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Speaker 1: Okay, gang, here's the headline.

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Speaker 2: Gather round, gang.

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Speaker 1: I ain't never been one to be the last guy

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Speaker 1: left at the dance when the lights come on.

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Speaker 3: I have actually been licking my finger and putting it

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Speaker 3: in the air.

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Speaker 1: The wind she's a blowing. It's time to gather up

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Speaker 1: my things in my little bindle, toss it over my

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Speaker 1: shoulder and head on to the next stop on the truck.

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Speaker 2: So we yeah, so it helped me out.

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Speaker 3: John and I and the show are as of the

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Speaker 3: end of the year, not going to be on Earwolf anymore.

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Speaker 2: We love ear Wolf.

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Speaker 1: And we've had a blast. We could never repay ear

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Speaker 1: Wolf for everything they've done for us. They have given

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Speaker 1: us the figure that it would be, and it's like,

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Speaker 1: it's just not that's not going to happen. And so

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Speaker 1: what makes sense, I think for everybody at this point

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Speaker 1: is that we stay friends.

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Speaker 2: Mm hm. But we.

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Speaker 1: Don't stay no more.

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Speaker 2: Yeah, we're not.

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Speaker 1: We're gonna leave your Wolf.

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Speaker 3: So we're saying this is not because tomorrow is our

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Speaker 3: last pro version on Stitch your Premium and then in

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Speaker 3: January the pro version is gonna be on the Flagrant

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Speaker 3: Ones Patreon, our Patreon and we're also gonna have season

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Speaker 3: three of Masterclass on the Hollywood master Class on the

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Speaker 3: Patreon sometime in twenty twenty months. With everything's exactly the

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Speaker 3: same that like you know, nothing is you get it.

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Speaker 3: I also am going to be leaving ear Wolf at

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Speaker 3: the end of the year and I will continue producing

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Speaker 3: the show with the boys, and I'm gonna be working with.

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Speaker 2: This is your stuff is just gonna get like buried.

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Speaker 1: This feels like it should be on Maybe don't. So

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Speaker 1: I'm on the beach, the big next to the do

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Speaker 1: you see what I'm big the water and you've seen this.

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Speaker 3: Yes, it's brown, huge brown, Yes, very brown, but.

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Speaker 1: Not the water but some of it.

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Speaker 2: No, that's what I'm saying. It's the exactly It's It's like.

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Speaker 1: I'm on the brown part and it's me and it's

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Speaker 1: Pete's dragon and we are trying to trying to teach

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Speaker 1: a man to fish.

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Speaker 2: Okay, let's talk about this.

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Speaker 1: We had been giving we had been doing it every day,

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Speaker 1: and what do you think would happen the next day?

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Speaker 1: Hayes and I didn't and I didn't see it coming

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Speaker 1: and I had to eat a pretty good, uh heaping

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Speaker 1: helping of crow from Pete's dragon Elliott, who was telling

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Speaker 1: me this would happen.

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Speaker 3: When I do this, and you know, I go out

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Speaker 3: and it's like hot and my feet hurt, and.

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Speaker 2: I'm like, still doing this and I give Man the fish.

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Speaker 1: And it's getting everywhere.

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Speaker 3: Well, at least I don't have to do this ever again.

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Speaker 3: And then the next day Man comes to me and

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Speaker 3: you were me, you were me, and he and his

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Speaker 3: hands are on his belly and he's kind of rubbing

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Speaker 3: his belly a little bit and saying, this is this is, Oh,

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Speaker 3: those a pretty good fees yesterday.

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Speaker 2: And I'm like, oh my.

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Speaker 1: Fucking oh god.

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Speaker 2: Yeah, bech oh many of you had the same fish

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Speaker 2: from yesterday.

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Speaker 1: It was the same fish.

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Speaker 2: Yeah, I do.

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Speaker 1: Yeah, Like okay, wow, but like, okay.

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Speaker 2: At least this won't happen again tomorrow.

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Speaker 1: Thank you. Yes, that's what I did for I think

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Speaker 1: it was two hundred and twenty five days in a row.

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Speaker 1: I said, well, luckily this is the last time, and

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Speaker 1: Elliott would turn he goes and I go, oh, I

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Speaker 1: know what you're saying, Elliott, that we should just teach

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Speaker 1: him to fish. But I think he'll have learned by

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Speaker 1: that point. And uh, and so we we had, you know,

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Speaker 1: sort of come to a head with it. I was

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Speaker 1: basically out of fish too, and so I said, well,

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Speaker 1: why don't you come down to the peer with me

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Speaker 1: and I'll teach you. And I started to realize how

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Speaker 1: bad pollution in the ocean is. WHOA no, yes, And

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Speaker 1: so really it was the message of environment as well.

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Speaker 1: So so many lessons in this one day.

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Speaker 2: Hey, welcome to Hollywood.

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Speaker 1: It started.

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Speaker 2: Industry.

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Speaker 3: We call show. You gotta write about You gotta write

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Speaker 3: about this stuff.

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Speaker 1: Know me, you gotta do something.

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Speaker 2: Have you ever thought about like doing?

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Speaker 4: Uh?

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Speaker 3: Like you do a little thing about this? We gotta

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Speaker 3: get we gotta talk about this.

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Speaker 1: How about no me's no Mei's fish fry?

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Speaker 4: About the fish?

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Speaker 1: Nomy's fish fry?

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Speaker 2: Yeah about the fish?

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Speaker 1: About the fish we've been talking about.

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Speaker 4: You know. I remember actually that the yeah, it's my

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Speaker 4: and my first column will be about how I you know,

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Speaker 4: don't nobody sue me. But I remember vaguely that maybe

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Speaker 4: fifteen years ago, I read in US Weekly that Angelina

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Speaker 4: Jolie said that you shouldn't give a man a fish,

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Speaker 4: you should give him a fishing rod. And I remember

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Speaker 4: being very disappointed when I read that, but you know,

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Speaker 4: who knows if that's even true. But that's what my

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Speaker 4: first column will be about.

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Speaker 3: That's the kind of thing where like the sources say or.

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Speaker 4: Whatever, and it'll just and it'll just go from there.

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Speaker 4: You know. That'll be my first column and then my second.

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Speaker 1: Crazy we have to start every column these days with

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Speaker 1: nobody sue me.

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Speaker 4: You know, it's the it's we are living in the

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Speaker 4: air era of political correctness, and you know, we just

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Speaker 4: got to be really careful. It's every man for himself.

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Speaker 5: No me.

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Speaker 3: I once read a headline in US I think it

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Speaker 3: was US Weekly where some of the cast members of

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Speaker 3: this is us We're fighting, and the headline was, this

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Speaker 3: is fuss. Have you ever thought of doing something like

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Speaker 3: something like this? You got it, like you write something

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Speaker 3: about this.

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Speaker 4: I don't think I could reach that level.

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Speaker 3: Because you so this is no me fry, right, this

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Speaker 3: is what we're doing. Like we're talking about this and.

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Speaker 1: Like we're doing this.

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Speaker 3: This is the first time we have talked to like

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Speaker 3: journalism writing this. Okay, h yeah, okay, we've never talked

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Speaker 3: about this, and like.

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Speaker 1: And the power of the pen and the access we

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Speaker 1: have now with this and we're talking about this journalism.

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Speaker 1: It's right now.

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Speaker 4: Huh, yes, it's right now. It's writing. Uh yeah, definitely, yes.

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Speaker 2: And what did what? What did you? What did you

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Speaker 2: write about?

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Speaker 5: What?

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Speaker 1: I please?

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Speaker 4: You mean over the past like many years?

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Speaker 2: Yeah, I mean what did you say? What do I

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Speaker 2: what did you say? What do I mean?

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Speaker 4: Yeah, like in the past, it's like pretty.

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Speaker 2: Cormal, just like to me, it's like just a very

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Speaker 2: basic question, like.

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Speaker 1: Yeah, like what did you even write about? Like this

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Speaker 1: is pretty cool?

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Speaker 4: Huh, it's amazing. Uh yeah, I I've you know, been

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Speaker 4: writing about a variety of things. I actually I wasn't

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Speaker 4: writing there, but I worked at US Weekly for a while.

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Speaker 2: Okay, yeah, why don't you want to say what you

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Speaker 2: wrote about?

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Speaker 4: Yeah?

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Speaker 2: I mean, just say what you wrote about?

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Speaker 4: Okay, what did I write? Yeah, okay, let's see what

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Speaker 4: did I write about? I was actually just looking over

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Speaker 4: some of the things that I've written about, and I

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Speaker 4: was reminded, Yeah.

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Speaker 1: Because that's perfect for this question. That is getting us

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Speaker 1: so so close to the question.

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Speaker 4: I knew you would ask this. I knew you ask this,

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Speaker 4: and so I was looking back, you know, and just

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Speaker 4: taking a little bit of a journey down memory lane,

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Speaker 4: throwing it back if you will. And that means I

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Speaker 4: remember that I wrote about the P tape, and the

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Speaker 4: amazing thing was that I had completely forgotten about the

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Speaker 4: P tape.

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Speaker 2: You taped over it.

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Speaker 4: I taped over the P tape.

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Speaker 1: Mm hm. There was a family guy on that you

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Speaker 1: liked and you taped it over the P tape. Yeah,

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Speaker 1: and that happened. It was the one where Peter did

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Speaker 1: his own rendition of the King and I is.

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Speaker 4: Family guy, the one with the baby.

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Speaker 3: Uh yeah, So that's really interesting. This is like a

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Speaker 3: really good question. Is that the family guy.

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Speaker 4: The baby?

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Speaker 2: The family is that baby? Is that baby? The family guy.

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Speaker 4: Is the dog. I know there's a baby and there's

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Speaker 4: a dog. I've never watched the show the dog.

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Speaker 3: I really I don't think is no way the dog

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Speaker 3: is a family guy. He's the family dog. But I

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Speaker 3: actually think but he's always with the baby, who I

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Speaker 3: guess is the family guy.

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Speaker 1: No.

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Speaker 3: But here's this is interesting. I've this is I've been

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Speaker 3: thinking about it, and you got to do something about this, Okay,

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Speaker 3: Like I like, I have actually been thinking that the

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Speaker 3: mom can be family guy.

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Speaker 4: It's you know, in this in this era of political correctness,

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Speaker 4: you know.

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Speaker 1: Nobody assue me, but nobody family guy.

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Speaker 4: Yeah, yeah, the dog can definitely be family guy.

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Speaker 1: And that is actually where I disagree one thing where

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Speaker 1: we did say that it was not the dog.

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Speaker 4: Everything is topsy turvy nowadays, you guys.

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Speaker 3: And she's also the first one you ever noticed this,

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Speaker 3: or like maybe by the time you're like hitting record

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Speaker 3: on the tape, sometimes the beginning you don't get the

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Speaker 3: very beginning, or it like gets it gets cut off.

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Speaker 3: But like she's the first one, and I the effect

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Speaker 3: on me is I have this sort of imprinting phenomenon

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Speaker 3: that the first person I see in a show that.

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Speaker 4: Is it's definitely good.

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Speaker 2: That's the title of the show.

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Speaker 3: Yeah, whatever the show is, the first person I see

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Speaker 3: is named the title.

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Speaker 1: Yeah. So for me, it's like I can't recall if

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Speaker 1: it was Rossoli or Isles, but one of them is

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Speaker 1: Risoli and Isles.

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Speaker 4: To me, does it does it have is it only

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Speaker 4: with people or can it.

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Speaker 1: Be like no, no, no, it could be a bridge

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Speaker 1: or a train, right, So.

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Speaker 4: I am now recalling. I believe I'm slightly or a

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Speaker 4: lot older than you two youngsters. And when I was

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Speaker 4: growing up, one of my favorite shows was Who's the Boss? Okay,

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Speaker 4: and the first frame of the show, of the opening credits,

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Speaker 4: was a truck that I think from New York to Connecticut.

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Speaker 1: Truck's the Boss?

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Speaker 2: No, the trust name is the truck.

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Speaker 4: Trus the Boss?

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Speaker 1: Yeah, trucks Who's the Boss? Yeah, sometimes it works out.

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Speaker 2: Why was that? Why was that?

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Speaker 1: So?

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Speaker 3: Like, I'm also really old but like I uh but

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Speaker 3: I like, you know, at different points in my life

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Speaker 3: have been like studying, uh and like doing uh research

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Speaker 3: on different things where I'm like now yah.

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Speaker 2: Yeah, and like learning and like always in school.

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Speaker 4: You know, life is your school.

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Speaker 1: Yeah, here's school all right outside this door.

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Speaker 3: But so like and I'll actually be like out and

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Speaker 3: like doing stuff and like going to the zoo and

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Speaker 3: things like that. But why was that truck named Who's

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Speaker 3: the Boss? Why was that part of the show?

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Speaker 1: Mm hmm.

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Speaker 2: This could be good. This could be good if you

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Speaker 2: want to do something about.

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Speaker 1: This, Yeah, you could write about this, Yeah.

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Speaker 4: Yeah I can. Yeah, this is giving me a lot

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Speaker 4: of ideas.

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Speaker 2: Good.

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Speaker 1: Maybe next time somebody asked what you wrote about, you'll

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Speaker 1: just right away be able to go the truck's name,

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Speaker 1: Who's the Boss?

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Speaker 3: Why was that truck? Why? Why was there a truck

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Speaker 3: in the show.

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Speaker 4: Why was there a truck in the show?

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Speaker 2: Yeah?

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Speaker 3: Do you want me to like, do people do this

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Speaker 3: when you ask them questions and just like say the

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Speaker 3: say the question.

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Speaker 4: Yeah all the time again Okay, yeah.

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Speaker 1: Yeah, that's where you learned it.

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Speaker 4: Yeah, so what I learned in the School of Life.

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Speaker 2: And so why was that truck there?

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Speaker 4: Well, Tony and Samantha, okay, you know, two Americans of

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Speaker 4: Italian descent.

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Speaker 2: Thank you, thank you, you.

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Speaker 4: Know, yeah, and I was I was Italian Italian X.

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Speaker 4: I was watching this show in Israel. I had never

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Speaker 4: met an Italian American in my life. Absolutely had no

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Speaker 4: idea what that was. But the show taught me. And

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Speaker 4: part of that teaching was knowing that Italian Americans, you know,

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Speaker 4: sometimes they take a truck and they drive from I

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Speaker 4: think Brooklyn means maybe, and they drive to Connecticut to

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Speaker 4: seek out a better life. Because Samantha, you know, her

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Speaker 4: mother died and Tony wanted, oh my god, Mona, you're

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Speaker 4: bringing me back.

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Speaker 1: What is that dead? She's upstairs?

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Speaker 4: Mona? You know, I think Mona was the first. No,

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Speaker 4: she wasn't a mill she was a guilf mm hmmmm, right,

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Speaker 4: she was the grandma. She was like the horny the

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Speaker 4: horny grandma.

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Speaker 1: Nobody see me, she was a horny grandma. Nobody sue me,

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Speaker 1: horny grandma.

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Speaker 4: So Samantha, Tony wanted her to have a better life,

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Speaker 4: go to a better school district.

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Speaker 1: Kim Guilfoil.

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Speaker 4: Kim Guilfoile just sounds right.

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Speaker 1: Yeah, yeah, you hear something.

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Speaker 4: That's actually that's actually interesting. And you know what else

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Speaker 4: is interesting that you called her Kim rather than Kimberly.

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Speaker 4: It's sort of like when I say, I like worked

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Speaker 4: with Marty on The Irishman or something.

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Speaker 1: Yeah, it's just Kim. We got to stand on ceremony

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Speaker 1: all the time with this guilf Come, no, it's just Kim.

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Speaker 2: So know me.

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Speaker 3: Yeah, we you know we you can do something today.

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Speaker 3: We do whatever we want on the show anytime we want.

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Speaker 1: We're free. You must have a lot planned actually, I

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Speaker 1: mean you've been begging to be on the show.

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Speaker 4: I've been really batter It's true. I'm not gonna lie.

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Speaker 1: You must have a lot planned for us, then a

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Speaker 1: ton Yeah, I'll say one thing.

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Speaker 4: Happy to be here, okay with the boys.

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Speaker 1: Not what I meant.

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Speaker 3: And this is main feed though me. Do you know

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Speaker 3: this or you've been made aware of this.

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Speaker 1: This is this So this was a big negotiation happening

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Speaker 1: behind the scenes. We don't always let everyone in on this,

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Speaker 1: but you know, there was a question of, look, Nomi

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Speaker 1: really wants to do the show, like Nomy's dying to

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Speaker 1: do the show. Kevin of course said no way, no.

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Speaker 1: We said, well, come on, keV, he said, all right,

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Speaker 1: we'll put her on a pro version. Throw throw the

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Speaker 1: kid a pro version, you know what I mean, make

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Speaker 1: her feel okay, get you know, wash our hands of

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Speaker 1: the whole thing, and walk away. Everybody, everybody gets a win.

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Speaker 1: You know, we're not necessarily doing like a main feed episode.

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Speaker 4: But yeah, so, so what happened.

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Speaker 1: People, I don't know in the time it took to

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Speaker 1: book you on the pro version, Yeah, we had everybody

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Speaker 1: else who was willing to do the show, and all

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Speaker 1: of a sudden, Kevin comes up, maybe nobody could be

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Speaker 1: paid feed. Okay, but you felt pretty strongly that that

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Speaker 1: would be, in your words, Kevin, a disaster for the show.

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Speaker 1: So you know that makes me hesitant because you had

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Speaker 1: pretty strong feelings about that. But he said basically, he'd

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Speaker 1: been on the phone with everyone the previous week and

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Speaker 1: nobody else was going to do the show, and that

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Speaker 1: this is and this is where we were at.

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Speaker 4: Right And then and then Sean, you reached out, as

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Speaker 4: they say on the DMM, and you.

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Speaker 1: Said Carpei DM.

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Speaker 4: CARPEIM and you and you said.

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Speaker 2: That's funny.

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Speaker 4: There's a chance there's there's a chance that you're going

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Speaker 4: to be asked to be a guest on the show.

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Speaker 1: Didn't want to say that it was main feed because that, yeah,

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Speaker 1: that aspect had not been negotiatd the ink wasn't dry on.

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Speaker 4: That, yeah. And then and then you said, chef keV

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Speaker 4: will be reaching out. And then I responded with then

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Speaker 4: like I don't know, maybe like thirty seconds, maybe forty

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Speaker 4: five seconds, and I said, oh my god, the day

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Speaker 4: is finally here. I can't believe this, like it's actually happening.

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Speaker 4: And then Kevin emailed me, and then I like DMed

336
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Speaker 4: you again and I said, Kevin just emailed. This was

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Speaker 4: maybe like I don't know, fifteen minutes later. And then

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Speaker 4: of course you did not respond, which is a classic situation.

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Speaker 4: And I said, okay, okay, the boys are keeping me

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Speaker 4: on my toes and that's just how I like it.

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Speaker 4: That's how I like it, and I was, you know,

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Speaker 4: like you know, humbled, excited, concerned, all of these things together.

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Speaker 3: What do you want him to say too? In response

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Speaker 3: to Kevin, Jesse emailed affirmative.

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00:18:16,760 --> 00:18:18,960
Speaker 4: Affirmative, yeah, or just you know.

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Speaker 1: Just some exclamation points probably.

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Speaker 4: There that sounds, you know, maybe something just like awesome, awesome, Okay, okay, but.

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Speaker 3: Not not the first like, yeah, sure, that's an option

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Speaker 3: my first instinct.

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Speaker 1: But oh wait he did, but oh really why oh okay,

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Speaker 1: oh okay, okay, that's fine. We can let me call

352
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Speaker 1: him real quick, okay, yeah, no, that was intentional.

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Speaker 4: Yeah yeah yeah, oh yeah, yeah, yeah, yeah, yeah.

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Speaker 2: Yeah, yeah yeah, okay.

355
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Speaker 4: You know, oh great and so and so Okay, so

356
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Speaker 4: I'm going to keep on telling the story. So then Kevin.

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00:19:06,240 --> 00:19:09,160
Speaker 4: I was emailing with Kevin, and I was keeping it

358
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Speaker 4: like you know, I was, I was like expressing my excitement,

359
00:19:12,960 --> 00:19:15,960
Speaker 4: but I was also trying to like kind of mitigate

360
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Speaker 4: my potential disappointment if it didn't work out, and so

361
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Speaker 4: I was like, okay, I was kind of keeping it

362
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Speaker 4: a little bit. I was being a little bit cautious.

363
00:19:27,600 --> 00:19:32,720
Speaker 4: And then Kevin said, can we do it tomorrow or Friday?

364
00:19:33,000 --> 00:19:36,880
Speaker 4: And then I realized like clearly like a guest had

365
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Speaker 4: fallen through.

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Speaker 1: It was an emergency. No, not, that's not true. A

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00:19:41,359 --> 00:19:44,960
Speaker 1: guest had not fallen through. Every possible guest had fallen through.

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Speaker 1: This is how it was expressed to me by Kevin.

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Speaker 4: So and you know, and and once again I felt

370
00:19:56,080 --> 00:20:02,320
Speaker 4: the feeling was it hurt, but it was familiar. And

371
00:20:02,480 --> 00:20:05,280
Speaker 4: so I felt, you know, kind of comfortable with the

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00:20:05,320 --> 00:20:08,639
Speaker 4: way the situation was playing out because I, you know,

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Speaker 4: that's kind of like the way things usually go. And

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Speaker 4: so I was like, okay, oh this is okay, sure, sure,

375
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Speaker 4: I'll do it. Sure Friday, Friday, Thursday, I have therapy

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Speaker 4: and I wanted to you know, put air, put some

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Speaker 4: air between my therapy day and.

378
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Speaker 2: Is everything like is everything like.

379
00:20:35,040 --> 00:20:40,200
Speaker 4: All right, Yeah, everything's great, everything's great. So like in therapy,

380
00:20:41,160 --> 00:20:45,560
Speaker 4: I get built up. And then I knew that once I,

381
00:20:45,640 --> 00:20:47,480
Speaker 4: you know, was hanging out with the boys, I'll be

382
00:20:47,520 --> 00:20:49,800
Speaker 4: torn down again. And you know, it's it's kind of

383
00:20:49,840 --> 00:20:51,840
Speaker 4: like the phoenix, you know.

384
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Speaker 1: So I would have been better probably to do us

385
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Speaker 1: than therapy for certain purposes.

386
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Speaker 4: Certainly.

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00:20:58,000 --> 00:21:03,840
Speaker 3: Yeah, what SpongeBob's name him in Israel? SpongeBob, No, it's

388
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Speaker 3: something else.

389
00:21:04,960 --> 00:21:07,760
Speaker 4: Oh you're right, Oh shit, yeah, should I.

390
00:21:07,920 --> 00:21:15,439
Speaker 3: Bobsvog bobsvog bobsvug like uh mik nas Maruba or something.

391
00:21:17,760 --> 00:21:20,760
Speaker 4: Oh hey, this is very surprising. What's going on?

392
00:21:20,920 --> 00:21:24,120
Speaker 3: That's the only but like that's interesting. That's more interesting

393
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Speaker 3: to me than what I was.

394
00:21:25,119 --> 00:21:28,879
Speaker 1: Passing about, like foreign market SpongeBob. This has been something

395
00:21:28,920 --> 00:21:30,920
Speaker 1: of a pet project of his for while.

396
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Speaker 3: I sort of sort of in every language, I sort

397
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Speaker 3: of collect them.

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00:21:35,560 --> 00:21:38,840
Speaker 4: I'm trying to bobsvog. Yeah, I mean I don't. I

399
00:21:38,840 --> 00:21:41,440
Speaker 4: mean I think it's mostly bobs fog and then yeahbi

400
00:21:41,560 --> 00:21:44,560
Speaker 4: is is SquarePants. It's true. I'm trying to if that's

401
00:21:44,920 --> 00:21:46,600
Speaker 4: I mean that I think that checks out.

402
00:21:46,640 --> 00:21:48,760
Speaker 2: Yeah, probably right, I mean that's his name.

403
00:21:49,200 --> 00:21:52,800
Speaker 4: Yeah, do you know it also in like like Hungarian

404
00:21:52,880 --> 00:21:55,120
Speaker 4: and so on, and like you know, like.

405
00:21:55,440 --> 00:21:58,080
Speaker 3: No, so like I like, I collect them for the

406
00:21:58,119 --> 00:22:02,200
Speaker 3: most part, I don't like open in them like they

407
00:22:02,240 --> 00:22:04,560
Speaker 3: they they're they're all sort of like the mint in

408
00:22:04,720 --> 00:22:09,639
Speaker 3: package for me, these all these like exotic spongebobs. So

409
00:22:09,720 --> 00:22:12,040
Speaker 3: a few things have happened over here. My wife at

410
00:22:12,040 --> 00:22:16,479
Speaker 3: one point delivered a really delicious looking and smelling lunch. Uh,

411
00:22:16,520 --> 00:22:18,439
Speaker 3: and she and she put it on the desk for

412
00:22:18,560 --> 00:22:21,159
Speaker 3: me and then just now she just took it away

413
00:22:21,960 --> 00:22:25,000
Speaker 3: without me, uh getting to touch it at all.

414
00:22:25,080 --> 00:22:27,359
Speaker 1: And it's that easy, and it's that easy.

415
00:22:27,480 --> 00:22:29,840
Speaker 4: His how long was it on the shable? How long

416
00:22:29,920 --> 00:22:30,200
Speaker 4: was it?

417
00:22:30,200 --> 00:22:30,399
Speaker 1: It was?

418
00:22:30,760 --> 00:22:34,000
Speaker 3: It was there for a good amount of time, almost

419
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Speaker 3: the entire time. She decided to deliver it pretty much

420
00:22:36,880 --> 00:22:40,919
Speaker 3: as soon as we hit record, which was tough for

421
00:22:41,000 --> 00:22:42,960
Speaker 3: me to figure out how to eat an entire lunch

422
00:22:43,000 --> 00:22:46,040
Speaker 3: while we were doing the podcast. And I appreciate the

423
00:22:46,040 --> 00:22:47,400
Speaker 3: fact that she brought me lunch at all.

424
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Speaker 4: It is that's really nice.

425
00:22:49,640 --> 00:22:51,119
Speaker 1: Took the lunch cheese and potatoes.

426
00:22:52,160 --> 00:22:52,400
Speaker 2: Yeah.

427
00:22:52,440 --> 00:22:58,600
Speaker 3: Today today actually today I just said, I woke up

428
00:22:58,640 --> 00:23:04,720
Speaker 3: this morning. I was like, do we I would love

429
00:23:04,720 --> 00:23:06,720
Speaker 3: for once? Do you do we have like capers?

430
00:23:08,359 --> 00:23:09,320
Speaker 1: Yeah?

431
00:23:09,520 --> 00:23:12,960
Speaker 2: I would love just like a bowl of capers, Like

432
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Speaker 2: are you.

433
00:23:13,440 --> 00:23:17,159
Speaker 4: Talking about those giant capers you get in like in

434
00:23:17,359 --> 00:23:18,520
Speaker 4: like Tuscany.

435
00:23:19,080 --> 00:23:23,959
Speaker 3: I would love a nexit oh under the capers.

436
00:23:24,200 --> 00:23:28,840
Speaker 2: Yes, being smushed under a huge Tuscan caper.

437
00:23:29,640 --> 00:23:33,560
Speaker 1: Just diving into one of those giant caper bins that

438
00:23:33,600 --> 00:23:34,720
Speaker 1: they have there.

439
00:23:34,960 --> 00:23:37,600
Speaker 3: And the the like you know, the farm out in

440
00:23:37,640 --> 00:23:40,080
Speaker 3: the field, you see them rolling the huge caper down

441
00:23:40,119 --> 00:23:44,840
Speaker 3: the hill with a stick, Yeah, to the big hole

442
00:23:45,000 --> 00:23:47,960
Speaker 3: that they've set there to like catch the huge caper.

443
00:23:50,560 --> 00:23:52,359
Speaker 2: And all the different people in the village.

444
00:23:52,400 --> 00:23:54,399
Speaker 3: Yes, they're coming up and ripping off pieces of it

445
00:23:54,440 --> 00:23:55,480
Speaker 3: with their hands.

446
00:23:55,680 --> 00:23:58,080
Speaker 2: You know, it's so fresh. They could just eat the giant.

447
00:23:57,840 --> 00:24:01,119
Speaker 1: Papers with your community. You know, this is how they

448
00:24:01,240 --> 00:24:04,639
Speaker 1: used to do it. You knew your neighbors then because

449
00:24:04,680 --> 00:24:07,359
Speaker 1: you because you had shared a caper with them and

450
00:24:07,359 --> 00:24:10,119
Speaker 1: you had ripped it off, and so you had accidentally

451
00:24:10,119 --> 00:24:12,840
Speaker 1: touched fingers inside the caper as you were digging around

452
00:24:12,880 --> 00:24:18,760
Speaker 1: for the sweetest piece. Oh, we've lost something. The internet,

453
00:24:18,800 --> 00:24:21,320
Speaker 1: we've lost something. With all this, it's you know.

454
00:24:21,720 --> 00:24:23,320
Speaker 4: There's no human connection anymore.

455
00:24:23,400 --> 00:24:25,920
Speaker 1: You You certainly weren't getting sued for quoting an old

456
00:24:26,000 --> 00:24:28,639
Speaker 1: US Weekly article, you know, by your neighbor who you

457
00:24:28,800 --> 00:24:30,639
Speaker 1: just had a big hunk of caper with.

458
00:24:31,080 --> 00:24:33,080
Speaker 4: Certainly not certainly not.

459
00:24:34,200 --> 00:24:38,080
Speaker 3: But so look, no me, yeah, like I said, we do,

460
00:24:38,280 --> 00:24:42,000
Speaker 3: like we do what we want on this show and

461
00:24:42,359 --> 00:24:47,480
Speaker 3: that's it. We don't do anything else. But today, since

462
00:24:47,480 --> 00:24:52,520
Speaker 3: we have gnomis here, mm what I mean, like it's

463
00:24:52,520 --> 00:24:54,440
Speaker 3: time to do it and like we've thought. We thought

464
00:24:54,440 --> 00:24:56,639
Speaker 3: about this for a while, like let's write a major article.

465
00:24:57,320 --> 00:25:02,080
Speaker 1: Let's do it. Yeah, and so we'd like it to

466
00:25:02,119 --> 00:25:05,800
Speaker 1: be major. We'd like it to actually go. It would

467
00:25:05,920 --> 00:25:08,800
Speaker 1: really help us if it went really quite viral.

468
00:25:10,680 --> 00:25:16,120
Speaker 3: You're doing like New Yorker stuff. Huh mm hmm, yeah, yeah, yes,

469
00:25:16,840 --> 00:25:24,480
Speaker 3: Lord Grayden's man's I mean, right, come on, yeah, like

470
00:25:24,760 --> 00:25:27,200
Speaker 3: let's do this. Let's do like what's the thing. Let's

471
00:25:27,240 --> 00:25:29,399
Speaker 3: like we're bumping to Steve around the office.

472
00:25:29,400 --> 00:25:33,639
Speaker 4: Steve Martin, Yeah, all the time. He wears a white

473
00:25:33,840 --> 00:25:37,639
Speaker 4: he wears like what's it called after labor day, a

474
00:25:37,640 --> 00:25:39,919
Speaker 4: seersucker a seersucker suit.

475
00:25:40,359 --> 00:25:42,840
Speaker 3: The thing that like and like he's earned this. I

476
00:25:42,840 --> 00:25:45,520
Speaker 3: don't really care, but like on this show, like i'm

477
00:25:45,720 --> 00:25:49,440
Speaker 3: I'm I think we like can can talk about this

478
00:25:49,520 --> 00:25:51,440
Speaker 3: kind of stuff. He sucks at the banjo.

479
00:25:52,320 --> 00:25:54,520
Speaker 4: He plays the banjo. I guess I didn't know that.

480
00:25:55,000 --> 00:25:59,920
Speaker 3: Steve Martin, he's like obsessed with the banjo. No one

481
00:26:00,119 --> 00:26:03,000
Speaker 3: I guess is like willing to tell him that.

482
00:26:03,040 --> 00:26:05,080
Speaker 4: He's like, oh, it's all yes, men.

483
00:26:05,880 --> 00:26:06,160
Speaker 2: Yeah.

484
00:26:06,400 --> 00:26:08,119
Speaker 3: It's like you get to this point in your career

485
00:26:08,520 --> 00:26:10,760
Speaker 3: where you're like this is cool, right, Like I'm playing

486
00:26:10,800 --> 00:26:12,280
Speaker 3: the banger, I'm doing it the right He's not even

487
00:26:12,280 --> 00:26:13,439
Speaker 3: doing it the right way.

488
00:26:14,040 --> 00:26:18,960
Speaker 1: No, then like it with his teeth, that would be better.

489
00:26:19,440 --> 00:26:21,240
Speaker 3: He's like kind you could say that, he's like he

490
00:26:21,320 --> 00:26:24,479
Speaker 3: is flossing with it sometimes, which I understand. Like it

491
00:26:24,520 --> 00:26:27,399
Speaker 3: looks right there, it looks there, it looks like you

492
00:26:27,440 --> 00:26:29,840
Speaker 3: are supposed to be doing that. But like, yeah, everyone's

493
00:26:29,880 --> 00:26:31,879
Speaker 3: standing around and telling them, like, yeah, that's really good.

494
00:26:32,119 --> 00:26:37,160
Speaker 3: It sounds great, sounds like shit, It sound sounds horrific.

495
00:26:37,960 --> 00:26:40,199
Speaker 1: He basically puts it at the top of like a

496
00:26:40,240 --> 00:26:42,639
Speaker 1: big ladder and then he jumps up and punches it

497
00:26:42,680 --> 00:26:43,919
Speaker 1: as hard as he can.

498
00:26:43,960 --> 00:26:45,320
Speaker 4: From the bottom.

499
00:26:45,520 --> 00:26:50,040
Speaker 1: Yeah mm hmm. And it sounds horrible, like it's one

500
00:26:50,080 --> 00:26:52,600
Speaker 1: of the worst noises I've ever heard, not even just

501
00:26:52,640 --> 00:26:55,240
Speaker 1: like it's not good banjo music, Like it's a very

502
00:26:55,320 --> 00:27:01,080
Speaker 1: bad sound. When he's making m and his hand is bleeding,

503
00:27:02,280 --> 00:27:03,120
Speaker 1: he's bleeding.

504
00:27:03,720 --> 00:27:05,040
Speaker 4: Is this what we're going to write about?

505
00:27:06,080 --> 00:27:08,640
Speaker 1: I hope not, man, because this is one of probably

506
00:27:08,640 --> 00:27:12,359
Speaker 1: one of the least pleasant things going on today, is

507
00:27:12,400 --> 00:27:19,520
Speaker 1: Steve Martin's brutally violent and unpleasant banjo fetish. It really

508
00:27:19,600 --> 00:27:23,080
Speaker 1: is distressing to me. I'd rather write about something positive

509
00:27:23,280 --> 00:27:28,720
Speaker 1: like a damn uh and this can know me for you.

510
00:27:28,720 --> 00:27:31,720
Speaker 3: While Sean thinks about this, yeah, we would love to.

511
00:27:31,800 --> 00:27:33,440
Speaker 3: It would be really interesting to write a story about

512
00:27:33,440 --> 00:27:38,440
Speaker 3: s budebob uh. But what uh, this can be helpful

513
00:27:38,520 --> 00:27:42,440
Speaker 3: to you in a way where like you know, you're

514
00:27:42,480 --> 00:27:44,520
Speaker 3: doing like articles and stuff now and that's awesome, but

515
00:27:44,560 --> 00:27:49,280
Speaker 3: like we can really get you consistently into daily shouts.

516
00:27:49,800 --> 00:27:52,880
Speaker 4: I think, yes, yeah, yeah, yeah.

517
00:27:52,680 --> 00:27:54,760
Speaker 2: We can, like we can get to that point where

518
00:27:54,800 --> 00:27:55,080
Speaker 2: you're like.

519
00:27:55,119 --> 00:27:57,640
Speaker 1: Say, you you're flirting with them. Now, what we can

520
00:27:57,680 --> 00:27:59,880
Speaker 1: do is we can make that a full blown relationship

521
00:28:01,440 --> 00:28:03,919
Speaker 1: where you can make them put a ring on it becaunestly.

522
00:28:04,040 --> 00:28:06,080
Speaker 1: I think we're at a point, like you are at

523
00:28:06,080 --> 00:28:07,040
Speaker 1: a point, and.

524
00:28:06,920 --> 00:28:10,080
Speaker 2: Like with us, uh, we.

525
00:28:10,000 --> 00:28:14,080
Speaker 3: Can get to like like an MWF situation Monday, Wednesday, Friday,

526
00:28:14,200 --> 00:28:14,399
Speaker 3: know me.

527
00:28:14,640 --> 00:28:17,439
Speaker 4: I feel yeah, I feel like you guys can really

528
00:28:17,520 --> 00:28:21,560
Speaker 4: like take me over that edge, which I would really appreciate,

529
00:28:23,680 --> 00:28:26,120
Speaker 4: and you know, let's let's do this. I mean, I'm

530
00:28:26,160 --> 00:28:27,480
Speaker 4: really excited about it.

531
00:28:27,960 --> 00:28:29,720
Speaker 1: This doesn't have to be part of the article. What

532
00:28:29,760 --> 00:28:32,240
Speaker 1: do you do? Do you have any feelings in particular

533
00:28:32,240 --> 00:28:35,960
Speaker 1: about the fact that your episode of our show is

534
00:28:36,040 --> 00:28:41,680
Speaker 1: ultimately the episode that has destroyed our relationship with your

535
00:28:41,760 --> 00:28:45,320
Speaker 1: wolf oh the network which hosts are show.

536
00:28:45,640 --> 00:28:48,360
Speaker 4: Okay, so can you maybe say a little bit more

537
00:28:48,400 --> 00:28:51,000
Speaker 4: about that, just so I can know, you know, oh

538
00:28:52,880 --> 00:28:55,160
Speaker 4: kicking behind the scenes. I just want to know just

539
00:28:55,200 --> 00:28:57,040
Speaker 4: a little bit more, if that's possible.

540
00:28:57,480 --> 00:29:00,680
Speaker 2: Honestly, this should probably be what the main your article is.

541
00:29:00,640 --> 00:29:03,080
Speaker 1: About, I guess, so okay, so tell me.

542
00:29:05,080 --> 00:29:08,320
Speaker 2: So wow, I mean, like, do.

543
00:29:08,280 --> 00:29:10,160
Speaker 4: You want to begin at the beginning?

544
00:29:10,800 --> 00:29:11,240
Speaker 3: Uh?

545
00:29:11,560 --> 00:29:12,280
Speaker 1: Not really?

546
00:29:12,480 --> 00:29:14,760
Speaker 3: Well, hey, Scan if you wants yeah, no, it probably

547
00:29:14,840 --> 00:29:16,160
Speaker 3: makes more sense to like.

548
00:29:18,400 --> 00:29:22,080
Speaker 4: The start. You just start wherever you feel comfortable with starting,

549
00:29:22,680 --> 00:29:22,880
Speaker 4: you know.

550
00:29:23,160 --> 00:29:25,880
Speaker 2: I okay, yeah.

551
00:29:25,480 --> 00:29:28,640
Speaker 3: So I don't really remember exactly what happened, Just like

552
00:29:28,640 --> 00:29:34,880
Speaker 3: like Kevin has been for a long time like walking

553
00:29:34,920 --> 00:29:41,360
Speaker 3: around with like uh exciting new gear, you know, and

554
00:29:41,400 --> 00:29:43,560
Speaker 3: he knows that like the stuff that he's like whereing

555
00:29:43,680 --> 00:29:46,240
Speaker 3: Like he's like kind of like flashing it in a way.

556
00:29:46,280 --> 00:29:49,960
Speaker 3: He's got like uh this like wad falling out of

557
00:29:50,040 --> 00:29:52,840
Speaker 3: his pocket and just like like Kevin, like what's up

558
00:29:52,880 --> 00:29:55,040
Speaker 3: with you? Like where is this like coming from? And

559
00:29:55,080 --> 00:29:59,040
Speaker 3: that's normally not like uh, something I care about, But

560
00:29:59,160 --> 00:30:04,080
Speaker 3: just like the way he's wearing like these blinding white

561
00:30:04,120 --> 00:30:11,880
Speaker 3: sneakers and like hard jeans, raw salvage denim jeans.

562
00:30:12,040 --> 00:30:14,160
Speaker 1: We should talk about him asking us to call it.

563
00:30:14,200 --> 00:30:16,320
Speaker 1: He was like, Hey, can I not be Chef Kevin anymore?

564
00:30:16,320 --> 00:30:18,480
Speaker 1: And you guys call me mister Frosty because I'm so

565
00:30:18,840 --> 00:30:23,000
Speaker 1: iced out? And I thought, like, well, it's Chef Kevin's

566
00:30:23,000 --> 00:30:27,440
Speaker 1: like established people like this. Yeah, he is dripping, yes,

567
00:30:29,160 --> 00:30:31,520
Speaker 1: and he's begging us not to mind it.

568
00:30:32,160 --> 00:30:35,080
Speaker 3: His his jeans are technically ice because they are as

569
00:30:35,280 --> 00:30:36,560
Speaker 3: as hard as diamonds.

570
00:30:37,240 --> 00:30:39,120
Speaker 2: Yes, the salvage denim is so.

571
00:30:39,440 --> 00:30:41,600
Speaker 4: Raw it hurts so much.

572
00:30:42,160 --> 00:30:49,600
Speaker 2: Yes, that like it is effectively jewelry. Right, And so I.

573
00:30:50,120 --> 00:30:52,840
Speaker 1: So they mind this denim. This denim is not like

574
00:30:52,840 --> 00:30:54,080
Speaker 1: like they mine it out.

575
00:30:53,880 --> 00:30:57,160
Speaker 4: Of the hills in Tuscany.

576
00:30:57,400 --> 00:30:58,200
Speaker 1: Mm hm.

577
00:30:58,880 --> 00:31:02,760
Speaker 4: So so you like I've been there. I know, I know,

578
00:31:02,920 --> 00:31:05,760
Speaker 4: I know, I know, I know, I know.

579
00:31:06,800 --> 00:31:11,440
Speaker 2: The the workers just like and the with the wheelbar

580
00:31:11,680 --> 00:31:12,400
Speaker 2: rolling the.

581
00:31:12,360 --> 00:31:18,360
Speaker 4: Big and you know, there's contact, there's contact. It's like

582
00:31:19,480 --> 00:31:25,360
Speaker 4: flesh is touching flesh. Sean. You know you have a boy.

583
00:31:25,960 --> 00:31:28,120
Speaker 1: Yeah, right, I've got a little boy.

584
00:31:28,640 --> 00:31:32,760
Speaker 4: It's skin to skin, it's you know, in the hills

585
00:31:32,800 --> 00:31:35,800
Speaker 4: of It's like there's you don't see that sort of

586
00:31:35,800 --> 00:31:37,840
Speaker 4: thing so much anymore.

587
00:31:39,360 --> 00:31:41,200
Speaker 1: It's true. Yeah, and it comes to.

588
00:31:41,360 --> 00:31:44,520
Speaker 4: A certain primitivism. I'm just gonna say it.

589
00:31:45,560 --> 00:31:47,960
Speaker 3: That's interesting. I disagree with that. I actually think it's

590
00:31:47,960 --> 00:31:51,040
Speaker 3: the most advanced that a society can be.

591
00:31:51,480 --> 00:31:55,200
Speaker 1: That that technology has regressed us and that we've actually

592
00:31:55,280 --> 00:31:59,080
Speaker 1: moved backwards by getting into these zooms. So sick of

593
00:31:59,120 --> 00:32:02,600
Speaker 1: these zooms, and that actually skin touching skin is the

594
00:32:03,320 --> 00:32:05,360
Speaker 1: peak of technology.

595
00:32:06,120 --> 00:32:08,760
Speaker 3: And that's and this is actually this is actually like

596
00:32:08,920 --> 00:32:11,080
Speaker 3: caveman stuff, like what we're doing right now.

597
00:32:11,800 --> 00:32:16,120
Speaker 1: Yeah, like we so far, but just looking at an

598
00:32:16,160 --> 00:32:20,360
Speaker 1: image and like and endowing it with meaning regardless of

599
00:32:20,400 --> 00:32:24,440
Speaker 1: what it actually is. Like this is caveman brain. But

600
00:32:24,480 --> 00:32:27,040
Speaker 1: the real Facebook is when you just you smush your

601
00:32:27,040 --> 00:32:29,560
Speaker 1: face in between two other faces that I guess would

602
00:32:29,600 --> 00:32:30,360
Speaker 1: be the pages.

603
00:32:30,080 --> 00:32:31,720
Speaker 2: Of a book sort of like a book, and it

604
00:32:31,960 --> 00:32:33,000
Speaker 2: feels like a book.

605
00:32:33,040 --> 00:32:35,960
Speaker 1: And you just smish around back and forth. That's now

606
00:32:36,240 --> 00:32:39,880
Speaker 1: that would be some technology, but that's more face mash.

607
00:32:40,000 --> 00:32:43,320
Speaker 4: So that's so that's where they get Chef's jeans.

608
00:32:44,600 --> 00:32:48,800
Speaker 3: Yeah yeah, so yeah, that's where they get mister Frosty's

609
00:32:48,840 --> 00:32:50,680
Speaker 3: Jeens and so I'm like Kevin, like what is up,

610
00:32:50,720 --> 00:32:54,560
Speaker 3: Like what's going on? And He's like, oh, you know,

611
00:32:54,680 --> 00:32:56,760
Speaker 3: like I've just been working with like some other podcasts

612
00:32:56,760 --> 00:32:59,640
Speaker 3: that have like gone independent and like don't tell anyone.

613
00:33:00,720 --> 00:33:02,760
Speaker 3: And I'm like, holy shit, I could get my hands

614
00:33:02,800 --> 00:33:05,360
Speaker 3: on some of these like Iced out Jeens.

615
00:33:05,520 --> 00:33:07,320
Speaker 1: Just one pair of the genes would be good for me.

616
00:33:07,520 --> 00:33:11,479
Speaker 3: Yeah, and like I don't need much, you know, but

617
00:33:11,560 --> 00:33:15,640
Speaker 3: I do need one pair of really really expensive genes.

618
00:33:16,520 --> 00:33:19,800
Speaker 3: And so that was kind of the beginning of like

619
00:33:19,880 --> 00:33:23,719
Speaker 3: Kevin like show me what the like, like what's your pitch?

620
00:33:23,920 --> 00:33:25,640
Speaker 2: Like how would this work?

621
00:33:26,920 --> 00:33:29,680
Speaker 3: And I mean, like Shanna, you can like maybe talking

622
00:33:29,680 --> 00:33:34,640
Speaker 3: about this more detail. But like Kevin's pitch was honestly

623
00:33:36,000 --> 00:33:37,280
Speaker 3: one of the most compelling.

624
00:33:38,480 --> 00:33:41,960
Speaker 1: It was such a dynamic presentation. Yes, and there were

625
00:33:42,080 --> 00:33:43,960
Speaker 1: so it was so clear and there were so many

626
00:33:44,040 --> 00:33:48,600
Speaker 1: levels to it. He's just a phenomenal communicator as a communicator.

627
00:33:48,680 --> 00:33:51,400
Speaker 4: Yes, much like President Reagan in time.

628
00:33:51,760 --> 00:33:54,360
Speaker 1: Yes, No, it is the reincarnation.

629
00:33:54,480 --> 00:33:54,560
Speaker 4: No.

630
00:33:54,640 --> 00:33:58,560
Speaker 1: I found myself checking to make sure it.

631
00:33:58,600 --> 00:34:01,640
Speaker 2: Wasn't Ronnie's back.

632
00:34:00,680 --> 00:34:03,600
Speaker 1: And that it was mister Frosty run. And he'd take

633
00:34:03,640 --> 00:34:06,280
Speaker 1: these little breaks and he would just slap me around

634
00:34:06,280 --> 00:34:09,960
Speaker 1: with a watt one hundred dollars bills. He would just

635
00:34:10,400 --> 00:34:12,920
Speaker 1: I mean, he would beat my ass with these things,

636
00:34:13,000 --> 00:34:17,600
Speaker 1: like he rubber band and yeah, he'd unwind the rubber

637
00:34:17,600 --> 00:34:20,319
Speaker 1: band around. He'd start snapping me with it. And it

638
00:34:20,400 --> 00:34:22,799
Speaker 1: was and maybe these little welts, you know, but that

639
00:34:22,920 --> 00:34:25,080
Speaker 1: was a reminder. Even when I got home that night

640
00:34:25,600 --> 00:34:28,600
Speaker 1: and I was showering in front of the mirror, and

641
00:34:28,680 --> 00:34:30,919
Speaker 1: I would and I was looking and saying, oh wow,

642
00:34:31,000 --> 00:34:33,839
Speaker 1: these welts are reminding me of this presentation that Kevin gave.

643
00:34:34,160 --> 00:34:39,360
Speaker 1: I have to strongly consider going independent. You know, I

644
00:34:39,360 --> 00:34:41,200
Speaker 1: don't want to be mister Frosty, but I wouldn't mind

645
00:34:41,239 --> 00:34:42,239
Speaker 1: being a little snowflake.

646
00:34:43,280 --> 00:34:45,560
Speaker 3: He rented out. It was it's not just us. So

647
00:34:45,640 --> 00:34:48,320
Speaker 3: like Kevin has this like whole like empire of shows

648
00:34:48,360 --> 00:34:51,200
Speaker 3: that he that he does, and he like, you know,

649
00:34:51,239 --> 00:34:52,840
Speaker 3: he works on our show and then he goes to

650
00:34:53,880 --> 00:34:56,520
Speaker 3: like Coroa and like his his other guys, and so

651
00:34:57,360 --> 00:35:01,200
Speaker 3: he rented out like an air airport hotel, l like

652
00:35:01,480 --> 00:35:05,399
Speaker 3: conference room and he's got like a big screen that

653
00:35:05,520 --> 00:35:09,160
Speaker 3: like pulls down and he's like running us through the financials,

654
00:35:09,719 --> 00:35:12,239
Speaker 3: which like you're saying, like, this is Kevin's love language.

655
00:35:12,280 --> 00:35:15,160
Speaker 3: You know, to some people this is like h For

656
00:35:15,239 --> 00:35:18,799
Speaker 3: some people it's physical touch. And we've talked about this

657
00:35:19,239 --> 00:35:21,840
Speaker 3: act of service, acts of service exactly.

658
00:35:22,400 --> 00:35:24,680
Speaker 2: Yeah, for Kevin.

659
00:35:24,600 --> 00:35:27,520
Speaker 1: Kevin, it's it's running through financials.

660
00:35:27,080 --> 00:35:30,359
Speaker 3: Yes, and it's like and he and like to communicate

661
00:35:30,400 --> 00:35:33,359
Speaker 3: that to us is a is a gesture of love.

662
00:35:33,560 --> 00:35:34,399
Speaker 4: It's an act of love.

663
00:35:34,920 --> 00:35:37,200
Speaker 3: And basically what it comes down to is if we

664
00:35:37,440 --> 00:35:43,719
Speaker 3: can get forty other podcasts to uh to do what

665
00:35:43,920 --> 00:35:46,640
Speaker 3: we're doing, to go independent and to be a part

666
00:35:46,680 --> 00:35:51,080
Speaker 3: of our network essentially, and if each of them can

667
00:35:51,080 --> 00:35:52,520
Speaker 3: get at that point, I think it's like one hundred

668
00:35:52,520 --> 00:35:57,960
Speaker 3: and twenty podcasts to do the same. Then now at

669
00:35:57,960 --> 00:36:00,560
Speaker 3: this point, it's it's passive, right.

670
00:36:01,640 --> 00:36:05,799
Speaker 1: It's what Kevin calls mailbox money, where literally, you know,

671
00:36:05,960 --> 00:36:08,759
Speaker 1: the money just shows up in the mail every week

672
00:36:09,239 --> 00:36:12,400
Speaker 1: and you no longer are having to like do the grind,

673
00:36:12,440 --> 00:36:14,279
Speaker 1: although you love the grind. You know, I used to

674
00:36:14,320 --> 00:36:17,400
Speaker 1: call myself a podcaster. I've now become an entrepreneur. I

675
00:36:17,440 --> 00:36:19,480
Speaker 1: am my own boss because of Kevin, who is my

676
00:36:19,520 --> 00:36:20,239
Speaker 1: boss as well.

677
00:36:20,360 --> 00:36:24,600
Speaker 4: I mean, I personally live for the grind. I don't know.

678
00:36:24,680 --> 00:36:26,080
Speaker 4: I don't know about you guys.

679
00:36:25,840 --> 00:36:28,160
Speaker 1: But no, I do, I do, I do. But the

680
00:36:28,239 --> 00:36:33,800
Speaker 1: idea that one day I could, you know, look podcastings.

681
00:36:34,239 --> 00:36:38,920
Speaker 1: You know, it's a it's a middle age it's it's

682
00:36:38,920 --> 00:36:41,400
Speaker 1: a middle aged man's game. And I'm not going to

683
00:36:41,440 --> 00:36:47,160
Speaker 1: be middle aged forever. Yeah, at some point it's some

684
00:36:47,360 --> 00:36:51,239
Speaker 1: pot I will be elderly and it will be time

685
00:36:51,280 --> 00:36:54,560
Speaker 1: to hang up the mic, to shut down the task am.

686
00:36:55,000 --> 00:36:58,920
Speaker 4: And at that point the mailbox money will will be

687
00:36:59,080 --> 00:37:01,120
Speaker 4: Really that's when it really comes.

688
00:37:01,280 --> 00:37:02,200
Speaker 1: I'm gonna go.

689
00:37:02,560 --> 00:37:04,359
Speaker 3: And so we're talking to Earwolf and we're like, what's

690
00:37:04,360 --> 00:37:06,719
Speaker 3: your pitch and they're like, well, our thing is like

691
00:37:06,760 --> 00:37:09,719
Speaker 3: we're gonna like pay you money to do the show, right,

692
00:37:09,800 --> 00:37:10,880
Speaker 3: And I'm like, as.

693
00:37:10,800 --> 00:37:13,000
Speaker 1: We've been doing, hey, yeah.

694
00:37:13,440 --> 00:37:17,239
Speaker 2: Like that's kind of busted. Like that.

695
00:37:17,760 --> 00:37:21,560
Speaker 1: There was no they didn't suck. They didn't like ask

696
00:37:21,640 --> 00:37:23,920
Speaker 1: me any hard questions and then answer them in my

697
00:37:24,080 --> 00:37:29,040
Speaker 1: face afterwards like yes, And they didn't show me any charts. Yes,

698
00:37:29,120 --> 00:37:30,240
Speaker 1: it really sucked.

699
00:37:30,400 --> 00:37:31,760
Speaker 2: Nobody kicked my ass.

700
00:37:32,640 --> 00:37:35,600
Speaker 4: It feels kind of honestly, listening to this right now,

701
00:37:35,719 --> 00:37:38,319
Speaker 4: it feels kind of like the passion isn't isn't there

702
00:37:38,400 --> 00:37:40,239
Speaker 4: really like it feels a little dead.

703
00:37:41,360 --> 00:37:46,360
Speaker 1: And the jeans Colin had on his trousers jeans were

704
00:37:46,400 --> 00:37:49,640
Speaker 1: like they were so soft, they were so flimsy and soft.

705
00:37:49,680 --> 00:37:50,920
Speaker 2: They were really fucked up.

706
00:37:51,239 --> 00:37:53,960
Speaker 1: I thought they were gonna blow off him.

707
00:37:54,480 --> 00:37:58,440
Speaker 3: They're like pretty, like just like a lightish blue, whereas

708
00:37:58,520 --> 00:38:01,280
Speaker 3: Kevin's jeans are like blue, but like so blue.

709
00:38:01,320 --> 00:38:08,480
Speaker 2: They're black. Yeah, they're really extremely dark, hard.

710
00:38:08,440 --> 00:38:12,480
Speaker 1: And hard jeans. And had Kevin showed me he has

711
00:38:12,520 --> 00:38:15,160
Speaker 1: a harness at home with hydraulics that he uses to

712
00:38:15,200 --> 00:38:19,200
Speaker 1: get out of his jeans. He gets lifted out of

713
00:38:19,239 --> 00:38:23,879
Speaker 1: his jeans by this big machine every night, and it's

714
00:38:24,960 --> 00:38:27,520
Speaker 1: it's really impressive. And I got the sense that Colin

715
00:38:27,719 --> 00:38:30,000
Speaker 1: possibly just sort of wiggles his hips and.

716
00:38:30,000 --> 00:38:32,200
Speaker 2: His eyes saw I disintegrate.

717
00:38:33,480 --> 00:38:35,279
Speaker 3: I showed up a little early to the meeting, and

718
00:38:35,520 --> 00:38:41,120
Speaker 3: so I saw Colin put on his jeans at the

719
00:38:41,160 --> 00:38:47,080
Speaker 3: beginning of it. And it took like one second. There

720
00:38:47,120 --> 00:38:50,120
Speaker 3: was no machine, you know.

721
00:38:50,239 --> 00:38:52,720
Speaker 4: I think I heard that the machine that Kevin uses

722
00:38:52,800 --> 00:38:55,040
Speaker 4: is also made out of the same denim.

723
00:38:55,320 --> 00:38:57,200
Speaker 1: It has to be, it must be right, but it

724
00:38:57,520 --> 00:39:00,000
Speaker 1: has strong enough to stand up to what he's working

725
00:39:00,080 --> 00:39:00,400
Speaker 1: came with.

726
00:39:00,680 --> 00:39:05,120
Speaker 4: Yeah, whoa, whoa.

727
00:39:06,760 --> 00:39:08,719
Speaker 1: So that's the article idea. I mean, we're pretty deep

728
00:39:08,760 --> 00:39:10,400
Speaker 1: into this thing and we haven't written the word one

729
00:39:10,440 --> 00:39:12,960
Speaker 1: of the article, but like if you have an angle

730
00:39:13,000 --> 00:39:15,400
Speaker 1: on this, because we really need this to go viral.

731
00:39:15,120 --> 00:39:17,920
Speaker 3: Because this was like this was like the beginning of

732
00:39:17,920 --> 00:39:20,279
Speaker 3: a process, like we can talk about this forever. This

733
00:39:20,480 --> 00:39:22,239
Speaker 3: was like we're like, okay, how do we make this

734
00:39:22,360 --> 00:39:26,040
Speaker 3: separation from ear Wolf? Like okay, you know, like we

735
00:39:26,040 --> 00:39:28,799
Speaker 3: don't want to hurt any feeling, like you know, burn

736
00:39:28,800 --> 00:39:29,360
Speaker 3: any bridges.

737
00:39:29,400 --> 00:39:32,440
Speaker 2: So we're like, let's do a bad job for two years,

738
00:39:33,120 --> 00:39:35,960
Speaker 2: right and the first and so I'm very subtle.

739
00:39:36,520 --> 00:39:39,440
Speaker 4: Yeah, And so I'm the first. I'm trying to understand

740
00:39:39,440 --> 00:39:42,120
Speaker 4: if I'm like the apex, the the you know, the

741
00:39:42,200 --> 00:39:45,480
Speaker 4: crystal at the end of this two year process, or

742
00:39:45,520 --> 00:39:49,800
Speaker 4: whether I'm like the really really really strong kickoff point

743
00:39:50,160 --> 00:39:51,600
Speaker 4: of these two years.

744
00:39:51,920 --> 00:39:56,239
Speaker 3: You're the little like the little PC the resistance, where

745
00:39:58,719 --> 00:40:03,440
Speaker 3: like this is like Ratitude's friend or whatever. You remember

746
00:40:03,520 --> 00:40:08,919
Speaker 3: when the guys like the eating that food, Yeah, I forget.

747
00:40:08,600 --> 00:40:13,640
Speaker 4: Who Like when the chef when the chef has like

748
00:40:14,120 --> 00:40:19,920
Speaker 4: revioli from Chef Pierre or something, yes, and it's like

749
00:40:20,560 --> 00:40:25,440
Speaker 4: it's like a can and where is really the human touch?

750
00:40:26,600 --> 00:40:30,440
Speaker 4: You know, where is that? No, it's corporate, it's not really.

751
00:40:31,160 --> 00:40:33,279
Speaker 3: And so we say like okay, like Nomi's on the

752
00:40:33,280 --> 00:40:35,520
Speaker 3: show and Earwolf is like, okay, I think we're good.

753
00:40:36,719 --> 00:40:37,439
Speaker 2: I think we're good.

754
00:40:37,440 --> 00:40:37,720
Speaker 4: Here.

755
00:40:38,000 --> 00:40:41,680
Speaker 1: It's a you're doing us the an enormous service because

756
00:40:41,680 --> 00:40:45,040
Speaker 1: it's been it's essentially been like a point shaving scandal

757
00:40:45,040 --> 00:40:46,360
Speaker 1: in a way where it's like we don't want to

758
00:40:46,400 --> 00:40:48,640
Speaker 1: do anything obvious, where we like throw the ball to

759
00:40:48,680 --> 00:40:51,120
Speaker 1: the other team. Sure, you know, we've been making these

760
00:40:51,280 --> 00:40:54,600
Speaker 1: little mistakes along the way for I think Hay said

761
00:40:54,600 --> 00:40:57,319
Speaker 1: two years, but it's probably been more like five that

762
00:40:57,400 --> 00:41:00,839
Speaker 1: we've been doing these little tiny errors where it's like, oh,

763
00:41:00,880 --> 00:41:04,880
Speaker 1: he normally would not you know, you know, miss that

764
00:41:04,920 --> 00:41:07,920
Speaker 1: many free throws or whatever. But we don't need to lose.

765
00:41:09,080 --> 00:41:10,400
Speaker 1: We just can't cover the spread.

766
00:41:11,280 --> 00:41:14,880
Speaker 4: Yeah yeah, you. But you at the same point, though,

767
00:41:15,640 --> 00:41:18,920
Speaker 4: you didn't want to go out strong, like really really strong.

768
00:41:20,120 --> 00:41:21,600
Speaker 1: We wanted to make a strong statement.

769
00:41:21,640 --> 00:41:26,120
Speaker 4: That a strong statement, Yeah yeah, yeah, yeah, yeah, No,

770
00:41:26,160 --> 00:41:27,480
Speaker 4: I totally understand.

771
00:41:27,480 --> 00:41:29,839
Speaker 2: And I in the way that like certain smells are

772
00:41:29,960 --> 00:41:30,520
Speaker 2: very strong.

773
00:41:31,480 --> 00:41:33,319
Speaker 4: It's like it's like when you sit when you come

774
00:41:33,360 --> 00:41:38,120
Speaker 4: in a room and you say, what's that smell? Yes,

775
00:41:39,160 --> 00:41:42,560
Speaker 4: you don't mean like, oh, it smells terrific.

776
00:41:43,080 --> 00:41:46,400
Speaker 1: You might, but you're impressed, but you're definitely impressed.

777
00:41:46,440 --> 00:41:48,480
Speaker 2: Yeah, it's definitely having a huge impact.

778
00:41:48,560 --> 00:41:52,879
Speaker 1: It's literally remarkable, like you are forced to remark.

779
00:41:52,920 --> 00:41:56,200
Speaker 4: Forced to remark upon it, and and you're like, Okay,

780
00:41:56,239 --> 00:42:01,719
Speaker 4: what's this smell? So it's like, does it smell like roses?

781
00:42:01,880 --> 00:42:03,920
Speaker 4: Does it smell like Chanel perfume?

782
00:42:05,239 --> 00:42:07,600
Speaker 1: We don't know the whole We don't.

783
00:42:07,360 --> 00:42:11,440
Speaker 4: Know, We don't know, but probably.

784
00:42:10,920 --> 00:42:14,680
Speaker 1: Not, probably not no channel or roses that yeah.

785
00:42:14,680 --> 00:42:16,759
Speaker 4: Yeah, yeah, I mean it's probably something.

786
00:42:16,440 --> 00:42:17,919
Speaker 2: Else we do.

787
00:42:18,440 --> 00:42:19,880
Speaker 1: Just to give you an idea of the stakes, we

788
00:42:19,920 --> 00:42:23,400
Speaker 1: do need to go viral almost immediately because if we

789
00:42:23,480 --> 00:42:25,759
Speaker 1: do not hit a certain subscriber number, we do o

790
00:42:26,000 --> 00:42:29,239
Speaker 1: Chef Kevin for all of the equipment and basically the

791
00:42:29,280 --> 00:42:31,440
Speaker 1: back half of our Earwolf contract.

792
00:42:31,080 --> 00:42:33,680
Speaker 3: And that it's like, you know, that's like beginning stages,

793
00:42:33,719 --> 00:42:37,319
Speaker 3: like we can eventually build up enough subscribers to like

794
00:42:37,480 --> 00:42:40,000
Speaker 3: dig ourselves out of the debt.

795
00:42:40,000 --> 00:42:42,120
Speaker 1: Will hell, there's a certain amount of costs that Kevin

796
00:42:42,160 --> 00:42:44,520
Speaker 1: has taken on. He tells us that, you know, just

797
00:42:44,560 --> 00:42:46,400
Speaker 1: to sort of launch this entire model.

798
00:42:46,760 --> 00:42:49,280
Speaker 4: Yeah, yeah, so it has to happen really quickly.

799
00:42:49,680 --> 00:42:52,680
Speaker 1: Yes, yes, so they have like a week.

800
00:42:54,040 --> 00:42:57,160
Speaker 2: Where is this going in the magazine? Is this?

801
00:42:57,280 --> 00:42:57,360
Speaker 1: Like?

802
00:42:57,719 --> 00:43:00,480
Speaker 2: Is there annals of podcasting? Is that?

803
00:43:01,239 --> 00:43:03,880
Speaker 4: I believe there is annals? Like I would it might

804
00:43:04,040 --> 00:43:09,200
Speaker 4: come under the Brave New World rubric Brave New World apartment.

805
00:43:09,719 --> 00:43:13,439
Speaker 3: Okay, yeah, that's what the annals of something could would

806
00:43:13,480 --> 00:43:15,640
Speaker 3: be actually good for us because then I can do

807
00:43:15,760 --> 00:43:18,560
Speaker 3: a bit later when we're talking about the article on

808
00:43:18,680 --> 00:43:23,200
Speaker 3: like what Sean Connie, Connory and tribec are doing about

809
00:43:23,200 --> 00:43:24,040
Speaker 3: that like in Heaven.

810
00:43:24,719 --> 00:43:27,080
Speaker 2: Oh by the way, because.

811
00:43:27,120 --> 00:43:30,640
Speaker 1: Am I allowed to do this? Am I allowed to

812
00:43:30,760 --> 00:43:35,120
Speaker 1: do the SNL Jeopardy sketches with Sean Connery and Trebek?

813
00:43:36,200 --> 00:43:41,200
Speaker 1: You mean well they're both gone, mm hmm. Can I

814
00:43:41,320 --> 00:43:42,000
Speaker 1: do that now?

815
00:43:42,719 --> 00:43:45,279
Speaker 4: Like are you talking in terms of like the the

816
00:43:45,719 --> 00:43:47,880
Speaker 4: Sumi situation, like the Sumi.

817
00:43:47,600 --> 00:43:52,560
Speaker 3: Era or yeah, or like sure, yes, let's talk about that.

818
00:43:52,640 --> 00:43:54,080
Speaker 1: Absolutely, don't want to get sued.

819
00:43:54,400 --> 00:43:56,520
Speaker 2: No, there's a legal aspect.

820
00:43:56,520 --> 00:44:01,120
Speaker 3: There's also like the social one of like at gathering

821
00:44:01,200 --> 00:44:02,440
Speaker 3: socially distanced.

822
00:44:02,000 --> 00:44:05,400
Speaker 2: Of course, of course, can Sean be just like doing

823
00:44:05,480 --> 00:44:06,799
Speaker 2: the like the whole thing.

824
00:44:07,560 --> 00:44:10,840
Speaker 1: Mm hmmm, because people certainly like those sketches, I know, idea.

825
00:44:10,880 --> 00:44:12,879
Speaker 4: Yeah, I mean I think we could see it as

826
00:44:12,880 --> 00:44:16,719
Speaker 4: a tribute, you know, mm hmmm. It's it's it's like

827
00:44:17,160 --> 00:44:19,680
Speaker 4: it's kind of like you're paying your respects.

828
00:44:19,160 --> 00:44:22,759
Speaker 3: And would you gather like people around or just like,

829
00:44:22,800 --> 00:44:24,520
Speaker 3: because Sean, I've been talking about this, would you like

830
00:44:24,600 --> 00:44:26,960
Speaker 3: kind of gather everyone or would you just kind of

831
00:44:27,040 --> 00:44:27,879
Speaker 3: launch into it?

832
00:44:29,600 --> 00:44:32,200
Speaker 4: I think I would just like launch into it.

833
00:44:32,239 --> 00:44:33,320
Speaker 2: Maybe you just start doing.

834
00:44:33,480 --> 00:44:35,879
Speaker 4: Just start in medias rest just just like just.

835
00:44:35,880 --> 00:44:38,719
Speaker 1: Going to the grove or something to go into it.

836
00:44:38,840 --> 00:44:40,320
Speaker 4: Just fire it off.

837
00:44:41,440 --> 00:44:44,160
Speaker 1: Just start going yeah, you know whatever. And I don't

838
00:44:44,160 --> 00:44:46,080
Speaker 1: know the sketches by heart, but I basically would be

839
00:44:46,440 --> 00:44:48,840
Speaker 1: at the mall and you know, there'd be a family

840
00:44:48,920 --> 00:44:51,880
Speaker 1: near me, and I would just go like butt wads

841
00:44:51,920 --> 00:44:55,280
Speaker 1: for five hundred and then I'd go like it's boutoids

842
00:44:55,320 --> 00:44:57,240
Speaker 1: and then yeah.

843
00:44:56,920 --> 00:45:01,320
Speaker 4: And you know what, Sean, people might hump. Either they'll

844
00:45:01,400 --> 00:45:05,200
Speaker 4: come along or they won't. That'll be their decision.

845
00:45:05,800 --> 00:45:06,720
Speaker 1: Story of my career.

846
00:45:07,120 --> 00:45:09,120
Speaker 4: It's on them. What are you going to do?

847
00:45:10,000 --> 00:45:12,920
Speaker 1: You know, change, It's.

848
00:45:12,760 --> 00:45:15,080
Speaker 4: Not going to change what you do, and they're going to.

849
00:45:15,120 --> 00:45:18,200
Speaker 1: Change to the marketplace or or what, you know, what

850
00:45:18,239 --> 00:45:21,319
Speaker 1: my superiors want. I mean that seems no, that's that's

851
00:45:21,320 --> 00:45:24,000
Speaker 1: a level of compromise. That's not smart professionally.

852
00:45:24,280 --> 00:45:27,120
Speaker 4: No, no, not at all, not at all.

853
00:45:27,480 --> 00:45:29,359
Speaker 3: And that's why it's good to be like mobile at

854
00:45:29,360 --> 00:45:33,960
Speaker 3: that point, because like you're you're at the mall and

855
00:45:34,000 --> 00:45:36,360
Speaker 3: like walking around kind of as you're doing it, you

856
00:45:36,400 --> 00:45:39,560
Speaker 3: can always like go to the next family or whatever,

857
00:45:39,600 --> 00:45:41,400
Speaker 3: and now they're into it and they're kind of actually

858
00:45:41,440 --> 00:45:42,279
Speaker 3: like vibing to this.

859
00:45:42,600 --> 00:45:45,000
Speaker 4: Yeah you know. Yeah, so you can never really tell,

860
00:45:45,360 --> 00:45:47,960
Speaker 4: like you might have. You might hit that first family

861
00:45:48,680 --> 00:45:51,200
Speaker 4: and your heart will like drop a little bit, yeah,

862
00:45:51,280 --> 00:45:54,560
Speaker 4: you know, if they're not like really into it. But then,

863
00:45:54,880 --> 00:45:57,839
Speaker 4: like Hays is suggesting, you might just sort of like

864
00:45:58,680 --> 00:46:02,520
Speaker 4: move move along, and then another person might love it.

865
00:46:03,280 --> 00:46:06,120
Speaker 1: I just slip, I slapped my earbuds in or something.

866
00:46:06,160 --> 00:46:06,360
Speaker 2: I go.

867
00:46:06,520 --> 00:46:09,960
Speaker 1: I was talking to like, I was, you know, excuse me,

868
00:46:10,000 --> 00:46:12,600
Speaker 1: you're staring at me. I was on the phone.

869
00:46:12,800 --> 00:46:15,319
Speaker 4: Yeah, and you might do a thing like a bit

870
00:46:15,440 --> 00:46:20,280
Speaker 4: be a little bit intimidating, like be like.

871
00:46:18,719 --> 00:46:21,640
Speaker 2: That, get mad at them and like yeah yeah, yeah, yeah, like.

872
00:46:21,640 --> 00:46:23,920
Speaker 4: What are you looking at? Like what you thought I

873
00:46:24,000 --> 00:46:24,560
Speaker 4: was talking to you.

874
00:46:25,440 --> 00:46:29,000
Speaker 2: Yeah, you're like calling like talking to the like the

875
00:46:29,320 --> 00:46:30,760
Speaker 2: like the mall cop.

876
00:46:32,520 --> 00:46:35,600
Speaker 3: Yeah, you're talking to this guy being like this guy

877
00:46:36,320 --> 00:46:40,520
Speaker 3: like come over and like actually, like re punish these people, right,

878
00:46:40,600 --> 00:46:41,640
Speaker 3: you're pissed.

879
00:46:41,920 --> 00:46:45,240
Speaker 4: I think, Yeah, I think that's the way to go, Kevin.

880
00:46:45,239 --> 00:46:47,360
Speaker 3: You've just been like sitting here the entire time. Like

881
00:46:48,360 --> 00:46:52,040
Speaker 3: I guess what I sort of wanted when we did

882
00:46:52,080 --> 00:46:55,319
Speaker 3: agree to like go along with your plan. I don't

883
00:46:55,320 --> 00:46:57,840
Speaker 3: know if this is like intentional or what, but I

884
00:46:57,880 --> 00:46:59,520
Speaker 3: guess I thought we would get more of like a

885
00:46:59,560 --> 00:47:03,920
Speaker 3: positive reaction from you when we did decide to, like,

886
00:47:05,520 --> 00:47:06,600
Speaker 3: you know, give up what has.

887
00:47:06,480 --> 00:47:08,640
Speaker 2: Become our entire source of income.

888
00:47:10,480 --> 00:47:14,160
Speaker 3: And bet on ourselves, if you've been saying, but also

889
00:47:14,520 --> 00:47:16,879
Speaker 3: like yes, not bet on you, but like pay you,

890
00:47:16,880 --> 00:47:17,879
Speaker 3: give you money.

891
00:47:18,719 --> 00:47:21,000
Speaker 1: Pay you, but yes, bet on ourselves. You've said a lot,

892
00:47:21,560 --> 00:47:24,760
Speaker 1: yeah do you not believe in yourself? And I feel

893
00:47:24,760 --> 00:47:28,279
Speaker 1: like shit saying like, well not really, but I go

894
00:47:28,360 --> 00:47:29,439
Speaker 1: like no, of course I do.

895
00:47:29,520 --> 00:47:29,879
Speaker 2: I do.

896
00:47:30,160 --> 00:47:32,080
Speaker 3: And I guess you know, I'm just like being totally

897
00:47:32,080 --> 00:47:35,160
Speaker 3: honest and like finally agreeing to do this. A big

898
00:47:35,200 --> 00:47:37,560
Speaker 3: part of it for me was like anticipating your reaction

899
00:47:38,760 --> 00:47:45,279
Speaker 3: and like, you know, not needing like uh for you,

900
00:47:45,440 --> 00:47:47,839
Speaker 3: like throw a party or something, or what.

901
00:47:47,880 --> 00:47:50,279
Speaker 1: A virtual fist bump of sorts would have been. I

902
00:47:50,320 --> 00:47:55,080
Speaker 1: think much appreciated from our end rather than what we've gotten,

903
00:47:55,120 --> 00:47:57,719
Speaker 1: which is sort of silence.

904
00:47:58,440 --> 00:48:01,479
Speaker 2: Yeah, I remember you being like, oh yeah, sick, sick.

905
00:48:02,280 --> 00:48:05,120
Speaker 4: Yeah, it's a little I can I can I sympathize

906
00:48:05,120 --> 00:48:06,719
Speaker 4: with you, guys. I feel like that would be a

907
00:48:06,760 --> 00:48:10,839
Speaker 4: little like, I don't want to say disappointing, but it's

908
00:48:10,920 --> 00:48:14,160
Speaker 4: it's a little it's a little bit like surprising. Maybe.

909
00:48:14,440 --> 00:48:17,000
Speaker 1: Well, no, me, you told a very vulnerable story early

910
00:48:17,880 --> 00:48:21,120
Speaker 1: early on in the episode about sending a DM to

911
00:48:21,200 --> 00:48:25,000
Speaker 1: me that said Chef Kevy emailed me and getting nothing.

912
00:48:24,760 --> 00:48:26,200
Speaker 4: Back, absolutely nothing.

913
00:48:26,480 --> 00:48:31,799
Speaker 1: And what I'm realizing is hurt people, hurt people, hurt people,

914
00:48:31,880 --> 00:48:35,040
Speaker 1: hurt people, hurt people, hurt people. And maybe what happened

915
00:48:35,080 --> 00:48:38,640
Speaker 1: is I learned it from from Chef Kevin, and I'm

916
00:48:38,680 --> 00:48:41,200
Speaker 1: acting out. I'm passing that pain onto you, and it

917
00:48:41,239 --> 00:48:41,759
Speaker 1: wasn't fair.

918
00:48:42,120 --> 00:48:46,880
Speaker 4: You're finally understanding, you're finally understanding something, and you're learning something,

919
00:48:48,440 --> 00:48:49,440
Speaker 4: and I think we all are.

920
00:48:50,120 --> 00:48:53,360
Speaker 1: And I think I'll go in my DMS right now

921
00:48:53,920 --> 00:48:55,600
Speaker 1: and I'll respond to that message.

922
00:48:56,160 --> 00:49:01,399
Speaker 4: Wow. So so when I'm off this zoom, I'll go

923
00:49:02,480 --> 00:49:05,960
Speaker 4: on Twitter and a DM might be waiting for me

924
00:49:06,120 --> 00:49:06,600
Speaker 4: or saying.

925
00:49:06,440 --> 00:49:12,320
Speaker 3: But maybe something that's like it doesn't necessarily require another response.

926
00:49:12,719 --> 00:49:15,960
Speaker 4: Sure, so it'll be sort of like, let's close this down.

927
00:49:16,280 --> 00:49:19,160
Speaker 2: Thumbs up emoji. I'm not telling you what to do.

928
00:49:19,239 --> 00:49:21,200
Speaker 1: But no, no, no, that's it said.

929
00:49:21,480 --> 00:49:24,200
Speaker 2: I said that I can't see. It's kind of hard

930
00:49:24,239 --> 00:49:24,560
Speaker 2: to read.

931
00:49:24,760 --> 00:49:28,000
Speaker 4: Hard to read. Yeah, oh yeah, oh my god, Chef,

932
00:49:28,320 --> 00:49:30,040
Speaker 4: I said, I feel like a young bride on her

933
00:49:30,040 --> 00:49:34,239
Speaker 4: wedding day, and then I wrote maybe yeah. Twenty eight

934
00:49:34,280 --> 00:49:38,880
Speaker 4: minutes later, I said, omg, chef reached out nothing not up.

935
00:49:39,000 --> 00:49:42,160
Speaker 4: But then I sort of can't see what you've written. Now, yeah,

936
00:49:42,239 --> 00:49:43,240
Speaker 4: does it say okay?

937
00:49:44,160 --> 00:49:44,880
Speaker 2: It does.

938
00:49:48,560 --> 00:49:49,360
Speaker 1: It says okay?

939
00:49:49,760 --> 00:49:51,120
Speaker 2: That's really nice?

940
00:49:51,560 --> 00:49:57,880
Speaker 4: Yeah, yeah, that's great, that's great. I feel you know,

941
00:49:58,040 --> 00:50:01,799
Speaker 4: I'm I'm as I said, I'm very familiar with this.

942
00:50:02,520 --> 00:50:06,839
Speaker 4: You know, it's a kind of like, uh, pleasurable sort

943
00:50:06,840 --> 00:50:11,520
Speaker 4: of pain, I would say, you know, so I I

944
00:50:11,560 --> 00:50:14,680
Speaker 4: you know, for me, it's like part of pardon parcel

945
00:50:14,760 --> 00:50:17,640
Speaker 4: of being a person in the world, and I, you know,

946
00:50:17,719 --> 00:50:20,200
Speaker 4: it's kind of like you know, I kind of I

947
00:50:20,280 --> 00:50:21,759
Speaker 4: kind of seek it out almost.

948
00:50:22,360 --> 00:50:25,120
Speaker 2: I find that I like pleasure spiked with pain.

949
00:50:26,520 --> 00:50:30,680
Speaker 1: Yeah, don't get me started on music, don't.

950
00:50:31,520 --> 00:50:35,080
Speaker 3: Yeah, that's where we get actually insane. Like when do

951
00:50:35,160 --> 00:50:38,120
Speaker 3: we start talking about that? And I won't even do it?

952
00:50:38,960 --> 00:50:43,000
Speaker 2: Uh? So does that you have? You got what you need?

953
00:50:45,160 --> 00:50:46,040
Speaker 4: Are you talking to me?

954
00:50:46,680 --> 00:50:46,919
Speaker 2: Yeah?

955
00:50:46,920 --> 00:50:49,439
Speaker 1: The article? Yeah?

956
00:50:48,680 --> 00:50:49,040
Speaker 4: Yeah?

957
00:50:49,960 --> 00:50:50,759
Speaker 2: You want to give us?

958
00:50:50,800 --> 00:50:53,360
Speaker 1: Like yeah, I mean, you know, I feel like we've

959
00:50:54,200 --> 00:50:56,600
Speaker 1: we've been talking a little bit more than you this episode.

960
00:50:56,840 --> 00:50:59,719
Speaker 1: Do you want do you want to give us? Like

961
00:50:59,760 --> 00:51:01,719
Speaker 1: the a couple of lines of the article just to

962
00:51:01,760 --> 00:51:02,680
Speaker 1: tease you know.

963
00:51:02,719 --> 00:51:05,120
Speaker 2: People know, how do you like? Yeah, how do you

964
00:51:05,160 --> 00:51:05,920
Speaker 2: begin this stuff?

965
00:51:07,360 --> 00:51:10,520
Speaker 4: I feel like the scene has to be set, like

966
00:51:10,840 --> 00:51:17,000
Speaker 4: in I don't know really that much what it's like

967
00:51:17,080 --> 00:51:24,839
Speaker 4: now during the lockdown in La is Intelligensia open? Right,

968
00:51:25,760 --> 00:51:30,600
Speaker 4: Like I would set it. Ideally, the stage would be set,

969
00:51:30,840 --> 00:51:36,000
Speaker 4: you know, it would be like on a Monday, you know, last.

970
00:51:35,719 --> 00:51:43,480
Speaker 1: Springs greens, Yeah, like I picked it some Mescline greens yeah, right, and.

971
00:51:45,719 --> 00:51:48,680
Speaker 4: Yeah, and something about Jeff's pants, like you know, because

972
00:51:48,680 --> 00:51:52,000
Speaker 4: you always have to describe something, So he was wearing

973
00:51:53,239 --> 00:51:56,320
Speaker 4: pants that took on the sheen of a hardened diamond

974
00:51:56,440 --> 00:51:57,399
Speaker 4: or something, you know.

975
00:51:57,640 --> 00:52:01,399
Speaker 3: And even though we're sitting at Goo and we're surrounded

976
00:52:01,480 --> 00:52:07,880
Speaker 3: by like the you know, the luminaries of the entertainment industry,

977
00:52:07,920 --> 00:52:12,080
Speaker 3: I like wolfget I'm watching them, but they're watching him,

978
00:52:12,360 --> 00:52:16,120
Speaker 3: and he's watching his mesculine greens, which the entire time

979
00:52:16,640 --> 00:52:19,879
Speaker 3: I'm just going to be like like just picking at

980
00:52:19,960 --> 00:52:21,799
Speaker 3: and like I cannot figure out how to get this

981
00:52:21,840 --> 00:52:23,960
Speaker 3: thing on a Yeah, they.

982
00:52:23,840 --> 00:52:26,640
Speaker 1: Won't come up. You keep bringing the fork out and

983
00:52:26,719 --> 00:52:29,000
Speaker 1: sure enough it's empty again, and go back.

984
00:52:28,760 --> 00:52:32,280
Speaker 4: And a piece. An article needs tension, and the tension,

985
00:52:32,320 --> 00:52:36,080
Speaker 4: the underlying tension, the core would be will he finally

986
00:52:36,120 --> 00:52:38,720
Speaker 4: get like, you know, a green on the floor?

987
00:52:38,719 --> 00:52:38,920
Speaker 2: For me?

988
00:52:38,960 --> 00:52:42,160
Speaker 1: The tension for me it would be where am I?

989
00:52:42,160 --> 00:52:43,960
Speaker 1: I thought I would be part of the article, you know,

990
00:52:44,000 --> 00:52:46,600
Speaker 1: because we've described chef's pants, we know what Hayes is

991
00:52:47,320 --> 00:52:49,719
Speaker 1: attempting to eat. Will will not be successful?

992
00:52:50,080 --> 00:52:50,279
Speaker 4: Right?

993
00:52:50,440 --> 00:52:53,399
Speaker 1: But I actually don't. I don't know that I'm even

994
00:52:53,400 --> 00:52:56,200
Speaker 1: in the article at this point. What do you disappointment?

995
00:52:56,520 --> 00:53:00,359
Speaker 4: What do you envision yourself doing? Sean? Like, ideally, in

996
00:53:00,400 --> 00:53:02,040
Speaker 4: an ideal version of this article.

997
00:53:03,960 --> 00:53:07,520
Speaker 3: I think something that I love in articles like this

998
00:53:07,680 --> 00:53:16,040
Speaker 3: in these profiles is when the like it's a celebrity, right,

999
00:53:16,040 --> 00:53:17,719
Speaker 3: but they're like kind of breaking down the like some

1000
00:53:17,840 --> 00:53:21,040
Speaker 3: awkwardness that happened with the waiter, you know, and they're

1001
00:53:21,040 --> 00:53:24,279
Speaker 3: like really breaking down like the awkwardness of the situation

1002
00:53:24,560 --> 00:53:27,400
Speaker 3: of like or they're saying, like, I feel like I

1003
00:53:27,440 --> 00:53:31,680
Speaker 3: freaked him out with my question about the Bronzeno, you know,

1004
00:53:32,040 --> 00:53:34,040
Speaker 3: like I didn't mean to like put him on the

1005
00:53:34,080 --> 00:53:34,759
Speaker 3: spot like that.

1006
00:53:34,760 --> 00:53:36,480
Speaker 2: That was so awkward. I'm so sorry.

1007
00:53:36,719 --> 00:53:39,600
Speaker 3: And I'd be the waiter, I guess, and you're like

1008
00:53:39,640 --> 00:53:43,919
Speaker 3: sitting there and be like, I'm I'm writing this right

1009
00:53:44,640 --> 00:53:46,839
Speaker 3: like this is I'm actually going to write this.

1010
00:53:47,160 --> 00:53:49,000
Speaker 1: I'd be the way I'd come back and I'd go hey,

1011
00:53:49,080 --> 00:53:51,960
Speaker 1: so hey, I go hey. I actually found out from

1012
00:53:52,000 --> 00:53:54,719
Speaker 1: the cheft about the Bronzeno and it was really interesting.

1013
00:53:55,200 --> 00:53:57,759
Speaker 1: Thanks for teaching me, you know what.

1014
00:53:57,840 --> 00:53:59,640
Speaker 4: I just the image that I had in my head

1015
00:54:00,040 --> 00:54:04,600
Speaker 4: and a bout of it right now is do you

1016
00:54:04,680 --> 00:54:08,040
Speaker 4: remember how in the movie Garden State?

1017
00:54:08,560 --> 00:54:11,640
Speaker 1: Mm hmm, yes, I'm gonna I'm gonna remember whatever you

1018
00:54:11,680 --> 00:54:13,960
Speaker 1: describe from Garden State. I'm gonna know it.

1019
00:54:14,000 --> 00:54:16,799
Speaker 4: Okay, So I haven't watched it since the year I

1020
00:54:16,840 --> 00:54:19,719
Speaker 4: believe two thousand and four, whenever it was that came out.

1021
00:54:19,880 --> 00:54:24,560
Speaker 4: But I remember that in the beginning, Zach Braff is

1022
00:54:24,680 --> 00:54:29,320
Speaker 4: inspiring actor in la I believe he's like failed aspiring actor.

1023
00:54:30,680 --> 00:54:36,319
Speaker 4: And he is a waiter at a restaurant that has

1024
00:54:36,320 --> 00:54:38,760
Speaker 4: a kind of like orientalist.

1025
00:54:38,239 --> 00:54:40,080
Speaker 1: There's like a theme to it.

1026
00:54:40,400 --> 00:54:44,440
Speaker 4: Yeah, and I believe that he has to wear I

1027
00:54:44,640 --> 00:54:45,840
Speaker 4: make up for some reason.

1028
00:54:46,120 --> 00:54:46,880
Speaker 2: Yeah, I think do.

1029
00:54:46,880 --> 00:54:50,480
Speaker 4: You remember that? And so when you were Sean and

1030
00:54:50,680 --> 00:54:55,280
Speaker 4: you were saying that you were a waiter in the story,

1031
00:54:55,400 --> 00:54:57,600
Speaker 4: I imagined you wearing the sort of like.

1032
00:54:57,560 --> 00:55:05,920
Speaker 5: Dark under eye from the weather speculat that God himself

1033
00:55:06,000 --> 00:55:11,680
Speaker 5: does make a corresponding puzzle pieces from the.

1034
00:55:16,120 --> 00:55:24,520
Speaker 2: Smart head wind You're Away and.

1035
00:55:25,000 --> 00:55:29,400
Speaker 3: This as poetry to like to the New Yorker, and

1036
00:55:29,440 --> 00:55:31,560
Speaker 3: it could just be like reprinted and they'd be like

1037
00:55:31,600 --> 00:55:32,000
Speaker 3: this is.

1038
00:55:31,960 --> 00:55:36,120
Speaker 4: Good and like and like the title would be Garden State.

1039
00:55:36,680 --> 00:55:40,080
Speaker 1: The title of the poem is Garden Garden State. And

1040
00:55:40,120 --> 00:55:42,560
Speaker 1: it's a mashup of two of the songs from the soundtrack.

1041
00:55:43,960 --> 00:55:46,600
Speaker 4: Yeah, I mean definitely, And no.

1042
00:55:46,560 --> 00:55:49,520
Speaker 2: One would ever know, no one ever figured it out.

1043
00:55:49,719 --> 00:55:52,239
Speaker 1: And the and it says, read this poem it will.

1044
00:55:52,280 --> 00:55:55,760
Speaker 3: And it says and it says Garden State by Noami's poem.

1045
00:55:56,239 --> 00:55:56,480
Speaker 2: That's what.

1046
00:55:57,480 --> 00:56:03,439
Speaker 4: Yeah, Yeah, I mean I think this is really productive though.

1047
00:56:03,800 --> 00:56:05,640
Speaker 1: This was awesome. Are you kidding me?

1048
00:56:06,200 --> 00:56:07,960
Speaker 4: Yeah? I think this was really amazing.

1049
00:56:08,200 --> 00:56:11,239
Speaker 3: Like I'm ready now, and I'm ready now. You know,

1050
00:56:11,680 --> 00:56:15,200
Speaker 3: I'm standing at the abyss and I'm yelling into the abyss.

1051
00:56:15,280 --> 00:56:22,120
Speaker 1: No me, he's ready to like a washing machine?

1052
00:56:22,239 --> 00:56:26,560
Speaker 4: What was that like? Wasn't there some.

1053
00:56:25,280 --> 00:56:27,680
Speaker 1: Something got thrown in? For sure? They had to get

1054
00:56:27,719 --> 00:56:29,120
Speaker 1: rid of the old washing machine.

1055
00:56:30,160 --> 00:56:34,640
Speaker 3: Yeah, and I'm standing there and I'm going, ah, Peter

1056
00:56:34,719 --> 00:56:35,719
Speaker 3: sars Guards there.

1057
00:56:35,840 --> 00:56:36,919
Speaker 1: Jim Parsons has.

1058
00:56:36,840 --> 00:56:41,799
Speaker 4: Liked I did a talk of the town with Peter

1059
00:56:41,880 --> 00:56:44,680
Speaker 4: sars Guard like a year now.

1060
00:56:44,920 --> 00:56:46,680
Speaker 1: And now you're doing one with us.

1061
00:56:47,080 --> 00:56:47,719
Speaker 2: What was uh?

1062
00:56:48,440 --> 00:56:51,000
Speaker 1: What the Davenport is ready for his close up.

1063
00:56:55,160 --> 00:56:58,319
Speaker 2: To the mic? What was the occasion of the of

1064
00:56:58,360 --> 00:57:01,319
Speaker 2: the stars guards? There was the guard?

1065
00:57:02,840 --> 00:57:05,839
Speaker 4: Uh? Yeah, we call them talks.

1066
00:57:06,480 --> 00:57:09,560
Speaker 2: I guess two. It is not a natural pronunciation for that.

1067
00:57:09,920 --> 00:57:15,520
Speaker 4: We call them. We call them talks talks. Yeah, what

1068
00:57:15,640 --> 00:57:16,760
Speaker 4: was the occasions.

1069
00:57:16,760 --> 00:57:20,800
Speaker 2: Was get me where's that charge? Guard? Talk?

1070
00:57:21,280 --> 00:57:27,960
Speaker 4: Yeah? Exactly. There was a movie he was starring in

1071
00:57:28,400 --> 00:57:30,000
Speaker 4: h indie movie.

1072
00:57:29,840 --> 00:57:33,520
Speaker 1: Show Him right? Is he not doing this?

1073
00:57:33,920 --> 00:57:40,520
Speaker 4: Yeah, it's sew Him. It was a movie starring stars

1074
00:57:40,560 --> 00:57:44,040
Speaker 4: Guard and Rashida Jones.

1075
00:57:44,840 --> 00:57:45,720
Speaker 2: Wow.

1076
00:57:46,680 --> 00:57:54,080
Speaker 4: Yeah yeah, And uh I just had to horn in there.

1077
00:57:54,280 --> 00:57:55,080
Speaker 2: What was the name?

1078
00:57:56,520 --> 00:58:04,640
Speaker 4: Fuck? What was the name? Something like Sounds of Silence.

1079
00:58:04,760 --> 00:58:10,080
Speaker 4: Maybe it was about a sound expert, like a guy.

1080
00:58:10,880 --> 00:58:14,280
Speaker 2: Who is we gotta go. We can't keep we can't

1081
00:58:14,440 --> 00:58:15,320
Speaker 2: we can't keep talking.

1082
00:58:15,160 --> 00:58:17,520
Speaker 1: About if you knew the name of the movie, I'd

1083
00:58:17,520 --> 00:58:20,280
Speaker 1: love to keep talking to you. But we're actually fucked.

1084
00:58:20,000 --> 00:58:21,920
Speaker 3: Because we gotta go and we're just like leaving the

1085
00:58:21,960 --> 00:58:24,960
Speaker 3: network entirely. So we just we go get out of here.

1086
00:58:25,000 --> 00:58:27,120
Speaker 1: And it's been one hell of a run.

1087
00:58:27,280 --> 00:58:38,680
Speaker 2: And yeah, yep. By