaker 7>No, I wasn't in the room. We were kicked We

0:26:38.320 --> 0:26:41.160
<v Speaker 7>were kicked out way before the song even started.

0:26:41.440 --> 0:26:42.760
<v Speaker 3>Yeah, it was a lot of drama.

0:26:43.000 --> 0:26:47.920
<v Speaker 1>And but seriously, when I think at what point she

0:26:48.000 --> 0:26:50.560
<v Speaker 1>ye had govern her mouth like this, like she put

0:26:50.600 --> 0:26:54.399
<v Speaker 1>her pocketbook on and all that stuff, and but still

0:26:54.520 --> 0:27:00.600
<v Speaker 1>doing it for Bata swing and and she was like

0:27:01.400 --> 0:27:03.840
<v Speaker 1>in the vest of you. She left the theater still

0:27:03.880 --> 0:27:07.080
<v Speaker 1>singing with the microphone in the rest of you. And

0:27:07.119 --> 0:27:10.720
<v Speaker 1>then she walked out of the hammersteam Ballroom, and I'm

0:27:10.720 --> 0:27:13.640
<v Speaker 1>looking at Nelson George like, wait, what's going on here?

0:27:13.840 --> 0:27:16.440
<v Speaker 1>But the way she left, I've never seen a person

0:27:16.600 --> 0:27:18.920
<v Speaker 1>with a cordless microphone.

0:27:18.880 --> 0:27:20.480
<v Speaker 2>Walk out the building, start on.

0:27:20.480 --> 0:27:24.400
<v Speaker 3>The stage, walk in the audience, then walked the rest

0:27:24.400 --> 0:27:24.760
<v Speaker 3>of you.

0:27:24.920 --> 0:27:25.960
<v Speaker 2>Like that's wow.

0:27:26.800 --> 0:27:32.000
<v Speaker 7>It sounds accurate though, Yeah, m.

0:27:32.200 --> 0:27:38.280
<v Speaker 1>H James James James Boys and hang on, hang on,

0:27:38.640 --> 0:27:44.560
<v Speaker 1>wait wait, Dame Steak James Yes, were you with us

0:27:44.760 --> 0:27:48.560
<v Speaker 1>for VH one Divas Anita shut up?

0:27:52.440 --> 0:27:55.800
<v Speaker 2>Uh, I think I do something from old man brain.

0:27:57.119 --> 0:27:59.280
<v Speaker 1>I think you know, James that you're just afraid to

0:28:03.080 --> 0:28:04.719
<v Speaker 1>I think I remember hearing about this.

0:28:05.000 --> 0:28:05.159
<v Speaker 5>Was that.

0:28:07.920 --> 0:28:10.280
<v Speaker 3>Not playing keyboards? Who else would play keyboards?

0:28:10.480 --> 0:28:10.680
<v Speaker 1>Yeah?

0:28:10.680 --> 0:28:12.240
<v Speaker 7>I don't know either. I can't.

0:28:13.200 --> 0:28:14.960
<v Speaker 3>He wasn't in the loop like that. It was you

0:28:15.000 --> 0:28:15.640
<v Speaker 3>were definitely there.

0:28:15.720 --> 0:28:16.520
<v Speaker 5>It was a long time ago.

0:28:16.600 --> 0:28:17.320
<v Speaker 1>Maybe it was Omar.

0:28:17.880 --> 0:28:20.040
<v Speaker 2>Yes, Oh yeah, I do remember that.

0:28:21.240 --> 0:28:24.199
<v Speaker 1>Wait what I feel like I'm having. I'm feeling like

0:28:24.240 --> 0:28:27.800
<v Speaker 1>I'm having a little boy that cried wolf moment. I'm

0:28:27.880 --> 0:28:29.600
<v Speaker 1>king him the way that you would need.

0:28:29.600 --> 0:28:30.840
<v Speaker 3>A baker left the stage.

0:28:31.200 --> 0:28:35.440
<v Speaker 1>I've never seen someone walk off the stage still singing.

0:28:35.640 --> 0:28:38.360
<v Speaker 3>Grap her coat, still singing her pocket book.

0:28:39.080 --> 0:28:42.560
<v Speaker 1>She WoT a stick of gum and literally ad libbed

0:28:42.600 --> 0:28:46.160
<v Speaker 1>herself into a cab. Went to the airport, and I

0:28:46.160 --> 0:28:48.640
<v Speaker 1>asked Nelson George, I'm like, wait, what happened?

0:28:48.920 --> 0:28:51.800
<v Speaker 3>And he was like, she went home? And I'm like,

0:28:51.840 --> 0:28:53.160
<v Speaker 3>she was a luggage like.

0:28:53.240 --> 0:28:56.800
<v Speaker 2>She literally I do remember that. I do. I do

0:28:56.920 --> 0:28:58.560
<v Speaker 2>remember that when you.

0:28:58.560 --> 0:29:02.640
<v Speaker 7>Asked when they said, the room started buzzing around that

0:29:02.760 --> 0:29:06.960
<v Speaker 7>she left. Yes, and we were backstage, going what's going on?

0:29:07.200 --> 0:29:11.120
<v Speaker 7>And they were like, no, Anita Baker left. I was like, what,

0:29:11.400 --> 0:29:13.200
<v Speaker 7>I wanted to meet her? Why did she leave? She

0:29:13.280 --> 0:29:14.040
<v Speaker 7>coming back though?

0:29:14.120 --> 0:29:14.320
<v Speaker 2>Right?

0:29:14.640 --> 0:29:18.520
<v Speaker 7>They were like, no, she's not coming back. They're trying

0:29:18.560 --> 0:29:22.200
<v Speaker 7>to call her. So I and when you came to

0:29:22.280 --> 0:29:25.800
<v Speaker 7>my room to ask me about singing it. When you

0:29:25.880 --> 0:29:28.400
<v Speaker 7>finally showed up, I was like, why is chues Love

0:29:28.520 --> 0:29:29.640
<v Speaker 7>coming to my room? What I do?

0:29:30.240 --> 0:29:31.720
<v Speaker 1>And I thought it was trouble. I was.

0:29:32.160 --> 0:29:34.680
<v Speaker 7>I didn't do anything, and then you came in and explained,

0:29:34.680 --> 0:29:39.160
<v Speaker 7>we need But this is the thing I didn't tell

0:29:39.240 --> 0:29:43.360
<v Speaker 7>you is that after you asked me, I called ab

0:29:44.120 --> 0:29:48.160
<v Speaker 7>Queen Anita Baker and said, can you police come back?

0:29:49.320 --> 0:29:50.560
<v Speaker 1>We would love it.

0:29:52.440 --> 0:29:55.640
<v Speaker 7>Even after you asked me, because I felt, you know,

0:29:55.800 --> 0:29:58.960
<v Speaker 7>I love honoring our grades no matter what. And if

0:29:59.000 --> 0:30:01.360
<v Speaker 7>you asked me to do their song, I always call

0:30:01.440 --> 0:30:03.680
<v Speaker 7>them and say, hey, I'm gonna be performing your song.

0:30:03.960 --> 0:30:06.800
<v Speaker 7>That's just something I do. But I felt weird a

0:30:06.840 --> 0:30:09.520
<v Speaker 7>little bit, so I called her and said, hey, are

0:30:09.520 --> 0:30:12.600
<v Speaker 7>you all right? Just checking on you. She was like,

0:30:12.640 --> 0:30:19.240
<v Speaker 7>I'm fine, going home? I was. She didn't she didn't

0:30:19.280 --> 0:30:22.920
<v Speaker 7>tell me what went on. She didn't say anything. She

0:30:23.080 --> 0:30:26.320
<v Speaker 7>just said, baby, I said, well, they're asking me to

0:30:26.400 --> 0:30:29.320
<v Speaker 7>sing your song and I was hoping you would sing it,

0:30:30.000 --> 0:30:32.880
<v Speaker 7>and I thought you were singing it with another artist.

0:30:33.240 --> 0:30:35.920
<v Speaker 7>I would love for you to she and I hope

0:30:35.960 --> 0:30:38.000
<v Speaker 7>she wasn't thinking that you put me up to that.

0:30:38.000 --> 0:30:41.360
<v Speaker 7>That was just saying please come back because it's VH

0:30:41.480 --> 0:30:45.640
<v Speaker 7>one and it was you know, and she was like,

0:30:46.880 --> 0:30:50.880
<v Speaker 7>do a great job, honey, You're gonna be great.

0:30:51.440 --> 0:30:51.840
<v Speaker 1>But I do.

0:30:52.560 --> 0:30:54.680
<v Speaker 7>And that's all I heard. And I didn't ask her

0:30:54.760 --> 0:30:57.239
<v Speaker 7>what went on. It was none of my business to know.

0:30:57.440 --> 0:31:00.480
<v Speaker 7>My job was trying to get her to come come back.

0:31:00.600 --> 0:31:03.960
<v Speaker 7>And because I knew a whole nother generation wanted to

0:31:04.000 --> 0:31:08.240
<v Speaker 7>see that because she hadn't been on television along and

0:31:08.320 --> 0:31:10.800
<v Speaker 7>it was a big event to see that.

0:31:11.080 --> 0:31:13.560
<v Speaker 8>So hey, ps, just real quick because I know he's

0:31:13.560 --> 0:31:14.920
<v Speaker 8>going to try to get out of here like Peter

0:31:15.000 --> 0:31:18.280
<v Speaker 8>on The Family, Guy, James Poyser, can we get your

0:31:18.360 --> 0:31:20.640
<v Speaker 8>commitment to being a guest on Quest left the premium

0:31:20.640 --> 0:31:21.240
<v Speaker 8>the next two months?

0:31:21.240 --> 0:31:22.920
<v Speaker 1>Please she meet Homer Simpson.

0:31:23.560 --> 0:31:28.560
<v Speaker 8>Homer Simpson, I'm sorry, you're right wrong, guy.

0:31:29.520 --> 0:31:41.280
<v Speaker 1>How much your pain? James do an episode already?

0:31:42.560 --> 0:31:45.360
<v Speaker 2>Fred Havin, he was he was in his sam ash basement.

0:31:45.400 --> 0:31:50.480
<v Speaker 2>Remember I love you? Let us.

0:31:51.920 --> 0:31:52.080
<v Speaker 1>Wait?

0:31:52.120 --> 0:31:54.200
<v Speaker 2>Can I ask a question about the needed Baker thing?

0:31:55.600 --> 0:31:58.000
<v Speaker 6>Were James at any point did the band look at

0:31:58.040 --> 0:32:00.200
<v Speaker 6>each other and be like, where the need a go?

0:32:00.680 --> 0:32:02.400
<v Speaker 2>Was that? Or it is just like it didn't matter.

0:32:02.480 --> 0:32:03.520
<v Speaker 2>It was just she was gone.

0:32:04.040 --> 0:32:05.240
<v Speaker 3>No, I'm gonna tell you why.

0:32:06.000 --> 0:32:08.920
<v Speaker 1>Because the thing is the way that the stage was

0:32:08.920 --> 0:32:12.000
<v Speaker 1>built kind of like a pyramid thing, and I'm at

0:32:12.040 --> 0:32:15.760
<v Speaker 1>the top, and what was supposed to happen is these two,

0:32:16.120 --> 0:32:19.800
<v Speaker 1>these two were supposed to saunter down these long ass

0:32:19.800 --> 0:32:28.080
<v Speaker 1>stairs left and right, singing together. There's this sort of

0:32:28.160 --> 0:32:30.400
<v Speaker 1>rosy ending to this thing. And the whole thing was that.

0:32:30.840 --> 0:32:34.160
<v Speaker 1>When I think Sondra was next to me and I asked,

0:32:34.320 --> 0:32:37.640
<v Speaker 1>I see Sondra, I think she said, or someone from

0:32:37.720 --> 0:32:40.680
<v Speaker 1>your team was like, oh, let's you knows that song

0:32:40.800 --> 0:32:42.760
<v Speaker 1>like the back of her hand. She will kill that

0:32:43.560 --> 0:32:44.160
<v Speaker 1>Baker fan.

0:32:44.280 --> 0:32:47.600
<v Speaker 7>She's also one of my greatest mentors and friends. I

0:32:47.680 --> 0:32:51.760
<v Speaker 7>love it. Maybe there might be things, you know to me,

0:32:51.880 --> 0:32:54.560
<v Speaker 7>every artist has a thing, they had, their cork and

0:32:54.600 --> 0:32:57.600
<v Speaker 7>what they need and require to be comfortable. I don't

0:32:57.640 --> 0:33:01.760
<v Speaker 7>know what the situation was. I'm just saying and everybody

0:33:01.760 --> 0:33:03.440
<v Speaker 7>got a thing, they got quirks.

0:33:03.480 --> 0:33:05.960
<v Speaker 5>You know, you wasn't even going there with this conversation.

0:33:06.040 --> 0:33:07.880
<v Speaker 5>What was your I.

0:33:07.840 --> 0:33:11.080
<v Speaker 7>Wanted to know for Emir doing that kind of show,

0:33:11.360 --> 0:33:14.760
<v Speaker 7>the mass it was so massive with so many women,

0:33:15.440 --> 0:33:17.840
<v Speaker 7>like it was R and B and soul that night,

0:33:18.000 --> 0:33:20.240
<v Speaker 7>you know what I mean. It was huge for me

0:33:20.800 --> 0:33:23.600
<v Speaker 7>and I wanted to ask him, having that control over

0:33:23.640 --> 0:33:26.840
<v Speaker 7>that kind of playlist and all these artists in one room,

0:33:26.920 --> 0:33:30.960
<v Speaker 7>what was that like for you? Well, you answered it,

0:33:31.240 --> 0:33:33.560
<v Speaker 7>But that's why I wanted to bring it up, like,

0:33:33.680 --> 0:33:36.720
<v Speaker 7>because that was the first time I said, come out

0:33:36.720 --> 0:33:41.240
<v Speaker 7>of being the drummer to being like a conductor, run

0:33:41.400 --> 0:33:42.000
<v Speaker 7>whipping bag.

0:33:43.720 --> 0:33:45.800
<v Speaker 3>You want to know something funny though, Well, to know

0:33:45.920 --> 0:33:46.479
<v Speaker 3>something funny.

0:33:47.080 --> 0:33:50.560
<v Speaker 1>That was the second most stressful moment of a night

0:33:50.680 --> 0:33:58.800
<v Speaker 1>because I had another situation backstage with a Mota legend whom,

0:33:59.080 --> 0:34:02.400
<v Speaker 1>like drummers will all always get no pun intended the

0:34:02.480 --> 0:34:06.200
<v Speaker 1>short end of the stick, mainly from singers who now

0:34:06.240 --> 0:34:12.120
<v Speaker 1>I understand that if there's certain insecurities lying under, usually

0:34:12.160 --> 0:34:17.440
<v Speaker 1>when a person wants to micromanage tempo or that's not right,

0:34:19.280 --> 0:34:23.040
<v Speaker 1>there's another issue at hand. You know that that's not

0:34:23.239 --> 0:34:26.320
<v Speaker 1>about the song's too fast or you're playing it too slow.

0:34:26.440 --> 0:34:29.279
<v Speaker 1>So you know, I was dealing with another drama with

0:34:29.600 --> 0:34:33.960
<v Speaker 1>a motown legend that she browbeat me, and she did

0:34:33.960 --> 0:34:37.640
<v Speaker 1>it something so smooth, like I'm drumming behind her and

0:34:37.719 --> 0:34:41.600
<v Speaker 1>at one point she's so on. She sings something, sings

0:34:41.640 --> 0:34:45.799
<v Speaker 1>the chorus and turns around says kill you.

0:34:46.880 --> 0:34:51.680
<v Speaker 7>Oh no, a mirror R and B is a whole

0:34:51.800 --> 0:34:56.200
<v Speaker 7>nother beast. It has you know this samir is so different, right.

0:34:56.680 --> 0:34:59.160
<v Speaker 1>So no, just to let you know that, like that

0:34:59.360 --> 0:35:02.480
<v Speaker 1>situation with the needle was sort of like that was

0:35:02.480 --> 0:35:04.560
<v Speaker 1>in second place. There's something else I was dealing with.

0:35:04.840 --> 0:35:06.680
<v Speaker 1>It taught me to be careful what you asked for.

0:35:06.760 --> 0:35:10.160
<v Speaker 1>And also I'll say that surviving that prepared me for

0:35:10.239 --> 0:35:13.359
<v Speaker 1>hip hop fifty.

0:35:12.719 --> 0:35:12.919
<v Speaker 6>Yeah.

0:35:13.400 --> 0:35:16.440
<v Speaker 1>You know I've told our listeners that, uh, you know,

0:35:16.680 --> 0:35:19.640
<v Speaker 1>I've lost the body part uh because of the stress

0:35:19.680 --> 0:35:23.040
<v Speaker 1>of that. But that's also that's also me not you know,

0:35:23.160 --> 0:35:27.799
<v Speaker 1>advocating for myself and volunteering to be a whipping boy.

0:35:27.840 --> 0:35:28.279
<v Speaker 1>But I.

0:35:30.960 --> 0:35:32.239
<v Speaker 5>Said, that's what I said.

0:35:32.280 --> 0:35:38.960
<v Speaker 3>The main one I told you all my tooth fell out.

0:35:39.760 --> 0:35:43.400
<v Speaker 5>We all smoke and drink, so we'd be forgetting the

0:35:43.480 --> 0:35:49.239
<v Speaker 5>camera you know, with our brother. But you know, we

0:35:49.320 --> 0:35:54.040
<v Speaker 5>just still.

0:35:53.360 --> 0:35:54.680
<v Speaker 1>And we can put this to bed. Let me put

0:35:54.680 --> 0:35:59.719
<v Speaker 1>the cheery on top and say that you came out

0:35:59.719 --> 0:36:01.520
<v Speaker 1>with twenty seven minutes left.

0:36:01.880 --> 0:36:03.440
<v Speaker 3>You ran through that song.

0:36:04.680 --> 0:36:08.400
<v Speaker 1>And it was the most beautiful thing ever, even to

0:36:08.440 --> 0:36:12.040
<v Speaker 1>the detriment of not seeing that magic moment happen. What

0:36:12.239 --> 0:36:15.400
<v Speaker 1>that taught me was one I said to myself, like, wow,

0:36:15.440 --> 0:36:20.279
<v Speaker 1>like I rarely see an artist that's like ready for

0:36:20.440 --> 0:36:24.040
<v Speaker 1>their close up, And for me, that was the stars

0:36:24.120 --> 0:36:29.319
<v Speaker 1>born moment, because like you were trending number one when

0:36:29.360 --> 0:36:31.960
<v Speaker 1>that aired, and it was a whole nother comment. It

0:36:32.000 --> 0:36:35.239
<v Speaker 1>was as if people just discovered you for real, and

0:36:35.280 --> 0:36:37.439
<v Speaker 1>it was such a moment where I was like, that's

0:36:37.520 --> 0:36:38.560
<v Speaker 1>that's the way it was meant to be.

0:36:40.440 --> 0:36:44.120
<v Speaker 7>Honestly, I was scared to death, and I because I

0:36:44.160 --> 0:36:49.200
<v Speaker 7>didn't have time to do what I normally do, prepare, overthink,

0:36:49.880 --> 0:36:54.879
<v Speaker 7>I know, overthink, and I just did it. Marcia Ambrosius

0:36:54.960 --> 0:36:57.719
<v Speaker 7>did it too, and I was happy to have her

0:36:57.760 --> 0:37:01.200
<v Speaker 7>there as well to help sing part of the other part.

0:37:01.320 --> 0:37:05.040
<v Speaker 7>But you were like so happy. I was honored to

0:37:05.080 --> 0:37:08.080
<v Speaker 7>finish out what you had started and do my best,

0:37:08.120 --> 0:37:10.960
<v Speaker 7>but I was freaked out, but I did try.

0:37:10.719 --> 0:37:11.919
<v Speaker 5>To get a B back.

0:37:12.000 --> 0:37:14.120
<v Speaker 7>I did. I didn't know what was going on. I

0:37:14.200 --> 0:37:16.319
<v Speaker 7>was out the dark, out of the room. Still don't

0:37:16.320 --> 0:37:18.040
<v Speaker 7>know what happened, but I'm just.

0:37:18.000 --> 0:37:21.160
<v Speaker 3>Having euros up here.

0:37:21.280 --> 0:37:23.719
<v Speaker 7>Your face though that night, well that's why I wanted

0:37:23.760 --> 0:37:26.880
<v Speaker 7>to ask why it was. So how was it for you?

0:37:26.920 --> 0:37:29.680
<v Speaker 7>Because your face was you wore out.

0:37:31.520 --> 0:37:33.120
<v Speaker 3>Yeah, I didn't know about meditation.

0:37:33.719 --> 0:37:33.959
<v Speaker 2>Job.

0:37:34.200 --> 0:37:36.400
<v Speaker 7>You did a wonderful job. I have to.

0:37:36.400 --> 0:37:39.000
<v Speaker 5>Say, y'all, is this the BT Award twenty eighteen?

0:37:39.120 --> 0:37:40.359
<v Speaker 7>Oh it was VH one.

0:37:40.560 --> 0:37:42.200
<v Speaker 5>So you didn't say Anita Baker sweet love?

0:37:42.239 --> 0:37:44.319
<v Speaker 7>A couple of times I did, but I didn't do

0:37:44.760 --> 0:37:46.479
<v Speaker 7>I did it first with a mirror.

0:37:46.520 --> 0:37:48.719
<v Speaker 8>That was making sure because I know people are listening,

0:37:48.800 --> 0:37:49.640
<v Speaker 8>They're like, how which one is?

0:37:49.680 --> 0:37:50.239
<v Speaker 5>I want to find it?

0:37:50.440 --> 0:37:53.160
<v Speaker 7>Not that So that was the first tribute I had

0:37:53.160 --> 0:37:55.680
<v Speaker 7>ever done. I do a lot of tributes, but that

0:37:55.800 --> 0:37:59.080
<v Speaker 7>was the first one on a big platform like that.

0:37:59.400 --> 0:38:02.400
<v Speaker 7>It was all R and B people, soul, R and B.

0:38:02.680 --> 0:38:06.520
<v Speaker 7>The lineup was incredible. I couldn't believe I was there.

0:38:06.600 --> 0:38:07.800
<v Speaker 5>I was still RMB Davis.

0:38:07.880 --> 0:38:11.160
<v Speaker 1>Yeah, So did you notice a paradigm shift after that moment?

0:38:11.760 --> 0:38:12.440
<v Speaker 7>Absolutely?

0:38:13.080 --> 0:38:16.480
<v Speaker 1>Tell me about it because I still maintained that, you know,

0:38:16.640 --> 0:38:20.520
<v Speaker 1>one you trended the entire night it was on and

0:38:20.640 --> 0:38:24.640
<v Speaker 1>just reading all the comments, like people were really engaged

0:38:24.680 --> 0:38:26.560
<v Speaker 1>with how you handled it, and they loved it.

0:38:26.640 --> 0:38:29.040
<v Speaker 3>So what happened after that moment?

0:38:29.440 --> 0:38:35.760
<v Speaker 7>They were my shows got bigger, more people started wanting

0:38:35.760 --> 0:38:38.400
<v Speaker 7>to know more about me. But I wasn't really social,

0:38:38.520 --> 0:38:41.239
<v Speaker 7>like I said earlier, we didn't have enough of that.

0:38:41.400 --> 0:38:43.839
<v Speaker 7>I didn't even know what trending was. I was too

0:38:43.880 --> 0:38:48.280
<v Speaker 7>busy surviving as independent artists, you know. But I noticed

0:38:48.320 --> 0:38:51.640
<v Speaker 7>in the club environment more people were coming out to

0:38:51.760 --> 0:38:54.520
<v Speaker 7>my shows after that, and there was a level of respect.

0:38:54.600 --> 0:38:58.080
<v Speaker 7>But I also got called to do more tributes, so

0:38:58.120 --> 0:39:01.040
<v Speaker 7>it kind of opened the door for that, which I

0:39:01.120 --> 0:39:02.200
<v Speaker 7>was like, what is going on?

0:39:04.120 --> 0:39:06.839
<v Speaker 1>Yeah, You've done a lot besides Anita Baker, Who are

0:39:06.880 --> 0:39:10.040
<v Speaker 1>your north stars in terms of you know, who you

0:39:10.080 --> 0:39:14.000
<v Speaker 1>look to as far as like your your vocal idols.

0:39:13.680 --> 0:39:16.560
<v Speaker 7>Or like I wanted to be an opera singer. So

0:39:16.719 --> 0:39:22.320
<v Speaker 7>Leontine was one of the biggest uh Dinah Washington because

0:39:22.920 --> 0:39:26.120
<v Speaker 7>there would be no Aretha without Dinah. She was a

0:39:26.120 --> 0:39:31.360
<v Speaker 7>big influence for Aretha and then of course Aretha Franklin

0:39:31.400 --> 0:39:36.560
<v Speaker 7>because she could sing. She sunk sung everything, and I

0:39:36.600 --> 0:39:40.480
<v Speaker 7>love uh. My mother was a huge influence. It starts

0:39:40.480 --> 0:39:44.720
<v Speaker 7>at home for me. She had the most beautiful soprano voice.

0:39:45.080 --> 0:39:48.920
<v Speaker 7>And when she had cancer in the throat, and she

0:39:49.040 --> 0:39:51.399
<v Speaker 7>survived and and won, but she her voice got lower.

0:39:51.520 --> 0:39:53.759
<v Speaker 7>She was worried and said, Mama, you gonna sing. You

0:39:53.760 --> 0:39:56.680
<v Speaker 7>could sing an out good old alto and tenna. You'll

0:39:56.719 --> 0:39:59.440
<v Speaker 7>be fine, you know so. But she's one of my

0:39:59.520 --> 0:40:02.600
<v Speaker 7>biggest inspirations is my mother, because without her, I wouldn't

0:40:02.600 --> 0:40:05.799
<v Speaker 7>have been introduced to all these other vocalists. And I

0:40:05.880 --> 0:40:11.400
<v Speaker 7>love Patsy Kaine. She's another big voice, storyteller. We forget

0:40:11.480 --> 0:40:15.239
<v Speaker 7>country is like not that everybody's having that country talk.

0:40:15.320 --> 0:40:17.440
<v Speaker 7>I've been on it. My mom listened to Willie Nelson

0:40:17.480 --> 0:40:19.640
<v Speaker 7>and Bob Dylan. I was like, Mom, why they can't

0:40:19.719 --> 0:40:23.680
<v Speaker 7>really sing. She's like, it's the stories, you know. She's like,

0:40:23.760 --> 0:40:26.640
<v Speaker 7>the stories are the thing. So I was the nerdy,

0:40:26.680 --> 0:40:29.480
<v Speaker 7>weird kid that liked all the opposite. I didn't start

0:40:29.480 --> 0:40:33.160
<v Speaker 7>at the church. I got the church stuff later when

0:40:33.200 --> 0:40:35.759
<v Speaker 7>we moved to Oakland and I met the Hawkins and

0:40:35.840 --> 0:40:37.239
<v Speaker 7>Darryl Coley and.

0:40:37.280 --> 0:40:38.600
<v Speaker 3>Learned that church.

0:40:39.680 --> 0:40:42.120
<v Speaker 7>My mom did. She was in their choir, so we would.

0:40:42.280 --> 0:40:44.320
<v Speaker 7>I would visit here and there. But I wasn't a

0:40:44.400 --> 0:40:47.000
<v Speaker 7>church I'm not a church girl. I loved the nerdy.

0:40:48.120 --> 0:40:50.560
<v Speaker 7>We were raised Catholics, so we were Mama me more.

0:40:51.239 --> 0:40:54.240
<v Speaker 7>You know, we didn't do all the squalling. I learned

0:40:54.280 --> 0:40:56.800
<v Speaker 7>all of that because Tremaine said, come on, baby squall.

0:40:56.840 --> 0:40:59.760
<v Speaker 7>And my mom grew up Baptist, so I heard her voice.

0:40:59.800 --> 0:41:01.759
<v Speaker 7>That's where I got it from. Do you know what

0:41:01.840 --> 0:41:05.680
<v Speaker 7>I mean? I'm the Yeah, she taught me how to

0:41:05.719 --> 0:41:08.960
<v Speaker 7>do my first squaw She was in the studio. You

0:41:08.960 --> 0:41:16.200
<v Speaker 7>go like this a squaw all that you asking? And

0:41:16.200 --> 0:41:17.279
<v Speaker 7>I ain't doing that now.

0:41:17.480 --> 0:41:19.480
<v Speaker 3>But wait, if you know what, Jamaine, have you ever

0:41:19.520 --> 0:41:21.080
<v Speaker 3>met Lynette Stephen Hawkins?

0:41:21.200 --> 0:41:23.439
<v Speaker 7>Oh, absolutely met her as well.

0:41:23.719 --> 0:41:26.200
<v Speaker 1>She like, man, like, just listen to all that records,

0:41:26.239 --> 0:41:28.920
<v Speaker 1>like you never see pressed on any of them.

0:41:28.960 --> 0:41:31.880
<v Speaker 7>So she had her own church. So they're really quiet,

0:41:32.200 --> 0:41:35.359
<v Speaker 7>you know, they're nerds like well, I can't say like us,

0:41:35.360 --> 0:41:38.879
<v Speaker 7>but yeah, I guess they like us, right you can, yeah,

0:41:38.920 --> 0:41:43.319
<v Speaker 7>I can't, okay, but yeah, they're really quiet. But you know,

0:41:43.520 --> 0:41:46.959
<v Speaker 7>people who were love the music and they keep it there.

0:41:47.320 --> 0:41:49.920
<v Speaker 7>They love being private as well, not all of us

0:41:50.040 --> 0:41:51.799
<v Speaker 7>like to be in the front.

0:41:52.080 --> 0:41:54.320
<v Speaker 1>I'll say that the number one scene that I really

0:41:54.360 --> 0:41:58.879
<v Speaker 1>regret that I had to drop what in Summer Soul was?

0:42:00.440 --> 0:42:02.360
<v Speaker 1>I mean, yes, they taught me off the ledgend I

0:42:02.360 --> 0:42:07.440
<v Speaker 1>put O Happy Day in, but really there was there

0:42:07.600 --> 0:42:12.799
<v Speaker 1>There was a solo between uh Tremaine Walter and Lynette

0:42:12.840 --> 0:42:16.520
<v Speaker 1>when they were teenagers, when they were you know, like.

0:42:18.160 --> 0:42:21.000
<v Speaker 3>Nineteen years old. So that's one of the scenes I

0:42:21.000 --> 0:42:21.560
<v Speaker 3>had to drop.

0:42:21.760 --> 0:42:24.160
<v Speaker 7>You know what I wanted to say about someone's soul,

0:42:24.719 --> 0:42:28.120
<v Speaker 7>Luther Vandross is a huge influence. Why didn't you put

0:42:28.960 --> 0:42:30.880
<v Speaker 7>Luther such a good question?

0:42:31.239 --> 0:42:35.600
<v Speaker 1>Because Luther was ace an eighteen year old.

0:42:35.719 --> 0:42:40.360
<v Speaker 8>Nobody air quotes, nobody taped it, didn't it a little.

0:42:40.239 --> 0:42:42.960
<v Speaker 1>Singer And they were like, well, we're running out of tape.

0:42:43.040 --> 0:42:47.399
<v Speaker 1>So you know that that local Harlem band with Luther

0:42:47.480 --> 0:42:53.080
<v Speaker 1>Vanros and Phonsie Thornton and practically Luther's whole entire crew

0:42:53.120 --> 0:42:58.280
<v Speaker 1>from listening to my brother oops, they yeah. They also

0:42:58.320 --> 0:43:00.560
<v Speaker 1>the weird thing was the same the same people that

0:43:00.680 --> 0:43:04.560
<v Speaker 1>shot A Summer of Soul, we're also the same people

0:43:04.560 --> 0:43:08.640
<v Speaker 1>that shot the pilot of Sesame Street. And so to them,

0:43:09.040 --> 0:43:12.240
<v Speaker 1>Luthor was just like Luther was the first musical guest

0:43:12.360 --> 0:43:15.120
<v Speaker 1>on Sesame Street because of the band he was in

0:43:15.200 --> 0:43:19.359
<v Speaker 1>singing about the number twenty. I searched Tying Low. There

0:43:19.719 --> 0:43:22.560
<v Speaker 1>was no good footage of Luther at all. The last

0:43:22.560 --> 0:43:25.680
<v Speaker 1>time we had a singer of your caliber or your

0:43:25.800 --> 0:43:30.480
<v Speaker 1>vocal prowess, I'll say that's one of the unfortunate episodes

0:43:30.480 --> 0:43:37.120
<v Speaker 1>in which the audio didn't work. Are that you're talking about, Well,

0:43:37.160 --> 0:43:41.880
<v Speaker 1>you're saying it. I was just finally, So I'm gonna

0:43:41.920 --> 0:43:46.839
<v Speaker 1>ask again. I want you to not not to spell

0:43:46.920 --> 0:43:50.520
<v Speaker 1>a myth, but the way that singers have these very

0:43:50.520 --> 0:43:56.239
<v Speaker 1>specific requirements for their their vocal to be open. I'm

0:43:56.360 --> 0:44:00.960
<v Speaker 1>very cynical, and I believe that's psychosomatic. But I've heard

0:44:01.120 --> 0:44:05.520
<v Speaker 1>like Fante clap back every now and then by saying like, no,

0:44:05.560 --> 0:44:06.000
<v Speaker 1>that's real.

0:44:06.640 --> 0:44:10.080
<v Speaker 3>But he explains me what is the deal.

0:44:09.960 --> 0:44:12.600
<v Speaker 1>With like with the artists that are you know, they

0:44:12.600 --> 0:44:16.319
<v Speaker 1>can't have air conditioning on because they're voice up.

0:44:17.080 --> 0:44:21.600
<v Speaker 7>This is real it Your vocal cords will clam up

0:44:21.920 --> 0:44:25.560
<v Speaker 7>from the cold air. I have gotten sick. I remember

0:44:25.600 --> 0:44:28.640
<v Speaker 7>singing what was it called Biscuits and Blues in New

0:44:28.719 --> 0:44:31.840
<v Speaker 7>York whatever that is where.

0:44:33.320 --> 0:44:39.240
<v Speaker 1>I want some biscuits and blues, but it's closed now.

0:44:39.800 --> 0:44:44.720
<v Speaker 7>I literally the air conditioning was right here, blowing into

0:44:45.200 --> 0:44:48.640
<v Speaker 7>my face as I'm opening my mouth. It just dried

0:44:48.760 --> 0:44:52.040
<v Speaker 7>my vocals out, and you can hear as I'm singing

0:44:52.120 --> 0:44:57.640
<v Speaker 7>the show my voice slowly go away cracks. Everything I said,

0:44:57.760 --> 0:44:59.680
<v Speaker 7>can you turn the air off? They wouldn't turn it

0:44:59.719 --> 0:45:02.759
<v Speaker 7>off because it was too It was underground. It was

0:45:02.760 --> 0:45:05.799
<v Speaker 7>a club in New York on Broadway, but I can't

0:45:05.840 --> 0:45:08.960
<v Speaker 7>remember the name of it. But it's gone now. It

0:45:09.120 --> 0:45:11.240
<v Speaker 7>just took my vocals out and we had to stop

0:45:11.280 --> 0:45:15.719
<v Speaker 7>the show. It's better when it's warm, it keeps it fluid.

0:45:16.000 --> 0:45:17.840
<v Speaker 7>I don't want to sound gross, but you need it

0:45:17.880 --> 0:45:22.320
<v Speaker 7>to be in there. You need water, you need moisture,

0:45:22.400 --> 0:45:25.799
<v Speaker 7>you need you need your vocal courts. They're really thin

0:45:25.880 --> 0:45:27.719
<v Speaker 7>and they have to flap. You should know that.

0:45:28.320 --> 0:45:29.840
<v Speaker 3>Come on with the I don't sing.

0:45:31.440 --> 0:45:35.400
<v Speaker 7>You yell yeah, I've heard you many times.

0:45:36.400 --> 0:45:39.600
<v Speaker 3>No, but it's just I don't know.

0:45:40.160 --> 0:45:44.600
<v Speaker 1>There's certain I'll look at the writers of singers and

0:45:45.600 --> 0:45:48.920
<v Speaker 1>you know some things I'll know like, okay, well they

0:45:48.960 --> 0:45:51.160
<v Speaker 1>need lemon and honey and da whatever.

0:45:52.920 --> 0:45:54.160
<v Speaker 7>But yeah, I get it too.

0:45:54.920 --> 0:45:56.920
<v Speaker 1>So do you have a warm up process before you

0:45:56.960 --> 0:45:59.120
<v Speaker 1>get on stage or yeah.

0:45:59.120 --> 0:46:01.560
<v Speaker 7>I don't talk it all. I do the Celine Dion thing.

0:46:01.800 --> 0:46:05.560
<v Speaker 7>My room is at eighty eighty degrees like Luther and.

0:46:07.000 --> 0:46:07.840
<v Speaker 5>The sweat stole.

0:46:08.400 --> 0:46:13.279
<v Speaker 7>Yeah, the sweat is good. I sing all the high notes. Knows,

0:46:13.320 --> 0:46:16.720
<v Speaker 7>he knows. It just feels good. It makes you ready

0:46:16.719 --> 0:46:16.960
<v Speaker 7>to go.

0:46:17.040 --> 0:46:19.040
<v Speaker 8>It's funny, funny they do be sweating, and it'll be

0:46:19.080 --> 0:46:20.880
<v Speaker 8>hot when I go see him sing on stage, that

0:46:20.960 --> 0:46:21.239
<v Speaker 8>might be.

0:46:22.840 --> 0:46:26.080
<v Speaker 7>And then I have a steamer. I steam my vocal cords.

0:46:26.080 --> 0:46:29.840
<v Speaker 7>See that's heat, and it's making it loose and everything opens,

0:46:29.840 --> 0:46:31.160
<v Speaker 7>all your chests. It's kind of like when you put

0:46:31.239 --> 0:46:34.160
<v Speaker 7>vapor rub all over and it goes. That's how you

0:46:34.239 --> 0:46:36.680
<v Speaker 7>want your vocal cords to stay open. So it is

0:46:36.719 --> 0:46:39.399
<v Speaker 7>a real thing for me. The good ones, the real

0:46:39.440 --> 0:46:44.359
<v Speaker 7>singers do that kind of stuff. The one that sing

0:46:44.480 --> 0:46:47.480
<v Speaker 7>like classical, they don't like all that because by the

0:46:47.520 --> 0:46:50.440
<v Speaker 7>time you're on the stage too, it's freezing cold, so

0:46:50.480 --> 0:46:54.400
<v Speaker 7>you might as well stay warm. So that's what I do, okay,

0:46:54.840 --> 0:46:58.880
<v Speaker 7>And I don't drink a lot of liquids, and I yeah,

0:46:59.040 --> 0:47:02.640
<v Speaker 7>the steaming is incredible. I also opera singer turned me

0:47:02.680 --> 0:47:06.680
<v Speaker 7>onto the CITRONTI that's really good. But I love that.

0:47:11.800 --> 0:47:15.120
<v Speaker 6>You transitioned to theater like all your theatrical work, both

0:47:15.160 --> 0:47:17.200
<v Speaker 6>in solo shows and kyliner change and.

0:47:17.160 --> 0:47:20.480
<v Speaker 2>Blah blah blah blah. What was the impetus behind that? Why?

0:47:20.640 --> 0:47:21.279
<v Speaker 2>So why go there?

0:47:21.800 --> 0:47:26.360
<v Speaker 7>To survive? To pay bills? In the Bay Area, Before

0:47:26.400 --> 0:47:28.720
<v Speaker 7>I became an artist, that you know is let us see,

0:47:28.760 --> 0:47:32.120
<v Speaker 7>I was waiting tables and working at a place called

0:47:32.120 --> 0:47:35.160
<v Speaker 7>Beach Blanka, Babylon where you wear these big hats. I

0:47:35.239 --> 0:47:37.440
<v Speaker 7>auditioned when I was eighteen years old, right out of

0:47:37.480 --> 0:47:40.320
<v Speaker 7>high school, and I was going to college at the

0:47:40.360 --> 0:47:43.920
<v Speaker 7>same time working in theater. And luckily with theater, I

0:47:44.000 --> 0:47:47.759
<v Speaker 7>learned how to reach past four rows and not just

0:47:47.880 --> 0:47:51.399
<v Speaker 7>perform right here. Now I can fill the whole room

0:47:51.400 --> 0:47:54.239
<v Speaker 7>with my voice and all that because of theater. But

0:47:54.280 --> 0:47:57.160
<v Speaker 7>I had to do it to pay bills, to survive.

0:47:57.239 --> 0:47:59.759
<v Speaker 7>I was waiting tables at the same time. After my

0:47:59.800 --> 0:48:02.600
<v Speaker 7>thea gig, I leave at eleven thirty and go rush

0:48:02.680 --> 0:48:06.000
<v Speaker 7>to my gig. That everybody would go see me underground

0:48:06.000 --> 0:48:08.520
<v Speaker 7>at Cafe Denor with one hundred people in the room,

0:48:08.920 --> 0:48:11.000
<v Speaker 7>so they would wait for me for two hours, and

0:48:11.040 --> 0:48:13.920
<v Speaker 7>I would rush there after doing the theater gig with

0:48:14.000 --> 0:48:17.319
<v Speaker 7>full makeup on, so that I can pay bills, do

0:48:17.360 --> 0:48:18.839
<v Speaker 7>what I love and do what I need to do

0:48:18.880 --> 0:48:19.719
<v Speaker 7>at the same time.

0:48:20.360 --> 0:48:21.680
<v Speaker 5>So did you finish school?

0:48:22.320 --> 0:48:22.760
<v Speaker 7>Huh?

0:48:22.760 --> 0:48:23.680
<v Speaker 5>Did you finish school?

0:48:24.360 --> 0:48:24.480
<v Speaker 1>No?

0:48:24.560 --> 0:48:24.880
<v Speaker 7>I did not.

0:48:25.400 --> 0:48:25.920
<v Speaker 5>Where'd you go?

0:48:26.880 --> 0:48:30.080
<v Speaker 7>I went to cal State Heyward and I studied at

0:48:30.239 --> 0:48:34.280
<v Speaker 7>UC Berkeley in the summers during high school. So because

0:48:34.560 --> 0:48:38.719
<v Speaker 7>like I said, I'm a nerd, loved all that classical

0:48:38.800 --> 0:48:42.359
<v Speaker 7>music there. That's where I studied. But yeah, I never

0:48:42.360 --> 0:48:44.520
<v Speaker 7>finished because I had to survive, had to pay bills

0:48:44.560 --> 0:48:47.239
<v Speaker 7>and be I left home at eighteen. Like I said,

0:48:47.280 --> 0:48:50.960
<v Speaker 7>I left home at eighteen and took care of myself

0:48:51.520 --> 0:48:55.399
<v Speaker 7>and school and waiting tables. But theater was I love

0:48:55.520 --> 0:48:58.319
<v Speaker 7>acting because I did it in high school and to

0:48:58.360 --> 0:49:01.759
<v Speaker 7>be able to do cabaret shows. And then I was

0:49:01.800 --> 0:49:04.480
<v Speaker 7>going to quit the music industry because I had been

0:49:04.520 --> 0:49:08.360
<v Speaker 7>in it for as independent artist for two years and nothing.

0:49:08.440 --> 0:49:10.759
<v Speaker 7>I just kept spending all my money and when I

0:49:10.800 --> 0:49:13.320
<v Speaker 7>was quitting, I only had two suitcases in a house

0:49:13.360 --> 0:49:16.560
<v Speaker 7>that I got a commercial off of doing a Sprint commercial.

0:49:16.560 --> 0:49:20.360
<v Speaker 7>At the time when Sprint existed all Sprint it hasn't

0:49:20.400 --> 0:49:23.160
<v Speaker 7>Sprint back in the day. But I the same time,

0:49:23.239 --> 0:49:26.560
<v Speaker 7>I miss on my side and I got you, Hello,

0:49:27.160 --> 0:49:31.239
<v Speaker 7>what year was this? It was like around two thousand

0:49:31.320 --> 0:49:35.080
<v Speaker 7>and man, was it two thousand and two?

0:49:35.960 --> 0:49:36.080
<v Speaker 1>Oh?

0:49:36.080 --> 0:49:37.239
<v Speaker 2>Okay, okay, thousand and.

0:49:37.280 --> 0:49:39.919
<v Speaker 7>Two or three after two thousand and three. Yeah, because

0:49:39.960 --> 0:49:41.719
<v Speaker 7>Feeling Orange had came out after that.

0:49:43.360 --> 0:49:45.080
<v Speaker 8>You didn't have to audition for that. They found they

0:49:45.120 --> 0:49:46.560
<v Speaker 8>just knew you, they knew your voice, and they were like,

0:49:46.719 --> 0:49:47.000
<v Speaker 8>I was.

0:49:46.960 --> 0:49:50.880
<v Speaker 7>Still I was teaching during the day sometime middle schools

0:49:51.080 --> 0:49:54.640
<v Speaker 7>and going carrying instruments around. I mean, I was trying

0:49:54.640 --> 0:49:57.479
<v Speaker 7>to make money. You're on your own. But I would

0:49:57.480 --> 0:50:02.600
<v Speaker 7>also audition for voiceovers to do children's books and children things,

0:50:03.239 --> 0:50:06.239
<v Speaker 7>and I ended up getting that Sprint commercial that way

0:50:06.320 --> 0:50:09.279
<v Speaker 7>through someone who, hey, what a friend of mine needs

0:50:09.280 --> 0:50:11.040
<v Speaker 7>a voice for this. I didn't know what it was for.

0:50:11.120 --> 0:50:14.359
<v Speaker 7>I just sang it, and then the little check start

0:50:14.440 --> 0:50:23.719
<v Speaker 7>rolling in. I was like, oh, I know there, you

0:50:23.800 --> 0:50:26.480
<v Speaker 7>know that's that's that's how I mean. My living was

0:50:26.920 --> 0:50:31.480
<v Speaker 7>teaching and waiting tables and it's crazy and doing gigs

0:50:31.560 --> 0:50:33.239
<v Speaker 7>late at night and cabaret shows.

0:50:33.520 --> 0:50:34.960
<v Speaker 8>People act like the first time they saw you on

0:50:35.040 --> 0:50:38.160
<v Speaker 8>screen acting was the I want to say the Nina

0:50:38.239 --> 0:50:43.640
<v Speaker 8>short that you did the women, Oh yeah, yeah right,

0:50:43.760 --> 0:50:46.600
<v Speaker 8>with a shout out to Lisa Cortez and Gaby Sabe.

0:50:46.440 --> 0:50:49.880
<v Speaker 5>Right who were behind it before years Yeah, talk about that.

0:50:49.920 --> 0:50:51.239
<v Speaker 8>I wanted you to talk about that because I was like,

0:50:51.239 --> 0:50:53.520
<v Speaker 8>did that come first? And then the Nina album? Like

0:50:53.640 --> 0:50:55.480
<v Speaker 8>you and Nina got some things going on?

0:50:55.960 --> 0:50:56.160
<v Speaker 2>Well?

0:50:56.200 --> 0:51:00.000
<v Speaker 7>The first uh, Gabby was inspired by my Nina Simone

0:51:00.160 --> 0:51:03.160
<v Speaker 7>tribute that I did with Black Girls Rock. So that

0:51:03.280 --> 0:51:06.520
<v Speaker 7>was the second time I ever been on television, was

0:51:06.560 --> 0:51:08.960
<v Speaker 7>doing another tribute and I came in saying I want

0:51:08.960 --> 0:51:11.799
<v Speaker 7>to be Peaches. I was like, I gotta do the

0:51:11.840 --> 0:51:14.920
<v Speaker 7>Peaches part. And they could have kicked me out, you

0:51:14.960 --> 0:51:16.760
<v Speaker 7>know what I mean, But I was like, I knew

0:51:17.200 --> 0:51:19.840
<v Speaker 7>what part I wanted to sing, and it was me,

0:51:19.960 --> 0:51:24.600
<v Speaker 7>Jill Scott, Marsha Ambrosius, and Kelly Price. So I sang

0:51:24.680 --> 0:51:28.520
<v Speaker 7>Peaches and then Gabby said the writer and Gabby and

0:51:28.560 --> 0:51:30.600
<v Speaker 7>a couple of producers they were saying they were inspired

0:51:30.600 --> 0:51:33.719
<v Speaker 7>by that and they wrote me into that short and

0:51:33.760 --> 0:51:37.279
<v Speaker 7>they always wanted me to play that role. Later and

0:51:37.520 --> 0:51:42.359
<v Speaker 7>years later, I would meet Gabby just in passing with

0:51:42.480 --> 0:51:45.360
<v Speaker 7>Lee Daniels hanging out and she said, I got a

0:51:45.440 --> 0:51:49.400
<v Speaker 7>part for you, and that was the role in the

0:51:49.719 --> 0:51:54.040
<v Speaker 7>four Women short that we did. It was amazing. Gabby's

0:51:54.040 --> 0:51:55.520
<v Speaker 7>the great director.

0:51:55.200 --> 0:51:57.040
<v Speaker 5>That debut too at a black Star shout out to

0:51:57.080 --> 0:51:58.520
<v Speaker 5>me or too Dope.

0:51:58.800 --> 0:51:59.359
<v Speaker 7>I loved it.

0:52:00.040 --> 0:52:03.240
<v Speaker 1>So, speaking of which, can you talk about the moments

0:52:03.239 --> 0:52:07.200
<v Speaker 1>that led up to you playing Maheleia Jackson and remember

0:52:07.280 --> 0:52:08.400
<v Speaker 1>me and what that was like?

0:52:10.200 --> 0:52:13.040
<v Speaker 7>By the way, thank you. I said no to that

0:52:13.200 --> 0:52:16.200
<v Speaker 7>role a couple of times, but the I.

0:52:16.120 --> 0:52:17.960
<v Speaker 3>Love Why did you say no?

0:52:18.000 --> 0:52:21.319
<v Speaker 7>Initially because I had did it in Selma, you know,

0:52:21.680 --> 0:52:25.080
<v Speaker 7>the little snippet I did, and I wanted to so

0:52:25.160 --> 0:52:27.439
<v Speaker 7>many other people were doing it, so I didn't want

0:52:27.480 --> 0:52:31.920
<v Speaker 7>to be a part of that, you know, the Mahela thing,

0:52:31.960 --> 0:52:36.759
<v Speaker 7>because I already did it, and uh, I wanted there's

0:52:36.800 --> 0:52:39.640
<v Speaker 7>another role I wanted to do one day. So I

0:52:39.680 --> 0:52:42.879
<v Speaker 7>was just waiting for a bigger debut, you know. But

0:52:43.120 --> 0:52:49.000
<v Speaker 7>I love the director so much, Erica, Erica, the producer

0:52:49.200 --> 0:52:53.520
<v Speaker 7>to I mean, the whole team, Erica is amazing. I

0:52:53.600 --> 0:52:56.719
<v Speaker 7>just wanted to be a part of it. After I

0:52:56.800 --> 0:52:59.000
<v Speaker 7>met them, we met on a zoom and I said,

0:52:59.040 --> 0:53:02.879
<v Speaker 7>that's it. I got do it, and ended up doing it.

0:53:02.880 --> 0:53:06.680
<v Speaker 7>It was amazing to dive into Mahelia. We had so

0:53:06.800 --> 0:53:11.439
<v Speaker 7>much in common, like being from New Orleans but transported

0:53:11.520 --> 0:53:15.320
<v Speaker 7>into another city and then coming trying to come back

0:53:15.480 --> 0:53:19.160
<v Speaker 7>to pour into New Orleans. And it was just amazing

0:53:19.239 --> 0:53:22.440
<v Speaker 7>role to sing, but it was it was enormous because

0:53:22.480 --> 0:53:24.680
<v Speaker 7>you have you have to sing gospel music and they

0:53:24.680 --> 0:53:28.600
<v Speaker 7>don't play at all, you know what I'm saying. So

0:53:29.440 --> 0:53:32.080
<v Speaker 7>it wore me out. And then I had to gain

0:53:32.120 --> 0:53:34.480
<v Speaker 7>a little weight because the director wanted me a little

0:53:34.960 --> 0:53:37.320
<v Speaker 7>you know. She said, Mahellya, it was bigger. And when

0:53:37.520 --> 0:53:40.360
<v Speaker 7>I saw Summer and Soul, I said, oh wow, I

0:53:40.400 --> 0:53:45.640
<v Speaker 7>had never seen her like you know that you gave

0:53:45.719 --> 0:53:48.920
<v Speaker 7>us her. And I was and I was so happy

0:53:49.000 --> 0:53:51.880
<v Speaker 7>my heart. I was like, there she is. And I

0:53:52.080 --> 0:53:55.880
<v Speaker 7>before I did even sell my visitor a grave, like

0:53:55.920 --> 0:53:58.759
<v Speaker 7>I said, I told you I honored ancestors. I was

0:53:58.760 --> 0:54:00.839
<v Speaker 7>in New Orleans. I said, I want to know more

0:54:00.880 --> 0:54:03.480
<v Speaker 7>about her, was researching and I went to a grave

0:54:03.520 --> 0:54:06.880
<v Speaker 7>and visitor and thanked her. And then that's when I

0:54:06.920 --> 0:54:10.920
<v Speaker 7>got Selma and here she is again. Like the answers

0:54:11.040 --> 0:54:13.960
<v Speaker 7>is to me, they call I, let stuff happen to me.

0:54:14.400 --> 0:54:16.239
<v Speaker 7>I just do the work and get out the way.

0:54:17.040 --> 0:54:19.879
<v Speaker 7>That's why I got Nina. That's why I got all

0:54:19.880 --> 0:54:22.279
<v Speaker 7>these tributes. They just happened, and I don't ask for them.

0:54:22.320 --> 0:54:26.080
<v Speaker 7>I say no to all the time. I say no, no, no,

0:54:26.760 --> 0:54:29.440
<v Speaker 7>and then you have to do the work. Finish, finish.

0:54:29.520 --> 0:54:31.719
<v Speaker 5>The work is their favorite experience.

0:54:31.840 --> 0:54:33.880
<v Speaker 8>I just wanted to know, because you did mention a

0:54:33.920 --> 0:54:36.600
<v Speaker 8>couple of times that you've been called to honor a

0:54:36.600 --> 0:54:38.920
<v Speaker 8>few times. But I just got to know, like, was

0:54:38.960 --> 0:54:41.600
<v Speaker 8>there a favorite experience and why.

0:54:41.960 --> 0:54:47.080
<v Speaker 7>My two favorite tributes I've ever done is Shaka and

0:54:47.120 --> 0:54:53.000
<v Speaker 7>it It. It's still Shaka, that Shaka tribute. People are

0:54:53.040 --> 0:54:54.719
<v Speaker 7>still talking about it. You can go online now.

0:54:55.239 --> 0:54:57.200
<v Speaker 5>No, I've seen it live. I just forgot because I smoke,

0:54:57.280 --> 0:54:57.520
<v Speaker 5>but I.

0:54:57.440 --> 0:55:01.800
<v Speaker 7>Got it that that was years ago and it's still amazing.

0:55:02.920 --> 0:55:05.480
<v Speaker 7>That was my favorite only because she was the first

0:55:05.520 --> 0:55:10.000
<v Speaker 7>person to bring me back out of quitting the business,

0:55:10.239 --> 0:55:13.440
<v Speaker 7>meaning she was the first, one of the first artists,

0:55:13.440 --> 0:55:16.279
<v Speaker 7>her and Rachelle Farrell. But Shaka let me open for

0:55:16.360 --> 0:55:19.319
<v Speaker 7>her and gave me a gig, and that's what made

0:55:19.360 --> 0:55:22.840
<v Speaker 7>me want to come back after meeting her, cause she's like,

0:55:22.880 --> 0:55:25.480
<v Speaker 7>you can't quit, there's no quitting you know what I mean?

0:55:25.680 --> 0:55:28.200
<v Speaker 1>Just pussy talk about that real quick, Like, what was

0:55:28.239 --> 0:55:30.319
<v Speaker 1>the decision that led up to that?

0:55:30.920 --> 0:55:33.600
<v Speaker 7>Well, the industry kept saying, you're not pretty enough, you're

0:55:33.640 --> 0:55:36.799
<v Speaker 7>not good enough, You'll never make it. Then I went

0:55:36.840 --> 0:55:39.920
<v Speaker 7>ahead and did it myself. But I was spending so

0:55:40.040 --> 0:55:42.440
<v Speaker 7>much money and didn't have the knowledge that I needed

0:55:43.280 --> 0:55:44.520
<v Speaker 7>and we didn't have internet.

0:55:44.560 --> 0:55:47.880
<v Speaker 4>Then, to elaborate more on that, like being an independent

0:55:48.120 --> 0:55:51.520
<v Speaker 4>R and B artist, like speak about because R and

0:55:51.560 --> 0:55:53.160
<v Speaker 4>B generally, I mean, anybody you know R and B

0:55:53.280 --> 0:55:55.399
<v Speaker 4>is a money game, you know what I mean? Talk

0:55:55.480 --> 0:55:58.040
<v Speaker 4>more about just independently, Like what was it like being

0:55:58.040 --> 0:55:58.920
<v Speaker 4>an R and B artist.

0:55:59.160 --> 0:56:02.640
<v Speaker 7>I came out at a time where you know, it's

0:56:03.040 --> 0:56:04.840
<v Speaker 7>about who you know and who's going to give you

0:56:04.880 --> 0:56:08.600
<v Speaker 7>the leg up. I didn't have a leg up. I

0:56:08.640 --> 0:56:12.480
<v Speaker 7>would do Black Lily here and there. People would come

0:56:12.480 --> 0:56:13.960
<v Speaker 7>out and see me, and they didn't like the way

0:56:13.960 --> 0:56:18.880
<v Speaker 7>I look. Industry people. Yes, I did back Lily and

0:56:18.880 --> 0:56:21.239
<v Speaker 7>invited a couple of industry people. They said, well's just

0:56:21.440 --> 0:56:21.960
<v Speaker 7>the start.

0:56:23.120 --> 0:56:26.680
<v Speaker 8>I remember when you came to those phrenology sessions too.

0:56:28.000 --> 0:56:30.160
<v Speaker 7>I went, I hung out with a mirror in the

0:56:30.200 --> 0:56:32.440
<v Speaker 7>studio that was so much fun. You know what I

0:56:32.520 --> 0:56:36.000
<v Speaker 7>learned from you a mirror. I learned from you about

0:56:36.040 --> 0:56:40.680
<v Speaker 7>simplicity and more about what hip hop does, why the

0:56:40.719 --> 0:56:43.879
<v Speaker 7>space is so important. And I never forget it. I said,

0:56:43.880 --> 0:56:47.600
<v Speaker 7>Amir said less do less, just more, this is more

0:56:47.680 --> 0:56:51.080
<v Speaker 7>And when that was my first time hearing that, and

0:56:51.200 --> 0:56:53.640
<v Speaker 7>uh and I carried it. I still carry it with

0:56:53.680 --> 0:56:56.440
<v Speaker 7>me today. But anyway, those things, I would hope to

0:56:56.520 --> 0:56:58.920
<v Speaker 7>meet people and they would help me or do a

0:56:58.960 --> 0:57:02.400
<v Speaker 7>gig with me, or for me, or endorse me. But

0:57:02.600 --> 0:57:06.080
<v Speaker 7>really I just had to keep endorsing myself. I had

0:57:06.080 --> 0:57:10.520
<v Speaker 7>to spend my own money to get a publicist, and

0:57:10.640 --> 0:57:14.359
<v Speaker 7>my own money to word of mouth. I would chop

0:57:14.440 --> 0:57:17.320
<v Speaker 7>up flyers back in the day when we had Kinko's,

0:57:17.360 --> 0:57:21.120
<v Speaker 7>I would do programs and make up my own flyers

0:57:21.160 --> 0:57:23.880
<v Speaker 7>and pass them out. Because we didn't have internet. I

0:57:23.920 --> 0:57:25.840
<v Speaker 7>would go to the flea markets. I would go to

0:57:25.920 --> 0:57:29.000
<v Speaker 7>the record stores when they had record stores, Please take

0:57:29.040 --> 0:57:32.280
<v Speaker 7>my CD on consignment. That's what I was doing. Me

0:57:32.320 --> 0:57:35.439
<v Speaker 7>and Sundra we would call and beg people, Hey, give

0:57:35.520 --> 0:57:38.440
<v Speaker 7>us a leg up, help us out. That's what I

0:57:38.560 --> 0:57:41.400
<v Speaker 7>had to do. Now you get to go online sing

0:57:41.400 --> 0:57:44.720
<v Speaker 7>a song if they like you and you have enough followers,

0:57:45.000 --> 0:57:49.240
<v Speaker 7>then boom, you're relevant. That's why I stopped chasing that game.

0:57:49.760 --> 0:57:52.080
<v Speaker 7>The long term for me is if I can get

0:57:52.120 --> 0:57:55.120
<v Speaker 7>five people, I'm happy. If I get ten people, I'm

0:57:55.160 --> 0:57:59.800
<v Speaker 7>happy more and more or artists, I got all the legends,

0:58:00.000 --> 0:58:03.960
<v Speaker 7>they're on my side. I gracefully. I did it in

0:58:04.040 --> 0:58:07.320
<v Speaker 7>God's timing and not trying to push things to happen,

0:58:07.880 --> 0:58:10.600
<v Speaker 7>because every time I pushed it wouldn't happen. But I

0:58:10.640 --> 0:58:13.160
<v Speaker 7>always had to honor them first and say thank you.

0:58:13.440 --> 0:58:16.120
<v Speaker 7>Here's let me sing the song and honor you, and

0:58:16.160 --> 0:58:19.240
<v Speaker 7>then it brought more people in. That's the only way.

0:58:19.360 --> 0:58:21.800
<v Speaker 7>And all the things you saw me on is because

0:58:21.800 --> 0:58:24.760
<v Speaker 7>somebody believed in me. It'd be one person in the room.

0:58:25.720 --> 0:58:27.280
<v Speaker 5>In a should be here.

0:58:28.000 --> 0:58:31.160
<v Speaker 7>The only person knew me on Black Girls Rock For

0:58:31.320 --> 0:58:35.520
<v Speaker 7>That for Women was Faverly Bond and Kim Verse all

0:58:35.560 --> 0:58:37.840
<v Speaker 7>the other people. They didn't have a clue of who

0:58:37.920 --> 0:58:41.360
<v Speaker 7>I was, but they knew me from being an independent artist.

0:58:41.720 --> 0:58:43.360
<v Speaker 7>And I know a lot of artists I'm gonna be

0:58:43.440 --> 0:58:46.360
<v Speaker 7>honest here that saw me and could have helped me,

0:58:46.400 --> 0:58:47.040
<v Speaker 7>and they didn't.

0:58:47.280 --> 0:58:48.600
<v Speaker 8>I was about to ask you how you do How

0:58:48.640 --> 0:58:51.200
<v Speaker 8>did you maintain your not being angry? Now these people

0:58:51.240 --> 0:58:53.120
<v Speaker 8>are singing your praises and they're like, yeah, I've been

0:58:53.160 --> 0:58:54.120
<v Speaker 8>known that it was great?

0:58:54.200 --> 0:58:55.080
<v Speaker 5>How do you do that?

0:58:55.640 --> 0:58:57.320
<v Speaker 3>Is this also why you advocate?

0:58:57.320 --> 0:58:59.080
<v Speaker 1>Because I know that you work with Naris and the

0:58:59.080 --> 0:59:02.680
<v Speaker 1>Grammys or artists and you play a major role into that.

0:59:03.240 --> 0:59:07.160
<v Speaker 1>You've had a hand in these new categories. People don't

0:59:07.240 --> 0:59:10.320
<v Speaker 1>know like you're behind that. Is this why you also

0:59:10.400 --> 0:59:11.160
<v Speaker 1>into that area?

0:59:12.000 --> 0:59:15.560
<v Speaker 7>Because the Recording Academy came out saw my independent show,

0:59:16.520 --> 0:59:20.360
<v Speaker 7>said why aren't you a member? Come be on a

0:59:20.400 --> 0:59:24.720
<v Speaker 7>panel for Grammy You the Youth. I saw that they

0:59:24.720 --> 0:59:31.280
<v Speaker 7>were helping the elders with advocacy with a Grammy museum,

0:59:31.720 --> 0:59:34.440
<v Speaker 7>and I was blown away because I didn't want to

0:59:34.480 --> 0:59:37.320
<v Speaker 7>be the industry thing. I didn't even want to be

0:59:37.480 --> 0:59:40.280
<v Speaker 7>signed to a label. I did it to survive because

0:59:40.320 --> 0:59:43.440
<v Speaker 7>I was gonna quit. But when I did, it opened

0:59:43.440 --> 0:59:45.800
<v Speaker 7>another kind of door. So when I went in the

0:59:45.840 --> 0:59:48.880
<v Speaker 7>Recording Academy, all I focused on, not the Grammy. I

0:59:48.920 --> 0:59:52.840
<v Speaker 7>focused on the youth. I went to Grammy Youth, did

0:59:52.880 --> 0:59:59.160
<v Speaker 7>all the panels and talked about my journey rejection, recycling,

0:59:59.280 --> 1:00:03.280
<v Speaker 7>rejection and fear into winning just complete your work and

1:00:03.320 --> 1:00:05.600
<v Speaker 7>do your best work. And if you get five people

1:00:05.640 --> 1:00:09.080
<v Speaker 7>loving you, those five will talk about you and it'll

1:00:09.080 --> 1:00:12.880
<v Speaker 7>bring more people. And I told them about focusing on

1:00:12.920 --> 1:00:15.800
<v Speaker 7>their craft and all that. I love advocating because that

1:00:16.000 --> 1:00:19.000
<v Speaker 7>was me. That's how I got to study classical music.

1:00:19.320 --> 1:00:22.880
<v Speaker 7>My mom couldn't afford the violin or the piano lessons

1:00:23.000 --> 1:00:26.560
<v Speaker 7>or the classical lessons. She had to Someone came to

1:00:26.640 --> 1:00:31.160
<v Speaker 7>our school said we have free programs, and that's why

1:00:31.440 --> 1:00:34.680
<v Speaker 7>I joined. So I'm that person now, you know.

1:00:35.360 --> 1:00:38.120
<v Speaker 8>Let me go back to my question originally, So have

1:00:38.280 --> 1:00:40.320
<v Speaker 8>you always been that person? Or did that take some

1:00:40.560 --> 1:00:44.320
<v Speaker 8>self work because that moment and knowing that you've done

1:00:44.320 --> 1:00:46.480
<v Speaker 8>all this work and now, like I said, people are

1:00:46.480 --> 1:00:46.920
<v Speaker 8>now like.

1:00:47.560 --> 1:00:49.400
<v Speaker 5>Let us see, I've been known, I've seen you. I say,

1:00:49.480 --> 1:00:51.000
<v Speaker 5>you there like you know, like.

1:00:51.160 --> 1:00:52.200
<v Speaker 3>Being hose didn't want me.

1:00:52.240 --> 1:00:53.480
<v Speaker 2>Now I'm hot holes all on me.

1:00:53.680 --> 1:00:55.080
<v Speaker 5>There we go tell me about that.

1:00:56.840 --> 1:00:59.320
<v Speaker 7>See, this is the part why I love being from

1:00:59.360 --> 1:01:04.000
<v Speaker 7>New Orleans because we are prideful people. We know we're dope,

1:01:04.240 --> 1:01:07.440
<v Speaker 7>but we don't have to brag about it. We remember

1:01:07.520 --> 1:01:09.760
<v Speaker 7>what happened, but we don't have to bring it up

1:01:10.320 --> 1:01:12.840
<v Speaker 7>because what we do is just take the energy and

1:01:12.880 --> 1:01:18.480
<v Speaker 7>refeel it. It's a faith thing. It's a honor your

1:01:18.520 --> 1:01:19.200
<v Speaker 7>parents thing.

1:01:19.480 --> 1:01:24.600
<v Speaker 8>Don't cut up embarrass them exactly.

1:01:25.280 --> 1:01:27.440
<v Speaker 7>Come on, Miror you know I, me and your sister

1:01:27.480 --> 1:01:30.880
<v Speaker 7>are good friends. So it's like we we just do

1:01:30.920 --> 1:01:34.080
<v Speaker 7>our classy work. I just follow the lead of the ancestors.

1:01:34.160 --> 1:01:36.919
<v Speaker 7>But on the side, yeah, we talking, but I don't

1:01:36.920 --> 1:01:38.360
<v Speaker 7>want to talk about it in here.

1:01:40.640 --> 1:01:41.720
<v Speaker 5>With human in that way. I'm sorry.

1:01:42.200 --> 1:01:47.360
<v Speaker 7>I am very human you too, But a lot of

1:01:47.400 --> 1:01:50.000
<v Speaker 7>people could have helped, but they didn't. But it wasn't

1:01:50.040 --> 1:01:52.040
<v Speaker 7>for them to help. That's how I look at it

1:01:52.080 --> 1:01:56.240
<v Speaker 7>every now that I to see it unfolding. It's supposed

1:01:56.240 --> 1:01:59.600
<v Speaker 7>to happen this way. I'm supposed. I have so many

1:01:59.680 --> 1:02:03.320
<v Speaker 7>strong relationships advocating than I do in my own industry,

1:02:03.800 --> 1:02:06.600
<v Speaker 7>just being an artist, from artists to artists, when you

1:02:06.680 --> 1:02:11.480
<v Speaker 7>do be of service, it's the best gift for your

1:02:11.520 --> 1:02:12.640
<v Speaker 7>career ever.

1:02:13.040 --> 1:02:14.880
<v Speaker 2>Ever, So it comes back to you.

1:02:15.800 --> 1:02:17.240
<v Speaker 5>Mm hmmm mm hmm.

1:02:17.760 --> 1:02:18.480
<v Speaker 7>Absolutely.

1:02:18.800 --> 1:02:22.800
<v Speaker 4>I was as you about one of your you know,

1:02:22.880 --> 1:02:24.479
<v Speaker 4>people that haven't helped, but just one of the people

1:02:24.480 --> 1:02:28.520
<v Speaker 4>that has a rex rideout, Yes, one of your on

1:02:28.600 --> 1:02:30.400
<v Speaker 4>all your albums. I just see him as like, you

1:02:30.440 --> 1:02:32.680
<v Speaker 4>know someone you've always worked with, and I just want

1:02:32.720 --> 1:02:35.000
<v Speaker 4>to talk about you guys creative partnership and how it

1:02:35.040 --> 1:02:36.360
<v Speaker 4>was developed over the years.

1:02:36.920 --> 1:02:39.200
<v Speaker 7>Well, when I was gonna quit, we were outside his

1:02:39.320 --> 1:02:42.160
<v Speaker 7>garage talking and I said, that's it. You know. We

1:02:42.240 --> 1:02:46.400
<v Speaker 7>met on doing My Sensitivity with Bonnie James. Verve had

1:02:46.440 --> 1:02:50.880
<v Speaker 7>a tribute for Luther Vandross they were doing and that

1:02:51.080 --> 1:02:54.000
<v Speaker 7>was the one song that Bonnie James had agreed to

1:02:54.040 --> 1:02:56.560
<v Speaker 7>have me sing on and he was actually telling me

1:02:56.640 --> 1:02:59.680
<v Speaker 7>how to sing, which was trippy, but I did whatever

1:02:59.720 --> 1:03:02.280
<v Speaker 7>he asked because that was the session. And when they

1:03:02.320 --> 1:03:04.880
<v Speaker 7>found out they came to when Rex came to a

1:03:04.920 --> 1:03:07.400
<v Speaker 7>live show, He's like, oh my god, I'm so sorry.

1:03:07.440 --> 1:03:12.520
<v Speaker 7>We were telling you how to say. But then we started.

1:03:12.600 --> 1:03:15.960
<v Speaker 7>I told him, you know, in private, I'm quitting. This

1:03:16.080 --> 1:03:18.400
<v Speaker 7>industry is too hard and I don't think I fit

1:03:18.440 --> 1:03:22.320
<v Speaker 7>in with everybody. I'm gonna go teach and be comfortable there,

1:03:22.440 --> 1:03:24.960
<v Speaker 7>get a freaking health insurance, you know what I mean.

1:03:25.120 --> 1:03:28.080
<v Speaker 7>Chill out. And he was like, don't quit. You know,

1:03:28.240 --> 1:03:32.680
<v Speaker 7>I'll help you with better signing with a label, just

1:03:32.760 --> 1:03:36.760
<v Speaker 7>to get in and start somewhere because they are interested

1:03:36.800 --> 1:03:39.520
<v Speaker 7>in you. Verb was and here's a jazz label at

1:03:39.520 --> 1:03:42.280
<v Speaker 7>the time interested in the R and B singer. I said,

1:03:42.280 --> 1:03:47.240
<v Speaker 7>I'll only do it because I'm like anti be entrepreneur,

1:03:47.480 --> 1:03:50.439
<v Speaker 7>you know, own your stuff. But I was like, well,

1:03:50.520 --> 1:03:54.040
<v Speaker 7>I gotta survive. Okay, I'll try it. He said, just record,

1:03:54.400 --> 1:03:57.360
<v Speaker 7>just record, So we started recording together. We did a

1:03:57.400 --> 1:04:01.520
<v Speaker 7>whole bunch of songs, and verb went crazy and wanted them.

1:04:01.560 --> 1:04:03.720
<v Speaker 7>And the first song that I wrote was all Right.

1:04:04.680 --> 1:04:08.160
<v Speaker 7>When I was on doing Carolina Change. I wrote it

1:04:08.560 --> 1:04:11.080
<v Speaker 7>and I was recording in this box on my bed

1:04:11.200 --> 1:04:13.640
<v Speaker 7>with my microphone because I didn't have anything to cover

1:04:13.720 --> 1:04:16.560
<v Speaker 7>the mic. So it was singing this life get mad,

1:04:16.760 --> 1:04:19.400
<v Speaker 7>you know what I mean, trying to brit on the bed.

1:04:19.640 --> 1:04:24.360
<v Speaker 7>I was such a techy because I interned there's a yeah,

1:04:24.400 --> 1:04:29.600
<v Speaker 7>exactly techy. So I was trying to record it right

1:04:29.680 --> 1:04:32.160
<v Speaker 7>for Rex, so I would send him my vocals and

1:04:32.240 --> 1:04:36.440
<v Speaker 7>all that, you know, back in the day, and all Right,

1:04:37.040 --> 1:04:40.400
<v Speaker 7>blew up. Just it was the first song that came

1:04:40.440 --> 1:04:43.480
<v Speaker 7>out that people got it. I told the truth. I

1:04:43.560 --> 1:04:46.120
<v Speaker 7>don't know if I this is rough out here, you know.

1:04:46.680 --> 1:04:48.760
<v Speaker 8>I was wondering that if people walk up on you

1:04:48.800 --> 1:04:51.479
<v Speaker 8>and ask you because you you talk about relationships and

1:04:51.560 --> 1:04:53.280
<v Speaker 8>self love and strengthen so much.

1:04:53.280 --> 1:04:55.000
<v Speaker 5>And I'm like, do people walk up on you a lot?

1:04:55.040 --> 1:04:55.480
<v Speaker 5>And is that?

1:04:55.720 --> 1:04:57.880
<v Speaker 8>Is that a lot of pressure to how do you?

1:04:58.760 --> 1:05:01.000
<v Speaker 8>I just I didn't need them advice quick girl, because

1:05:01.080 --> 1:05:02.200
<v Speaker 8>I'm in a situation.

1:05:02.720 --> 1:05:02.920
<v Speaker 1>You know.

1:05:03.920 --> 1:05:05.120
<v Speaker 5>No, they don't do that.

1:05:05.240 --> 1:05:07.600
<v Speaker 7>But they do tell me how a song has gotten

1:05:07.840 --> 1:05:08.560
<v Speaker 7>gotten them through.

1:05:08.880 --> 1:05:11.760
<v Speaker 5>Okay, that's a little easier, all right.

1:05:11.920 --> 1:05:16.080
<v Speaker 7>It is the one they love those songs the women.

1:05:16.240 --> 1:05:19.880
<v Speaker 7>I gravitate towards women a lot. That's just what it is.

1:05:20.440 --> 1:05:23.840
<v Speaker 7>But yeah, that's I don't get the therapy questions.

1:05:23.920 --> 1:05:29.720
<v Speaker 4>Okay, good speaking of therapy. Nice segue.

1:05:30.760 --> 1:05:32.360
<v Speaker 2>What was she like in real life?

1:05:32.440 --> 1:05:35.440
<v Speaker 4>Because I watched y'all Love Fixed My Life and well,

1:05:35.640 --> 1:05:36.600
<v Speaker 4>I mean it used to come home.

1:05:36.720 --> 1:05:39.520
<v Speaker 7>He is who she is on that show in person

1:05:40.160 --> 1:05:43.960
<v Speaker 7>direct and I met her. She was the first time

1:05:44.000 --> 1:05:45.800
<v Speaker 7>I met her, she said, oh, you have daddy issues.

1:05:45.840 --> 1:05:50.400
<v Speaker 7>You need to fix that.

1:05:50.440 --> 1:05:51.760
<v Speaker 5>Hello. I just said hello, I.

1:05:51.760 --> 1:05:52.120
<v Speaker 2>Just said he.

1:05:55.960 --> 1:05:57.840
<v Speaker 7>But in front of a whole group of people. That's

1:05:57.880 --> 1:06:00.960
<v Speaker 7>just how she is. She's direct, you know, and she's like,

1:06:01.000 --> 1:06:05.120
<v Speaker 7>you got to fix this and that.

1:06:06.920 --> 1:06:11.280
<v Speaker 4>I love her, and also I want to ask you

1:06:11.280 --> 1:06:14.200
<v Speaker 4>as well, doing Black Love with your husband? What was

1:06:14.720 --> 1:06:18.480
<v Speaker 4>Oh no, yo, yeah, what was the experience like?

1:06:18.520 --> 1:06:20.680
<v Speaker 5>What was the aftermath y'all did Black Love?

1:06:21.280 --> 1:06:21.520
<v Speaker 2>Yeah?

1:06:21.560 --> 1:06:24.600
<v Speaker 7>Man, that was We did it during the pandemic. I

1:06:24.600 --> 1:06:26.960
<v Speaker 7>always been a fan of the show. They've always asked

1:06:26.960 --> 1:06:31.480
<v Speaker 7>me to be on it, and I didn't respond because

1:06:31.520 --> 1:06:34.240
<v Speaker 7>I feel like, you know, those parts of my life,

1:06:34.600 --> 1:06:37.720
<v Speaker 7>like I said, I'm private, I love, I want to

1:06:37.760 --> 1:06:39.360
<v Speaker 7>stay married. I don't know about y'all.

1:06:39.960 --> 1:06:45.560
<v Speaker 8>You know, Coston, Philly though he is from Philip He's

1:06:45.680 --> 1:06:49.440
<v Speaker 8>amazing too. But I'm glad we did Black Love because

1:06:49.560 --> 1:06:51.760
<v Speaker 8>you know, people got to see another side of me,

1:06:52.160 --> 1:06:55.160
<v Speaker 8>you know, and uh and see who I'm with and

1:06:55.200 --> 1:06:55.800
<v Speaker 8>it was great.

1:06:56.200 --> 1:06:59.960
<v Speaker 7>But there I love Tommy. Tommy is incredibly good people,

1:07:00.560 --> 1:07:03.640
<v Speaker 7>good people. So yeah, we did that show. And that's

1:07:03.640 --> 1:07:04.800
<v Speaker 7>all I'm gonna say.

1:07:05.640 --> 1:07:07.240
<v Speaker 1>Tell us to the plans for the Good Life Tour

1:07:07.280 --> 1:07:08.720
<v Speaker 1>that's coming up that you're about to do.

1:07:09.280 --> 1:07:13.800
<v Speaker 7>Yes, I'm going on the twenty seventh city tour with

1:07:13.920 --> 1:07:16.919
<v Speaker 7>the great Raheem Devine is coming with me the Good

1:07:16.920 --> 1:07:20.280
<v Speaker 7>Life Tour BJ the Chicago do it a couple of

1:07:20.360 --> 1:07:24.080
<v Speaker 7>dates when Raheem can't do it, And I'm just looking

1:07:24.120 --> 1:07:27.560
<v Speaker 7>forward to it the band. We did our final rehearsal

1:07:28.160 --> 1:07:32.120
<v Speaker 7>last night and it just sounds so good and it

1:07:32.160 --> 1:07:36.320
<v Speaker 7>feels good. So I'm excited about it. I hope. I'm

1:07:36.400 --> 1:07:38.280
<v Speaker 7>trying to see if these hills gonna work, but we

1:07:38.480 --> 1:07:39.040
<v Speaker 7>that's the ones.

1:07:39.120 --> 1:07:40.920
<v Speaker 2>I want to.

1:07:40.440 --> 1:07:42.960
<v Speaker 7>See what happens. But I'm looking forward to it. I'm

1:07:42.960 --> 1:07:45.560
<v Speaker 7>gonna do a lot of a mixture of the old

1:07:45.600 --> 1:07:48.800
<v Speaker 7>and the new, the well my classics and the new,

1:07:48.960 --> 1:07:51.040
<v Speaker 7>a lot from the new album, so I'm really looking

1:07:51.080 --> 1:07:51.640
<v Speaker 7>forward to that.

1:07:51.800 --> 1:07:54.560
<v Speaker 8>I feel the thing I was gonna say the single

1:07:54.600 --> 1:07:56.760
<v Speaker 8>delt too oh you like Yeah, I love it.

1:07:58.720 --> 1:07:59.200
<v Speaker 5>Good Life.

1:07:59.320 --> 1:08:01.280
<v Speaker 7>That was a great project to work on.

1:08:01.360 --> 1:08:04.400
<v Speaker 8>It was hard, but I'm happy it's out and uh

1:08:05.160 --> 1:08:06.000
<v Speaker 8>again with Rex.

1:08:06.040 --> 1:08:09.000
<v Speaker 7>I got DJ Camper on it again. I'm working with

1:08:09.080 --> 1:08:12.480
<v Speaker 7>Camper and the sell You No Dreams new producers No

1:08:12.560 --> 1:08:16.320
<v Speaker 7>Dreams God and Joshi. I've never worked with them before

1:08:16.360 --> 1:08:19.000
<v Speaker 7>that I think one of them is from London.

1:08:19.080 --> 1:08:22.840
<v Speaker 2>And also w Brown Butcher Brown.

1:08:22.960 --> 1:08:26.400
<v Speaker 7>We did a song called quality Time that I wrote with.

1:08:28.040 --> 1:08:32.400
<v Speaker 8>Corey there that's what I was thinking.

1:08:32.240 --> 1:08:36.719
<v Speaker 7>To and I wrote quality Time together on the Butcher

1:08:36.720 --> 1:08:39.160
<v Speaker 7>Brownton I've been always wanted to work with her We've

1:08:39.200 --> 1:08:41.600
<v Speaker 7>known each other for about five six years, but we

1:08:41.680 --> 1:08:44.200
<v Speaker 7>never could find a song. So I got one. I

1:08:44.200 --> 1:08:46.240
<v Speaker 7>think this is the one we should get together. I

1:08:46.280 --> 1:08:49.639
<v Speaker 7>love writing with songwriters. I love sharing on this show too.

1:08:49.640 --> 1:08:51.840
<v Speaker 7>I love our little Quest Love Supreme Extensions. I know

1:08:51.880 --> 1:08:53.200
<v Speaker 7>we got to go on here.

1:08:53.840 --> 1:08:56.880
<v Speaker 3>Thank you for doing this with us, Thanks.

1:08:56.600 --> 1:08:59.000
<v Speaker 7>For having me. Thank you, I finally get to talk

1:08:59.040 --> 1:08:59.240
<v Speaker 7>to you.

1:08:59.560 --> 1:09:04.559
<v Speaker 1>I know a right longtime company on behalf of Aya

1:09:04.880 --> 1:09:09.479
<v Speaker 1>and I'm Baby Bill, Chudie, Steve and Froon, Tigelow and

1:09:09.560 --> 1:09:12.680
<v Speaker 1>the Great Letter see Quest Love. We're signing off and

1:09:12.760 --> 1:09:15.080
<v Speaker 1>we'll see you on the next go round of Quest

1:09:15.120 --> 1:09:17.040
<v Speaker 1>Love Supreme. Thank you for your support.

1:09:19.000 --> 1:09:20.559
<v Speaker 2>Thank you for listening to Quest Love Supreme.

1:09:20.680 --> 1:09:23.360
<v Speaker 6>This podcast is hosted by a Mere Quest Love, Thompson,

1:09:23.680 --> 1:09:27.200
<v Speaker 6>Liyah Saint Clair, Fante Coleman, Sugar, Steve Van Dell, and

1:09:27.240 --> 1:09:31.439
<v Speaker 6>myself unpaid Bill Sherman. The executive producers are Meir just

1:09:31.439 --> 1:09:35.320
<v Speaker 6>walked into the Goddamn Room, Thompson, Sean g and Brian Calhoun.

1:09:35.800 --> 1:09:36.880
<v Speaker 1>Produced by Brittany.

1:09:36.640 --> 1:09:40.200
<v Speaker 6>Benjamin, Jake Payne and Liah Sainclair. Edited by Alex Conroy.

1:09:40.280 --> 1:09:43.920
<v Speaker 6>I know Alice Conrad, producer for iHeart by Noel Brown.

1:09:45.439 --> 1:09:52.200
<v Speaker 1>West Love Supreme is a production of iHeart Radio. For

1:09:52.320 --> 1:09:55.439
<v Speaker 1>more podcasts from iHeart Radio, visit the iHeart Radio app,

1:09:55.640 --> 1:09:58.880
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.