1 00:00:00,280 --> 00:00:04,720 Speaker 1: From UFOs to psychic powers and government conspiracies. History is 2 00:00:04,800 --> 00:00:09,119 Speaker 1: riddled with unexplained events. You can turn back now or 3 00:00:09,240 --> 00:00:25,400 Speaker 1: learn the stuff they don't want you to know. M Hello, 4 00:00:25,440 --> 00:00:27,440 Speaker 1: and welcome back to the show. My name is Matt. 5 00:00:27,560 --> 00:00:30,639 Speaker 1: Noel is with us in spirit and they call me Ben. 6 00:00:30,760 --> 00:00:33,480 Speaker 1: We are joined by our super producer Tristan. Of course 7 00:00:33,560 --> 00:00:36,600 Speaker 1: you are you, and that makes this stuff they don't 8 00:00:36,680 --> 00:00:40,880 Speaker 1: want you to know. Never fear, our compatriot will be 9 00:00:40,960 --> 00:00:45,440 Speaker 1: returning physically as well as one would presume is spiritually. 10 00:00:46,080 --> 00:00:51,240 Speaker 1: In a later episode, Matt, We've got something pretty interesting 11 00:00:51,400 --> 00:00:56,240 Speaker 1: for you today. Oh yes, yeah, everybody out there listening, 12 00:00:56,600 --> 00:01:01,120 Speaker 1: this is something that I am just learning about. Of Ben. 13 00:01:01,200 --> 00:01:03,840 Speaker 1: I think you had seen this before in whispers on 14 00:01:03,880 --> 00:01:08,120 Speaker 1: the internet and in books, but it's it's a fascinating 15 00:01:08,160 --> 00:01:11,800 Speaker 1: happening that occurs way back in the eighteen hundreds, that 16 00:01:12,000 --> 00:01:19,319 Speaker 1: maybe an encounter with another species, another civilization, right, you've 17 00:01:19,319 --> 00:01:23,040 Speaker 1: heard of this before. We have often over the course 18 00:01:23,040 --> 00:01:27,920 Speaker 1: of the show explored aliens and inexplicable history. We found 19 00:01:28,040 --> 00:01:33,680 Speaker 1: numerous examples of just weird weird stuff, allegations of lost technology, 20 00:01:33,840 --> 00:01:37,720 Speaker 1: entire loss civilizations, and of course, at some point, what's 21 00:01:37,720 --> 00:01:42,600 Speaker 1: that guy's named George Slucos close the ancient aliens at 22 00:01:42,640 --> 00:01:47,720 Speaker 1: some point, aliens, extraterrestrials or allegations thereof. We do want 23 00:01:47,760 --> 00:01:51,400 Speaker 1: to point out that we and the world at large 24 00:01:51,440 --> 00:01:55,120 Speaker 1: has found no universally agreed, solid proof of any sort 25 00:01:55,160 --> 00:02:00,280 Speaker 1: of alien encounter. Was begrudgingly true, but we have seen 26 00:02:00,440 --> 00:02:04,640 Speaker 1: some incredibly strange stuff. Nonetheless, and as much as it 27 00:02:04,680 --> 00:02:07,760 Speaker 1: may irk humanity to admit this, we may well never 28 00:02:07,840 --> 00:02:11,720 Speaker 1: knew the full story behind some historical accounts and events. 29 00:02:12,160 --> 00:02:15,160 Speaker 1: It's true a lot of times it's written down once 30 00:02:15,280 --> 00:02:17,680 Speaker 1: by one person, and we can find that. But that's 31 00:02:17,720 --> 00:02:20,760 Speaker 1: all we have to go on. And we do know 32 00:02:20,919 --> 00:02:28,200 Speaker 1: that at various times, quote unquote, historical accounts have been anecdotal, 33 00:02:28,720 --> 00:02:33,400 Speaker 1: heavily biased, written with some sort of strange agenda in mind, 34 00:02:33,800 --> 00:02:37,160 Speaker 1: or entirely made up and passed off as the real thing. 35 00:02:37,320 --> 00:02:40,520 Speaker 1: Do you have to make make the whims of some 36 00:02:40,800 --> 00:02:43,200 Speaker 1: king or some you know, could be a monarchy, it 37 00:02:43,200 --> 00:02:45,760 Speaker 1: could be just a government. It could be a single 38 00:02:45,880 --> 00:02:50,280 Speaker 1: influential person. Hey, increasingly, it could be a corporation. Right, 39 00:02:51,800 --> 00:02:54,840 Speaker 1: what happens when they write the textbooks? I know, an 40 00:02:54,880 --> 00:02:59,000 Speaker 1: episode perhaps for another day. But we point this out 41 00:02:59,120 --> 00:03:03,640 Speaker 1: because we want to thank all of the historians in 42 00:03:03,720 --> 00:03:09,639 Speaker 1: the audience who are probably, as we speak, going nuts 43 00:03:09,639 --> 00:03:15,440 Speaker 1: over figuring out some detail that other people have overlooked, misinterpreted, 44 00:03:15,800 --> 00:03:21,120 Speaker 1: or even purposefully uh mischaracterized, or even you armchair historians 45 00:03:21,160 --> 00:03:23,359 Speaker 1: out there who are just scouring the web on your 46 00:03:23,360 --> 00:03:27,360 Speaker 1: own time. The work you do is important and you 47 00:03:27,400 --> 00:03:30,919 Speaker 1: know nobody else is doing it, So thank you. Right 48 00:03:31,000 --> 00:03:34,400 Speaker 1: and history, our understanding of history is nowhere near as 49 00:03:34,480 --> 00:03:40,280 Speaker 1: clear cut and uh concrete as some people would have 50 00:03:40,680 --> 00:03:44,480 Speaker 1: us believe. And then also, you know this sort of 51 00:03:44,640 --> 00:03:49,080 Speaker 1: confusion persists in the modern day. We're not so different 52 00:03:49,160 --> 00:03:53,560 Speaker 1: from the earlier examples of our species. So today we're 53 00:03:53,600 --> 00:03:57,400 Speaker 1: looking at one such account of strange historical account. We'll 54 00:03:57,440 --> 00:04:00,800 Speaker 1: call it the legend of the Utsuru Bune. And before 55 00:04:00,840 --> 00:04:04,160 Speaker 1: we dive in here, we want to be crystal clear 56 00:04:04,640 --> 00:04:09,600 Speaker 1: with this. Uh you don't speak Japanese. I am unaware 57 00:04:09,640 --> 00:04:13,440 Speaker 1: if I do, okay, and I will also be surprised 58 00:04:13,520 --> 00:04:16,920 Speaker 1: if I start speaking Japanese. We're saying this because, um, 59 00:04:16,920 --> 00:04:20,400 Speaker 1: we do want to be respectful to different cultures, and 60 00:04:20,520 --> 00:04:27,080 Speaker 1: if there are any mispronunciations or mischaracterized americanisms that sweep 61 00:04:27,120 --> 00:04:30,679 Speaker 1: in uh in regards to our accents. Then we hope 62 00:04:30,720 --> 00:04:32,680 Speaker 1: that it's still close enough to get the gist. Yeah, 63 00:04:32,720 --> 00:04:34,640 Speaker 1: and let us know if we do make any mistakes 64 00:04:34,640 --> 00:04:37,440 Speaker 1: like that, you can reach us Jonathan dot Strickland at 65 00:04:37,440 --> 00:04:40,279 Speaker 1: how stuff works dot com. We have we welcome all feedback. 66 00:04:40,400 --> 00:04:43,360 Speaker 1: Our complaint department is open twenty four hours a day, 67 00:04:43,920 --> 00:04:49,719 Speaker 1: seven days a week. So we're diving in, or better yet, 68 00:04:49,800 --> 00:04:54,080 Speaker 1: we're floating ashore to Japan and the dawn of the 69 00:04:54,200 --> 00:04:57,960 Speaker 1: nineteen century. Our story is called we set it at 70 00:04:58,000 --> 00:05:00,279 Speaker 1: the top with suro bune, but you may also see 71 00:05:00,279 --> 00:05:03,480 Speaker 1: it online somewhere as utsuro fun a with an f 72 00:05:04,040 --> 00:05:06,839 Speaker 1: or uro bun, a kind of putting them together, and 73 00:05:06,920 --> 00:05:11,400 Speaker 1: it refers to this object, a ship of sorts that 74 00:05:11,480 --> 00:05:16,880 Speaker 1: allegedly washed ashore in eighteen zero three eighteen o three 75 00:05:17,200 --> 00:05:19,600 Speaker 1: uh in Hitachi Province on it that's on the eastern 76 00:05:19,680 --> 00:05:23,760 Speaker 1: coast of Japan, and it's located near where modern day 77 00:05:23,960 --> 00:05:27,599 Speaker 1: Tokyo is, not quite but near there, which will we 78 00:05:27,640 --> 00:05:30,760 Speaker 1: will explore that part of the story in a little 79 00:05:30,800 --> 00:05:34,520 Speaker 1: bit further depth. Accounts of this tale appear in multiple 80 00:05:34,560 --> 00:05:37,800 Speaker 1: texts three of the most popular examples are also from 81 00:05:37,880 --> 00:05:42,880 Speaker 1: the early to mid nineteen century. So there's one called 82 00:05:42,880 --> 00:05:47,000 Speaker 1: the toWin Show Setsu, which translates to Tales from the 83 00:05:47,040 --> 00:05:50,320 Speaker 1: Rabbit Garden, published in eighteen five. This has the most 84 00:05:50,760 --> 00:05:55,839 Speaker 1: detailed account or detailed anecdote, and there are similar stories, 85 00:05:56,240 --> 00:05:59,320 Speaker 1: similar enough that we we pretty much know their retellings 86 00:05:59,320 --> 00:06:02,919 Speaker 1: of the same thing from a work called Diaries and 87 00:06:03,000 --> 00:06:06,279 Speaker 1: Stories of Castaways in eighteen thirty five and Dust of 88 00:06:06,279 --> 00:06:10,360 Speaker 1: the Apricot in eighteen forty four. So what happens, well, well, 89 00:06:10,440 --> 00:06:12,520 Speaker 1: immediately right here we have to point out at the top, 90 00:06:12,720 --> 00:06:15,440 Speaker 1: as we've been talking about history and things being written down, 91 00:06:15,880 --> 00:06:20,159 Speaker 1: we're twenty two years they're the recording of this is 92 00:06:20,160 --> 00:06:24,280 Speaker 1: twenty two years after the alleged event, which is already 93 00:06:24,920 --> 00:06:28,839 Speaker 1: a little suspect, but perhaps it was. It was more 94 00:06:28,880 --> 00:06:31,800 Speaker 1: of a story told by word of mouth. That kind 95 00:06:31,800 --> 00:06:36,160 Speaker 1: of thing wasn't necessarily recorded in any history this happening, 96 00:06:36,760 --> 00:06:38,560 Speaker 1: But just keep that in mind as we go through here, 97 00:06:38,800 --> 00:06:44,719 Speaker 1: right right, right, So, according to the legend of Bune, 98 00:06:44,760 --> 00:06:49,039 Speaker 1: there was this young woman, she was attractive. She arrives 99 00:06:49,200 --> 00:06:52,159 Speaker 1: on a beach aboard this thing that they referred to 100 00:06:52,279 --> 00:06:56,800 Speaker 1: as a hollow ship because they had no words to 101 00:06:56,800 --> 00:07:00,200 Speaker 1: describe it. This thing. Yeah, and there were there were 102 00:07:00,240 --> 00:07:03,919 Speaker 1: local fishermen who who brought her inland. They wanted to 103 00:07:03,960 --> 00:07:06,000 Speaker 1: know what the what the heck is going on here, 104 00:07:06,560 --> 00:07:09,880 Speaker 1: and they found that she was unable to communicate with 105 00:07:09,960 --> 00:07:12,880 Speaker 1: these guys because she spoke some other language that they 106 00:07:12,880 --> 00:07:17,280 Speaker 1: were unfamiliar with. And the fishermen ended up returning her 107 00:07:17,600 --> 00:07:20,200 Speaker 1: to this ship, this hollow ship that they found her in, 108 00:07:20,440 --> 00:07:23,160 Speaker 1: and then they pushed her back out to sea, and 109 00:07:23,240 --> 00:07:26,520 Speaker 1: according to the legend, it drifted away. That's the gist. 110 00:07:26,600 --> 00:07:30,200 Speaker 1: And it sounds like they're a couple of Yeah, there's 111 00:07:30,200 --> 00:07:34,480 Speaker 1: some styling on it. Yes, excellent summation, Matt. We can 112 00:07:34,520 --> 00:07:37,200 Speaker 1: already tell it sounds like there are a few things 113 00:07:37,200 --> 00:07:41,240 Speaker 1: that have been glossed over in this story. Oh for sure. 114 00:07:41,000 --> 00:07:45,520 Speaker 1: That's definitely the crib notes version. When you see it 115 00:07:45,560 --> 00:07:47,520 Speaker 1: written down like that, and we have some images here 116 00:07:47,600 --> 00:07:48,960 Speaker 1: of the ship. Do you want to get into that 117 00:07:49,000 --> 00:07:51,800 Speaker 1: now where we can come back to that later. Let's yeah, 118 00:07:51,840 --> 00:07:54,800 Speaker 1: we can. We can go into it now. So, as 119 00:07:54,800 --> 00:07:58,440 Speaker 1: we said, February twenty second, eighth three, that's when these 120 00:07:58,760 --> 00:08:04,240 Speaker 1: local fishermen see this ship drift in the water, they 121 00:08:04,280 --> 00:08:07,600 Speaker 1: tow it to land, and they take measurements of it. 122 00:08:07,680 --> 00:08:11,679 Speaker 1: So they find that it is uh almost eleven feet 123 00:08:11,760 --> 00:08:18,400 Speaker 1: high three point three meters and almost eighteen feet wide 124 00:08:18,520 --> 00:08:22,480 Speaker 1: five point four or five meters, and to be more exact, 125 00:08:22,640 --> 00:08:26,320 Speaker 1: it's ten point eight three ft high and seventeen point 126 00:08:26,400 --> 00:08:29,480 Speaker 1: eight eight feet wide. That's kind of weird. Why do 127 00:08:29,560 --> 00:08:36,640 Speaker 1: we have such apparently specific measurements? There is because the 128 00:08:37,400 --> 00:08:40,800 Speaker 1: these measurements and meters and feet are conversions from the 129 00:08:40,840 --> 00:08:44,720 Speaker 1: measurement system that the Japanese community was using at the time. 130 00:08:45,040 --> 00:08:47,640 Speaker 1: So what may have been a more rounded number or 131 00:08:47,640 --> 00:08:52,079 Speaker 1: approximation in their original measurement system, when converted to the 132 00:08:52,240 --> 00:08:55,719 Speaker 1: measurement systems we use today, it's gonna come out. It's 133 00:08:55,720 --> 00:09:00,040 Speaker 1: gonna come out wonky. Was like, the important part of 134 00:09:00,080 --> 00:09:04,880 Speaker 1: this description is not that they were measuring in feet 135 00:09:04,920 --> 00:09:07,400 Speaker 1: and meters. You know, they weren't. They weren't going, Okay, 136 00:09:07,440 --> 00:09:12,520 Speaker 1: that's seventeen point eight seven. Somebody put your thumb. Somebody 137 00:09:12,520 --> 00:09:15,679 Speaker 1: put your thumb on the on the tape. Yeah, hold it, 138 00:09:15,760 --> 00:09:20,600 Speaker 1: hold it down. And now the shape of this thing 139 00:09:20,720 --> 00:09:24,160 Speaker 1: specifically reminded a lot of the witnesses of something that 140 00:09:24,200 --> 00:09:27,800 Speaker 1: they knew of that they saw in their everyday lives 141 00:09:28,040 --> 00:09:31,520 Speaker 1: as part of ritual um and it was an incense burner, 142 00:09:31,520 --> 00:09:35,040 Speaker 1: a type of incense burn This specific rounded shape of 143 00:09:35,080 --> 00:09:37,920 Speaker 1: the boat, Yeah, that's the other thing. This this is 144 00:09:37,960 --> 00:09:40,760 Speaker 1: not a box. It has like a it has a 145 00:09:40,920 --> 00:09:44,800 Speaker 1: dome top to it sorts. It's a little bit wider 146 00:09:44,840 --> 00:09:47,440 Speaker 1: at the top than it is at the base, almost 147 00:09:47,600 --> 00:09:51,839 Speaker 1: like similar to a cupcake shape. That's you know, that's 148 00:09:51,880 --> 00:09:54,480 Speaker 1: kind of what I'm seeing too. But the bottom is 149 00:09:54,520 --> 00:09:57,400 Speaker 1: almost more pointed in this weird way like a ship 150 00:09:57,440 --> 00:10:00,199 Speaker 1: would be, where the weight is meant to be at 151 00:10:00,200 --> 00:10:04,680 Speaker 1: the center of right, and then water displacement occurs as 152 00:10:04,720 --> 00:10:07,600 Speaker 1: you moved to the outer edges, right. Yeah, So it 153 00:10:07,640 --> 00:10:10,280 Speaker 1: seems like it could have been meant to float like 154 00:10:10,320 --> 00:10:14,520 Speaker 1: an actual boat, and from the surface this would have 155 00:10:14,600 --> 00:10:18,600 Speaker 1: looked like a floating disc or a bubble like floating 156 00:10:18,640 --> 00:10:23,199 Speaker 1: on the surface of the water, which has led many 157 00:10:23,280 --> 00:10:27,480 Speaker 1: people more on the fringe conjecture side of stuff to 158 00:10:27,720 --> 00:10:32,880 Speaker 1: ask themselves if this was a U s oh perhaps, right, 159 00:10:33,040 --> 00:10:35,840 Speaker 1: which is something you turned me onto a long time ago, 160 00:10:35,920 --> 00:10:38,760 Speaker 1: unidentified sub merged object, But in this case it would 161 00:10:38,760 --> 00:10:40,599 Speaker 1: be a U it would be a UFO, but it 162 00:10:40,600 --> 00:10:44,280 Speaker 1: would be a floating right right right right, uh, And 163 00:10:44,400 --> 00:10:47,640 Speaker 1: as long as it's not a sinking object. And just 164 00:10:48,679 --> 00:10:51,679 Speaker 1: because there are some artist depictions of this that you 165 00:10:51,720 --> 00:10:55,400 Speaker 1: can find online if you take a look at them. 166 00:10:55,440 --> 00:10:58,520 Speaker 1: In my mind, just when I glance at it, it 167 00:10:58,559 --> 00:11:03,400 Speaker 1: looks like some kind of of escape capsule or maybe 168 00:11:03,480 --> 00:11:08,840 Speaker 1: from an early spaceship or an early rocket that let's 169 00:11:08,840 --> 00:11:12,720 Speaker 1: say NASA would have sent up um the module that 170 00:11:12,800 --> 00:11:15,520 Speaker 1: comes down and returns to Earth. That's what it looks 171 00:11:15,559 --> 00:11:19,559 Speaker 1: like to make some sort of re entry exactly. Well, 172 00:11:19,720 --> 00:11:21,880 Speaker 1: we do know a little bit more about the craft 173 00:11:21,960 --> 00:11:24,960 Speaker 1: itself or the ship. The upper part of the vessel 174 00:11:24,960 --> 00:11:29,040 Speaker 1: appeared to be made of a red coated rosewood, while 175 00:11:29,040 --> 00:11:33,319 Speaker 1: the lower part was covered with plates, brazen plates that 176 00:11:34,440 --> 00:11:37,360 Speaker 1: people conjectured were meant to protect it from sharp edged 177 00:11:37,480 --> 00:11:40,680 Speaker 1: rocks so it wouldn't pierce the ship and compromise its 178 00:11:40,679 --> 00:11:43,560 Speaker 1: ability to function. Because it didn't seem to have any 179 00:11:43,640 --> 00:11:47,280 Speaker 1: kind of control system, like it's just kind of floating 180 00:11:47,280 --> 00:11:49,800 Speaker 1: there in the ocean and you never know what you're 181 00:11:49,800 --> 00:11:53,880 Speaker 1: gonna run into. And the upper part allegedly had several 182 00:11:53,920 --> 00:11:57,200 Speaker 1: windows made of glass or crystal, covered with bars and 183 00:11:57,280 --> 00:12:01,240 Speaker 1: clogged with an unidentified as in that they believe came 184 00:12:01,240 --> 00:12:05,280 Speaker 1: from a tree. The windows, however, were completely transparent, and 185 00:12:05,320 --> 00:12:08,720 Speaker 1: this is important because the fishermen looked through the windows 186 00:12:08,800 --> 00:12:12,800 Speaker 1: and that's when they saw not only uh, the occupant 187 00:12:12,960 --> 00:12:15,280 Speaker 1: of the vessel, which will will get to in a moment, 188 00:12:15,800 --> 00:12:20,719 Speaker 1: but also they saw texts written in an unknown language 189 00:12:21,679 --> 00:12:24,760 Speaker 1: decorating the interior of the ship. And there's so many 190 00:12:24,840 --> 00:12:28,240 Speaker 1: questions that go through my mind when you start thinking 191 00:12:28,280 --> 00:12:32,360 Speaker 1: about why would there be texts inside the vehicle, And 192 00:12:32,640 --> 00:12:34,679 Speaker 1: we will get into that a little later as well. 193 00:12:34,920 --> 00:12:37,000 Speaker 1: But they also found other stuff in there. There were 194 00:12:37,040 --> 00:12:41,680 Speaker 1: bed sheets, so apparently the occupant was, you know, sleeping 195 00:12:42,000 --> 00:12:44,800 Speaker 1: in this thing, or at least would have been sleeping 196 00:12:44,840 --> 00:12:47,959 Speaker 1: in this thing. There was a bottle with some water 197 00:12:48,000 --> 00:12:51,160 Speaker 1: in it, quite a lot of according to legend, it 198 00:12:51,240 --> 00:12:53,160 Speaker 1: was three point six leaders. And we get back into 199 00:12:53,240 --> 00:12:56,000 Speaker 1: that the whole measurement. Right. Um, there was even some 200 00:12:56,080 --> 00:13:01,000 Speaker 1: cake and some meat that was prepared. So we know 201 00:13:01,280 --> 00:13:04,520 Speaker 1: that these uh, we know that these witnesses were able 202 00:13:04,559 --> 00:13:10,400 Speaker 1: to identify items of sustenance, right, food and water. And 203 00:13:10,440 --> 00:13:16,959 Speaker 1: then also betting um, the woman that they saw inside 204 00:13:16,960 --> 00:13:21,280 Speaker 1: the ship. They supposed that she was eighteen to twenty 205 00:13:21,360 --> 00:13:24,680 Speaker 1: years old. She was said to be about a little 206 00:13:24,679 --> 00:13:27,120 Speaker 1: bit less than five ft tall four point nine two 207 00:13:27,120 --> 00:13:31,880 Speaker 1: ft or one five. She had red hair and red eyebrows, 208 00:13:31,880 --> 00:13:37,360 Speaker 1: which was very unusual. Right. Her hair was elongated by 209 00:13:37,640 --> 00:13:43,160 Speaker 1: artificial white extensions. So let me check with you guys 210 00:13:43,200 --> 00:13:45,640 Speaker 1: that this doesn't that seem a little weird because all 211 00:13:45,640 --> 00:13:51,080 Speaker 1: of a sudden we've makes an appearance in this three um. 212 00:13:51,160 --> 00:13:53,760 Speaker 1: You know, I can't say that I'm any kind of 213 00:13:53,800 --> 00:13:57,320 Speaker 1: experts on the hairstylings of the eight hundreds. You're not 214 00:13:57,360 --> 00:14:01,760 Speaker 1: a hair story, no, not a hair story it but 215 00:14:02,160 --> 00:14:05,719 Speaker 1: that does seem a bit odd, especially considering they were 216 00:14:05,760 --> 00:14:07,360 Speaker 1: trying to figure out what they were made out of 217 00:14:08,040 --> 00:14:09,800 Speaker 1: in the stories, and it was written down that perhaps 218 00:14:09,840 --> 00:14:12,760 Speaker 1: they were made out of some kind of fur um 219 00:14:12,880 --> 00:14:17,600 Speaker 1: or some kind of powdered textile, like just some strange 220 00:14:17,679 --> 00:14:21,240 Speaker 1: substance that was elongating her hair. And then they go 221 00:14:21,280 --> 00:14:23,840 Speaker 1: on to say, and you'll read this and multiple accounts 222 00:14:23,840 --> 00:14:26,720 Speaker 1: and other videos on the subject that you can find 223 00:14:26,880 --> 00:14:31,320 Speaker 1: out there on the net, this hairstyle cannot be found 224 00:14:31,320 --> 00:14:35,520 Speaker 1: in any literature. Whatever that means. I don't think that's 225 00:14:36,240 --> 00:14:40,120 Speaker 1: I'm not so amazed by that, you know, yeah, because 226 00:14:40,160 --> 00:14:42,760 Speaker 1: it's a big world. There's a lot of different hairstyles 227 00:14:42,880 --> 00:14:45,360 Speaker 1: that don't show up in magazines or are you know, 228 00:14:45,480 --> 00:14:50,120 Speaker 1: have illustrations from the eighteen hundreds. The lady's skin was 229 00:14:50,280 --> 00:14:55,040 Speaker 1: a very pale, pink shade. She wore long, smooth clothes 230 00:14:55,080 --> 00:14:59,640 Speaker 1: of unknown fabrics. Okay, unknown fabrics. No, And and here's 231 00:14:59,680 --> 00:15:06,400 Speaker 1: where we would start asking, were we like investigative lawyers, 232 00:15:06,960 --> 00:15:09,760 Speaker 1: were this a trial? This would be the part where 233 00:15:09,920 --> 00:15:13,480 Speaker 1: the defendants story breaks down. The witnesses say that the 234 00:15:13,520 --> 00:15:17,240 Speaker 1: woman began speaking, no one understood her. She did not 235 00:15:17,280 --> 00:15:20,480 Speaker 1: seem to understand the fisherman either, so no one could 236 00:15:20,520 --> 00:15:25,480 Speaker 1: ask about her origin. Although she appeared friendly and courteous, 237 00:15:25,520 --> 00:15:28,880 Speaker 1: she acted strange, and she was always holding a pale 238 00:15:29,080 --> 00:15:33,120 Speaker 1: box a little bit less than twenty four inches in size. 239 00:15:33,320 --> 00:15:37,200 Speaker 1: She would not allow anyone to touch the box. The 240 00:15:37,240 --> 00:15:44,840 Speaker 1: fisherman disassembled, apparently disassembled the ship, and then they started conjecturing, 241 00:15:44,840 --> 00:15:49,400 Speaker 1: and they started asking themselves, who is this person? What 242 00:15:49,640 --> 00:15:56,240 Speaker 1: is this person doing? Is this a person? And will 243 00:15:56,280 --> 00:16:00,960 Speaker 1: explore that as well right now in in this episode, 244 00:16:01,520 --> 00:16:13,440 Speaker 1: after a word from our sponsor and we're back. Then 245 00:16:13,600 --> 00:16:16,720 Speaker 1: I have to go. Let's I'm doing the minus ten 246 00:16:16,760 --> 00:16:20,920 Speaker 1: seconds thing on my ivepad right now, going back. So 247 00:16:21,040 --> 00:16:25,080 Speaker 1: I want to get to a group of local fishermen 248 00:16:26,040 --> 00:16:29,840 Speaker 1: on the coast of Japan meeting someone who they can't 249 00:16:30,320 --> 00:16:34,240 Speaker 1: understand the language, and there's no immediate translator there for 250 00:16:34,320 --> 00:16:38,000 Speaker 1: whatever language is being spoke. Doesn't it seem like maybe 251 00:16:38,040 --> 00:16:40,520 Speaker 1: it could be a traveler from any number of other 252 00:16:40,560 --> 00:16:46,720 Speaker 1: places Burbank, I don't know so much from Burbank Otnership. Well, 253 00:16:46,760 --> 00:16:48,680 Speaker 1: that would be that would end up, of course, being 254 00:16:48,800 --> 00:16:52,840 Speaker 1: a time travelers. Well, you have to imagine there are 255 00:16:52,840 --> 00:16:55,200 Speaker 1: a lot There are a lot of places that someone 256 00:16:55,280 --> 00:16:57,640 Speaker 1: floating in a ship that doesn't have any kind of 257 00:16:57,640 --> 00:17:01,720 Speaker 1: controls could be coming from. However, it seems like it 258 00:17:01,760 --> 00:17:05,240 Speaker 1: would have had to be a short journey in order 259 00:17:05,240 --> 00:17:07,480 Speaker 1: to survive in that thing, unless it was packed full 260 00:17:07,520 --> 00:17:11,080 Speaker 1: of food and water. Anyway, we can get into more 261 00:17:11,080 --> 00:17:13,960 Speaker 1: of that later. But I just I'm just imagining a 262 00:17:14,000 --> 00:17:17,280 Speaker 1: bunch of local fishermen not being able to understand many languages. 263 00:17:17,600 --> 00:17:20,080 Speaker 1: I know if I was one of those fishermen and 264 00:17:20,160 --> 00:17:25,320 Speaker 1: I only spoke Japanese. Mm hmm, that's it. I can't 265 00:17:25,359 --> 00:17:29,040 Speaker 1: understand anything you're saying to me. I'm sorry, sure, yeah, 266 00:17:29,280 --> 00:17:33,880 Speaker 1: But there's also a situation where you would think through 267 00:17:34,680 --> 00:17:39,439 Speaker 1: hand gestures, right or or drawing, some communications should be 268 00:17:39,480 --> 00:17:44,960 Speaker 1: possible to to, yeah, have some sort of two way communication. 269 00:17:45,760 --> 00:17:47,800 Speaker 1: I don't know. Have you ever been in a situation 270 00:17:47,960 --> 00:17:53,240 Speaker 1: where you're talking to someone who doesn't have a common 271 00:17:53,320 --> 00:17:56,760 Speaker 1: language with you. Absolutely? Yeah, yeah, And a lot of it, 272 00:17:57,200 --> 00:18:01,240 Speaker 1: you're right, can be solved in those ways. I I 273 00:18:01,320 --> 00:18:03,719 Speaker 1: wonder if there was any kind of panic going on 274 00:18:03,840 --> 00:18:08,920 Speaker 1: because of the somewhat mysterious situation everybody was in. Maybe 275 00:18:08,920 --> 00:18:14,080 Speaker 1: that led to even less communication being available. Who knows. 276 00:18:14,119 --> 00:18:17,000 Speaker 1: So that's a I mean, that's a really that's a 277 00:18:17,040 --> 00:18:22,400 Speaker 1: really good point. And we are probably never going to 278 00:18:22,440 --> 00:18:26,720 Speaker 1: know what this person was saying. I'm pretty sure they're 279 00:18:26,720 --> 00:18:30,960 Speaker 1: not from Burbank. But other than that, we don't we 280 00:18:31,000 --> 00:18:34,800 Speaker 1: don't know what they said. We do, however, have in 281 00:18:34,840 --> 00:18:38,080 Speaker 1: these accounts, we have people who claimed to be eyewitnesses. 282 00:18:38,119 --> 00:18:41,720 Speaker 1: One was an older man from the local village, and 283 00:18:41,880 --> 00:18:45,760 Speaker 1: he thought he didn't think this is some strange alien 284 00:18:45,880 --> 00:18:50,960 Speaker 1: or extra terrestrial. He thought that this passenger was a princess, 285 00:18:51,000 --> 00:18:53,919 Speaker 1: perhaps of a foreign realm and that she married in 286 00:18:53,920 --> 00:18:58,760 Speaker 1: her homeland. But and this this guy is he's clearly 287 00:18:58,800 --> 00:19:02,440 Speaker 1: out a future as a screen It's going full backstory, Yeah, 288 00:19:02,520 --> 00:19:07,399 Speaker 1: full backstory. He says, she's probably princess from for in 289 00:19:07,520 --> 00:19:10,040 Speaker 1: realm and she married in her homeland. But when she 290 00:19:10,080 --> 00:19:12,919 Speaker 1: had an affair with a townsman after the marriage, it 291 00:19:13,000 --> 00:19:16,920 Speaker 1: caused scandal and the lover was executed and the princess 292 00:19:17,240 --> 00:19:19,439 Speaker 1: was banned from home. I just have him. I just 293 00:19:19,480 --> 00:19:23,360 Speaker 1: had this idea of him doing it like a TV pitch. Sure, 294 00:19:23,880 --> 00:19:27,240 Speaker 1: and the princess, right, it was banned from home, so she, uh, 295 00:19:27,640 --> 00:19:30,320 Speaker 1: she had to go, but they couldn't kill her because 296 00:19:30,320 --> 00:19:32,159 Speaker 1: everybody liked her. And then she had a lot of 297 00:19:32,160 --> 00:19:34,960 Speaker 1: sympathy and she liked this big fan club, so they said, Okay, 298 00:19:34,960 --> 00:19:38,159 Speaker 1: we're not gonna we're not gonna kill you. Um getting 299 00:19:38,200 --> 00:19:41,280 Speaker 1: this weird boat. Yeah, he was working. He was working 300 00:19:41,359 --> 00:19:44,480 Speaker 1: on script for a play that he was gonna be 301 00:19:44,560 --> 00:19:47,720 Speaker 1: putting on and man, he just went full on. So 302 00:19:49,119 --> 00:19:53,960 Speaker 1: under his account, if this were correct, then that box 303 00:19:55,720 --> 00:20:00,800 Speaker 1: would contain the head of her deceased lover. And here's 304 00:20:00,800 --> 00:20:05,479 Speaker 1: something else. So in the past, this wasn't the first 305 00:20:05,560 --> 00:20:10,800 Speaker 1: time this kind of trope turned up in the past, 306 00:20:10,920 --> 00:20:14,520 Speaker 1: a very similar object with a woman apparently washed ashore 307 00:20:14,840 --> 00:20:18,119 Speaker 1: on it close by beach, and this time there was 308 00:20:18,280 --> 00:20:20,760 Speaker 1: a not a box, but there was a small board 309 00:20:20,920 --> 00:20:25,200 Speaker 1: with a head pinned to it. Geez. So then again, 310 00:20:25,240 --> 00:20:28,439 Speaker 1: this person's conjecture is that the box would probably be 311 00:20:28,480 --> 00:20:31,800 Speaker 1: the same, and that's why she protected it so fervently. 312 00:20:32,640 --> 00:20:36,199 Speaker 1: And there are other legends in Japan that have to 313 00:20:36,280 --> 00:20:40,040 Speaker 1: do with something kind of similar, where there's a a 314 00:20:40,200 --> 00:20:44,560 Speaker 1: box that's given to a character and the characters still 315 00:20:44,600 --> 00:20:47,440 Speaker 1: never to open the box. Right, And I'm sorry I'm 316 00:20:47,440 --> 00:20:51,399 Speaker 1: not giving specifics because this is just from cursory reading, 317 00:20:51,680 --> 00:20:54,720 Speaker 1: but inside the box is something very special you're not 318 00:20:54,720 --> 00:20:58,280 Speaker 1: allowed to show anybody. When the character returns to his home, 319 00:20:58,640 --> 00:21:02,480 Speaker 1: he realizes that no buddy around that he knows is 320 00:21:02,520 --> 00:21:06,680 Speaker 1: there anymore, and turns out it's been three hundred years 321 00:21:06,720 --> 00:21:09,560 Speaker 1: since he was last in his hometown, even though he 322 00:21:09,560 --> 00:21:12,240 Speaker 1: doesn't think it's been three hundred years, and he proceeds 323 00:21:12,280 --> 00:21:14,960 Speaker 1: to open the box, and inside the box was actually 324 00:21:15,560 --> 00:21:20,600 Speaker 1: his age like his all the time that she saves him, 325 00:21:21,160 --> 00:21:24,160 Speaker 1: that this God has saved him was actually inside the box, 326 00:21:24,160 --> 00:21:27,640 Speaker 1: and he became an old man when he opened it. Right, Okay, 327 00:21:28,160 --> 00:21:32,440 Speaker 1: that's a new one to me. Another similar anecdote from 328 00:21:32,800 --> 00:21:39,920 Speaker 1: the folklore perspective of the forbidden access concept would be 329 00:21:40,080 --> 00:21:44,359 Speaker 1: the famous story was a Blackbeard. Okay it was it 330 00:21:44,440 --> 00:21:49,880 Speaker 1: was blue Beard, alright, pirate captain who would marry somebody 331 00:21:50,200 --> 00:21:54,280 Speaker 1: or who married a lady. And then he said, everything 332 00:21:54,320 --> 00:21:56,280 Speaker 1: you want is yours, just don't go in this one 333 00:21:56,359 --> 00:21:59,680 Speaker 1: room ever, And of course she goes in, and that's 334 00:21:59,720 --> 00:22:03,600 Speaker 1: where he has killed all the other women you marry 335 00:22:03,680 --> 00:22:05,520 Speaker 1: because he told them not to go into the room. 336 00:22:06,040 --> 00:22:08,320 Speaker 1: He's kind of creating his own problem. I think in 337 00:22:08,400 --> 00:22:14,399 Speaker 1: that story, what's happening? Yeah, But you know, I I 338 00:22:14,400 --> 00:22:16,280 Speaker 1: I don't talk about in personal life too much, but 339 00:22:16,320 --> 00:22:19,600 Speaker 1: I've never been in a situation where I had a 340 00:22:19,680 --> 00:22:24,879 Speaker 1: dead body room that I wouldn't let that. I just 341 00:22:24,920 --> 00:22:27,080 Speaker 1: feel like, if you have a room you don't want 342 00:22:27,080 --> 00:22:29,920 Speaker 1: people to go into, then you should just lock it 343 00:22:30,200 --> 00:22:32,800 Speaker 1: and you shouldn't point it out all the time, or 344 00:22:32,880 --> 00:22:35,520 Speaker 1: I mean, clean up after yourself. That's only you know, 345 00:22:35,960 --> 00:22:38,560 Speaker 1: that's a good point. But this was also a different 346 00:22:38,560 --> 00:22:41,000 Speaker 1: period in history. You know, they didn't have like plastic 347 00:22:41,080 --> 00:22:50,240 Speaker 1: tarps and yeah, yeah, soaked would wooden planks. But before 348 00:22:50,240 --> 00:22:53,760 Speaker 1: we go too far into folklore, let's take let's take 349 00:22:53,800 --> 00:22:56,400 Speaker 1: a look at the rest of the story. So, so 350 00:22:56,480 --> 00:23:02,880 Speaker 1: the fisher folks say, it would take a lot of effort, 351 00:23:03,200 --> 00:23:06,440 Speaker 1: essentially for us to investigate this woman and figure out 352 00:23:06,560 --> 00:23:08,280 Speaker 1: what's up with her boat. We have a lot of 353 00:23:08,280 --> 00:23:12,439 Speaker 1: fishing to do. You know. They thought maybe this was 354 00:23:12,560 --> 00:23:16,520 Speaker 1: just a tradition that some other group of people practiced. 355 00:23:16,840 --> 00:23:21,200 Speaker 1: So they said, okay, we'll just put this craft back together. 356 00:23:21,720 --> 00:23:23,879 Speaker 1: We won't mess with your stuff, so we'll leave your water, 357 00:23:23,920 --> 00:23:29,199 Speaker 1: we'll leave your food, leave and will help push this 358 00:23:29,320 --> 00:23:33,560 Speaker 1: thing back out to the ocean and travels late view 359 00:23:33,720 --> 00:23:38,080 Speaker 1: to your destiny. And then the older man who was 360 00:23:38,200 --> 00:23:43,840 Speaker 1: giving this account has a great quotation here. From human sight, 361 00:23:44,080 --> 00:23:47,000 Speaker 1: it might be cruel, but it seems to be her 362 00:23:47,080 --> 00:23:52,520 Speaker 1: predetermined destiny. That's a that's kind of cold, But you know, 363 00:23:54,240 --> 00:23:57,360 Speaker 1: I I get it. Maybe this is what she's meant 364 00:23:57,400 --> 00:23:59,960 Speaker 1: to do, float around until she finds the rightful place. 365 00:24:00,480 --> 00:24:05,520 Speaker 1: So February eighteen o three this happens, And eighteen oh 366 00:24:05,520 --> 00:24:08,239 Speaker 1: three is not that long ago. It's a little over 367 00:24:08,280 --> 00:24:11,280 Speaker 1: two hundred years, which in the span of time is 368 00:24:11,320 --> 00:24:17,880 Speaker 1: just like that. So that's why you will sometimes hear 369 00:24:17,920 --> 00:24:24,000 Speaker 1: people describe this as the first quote unquote modern UFO 370 00:24:24,119 --> 00:24:30,560 Speaker 1: citing Let's look at the analysis, all right, folklore, folkloric similarities, 371 00:24:31,440 --> 00:24:36,880 Speaker 1: um as. As you know, I extensively mess around with folklore, 372 00:24:37,680 --> 00:24:43,439 Speaker 1: and um folks a lot, a lot of a lot 373 00:24:43,480 --> 00:24:47,959 Speaker 1: of you listening now also do extensive folklore research. Right. 374 00:24:48,720 --> 00:24:51,639 Speaker 1: This stuff is fascinating and it's great. And one of 375 00:24:51,640 --> 00:24:55,960 Speaker 1: the things that we find in any kind of investigation 376 00:24:56,080 --> 00:25:00,800 Speaker 1: of anecdotes or legends is that aspects of stories are 377 00:25:00,960 --> 00:25:05,920 Speaker 1: contagious and they mixed together, right, especially when they cross cultures, 378 00:25:06,840 --> 00:25:09,280 Speaker 1: especially when they crossed cultures, and then they start to 379 00:25:09,280 --> 00:25:14,680 Speaker 1: exist in a different framework. We mentioned before the stories 380 00:25:14,720 --> 00:25:18,760 Speaker 1: of fay or fairy abductions, right where they would take 381 00:25:18,760 --> 00:25:22,160 Speaker 1: a kid, a human child, a human jacket and replace 382 00:25:22,280 --> 00:25:26,440 Speaker 1: it with a change lean sort of like a sick baby. 383 00:25:26,480 --> 00:25:30,600 Speaker 1: This was this was kind of the d n A 384 00:25:30,680 --> 00:25:34,560 Speaker 1: of what would later become alien abduction stories. And of 385 00:25:34,600 --> 00:25:37,960 Speaker 1: course we're not saying that people who believe they have 386 00:25:38,000 --> 00:25:41,720 Speaker 1: been abducted by some kind of extraterrestrial entity or a 387 00:25:41,760 --> 00:25:45,280 Speaker 1: government agency or extra dimensional thing We're not saying they 388 00:25:45,320 --> 00:25:48,280 Speaker 1: don't believe it. We're saying that the two types of 389 00:25:48,440 --> 00:25:52,040 Speaker 1: stories culturally have a lot in common. Yeah, there's a 390 00:25:52,080 --> 00:25:54,960 Speaker 1: precedent to the belief of being taken a lot, taken 391 00:25:54,960 --> 00:25:58,399 Speaker 1: away by something unknown or unseen, and then return. I 392 00:25:58,480 --> 00:26:01,320 Speaker 1: always wanted to as long as a kid. One of 393 00:26:01,359 --> 00:26:06,640 Speaker 1: my favorite folklore stories was Rip van Winkle, Oh Sure, 394 00:26:06,680 --> 00:26:11,440 Speaker 1: where he falls asleep, time passes and he's playing these 395 00:26:11,480 --> 00:26:15,639 Speaker 1: bowling with the he he gets wasted one night and 396 00:26:15,720 --> 00:26:19,760 Speaker 1: he play he goes bowling with it changes sometimes elves, 397 00:26:19,840 --> 00:26:25,640 Speaker 1: sometimes their gnome. Sometimes they're just sketchy mountain folk. They're 398 00:26:25,680 --> 00:26:30,680 Speaker 1: like carneys, short corn carneys bowling with carneys. That sounds 399 00:26:31,680 --> 00:26:34,359 Speaker 1: I it sounds like something I would watch, read or 400 00:26:34,440 --> 00:26:38,560 Speaker 1: listen to. I. I don't you know. I'm not that 401 00:26:38,640 --> 00:26:42,240 Speaker 1: great at bowling. It's a curse. So you you might 402 00:26:42,320 --> 00:26:45,159 Speaker 1: get tricked into betting a little bit and then a 403 00:26:45,160 --> 00:26:48,240 Speaker 1: little more. You know. Oh wow, is that? I I 404 00:26:48,240 --> 00:26:51,480 Speaker 1: don't know. So that's a that's a fascinating story. And 405 00:26:51,520 --> 00:26:54,080 Speaker 1: that's what I was thinking when you brought up the 406 00:26:54,200 --> 00:26:59,000 Speaker 1: idea of someone losing time finding their age in those 407 00:26:59,040 --> 00:27:05,280 Speaker 1: two story is most likely exists and we're created independently. Sure, 408 00:27:05,680 --> 00:27:08,879 Speaker 1: I mean they may have mortality is a heck of 409 00:27:08,880 --> 00:27:13,119 Speaker 1: a motivator, so that probably separately inspired the authors of 410 00:27:13,119 --> 00:27:19,280 Speaker 1: those stories. But for the purposes of this exploration, what 411 00:27:19,320 --> 00:27:23,000 Speaker 1: that means is that there may be elements of the 412 00:27:23,119 --> 00:27:31,480 Speaker 1: Utsuru Buni story that either come from another earlier story 413 00:27:31,600 --> 00:27:35,680 Speaker 1: or were later transmitted to something. And then there's also 414 00:27:36,560 --> 00:27:39,960 Speaker 1: we will be remiss if we didn't say the UFO 415 00:27:40,240 --> 00:27:45,800 Speaker 1: USO angle right, sure, floating object, flying objects, submerged object. 416 00:27:46,720 --> 00:27:50,919 Speaker 1: Pros and cons for it being one of those types 417 00:27:50,960 --> 00:27:53,879 Speaker 1: of objects. Okay, Well, let's start off with the ship 418 00:27:54,119 --> 00:27:58,359 Speaker 1: being made largely out of wood. Yes, that you know, 419 00:27:58,520 --> 00:28:02,639 Speaker 1: traditionally not a space faring material, or at least not 420 00:28:02,880 --> 00:28:07,440 Speaker 1: a ideal space farring material. Okay, so that's a con. 421 00:28:08,320 --> 00:28:12,680 Speaker 1: I'll do some devil's advocacy here and say a pro 422 00:28:13,480 --> 00:28:16,080 Speaker 1: would be that they had never seen this type of 423 00:28:16,080 --> 00:28:20,320 Speaker 1: craft before. Okay, yeah, that's that is definitely up there. 424 00:28:21,280 --> 00:28:25,399 Speaker 1: I know that the type of boat was similar to 425 00:28:25,560 --> 00:28:29,200 Speaker 1: something that they would be familiar with with the rounded 426 00:28:29,520 --> 00:28:33,600 Speaker 1: the rounded bottom was a boat shape that they would 427 00:28:33,640 --> 00:28:37,040 Speaker 1: be used to, but the top part was like completely 428 00:28:37,080 --> 00:28:39,080 Speaker 1: out of the out of the element, like why would 429 00:28:39,120 --> 00:28:45,680 Speaker 1: that be there? Um. Another pro is the unusual appearance 430 00:28:46,400 --> 00:28:50,360 Speaker 1: of the occupant, which to them in this period would 431 00:28:50,400 --> 00:28:53,960 Speaker 1: have probably would have been alien, I mean not a 432 00:28:54,200 --> 00:28:57,920 Speaker 1: not even alien extraterrestrial sense, just a very very strange, 433 00:28:58,000 --> 00:29:00,480 Speaker 1: licking person. And if we want to bridge a kind 434 00:29:00,480 --> 00:29:04,440 Speaker 1: of the folklore aspect and the UFO USO aspect, we 435 00:29:04,760 --> 00:29:07,480 Speaker 1: lou you look to some stuff having to do with 436 00:29:07,520 --> 00:29:11,840 Speaker 1: the dragon god of the sea, Reugion um. And this 437 00:29:12,080 --> 00:29:15,720 Speaker 1: is there's this place called the Dragon Palace Castle, which 438 00:29:15,760 --> 00:29:19,200 Speaker 1: is a translation of course, that is at the bottom 439 00:29:19,240 --> 00:29:23,240 Speaker 1: of the sea where this god lives and he has 440 00:29:23,280 --> 00:29:28,040 Speaker 1: servants or the god has servants. There are let's see, 441 00:29:28,480 --> 00:29:31,520 Speaker 1: it's built out of solid crystal, which might bring in 442 00:29:31,600 --> 00:29:34,120 Speaker 1: you know what, they believed the windows to be created 443 00:29:34,120 --> 00:29:37,360 Speaker 1: out of um. And there are a lot of legends 444 00:29:37,400 --> 00:29:39,960 Speaker 1: about this place, and one of the legends has to 445 00:29:40,000 --> 00:29:44,440 Speaker 1: do with the inhabitants who had guess what, red hair 446 00:29:44,720 --> 00:29:50,360 Speaker 1: and pink skin. So it feels like maybe if you 447 00:29:50,480 --> 00:29:54,200 Speaker 1: see this and you know about these legends, you're aware 448 00:29:54,040 --> 00:29:58,560 Speaker 1: of Reugion and the denizens or excuse me, the inhabitants 449 00:29:58,640 --> 00:30:02,320 Speaker 1: of the palace under the sea. You may think, well, 450 00:30:02,360 --> 00:30:06,480 Speaker 1: maybe that's what this is. Maybe this is an emissary 451 00:30:06,600 --> 00:30:09,600 Speaker 1: from that realm, from that area, or you know, someone 452 00:30:09,600 --> 00:30:13,440 Speaker 1: trying to escape. Yeah, you know, and that that's a 453 00:30:13,440 --> 00:30:18,520 Speaker 1: great point because we know that having some pre existing information, 454 00:30:18,560 --> 00:30:21,160 Speaker 1: even if you're not even if it's not the front 455 00:30:21,200 --> 00:30:23,720 Speaker 1: of your mind, right, we know that it it can 456 00:30:23,720 --> 00:30:27,560 Speaker 1: be a very powerful priming influence. Yeah, it's a lens 457 00:30:27,560 --> 00:30:29,000 Speaker 1: that you end up seeing it or even though you 458 00:30:29,040 --> 00:30:34,600 Speaker 1: don't realize the lenses there. Other ethnologists and historians also 459 00:30:34,680 --> 00:30:39,760 Speaker 1: took a look at this case um often before it 460 00:30:39,840 --> 00:30:43,600 Speaker 1: became kind of known in the West, because you won't 461 00:30:43,680 --> 00:30:50,360 Speaker 1: find a whole lot of information on it in English. No, 462 00:30:50,960 --> 00:30:52,680 Speaker 1: there are a lot of blogs though. So if you 463 00:30:52,760 --> 00:30:56,280 Speaker 1: do speak Japanese speaking read Japanese, and you have some 464 00:30:56,440 --> 00:31:00,160 Speaker 1: Japanese sources that you would like to hip us too, 465 00:31:01,200 --> 00:31:04,840 Speaker 1: then please cinem our way um give me what you 466 00:31:04,880 --> 00:31:07,080 Speaker 1: think the best translations are. I would love to learn 467 00:31:07,160 --> 00:31:13,240 Speaker 1: more about this. Here's what we have now in various 468 00:31:13,280 --> 00:31:20,120 Speaker 1: in various decades after this event February three, uh other 469 00:31:20,440 --> 00:31:26,240 Speaker 1: experts or scholars investigated this, and one fellow named Yanagita 470 00:31:26,320 --> 00:31:30,600 Speaker 1: Kunio really went deep. He went hard on the painting, 471 00:31:31,160 --> 00:31:36,160 Speaker 1: and he emerged a little more skeptical. So he points 472 00:31:36,160 --> 00:31:39,440 Speaker 1: out that the circular boat shapes as as you said, Matt, 473 00:31:39,600 --> 00:31:43,520 Speaker 1: we're not unusual in Japan. They've been around for a while. 474 00:31:43,600 --> 00:31:47,200 Speaker 1: And he said that the really weird stuff for people 475 00:31:47,240 --> 00:31:50,800 Speaker 1: at this time would have been windows made of glass 476 00:31:50,880 --> 00:31:54,160 Speaker 1: and those brazen protective plates, so they would make it 477 00:31:54,240 --> 00:31:58,080 Speaker 1: look um, sort of exotic to the people. Would be 478 00:31:58,120 --> 00:32:01,200 Speaker 1: like seeing a modern car in the time when you know, 479 00:32:01,240 --> 00:32:03,560 Speaker 1: the model T is the thing that you see rolling 480 00:32:03,560 --> 00:32:05,960 Speaker 1: down the street, you know, with with all of the 481 00:32:06,000 --> 00:32:09,840 Speaker 1: glass products and other things, and it would just be strange. 482 00:32:09,880 --> 00:32:14,560 Speaker 1: You couldn't really understand what you're looking at. Yeah, exactly exactly, 483 00:32:14,920 --> 00:32:18,440 Speaker 1: and it would be kind of a It would be 484 00:32:18,480 --> 00:32:22,560 Speaker 1: close enough that you would say that's some sort of car, 485 00:32:23,120 --> 00:32:26,400 Speaker 1: and now they're like, that's some sort of boat. He 486 00:32:26,480 --> 00:32:32,960 Speaker 1: also points out that the oldest versions of this not 487 00:32:33,040 --> 00:32:37,840 Speaker 1: necessarily the most popular, but the oldest versions, according to Yanagita, 488 00:32:38,000 --> 00:32:45,760 Speaker 1: describe humble, circular, open log boats without any dome, and 489 00:32:46,000 --> 00:32:50,240 Speaker 1: he argues that these details, these plates, and these windows 490 00:32:50,240 --> 00:32:57,240 Speaker 1: and stuff were added afterwards because people would inevitably ask 491 00:32:59,080 --> 00:33:05,920 Speaker 1: how did this logboat make it across the open sea? Oh, 492 00:33:05,960 --> 00:33:09,440 Speaker 1: that's a great question, especially an open logboat like that, 493 00:33:09,720 --> 00:33:13,280 Speaker 1: susceptible to any kind of weather. Two waves, it's just 494 00:33:13,400 --> 00:33:16,360 Speaker 1: it's going down. But if it's enclosed, I guess it 495 00:33:16,400 --> 00:33:18,120 Speaker 1: makes a lot of sense. So in this way, it's 496 00:33:18,120 --> 00:33:22,600 Speaker 1: almost like adding on details, not necessarily to a lie, 497 00:33:22,760 --> 00:33:25,280 Speaker 1: but to a story. You know that you're making up 498 00:33:25,320 --> 00:33:27,280 Speaker 1: as you go, and you add more details to make 499 00:33:27,280 --> 00:33:30,840 Speaker 1: it seem more credible, embellishing. Yeah, the high seas could 500 00:33:30,880 --> 00:33:33,719 Speaker 1: be a dangerous place, and some of that may hinge 501 00:33:33,920 --> 00:33:37,720 Speaker 1: on the shape of the boat, because if you're imagining, 502 00:33:38,320 --> 00:33:41,400 Speaker 1: you know, something more like a lifeboat or a canoe, 503 00:33:42,360 --> 00:33:45,640 Speaker 1: that would be that would probably have a better chance 504 00:33:45,920 --> 00:33:49,000 Speaker 1: because it's slightly better shape. But no, this is just 505 00:33:49,920 --> 00:33:53,000 Speaker 1: um a thing that's spherical at the top and rounded 506 00:33:53,080 --> 00:33:58,080 Speaker 1: at the bottom and bobbing along, just moving where the 507 00:33:58,080 --> 00:34:00,680 Speaker 1: ocean takes it. It's like bait and tack, you know. 508 00:34:01,200 --> 00:34:08,320 Speaker 1: Strange so Yanagita also points out that most legends similar 509 00:34:08,400 --> 00:34:13,120 Speaker 1: to that of the suro Bune sound alike. Someone finds 510 00:34:13,160 --> 00:34:16,400 Speaker 1: a strange person, almost always a girl or young woman 511 00:34:16,520 --> 00:34:20,480 Speaker 1: inside a circular boat, and either rescues them or sends 512 00:34:20,520 --> 00:34:26,520 Speaker 1: them back to the ocean. Huh, tails, oldest time this time? Oh, 513 00:34:26,719 --> 00:34:29,319 Speaker 1: I was going to break into song there. Um. Yeah, 514 00:34:29,600 --> 00:34:31,759 Speaker 1: I mean there are so many legends about that kind 515 00:34:31,800 --> 00:34:37,200 Speaker 1: of thing, and you can imagine the stories that mostly 516 00:34:37,400 --> 00:34:41,080 Speaker 1: male sailors would make up while out on the high season. 517 00:34:41,080 --> 00:34:43,200 Speaker 1: You're probably familiar with a lot of them, you know. 518 00:34:43,239 --> 00:34:46,239 Speaker 1: I'm glad you brought that up, Matt, because it reminds 519 00:34:46,280 --> 00:34:52,279 Speaker 1: me of one of the strangest what are the strangest 520 00:34:52,440 --> 00:34:56,759 Speaker 1: cases of sailors stories that are found out about? Is 521 00:34:56,800 --> 00:34:59,719 Speaker 1: it safe for work? Yeah? It is, Well, we'll tell 522 00:34:59,760 --> 00:35:05,840 Speaker 1: this for work version. For a long time, since people 523 00:35:05,920 --> 00:35:10,560 Speaker 1: were sailing the oceans, right, Uh, there were always legends 524 00:35:10,719 --> 00:35:14,359 Speaker 1: of sea monsters and of aquatic creatures that were very 525 00:35:14,400 --> 00:35:19,879 Speaker 1: close to people. Essentially Mr Folk mermaids, and sailors would 526 00:35:19,920 --> 00:35:23,640 Speaker 1: talk about seeing mermaids from a distance on the shore. 527 00:35:23,800 --> 00:35:26,320 Speaker 1: I mean, this goes back to like Greco Roman stuff 528 00:35:26,360 --> 00:35:33,040 Speaker 1: with sirens singing. Um. And then the best guests that 529 00:35:33,200 --> 00:35:37,879 Speaker 1: a couple of people have is that they were manatees. 530 00:35:41,160 --> 00:35:43,400 Speaker 1: That doesn't you know. That's the thing that gets me. 531 00:35:43,480 --> 00:35:46,279 Speaker 1: It's I keep thinking, how long did these guys have 532 00:35:46,360 --> 00:35:51,480 Speaker 1: to be out there on the ocean to to think, uh, 533 00:35:51,600 --> 00:35:55,799 Speaker 1: to mistake humanity for a person, and this this misidentification, 534 00:35:55,920 --> 00:36:00,759 Speaker 1: whether it was through you know, seeing a seal or 535 00:36:00,880 --> 00:36:05,480 Speaker 1: manatee or another creature that would kind of like lounge out. 536 00:36:06,200 --> 00:36:08,560 Speaker 1: I mean, I guess maybe a walrus, but the tusk 537 00:36:08,640 --> 00:36:11,920 Speaker 1: would probably make it hard to mistake. I guess it 538 00:36:11,960 --> 00:36:15,880 Speaker 1: depends on the distance exact. But um, you know, in 539 00:36:15,920 --> 00:36:21,960 Speaker 1: a way, if these people were hoping to see a 540 00:36:22,120 --> 00:36:24,239 Speaker 1: human of some sort, then they were always kind of 541 00:36:24,280 --> 00:36:30,000 Speaker 1: primed to see it. And if people were familiar with 542 00:36:30,080 --> 00:36:35,239 Speaker 1: these sorts of legends, then they would end up in 543 00:36:35,239 --> 00:36:38,960 Speaker 1: the in the telling, especially if it's oral recounting memories 544 00:36:39,000 --> 00:36:43,960 Speaker 1: so treacherous, they might end up accidentally adding details that 545 00:36:44,080 --> 00:36:47,879 Speaker 1: somebody else misunderstands that add up into something else there 546 00:36:47,880 --> 00:36:50,120 Speaker 1: were Or if it's a great story that you're retelling 547 00:36:50,920 --> 00:36:54,840 Speaker 1: at a tavern somewhere, I mean, why would you just say, oh, no, 548 00:36:54,960 --> 00:36:59,080 Speaker 1: it was just a walrus. That's no fun. I'm just saying, 549 00:37:00,680 --> 00:37:02,440 Speaker 1: all of a sudden, all of a sudden, it was 550 00:37:02,480 --> 00:37:05,680 Speaker 1: a it was a beautiful mermaid. And the person you 551 00:37:05,800 --> 00:37:10,839 Speaker 1: found a drift in this boat had hair extensions. I'm 552 00:37:10,840 --> 00:37:14,600 Speaker 1: not discounting stories of mer folk. I'm just saying it's unlikely. 553 00:37:14,719 --> 00:37:17,759 Speaker 1: That's all. The ocean is a big place, and from 554 00:37:17,800 --> 00:37:20,120 Speaker 1: our previous episodes, we know that if there are any 555 00:37:20,239 --> 00:37:25,600 Speaker 1: large undiscovered creatures today, they had the odds are highest 556 00:37:25,600 --> 00:37:28,920 Speaker 1: that they would exist in the ocean. Right, so maybe 557 00:37:28,920 --> 00:37:30,400 Speaker 1: they're there. I don't want to I don't want to 558 00:37:30,480 --> 00:37:33,160 Speaker 1: ruin that for anybody, you know, but I do have 559 00:37:33,200 --> 00:37:38,239 Speaker 1: to say they definitely weren't um discovered by a certain 560 00:37:38,680 --> 00:37:42,120 Speaker 1: channel on television in a series called Mermaids. They can 561 00:37:42,239 --> 00:37:45,440 Speaker 1: confirm that they absolutely were not. And I would never 562 00:37:45,480 --> 00:37:48,680 Speaker 1: play play ball with that notion. Um. But I'm not 563 00:37:48,719 --> 00:37:51,000 Speaker 1: going to act like I'm not gonna go see aqua man. 564 00:37:51,080 --> 00:37:55,320 Speaker 1: I'll check it out for sure. I've diverted us. The 565 00:37:55,760 --> 00:38:00,319 Speaker 1: The point here is that there were other scholars who 566 00:38:00,360 --> 00:38:04,440 Speaker 1: are taking vigorous looks at this. One is named Dr 567 00:38:04,600 --> 00:38:09,200 Speaker 1: Kazu Tanaka. Yes, this is a professor for computer and 568 00:38:09,239 --> 00:38:14,640 Speaker 1: electronics engineering at a university in Tokyo. He investigated the 569 00:38:14,680 --> 00:38:19,319 Speaker 1: original texts. The three texts that are you can find now. 570 00:38:19,360 --> 00:38:22,920 Speaker 1: They actually exist in real life right now in museums. 571 00:38:23,440 --> 00:38:26,279 Speaker 1: You can go and pick them up. Um and this 572 00:38:26,400 --> 00:38:32,040 Speaker 1: he did this research and he's considering he's really looking 573 00:38:32,120 --> 00:38:37,200 Speaker 1: at the popular versions of UFO sightings, the more modern 574 00:38:37,239 --> 00:38:39,920 Speaker 1: ones that we can think about, and then comparing those 575 00:38:40,480 --> 00:38:44,840 Speaker 1: to the turo Bune event, let's say, or the retelling 576 00:38:44,880 --> 00:38:49,200 Speaker 1: of it. And he he points out that these legends 577 00:38:49,239 --> 00:38:53,200 Speaker 1: of bun a it never, it never flies, It never 578 00:38:53,800 --> 00:38:56,719 Speaker 1: you know, drives, like we said, it has no control mechanisms, 579 00:38:56,760 --> 00:39:00,320 Speaker 1: at least it's not recorded. It doesn't show any signs 580 00:39:00,320 --> 00:39:04,160 Speaker 1: of technology besides being a boat and maybe having some windows, 581 00:39:04,440 --> 00:39:09,520 Speaker 1: like extraordinary technology. Yeah, nothing beyond what could be GPS, 582 00:39:09,560 --> 00:39:13,320 Speaker 1: No lasers. No, Uh what's that thing in Star Trek 583 00:39:13,360 --> 00:39:17,759 Speaker 1: where it will just create any food or beverage you desire. Oh, 584 00:39:17,800 --> 00:39:21,440 Speaker 1: the it's the food machine. I don't know what it's called. 585 00:39:21,960 --> 00:39:24,560 Speaker 1: Or tricorder. They didn't she didn't have a tricorder with it, right, 586 00:39:24,600 --> 00:39:27,839 Speaker 1: that's a good example. It just I mean this this 587 00:39:27,920 --> 00:39:31,200 Speaker 1: ship just drift. It just drifted across the water. It 588 00:39:31,280 --> 00:39:33,520 Speaker 1: drifted to the fisherman, or they didn't even drift to them. 589 00:39:33,520 --> 00:39:35,399 Speaker 1: They had to go get it and reel it in. 590 00:39:36,040 --> 00:39:41,600 Speaker 1: And so uh Tanaka concluded that this tail was a 591 00:39:41,680 --> 00:39:48,160 Speaker 1: mix of folklore and imagination. He also based his assumptions 592 00:39:48,200 --> 00:39:53,960 Speaker 1: on Yanagita's earlier work. He had one more uh, he 593 00:39:54,000 --> 00:39:56,840 Speaker 1: had a couple more holes to poke in the story 594 00:39:57,280 --> 00:40:10,239 Speaker 1: to will examine after a word from our sponsor, and 595 00:40:10,480 --> 00:40:14,920 Speaker 1: we're back that there's one big problem with this story. 596 00:40:15,080 --> 00:40:19,040 Speaker 1: And it's a really big problem that as somebody from 597 00:40:19,040 --> 00:40:23,880 Speaker 1: the United States just learning about this, I wouldn't have 598 00:40:24,000 --> 00:40:27,360 Speaker 1: thought about unless somebody like Dr Tanaka went through and 599 00:40:27,400 --> 00:40:31,200 Speaker 1: actually examined it. And that's the location of where this 600 00:40:31,400 --> 00:40:37,359 Speaker 1: event purportedly happened. Yes, according to Dr Tanaka, locations that 601 00:40:37,400 --> 00:40:41,719 Speaker 1: have been referenced in various accounts of this are in 602 00:40:41,800 --> 00:40:47,400 Speaker 1: fact fictitious. Uh. He specifically points out Haa Tono Hamma 603 00:40:47,600 --> 00:40:53,239 Speaker 1: and Haara Yador to make the anecdote sound credible. He 604 00:40:53,360 --> 00:40:58,399 Speaker 1: believes the author designated the beaches as personal acreages of 605 00:40:58,600 --> 00:41:05,080 Speaker 1: a local land owner named Ogasawa Nagashigi. Uh. And this 606 00:41:05,080 --> 00:41:07,480 Speaker 1: this character did. This is a real person who did 607 00:41:07,560 --> 00:41:11,880 Speaker 1: live during the Edo period, but his land was in 608 00:41:11,880 --> 00:41:15,000 Speaker 1: in the heartland away from the water, right, and so 609 00:41:15,080 --> 00:41:18,719 Speaker 1: it seems pretty definite, at least according Dr Tanaka, that 610 00:41:18,800 --> 00:41:22,600 Speaker 1: this fellow never had any contact with the fishermen on 611 00:41:22,640 --> 00:41:28,680 Speaker 1: the Pacific coast. Uh. The Ogasawari clan served the Tokugawa 612 00:41:28,760 --> 00:41:33,080 Speaker 1: dynasty and they had power over most of northeastern Japan 613 00:41:33,360 --> 00:41:38,640 Speaker 1: until eighteen sixty eight, and that's a long time after this, 614 00:41:39,760 --> 00:41:45,960 Speaker 1: right right, and there um, their mainland holdings were in 615 00:41:46,000 --> 00:41:50,160 Speaker 1: the Hitashi province, and geographically that's very close to eastern beaches, 616 00:41:50,960 --> 00:41:57,680 Speaker 1: and so Dr Tanaka found it very odd that such 617 00:41:57,680 --> 00:42:02,239 Speaker 1: a strange incident could have occurred and it wasn't commented 618 00:42:02,320 --> 00:42:06,279 Speaker 1: upon in any official documents, right You'd think so if 619 00:42:06,320 --> 00:42:10,600 Speaker 1: something this strange and seemingly important occurred to an individual 620 00:42:10,680 --> 00:42:14,520 Speaker 1: who's that close and proximity to power occurred, you think 621 00:42:14,719 --> 00:42:17,440 Speaker 1: it would be written down somewhere. Somebody somewhere is being 622 00:42:17,440 --> 00:42:20,000 Speaker 1: told this, and they would go, Okay, the strange thing happened. 623 00:42:20,200 --> 00:42:23,600 Speaker 1: Perhaps there's some kind of invaders going on with this. 624 00:42:23,800 --> 00:42:28,919 Speaker 1: It's at least worth documentary, right Yeah. And let's also 625 00:42:29,120 --> 00:42:35,239 Speaker 1: keep in mind that this was during a period of isolation, 626 00:42:35,360 --> 00:42:43,720 Speaker 1: national insolation, right where in Japan really limited um, really 627 00:42:43,800 --> 00:42:48,520 Speaker 1: limited a lot of international interactions. So nearly all foreigners 628 00:42:48,560 --> 00:42:52,960 Speaker 1: were barred from entering except in a very specific circumstances, 629 00:42:53,080 --> 00:42:57,040 Speaker 1: the common resident of Japan, like the normal you know 630 00:42:57,200 --> 00:43:00,040 Speaker 1: Jane or John Doe of Japan like you and I, 631 00:43:00,080 --> 00:43:04,640 Speaker 1: had very little chance of ever leaving the country, so 632 00:43:05,080 --> 00:43:12,200 Speaker 1: this would have been beyond unusual, right uh. And there 633 00:43:12,360 --> 00:43:16,400 Speaker 1: is a remarkable incident that is documented that Dr Tanaka 634 00:43:16,440 --> 00:43:19,680 Speaker 1: found and it happened in eighteen twenty four when a 635 00:43:19,719 --> 00:43:23,239 Speaker 1: British whaler was stranded on the northeastern coast of the 636 00:43:23,320 --> 00:43:26,200 Speaker 1: Hitachi district. Before you ask, no, he did not show 637 00:43:26,280 --> 00:43:30,040 Speaker 1: up in a weird cupcake looking chip. Uh. Tanaka also 638 00:43:30,120 --> 00:43:33,920 Speaker 1: found out that during the rulership of the Tokugawa clan, 639 00:43:34,680 --> 00:43:39,919 Speaker 1: uh the Ogasawara family and the Tokugawa started mapping their territories. 640 00:43:40,640 --> 00:43:45,080 Speaker 1: And this is important because the names of both of 641 00:43:45,160 --> 00:43:49,960 Speaker 1: the beaches mentioned in the text are missing, and they 642 00:43:50,000 --> 00:43:53,439 Speaker 1: also do not appear on the maps of the whole 643 00:43:53,440 --> 00:43:57,080 Speaker 1: of Japan, which came out in nineteen o seven. If 644 00:43:57,120 --> 00:43:59,320 Speaker 1: the name of a village, a city, or a place 645 00:43:59,400 --> 00:44:02,359 Speaker 1: had changed in history, this would have been noted right 646 00:44:03,160 --> 00:44:10,200 Speaker 1: So because of this, Dr Tanaka thinks thinks that this 647 00:44:10,320 --> 00:44:15,720 Speaker 1: is probably just a legend of folklore similar to um 648 00:44:15,760 --> 00:44:21,120 Speaker 1: similar to the stories in modern urban legends, right, you know, 649 00:44:21,400 --> 00:44:25,640 Speaker 1: the one trace the call, and the phone call was 650 00:44:25,719 --> 00:44:28,600 Speaker 1: coming from inside the house, and it wasn't at this town, 651 00:44:28,640 --> 00:44:31,120 Speaker 1: and it wasn't my first cousin, but it's someone that 652 00:44:31,280 --> 00:44:33,839 Speaker 1: knows my first cousin, and they live a few towns over. 653 00:44:33,920 --> 00:44:36,160 Speaker 1: And there was a hook sticking out of the side 654 00:44:36,160 --> 00:44:40,239 Speaker 1: of the driver window. Yeah, and I'm pretty sure it 655 00:44:40,320 --> 00:44:43,480 Speaker 1: was a Pontiac were the pontiac is not around anymore. 656 00:44:43,600 --> 00:44:48,000 Speaker 1: This happened to someone's older brother who went to a 657 00:44:48,080 --> 00:44:51,399 Speaker 1: school a couple of districts away. They were think, yeah, 658 00:44:51,440 --> 00:44:54,160 Speaker 1: there were a few grades above us. You know, it's 659 00:44:54,160 --> 00:44:57,399 Speaker 1: always just a little bit, a little bit too far 660 00:44:57,440 --> 00:45:00,920 Speaker 1: to reach, and it's tantalizing lee possible. And let's go 661 00:45:01,000 --> 00:45:03,800 Speaker 1: back into this eighteen twenty four account of the British 662 00:45:03,800 --> 00:45:08,479 Speaker 1: whaler who got stranded. Uh. The first accounting of this 663 00:45:08,800 --> 00:45:14,000 Speaker 1: is recorded the next year in the first the first one, 664 00:45:14,040 --> 00:45:17,840 Speaker 1: what was it called um Tales of the Rabbit Garden 665 00:45:18,440 --> 00:45:22,000 Speaker 1: is when that is officially written. So perhaps there's a 666 00:45:22,000 --> 00:45:25,120 Speaker 1: little styling going on there of something an actual occurrence, 667 00:45:25,160 --> 00:45:27,799 Speaker 1: and then you bring some folklore into it. I mean, 668 00:45:27,840 --> 00:45:31,359 Speaker 1: that's that's at least a great tale to put into 669 00:45:31,400 --> 00:45:34,000 Speaker 1: your book called Tales from the Rabbit Garden. That's a 670 00:45:34,000 --> 00:45:37,320 Speaker 1: good point. So we know there's an isolation is placed 671 00:45:37,320 --> 00:45:41,080 Speaker 1: where this sort of incident would have been reported immediately. Right. 672 00:45:41,600 --> 00:45:46,279 Speaker 1: And also these uh ethnologists and historians who look back 673 00:45:46,360 --> 00:45:51,640 Speaker 1: at this later in the modern day, they they pointed 674 00:45:51,640 --> 00:45:54,839 Speaker 1: out something that really caught me, which is that originally 675 00:45:56,600 --> 00:46:00,560 Speaker 1: aliens UFOs were not part of the conversation. Okay, there 676 00:46:00,600 --> 00:46:04,920 Speaker 1: was There wasn't like a term for flying saucer, right, 677 00:46:05,480 --> 00:46:09,879 Speaker 1: um so or extraterrestrial. I guess there might be a term, 678 00:46:09,880 --> 00:46:12,120 Speaker 1: but it wouldn't be applied the same way we use 679 00:46:12,200 --> 00:46:14,879 Speaker 1: it today. A visitor of sorts, but not like that. 680 00:46:15,040 --> 00:46:20,120 Speaker 1: So they're saying that over time the ufo thing got 681 00:46:20,200 --> 00:46:23,880 Speaker 1: retro fitted onto it, you know what I mean. Uh. 682 00:46:23,960 --> 00:46:30,160 Speaker 1: The particularly European appearance of the woman right uh, shades skin, 683 00:46:30,800 --> 00:46:37,200 Speaker 1: red hair, uh, the upper part of the utsu bune, 684 00:46:37,400 --> 00:46:42,080 Speaker 1: and the unknown writing right the language that the fisherman 685 00:46:42,200 --> 00:46:46,400 Speaker 1: could not identify, lead both Tanaka and Yanagida to the 686 00:46:46,440 --> 00:46:51,680 Speaker 1: conclusion that the entire story was based on this historical circumstance. 687 00:46:51,960 --> 00:46:57,520 Speaker 1: Um people. If the of the period were totally insulated 688 00:46:57,600 --> 00:47:00,440 Speaker 1: from the outside world, so that this was more or 689 00:47:00,480 --> 00:47:05,799 Speaker 1: a tale reflecting xenophobic cultural attitudes, sort of the same 690 00:47:05,840 --> 00:47:11,359 Speaker 1: way again that modern urban legends reflect fears that are 691 00:47:11,480 --> 00:47:15,280 Speaker 1: already in popular culture. Right like in the n nineties, 692 00:47:15,360 --> 00:47:21,520 Speaker 1: the Satanic Panic, late eighties Satanic Panic thing gripped the nation. 693 00:47:21,640 --> 00:47:26,200 Speaker 1: In these people, every um, every region had some sort 694 00:47:26,280 --> 00:47:30,560 Speaker 1: of tale of a secret occult thing going on. And 695 00:47:30,640 --> 00:47:33,000 Speaker 1: in some cases, I'll go on record saying it, Yeah, 696 00:47:33,000 --> 00:47:36,359 Speaker 1: in some cases they were probably true. Not that like 697 00:47:36,480 --> 00:47:38,879 Speaker 1: dark magic worked or anything, but there were people who 698 00:47:38,960 --> 00:47:41,879 Speaker 1: conducted ritual murders. Yeah, and it may not have had 699 00:47:41,920 --> 00:47:45,759 Speaker 1: anything to do with Satan or anything like that. Right, 700 00:47:46,320 --> 00:47:49,600 Speaker 1: it made it, But that stuff happened. It just didn't 701 00:47:49,640 --> 00:47:53,880 Speaker 1: happen near as often nor as widespread as people thought 702 00:47:53,920 --> 00:47:57,719 Speaker 1: it did. But there's often a seed of truth in 703 00:47:57,840 --> 00:48:00,920 Speaker 1: these sorts of stories. And if we look at it 704 00:48:01,000 --> 00:48:06,640 Speaker 1: from a structural perspective, the construction of the story, it's 705 00:48:06,719 --> 00:48:11,080 Speaker 1: ultimately like a lot of other legends itself explaining the 706 00:48:11,120 --> 00:48:16,000 Speaker 1: woman disappears, knowing in what she said, the boxes goes 707 00:48:16,040 --> 00:48:21,719 Speaker 1: with her. Yeah, there's no artifact, there's no nothing. And 708 00:48:22,920 --> 00:48:25,839 Speaker 1: another thing which was new information to us is that 709 00:48:25,880 --> 00:48:30,120 Speaker 1: the people of the period here apparently had great interest 710 00:48:30,160 --> 00:48:36,040 Speaker 1: in paranormal things, loved ghost stories, monster stories, bizarre events. 711 00:48:36,120 --> 00:48:40,360 Speaker 1: So it wouldn't be surprising to find these stories of 712 00:48:40,400 --> 00:48:44,520 Speaker 1: the strange and inexplicable in these books. Yeah, those are 713 00:48:44,520 --> 00:48:47,719 Speaker 1: the best stories in my opinion. That's I think one 714 00:48:47,719 --> 00:48:50,040 Speaker 1: of the big reasons why you and I and Nol 715 00:48:50,160 --> 00:48:53,839 Speaker 1: and Trustan are interested in these things, because it's so 716 00:48:54,040 --> 00:48:57,959 Speaker 1: other and outside of anything we experience that you get 717 00:48:58,000 --> 00:49:03,040 Speaker 1: to you live in that world where monsters exist and ghosts, 718 00:49:03,520 --> 00:49:07,520 Speaker 1: you know, remain after the physical body leaves. I think 719 00:49:07,560 --> 00:49:10,920 Speaker 1: we're going to have to differ here, Matt, you don't 720 00:49:10,920 --> 00:49:14,760 Speaker 1: want to live in there. No monsters do exist, I think. 721 00:49:15,880 --> 00:49:20,080 Speaker 1: But but like like Krakens, or are we talking about 722 00:49:20,239 --> 00:49:27,239 Speaker 1: human monsters? What kind of monsters are we talking about? Where? Wolves? 723 00:49:27,239 --> 00:49:32,799 Speaker 1: So when we bring it all back together, what our conclusions. 724 00:49:32,840 --> 00:49:35,759 Speaker 1: Could this be nothing more than a popular legend recited 725 00:49:35,880 --> 00:49:39,279 Speaker 1: over and over, changing a bit each time. It's pretty 726 00:49:39,360 --> 00:49:43,120 Speaker 1: clear that in the years following the initial reports, a 727 00:49:43,320 --> 00:49:46,800 Speaker 1: large portion of the population except that this is fact, 728 00:49:46,880 --> 00:49:51,240 Speaker 1: believed something came ashore. But does that mean it actually happened? 729 00:49:51,280 --> 00:49:54,799 Speaker 1: I mean the fictitious locations are real obstacle here yea. 730 00:49:55,200 --> 00:49:59,120 Speaker 1: And as far as Dr Tanaka looked into it, it 731 00:49:59,239 --> 00:50:02,840 Speaker 1: seems that those locations are Indeed, it's much more likely 732 00:50:02,880 --> 00:50:08,120 Speaker 1: that those locations were fictitious rather than renamed. Yeah. For me, 733 00:50:09,400 --> 00:50:13,920 Speaker 1: it's more and more feeling like a version or a 734 00:50:14,239 --> 00:50:18,879 Speaker 1: retelling of an older story that had some new details 735 00:50:19,239 --> 00:50:22,080 Speaker 1: put into it. And I really, I really think you're 736 00:50:22,400 --> 00:50:26,320 Speaker 1: well their analysis and then our going over the idea 737 00:50:26,400 --> 00:50:30,120 Speaker 1: that perhaps it was a morphing. It was a morphing 738 00:50:30,520 --> 00:50:36,279 Speaker 1: of these these folklore tales dealing with the isolationism in 739 00:50:36,320 --> 00:50:40,160 Speaker 1: the area at the time in the eight when the 740 00:50:40,160 --> 00:50:44,880 Speaker 1: story was written, and then later on kind of doing 741 00:50:44,880 --> 00:50:47,200 Speaker 1: the same thing, except for in more modern times in 742 00:50:47,280 --> 00:50:51,799 Speaker 1: the nineteen nineties, tales of alien spacecraft that were very 743 00:50:51,840 --> 00:50:56,319 Speaker 1: popular then get morphed like this thing gets or they 744 00:50:56,320 --> 00:50:59,400 Speaker 1: get pulled into this thing, right, So then it's just 745 00:50:59,520 --> 00:51:02,560 Speaker 1: kind of just been changing over time little by little. 746 00:51:03,440 --> 00:51:06,120 Speaker 1: But there there's some other questions, and I think we 747 00:51:06,160 --> 00:51:09,920 Speaker 1: can end on some questions here, how seaworthy would a 748 00:51:10,000 --> 00:51:13,240 Speaker 1: vessel like this actually be? As we said, no sales, 749 00:51:13,360 --> 00:51:16,560 Speaker 1: no steering equipment, no oars, etcetera. Where did it come from? 750 00:51:16,960 --> 00:51:20,360 Speaker 1: Could it have come from Russia? Perhaps if you look 751 00:51:20,480 --> 00:51:25,080 Speaker 1: at some of the ocean currents around here, not around 752 00:51:25,080 --> 00:51:27,640 Speaker 1: here we're not in right now, but around the land 753 00:51:27,680 --> 00:51:32,800 Speaker 1: mass of Japan. You see here on the coast there's 754 00:51:32,920 --> 00:51:38,480 Speaker 1: a current that goes from sort of southwest to northeast 755 00:51:38,680 --> 00:51:41,520 Speaker 1: along the bottom and then later sort of the eastern 756 00:51:41,560 --> 00:51:45,120 Speaker 1: part of Japan. But at the top there's a current. 757 00:51:45,400 --> 00:51:50,160 Speaker 1: In the northeast, there's a current that goes the exact 758 00:51:50,239 --> 00:51:55,399 Speaker 1: opposite direction. So as these if you if you look 759 00:51:55,440 --> 00:51:59,239 Speaker 1: at the way these currents well swarm around, it looks 760 00:51:59,239 --> 00:52:02,000 Speaker 1: like it's possible that something with no steering could have 761 00:52:02,880 --> 00:52:08,000 Speaker 1: drifted down. But you know the best way to find 762 00:52:08,000 --> 00:52:11,680 Speaker 1: that out is to build one of these ships and 763 00:52:12,640 --> 00:52:15,319 Speaker 1: put it out the water and see what happens. What 764 00:52:15,360 --> 00:52:18,560 Speaker 1: are you what are you doing? What are you doing 765 00:52:18,560 --> 00:52:21,680 Speaker 1: this summer? I'm building around ship that has some brazen 766 00:52:21,800 --> 00:52:25,760 Speaker 1: sides and a couple of windows. But you know, the 767 00:52:25,800 --> 00:52:28,640 Speaker 1: one last thing we have to get into is is 768 00:52:28,680 --> 00:52:34,240 Speaker 1: it possible that there's something even crazier like the here's 769 00:52:34,239 --> 00:52:37,440 Speaker 1: where it's get it gets crazy moment, Like could this 770 00:52:37,480 --> 00:52:41,160 Speaker 1: have been a person that was pulled out of time, 771 00:52:41,239 --> 00:52:44,439 Speaker 1: perhaps out of some other dimension, out of some other 772 00:52:45,080 --> 00:52:48,239 Speaker 1: you know, maybe a time when ships did look like that, 773 00:52:48,360 --> 00:52:51,959 Speaker 1: or an alternate dimension. I know, that's you're getting into 774 00:52:52,000 --> 00:52:57,839 Speaker 1: the weirdness. I mean, probably not right, I especially because 775 00:52:57,840 --> 00:53:01,120 Speaker 1: there's meat and water, like some kind of container, water bedding, 776 00:53:01,640 --> 00:53:05,279 Speaker 1: recognizable stuff, and oh yeah, and the language could have 777 00:53:05,360 --> 00:53:11,640 Speaker 1: just been cyrillic Russian, you know. And if there's an 778 00:53:11,640 --> 00:53:18,480 Speaker 1: isolations policy, then the chances of people knowing or even 779 00:53:18,560 --> 00:53:23,560 Speaker 1: without like speaking reading, just recognizing another written language and 780 00:53:23,600 --> 00:53:27,440 Speaker 1: being able to say, oh that's Russian, oh that's French 781 00:53:27,560 --> 00:53:33,399 Speaker 1: or something, those chances are pretty low. And the very 782 00:53:33,480 --> 00:53:37,279 Speaker 1: last question, the one that stuck with me. I don't 783 00:53:37,280 --> 00:53:40,120 Speaker 1: know about you, Matt, but the one that stuck with me, 784 00:53:40,200 --> 00:53:44,600 Speaker 1: the one that has our producer shrugging in uh, infuming 785 00:53:44,680 --> 00:53:48,439 Speaker 1: and frustration. What happened to the lady in the ship? 786 00:53:48,480 --> 00:53:51,200 Speaker 1: What happened to the woman on the ship. Well, she 787 00:53:51,320 --> 00:53:54,759 Speaker 1: went back down to the dragon palace and you know, 788 00:53:55,239 --> 00:53:57,200 Speaker 1: she got she took a bunch of notes, she wrote 789 00:53:57,200 --> 00:53:59,640 Speaker 1: them inside her ship. That's what she was doing. That's 790 00:53:59,640 --> 00:54:01,400 Speaker 1: why there's all the writing there. And they were like, 791 00:54:01,800 --> 00:54:05,480 Speaker 1: did you remember the box? And she said, definitely. The 792 00:54:07,760 --> 00:54:10,320 Speaker 1: question is what was its function? What was it doing? 793 00:54:10,640 --> 00:54:14,040 Speaker 1: Maybe it was some kind of sound recording device or 794 00:54:14,080 --> 00:54:19,200 Speaker 1: a camera maybe yeah, maybe yeah, maybe it was an 795 00:54:19,200 --> 00:54:22,400 Speaker 1: a nes classic. If people are getting doing weird stuff 796 00:54:22,400 --> 00:54:26,200 Speaker 1: to those that is that how Nintendo, it was a 797 00:54:26,200 --> 00:54:30,000 Speaker 1: brilliant marketing campaign that started centuries ago. I know, four 798 00:54:30,160 --> 00:54:32,560 Speaker 1: video games. I just found out that they were making 799 00:54:32,760 --> 00:54:37,480 Speaker 1: you know cards in the eight hundreds, which is pretty awesome. Nintendo, 800 00:54:37,800 --> 00:54:43,560 Speaker 1: Good on you for making that switch. Oh yeah, I 801 00:54:43,600 --> 00:54:46,760 Speaker 1: didn't even expect that one until it was nice. That's nice, 802 00:54:47,160 --> 00:54:50,960 Speaker 1: And we would like to hear your opinion about this, 803 00:54:51,040 --> 00:54:55,239 Speaker 1: and additionally, we would like to hear other historical anomalies 804 00:54:55,280 --> 00:55:00,200 Speaker 1: that you have found, because whether this is entirely gen 805 00:55:00,360 --> 00:55:03,440 Speaker 1: whether it's based in truth, whether it's something even weirder 806 00:55:03,480 --> 00:55:07,160 Speaker 1: than the various theories we explored today, we'd like to 807 00:55:07,200 --> 00:55:09,280 Speaker 1: hear about it. Yeah, and you're part of the world. 808 00:55:09,360 --> 00:55:12,640 Speaker 1: Did a ship like this show up in a little 809 00:55:12,680 --> 00:55:16,759 Speaker 1: bit later in eighteen o two, eighteen o three, Maybe this, 810 00:55:17,200 --> 00:55:19,160 Speaker 1: you know, matches up somewhere else in the world where 811 00:55:19,160 --> 00:55:23,160 Speaker 1: it just floated to Did your parents, grandparents or ancestors 812 00:55:23,200 --> 00:55:26,160 Speaker 1: meet when one of them washed ashore in a mysterious craft. 813 00:55:26,400 --> 00:55:29,040 Speaker 1: If so, have you taken a DNA test, we'd love 814 00:55:29,080 --> 00:55:31,760 Speaker 1: to hear about it, or just send us some DNA 815 00:55:31,920 --> 00:55:34,799 Speaker 1: and you know we'll take care of it. Or you 816 00:55:34,840 --> 00:55:38,000 Speaker 1: can write an email which reminds me it's time for 817 00:55:38,080 --> 00:55:45,600 Speaker 1: our chat at Corners. Our first shout out comes from Sydney. 818 00:55:45,760 --> 00:55:48,800 Speaker 1: Sidney says, hi, guys, I was listening to both episodes 819 00:55:48,840 --> 00:55:53,799 Speaker 1: of your Serial Killers series. Loved them. You said you 820 00:55:53,880 --> 00:55:55,840 Speaker 1: might do a third one. I was going to suggest 821 00:55:55,920 --> 00:56:00,239 Speaker 1: maybe the West Mesa murders from Albuquerque, New Mexico. I 822 00:56:00,280 --> 00:56:03,240 Speaker 1: live here and people are still talking about them pretty often. 823 00:56:03,360 --> 00:56:05,759 Speaker 1: I don't know. Check it out if you want. Thanks 824 00:56:05,800 --> 00:56:09,399 Speaker 1: for reading. Oh all right, Sydney, I don't know much 825 00:56:09,440 --> 00:56:11,319 Speaker 1: about that, Ben. Are you aware of these at all? 826 00:56:11,800 --> 00:56:15,200 Speaker 1: That this was absolutely news to me. I think we 827 00:56:15,239 --> 00:56:19,320 Speaker 1: should do a third episode or the installment of that series, 828 00:56:19,360 --> 00:56:21,640 Speaker 1: So let us know if we would like Matt Nolan 829 00:56:21,719 --> 00:56:25,160 Speaker 1: I to uh to investigate this in a future episode 830 00:56:25,200 --> 00:56:28,400 Speaker 1: and send us just take a page out of Sydney's 831 00:56:28,400 --> 00:56:33,600 Speaker 1: book and send us your suggestions. Awesome, thank you for writing, Sydney. 832 00:56:33,600 --> 00:56:38,319 Speaker 1: I'm glad that enjoy is not the right word to use. 833 00:56:38,600 --> 00:56:40,400 Speaker 1: I think we talked about it in that episode, But 834 00:56:40,480 --> 00:56:44,520 Speaker 1: there's something compelling and fascinating, especially when you consider how 835 00:56:44,600 --> 00:56:50,120 Speaker 1: many of these crimes occur with relatively little fanfare outside 836 00:56:50,120 --> 00:56:54,880 Speaker 1: of their region. I mean, the Highway of Tears was 837 00:56:55,000 --> 00:56:59,200 Speaker 1: an active hunting ground for how long decades? And just 838 00:56:59,480 --> 00:57:02,880 Speaker 1: to add a little bit of mystery here to the 839 00:57:02,920 --> 00:57:04,560 Speaker 1: end of it, I just looked it up. Ben. In 840 00:57:04,600 --> 00:57:08,040 Speaker 1: two thousand nine, the remains of eleven women were found 841 00:57:08,120 --> 00:57:11,960 Speaker 1: buried in the desert of West Mesa, and no suspects 842 00:57:12,000 --> 00:57:15,440 Speaker 1: have been arrested, and a serial killer is believed to 843 00:57:15,480 --> 00:57:20,040 Speaker 1: be responsible. All right, we're on the case. Our next 844 00:57:20,240 --> 00:57:23,560 Speaker 1: Our next shout out is a little bit unusual. It's 845 00:57:23,560 --> 00:57:26,400 Speaker 1: something that we we haven't always done en. It's something 846 00:57:26,440 --> 00:57:30,120 Speaker 1: I'd like your help with, folks. So I went on 847 00:57:30,160 --> 00:57:33,840 Speaker 1: Twitter recently for a tangentially related thing to ask a 848 00:57:33,960 --> 00:57:38,320 Speaker 1: question because I spent part of an afternoon trying to 849 00:57:38,360 --> 00:57:44,400 Speaker 1: figure out the proper plural of bigfoot? Is it just 850 00:57:44,600 --> 00:57:48,120 Speaker 1: big foot like sheep? Yeah, there are there are several 851 00:57:48,120 --> 00:57:51,320 Speaker 1: big foot and there are some sheep um or is 852 00:57:51,360 --> 00:57:55,120 Speaker 1: it big foots? Three big foots were on the road 853 00:57:55,160 --> 00:57:58,919 Speaker 1: that day or is it big feet? Man, I don't 854 00:57:58,920 --> 00:58:00,840 Speaker 1: even know how many big feet I was here and 855 00:58:00,880 --> 00:58:04,640 Speaker 1: walking around. These are great examples, Matt, this is this 856 00:58:04,720 --> 00:58:08,439 Speaker 1: is a gift. So we went on Twitter. We asked 857 00:58:08,480 --> 00:58:11,560 Speaker 1: about it, and we we got a lot of responses. 858 00:58:11,560 --> 00:58:14,280 Speaker 1: We're just gonna read a few here. Oh Man, Yawn 859 00:58:14,360 --> 00:58:17,160 Speaker 1: has a great one. This is my favorite. All right, 860 00:58:17,240 --> 00:58:20,800 Speaker 1: what is it? John says, I believe it's like surgeons 861 00:58:20,880 --> 00:58:28,600 Speaker 1: and attorneys general bigg's foot? Um all right? Uh? And 862 00:58:28,640 --> 00:58:32,400 Speaker 1: then Stephen Even says one big foot, more bigfoot and 863 00:58:32,400 --> 00:58:36,600 Speaker 1: big foot ist definitely a Kyle Sherman says, I wonder 864 00:58:36,640 --> 00:58:38,760 Speaker 1: if you can call a group of bigfoot a trample 865 00:58:38,800 --> 00:58:41,440 Speaker 1: a trample of bigfoot? You can, now, but then what 866 00:58:41,480 --> 00:58:44,000 Speaker 1: do you you gotta still say something for a trample 867 00:58:44,080 --> 00:58:49,680 Speaker 1: of big Foot's See, here's the thing, Okay, I was thinking, 868 00:58:49,760 --> 00:58:52,720 Speaker 1: I spent way too much time thinking about this. You 869 00:58:52,760 --> 00:58:57,880 Speaker 1: wouldn't say teeth brushes if you had two toothbrushes. That's 870 00:58:58,000 --> 00:59:03,840 Speaker 1: very true. So also, yeah, you're never brushing a single tooth. Well, 871 00:59:03,840 --> 00:59:08,680 Speaker 1: I guess sometimes you are due to circumstances. But it's 872 00:59:08,680 --> 00:59:13,960 Speaker 1: a teeth brush. It's a teeth brush. Uh. So We 873 00:59:14,120 --> 00:59:17,520 Speaker 1: also had a buddy friend of the show, Josh Clark, 874 00:59:17,640 --> 00:59:21,480 Speaker 1: chime in. Do you Clark? I know that guy. He 875 00:59:21,520 --> 00:59:24,160 Speaker 1: and I talked about the issues, the important issues at hand. 876 00:59:25,160 --> 00:59:28,680 Speaker 1: He voted for bigfoots really, which is sort of what 877 00:59:28,800 --> 00:59:31,320 Speaker 1: David Bakara I feel like David Bakara from our earlier 878 00:59:31,360 --> 00:59:36,160 Speaker 1: bigfoot interview he hit the ploys used was Bigfoot's. Well, 879 00:59:36,320 --> 00:59:40,040 Speaker 1: do right in and let us know. Because I still 880 00:59:40,080 --> 00:59:42,280 Speaker 1: can't let this go and it seems like there's not 881 00:59:42,360 --> 00:59:46,320 Speaker 1: really a consensus. We have time for one more. Shoutout. 882 00:59:46,920 --> 00:59:50,840 Speaker 1: Jeff from Ontario, shout out to you. Jeff says, Hey, guys, 883 00:59:50,840 --> 00:59:53,440 Speaker 1: I just listened to the Pyramids episode. I listened to 884 00:59:53,480 --> 00:59:55,360 Speaker 1: the whole thing, wondering if you were going to mention 885 00:59:55,400 --> 00:59:59,320 Speaker 1: the pyramids on Mars. By the way, that is pyramids 886 00:59:59,320 --> 01:00:01,919 Speaker 1: on Mars. I'm kind of glad you didn't go there. 887 01:00:02,240 --> 01:00:06,320 Speaker 1: It would have cheapened the sincerity of the subject. We 888 01:00:06,360 --> 01:00:09,880 Speaker 1: did mention something that actually I kind of need to correct. 889 01:00:10,240 --> 01:00:14,160 Speaker 1: I said a monolith on one of the moons of Jupiter. 890 01:00:14,320 --> 01:00:16,720 Speaker 1: That is incorrect. It's on one of the more moons 891 01:00:16,760 --> 01:00:20,080 Speaker 1: of Mars. But we did mention that. Let's get back 892 01:00:20,080 --> 01:00:24,000 Speaker 1: in here. Jeff also writes you were right about skaed 893 01:00:24,040 --> 01:00:27,000 Speaker 1: Dooch proceeding Kung Fu Panda by quite a bit. I'm 894 01:00:27,040 --> 01:00:31,120 Speaker 1: a big Jabls fan and user of skadooch as sort 895 01:00:31,120 --> 01:00:34,440 Speaker 1: of an exclamation point, enough so that it was one 896 01:00:34,480 --> 01:00:38,400 Speaker 1: of my niece and nephew's first words. Well, congratulations. It 897 01:00:38,480 --> 01:00:40,360 Speaker 1: brought them a ton of joy and it was super 898 01:00:40,400 --> 01:00:42,960 Speaker 1: cute to see their smiles peek out as they struggled 899 01:00:43,000 --> 01:00:47,720 Speaker 1: to say it through their pacifiers. Thanks for the great show, Jeff, Well, 900 01:00:47,720 --> 01:00:51,959 Speaker 1: thank you, Jeff. You know, I think pyramids on any 901 01:00:52,040 --> 01:00:55,960 Speaker 1: other planet is just an awesome topic because if it, 902 01:00:56,120 --> 01:00:59,360 Speaker 1: if we did find that, I mean, the implications ben 903 01:01:00,440 --> 01:01:06,640 Speaker 1: right right. But again, going back to that episode, is 904 01:01:06,680 --> 01:01:08,760 Speaker 1: that a pyramid or is it just sort of a 905 01:01:08,800 --> 01:01:14,760 Speaker 1: pointy mountain? It's probably just like the one that they discovered. 906 01:01:15,280 --> 01:01:21,360 Speaker 1: And then yeah, and then also, and this will warm 907 01:01:21,520 --> 01:01:24,960 Speaker 1: knowles heart, will warm our colleagues heart to hear your 908 01:01:25,000 --> 01:01:28,560 Speaker 1: information about schedooch, Jeff, So thank you so much. Writing 909 01:01:28,680 --> 01:01:34,919 Speaker 1: This concludes our gosh, but not our show. We will 910 01:01:34,960 --> 01:01:38,760 Speaker 1: return next week with something. Just let's see what do 911 01:01:38,800 --> 01:01:41,320 Speaker 1: we have lined up? Oh, we have some interviews oh yes, 912 01:01:41,400 --> 01:01:44,440 Speaker 1: and we have another one coming up. Can we spoil 913 01:01:44,520 --> 01:01:46,520 Speaker 1: kind of what it is or just let it come out? 914 01:01:47,080 --> 01:01:49,080 Speaker 1: I don't know what do you think it has to 915 01:01:49,160 --> 01:01:56,280 Speaker 1: do with what happens when something catastrophic occurs in Washington, 916 01:01:56,360 --> 01:02:00,360 Speaker 1: d C. I think that's cryptic enough. Yeah, check it out. 917 01:02:00,480 --> 01:02:03,240 Speaker 1: Your future just might depend on it. No pressure. In 918 01:02:03,280 --> 01:02:07,280 Speaker 1: the meantime, you can find us on Facebook, Instagram, and Twitter, 919 01:02:07,400 --> 01:02:11,840 Speaker 1: where we are Conspiracy Stuff and Conspiracy Stuff Show, respectively. 920 01:02:12,600 --> 01:02:16,920 Speaker 1: If none of that is quite um scratching your itch 921 01:02:18,240 --> 01:02:24,600 Speaker 1: the opening your yeah, then you can take a tip 922 01:02:24,640 --> 01:02:27,840 Speaker 1: from your fellow listeners and email us directly. We are 923 01:02:28,120 --> 01:02:50,600 Speaker 1: conspiracy at how stuff works dot com.