WEBVTT - David Letterman - Summer Staff Picks

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the

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<v Speaker 1>Thing from My Heart Radio. It's summer and that means

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<v Speaker 1>it's time for our tradition at Here's the Thing, where

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<v Speaker 1>the staff share their favorite episodes from our archives in

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<v Speaker 1>our Summer Staff Picks series. Next up is our producer

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<v Speaker 1>Kathy Russo.

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<v Speaker 2>Thanks Alec. Before Stephen Colbert, there was David Lehnerman. For

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<v Speaker 2>thirty three years, David hosted a late night TV talk show.

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<v Speaker 2>He is the longest serving late show host in TV history.

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<v Speaker 2>David is my pick because back in the day, when

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<v Speaker 2>I could stay up late at night watching TV, I

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<v Speaker 2>thought he was the best host. I loved his dry,

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<v Speaker 2>sarcastic sense of humor and how he paid attention to

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<v Speaker 2>the details. He was engaging, funny and original. When David

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<v Speaker 2>came on Here's a Thing, I met him in the

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<v Speaker 2>lobby of the building we recorded in that day, the

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<v Speaker 2>elevator happened to break down. David said, no problem, if

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<v Speaker 2>we have to take the stairs. He wasn't upset and

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<v Speaker 2>started asking me questions about myself. For a brief moment,

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<v Speaker 2>I felt like a guest on the David Letterman Show

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<v Speaker 2>as he followed me up five flights of stairs. Enjoy

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<v Speaker 2>the conversation with my two favorite host.

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<v Speaker 1>When David Letterman started Late Night in nineteen eighty two,

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<v Speaker 1>the New York Times said he was quote more of

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<v Speaker 1>an acquired taste than most comedians on a quote.

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<v Speaker 3>Now, it's time, ladies and gentlemen, for a segment of

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<v Speaker 3>this program that we like to call stupid petricks.

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<v Speaker 1>We grew up on Johnny, a true gentleman who could

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<v Speaker 1>deliver a smooth setup and punchline, occasionally helped by a wink.

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<v Speaker 1>But suddenly with Late Night, the ultimate punchline was the

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<v Speaker 1>fact that some gap toothed, unknown smart ass even had

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<v Speaker 1>a show. His pet tricks were stupid on purpose, and

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<v Speaker 1>so was he. Tune in and you might catch him

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<v Speaker 1>lowering himself into a water tank wearing a suit made

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<v Speaker 1>from three thousan four hundred Alka Seltzer templates.

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<v Speaker 3>We have the oxygen here, and I have been asked

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<v Speaker 3>about twelve times by various members of the staff to

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<v Speaker 3>remind you don't try this at home.

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<v Speaker 4>I know you have the nine hundred gallon tank, I

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<v Speaker 4>know you have the oxygen.

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<v Speaker 3>I know you have the suit of oxa Seltzer and

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<v Speaker 3>a staff of one hundred people.

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<v Speaker 1>Who Dave seized every opportunity to remind us that his

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<v Speaker 1>big network show was a ridiculous waste of time. But

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<v Speaker 1>if you were in on the joke, and a lot

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<v Speaker 1>of people were, it was also a stroke of genius.

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<v Speaker 3>Here's a little something the boys that Late Night R

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<v Speaker 3>and D have been fooling around with.

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<v Speaker 4>We call it sky bowling.

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<v Speaker 1>Today, David Letterman is an institution and has forever changed

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<v Speaker 1>American comedy. Before Letterman, the extended drum roll was sincere.

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<v Speaker 1>After Letterman, it would never be without at least a

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<v Speaker 1>hint of irony. His show changed America, and after thirty years,

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<v Speaker 1>Dave's changed as well.

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<v Speaker 4>I do a lot less work than I used to do.

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<v Speaker 3>I just got to a point where I have no

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<v Speaker 3>patience for meetings, so I don't go to any meetings.

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<v Speaker 3>I can't make decisions anymore. I don't like making decisions.

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<v Speaker 3>You know, we have a dozen producers. They can have

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<v Speaker 3>the meetings and they can make the decisions, and I'll

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<v Speaker 3>just come down and somebody tell me what to do

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<v Speaker 3>and we go.

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<v Speaker 4>And it was different before.

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<v Speaker 3>Yeah, I used to be involved in everything big and large.

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<v Speaker 3>I don't think that was necessarily good, But at the

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<v Speaker 3>time I thought it was what was required when you

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<v Speaker 3>had your own show. You had to had to have

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<v Speaker 3>everything you know in your view and certainly influence each

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<v Speaker 3>little choice.

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<v Speaker 1>The guests that are on the show. Do you still

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<v Speaker 1>help select the guests throw or someone else takes care?

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<v Speaker 4>Yeah, people who select them.

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<v Speaker 3>Occasionally I will think of, Oh, I heard about somebody

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<v Speaker 3>that did so and so.

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<v Speaker 4>Could we look into that and this and that? Very little,

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<v Speaker 4>very little, I mean, these other people do that.

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<v Speaker 3>We've have the good luck of these people havn't been

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<v Speaker 3>together for a long, long, long long time.

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<v Speaker 4>They all know what the expectation is.

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<v Speaker 3>Of course, when you're in that situation, the bad version

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<v Speaker 3>of it is, oh God, it's the same thing. It's

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<v Speaker 3>the assembly line. We're just building the same car over

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<v Speaker 3>and over and over again. You feel that way sometimes

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<v Speaker 3>Sometimes I'm the biggest defender of that. I'm sixty five.

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<v Speaker 3>I don't have the energy I had when I was

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<v Speaker 3>thirty five. There are certain things I like about the

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<v Speaker 3>show now that I like more than before, such as

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<v Speaker 3>I like talking to people and the opportunity to learn something,

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<v Speaker 3>or if I have a natural curiosity about somebody, I

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<v Speaker 3>really look forward to that. Or if I have something

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<v Speaker 3>that I know is going to be silly and stupid

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<v Speaker 3>and I want my authorship out there on this something

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<v Speaker 3>silly and stupid, then I get eager about that. But

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<v Speaker 3>in the old days, we just were going twenty hours

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<v Speaker 3>a day. We'd be out on the streets, we'd be

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<v Speaker 3>going to New Jersey, we'd be up all night shooting,

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<v Speaker 3>and there would be contests, And I can't do that

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<v Speaker 3>show anymore.

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<v Speaker 1>The more successful the show has become, and the more

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<v Speaker 1>successful you would become, do you find that in terms

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<v Speaker 1>of programming the show you have to rely more on stars.

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<v Speaker 4>Is there a kind of person It's completely different.

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<v Speaker 3>In the beginning the Late Night Show at NBC, we

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<v Speaker 3>had a liaison between Johnny Carson and ourselves named Dave Tabbott.

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<v Speaker 3>He had worked at NBC and then had become close

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<v Speaker 3>with Johnny, and so Johnny hired him, and he was

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<v Speaker 3>a guy.

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<v Speaker 4>Who, honest to God, talked like this.

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<v Speaker 3>Dave came in to make sure there were no conflicts

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<v Speaker 3>between our show and the tonight show. He says, for example,

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<v Speaker 3>let's just say that Bob Hope is arrested for using

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<v Speaker 3>drugs and we just all just like, really, in what

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<v Speaker 3>universe is that a likelihood?

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<v Speaker 4>And he says you can't then do jokes about Bob Hope.

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<v Speaker 3>I said, okay, all right, we get that we were

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<v Speaker 3>not allowed to use to a monologue and we were

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<v Speaker 3>not allowed to have an orchestra, and we also felt

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<v Speaker 3>that a way to distinguish ourselves, since Johnny had the

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<v Speaker 3>big stars that people really.

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<v Speaker 4>Wanted, we would then kind of have fringe people.

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<v Speaker 3>That's exactly right, and so we we sort of mined

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<v Speaker 3>that veins, which as we could. It was sort of

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<v Speaker 3>a fortunate coincidence that we were prohibited in that sense

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<v Speaker 3>because we weren't really interested in having mainstream people on two. Again,

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<v Speaker 3>I don't know how effective it was, and in terms

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<v Speaker 3>of programming, I don't know if people noticed the difference

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<v Speaker 3>and appreciated it or just thought, oh, they can't get

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<v Speaker 3>very good guests. And now it's completely different. It's you know,

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<v Speaker 3>Broadway cavalcade of stars, and that's fine. I have no

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<v Speaker 3>problem with that. We're always fighting the Internet, and they

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<v Speaker 3>seem to be winning in terms of the small guests,

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<v Speaker 3>the kid that swims out into the East River and

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<v Speaker 3>saves a cat, or but We're always so far downstream

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<v Speaker 3>from that story by the time it's all over the

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<v Speaker 3>internet that there's no.

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<v Speaker 4>Point and putting it on.

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<v Speaker 3>You started in radio, Yeah, my first job was at

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<v Speaker 3>a radio station. You went to college, You went to

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<v Speaker 3>Ball State University. I studied a radio on TV.

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<v Speaker 4>Well, why did you study radio on TV? Academically?

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<v Speaker 3>You know, I went to Ball State in those days,

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<v Speaker 3>graduated with I think it's a bachelor of a Bachelor

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<v Speaker 3>of Arts or a Bachelor of Science.

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<v Speaker 4>I don't think that science probably back then.

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<v Speaker 3>But yeah, no language requirement and no math requirement. I

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<v Speaker 3>mean it really saved me because I was academically, I

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<v Speaker 3>was not very good early on.

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<v Speaker 4>I was very.

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<v Speaker 3>Lucky that I knew how to save myself. A sophomore

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<v Speaker 3>year in high school and I had signed up for

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<v Speaker 3>a public speaking course and the first day you were

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<v Speaker 3>supposed to get up and extemporaneously speak for five minutes.

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<v Speaker 3>You know, everybody's twitchy and sweaty and worried about this,

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<v Speaker 3>as was I. And then I got up there, the

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<v Speaker 3>nervousness and the twitchiness and everything dissipated. I loved it,

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<v Speaker 3>and I thought, oh my god, maybe this is a

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<v Speaker 3>way I can distinguish myself and I did you know.

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<v Speaker 4>But had you been the entertainer as a child in.

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<v Speaker 3>The household, Yeah, sure to what extent, And then my

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<v Speaker 3>parents wouldn't put up with it much. There was a

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<v Speaker 3>fine line between being always in the amusing and being

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<v Speaker 3>just a and being a wise ass, and we don't

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<v Speaker 3>like that.

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<v Speaker 4>I can remember my father was big and.

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<v Speaker 3>Loud and noisy and always had stuff going on, and

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<v Speaker 3>my mother completely non demonstrated. And I can remember every

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<v Speaker 3>Sunday night after dinner, my dad would make popcorn and

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<v Speaker 3>we would sit in front of the TV and watch

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<v Speaker 3>Ed Sullivan.

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<v Speaker 4>And Ed used to have this habit of walk, come on, now,

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<v Speaker 4>let's really hear it for him.

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<v Speaker 3>And my mom used to say, I don't like the

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<v Speaker 3>way Ed begs the audience for applause. So she was

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<v Speaker 3>just completely stand offish by the.

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<v Speaker 4>Notion she was a connoisseur of television hose and then Eric.

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<v Speaker 3>No, she was not a connoisseur. She resented the fact

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<v Speaker 3>that somebody had to be encouraged to support.

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<v Speaker 4>What they had just said, that Sullivan was houring himself.

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<v Speaker 1>That's exactly right, exactly, So you go to ball stadiing

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<v Speaker 1>and you get this degree batcher of whatever, we don't

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<v Speaker 1>know you, and what do you do after that?

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<v Speaker 3>Well, through a friend of mine at the ABC affiliate

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<v Speaker 3>in Indianapolis where I lived, which was sixty miles away

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<v Speaker 3>from where I went to school and still is just

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<v Speaker 3>about sixty miles, I heard that they were auditioning for

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<v Speaker 3>They wanted a summer announcer. So I went down there

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<v Speaker 3>an audition, never having been in a television studio in

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<v Speaker 3>my life life, and got the job. I mean it

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<v Speaker 3>was a fixed fight because I had no business getting

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<v Speaker 3>the job. I wasn't very good, I didn't know what

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<v Speaker 3>I was doing, I had no experience, and they gave

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<v Speaker 3>me the job. And suddenly the bulb that was turned

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<v Speaker 3>on my sophomore year in high school now is burning

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<v Speaker 3>white hot because it's are you kid me? I'm nineteen

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<v Speaker 3>and I'm going to be on TV? I mean, it's preposterous.

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<v Speaker 4>What kind of job did you? I was the booth announcer,

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<v Speaker 4>So I can't believe you said that back when they

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<v Speaker 4>had booth announcers on CHEE. That's right, That's what I did.

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<v Speaker 4>These guys defined my childhood by the way.

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<v Speaker 3>These were the guys the principal responsibility was to keep

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<v Speaker 3>the program log.

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<v Speaker 1>There used to be a lot of technical glitches in television. Yeah,

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<v Speaker 1>who had booth announcers who would pick up the slack

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<v Speaker 1>when something went wrong with tape the tape.

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<v Speaker 4>That's exactly right.

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<v Speaker 3>A station break was a huge process because you had

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<v Speaker 3>a control room, you had a director, you had two

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<v Speaker 3>or three sixteen millimeter projectors, you had a slide chain,

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<v Speaker 3>and you had the big two and a half inch

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<v Speaker 3>Ampex tape. Let's say you had four commercials in a

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<v Speaker 3>station break, then you'd have to roll the tape. Then

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<v Speaker 3>you'd have to count down and roll the film. Then

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<v Speaker 3>you'd have to go live to the booth to read

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<v Speaker 3>copy over a slide and went back to the film.

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<v Speaker 3>And it was an enormous thing. Periodically, the FCC would

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<v Speaker 3>come in and check your log. So it was a

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<v Speaker 3>big deal. At a summer job in nineteen sixty sixty eight,

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<v Speaker 3>I was making one hundred and fifty bucks a week.

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<v Speaker 3>I got to be the weekend weather man. I'd never

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<v Speaker 3>done that before. I got to read the news on

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<v Speaker 3>the morning kiddie show. And none of this would happen today.

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<v Speaker 3>You know, people are qualified to do that job now

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<v Speaker 3>much earlier than I. It certainly was, you know, like

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<v Speaker 3>this was Ryan Seacrest. University put him in any job

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<v Speaker 3>when he was nine or ten. He could have done

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<v Speaker 3>a better job than I'm doing now. But for me,

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<v Speaker 3>it was like, holy cow. So I go back to

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<v Speaker 3>school now, to my radio on TV studies, and all

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<v Speaker 3>of a sudden it's hey, there's Ducklips.

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<v Speaker 4>We've seen him on TV. And oh my god, what

0:10:53.600 --> 0:10:56.240
<v Speaker 4>a progression that was for me. Now that was what year.

0:10:57.559 --> 0:11:00.199
<v Speaker 3>I think I started there in sixty eight, and I say,

0:11:00.240 --> 0:11:03.240
<v Speaker 3>the war is going huh yeah, And you avoid drafts

0:11:03.280 --> 0:11:05.400
<v Speaker 3>and you avoid all in those days, you get the

0:11:05.440 --> 0:11:08.920
<v Speaker 3>student deferment. And Ballsy was principally a teacher's college in

0:11:08.960 --> 0:11:12.600
<v Speaker 3>those days, and so it wanted teachers. It was chock

0:11:12.760 --> 0:11:16.319
<v Speaker 3>full of guys who wanted that student deferment and also

0:11:16.360 --> 0:11:20.520
<v Speaker 3>the teaching deferment. I was not studying teaching. So the

0:11:20.600 --> 0:11:23.959
<v Speaker 3>minute I graduated, I was reclassified one A. Went for

0:11:24.080 --> 0:11:26.880
<v Speaker 3>my pre draft physical in April. They said, okay, we'll

0:11:26.880 --> 0:11:30.160
<v Speaker 3>call you. And then in the meantime before I was called,

0:11:30.600 --> 0:11:34.240
<v Speaker 3>Nixon announced the National Lottery. They were going to end

0:11:34.280 --> 0:11:37.760
<v Speaker 3>the draft. They were trying to step down the Vietnamese War.

0:11:38.520 --> 0:11:40.400
<v Speaker 3>My birthday was three hundred and forty two or something

0:11:40.480 --> 0:11:42.400
<v Speaker 3>like that, at A three hundred and fifty six, So

0:11:42.440 --> 0:11:44.160
<v Speaker 3>that meant even though I was one A and had

0:11:44.200 --> 0:11:46.560
<v Speaker 3>my pre induction physical and was ready to go, it

0:11:46.600 --> 0:11:48.680
<v Speaker 3>was over for me. At the time, I didn't know

0:11:48.679 --> 0:11:50.960
<v Speaker 3>how lucky I was. I felt guilty because I had

0:11:50.960 --> 0:11:53.040
<v Speaker 3>friends who had gone, and I had friends who had

0:11:53.080 --> 0:11:55.640
<v Speaker 3>been in the Marine Corps, and I just felt like, well,

0:11:55.640 --> 0:11:58.480
<v Speaker 3>why meet these guys went, Why shouldn't I go? And

0:11:58.520 --> 0:12:01.839
<v Speaker 3>then it dawned on me pretty quickly. I had been

0:12:01.960 --> 0:12:03.480
<v Speaker 3>among the really really lucky.

0:12:03.559 --> 0:12:06.280
<v Speaker 4>Course. What was the political landscape like at ball Stay

0:12:06.280 --> 0:12:07.840
<v Speaker 4>when you went through, Well, it was just starting too.

0:12:08.720 --> 0:12:11.080
<v Speaker 3>I used to make jokes that they'd have student protests,

0:12:11.120 --> 0:12:14.079
<v Speaker 3>but it was to get the cafeteria cooks to wear hairnets.

0:12:14.760 --> 0:12:15.319
<v Speaker 4>But it was.

0:12:15.360 --> 0:12:17.760
<v Speaker 3>It was creeping in. It was not a hotbed. It

0:12:17.800 --> 0:12:20.600
<v Speaker 3>was not Madison, Wisconsin. It was Muncie, Indiana. But it

0:12:20.640 --> 0:12:23.959
<v Speaker 3>was starting and there were sit ins and demonstrations, and

0:12:24.520 --> 0:12:26.840
<v Speaker 3>you know, Bobby Kennedy had spoken on campus, So it

0:12:26.880 --> 0:12:29.000
<v Speaker 3>was starting, but I wouldn't say it was.

0:12:29.720 --> 0:12:31.760
<v Speaker 4>It wasn't quite lit up the way it might have

0:12:31.840 --> 0:12:32.960
<v Speaker 4>been in other regions.

0:12:34.080 --> 0:12:39.000
<v Speaker 1>More after the break, you mentioned booth announcers, and I

0:12:39.000 --> 0:12:41.960
<v Speaker 1>remember I did a YouTube search. I wanted to find

0:12:41.960 --> 0:12:44.119
<v Speaker 1>this guy that was literally the voice of my childhood

0:12:44.600 --> 0:12:46.960
<v Speaker 1>w R. And he come on and say, you know,

0:12:47.880 --> 0:12:51.959
<v Speaker 1>next one million dollar movie, Barbara stan mctells Gary Cooper

0:12:52.000 --> 0:12:53.000
<v Speaker 1>where he can go in.

0:12:53.080 --> 0:12:56.360
<v Speaker 4>Ball of Fire? And he just said this voice it was.

0:12:56.679 --> 0:12:57.520
<v Speaker 4>It just haunted me.

0:12:57.640 --> 0:13:00.840
<v Speaker 3>Well, that's interesting you mentioned that guy I had the

0:13:00.920 --> 0:13:04.800
<v Speaker 3>little kid voice from Indiana. I wasn't that guy, but

0:13:04.880 --> 0:13:06.400
<v Speaker 3>I still had to do the job. And I can't

0:13:06.400 --> 0:13:08.600
<v Speaker 3>impress upon you enough how tedious it is to sit

0:13:08.640 --> 0:13:12.960
<v Speaker 3>there for eight hours watching programming and logging everything that happens.

0:13:13.320 --> 0:13:15.080
<v Speaker 3>If you lose audio, you have to log that. If

0:13:15.080 --> 0:13:16.880
<v Speaker 3>you lose video, you have to log that. You have

0:13:16.960 --> 0:13:20.439
<v Speaker 3>to log sign on, sign off, every commercial, every station break.

0:13:20.880 --> 0:13:23.000
<v Speaker 3>And at first I was scared, silly, but then, like

0:13:23.040 --> 0:13:25.280
<v Speaker 3>everything else, you get accustomed to it and you become blase.

0:13:25.400 --> 0:13:28.240
<v Speaker 3>And so I would just start wandering the building. You know,

0:13:28.240 --> 0:13:30.319
<v Speaker 3>it was so embarrassing. They would will a booth announcer,

0:13:30.400 --> 0:13:33.600
<v Speaker 3>please report to the announced booth. Oh my god, I've

0:13:33.640 --> 0:13:36.840
<v Speaker 3>missed the so and so the main announcer was a

0:13:36.840 --> 0:13:41.040
<v Speaker 3>guy named Rob Stone. Tremendous voice and a hopeless alcoholic,

0:13:41.120 --> 0:13:44.120
<v Speaker 3>I mean, a real alcoholic. I go hand in hand,

0:13:44.160 --> 0:13:46.320
<v Speaker 3>don't they, Yeah, kind of certainly. In those days it

0:13:46.360 --> 0:13:48.520
<v Speaker 3>was not uncommon. He would come in and he would

0:13:48.559 --> 0:13:51.880
<v Speaker 3>bring a pint with him, and so in the spirit

0:13:51.920 --> 0:13:54.280
<v Speaker 3>of this, we who were working the sign off shift,

0:13:54.640 --> 0:13:56.880
<v Speaker 3>we would always send somebody out for beer. And we

0:13:56.920 --> 0:13:59.440
<v Speaker 3>would be at the station late at night signing off,

0:13:59.440 --> 0:14:02.000
<v Speaker 3>and my off and the director and whomever else was there,

0:14:02.160 --> 0:14:03.439
<v Speaker 3>we'd be drinking beer.

0:14:03.760 --> 0:14:05.040
<v Speaker 4>Oh my, was this fun.

0:14:05.480 --> 0:14:07.199
<v Speaker 3>In those days you would do a five minute new

0:14:07.240 --> 0:14:10.719
<v Speaker 3>summary before sign off night cap news, and then you

0:14:10.760 --> 0:14:15.040
<v Speaker 3>would do the broadcast statement. You'd read that over the

0:14:15.040 --> 0:14:17.400
<v Speaker 3>slide of the station, and then they would go to

0:14:17.440 --> 0:14:21.120
<v Speaker 3>the national anthem with the waving Club. One night, a

0:14:21.160 --> 0:14:24.080
<v Speaker 3>guy in the props department said, I can reconstruct exactly

0:14:24.880 --> 0:14:26.880
<v Speaker 3>the station is pictured on the slide.

0:14:27.480 --> 0:14:28.600
<v Speaker 4>We can make it blow up.

0:14:29.040 --> 0:14:31.680
<v Speaker 3>So as you're as you're reading the I thank you

0:14:31.720 --> 0:14:35.240
<v Speaker 3>and good night, and why not tune in WLW overnight

0:14:35.280 --> 0:14:37.600
<v Speaker 3>and blah blah this and so until tomorrow, good night

0:14:37.600 --> 0:14:40.240
<v Speaker 3>and good luck. I have the thing blow And so

0:14:40.320 --> 0:14:42.800
<v Speaker 3>we did Oh god. We were proud of ourselves, you know,

0:14:42.840 --> 0:14:44.200
<v Speaker 3>we really thought we had done something.

0:14:44.800 --> 0:14:45.040
<v Speaker 4>Jeez.

0:14:45.080 --> 0:14:49.000
<v Speaker 3>Nobody ever said anything. No, it was bizarre. Nobody got fired.

0:14:49.000 --> 0:14:50.400
<v Speaker 3>Nobody asked a question about it.

0:14:50.480 --> 0:14:50.680
<v Speaker 4>You know.

0:14:50.720 --> 0:14:52.640
<v Speaker 3>It was this cult of four or five guys who

0:14:52.640 --> 0:14:55.440
<v Speaker 3>had pulled this off, and we just thought, well, this

0:14:55.520 --> 0:14:58.520
<v Speaker 3>is one it was fun, but two you wanted but no,

0:14:58.520 --> 0:14:59.800
<v Speaker 3>nobody nobody said anything.

0:14:59.840 --> 0:15:02.680
<v Speaker 1>But but what's interesting is from school and then doing

0:15:02.720 --> 0:15:05.080
<v Speaker 1>the job and so forth, and the booth thing the

0:15:05.160 --> 0:15:08.000
<v Speaker 1>comedy Gland is secreting through the entire time.

0:15:08.080 --> 0:15:09.200
<v Speaker 4>Yeah, what are you doing for that?

0:15:09.320 --> 0:15:12.040
<v Speaker 1>Meaning other than blowing up the studio and the sign

0:15:12.120 --> 0:15:13.960
<v Speaker 1>off writing.

0:15:14.040 --> 0:15:16.560
<v Speaker 3>Yes, I was looking for any outlet, and it came

0:15:16.600 --> 0:15:19.400
<v Speaker 3>for me doing the weather. I knew nothing about weather.

0:15:19.440 --> 0:15:21.680
<v Speaker 3>And you'd go downstairs and they'd have the ap machine

0:15:21.720 --> 0:15:23.960
<v Speaker 3>and the map would come over, the national map, and

0:15:24.000 --> 0:15:25.720
<v Speaker 3>you would go to the big magnetic board in the

0:15:25.760 --> 0:15:27.920
<v Speaker 3>studio and you put the low system, and you put

0:15:27.920 --> 0:15:30.040
<v Speaker 3>the high system, and you put the occluded front, and

0:15:30.080 --> 0:15:31.880
<v Speaker 3>you put the rain showers, and so it told you

0:15:31.960 --> 0:15:34.680
<v Speaker 3>everything anytime at all that I could monkey with at

0:15:34.760 --> 0:15:35.680
<v Speaker 3>I was very happy.

0:15:36.080 --> 0:15:39.040
<v Speaker 4>I can remember two episodes. One I was.

0:15:40.440 --> 0:15:43.200
<v Speaker 3>Had forecast sonny and dry, and we go off the

0:15:43.240 --> 0:15:45.480
<v Speaker 3>air and blah blah, and I go outside this this

0:15:45.560 --> 0:15:48.760
<v Speaker 3>is horrible thundershower. The rain is coming down in sheets.

0:15:48.760 --> 0:15:52.320
<v Speaker 3>And I was just twenty feet away, just oblivious of this.

0:15:53.800 --> 0:15:54.680
<v Speaker 4>Dangerous monsoon.

0:15:54.720 --> 0:15:58.360
<v Speaker 3>Yes, coming through, one of these violent Midwestern summer thunderstorms

0:15:58.360 --> 0:16:01.600
<v Speaker 3>coming through, attacking the station. I got to be well

0:16:01.640 --> 0:16:04.560
<v Speaker 3>known because this Sunday Night show was on after the

0:16:04.600 --> 0:16:07.440
<v Speaker 3>ABC Sunday Night Movie, and in those days, that was

0:16:07.520 --> 0:16:11.520
<v Speaker 3>big programming. Yeah, we got a bunch of complaints. And

0:16:11.560 --> 0:16:14.920
<v Speaker 3>this was when people were wearing bell bottom pants. I

0:16:14.920 --> 0:16:17.560
<v Speaker 3>don't think you could buy regular pants. Got a lot

0:16:17.560 --> 0:16:20.840
<v Speaker 3>of calls about he's either not wearing underpants or he

0:16:20.920 --> 0:16:23.960
<v Speaker 3>needs to wear underpants. That's how I distinguished myself. Do

0:16:23.960 --> 0:16:26.080
<v Speaker 3>you want to clear that up now? Were you wearing underpants?

0:16:26.280 --> 0:16:26.560
<v Speaker 4>DearS?

0:16:26.600 --> 0:16:29.600
<v Speaker 3>I was wearing underpants. It was Indianapolis. We're not talked

0:16:29.640 --> 0:16:33.000
<v Speaker 3>to go out without our under Americans. It's whatever problem

0:16:33.120 --> 0:16:35.520
<v Speaker 3>was perceived was not mine, I assure you.

0:16:35.560 --> 0:16:38.040
<v Speaker 4>And then where do you go from there in terms

0:16:38.080 --> 0:16:40.440
<v Speaker 4>of underpants? And well, if you wish.

0:16:40.480 --> 0:16:43.200
<v Speaker 3>I got tired of sitting in the booth and tired

0:16:43.240 --> 0:16:46.680
<v Speaker 3>of working weekends, and also they didn't want me there.

0:16:46.920 --> 0:16:50.160
<v Speaker 3>They would keep bringing in auditions for my job. That

0:16:50.280 --> 0:16:52.680
<v Speaker 3>really hurt my feelings. But I couldn't argue with him

0:16:52.680 --> 0:16:54.880
<v Speaker 3>because I didn't know what I was doing. But the

0:16:54.880 --> 0:16:58.120
<v Speaker 3>accumulative effect of being on TV a lot there, We'll

0:16:58.120 --> 0:17:00.320
<v Speaker 3>get this memo once from the research department, and of

0:17:00.360 --> 0:17:02.920
<v Speaker 3>all of the people, the anchor team and whomever else,

0:17:02.960 --> 0:17:05.399
<v Speaker 3>I had the highest Q rating of anybody there, and

0:17:05.440 --> 0:17:08.960
<v Speaker 3>it was only by accident, really, So I started looking

0:17:09.000 --> 0:17:11.280
<v Speaker 3>for a job, couldn't get hired out of the market.

0:17:11.760 --> 0:17:13.760
<v Speaker 3>Some people I knew were coming in to start up

0:17:13.880 --> 0:17:16.520
<v Speaker 3>a talk radio station, so I went to work at

0:17:16.520 --> 0:17:19.359
<v Speaker 3>the new talk radio station in the format it was

0:17:19.440 --> 0:17:23.679
<v Speaker 3>news Talksports WNTS. When I resigned to quit give my

0:17:23.760 --> 0:17:26.280
<v Speaker 3>notice to the general manager. The guy sad and it

0:17:26.359 --> 0:17:29.000
<v Speaker 3>chilled me at the time. He said, really, you're leaving

0:17:29.040 --> 0:17:31.040
<v Speaker 3>this TV station to go work for a brand new

0:17:31.119 --> 0:17:33.199
<v Speaker 3>radio station And I said yeah, and he said you

0:17:33.240 --> 0:17:35.760
<v Speaker 3>will never be heard of again. So I went to

0:17:35.800 --> 0:17:38.399
<v Speaker 3>the station, worked there for a year, realized that I

0:17:38.440 --> 0:17:40.800
<v Speaker 3>had to make a move. Nobody would listen. It was

0:17:40.800 --> 0:17:44.720
<v Speaker 3>a daytime station. This was tremendous. They had a daytime license,

0:17:44.720 --> 0:17:47.240
<v Speaker 3>which meant the radio station come on when the sun

0:17:47.280 --> 0:17:49.600
<v Speaker 3>came up and went off when the sun went down.

0:17:49.800 --> 0:17:50.200
<v Speaker 4>Literally.

0:17:50.280 --> 0:17:51.960
<v Speaker 3>Yeah, And in the winter we were off at three

0:17:52.040 --> 0:17:55.800
<v Speaker 3>forty five in the afternoon. I had the mid day shift.

0:17:55.840 --> 0:17:57.360
<v Speaker 3>I'd come in at noon and two hours later I'd

0:17:57.359 --> 0:18:00.200
<v Speaker 3>be going home. It was joy afternoon, Yes, what was

0:18:00.240 --> 0:18:03.679
<v Speaker 3>signing off? And then in the summer, conversely, you were

0:18:03.720 --> 0:18:07.359
<v Speaker 3>on the like nine thirty or ten. It was awful.

0:18:07.480 --> 0:18:10.080
<v Speaker 3>It was a watergate and people assumed, well, the guy's

0:18:10.080 --> 0:18:12.080
<v Speaker 3>got a talk show on the radio. I'll bet he

0:18:12.119 --> 0:18:13.840
<v Speaker 3>knows everything there is to know about Watergate. And I

0:18:13.880 --> 0:18:17.119
<v Speaker 3>knew nothing, and people wouldn't call in, and I'd have

0:18:17.160 --> 0:18:20.680
<v Speaker 3>to read endless pages of wire copy. I remember reading

0:18:20.680 --> 0:18:24.280
<v Speaker 3>it a sorry about Gordon stratchin str a c ch an.

0:18:25.119 --> 0:18:27.520
<v Speaker 3>His name kept coming up, a special Council, so and so,

0:18:27.640 --> 0:18:30.960
<v Speaker 3>Gordon Stratchen, advisor of the White House, Gordon Stratchen. Finally

0:18:31.000 --> 0:18:33.600
<v Speaker 3>the phones lighted up and I, thank god, did I

0:18:33.600 --> 0:18:36.760
<v Speaker 3>say yes? He says, it's not Stratching, it's Strawn. You're

0:18:36.760 --> 0:18:39.880
<v Speaker 3>mispronouncing the guy's name. I said, okay, thanks you havnyanks

0:18:40.200 --> 0:18:42.320
<v Speaker 3>no click buzz so there you go.

0:18:42.440 --> 0:18:45.400
<v Speaker 4>Were you ambitious during this time? Did you have an ambition? Yeah?

0:18:45.400 --> 0:18:48.720
<v Speaker 4>I wanted to. I really thought. I really thought I

0:18:48.760 --> 0:18:52.000
<v Speaker 4>could write half hours situation comedies. I thought I could.

0:18:52.119 --> 0:18:53.280
<v Speaker 4>What did you watch? Well?

0:18:53.280 --> 0:18:56.000
<v Speaker 3>In my childhood it was completely different. It would have

0:18:56.080 --> 0:18:59.480
<v Speaker 3>been stuff like Saturday Morning Nonsense. Then as I grew older,

0:18:59.600 --> 0:19:03.600
<v Speaker 3>you'd get to Mayberry, the Andy Griffith Show, Ozzy and

0:19:03.640 --> 0:19:06.719
<v Speaker 3>Harriet Nelson, the Nelson's and that kind of stuff. And

0:19:06.720 --> 0:19:08.720
<v Speaker 3>then later on in those days, it was all the

0:19:08.720 --> 0:19:10.720
<v Speaker 3>Mary Tyler Moore things, the Bob Newhart Show, on the

0:19:10.720 --> 0:19:12.840
<v Speaker 3>Mary Tyler Moore Show. And I really thought, oh, I

0:19:12.880 --> 0:19:15.880
<v Speaker 3>can write one of those Mary Tyler Moore shows, And

0:19:15.920 --> 0:19:19.080
<v Speaker 3>it turned out I couldn't. As you know, there's a

0:19:19.119 --> 0:19:22.240
<v Speaker 3>template for writing those things. They use the template because

0:19:22.240 --> 0:19:24.359
<v Speaker 3>it's successful. And if you don't know the template and

0:19:24.400 --> 0:19:27.560
<v Speaker 3>you think you can make a better version of it,

0:19:27.560 --> 0:19:31.040
<v Speaker 3>it's a very foreign object to them. To you, you think, look,

0:19:31.080 --> 0:19:33.480
<v Speaker 3>I've improved on the template, but they don't want that.

0:19:34.000 --> 0:19:36.679
<v Speaker 3>They want something to work. Yes, that's right. I mean

0:19:36.720 --> 0:19:39.200
<v Speaker 3>we're talking about Mary Tyler Moore. That's pretty good stuff.

0:19:39.200 --> 0:19:41.240
<v Speaker 4>Sure, smart And you're in LA at that time.

0:19:41.320 --> 0:19:43.720
<v Speaker 3>No, still in Indianapolis, and I would be sending scripts

0:19:43.760 --> 0:19:46.320
<v Speaker 3>and looking for an agent. Finally a guy said, yeah,

0:19:46.320 --> 0:19:48.560
<v Speaker 3>if you come to Los Angeles, he said, I'll be

0:19:48.640 --> 0:19:51.879
<v Speaker 3>your agent. So with that encouragement, I just left. And

0:19:51.920 --> 0:19:54.280
<v Speaker 3>I don't know about you, but you know your friends say, okay,

0:19:54.280 --> 0:19:56.320
<v Speaker 3>here you can meet with so and so, and you

0:19:56.320 --> 0:19:59.240
<v Speaker 3>can meet mel Blank's son, you can meet with him,

0:19:59.280 --> 0:20:01.680
<v Speaker 3>and I this one and I know that one, and so.

0:20:01.680 --> 0:20:03.159
<v Speaker 4>You go out there with high hopes.

0:20:03.320 --> 0:20:05.280
<v Speaker 3>I guess it was like the Pioneers and the kind

0:20:05.280 --> 0:20:08.239
<v Speaker 3>of Stoga wagon and they run out of beans. You know,

0:20:08.480 --> 0:20:10.200
<v Speaker 3>they're in Salt Lake and they got nothing to neat.

0:20:10.960 --> 0:20:12.720
<v Speaker 3>So within the first week you run through all of

0:20:12.760 --> 0:20:15.480
<v Speaker 3>your appointments and then you got nothing.

0:20:15.560 --> 0:20:17.840
<v Speaker 1>Then you're a shanghaied. That's right, You're just you're just

0:20:17.880 --> 0:20:20.800
<v Speaker 1>on the shoals there in LA. I remember when I

0:20:20.840 --> 0:20:23.320
<v Speaker 1>went to LA. I did a soap opera at thirty Rock.

0:20:24.080 --> 0:20:25.440
<v Speaker 1>The show was about to go off the air, and

0:20:25.480 --> 0:20:28.359
<v Speaker 1>I'll never forget this guy that was the producer. You

0:20:28.440 --> 0:20:30.080
<v Speaker 1>were in the hallway and they asked me to extend

0:20:30.080 --> 0:20:32.600
<v Speaker 1>my contract for a few months, and he says that

0:20:32.720 --> 0:20:34.000
<v Speaker 1>line to me. He says, what do you think you're

0:20:34.000 --> 0:20:36.000
<v Speaker 1>gonna do? Go out to Hollywood become a star in

0:20:36.040 --> 0:20:39.440
<v Speaker 1>the movies. I'm walking down the hallie, dude.

0:20:39.280 --> 0:20:42.440
<v Speaker 4>Listen to me, come back here. You you don't walk

0:20:42.480 --> 0:20:44.600
<v Speaker 4>away from me and I walk away from the guy

0:20:44.600 --> 0:20:46.440
<v Speaker 4>and I go to La. Now were you ever haunted

0:20:46.480 --> 0:20:48.560
<v Speaker 4>by that? Did you? Honestly?

0:20:48.600 --> 0:20:48.840
<v Speaker 3>Did you?

0:20:48.840 --> 0:20:49.080
<v Speaker 4>Did you?

0:20:49.119 --> 0:20:51.440
<v Speaker 3>Because in my case, I thought the guy was. I said,

0:20:51.480 --> 0:20:53.440
<v Speaker 3>oh yeah, I haven't considered that.

0:20:53.720 --> 0:20:56.679
<v Speaker 4>Of course you do. Did you ever think you were

0:20:56.720 --> 0:20:57.000
<v Speaker 4>going to be?

0:20:57.040 --> 0:20:59.159
<v Speaker 1>I mean, I don't want to get you know, crass

0:20:59.200 --> 0:21:02.080
<v Speaker 1>about it, but you live a very very good life.

0:21:02.760 --> 0:21:05.560
<v Speaker 4>You've been an enormously successful man. Did you ever dream

0:21:05.600 --> 0:21:06.959
<v Speaker 4>you would be as successful as you are?

0:21:07.080 --> 0:21:09.800
<v Speaker 3>No? Never, No, And I'll tell you the same for you,

0:21:09.880 --> 0:21:13.000
<v Speaker 3>same for most people in this uh in show business.

0:21:13.359 --> 0:21:16.080
<v Speaker 3>You're just lucky enough to get to do exactly what

0:21:16.119 --> 0:21:18.720
<v Speaker 3>you want to do all your life. So that's the success,

0:21:19.520 --> 0:21:19.639
<v Speaker 3>you know.

0:21:19.680 --> 0:21:22.239
<v Speaker 1>I always thought there was some commission that was going

0:21:22.280 --> 0:21:23.840
<v Speaker 1>to come to my door of my apartment I was

0:21:23.840 --> 0:21:25.640
<v Speaker 1>living in West Hollywood, and they were not or they're

0:21:25.640 --> 0:21:28.359
<v Speaker 1>going to where the Motion Picture Acting Commission. And we've

0:21:28.480 --> 0:21:30.280
<v Speaker 1>got the reports, say mister balbmon, we're going to take.

0:21:30.119 --> 0:21:30.480
<v Speaker 4>You to theirport.

0:21:30.520 --> 0:21:32.439
<v Speaker 3>By the way, I think you're not going to get

0:21:32.440 --> 0:21:34.960
<v Speaker 3>into I know the origin of this is is your

0:21:35.119 --> 0:21:37.439
<v Speaker 3>personal fear. But I think that commission is not a

0:21:37.480 --> 0:21:40.840
<v Speaker 3>bad idea and long overdue, honest to God. Can we

0:21:40.880 --> 0:21:42.040
<v Speaker 3>get that up and on its feet?

0:21:42.080 --> 0:21:42.720
<v Speaker 4>Can we get a bill?

0:21:42.840 --> 0:21:46.040
<v Speaker 3>I remember there was a guy, a writer for the

0:21:46.320 --> 0:21:49.639
<v Speaker 3>Old Tonight Show, somebody coin his His listing in the

0:21:49.640 --> 0:21:52.760
<v Speaker 3>white pages was say it's Marty Cohen. It was not

0:21:52.800 --> 0:21:56.680
<v Speaker 3>Marty Cohen, Marty Cohen, president of show Business.

0:21:56.480 --> 0:22:01.080
<v Speaker 4>I mean, oh, that's lovely. Were you Were you doing

0:22:01.119 --> 0:22:03.879
<v Speaker 4>stand up ever in Indiana? No, never did it.

0:22:03.880 --> 0:22:05.439
<v Speaker 3>In fact, one of the things that I didn't like

0:22:05.560 --> 0:22:08.280
<v Speaker 3>doing was when I was at the radio station. Part

0:22:08.320 --> 0:22:10.480
<v Speaker 3>of the deal was we just sold a thing to

0:22:10.560 --> 0:22:12.760
<v Speaker 3>Kroger grocery stores. But part of the deal is we

0:22:12.760 --> 0:22:14.240
<v Speaker 3>want you to go out there and m see the

0:22:14.280 --> 0:22:16.119
<v Speaker 3>so and so on so, and I hated it, and

0:22:16.160 --> 0:22:18.000
<v Speaker 3>I finally told the guy, said I can't do this.

0:22:18.080 --> 0:22:20.560
<v Speaker 3>So one of my big built in fears was getting

0:22:20.640 --> 0:22:22.040
<v Speaker 3>up in front of people that I didn't know on

0:22:22.480 --> 0:22:25.720
<v Speaker 3>trying to hold their attention. Let alone be funny, but

0:22:25.880 --> 0:22:30.399
<v Speaker 3>for me. The road map to pursue was handed to

0:22:30.480 --> 0:22:33.600
<v Speaker 3>you via Johnny Carson and the Tonight Show. They would

0:22:33.640 --> 0:22:36.680
<v Speaker 3>have comics on. It would be David Brenner and they

0:22:36.680 --> 0:22:39.080
<v Speaker 3>would say, and there'll be appearing at the Comedy Store.

0:22:39.600 --> 0:22:41.520
<v Speaker 3>It seemed to be that the connection between the Comedy

0:22:41.560 --> 0:22:43.800
<v Speaker 3>Store and the Tonight Show was pretty close.

0:22:44.480 --> 0:22:47.399
<v Speaker 4>So even though I mind that facility, that particular face.

0:22:47.359 --> 0:22:50.359
<v Speaker 3>Yeah, it was the farm system for the Comedy Store,

0:22:50.520 --> 0:22:53.080
<v Speaker 3>and great guys were coming out and getting on and

0:22:53.119 --> 0:22:55.080
<v Speaker 3>Steve Landsberg and on and on.

0:22:55.800 --> 0:22:57.720
<v Speaker 4>I say on and on because I can't remember the name.

0:22:57.840 --> 0:23:00.359
<v Speaker 3>So I just yeah, even though I wanted to be

0:23:00.440 --> 0:23:02.120
<v Speaker 3>a writer, because I didn't have the courage to tell

0:23:02.119 --> 0:23:04.199
<v Speaker 3>my family and friends that what I really want to

0:23:04.200 --> 0:23:07.320
<v Speaker 3>do is, you know, somehow get famous and be on TV.

0:23:07.920 --> 0:23:10.520
<v Speaker 3>So when I went out there the first monday I

0:23:10.640 --> 0:23:14.440
<v Speaker 3>was in California when I moved in seventy five, I

0:23:14.440 --> 0:23:16.120
<v Speaker 3>wrote down some stuff and went to the Comedy Store

0:23:16.160 --> 0:23:16.919
<v Speaker 3>and got on stage.

0:23:17.560 --> 0:23:19.480
<v Speaker 4>Had to go. It was it was awful.

0:23:19.520 --> 0:23:21.760
<v Speaker 3>I'd never been in a darkened room of the spotlight

0:23:21.800 --> 0:23:24.040
<v Speaker 3>and it was just like a train coming at me.

0:23:24.720 --> 0:23:27.200
<v Speaker 3>So I did my little five minutes from wrote left,

0:23:27.240 --> 0:23:29.680
<v Speaker 3>and then the owner of the place.

0:23:29.840 --> 0:23:32.160
<v Speaker 4>Yeah, you should come back and do some more.

0:23:33.400 --> 0:23:35.439
<v Speaker 3>So I thought, are you kidding men? She said, no,

0:23:36.359 --> 0:23:39.200
<v Speaker 3>you can MC So I came back and I was

0:23:39.240 --> 0:23:40.440
<v Speaker 3>the mc fantas.

0:23:40.680 --> 0:23:43.720
<v Speaker 4>Yeah, yeah, Derek great.

0:23:44.080 --> 0:23:47.400
<v Speaker 3>So that was nineteen seventy five, nineteen seventy eight. Three

0:23:47.480 --> 0:23:50.760
<v Speaker 3>years later I was on the Tonight Show. That worked

0:23:51.320 --> 0:23:53.720
<v Speaker 3>so much better than it should have. I think it

0:23:53.760 --> 0:23:54.919
<v Speaker 3>must be harder now too.

0:23:55.080 --> 0:23:57.280
<v Speaker 1>It wasn't three years of just working that room and

0:23:57.359 --> 0:23:59.280
<v Speaker 1>working the mic and working stand up.

0:23:59.359 --> 0:24:00.080
<v Speaker 4>Yeah, but it was.

0:24:00.200 --> 0:24:02.480
<v Speaker 3>I mean it was fun because every night you go

0:24:02.560 --> 0:24:05.119
<v Speaker 3>there and you were hanging around guys Jay Leno and

0:24:05.480 --> 0:24:08.520
<v Speaker 3>Robin Williams and George Miller and Tom Dreesen and Jeff

0:24:08.520 --> 0:24:12.720
<v Speaker 3>Altman and anybody now who is you're aware of you

0:24:12.720 --> 0:24:15.000
<v Speaker 3>would see every night and it was great fun. I mean,

0:24:15.040 --> 0:24:17.240
<v Speaker 3>my god, it was great fun. Didn't make any difference

0:24:17.240 --> 0:24:19.720
<v Speaker 3>what you did during the day. You knew that when

0:24:19.720 --> 0:24:21.800
<v Speaker 3>it got dark you'd be on Sunset Boulevard.

0:24:21.800 --> 0:24:22.919
<v Speaker 4>The place would be packed.

0:24:23.359 --> 0:24:25.280
<v Speaker 3>And in those days, the only room she had was

0:24:25.320 --> 0:24:28.560
<v Speaker 3>this tiny, little original room and it was next door

0:24:28.600 --> 0:24:32.760
<v Speaker 3>to Art Labelle's. He would have a fifties dance party

0:24:33.000 --> 0:24:35.320
<v Speaker 3>in the next room on the weekends, and you would

0:24:35.320 --> 0:24:39.160
<v Speaker 3>get a lot of gang guys going to art Labelle's

0:24:39.160 --> 0:24:40.000
<v Speaker 3>fifties guys.

0:24:40.480 --> 0:24:47.080
<v Speaker 4>No, it was gang then biker barrio. Oh okay, is

0:24:47.119 --> 0:24:50.120
<v Speaker 4>that all right? Yeah, Lowriders, Yeah okay.

0:24:50.240 --> 0:24:53.159
<v Speaker 3>And one night a friend of mine, Johnny Dark, is

0:24:53.160 --> 0:24:55.520
<v Speaker 3>on stage and a guy comes up and he's got

0:24:55.520 --> 0:24:58.840
<v Speaker 3>a gun and he's standing next to Johnny while Johnny's

0:24:58.880 --> 0:25:03.640
<v Speaker 3>doing his little singing impressions of whomever, and he had

0:25:03.640 --> 0:25:06.040
<v Speaker 3>to quietly, you know, talk his way out of the

0:25:06.040 --> 0:25:08.520
<v Speaker 3>guy using the gun. And it was exciting, souse. I mean,

0:25:08.600 --> 0:25:10.840
<v Speaker 3>Richard Pryor would come in, and Freddie Prinz would come in,

0:25:11.600 --> 0:25:13.160
<v Speaker 3>So you say, yeah, night after night.

0:25:13.200 --> 0:25:15.119
<v Speaker 4>But still in all how could that not be fun?

0:25:15.160 --> 0:25:16.880
<v Speaker 4>So did Carson find you there?

0:25:17.040 --> 0:25:18.800
<v Speaker 3>Well, they had a guy, you know, they had a

0:25:18.840 --> 0:25:20.640
<v Speaker 3>team of guys when I was there that would come

0:25:20.640 --> 0:25:23.200
<v Speaker 3>in and in the meantime I got on this Mary

0:25:23.240 --> 0:25:28.040
<v Speaker 3>Tyler Moore show to write and perform, and oh that

0:25:28.119 --> 0:25:31.199
<v Speaker 3>was it was me and Michael Keaton, Jim Hampton and

0:25:31.240 --> 0:25:35.960
<v Speaker 3>Dick Sean and Swuusy Kurtz and Julie Khan.

0:25:36.160 --> 0:25:38.440
<v Speaker 4>Judy Khn, Judy Cohn, thank you very much.

0:25:39.119 --> 0:25:42.920
<v Speaker 3>So from that show, they said, oh, well we'll put

0:25:43.160 --> 0:25:45.440
<v Speaker 3>you on because you're on that show. You can come

0:25:45.440 --> 0:25:46.920
<v Speaker 3>out and do stand up and then you go sit

0:25:47.119 --> 0:25:50.080
<v Speaker 3>down and talk to Johnny. And without that, you never

0:25:50.160 --> 0:25:51.920
<v Speaker 3>know what the formula is. You could be on nine

0:25:51.920 --> 0:25:53.919
<v Speaker 3>times and never get to sit down with Johnny. You

0:25:53.920 --> 0:25:56.000
<v Speaker 3>could be on for six years and ever, or you

0:25:56.000 --> 0:25:59.560
<v Speaker 3>could be bumped forty times. But because of this, oh

0:25:59.600 --> 0:26:01.280
<v Speaker 3>and he's a hearing on the so and so show

0:26:01.400 --> 0:26:03.880
<v Speaker 3>to Mary Tyler Moore show, I got to sit down

0:26:03.920 --> 0:26:06.560
<v Speaker 3>with Johnny and that was again, that was craziness. That

0:26:06.640 --> 0:26:09.960
<v Speaker 3>was That was another one of those you know what,

0:26:11.119 --> 0:26:15.160
<v Speaker 3>Oh yeah, it's such a jolt. The material is so committed.

0:26:15.680 --> 0:26:17.399
<v Speaker 3>You don't have to think about anything. You just have

0:26:17.480 --> 0:26:20.320
<v Speaker 3>to start talking and it all comes out. The adrenaline

0:26:20.400 --> 0:26:23.480
<v Speaker 3>takes days to burn out of you. Holy God, you're

0:26:23.520 --> 0:26:27.160
<v Speaker 3>sitting next to Johnny Carson. I mean, you just can't

0:26:27.200 --> 0:26:29.720
<v Speaker 3>believe it. I mean to me, and I think most

0:26:29.760 --> 0:26:32.440
<v Speaker 3>guys my age who were out there doing that one.

0:26:32.520 --> 0:26:34.920
<v Speaker 3>The fact that it worked. You know, really, I drove

0:26:35.160 --> 0:26:37.240
<v Speaker 3>in a pickup truck with my wife to La and

0:26:37.280 --> 0:26:39.640
<v Speaker 3>three years later, I'm sitting next to Johnny Carson. That's

0:26:39.680 --> 0:26:41.720
<v Speaker 3>not supposed to happen, you know, it's just not supposed

0:26:41.760 --> 0:26:42.560
<v Speaker 3>to happen, but it did.

0:26:43.280 --> 0:26:45.560
<v Speaker 1>Now do you think that Carson was someone who do

0:26:45.600 --> 0:26:46.640
<v Speaker 1>you think he saw himself?

0:26:46.640 --> 0:26:48.760
<v Speaker 4>And you? Do you think he saw the midwestern boy?

0:26:48.760 --> 0:26:50.280
<v Speaker 4>I don't know, Jean and you, I don't know.

0:26:50.359 --> 0:26:52.159
<v Speaker 3>I mean, it was so easy for other people to

0:26:52.240 --> 0:26:55.560
<v Speaker 3>make that comparison, and that seemed to be the formula.

0:26:55.640 --> 0:26:57.560
<v Speaker 3>But I don't know if he felt that way or not.

0:27:00.920 --> 0:27:02.760
<v Speaker 3>I don't I can't answer that. And then what happened

0:27:02.800 --> 0:27:06.679
<v Speaker 3>after that, Well, your life changed immediately. Suddenly you weren't

0:27:06.720 --> 0:27:08.480
<v Speaker 3>just a guy who was at the comedy store. You

0:27:08.520 --> 0:27:10.720
<v Speaker 3>were the guy that had been on with the Carson.

0:27:11.320 --> 0:27:14.240
<v Speaker 3>And then I was on I think two or three

0:27:14.240 --> 0:27:16.959
<v Speaker 3>more times, and then I started hosting the show, and

0:27:17.000 --> 0:27:19.199
<v Speaker 3>again that was another you know, you just feel like

0:27:19.840 --> 0:27:21.760
<v Speaker 3>it's like it's like winning the World Series or your

0:27:21.800 --> 0:27:22.320
<v Speaker 3>rookie season.

0:27:22.359 --> 0:27:24.400
<v Speaker 1>What's the gap of time between when you first sat

0:27:24.400 --> 0:27:25.600
<v Speaker 1>down with him when you started hosting.

0:27:26.280 --> 0:27:29.000
<v Speaker 3>The first time I was on was November of seventy eight,

0:27:29.080 --> 0:27:32.440
<v Speaker 3>and I think I hosted it was Monday night opposite

0:27:32.480 --> 0:27:34.280
<v Speaker 3>the Academy Awards so.

0:27:34.200 --> 0:27:37.520
<v Speaker 4>It was the good Spring. Yeah, in April, April, March April,

0:27:37.600 --> 0:27:43.000
<v Speaker 4>y know, things to Do party, Yeah, and it was

0:27:44.040 --> 0:27:45.879
<v Speaker 4>I was just frozen. I was just frozen. I can

0:27:45.920 --> 0:27:48.679
<v Speaker 4>remember Peter le Sally coming up to me during the

0:27:48.680 --> 0:27:50.680
<v Speaker 4>commercial break and he said, you've got to loosen up.

0:27:51.000 --> 0:27:54.680
<v Speaker 4>You've got to loosen up, and they get that. Thanks

0:27:54.680 --> 0:27:56.240
<v Speaker 4>for that tip Page forty.

0:27:56.440 --> 0:27:59.080
<v Speaker 3>I remember the first night I was on the Tonight

0:27:59.160 --> 0:28:01.679
<v Speaker 3>Show and I I'm telling you, for guys at the

0:28:01.720 --> 0:28:04.600
<v Speaker 3>Comedy Store, this was it. This was like people lining

0:28:04.680 --> 0:28:06.479
<v Speaker 3>up to squeeze through a funnel, you know.

0:28:06.560 --> 0:28:07.920
<v Speaker 4>This was it. The Tonight Show.

0:28:08.320 --> 0:28:11.720
<v Speaker 3>Fighting and competition and backstabbing and bad mouth to get

0:28:11.760 --> 0:28:14.560
<v Speaker 3>to the Tonight Show is going to make or break you.

0:28:14.680 --> 0:28:16.440
<v Speaker 3>If if you don't do well, you'll never be heard

0:28:16.440 --> 0:28:18.479
<v Speaker 3>of again. There's no such thing as a guy bombing

0:28:18.520 --> 0:28:20.080
<v Speaker 3>his first time on the Tonight Show and then having

0:28:20.119 --> 0:28:22.359
<v Speaker 3>a delightful career that just doesn't happen.

0:28:23.000 --> 0:28:25.640
<v Speaker 4>You're gone. So there's a lot of pressure.

0:28:25.760 --> 0:28:29.959
<v Speaker 3>So I'm getting ready to go out there just behind

0:28:29.960 --> 0:28:32.000
<v Speaker 3>the curtain. And my manager at the time, Buddy Moore,

0:28:32.080 --> 0:28:36.080
<v Speaker 3>who was with Jack Rollins and John Charles Joffey. They

0:28:36.119 --> 0:28:38.960
<v Speaker 3>handled Robin Williams and Woody Allen and Dick Cabot and

0:28:38.960 --> 0:28:41.239
<v Speaker 3>some other guys. So that was a big deal for

0:28:41.280 --> 0:28:43.240
<v Speaker 3>me to be with these people. And Buddy and I

0:28:43.760 --> 0:28:47.520
<v Speaker 3>nice enough guy, but we never never saw eyed eye

0:28:47.600 --> 0:28:49.280
<v Speaker 3>on much. And I think a lot of it was

0:28:49.320 --> 0:28:52.880
<v Speaker 3>my immaturity about show business, or just ignorance.

0:28:52.920 --> 0:28:56.360
<v Speaker 4>Not immaturity. I had no time to be immature. I

0:28:56.480 --> 0:28:57.120
<v Speaker 4>was ignorant.

0:28:57.840 --> 0:29:00.040
<v Speaker 3>So we're standing there and Johnny saying our next he

0:29:00.080 --> 0:29:02.560
<v Speaker 3>asked as a young blah blah blah blah, and Buddy

0:29:02.600 --> 0:29:05.920
<v Speaker 3>says to me, and Buddy always whispered. Everything was a whisperer, Buddy,

0:29:05.920 --> 0:29:11.000
<v Speaker 3>he says. Robin got popeye, and I said, what are

0:29:11.040 --> 0:29:13.880
<v Speaker 3>you talking about? His final words to me is, I'm

0:29:13.880 --> 0:29:15.600
<v Speaker 3>going to let the night show for the first time

0:29:15.920 --> 0:29:17.960
<v Speaker 3>telling me about a booking for.

0:29:18.000 --> 0:29:20.080
<v Speaker 4>One of his other clients, you know. And I just

0:29:20.160 --> 0:29:21.120
<v Speaker 4>never got over that.

0:29:27.360 --> 0:29:30.240
<v Speaker 1>This is Alec Boordman, and I'm talking with David Letterman

0:29:30.600 --> 0:29:42.000
<v Speaker 1>more in a minute.

0:29:43.800 --> 0:29:45.640
<v Speaker 4>You know, you're a lot mellower now than you were.

0:29:45.800 --> 0:29:48.400
<v Speaker 1>Yes, absolutely, And you'd say that when you did the show,

0:29:48.680 --> 0:29:51.520
<v Speaker 1>no matter how crazy or how wired you and the

0:29:51.560 --> 0:29:53.600
<v Speaker 1>whole experience was of the early show and you said

0:29:53.640 --> 0:29:55.280
<v Speaker 1>running around doing all the taking and all the other

0:29:55.280 --> 0:29:57.000
<v Speaker 1>bits and so forth, and contests and everything.

0:29:57.360 --> 0:29:58.600
<v Speaker 4>But I mean, just your own nature.

0:29:58.760 --> 0:30:00.760
<v Speaker 1>Seems like there was a kind of a an edge

0:30:00.800 --> 0:30:03.800
<v Speaker 1>to it that you've lost. But you seem like you

0:30:03.920 --> 0:30:08.080
<v Speaker 1>really just become like so much more. What's the word charming?

0:30:08.400 --> 0:30:10.480
<v Speaker 3>Well, I don't know by the rule, but I know

0:30:10.560 --> 0:30:12.720
<v Speaker 3>exactly what you're talking about, And the fact that it's

0:30:12.760 --> 0:30:15.920
<v Speaker 3>noticeable by others is an indication that maybe I'm on

0:30:15.960 --> 0:30:19.400
<v Speaker 3>the right track because, to the exclusion of every other

0:30:19.440 --> 0:30:22.240
<v Speaker 3>thing in my life, it was the success of this show.

0:30:22.760 --> 0:30:25.680
<v Speaker 3>As a result, I waited to have a child twenty

0:30:25.760 --> 0:30:29.760
<v Speaker 3>years too long. I just didn't do anything else. It

0:30:29.880 --> 0:30:31.800
<v Speaker 3>was the show and it had to be the show.

0:30:31.840 --> 0:30:33.440
<v Speaker 3>And if it wasn't the show, then find out a

0:30:33.440 --> 0:30:34.320
<v Speaker 3>way to make it the show.

0:30:34.360 --> 0:30:35.360
<v Speaker 4>And did you come from that world?

0:30:35.400 --> 0:30:38.040
<v Speaker 1>Like Lauren, for example, says to me he lives a

0:30:38.080 --> 0:30:41.040
<v Speaker 1>life where his creator was work is play, Like we

0:30:41.120 --> 0:30:43.400
<v Speaker 1>have this interesting jobs, you know, you don't stop working

0:30:43.400 --> 0:30:44.360
<v Speaker 1>to so that's.

0:30:44.240 --> 0:30:44.680
<v Speaker 4>Part of it.

0:30:44.720 --> 0:30:47.840
<v Speaker 3>And that is one of the great residuals of you know,

0:30:47.880 --> 0:30:50.080
<v Speaker 3>you're around all these funny people and you have silly ideas,

0:30:50.120 --> 0:30:53.120
<v Speaker 3>and you have silly conversations in life yourself sick. But

0:30:53.640 --> 0:30:56.760
<v Speaker 3>for me, it was like, oh my god, you know,

0:30:56.840 --> 0:30:59.160
<v Speaker 3>if I fail at this, it's all gone away. You know,

0:30:59.160 --> 0:31:00.560
<v Speaker 3>if you fail at this, you get to get at

0:31:00.560 --> 0:31:02.560
<v Speaker 3>the end of the line, and the line keeps getting longer,

0:31:02.960 --> 0:31:06.560
<v Speaker 3>so to the exclusion of other important things, other aspects

0:31:06.600 --> 0:31:11.360
<v Speaker 3>of life. I pursued the show. Then that changed, finally changed.

0:31:11.400 --> 0:31:13.960
<v Speaker 3>Did you want it to change? No, at the time,

0:31:14.000 --> 0:31:16.080
<v Speaker 3>I didn't. I didn't know there was another way to

0:31:16.120 --> 0:31:18.560
<v Speaker 3>live your life. I thought you had to keep banging

0:31:18.600 --> 0:31:20.400
<v Speaker 3>your head and banging your head and banging your head.

0:31:20.560 --> 0:31:22.680
<v Speaker 3>And I kept saying to myself, this is what they say.

0:31:22.720 --> 0:31:24.640
<v Speaker 3>It's like pushing a rock up hill. It's like pushing

0:31:24.640 --> 0:31:27.440
<v Speaker 3>a rock up hill, and one day everything will change,

0:31:27.520 --> 0:31:30.040
<v Speaker 3>everything will be great, you'll succeed, and everything will well.

0:31:30.080 --> 0:31:32.040
<v Speaker 3>It never it never quite worked that way for me.

0:31:32.640 --> 0:31:36.520
<v Speaker 3>I think, well, not too difficult to assume that this

0:31:36.560 --> 0:31:39.320
<v Speaker 3>is one of the reasons I had the quintuple bypass surgery.

0:31:40.040 --> 0:31:40.160
<v Speaker 4>Uh.

0:31:40.520 --> 0:31:43.520
<v Speaker 3>And then my doctor he said, you know, he says,

0:31:43.560 --> 0:31:46.280
<v Speaker 3>you don't have to be this way flogging yourself. Yeah,

0:31:46.320 --> 0:31:49.480
<v Speaker 3>he said, you can delegate yeah, or you can. He says,

0:31:49.480 --> 0:31:54.280
<v Speaker 3>there are they've made pharmaceutical advancements. Here, you can help yourself.

0:31:54.880 --> 0:31:57.280
<v Speaker 3>And I said, no, no, no, no, I can't because

0:31:57.280 --> 0:32:00.160
<v Speaker 3>that would ruin this and that would ruin that. And

0:32:00.160 --> 0:32:03.800
<v Speaker 3>and then Regina got we were able to get pregnant.

0:32:04.480 --> 0:32:08.200
<v Speaker 4>I went into this stark, raving anxious depression when she

0:32:08.200 --> 0:32:10.880
<v Speaker 4>got pregnant. Yeah, why well I was fine with it.

0:32:10.960 --> 0:32:13.040
<v Speaker 3>I thought, if not now when you know, and she

0:32:13.080 --> 0:32:15.080
<v Speaker 3>had wanted to have kids, like I said, fifteen twenty

0:32:15.200 --> 0:32:21.520
<v Speaker 3>years earlier. And so this is a very complicated, uninteresting story,

0:32:21.720 --> 0:32:23.760
<v Speaker 3>and it has it has to do with being on

0:32:23.840 --> 0:32:27.640
<v Speaker 3>the shingle, having shingles, and being on exotic pain medication

0:32:27.800 --> 0:32:30.040
<v Speaker 3>for the shingles, and getting fed up with the exotic

0:32:30.080 --> 0:32:33.360
<v Speaker 3>pain medication and saying to the pain doctor I'm done,

0:32:33.480 --> 0:32:35.160
<v Speaker 3>I'm not taking it anymore. And he said, well, you know,

0:32:35.200 --> 0:32:36.760
<v Speaker 3>a lot of those things you can't just I said,

0:32:36.800 --> 0:32:40.320
<v Speaker 3>forget it. Click and I stopped taking these things, and

0:32:40.360 --> 0:32:42.920
<v Speaker 3>within a couple of days I just turned into this

0:32:43.040 --> 0:32:46.880
<v Speaker 3>twitching Unicell altered states.

0:32:47.000 --> 0:32:48.400
<v Speaker 4>Yeah, it was very odd.

0:32:49.360 --> 0:32:51.880
<v Speaker 3>And the guy said, well, you're in an anxious depression

0:32:52.480 --> 0:32:54.440
<v Speaker 3>and lucid you know, there are things we can do

0:32:54.480 --> 0:32:57.720
<v Speaker 3>here to help you out, and I said, I'll try

0:32:57.760 --> 0:33:00.160
<v Speaker 3>anything because I can't go on like this. And so

0:33:00.200 --> 0:33:04.040
<v Speaker 3>it was a small dose of an SSRI. Suddenly I realized,

0:33:04.080 --> 0:33:07.920
<v Speaker 3>I can have myself, my personality, the person that I've known,

0:33:08.640 --> 0:33:13.280
<v Speaker 3>and then lose what was detracting, what was hurting, what

0:33:13.440 --> 0:33:16.640
<v Speaker 3>was actually an impediment, groom.

0:33:16.320 --> 0:33:18.680
<v Speaker 1>Out the things that you wanted to groom out. And

0:33:18.760 --> 0:33:20.400
<v Speaker 1>when I came to the show business, and I was

0:33:20.440 --> 0:33:22.400
<v Speaker 1>in Los Angeles sleeping, and I was like Gomer Pyle,

0:33:22.960 --> 0:33:24.760
<v Speaker 1>I mean, I swear to God, I came to work

0:33:24.760 --> 0:33:27.560
<v Speaker 1>in this. I really I have trouble that you were

0:33:27.640 --> 0:33:31.000
<v Speaker 1>no really, but I don't mean in terms of lacking

0:33:31.040 --> 0:33:33.400
<v Speaker 1>any sophistication. But they would give me. I'll never forget

0:33:33.400 --> 0:33:35.600
<v Speaker 1>the first job I got. I go to an audition.

0:33:36.160 --> 0:33:37.640
<v Speaker 1>I'd done that the soap in New York. And they

0:33:37.640 --> 0:33:39.400
<v Speaker 1>paid you, you know, a very small amount of money,

0:33:39.400 --> 0:33:40.800
<v Speaker 1>and I thought I was Rockefeller. They paid you four

0:33:40.840 --> 0:33:43.200
<v Speaker 1>hundred and fifty bucks a day. I was the richest

0:33:43.240 --> 0:33:45.840
<v Speaker 1>member of my family. My dad was a school teacher

0:33:45.840 --> 0:33:47.960
<v Speaker 1>with six kids. He didn't make any money. And I

0:33:47.960 --> 0:33:49.840
<v Speaker 1>go out to LA and I'll never forget. But I

0:33:49.840 --> 0:33:53.080
<v Speaker 1>go to the old Lauramar, which is now Sony and

0:33:53.120 --> 0:33:56.160
<v Speaker 1>I go to the gate at Lauramar. I say, Alec Baldwin.

0:33:56.200 --> 0:33:59.360
<v Speaker 1>He's like, you know, here's your map. You're parking and

0:33:59.360 --> 0:34:04.520
<v Speaker 1>building sixty seven, ninth floor, slot red twelve.

0:34:05.080 --> 0:34:07.440
<v Speaker 4>And they sent me to like, you know, the Ukraine.

0:34:07.560 --> 0:34:09.719
<v Speaker 1>I gotta go all the way and I go, Now,

0:34:09.760 --> 0:34:11.480
<v Speaker 1>where's the office I'm going to for the meeting? He

0:34:11.520 --> 0:34:14.359
<v Speaker 1>goes right over there, right next to me. So I go,

0:34:14.440 --> 0:34:16.480
<v Speaker 1>I park the car, trot all the way down, do

0:34:16.560 --> 0:34:20.240
<v Speaker 1>an audition for the show. Not's landing. I get done

0:34:20.400 --> 0:34:22.359
<v Speaker 1>and I leave the thing and no cell phones. Then

0:34:22.440 --> 0:34:25.120
<v Speaker 1>this is nineteen eighty three, and so I pull up

0:34:25.160 --> 0:34:27.319
<v Speaker 1>to a phone booth. I call my agent. It's late

0:34:27.360 --> 0:34:29.000
<v Speaker 1>in the afternoon. They're still in the office.

0:34:29.160 --> 0:34:31.360
<v Speaker 4>He goes, how did it go? I go, how did

0:34:31.400 --> 0:34:33.040
<v Speaker 4>it go? I think it went pretty well, pretty well,

0:34:33.120 --> 0:34:35.799
<v Speaker 4>you moron. They want to hire you, And I.

0:34:35.719 --> 0:34:37.359
<v Speaker 1>Go, you're kidding me, he goes, He goes, yeah, of course,

0:34:37.360 --> 0:34:39.080
<v Speaker 1>He goes, we're making a deal right now. We're closing

0:34:39.080 --> 0:34:40.480
<v Speaker 1>the deal right now. You're gonna get twenty five for

0:34:40.520 --> 0:34:43.040
<v Speaker 1>the pilot and twelve five an episode, and I swear

0:34:43.080 --> 0:34:45.920
<v Speaker 1>to God, coming from my background, I went go, wait,

0:34:46.520 --> 0:34:48.799
<v Speaker 1>y'all won't pay me twenty five one hundred dollars for

0:34:48.840 --> 0:34:51.840
<v Speaker 1>the pilot and twelve hundred and fifty dollars per episode

0:34:51.880 --> 0:34:54.640
<v Speaker 1>every week. And he's like, no, you Maron, They're gonna

0:34:54.640 --> 0:34:57.800
<v Speaker 1>pay you twenty five thousand for the pilot and twelve thousand,

0:34:57.840 --> 0:34:58.800
<v Speaker 1>five hundred episode.

0:34:58.840 --> 0:35:00.759
<v Speaker 4>And I literally urinated in my trousers.

0:35:01.120 --> 0:35:03.080
<v Speaker 1>And I'm standing in a phone booth on the corner

0:35:03.080 --> 0:35:06.160
<v Speaker 1>of like, you know, Walker and Washington in Culver City,

0:35:06.440 --> 0:35:08.320
<v Speaker 1>and the guy tells me this, and that's when my life.

0:35:08.200 --> 0:35:09.640
<v Speaker 4>Changed for me.

0:35:09.760 --> 0:35:12.959
<v Speaker 3>It was always you were competing against yourself. We didn't

0:35:13.000 --> 0:35:14.040
<v Speaker 3>go out and do a lot of reading.

0:35:14.080 --> 0:35:14.239
<v Speaker 4>You know.

0:35:14.320 --> 0:35:18.560
<v Speaker 3>Sometimes I remember there was a the Jackson five had

0:35:18.560 --> 0:35:21.120
<v Speaker 3>a summer show, so they would say, we need comics,

0:35:21.160 --> 0:35:23.719
<v Speaker 3>and so they'd call the comedy store, and you know,

0:35:23.920 --> 0:35:26.200
<v Speaker 3>if Mitzie liked, you'd get to go beyond the Jackson

0:35:26.200 --> 0:35:29.399
<v Speaker 3>five show. So it was never so much of one

0:35:29.440 --> 0:35:31.840
<v Speaker 3>guy over another. Or there would be shows like the

0:35:31.840 --> 0:35:34.399
<v Speaker 3>Midnight Special or Don Kershner's Rock Concert that they would

0:35:34.560 --> 0:35:37.440
<v Speaker 3>routinely use comics. So there was plenty of work and

0:35:37.480 --> 0:35:40.240
<v Speaker 3>it wasn't I think as in acting as you describe

0:35:40.560 --> 0:35:43.560
<v Speaker 3>guys elbowing each other out and higher ups wanting to

0:35:43.840 --> 0:35:45.400
<v Speaker 3>step on their hands and hurt their feelings.

0:35:45.440 --> 0:35:48.080
<v Speaker 1>But when you've done the show back from the NBC

0:35:48.239 --> 0:35:51.239
<v Speaker 1>days and now through the many years at CBS, it's

0:35:51.239 --> 0:35:54.560
<v Speaker 1>a very hermetic situation for you, and nobody bothers you,

0:35:54.600 --> 0:35:56.879
<v Speaker 1>and there's ever questions about your budget, and there's every question,

0:35:56.920 --> 0:35:59.000
<v Speaker 1>but nobody calls you. You't have to deal with that,

0:35:59.200 --> 0:36:00.920
<v Speaker 1>or do you have to fight with the network about

0:36:00.920 --> 0:36:01.839
<v Speaker 1>things like other shows too.

0:36:01.800 --> 0:36:04.879
<v Speaker 3>Well, never a fight. It's a negotiation. But we don't

0:36:04.920 --> 0:36:06.760
<v Speaker 3>have the fight. You know, if we want to do something,

0:36:06.760 --> 0:36:08.839
<v Speaker 3>we can pretty much do it. And again, what we

0:36:08.840 --> 0:36:10.719
<v Speaker 3>want to do now is far different level in scope

0:36:10.760 --> 0:36:12.440
<v Speaker 3>than we wanted to do when we're because when we

0:36:12.480 --> 0:36:16.160
<v Speaker 3>came into this show, myself and Marilyn, the writers, we

0:36:16.280 --> 0:36:20.600
<v Speaker 3>just thought, oh, America has been waiting for us. We're

0:36:20.600 --> 0:36:24.000
<v Speaker 3>going to change the face of television for America. And boy,

0:36:24.040 --> 0:36:25.879
<v Speaker 3>it didn't happen that way, you know, it just didn't

0:36:25.880 --> 0:36:29.440
<v Speaker 3>happen that way at all. We did a sketch on

0:36:29.480 --> 0:36:31.560
<v Speaker 3>the old Late Night Show and it was with one

0:36:31.560 --> 0:36:34.040
<v Speaker 3>of the writers Tom Gamble and it was Dale the

0:36:34.120 --> 0:36:37.719
<v Speaker 3>Psychotic page. We had to set up nine holes of

0:36:37.719 --> 0:36:40.600
<v Speaker 3>a miniature golf course. He would come in with an

0:36:40.760 --> 0:36:44.959
<v Speaker 3>NBC page blazer and he would play miniature golf, and

0:36:45.040 --> 0:36:48.240
<v Speaker 3>with each failing attempt on the whole, he would become

0:36:48.360 --> 0:36:51.680
<v Speaker 3>more and more psychotic. There's your comedy, America. This is

0:36:51.680 --> 0:36:53.839
<v Speaker 3>what you've been waiting for. Yeah, aren't you glad we're here?

0:36:53.880 --> 0:36:54.280
<v Speaker 4>Breath?

0:36:55.280 --> 0:36:56.680
<v Speaker 1>I love on your show. I haven't done this in

0:36:56.719 --> 0:36:59.160
<v Speaker 1>a while. I miss it because everything. I guess they

0:36:59.160 --> 0:37:01.080
<v Speaker 1>can't do this stuff all the time, and maybe this

0:37:01.160 --> 0:37:03.040
<v Speaker 1>bit is a victim of global warming. But I get

0:37:03.040 --> 0:37:04.239
<v Speaker 1>there one time and they want me to ride the

0:37:04.239 --> 0:37:06.960
<v Speaker 1>snowmobile on the roof of the building years ago. Yeah,

0:37:06.960 --> 0:37:09.799
<v Speaker 1>they're all very droll, you know. And Biff always calls

0:37:09.840 --> 0:37:12.880
<v Speaker 1>me Alex. I love that you're on the roof and snowing,

0:37:13.200 --> 0:37:14.520
<v Speaker 1>and we're on the roof of your building at snow

0:37:14.560 --> 0:37:15.040
<v Speaker 1>I'm best.

0:37:15.000 --> 0:37:16.400
<v Speaker 4>Like, Okay, not Alex.

0:37:17.320 --> 0:37:21.320
<v Speaker 1>You're gonna ride a snowmobile around the roof a few times.

0:37:21.520 --> 0:37:23.040
<v Speaker 4>I'm gonna be man, I never can it and catch

0:37:23.040 --> 0:37:26.080
<v Speaker 4>you to keep you from going over the side. Is

0:37:26.120 --> 0:37:26.640
<v Speaker 4>that all right?

0:37:26.960 --> 0:37:27.279
<v Speaker 3>All right?

0:37:27.320 --> 0:37:27.720
<v Speaker 1>Alex.

0:37:27.840 --> 0:37:30.440
<v Speaker 4>Yeah, I'm like, great, let me go. I have danger.

0:37:30.719 --> 0:37:32.520
<v Speaker 4>You know, I love it. Elements.

0:37:32.560 --> 0:37:34.400
<v Speaker 3>Well, I was thinking about a year ago I was

0:37:34.440 --> 0:37:37.880
<v Speaker 3>looking around the ed Solovo Theater. What a tremendous stroke

0:37:37.880 --> 0:37:40.080
<v Speaker 3>of luck that was. I used to love working in

0:37:40.080 --> 0:37:43.560
<v Speaker 3>the studio, and I remember one day running into Lord Michaels.

0:37:44.000 --> 0:37:45.799
<v Speaker 3>He said to me, how long did it take you

0:37:46.360 --> 0:37:48.920
<v Speaker 3>to get used to doing a TV show in a theater?

0:37:49.560 --> 0:37:51.839
<v Speaker 3>And I knew exactly what he was saying, because to him,

0:37:51.880 --> 0:37:55.040
<v Speaker 3>TV comes out of a studio. And I always felt

0:37:55.040 --> 0:37:58.360
<v Speaker 3>that way myself. But I've really grown fond.

0:37:58.160 --> 0:37:58.640
<v Speaker 4>Of the theater.

0:37:58.719 --> 0:38:02.440
<v Speaker 3>It's CBS the Theater for reasons like that and many more.

0:38:02.840 --> 0:38:07.560
<v Speaker 3>It's comfortable, it's fun, it's smells of decades and decades

0:38:07.600 --> 0:38:11.400
<v Speaker 3>and decades of show business there. There's tunnels and alleys

0:38:11.600 --> 0:38:15.920
<v Speaker 3>and rats. But it's fantastic. I mean, it's just so

0:38:16.080 --> 0:38:18.640
<v Speaker 3>versatile and so great. And also the way Hal set

0:38:18.680 --> 0:38:20.600
<v Speaker 3>it up in the beginning, it's fairly intimate. I mean,

0:38:20.640 --> 0:38:23.239
<v Speaker 3>you can have a pretty reasonable conversation there in this

0:38:23.280 --> 0:38:26.200
<v Speaker 3>five hundred seat room, and so I think it works

0:38:26.200 --> 0:38:27.800
<v Speaker 3>fine as a TV studio.

0:38:27.920 --> 0:38:29.319
<v Speaker 4>Now, what's a good show for you?

0:38:29.400 --> 0:38:32.960
<v Speaker 1>Now, well, it defines a good show for well, you know,

0:38:33.400 --> 0:38:35.799
<v Speaker 1>I think the last time you were on, I say this,

0:38:35.880 --> 0:38:37.359
<v Speaker 1>of course it, you know, suck up.

0:38:38.120 --> 0:38:42.480
<v Speaker 3>It was a very pleasant, easy give and take in exchange.

0:38:42.719 --> 0:38:45.440
<v Speaker 3>I love it when a good, smart, funny guy just

0:38:45.520 --> 0:38:48.160
<v Speaker 3>comes right back at me, you know, in the beginning,

0:38:48.160 --> 0:38:51.080
<v Speaker 3>when he's so mean, why is he mean to everybody?

0:38:51.480 --> 0:38:53.040
<v Speaker 3>And I never thought I was being mean. I just

0:38:53.080 --> 0:38:54.840
<v Speaker 3>thought I was, you know, goofing around.

0:38:55.040 --> 0:38:55.480
<v Speaker 4>Yeah.

0:38:55.520 --> 0:38:57.839
<v Speaker 3>So when you were coming on and you were going

0:38:57.880 --> 0:38:59.440
<v Speaker 3>after me, ah, that was delightful.

0:38:59.480 --> 0:39:00.040
<v Speaker 4>I love that.

0:39:00.120 --> 0:39:02.120
<v Speaker 1>For those segment producers who you work with, I mean,

0:39:02.160 --> 0:39:03.719
<v Speaker 1>it took me a while to be able to. I

0:39:03.719 --> 0:39:05.040
<v Speaker 1>mean I would do the show with you a number

0:39:05.040 --> 0:39:07.560
<v Speaker 1>of times, and the segment producers would they would say

0:39:07.560 --> 0:39:07.759
<v Speaker 1>that to you.

0:39:07.800 --> 0:39:09.759
<v Speaker 4>They'd say to you know, no, give it back to me. Yeah,

0:39:09.800 --> 0:39:10.319
<v Speaker 4>he loves that.

0:39:10.360 --> 0:39:12.200
<v Speaker 3>Give it back to so many people, I think that

0:39:12.320 --> 0:39:15.040
<v Speaker 3>runs against their nature. Other people are ill equipped to

0:39:15.040 --> 0:39:17.960
<v Speaker 3>do that. But there are a few like yourself, And

0:39:18.239 --> 0:39:21.160
<v Speaker 3>to me, that's you know. We heading him on a

0:39:21.239 --> 0:39:24.000
<v Speaker 3>couple of weeks ago, Sean Hayes, and I hadn't seen

0:39:24.080 --> 0:39:26.479
<v Speaker 3>him in years. He had been across the street during

0:39:28.520 --> 0:39:32.320
<v Speaker 3>here we go high hoe promises or whatever that show was, Promises, promises,

0:39:32.640 --> 0:39:34.760
<v Speaker 3>and the kid comes out and god, he was funny.

0:39:34.800 --> 0:39:37.400
<v Speaker 3>I mean just from the jump he was funny, and

0:39:37.440 --> 0:39:40.280
<v Speaker 3>I just thought, this is fantastic, This is just great.

0:39:40.360 --> 0:39:43.080
<v Speaker 3>You know, if you can't be entertained by your own show,

0:39:43.120 --> 0:39:44.959
<v Speaker 3>you got the wrong you know, you get the wrong

0:39:45.000 --> 0:39:45.880
<v Speaker 3>part of the channel.

0:39:46.040 --> 0:39:47.280
<v Speaker 4>So that was good.

0:39:48.160 --> 0:39:52.239
<v Speaker 1>You live a pretty under the radar lifestyle. Do you

0:39:52.280 --> 0:39:55.480
<v Speaker 1>do that by choice? Well, a very quiet private life.

0:39:56.080 --> 0:39:59.600
<v Speaker 3>First of all, I don't get invited many places. Secondly,

0:39:59.640 --> 0:40:02.399
<v Speaker 3>I just you know, you do the show and all

0:40:02.440 --> 0:40:04.319
<v Speaker 3>of that comes to you during the day. You know,

0:40:04.560 --> 0:40:06.879
<v Speaker 3>you have the same people at the gala, the same

0:40:06.880 --> 0:40:08.879
<v Speaker 3>people at the opening, the same people of benefit.

0:40:08.640 --> 0:40:10.960
<v Speaker 4>Will be share with that expression of all that for you.

0:40:11.120 --> 0:40:13.080
<v Speaker 3>So I don't feel the need to go seek that.

0:40:13.239 --> 0:40:17.000
<v Speaker 3>And secondly, like so many people, I'm uncomfortable with large

0:40:17.000 --> 0:40:20.000
<v Speaker 3>groups of strangers. I mean I think people are And

0:40:20.040 --> 0:40:21.480
<v Speaker 3>what is your downtime like? Now?

0:40:21.480 --> 0:40:22.200
<v Speaker 4>What do you like to do?

0:40:22.680 --> 0:40:26.280
<v Speaker 3>Well, sleep is a precious commodity. There's virtually no sleep

0:40:26.280 --> 0:40:29.640
<v Speaker 3>between my eight year old son and my two year

0:40:29.680 --> 0:40:32.160
<v Speaker 3>old dog and my wife. My wife, honest to god,

0:40:32.160 --> 0:40:34.759
<v Speaker 3>has not slept eight hours in eight years. I mean

0:40:34.840 --> 0:40:36.680
<v Speaker 3>she'll go to bed at midnight, get up at six,

0:40:36.719 --> 0:40:38.880
<v Speaker 3>so that's six hours. You can do that once or twice,

0:40:38.920 --> 0:40:40.960
<v Speaker 3>you know, like when you're eighteen and you're in the Marines.

0:40:41.160 --> 0:40:44.279
<v Speaker 4>I'm doing that from insomnia. I have terminals. That's it.

0:40:44.719 --> 0:40:47.560
<v Speaker 3>Now, explain to me when you were in the audience

0:40:47.800 --> 0:40:50.320
<v Speaker 3>back at six A and you raise your hand and

0:40:50.360 --> 0:40:51.120
<v Speaker 3>had a question.

0:40:51.040 --> 0:40:54.920
<v Speaker 4>What was that and how did that happen? When you

0:40:55.000 --> 0:40:57.600
<v Speaker 4>did the NBC show. Yeah, there was a woman and

0:40:57.760 --> 0:40:59.080
<v Speaker 4>she was a writer and she was.

0:40:59.080 --> 0:41:02.520
<v Speaker 1>An associate producer on our show. She was friends with

0:41:03.160 --> 0:41:06.000
<v Speaker 1>Ackroyd and Blue She and all that original Saturday Night

0:41:06.040 --> 0:41:09.840
<v Speaker 1>Live crowd. And this woman's name was surely something and

0:41:10.000 --> 0:41:11.800
<v Speaker 1>she was a show. She's going to reach out to

0:41:11.880 --> 0:41:13.640
<v Speaker 1>us now when she hears this podcast. We have to

0:41:13.840 --> 0:41:15.960
<v Speaker 1>broadcast this section of it so we can get a

0:41:16.000 --> 0:41:18.680
<v Speaker 1>hold of her. And she was the one that came

0:41:18.800 --> 0:41:20.759
<v Speaker 1>to me and through some connection said they want you

0:41:20.800 --> 0:41:21.960
<v Speaker 1>to come on. Let have been to do that thing

0:41:22.000 --> 0:41:23.480
<v Speaker 1>and ask but do you remember what the bit was?

0:41:23.520 --> 0:41:26.400
<v Speaker 3>I have no idea, but you were objecting to something.

0:41:27.280 --> 0:41:30.399
<v Speaker 3>Something had rubbed you the wrong way and was register

0:41:30.480 --> 0:41:33.200
<v Speaker 3>or complaint. That was a complaint about you and your

0:41:33.719 --> 0:41:34.320
<v Speaker 3>your taste.

0:41:35.360 --> 0:41:38.239
<v Speaker 4>That's exactly right. Yeah, that was tremendous. That was just great.

0:41:38.320 --> 0:41:40.360
<v Speaker 4>So when you're not fighting insomnia, what is do you

0:41:40.480 --> 0:41:41.640
<v Speaker 4>like to travel? Oh? Travel?

0:41:41.920 --> 0:41:43.359
<v Speaker 3>You do things when you have an eight year old,

0:41:43.400 --> 0:41:44.719
<v Speaker 3>as you know, when you have a child, you do

0:41:44.840 --> 0:41:46.919
<v Speaker 3>things you never thought you would do, and it's fun.

0:41:47.440 --> 0:41:50.080
<v Speaker 3>We went to Alaska a few weeks ago because it

0:41:50.200 --> 0:41:52.759
<v Speaker 3>was my birthday, and I was talking to my son

0:41:52.840 --> 0:41:56.919
<v Speaker 3>and I said, well, you know, we're thinking about maybe

0:41:57.000 --> 0:41:59.600
<v Speaker 3>going up to Alaska. This guy tells me there's a

0:41:59.640 --> 0:42:00.440
<v Speaker 3>place to ski up.

0:42:00.400 --> 0:42:01.920
<v Speaker 4>There, and he said, oh, let's go to Alaska.

0:42:02.320 --> 0:42:04.000
<v Speaker 3>And so I said, well, you know, we're still thinking

0:42:04.000 --> 0:42:05.840
<v Speaker 3>about it and still thinking about it. And then I

0:42:05.960 --> 0:42:08.600
<v Speaker 3>hear from Regina that now Harry has gone to school

0:42:08.640 --> 0:42:09.880
<v Speaker 3>and told everybody.

0:42:09.840 --> 0:42:12.800
<v Speaker 4>That hey, daddy and me and mom are going to Alaska.

0:42:12.800 --> 0:42:16.120
<v Speaker 3>And I thought, holy crap, we're going to Alaska. So

0:42:16.160 --> 0:42:18.800
<v Speaker 3>a lot of that stuff is kid driven. And you know,

0:42:19.200 --> 0:42:22.080
<v Speaker 3>I'm all for no tennis, no golf, No no tennis,

0:42:22.160 --> 0:42:25.759
<v Speaker 3>no golf, no movies. I see plenty of movies, see

0:42:25.760 --> 0:42:28.440
<v Speaker 3>all the Oh no, not at home so much it's

0:42:28.600 --> 0:42:29.399
<v Speaker 3>it's all with the kid.

0:42:29.600 --> 0:42:31.720
<v Speaker 4>Do you find that your son. This is very common.

0:42:31.960 --> 0:42:34.480
<v Speaker 4>He pulls you into the world, into his world, and.

0:42:34.480 --> 0:42:35.920
<v Speaker 1>You have to show up at things right and show

0:42:35.960 --> 0:42:38.560
<v Speaker 1>up at places, and everybody treats you very respectfully.

0:42:39.520 --> 0:42:40.879
<v Speaker 4>People are there as a dad. Yeah.

0:42:41.120 --> 0:42:44.880
<v Speaker 3>The last time anything untoward happened was a Christmas party.

0:42:45.719 --> 0:42:48.360
<v Speaker 3>My wife has his friends with a very famous couple,

0:42:49.000 --> 0:42:51.680
<v Speaker 3>and I have great admiration for the couple their family.

0:42:52.239 --> 0:42:55.280
<v Speaker 3>Just I think more people should be like these people.

0:42:55.360 --> 0:42:57.520
<v Speaker 3>I just and and as a result, I'm afraid to

0:42:57.560 --> 0:43:00.920
<v Speaker 3>be around them because you know, I'm I'm ducklips and

0:43:01.040 --> 0:43:04.600
<v Speaker 3>they yeah, oh, I make myself look bad. Went to

0:43:04.719 --> 0:43:07.640
<v Speaker 3>a Christmas party and it was so packed that you

0:43:07.719 --> 0:43:11.680
<v Speaker 3>couldn't move. It was all vertical. Nothing happened horizontally, and

0:43:12.040 --> 0:43:15.320
<v Speaker 3>as people kind of from their positions about the apartment

0:43:15.640 --> 0:43:18.719
<v Speaker 3>spotted me, it was it was as though there was

0:43:19.520 --> 0:43:24.880
<v Speaker 3>methane gas leaking in the apartment. It was, oh no,

0:43:26.160 --> 0:43:28.960
<v Speaker 3>and it's the holidays, and why is he?

0:43:29.760 --> 0:43:29.800
<v Speaker 2>No?

0:43:30.520 --> 0:43:33.479
<v Speaker 4>Yeah, no, come on, true story. People love you. People

0:43:33.520 --> 0:43:36.640
<v Speaker 4>don't love people love you. People love you? Yeah no, no, no,

0:43:36.840 --> 0:43:39.320
<v Speaker 4>no people people. But the thing is is that that you.

0:43:40.000 --> 0:43:41.719
<v Speaker 4>You get a lot of that quotion on the job,

0:43:42.560 --> 0:43:44.000
<v Speaker 4>and then when the job's over, you want to go home.

0:43:44.680 --> 0:43:47.400
<v Speaker 3>That's right, That's exactly right, And especially now with with

0:43:47.520 --> 0:43:50.239
<v Speaker 3>the eight year old, because you know, and I feel

0:43:50.280 --> 0:43:53.920
<v Speaker 3>stupid talking about it because I'm like the fortieth billionth

0:43:54.040 --> 0:43:55.120
<v Speaker 3>person to have a child.

0:43:55.400 --> 0:43:57.600
<v Speaker 4>So I have I have no I have no insights.

0:44:01.880 --> 0:44:04.239
<v Speaker 4>He might claim he has no insights.

0:44:04.320 --> 0:44:07.040
<v Speaker 1>But if David Letterman ever writes a book on parenting,

0:44:07.640 --> 0:44:09.880
<v Speaker 1>it's guaranteed to be a bestseller.

0:44:10.000 --> 0:44:11.600
<v Speaker 4>I want to thank you for doing this. Are we done?

0:44:11.640 --> 0:44:13.120
<v Speaker 4>I don't want to be done. Isn't it time to

0:44:13.200 --> 0:44:13.879
<v Speaker 4>be done? We're done?

0:44:13.920 --> 0:44:14.000
<v Speaker 3>Now?

0:44:14.120 --> 0:44:16.000
<v Speaker 4>Where would a person hear this? If a person wanted

0:44:16.040 --> 0:44:16.400
<v Speaker 4>to hear this.

0:44:16.640 --> 0:44:18.080
<v Speaker 1>This might be a good time to tell you that

0:44:18.160 --> 0:44:21.759
<v Speaker 1>you can hear other conversations at Here's the Thing dot Org.

0:44:22.320 --> 0:44:24.920
<v Speaker 4>I'm Alec Baldwin. Here's the Thing is brought to you

0:44:25.040 --> 0:44:26.520
<v Speaker 4>by iHeart Radio.