WEBVTT - Take the Wheel PT 2

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<v Speaker 1>I'm Kate Winkler Dawson. I'm a journalist who's spent the

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<v Speaker 1>last twenty five years writing about true crime.

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<v Speaker 2>And I'm Paul Hols, a retired cold case investigator who's

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<v Speaker 2>worked some of America's most complicated cases and solve them.

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<v Speaker 1>Each week, I present Paul with one of history's most

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<v Speaker 1>compelling true crimes.

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<v Speaker 2>And I weigh in using modern forensic techniques to bring

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<v Speaker 2>new insights to old mysteries.

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<v Speaker 1>Together, using our individual expertise, we're examining historical true crime

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<v Speaker 1>cases through a twenty first century lens.

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<v Speaker 2>Some are solved and some are cold, very cold.

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<v Speaker 1>This is Buried Bones.

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<v Speaker 2>Hey Paul, Hey Kate, how are you.

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<v Speaker 1>I'm doing well. I know I left you hanging with

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<v Speaker 1>Thelma Todd, the very talented Thelma Todd, the Hollywood actress.

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<v Speaker 1>Do you want to give us a little bit of

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<v Speaker 1>a recap since I know it's been a week for

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<v Speaker 1>some of our viewers and our listeners.

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<v Speaker 2>Yeah, you know, from what I remember and what stood

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<v Speaker 2>out to me in the first episode on this case,

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<v Speaker 2>Thelma Todd was a young actress, actually very accomplished actress,

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<v Speaker 2>lived in an apartment above a restaurant that she owned

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<v Speaker 2>with a lover who happened to also be married to

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<v Speaker 2>another woman. So there's a little bit of a lover's

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<v Speaker 2>triangle within Thelma's life. And this lover, Roland, who was

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<v Speaker 2>he was a director or an executive.

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<v Speaker 1>Right, he was a director, film director.

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<v Speaker 2>Film director, has this beautiful house up a very steep

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<v Speaker 2>hill in the Pacific Palisades. Thelma goes out on a

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<v Speaker 2>Saturday night, and I don't think we discussed the details

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<v Speaker 2>of you know, what she did that night. However, her

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<v Speaker 2>housekeeper may ended up Monday morning looking for Thelma and

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<v Speaker 2>found Thelma slumped in the driver's side of her car

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<v Speaker 2>in the garage of Roland's house. Autopsy indicated she had

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<v Speaker 2>a fractured nose, she had some bleeding out of the mouth,

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<v Speaker 2>and she had carbon monoxide poisoning. And that's where we

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<v Speaker 2>left off.

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<v Speaker 1>You got it. We've got now a whole host of,

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<v Speaker 1>I think, very confusing information. So the first half was

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<v Speaker 1>really establishing, you know, her death, and I don't think

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<v Speaker 1>we have any clear indication of time of death. We've

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<v Speaker 1>got two doctors saying two different things, and we do

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<v Speaker 1>know there is this weird it's hard to know if

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<v Speaker 1>it's a lover's triangle because it was just so vague

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<v Speaker 1>between them all. And then you know, we've got Thelma,

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<v Speaker 1>who I think one of the question marks was is

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<v Speaker 1>this suicide? Is this something else? So let's start back

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<v Speaker 1>up with I had hinted at a couple of things.

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<v Speaker 1>One was the threatening of Thelma's life, so let's start

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<v Speaker 1>with that. About ten months before Thelma died, so this

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<v Speaker 1>is about February of nineteen thirty five, she gets two

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<v Speaker 1>threatening letters in the mail. They say that she will

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<v Speaker 1>be harmed or killed unless she pays the letter writer

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<v Speaker 1>ten thousand dollars, So that's about two hundred and twenty

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<v Speaker 1>nine thousand dollars today. One of the letters, at least

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<v Speaker 1>one of them, demands that the ten thousand dollars be

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<v Speaker 1>paid to Abe Lyman, who is an orchestra leader in

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<v Speaker 1>New York, whom Thelma was once engaged to. Authorities, of course,

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<v Speaker 1>say this is ridiculous. Abe has nothing to do with it.

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<v Speaker 1>I mean, why would he name himself in a threatening letter?

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<v Speaker 1>But the letters are signed by the Ace of hearts.

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<v Speaker 1>How many stories can we do about these vague these

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<v Speaker 1>vague kind kidnapping rings or whatever? Now I can't remember

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<v Speaker 1>the Black Glove. I mean, I think we've had the

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<v Speaker 1>Black Hand versus the Black Glove, and now we've got

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<v Speaker 1>the Ace of Hearts. Someone calling himself that same name,

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<v Speaker 1>The Ace of Hearts, places several long distance phone calls

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<v Speaker 1>to Filma's cafe, threatening to blow the whole place up.

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<v Speaker 1>These are threats that she reported to the police, but

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<v Speaker 1>they don't think it's credible. None of this stuff is credible,

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<v Speaker 1>and ultimately the police track the threats to two men

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<v Speaker 1>based in New York, at least one of whom appears

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<v Speaker 1>to have some kind of a psychiatric illness. And this

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<v Speaker 1>is a long time ago, but I just want to

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<v Speaker 1>throw that out there, and it's a reminder of when

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<v Speaker 1>I said police were really investigating these threats. She is

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<v Speaker 1>a Hollywood actress, a very well known one, so she

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<v Speaker 1>is getting a lot of attention, and this story, which

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<v Speaker 1>probably would have been written off if she were a

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<v Speaker 1>quote unquote normal person as an accident or a suicide,

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<v Speaker 1>is being seriously investigated as foul play because of her status.

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<v Speaker 2>Now, you know, and this is, you know, part of

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<v Speaker 2>the celebrity lifestyle that people probably underappreciate in terms of

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<v Speaker 2>the nut jobs that are out there. You know, they

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<v Speaker 2>start obsessing and they want attention and want you know,

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<v Speaker 2>something back, whether it's positive or even negative. It's basically

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<v Speaker 2>they just want something, you know. I actually interviewed Evil

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<v Speaker 2>LaRue who was being stalked online. She was an actress

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<v Speaker 2>out of CSI Miami and other things, and ultimately my

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<v Speaker 2>partner on Golden State Killer, Steve Kramer and his agent

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<v Speaker 2>buddy Steve Bush, utilizing one of these stamps on the

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<v Speaker 2>letters threatening letters that have been sent in, were able

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<v Speaker 2>to use genealogy and identify her stalker. And he's just

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<v Speaker 2>some guy out I believe it was in Ohio living

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<v Speaker 2>with his mom, sitting in a basement, you know, threatening

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<v Speaker 2>Eva and her daughter over the course of you know,

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<v Speaker 2>like fifteen years.

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<v Speaker 1>Oh my gosh, are you serious?

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<v Speaker 2>Yeah, you know, And it's just that's part of when

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<v Speaker 2>you have that national level exposure, you know, you do

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<v Speaker 2>get those crazies that will do that. So right now,

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<v Speaker 2>these two letters, plus the threatening phone calls in to

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<v Speaker 2>Thelma which are about ten months prior to her death,

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<v Speaker 2>it looks like, yep, it's it sounds like authorities are

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<v Speaker 2>just saying it's one of these nut jobs and had

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<v Speaker 2>these these individuals have no connection to Thelma out in

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<v Speaker 2>LA at the time of her death. That's what it

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<v Speaker 2>sounds like, right.

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<v Speaker 1>Yeah, they dismiss these two folks. It was just like

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<v Speaker 1>I said, another reminder to me also about the threat

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<v Speaker 1>that these stars are under, you know, constantly. I told

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<v Speaker 1>you in the last episode about my interview with Marcia Clark,

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<v Speaker 1>and one of the things I brought up to her

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<v Speaker 1>was she was on my radar before OJ because she

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<v Speaker 1>had prosecuted the case against the killer of Rebecca Schaeffer.

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<v Speaker 1>You know, the actress. To me when she was murdered,

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<v Speaker 1>she was on a big TV series at the time.

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<v Speaker 1>She was sort of that definition of the quote unquote

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<v Speaker 1>perfect victim, you know, beautiful Hollywood actress, very humble. She's

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<v Speaker 1>murdered by a stalker, and that shook me that case.

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<v Speaker 1>Do you remember much about the Rebecca Schaeffer.

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<v Speaker 2>Case, No, I do, you know? And of course she

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<v Speaker 2>just answers a knock on her door, Yeah, and the

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<v Speaker 2>offender shoots her. He was somebody who had he had

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<v Speaker 2>obsessed about her and at select points I believe he

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<v Speaker 2>had reached out to her, didn't get any response. He

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<v Speaker 2>ended up stalking other female actresses but then went back

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<v Speaker 2>and focused on Rebecca Schaeffer and then ultimately you know,

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<v Speaker 2>showed up better front door and just shot her, just

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<v Speaker 2>killed her. Yeah, it's so tragic when you think about it.

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<v Speaker 2>Here's this young woman whose career is taking off, and

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<v Speaker 2>you know, she's got this just what would probably be

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<v Speaker 2>an amazing life in front of her, and just to

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<v Speaker 2>have some random nut jobs show up and kill you.

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<v Speaker 2>You know, that's always this risk of when you end

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<v Speaker 2>up seeking that fame and fortune, will you draw the

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<v Speaker 2>attention of people that you may not want their attention.

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<v Speaker 1>Yeah, well, luckily it sounds like for Thelma, these letters stopped.

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<v Speaker 1>You know, they connected it, it was done. So let's

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<v Speaker 1>get back to our current timeline. So now I want

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<v Speaker 1>to talk about the details. We are on Saturday night.

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<v Speaker 1>It is Saturday night, December fourteenth. This is the last

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<v Speaker 1>time people see her. So about thirty six hours before

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<v Speaker 1>May finds Thelma, she is at her restaurant at the

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<v Speaker 1>Cafe working. She leaves around eight o'clock. She's going to

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<v Speaker 1>a in her honor because of these new films that

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<v Speaker 1>she's doing at the Trocadero nightclub in Hollywood. There's this

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<v Speaker 1>dinner that's in her honor because of the films that

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<v Speaker 1>she's been doing. Roland, the boyfriend, is there, but he

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<v Speaker 1>left before Thelma, so they kind of cross paths, and

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<v Speaker 1>on his way out, he reportedly told Thelma he wants

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<v Speaker 1>her home by two am, like a dad, be home

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<v Speaker 1>by two am, and she joked back that she'd be

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<v Speaker 1>back at two five. If you're paying attention to those

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<v Speaker 1>very last moments where at least publicly they were seen together,

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<v Speaker 1>it was like playful flirting, humor kind of thing. That

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<v Speaker 1>was the impression that I got.

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<v Speaker 2>Yeah, so they're not hiding their relationship.

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<v Speaker 1>No, No, I mean I think everybody knows about it,

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<v Speaker 1>but they also know that while Jewel and Roland are

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<v Speaker 1>legally married, there seem to be an actual separation there.

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<v Speaker 1>So again, this is not splashed all over the gossip columns,

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<v Speaker 1>and this is herst media times, so you know there's

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<v Speaker 1>yellow journalism, it's just not that's not really part of this.

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<v Speaker 1>So I told you that the car was back up

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<v Speaker 1>at the house at Roland's house, so Thelma had a

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<v Speaker 1>driver drop her back off at the cafe at three

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<v Speaker 1>in the morning. She had sort of requested friends to

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<v Speaker 1>see her at the cafe Sunday, like she had joked,

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<v Speaker 1>let's see how many of you guys actually drag yourself

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<v Speaker 1>into my cafe on Sunday, And you know, they took

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<v Speaker 1>that as an invitation, so they were going to plan

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<v Speaker 1>to go. So she's at the cafe all the time.

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<v Speaker 1>I mean she left at eight pm and then she

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<v Speaker 1>had her driver drop her back off at three in

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<v Speaker 1>the morning. After her night out, she is realizing that

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<v Speaker 1>she didn't bring her key with her to get into

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<v Speaker 1>the cafe. But she knows that Roland is home in

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<v Speaker 1>the apartment above the cafe because he said I'm going home,

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<v Speaker 1>But it's also believed, Roland says, and Jewel says too.

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<v Speaker 1>Jewel was there too, So this is where things get

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<v Speaker 1>kind of mushy and confusing. For whatever reason, Thelma goes

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<v Speaker 1>into the apartment where Roland is and she doesn't wake

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<v Speaker 1>up Roland. And Roland said that this was something that

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<v Speaker 1>was really common, that he woke up really easily, and

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<v Speaker 1>she I don't think she was scared to wake him up,

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<v Speaker 1>but she was. I think that might be the whole

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<v Speaker 1>separate bedroom issue. But Jewel was with him at the time,

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<v Speaker 1>and maybe that's why. Maybe she didn't want to wake

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<v Speaker 1>him up either. It sounds like a very odd relationship,

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<v Speaker 1>but at the same time it seemed kind of normalized

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<v Speaker 1>in this time period. The police initially believed that she

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<v Speaker 1>climbed the two hundred and fifty stairs from the restaurant

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<v Speaker 1>up the hill to Roland's house. She doesn't have a

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<v Speaker 1>key to his house either, and she gets into the

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<v Speaker 1>garage and sits in her car, and the police at

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<v Speaker 1>this time had believed that she led herself into the garage,

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<v Speaker 1>not through the garage door, but there's like a side

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<v Speaker 1>door that was open. She got in her car, she

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<v Speaker 1>turned on the ignition and fell asleep with the door closed.

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<v Speaker 1>And a night watchman was scheduled to pass by about

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<v Speaker 1>six o'clock in the morning. And I don't know if

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<v Speaker 1>I believe this. The police think that Thelma might have

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<v Speaker 1>fallen asleep waiting for him. They also believe she was

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<v Speaker 1>pretty inebriated through all of this. So what do you

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<v Speaker 1>think of all that? I know that was a lot

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<v Speaker 1>of information all at once.

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<v Speaker 2>So they're getting information from the driver that he did

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<v Speaker 2>drop her off at the cafe the apartment at three

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<v Speaker 2>am in the morning. And is there any suspicion on

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<v Speaker 2>the driver at.

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<v Speaker 1>All, No, no suspicion on the driver.

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<v Speaker 2>And then with this idea that she went into she

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<v Speaker 2>went into Roland's room.

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<v Speaker 1>I think the insinuation was this that she didn't have

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<v Speaker 1>a key for the cafe, she didn't have a key

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<v Speaker 1>maybe for the apartment above. Also, she didn't want to

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<v Speaker 1>knock on the door to wake him up, and so

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<v Speaker 1>she decided to walk up two hundred and fifty steps, okay,

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<v Speaker 1>at four in the morning, drunk, most likely to get

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<v Speaker 1>into a house where she doesn't have a key up

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<v Speaker 1>there either. The only place she actually can succeed into

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<v Speaker 1>getting into is inside the garage. And then the idea

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<v Speaker 1>is that she would turn on the car with the

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<v Speaker 1>garage door closed to wait for a night watchman. I

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<v Speaker 1>don't know why. None of that makes sense to me,

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<v Speaker 1>but maybe it does to you.

0:13:26.960 --> 0:13:29.199
<v Speaker 2>Well, I'm just wondering. This is, you know, mid December,

0:13:29.600 --> 0:13:33.280
<v Speaker 2>and even though it's you know, we're talking La Pacific Palisades.

0:13:33.920 --> 0:13:37.480
<v Speaker 2>You know, maybe it's chili. And you know, one of

0:13:37.480 --> 0:13:40.240
<v Speaker 2>the questions that I have about this nineteen thirty five

0:13:40.360 --> 0:13:44.679
<v Speaker 2>Lincoln Phaeton car is does it have heat which you

0:13:44.720 --> 0:13:47.040
<v Speaker 2>have turned the car on in order just to have

0:13:47.160 --> 0:13:50.280
<v Speaker 2>some heat. You know, in order to get the heat,

0:13:50.640 --> 0:13:54.760
<v Speaker 2>you need to have the engine running to heat up

0:13:54.760 --> 0:13:57.120
<v Speaker 2>the coolant that goes through the heater core, you know,

0:13:57.160 --> 0:13:59.000
<v Speaker 2>and then the fans blow through the heater core to

0:13:59.320 --> 0:14:04.240
<v Speaker 2>generate heat. And she just doesn't recognize that a running

0:14:04.280 --> 0:14:07.400
<v Speaker 2>car inside a closed environment is dangerous, you know, with

0:14:07.440 --> 0:14:10.920
<v Speaker 2>the carbon monoxide. You know, that's that's one thing. If

0:14:11.160 --> 0:14:14.280
<v Speaker 2>this car had was a source of heat, maybe that's

0:14:14.880 --> 0:14:17.440
<v Speaker 2>why she turned it on inside the garage and why

0:14:17.480 --> 0:14:21.960
<v Speaker 2>she went up though it seems like she she was

0:14:22.120 --> 0:14:27.320
<v Speaker 2>inside the cafe to get to the apartment, So why

0:14:27.360 --> 0:14:30.080
<v Speaker 2>does she leave to go all the way up those

0:14:30.120 --> 0:14:35.280
<v Speaker 2>steps to ultimately just get into her car. If she's

0:14:35.560 --> 0:14:40.280
<v Speaker 2>so inebriated, you know, judgment is impaired, you know, and

0:14:40.320 --> 0:14:43.640
<v Speaker 2>she may not be thinking right. Maybe she's thinking, Okay, well,

0:14:44.200 --> 0:14:47.240
<v Speaker 2>Roland and Jewels are down at the apartment. I'm just

0:14:47.280 --> 0:14:49.160
<v Speaker 2>going to get up to the house and stay up there,

0:14:49.440 --> 0:14:51.560
<v Speaker 2>you know, and crawl into a bed up there. And

0:14:51.640 --> 0:14:54.000
<v Speaker 2>then she gets all the way up there and realizes, oh,

0:14:54.040 --> 0:14:54.880
<v Speaker 2>I can't get in.

0:14:55.760 --> 0:14:58.280
<v Speaker 1>So here's the other side of that. There is no

0:14:58.440 --> 0:15:02.960
<v Speaker 1>way that woman to a fancy, spancy event in her

0:15:03.040 --> 0:15:07.120
<v Speaker 1>honor at that place, at that you know, restaurant, with

0:15:07.200 --> 0:15:10.000
<v Speaker 1>all of those people glammed out. What kind of shoes

0:15:10.040 --> 0:15:11.000
<v Speaker 1>do you think she was wearing.

0:15:11.600 --> 0:15:14.480
<v Speaker 2>Oh, she's she's going to be decked out. You know,

0:15:14.560 --> 0:15:17.880
<v Speaker 2>she has a you know, an image, a brand that

0:15:17.960 --> 0:15:19.160
<v Speaker 2>she has to maintain.

0:15:19.880 --> 0:15:22.600
<v Speaker 1>Yeah, heels. She's not walking up two hundred and fifty

0:15:22.640 --> 0:15:26.600
<v Speaker 1>steps in heels at four in the morning cold. I mean,

0:15:26.640 --> 0:15:30.080
<v Speaker 1>there's no way she. So May will say there's going

0:15:30.120 --> 0:15:31.800
<v Speaker 1>to be corners in quests that I'll tell you about,

0:15:31.840 --> 0:15:34.800
<v Speaker 1>and May will say at this corner's inquest, she hated

0:15:34.840 --> 0:15:38.320
<v Speaker 1>that she never wanted to go up that hill. Somebody

0:15:38.400 --> 0:15:41.320
<v Speaker 1>took her up there, okay, And this chauffeur says it

0:15:41.400 --> 0:15:44.880
<v Speaker 1>wasn't me. So she vanishes after he drops her off,

0:15:45.000 --> 0:15:48.600
<v Speaker 1>and they alibied him, and you know, nobody suspected him.

0:15:49.360 --> 0:15:52.960
<v Speaker 1>But that is I think the big issue here is

0:15:53.080 --> 0:15:57.040
<v Speaker 1>the chauffeur says she wasn't drunk. She was sober. Roland

0:15:57.160 --> 0:16:00.800
<v Speaker 1>said it would have been like her to not knock

0:16:00.880 --> 0:16:03.240
<v Speaker 1>on the door and wake him up if he didn't

0:16:03.240 --> 0:16:06.560
<v Speaker 1>have a key. She had done that before when he

0:16:06.680 --> 0:16:09.320
<v Speaker 1>was there. And she ends up throwing a rock through

0:16:09.360 --> 0:16:12.680
<v Speaker 1>the bedroom window, which I'm sure he didn't appreciate. But

0:16:12.800 --> 0:16:15.000
<v Speaker 1>then when she would lock herself out, other times she

0:16:15.040 --> 0:16:18.480
<v Speaker 1>would just go to her mom's. Now, I don't know

0:16:18.520 --> 0:16:20.120
<v Speaker 1>if that meant she would get in her car and

0:16:20.240 --> 0:16:22.200
<v Speaker 1>drive to her mom's or if she would call the

0:16:22.280 --> 0:16:24.760
<v Speaker 1>chauffeur back. But that's not what happened. She didn't contact

0:16:24.760 --> 0:16:27.120
<v Speaker 1>her mom. So the last thing we know is this

0:16:27.240 --> 0:16:29.480
<v Speaker 1>driver drops her off at the cafe. She's locked out there.

0:16:29.560 --> 0:16:33.800
<v Speaker 1>She's locked out of Roland's apartment. She supposedly in heels

0:16:34.000 --> 0:16:36.640
<v Speaker 1>and a mink and everything else, climbs up two hundred

0:16:36.640 --> 0:16:38.760
<v Speaker 1>and fifty stairs, and now's probably, paul a good time

0:16:38.760 --> 0:16:40.680
<v Speaker 1>for you to look at those maps.

0:16:40.400 --> 0:16:43.440
<v Speaker 2>Okay, And you know one question I have is when

0:16:43.560 --> 0:16:46.160
<v Speaker 2>her body's found, is she wearing heels?

0:16:46.480 --> 0:16:48.760
<v Speaker 1>I didn't see a note about that. I want you

0:16:48.800 --> 0:16:50.600
<v Speaker 1>to look at this and you tell me what you

0:16:50.760 --> 0:16:55.840
<v Speaker 1>think if she walked up this spot with no heels

0:16:55.880 --> 0:16:58.280
<v Speaker 1>on it because she's wearing hoes, I'm sure too. Two

0:16:58.400 --> 0:17:00.720
<v Speaker 1>hundred Sorry, it's two hundred and seventy steps according to

0:17:01.200 --> 0:17:05.480
<v Speaker 1>this newspaper. So go to pages three and four and

0:17:05.560 --> 0:17:08.040
<v Speaker 1>kind of describe when you can what you think.

0:17:08.320 --> 0:17:12.000
<v Speaker 2>You know. The first image is an actual photograph of

0:17:12.119 --> 0:17:15.840
<v Speaker 2>the front the storefront of the cafe. It's a bigger

0:17:15.840 --> 0:17:19.640
<v Speaker 2>building than what I was expecting. You know. It's right there,

0:17:19.760 --> 0:17:22.640
<v Speaker 2>right off the side of the road. There's parkings. There's

0:17:22.640 --> 0:17:25.720
<v Speaker 2>several vehicles that are pulled up into parking spots, you know.

0:17:25.880 --> 0:17:31.399
<v Speaker 2>Nose in to the front of this building. There's a

0:17:31.520 --> 0:17:35.200
<v Speaker 2>label indicating where the sidewalk cafe was, which is that

0:17:35.359 --> 0:17:40.159
<v Speaker 2>Thelma's cafe, because it also says the Joya cafe above that?

0:17:40.680 --> 0:17:42.359
<v Speaker 2>Is that what in the same It's.

0:17:42.240 --> 0:17:45.439
<v Speaker 1>A sidewalk cafe and the Joya or whatever that is

0:17:45.520 --> 0:17:47.760
<v Speaker 1>must just be a separate business. Hers is that whole

0:17:47.800 --> 0:17:48.960
<v Speaker 1>bottom six that's huge?

0:17:49.320 --> 0:17:52.120
<v Speaker 2>Yeah, no, that's a good sized cafe. And then there's

0:17:52.160 --> 0:17:55.560
<v Speaker 2>a label pointing to on the right side of the photograph,

0:17:55.920 --> 0:18:00.040
<v Speaker 2>which is a kind of a multi story part of

0:18:00.200 --> 0:18:03.879
<v Speaker 2>this storefront, whether it be the second or the third floor.

0:18:04.000 --> 0:18:06.960
<v Speaker 2>The label indicates that's where Thelma Todd's apartment was at.

0:18:08.520 --> 0:18:12.080
<v Speaker 2>And then there's some dotted lines, which it's hard in

0:18:12.119 --> 0:18:16.040
<v Speaker 2>this photograph to be able to determine exactly what those

0:18:16.080 --> 0:18:19.040
<v Speaker 2>dotted lines are marking. But I think those dotted lines

0:18:19.080 --> 0:18:22.320
<v Speaker 2>are marking the kind of the steps.

0:18:22.880 --> 0:18:25.280
<v Speaker 1>Oh no, I see, it's confusing. If you look at

0:18:25.280 --> 0:18:27.320
<v Speaker 1>the second one, you'll see there's two sets of steps,

0:18:27.359 --> 0:18:29.840
<v Speaker 1>but they're almost separated by what I mean, this looks

0:18:29.840 --> 0:18:32.199
<v Speaker 1>like a hole. This woman is not doing this. I

0:18:32.240 --> 0:18:34.159
<v Speaker 1>don't think in heels at four in the morning.

0:18:34.400 --> 0:18:37.000
<v Speaker 2>Okay, So there's two sets of steps, and then you

0:18:37.119 --> 0:18:40.480
<v Speaker 2>have the steps go up to what appears to be

0:18:41.520 --> 0:18:44.080
<v Speaker 2>one road, You cross that road, and then you go

0:18:44.200 --> 0:18:46.600
<v Speaker 2>up a second series of steps to get to the house.

0:18:47.880 --> 0:18:53.720
<v Speaker 2>And those steps basically it's like two separate sets of steps,

0:18:53.760 --> 0:18:57.320
<v Speaker 2>but they're straight per this sketch on the second page

0:18:57.440 --> 0:18:59.679
<v Speaker 2>that you just sent me, And yeah, you know this

0:18:59.800 --> 0:19:03.080
<v Speaker 2>is this looks like a significant distance. You know, this

0:19:03.160 --> 0:19:07.920
<v Speaker 2>is this is a situation. It's hard to discern from

0:19:08.359 --> 0:19:12.119
<v Speaker 2>the photograph and the sketch sort of the spatial aspects

0:19:12.119 --> 0:19:14.120
<v Speaker 2>of what we're looking at. And two hundred and seventy

0:19:14.119 --> 0:19:16.320
<v Speaker 2>steps is a lot, you know, you think about like

0:19:17.119 --> 0:19:20.240
<v Speaker 2>a floor. You know, you're looking about twelve steps in

0:19:20.320 --> 0:19:24.119
<v Speaker 2>a residential dwelling to get from you know, like my

0:19:24.240 --> 0:19:28.160
<v Speaker 2>basement up to the main floor, twelve to fifteen steps.

0:19:28.720 --> 0:19:31.359
<v Speaker 2>And so when you're starting to talk about two hundred

0:19:31.400 --> 0:19:35.359
<v Speaker 2>and seventy steps. I mean, you're you're going up I

0:19:35.359 --> 0:19:39.080
<v Speaker 2>don't know, twenty you know, twenty floors, twenty twenty twenty

0:19:39.119 --> 0:19:43.520
<v Speaker 2>five floors maybe, Yeah, So obviously this is this would

0:19:43.520 --> 0:19:47.760
<v Speaker 2>be a rigorous activity. So there I could see where

0:19:47.800 --> 0:19:51.320
<v Speaker 2>there would be some concerns about Thelma doing these steps

0:19:51.320 --> 0:19:54.240
<v Speaker 2>and heels. I would think she would take her heels

0:19:54.280 --> 0:19:58.359
<v Speaker 2>off in order to do that. Secondly, her heart condition,

0:19:58.560 --> 0:20:00.480
<v Speaker 2>you know, whatever that is. You know, does a heart

0:20:00.520 --> 0:20:03.679
<v Speaker 2>condition you know, prevent her from doing this type of

0:20:03.680 --> 0:20:07.480
<v Speaker 2>physical exertion. But then there's the victimology. May is saying

0:20:07.480 --> 0:20:11.040
<v Speaker 2>there's no way she would ever have done that. So

0:20:11.440 --> 0:20:15.199
<v Speaker 2>if she did not walk up the steps, how does

0:20:15.240 --> 0:20:18.280
<v Speaker 2>she get up to the house? You know, I know

0:20:18.400 --> 0:20:24.280
<v Speaker 2>this chauffeur is not of concern. I'm just you know,

0:20:24.640 --> 0:20:26.399
<v Speaker 2>it's like, well, he's the last one who saw her alive,

0:20:26.960 --> 0:20:34.000
<v Speaker 2>right right, Okay, So how did they eliminate him?

0:20:34.160 --> 0:20:36.800
<v Speaker 1>So now we got to talk about witnesses, because there

0:20:36.800 --> 0:20:39.199
<v Speaker 1>were people who say they saw her or talk to

0:20:39.240 --> 0:20:42.560
<v Speaker 1>her on Sunday. And you know the last time he

0:20:42.600 --> 0:20:44.640
<v Speaker 1>saw her was when he dropped her off Sunday at

0:20:44.640 --> 0:20:47.560
<v Speaker 1>three am, so let me tell you what people said.

0:20:47.880 --> 0:20:54.600
<v Speaker 1>And Jule Carman, her boyfriend's wife, says that she saw

0:20:54.640 --> 0:20:58.639
<v Speaker 1>her too on Sunday. So here's what everyone says. Three

0:20:58.680 --> 0:21:02.800
<v Speaker 1>people report information to the police that, if true, would

0:21:02.800 --> 0:21:06.359
<v Speaker 1>have required Thelma to be alive on Sunday, not dead

0:21:06.560 --> 0:21:09.880
<v Speaker 1>Saturday night slash Sunday morning, So you know, the time

0:21:09.880 --> 0:21:13.320
<v Speaker 1>of death thing is becoming more interesting. One is named

0:21:13.960 --> 0:21:17.840
<v Speaker 1>Martha Ford. She's a friend of Thelma's, and she said

0:21:17.840 --> 0:21:20.160
<v Speaker 1>they spoke on the phone on Sunday. Thelma had been

0:21:20.160 --> 0:21:23.760
<v Speaker 1>invited to a cocktail party at Miss Ford's residence in

0:21:23.840 --> 0:21:28.280
<v Speaker 1>Laurel Canyon. Martha says that Thelma called her at four pm.

0:21:28.760 --> 0:21:31.440
<v Speaker 1>So this is like the twelve hour timeline that we're

0:21:31.440 --> 0:21:34.760
<v Speaker 1>talking about that the initial doctor said, saying that she

0:21:34.920 --> 0:21:37.600
<v Speaker 1>was on her way to this party and that she

0:21:37.760 --> 0:21:40.280
<v Speaker 1>was going to bring a friend along with her. She

0:21:40.400 --> 0:21:43.360
<v Speaker 1>did not show up, obviously to the cocktail party. And

0:21:43.600 --> 0:21:46.640
<v Speaker 1>they had the ability to trace phone calls and they

0:21:46.640 --> 0:21:51.040
<v Speaker 1>could not find evidence of that phone call from Martha Ford. Okay,

0:21:51.640 --> 0:21:54.320
<v Speaker 1>so that's witness one. Sketchy Witness number one. Do you

0:21:54.359 --> 0:21:56.000
<v Speaker 1>want to stop there or do you want me to

0:21:56.040 --> 0:21:57.080
<v Speaker 1>keep going? Or what do you think?

0:21:57.880 --> 0:21:59.720
<v Speaker 2>No, keep going, I kind of want the whole picture

0:21:59.760 --> 0:22:00.600
<v Speaker 2>of the witnesses.

0:22:01.119 --> 0:22:04.639
<v Speaker 1>Okay. The next one is a waiter who is not

0:22:04.720 --> 0:22:08.200
<v Speaker 1>someone who's named I presume he didn't, you know, testify

0:22:08.240 --> 0:22:10.680
<v Speaker 1>in front of the corner's in quest. He was at

0:22:10.760 --> 0:22:14.800
<v Speaker 1>a different cafe, not her cafe, on Hollywood Boulevard, and

0:22:14.840 --> 0:22:18.080
<v Speaker 1>he tells police he saw Thelma. Who would have been

0:22:18.880 --> 0:22:21.240
<v Speaker 1>she would have stuck out like a sore thumb. Obviously,

0:22:21.640 --> 0:22:25.440
<v Speaker 1>he saw her drive past the cafe on Hollywood Boulevard

0:22:25.560 --> 0:22:29.920
<v Speaker 1>at two pm on Sunday, so two hours before, you know,

0:22:30.080 --> 0:22:33.760
<v Speaker 1>she was supposed to be talking to Martha Ford. And

0:22:33.800 --> 0:22:38.120
<v Speaker 1>then kind of The last one is after Thelma's death

0:22:38.160 --> 0:22:42.119
<v Speaker 1>a few days later on Wednesday. So Thelma was found

0:22:42.200 --> 0:22:46.000
<v Speaker 1>on a Monday morning. This is now Jewel, and Jewel

0:22:46.080 --> 0:22:50.320
<v Speaker 1>two days later, says she saw Thelma driving somewhere in

0:22:50.400 --> 0:22:54.520
<v Speaker 1>her car in Hollywood on Sunday. She says that she

0:22:54.760 --> 0:22:59.400
<v Speaker 1>was with a dark complexioned man, and Jewel later clarifies

0:22:59.440 --> 0:23:02.240
<v Speaker 1>she can't be certain she saw Thelma, but it was

0:23:02.280 --> 0:23:07.159
<v Speaker 1>definitely a chocolate brown Lincoln car which looked identical to

0:23:07.240 --> 0:23:09.760
<v Speaker 1>Thelma's car. I don't know what's happening. I mean, I

0:23:09.760 --> 0:23:12.879
<v Speaker 1>guess take the both ways. Either that Jewel is not

0:23:13.000 --> 0:23:15.359
<v Speaker 1>involved because there's nothing to be involved with and this

0:23:15.520 --> 0:23:19.360
<v Speaker 1>was an accident, or something really sketchy is happening. What

0:23:19.440 --> 0:23:22.159
<v Speaker 1>would Jewel be trying to do in both of those circumstances.

0:23:22.480 --> 0:23:25.520
<v Speaker 2>Well, the waiter and Jewel is the victim, the one

0:23:25.600 --> 0:23:29.080
<v Speaker 2>actually driving her own car. Is that their statement?

0:23:29.560 --> 0:23:33.280
<v Speaker 1>Well, it sounds like yes, that she and she had

0:23:33.359 --> 0:23:35.640
<v Speaker 1>driven her own car. Sometimes she would have a chauffeur,

0:23:35.720 --> 0:23:39.920
<v Speaker 1>sometimes she wouldn't, so yes, and that she was driving

0:23:40.400 --> 0:23:44.920
<v Speaker 1>with a dark complexioned man. Very vague from jewel statement.

0:23:45.040 --> 0:23:47.680
<v Speaker 1>I don't know if she was suggesting that the man

0:23:47.720 --> 0:23:50.520
<v Speaker 1>was driving the car, but she just said she saw Thelma.

0:23:50.680 --> 0:23:53.119
<v Speaker 2>So the first witness, Martha Ford, who is a friend,

0:23:54.160 --> 0:23:58.520
<v Speaker 2>spoke on the phone at four pm on Sunday. I

0:23:58.560 --> 0:24:00.639
<v Speaker 2>know you said that they had the cape ability to

0:24:00.680 --> 0:24:02.840
<v Speaker 2>trace phone calls and there is no evidence that that

0:24:02.920 --> 0:24:04.440
<v Speaker 2>phone call ever occurred.

0:24:05.520 --> 0:24:09.280
<v Speaker 1>So they say they found no record of any phone

0:24:09.280 --> 0:24:14.960
<v Speaker 1>call made between Martha and Thelma's cafe or Martha and

0:24:15.400 --> 0:24:20.239
<v Speaker 1>Thelma's home, so the apartment. But I would assume they

0:24:20.240 --> 0:24:24.160
<v Speaker 1>would run that same thing on Roland's house, or maybe

0:24:24.240 --> 0:24:26.560
<v Speaker 1>she used a payphone. I don't know what she would

0:24:26.560 --> 0:24:28.920
<v Speaker 1>have used, but those were the two that they looked at.

0:24:29.240 --> 0:24:32.119
<v Speaker 2>If you have the waiter. And he's accurate in his

0:24:32.160 --> 0:24:34.760
<v Speaker 2>statement saying he saw Thelma drive past his cafe in

0:24:34.800 --> 0:24:38.640
<v Speaker 2>Hollywood Boulevard at two pm, and then Martha is now

0:24:38.720 --> 0:24:40.960
<v Speaker 2>saying that Thelma spoke with her on the phone at

0:24:41.000 --> 0:24:45.480
<v Speaker 2>four pm. It's possible that Thelma is not at any

0:24:45.520 --> 0:24:50.359
<v Speaker 2>of her known locations. She's out and about now. One

0:24:50.400 --> 0:24:52.919
<v Speaker 2>of the things I don't know is, you know, nineteen

0:24:53.000 --> 0:24:56.520
<v Speaker 2>thirty five, you know phone records, you know, like billing

0:24:56.640 --> 0:25:00.400
<v Speaker 2>records and stuff like that. You know how much they

0:25:00.880 --> 0:25:05.159
<v Speaker 2>stayed on top of local phone calls, you know, I know,

0:25:05.680 --> 0:25:08.840
<v Speaker 2>you know going back, you know it's now decades later

0:25:09.119 --> 0:25:13.560
<v Speaker 2>in the nineteen seventies that you know, trying to trace

0:25:13.600 --> 0:25:16.320
<v Speaker 2>a phone call, let's say, like an active phone call,

0:25:17.520 --> 0:25:22.840
<v Speaker 2>it's it's a very labor intensive, quick moving process within

0:25:23.160 --> 0:25:27.600
<v Speaker 2>the phone facility itself. You know, got all sorts of

0:25:27.600 --> 0:25:29.960
<v Speaker 2>relays that they have to end up tracking down while

0:25:30.000 --> 0:25:32.280
<v Speaker 2>that phone call is going on. That's why you know,

0:25:32.320 --> 0:25:34.600
<v Speaker 2>this whole thing, you know back in the day, is

0:25:34.640 --> 0:25:38.000
<v Speaker 2>that the person on the phone that's issuing threats and

0:25:38.040 --> 0:25:39.880
<v Speaker 2>you're trying to trace that phone call. There's a clock

0:25:39.920 --> 0:25:42.800
<v Speaker 2>that's sticking because when they hang up, boom, these relays

0:25:42.840 --> 0:25:46.480
<v Speaker 2>just reset, and now you've lost sort of the phone

0:25:46.600 --> 0:25:49.240
<v Speaker 2>the originating phone number where that phone call came in from.

0:25:49.560 --> 0:25:52.960
<v Speaker 2>So I'm kind of wondering how in the nineteen thirties

0:25:53.640 --> 0:25:58.080
<v Speaker 2>they tracked phone calls, you know. And I'm getting down

0:25:58.119 --> 0:26:00.920
<v Speaker 2>to okay, if they're saying that there there's no record

0:26:01.160 --> 0:26:05.720
<v Speaker 2>of a phone call between Thelma and Martha Man and

0:26:06.040 --> 0:26:09.159
<v Speaker 2>I'm assuming Martha said she called Thelma or she was

0:26:09.200 --> 0:26:11.840
<v Speaker 2>home and Thelma called her, you know, it's one or

0:26:11.880 --> 0:26:15.200
<v Speaker 2>the other. So they would have the you know, who's

0:26:15.240 --> 0:26:17.720
<v Speaker 2>the originator of the phone call? You know, how much

0:26:17.800 --> 0:26:22.160
<v Speaker 2>veracity to put on the investigator's information, And I don't

0:26:22.200 --> 0:26:25.120
<v Speaker 2>know right now. That's that's that's a big question mark.

0:26:25.240 --> 0:26:28.520
<v Speaker 2>Is are they right and there's no phone call or

0:26:28.680 --> 0:26:30.600
<v Speaker 2>is it very possible there was a phone call and

0:26:30.640 --> 0:26:33.879
<v Speaker 2>they just didn't look in the right place, you know,

0:26:33.920 --> 0:26:39.040
<v Speaker 2>within the phone tracking system. So that's something that I'm

0:26:39.280 --> 0:26:44.120
<v Speaker 2>I'm chewing on this waiter. The waiter is not an

0:26:44.119 --> 0:26:49.200
<v Speaker 2>associate of the victim just recognizes the victim. And this

0:26:49.240 --> 0:26:53.600
<v Speaker 2>is a high profile case, you know, so there's you know,

0:26:53.640 --> 0:26:56.040
<v Speaker 2>there is always going to be that question mark of

0:26:56.600 --> 0:27:00.040
<v Speaker 2>is the waiter just trying to be helpful, read some

0:27:00.119 --> 0:27:04.600
<v Speaker 2>thing in the newspaper and maybe mistaken identity. You'd think

0:27:04.640 --> 0:27:09.119
<v Speaker 2>that Thelma's car, you know, would be somewhat unusual, but again,

0:27:09.280 --> 0:27:11.639
<v Speaker 2>you have a lot of wealthy people that live in

0:27:11.640 --> 0:27:14.960
<v Speaker 2>this area, so maybe it's not as unusual as I'm assuming.

0:27:16.359 --> 0:27:20.560
<v Speaker 2>And then Jewel, Jewel's the one that's that's interesting, you know.

0:27:20.640 --> 0:27:23.200
<v Speaker 2>My My concern with Jewel, of course, is is even

0:27:23.200 --> 0:27:27.880
<v Speaker 2>though it appears that this triangle between her and Roland

0:27:27.920 --> 0:27:31.760
<v Speaker 2>and Thelma is all out in the open and all

0:27:31.800 --> 0:27:35.520
<v Speaker 2>on the up and up, you know, if she's calling

0:27:35.600 --> 0:27:40.000
<v Speaker 2>in and is trying to place Thelma with some unknown

0:27:40.080 --> 0:27:43.640
<v Speaker 2>man m hm, you know, is she trying to drive

0:27:43.680 --> 0:27:47.840
<v Speaker 2>a wedge between Thelma and Roland, you know, or is

0:27:47.880 --> 0:27:51.720
<v Speaker 2>she just being honest? And again, I don't know. It's

0:27:51.760 --> 0:27:55.520
<v Speaker 2>all very interesting because you have three different people saying

0:27:55.560 --> 0:28:00.560
<v Speaker 2>they saw Thelma on Sunday m Yet Thelma is found

0:28:00.760 --> 0:28:04.520
<v Speaker 2>in the clothes that she went to the dinner from

0:28:04.600 --> 0:28:07.560
<v Speaker 2>Saturday m h and you have a show first saying

0:28:07.800 --> 0:28:12.240
<v Speaker 2>he dropped her off at the cafe, and this isn't.

0:28:12.000 --> 0:28:14.800
<v Speaker 1>Like Uber Paul. I mean, this was her regular driver

0:28:14.920 --> 0:28:16.560
<v Speaker 1>who was on call all the time.

0:28:16.359 --> 0:28:18.879
<v Speaker 2>For her, and he's just pushing her out of the

0:28:18.920 --> 0:28:19.960
<v Speaker 2>car and driving away.

0:28:20.600 --> 0:28:24.399
<v Speaker 1>Well, she did not know she didn't have a key

0:28:24.760 --> 0:28:27.760
<v Speaker 1>until after she got to the door, and she realized

0:28:27.800 --> 0:28:30.320
<v Speaker 1>she left everything at home. And I'm assuming he was

0:28:30.359 --> 0:28:33.760
<v Speaker 1>gone already, and she can't make a phone call, so

0:28:34.280 --> 0:28:36.439
<v Speaker 1>you know, she went up to the apartment. I had

0:28:36.560 --> 0:28:39.840
<v Speaker 1>kind of wondered if Jewel was there, which has been insinuated,

0:28:40.040 --> 0:28:43.560
<v Speaker 1>and she did knock on the door and Jewel answered,

0:28:43.600 --> 0:28:45.760
<v Speaker 1>and maybe that's how she caught a ride up there.

0:28:46.280 --> 0:28:48.520
<v Speaker 1>But of course Jewel's not copping to anything. I don't know.

0:28:48.560 --> 0:28:50.800
<v Speaker 1>I just don't trust Jewel. I don't understand any of this.

0:28:51.520 --> 0:28:55.320
<v Speaker 1>Why would she let somebody, I mean, there's investments everywhere,

0:28:55.480 --> 0:28:58.080
<v Speaker 1>and it's just seems like an odd relationship.

0:28:58.480 --> 0:29:02.360
<v Speaker 2>No, No, I think that, you know, the oddity of

0:29:02.400 --> 0:29:07.680
<v Speaker 2>the relationship is concerning you know, I think I want

0:29:07.760 --> 0:29:12.000
<v Speaker 2>more information about the normal routine that the chauffeur does.

0:29:12.160 --> 0:29:15.040
<v Speaker 2>You know, is I can only imagine that the chauffeur.

0:29:15.640 --> 0:29:18.960
<v Speaker 2>He's not just pulling up and okay, good night, or

0:29:19.200 --> 0:29:23.560
<v Speaker 2>you know whatever. This sounds for somebody of Thelma's status.

0:29:23.960 --> 0:29:28.280
<v Speaker 2>This sounds like a professional driver that likely would escort

0:29:28.520 --> 0:29:30.960
<v Speaker 2>Thelma to the door or you know, help her get

0:29:30.960 --> 0:29:32.560
<v Speaker 2>out of the car. You know, what's what is the

0:29:32.600 --> 0:29:36.280
<v Speaker 2>normal routine? And of course I know you probably don't

0:29:36.320 --> 0:29:40.040
<v Speaker 2>have that information, you know. So on one hand, the

0:29:40.080 --> 0:29:44.160
<v Speaker 2>autopsy results and her being found slumped in the front

0:29:44.200 --> 0:29:46.520
<v Speaker 2>seat of her own vehicle inside a closed garage with

0:29:46.560 --> 0:29:53.680
<v Speaker 2>carbon monoxide poisoning, you know, that suggests accidental. But I

0:29:53.720 --> 0:29:56.920
<v Speaker 2>can see where there's some concern just because there seems

0:29:56.960 --> 0:30:05.240
<v Speaker 2>to be other suspicious activity going on. There's churn. And

0:30:05.280 --> 0:30:08.960
<v Speaker 2>now it does come down to, okay, what is the

0:30:09.080 --> 0:30:13.360
<v Speaker 2>likely time of death? Can we eliminate these three witnesses

0:30:13.400 --> 0:30:17.800
<v Speaker 2>on Sunday? If we can say that Thelma was truly

0:30:18.000 --> 0:30:20.800
<v Speaker 2>dead thirty hours versus twelve.

0:30:20.960 --> 0:30:23.840
<v Speaker 1>I think that it becomes very complicated because there's so

0:30:23.960 --> 0:30:29.080
<v Speaker 1>much more information. So the chauffeur's name is Ernest Peters,

0:30:29.120 --> 0:30:34.200
<v Speaker 1>and he said that she seemed scared and I was

0:30:34.240 --> 0:30:37.320
<v Speaker 1>not going to bring this up until now Thelma had

0:30:37.400 --> 0:30:40.800
<v Speaker 1>and this was a theory that the police claimed they

0:30:40.840 --> 0:30:44.720
<v Speaker 1>went down this road. But we'll see she had apparently

0:30:45.280 --> 0:30:50.600
<v Speaker 1>had a recent altercation with her ex husband, who had

0:30:50.640 --> 0:30:54.959
<v Speaker 1>ties two mobsters, and there began to be speculation and

0:30:55.200 --> 0:30:58.920
<v Speaker 1>the chauffeur kind of backs this up that her ex

0:30:59.040 --> 0:31:01.960
<v Speaker 1>husband and mobs that have been floating around, you know,

0:31:02.040 --> 0:31:05.000
<v Speaker 1>this area and in her circle were pressuring her to

0:31:05.120 --> 0:31:09.520
<v Speaker 1>use the cafe in gambling, and that this could have

0:31:09.560 --> 0:31:14.160
<v Speaker 1>been connected to that somehow, And so the show first says,

0:31:14.240 --> 0:31:17.840
<v Speaker 1>you know, she had sketchy people around. He testified at

0:31:18.040 --> 0:31:19.600
<v Speaker 1>you know, what would Sue be in the corners in

0:31:19.680 --> 0:31:23.880
<v Speaker 1>quest and that he, you know, just said she was

0:31:24.160 --> 0:31:26.280
<v Speaker 1>she was scared of her ex husband and that there

0:31:26.280 --> 0:31:29.880
<v Speaker 1>had been recent issues between the two of them. But

0:31:30.640 --> 0:31:33.760
<v Speaker 1>he said, you know, he put her at the cafe.

0:31:34.080 --> 0:31:36.080
<v Speaker 1>There's a spot where it's in front of the cafe

0:31:36.160 --> 0:31:38.480
<v Speaker 1>and also in front of a tiny set of steps

0:31:38.960 --> 0:31:40.560
<v Speaker 1>that I think you see in one of the maps

0:31:40.960 --> 0:31:43.400
<v Speaker 1>that go up to her apartment. I guess it's not tiny,

0:31:43.400 --> 0:31:46.440
<v Speaker 1>but it's a short set of steps. So he doesn't

0:31:46.560 --> 0:31:50.160
<v Speaker 1>particularly know which way she went at that point. And

0:31:50.200 --> 0:31:53.640
<v Speaker 1>then you know, there's information about the mob tie stuff.

0:31:54.000 --> 0:31:56.720
<v Speaker 2>Well, you know, it does it does boil down to

0:31:57.560 --> 0:31:59.400
<v Speaker 2>you know, I kind of go back to the fractured

0:31:59.440 --> 0:32:03.000
<v Speaker 2>nose a little little bit. Yeah, so you have the

0:32:03.880 --> 0:32:08.520
<v Speaker 2>theory that she succumbs to carbon monoxide poisoning. She slumps forward,

0:32:08.640 --> 0:32:12.640
<v Speaker 2>hits her nose against the steering wheel, and I'm not

0:32:12.840 --> 0:32:16.640
<v Speaker 2>doubting that that could potentially fracture, but it would be

0:32:16.680 --> 0:32:20.440
<v Speaker 2>a very minor. God, I remember playing basketball as a

0:32:20.520 --> 0:32:23.520
<v Speaker 2>kid and I'd have that basketball rebound off the rim

0:32:23.600 --> 0:32:27.600
<v Speaker 2>and just slam into my nose, and that would be

0:32:27.640 --> 0:32:29.320
<v Speaker 2>a hell of a lot more force in my head,

0:32:29.400 --> 0:32:31.680
<v Speaker 2>just kind of slumping forward into a steering wheel. And

0:32:31.720 --> 0:32:34.440
<v Speaker 2>I never broke my nose. You know, some boys had

0:32:34.480 --> 0:32:38.000
<v Speaker 2>their nose, noses broken by a basketball's right, So this

0:32:38.080 --> 0:32:42.440
<v Speaker 2>is where you know, evaluating. Okay, the level of damage

0:32:43.120 --> 0:32:46.440
<v Speaker 2>to her nose, I think is part of what I

0:32:46.480 --> 0:32:49.480
<v Speaker 2>would be looking into, you know, And where the bleeding

0:32:49.600 --> 0:32:52.600
<v Speaker 2>is coming out of her mouth? I mean, is her

0:32:52.720 --> 0:32:56.400
<v Speaker 2>upper palette to her oral cavity, you know, the roof

0:32:56.440 --> 0:33:00.200
<v Speaker 2>of her mouth is that fractured as a result this

0:33:00.280 --> 0:33:04.360
<v Speaker 2>fractured nose, or is the mouth Is the blood from

0:33:04.360 --> 0:33:07.520
<v Speaker 2>the mouth just a result of blood, you know, kind

0:33:07.560 --> 0:33:10.600
<v Speaker 2>of dripping down from the nasal cavity into the oral cavity,

0:33:10.960 --> 0:33:12.880
<v Speaker 2>you know. And this is these are observations they need

0:33:12.920 --> 0:33:15.360
<v Speaker 2>to be making at autopsy or should have been made

0:33:15.400 --> 0:33:18.960
<v Speaker 2>at autopsy, because I mean, if her nose is crushed

0:33:19.000 --> 0:33:23.080
<v Speaker 2>in and you know, her upper palette is fractured, and

0:33:23.160 --> 0:33:26.800
<v Speaker 2>I would say that's not from her slumping forward, you know,

0:33:27.200 --> 0:33:34.160
<v Speaker 2>somebody punched her in the nose or similar. So I think,

0:33:34.440 --> 0:33:38.920
<v Speaker 2>like for me to start resolving, you know, the circumstances

0:33:39.520 --> 0:33:43.480
<v Speaker 2>and the suspicions and the theories, is it's going back

0:33:43.560 --> 0:33:45.840
<v Speaker 2>to the core. It's going back to what does the

0:33:45.880 --> 0:33:49.160
<v Speaker 2>crime scene say, What does the autopsy say? Can I

0:33:49.400 --> 0:33:53.920
<v Speaker 2>see something that indicates or let's say, either corroborates or

0:33:53.920 --> 0:33:57.160
<v Speaker 2>refutes the theory that this was just an accidental carbon

0:33:57.200 --> 0:33:58.320
<v Speaker 2>monoxide poisoning.

0:33:58.680 --> 0:34:01.040
<v Speaker 1>Let me tell you a little bit more because I

0:34:01.040 --> 0:34:03.640
<v Speaker 1>I'm not going to have those details unfortunately, just about

0:34:03.720 --> 0:34:07.920
<v Speaker 1>I wish we had more sure on the autopsy. But

0:34:08.040 --> 0:34:09.680
<v Speaker 1>let me just tell you a little bit more about

0:34:09.960 --> 0:34:11.759
<v Speaker 1>the X. And I don't know if it's going to

0:34:11.760 --> 0:34:14.680
<v Speaker 1>go anywhere or not. So three years, not very long

0:34:14.680 --> 0:34:17.120
<v Speaker 1>ago before she died, she married a guy named Pat

0:34:17.719 --> 0:34:20.799
<v Speaker 1>did she go. He's an agent and a producer who

0:34:20.920 --> 0:34:27.319
<v Speaker 1>has alleged ties to mobster Lucky Luciano and they divorced

0:34:27.360 --> 0:34:30.440
<v Speaker 1>two years later. You know, they were married just for

0:34:30.480 --> 0:34:33.880
<v Speaker 1>two years. Now they're divorced a year before she dies.

0:34:34.239 --> 0:34:38.680
<v Speaker 1>During your marriage, they have absolutely awful arguments, very like violent.

0:34:39.120 --> 0:34:43.120
<v Speaker 1>Sounds like Pat is abusive and he hurts Thelma multiple occasions.

0:34:43.120 --> 0:34:46.200
<v Speaker 1>He breaks her nose, and she had been the one

0:34:46.200 --> 0:34:50.280
<v Speaker 1>to file for divorce saying that he was cruel. Still

0:34:50.320 --> 0:34:54.319
<v Speaker 1>really weird. Side note, Pat did Chico went on to

0:34:54.400 --> 0:34:58.880
<v Speaker 1>marry Gloria Vanderbilt in nineteen forty one, and she was

0:34:58.920 --> 0:35:01.399
<v Speaker 1>only seventeen when they got married, and she said he

0:35:01.440 --> 0:35:07.040
<v Speaker 1>was extremely abusive. So the running theory is about the mob,

0:35:07.239 --> 0:35:10.800
<v Speaker 1>that she got drawn into this world because the ex husband,

0:35:10.880 --> 0:35:13.200
<v Speaker 1>who has only been an ex husband for a year,

0:35:13.840 --> 0:35:17.760
<v Speaker 1>was involved, and that this would have been fairly common

0:35:17.960 --> 0:35:20.239
<v Speaker 1>and Roland West could have been involved too. I mean,

0:35:20.280 --> 0:35:24.480
<v Speaker 1>he was a film director. The intertwining between a lot

0:35:24.520 --> 0:35:28.719
<v Speaker 1>of Hollywood and the Mob was pretty tight in this

0:35:28.800 --> 0:35:31.440
<v Speaker 1>time period, so you know that is not out of

0:35:31.480 --> 0:35:34.280
<v Speaker 1>the realm. But you're right again, it's like the details

0:35:34.320 --> 0:35:37.480
<v Speaker 1>of the autopsy, you know, may or may not have

0:35:37.560 --> 0:35:39.719
<v Speaker 1>told us more information. I just think all of these

0:35:39.760 --> 0:35:43.000
<v Speaker 1>circumstances are so weird. I am so bothered that no

0:35:43.040 --> 0:35:45.279
<v Speaker 1>one is coping to taking her up to the top

0:35:45.320 --> 0:35:48.600
<v Speaker 1>of this hill, you know, and then all these things

0:35:48.640 --> 0:35:52.360
<v Speaker 1>that are happening. So if she is alive on Sunday,

0:35:53.040 --> 0:35:56.840
<v Speaker 1>why is she found dead Monday morning in the same

0:35:57.000 --> 0:36:00.799
<v Speaker 1>clothes that she wore Saturday night? Does that make sense?

0:36:01.640 --> 0:36:05.640
<v Speaker 2>Well, you know a scenario. Let's say she ends up

0:36:05.760 --> 0:36:09.800
<v Speaker 2>meeting with somebody after she gets dropped off by the chauffeur,

0:36:10.320 --> 0:36:13.600
<v Speaker 2>and maybe there's this is a consensual relationship, or maybe

0:36:13.840 --> 0:36:18.439
<v Speaker 2>she is truly under threat but never ends up going

0:36:18.520 --> 0:36:22.719
<v Speaker 2>back home in order to change the next day. This

0:36:23.120 --> 0:36:27.560
<v Speaker 2>ex husband pat is he a darkly complexed guy.

0:36:28.320 --> 0:36:31.360
<v Speaker 1>Here's the two of them together. Hold on, he looks

0:36:31.360 --> 0:36:33.120
<v Speaker 1>like he could be darker. He looks all of skin

0:36:33.200 --> 0:36:33.360
<v Speaker 1>to me.

0:36:33.440 --> 0:36:36.520
<v Speaker 2>Oh yeah, is that surname like Italian?

0:36:36.800 --> 0:36:37.040
<v Speaker 1>Yeah?

0:36:37.080 --> 0:36:39.960
<v Speaker 2>I believe so, yeah, yeah, because he looks Yeah, the

0:36:40.000 --> 0:36:42.960
<v Speaker 2>thick eyebrows looks like he has to you know, full

0:36:43.160 --> 0:36:44.600
<v Speaker 2>dark head of hair.

0:36:45.760 --> 0:36:49.400
<v Speaker 1>But would she really not now who her current husband's

0:36:49.400 --> 0:36:52.120
<v Speaker 1>girlfriend's ex husband would be. I mean I don't know.

0:36:52.920 --> 0:36:56.600
<v Speaker 2>Yeah, you know that's Jule's statements. You know, is she

0:36:57.000 --> 0:37:00.360
<v Speaker 2>intentionally being vague or does she not get a good look,

0:37:00.520 --> 0:37:03.719
<v Speaker 2>or is there an associate of you know, a mob

0:37:03.760 --> 0:37:08.719
<v Speaker 2>associate of this pat to CHECKO that's now abducted. You know,

0:37:08.760 --> 0:37:13.359
<v Speaker 2>this is where when I start evaluating the circumstances of

0:37:13.360 --> 0:37:17.640
<v Speaker 2>how Thelma died, and if there's an organization like the

0:37:17.680 --> 0:37:20.640
<v Speaker 2>mob involved, one of the things that I would be

0:37:20.680 --> 0:37:25.640
<v Speaker 2>doing is reaching out to the experts who have investigated

0:37:25.760 --> 0:37:32.480
<v Speaker 2>mob homicides and find out do we have instances of

0:37:32.640 --> 0:37:36.440
<v Speaker 2>mob connections with a similar type of staged crime scene

0:37:37.000 --> 0:37:40.799
<v Speaker 2>where they in essence get the victim to succumb to

0:37:40.840 --> 0:37:45.840
<v Speaker 2>carbon monoxide? You know that again, the fracture knows Let's say,

0:37:46.200 --> 0:37:48.120
<v Speaker 2>could that have been a punch. Could that have been

0:37:48.160 --> 0:37:55.359
<v Speaker 2>a significant enough punch to where Thelma is dazed and

0:37:55.400 --> 0:37:59.040
<v Speaker 2>she's an essence put inside this running vehicle inside a

0:37:59.040 --> 0:38:03.040
<v Speaker 2>closed garage, has to be breathing. That's it's not like

0:38:03.120 --> 0:38:06.560
<v Speaker 2>she's dead. And then this is staged to look like,

0:38:06.920 --> 0:38:10.319
<v Speaker 2>you know, carbon monoxide. She has to be ingesting the

0:38:10.360 --> 0:38:14.880
<v Speaker 2>carbon monoxide by breathing, so she's still alive inside that

0:38:15.000 --> 0:38:20.080
<v Speaker 2>garage and taken in the carbon monoxide. The critical aspect

0:38:20.200 --> 0:38:23.960
<v Speaker 2>is really assessing the one injury she has. You know,

0:38:24.040 --> 0:38:26.640
<v Speaker 2>what is the level of violence. Is it consistent with

0:38:27.520 --> 0:38:31.200
<v Speaker 2>just a mere slump or is there a greater force

0:38:31.280 --> 0:38:32.959
<v Speaker 2>being applied? And I would say, if there's a greater

0:38:33.000 --> 0:38:35.920
<v Speaker 2>force being applied and then the blood blood flows, the

0:38:35.960 --> 0:38:40.920
<v Speaker 2>blood patterns, does that indicate that there's something suspicious going on?

0:38:41.640 --> 0:38:46.719
<v Speaker 2>If there is, if this fractured knows is significant, I

0:38:46.760 --> 0:38:51.560
<v Speaker 2>think that aspect in and of itself would push this

0:38:51.719 --> 0:38:56.960
<v Speaker 2>case from an accidental finding to at least an indetermined

0:38:57.200 --> 0:39:01.640
<v Speaker 2>finding in terms of manner of death, death by the

0:39:01.680 --> 0:39:06.359
<v Speaker 2>hands of another type of scenario. So nineteen thirty five,

0:39:06.520 --> 0:39:10.239
<v Speaker 2>you know, it's possible that they did some photography at

0:39:10.280 --> 0:39:14.120
<v Speaker 2>the crime scene in the Morgue. Pathologist should have written

0:39:14.120 --> 0:39:17.160
<v Speaker 2>a report, you know, so I'd be interested in getting

0:39:17.160 --> 0:39:20.760
<v Speaker 2>into the nitty gritty details of what the pathologist actually found.

0:39:21.320 --> 0:39:23.880
<v Speaker 1>Okay, hang on, I think I found a photo. So

0:39:23.960 --> 0:39:26.080
<v Speaker 1>this is a photo of her on the autopsy slab.

0:39:27.040 --> 0:39:29.960
<v Speaker 1>This is from the book Tragic Hollywood, Beautiful, Glamorous, and

0:39:30.000 --> 0:39:32.879
<v Speaker 1>still dead. When cops arrived, they knew she was dealing.

0:39:33.000 --> 0:39:35.279
<v Speaker 1>They were dealing with a person of means. She was

0:39:35.320 --> 0:39:39.560
<v Speaker 1>extremely well dressed. The gown, full length mahogany mink coat,

0:39:40.600 --> 0:39:44.040
<v Speaker 1>lots of diamonds, expensive rings. Just as a reminder, if

0:39:44.080 --> 0:39:46.040
<v Speaker 1>we're looking at the mob connection, she had a lot

0:39:46.080 --> 0:39:50.800
<v Speaker 1>of jewelry, rosie, you know, cheeks. There was no trace

0:39:50.920 --> 0:39:53.120
<v Speaker 1>there were no traces of bruising around her neck, and

0:39:53.160 --> 0:39:56.200
<v Speaker 1>her nose was not broken, even though it looked like

0:39:56.480 --> 0:39:59.440
<v Speaker 1>it had been. And it says it has erroneously reported

0:40:00.440 --> 0:40:03.400
<v Speaker 1>she did have a loose filling and a slightly bloody lip.

0:40:03.920 --> 0:40:06.920
<v Speaker 1>A dying camellia was pinned to her party dress. The

0:40:06.920 --> 0:40:09.400
<v Speaker 1>withering flower had lost its pure white color and was

0:40:09.440 --> 0:40:11.920
<v Speaker 1>turning pink. Let me go ahead and share this.

0:40:12.360 --> 0:40:14.560
<v Speaker 2>So this is saying her nose was not fractured.

0:40:15.040 --> 0:40:17.880
<v Speaker 1>Well, I mean, and that's what the doctor had said initially,

0:40:18.080 --> 0:40:20.920
<v Speaker 1>but then there were these all of these other reports,

0:40:21.200 --> 0:40:21.640
<v Speaker 1>you know.

0:40:21.880 --> 0:40:25.600
<v Speaker 2>So yeah, well she's obviously so I'm looking at, you know,

0:40:26.000 --> 0:40:30.479
<v Speaker 2>a picture Ofthelma. She's laying on her back. She's got

0:40:30.520 --> 0:40:35.200
<v Speaker 2>the typical neck rest that's used at autopsy, that's behind

0:40:35.200 --> 0:40:39.240
<v Speaker 2>her head. You know, her upper body is completely covers.

0:40:39.320 --> 0:40:42.440
<v Speaker 2>All I can see is pretty much from the jaw

0:40:42.719 --> 0:40:44.960
<v Speaker 2>up to the top of her head and her hair.

0:40:45.520 --> 0:40:49.920
<v Speaker 2>I can't tell if she's been autopsied at this point.

0:40:50.400 --> 0:40:53.600
<v Speaker 2>You know, her hair may maybe covering up any incisions

0:40:53.640 --> 0:40:57.680
<v Speaker 2>to her scalp. Sometimes there's deformation to the forehead, which

0:40:57.719 --> 0:41:04.080
<v Speaker 2>there may be in this case, but the nose looks pristine.

0:41:05.480 --> 0:41:08.960
<v Speaker 2>It does not appear that her nose was fractured. There

0:41:09.160 --> 0:41:13.280
<v Speaker 2>is just a slight discoloration on what appears to possibly

0:41:13.320 --> 0:41:16.160
<v Speaker 2>be her lower lip. You know, if this is all

0:41:16.200 --> 0:41:18.840
<v Speaker 2>the damage to her face, then I would say, you

0:41:18.840 --> 0:41:21.200
<v Speaker 2>know what, that laceration to her lip, If that's what

0:41:21.280 --> 0:41:26.080
<v Speaker 2>that is, that's completely consistent with her slumping forward and

0:41:26.160 --> 0:41:29.440
<v Speaker 2>hitting her mouth on the steering wheel.

0:41:30.560 --> 0:41:31.560
<v Speaker 1>How'd she get up there?

0:41:31.800 --> 0:41:36.920
<v Speaker 2>Yeah, there's definitely mysteries in terms of her movements. You know,

0:41:37.000 --> 0:41:37.759
<v Speaker 2>the timeline.

0:41:37.920 --> 0:41:38.799
<v Speaker 1>Wait, is this her?

0:41:39.239 --> 0:41:41.000
<v Speaker 2>Yeah, that might be her in the vehicle.

0:41:41.320 --> 0:41:42.680
<v Speaker 1>Yeah, that's her.

0:41:42.920 --> 0:41:45.240
<v Speaker 2>At least at the time of this photo. She slumped

0:41:45.239 --> 0:41:48.840
<v Speaker 2>to her right, and so they've opened up the front

0:41:49.000 --> 0:41:52.400
<v Speaker 2>passenger door and have taken a photo with her laying there.

0:41:53.200 --> 0:41:55.600
<v Speaker 2>I wonder if that's the position that she was actually

0:41:55.760 --> 0:41:58.759
<v Speaker 2>found in. But the I think the bottom photo is

0:41:58.840 --> 0:41:59.960
<v Speaker 2>potentially reversed.

0:42:00.360 --> 0:42:03.200
<v Speaker 1>Yeah, I think you might be right. Some maybe people

0:42:03.239 --> 0:42:04.800
<v Speaker 1>can see it better or something.

0:42:05.400 --> 0:42:08.000
<v Speaker 2>You know. Sometimes it's the way they develop the prints

0:42:08.040 --> 0:42:12.839
<v Speaker 2>from negatives, and they don't they don't account for the directionality. So,

0:42:13.840 --> 0:42:17.840
<v Speaker 2>I mean, it appears that she's in the middle of

0:42:17.920 --> 0:42:21.960
<v Speaker 2>the front seat based on the position. If I'm looking

0:42:22.000 --> 0:42:24.560
<v Speaker 2>at the top photo right, it looks like she's got

0:42:24.560 --> 0:42:27.640
<v Speaker 2>this long mink coat on and she's sitting on the

0:42:27.680 --> 0:42:29.520
<v Speaker 2>botto or she was sitting on the bottom of it,

0:42:30.080 --> 0:42:34.239
<v Speaker 2>and then she ends up collapsing to her left. But

0:42:34.680 --> 0:42:38.920
<v Speaker 2>where what I'm assuming is is where her butt is.

0:42:39.600 --> 0:42:43.760
<v Speaker 2>That looks like it's towards the middle of the front

0:42:43.800 --> 0:42:45.480
<v Speaker 2>seat of this vehicle.

0:42:45.960 --> 0:42:49.160
<v Speaker 1>Doesn't look violent to me, and there's no space. I mean,

0:42:49.200 --> 0:42:51.040
<v Speaker 1>look at it looks pretty tight to me. If she

0:42:51.080 --> 0:42:53.600
<v Speaker 1>were sitting up, she's pretty close to the steering wheel,

0:42:53.600 --> 0:42:56.200
<v Speaker 1>and that looks like an imposing steering wheel. I could

0:42:56.200 --> 0:42:58.200
<v Speaker 1>see how that would knock her toothlues.

0:42:58.680 --> 0:43:01.200
<v Speaker 2>Yeah, you know, potentially, but they're you know, this dashboard,

0:43:01.320 --> 0:43:04.160
<v Speaker 2>there's other features in front of her that if she

0:43:04.280 --> 0:43:06.720
<v Speaker 2>were to collapse forward, she doesn't necessarily have to collapse

0:43:06.719 --> 0:43:09.120
<v Speaker 2>into the steering wheel. Like where it appears that she

0:43:09.320 --> 0:43:12.799
<v Speaker 2>is sitting. It's possible that she just collapse and hit

0:43:12.880 --> 0:43:17.160
<v Speaker 2>the front dash. But we also have to consider that

0:43:17.280 --> 0:43:20.400
<v Speaker 2>as she's succumbing to carbon monoxide, it's not like it's

0:43:20.520 --> 0:43:25.680
<v Speaker 2>just you're completely lucid one moment and then you're done

0:43:25.760 --> 0:43:29.120
<v Speaker 2>the next moment. There's a process. It's possible that as

0:43:29.239 --> 0:43:34.399
<v Speaker 2>she is losing awareness so coming to carbon monoxide, she's

0:43:34.520 --> 0:43:38.319
<v Speaker 2>moving around, right Yeah, So it's hard to say exactly

0:43:38.360 --> 0:43:42.799
<v Speaker 2>how she positioned purposely positioned herself inside this vehicle. But

0:43:42.920 --> 0:43:46.520
<v Speaker 2>right now, I mean, her nose is not fractured, if

0:43:46.520 --> 0:43:49.080
<v Speaker 2>there's any I can't see any blood in these photos,

0:43:49.280 --> 0:43:51.359
<v Speaker 2>but I don't doubt that maybe there's some blood from

0:43:51.760 --> 0:43:56.160
<v Speaker 2>a minor lip laceration, right but this is not there

0:43:56.239 --> 0:44:01.879
<v Speaker 2>doesn't have there's no evidence of violence being inflicted on her.

0:44:02.000 --> 0:44:06.000
<v Speaker 2>So at least from a crime scene and an autopsy standpoint,

0:44:06.440 --> 0:44:10.640
<v Speaker 2>it's really tough to draw a conclusion that somebody did

0:44:10.760 --> 0:44:15.160
<v Speaker 2>this to her. Now it's possible, you know, but I

0:44:15.560 --> 0:44:20.080
<v Speaker 2>right now, I am now leaning back towards this is accidental.

0:44:20.239 --> 0:44:23.319
<v Speaker 2>She succumbed to carbon monoxide poisoning, and you know, the

0:44:23.360 --> 0:44:24.880
<v Speaker 2>mystery is is well, how did she get up there?

0:44:24.920 --> 0:44:27.120
<v Speaker 2>And why did she go up there? But I think

0:44:27.360 --> 0:44:29.520
<v Speaker 2>if she's just like, well, I'm locked out down here

0:44:29.680 --> 0:44:32.120
<v Speaker 2>at the cafe in the apartment. I'm going to go

0:44:32.200 --> 0:44:34.640
<v Speaker 2>up and see if i can get into the house.

0:44:34.800 --> 0:44:37.040
<v Speaker 2>And she can't get into the house, but she can

0:44:37.040 --> 0:44:39.440
<v Speaker 2>get into the garage and it's cold, and she turns

0:44:39.440 --> 0:44:42.840
<v Speaker 2>the vehicle on. Right now, I think that that's the

0:44:43.520 --> 0:44:46.240
<v Speaker 2>most compelling theory out there.

0:44:46.719 --> 0:44:48.600
<v Speaker 1>This is another angle, but I don't know how helpful.

0:44:48.600 --> 0:44:49.520
<v Speaker 1>It's an above angle.

0:44:50.160 --> 0:44:53.840
<v Speaker 2>Yeah, so, and that's showing that that other photo was reversed,

0:44:53.920 --> 0:44:57.120
<v Speaker 2>so this photo is accurate, and that it shows that

0:44:57.520 --> 0:45:02.120
<v Speaker 2>she fell to her left and her head is on

0:45:02.520 --> 0:45:06.680
<v Speaker 2>the driver's seat and the driver's door is open, with

0:45:06.800 --> 0:45:09.960
<v Speaker 2>the gentleman who may be an investigator, may be a

0:45:10.680 --> 0:45:14.920
<v Speaker 2>representative from the corner's office, is standing above her, not

0:45:15.000 --> 0:45:21.680
<v Speaker 2>wearing gloves, no, which forty years later they weren't wearing gloves,

0:45:21.800 --> 0:45:23.839
<v Speaker 2>So this is not surprising at all.

0:45:24.040 --> 0:45:26.959
<v Speaker 1>Okay, well, it's good. Let me see if there's anything else.

0:45:27.239 --> 0:45:28.960
<v Speaker 1>I don't know what this is. Oh, I think they're

0:45:29.000 --> 0:45:31.399
<v Speaker 1>taking her body out. Is that a body bag kind

0:45:31.440 --> 0:45:31.640
<v Speaker 1>of thing?

0:45:32.080 --> 0:45:34.720
<v Speaker 2>Yeah? It looks like, yeah, she's got they got her wrapped.

0:45:35.280 --> 0:45:38.399
<v Speaker 2>You know, when all is said and done about what

0:45:38.440 --> 0:45:42.440
<v Speaker 2>we've talked about. Yeah, you know, at this point, unless

0:45:42.480 --> 0:45:47.640
<v Speaker 2>something compelling came up, you know, if the Corners ruled

0:45:47.640 --> 0:45:52.080
<v Speaker 2>this as accidental carbon monoxide poisoning, I don't have a

0:45:52.120 --> 0:45:55.120
<v Speaker 2>problem with that. I think her celebrity status and some

0:45:55.239 --> 0:45:59.640
<v Speaker 2>of the you know, the strange relationships and mob connections

0:45:59.640 --> 0:46:02.960
<v Speaker 2>and threats and all of that, that's all very interesting.

0:46:03.320 --> 0:46:07.440
<v Speaker 2>But fundamentally to be able to say that somebody came

0:46:07.480 --> 0:46:10.880
<v Speaker 2>in and killed her, the evidence just isn't there with

0:46:10.920 --> 0:46:11.479
<v Speaker 2>what I've seen.

0:46:11.880 --> 0:46:13.560
<v Speaker 1>I agree, man, I'm gonna give a lot of credit

0:46:13.600 --> 0:46:16.560
<v Speaker 1>to tragic Hollywood if anybody wants to look at some

0:46:16.600 --> 0:46:19.560
<v Speaker 1>more of these photos and just some wonderful photos of

0:46:19.600 --> 0:46:22.480
<v Speaker 1>her on the set. Yeah, what I mean, just a

0:46:22.520 --> 0:46:25.840
<v Speaker 1>twenty nine year old actress who was working so hard,

0:46:26.120 --> 0:46:29.240
<v Speaker 1>and you know, she's got this cafe and she's obviously

0:46:29.280 --> 0:46:31.880
<v Speaker 1>planning for the future. And I don't know how she

0:46:31.920 --> 0:46:35.359
<v Speaker 1>got up there. Maybe the chauffeur turned around and gave

0:46:35.360 --> 0:46:37.880
<v Speaker 1>her a ride and just for some reason didn't want

0:46:37.920 --> 0:46:40.920
<v Speaker 1>to say anything about it. Who knows, But this really

0:46:40.960 --> 0:46:44.160
<v Speaker 1>doesn't you know that the corner said these were mild.

0:46:44.360 --> 0:46:46.040
<v Speaker 1>This does not look like she was in a fight

0:46:46.200 --> 0:46:50.040
<v Speaker 1>in any way. But with so many weird circumstances, her

0:46:50.080 --> 0:46:52.080
<v Speaker 1>not wanting to walk up the steps, you know, her

0:46:52.160 --> 0:46:55.520
<v Speaker 1>heart condition, three or four in the morning, it's cold out. Say,

0:46:55.560 --> 0:46:59.279
<v Speaker 1>all of this stuff just added up to really suspiciousness,

0:46:59.360 --> 0:47:02.040
<v Speaker 1>I think for everybody involved. So let me just wrap

0:47:02.080 --> 0:47:07.360
<v Speaker 1>this up. The corner's jury ruled that the death appeared accidental,

0:47:07.640 --> 0:47:10.640
<v Speaker 1>but that it needed to be further investigated. They wanted

0:47:10.680 --> 0:47:13.200
<v Speaker 1>somebody to take a closer look at the organs for

0:47:13.320 --> 0:47:16.680
<v Speaker 1>more conclusive evidence, ruling out foul play. I don't know what,

0:47:16.680 --> 0:47:18.919
<v Speaker 1>what do you think they were thinking. Seventy to eighty

0:47:18.960 --> 0:47:22.759
<v Speaker 1>percent saturation of carbon monoxide seems pretty conclusive to me.

0:47:22.880 --> 0:47:24.799
<v Speaker 1>I mean, what were they thinking they would find in there?

0:47:25.600 --> 0:47:29.279
<v Speaker 2>You know, I'd wonder if there had been let's say,

0:47:29.280 --> 0:47:32.920
<v Speaker 2>some punches to her abdomen, which you're not necessarily going

0:47:32.960 --> 0:47:36.520
<v Speaker 2>to see much on you know, this compressible part of

0:47:36.760 --> 0:47:40.560
<v Speaker 2>the of the body. But some of these internal organs

0:47:40.600 --> 0:47:45.160
<v Speaker 2>may demonstrate some hemorrhaging or some tissue damage, particularly the liver.

0:47:46.120 --> 0:47:49.080
<v Speaker 2>That's the only thing I can really think of you know,

0:47:49.120 --> 0:47:54.319
<v Speaker 2>and you know, her state of intoxication would be important

0:47:54.640 --> 0:48:00.000
<v Speaker 2>in nineteen thirty five, I'm not sure outside of the pathology,

0:48:00.160 --> 0:48:02.160
<v Speaker 2>just once he cuts into the body and goes, whoa,

0:48:02.200 --> 0:48:05.440
<v Speaker 2>there's a lot of ethanol, you know, on board, right,

0:48:05.600 --> 0:48:08.520
<v Speaker 2>I'm not sure what they were doing in terms of

0:48:08.680 --> 0:48:12.440
<v Speaker 2>measuring the amount of alcohol somebody had on board. And

0:48:12.480 --> 0:48:16.759
<v Speaker 2>you know, nineteen thirty five celebrity actress, you know, is

0:48:16.800 --> 0:48:22.360
<v Speaker 2>she abusing barbituates? Is she abusing you know, other recreational

0:48:22.440 --> 0:48:26.160
<v Speaker 2>drugs at the time, you know, so that could also

0:48:26.320 --> 0:48:29.799
<v Speaker 2>lead to this kind of mental state to where she

0:48:29.920 --> 0:48:33.799
<v Speaker 2>is now wandering up the hill, you know, stumbling up

0:48:33.800 --> 0:48:36.760
<v Speaker 2>the hill, you know, to get to the house where

0:48:36.800 --> 0:48:39.480
<v Speaker 2>she's doing something that she normally wouanted to do.

0:48:40.200 --> 0:48:43.480
<v Speaker 1>Yeah, there are media reports, just in case somebody goes

0:48:43.480 --> 0:48:45.680
<v Speaker 1>digging around in this story. There were some media reports

0:48:45.719 --> 0:48:48.800
<v Speaker 1>that there was blood found in rolling in Thelma's apartment,

0:48:49.840 --> 0:48:52.759
<v Speaker 1>but I mean those were just media reports hers, you know,

0:48:52.920 --> 0:48:56.160
<v Speaker 1>journalism stuff, and the police never reported any of that.

0:48:56.440 --> 0:48:58.279
<v Speaker 1>And then you know, of course, what's always going to

0:48:58.320 --> 0:49:00.520
<v Speaker 1>come back is she wilt not have made that climb

0:49:00.600 --> 0:49:03.720
<v Speaker 1>up those steps. But never say never, right, I mean, really,

0:49:03.760 --> 0:49:06.719
<v Speaker 1>if you're motivated it just never say never. I mean,

0:49:07.160 --> 0:49:10.319
<v Speaker 1>we can't say conclusively. It's unlikely, and I know you

0:49:10.360 --> 0:49:12.880
<v Speaker 1>talk about that with victimology. It's unlikely, but it doesn't

0:49:12.920 --> 0:49:15.000
<v Speaker 1>mean that one night she didn't decide to do that.

0:49:15.760 --> 0:49:18.680
<v Speaker 1>There is a grand jury that convens on the case

0:49:18.680 --> 0:49:21.120
<v Speaker 1>for about a month. The grand jury foreman is a

0:49:21.160 --> 0:49:24.840
<v Speaker 1>guy named George Rochester, and he's kind of a grand

0:49:24.880 --> 0:49:27.920
<v Speaker 1>standard is what everybody thinks. Even though they already have

0:49:27.920 --> 0:49:31.160
<v Speaker 1>clear evidence from the autopsy that there's carbon monoxide poisoning,

0:49:31.239 --> 0:49:35.800
<v Speaker 1>he is insisting that the county chemist analyze her organs

0:49:35.840 --> 0:49:39.040
<v Speaker 1>for signs of poisoning. They do, and the report is

0:49:39.040 --> 0:49:42.080
<v Speaker 1>delayed for about a month, but there's nothing. And wouldn't

0:49:42.080 --> 0:49:44.319
<v Speaker 1>you think recreational drugs would have popped up on that

0:49:44.440 --> 0:49:45.280
<v Speaker 1>kind of a report?

0:49:45.360 --> 0:49:49.279
<v Speaker 2>Also, you know, this is you know, this is an

0:49:49.360 --> 0:49:54.600
<v Speaker 2>era in which labs ability to screen for a broad

0:49:54.800 --> 0:49:57.879
<v Speaker 2>number of substances all at once just didn't exist. They

0:49:58.320 --> 0:50:01.200
<v Speaker 2>needed to be able to have an idea on what

0:50:01.360 --> 0:50:05.800
<v Speaker 2>to look for, yeah, and then utilize the analytical tools

0:50:05.840 --> 0:50:09.400
<v Speaker 2>they could to specifically look for maybe a class of

0:50:09.440 --> 0:50:13.640
<v Speaker 2>compounds if they're lucky, like there's different types of barbs

0:50:13.760 --> 0:50:19.000
<v Speaker 2>out there, but generally I would say that unless they

0:50:19.040 --> 0:50:22.839
<v Speaker 2>had an idea of what she was recreationally using, it's

0:50:22.960 --> 0:50:25.640
<v Speaker 2>very possible that they would have missed whatever was in

0:50:25.680 --> 0:50:26.280
<v Speaker 2>her system.

0:50:26.719 --> 0:50:30.000
<v Speaker 1>Yeah, you know, I was thinking. I've done cases before

0:50:30.040 --> 0:50:32.000
<v Speaker 1>where there was a big question of whether or not

0:50:32.040 --> 0:50:34.880
<v Speaker 1>there was a suicide, specifically one in the nineteen thirties

0:50:35.000 --> 0:50:37.560
<v Speaker 1>around the corner from my house that I did for

0:50:37.600 --> 0:50:39.520
<v Speaker 1>a tenfold more wicked, where there was a young man

0:50:39.560 --> 0:50:42.280
<v Speaker 1>and he left the car running and it was nineteen

0:50:42.320 --> 0:50:44.000
<v Speaker 1>thirty five. He left the car running in the garage

0:50:44.000 --> 0:50:46.960
<v Speaker 1>and he said, well, I didn't even realize it was running.

0:50:47.200 --> 0:50:48.759
<v Speaker 1>And you know, I talked to somebody that said, no,

0:50:48.840 --> 0:50:51.200
<v Speaker 1>you would realize it's running. It's loud, it's not a

0:50:51.360 --> 0:50:55.360
<v Speaker 1>soft engine or anything. But you know, I was thinking,

0:50:56.160 --> 0:51:00.080
<v Speaker 1>how well educated were they in nineteen thirty five? Do

0:51:00.160 --> 0:51:02.680
<v Speaker 1>not closed the door, turn on your engine and let

0:51:02.719 --> 0:51:05.920
<v Speaker 1>it run. I don't know. I do know that in

0:51:05.960 --> 0:51:09.440
<v Speaker 1>twenty twenty one, when we had in Austin just the

0:51:09.440 --> 0:51:14.320
<v Speaker 1>most horrific set of snowstorms we've ever had that paralyzed

0:51:14.360 --> 0:51:16.560
<v Speaker 1>the city and it killed a lot of people, and

0:51:16.960 --> 0:51:18.680
<v Speaker 1>you know, We were not prepared because we don't get

0:51:18.719 --> 0:51:20.920
<v Speaker 1>snow down here. You know, our pipes are close to

0:51:20.960 --> 0:51:24.360
<v Speaker 1>the surface, our electrical lines are above ground, and we

0:51:25.040 --> 0:51:26.799
<v Speaker 1>you know, we're just nott We're not built for that.

0:51:27.400 --> 0:51:30.920
<v Speaker 1>There were a lot of people, Paul, who would run

0:51:31.480 --> 0:51:36.080
<v Speaker 1>little generators in the house. They were burning lacquered furniture

0:51:36.320 --> 0:51:40.000
<v Speaker 1>in the house because they didn't know. We didn't know

0:51:40.000 --> 0:51:41.799
<v Speaker 1>that that's what you're supposed to do. I did not,

0:51:41.840 --> 0:51:45.080
<v Speaker 1>thank goodness, but so I was just thinking, like, is

0:51:45.120 --> 0:51:47.000
<v Speaker 1>she likely to know this is a bad idea? The

0:51:47.080 --> 0:51:49.359
<v Speaker 1>chauffeur is insisting she wasn't drunk, and her friends are

0:51:49.360 --> 0:51:52.920
<v Speaker 1>not saying she was drunk, So I don't know. Otherwise,

0:51:53.000 --> 0:51:55.440
<v Speaker 1>what is the what is the answer? There's no visible

0:51:56.000 --> 0:51:59.360
<v Speaker 1>injuries really on her. If somebody locked her in the

0:51:59.400 --> 0:52:01.880
<v Speaker 1>car and then turned on the gas, she would have

0:52:01.880 --> 0:52:04.640
<v Speaker 1>been scraping and clawing and breaking glass and trying to

0:52:04.640 --> 0:52:07.560
<v Speaker 1>get out. It just doesn't make sense unless she truly

0:52:07.600 --> 0:52:09.719
<v Speaker 1>didn't know that this was a bad idea, trying to

0:52:09.719 --> 0:52:10.600
<v Speaker 1>get warm this way.

0:52:11.200 --> 0:52:15.920
<v Speaker 2>And I lean probably a majority of the population, particularly

0:52:15.960 --> 0:52:19.960
<v Speaker 2>back in nineteen thirty five, probably weren't educated to the

0:52:20.040 --> 0:52:24.719
<v Speaker 2>dangers of car exhaust and the carbon monoxide poisoning. So

0:52:25.160 --> 0:52:28.360
<v Speaker 2>for me, I'm not surprised at all. You know that

0:52:29.080 --> 0:52:31.600
<v Speaker 2>she got into a vehicle, turned it on in sided

0:52:31.600 --> 0:52:35.320
<v Speaker 2>an enclosed garage, and the reason that she turned the

0:52:35.400 --> 0:52:38.160
<v Speaker 2>vehicle on, from my perspective, is she just wanted to

0:52:38.160 --> 0:52:41.520
<v Speaker 2>be warm that night. You know, she's in a mink coat,

0:52:42.040 --> 0:52:44.680
<v Speaker 2>you know, so that kind of suggests that it was chili.

0:52:45.160 --> 0:52:48.560
<v Speaker 1>I still don't understand all of these eyewitnesses and Martha

0:52:48.640 --> 0:52:50.760
<v Speaker 1>Ford and all of this. I don't get it. Yeah,

0:52:50.880 --> 0:52:53.000
<v Speaker 1>I don't get it. I don't get it. And she's famous.

0:52:53.040 --> 0:52:55.920
<v Speaker 1>This is not just a normal person, a normal beautiful

0:52:55.920 --> 0:52:58.480
<v Speaker 1>blonde walking down the street. But you know, I think

0:52:58.520 --> 0:53:00.480
<v Speaker 1>you're right. I know you all all and we'll go

0:53:00.600 --> 0:53:03.840
<v Speaker 1>just back to the physical evidence, not eyewitness testimony and

0:53:03.960 --> 0:53:07.839
<v Speaker 1>victimology is important, but sometimes shit happens and people change

0:53:07.920 --> 0:53:10.239
<v Speaker 1>up what they're doing and you wouldn't expect it, but

0:53:10.280 --> 0:53:13.319
<v Speaker 1>they do. But really, there doesn't seem to be any

0:53:13.440 --> 0:53:16.000
<v Speaker 1>kind of real trauma when you look at it, so

0:53:16.480 --> 0:53:18.080
<v Speaker 1>you know, of course we'll never know, but this is

0:53:18.280 --> 0:53:20.760
<v Speaker 1>a pretty big mystery. This is one of those mysteries

0:53:20.760 --> 0:53:24.000
<v Speaker 1>in Hollywood. You know, this is a woman who obviously

0:53:24.120 --> 0:53:26.120
<v Speaker 1>was working very hard. She had a lot of promise.

0:53:26.520 --> 0:53:30.080
<v Speaker 1>These films are so fun that she put out, and

0:53:30.600 --> 0:53:34.360
<v Speaker 1>she just could have just accelerated and you know, maybe

0:53:34.400 --> 0:53:36.719
<v Speaker 1>she would get married and you know, have a lot

0:53:36.800 --> 0:53:39.759
<v Speaker 1>of things that were fulfilling to her. And it's just

0:53:39.840 --> 0:53:42.880
<v Speaker 1>awful that this is the way. It sounds like just

0:53:43.280 --> 0:53:46.040
<v Speaker 1>a lack of knowledge, not knowing anything about this. I'm

0:53:46.080 --> 0:53:49.600
<v Speaker 1>sure this did happen often, you know, sure, Well.

0:53:49.840 --> 0:53:51.640
<v Speaker 2>You know, after this, I think I'm gonna have to

0:53:51.640 --> 0:53:55.040
<v Speaker 2>go and watch something on Thelma Toad.

0:53:56.360 --> 0:53:58.000
<v Speaker 1>What did I look at? That was fun? There are

0:53:58.040 --> 0:53:59.480
<v Speaker 1>a bunch of them, but I think it was the

0:53:59.520 --> 0:54:01.600
<v Speaker 1>ten Minutes. Yeah, it was the ten minut and it

0:54:01.640 --> 0:54:04.279
<v Speaker 1>was cute. It was very lucile. There's actually on that

0:54:04.360 --> 0:54:06.719
<v Speaker 1>website there are some headshots of her with her co

0:54:06.920 --> 0:54:11.160
<v Speaker 1>star where they're very Lucy and Ethel before Lucy and Ethel's.

0:54:10.760 --> 0:54:11.720
<v Speaker 2>So oh, very cool.

0:54:11.920 --> 0:54:14.359
<v Speaker 1>I like that. Yeah, I like telling stories about women.

0:54:14.400 --> 0:54:17.880
<v Speaker 1>It's sad, particularly with Thelma Tood that she died, but

0:54:18.200 --> 0:54:20.480
<v Speaker 1>you know, it's nice to see a woman who has

0:54:20.520 --> 0:54:24.359
<v Speaker 1>a lot of independence in control, and it's nice even

0:54:24.400 --> 0:54:27.359
<v Speaker 1>though it ends badly. It's nice to be able to say,

0:54:27.400 --> 0:54:30.800
<v Speaker 1>these women have been here, working so hard for so long.

0:54:30.960 --> 0:54:32.680
<v Speaker 1>It's just good to see an example of it.

0:54:33.239 --> 0:54:35.880
<v Speaker 2>Sure, I really appreciate you bringing this case to me.

0:54:36.400 --> 0:54:39.000
<v Speaker 1>You're welcome. I can pretty much guarantee we're not talking

0:54:39.000 --> 0:54:42.080
<v Speaker 1>about Hollywood next week. Okay, I am not even pretty much.

0:54:42.120 --> 0:54:45.040
<v Speaker 1>I can say definitely going to do another Hollywood story.

0:54:45.560 --> 0:54:48.479
<v Speaker 1>It's just about six months off me trying to figure

0:54:48.520 --> 0:54:51.480
<v Speaker 1>this out, but we will have another compelling case next week.

0:54:51.960 --> 0:54:55.080
<v Speaker 2>I'm looking forward to it me too. Thanks Paul, all right,

0:54:55.080 --> 0:54:55.560
<v Speaker 2>Thanks Kate.

0:55:00.280 --> 0:55:02.800
<v Speaker 1>This has been an exactly right production.

0:55:02.800 --> 0:55:06.000
<v Speaker 2>For our sources and show notes go to Exactlyrightmedia dot

0:55:06.040 --> 0:55:08.200
<v Speaker 2>com slash Buried Bones sources.

0:55:08.400 --> 0:55:10.759
<v Speaker 1>Our senior producer is Alexis Mrosi.

0:55:11.040 --> 0:55:15.280
<v Speaker 2>Research by Maren mcclashan, Ali Elkin, and Kate Winkler Dawson.

0:55:15.560 --> 0:55:17.840
<v Speaker 1>Our mixing engineer is Ben Tolliday.

0:55:18.120 --> 0:55:20.400
<v Speaker 2>Our theme song is by Tom Bryfogel.

0:55:20.640 --> 0:55:22.680
<v Speaker 1>Our artwork is by Vanessa Lilac.

0:55:22.960 --> 0:55:27.080
<v Speaker 2>Executive produced by Karen Kilgarriff, Georgia hard Stark and Danielle Kramer.

0:55:27.360 --> 0:55:30.719
<v Speaker 1>You can follow Buried Bones on Instagram and Facebook at

0:55:30.840 --> 0:55:32.000
<v Speaker 1>buried Bones Pod.

0:55:32.440 --> 0:55:35.000
<v Speaker 2>Kate's most recent book All That Is Wicked, a Gilded

0:55:35.000 --> 0:55:37.040
<v Speaker 2>Age story of murder and the race to decode the

0:55:37.040 --> 0:55:39.120
<v Speaker 2>criminal mind, is available now.

0:55:39.160 --> 0:55:43.440
<v Speaker 1>And Paul's best selling memoir Unmasked, My life solving America's

0:55:43.440 --> 0:55:45.520
<v Speaker 1>cold cases, is also available now.

0:55:45.840 --> 0:55:49.560
<v Speaker 2>Listen to Baried Bones on the iHeartRadio app, Apple Podcasts,

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<v Speaker 2>or wherever you get your podcasts.