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Speaker 1: The volume.

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Speaker 2: Happy, top of the week, top of the top, another week,

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Speaker 2: another pod, you, sir, Happy, Women's Month.

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Speaker 1: Is Women's month, Women's Day. It was Women's Day? Right,

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Speaker 1: was it Women's Month?

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Speaker 2: I was looking at the marriage.

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Speaker 1: I mean, I'm heterosexual. Socialis Women's month.

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Speaker 2: We'll get to that. Calm down.

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Speaker 1: Well, I'm just saying every day every month is Women's month.

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Speaker 3: Well, happy, but lated International Women's Day to me?

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Speaker 1: Of course, that's what it is, International Women's Day.

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Speaker 2: But isn't March Women's Month as well? So there's Women's

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Speaker 2: Day in women's.

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Speaker 1: MOUs Women's month because Valentine's Day.

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Speaker 3: Obviously, no women's Women's History months the March International women Day. Yes,

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Speaker 3: Women's History Month is March like Black History Month. But

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Speaker 3: Women's History Month is March. International Women's Day was the

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Speaker 3: other day when y'all didn't wish it to.

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Speaker 1: Me, we weren't with you. We're supposed to like call

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Speaker 1: you and.

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Speaker 3: Text you, y'all text everything else in the group chat.

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Speaker 1: I've never texted Happy International Women's Day in a group

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Speaker 1: chat in my life.

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Speaker 2: You know, next year could be I've never mayby solo

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Speaker 2: text you.

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Speaker 1: I've never No, I've never texted anyone happy International Women's Day.

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Speaker 2: Well I don't see it on Google calendar here, so

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Speaker 2: you should blame them.

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Speaker 1: Yeah, and then it was Daylight Saving so it was

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Speaker 1: kind of like, yeah.

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Speaker 2: It was all out of whack at one hour.

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Speaker 1: Threw everything off. Everything is completely out of control.

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Speaker 2: And they got rid of the d I shit, So

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Speaker 2: you know, yeah, is it even a day?

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Speaker 1: I don't know. I don't know what day it is.

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Speaker 2: I can hear you humming over.

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Speaker 1: Somebody told me the new year starts in March. I'm

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Speaker 1: totally confused. Just everything I was told as.

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Speaker 3: A kid, spring starts, that's spring, and airy season is

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Speaker 3: technically the beginning of the year.

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Speaker 1: Yeah.

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Speaker 2: Well I've seen those YouTube conspiracy rabbit holes of like

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Speaker 2: when the calendar year really starts. I don't know.

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Speaker 1: I don't know what's going on anymore.

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Speaker 2: To simulation, I know, the first is every month.

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Speaker 1: This is what I do know.

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Speaker 2: I mean, I know in this neighborhood they celebrated New

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Speaker 2: Year's Eve at different time. So it's really confused.

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Speaker 1: Yeah, I don't know what's going on anymore.

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Speaker 2: Yeah, we're here.

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Speaker 1: But whatever you believe in, you know, congrats, yeah, and

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Speaker 1: good luck.

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Speaker 2: Congrats congrats on International.

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Speaker 1: Women congrats on you know, International Women's Day, Women's History Month.

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Speaker 1: Celebrate that, celebrate women in their history.

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Speaker 2: We appreciate all that women have done for us, including birth.

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Speaker 1: Us, and continue to do this for us. Thank you,

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Speaker 1: this Earth.

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Speaker 2: You guys are awesome.

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Speaker 1: I think the great James Brown said it's a man's world,

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Speaker 1: but it would be nothing without a woman.

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Speaker 2: He said a lot of things.

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Speaker 1: Yeah, he said a lot.

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Speaker 2: You want to continue on with more things, but he

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Speaker 2: said yeah he did.

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Speaker 1: He said a lot and did a lot. Yeah.

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Speaker 2: Anyways, how was your weekend?

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Speaker 1: Weekend was good man?

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Speaker 2: Where you got crazy in the streets. That's what I

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Speaker 2: was told. I got crazy. Yeah, I love a little

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Speaker 2: text message that you was outside.

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Speaker 1: Oh yeah, I was outside. That was definitely Oh I

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Speaker 1: just made that up. Look at I caught him. No,

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Speaker 1: I was outside, but I wasn't like outside. Well, it

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Speaker 1: was a little bit outside. I went to the I

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Speaker 1: went to the Catholic High School Championship game at Fordham University.

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Speaker 1: Oh fire, it was at Sunday. It was. It was

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Speaker 1: against Saint Rais and Stepping Act.

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Speaker 2: Okay, not much has changed. Getting raised is still sat race?

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Speaker 1: Well? No, this is the Samet race. First time in

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Speaker 1: the championship about probably thirteen years. Really yeah, so it

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Speaker 1: was like their first time in the championship about thirteen years.

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Speaker 1: Stepping Act has been dominating. They this is their third

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Speaker 1: straight Catholic high school championship. It was a really good game.

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Speaker 1: Saint race had it. Man, it was up six with

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Speaker 1: like a minute ten seconds left in the fourth quarter.

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Speaker 1: Gave up a three and they came back down and

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Speaker 1: got an a one on the layup tied. The game

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Speaker 1: went into overtime and they Stepping Act was able to

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Speaker 1: win it overtime. But shout out to Saint Ray's shout

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Speaker 1: out to my to my guy beach Stares, his son,

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Speaker 1: Brandon stores juniors now the all time I'm leading scorer

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Speaker 1: at Saint Raymonds. So you know, it was good. I

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Speaker 1: was hoping they wanted, you know. And he ended his

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Speaker 1: high school career with a championship, but they lost by two.

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Speaker 1: But he still had a great high school career. He's

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Speaker 1: on the Georgia tech Man, so good luck to him.

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Speaker 1: Shout out to shout out to my family, beat stars

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Speaker 1: in his entire family.

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Speaker 2: Did you see any It's gonna sound crazy, any young

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Speaker 2: men you wanted to invest in you know, like all

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Speaker 2: the drug dealers find the basketball player, guide them so

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Speaker 2: they can eventually extort them. Did you say, did you

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Speaker 2: say any potential talent out there? Oh, it was a

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Speaker 2: lot of talent, man, There was a lot of good kids.

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Speaker 2: Theo Ratliff's sons they played for Stepping Act. They're probably

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Speaker 2: about seven feet already. Oh my god, I'm getting there.

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Speaker 2: I think the Ratlef's son is in high school.

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Speaker 1: Yeah, they're both like seven feet tall. Of course I

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Speaker 1: think they're junior. So that whole Stepping Act team I

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Speaker 1: think is coming back again there. I don't think they

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Speaker 1: had any seniors. I think they made maybe maybe one sediear.

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Speaker 1: But yeah, they've been dominating. They've been dominating the Catholic

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Speaker 1: High School League. It's usually Stepping At and Christ the

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Speaker 1: King in the championship, but this year Saint Ray was

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Speaker 1: able to make it. But they just felt a little short,

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Speaker 1: but it was. It was a good game. And then

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Speaker 1: we went out. I went uptown. They had me doing

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Speaker 1: things I really don't do no more.

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Speaker 4: Man.

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Speaker 1: I went to all I went to like two spots

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Speaker 1: I haven't been to in probably seven years. It was Hookah.

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Speaker 1: It was TVs with the games on. It was bottles

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Speaker 1: of champagne coming. I was like, I have not been

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Speaker 1: outside in New York City like that in a long time.

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Speaker 1: But it was cool to catch up with some of

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Speaker 1: my homies that I haven't seen in a while.

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Speaker 2: Oh, I mean, we gotta I gotta hit loy On

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Speaker 2: and see see what's up with the bill? How many

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Speaker 2: sparkles you had cent your way?

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Speaker 1: No, I was literally the first spot we went to.

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Speaker 1: We was in there for no. I was in there

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Speaker 1: for like ten minutes and then a fight broke out

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Speaker 1: and everybody tried running out the front and I looked

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Speaker 1: at my man. I was like, I'm hot, let I

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Speaker 1: don't even do that as soon as I'm in the

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Speaker 1: spot and it starts getting shaken and I'm only there

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Speaker 1: for ten minutes. And my thing is it was probably

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Speaker 1: four point thirty.

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Speaker 2: In the morning.

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Speaker 1: No, it's like like five o'clock in the evening. Yeah. Yeah,

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Speaker 1: but I'm just like, who was fighting at five o'clock

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Speaker 1: inside of a lamp? I was like, who's doing that?

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Speaker 2: I mean, Daylight Savings hadn't happened yet, so it's getting

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Speaker 2: a little dark. It was on Sunday. Yeah, I got statued. Yeah,

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Speaker 2: it's kind of whild.

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Speaker 1: It's five o'clock sunshine, a nice day out, and you

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Speaker 1: who's fighting at five o'clock.

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Speaker 2: Some of those hookah spots, especially like the hole in

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Speaker 2: the wall ones, it can't get darkened there even during

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Speaker 2: the day.

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Speaker 1: So this wasn't a hole in the war. This is

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Speaker 1: like a known spot.

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Speaker 2: Uptown when when fights break out in those spots and

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Speaker 2: I'm more in the back, I think it's safer to

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Speaker 2: just duck under it table like a pussy and let everyone.

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Speaker 2: Oh no, I trying to get out that. Oh no,

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Speaker 2: I'm just gonna go down.

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Speaker 1: Yeah. Me and my boy was in the back, and

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Speaker 1: as soon as it calmed down.

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Speaker 2: In the front trampled and then shot.

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Speaker 1: No, we left. We had it. As soon as it

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Speaker 1: calmed down, everything cool outside, we out of here, and

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Speaker 1: we left and went and got some meat, and I

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Speaker 1: was home by eight o'clock.

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Speaker 2: Yeah, it was my dad's birthday on Saturday. H He

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Speaker 2: drove up in the camper, saw the camper for the

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Speaker 2: first time.

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Speaker 1: Yeah, that's possible. So now I got to ask dad.

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Speaker 1: I got to ask how's dad and the camper?

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Speaker 2: Yes, I mean that's all he talked about the entire time.

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Speaker 2: But yeah, it's great. I mean, I see why he

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Speaker 2: got it. He's on his way now, he's doing the

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Speaker 2: whole East coast. Then I think he's gonna bust a

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Speaker 2: right at New Orleans and go all the way west

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Speaker 2: and up and back. So he's just gonna do like

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Speaker 2: a square.

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Speaker 1: He gonna do like a loopy loop. Yeah, okay, so

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Speaker 1: I'm going up all the way up to Seattle Portland area.

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Speaker 2: Maybe, Yeah, I'm sure. I'm sure he'll do that. I'm

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Speaker 2: connecting with LEXI.

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Speaker 1: Is he document things? Is he like recording? It? Is?

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Speaker 1: He just like everything here? He's still one of those everything.

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Speaker 2: Here's even know how to open its fun. He should

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Speaker 2: have a flip phone, really he should. He has like

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Speaker 2: the iPhone C from like twenty fourteen. Yeah, and I

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Speaker 2: don't think he knows how to take a single photo.

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Speaker 2: But it was fun to see him hang out with Lamara.

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Speaker 1: That's so dope, man. It's just like living a camper

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Speaker 1: and just you know, travel to us Man's that's a

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Speaker 1: real American dream right there.

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Speaker 2: Some of some of the leftover weed I had at

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Speaker 2: the spot that you put me onto. Yeah, had had

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Speaker 2: some forum and yeah, watched him get a little too high. Yeah,

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Speaker 2: that stuff is a little.

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Speaker 1: I mean he needs it, man, he's gonna be on

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Speaker 1: the road, you know, I mean he needs the clips.

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Speaker 2: Headed No, no, it needs to pay attention to the

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Speaker 2: fucking This is him and Bob Dylan on the road.

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Speaker 1: Man.

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Speaker 2: But you know, went back to the indoor playground, through

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Speaker 2: around some kids, trying to mess with Themrow. I hate

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Speaker 2: the weekends. The big kids are there. Yeah, but the

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Speaker 2: big kids I feel comfortable, like, you know, he can

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Speaker 2: just just push them, he can. The little ones are

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Speaker 2: top heavy. It feels like it's unfair.

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Speaker 1: Yeah.

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Speaker 2: Not big kids though, Noah, Yeah, fucking ten year olds

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Speaker 2: from Jersey City are like eighteen year old men. Yeah,

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Speaker 2: get out of here. You get a little rough with

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Speaker 2: a ten year old. It's okay, Jamrish was in these streets.

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Speaker 3: Nope. Home. I on't leave my house on weekends. I'll

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Speaker 3: know that.

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Speaker 2: You said Friday, you're gonna stop at my crib? Never

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Speaker 2: did what time did you get home Friday? Because you

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Speaker 2: didn't tell me when you got home. You were here

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Speaker 2: recording MKIB with our money.

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Speaker 1: I got home. That was early though, Yeah, it was

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Speaker 1: out of was out of here boy, like three o'clock.

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Speaker 2: Yeah, and then I picked up and why I went

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Speaker 2: right to Jersey. You just gonna understand you.

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Speaker 3: But you never You never told me when you were like, yeah, IMNA,

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Speaker 3: let you know when I get home from the office.

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Speaker 3: You never know when you got home from the office.

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Speaker 2: This feels like gaslighting you.

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Speaker 3: When you eventually, when you originally asked me, you said

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Speaker 3: you were he was like, yeah, when I get home

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Speaker 3: from the office, like, I'll just come through. I'll let

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Speaker 3: you know when I get home. You never did, so

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Speaker 3: I'm like, oh, maybe you didn't want to be bothered.

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Speaker 3: You had recorded that entire week. You got filmed Monday, Tuesday, Wednesday, Thursday, Friday.

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Speaker 3: I just figured you want to be left alone.

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Speaker 2: Almost I wanted to helped so you could watch Mars

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Speaker 2: so I could sleep.

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Speaker 1: That's what I almost woke up and came here on Saturday,

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Speaker 1: just like Muscle Memories. You know, you've like been someway

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Speaker 1: all week. I'll be like, oh shit, and I don't

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Speaker 1: have to go in today, like I'm good like people

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Speaker 1: that have regular job. Yeah, exactly, this is a regular job.

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Speaker 1: I don't know if you know that.

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Speaker 2: Listen, last week was exhausted, but I'm not gonna sit

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Speaker 2: here and say it was some crazy thing like demas

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Speaker 2: giving us credit. You guys, Monday through Friday you worked.

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Speaker 1: Yeah.

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Speaker 3: Yeah, But what I'm saying is you talk for a

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Speaker 3: living story. You talked one day through Friday to go

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Speaker 3: and talk again, like that's a lot of fucking talking.

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Speaker 1: Oh my gosh. No, yeah, I be all talked out,

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Speaker 1: like I don't have much conversation for like family and

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Speaker 1: friends anymore.

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Speaker 2: Oh That's why I felt bad when HARMANI came in

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Speaker 2: here because I didn't seen him in a while. We're

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Speaker 2: friends or whatever. I just was not a talking moot.

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Speaker 1: Yeah, just shut up, perform and get out.

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Speaker 2: But as the day went, you know, and we kicked

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Speaker 2: it afterwards. Yeah, that morning, no, I didn't want to

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Speaker 2: talk to anybody.

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Speaker 1: Yeah, yoh, what's.

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Speaker 2: Up man, I haven't seen it?

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Speaker 1: Cool?

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Speaker 2: Yeah, everything's just the mic is right here.

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Speaker 1: We're ready for you. We're ready for you. Do you

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Speaker 1: do your a little rappy rap thing that you do

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Speaker 1: shout out to all mini white though.

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Speaker 2: Yeah, I'm excited to put that one out. We have

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Speaker 2: on my car's beautiful. We have they coming this week,

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Speaker 2: which was a really cool conversation and today, Yeah, I'm

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Speaker 2: excited for that one. Yeah, we got a lot, a

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Speaker 2: lot of cool. My Karma's beautiful already in the tuck recorded.

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Speaker 2: But other than that, it was a very very light weekend.

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Speaker 2: I mean, I looked at the timeline and saw Lebron

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Speaker 2: going fucking crazy and had a full blown debate with

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Speaker 2: my dad about the entire thing. And I'm coming in

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Speaker 2: here upset with myself of how I'm on the fence

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Speaker 2: with the entire thing.

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Speaker 1: All right, So Lebron James obviously confronted stephen A Smith

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Speaker 1: at the Lakers game last week about some comments that

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Speaker 1: steven A has been making, you know, throughout I guess

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Speaker 1: the last few months since Bronnie James has entered the NBA.

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Speaker 1: It is obviously steven A's job to, you know, talk

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Speaker 1: about sports and analyze the game and analyze athletes things

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Speaker 1: like that. So Lebron, the Lakers were playing I want

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Speaker 1: to say, who is Lakers? I forgot who they were

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Speaker 1: playing that night, but it was at just at the

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Speaker 1: Crypto Arena, And after that time out, Lebron had left

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Speaker 1: the bench and stephen They was sitting close to the

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Speaker 1: Lakers bench. So Lebron saw stephen A courtside and decided

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Speaker 1: to approach him and what Stephen they calls a confrontation,

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Speaker 1: He didn't call it a conversation, called it a confrontation.

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Speaker 1: You could tell by the.

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Speaker 2: Body language in the video that it was a confrontation.

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Speaker 2: When you're six, I'm confronting you about some shit.

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Speaker 1: When you're six eight two eighty, it's usually a confrontation

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Speaker 1: when you step to another man.

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Speaker 2: Yeah, but I mean, Lebron, we've definitely seen approach people,

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Speaker 2: but you can tell it's not in a crazy way.

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Speaker 2: This one felt like all energy above the shoulders, I'm

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Speaker 2: looking down over you purposely type of time.

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Speaker 1: Yeah. Now when I saw this, I thought that maybe

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Speaker 1: I missed something that Steven they may have said about BRONI.

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Speaker 1: But then Stephen A addressed everything on you know, first take,

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Speaker 1: and then he went on his his podcast as well

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Speaker 1: and went more into depth about the situation and what

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Speaker 1: had happened, and basically, you know Lebron, He said, Lebron,

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Speaker 1: that wasn't an athlete. That was a father that approached me.

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Speaker 1: That was somebody, you know, talking as a parent and

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Speaker 1: you know, kind of defending their child. Now, you know,

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Speaker 1: this situation is very unique because Lebron is Lebron James

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Speaker 1: and obviously Broni being his son, is under the same

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Speaker 1: you know, incredible microscope and you know scrutiny that Lebron

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Speaker 1: James is under. And people have been vocal about their

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Speaker 1: feelings about, you know, Bronni being drafted and you know,

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Speaker 1: obviously the nepotism that people have spoken to, which we

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Speaker 1: support and we applaud.

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Speaker 2: But it's not just stephen A.

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Speaker 1: Everyone everybody has chimed in on this. Everybody has had

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Speaker 1: something to say. I think that Lebron just got to

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Speaker 1: a point where he's kind of tired of stephen A

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Speaker 1: making it a talking point, Like Okay, obviously you said

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Speaker 1: what you said, but it's like you may continue, you

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Speaker 1: continue to bring up Bronnie and continue to have this conversation.

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Speaker 2: Well he's on TV all day, Yeah he has to.

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Speaker 1: But you know, I think Lebron felt like, yo, like

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Speaker 1: talk about something else, like we get it, Like Bronnie

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Speaker 1: is drafted obviously because of me, He's not playing that well.

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Speaker 1: He should be in the G League now. While I

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Speaker 1: do understand Lebron being a dad and kind of like

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Speaker 1: holding his son down, you know, on the opposite side,

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Speaker 1: I understand what Steven is saying, and Steven is basically saying, like,

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Speaker 1: you know, Lebron, you put a lot on your son's

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Speaker 1: shoulders by comments that you made saying that, you know, Bronnie,

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Speaker 1: can you know, play over some guys that are in

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Speaker 1: the NBA right now. He's a comments that Lebron made

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Speaker 1: before Bronnie entered the league. Yeah, so he kind of

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Speaker 1: like put a lot on it. He put a lot

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Speaker 1: a lot of pressure, as if there wasn't already a

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Speaker 1: lot of pressure on Bronnie just being who he is.

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Speaker 2: Which we discussed even before the draft, when Bronny was

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Speaker 2: going in to answer for the draft, we said, did

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Speaker 2: Lebron as a father put way too much pressure going

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Speaker 2: into this situation the way he supported his son, Which

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Speaker 2: who's gonna be mad at that? Right, But with the

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Speaker 2: tweets and everything, it started to be like, all right,

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Speaker 2: he is put setting his son up to have a

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Speaker 2: bullseye on his head with everything that they've been talking

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Speaker 2: the same way we talked about how the Ball family

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Speaker 2: is so incredible and you know their dad put a

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Speaker 2: fucking target on Lonzo's head before he even got to

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Speaker 2: the Lakers, like everyone's gunning for him based off his

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Speaker 2: dad talking all that shit. So I think Bron has

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Speaker 2: to take some accountability in this entire thing.

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Speaker 1: I think, And that's what Stephen they kind of spoke to.

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Speaker 1: I think he was saying, you know, because he has said,

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Speaker 1: you know, Lebron, stopped this, not stop meaning have your

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Speaker 1: son just out of the league and you know, like

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Speaker 1: you know, stop putting more pressure on the situation. Stop

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Speaker 1: saying making these comments that you know he belongs here,

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Speaker 1: Let him develop, Send him to the G League where, yes,

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Speaker 1: there's gonna be cameras on him, and it's gonna be

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Speaker 1: analysts at the game watching Bronni. Again, he can't get

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Speaker 1: away from that spotlight because of his last name, well

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Speaker 1: his name, so he you know, Stephen they was saying,

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Speaker 1: let him go to the G League where he's been

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Speaker 1: playing well, where he's been, you know, he's been, he's been,

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Speaker 1: you know, playing well, developing his game. And then maybe

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Speaker 1: one day because Stephen, Ay, from what I've seen again,

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Speaker 1: maybe there's something that Lebron heard that you know, we don't.

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Speaker 2: Know about the group chat that we weren't pretty too.

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Speaker 1: Or just something that Steven. They may have said that Steven,

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Speaker 1: they can't even remember what he said, you know what

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Speaker 1: I mean, But from what I see, well, yeah, but

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Speaker 1: from what I can see, Stephen, they seems to have

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Speaker 1: always supported Lebron and you know, his family and everything

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Speaker 1: that you know, he does. I just think that it

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Speaker 1: got to a point where Bron was like, Yo, you're

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Speaker 1: making it a point every week to talk about Brownie

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Speaker 1: and talk about him not playing well and him not

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Speaker 1: you know, highlighting his numbers and him you know, not

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Speaker 1: really living up to the pressure and the height that

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Speaker 1: comes with his name. So you know, Lebron saw him

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Speaker 1: and was like, yo, listen, keep my son, you know,

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Speaker 1: stop talking about him.

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Speaker 2: Let him just be keep my son's name, not your

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Speaker 2: motherfucking out.

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Speaker 1: But it's not But here's why it's not fair because

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Speaker 1: at the end of the day, Steven A is an analyst.

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Speaker 1: He's on you know, First Take, He's on a bunch

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Speaker 1: of shows on ESPN talking about athletes and sports every day,

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Speaker 1: and obviously your son is now in the NBA, so

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Speaker 1: he has to take what comes with that like every

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Speaker 1: other player has to take it.

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Speaker 2: That's and we're speculating what was said in that conversation

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Speaker 2: despite deliberator shit, But I'm with you Lebron is actually

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Speaker 2: proving stephen A's point and everyone else's point with some

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Speaker 2: of the nepotism and some of the exceptions that Bronni

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Speaker 2: gets because of his dad. Now, I understand fully Bron's

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Speaker 2: father energy in that regard. Fuck this whole NBA shits

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Speaker 2: my son. You're not gonna play his name. But as

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Speaker 2: a father, you also have to accept now that your

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Speaker 2: son is a man and you wanted him to be

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Speaker 2: in a position where he will be critiqued no matter what.

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Speaker 1: Because here's the thing, and.

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Speaker 2: You need to teach him off someone that has been

404
00:16:51,680 --> 00:16:54,440
Speaker 2: critiqued since he was in fucking I don't know what

405
00:16:54,520 --> 00:16:57,280
Speaker 2: middle school. Lebron has been in the public eye, has

406
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Speaker 2: probably dealt with more scrutiny than most athletes in history.

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Speaker 2: You got to show your son how to deal with

408
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Speaker 2: that type of stuff. Yeah, because in this regard, now

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Speaker 2: you're asking to move the goalpost. Now we can't talk

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Speaker 2: about him.

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Speaker 1: But here's why I really don't like it, because if

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Speaker 1: Bronny was playing well and putting up incredible numbers and

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Speaker 1: Steve when they was talking about him every day, bron

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Speaker 1: wouldn't approach him, and like, YO, keep my son's name

415
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Speaker 1: out your fucking mouth.

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Speaker 2: Yeah, you see what I'm saying.

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Speaker 1: So, now that your son is not playing well, he's

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Speaker 1: you know, he's not even he's his We're not gonna

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Speaker 1: talk about the numbers. It's that doesn't matter. He's just

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Speaker 1: not playing well. Your son belongs. Let him develop in

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Speaker 1: the G League. Keep him there, because if you allow

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Speaker 1: him to travel with the team and all of these

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Speaker 1: things and this, that and the third, you know, it's like, Okay,

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Speaker 1: we know the nepotism is real, we get that, but

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Speaker 1: now it's like we're adding on to that, and it's

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Speaker 1: and then he's not playing well on top of that,

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Speaker 1: whenever he does get an opportunity to play, he's not

428
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Speaker 1: playing well. Versus let him stay in the g L

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Speaker 1: where he's been playing well, putting up really good numbers

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Speaker 1: in the G League. Let him stay down there and

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Speaker 1: develop his game, and then when the time comes, let

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Speaker 1: him come back up to the to the to the

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Speaker 1: to the league and did show us what he's been

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Speaker 1: working on.

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Speaker 2: I mean, my original point is a little bit meaner,

436
00:18:04,119 --> 00:18:07,240
Speaker 2: but I think fairer, if that's even a word. I

437
00:18:07,240 --> 00:18:08,879
Speaker 2: forgot what episode it was when I was asking you,

438
00:18:08,880 --> 00:18:11,760
Speaker 2: why do people keep talking about this kid. I understand

439
00:18:11,760 --> 00:18:13,679
Speaker 2: his last name. I get this story, but what he

440
00:18:14,680 --> 00:18:16,920
Speaker 2: barely gets any playing times before he went down to Gliue,

441
00:18:16,920 --> 00:18:18,960
Speaker 2: Like he scored one basket and it was a headline.

442
00:18:18,960 --> 00:18:22,240
Speaker 2: They talked about it for three hours the morning it happened. Yeah,

443
00:18:22,280 --> 00:18:25,160
Speaker 2: this is a non story. Yeah, stop talking about him.

444
00:18:25,160 --> 00:18:27,879
Speaker 2: He doesn't deserve to be talked about. Yeah, that's really

445
00:18:27,960 --> 00:18:30,400
Speaker 2: where I think these analysts should be taking it. Why

446
00:18:30,440 --> 00:18:31,840
Speaker 2: do you guys can see you talk about somebody that

447
00:18:31,920 --> 00:18:33,879
Speaker 2: has not proven a fucking thing. When he starts balling,

448
00:18:33,880 --> 00:18:36,040
Speaker 2: which we are confident he will get better, and developed

449
00:18:36,200 --> 00:18:38,359
Speaker 2: talk about him, then, I mean, I think about somebody

450
00:18:38,320 --> 00:18:39,840
Speaker 2: that doesn't travel with the team.

451
00:18:39,880 --> 00:18:42,280
Speaker 1: And that's what that's what Lebron was saying, Like, you know,

452
00:18:42,440 --> 00:18:44,520
Speaker 1: like a game, we know he's not playing well. You

453
00:18:44,560 --> 00:18:46,560
Speaker 1: don't have to keep saying it every day. But then again,

454
00:18:46,600 --> 00:18:49,480
Speaker 1: it's a professional athlete, right, But that's what I'm saying.

455
00:18:49,480 --> 00:18:52,239
Speaker 1: It's not fair because if he was playing great and

456
00:18:52,240 --> 00:18:54,320
Speaker 1: they would talking abou Hi every day, Lebron would he

457
00:18:54,359 --> 00:18:56,679
Speaker 1: would welcome that with open arms. So I get it.

458
00:18:56,680 --> 00:18:58,040
Speaker 1: You know, on one side of your dad and you

459
00:18:58,040 --> 00:18:59,600
Speaker 1: want to protect your son but your son is a

460
00:18:59,600 --> 00:19:01,480
Speaker 1: grown man now, he's in, you know, in the National

461
00:19:01,520 --> 00:19:04,600
Speaker 1: Basketball Association, So he has to take what comes with that.

462
00:19:04,600 --> 00:19:06,240
Speaker 1: With every other athlete has to take if they're not

463
00:19:06,280 --> 00:19:08,879
Speaker 1: playing well, people are gonna say that, They're gonna tweet

464
00:19:08,880 --> 00:19:10,720
Speaker 1: about it, they're gonna post about it, the analysts are

465
00:19:10,760 --> 00:19:12,920
Speaker 1: gonna talk about it. And again, his last name, the

466
00:19:13,000 --> 00:19:15,879
Speaker 1: name on the back of his jersey, only magnifies the

467
00:19:15,920 --> 00:19:18,000
Speaker 1: situation because he comes from basketball royals.

468
00:19:18,080 --> 00:19:20,280
Speaker 2: If stephen A was some about's personal life or some shit,

469
00:19:20,359 --> 00:19:22,920
Speaker 2: then I could just fully understand. But no, it's basketball.

470
00:19:23,840 --> 00:19:25,879
Speaker 2: I hate that we always have to compare Lebron in Jordan.

471
00:19:25,960 --> 00:19:27,880
Speaker 2: But I've never seen Jordan confront Shade Room.

472
00:19:29,960 --> 00:19:32,440
Speaker 1: I'm sure he's the I'm sure somebody has reached out v.

473
00:19:34,600 --> 00:19:35,919
Speaker 2: On behalf of the Jordan family.

474
00:19:36,119 --> 00:19:38,520
Speaker 1: Absolutely take all this shit. Jordan can't wait to see

475
00:19:38,600 --> 00:19:41,760
Speaker 1: Justin Leboyd wait to catch He can't wait to catch

476
00:19:41,880 --> 00:19:46,520
Speaker 1: Justin's sideline. He gonna run down Justin. Has nothing to

477
00:19:46,520 --> 00:19:48,320
Speaker 1: do with Shave Room. He's still gonna run down on him.

478
00:19:48,720 --> 00:19:50,960
Speaker 1: Keep my son's name about, your fucking mouth man.

479
00:19:50,960 --> 00:19:53,640
Speaker 2: Perez Hilton being his stephen A is fucking.

480
00:19:55,080 --> 00:19:57,520
Speaker 1: Yeah, man, it's is gonna be interested now to see

481
00:19:57,520 --> 00:20:00,640
Speaker 1: stephen A like, Hi, the game the other night, Lebron's

482
00:20:00,720 --> 00:20:03,760
Speaker 1: name came up and he was like, listen, let's talk

483
00:20:03,800 --> 00:20:04,800
Speaker 1: about Jason Tatum.

484
00:20:06,760 --> 00:20:07,560
Speaker 2: Does he have kids?

485
00:20:07,680 --> 00:20:10,800
Speaker 1: Yeah? Yeah, Steven Ay took that shit off Lebron. Really,

486
00:20:10,800 --> 00:20:13,000
Speaker 1: he don't even want to talk about Lebron could go

487
00:20:13,000 --> 00:20:15,040
Speaker 1: out there and have a better game than yokicch had

488
00:20:15,080 --> 00:20:16,960
Speaker 1: the other night, and stephen A is not gonna.

489
00:20:16,720 --> 00:20:18,120
Speaker 2: Talk about Skip over that talking boy.

490
00:20:18,240 --> 00:20:21,000
Speaker 1: Let's talk about Jason Tatum and what the Celtics are doing.

491
00:20:21,000 --> 00:20:22,719
Speaker 2: I could have been trolled that I strolled past it.

492
00:20:22,800 --> 00:20:24,919
Speaker 2: Forgive me. I should have done more research. Did I

493
00:20:24,920 --> 00:20:26,760
Speaker 2: see that steven A and Skip were doing an episode

494
00:20:26,760 --> 00:20:31,240
Speaker 2: together or is that like a fake the back?

495
00:20:31,520 --> 00:20:32,200
Speaker 1: The band is back.

496
00:20:32,400 --> 00:20:34,280
Speaker 2: I think it was just an episode on steven Show

497
00:20:34,400 --> 00:20:35,400
Speaker 2: or Skip show.

498
00:20:35,400 --> 00:20:38,320
Speaker 1: I'm not completely Oh man, you don't want him steven

499
00:20:38,359 --> 00:20:41,200
Speaker 1: A and Skip talking about that Lebron shit. Oh my god.

500
00:20:41,640 --> 00:20:44,160
Speaker 2: And I mean, listen, don't don't quote me because Roy

501
00:20:44,280 --> 00:20:46,760
Speaker 2: Maul don't know ball. But I did see somewhat if

502
00:20:46,760 --> 00:20:48,600
Speaker 2: a flyer after this whole thing, and I wasn't sure

503
00:20:48,760 --> 00:20:51,679
Speaker 2: if they were just joking because obviously Skip hates Lebron

504
00:20:52,000 --> 00:20:54,000
Speaker 2: and like, now this is what brings them back together

505
00:20:54,359 --> 00:20:55,160
Speaker 2: after all those years.

506
00:20:55,280 --> 00:20:57,680
Speaker 1: I can't wait to see stephen A on Club Shasha. Now.

507
00:20:58,200 --> 00:21:00,920
Speaker 3: Well, yeah, they have an episode that came out two

508
00:21:01,000 --> 00:21:04,440
Speaker 3: hours ago, so yesterday for people that are just nowt here.

509
00:21:04,040 --> 00:21:05,760
Speaker 2: I'm gonna have to watch that when we're done here.

510
00:21:05,800 --> 00:21:07,480
Speaker 3: Yeah, the return of two goats.

511
00:21:08,040 --> 00:21:09,240
Speaker 2: That's kind of crazy to see though.

512
00:21:09,600 --> 00:21:11,439
Speaker 1: The Skip Bayley Show with Steven A. Smith.

513
00:21:11,520 --> 00:21:15,000
Speaker 2: This is a huge moment though. Yeah, like pretty much

514
00:21:15,000 --> 00:21:19,240
Speaker 2: the history of of what sports broadcasting is now is

515
00:21:19,280 --> 00:21:21,480
Speaker 2: based on how these two shifted everything.

516
00:21:21,600 --> 00:21:23,879
Speaker 1: Yeah. I mean, it's just funny because if stephen A,

517
00:21:24,040 --> 00:21:26,760
Speaker 1: you know, if you know his he probably worked harder

518
00:21:26,800 --> 00:21:30,040
Speaker 1: than anybody on the sports analyst side of the game.

519
00:21:30,920 --> 00:21:32,879
Speaker 1: So when this situation happened, I was like, damn, he

520
00:21:32,960 --> 00:21:36,400
Speaker 1: gonna have to do everybody show now because they all

521
00:21:36,480 --> 00:21:39,040
Speaker 1: want to talk about, Yo, what happened with Braun? What

522
00:21:39,119 --> 00:21:41,600
Speaker 1: happened with Braun? I think stephen A handled it as

523
00:21:41,640 --> 00:21:42,399
Speaker 1: well as he could.

524
00:21:43,119 --> 00:21:45,399
Speaker 2: Good blessing with the timing, with his new deal and everything.

525
00:21:46,280 --> 00:21:48,040
Speaker 2: Now the press run we really have something to talk about.

526
00:21:48,080 --> 00:21:50,280
Speaker 1: Listen. It helps man, I know, I know, you know

527
00:21:50,560 --> 00:21:53,120
Speaker 1: people saying, oh, Stephen A, you know, Lebron ran down

528
00:21:53,160 --> 00:21:54,800
Speaker 1: on you. And but I said, what is Steven A't

529
00:21:54,800 --> 00:21:55,840
Speaker 1: supposed to do? Fight Lebron?

530
00:21:55,960 --> 00:21:58,360
Speaker 2: I just think this is beautiful karma, even based off

531
00:21:58,359 --> 00:22:03,600
Speaker 2: some of the comments here. Never disrespect the boy. Now

532
00:22:03,640 --> 00:22:05,439
Speaker 2: it's twenty v one against Braun. Now you know what

533
00:22:05,440 --> 00:22:09,680
Speaker 2: the energy like. Now everyone teaming up. I mean, but nobody,

534
00:22:10,359 --> 00:22:13,640
Speaker 2: you deserve it all. Yeah, but nobody disrespected Braun. Of course.

535
00:22:13,640 --> 00:22:15,040
Speaker 1: That's see, that's the thing. And that was the thing

536
00:22:15,080 --> 00:22:16,720
Speaker 1: about the whole the whole thing. I was like, but

537
00:22:16,800 --> 00:22:19,400
Speaker 1: I don't again, unless Lebron heard something that Stephen, they

538
00:22:19,400 --> 00:22:21,800
Speaker 1: said that. We don't know about that. He took a

539
00:22:21,800 --> 00:22:25,399
Speaker 1: little personal Stephen. They has always seemed to be fair

540
00:22:25,520 --> 00:22:30,159
Speaker 1: when it comes to Lebron, fair when it well most people, honestly,

541
00:22:30,160 --> 00:22:32,160
Speaker 1: Stephen ay conn of except the Kyrie thing. I still

542
00:22:32,160 --> 00:22:34,000
Speaker 1: don't like what he did with Kyrie during the pandemic.

543
00:22:34,040 --> 00:22:37,000
Speaker 1: But other than that, Stephen they always seems to be fair.

544
00:22:37,040 --> 00:22:39,600
Speaker 1: He seems to be when you're doing well and you're

545
00:22:39,600 --> 00:22:42,879
Speaker 1: playing great, he supports you when you're struggling. Obviously, he

546
00:22:42,920 --> 00:22:45,040
Speaker 1: has to talk about it and and and you know,

547
00:22:45,720 --> 00:22:48,040
Speaker 1: cover it as well. And I think that's the case here.

548
00:22:48,080 --> 00:22:49,760
Speaker 1: I think that it was a little extra because it

549
00:22:49,800 --> 00:22:53,879
Speaker 1: is Bronni. But again it's Bronni, so people are going

550
00:22:53,920 --> 00:22:56,520
Speaker 1: to talk about him, and you know, lebron just was like, nah, man,

551
00:22:57,160 --> 00:22:57,880
Speaker 1: we're not doing that.

552
00:22:57,920 --> 00:23:01,600
Speaker 3: Do you think that? Do you think that takes are

553
00:23:01,760 --> 00:23:05,680
Speaker 3: more are found to be more disrespectful when they're entertaining

554
00:23:05,880 --> 00:23:08,520
Speaker 3: because a bunch of people couldn't talk about the same thing.

555
00:23:08,600 --> 00:23:11,080
Speaker 3: But if you make a niggas laugh at me, it

556
00:23:11,200 --> 00:23:13,720
Speaker 3: tends to sting. That's a little bit more.

557
00:23:13,640 --> 00:23:15,760
Speaker 2: Usually what it is, like, No, there's a non story

558
00:23:15,760 --> 00:23:17,919
Speaker 2: shit that ends up going viral because whoever said it

559
00:23:17,920 --> 00:23:20,879
Speaker 2: delivered it so well and now you're the butt of

560
00:23:21,240 --> 00:23:23,240
Speaker 2: the joke when it's not even really a big deal. Yeah,

561
00:23:23,240 --> 00:23:24,160
Speaker 2: that makes it worse.

562
00:23:24,240 --> 00:23:27,280
Speaker 1: Yeah, but people gotta stop because again, if he was

563
00:23:27,320 --> 00:23:30,560
Speaker 1: playing well and steven A was talking about it every

564
00:23:30,560 --> 00:23:33,240
Speaker 1: morning on first take, it wouldn't have been no step

565
00:23:33,240 --> 00:23:34,919
Speaker 1: to me on the sideline and it wouldn't have been

566
00:23:34,960 --> 00:23:37,280
Speaker 1: none of that. So you gotta take it when you're

567
00:23:37,359 --> 00:23:39,480
Speaker 1: not playing well. That goes for any athlete, like when

568
00:23:39,480 --> 00:23:41,639
Speaker 1: you're not playing well, you gotta take what comes to that.

569
00:23:41,680 --> 00:23:43,680
Speaker 1: People gonna start cracking jokes because y'all on the twelve

570
00:23:43,720 --> 00:23:46,240
Speaker 1: game loser streak and you struggling, and y'all to butter

571
00:23:46,280 --> 00:23:48,320
Speaker 1: the jokes. Now, you gotta take that. If y'all on

572
00:23:48,400 --> 00:23:50,080
Speaker 1: a twelve game win streak and the hottest team in

573
00:23:50,119 --> 00:23:52,320
Speaker 1: the league and they're talking about that, y'all gonna love

574
00:23:52,359 --> 00:23:54,760
Speaker 1: that as well. So you can't. You can't. You gotta

575
00:23:54,800 --> 00:23:56,600
Speaker 1: take what comes with it. It's part of the game,

576
00:23:57,320 --> 00:24:00,399
Speaker 1: it's part of the territory. But I think overall, if

577
00:24:00,400 --> 00:24:02,040
Speaker 1: we look at steven A, he's always seemed to be

578
00:24:02,080 --> 00:24:05,040
Speaker 1: a fair guy. He's always seemed to be fairs. I

579
00:24:05,040 --> 00:24:08,560
Speaker 1: don't think stephen is ever meant to be malicious and disrespectful.

580
00:24:08,600 --> 00:24:09,560
Speaker 1: I don't get that energy.

581
00:24:09,960 --> 00:24:11,400
Speaker 2: That's a skip thing.

582
00:24:11,560 --> 00:24:15,119
Speaker 1: Yeah, I don't get that malicious, you know, disrespectful energy. Again,

583
00:24:15,280 --> 00:24:18,680
Speaker 1: aside from the Kyrie taking the vaccine thing, I thought

584
00:24:18,720 --> 00:24:20,679
Speaker 1: that Stephen A was completely out of line.

585
00:24:20,560 --> 00:24:24,000
Speaker 2: With Kyrie about that. He was on a different side.

586
00:24:24,240 --> 00:24:25,560
Speaker 2: How do you, guys martial wors.

587
00:24:25,440 --> 00:24:29,879
Speaker 3: Handle people criticizing your family or you're super super close friends, Like,

588
00:24:30,000 --> 00:24:31,280
Speaker 3: what do you take? What do you think is the

589
00:24:31,320 --> 00:24:33,439
Speaker 3: difference between criticizing and disrespect.

590
00:24:34,480 --> 00:24:38,440
Speaker 1: Criticizing is as long as you're speaking to the actual

591
00:24:38,520 --> 00:24:41,359
Speaker 1: what's what's actually happening. I think disrespect is when you

592
00:24:41,400 --> 00:24:43,600
Speaker 1: start to gossip and start to throw things in the

593
00:24:43,640 --> 00:24:46,480
Speaker 1: mix that are not true and just trying to push

594
00:24:46,520 --> 00:24:49,639
Speaker 1: a false narrative. I think that's when it becomes disrespect.

595
00:24:49,640 --> 00:24:51,919
Speaker 1: But I think if you're speaking to the facts and

596
00:24:51,920 --> 00:24:55,760
Speaker 1: what's actually happening. When you if you feel disrespected as

597
00:24:55,760 --> 00:24:57,920
Speaker 1: somebody speaking the facts, it's usually because.

598
00:24:58,280 --> 00:25:00,159
Speaker 2: You feel bad about the facts, feel bad about the fact.

599
00:25:00,280 --> 00:25:02,560
Speaker 1: It's like damn like. But I don't think that if

600
00:25:02,600 --> 00:25:05,280
Speaker 1: it's you know, if it's facts, it's facts, like it

601
00:25:05,320 --> 00:25:07,639
Speaker 1: is what it is. Because now if Bronney go out

602
00:25:07,680 --> 00:25:10,200
Speaker 1: there and it has twenty five tomorrow, you know what

603
00:25:10,200 --> 00:25:12,600
Speaker 1: I'm saying that Stephen, they covers it, it's what all

604
00:25:12,600 --> 00:25:14,080
Speaker 1: it's forgiven at the point, you know what I'm saying.

605
00:25:14,160 --> 00:25:16,520
Speaker 1: So it's it's it's a it's just a weird situation.

606
00:25:16,600 --> 00:25:20,439
Speaker 1: But again I understand Lebron. Want you know, in that moment,

607
00:25:20,720 --> 00:25:23,000
Speaker 1: like Stephen, they said that was a father, That wasn't

608
00:25:23,080 --> 00:25:26,320
Speaker 1: Lebron James the athlete that wasn't Lebron James. You know

609
00:25:26,359 --> 00:25:30,560
Speaker 1: the basketball legend, that was Lebron James, the father protecting

610
00:25:30,600 --> 00:25:34,200
Speaker 1: his family, protecting his son. Because obviously Broni is probably

611
00:25:34,200 --> 00:25:37,000
Speaker 1: affected by He's never had well, he's had a spotlight

612
00:25:37,040 --> 00:25:39,959
Speaker 1: his entire life. But now that he's on this stage,

613
00:25:40,520 --> 00:25:42,840
Speaker 1: you know, he's every morning it's on the biggest you know,

614
00:25:42,880 --> 00:25:46,119
Speaker 1: sports outlets. People are talking about him. So Lebron, you know,

615
00:25:46,160 --> 00:25:47,919
Speaker 1: Bronni might be in the house and he Lebron might

616
00:25:47,960 --> 00:25:50,000
Speaker 1: see that it's really affecting him. It's affecting his son,

617
00:25:50,040 --> 00:25:53,960
Speaker 1: it's affecting his mental health. He's probably you know, out

618
00:25:54,000 --> 00:25:56,960
Speaker 1: there noticing that. You know, Broni is struggling because it's

619
00:25:56,960 --> 00:25:59,080
Speaker 1: so much on every time he's on the floor, so

620
00:25:59,080 --> 00:26:00,600
Speaker 1: many eyes on him. Why to know what he's going

621
00:26:00,680 --> 00:26:03,359
Speaker 1: to do. But again, you know, this is part of

622
00:26:03,520 --> 00:26:06,159
Speaker 1: what comes with that territory of being a James junior.

623
00:26:06,480 --> 00:26:09,160
Speaker 3: Rory, what about you the difference between criticizing your family

624
00:26:09,200 --> 00:26:10,240
Speaker 3: and disrespecting your family.

625
00:26:10,280 --> 00:26:15,440
Speaker 2: I mean, I think family personally is off limits and everything.

626
00:26:16,000 --> 00:26:18,159
Speaker 2: Brownie is an exceptionaire because he's a professional athlete, so

627
00:26:18,200 --> 00:26:20,000
Speaker 2: that kind of takes him out of that Sarah. So,

628
00:26:20,000 --> 00:26:24,240
Speaker 2: I'm kind of on the side of family period. But

629
00:26:24,359 --> 00:26:28,240
Speaker 2: that I mean, especially in the media genre now has

630
00:26:28,800 --> 00:26:31,080
Speaker 2: that rule has been been gone for a long time.

631
00:26:31,119 --> 00:26:34,160
Speaker 2: I'm not naive, but I still feel that way.

632
00:26:34,359 --> 00:26:35,760
Speaker 1: Like I wouy, I don't.

633
00:26:36,080 --> 00:26:39,000
Speaker 2: I try my absolute best. Sometimes I will slip up,

634
00:26:39,040 --> 00:26:42,720
Speaker 2: but you know, not backtrack, but try to fix it.

635
00:26:42,760 --> 00:26:44,720
Speaker 2: If I feel like, oh I brought up someone's family,

636
00:26:44,720 --> 00:26:46,399
Speaker 2: I shouldn't have done that. I still try to live

637
00:26:46,440 --> 00:26:50,720
Speaker 2: by that rule because I personally believe families win. Like

638
00:26:50,760 --> 00:26:52,200
Speaker 2: that shit is off limits.

639
00:26:52,520 --> 00:26:53,320
Speaker 1: It's off limits.

640
00:26:54,000 --> 00:26:56,879
Speaker 2: This isn't a url battle or rap battle. Like I

641
00:26:56,920 --> 00:27:00,240
Speaker 2: get that that's part of that game. I guess it's

642
00:27:00,280 --> 00:27:02,359
Speaker 2: part of this game now, but that doesn't mean I

643
00:27:02,359 --> 00:27:04,680
Speaker 2: have to participate in it. I mean, if you go

644
00:27:06,000 --> 00:27:08,879
Speaker 2: at my family, yes there's going to be something that

645
00:27:08,920 --> 00:27:11,040
Speaker 2: will happen, but it's not going to be a back

646
00:27:11,080 --> 00:27:13,679
Speaker 2: and forth of the family off well to me, I

647
00:27:13,680 --> 00:27:15,479
Speaker 2: don't know. Does that not make y'all feel like your

648
00:27:15,480 --> 00:27:17,400
Speaker 2: stomach hurt a little bit when you to talk about

649
00:27:17,400 --> 00:27:19,800
Speaker 2: someone's family, Like, you know, people have nothing to do

650
00:27:19,840 --> 00:27:21,159
Speaker 2: with what the fuck is going on around I'm not.

651
00:27:21,240 --> 00:27:22,320
Speaker 3: With that at all. That's why I was going to

652
00:27:22,400 --> 00:27:25,639
Speaker 3: try to make it more more realistic for real life.

653
00:27:25,760 --> 00:27:27,080
Speaker 3: Let's say no, in real.

654
00:27:26,920 --> 00:27:30,520
Speaker 2: Life, this whole genre disrespects everyone's family. But I'm not,

655
00:27:30,520 --> 00:27:33,160
Speaker 2: which to me is insane. I'm not talking to kids

656
00:27:33,200 --> 00:27:35,280
Speaker 2: every idea. I'm not talking about media. I'm talking about

657
00:27:35,320 --> 00:27:36,080
Speaker 2: normal people.

658
00:27:36,640 --> 00:27:39,720
Speaker 3: If someone in your life has a critique, Let's say

659
00:27:39,720 --> 00:27:44,280
Speaker 3: your girlfriend has a critique for your mother or a

660
00:27:44,320 --> 00:27:47,440
Speaker 3: critique for about Maul, where you draw the line between

661
00:27:48,000 --> 00:27:50,880
Speaker 3: criticizing or you know what I'm saying or saying how

662
00:27:50,880 --> 00:27:52,600
Speaker 3: they could be better, complaining to you how they could

663
00:27:52,600 --> 00:27:54,840
Speaker 3: be better, and disrespecting.

664
00:27:56,320 --> 00:27:59,440
Speaker 1: Like if my family starts talking about Rory.

665
00:28:00,119 --> 00:28:03,920
Speaker 2: Yeah or either, or when my mom called Maul gay,

666
00:28:04,000 --> 00:28:06,320
Speaker 2: I did tell her to stop. That's not true, Okay,

667
00:28:06,359 --> 00:28:07,520
Speaker 2: don't I said, don't say that, mom.

668
00:28:07,520 --> 00:28:09,600
Speaker 3: See no doubt you said, don't say that, mom. Or mom,

669
00:28:09,640 --> 00:28:11,360
Speaker 3: that's not true both. Okay.

670
00:28:11,800 --> 00:28:14,800
Speaker 1: See that's see, that's what I'm saying. See that's like sweet,

671
00:28:14,800 --> 00:28:19,120
Speaker 1: that's disrespect like to call me gays.

672
00:28:20,560 --> 00:28:21,840
Speaker 2: But she didn't mean it.

673
00:28:22,720 --> 00:28:24,000
Speaker 1: She meant that she thought I was gay.

674
00:28:24,080 --> 00:28:26,280
Speaker 2: Yeah, yeah, that was wrong. She was just like, you know,

675
00:28:26,440 --> 00:28:27,040
Speaker 2: nothing wrong.

676
00:28:26,840 --> 00:28:28,359
Speaker 1: With being gay, but you know. I just I was

677
00:28:28,359 --> 00:28:30,440
Speaker 1: disrespected by that, That's all it was.

678
00:28:30,640 --> 00:28:33,080
Speaker 2: It was more so her reasoning that made me laugh,

679
00:28:33,280 --> 00:28:35,119
Speaker 2: Like where I kind of stopped defending. It was like,

680
00:28:35,160 --> 00:28:37,040
Speaker 2: this is just funny. She was like, I've never had

681
00:28:37,040 --> 00:28:39,480
Speaker 2: a girlfriend. I was like, well, that doesn't mean no,

682
00:28:39,560 --> 00:28:42,640
Speaker 2: that just means that just means you pump. That's you pump.

683
00:28:42,760 --> 00:28:44,920
Speaker 2: You did pump that you pumped that narrative. We know

684
00:28:45,000 --> 00:28:47,640
Speaker 2: about one Italian girlfriend from the nineteen.

685
00:28:47,360 --> 00:28:49,600
Speaker 1: Seventy six I got, I got, I got, I got

686
00:28:49,600 --> 00:28:50,440
Speaker 1: a bunch of girlfriends.

687
00:28:50,480 --> 00:28:53,400
Speaker 2: And to me, my response to my mom in that regards, no,

688
00:28:53,440 --> 00:28:56,240
Speaker 2: that doesn't make him gay. Just see slanging these toes

689
00:28:56,360 --> 00:28:58,640
Speaker 2: like there you go, just different one every night, like

690
00:28:58,960 --> 00:29:01,520
Speaker 2: hope me that with the fib. Hold me down with

691
00:29:01,560 --> 00:29:03,760
Speaker 2: your mom and tell tell her I get pussy, Tell.

692
00:29:03,640 --> 00:29:05,320
Speaker 1: You I get pushy? Man? What's up?

693
00:29:05,400 --> 00:29:05,520
Speaker 2: Man?

694
00:29:05,600 --> 00:29:06,720
Speaker 1: Holpe me down in the living room.

695
00:29:07,320 --> 00:29:11,280
Speaker 2: I'm trying to think there's been instances of which I

696
00:29:11,960 --> 00:29:14,440
Speaker 2: told you about before with I wouldn't say a mutual

697
00:29:14,520 --> 00:29:18,280
Speaker 2: friend of ours, but somebody we both know front of

698
00:29:18,320 --> 00:29:21,760
Speaker 2: the show. She she's called in before, has DMed me

699
00:29:21,960 --> 00:29:24,840
Speaker 2: things and I'd be like, yo, don't talk about mal

700
00:29:24,960 --> 00:29:28,640
Speaker 2: my DM, like I will block you in this situation.

701
00:29:28,680 --> 00:29:31,120
Speaker 2: You're not going to talk about mal in front of me.

702
00:29:32,560 --> 00:29:34,880
Speaker 2: I'll tell you. It'll make total sense the moment I

703
00:29:34,960 --> 00:29:39,680
Speaker 2: tell you. But yeah, in instances that I'm not trying

704
00:29:39,680 --> 00:29:42,480
Speaker 2: to be super confrontational, if somebody says something discreptful about

705
00:29:42,520 --> 00:29:45,880
Speaker 2: my family that isn't like super egregious, I'll say, hey,

706
00:29:46,080 --> 00:29:48,560
Speaker 2: don't talk about them in front of me, like I'm

707
00:29:48,640 --> 00:29:51,120
Speaker 2: just not. You can't do that with me. It won't

708
00:29:51,160 --> 00:29:54,440
Speaker 2: be even if it's a valid critique. No, if it's

709
00:29:54,480 --> 00:29:56,800
Speaker 2: a valid critique, we can have a conversation about it.

710
00:29:56,920 --> 00:29:59,560
Speaker 2: I'm talking about disrespect. I don't think a valid critique

711
00:29:59,600 --> 00:30:02,440
Speaker 2: is just I think it disrespect is when you start

712
00:30:02,920 --> 00:30:07,080
Speaker 2: talking about people's personal shit, their appearance, lies about them

713
00:30:07,160 --> 00:30:09,080
Speaker 2: like that type of stuff to me is disrespectful.

714
00:30:09,440 --> 00:30:12,200
Speaker 1: But if somebody as is not disrespectful, though I can't.

715
00:30:12,280 --> 00:30:16,040
Speaker 1: If it's the facts, the facts can't be deemed as disrespect.

716
00:30:15,600 --> 00:30:18,000
Speaker 2: And even let's not even say facts, let's just say

717
00:30:19,280 --> 00:30:21,520
Speaker 2: their opinion, like say, if somebody came up to you

718
00:30:21,680 --> 00:30:24,600
Speaker 2: like yoah, I think Rory is a bad podcaster, which

719
00:30:24,680 --> 00:30:28,000
Speaker 2: obviously we all know impossible one of the goats. But

720
00:30:28,480 --> 00:30:30,520
Speaker 2: I wouldn't. I wouldn't expect you to be like, yo,

721
00:30:30,840 --> 00:30:32,840
Speaker 2: chill fuck you. Like if somebody said it to you

722
00:30:32,920 --> 00:30:34,760
Speaker 2: and you talk to them, I wouldn't really care because

723
00:30:34,800 --> 00:30:37,960
Speaker 2: that's not disrespectful. That's just their opinion. They don't think

724
00:30:37,960 --> 00:30:39,800
Speaker 2: I'm a good podcast and they ran into someone on

725
00:30:39,880 --> 00:30:42,640
Speaker 2: the podcast and said, y'all, I don't really think he's

726
00:30:42,880 --> 00:30:44,760
Speaker 2: a good podcaster. Okay, cool.

727
00:30:45,000 --> 00:30:47,440
Speaker 3: It also depends on how you delivered that information because

728
00:30:47,520 --> 00:30:50,480
Speaker 3: my reaction to that information. Let's say, if my sister

729
00:30:50,560 --> 00:30:52,120
Speaker 3: called me and say, yoh, I'm listening to the podcast

730
00:30:52,320 --> 00:30:54,880
Speaker 3: Rory sucks, like I would listen to her critique, right,

731
00:30:54,920 --> 00:30:57,200
Speaker 3: But if a stranger on the street walks by one

732
00:30:57,280 --> 00:30:58,840
Speaker 3: walking away and be like, yo, let a pop of

733
00:30:58,960 --> 00:31:01,200
Speaker 3: Rory's trash. I'm trying to I'm saying my deck like

734
00:31:01,280 --> 00:31:03,320
Speaker 3: it's going to be complet It depends on how you

735
00:31:03,400 --> 00:31:05,640
Speaker 3: say things and who's saying it and where you're saying it.

736
00:31:06,520 --> 00:31:09,400
Speaker 1: I'm just I don't know. Again, I'm on the opposite

737
00:31:09,440 --> 00:31:11,719
Speaker 1: side of all of that shit. I don't if somebody

738
00:31:11,800 --> 00:31:16,360
Speaker 1: says something disrespectful, like disrespectful is like again, making it

739
00:31:16,680 --> 00:31:20,760
Speaker 1: an attack on personal shit, like I don't like Rory's face,

740
00:31:20,920 --> 00:31:22,920
Speaker 1: like you should like darken the light on his face

741
00:31:23,040 --> 00:31:23,360
Speaker 1: or something like that.

742
00:31:23,520 --> 00:31:25,440
Speaker 2: But that's that's a valid critique.

743
00:31:25,720 --> 00:31:29,640
Speaker 1: But again, but again coming from somebody else with you man,

744
00:31:29,680 --> 00:31:31,280
Speaker 1: like you know what I'm saying, chill out. But I wouldn't.

745
00:31:32,080 --> 00:31:34,920
Speaker 1: I don't know. I'm just not I don't think that

746
00:31:35,040 --> 00:31:37,120
Speaker 1: it would be a confrontation, though I would. I would

747
00:31:37,120 --> 00:31:38,640
Speaker 1: look at them, and most times I just look at

748
00:31:38,640 --> 00:31:40,600
Speaker 1: people like they're crazy anyway, and just stare at them.

749
00:31:40,640 --> 00:31:42,680
Speaker 1: I give them that blank stare like I didn't ask

750
00:31:42,760 --> 00:31:45,200
Speaker 1: you for that. But anyway, like all right, cool. So

751
00:31:45,240 --> 00:31:46,280
Speaker 1: I don't really you know what I'm saying. I don't

752
00:31:46,320 --> 00:31:50,040
Speaker 1: get into that, but I do understand how people, you know,

753
00:31:50,200 --> 00:31:53,480
Speaker 1: can cross the line of critique and disrespect. It's a

754
00:31:53,520 --> 00:31:56,480
Speaker 1: fine line, especially if you don't know what you're talking about,

755
00:31:57,080 --> 00:31:59,560
Speaker 1: and you know, if you're if you're speaking to the facts,

756
00:31:59,720 --> 00:32:02,240
Speaker 1: which what people should always do anyway is kind of

757
00:32:02,320 --> 00:32:05,680
Speaker 1: lean more towards facts instead of gossip. Then I think,

758
00:32:05,760 --> 00:32:07,720
Speaker 1: you know, everybody should be able to, you know, listen

759
00:32:07,800 --> 00:32:09,680
Speaker 1: and take things into account, like okay, maybe I could.

760
00:32:09,760 --> 00:32:11,480
Speaker 1: I was wrong. I could see why you say that.

761
00:32:11,920 --> 00:32:14,120
Speaker 1: But if it's just gossip and lies and you know,

762
00:32:14,280 --> 00:32:17,840
Speaker 1: bullshit that people are speaking to, that's when disrespect comes

763
00:32:17,880 --> 00:32:20,000
Speaker 1: in and it's just like that conversation is going to

764
00:32:20,040 --> 00:32:20,360
Speaker 1: go left.

765
00:32:20,520 --> 00:32:23,520
Speaker 2: Nothing is more awkward like the scenario that Damaris brought up,

766
00:32:23,600 --> 00:32:25,480
Speaker 2: Like if you're passing a listener and they'll say something,

767
00:32:25,560 --> 00:32:27,600
Speaker 2: have you ever been in like a TSA line or

768
00:32:27,680 --> 00:32:28,680
Speaker 2: something that's not moving?

769
00:32:28,920 --> 00:32:29,360
Speaker 3: Oh, you can't.

770
00:32:29,600 --> 00:32:31,760
Speaker 2: And you're right like next to the person, and they'll

771
00:32:31,760 --> 00:32:34,239
Speaker 2: be like, yo, yo, what's up with moll In uh,

772
00:32:34,800 --> 00:32:37,880
Speaker 2: Drake Man deal, Kendrick this and that, And you're like, haha, cool,

773
00:32:38,040 --> 00:32:40,000
Speaker 2: And then you just have to You now have to

774
00:32:40,040 --> 00:32:42,920
Speaker 2: sit there in silence, knowing this person is just staring

775
00:32:42,960 --> 00:32:44,480
Speaker 2: at you wanting to talk about a show.

776
00:32:44,720 --> 00:32:47,200
Speaker 3: It's the worst fucking thing in the world. The airport

777
00:32:47,360 --> 00:32:51,080
Speaker 3: is always the worst place to see like listeners or fans.

778
00:32:51,320 --> 00:32:53,960
Speaker 2: And it's not even like I would be upset I

779
00:32:54,040 --> 00:32:57,040
Speaker 2: would talk to them. That shit just gives me wild anxiety.

780
00:32:57,080 --> 00:32:59,120
Speaker 2: Now that I'm just sitting in this TSA line and

781
00:32:59,160 --> 00:33:01,480
Speaker 2: there's someone next to me that just talks about the

782
00:33:01,520 --> 00:33:03,840
Speaker 2: show and wants to continue talking, and I don't want to.

783
00:33:04,200 --> 00:33:05,680
Speaker 1: But you can't say that because if somebody in the

784
00:33:05,760 --> 00:33:07,800
Speaker 1: TSA long talk to you about anything, you're gonna be

785
00:33:07,840 --> 00:33:08,480
Speaker 1: awkward about it.

786
00:33:09,120 --> 00:33:10,640
Speaker 2: Yeah, oh for sure, you don't talk to for sure.

787
00:33:10,720 --> 00:33:15,040
Speaker 2: But now, like the show is like an uh not

788
00:33:15,120 --> 00:33:17,720
Speaker 2: a closed conversation, Like we could keep talking about the show,

789
00:33:17,760 --> 00:33:19,920
Speaker 2: but I'm clearly showing I don't want to. It's not

790
00:33:20,120 --> 00:33:22,680
Speaker 2: like a hey, can you pass a bin situation? It's

791
00:33:23,520 --> 00:33:25,280
Speaker 2: it's like, you really want to talk to me about

792
00:33:25,320 --> 00:33:27,840
Speaker 2: how Kendrick B. Drake and I just don't care. Yeah,

793
00:33:28,560 --> 00:33:29,000
Speaker 2: like at all.

794
00:33:29,440 --> 00:33:30,120
Speaker 1: I understand that.

795
00:33:30,520 --> 00:33:34,880
Speaker 2: I mean, I appreciate when people show support, but nah,

796
00:33:35,800 --> 00:33:39,120
Speaker 2: not what we're getting into criticizing and topics like let's

797
00:33:39,200 --> 00:33:41,120
Speaker 2: let's just get through pre check the fastest we can.

798
00:33:41,400 --> 00:33:43,360
Speaker 1: I'm glad you reminded me that mom said that about me.

799
00:33:43,360 --> 00:33:45,120
Speaker 1: Next time I see, I'm gonna hell her. Keep my name,

800
00:33:45,200 --> 00:33:49,040
Speaker 1: maha mouth. I'm pressing them all. Let's it. I pressed

801
00:33:49,040 --> 00:33:51,080
Speaker 1: the Chicago wech other in elevator. I didn't even know

802
00:33:51,120 --> 00:33:53,600
Speaker 1: she was dead, Hotel. I should have pressed her right there, like, yo,

803
00:33:53,680 --> 00:33:55,320
Speaker 1: keep my name matter of fact. Now get on the

804
00:33:55,400 --> 00:33:58,240
Speaker 1: next elevator. You can't you say that, But what happens

805
00:33:58,280 --> 00:34:00,920
Speaker 1: if she stalled off on you like Solange? I ain't

806
00:34:00,920 --> 00:34:03,640
Speaker 1: gonna lie one of my mom's elevator against I'm respecting that.

807
00:34:03,720 --> 00:34:05,800
Speaker 1: I'm respecting like you're roy. Your mom just popped on me.

808
00:34:05,880 --> 00:34:08,520
Speaker 2: Now what if my mom played corners and you were

809
00:34:08,560 --> 00:34:09,680
Speaker 2: the fifth person your.

810
00:34:09,600 --> 00:34:12,120
Speaker 1: Mom, your mom playing corners growing up? I can definitely

811
00:34:12,120 --> 00:34:14,279
Speaker 1: see her getting down in the elevator punching the girl

812
00:34:14,360 --> 00:34:16,359
Speaker 1: in the face. Absolutely, I can see that. Shout out

813
00:34:16,360 --> 00:34:19,839
Speaker 1: to mom's moms, I'm not gay, love you, wow.

814
00:34:21,760 --> 00:34:24,320
Speaker 2: But I mean to close this. In my younger years,

815
00:34:24,440 --> 00:34:26,320
Speaker 2: which I mean Peage can attest to as well, I

816
00:34:26,320 --> 00:34:28,640
Speaker 2: didn't take criticism of my friends very well, and I

817
00:34:28,760 --> 00:34:30,560
Speaker 2: tended to always be the person that would go out

818
00:34:30,640 --> 00:34:33,440
Speaker 2: on a limb and be the one to confront everything,

819
00:34:33,800 --> 00:34:37,960
Speaker 2: which then ended up like making me the asshole at

820
00:34:38,000 --> 00:34:39,719
Speaker 2: the end of the day. And then then you see

821
00:34:39,760 --> 00:34:43,040
Speaker 2: friends get back cool with somebody union of the issue with.

822
00:34:43,280 --> 00:34:45,600
Speaker 2: But you're always the person that has to go confront everything,

823
00:34:45,719 --> 00:34:48,319
Speaker 2: and yeah, it's exhausting and.

824
00:34:48,360 --> 00:34:51,520
Speaker 1: Your personal life, how do you how do you tell

825
00:34:51,600 --> 00:34:54,480
Speaker 1: one of your close friends that they shouldn't be friends

826
00:34:54,560 --> 00:34:58,520
Speaker 1: with somebody like that, but like, you can't but you

827
00:34:58,600 --> 00:35:00,800
Speaker 1: can't say it like that because they don't. They're not

828
00:35:00,880 --> 00:35:02,719
Speaker 1: recepted to that. They kind of like they just hear you,

829
00:35:02,840 --> 00:35:06,040
Speaker 1: but it just they paying no mine, Like, how do

830
00:35:06,120 --> 00:35:07,520
Speaker 1: you do that? How do you have like sit your

831
00:35:07,560 --> 00:35:09,080
Speaker 1: friend out by yo? Why do you? Why are you

832
00:35:09,160 --> 00:35:09,879
Speaker 1: cool with this person?

833
00:35:10,360 --> 00:35:15,520
Speaker 2: Maybe it's a mid thirties thing. At this point, they're

834
00:35:15,520 --> 00:35:18,480
Speaker 2: an adult, Like I can express how I feel about

835
00:35:18,480 --> 00:35:20,520
Speaker 2: the situation and why I don't think that person is

836
00:35:20,560 --> 00:35:23,279
Speaker 2: a good friend to you. But that's your choice. Man,

837
00:35:23,360 --> 00:35:25,279
Speaker 2: that's you're an adult. I'm not gonna sit here and

838
00:35:25,360 --> 00:35:28,560
Speaker 2: harp or continue this conversation. I said what I said

839
00:35:28,560 --> 00:35:30,960
Speaker 2: because I care about you. If you don't listen, I

840
00:35:31,040 --> 00:35:33,280
Speaker 2: don't take it as disrespect, but I'm just not gonna

841
00:35:33,400 --> 00:35:36,160
Speaker 2: sit around all day and tell you how this person

842
00:35:36,239 --> 00:35:38,440
Speaker 2: is bad you. You are a grown human being that

843
00:35:38,520 --> 00:35:40,759
Speaker 2: can make decisions on your own. I said my piece,

844
00:35:40,800 --> 00:35:43,160
Speaker 2: and whatever happens, I'll still be here as your friend.

845
00:35:43,440 --> 00:35:44,960
Speaker 2: I may give you a little I told you soone

846
00:35:45,000 --> 00:35:46,400
Speaker 2: in my breath, but well I love that. Oh No,

847
00:35:46,560 --> 00:35:48,800
Speaker 2: that's first of all. You may give a little I

848
00:35:48,880 --> 00:35:50,920
Speaker 2: told you so. That's your fate. If I had a

849
00:35:51,040 --> 00:35:53,400
Speaker 2: fucking penny for how many I told you so, maybe

850
00:35:53,400 --> 00:35:54,120
Speaker 2: you should listen to me more.

851
00:35:54,160 --> 00:35:56,719
Speaker 3: We wouldn't need this fucking deal like everything something like

852
00:35:56,800 --> 00:35:59,200
Speaker 3: I'm that issue here. I told you so, I told

853
00:35:59,239 --> 00:36:00,560
Speaker 3: you that wasn't your friend. I told you I was

854
00:36:00,600 --> 00:36:01,760
Speaker 3: in your friend every five seconds.

855
00:36:03,080 --> 00:36:05,600
Speaker 2: I mean, it's helpful to have somebody from the outside

856
00:36:06,360 --> 00:36:11,160
Speaker 2: looking in third party viewing of friendship because I've had

857
00:36:11,320 --> 00:36:13,399
Speaker 2: friendships I thought were real ended up not being real

858
00:36:13,520 --> 00:36:16,800
Speaker 2: multiple times. I've been a bad judge of character multiple

859
00:36:16,880 --> 00:36:19,200
Speaker 2: multiple times. Sometimes you need that friend that's not in

860
00:36:19,280 --> 00:36:21,560
Speaker 2: that situation to just look at the facts of what's

861
00:36:21,600 --> 00:36:23,279
Speaker 2: going on and go, no, this is not a good

862
00:36:23,320 --> 00:36:23,960
Speaker 2: situation for you.

863
00:36:24,080 --> 00:36:25,840
Speaker 1: How many stories are are you the villain in?

864
00:36:27,000 --> 00:36:31,160
Speaker 2: Probably a lot? Yeah, yeah, not like I don't think

865
00:36:31,160 --> 00:36:36,200
Speaker 2: anything like egregious, but yeah, probably Do you care to

866
00:36:36,320 --> 00:36:38,480
Speaker 2: like clear it up or you just let it be

867
00:36:40,400 --> 00:36:43,280
Speaker 2: again mid thirty stuff. I do care less about clearing

868
00:36:43,320 --> 00:36:45,920
Speaker 2: things up, like at all. I'm only asking you kind

869
00:36:45,960 --> 00:36:47,280
Speaker 2: of not at all, to be quite honest.

870
00:36:47,480 --> 00:36:49,200
Speaker 1: No, I'm only asking you because I've been through like

871
00:36:49,320 --> 00:36:51,000
Speaker 1: that that phase already that you're now in.

872
00:36:51,440 --> 00:36:55,440
Speaker 2: It's just like, try it's relieving, like of not even caring.

873
00:36:55,480 --> 00:36:57,359
Speaker 2: I went it went through a very very weird phase.

874
00:36:57,840 --> 00:37:00,719
Speaker 2: Started the way most people are pretty mu everyone in

875
00:37:00,800 --> 00:37:03,640
Speaker 2: the beginning of trying to clear up everything, and reputation

876
00:37:03,760 --> 00:37:06,680
Speaker 2: means the most, like this is it. That's really your stock,

877
00:37:07,080 --> 00:37:09,840
Speaker 2: is what your reputation and what people think of you.

878
00:37:10,400 --> 00:37:12,200
Speaker 2: Then I got to the point of not caring to

879
00:37:12,239 --> 00:37:14,239
Speaker 2: clear it up, but it still bothered me. So I

880
00:37:14,360 --> 00:37:16,600
Speaker 2: was carrying the weight and the anxiety of it, but

881
00:37:16,719 --> 00:37:18,800
Speaker 2: I was still like, no, I'm not taking the energy

882
00:37:18,880 --> 00:37:20,920
Speaker 2: to go clear it up. Now I'm at the phase

883
00:37:20,960 --> 00:37:23,600
Speaker 2: that I do not care. You can think whatever the

884
00:37:23,640 --> 00:37:25,040
Speaker 2: fuck you I'm not even going to clear it up.

885
00:37:25,280 --> 00:37:26,680
Speaker 2: Matter of fact, keep telling the story.

886
00:37:26,920 --> 00:37:28,719
Speaker 1: Man, I'm gonna hear how way it goes, Let me

887
00:37:28,880 --> 00:37:30,480
Speaker 1: how good, let me how creative you are.

888
00:37:30,560 --> 00:37:34,759
Speaker 2: Like And what's funny is sometimes when you don't clear

889
00:37:34,760 --> 00:37:37,760
Speaker 2: shit up and they continue with the narrative, everyone starts

890
00:37:37,800 --> 00:37:40,279
Speaker 2: to see how the narrative changed the story they had

891
00:37:40,320 --> 00:37:41,920
Speaker 2: originally keeps having different factors.

892
00:37:41,960 --> 00:37:43,800
Speaker 1: Now me and you've been through that, and that was

893
00:37:43,800 --> 00:37:46,000
Speaker 1: at the time. I'm like, dog, but I don't care,

894
00:37:46,040 --> 00:37:47,440
Speaker 1: and you used to like no, but we have to.

895
00:37:48,000 --> 00:37:50,840
Speaker 1: We have to address things because narratives get created.

896
00:37:51,160 --> 00:37:52,800
Speaker 2: And I swear that was a general statement, by the

897
00:37:52,840 --> 00:37:55,040
Speaker 2: way that there's been multiple times that this happened to me,

898
00:37:55,120 --> 00:37:59,800
Speaker 2: even absolutely, but yes, you are definitely have said that

899
00:38:00,080 --> 00:38:01,200
Speaker 2: and can say I told you so.

900
00:38:02,000 --> 00:38:04,359
Speaker 1: Oh yeah to me, my god, with plenty of times.

901
00:38:04,840 --> 00:38:08,320
Speaker 2: Just let that stop. Trying to fix you can't just

902
00:38:08,440 --> 00:38:09,960
Speaker 2: let things be, man, Just let things be.

903
00:38:10,280 --> 00:38:13,080
Speaker 1: But hopefully lebron James, Man, listen, man, you know, hopefully

904
00:38:13,120 --> 00:38:17,280
Speaker 1: BRONI plays well again. I think that he's he should

905
00:38:17,320 --> 00:38:19,440
Speaker 1: be in the league because he's been playing really well

906
00:38:19,480 --> 00:38:22,600
Speaker 1: in not the D League, G League, He's been playing

907
00:38:22,640 --> 00:38:24,680
Speaker 1: really well in the G League, and I think that's

908
00:38:24,719 --> 00:38:26,759
Speaker 1: great for me. He needs to be in game situations,

909
00:38:26,800 --> 00:38:29,640
Speaker 1: you know, getting getting some real bump underneath his you know,

910
00:38:30,440 --> 00:38:32,839
Speaker 1: his belt, and just you know, developing the skills. Man,

911
00:38:32,880 --> 00:38:34,640
Speaker 1: there's nothing wrong with developing. I think that. You know,

912
00:38:34,680 --> 00:38:37,120
Speaker 1: obviously we got the moment that we probably would never

913
00:38:37,160 --> 00:38:39,520
Speaker 1: see again with NBA son and dad on the court together,

914
00:38:40,520 --> 00:38:43,080
Speaker 1: you know. But now it's time for Bronni to really

915
00:38:43,120 --> 00:38:46,560
Speaker 1: develop and hone his skills and become a solid NBA player,

916
00:38:46,600 --> 00:38:49,440
Speaker 1: which I think he has the talent to do that.

917
00:38:49,520 --> 00:38:51,880
Speaker 1: He just needs to they got developed.

918
00:38:51,960 --> 00:38:54,040
Speaker 2: Luca was a missing piece. Brinni will be back on

919
00:38:54,239 --> 00:38:55,880
Speaker 2: the regular team. He just needed someone on the wing.

920
00:38:56,560 --> 00:38:59,399
Speaker 2: And Bronni is an all star, he just needed Luca.

921
00:38:59,520 --> 00:38:59,839
Speaker 2: That's all.

922
00:39:00,880 --> 00:39:02,920
Speaker 1: You need a little more than that, just just a

923
00:39:02,960 --> 00:39:04,799
Speaker 1: little more. Luca is a great piece for the team.

924
00:39:04,880 --> 00:39:08,040
Speaker 1: But Ronnie himself as the player I think that he had.

925
00:39:08,200 --> 00:39:10,719
Speaker 1: You know, he will have time to develop and get better,

926
00:39:10,760 --> 00:39:13,080
Speaker 1: and I think that he will be a solid NBA player.

927
00:39:13,160 --> 00:39:17,200
Speaker 2: Before we get to this DOCI topic, I will quickly ask,

928
00:39:17,600 --> 00:39:21,400
Speaker 2: is steven A and Skip the best sports duo in

929
00:39:21,520 --> 00:39:22,120
Speaker 2: media history?

930
00:39:25,239 --> 00:39:25,439
Speaker 1: Nah?

931
00:39:25,880 --> 00:39:32,319
Speaker 2: Uh, it's first Take, the best sports show debate show.

932
00:39:32,360 --> 00:39:33,480
Speaker 2: I guess if you will?

933
00:39:33,680 --> 00:39:35,880
Speaker 1: Yeah, yeah, I think so.

934
00:39:37,360 --> 00:39:40,359
Speaker 2: I mean we have to give respects around the horn.

935
00:39:41,040 --> 00:39:43,120
Speaker 2: Pardon the interruption. Is one of my favorite sports shows

936
00:39:43,160 --> 00:39:44,799
Speaker 2: every but I just don't know if there was ever

937
00:39:44,920 --> 00:39:47,560
Speaker 2: a better time than stephen A Smith and Skip.

938
00:39:48,080 --> 00:39:49,359
Speaker 1: That was like the goal.

939
00:39:49,560 --> 00:39:52,400
Speaker 2: It replaced Sports Center. Yeah, like Sports Center came on

940
00:39:52,520 --> 00:39:54,200
Speaker 2: at ten, Yeah, when it used to come on at

941
00:39:54,239 --> 00:39:54,719
Speaker 2: fucking six.

942
00:39:54,880 --> 00:39:57,719
Speaker 1: You know what with stephen A and and Skip were

943
00:39:57,719 --> 00:40:01,879
Speaker 1: able to do with first Take? You know, they brought

944
00:40:01,920 --> 00:40:06,000
Speaker 1: in culture to sports, and they just magnified, you know,

945
00:40:06,239 --> 00:40:08,760
Speaker 1: the debate level. And I think they kind of birthed

946
00:40:08,760 --> 00:40:10,960
Speaker 1: a lot of debate platforms because of what they were

947
00:40:10,960 --> 00:40:13,880
Speaker 1: able to do. But yeah, they were special that what

948
00:40:13,960 --> 00:40:15,719
Speaker 1: they were able to do, and Bill was you know,

949
00:40:15,719 --> 00:40:18,239
Speaker 1: I don't think we'll ever see something like that on

950
00:40:18,320 --> 00:40:21,440
Speaker 1: a major network again. Like they were legendary with what

951
00:40:21,560 --> 00:40:21,879
Speaker 1: they did.

952
00:40:27,760 --> 00:40:31,600
Speaker 2: Speaking of duos, I want Miss Milan shouts to Miss

953
00:40:31,680 --> 00:40:33,960
Speaker 2: Milan front of the show and DOCI to have their

954
00:40:34,040 --> 00:40:37,040
Speaker 2: own show together because I love watching the timeline go

955
00:40:37,200 --> 00:40:39,319
Speaker 2: to fucking shambles over absolutely nothing.

956
00:40:39,719 --> 00:40:41,480
Speaker 1: So I saw that. I saw that DOCI made a

957
00:40:41,560 --> 00:40:44,080
Speaker 1: comment was that hot ones.

958
00:40:44,560 --> 00:40:46,960
Speaker 2: Yeah, there's different forms of hot ones. It's not always

959
00:40:46,960 --> 00:40:49,479
Speaker 2: shown in a guest like they'll they'll play games and shit.

960
00:40:49,719 --> 00:40:51,440
Speaker 2: I saw everyone saying, they're like, oh, she couldn't even

961
00:40:51,440 --> 00:40:53,480
Speaker 2: get the real ones, Like now they've done this before. Yeah,

962
00:40:54,080 --> 00:40:56,719
Speaker 2: obviously Miss Milan is her DJ and they're really really

963
00:40:56,760 --> 00:40:59,799
Speaker 2: close friends. So she did it with her and they

964
00:40:59,840 --> 00:41:03,759
Speaker 2: were asking each other questions and Miss Milan asked or whatever.

965
00:41:03,800 --> 00:41:07,320
Speaker 2: The topic was the biggest red flag in dating, and

966
00:41:08,160 --> 00:41:13,160
Speaker 2: DOCI had put straight straight men as her biggest red flag.

967
00:41:14,080 --> 00:41:18,799
Speaker 1: Okay, and that threw that threw socials up in shambles. Yeah.

968
00:41:19,360 --> 00:41:22,680
Speaker 2: The amount of think pieces from men that have never

969
00:41:22,800 --> 00:41:27,840
Speaker 2: thought made me laugh all fucking day. The think pieces

970
00:41:27,880 --> 00:41:29,560
Speaker 2: were absolutely fucking insane.

971
00:41:29,800 --> 00:41:30,200
Speaker 1: Mm hmm.

972
00:41:31,040 --> 00:41:32,840
Speaker 2: Why do people care so much about a joke? And

973
00:41:32,880 --> 00:41:34,319
Speaker 2: I told him, Marius, I was gonna come in here,

974
00:41:34,360 --> 00:41:36,800
Speaker 2: and I'm I'm already prepared to be the pick me

975
00:41:36,920 --> 00:41:39,520
Speaker 2: here even though I truly believe this and don't see

976
00:41:39,520 --> 00:41:42,080
Speaker 2: the big fucking deal. She made a fucking joke. Yeah,

977
00:41:42,600 --> 00:41:47,480
Speaker 2: straight men, ha. She's also queer, right, yes, so yeah,

978
00:41:47,560 --> 00:41:50,000
Speaker 2: that would be a red flag in dating. I'll tell

979
00:41:50,000 --> 00:41:51,520
Speaker 2: you this. A gay man would be a red flag

980
00:41:51,600 --> 00:41:54,200
Speaker 2: for me, not because he's a gay man, but in dating.

981
00:41:54,480 --> 00:41:56,680
Speaker 2: I don't date gay men, so that would be a

982
00:41:57,160 --> 00:42:00,279
Speaker 2: red flag for me. Wait, doci's gay, she's queer, so

983
00:42:00,480 --> 00:42:01,400
Speaker 2: she what does that mean?

984
00:42:02,480 --> 00:42:02,800
Speaker 1: Dates?

985
00:42:03,080 --> 00:42:06,440
Speaker 3: Probably everyone, and she dates anything. If I'm not mistaken,

986
00:42:06,520 --> 00:42:08,880
Speaker 3: that's her sexuality. I'll have to double check on that.

987
00:42:08,960 --> 00:42:09,320
Speaker 5: But she is.

988
00:42:09,480 --> 00:42:12,680
Speaker 2: Why are you looking at me like that? Queer is

989
00:42:12,760 --> 00:42:14,359
Speaker 2: that's not a new thing. That's not one of these

990
00:42:14,440 --> 00:42:16,759
Speaker 2: new adjectives that we added yesterday. Queer has been around

991
00:42:16,840 --> 00:42:19,000
Speaker 2: quite some time, that's the Q and lbgt Q.

992
00:42:19,239 --> 00:42:19,399
Speaker 1: Yes.

993
00:42:19,480 --> 00:42:26,120
Speaker 3: Yes, so it says that she's openly bisexual, which would

994
00:42:26,200 --> 00:42:28,719
Speaker 3: mean that you're a queer or you're a queer.

995
00:42:29,840 --> 00:42:33,279
Speaker 1: Okay, so she's about sexual Yes, she dates men and women. Yes,

996
00:42:33,640 --> 00:42:35,799
Speaker 1: but it's just the way Demarus framed. But she says

997
00:42:35,840 --> 00:42:38,080
Speaker 1: she dates anything. I just didn't know what that meant.

998
00:42:38,440 --> 00:42:41,400
Speaker 2: Well, isn't there actually a sexuality that dates like they

999
00:42:41,440 --> 00:42:46,160
Speaker 2: would date this table if they uh dead ass or

1000
00:42:46,239 --> 00:42:48,680
Speaker 2: something like whatever. The opposite of a sexual the people

1001
00:42:48,680 --> 00:42:50,600
Speaker 2: that don't have sex at all, there is somebody that

1002
00:42:50,680 --> 00:42:54,160
Speaker 2: would like, they'll date whatever they're feeling that day. It

1003
00:42:54,200 --> 00:42:56,520
Speaker 2: may be a girl, it may be a side table,

1004
00:42:56,600 --> 00:42:59,000
Speaker 2: maybe a couch, but like that's their that's their person

1005
00:42:59,080 --> 00:43:00,560
Speaker 2: for the day. A dog.

1006
00:43:01,320 --> 00:43:05,040
Speaker 3: Mm I don't. I don't pay bull shit like that.

1007
00:43:05,080 --> 00:43:05,960
Speaker 3: I don't pay attention to.

1008
00:43:06,320 --> 00:43:09,320
Speaker 2: But to me, that is some type of version of

1009
00:43:09,360 --> 00:43:10,120
Speaker 2: statutory right.

1010
00:43:11,120 --> 00:43:13,640
Speaker 1: I'm just trying to understand because said the dog wanted

1011
00:43:13,680 --> 00:43:16,160
Speaker 1: to be dated. Like, I'm just trying to understand. It's okay,

1012
00:43:16,200 --> 00:43:18,799
Speaker 1: So Doci is queer, she's by sex, and that dog

1013
00:43:18,880 --> 00:43:23,080
Speaker 1: is underage. Right, So yes, I saw this. I saw

1014
00:43:23,120 --> 00:43:26,600
Speaker 1: when you know, DOCI said what she said, and you know,

1015
00:43:26,719 --> 00:43:29,080
Speaker 1: I laughed at it. I didn't take much into it,

1016
00:43:29,120 --> 00:43:31,600
Speaker 1: but I did see people posting and saying like, oh,

1017
00:43:32,400 --> 00:43:35,960
Speaker 1: you know, she's pushing the agenda. You know she's you

1018
00:43:36,040 --> 00:43:38,200
Speaker 1: know Grammy Winner. Now, Now, this is what they have

1019
00:43:38,280 --> 00:43:42,799
Speaker 1: her doing. They programmed her to push it. I think people,

1020
00:43:42,880 --> 00:43:46,560
Speaker 1: I think everybody's just bored. I think people are bored

1021
00:43:46,600 --> 00:43:50,719
Speaker 1: and people are looking. Everybody has victim mentality. Everybody wants

1022
00:43:50,800 --> 00:43:53,880
Speaker 1: to be a victim. Everybody feels like they're a victim.

1023
00:43:54,880 --> 00:43:58,759
Speaker 1: I just think everybody needs to relax, enjoy life, live

1024
00:43:58,840 --> 00:44:03,920
Speaker 1: your life, mind your business, have your fun, and do

1025
00:44:04,040 --> 00:44:06,359
Speaker 1: the things that you like to do. I just don't

1026
00:44:06,360 --> 00:44:09,000
Speaker 1: think that it's that series of doc he says straight

1027
00:44:09,080 --> 00:44:13,080
Speaker 1: men are a red flag when dat yeah, I would

1028
00:44:13,200 --> 00:44:14,840
Speaker 1: laugh at that as well. It's not.

1029
00:44:15,520 --> 00:44:17,960
Speaker 2: And then all of a sudden, this brings in the

1030
00:44:18,040 --> 00:44:19,960
Speaker 2: group I hate the most, the preference police.

1031
00:44:20,320 --> 00:44:20,520
Speaker 1: Yeah.

1032
00:44:21,080 --> 00:44:23,400
Speaker 2: If she would have said if a guy got up

1033
00:44:23,400 --> 00:44:25,800
Speaker 2: there and said that a red flag for him is

1034
00:44:26,280 --> 00:44:28,640
Speaker 2: Latino women, he would be canceled. I'm like, I don't

1035
00:44:28,680 --> 00:44:31,319
Speaker 2: understand how you can tie those two things together at all.

1036
00:44:31,719 --> 00:44:34,280
Speaker 2: And like they thought they was like really landing points

1037
00:44:34,640 --> 00:44:36,839
Speaker 2: of like why men are under attack because a man

1038
00:44:36,920 --> 00:44:40,240
Speaker 2: couldn't make this joke or he would be canceled. Okay,

1039
00:44:40,480 --> 00:44:43,520
Speaker 2: even if I agree with you, So I believe in

1040
00:44:43,560 --> 00:44:46,000
Speaker 2: double standing. This world is full of double stands.

1041
00:44:47,080 --> 00:44:48,880
Speaker 3: Plenty of them. But plenty of men have come and

1042
00:44:49,000 --> 00:44:51,680
Speaker 3: said that bisexual women are red flags to them, plenty

1043
00:44:51,680 --> 00:44:53,879
Speaker 3: of That's a regular thing, they say that all the time.

1044
00:44:54,520 --> 00:44:57,799
Speaker 2: Mau has had some skeptical shit of dating bisexual women,

1045
00:44:57,840 --> 00:44:59,400
Speaker 2: and we've had that conversation. If I walked in on

1046
00:44:59,480 --> 00:45:01,680
Speaker 2: my girl fucking another girl, I'd be fine with it,

1047
00:45:01,719 --> 00:45:04,160
Speaker 2: And he was like, no, that's not cool. So yeah,

1048
00:45:04,239 --> 00:45:06,919
Speaker 2: that's a normal thing for someone to think.

1049
00:45:07,520 --> 00:45:10,480
Speaker 3: Yeah, and again, I also think that she was joking,

1050
00:45:10,560 --> 00:45:13,000
Speaker 3: and even if she wasn't, Even if she wasn't joking

1051
00:45:13,160 --> 00:45:15,839
Speaker 3: as a bisexual woman, a lot of bisexual women prefer

1052
00:45:15,920 --> 00:45:20,000
Speaker 3: to date bisexual men because they understand a little bit better.

1053
00:45:20,120 --> 00:45:20,880
Speaker 3: So I don't blame her.

1054
00:45:20,920 --> 00:45:25,400
Speaker 2: They're acting like she was across from Gail Kings with

1055
00:45:25,560 --> 00:45:30,120
Speaker 2: her friends on a show that is about jokes and

1056
00:45:30,280 --> 00:45:34,239
Speaker 2: hot wings like Sean Evans asked Great Questions, one of

1057
00:45:34,280 --> 00:45:36,600
Speaker 2: the best platforms ever salute to him, but are we

1058
00:45:36,719 --> 00:45:40,200
Speaker 2: going to act like that show is not also about

1059
00:45:40,360 --> 00:45:42,560
Speaker 2: laughing at someone eating hot wings while they're trying to

1060
00:45:42,600 --> 00:45:44,759
Speaker 2: give an answer. It's a it's a comedy based show.

1061
00:45:45,080 --> 00:45:49,240
Speaker 2: Even though Sean asked real questions, right, they lead to humors.

1062
00:45:49,680 --> 00:45:51,279
Speaker 1: It's a lot of human that. But back to what

1063
00:45:51,480 --> 00:45:52,160
Speaker 1: we didn't asked.

1064
00:45:52,040 --> 00:45:54,239
Speaker 2: Call about Palestine. He gave him a hot wing and

1065
00:45:54,320 --> 00:45:56,040
Speaker 2: he started crying, and then we started crying.

1066
00:45:56,480 --> 00:46:00,279
Speaker 1: So he said, now you know how Palestinians were. See,

1067
00:46:01,200 --> 00:46:03,000
Speaker 1: I'm a bad I'm sorry I went too far. Sorry, sorry,

1068
00:46:03,239 --> 00:46:08,680
Speaker 1: But back to what Damara said, bisexual women prefer.

1069
00:46:08,600 --> 00:46:11,320
Speaker 3: No, I didn't say by all bisexual women. Some bisexual

1070
00:46:11,400 --> 00:46:14,919
Speaker 3: women might prefer bisexual men because they understand the queer

1071
00:46:15,000 --> 00:46:18,480
Speaker 3: experience a little bit more. And also, if I am

1072
00:46:18,600 --> 00:46:22,239
Speaker 3: around a lot of queer people, whether it's for work,

1073
00:46:22,239 --> 00:46:24,319
Speaker 3: which I'm sure she is, whether it's for work, whether

1074
00:46:24,360 --> 00:46:27,480
Speaker 3: it's for that's the community that I have. Straight men

1075
00:46:27,640 --> 00:46:31,440
Speaker 3: may not be as comfortable in those same communities as

1076
00:46:31,520 --> 00:46:34,000
Speaker 3: somebody who is also on the LGBTQ spectrum.

1077
00:46:35,120 --> 00:46:37,720
Speaker 2: And also at fair point, but I think it's hilarious

1078
00:46:37,760 --> 00:46:39,960
Speaker 2: that we're trying to give a serious breakdown of a

1079
00:46:40,040 --> 00:46:40,680
Speaker 2: fucking joke.

1080
00:46:40,960 --> 00:46:43,279
Speaker 1: Yeah, well that's like the world, the world forced us

1081
00:46:43,320 --> 00:46:46,000
Speaker 1: to do that. Everybody was upset, everybody was raging. I

1082
00:46:46,160 --> 00:46:48,399
Speaker 1: saw some protesters. I was like, oh, okay, Well.

1083
00:46:48,360 --> 00:46:51,240
Speaker 3: They said heterophobia is a real thing. People are afraid

1084
00:46:51,320 --> 00:46:57,520
Speaker 3: of straight people. I'm afraid of some straight people, yeah,

1085
00:46:57,560 --> 00:47:00,440
Speaker 3: but not if they're straight. No, not because I'm generally

1086
00:47:00,520 --> 00:47:01,200
Speaker 3: afraid of people.

1087
00:47:01,440 --> 00:47:03,200
Speaker 1: Yeah, I just don't like. I just don't like some people.

1088
00:47:03,320 --> 00:47:06,879
Speaker 1: Like it is what it is. Yeah, I don't know, man, listen, man.

1089
00:47:06,840 --> 00:47:08,719
Speaker 3: They were using that as an excuse. It's like the

1090
00:47:09,239 --> 00:47:12,560
Speaker 3: tie ins of like why she's pushing that agenda and

1091
00:47:12,760 --> 00:47:15,560
Speaker 3: she's also a plant, Like all of this just ties in.

1092
00:47:15,880 --> 00:47:19,239
Speaker 3: Like it's like Doci is not a plant. Dochi has

1093
00:47:19,320 --> 00:47:22,000
Speaker 3: been putting out bangers for a while that people weren't like,

1094
00:47:22,120 --> 00:47:25,759
Speaker 3: really paying attention to, like, and she has talent. She's

1095
00:47:25,800 --> 00:47:27,319
Speaker 3: not a fucking plant, no.

1096
00:47:27,840 --> 00:47:29,919
Speaker 2: Fucking with her. Since twenty nineteen, I've watched this whole

1097
00:47:30,080 --> 00:47:32,600
Speaker 2: entire thing, and she was very pro queer in twenty

1098
00:47:32,719 --> 00:47:34,840
Speaker 2: nineteen as well. Isn't a new thing because she ate

1099
00:47:34,880 --> 00:47:36,000
Speaker 2: a hot wing yeah.

1100
00:47:36,840 --> 00:47:38,600
Speaker 3: Or because she want to grant me like that's just

1101
00:47:39,040 --> 00:47:39,640
Speaker 3: who she's.

1102
00:47:39,480 --> 00:47:43,120
Speaker 2: Been and listen to her music of who and when

1103
00:47:43,320 --> 00:47:46,200
Speaker 2: she's dated. It's been all over the place like this

1104
00:47:46,400 --> 00:47:49,040
Speaker 2: isn't a weird thing at all. Well then say after

1105
00:47:49,320 --> 00:47:52,200
Speaker 2: all of that, like you know what straight men aren't

1106
00:47:52,200 --> 00:47:52,360
Speaker 2: for me?

1107
00:47:53,200 --> 00:47:55,239
Speaker 1: Well, we was talking. We had a conversation last week

1108
00:47:55,280 --> 00:47:59,040
Speaker 1: about the industry and when they push a button okay,

1109
00:47:59,280 --> 00:48:02,680
Speaker 1: and when they you know, they put the Oh no.

1110
00:48:02,960 --> 00:48:04,520
Speaker 2: I'm here to be objective just because I was a

1111
00:48:04,560 --> 00:48:07,799
Speaker 2: pick me on the DOCI conversation, don't this is gonna

1112
00:48:07,800 --> 00:48:09,560
Speaker 2: be you know, I support that that young lady. I

1113
00:48:09,600 --> 00:48:12,200
Speaker 2: think she's incredibly talented. We support Doci over here. Sure

1114
00:48:13,480 --> 00:48:14,200
Speaker 2: you can continue.

1115
00:48:14,640 --> 00:48:16,719
Speaker 1: So it was some things, some things hit the time

1116
00:48:16,840 --> 00:48:18,800
Speaker 1: out over the weekend that I was just you know,

1117
00:48:18,920 --> 00:48:22,080
Speaker 1: putting on Rory's radar. I saw some things. I saw

1118
00:48:22,160 --> 00:48:24,640
Speaker 1: some things and I was like, you know, sending it

1119
00:48:24,719 --> 00:48:25,640
Speaker 1: to Rory, I said.

1120
00:48:25,560 --> 00:48:26,839
Speaker 2: You hubered me to own the raidar.

1121
00:48:26,960 --> 00:48:28,520
Speaker 1: I had to ooh. I was like, yo, this is

1122
00:48:28,560 --> 00:48:31,240
Speaker 1: the button that I'm telling you about. When you see Doci,

1123
00:48:32,080 --> 00:48:36,960
Speaker 1: you know now taking pictures with Pharrell, it's like, okay,

1124
00:48:37,320 --> 00:48:40,080
Speaker 1: they're in the same rooms now, they're you know, Obviously

1125
00:48:40,200 --> 00:48:42,360
Speaker 1: the you know fashion we get that Doci just walked

1126
00:48:42,400 --> 00:48:45,120
Speaker 1: with uh what was the line she just walked walked

1127
00:48:45,160 --> 00:48:48,400
Speaker 1: for uh D squared? I believe, yes she did that,

1128
00:48:48,600 --> 00:48:52,440
Speaker 1: looked great, looking credible. Obviously, we know Pharrell's the creative

1129
00:48:52,480 --> 00:48:56,360
Speaker 1: director at Louis, So now her and Pharrella are in

1130
00:48:56,400 --> 00:48:58,239
Speaker 1: the same space. They're in the same room, take a

1131
00:48:58,280 --> 00:49:00,960
Speaker 1: picture together. They know what the talk is obviously. Or

1132
00:49:00,960 --> 00:49:03,600
Speaker 1: are we getting some music together? Dochie's a Grammy winning artist,

1133
00:49:03,680 --> 00:49:06,680
Speaker 1: now Farrell's a Grammy winning producer and artists as well.

1134
00:49:07,840 --> 00:49:09,439
Speaker 1: Are we gonna collab or are we gonna work together?

1135
00:49:09,560 --> 00:49:12,520
Speaker 2: Okay, first of all, I want I don't think that's

1136
00:49:12,560 --> 00:49:18,120
Speaker 2: pushing the button whatsoever, because again we've watched Dochi for

1137
00:49:18,480 --> 00:49:21,800
Speaker 2: five years put in her work. Finally she's starting to

1138
00:49:22,080 --> 00:49:24,839
Speaker 2: reap the benefits of that. TD is doing what they're

1139
00:49:24,880 --> 00:49:26,839
Speaker 2: supposed to do as far as making sure this girl

1140
00:49:26,880 --> 00:49:30,200
Speaker 2: is in front of us at all times post Grammy,

1141
00:49:30,840 --> 00:49:35,400
Speaker 2: I think being in that fashion line makes sense. And

1142
00:49:35,560 --> 00:49:37,880
Speaker 2: let's also not pretend like Fharell has not worked with

1143
00:49:38,160 --> 00:49:41,239
Speaker 2: up and coming acts his entire career. Farrell has never

1144
00:49:41,280 --> 00:49:43,520
Speaker 2: been one of those producers that's like it's I only

1145
00:49:43,600 --> 00:49:47,440
Speaker 2: fuck with hove. Farrell will work with somebody we've never

1146
00:49:47,600 --> 00:49:50,120
Speaker 2: heard of, and not even if they're signed to him,

1147
00:49:50,200 --> 00:49:53,759
Speaker 2: like Farrell is one of those producers. To see him

1148
00:49:53,800 --> 00:49:56,759
Speaker 2: with a new chick that could actually wrap that is

1149
00:49:57,000 --> 00:49:59,239
Speaker 2: a breadth of fresh air based off a lot of

1150
00:49:59,280 --> 00:50:01,640
Speaker 2: stuff that we've heard. I don't think that's that's the

1151
00:50:01,680 --> 00:50:03,800
Speaker 2: industry pushing the button. I think that's Pharrell being Pharrell

1152
00:50:03,840 --> 00:50:04,760
Speaker 2: and Dochi being doci.

1153
00:50:04,880 --> 00:50:07,720
Speaker 3: And also, did we see them together in a studio

1154
00:50:07,800 --> 00:50:09,759
Speaker 3: or were they together impair us that fashion week?

1155
00:50:09,880 --> 00:50:11,840
Speaker 2: No Ma was saying, you know, that question came up

1156
00:50:13,080 --> 00:50:15,719
Speaker 2: when they when they posted that photo. It wasn't for

1157
00:50:15,840 --> 00:50:19,160
Speaker 2: the fashion shit. They knew all those comments would be music.

1158
00:50:19,400 --> 00:50:22,160
Speaker 1: This music sure. So now my thing with the whole

1159
00:50:22,200 --> 00:50:24,959
Speaker 1: button thing was and I'm a you know, I don't

1160
00:50:25,560 --> 00:50:27,759
Speaker 1: particularly care about numbers. I don't know what sells what.

1161
00:50:28,360 --> 00:50:32,560
Speaker 1: But obviously that's a talking point here. So Dochi wins

1162
00:50:32,640 --> 00:50:37,160
Speaker 1: best rap album? When Dochi's album came out, she only

1163
00:50:37,440 --> 00:50:39,399
Speaker 1: she did what eleven thousand first week?

1164
00:50:39,800 --> 00:50:41,440
Speaker 2: Here's here's where I won't give you push back on

1165
00:50:41,480 --> 00:50:43,880
Speaker 2: the button thing. I think you can make a huge

1166
00:50:43,920 --> 00:50:49,239
Speaker 2: case to question what the Grammys do to decide. I

1167
00:50:49,320 --> 00:50:51,040
Speaker 2: know they have the committee everyone, So I'm going back.

1168
00:50:51,120 --> 00:50:53,080
Speaker 1: This is why I'm going back to the Grammy. You

1169
00:50:53,160 --> 00:50:55,719
Speaker 1: do eleven thousand your first week again, I don't care

1170
00:50:55,719 --> 00:50:57,719
Speaker 1: about numbers. I thought the album was you know, was good.

1171
00:50:57,800 --> 00:51:00,920
Speaker 1: She had some good, good joints on there. Before. We

1172
00:51:01,040 --> 00:51:04,240
Speaker 1: support her. But now you go, you win the Grammy.

1173
00:51:04,760 --> 00:51:07,600
Speaker 1: We all we all know once you are a you

1174
00:51:07,640 --> 00:51:09,279
Speaker 1: don't even have to win a Grammy. Once you're a

1175
00:51:09,360 --> 00:51:13,600
Speaker 1: Grammy nominated artist, different things start to open up.

1176
00:51:13,600 --> 00:51:14,239
Speaker 2: It's right in the bio.

1177
00:51:14,760 --> 00:51:17,680
Speaker 1: But when they get this right, but when they give

1178
00:51:17,760 --> 00:51:22,440
Speaker 1: you the Grammy, you have to understand that there are

1179
00:51:22,560 --> 00:51:26,399
Speaker 1: other things. It's not just the Grammy. A whole other

1180
00:51:26,800 --> 00:51:29,520
Speaker 1: lane in the world is now available to you, opens

1181
00:51:29,560 --> 00:51:31,759
Speaker 1: up to you and to me, that is what I

1182
00:51:31,880 --> 00:51:36,320
Speaker 1: call the button. Now eleven thousand not the greatest numbers,

1183
00:51:36,320 --> 00:51:37,759
Speaker 1: but who cares when the product is dope?

1184
00:51:37,920 --> 00:51:42,000
Speaker 2: I mean's post now she's smoking well because they got

1185
00:51:42,040 --> 00:51:44,200
Speaker 2: her in front of some of the eyes again, so that.

1186
00:51:44,320 --> 00:51:46,279
Speaker 1: Now the numbers are gonna go where they're gonna go

1187
00:51:46,840 --> 00:51:49,640
Speaker 1: because I have a Grammar Grammy winning artist.

1188
00:51:49,719 --> 00:51:52,359
Speaker 3: Well, okay, so let's let's not just paint that because

1189
00:51:52,440 --> 00:51:54,080
Speaker 3: even before yes the Grammys.

1190
00:51:53,760 --> 00:51:56,960
Speaker 1: Aren't win a Grammy, everything goes up, Yes, but the.

1191
00:51:57,280 --> 00:52:01,719
Speaker 3: Numbers were going up already before the great Because now

1192
00:52:01,880 --> 00:52:04,759
Speaker 3: first week numbers don't really matter. It matters that the

1193
00:52:04,800 --> 00:52:06,759
Speaker 3: big artists are arguing about it and the fan base

1194
00:52:06,800 --> 00:52:09,000
Speaker 3: are arguing about it. But we've had this conversation where

1195
00:52:09,680 --> 00:52:11,480
Speaker 3: first week number doesn't matter. What are we doing on

1196
00:52:11,560 --> 00:52:12,960
Speaker 3: the back end? What are we doing that next week

1197
00:52:13,120 --> 00:52:15,080
Speaker 3: and that next week after that after this music video

1198
00:52:15,160 --> 00:52:17,239
Speaker 3: comes out, or I do this late night performance, And.

1199
00:52:17,280 --> 00:52:20,400
Speaker 1: Again, I don't really care about numbers for you all

1200
00:52:20,440 --> 00:52:22,360
Speaker 1: the time. I don't know what albums that I like,

1201
00:52:22,480 --> 00:52:23,480
Speaker 1: so I don't know what they saw.

1202
00:52:23,560 --> 00:52:28,840
Speaker 2: And even even with the industry and TDE and Universal

1203
00:52:28,920 --> 00:52:30,760
Speaker 2: doing what they're supposed to do as far as getting

1204
00:52:30,760 --> 00:52:32,799
Speaker 2: their artists in front of people, let's also not act

1205
00:52:32,880 --> 00:52:37,000
Speaker 2: like all of twenty twenty four DOCI with every performance

1206
00:52:37,120 --> 00:52:41,320
Speaker 2: every festival put together one of the best shows. Not

1207
00:52:41,440 --> 00:52:44,200
Speaker 2: only that, did every late night shit? Did like seven

1208
00:52:44,320 --> 00:52:48,200
Speaker 2: Denial is a River videos? Did one with Lisa, did

1209
00:52:48,200 --> 00:52:50,640
Speaker 2: a real one? Did every live performance out of the

1210
00:52:50,760 --> 00:52:53,480
Speaker 2: like she went and got herself in front of so

1211
00:52:53,600 --> 00:52:56,640
Speaker 2: many people, and it resonated, So that's where the post

1212
00:52:56,920 --> 00:52:59,279
Speaker 2: numbers are coming from. Of course the Grammy helps from there,

1213
00:53:00,280 --> 00:53:01,880
Speaker 2: but let's not act like we didn't watch her on

1214
00:53:02,120 --> 00:53:04,520
Speaker 2: video put in all this work. Anytime she got an

1215
00:53:04,520 --> 00:53:08,160
Speaker 2: opportunity she over delivered. Tyler wanted her on. The album

1216
00:53:09,360 --> 00:53:12,200
Speaker 2: was one of the best albums of last year, most anticipated.

1217
00:53:12,719 --> 00:53:16,800
Speaker 2: Smoked her verse went out of control, and the industry's

1218
00:53:16,840 --> 00:53:18,480
Speaker 2: not pushing the button for Tyler to go, Well, if

1219
00:53:18,520 --> 00:53:20,359
Speaker 2: you guys want it, I'll put her on my album.

1220
00:53:20,440 --> 00:53:23,600
Speaker 2: Then Nah Tyler thought she was dope and she smoked him.

1221
00:53:23,600 --> 00:53:26,120
Speaker 3: On that verte And that's why I came to cause

1222
00:53:26,160 --> 00:53:27,880
Speaker 3: I know what you were lean were about to lean

1223
00:53:27,960 --> 00:53:28,879
Speaker 3: into with Lauren Hill.

1224
00:53:28,920 --> 00:53:29,600
Speaker 2: Oh, I'm gonna get to that.

1225
00:53:29,920 --> 00:53:32,319
Speaker 3: This is not a button push. Laurence Hill doesn't do shit,

1226
00:53:32,400 --> 00:53:34,200
Speaker 3: she doesn't want it. Laurence Hill doesn't show up to

1227
00:53:34,280 --> 00:53:35,000
Speaker 3: her own shows.

1228
00:53:35,719 --> 00:53:37,080
Speaker 2: I agree with you, and I wasn't gonna say the

1229
00:53:37,120 --> 00:53:39,520
Speaker 2: industry pushed this button. Oh okay, I was going to say,

1230
00:53:40,080 --> 00:53:43,560
Speaker 2: is it deserving? What do you mean is it does

1231
00:53:43,760 --> 00:53:45,399
Speaker 2: her being on stage with Laurence Hill. The only person

1232
00:53:45,440 --> 00:53:47,040
Speaker 2: that could decide whether she deserves that or not is

1233
00:53:47,120 --> 00:53:50,080
Speaker 2: Lauren Hill of course, and I love that Laurence Hill

1234
00:53:50,360 --> 00:53:52,560
Speaker 2: loves Doci. I think it was an incredible look. I

1235
00:53:52,600 --> 00:53:54,560
Speaker 2: could never imagine if Lauren Hill wanted me to go

1236
00:53:54,640 --> 00:53:57,080
Speaker 2: pick up her laundry, I would go do it. I'm

1237
00:53:57,120 --> 00:53:59,080
Speaker 2: not here to shit on doche in that regard. I

1238
00:53:59,200 --> 00:54:02,359
Speaker 2: think that's great. But back to the legends thing. When

1239
00:54:02,360 --> 00:54:04,640
Speaker 2: we talked about superstars, mega stars, I'm talking about just

1240
00:54:04,680 --> 00:54:07,640
Speaker 2: straight legends, I feel like maybe you need to put

1241
00:54:07,680 --> 00:54:10,800
Speaker 2: in a little bit more work as far as proof

1242
00:54:10,960 --> 00:54:12,160
Speaker 2: to stand next to certain people.

1243
00:54:12,520 --> 00:54:14,320
Speaker 1: Yeah, but nah, but don't do that. I feel like,

1244
00:54:14,360 --> 00:54:17,600
Speaker 1: don't do that because when it happened for Carti, everybody

1245
00:54:17,760 --> 00:54:23,600
Speaker 1: was happy. What what happened for Carti? Everybody was happy

1246
00:54:23,760 --> 00:54:24,839
Speaker 1: praising all this ship.

1247
00:54:24,960 --> 00:54:27,040
Speaker 2: Lauren bro Cardio, what I'm saying.

1248
00:54:27,080 --> 00:54:27,880
Speaker 1: She might she may have.

1249
00:54:28,040 --> 00:54:30,360
Speaker 3: I don't know what legend has Carti Everson. I can

1250
00:54:30,480 --> 00:54:32,600
Speaker 3: understand if you say that with Beyonce and Megan, but

1251
00:54:32,719 --> 00:54:36,000
Speaker 3: what what Cardi? What legend has Cardi? Evers the next

1252
00:54:36,080 --> 00:54:39,200
Speaker 3: to on stage with that like kind of like gave

1253
00:54:39,280 --> 00:54:40,600
Speaker 3: her like that stamp.

1254
00:54:41,920 --> 00:54:44,000
Speaker 1: Oh, I mean, it's been so many years since Cardi

1255
00:54:44,040 --> 00:54:46,440
Speaker 1: has been lit. I'm pretty sure one of these legends

1256
00:54:46,520 --> 00:54:49,279
Speaker 1: have had her on stage at some point, had her

1257
00:54:49,360 --> 00:54:51,200
Speaker 1: at their concert like somebody.

1258
00:54:52,160 --> 00:54:55,560
Speaker 2: But this was a moment and I understand also the connection.

1259
00:54:55,960 --> 00:54:58,880
Speaker 2: It's just Carti, Lauren, and Dolci that have rap album

1260
00:54:58,880 --> 00:55:02,920
Speaker 2: in the year female. So yeah, I see that connection there,

1261
00:55:03,000 --> 00:55:05,719
Speaker 2: and I see what dot she represents, even as the

1262
00:55:05,880 --> 00:55:07,759
Speaker 2: image that's out there connections with Lauren.

1263
00:55:07,840 --> 00:55:08,400
Speaker 1: I get it.

1264
00:55:08,800 --> 00:55:12,960
Speaker 2: I'm just saying from a music standpoint, allegaty mixstape is fire.

1265
00:55:13,560 --> 00:55:15,760
Speaker 2: I just don't know if that solidifies you to stand

1266
00:55:15,800 --> 00:55:19,359
Speaker 2: on stage with somebody that doesn't do shit and has

1267
00:55:19,440 --> 00:55:21,719
Speaker 2: that type of status, Like of course Lauren gets to

1268
00:55:21,800 --> 00:55:22,640
Speaker 2: decide that book.

1269
00:55:22,920 --> 00:55:24,759
Speaker 1: Come on, Yeah, but when you're all in the same

1270
00:55:24,960 --> 00:55:27,800
Speaker 1: you know, it's only like you said, Cardi, Lauren and

1271
00:55:27,880 --> 00:55:31,279
Speaker 1: Doci to have that best rap album as a Grammy M.

1272
00:55:32,040 --> 00:55:33,719
Speaker 1: I mean, it's a you know, it's a it's a

1273
00:55:33,760 --> 00:55:34,359
Speaker 1: small club.

1274
00:55:34,520 --> 00:55:36,480
Speaker 2: And I know I sound like I'm Hayden. I liked

1275
00:55:36,600 --> 00:55:39,200
Speaker 2: the moment. I loved her doing the second verse, but

1276
00:55:39,480 --> 00:55:42,320
Speaker 2: just the hip hop nerd in me, which is sometimes

1277
00:55:42,400 --> 00:55:46,279
Speaker 2: a bad thing, is looking at that, like all right, man, Like,

1278
00:55:46,360 --> 00:55:47,880
Speaker 2: do you know what Nicki Minaj had to do to

1279
00:55:47,920 --> 00:55:51,640
Speaker 2: get on that song with Beyonce, Right, I didn't know

1280
00:55:51,760 --> 00:55:57,040
Speaker 2: what that but solidified, Like but we've talked even with that,

1281
00:55:57,160 --> 00:55:59,880
Speaker 2: conversations with Jaye and behind closed doors, certain people and

1282
00:56:00,040 --> 00:56:04,320
Speaker 2: other legends don't look at it disrespectfully, like I know

1283
00:56:04,440 --> 00:56:06,800
Speaker 2: what I put in to get to this point. Not

1284
00:56:06,920 --> 00:56:09,320
Speaker 2: anyone can just stand next to me like, right, this

1285
00:56:09,480 --> 00:56:12,759
Speaker 2: is solidified for a different type of person, I mean

1286
00:56:12,800 --> 00:56:14,200
Speaker 2: and grat if they're signing to you, then you get

1287
00:56:14,239 --> 00:56:18,440
Speaker 2: a look. But yeah, that's a button. Yeah, but just anybody, Nah,

1288
00:56:18,520 --> 00:56:21,080
Speaker 2: that's that's a different type of thing. And I'm not

1289
00:56:21,200 --> 00:56:23,000
Speaker 2: mad at the button being pushed, of course, not because

1290
00:56:23,280 --> 00:56:24,440
Speaker 2: I don't want that to I don't think that's a

1291
00:56:24,480 --> 00:56:26,360
Speaker 2: button pushed. I think Lauren know.

1292
00:56:26,480 --> 00:56:29,240
Speaker 1: That it's cool to recognize husband when the button was pushed.

1293
00:56:29,440 --> 00:56:31,560
Speaker 3: But we haven't acknowledged when a button was pushed for

1294
00:56:31,920 --> 00:56:34,080
Speaker 3: Like we were talking around this, but when has a

1295
00:56:34,160 --> 00:56:36,560
Speaker 3: button been pushed for DOCI? When did the industry push

1296
00:56:36,640 --> 00:56:37,640
Speaker 3: a button on DOCI?

1297
00:56:38,480 --> 00:56:40,320
Speaker 1: I think it was pushed Grammy Knight.

1298
00:56:40,920 --> 00:56:44,960
Speaker 3: Pushing a button would would initiate or signify that she

1299
00:56:45,080 --> 00:56:47,160
Speaker 3: didn't deserve her Grammy, do you not think that she not?

1300
00:56:47,560 --> 00:56:50,520
Speaker 1: I'm not see and I think that's the con that's

1301
00:56:50,640 --> 00:56:54,120
Speaker 1: kind of like the negative tone that comes with the

1302
00:56:54,200 --> 00:56:57,120
Speaker 1: button being pushed is that you say, oh, somebody doesn't

1303
00:56:57,120 --> 00:56:59,960
Speaker 1: deserve it. I'm not That's when I'm saying the button

1304
00:57:00,080 --> 00:57:01,960
Speaker 1: was pushed. It's not because an artist doesn't deserve it.

1305
00:57:02,560 --> 00:57:06,040
Speaker 1: When I say this, meaning like they recognized that, Okay,

1306
00:57:06,320 --> 00:57:09,240
Speaker 1: we like this this artist. We think that this artist

1307
00:57:09,320 --> 00:57:13,200
Speaker 1: has a good thing here, good talent. Let's magnify this,

1308
00:57:13,320 --> 00:57:16,040
Speaker 1: let's amplify this, Let's let's make sure we get this

1309
00:57:16,160 --> 00:57:18,600
Speaker 1: out to as much people that may not know about

1310
00:57:18,640 --> 00:57:22,080
Speaker 1: this artist as possible, because we think that this is dope.

1311
00:57:22,440 --> 00:57:23,959
Speaker 1: That's what I mean. Why when I say the button

1312
00:57:24,040 --> 00:57:26,440
Speaker 1: was pushed, meaning like now everything is get ready to

1313
00:57:26,480 --> 00:57:29,040
Speaker 1: go up, like okay, cool, we like her, boom send

1314
00:57:29,160 --> 00:57:31,480
Speaker 1: up or boom, we like him send them up like that,

1315
00:57:31,640 --> 00:57:33,680
Speaker 1: to me is what the button is. But not saying

1316
00:57:33,680 --> 00:57:36,720
Speaker 1: the artist doesn't deserve it and it's not talented. I

1317
00:57:36,760 --> 00:57:38,960
Speaker 1: don't want that to be the tone that I'm I'm pushing.

1318
00:57:39,760 --> 00:57:42,160
Speaker 1: I'm just saying that we know when an artist is

1319
00:57:42,240 --> 00:57:46,320
Speaker 1: like okay, we see them at sobs, we see them

1320
00:57:46,360 --> 00:57:50,000
Speaker 1: at these smaller venues and then it's like something happens

1321
00:57:50,760 --> 00:57:52,880
Speaker 1: to where it's now like, yo, they just sold out

1322
00:57:52,920 --> 00:57:53,840
Speaker 1: fucking you know what I'm saying.

1323
00:57:53,920 --> 00:57:57,160
Speaker 2: Like, but it goes back to our original Grammy host

1324
00:57:57,240 --> 00:57:59,920
Speaker 2: Grammy episode when we were like, we don't really understand

1325
00:58:00,200 --> 00:58:02,640
Speaker 2: if it's numbers what it is, but if they're gonna

1326
00:58:02,640 --> 00:58:04,280
Speaker 2: go this route, at least they did get it right,

1327
00:58:04,560 --> 00:58:07,120
Speaker 2: Like yeah, if there was some type of shit behind

1328
00:58:07,120 --> 00:58:10,360
Speaker 2: the scenes where TDE did pay or whatever, the fuck,

1329
00:58:11,120 --> 00:58:12,919
Speaker 2: all right, they got it right though, Like it wasn't

1330
00:58:12,960 --> 00:58:16,200
Speaker 2: like there was a bullshit album that sold eleven thousand

1331
00:58:16,240 --> 00:58:20,320
Speaker 2: copies and one right there is still matching with talent

1332
00:58:20,440 --> 00:58:23,480
Speaker 2: level and music here. So at that point I kind

1333
00:58:23,520 --> 00:58:27,120
Speaker 2: of stopped caring. It's more so like the Lauren stuff

1334
00:58:27,120 --> 00:58:30,240
Speaker 2: with my nerdy brain that I'm like, Okay, that's a

1335
00:58:30,440 --> 00:58:33,360
Speaker 2: that's a look, look like look a Grammy. Lauren Hill

1336
00:58:33,400 --> 00:58:35,080
Speaker 2: brought you ONTs to how many people on earth.

1337
00:58:34,920 --> 00:58:36,800
Speaker 1: Can say yeah, but why are you so surprised by that?

1338
00:58:37,200 --> 00:58:37,840
Speaker 2: Can't even say that?

1339
00:58:37,920 --> 00:58:40,120
Speaker 1: But why why are you so surprised by that? When

1340
00:58:40,640 --> 00:58:43,680
Speaker 1: she's in a very small club with Lauren Hill. Now

1341
00:58:44,240 --> 00:58:47,120
Speaker 1: it's only Lauren and Carti that have best rap albums

1342
00:58:47,280 --> 00:58:49,240
Speaker 1: as female as female rappers.

1343
00:58:49,440 --> 00:58:51,840
Speaker 3: And on top of that, the type of female rap

1344
00:58:51,920 --> 00:58:54,479
Speaker 3: that though she does is like the type of shit

1345
00:58:54,520 --> 00:58:57,360
Speaker 3: that Lauren Hill would out. Granted, though she does, people

1346
00:58:57,360 --> 00:58:59,400
Speaker 3: will get it misconstrued. Does she does rap about a

1347
00:58:59,440 --> 00:59:02,160
Speaker 3: bunch of did you shit? But she does it in

1348
00:59:02,280 --> 00:59:05,720
Speaker 3: a way where you don't hear pussy, pussy, pussy, pussy

1349
00:59:05,760 --> 00:59:08,680
Speaker 3: pussy every five seconds, which I'm sure Lauren as an

1350
00:59:08,840 --> 00:59:14,200
Speaker 3: m siege has been waiting. Has Lauren has been waiting

1351
00:59:14,360 --> 00:59:17,720
Speaker 3: to hear somebody like that? Like acknowledging Nikki, you don't

1352
00:59:17,720 --> 00:59:19,640
Speaker 3: have a choice but to acknowledge Nikki because Nikki put

1353
00:59:19,680 --> 00:59:23,560
Speaker 3: the work in over time and showed her her versatility.

1354
00:59:23,840 --> 00:59:26,160
Speaker 3: Nicki has a lot of pussy rap all pussy rap, No,

1355
00:59:26,240 --> 00:59:28,040
Speaker 3: but she has she has a lot of pick And

1356
00:59:28,320 --> 00:59:31,200
Speaker 3: also Nicki was very sexualized throughout her career. That's not

1357
00:59:31,520 --> 00:59:33,800
Speaker 3: something that hit. Nikki was the one that made the

1358
00:59:33,880 --> 00:59:37,640
Speaker 3: big fake but a thing, so she has she was

1359
00:59:37,760 --> 00:59:39,000
Speaker 3: very sexualized in her career.

1360
00:59:39,360 --> 00:59:42,520
Speaker 2: But well, there's videos of Lauren and Nikki Yah together

1361
00:59:42,600 --> 00:59:45,080
Speaker 2: backstage when she was bowing down, which I YEA get it.

1362
00:59:46,760 --> 00:59:48,560
Speaker 3: What I was saying is it took Nikki a long

1363
00:59:48,640 --> 00:59:50,720
Speaker 3: time to get to that spot. When we're talking about

1364
00:59:50,720 --> 00:59:53,600
Speaker 3: why she might have gotten there faster, I think Lauren

1365
00:59:53,680 --> 00:59:56,040
Speaker 3: Hill might identify with a little bit more. I don't

1366
00:59:56,040 --> 00:59:58,280
Speaker 3: think it's just because of VI Grammy. I think it's

1367
00:59:58,360 --> 01:00:01,280
Speaker 3: I think Lauren really likes her and likes her music.

1368
01:00:01,400 --> 01:00:03,280
Speaker 3: I think that that's what it is. So when it

1369
01:00:03,320 --> 01:00:04,680
Speaker 3: comes to that, when it comes to a Colt sign,

1370
01:00:04,720 --> 01:00:09,800
Speaker 3: no matter how legendary the person is, you can't you

1371
01:00:09,880 --> 01:00:11,920
Speaker 3: can't really take that away or say they're not deserving

1372
01:00:12,000 --> 01:00:13,800
Speaker 3: that because I, no matter who I am, I'm a

1373
01:00:13,880 --> 01:00:16,200
Speaker 3: legend whatever I say that I like this artist and

1374
01:00:16,280 --> 01:00:18,520
Speaker 3: I want more people to listen to this artist. That's

1375
01:00:18,560 --> 01:00:20,360
Speaker 3: what a co sign is. That's like somebody if somebody

1376
01:00:20,400 --> 01:00:22,920
Speaker 3: would have said that Sierra didn't deserve her Genet co

1377
01:00:23,080 --> 01:00:26,680
Speaker 3: sign at the time, like it, or Megan didn't deserve

1378
01:00:26,720 --> 01:00:27,400
Speaker 3: her Beyonce.

1379
01:00:27,240 --> 01:00:30,400
Speaker 2: Colt, No, No, I get it. I did see a

1380
01:00:30,400 --> 01:00:35,120
Speaker 2: lot of people saying it was similar to when Game

1381
01:00:35,280 --> 01:00:37,400
Speaker 2: Snoop and I forgot what other West Coast artists where

1382
01:00:37,400 --> 01:00:40,720
Speaker 2: there gave Kendrick passed to torch to him like in

1383
01:00:40,960 --> 01:00:44,160
Speaker 2: la that whole and everyone's like, oh, he only had

1384
01:00:44,200 --> 01:00:47,800
Speaker 2: section eighty out at that time. While I agree, I

1385
01:00:47,920 --> 01:00:52,040
Speaker 2: don't think they're comparable Section eighty and no respect to alligators,

1386
01:00:52,240 --> 01:00:54,240
Speaker 2: I think I had a number one of my favorite

1387
01:00:54,320 --> 01:00:57,600
Speaker 2: rap album last year. Section eighty is Security NUM's Fred

1388
01:00:57,680 --> 01:01:00,760
Speaker 2: of You. Section eighty is Section eighty. Like that was

1389
01:01:01,000 --> 01:01:03,400
Speaker 2: a moment in there, as if we knew solidified at

1390
01:01:03,400 --> 01:01:06,880
Speaker 2: that point, Kendrick Lamar was different and this guy wasn't

1391
01:01:06,920 --> 01:01:09,080
Speaker 2: going anywhere. I'm not saying no, she's gonna go anywhere.

1392
01:01:09,080 --> 01:01:10,760
Speaker 2: I hope she stays. I can't wait to see her growth,

1393
01:01:10,840 --> 01:01:15,680
Speaker 2: But that to me was way different. And even then

1394
01:01:15,760 --> 01:01:19,080
Speaker 2: I was like, damn, that was quick snoop and game

1395
01:01:19,160 --> 01:01:22,240
Speaker 2: co signing off your first your first tape, Yeah, I

1396
01:01:22,320 --> 01:01:24,080
Speaker 2: mean technically the one that broke.

1397
01:01:24,760 --> 01:01:24,960
Speaker 1: Yeah.

1398
01:01:25,240 --> 01:01:28,000
Speaker 2: I thought that was even a little crazy. So I

1399
01:01:28,680 --> 01:01:30,200
Speaker 2: was pulled up this nod shit because this is kind

1400
01:01:30,240 --> 01:01:32,000
Speaker 2: of what I was talking about. This was on hip

1401
01:01:32,040 --> 01:01:34,479
Speaker 2: Hop is Dead. Eight years in the game. I'm sorry

1402
01:01:35,320 --> 01:01:36,880
Speaker 2: on your four years in the game. We can have

1403
01:01:36,920 --> 01:01:38,760
Speaker 2: a conversation eight years in the game. I invite you

1404
01:01:38,840 --> 01:01:41,240
Speaker 2: on vacation ten years in the game, after I enjoyed

1405
01:01:41,280 --> 01:01:43,240
Speaker 2: my fame. Only then I'll even let you pick my

1406
01:01:43,320 --> 01:01:46,640
Speaker 2: brain right, Like you you have to be four albums

1407
01:01:46,640 --> 01:01:47,600
Speaker 2: in to even talk to me.

1408
01:01:47,720 --> 01:01:50,760
Speaker 1: Yeah, I understand, I but I get that.

1409
01:01:50,840 --> 01:01:52,959
Speaker 2: And again this is totally but this is the type

1410
01:01:52,960 --> 01:01:55,840
Speaker 2: of music and point of view that I grew up

1411
01:01:55,880 --> 01:01:59,000
Speaker 2: on as far as how rappers did their co signing

1412
01:01:59,160 --> 01:02:01,200
Speaker 2: or like even being a like, yeah he nice, but

1413
01:02:01,280 --> 01:02:02,840
Speaker 2: he can't be next to me. Yeah, he has to

1414
01:02:02,920 --> 01:02:05,240
Speaker 2: prove a lot more to even get in this rund.

1415
01:02:05,280 --> 01:02:07,640
Speaker 1: But we spoke about that like it's it's a real

1416
01:02:07,760 --> 01:02:11,080
Speaker 1: thing when it's like yo, like you got to prove

1417
01:02:11,160 --> 01:02:13,520
Speaker 1: that you're gonna be here while like we talked about

1418
01:02:13,560 --> 01:02:15,920
Speaker 1: the average lifespan of a rapper being what a year?

1419
01:02:16,040 --> 01:02:16,479
Speaker 1: Two years?

1420
01:02:16,720 --> 01:02:17,480
Speaker 2: I maybe?

1421
01:02:17,920 --> 01:02:20,120
Speaker 1: So like you think somebody like Nads is gonna open

1422
01:02:20,280 --> 01:02:23,760
Speaker 1: up his his bandwidth and his fucking you know ip

1423
01:02:23,920 --> 01:02:26,240
Speaker 1: to somebody that's only gonna be around for like eighteen

1424
01:02:26,320 --> 01:02:28,640
Speaker 1: months and give them like it's like, no, you got

1425
01:02:28,760 --> 01:02:32,760
Speaker 1: to prove that one you respect this culture. One you're

1426
01:02:32,800 --> 01:02:34,840
Speaker 1: gonna add to it, enhance it and help grow it

1427
01:02:34,960 --> 01:02:37,520
Speaker 1: and push it forward, and then you can sit down

1428
01:02:37,600 --> 01:02:39,520
Speaker 1: and kick it and be like yo, like so nah's

1429
01:02:39,560 --> 01:02:42,360
Speaker 1: like when you did, it's like that's a rite of

1430
01:02:42,440 --> 01:02:45,480
Speaker 1: passage to people that care about this culture that you know,

1431
01:02:45,640 --> 01:02:47,760
Speaker 1: they know that they have to protect it and they

1432
01:02:47,840 --> 01:02:50,080
Speaker 1: have to you know, leave it in better hands than

1433
01:02:50,120 --> 01:02:53,120
Speaker 1: they they found it. So it's a lot of these rappers. Yeah,

1434
01:02:53,160 --> 01:02:55,280
Speaker 1: you don't get to sit down and kick it and

1435
01:02:55,400 --> 01:02:58,480
Speaker 1: talk to certain people unless you prove that, Yo, I'm

1436
01:02:58,560 --> 01:03:01,240
Speaker 1: in this for the right reasons. I'm in here to

1437
01:03:01,360 --> 01:03:03,160
Speaker 1: enhance this, I'm in here to grow this. I'm in

1438
01:03:03,160 --> 01:03:05,840
Speaker 1: here to push this. And I'm dope and I'm talented,

1439
01:03:05,880 --> 01:03:08,240
Speaker 1: and you know, I'm not just some person that just

1440
01:03:08,320 --> 01:03:11,080
Speaker 1: caught a record and went viral and now I think

1441
01:03:11,120 --> 01:03:12,880
Speaker 1: that I'm you know, it's like, no, that don't.

1442
01:03:12,680 --> 01:03:13,000
Speaker 2: Go like that.

1443
01:03:13,240 --> 01:03:15,400
Speaker 3: I hear that. And if we were talking about, like

1444
01:03:15,440 --> 01:03:17,520
Speaker 3: you said with nas, that makes sense. We can't really

1445
01:03:17,560 --> 01:03:21,880
Speaker 3: have that conversation in regards to Laurence Hill because everything

1446
01:03:21,920 --> 01:03:23,480
Speaker 3: that you just described, Why do I have to prove

1447
01:03:23,560 --> 01:03:24,880
Speaker 3: that I'm gonna be here for a while when you

1448
01:03:24,960 --> 01:03:26,600
Speaker 3: ain't proved that you won't be here for a while.

1449
01:03:26,840 --> 01:03:28,880
Speaker 3: You had one classic album, we got up out of here.

1450
01:03:29,200 --> 01:03:31,120
Speaker 3: And that's not me disrespecting Laura Hill, but Lauryn Hill

1451
01:03:31,160 --> 01:03:34,160
Speaker 3: had once that's well known. She had one solo album,

1452
01:03:34,360 --> 01:03:38,040
Speaker 3: amazing album, legendary album, and it dipped. So why would

1453
01:03:38,040 --> 01:03:39,560
Speaker 3: I have to prove to you that I'm gonna be

1454
01:03:39,640 --> 01:03:41,880
Speaker 3: here for ten years when you didn't do that?

1455
01:03:42,520 --> 01:03:46,440
Speaker 2: Okay, and it's hypothetical. Laura Hill is still Lauren Hill,

1456
01:03:46,600 --> 01:03:49,640
Speaker 2: and even though she hasn't put out music, she's still

1457
01:03:49,720 --> 01:03:52,720
Speaker 2: Lauren Hill. And if she wanted to actually go and.

1458
01:03:52,760 --> 01:03:57,760
Speaker 1: That when album is better than people's entire catalogs.

1459
01:03:57,440 --> 01:03:59,440
Speaker 3: For sure, No, for sure, I agree with you, but

1460
01:03:59,520 --> 01:04:03,280
Speaker 3: I'm just like you longevity and so does does quality matter?

1461
01:04:03,360 --> 01:04:04,320
Speaker 1: Does long jevity? Okay?

1462
01:04:04,360 --> 01:04:04,840
Speaker 2: But both?

1463
01:04:04,880 --> 01:04:05,120
Speaker 4: All right.

1464
01:04:05,200 --> 01:04:09,040
Speaker 2: Let's let's also like not pretend like there's not a

1465
01:04:09,080 --> 01:04:12,160
Speaker 2: Fuji's catalog for sure, Like I understand Blood Off Reality

1466
01:04:12,240 --> 01:04:14,400
Speaker 2: is probably not everyone's go to, but let's not act

1467
01:04:14,480 --> 01:04:16,880
Speaker 2: like the score doesn't exist. And who carried that motherfucking

1468
01:04:16,920 --> 01:04:21,560
Speaker 2: album right into miseducation? And I know you guys cloud

1469
01:04:21,600 --> 01:04:24,080
Speaker 2: me for this. I think her unplugged performance of completely

1470
01:04:24,160 --> 01:04:26,400
Speaker 2: original music is a classic fucking album.

1471
01:04:26,600 --> 01:04:27,720
Speaker 1: Yeah, I like it.

1472
01:04:28,120 --> 01:04:30,520
Speaker 2: I think it's amazing, So yeah, I get the critique,

1473
01:04:30,560 --> 01:04:32,960
Speaker 2: but let's that's Lauren Hill. If she wanted to go

1474
01:04:33,080 --> 01:04:35,080
Speaker 2: and fucking sell with Barclays tomorrow, she's doing it.

1475
01:04:35,960 --> 01:04:36,400
Speaker 1: I agree.

1476
01:04:36,680 --> 01:04:39,120
Speaker 2: Now we're saying all this, who really earned the spot

1477
01:04:39,520 --> 01:04:43,439
Speaker 2: and who Lauren Hill should have brought out? Bad Baby.

1478
01:04:45,000 --> 01:04:47,760
Speaker 1: Let me tell you something that would never happen. Bad

1479
01:04:47,800 --> 01:04:50,720
Speaker 1: Baby will never touch the stage with Lauren Hill. Would

1480
01:04:50,840 --> 01:04:51,320
Speaker 1: never happen.

1481
01:04:51,520 --> 01:04:52,640
Speaker 2: Alaband would have some problems.

1482
01:04:54,040 --> 01:04:56,360
Speaker 1: Foggy Row too. Foggy Row popped out on that show

1483
01:04:56,400 --> 01:04:58,880
Speaker 1: with Lauren as well. There another artist that I I

1484
01:04:59,000 --> 01:05:01,560
Speaker 1: really I fuck with. Shout out to them and Laura

1485
01:05:01,600 --> 01:05:03,480
Speaker 1: Hill for bringing them out and sharing the stage with

1486
01:05:03,600 --> 01:05:06,320
Speaker 1: some some up and coming and pretty dope talent.

1487
01:05:06,480 --> 01:05:08,120
Speaker 2: So you don't think bad Baby was snubbed at the

1488
01:05:08,160 --> 01:05:09,880
Speaker 2: Lauren Hill performance.

1489
01:05:10,640 --> 01:05:14,200
Speaker 1: No she she She's not snubbed her new disad, No

1490
01:05:14,360 --> 01:05:17,200
Speaker 1: she will. She will never ever touch the stage with

1491
01:05:17,280 --> 01:05:19,840
Speaker 1: the likes of a Lauren Hill. Love, love the Love

1492
01:05:19,920 --> 01:05:21,920
Speaker 1: the diss record, love what she's doing in that world. Though.

1493
01:05:22,080 --> 01:05:25,080
Speaker 2: Listen for those that that don't know, that aren't on Patreon.

1494
01:05:25,640 --> 01:05:29,640
Speaker 2: Our episode that came out yesterday, we played and got

1495
01:05:29,720 --> 01:05:33,560
Speaker 2: Mare up to speed on the Bad Baby Alabama. What's

1496
01:05:33,560 --> 01:05:35,840
Speaker 2: her last name? Bar She put Barker there, Okay, I

1497
01:05:35,960 --> 01:05:37,880
Speaker 2: wasn't sure she had a different name. She didn't want

1498
01:05:37,920 --> 01:05:41,480
Speaker 2: to be an Nepple baby, Alabama Barker beef and over

1499
01:05:41,520 --> 01:05:45,480
Speaker 2: the weekend after Maul heard all of those flames, all

1500
01:05:45,560 --> 01:05:48,520
Speaker 2: of that gas, that kerosene, that ether ship that makes

1501
01:05:48,560 --> 01:05:51,720
Speaker 2: you burn, You fucking can't even speak ninety three. Let

1502
01:05:53,960 --> 01:05:57,000
Speaker 2: she got that ninety three form makes your soul burn?

1503
01:05:57,080 --> 01:05:57,360
Speaker 1: Slow?

1504
01:05:57,520 --> 01:06:01,520
Speaker 2: Yeah, bad baby said, Oh, you're taking way too much time,

1505
01:06:02,480 --> 01:06:06,400
Speaker 2: and teased a twenty second snippet of her This would

1506
01:06:06,400 --> 01:06:09,200
Speaker 2: be the fourth this at this point, third, this would

1507
01:06:09,240 --> 01:06:13,840
Speaker 2: be the third. You know, I love I love the Barkers.

1508
01:06:15,160 --> 01:06:15,480
Speaker 3: Crashed.

1509
01:06:16,240 --> 01:06:18,840
Speaker 4: I'm playing one A shot you the crime, baby, you

1510
01:06:18,920 --> 01:06:19,680
Speaker 4: call it a by.

1511
01:06:19,680 --> 01:06:22,240
Speaker 1: The lastest that I dropped running back to your daddy,

1512
01:06:22,240 --> 01:06:23,720
Speaker 1: I don't know when I last seen my pop.

1513
01:06:23,880 --> 01:06:24,560
Speaker 5: I just killed you.

1514
01:06:25,440 --> 01:06:27,440
Speaker 1: Wait wait wait, you said you keep running back to

1515
01:06:27,480 --> 01:06:29,000
Speaker 1: your daddy. I don't know when the last time I

1516
01:06:29,080 --> 01:06:32,840
Speaker 1: seen my pops. She's talking now, she's she don't tapped

1517
01:06:32,840 --> 01:06:34,600
Speaker 1: into a whole different type of You know what I'm

1518
01:06:34,600 --> 01:06:37,280
Speaker 1: saying with that talk, You're going to a whole different

1519
01:06:37,320 --> 01:06:41,080
Speaker 1: fan meet the Barkers. Yeah, she going to that's coming,

1520
01:06:41,320 --> 01:06:45,000
Speaker 1: she going ship And she got the Alabama Barker looking

1521
01:06:45,120 --> 01:06:46,040
Speaker 1: like in the video that.

1522
01:06:46,160 --> 01:06:47,280
Speaker 3: One's still hot bottom.

1523
01:06:47,320 --> 01:06:51,600
Speaker 1: What you've seen in my last video, you posting up

1524
01:06:51,680 --> 01:06:53,720
Speaker 1: big Mama like she with you, bitch? You weird.

1525
01:06:53,920 --> 01:06:56,040
Speaker 3: This could used to be fat for the Ozimpics.

1526
01:06:56,080 --> 01:06:58,840
Speaker 1: You was a bot bop Ye, you was a bop

1527
01:06:58,960 --> 01:07:03,640
Speaker 1: bop bop Yo. This is yo. Why, this is why

1528
01:07:03,680 --> 01:07:05,160
Speaker 1: I don't fuck with y'all because now y'all got me

1529
01:07:05,200 --> 01:07:07,880
Speaker 1: invested in this type of bullshit. Now y'all got me

1530
01:07:08,040 --> 01:07:11,720
Speaker 1: looking for the for the Bad Baby Alabama barka like

1531
01:07:11,800 --> 01:07:13,640
Speaker 1: y'all got me about to jump into that part of

1532
01:07:13,720 --> 01:07:14,480
Speaker 1: the social world.

1533
01:07:14,600 --> 01:07:17,200
Speaker 2: You didn't see that the group chat yesterday. Me and

1534
01:07:17,280 --> 01:07:20,440
Speaker 2: Marison Pach have our notifications on, like we're waiting for this.

1535
01:07:20,640 --> 01:07:23,080
Speaker 2: This snippet was too crazy. I need to know. The

1536
01:07:23,120 --> 01:07:24,680
Speaker 2: moment this shit drops, I'll go, you know, and they

1537
01:07:24,720 --> 01:07:27,720
Speaker 2: do the countdown for premieres. I'll be in her super

1538
01:07:27,800 --> 01:07:29,000
Speaker 2: chat donating.

1539
01:07:29,080 --> 01:07:30,720
Speaker 1: I don't know if Bad Baby is writing this, but

1540
01:07:30,880 --> 01:07:32,200
Speaker 1: she's delivering the hell out.

1541
01:07:32,120 --> 01:07:35,280
Speaker 2: Of this like she she sounds why you will question

1542
01:07:35,360 --> 01:07:36,360
Speaker 2: her pen I.

1543
01:07:36,400 --> 01:07:39,160
Speaker 1: Mean, she sounds very comfortable. I have to believe that

1544
01:07:39,240 --> 01:07:42,720
Speaker 1: she's writing it because she sounds very comfortable rapping and

1545
01:07:42,920 --> 01:07:47,600
Speaker 1: like really delivering these bars like she's talking spicy on

1546
01:07:47,720 --> 01:07:48,040
Speaker 1: this ship.

1547
01:07:48,600 --> 01:07:50,440
Speaker 3: You keep running back to you, daddy, don't know when

1548
01:07:50,440 --> 01:07:54,720
Speaker 3: I last seen my pops. It's crazy as fuck when

1549
01:07:54,760 --> 01:07:56,560
Speaker 3: I heard that ship my bit says.

1550
01:07:56,600 --> 01:07:58,720
Speaker 1: She said, she's saying it like it's a bad thing

1551
01:07:58,800 --> 01:08:01,160
Speaker 1: to see your pops, like you keep running back. I

1552
01:08:01,200 --> 01:08:02,520
Speaker 1: don't know when the last time I seen.

1553
01:08:03,200 --> 01:08:05,120
Speaker 2: That's not a I was sitting next to my dad

1554
01:08:05,160 --> 01:08:06,760
Speaker 2: when I listen to this, that's not like a.

1555
01:08:06,800 --> 01:08:09,240
Speaker 1: Good like a bad baby. We shouldn't be like saying

1556
01:08:09,280 --> 01:08:11,400
Speaker 1: that like it's a bad thing that somebody sees their dad,

1557
01:08:11,560 --> 01:08:13,320
Speaker 1: like she said.

1558
01:08:13,160 --> 01:08:15,600
Speaker 3: I blink and then one eighty two shots.

1559
01:08:18,880 --> 01:08:21,520
Speaker 2: Travis might Travis a different type of drum now, Travis.

1560
01:08:21,320 --> 01:08:23,160
Speaker 1: Might be on the clock now, different type of drum.

1561
01:08:23,280 --> 01:08:25,880
Speaker 3: Yoda, that was her, that was her crazy.

1562
01:08:26,120 --> 01:08:27,439
Speaker 2: That's how just I don't even catch it.

1563
01:08:28,080 --> 01:08:29,760
Speaker 1: Travis might be on the clock now. He might have

1564
01:08:29,840 --> 01:08:31,760
Speaker 1: to get in this. He might have to get in

1565
01:08:31,800 --> 01:08:32,080
Speaker 1: there now.

1566
01:08:32,160 --> 01:08:33,479
Speaker 3: He can't lebron a situation.

1567
01:08:34,240 --> 01:08:34,880
Speaker 1: He talking with it.

1568
01:08:35,000 --> 01:08:36,400
Speaker 2: We're gonna do a drum solo about her.

1569
01:08:36,479 --> 01:08:37,880
Speaker 1: She told my blink one eighty two.

1570
01:08:39,360 --> 01:08:41,479
Speaker 2: Okay, see now, because we talked about this on Patrio

1571
01:08:42,160 --> 01:08:42,760
Speaker 2: Metro got in.

1572
01:08:42,840 --> 01:08:44,960
Speaker 1: It made a beat. He said, I can't rap, but yeah,

1573
01:08:45,120 --> 01:08:47,720
Speaker 1: he made a beat. Travis might have to get you

1574
01:08:47,760 --> 01:08:49,320
Speaker 1: know me, like he gonna have to do something.

1575
01:08:49,479 --> 01:08:52,040
Speaker 2: And we did talk on Patreon. Subscribe now because.

1576
01:08:51,800 --> 01:08:54,160
Speaker 1: Alabama getting washted right now, let's just keep it a beat.

1577
01:08:54,920 --> 01:08:56,000
Speaker 1: Alabama was getting.

1578
01:08:55,720 --> 01:08:58,400
Speaker 2: Travisy start acting like Lebron and fucking confront some of the.

1579
01:08:58,680 --> 01:09:01,479
Speaker 1: Keep my daughter's name otter, fuck your mouth. He got

1580
01:09:01,600 --> 01:09:03,479
Speaker 1: to run down on bad baby like, yo, keep my

1581
01:09:03,640 --> 01:09:04,960
Speaker 1: daughter's name out your fucking mouth.

1582
01:09:05,000 --> 01:09:07,880
Speaker 2: That baby being stephen A and the same like real

1583
01:09:08,000 --> 01:09:10,880
Speaker 2: talk man. But Jamaric says, make a good point because

1584
01:09:10,880 --> 01:09:12,560
Speaker 2: we were saying, yeah, Travis's gonna stay out of this,

1585
01:09:12,760 --> 01:09:15,800
Speaker 2: like that's his daughter's business whatever. I mean, they they

1586
01:09:15,880 --> 01:09:19,360
Speaker 2: said your name, yeah, what's the lead singer in the

1587
01:09:19,360 --> 01:09:22,640
Speaker 2: bass player? You guys on the clock too, blink one?

1588
01:09:22,960 --> 01:09:24,360
Speaker 1: Yeah? You know they all got to get back in

1589
01:09:24,960 --> 01:09:26,400
Speaker 1: because she didn't what's my age again?

1590
01:09:26,479 --> 01:09:28,320
Speaker 3: She just said, I blink and it's one eighty two

1591
01:09:28,360 --> 01:09:31,240
Speaker 3: shots Like that's not that's not a diss, that's.

1592
01:09:31,120 --> 01:09:35,040
Speaker 1: A just yeah, but don't put me in your Ontoendrews though.

1593
01:09:35,560 --> 01:09:37,240
Speaker 1: That's why I'm mad a if I'm Travis Balker, don't

1594
01:09:37,240 --> 01:09:39,280
Speaker 1: even make me a party. I'm not playing this game

1595
01:09:39,320 --> 01:09:39,679
Speaker 1: with y'all.

1596
01:09:39,800 --> 01:09:41,000
Speaker 2: No, because I got the drum.

1597
01:09:41,240 --> 01:09:42,960
Speaker 1: The kit is right here in the garage, like, don't

1598
01:09:42,960 --> 01:09:44,640
Speaker 1: play with me. I was going past the kit.

1599
01:09:44,720 --> 01:09:47,479
Speaker 2: It's a different type of kit. But now you have

1600
01:09:47,520 --> 01:09:49,720
Speaker 2: to stay consistent because after the like that verse when

1601
01:09:50,680 --> 01:09:54,000
Speaker 2: Kendrick didn't say anyone's name, he just said it's big

1602
01:09:54,080 --> 01:09:55,640
Speaker 2: me and then did the K nine for all the

1603
01:09:55,680 --> 01:09:59,240
Speaker 2: dog shit you said, he they got a reply. So yes,

1604
01:09:59,320 --> 01:10:03,360
Speaker 2: Bad Baby did high level elite rapping on Sondras, but

1605
01:10:03,520 --> 01:10:06,400
Speaker 2: it did say blankewn Eddie too in that bar. Just

1606
01:10:06,479 --> 01:10:08,720
Speaker 2: because it was some shit that was, you know, like

1607
01:10:09,320 --> 01:10:12,280
Speaker 2: cannabis level, doesn't mean that she didn't say anyone's name.

1608
01:10:12,280 --> 01:10:14,360
Speaker 2: She said Blakeney too. It's on the clock, all three

1609
01:10:14,400 --> 01:10:14,640
Speaker 2: of them.

1610
01:10:15,080 --> 01:10:18,200
Speaker 1: I mean, I'm just thank y'all for you know, making

1611
01:10:18,240 --> 01:10:20,800
Speaker 1: me away of this situation. But I hate that. I'm

1612
01:10:20,880 --> 01:10:24,200
Speaker 1: like really looking forward to like these rhymes and these

1613
01:10:24,320 --> 01:10:26,280
Speaker 1: late songs now, like I'm really waiting to hear with

1614
01:10:26,400 --> 01:10:28,320
Speaker 1: Bad Like I'm mad she's just teasing us with this

1615
01:10:28,400 --> 01:10:30,679
Speaker 1: little twenty clips that she just gave us Noah, drop

1616
01:10:30,760 --> 01:10:33,040
Speaker 1: the record. I wanted to hear what you say because

1617
01:10:33,040 --> 01:10:34,960
Speaker 1: if that's the ball, well, I don't know when the

1618
01:10:35,040 --> 01:10:38,040
Speaker 1: last time I seen my pops. All right, man, all

1619
01:10:38,120 --> 01:10:40,000
Speaker 1: right man, she we now we dealing with somebody that

1620
01:10:40,080 --> 01:10:42,799
Speaker 1: don't care what they like. I'm let y'all know everything

1621
01:10:43,439 --> 01:10:47,559
Speaker 1: she cares. Yeah, she don't care about shit.

1622
01:10:49,000 --> 01:10:49,160
Speaker 4: Man.

1623
01:10:49,439 --> 01:10:51,040
Speaker 3: If you want to know what we're talking about, if

1624
01:10:51,040 --> 01:10:52,760
Speaker 3: you're completely lost right now, please sign up for the

1625
01:10:52,800 --> 01:10:56,160
Speaker 3: Supervisor level of Patreon, where we break the beef down.

1626
01:10:56,240 --> 01:10:59,479
Speaker 3: We do lyrical breakdowns like everything we really get into it.

1627
01:10:59,560 --> 01:11:01,479
Speaker 3: Somebody popped over this like it's real.

1628
01:11:01,880 --> 01:11:04,120
Speaker 1: Gradyst Beef of all time doing a lyrical breakdown on

1629
01:11:04,200 --> 01:11:06,160
Speaker 1: Bad Baby and Alabama.

1630
01:11:05,760 --> 01:11:07,439
Speaker 2: Barker is so fucking crazy.

1631
01:11:08,160 --> 01:11:09,439
Speaker 1: Look what y'all got me here doing.

1632
01:11:09,520 --> 01:11:12,080
Speaker 2: And we've been wrong a lot with these brad battles.

1633
01:11:12,120 --> 01:11:13,920
Speaker 2: We even said with the Draken Kennick, sy oh, it's'd

1634
01:11:13,920 --> 01:11:16,080
Speaker 2: be cool to just stay on wax and that went

1635
01:11:16,160 --> 01:11:19,800
Speaker 2: off the rails. Kanye already cleared a sample for Bad Baby.

1636
01:11:20,080 --> 01:11:22,160
Speaker 2: I think Travis is now going to get involved because

1637
01:11:22,240 --> 01:11:24,360
Speaker 2: just Code of the Streets said your name, you gotta

1638
01:11:24,360 --> 01:11:27,000
Speaker 2: get you have to be there wait till Kanye West

1639
01:11:27,040 --> 01:11:28,880
Speaker 2: show up in her video. Wait till we get a

1640
01:11:28,920 --> 01:11:30,040
Speaker 2: Bad Baby Kanye WESTDP.

1641
01:11:31,520 --> 01:11:33,639
Speaker 3: Now, Kanye already came out and put out his statement.

1642
01:11:33,920 --> 01:11:36,840
Speaker 3: Kanye said, I don't know. I just cleared the record.

1643
01:11:36,880 --> 01:11:39,400
Speaker 3: I do not have a verse. That is false because

1644
01:11:39,400 --> 01:11:41,599
Speaker 3: it was rumors going on that Kanye had a verse

1645
01:11:41,720 --> 01:11:43,280
Speaker 3: on Bad Baby song, and he was like, I do

1646
01:11:43,439 --> 01:11:45,439
Speaker 3: not have a verse. I just got off the phone

1647
01:11:45,479 --> 01:11:48,240
Speaker 3: with Travis Barker and I have nothing to do with this.

1648
01:11:49,000 --> 01:11:51,360
Speaker 2: I can think of one. I can think of one

1649
01:11:51,400 --> 01:11:53,760
Speaker 2: person on earth that has a Kanye West sample. I

1650
01:11:53,800 --> 01:11:56,479
Speaker 2: think it's j Cole on workout. Yeah, also saying by

1651
01:11:56,520 --> 01:12:01,240
Speaker 2: something who has a Kanye West sample? So many fucking samples.

1652
01:12:01,240 --> 01:12:03,280
Speaker 2: He knew exactly what the fucking fact. Yeah, the fact

1653
01:12:03,320 --> 01:12:05,800
Speaker 2: that he cleared that is crazy. He just thought it

1654
01:12:05,920 --> 01:12:07,479
Speaker 2: was a song. No, you didn't, you know, you knew

1655
01:12:07,479 --> 01:12:08,000
Speaker 2: what tom it was.

1656
01:12:08,080 --> 01:12:09,880
Speaker 1: I can't believe Kanye cleared that sample.

1657
01:12:09,800 --> 01:12:13,400
Speaker 3: Kanye, because Kanye heard that ship and was he doesn't

1658
01:12:13,400 --> 01:12:14,080
Speaker 3: clear samples.

1659
01:12:14,840 --> 01:12:17,080
Speaker 2: I'm saying this is this is deeper than rap.

1660
01:12:17,160 --> 01:12:19,400
Speaker 1: No, I understand what you're saying now, but that's why

1661
01:12:19,400 --> 01:12:22,240
Speaker 1: I'm just like, just just that alone, is like Kanye

1662
01:12:22,479 --> 01:12:25,679
Speaker 1: really cleared a sample for this. Yeah, yeah, that's wild.

1663
01:12:26,200 --> 01:12:28,639
Speaker 2: There's children involved. Yeah, this is deeper than rap.

1664
01:12:29,000 --> 01:12:30,760
Speaker 1: Yeah, I get it. I'll get it now.

1665
01:12:31,040 --> 01:12:32,640
Speaker 3: But yeah, y'all can check that out and check that

1666
01:12:32,640 --> 01:12:35,080
Speaker 3: out on Patreon. Unfortunately, bad Baby get.

1667
01:12:35,000 --> 01:12:37,840
Speaker 2: His kids back. Then with when bad Baby get his

1668
01:12:38,040 --> 01:12:39,080
Speaker 2: kids Kanyan.

1669
01:12:38,960 --> 01:12:40,599
Speaker 3: Kanye's kids shut up stupid.

1670
01:12:41,439 --> 01:12:42,760
Speaker 2: I mean, he put it on us and we didn't

1671
01:12:42,800 --> 01:12:45,680
Speaker 2: do it. So I feel like she owes him.

1672
01:12:46,640 --> 01:12:50,800
Speaker 3: Bad Baby's house was targeted by gunman after we're not

1673
01:12:50,880 --> 01:12:51,200
Speaker 3: keeping it.

1674
01:12:51,200 --> 01:12:51,680
Speaker 2: Wrap no more.

1675
01:12:52,040 --> 01:12:54,400
Speaker 1: Now we're gonna move it to something else. Yeah, just

1676
01:12:54,520 --> 01:12:57,560
Speaker 1: that fast. The house has been targeted by gunman, Like

1677
01:12:57,600 --> 01:12:58,160
Speaker 1: all right, man.

1678
01:12:58,720 --> 01:13:01,599
Speaker 3: The three gunmen attempted to into her home in Los

1679
01:13:01,640 --> 01:13:06,240
Speaker 3: Angeles just minutes after her baby father got to the house.

1680
01:13:06,560 --> 01:13:09,680
Speaker 2: Okay, I known nothing about her baby father. Also, one

1681
01:13:09,680 --> 01:13:12,400
Speaker 2: of my favorite parts of Patreon was breaking down that legend.

1682
01:13:12,600 --> 01:13:15,120
Speaker 2: But you have to subscribe to hear that. That's the

1683
01:13:15,280 --> 01:13:18,280
Speaker 2: motherfucking goes their baby father. Yeah, I mean his name

1684
01:13:18,360 --> 01:13:22,880
Speaker 2: Lamar Lavon Levon. So now they after he obviously he is.

1685
01:13:22,960 --> 01:13:24,760
Speaker 2: He's into some ship that we know nothing. That's I

1686
01:13:24,800 --> 01:13:27,920
Speaker 2: don't think this has anything to do. We joked about

1687
01:13:28,200 --> 01:13:30,680
Speaker 2: the rap battle being involved with the shooting. But I

1688
01:13:30,800 --> 01:13:34,000
Speaker 2: think her baby father is he's in over his head

1689
01:13:34,040 --> 01:13:37,559
Speaker 2: on something currently and they are not happy about it. Yeah,

1690
01:13:38,120 --> 01:13:41,040
Speaker 2: so I don't think you don't think Bamo was sent

1691
01:13:41,080 --> 01:13:41,559
Speaker 2: of the goons.

1692
01:13:43,120 --> 01:13:45,200
Speaker 1: No, I think that bad Baby should stay away from

1693
01:13:45,200 --> 01:13:46,880
Speaker 1: whoever his dud is because he obviously got some shit

1694
01:13:46,960 --> 01:13:49,439
Speaker 1: going on that is now coming to her home.

1695
01:13:49,520 --> 01:13:51,320
Speaker 2: So yeah, we don't want to child is.

1696
01:13:51,479 --> 01:13:52,800
Speaker 1: Yeah, we don't want to see. We don't want to

1697
01:13:52,800 --> 01:13:55,640
Speaker 1: see any of that ship. So please, man, I just

1698
01:13:56,080 --> 01:13:58,320
Speaker 1: let's have jokes, let's have fun, listen to some raps,

1699
01:13:58,680 --> 01:14:01,400
Speaker 1: break down some bars. Last, but we don't want to

1700
01:14:01,600 --> 01:14:04,519
Speaker 1: open our phones to see that something happened to anybody,

1701
01:14:04,640 --> 01:14:06,560
Speaker 1: especially not Bad Baby like this is. That would just

1702
01:14:06,600 --> 01:14:07,840
Speaker 1: be absolutely fucking crazy.

1703
01:14:08,439 --> 01:14:11,760
Speaker 3: Of course, not other new music came out before we

1704
01:14:11,920 --> 01:14:15,200
Speaker 3: move into our next topic. We had predictions about the

1705
01:14:15,280 --> 01:14:17,160
Speaker 3: Jello and Glow really stop looking at me, and last,

1706
01:14:17,240 --> 01:14:18,280
Speaker 3: what the fuck it's funny.

1707
01:14:18,040 --> 01:14:19,080
Speaker 2: Y'all'm laughing at myself.

1708
01:14:19,320 --> 01:14:21,040
Speaker 3: We had predictions about the Jello.

1709
01:14:21,160 --> 01:14:23,760
Speaker 1: I still didn't hear this record, so y'all take it away.

1710
01:14:23,840 --> 01:14:24,960
Speaker 2: Have you have you heard Tweaker.

1711
01:14:26,000 --> 01:14:29,320
Speaker 3: Yes it okay, No, I won't even say that because

1712
01:14:30,880 --> 01:14:32,679
Speaker 3: I like Tweaker. Y'all know I've been a big tweaker.

1713
01:14:32,680 --> 01:14:35,000
Speaker 3: I like to tweaker was good. This is not good.

1714
01:14:35,280 --> 01:14:36,759
Speaker 2: It's a diet tweaker.

1715
01:14:37,560 --> 01:14:40,080
Speaker 1: Oh, not saying y'all not jacketing. Because when we heard

1716
01:14:40,120 --> 01:14:41,439
Speaker 1: this was coming out, y'all was like, oh, this is

1717
01:14:41,439 --> 01:14:41,720
Speaker 1: gonna be.

1718
01:14:41,880 --> 01:14:43,439
Speaker 2: That's crazy.

1719
01:14:43,439 --> 01:14:45,880
Speaker 1: That's why I said on it, this is gonna be.

1720
01:14:46,240 --> 01:14:47,000
Speaker 3: That's what I thought.

1721
01:14:47,760 --> 01:14:48,960
Speaker 1: And now that shit fell flat.

1722
01:14:49,479 --> 01:14:52,559
Speaker 2: Oh I was completely wrong. Yeah, that's why I was laughing.

1723
01:14:52,920 --> 01:14:55,559
Speaker 2: I came in here on birthday. It's on record. I said,

1724
01:14:55,600 --> 01:14:58,360
Speaker 2: this is a certified hit. There's no way Glowilla got

1725
01:14:58,400 --> 01:15:00,479
Speaker 2: on this yellow ship if it wasn't something that was

1726
01:15:00,560 --> 01:15:01,240
Speaker 2: pro pech.

1727
01:15:01,360 --> 01:15:02,760
Speaker 1: This is shit. I don't like about them.

1728
01:15:02,840 --> 01:15:04,640
Speaker 2: Oh, apologizing accounability, not that.

1729
01:15:04,760 --> 01:15:07,639
Speaker 1: Thank you for the apology, not that, not that, because

1730
01:15:10,000 --> 01:15:12,800
Speaker 1: one hand, how one hand can he say, oh, you

1731
01:15:12,840 --> 01:15:13,839
Speaker 1: didn't hear you heard tweaker?

1732
01:15:13,920 --> 01:15:14,040
Speaker 4: Right?

1733
01:15:14,200 --> 01:15:16,880
Speaker 1: So basically it's the same record. How is this trash?

1734
01:15:17,000 --> 01:15:21,040
Speaker 2: But in Tweaking it's a shittier version of Tweaker that

1735
01:15:21,160 --> 01:15:21,680
Speaker 2: we didn't need.

1736
01:15:22,479 --> 01:15:24,719
Speaker 1: Man, both of them records is fucking terrible. I didn't

1737
01:15:24,720 --> 01:15:26,160
Speaker 1: even hit his record, and I know it's trash.

1738
01:15:26,360 --> 01:15:27,880
Speaker 2: Yes, it was a it was a waste of a

1739
01:15:27,920 --> 01:15:29,360
Speaker 2: good glow reverse. Yeah.

1740
01:15:30,040 --> 01:15:33,200
Speaker 1: Yeah, the taker of everybody that somewhere, every always trying

1741
01:15:33,240 --> 01:15:36,320
Speaker 1: to chase a viral moment. You went viral with the

1742
01:15:36,360 --> 01:15:40,120
Speaker 1: tweaking ship. But me as a music head, a music fan,

1743
01:15:40,200 --> 01:15:42,719
Speaker 1: I'm listening to it, I'm like, oh, this is Chad GBT,

1744
01:15:42,880 --> 01:15:44,240
Speaker 1: cash money, hot boys.

1745
01:15:44,040 --> 01:15:46,439
Speaker 2: This is I mean, that's what they did again. This

1746
01:15:46,520 --> 01:15:48,240
Speaker 2: one just had a way shittier clip.

1747
01:15:48,360 --> 01:15:50,040
Speaker 1: Then when I seen them at All Star Weekend we

1748
01:15:50,080 --> 01:15:52,400
Speaker 1: seen him perform, It's like, fam, just go sit now.

1749
01:15:52,840 --> 01:15:55,160
Speaker 1: You're still trying to chase this viral moment. We get it.

1750
01:15:55,240 --> 01:15:58,040
Speaker 1: The Jello, the Ball Brothers, NBA All Star week and

1751
01:15:58,080 --> 01:16:00,160
Speaker 1: they're trying to tie al that in. I get it.

1752
01:16:00,280 --> 01:16:04,240
Speaker 1: But I'm a music fan, bro, this is your disrespecting

1753
01:16:04,320 --> 01:16:07,160
Speaker 1: the ecosystem of hip hop. It is bullshit. Go sit down.

1754
01:16:07,520 --> 01:16:10,560
Speaker 1: You went viral, salute, work on your game, try to

1755
01:16:10,600 --> 01:16:11,960
Speaker 1: get back in the G League or something.

1756
01:16:12,000 --> 01:16:12,240
Speaker 4: Do that.

1757
01:16:12,720 --> 01:16:16,479
Speaker 1: This rap shit stop, Bro, it's not It's very seldom

1758
01:16:16,560 --> 01:16:19,519
Speaker 1: that ballplayers are great rappers. Shout out to Dame Dollar,

1759
01:16:19,840 --> 01:16:23,400
Speaker 1: shout out the Shaq even cob Ai, those guys. You

1760
01:16:23,439 --> 01:16:25,960
Speaker 1: know who's the guy that the kid, the Christian rapper

1761
01:16:25,960 --> 01:16:27,880
Speaker 1: in the NBA. What's his name? He went to Duke

1762
01:16:28,160 --> 01:16:29,400
Speaker 1: tall Kid? I forgot his name.

1763
01:16:29,680 --> 01:16:32,640
Speaker 2: Disciple, Jeff Disciple, Jeff.

1764
01:16:34,760 --> 01:16:39,719
Speaker 3: Call back to Patrearch callback Sorry, Marvin Bagley?

1765
01:16:39,800 --> 01:16:40,320
Speaker 1: Is it Badley?

1766
01:16:40,840 --> 01:16:41,400
Speaker 2: I don't even know.

1767
01:16:42,320 --> 01:16:44,000
Speaker 1: I think he I think he's Christian rap. You know,

1768
01:16:44,120 --> 01:16:45,559
Speaker 1: he tries to do his thing, you know what I mean.

1769
01:16:45,640 --> 01:16:49,080
Speaker 1: But it's like, just sit down, man, Jello, sit down.

1770
01:16:49,640 --> 01:16:52,880
Speaker 1: I know they're trying to recoup that deal, y'all say anything.

1771
01:16:52,880 --> 01:16:54,840
Speaker 1: I didn't even I wouldn't even press play on this record.

1772
01:16:55,360 --> 01:16:56,400
Speaker 1: I wouldn't even press play.

1773
01:16:56,960 --> 01:16:58,920
Speaker 2: I don't really see. I think Twiggers are going to

1774
01:16:58,920 --> 01:17:00,479
Speaker 2: continue to play for a few more fur months. I

1775
01:17:00,560 --> 01:17:03,760
Speaker 2: don't know if this song is going to make any mix.

1776
01:17:04,360 --> 01:17:04,960
Speaker 2: I don't think we're going.

1777
01:17:05,040 --> 01:17:07,559
Speaker 1: So you don't see Jello being on stage with nas

1778
01:17:07,720 --> 01:17:09,240
Speaker 1: at Radio City in front of them.

1779
01:17:09,120 --> 01:17:11,240
Speaker 2: For I mean, I think it's deserving. Yeah, I mean

1780
01:17:11,240 --> 01:17:11,720
Speaker 2: I would help it.

1781
01:17:11,800 --> 01:17:13,000
Speaker 1: You think he made his bones already.

1782
01:17:14,000 --> 01:17:17,840
Speaker 2: Unfortunately, January's past, so we couldn't award him Album of

1783
01:17:18,000 --> 01:17:20,479
Speaker 2: the Year with that one. But I think even if

1784
01:17:20,520 --> 01:17:22,800
Speaker 2: he doesn't have a rap album for next year's cycle,

1785
01:17:22,880 --> 01:17:23,840
Speaker 2: I think we should still give.

1786
01:17:23,760 --> 01:17:27,200
Speaker 1: It to Okay, yeah, I mean well, I mean no surprise, dah.

1787
01:17:27,200 --> 01:17:28,800
Speaker 1: I know that it would be trash because the first

1788
01:17:28,800 --> 01:17:30,559
Speaker 1: one is trash as far as I'm concerned. But y'all

1789
01:17:30,600 --> 01:17:32,360
Speaker 1: seem to like it and had y'all little moment with

1790
01:17:32,479 --> 01:17:33,800
Speaker 1: it and made tiktoks and all.

1791
01:17:33,720 --> 01:17:35,799
Speaker 2: This other shit. Okay, yeah, we was tweaking.

1792
01:17:35,960 --> 01:17:38,720
Speaker 1: It wasn't no tiktoks. It's not no tiktoks. There's not

1793
01:17:38,800 --> 01:17:39,800
Speaker 1: no tiktoks to this one.

1794
01:17:39,880 --> 01:17:42,280
Speaker 2: I'm sure. I'm sure def Jam is going to put

1795
01:17:42,280 --> 01:17:45,960
Speaker 2: a dance together and pay influences on TikTok to do it.

1796
01:17:46,200 --> 01:17:48,639
Speaker 1: Okay, but that's what everyone does that all right, Well.

1797
01:17:48,560 --> 01:17:50,760
Speaker 3: Would y'all watch I know y'all don't want to see Jello.

1798
01:17:50,880 --> 01:17:53,120
Speaker 3: Would y'all want to watch Antonio Brown perform?

1799
01:17:53,840 --> 01:17:54,519
Speaker 1: Put that shit on?

1800
01:17:55,560 --> 01:17:55,600
Speaker 5: What?

1801
01:17:56,000 --> 01:17:58,120
Speaker 1: That record? To me is better than tweaking. Antonio Brown

1802
01:17:58,160 --> 01:17:59,600
Speaker 1: record is better than tweaking. I don't give fuck with

1803
01:17:59,680 --> 01:18:00,000
Speaker 1: y'all talk.

1804
01:18:00,200 --> 01:18:01,960
Speaker 2: Okay, which version?

1805
01:18:02,479 --> 01:18:03,479
Speaker 1: Wait? Version?

1806
01:18:03,560 --> 01:18:05,840
Speaker 2: Let me let me let me see, like how deep

1807
01:18:06,040 --> 01:18:09,000
Speaker 2: a music head you are with AB. The live version

1808
01:18:09,479 --> 01:18:12,040
Speaker 2: with the DJ doing the ad libs in the back

1809
01:18:13,000 --> 01:18:16,280
Speaker 2: is the one that was hard. That's like, if you're

1810
01:18:16,280 --> 01:18:18,320
Speaker 2: a real music head, that's the version you listen to,

1811
01:18:19,240 --> 01:18:22,559
Speaker 2: Like day twenty six, I want You for Real ballad,

1812
01:18:22,640 --> 01:18:24,560
Speaker 2: like the ballad live performance, that's the one we listened to.

1813
01:18:24,600 --> 01:18:26,320
Speaker 2: You don't listen to the album version. So if you're

1814
01:18:26,320 --> 01:18:28,040
Speaker 2: a real a B fan and you really into the

1815
01:18:28,120 --> 01:18:30,439
Speaker 2: CT shit and let me die by it, you only

1816
01:18:30,520 --> 01:18:31,880
Speaker 2: listen to the live DJ version.

1817
01:18:31,880 --> 01:18:35,320
Speaker 1: And you got to have a concussion. You say you

1818
01:18:35,439 --> 01:18:38,080
Speaker 1: had to have had a concussion at some point your life, you.

1819
01:18:38,120 --> 01:18:40,320
Speaker 2: Know, talk about like certain Pink Floyd songs or even

1820
01:18:40,360 --> 01:18:43,080
Speaker 2: certain like Beatles songs, Grateful Dead, led Zeppelin, that you

1821
01:18:43,160 --> 01:18:45,800
Speaker 2: had to be on acid or be on a subst

1822
01:18:46,000 --> 01:18:48,040
Speaker 2: stuff like it's good as it is, but wait until

1823
01:18:48,080 --> 01:18:51,040
Speaker 2: you take this substance, run your head into a fucking wall,

1824
01:18:51,120 --> 01:18:53,759
Speaker 2: and go listen to AB. You'll see the whole.

1825
01:18:53,560 --> 01:18:58,000
Speaker 1: Whole different experience, a whole different abyes, the same conversation,

1826
01:18:58,120 --> 01:18:59,320
Speaker 1: same conversation.

1827
01:18:59,080 --> 01:19:02,479
Speaker 2: Dark side of your brain, right, I get it. I'm

1828
01:19:03,000 --> 01:19:04,639
Speaker 2: I was gonna want to go to Firefest anyways.

1829
01:19:05,280 --> 01:19:07,280
Speaker 3: You've been saying that We've been saying that for a while.

1830
01:19:07,600 --> 01:19:10,000
Speaker 2: Me and Justice are are very very serious about going

1831
01:19:10,640 --> 01:19:13,519
Speaker 2: with the like just as as as patrons, like just

1832
01:19:14,000 --> 01:19:16,160
Speaker 2: ticket paying people. We didn't even try to like reach out.

1833
01:19:16,240 --> 01:19:16,840
Speaker 2: We just want to go.

1834
01:19:17,120 --> 01:19:19,120
Speaker 3: Well, it's supposed to be in Mexico. But the director

1835
01:19:19,160 --> 01:19:22,880
Speaker 3: of tourism for Islamuher said that they have no knowledge

1836
01:19:22,920 --> 01:19:24,599
Speaker 3: of this event or contract only person.

1837
01:19:26,960 --> 01:19:28,080
Speaker 1: They don't genius.

1838
01:19:28,120 --> 01:19:30,920
Speaker 2: This this the rollout. They don't have no knowledge of

1839
01:19:31,560 --> 01:19:33,280
Speaker 2: fake story. They let y'all know that.

1840
01:19:33,320 --> 01:19:35,400
Speaker 1: How don't come to Mexico mad when you niggas get

1841
01:19:35,439 --> 01:19:37,960
Speaker 1: blogy and cheese sandwiches. Again, that ain't got nothing to

1842
01:19:38,000 --> 01:19:38,960
Speaker 1: do with Mexico.

1843
01:19:38,760 --> 01:19:40,840
Speaker 3: He said. He continues to suggest that there are red

1844
01:19:40,880 --> 01:19:43,240
Speaker 3: flags all over the place, including the coordinates of the

1845
01:19:43,320 --> 01:19:45,800
Speaker 3: festival location on his website, which just lead to the

1846
01:19:45,920 --> 01:19:47,720
Speaker 3: ocean between Cancun and Isla.

1847
01:19:47,800 --> 01:19:49,680
Speaker 2: Mohair is all right, I'm gonna put it this way

1848
01:19:50,720 --> 01:19:54,160
Speaker 2: for a yacht party, no disrespect to the locals of

1849
01:19:54,400 --> 01:19:56,720
Speaker 2: the Bahamas. I know they get it shaken as well.

1850
01:19:56,840 --> 01:20:00,559
Speaker 2: It's not just a vacation resort. Get shaken in the Yeah,

1851
01:20:00,880 --> 01:20:03,599
Speaker 2: that's one thing. If Billy starts fucking with the carts out.

1852
01:20:04,280 --> 01:20:08,400
Speaker 2: That's gonna be a different documentary. You could play a

1853
01:20:08,439 --> 01:20:10,519
Speaker 2: little bit and get out of the Bahamas quickly. It's

1854
01:20:10,520 --> 01:20:15,000
Speaker 2: closer to Florida. Yeah, dog, they are going to put

1855
01:20:15,080 --> 01:20:18,320
Speaker 2: Billy's head on a fucking stick in the middle of town.

1856
01:20:18,439 --> 01:20:20,280
Speaker 1: Yeah, don't hey Billy to check this out.

1857
01:20:20,360 --> 01:20:20,519
Speaker 3: Man.

1858
01:20:20,600 --> 01:20:23,680
Speaker 1: We liked the hustle, We respect it. I respect hustle. Man.

1859
01:20:24,200 --> 01:20:26,759
Speaker 1: Do not go to Mexico with this ship playing games.

1860
01:20:27,000 --> 01:20:30,200
Speaker 1: If you're gonna do this festival, do the festival. Because

1861
01:20:30,240 --> 01:20:32,280
Speaker 1: I like Rory, I would I ain't go lie if

1862
01:20:32,640 --> 01:20:34,639
Speaker 1: it looks like it's really gonna happen, I would want

1863
01:20:34,680 --> 01:20:36,760
Speaker 1: to go just to see. Hell how y'all put it together?

1864
01:20:36,800 --> 01:20:39,759
Speaker 1: Because I do think that. You know, he had intentions

1865
01:20:39,800 --> 01:20:41,479
Speaker 1: on getting the first one. They just got out of hand,

1866
01:20:41,840 --> 01:20:44,479
Speaker 1: became a bigger, you know, load than he thought.

1867
01:20:44,680 --> 01:20:45,000
Speaker 2: Pause.

1868
01:20:45,800 --> 01:20:48,840
Speaker 1: Now you know what to expect. You should have everything

1869
01:20:48,880 --> 01:20:51,679
Speaker 1: in order to make this thing a real event. Don't

1870
01:20:51,720 --> 01:20:53,639
Speaker 1: go to Mexico playing with these people and have them

1871
01:20:54,280 --> 01:20:56,559
Speaker 1: have all these tourists come there and then it ain't

1872
01:20:56,600 --> 01:21:00,439
Speaker 1: no event and it's boloney sandwiches in styrofoam plates. Don't

1873
01:21:00,479 --> 01:21:02,080
Speaker 1: do that. He was Tom an.

1874
01:21:02,160 --> 01:21:03,360
Speaker 2: Do you follow Billy on Instagram?

1875
01:21:03,920 --> 01:21:04,800
Speaker 1: No, Rory, I do not.

1876
01:21:04,920 --> 01:21:07,160
Speaker 2: I don't, but he still makes my algorithms, like when

1877
01:21:07,200 --> 01:21:12,280
Speaker 2: he does videos about Firefest too. He his parole board

1878
01:21:12,320 --> 01:21:13,920
Speaker 2: is gonna have to have a conversation with him. He's

1879
01:21:14,000 --> 01:21:17,680
Speaker 2: learned nothing, he was not rehabilitated whatsoever. He's sitting there

1880
01:21:17,760 --> 01:21:20,800
Speaker 2: like all the vip Combata packs are done now, all

1881
01:21:20,880 --> 01:21:22,760
Speaker 2: sold out in one hundred, one hundred of them in

1882
01:21:22,840 --> 01:21:25,000
Speaker 2: five minutes. Like, oh, you learn nothing and you don't

1883
01:21:25,000 --> 01:21:25,639
Speaker 2: even have a location.

1884
01:21:25,720 --> 01:21:27,639
Speaker 1: He's doing all that In the directive, Tourism is saying

1885
01:21:27,720 --> 01:21:30,320
Speaker 1: he has no knowledge of this. The coordinates are in

1886
01:21:30,360 --> 01:21:30,760
Speaker 1: the middle of.

1887
01:21:30,760 --> 01:21:35,120
Speaker 2: The ocean, and Billy just walking around the West village gloating.

1888
01:21:35,360 --> 01:21:39,160
Speaker 1: Yeah, Billy, Billy, Billy boy, Billy boy, you on your

1889
01:21:39,240 --> 01:21:43,840
Speaker 1: waits jail a kind you on your way direct the

1890
01:21:43,880 --> 01:21:46,599
Speaker 1: tourism don't even know what's happened. Is he even allowed

1891
01:21:46,640 --> 01:21:49,960
Speaker 1: to go out of the country. He's got to still be.

1892
01:21:50,000 --> 01:21:53,880
Speaker 2: On Parole's a federal crime. Yeah, you can't leave the

1893
01:21:53,920 --> 01:21:54,559
Speaker 2: fucking country.

1894
01:21:54,640 --> 01:21:57,160
Speaker 1: How long? How long was that? Though he might be

1895
01:21:57,320 --> 01:21:58,400
Speaker 1: he might be good now.

1896
01:21:58,920 --> 01:22:01,920
Speaker 2: He got out posts COVID though he was in during COVID.

1897
01:22:02,320 --> 01:22:03,320
Speaker 3: They're like two years he's been.

1898
01:22:03,840 --> 01:22:06,120
Speaker 1: Yeah, so he probably good. He probably not on restriction

1899
01:22:06,240 --> 01:22:07,439
Speaker 1: no more. He probably not the.

1900
01:22:07,520 --> 01:22:09,720
Speaker 2: Only I feel like the only setback with those like

1901
01:22:10,400 --> 01:22:13,680
Speaker 2: white collar crimes where they go to a resort. I

1902
01:22:13,720 --> 01:22:16,080
Speaker 2: feel like you're just on probation forever because you don't

1903
01:22:16,080 --> 01:22:16,800
Speaker 2: really get any years.

1904
01:22:17,520 --> 01:22:20,280
Speaker 3: But then also like it's technically if it's for work,

1905
01:22:20,560 --> 01:22:21,000
Speaker 3: is it does?

1906
01:22:21,200 --> 01:22:23,720
Speaker 2: Like you think Jordan Belford is still not on You

1907
01:22:23,760 --> 01:22:24,679
Speaker 2: think he can still trade?

1908
01:22:24,720 --> 01:22:26,320
Speaker 1: No, no, no, no, no no, let me tell you what.

1909
01:22:26,400 --> 01:22:29,560
Speaker 1: Jordan Belfer can't do it. He can never trade a

1910
01:22:29,600 --> 01:22:31,400
Speaker 1: stock again in his life. Absolutely.

1911
01:22:31,520 --> 01:22:33,080
Speaker 2: Yeah. I don't know if Billy can just run out

1912
01:22:33,080 --> 01:22:37,040
Speaker 2: there without some parole officer saying it's okay.

1913
01:22:37,320 --> 01:22:39,639
Speaker 3: Well, let's plan a trip to Mexico. Whether it happens

1914
01:22:39,720 --> 01:22:40,280
Speaker 3: or whether it's.

1915
01:22:40,160 --> 01:22:42,879
Speaker 1: Not, we cover it. What is that May thirtieth they said.

1916
01:22:43,000 --> 01:22:45,439
Speaker 3: They see from May thirtieth to June something.

1917
01:22:45,520 --> 01:22:49,560
Speaker 1: If I'm not mistaken, this sounds bad. Don't feel like

1918
01:22:49,600 --> 01:22:52,719
Speaker 1: nothing is happening. Yeah, we ain't seen a picture a flyer.

1919
01:22:52,880 --> 01:22:57,360
Speaker 2: Y'all know how close May thirtieth is. Yeah, that's what

1920
01:22:57,640 --> 01:23:00,160
Speaker 2: you don't have a location. I think this is a

1921
01:23:00,240 --> 01:23:03,040
Speaker 2: rollout honestly for what though? What is he rolling out

1922
01:23:04,240 --> 01:23:07,599
Speaker 2: Firefest too? I think planting these stories of their going

1923
01:23:07,640 --> 01:23:10,160
Speaker 2: through the same thing or whatever, knowing they have something

1924
01:23:10,280 --> 01:23:13,200
Speaker 2: legitimately booked and done that they're going to announce in

1925
01:23:13,439 --> 01:23:15,800
Speaker 2: a week could be a strategy. No, because this is

1926
01:23:15,880 --> 01:23:17,760
Speaker 2: jowing more attention like that the way we're talking about,

1927
01:23:17,760 --> 01:23:21,080
Speaker 2: like damn Billy, he ain't learned fun And then you

1928
01:23:21,200 --> 01:23:24,880
Speaker 2: see us certified it's sponsored by Verizon, like all this

1929
01:23:24,880 --> 01:23:25,840
Speaker 2: shit where it's like this is.

1930
01:23:26,320 --> 01:23:31,120
Speaker 1: Legit May thirtieth through June second, May thirty through June second,

1931
01:23:31,160 --> 01:23:35,360
Speaker 1: and Directive Tourism has no idea what is going on?

1932
01:23:35,960 --> 01:23:39,720
Speaker 1: We have no knowledge of this. This ain't happening, man.

1933
01:23:40,040 --> 01:23:40,519
Speaker 1: I'm sorry.

1934
01:23:40,560 --> 01:23:41,920
Speaker 2: We're gonna bring John Rule with us too.

1935
01:23:43,680 --> 01:23:46,320
Speaker 1: Job play games if you want another time you got

1936
01:23:46,600 --> 01:23:48,320
Speaker 1: you got out of the first one, the second one on.

1937
01:23:48,479 --> 01:23:50,200
Speaker 1: They might tell you to go in that same cell

1938
01:23:50,240 --> 01:23:52,800
Speaker 1: with Billy board Ya. Y'all gonna be sellies now for sure.

1939
01:23:53,040 --> 01:23:54,519
Speaker 1: Either way. I hope it does go down though, because

1940
01:23:54,520 --> 01:23:56,679
Speaker 1: I think the idea of this this festival was dope.

1941
01:23:56,680 --> 01:23:58,920
Speaker 1: It was, it was amazing, but they need to make

1942
01:23:58,960 --> 01:23:59,720
Speaker 1: it happen just the.

1943
01:23:59,720 --> 01:24:01,640
Speaker 2: Right Waystically, it's a fucking night.

1944
01:24:01,720 --> 01:24:02,240
Speaker 1: Yeah, that's why.

1945
01:24:02,479 --> 01:24:04,120
Speaker 2: Of course the idea is amazing.

1946
01:24:04,000 --> 01:24:06,600
Speaker 3: But throwing a festival in another country is just.

1947
01:24:07,200 --> 01:24:10,479
Speaker 2: And like on an island, people camping. It's yeah, it's

1948
01:24:10,560 --> 01:24:13,960
Speaker 2: not like Coachella where there's a real infrastructure. They didn't

1949
01:24:13,960 --> 01:24:19,560
Speaker 2: have fucking plumbing, let alone food, So imagine drinking the

1950
01:24:19,640 --> 01:24:22,320
Speaker 2: moment you land. They sent them all to that bar

1951
01:24:22,400 --> 01:24:25,679
Speaker 2: because they still weren't set up. You watch people pouring

1952
01:24:25,720 --> 01:24:28,360
Speaker 2: tequila down, they fucking throw and have no room. Then

1953
01:24:28,720 --> 01:24:30,400
Speaker 2: then you get there and it's a tent and an

1954
01:24:30,400 --> 01:24:33,799
Speaker 2: air mattress that's soaking wet, wake up with your hangover

1955
01:24:33,880 --> 01:24:34,719
Speaker 2: and there's no water.

1956
01:24:36,600 --> 01:24:37,080
Speaker 1: That's bad.

1957
01:24:37,520 --> 01:24:40,200
Speaker 3: That's I cannot believe that the fact that that really

1958
01:24:40,240 --> 01:24:40,800
Speaker 3: happened to people.

1959
01:24:40,880 --> 01:24:44,120
Speaker 1: People that have nobody, nobody that went there. Have they

1960
01:24:44,160 --> 01:24:46,000
Speaker 1: ever been on a podcast and talked about it that

1961
01:24:46,360 --> 01:24:47,000
Speaker 1: they experienced.

1962
01:24:47,360 --> 01:24:51,960
Speaker 2: There was the one guy, there was one Ginger guy

1963
01:24:52,000 --> 01:24:53,760
Speaker 2: that was in the dock, the one on Netflix that

1964
01:24:53,920 --> 01:24:56,599
Speaker 2: talked he was just someone that bought a ticket about

1965
01:24:56,640 --> 01:24:59,080
Speaker 2: the experience. But podcast wise, I'm sure there has been that.

1966
01:24:59,240 --> 01:25:01,080
Speaker 2: I just haven't seen. You haven't seen anybody do a

1967
01:25:01,160 --> 01:25:03,080
Speaker 2: round table and just go find them. No, I'm just

1968
01:25:03,320 --> 01:25:04,840
Speaker 2: a lot people are embarrassed. They didn't want to say

1969
01:25:04,840 --> 01:25:05,160
Speaker 2: they was there.

1970
01:25:05,240 --> 01:25:07,560
Speaker 1: Yeah, but I think that but everybody having a you know,

1971
01:25:07,840 --> 01:25:10,200
Speaker 1: a studio and pot and podcast now, I think that

1972
01:25:10,280 --> 01:25:12,200
Speaker 1: we would see more people saying, like, yo, that ship

1973
01:25:12,320 --> 01:25:15,719
Speaker 1: was absolutely Aside from the documentary, I've never seen anybody

1974
01:25:15,920 --> 01:25:18,240
Speaker 1: on social media talking about the experience. At the first one.

1975
01:25:18,360 --> 01:25:20,719
Speaker 3: Well, I feel like those people are probably embarrassed because

1976
01:25:20,760 --> 01:25:22,240
Speaker 3: that's probably stuper as fucked.

1977
01:25:22,360 --> 01:25:24,160
Speaker 1: Yeah, but at that point you laugh at yourself like, yo,

1978
01:25:24,640 --> 01:25:27,479
Speaker 1: they got me, Like, I've just never seen anybody talking

1979
01:25:27,479 --> 01:25:29,800
Speaker 1: about this shit. But whatever, Hopefully the second one is

1980
01:25:29,840 --> 01:25:31,519
Speaker 1: actually happens, and you know.

1981
01:25:31,680 --> 01:25:34,840
Speaker 2: It's conspiracy and we should look into that. Maybe it

1982
01:25:34,920 --> 01:25:38,760
Speaker 2: never happened, Maybe it's all just a everything is in

1983
01:25:38,840 --> 01:25:43,280
Speaker 2: a conspiracy. Or I'll tell you what's not a conspiracy whatsoever?

1984
01:25:44,520 --> 01:25:46,760
Speaker 2: Billy trying to put a B on the island. What

1985
01:25:46,800 --> 01:25:48,400
Speaker 2: happens when you put a D on the island?

1986
01:25:48,439 --> 01:25:48,639
Speaker 1: Again?

1987
01:25:50,600 --> 01:25:51,439
Speaker 2: That was a great segue.

1988
01:25:51,520 --> 01:25:55,080
Speaker 3: Fuck y'allag Have y'all spoken to Clay lately?

1989
01:25:56,000 --> 01:25:57,000
Speaker 1: Nah spoken to.

1990
01:25:58,760 --> 01:26:01,040
Speaker 2: On DM probably like a month ago.

1991
01:26:01,560 --> 01:26:04,040
Speaker 1: So a D from love is blind I forgot which

1992
01:26:04,040 --> 01:26:06,400
Speaker 1: season that was, but obviously a D and Clay were

1993
01:26:06,439 --> 01:26:09,479
Speaker 1: to breakout and start a couple of that show.

1994
01:26:09,720 --> 01:26:12,320
Speaker 2: Yes, and we had Clay on our podcast and had

1995
01:26:12,439 --> 01:26:16,479
Speaker 2: an incredible conversation, one of accountability, one of laughs, one

1996
01:26:16,520 --> 01:26:22,080
Speaker 2: of redemption. I feel like a real learning experience. And

1997
01:26:22,240 --> 01:26:25,519
Speaker 2: I was not aware that his former fiance went on

1998
01:26:25,600 --> 01:26:28,280
Speaker 2: another show. Is this the same show? I know, Nicholas,

1999
01:26:28,280 --> 01:26:30,719
Speaker 2: she is running a racket? Is blind?

2000
01:26:31,520 --> 01:26:33,519
Speaker 1: Love Island? Is this love? Fiance is from Love is

2001
01:26:33,560 --> 01:26:38,519
Speaker 1: Blind UK? His name is Ali, And I'm not sure

2002
01:26:38,640 --> 01:26:42,439
Speaker 1: if this was on A Lover's Blind show or not,

2003
01:26:43,720 --> 01:26:46,160
Speaker 1: but they talked about it on the reunion yea, and

2004
01:26:46,280 --> 01:26:48,720
Speaker 1: they showed it and so congrats to a D. She

2005
01:26:48,920 --> 01:26:51,680
Speaker 1: is now engaged love That to Ali from Love is

2006
01:26:51,720 --> 01:26:57,720
Speaker 1: Blind UK. Now, while we are happy for a D,

2007
01:26:58,439 --> 01:27:01,559
Speaker 1: she's been down this road before. She's been engaged.

2008
01:27:01,600 --> 01:27:03,160
Speaker 2: She's been down that aisle, if you will, she's been.

2009
01:27:03,120 --> 01:27:05,720
Speaker 1: Down that aisle. She's been engaged, you know, she's she's

2010
01:27:05,760 --> 01:27:08,960
Speaker 1: been happy, you know. So you know, because we we

2011
01:27:09,080 --> 01:27:12,360
Speaker 1: love a D and we support her, Hopefully this is

2012
01:27:12,640 --> 01:27:15,840
Speaker 1: going to go all the way through and she'll actually

2013
01:27:15,920 --> 01:27:18,640
Speaker 1: be married and be happy and you know, have a

2014
01:27:18,720 --> 01:27:22,080
Speaker 1: beautiful family. Because she seems to be a deserving and

2015
01:27:22,160 --> 01:27:25,519
Speaker 1: deserving woman. So congrats to a d getting engaged.

2016
01:27:25,520 --> 01:27:27,760
Speaker 3: I think it's real because everybody is like crying, and

2017
01:27:27,800 --> 01:27:29,400
Speaker 3: they don't do that often. So I feel like it's

2018
01:27:29,439 --> 01:27:30,760
Speaker 3: like she finally love.

2019
01:27:31,840 --> 01:27:33,519
Speaker 2: They cry in the pods when they haven't even seen

2020
01:27:33,560 --> 01:27:33,880
Speaker 2: the person.

2021
01:27:34,120 --> 01:27:36,000
Speaker 3: You know, I'm not talking about them, I'm talking about

2022
01:27:36,000 --> 01:27:40,639
Speaker 3: the other peoples are kind of like, I'm so happy

2023
01:27:40,680 --> 01:27:42,120
Speaker 3: for her, like she got her true love. So I

2024
01:27:42,160 --> 01:27:42,920
Speaker 3: think it might be real.

2025
01:27:43,360 --> 01:27:45,160
Speaker 1: I hope so. I hope so because Ad she seems

2026
01:27:45,160 --> 01:27:46,160
Speaker 1: like a sweet, sweet woman.

2027
01:27:46,240 --> 01:27:47,960
Speaker 3: So how you think Clay Handling?

2028
01:27:48,040 --> 01:27:51,280
Speaker 2: I do want to say, our brother, our brother in Christ, Clay,

2029
01:27:51,760 --> 01:27:57,360
Speaker 2: we loved blindness. Clay, I'm on your side, he said,

2030
01:27:57,400 --> 01:27:58,920
Speaker 2: he loves Ad. I'm on your side. Bro. You know

2031
01:27:59,080 --> 01:28:01,920
Speaker 2: you know I give it up. I think now finally,

2032
01:28:02,320 --> 01:28:05,639
Speaker 2: after this happened, Clay is ready to make an honest

2033
01:28:05,680 --> 01:28:09,280
Speaker 2: woman out of her. Of course I think now he's like, yeah, I'm.

2034
01:28:09,160 --> 01:28:11,120
Speaker 1: Probably right now. I don't do that, man, Clay, Clay, he.

2035
01:28:11,120 --> 01:28:12,760
Speaker 2: Wouldn't have been ready if they didn't get engaged. But

2036
01:28:12,800 --> 01:28:14,640
Speaker 2: since they got engaged, I think Clay is ready. Now.

2037
01:28:14,680 --> 01:28:16,760
Speaker 3: Now you gotta wait until they get married and she

2038
01:28:16,840 --> 01:28:18,559
Speaker 3: gets pregnant. Then he could like that. I was supposed

2039
01:28:18,560 --> 01:28:19,080
Speaker 3: to be my baby.

2040
01:28:20,000 --> 01:28:20,120
Speaker 2: Yo.

2041
01:28:20,479 --> 01:28:22,320
Speaker 1: Nahe Clay is not gonna do that.

2042
01:28:22,680 --> 01:28:23,120
Speaker 2: He's not that.

2043
01:28:23,360 --> 01:28:25,720
Speaker 1: This is what Clay ain't gonna do that.

2044
01:28:25,840 --> 01:28:28,280
Speaker 2: Man, after they post like the wedding video, I could

2045
01:28:28,320 --> 01:28:31,479
Speaker 2: see Clay going in the d MS saying something cryptis like,

2046
01:28:31,760 --> 01:28:32,800
Speaker 2: but does he make you laugh?

2047
01:28:33,439 --> 01:28:33,479
Speaker 3: No?

2048
01:28:33,720 --> 01:28:36,839
Speaker 1: Man, why are you paying Clay to beat this douchebag

2049
01:28:37,000 --> 01:28:37,479
Speaker 1: like that? Man?

2050
01:28:38,560 --> 01:28:39,720
Speaker 2: Nicholas paid him to do that.

2051
01:28:40,640 --> 01:28:40,760
Speaker 3: Man.

2052
01:28:40,800 --> 01:28:42,400
Speaker 1: I think Clay is. I think he's happy for I

2053
01:28:42,439 --> 01:28:43,000
Speaker 1: think he's spoken.

2054
01:28:43,360 --> 01:28:44,040
Speaker 2: I'm sure he's happy.

2055
01:28:44,080 --> 01:28:46,360
Speaker 1: He's spoken about being the woman. And you know, he

2056
01:28:46,520 --> 01:28:48,479
Speaker 1: just wasn't you know? He wasn't ready? He was I

2057
01:28:48,560 --> 01:28:50,800
Speaker 1: think Clay was. We don't give Clay well, I did,

2058
01:28:50,880 --> 01:28:52,639
Speaker 1: but we don't as a whole, don't give Clay enough

2059
01:28:52,760 --> 01:28:55,960
Speaker 1: respect or you know, praise for being honest with his

2060
01:28:56,080 --> 01:28:58,360
Speaker 1: true feelings. Like y'all, I just wasn't you know? I

2061
01:28:58,520 --> 01:29:00,680
Speaker 1: was really I wasn't gonna I respect.

2062
01:29:00,439 --> 01:29:02,280
Speaker 2: Him and worse if he went through it again.

2063
01:29:02,320 --> 01:29:04,880
Speaker 1: It's crazy that he left her at the altar. I'm like, damn, bro,

2064
01:29:04,960 --> 01:29:07,040
Speaker 1: you could have did that the day before, the night before.

2065
01:29:06,920 --> 01:29:08,320
Speaker 3: But then we wouldn't be talking about him.

2066
01:29:08,439 --> 01:29:09,360
Speaker 1: But then we wouldn't be talking.

2067
01:29:09,920 --> 01:29:10,040
Speaker 2: You know.

2068
01:29:10,400 --> 01:29:11,960
Speaker 3: It is what it is, and that's not shame to Clay.

2069
01:29:12,000 --> 01:29:14,080
Speaker 3: Me and Claire are friends, and I.

2070
01:29:14,120 --> 01:29:14,560
Speaker 2: Don't do that.

2071
01:29:14,880 --> 01:29:15,599
Speaker 3: We are friends now.

2072
01:29:15,680 --> 01:29:18,720
Speaker 2: I know he was happy when he saw Dant for

2073
01:29:18,800 --> 01:29:20,240
Speaker 2: her happiness for Clay's misery.

2074
01:29:20,520 --> 01:29:23,400
Speaker 3: Clay is not gonna be miserable. Clay is currently in

2075
01:29:23,560 --> 01:29:25,719
Speaker 3: some pussy right now. He hasn't even woken up instantly

2076
01:29:25,880 --> 01:29:28,760
Speaker 3: the news yet, Like what are we? Why are we

2077
01:29:28,800 --> 01:29:30,280
Speaker 3: act like we don't know who we talk about?

2078
01:29:30,280 --> 01:29:30,400
Speaker 4: Here?

2079
01:29:30,439 --> 01:29:33,439
Speaker 1: Clay Clay, he's happy, He's I'm sure he's happy.

2080
01:29:33,200 --> 01:29:35,559
Speaker 3: For he says he loves her. And when you love somebody,

2081
01:29:36,040 --> 01:29:38,160
Speaker 3: really love them, love, especially when you love them enough

2082
01:29:38,240 --> 01:29:40,479
Speaker 3: not to be with them, you are happy when they

2083
01:29:40,520 --> 01:29:42,160
Speaker 3: find happiness. They're probably a little.

2084
01:29:41,920 --> 01:29:44,200
Speaker 1: Bite but great the Great May said, I want to

2085
01:29:44,200 --> 01:29:46,040
Speaker 1: see you happy, girl, even if it's not with me.

2086
01:29:47,080 --> 01:29:48,960
Speaker 1: What I'm saying, yeah, you wasn't you wasn't come. You

2087
01:29:49,040 --> 01:29:50,160
Speaker 1: still eat spaghetti sandwiches.

2088
01:29:50,160 --> 01:29:53,439
Speaker 2: When they said that, and then and then fifty remixed

2089
01:29:53,560 --> 01:29:55,479
Speaker 2: the song and said, I don't want you happy if

2090
01:29:55,520 --> 01:29:59,160
Speaker 2: you're not with me, I identified way more of a

2091
01:29:59,240 --> 01:30:04,920
Speaker 2: fifty on. Oh man, that's so that's a bullet wound, bitch.

2092
01:30:04,960 --> 01:30:06,519
Speaker 2: I ain't yea a.

2093
01:30:06,600 --> 01:30:08,720
Speaker 3: Never ya ain't never like had to watch somebody you

2094
01:30:08,880 --> 01:30:12,040
Speaker 3: love be happy with somebody else. Oh yeah, yeah, for sure.

2095
01:30:12,320 --> 01:30:14,200
Speaker 3: I think that's a saying to be happy for them.

2096
01:30:14,640 --> 01:30:18,360
Speaker 3: I was happy for them, Okay, like genuinely happy. I'm

2097
01:30:18,439 --> 01:30:20,240
Speaker 3: in the crib nobody around you're still happy.

2098
01:30:20,400 --> 01:30:23,880
Speaker 1: Yeah, I'm genuinely happy for any girl I've ever dated

2099
01:30:23,960 --> 01:30:25,639
Speaker 1: that it's happy now, Like I don't.

2100
01:30:26,520 --> 01:30:28,719
Speaker 2: I've seen people that have done me wrong be miserable,

2101
01:30:28,800 --> 01:30:30,600
Speaker 2: and I can't lie that I didn't sit alone in

2102
01:30:30,680 --> 01:30:32,960
Speaker 2: my house with a smile. Oh but the opposite of

2103
01:30:33,240 --> 01:30:35,439
Speaker 2: if I cared for someone in love, Yeah, of course

2104
01:30:35,439 --> 01:30:37,320
Speaker 2: I want to see them happy. There's one them fucking

2105
01:30:37,360 --> 01:30:38,599
Speaker 2: miserable because we're not together.

2106
01:30:40,120 --> 01:30:43,360
Speaker 1: Like I dated women that after we've dated and you know,

2107
01:30:43,479 --> 01:30:45,560
Speaker 1: broke up or whatever, they start dating dudes that I

2108
01:30:45,680 --> 01:30:47,920
Speaker 1: know any ship, And I'm just like, but wait a minute,

2109
01:30:48,000 --> 01:30:50,439
Speaker 1: how you how you was having all of this with

2110
01:30:50,640 --> 01:30:53,080
Speaker 1: me and was? But now you sit here front like

2111
01:30:53,120 --> 01:30:53,760
Speaker 1: you happy with this?

2112
01:30:53,880 --> 01:30:54,080
Speaker 4: Dude?

2113
01:30:54,120 --> 01:30:54,559
Speaker 1: Cut it off?

2114
01:30:55,520 --> 01:30:57,400
Speaker 3: Lot better you learn how to dress it up, dress

2115
01:30:57,439 --> 01:30:58,360
Speaker 3: it up and make it real for me?

2116
01:30:58,520 --> 01:31:01,439
Speaker 2: Is dirty back okay? Is internal dirty mac?

2117
01:31:01,439 --> 01:31:01,679
Speaker 1: Okay?

2118
01:31:01,720 --> 01:31:03,240
Speaker 2: What do you mean is I felt the same feelings

2119
01:31:03,320 --> 01:31:05,000
Speaker 2: Malls had, but I didn't express them because that would

2120
01:31:05,040 --> 01:31:06,360
Speaker 2: be dirty macking. But I didn't feel them.

2121
01:31:06,800 --> 01:31:08,880
Speaker 3: No, So then that that's just feelings. You're free to

2122
01:31:08,920 --> 01:31:09,719
Speaker 3: feel whatever emotion.

2123
01:31:09,880 --> 01:31:13,560
Speaker 1: I expressed it to the woman like, No, I wouldn't.

2124
01:31:14,000 --> 01:31:15,360
Speaker 2: Internal mutual friends.

2125
01:31:15,479 --> 01:31:16,240
Speaker 3: Was getting that off, right?

2126
01:31:17,120 --> 01:31:18,920
Speaker 1: No, I never said it to like a mutual friend.

2127
01:31:18,920 --> 01:31:20,599
Speaker 1: I'm just I just like, look at the related I'm

2128
01:31:20,640 --> 01:31:24,000
Speaker 1: just like, I know he ain't shit, Like I know

2129
01:31:24,120 --> 01:31:26,360
Speaker 1: you're not happy because he do shit and he got

2130
01:31:26,360 --> 01:31:29,480
Speaker 1: shipped with him that I never had in our relationship.

2131
01:31:29,560 --> 01:31:30,439
Speaker 1: So how to like what?

2132
01:31:30,600 --> 01:31:32,640
Speaker 2: She went up to Tomkins to see the dudes to

2133
01:31:32,680 --> 01:31:33,519
Speaker 2: trust just.

2134
01:31:33,640 --> 01:31:38,200
Speaker 1: Like baby mama, drama shit like that, Like he's probably alcoholic,

2135
01:31:39,240 --> 01:31:41,920
Speaker 1: you know, coming home, we probably done smacked you a

2136
01:31:41,960 --> 01:31:44,160
Speaker 1: couple of times, like oh my Jesus Christ, yeah, that

2137
01:31:44,240 --> 01:31:47,160
Speaker 1: type of shit. It's like you still like you ain't happy.

2138
01:31:47,600 --> 01:31:50,479
Speaker 3: There are women not me, but there are women who

2139
01:31:50,520 --> 01:31:52,840
Speaker 3: would prefer domestic violence.

2140
01:31:52,680 --> 01:31:55,040
Speaker 2: Over There are women that there's a term of that

2141
01:31:55,200 --> 01:31:58,000
Speaker 2: of whatever Stockholm syndrome or whatever the fuck it is

2142
01:31:58,080 --> 01:32:02,040
Speaker 2: with victims start feeling okay with their abuser. That doesn't

2143
01:32:02,040 --> 01:32:04,920
Speaker 2: mean it's good. No, they're not happy. They think that okay,

2144
01:32:05,040 --> 01:32:06,040
Speaker 2: but they're not. No.

2145
01:32:06,200 --> 01:32:08,640
Speaker 1: Some women, again, just to clean it up a little bit,

2146
01:32:08,720 --> 01:32:14,320
Speaker 1: some women do prefer toxic environment, toxic energy. They're used

2147
01:32:14,320 --> 01:32:16,080
Speaker 1: to it. That's what they used to when they have

2148
01:32:16,160 --> 01:32:18,800
Speaker 1: a healthy When they have a healthy environment, they don't

2149
01:32:18,840 --> 01:32:20,559
Speaker 1: know how to accept it and be like, Yo, there's

2150
01:32:20,640 --> 01:32:22,120
Speaker 1: nothing wrong. Everything is fine in.

2151
01:32:22,160 --> 01:32:23,880
Speaker 3: This scenario, you were the healthy environment.

2152
01:32:24,400 --> 01:32:29,080
Speaker 1: Well in comparison to Homie. Absolutely, Now I got my

2153
01:32:29,280 --> 01:32:31,120
Speaker 1: ship with me. Everybody got this shit?

2154
01:32:31,400 --> 01:32:33,960
Speaker 3: What do you think your shit is? Let's dive deep.

2155
01:32:35,080 --> 01:32:36,559
Speaker 2: Yeah, we talk about mind every episode.

2156
01:32:36,880 --> 01:32:40,880
Speaker 1: Probably lack of communication, like when it comes to certain

2157
01:32:40,960 --> 01:32:44,160
Speaker 1: things that I'm just like when in a relationship that

2158
01:32:44,240 --> 01:32:47,640
Speaker 1: I just wouldn't address maybe like things like that. I

2159
01:32:47,720 --> 01:32:49,920
Speaker 1: know how that could be like strenuous on a relationship

2160
01:32:50,439 --> 01:32:52,800
Speaker 1: not addressing certain things and not talking about certain things yet,

2161
01:32:53,200 --> 01:32:56,680
Speaker 1: but I also do make it a comfortable space to

2162
01:32:57,200 --> 01:33:00,320
Speaker 1: talk about it. I may not initiate the conversation, and

2163
01:33:00,360 --> 01:33:01,960
Speaker 1: there's certain things I mean I want to talk about like,

2164
01:33:02,000 --> 01:33:04,760
Speaker 1: I'm not going to keep trying to prove my you know,

2165
01:33:05,640 --> 01:33:07,760
Speaker 1: loyalty and honesty to a woman, Like if you don't

2166
01:33:07,760 --> 01:33:10,000
Speaker 1: trust me, let's just not deal with each other. That's

2167
01:33:10,080 --> 01:33:13,479
Speaker 1: my result. Okay, you don't trust me, cool, we can

2168
01:33:13,560 --> 01:33:16,080
Speaker 1: go goss every ways. I'm not gonna sit there and

2169
01:33:16,200 --> 01:33:19,120
Speaker 1: keep being on probation, Like, yo, home by eight thirty.

2170
01:33:19,680 --> 01:33:22,759
Speaker 2: If you communicated, you could be trusted.

2171
01:33:22,880 --> 01:33:24,720
Speaker 1: Yeah, I'm not. No, but I but I do. But

2172
01:33:24,800 --> 01:33:27,360
Speaker 1: I'm not going to communicate my every move. I'm not hood.

2173
01:33:27,600 --> 01:33:29,160
Speaker 1: I'm a grown man. I'm not gonna be like yo,

2174
01:33:29,479 --> 01:33:32,960
Speaker 1: stopping here, Hey, stopping here, shared my location, going here.

2175
01:33:33,000 --> 01:33:33,600
Speaker 1: I'm not doing that.

2176
01:33:33,720 --> 01:33:36,160
Speaker 2: Well, maybe she just wanted you to communicate at the

2177
01:33:36,200 --> 01:33:39,800
Speaker 2: times you weren't just trying to be instead of a like, yeah,

2178
01:33:39,840 --> 01:33:42,559
Speaker 2: what you're doing tonight, It's like yo, yo, you're still.

2179
01:33:42,360 --> 01:33:44,360
Speaker 1: Out question mark at the times I wasn't trying to

2180
01:33:44,400 --> 01:33:45,040
Speaker 1: beat yeah.

2181
01:33:44,960 --> 01:33:47,439
Speaker 2: Like that was the time you would communicate best is

2182
01:33:47,520 --> 01:33:51,439
Speaker 2: when you were trying to fuck or have her coming through.

2183
01:33:52,200 --> 01:33:52,840
Speaker 2: Lady of the night.

2184
01:33:52,920 --> 01:33:56,439
Speaker 1: Okay, no, Rory, lady trying to paint me. You pain

2185
01:33:56,520 --> 01:33:57,840
Speaker 1: me as gay, and then now you paint me.

2186
01:33:57,840 --> 01:33:59,599
Speaker 2: As a guy to this, my mother did that. I mean,

2187
01:33:59,600 --> 01:34:01,439
Speaker 2: I know I'm affiliated, yeah, but you're with her.

2188
01:34:01,520 --> 01:34:03,800
Speaker 1: But you set the screen though she shot the shot,

2189
01:34:03,880 --> 01:34:05,360
Speaker 1: but you set the screen for Mom to get.

2190
01:34:05,200 --> 01:34:07,439
Speaker 3: That, because I guarantee you ain't getting angry like mom,

2191
01:34:07,520 --> 01:34:09,200
Speaker 3: fuck out of here, like MAM's not gay, Like you

2192
01:34:09,280 --> 01:34:10,240
Speaker 3: don't even say no shit like that.

2193
01:34:10,280 --> 01:34:10,760
Speaker 2: You need to that.

2194
01:34:10,840 --> 01:34:12,640
Speaker 1: That would probably make me even more gay. Like if

2195
01:34:12,680 --> 01:34:14,320
Speaker 1: he defended me to his mother like that, like talk

2196
01:34:14,439 --> 01:34:16,360
Speaker 1: like that, my mom would look at me like your

2197
01:34:16,439 --> 01:34:17,400
Speaker 1: old fucking.

2198
01:34:23,360 --> 01:34:23,559
Speaker 2: Yeah.

2199
01:34:23,680 --> 01:34:25,320
Speaker 1: I about to say, somebody up be like yo, wait,

2200
01:34:25,400 --> 01:34:27,960
Speaker 1: that was a little too too aggressive, like you I

2201
01:34:28,280 --> 01:34:30,040
Speaker 1: y'all good over there at the studio, like what y'all

2202
01:34:30,080 --> 01:34:30,400
Speaker 1: be doing?

2203
01:34:30,960 --> 01:34:34,200
Speaker 2: My mom's when those older school Irish women that just

2204
01:34:34,960 --> 01:34:38,120
Speaker 2: puts gay on everyone, like that's I like it grew

2205
01:34:38,200 --> 01:34:38,679
Speaker 2: up in the church.

2206
01:34:38,880 --> 01:34:41,479
Speaker 1: Yeah I'm familiar.

2207
01:34:41,760 --> 01:34:44,439
Speaker 2: She you know, well, give him to college, but they

2208
01:34:44,479 --> 01:34:47,599
Speaker 2: do freshman orientation in the summer before and like your

2209
01:34:47,640 --> 01:34:49,400
Speaker 2: parents can be I guess there for like the beginning

2210
01:34:49,600 --> 01:34:51,680
Speaker 2: part of it. And I was hanging with someone that

2211
01:34:51,800 --> 01:34:53,680
Speaker 2: was gonna be on the track team as well, who

2212
01:34:53,760 --> 01:34:55,840
Speaker 2: I didn't think was gay. But my mom, as she

2213
01:34:56,000 --> 01:34:57,960
Speaker 2: was leaving and I was saying goodbye, said, oh, I'm

2214
01:34:57,960 --> 01:35:00,479
Speaker 2: so proud of you. It's like, for what, hanging out

2215
01:35:00,520 --> 01:35:02,880
Speaker 2: with somebody gay? Like that's cool that you don't care.

2216
01:35:02,960 --> 01:35:06,840
Speaker 2: I'm like, I don't think he You spent like thirty

2217
01:35:06,880 --> 01:35:09,520
Speaker 2: minutes with him. He was just at our orientation.

2218
01:35:10,040 --> 01:35:12,200
Speaker 1: Moms. I respect mam. She know her gay dolls up?

2219
01:35:12,360 --> 01:35:14,920
Speaker 2: Okay, in her defense, he was gay. He is now

2220
01:35:15,400 --> 01:35:16,280
Speaker 2: a flight attendant.

2221
01:35:19,439 --> 01:35:21,639
Speaker 1: Oh yeah, if you're a flight attended, you're definitely Flame

2222
01:35:21,760 --> 01:35:24,919
Speaker 1: from soul play. That's crazy.

2223
01:35:25,560 --> 01:35:26,040
Speaker 2: What's funny.

2224
01:35:26,080 --> 01:35:26,559
Speaker 1: The fact that you.

2225
01:35:26,760 --> 01:35:28,800
Speaker 2: Remember his name is crazy. I didn't even know that

2226
01:35:28,880 --> 01:35:30,320
Speaker 2: that was his name, and soul plain.

2227
01:35:30,240 --> 01:35:31,240
Speaker 1: Flame was the name of that.

2228
01:35:32,080 --> 01:35:33,519
Speaker 2: It wasn't aware that character even with.

2229
01:35:33,800 --> 01:35:36,160
Speaker 1: Like afought that was just the gay flight attendant. I

2230
01:35:36,439 --> 01:35:37,439
Speaker 1: know his name Flame?

2231
01:35:37,479 --> 01:35:39,280
Speaker 3: Did you just grind at me a little?

2232
01:35:40,720 --> 01:35:41,120
Speaker 1: Crazy?

2233
01:35:41,320 --> 01:35:41,960
Speaker 3: That's a class.

2234
01:35:42,040 --> 01:35:44,480
Speaker 2: He was hilarious, man, That ship was hilarious.

2235
01:35:47,240 --> 01:35:49,240
Speaker 1: Right, Are you automatically gay? If you're like a male

2236
01:35:49,280 --> 01:35:50,160
Speaker 1: flight attendant.

2237
01:35:50,560 --> 01:35:52,320
Speaker 3: Trying to get us out of here, trying to get

2238
01:35:52,400 --> 01:35:52,880
Speaker 3: us out.

2239
01:35:53,280 --> 01:35:56,200
Speaker 2: To be honest, that's a cool gig. Like, I don't

2240
01:35:56,200 --> 01:35:58,400
Speaker 2: think it's I didn't don't. I don't think straight man.

2241
01:35:58,439 --> 01:35:59,240
Speaker 2: See this is what he does.

2242
01:35:59,360 --> 01:36:01,439
Speaker 1: No, no, no, that's cool, gig. I never said it wasn't.

2243
01:36:02,000 --> 01:36:05,599
Speaker 2: I'm saying I think straight men should pursue that more

2244
01:36:06,120 --> 01:36:08,599
Speaker 2: like that's a really good gig. But I think everyone

2245
01:36:08,640 --> 01:36:11,000
Speaker 2: has in their mind that that is more of a

2246
01:36:11,120 --> 01:36:15,240
Speaker 2: woman in gay men job. But there's a lot of

2247
01:36:15,520 --> 01:36:17,080
Speaker 2: straight men that do that.

2248
01:36:17,160 --> 01:36:21,439
Speaker 1: And yo, this is what he does. Man. He tried

2249
01:36:21,439 --> 01:36:23,519
Speaker 1: to leave me on the island by myself the whole time.

2250
01:36:23,600 --> 01:36:25,640
Speaker 1: He got a commander here too, Nigga, you got a

2251
01:36:25,680 --> 01:36:28,640
Speaker 1: command it right next to my Yes, you feel like

2252
01:36:28,720 --> 01:36:30,000
Speaker 1: male flight attendants are gay.

2253
01:36:30,120 --> 01:36:33,320
Speaker 2: I've definitely seen a straight male flight attendant more than once.

2254
01:36:33,600 --> 01:36:33,640
Speaker 5: That.

2255
01:36:33,760 --> 01:36:35,439
Speaker 2: I mean, if you could count them.

2256
01:36:35,400 --> 01:36:41,479
Speaker 1: That means he counted yeah, straight male flight.

2257
01:36:41,360 --> 01:36:44,880
Speaker 2: Statistically, yes, women, then gay men. I'm sure if we

2258
01:36:44,920 --> 01:36:47,280
Speaker 2: looked up those stats of who works as flight attendant

2259
01:36:47,280 --> 01:36:49,360
Speaker 2: would be women, then gay men, and then straight men.

2260
01:36:49,479 --> 01:36:50,320
Speaker 2: But there is straight men.

2261
01:36:50,600 --> 01:36:54,080
Speaker 3: Yeah, there's definitely straight menn. Yeah, because I've flirted with

2262
01:36:54,120 --> 01:36:55,000
Speaker 3: a flight attend.

2263
01:36:54,840 --> 01:36:56,880
Speaker 2: We have to bring actually, let's bring back d uh

2264
01:36:58,080 --> 01:37:00,439
Speaker 2: more straight men need to get those jobs. I think

2265
01:37:00,640 --> 01:37:02,439
Speaker 2: I think we are being oppressed. I think dot she

2266
01:37:02,479 --> 01:37:06,120
Speaker 2: oppressed us yesterday. I think the flight attended schools are

2267
01:37:06,160 --> 01:37:08,720
Speaker 2: oppressing us d I is important for straight white men

2268
01:37:09,000 --> 01:37:11,640
Speaker 2: to get that job. Well, maybe you want to we

2269
01:37:11,760 --> 01:37:12,880
Speaker 2: want to be sky waitresses.

2270
01:37:13,000 --> 01:37:15,439
Speaker 3: Maybe y'all don't apply because y'all think it's a gay job.

2271
01:37:18,360 --> 01:37:20,000
Speaker 2: You how much pussy you could crush?

2272
01:37:20,800 --> 01:37:24,000
Speaker 1: I wouldn't say a heterosexual man, he don't want to

2273
01:37:24,040 --> 01:37:26,519
Speaker 1: be cracking open ginger rails on a flight. You want

2274
01:37:26,560 --> 01:37:27,520
Speaker 1: to fly that motherfucker.

2275
01:37:27,960 --> 01:37:30,719
Speaker 2: That's I don't think that's the only thing that should

2276
01:37:30,720 --> 01:37:31,120
Speaker 2: be cut out of this.

2277
01:37:32,880 --> 01:37:35,960
Speaker 1: What why should that be cut out?

2278
01:37:36,439 --> 01:37:38,920
Speaker 3: There's nothing wrong we're cracking open ginger rails.

2279
01:37:39,040 --> 01:37:40,920
Speaker 2: Yes, nothing wrong with that at all. And there's plenty

2280
01:37:40,960 --> 01:37:44,439
Speaker 2: of straight men that do that already at as bartenders.

2281
01:37:45,680 --> 01:37:47,120
Speaker 3: Except they don't get to fly for free.

2282
01:37:47,320 --> 01:37:53,080
Speaker 2: Yeah, yeah, the flight You know, remember the Christen in

2283
01:37:53,240 --> 01:37:56,080
Speaker 2: the video when they were the only two straight guys

2284
01:37:56,120 --> 01:37:57,800
Speaker 2: at uh the all girls school?

2285
01:37:58,720 --> 01:37:59,120
Speaker 1: Mm hmm.

2286
01:37:59,280 --> 01:38:02,240
Speaker 2: You would those numbers you crushing pussy. I'll open a

2287
01:38:02,280 --> 01:38:02,880
Speaker 2: ginger rel for that.

2288
01:38:04,640 --> 01:38:09,120
Speaker 1: I just think that statistics would show that there's a

2289
01:38:09,280 --> 01:38:14,679
Speaker 1: very low number of heterosexual male flight attendants. Yeah, I agree, Okay,

2290
01:38:14,920 --> 01:38:16,120
Speaker 1: that's all the numbers on.

2291
01:38:16,160 --> 01:38:17,800
Speaker 2: That's all you were saying, number that's the only thing

2292
01:38:17,840 --> 01:38:19,840
Speaker 2: that you I'm concluding. I'm just saying the numbers are

2293
01:38:19,880 --> 01:38:22,240
Speaker 2: on my side. The conversation is what I'm saying.

2294
01:38:23,400 --> 01:38:25,800
Speaker 1: I think that the numbers support what I'm saying, is

2295
01:38:25,880 --> 01:38:28,400
Speaker 1: all I'm trying to say here, that's it, Okay.

2296
01:38:28,520 --> 01:38:31,639
Speaker 2: I also don't think there's a high number of gay

2297
01:38:31,680 --> 01:38:34,559
Speaker 2: men on oil rigs in the North Sea. I hear you. Yeah,

2298
01:38:34,560 --> 01:38:38,080
Speaker 2: there's just you're playing the stackers. That's all exactly.

2299
01:38:38,280 --> 01:38:40,759
Speaker 1: That's all I'm doing. Your numbers got the marriage hip bartender.

2300
01:38:41,040 --> 01:38:44,839
Speaker 3: So there is around seventy nine percent female flight attendants

2301
01:38:44,880 --> 01:38:47,280
Speaker 3: and twenty one percent male flight attendants.

2302
01:38:47,840 --> 01:38:48,960
Speaker 2: That's what they don't higher number one.

2303
01:38:48,960 --> 01:38:52,080
Speaker 3: I thought, Yeah, they don't say how many of them

2304
01:38:52,120 --> 01:38:52,559
Speaker 3: are straight.

2305
01:38:53,640 --> 01:38:57,320
Speaker 2: But that would be a great, like retirement job. I

2306
01:38:57,360 --> 01:39:00,240
Speaker 2: would do that, just get to travel every where.

2307
01:39:01,680 --> 01:39:04,840
Speaker 3: Why not become a pilot because that's a lot. Why not,

2308
01:39:04,920 --> 01:39:06,640
Speaker 3: because that's like if I say I want to go

2309
01:39:06,760 --> 01:39:09,640
Speaker 3: because history, and you're like, yeah, I want to go

2310
01:39:09,680 --> 01:39:11,479
Speaker 3: into dentistry or I want to be a dental assistant,

2311
01:39:11,479 --> 01:39:13,120
Speaker 3: You're like, hey, why not aim for the sky and

2312
01:39:13,200 --> 01:39:16,599
Speaker 3: go be a Cardiac's fucking surgeon. No, like I don't

2313
01:39:16,600 --> 01:39:18,679
Speaker 3: want to add an additional five years of school.

2314
01:39:18,920 --> 01:39:22,720
Speaker 2: Yeah, really, I would love to do hard transplants. I

2315
01:39:22,800 --> 01:39:24,080
Speaker 2: just don't think I'm the one that should be doing

2316
01:39:24,160 --> 01:39:24,519
Speaker 2: think I think.

2317
01:39:24,560 --> 01:39:26,320
Speaker 1: I think in order to get your pilot license, you

2318
01:39:26,400 --> 01:39:28,280
Speaker 1: probably need just as much flight I as logged in

2319
01:39:28,320 --> 01:39:29,519
Speaker 1: as a as a flight attendant.

2320
01:39:29,560 --> 01:39:29,600
Speaker 4: No.

2321
01:39:30,479 --> 01:39:34,559
Speaker 3: No, And it's also way more schooling and way more pressure.

2322
01:39:34,960 --> 01:39:36,640
Speaker 1: It's way more pressure to flat this thing than the

2323
01:39:36,680 --> 01:39:37,920
Speaker 1: crack open a ginger raid the marriage.

2324
01:39:38,320 --> 01:39:40,600
Speaker 2: Don't do that because I know a lot of flight attendants,

2325
01:39:40,640 --> 01:39:43,280
Speaker 2: and that school is about safety. They're not teaching you

2326
01:39:43,320 --> 01:39:48,360
Speaker 2: how to fucking give peanuts. They're part of the flight crew. No.

2327
01:39:48,600 --> 01:39:51,479
Speaker 2: Of course, we know being a pilot is tougher than

2328
01:39:51,560 --> 01:39:55,080
Speaker 2: being flight attendant. A podcast or anything along those lines. Yeah,

2329
01:39:55,680 --> 01:39:59,120
Speaker 2: but let's not act like they're not safety experts of

2330
01:39:59,200 --> 01:40:02,200
Speaker 2: the plane. That's really why they're there. Just when there's

2331
01:40:02,240 --> 01:40:04,639
Speaker 2: not an emergency, which thank god they don't happen that often,

2332
01:40:05,400 --> 01:40:09,160
Speaker 2: they give us strikes. Yeah, but their role is really

2333
01:40:09,200 --> 01:40:11,920
Speaker 2: to be the flight crew to help in an emergency.

2334
01:40:11,680 --> 01:40:13,559
Speaker 3: And there's been a lot of emergencies lately. So let's

2335
01:40:13,560 --> 01:40:15,479
Speaker 3: not act like they're not earning their keys. Yeah, they're

2336
01:40:15,479 --> 01:40:16,479
Speaker 3: on the front lines right now.

2337
01:40:16,760 --> 01:40:18,519
Speaker 1: I mean it's not been a lot if we think

2338
01:40:18,520 --> 01:40:21,120
Speaker 1: about how many flights take off and land every but

2339
01:40:21,200 --> 01:40:24,559
Speaker 1: you never know. Yeah, no, listen, I'm prayers to anybody

2340
01:40:24,680 --> 01:40:27,080
Speaker 1: that we've lost. We've seen a lot of tragedy this

2341
01:40:27,880 --> 01:40:28,439
Speaker 1: year with flights.

2342
01:40:28,479 --> 01:40:30,720
Speaker 3: So yes, in shout out to all of our flight

2343
01:40:30,760 --> 01:40:33,639
Speaker 3: attendant listeners, I am not disrespecting your job at all.

2344
01:40:33,640 --> 01:40:35,439
Speaker 1: I'm not respecting your job or I'm just sending the

2345
01:40:35,479 --> 01:40:39,479
Speaker 1: numbers lean towards was it twenty mail, Yes, and.

2346
01:40:39,600 --> 01:40:41,679
Speaker 2: I think we should bump those numbers up. I believe

2347
01:40:41,720 --> 01:40:44,960
Speaker 2: in equality, gender quality. I think that should be something

2348
01:40:44,960 --> 01:40:45,920
Speaker 2: we should look into.

2349
01:40:46,080 --> 01:40:47,439
Speaker 1: Before we go any further. I want to send the

2350
01:40:47,479 --> 01:40:50,200
Speaker 1: rest in peace of Dwayne Wiggins, one of the founding

2351
01:40:50,280 --> 01:40:54,559
Speaker 1: members of the legendary Tony Tony Tony lost him over

2352
01:40:54,640 --> 01:40:58,519
Speaker 1: the weekend. He lost his battle with cancer. So we

2353
01:40:58,560 --> 01:41:02,760
Speaker 1: want to send a prayer to the entire family. You know,

2354
01:41:02,880 --> 01:41:06,439
Speaker 1: you talk about just legendary bands and music and groups,

2355
01:41:06,920 --> 01:41:08,920
Speaker 1: Tony Tony Tony is right there at the top of

2356
01:41:09,360 --> 01:41:12,439
Speaker 1: a lot of those lists. So preis condolences to Dwayne

2357
01:41:12,479 --> 01:41:17,760
Speaker 1: Wiggins and his entire family. And we also forgot last

2358
01:41:17,800 --> 01:41:20,840
Speaker 1: week to send a prayers and condolences to the family

2359
01:41:20,920 --> 01:41:22,240
Speaker 1: of the legendary Roy Airs.

2360
01:41:22,520 --> 01:41:22,720
Speaker 2: Yeah.

2361
01:41:24,479 --> 01:41:27,240
Speaker 1: I mean, I can't count how many times his music

2362
01:41:27,280 --> 01:41:32,040
Speaker 1: has been sampled some you know, most legendary music that

2363
01:41:32,400 --> 01:41:35,200
Speaker 1: we've had and continue to listen to and continue to

2364
01:41:35,240 --> 01:41:38,960
Speaker 1: sample and continue to hear over and over. So prais

2365
01:41:39,000 --> 01:41:42,719
Speaker 1: condolences to the family of the legendary musician mister roy Airs.

2366
01:41:43,120 --> 01:41:46,000
Speaker 2: Yeah, for sure. And I felt terrible that we forgot

2367
01:41:46,040 --> 01:41:48,559
Speaker 2: about that. Yeah, I mean we said it on Patreon

2368
01:41:49,160 --> 01:41:51,240
Speaker 2: right after, but still you need to say it on

2369
01:41:51,280 --> 01:41:54,599
Speaker 2: the regular episode as well. I guess before we get

2370
01:41:54,880 --> 01:41:58,280
Speaker 2: to possible voicemails, do we want to discuss this juicy

2371
01:41:58,360 --> 01:42:00,760
Speaker 2: thing or just wait to see if more comes out.

2372
01:42:02,360 --> 01:42:02,920
Speaker 1: It's not much.

2373
01:42:03,160 --> 01:42:05,720
Speaker 2: I mean I don't personally from what I've seen that

2374
01:42:05,880 --> 01:42:09,800
Speaker 2: it feels a little off. But I mean Odell and

2375
01:42:09,960 --> 01:42:11,920
Speaker 2: Drewski came out right away and was like, oh, this

2376
01:42:12,040 --> 01:42:14,080
Speaker 2: is stupid, this is not real.

2377
01:42:14,360 --> 01:42:16,240
Speaker 1: Yeah, I know it's not to me. You know, a

2378
01:42:16,280 --> 01:42:18,360
Speaker 1: lot of that stuff we're gonna hear about that case

2379
01:42:18,439 --> 01:42:20,840
Speaker 1: and around it is not even talking about. It's a

2380
01:42:20,880 --> 01:42:22,760
Speaker 1: lot of bullshit. I mean, and some of it is true,

2381
01:42:23,160 --> 01:42:26,280
Speaker 1: but I think this situation is just something that you know,

2382
01:42:26,360 --> 01:42:30,040
Speaker 1: it's just somebody threw these guys, these individuals names out there,

2383
01:42:30,160 --> 01:42:32,600
Speaker 1: and because it is a court case and it's it

2384
01:42:32,760 --> 01:42:34,960
Speaker 1: is documented that you know, their names came out. But

2385
01:42:35,439 --> 01:42:37,720
Speaker 1: I don't think that there's much much validity to any

2386
01:42:37,760 --> 01:42:37,880
Speaker 1: of that.

2387
01:42:38,120 --> 01:42:40,519
Speaker 2: How was how is a lawyer still like allowed to

2388
01:42:41,360 --> 01:42:45,200
Speaker 2: practice after that? Because Drewski made a very logical point

2389
01:42:45,280 --> 01:42:47,760
Speaker 2: in regards to everything. I was not even famous at this,

2390
01:42:47,920 --> 01:42:50,080
Speaker 2: I was broke in my mom's script. How on earth

2391
01:42:50,120 --> 01:42:52,920
Speaker 2: could I be at Ditty's house doing this? Yeah, I

2392
01:42:53,000 --> 01:42:55,639
Speaker 2: did not know Diddy? This is insane. How how does

2393
01:42:55,680 --> 01:42:57,680
Speaker 2: that even get into it? But that was how does

2394
01:42:57,800 --> 01:43:00,360
Speaker 2: that one go? Hey, this there's no fun way they

2395
01:43:00,360 --> 01:43:01,160
Speaker 2: should even be printed.

2396
01:43:01,200 --> 01:43:03,360
Speaker 1: But this is going back to the Jay Z situation

2397
01:43:03,760 --> 01:43:06,360
Speaker 1: and the lawyer Tony Buzby. This is what Jay was saying, like,

2398
01:43:06,760 --> 01:43:09,639
Speaker 1: there should be some penalty for lawyers that just, yeah,

2399
01:43:09,760 --> 01:43:11,920
Speaker 1: do things like this and put people's names out there

2400
01:43:12,000 --> 01:43:12,519
Speaker 1: without if.

2401
01:43:12,439 --> 01:43:13,760
Speaker 2: You want to risk it, yeah, you have to have

2402
01:43:13,840 --> 01:43:14,120
Speaker 2: some risk.

2403
01:43:14,280 --> 01:43:15,960
Speaker 1: You have to you have to stand behind the risk

2404
01:43:16,040 --> 01:43:18,320
Speaker 1: of just throwing my name into into some bullshit. So

2405
01:43:18,720 --> 01:43:20,240
Speaker 1: I think this is one of those another one of

2406
01:43:20,280 --> 01:43:22,080
Speaker 1: those situations, and I don't think there's much to it.

2407
01:43:22,439 --> 01:43:29,519
Speaker 2: Yeah, do we have voicemails.

2408
01:43:30,000 --> 01:43:32,200
Speaker 3: We have one, our first one in a while. It's

2409
01:43:32,240 --> 01:43:34,280
Speaker 3: a really simple voicemail. If you guys want to listen

2410
01:43:34,320 --> 01:43:35,759
Speaker 3: to it, just a guy asking for advice.

2411
01:43:35,960 --> 01:43:38,160
Speaker 1: Okay, okay, yeah, got mail.

2412
01:43:39,720 --> 01:43:42,559
Speaker 5: Hey, what's up, pod family. It's Malcolm from South Africa.

2413
01:43:42,600 --> 01:43:45,599
Speaker 4: Again shout out to the podcast as always still listening,

2414
01:43:45,680 --> 01:43:48,560
Speaker 4: still supporting. Uh So I come to that not to

2415
01:43:48,640 --> 01:43:52,280
Speaker 4: discuss politics and economics like in the loss of voicemail license.

2416
01:43:52,280 --> 01:43:53,160
Speaker 1: I don't know if you remember that.

2417
01:43:53,640 --> 01:43:56,160
Speaker 5: I come today because I need some advice on a woman.

2418
01:43:56,520 --> 01:43:56,640
Speaker 3: Right.

2419
01:43:56,720 --> 01:43:59,200
Speaker 4: So I'm in the Miami area and there's a girl

2420
01:43:59,280 --> 01:44:01,920
Speaker 4: I started speaking to. And when I say this is

2421
01:44:02,080 --> 01:44:07,560
Speaker 4: generational talent, I mean this is Steph Curry fused with

2422
01:44:07,720 --> 01:44:10,880
Speaker 4: Lebron James. She is absolutely breathtaking. And we've been speaking

2423
01:44:11,080 --> 01:44:13,720
Speaker 4: for the past, you know, a few months, not exclusively,

2424
01:44:13,800 --> 01:44:16,080
Speaker 4: and I prefer that we're still doing you know.

2425
01:44:16,080 --> 01:44:17,800
Speaker 5: We're still speaking to other people, doing our own things,

2426
01:44:17,840 --> 01:44:21,240
Speaker 5: but we go on dates and the sorts. Now, I'm

2427
01:44:21,280 --> 01:44:23,200
Speaker 5: a gift giver That's one of my love languages.

2428
01:44:23,320 --> 01:44:26,760
Speaker 4: Like I love giving people Like if I see meet

2429
01:44:26,760 --> 01:44:28,880
Speaker 4: a woman and I see a genuine future, I love

2430
01:44:29,040 --> 01:44:31,080
Speaker 4: like gifts that make her life easier, like a spa

2431
01:44:31,200 --> 01:44:32,439
Speaker 4: da go to your nails.

2432
01:44:33,200 --> 01:44:35,479
Speaker 5: Sheres uber eats money, here's groceries, that type thing.

2433
01:44:36,240 --> 01:44:39,200
Speaker 4: But obviously I'm in the Miami area and she has

2434
01:44:39,240 --> 01:44:42,080
Speaker 4: attracted like a lot of athletes, the interest of a

2435
01:44:42,120 --> 01:44:44,120
Speaker 4: lot of athletes, a lot of celebrities, et cetera, et cetera.

2436
01:44:44,160 --> 01:44:46,320
Speaker 4: So the question I have to you is how do

2437
01:44:46,479 --> 01:44:49,439
Speaker 4: I ensure that the sentiment behind the gifts that I

2438
01:44:49,560 --> 01:44:51,920
Speaker 4: give doesn't get lost on her, like that she doesn't

2439
01:44:52,000 --> 01:44:54,680
Speaker 4: just view this as another nigga that's love dumping or

2440
01:44:54,840 --> 01:45:00,640
Speaker 4: just wasting splurgeing cash on her. Everyone's perspective would be appreciated.

2441
01:45:00,720 --> 01:45:03,960
Speaker 4: Baby D as the the the the spokesperson of a woman.

2442
01:45:04,000 --> 01:45:06,120
Speaker 4: I'd love to hear your point of view. As always

2443
01:45:06,520 --> 01:45:08,440
Speaker 4: loved the podcast New Oian.

2444
01:45:08,200 --> 01:45:11,000
Speaker 2: More Fever Shut Up. I heard they do a lot

2445
01:45:11,040 --> 01:45:12,080
Speaker 2: of love dumping in Dubai.

2446
01:45:13,760 --> 01:45:15,120
Speaker 1: That's what that's where it originated.

2447
01:45:15,320 --> 01:45:16,880
Speaker 3: First, we're going to get into that too, because I

2448
01:45:16,920 --> 01:45:20,280
Speaker 3: saw an article on that. But let's answer this gentleman.

2449
01:45:20,439 --> 01:45:23,160
Speaker 3: I'm sorry, I was laughing when he said the N word.

2450
01:45:23,240 --> 01:45:25,400
Speaker 3: Peage looked at me like Peach didn't believe he should

2451
01:45:25,439 --> 01:45:27,960
Speaker 3: be saying that. But it sounds like he's African. I

2452
01:45:28,080 --> 01:45:29,000
Speaker 3: like he's South African.

2453
01:45:29,160 --> 01:45:30,880
Speaker 2: So maybe definitely, I.

2454
01:45:30,880 --> 01:45:32,360
Speaker 1: Mean, you can be a white South African. But I

2455
01:45:32,360 --> 01:45:32,680
Speaker 1: don't think.

2456
01:45:33,120 --> 01:45:33,360
Speaker 4: I don't.

2457
01:45:33,520 --> 01:45:34,040
Speaker 3: Yeah, I don't think.

2458
01:45:35,080 --> 01:45:37,439
Speaker 2: All right, before we get to the question, his name

2459
01:45:37,520 --> 01:45:40,799
Speaker 2: is Malcolm mac Miller's name was Malcolm?

2460
01:45:41,520 --> 01:45:45,960
Speaker 1: Is that mac Mill's real name? No, it is, yes, Malcolm. Yes,

2461
01:45:46,160 --> 01:45:47,040
Speaker 1: that's fucking Hillo.

2462
01:45:47,520 --> 01:45:48,840
Speaker 2: There's white malcolms. There's not a lot.

2463
01:45:48,960 --> 01:45:50,800
Speaker 3: Yeah, but Malcolm in the middle was white, wasn't he?

2464
01:45:52,160 --> 01:45:52,360
Speaker 1: Yeah?

2465
01:45:53,400 --> 01:45:54,200
Speaker 2: Wasn't he his crazy?

2466
01:45:54,720 --> 01:45:55,560
Speaker 1: What did you think he was?

2467
01:45:56,520 --> 01:45:56,720
Speaker 2: Yeah?

2468
01:45:57,280 --> 01:46:00,680
Speaker 1: Yeah made Yeah, not many white man, But there's a

2469
01:46:00,720 --> 01:46:01,320
Speaker 1: couple out there.

2470
01:46:02,280 --> 01:46:05,519
Speaker 2: When you've ran into a woman that is gorgeous and

2471
01:46:05,640 --> 01:46:08,240
Speaker 2: you're trying to find a way to describe her beauty.

2472
01:46:09,200 --> 01:46:10,160
Speaker 2: All your friends.

2473
01:46:10,000 --> 01:46:14,760
Speaker 1: Always compare these sports. Always she's Kobe and Shaq And.

2474
01:46:14,800 --> 01:46:18,920
Speaker 2: Then could you imagine Iverson's handle with Tim Duncan's height.

2475
01:46:19,120 --> 01:46:22,280
Speaker 1: Yeah, that's usually the ability with Jok's passing ability.

2476
01:46:22,520 --> 01:46:25,320
Speaker 3: I don't think he was describing her looks just who

2477
01:46:25,400 --> 01:46:25,680
Speaker 3: she was.

2478
01:46:25,800 --> 01:46:27,200
Speaker 2: She's the goat, she's the greatest.

2479
01:46:27,280 --> 01:46:29,920
Speaker 3: He said, generational talent. I'm sure he was referring to

2480
01:46:30,000 --> 01:46:30,559
Speaker 3: something else.

2481
01:46:31,880 --> 01:46:33,640
Speaker 1: What do you think, I mean, it probably was some

2482
01:46:33,720 --> 01:46:35,839
Speaker 1: of that in there too, But he says she's absolutely beautiful.

2483
01:46:36,200 --> 01:46:38,960
Speaker 2: But to me, that's even nastier if what Demaris is

2484
01:46:39,040 --> 01:46:42,760
Speaker 2: insinuating here is that also described based off two crown

2485
01:46:42,800 --> 01:46:43,439
Speaker 2: men in the NBA.

2486
01:46:44,760 --> 01:46:45,679
Speaker 3: Generational talent.

2487
01:46:45,840 --> 01:46:49,519
Speaker 1: Yeah, she said, well listen, I've met some generational talent

2488
01:46:49,560 --> 01:46:51,439
Speaker 1: in my life, saying I can understand what this gentleman

2489
01:46:51,520 --> 01:46:54,760
Speaker 1: is saying. So his question was, how does his his

2490
01:46:55,000 --> 01:47:00,280
Speaker 1: gifts his you know, I guess love language. How does

2491
01:47:00,360 --> 01:47:04,559
Speaker 1: it not get lost upon I guess what other guys

2492
01:47:04,600 --> 01:47:06,640
Speaker 1: are trying to do for her trying to Yeah, he.

2493
01:47:06,720 --> 01:47:08,680
Speaker 3: Wants he wants to know what type of gifts to

2494
01:47:08,840 --> 01:47:11,400
Speaker 3: give so that his gifts stick out and it's not

2495
01:47:11,520 --> 01:47:13,560
Speaker 3: something she's just like another one. Thank you.

2496
01:47:13,800 --> 01:47:15,960
Speaker 2: Well, I mean we can't we can't really answer that.

2497
01:47:16,040 --> 01:47:18,840
Speaker 2: The only answer would be to pay attention to details

2498
01:47:19,040 --> 01:47:21,200
Speaker 2: and specific things. Yeah, what type of more things that

2499
01:47:21,320 --> 01:47:24,479
Speaker 2: she would like and appreciate. I mean there's plenty of women.

2500
01:47:25,320 --> 01:47:27,120
Speaker 1: Well, we just did an episode two weeks ago where

2501
01:47:27,120 --> 01:47:29,720
Speaker 1: a woman didn't appreciate the small gesture of what was it?

2502
01:47:29,800 --> 01:47:32,680
Speaker 1: How much money did that gentleman? Thirty dollars? Yeah, so

2503
01:47:32,840 --> 01:47:34,880
Speaker 1: it's not the small she got a teach her a

2504
01:47:34,920 --> 01:47:36,280
Speaker 1: line out of it. Yeah, but you gotta, you gotta,

2505
01:47:36,320 --> 01:47:38,640
Speaker 1: you gotta just know your woman, know who you're dealing with,

2506
01:47:38,920 --> 01:47:41,280
Speaker 1: know what she likes, know the type of woman she is.

2507
01:47:42,479 --> 01:47:44,000
Speaker 1: I can't, we can't really speak to it because we

2508
01:47:44,040 --> 01:47:45,920
Speaker 1: don't know this woman. And you're saying that she's getting

2509
01:47:45,960 --> 01:47:49,519
Speaker 1: the eyes and attention from you know, athletes and you know,

2510
01:47:50,160 --> 01:47:51,120
Speaker 1: rich rich men.

2511
01:47:51,280 --> 01:47:56,599
Speaker 2: So I think it's actually an interesting question because there

2512
01:47:56,680 --> 01:47:59,640
Speaker 2: are we've all dealt with that situations with women that

2513
01:48:00,720 --> 01:48:03,960
Speaker 2: deal with men that have money far greater lengths in them,

2514
01:48:04,040 --> 01:48:07,120
Speaker 2: generational wealth, if you will, based off those contracts. The

2515
01:48:07,240 --> 01:48:10,320
Speaker 2: way to stand out is really your personality and the

2516
01:48:10,360 --> 01:48:13,839
Speaker 2: smaller things that you do. This whole generation is completely

2517
01:48:13,880 --> 01:48:16,160
Speaker 2: fucked because every girl's been to Tao, no matter who

2518
01:48:16,160 --> 01:48:18,280
Speaker 2: the fuck they are. Every girl's been flown to Turks

2519
01:48:18,320 --> 01:48:20,120
Speaker 2: on a girl's trip. But like that shit is so

2520
01:48:20,920 --> 01:48:24,559
Speaker 2: regular now that the things that would stand out, those

2521
01:48:24,680 --> 01:48:30,000
Speaker 2: huge gestures most regular women have had before based off Instagram.

2522
01:48:30,840 --> 01:48:33,120
Speaker 3: It's okay, let's easy's not say that. Please.

2523
01:48:33,120 --> 01:48:34,360
Speaker 2: First, well, I don't think there's anything wrong with.

2524
01:48:34,400 --> 01:48:35,880
Speaker 3: That at all. No, let's but let's not say that

2525
01:48:35,960 --> 01:48:38,120
Speaker 3: because our regular listeners who listen to this podcast look

2526
01:48:38,120 --> 01:48:40,000
Speaker 3: at y'all like y'all are fucking insane when y'all say

2527
01:48:40,040 --> 01:48:41,439
Speaker 3: that most regular women have.

2528
01:48:41,479 --> 01:48:44,680
Speaker 2: I know so many regular women with followers at one

2529
01:48:44,760 --> 01:48:47,720
Speaker 2: thousand at most that have been flown out by very

2530
01:48:47,880 --> 01:48:51,040
Speaker 2: rich men just because they're pretty. Chose guys that scour

2531
01:48:51,160 --> 01:48:51,639
Speaker 2: the internet.

2532
01:48:51,760 --> 01:48:56,960
Speaker 3: But that's not the base. Those women are also extraordinarily beautiful,

2533
01:48:57,040 --> 01:48:58,639
Speaker 3: that's not the those are not regular.

2534
01:48:58,920 --> 01:49:01,200
Speaker 2: All right, let the flight attend land his fucking point.

2535
01:49:03,439 --> 01:49:06,040
Speaker 2: He's dealing with those type of women clearly because they're

2536
01:49:06,840 --> 01:49:10,520
Speaker 2: interacting with famous people and athletes that have that's for resources.

2537
01:49:11,000 --> 01:49:13,680
Speaker 2: All those women have probably been flown out. All those

2538
01:49:13,720 --> 01:49:15,679
Speaker 2: big things that you think would be the greatest shit

2539
01:49:15,720 --> 01:49:17,559
Speaker 2: to do for women is regular to them.

2540
01:49:17,800 --> 01:49:18,000
Speaker 3: Yeah.

2541
01:49:18,040 --> 01:49:21,280
Speaker 2: So the very small gestures that I think used to

2542
01:49:21,360 --> 01:49:24,800
Speaker 2: get clowns are the stuff that stands out m hm.

2543
01:49:26,000 --> 01:49:28,040
Speaker 2: So I would just focus on that instead of trying

2544
01:49:28,040 --> 01:49:30,200
Speaker 2: to compete with somebody that has one hundred million dollar

2545
01:49:30,280 --> 01:49:32,960
Speaker 2: contract and could take her to fucking fashion Week tomorrow.

2546
01:49:33,040 --> 01:49:35,400
Speaker 2: She feels like it, Yeah, go make her laugh and

2547
01:49:35,479 --> 01:49:37,639
Speaker 2: pay attention to what she actually likes in real life.

2548
01:49:38,120 --> 01:49:40,680
Speaker 1: Yeah, I think that's that's the key. You gotta. You

2549
01:49:40,760 --> 01:49:45,880
Speaker 1: gotta tap into something outside of just you know, love

2550
01:49:45,960 --> 01:49:48,360
Speaker 1: bombing as he said, gifts and things like that. Like

2551
01:49:48,960 --> 01:49:51,840
Speaker 1: she has to like your personality obviously she does just

2552
01:49:51,920 --> 01:49:54,479
Speaker 1: somebody that you're dealing with, so she likes something about you,

2553
01:49:55,479 --> 01:49:57,600
Speaker 1: I think. Just yeah, continue to be yourself, man. You

2554
01:49:57,680 --> 01:50:00,240
Speaker 1: can't worry about all that other shit and kind of

2555
01:50:00,280 --> 01:50:02,559
Speaker 1: factor that into how you move in your relationship with her,

2556
01:50:02,720 --> 01:50:04,840
Speaker 1: Like you know, it is what it is like. Either

2557
01:50:04,920 --> 01:50:06,880
Speaker 1: she's gonna be with you and you know, you have

2558
01:50:07,000 --> 01:50:09,760
Speaker 1: her undivided attention and y'all are gonna enjoy each other.

2559
01:50:09,880 --> 01:50:11,800
Speaker 1: Or she's gonna get bored with you and you know,

2560
01:50:12,000 --> 01:50:15,120
Speaker 1: maybe her likes and her needs you know, turn into

2561
01:50:15,160 --> 01:50:18,839
Speaker 1: something else and you can't really provide that for her anymore,

2562
01:50:18,880 --> 01:50:20,680
Speaker 1: and she's gonna end up, you know, somewhere else. But

2563
01:50:20,800 --> 01:50:24,439
Speaker 1: that happens even if she isn't catching the odds and

2564
01:50:24,479 --> 01:50:28,800
Speaker 1: attention of you know, rich guys, Like if you're a woman,

2565
01:50:28,960 --> 01:50:31,080
Speaker 1: isn't that type of woman? And she's bored with you

2566
01:50:31,240 --> 01:50:34,040
Speaker 1: and you're not, you know, like feeding her wanting needs

2567
01:50:34,080 --> 01:50:36,200
Speaker 1: the way she wants to, She's gonna find somebody else

2568
01:50:36,240 --> 01:50:36,519
Speaker 1: to do it.

2569
01:50:36,600 --> 01:50:39,799
Speaker 2: So and I mean, for example too, outside of like gifts,

2570
01:50:39,800 --> 01:50:43,120
Speaker 2: even though I know that's his love language, if she's

2571
01:50:43,200 --> 01:50:45,040
Speaker 2: used to like fancy restaurants or whatever, and you know,

2572
01:50:45,120 --> 01:50:47,040
Speaker 2: a really cool local spot that has way better food

2573
01:50:47,080 --> 01:50:49,240
Speaker 2: and it's more low key, like nice little food truck, like,

2574
01:50:49,320 --> 01:50:51,880
Speaker 2: if she doesn't appreciate that type of stuff, then maybe

2575
01:50:51,920 --> 01:50:53,680
Speaker 2: she's not the one for you. And I don't think

2576
01:50:53,680 --> 01:50:55,800
Speaker 2: there's anything wrong with women that just want five star

2577
01:50:55,920 --> 01:50:59,840
Speaker 2: Michelin shit like that's fine, not knocking you, but that

2578
01:51:00,000 --> 01:51:01,840
Speaker 2: it's not a girl that i'd probably want to hang

2579
01:51:01,880 --> 01:51:04,040
Speaker 2: out with. We could do that sometimes, but if we're

2580
01:51:04,080 --> 01:51:08,040
Speaker 2: not going to a concert of a half unknown artist

2581
01:51:08,160 --> 01:51:10,160
Speaker 2: with only two hundre people in the crowd and then

2582
01:51:10,200 --> 01:51:12,320
Speaker 2: getting a taco truck, I know, and you can't have

2583
01:51:12,439 --> 01:51:14,439
Speaker 2: fun in that, then you not really for me. But

2584
01:51:14,720 --> 01:51:16,400
Speaker 2: that can make you stand out because you're not doing

2585
01:51:16,439 --> 01:51:19,680
Speaker 2: the typical South Beach restaurant like you're showing her your

2586
01:51:19,680 --> 01:51:23,080
Speaker 2: world and once you're into that stands out the cool shit.

2587
01:51:23,280 --> 01:51:26,479
Speaker 1: Yeah, not just things that are cool on social media,

2588
01:51:26,560 --> 01:51:29,080
Speaker 1: like the real cool shit. If you know, you know this,

2589
01:51:29,360 --> 01:51:32,080
Speaker 1: this place is known for this specific thing. Like you

2590
01:51:32,240 --> 01:51:35,560
Speaker 1: like pizza, I know, crazy pizza spot, best pizza in

2591
01:51:35,600 --> 01:51:38,000
Speaker 1: the city. You know you like pasta, you like you know,

2592
01:51:38,080 --> 01:51:41,720
Speaker 1: little things like that. Just feed her intellect, feed her,

2593
01:51:41,840 --> 01:51:43,640
Speaker 1: you know, teach us some new things, show us some

2594
01:51:44,120 --> 01:51:47,280
Speaker 1: different things that she may not know about. I think

2595
01:51:47,360 --> 01:51:49,439
Speaker 1: that's how you kind of tap into a woman and

2596
01:51:49,560 --> 01:51:52,920
Speaker 1: kind of stand out amongst you know, the other guys

2597
01:51:52,960 --> 01:51:54,920
Speaker 1: that may be trying to pull at her attention.

2598
01:51:54,960 --> 01:51:56,880
Speaker 3: When it comes to gifts. Since when it comes to

2599
01:51:57,000 --> 01:51:59,760
Speaker 3: gifts and women, if you're going to regular since you

2600
01:51:59,800 --> 01:52:01,920
Speaker 3: said gift giving is your love language, we love a

2601
01:52:01,960 --> 01:52:07,880
Speaker 3: gift giver, make sure that you can maintain whatever level

2602
01:52:08,000 --> 01:52:11,679
Speaker 3: of gifts you are doing. So if you can afford,

2603
01:52:12,360 --> 01:52:14,640
Speaker 3: if you regularly want to give gifts, because that's how

2604
01:52:14,680 --> 01:52:16,799
Speaker 3: you show love the most, make sure you can maintain

2605
01:52:17,000 --> 01:52:19,120
Speaker 3: the level of gifts you're buying. So if you can't

2606
01:52:19,200 --> 01:52:23,479
Speaker 3: maintain turks trips once every three four months, then don't

2607
01:52:23,520 --> 01:52:26,080
Speaker 3: even set that standard, because then that's what she's that's

2608
01:52:26,120 --> 01:52:28,120
Speaker 3: going to become what she's come to expect and what

2609
01:52:28,240 --> 01:52:30,120
Speaker 3: she's gonna attach to you. And then once you can't

2610
01:52:30,160 --> 01:52:32,680
Speaker 3: do it anymore, it looks like you were fronting and

2611
01:52:32,800 --> 01:52:35,680
Speaker 3: that's more unattractive than anything. So make sure you can

2612
01:52:35,800 --> 01:52:40,240
Speaker 3: maintain whatever energy you start with, and most importantly what.

2613
01:52:40,360 --> 01:52:43,000
Speaker 1: You just said, Because what if he can't afford to

2614
01:52:43,040 --> 01:52:45,360
Speaker 1: go to Turks, what if he can afford to go

2615
01:52:45,439 --> 01:52:46,120
Speaker 1: to Disney World.

2616
01:52:46,439 --> 01:52:47,479
Speaker 2: No, but that's what DeMars said.

2617
01:52:47,479 --> 01:52:48,120
Speaker 3: That's what I'm saying.

2618
01:52:49,479 --> 01:52:54,240
Speaker 2: I'm maybe you can finally afford that Turk trip. That

2619
01:52:54,439 --> 01:52:57,040
Speaker 2: can't be something that's just in your wheelhouse at all times,

2620
01:52:57,120 --> 01:52:59,559
Speaker 2: like the gifts you give. That's not fair to say

2621
01:52:59,600 --> 01:53:01,560
Speaker 2: I can aford it right now. Welcome to being a

2622
01:53:01,680 --> 01:53:02,200
Speaker 2: man like yo.

2623
01:53:02,360 --> 01:53:03,920
Speaker 1: Like Yo, we never care. I could book a nice

2624
01:53:03,960 --> 01:53:06,080
Speaker 1: we can go to the Kymaniles, we can go to Turks,

2625
01:53:06,120 --> 01:53:08,519
Speaker 1: we get, But right now in my life, y'all, I can't,

2626
01:53:08,600 --> 01:53:10,400
Speaker 1: Like we can't. We can spend a nice little week

2627
01:53:10,400 --> 01:53:13,439
Speaker 1: and show aw it though just because I introduce it

2628
01:53:13,520 --> 01:53:16,479
Speaker 1: to you doesn't mean that I have to sustain it.

2629
01:53:16,560 --> 01:53:19,040
Speaker 1: It's like, Yo, Well then I could afford it right now.

2630
01:53:19,080 --> 01:53:22,280
Speaker 3: I can't if you can't do it, because I'm just talking.

2631
01:53:22,720 --> 01:53:24,320
Speaker 1: But that don't mean he should never do it because

2632
01:53:24,360 --> 01:53:25,800
Speaker 1: he can't sustain it.

2633
01:53:25,880 --> 01:53:29,120
Speaker 2: I'm saying a consistent thing. If throughout the year he's

2634
01:53:29,200 --> 01:53:31,160
Speaker 2: like Yo, takes her to Turks like three times in

2635
01:53:31,439 --> 01:53:35,320
Speaker 2: a row, she's gonna expect that as this relationship continues.

2636
01:53:35,400 --> 01:53:36,720
Speaker 1: Who the fuck is going to Turks through Tom?

2637
01:53:36,800 --> 01:53:37,920
Speaker 2: I don't know who would have the time to do that,

2638
01:53:38,000 --> 01:53:40,680
Speaker 2: But I understand the hypothetical of what it is. So

2639
01:53:40,960 --> 01:53:42,040
Speaker 2: is did I get it corrected?

2640
01:53:42,280 --> 01:53:42,400
Speaker 3: Yes?

2641
01:53:42,760 --> 01:53:42,920
Speaker 5: Yes.

2642
01:53:43,040 --> 01:53:45,280
Speaker 3: My point is not never that you shouldn't do anything

2643
01:53:45,320 --> 01:53:47,080
Speaker 3: for her that you can only do once. That's not

2644
01:53:47,120 --> 01:53:49,160
Speaker 3: what I'm saying. What I'm saying is when because he

2645
01:53:49,240 --> 01:53:51,120
Speaker 3: said his love language is gift giving, That's the only

2646
01:53:51,160 --> 01:53:53,799
Speaker 3: reason why when it comes to gifts, whether it's diamonds,

2647
01:53:53,840 --> 01:53:57,519
Speaker 3: whether it's a fucking bag of double stuff, oreoles. Make

2648
01:53:57,600 --> 01:54:00,720
Speaker 3: sure you can maintain that gift giving throughout relationship and

2649
01:54:00,800 --> 01:54:03,439
Speaker 3: that you're not love bombing me with gifts and then

2650
01:54:03,720 --> 01:54:06,160
Speaker 3: just to get my attention and to try to separate yourself,

2651
01:54:06,439 --> 01:54:09,120
Speaker 3: and then you can't continue that energy because that's now

2652
01:54:09,200 --> 01:54:10,080
Speaker 3: what I've attached to you.

2653
01:54:10,200 --> 01:54:12,400
Speaker 2: Let's let's even make it less of a money thing

2654
01:54:12,600 --> 01:54:15,120
Speaker 2: and more of an attention pattern thing. If you give

2655
01:54:15,479 --> 01:54:18,720
Speaker 2: if you send roses to her job every Thursday with

2656
01:54:18,840 --> 01:54:20,960
Speaker 2: a card of saying thinking about you, and then you

2657
01:54:21,120 --> 01:54:23,840
Speaker 2: have to continue to do that, Like six months in,

2658
01:54:23,960 --> 01:54:27,400
Speaker 2: you can't stop the roses on Thursday. You started this pattern.

2659
01:54:27,800 --> 01:54:29,880
Speaker 2: This is what's expecting. And when you stop doing that,

2660
01:54:29,960 --> 01:54:31,280
Speaker 2: she's gonna question if you even like her.

2661
01:54:31,560 --> 01:54:33,680
Speaker 3: And on top of that, most importantly, like I was saying,

2662
01:54:33,760 --> 01:54:38,320
Speaker 3: most importantly, if that girl likes you, it don't matter

2663
01:54:38,440 --> 01:54:42,000
Speaker 3: who else is buying anything else for her. Granted, she's

2664
01:54:42,040 --> 01:54:44,879
Speaker 3: gonna have a bunch of standards that these are standards

2665
01:54:44,960 --> 01:54:47,560
Speaker 3: that she wants met, and those are different for every girl, right,

2666
01:54:47,800 --> 01:54:50,400
Speaker 3: Like those are all different for every girl. But if

2667
01:54:50,880 --> 01:54:54,400
Speaker 3: she likes you, you don't worry about standing out. Continue

2668
01:54:54,520 --> 01:54:57,440
Speaker 3: to be you and you will stand out. And if

2669
01:54:57,480 --> 01:54:59,880
Speaker 3: you don't, then you were not the person for her.

2670
01:55:00,200 --> 01:55:03,600
Speaker 3: And another thing on top of that, your love language

2671
01:55:04,160 --> 01:55:08,360
Speaker 3: doesn't matter when it comes to trying to win somebody over.

2672
01:55:08,600 --> 01:55:12,040
Speaker 3: Your love language does not matter. Her love language matters.

2673
01:55:12,320 --> 01:55:16,080
Speaker 3: So how you show love. And we've had this conversation before.

2674
01:55:16,440 --> 01:55:19,120
Speaker 3: If you're a gift giver, and gifts don't mean shit

2675
01:55:19,240 --> 01:55:21,720
Speaker 3: to her, then your love language means nothing to her

2676
01:55:21,840 --> 01:55:24,080
Speaker 3: because she's not feeling loved because that's not how she

2677
01:55:24,240 --> 01:55:26,920
Speaker 3: received love. If she's a words of affirmation person and

2678
01:55:27,000 --> 01:55:28,840
Speaker 3: you need to tell her you love her, but you're

2679
01:55:28,880 --> 01:55:31,080
Speaker 3: not doing that, you're just buying her a bunch of gifts,

2680
01:55:31,280 --> 01:55:34,120
Speaker 3: she won't feel loved because that's not what she recognizes

2681
01:55:34,160 --> 01:55:36,040
Speaker 3: as love. So that's something that you need to have

2682
01:55:36,240 --> 01:55:38,000
Speaker 3: as a conversation with her to make sure that her

2683
01:55:38,040 --> 01:55:40,520
Speaker 3: love language is receiving gifts. Just because she's a bad

2684
01:55:40,600 --> 01:55:42,440
Speaker 3: bitch and there's a bunch of people buying things for

2685
01:55:42,520 --> 01:55:44,320
Speaker 3: her doesn't mean that that's her love language. That just

2686
01:55:44,400 --> 01:55:46,360
Speaker 3: might be what she's used to. You need to get

2687
01:55:46,440 --> 01:55:49,280
Speaker 3: to know her and get to know her love language.

2688
01:55:49,320 --> 01:55:51,080
Speaker 3: But apparently y'all y'all have time for that because you

2689
01:55:51,120 --> 01:55:53,240
Speaker 3: said that neither one of y'all are exclusively dating each

2690
01:55:53,280 --> 01:55:55,040
Speaker 3: other right now anyway, So y'all are still.

2691
01:55:55,000 --> 01:56:00,040
Speaker 2: He got hosts. Yeah, he'd give everyone a gift. He

2692
01:56:00,120 --> 01:56:04,200
Speaker 2: dumping on everyone, And if it doesn't work out, just

2693
01:56:04,280 --> 01:56:05,600
Speaker 2: always remember still be though.

2694
01:56:06,640 --> 01:56:08,480
Speaker 3: No, just remember that it wasn't meant to be and

2695
01:56:08,520 --> 01:56:09,800
Speaker 3: that's your person that's coming for you.

2696
01:56:10,600 --> 01:56:12,040
Speaker 2: It's not the same thing and still be there. Yeah,

2697
01:56:12,200 --> 01:56:15,040
Speaker 2: I think that's the same, that's the exactly exact same. Yeah,

2698
01:56:15,080 --> 01:56:16,640
Speaker 2: that's saying the same thing.

2699
01:56:16,720 --> 01:56:18,800
Speaker 1: Yeah, it's still hit like it's another one coming. It

2700
01:56:18,880 --> 01:56:21,200
Speaker 1: was another chick coming ten minutes. Don't worry about it, nah,

2701
01:56:21,200 --> 01:56:24,280
Speaker 1: I guess for her. Yeah, all right, Well this has

2702
01:56:24,320 --> 01:56:27,000
Speaker 1: been another cool episode. It's a good seeing y'all after

2703
01:56:27,080 --> 01:56:28,920
Speaker 1: a weekend away from y'all. We saw each other every

2704
01:56:29,000 --> 01:56:31,480
Speaker 1: day last week, Rory. Yeah, it was good not to

2705
01:56:31,480 --> 01:56:32,880
Speaker 1: see your face a couple of days.

2706
01:56:33,320 --> 01:56:35,400
Speaker 2: Yeah, and tomorrow we won't see each other.

2707
01:56:35,960 --> 01:56:37,880
Speaker 1: I can't wait. I feel like I'm just so many

2708
01:56:37,920 --> 01:56:39,640
Speaker 1: activities I can do when I don't see your face.

2709
01:56:40,920 --> 01:56:42,520
Speaker 1: Facts get so much done, Rory.

2710
01:56:42,760 --> 01:56:44,120
Speaker 2: I'm the one stopping it in your face.

2711
01:56:44,440 --> 01:56:47,680
Speaker 1: Face is something with It's here. Let's go to hooka spots, Marow.

2712
01:56:47,720 --> 01:56:49,760
Speaker 1: I don't want to see you. I don't want to

2713
01:56:49,840 --> 01:56:53,120
Speaker 1: see you, don't want to talk to you. Leave me alone.

2714
01:56:53,760 --> 01:56:56,320
Speaker 2: I get so mad, don't want to scale with me anymore.

2715
01:56:56,440 --> 01:56:59,240
Speaker 1: No, Rory, you don't understand. When I'm home and I

2716
01:56:59,320 --> 01:57:02,839
Speaker 1: see your name pop up my phone, I get so frustrate.

2717
01:57:03,080 --> 01:57:04,760
Speaker 2: What does he want? Laugh?

2718
01:57:06,120 --> 01:57:08,480
Speaker 1: And you call me like, yeah, so did you see

2719
01:57:08,520 --> 01:57:11,960
Speaker 1: this tweet? No, man, leave me the fuck alone. I

2720
01:57:12,040 --> 01:57:14,800
Speaker 1: don't want to see no tweets. I'm not gonna leave

2721
01:57:14,960 --> 01:57:19,000
Speaker 1: me alone with your got into some fucking activities. Man,

2722
01:57:19,360 --> 01:57:22,080
Speaker 1: I was I multitask, okay, yeah, just stop hitting my

2723
01:57:22,120 --> 01:57:24,440
Speaker 1: phone on off this I man DN D wow.

2724
01:57:24,400 --> 01:57:26,120
Speaker 3: Put that shit right on D and D. Nobody could

2725
01:57:26,120 --> 01:57:26,600
Speaker 3: get through.

2726
01:57:26,600 --> 01:57:29,080
Speaker 1: Oh BABYD while we're here. I do want apologize last

2727
01:57:29,120 --> 01:57:31,840
Speaker 1: week because you were upset at me because I laughed

2728
01:57:31,920 --> 01:57:35,040
Speaker 1: at a post, and I didn't want you to think

2729
01:57:35,080 --> 01:57:37,800
Speaker 1: that I was laughing at you. I was laughing at

2730
01:57:37,840 --> 01:57:40,400
Speaker 1: the post because we had just laughed about the post.

2731
01:57:40,880 --> 01:57:42,720
Speaker 1: So it's I don't want you to think that it's

2732
01:57:42,800 --> 01:57:44,800
Speaker 1: not love is always loved for me to you, I

2733
01:57:44,880 --> 01:57:47,760
Speaker 1: love you and I support you. I just thought that

2734
01:57:47,880 --> 01:57:49,840
Speaker 1: the post was funny because we said that it was

2735
01:57:49,880 --> 01:57:52,560
Speaker 1: gonna end up being a post. Rory said it was

2736
01:57:52,560 --> 01:57:54,480
Speaker 1: gonna end up being a post. So I don't want

2737
01:57:54,520 --> 01:57:55,720
Speaker 1: to apologize publicly.

2738
01:57:56,320 --> 01:57:57,520
Speaker 3: Do you feel like you did something wrong?

2739
01:57:57,840 --> 01:57:58,960
Speaker 1: No, I didn't feel like I told him.

2740
01:57:59,040 --> 01:58:00,520
Speaker 3: Then why are you apologizing.

2741
01:58:00,400 --> 01:58:02,200
Speaker 1: Because you felt like I did something wrong. I told

2742
01:58:02,240 --> 01:58:05,640
Speaker 1: you that, well, your energy felt your energy spoke to me.

2743
01:58:06,200 --> 01:58:07,560
Speaker 1: I mean, my energy spoke to.

2744
01:58:07,600 --> 01:58:11,920
Speaker 2: You language I read nythy well, I read energy.

2745
01:58:12,000 --> 01:58:14,080
Speaker 1: So you know, they brought it to my attention. Me

2746
01:58:14,160 --> 01:58:16,080
Speaker 1: and Rory spoke about it, and I was like, but

2747
01:58:16,200 --> 01:58:19,400
Speaker 1: I didn't do anything wrong, like I have that thing

2748
01:58:19,440 --> 01:58:20,800
Speaker 1: in me, I know when I'm doing so I think

2749
01:58:21,000 --> 01:58:24,400
Speaker 1: any healthy mental person knows when they're doing something wrong.

2750
01:58:25,240 --> 01:58:27,200
Speaker 1: At no point did I think what I did was wrong.

2751
01:58:27,400 --> 01:58:28,920
Speaker 1: So when me and Rory spoke about it, I was like, yo,

2752
01:58:29,000 --> 01:58:32,960
Speaker 1: but what did I laughed? I got laughed at. Nobody

2753
01:58:33,000 --> 01:58:35,560
Speaker 1: got laughed at in twenty twenty four more than me, nobody.

2754
01:58:35,680 --> 01:58:37,920
Speaker 1: I was laughed at more than anybody on the planet Earth.

2755
01:58:38,000 --> 01:58:38,200
Speaker 4: Last.

2756
01:58:38,800 --> 01:58:41,680
Speaker 3: I ain't laugh at you what I laughed. Hold on, wait,

2757
01:58:41,840 --> 01:58:43,600
Speaker 3: I laughed at you to your face. I laughed at

2758
01:58:43,640 --> 01:58:44,280
Speaker 3: you to your face.

2759
01:58:44,720 --> 01:58:47,200
Speaker 1: I laugh at you to your face because we weren't

2760
01:58:47,200 --> 01:58:48,000
Speaker 1: together when that happened.

2761
01:58:48,040 --> 01:58:50,400
Speaker 3: But you had already laughed pool. You had already laughed

2762
01:58:50,440 --> 01:58:52,240
Speaker 3: at me to my face about it. We already had

2763
01:58:52,280 --> 01:58:52,839
Speaker 3: that conversation.

2764
01:58:52,960 --> 01:58:55,400
Speaker 1: And then when it made a post, when they post

2765
01:58:55,440 --> 01:58:57,320
Speaker 1: was made, which Rory said it probably was gonna end

2766
01:58:57,440 --> 01:59:00,120
Speaker 1: up being a post. I was laughing at that, like,

2767
01:59:00,240 --> 01:59:01,800
Speaker 1: so it was just all I thought, we were all

2768
01:59:01,920 --> 01:59:03,200
Speaker 1: laughing together.

2769
01:59:03,600 --> 01:59:07,720
Speaker 3: I have a question, Okay, if when niggas was saying

2770
01:59:07,760 --> 01:59:09,680
Speaker 3: disrespectful shit about you and making fun of you on

2771
01:59:09,720 --> 01:59:13,520
Speaker 3: the internet, if I laughed, if I had hashtag dj had,

2772
01:59:13,560 --> 01:59:15,160
Speaker 3: if I had retweeted that and laughed, would I have

2773
01:59:15,200 --> 01:59:15,520
Speaker 3: a job?

2774
01:59:16,040 --> 01:59:20,120
Speaker 1: Yeah? Okay, this has been another a laugh at you

2775
01:59:20,160 --> 01:59:20,840
Speaker 1: on the internet before.

2776
01:59:20,920 --> 01:59:22,440
Speaker 3: No, I have not not when it comes to not

2777
01:59:22,480 --> 01:59:23,920
Speaker 3: when it came to all that ship people calling you

2778
01:59:24,000 --> 01:59:25,560
Speaker 3: a dick rider and all that ship, but nobody.

2779
01:59:25,680 --> 01:59:28,280
Speaker 1: But that's where I think we was. We was on

2780
01:59:28,360 --> 01:59:30,120
Speaker 1: a different page because I didn't think that that post

2781
01:59:30,240 --> 01:59:33,920
Speaker 1: was disrespectful. Nobody said nothing disrespectful about you. It was

2782
01:59:33,960 --> 01:59:36,960
Speaker 1: just kind of like laughing at the you know, the

2783
01:59:37,040 --> 01:59:39,920
Speaker 1: wish wash. She switched side and it was like that energy.

2784
01:59:40,000 --> 01:59:43,280
Speaker 1: But it wasn't like, Oh, this fucking girl's a fucking

2785
01:59:43,400 --> 01:59:45,320
Speaker 1: get her out of here, she's a fucking clip rider.

2786
01:59:46,120 --> 01:59:48,280
Speaker 3: Even after the second post, you still didn't feel that way.

2787
01:59:49,400 --> 01:59:52,280
Speaker 3: What was the second post I got posted again? Did

2788
01:59:52,360 --> 01:59:54,680
Speaker 3: you another Yes? I did another out of context clip

2789
01:59:55,400 --> 01:59:56,880
Speaker 3: Oh yeah, I laughed at that. But I didn't laugh

2790
01:59:56,920 --> 01:59:59,720
Speaker 3: on the post because that wasn't that. It was like, oh,

2791
01:59:59,720 --> 02:00:02,120
Speaker 3: it's another post, but that the first post I laughed

2792
02:00:02,160 --> 02:00:04,600
Speaker 3: at because we had just spoke about that being a post.

2793
02:00:05,120 --> 02:00:07,920
Speaker 1: But it wasn't like I wasn't laughing at you. I

2794
02:00:08,040 --> 02:00:10,160
Speaker 1: was laughing at the post. You get what I'm saying.

2795
02:00:10,400 --> 02:00:11,760
Speaker 1: So that's why I didn't feel like I didn't the wrong.

2796
02:00:11,840 --> 02:00:14,680
Speaker 1: But because you felt like I did something wrong, I

2797
02:00:14,840 --> 02:00:17,360
Speaker 1: have to apologize and let you know that it wasn't

2798
02:00:17,480 --> 02:00:20,320
Speaker 1: a personal laughing at Demaris thing. It was just laughing

2799
02:00:20,400 --> 02:00:25,000
Speaker 1: at that becoming a post. That's all that was got it?

2800
02:00:25,520 --> 02:00:25,920
Speaker 3: Mm hmm.

2801
02:00:26,440 --> 02:00:28,280
Speaker 1: Do you accept my apology?

2802
02:00:29,480 --> 02:00:29,720
Speaker 3: Sure?

2803
02:00:30,200 --> 02:00:30,240
Speaker 5: No?

2804
02:00:30,320 --> 02:00:31,400
Speaker 2: No, no no no no no no no no no

2805
02:00:31,480 --> 02:00:32,040
Speaker 2: no no no no no.

2806
02:00:32,280 --> 02:00:36,240
Speaker 1: We ain't doing sure, we ain't doing Sure? Do you Demarus?

2807
02:00:36,520 --> 02:00:39,440
Speaker 1: She gave you an answer, except like I don't. I don't.

2808
02:00:39,520 --> 02:00:43,160
Speaker 3: I don't, I don't. I don't know what you I

2809
02:00:43,160 --> 02:00:44,120
Speaker 3: don't know what you want for me.

2810
02:00:44,280 --> 02:00:46,000
Speaker 1: I'm asking you, do you accept my apology?

2811
02:00:46,040 --> 02:00:47,760
Speaker 3: I don't know why you're I don't, I don't know.

2812
02:00:49,560 --> 02:00:51,840
Speaker 3: We have been in this office how many times since

2813
02:00:51,880 --> 02:00:55,480
Speaker 3: that happened, and how many hours? Know how many hours.

2814
02:00:55,560 --> 02:00:57,280
Speaker 3: That was only one time that we were off camera

2815
02:00:57,440 --> 02:00:59,360
Speaker 3: that you could have did this apology. That's number one.

2816
02:00:59,440 --> 02:01:02,960
Speaker 3: Number two, you're not sorry. You're not You're not sorry

2817
02:01:03,240 --> 02:01:04,120
Speaker 3: because you don't think.

2818
02:01:04,040 --> 02:01:09,120
Speaker 1: That you say I apologize, it's a difference. I'm never saying.

2819
02:01:09,120 --> 02:01:11,440
Speaker 3: So then what's the definition of I apologize? What are

2820
02:01:11,480 --> 02:01:12,360
Speaker 3: you apologetic for?

2821
02:01:12,520 --> 02:01:16,080
Speaker 1: I'm apologizing if you took what I did as something

2822
02:01:16,120 --> 02:01:19,400
Speaker 1: that was like, you know, laughing at you, now that

2823
02:01:19,440 --> 02:01:21,680
Speaker 1: it was weird, Like laughing isn't weird. Just laughed at

2824
02:01:21,720 --> 02:01:24,200
Speaker 1: a post like that's not I laugh at everything, laughing

2825
02:01:24,200 --> 02:01:27,400
Speaker 1: shit about me like a laugh. But it wasn't. But

2826
02:01:27,720 --> 02:01:29,760
Speaker 1: because you took it personally and you took it like

2827
02:01:29,800 --> 02:01:32,040
Speaker 1: I was laughing at you, I have to clear it

2828
02:01:32,160 --> 02:01:33,240
Speaker 1: up and let you know, like, no, that's and I

2829
02:01:33,320 --> 02:01:35,760
Speaker 1: wasn't laughing at you. I was laughing at that actually

2830
02:01:35,800 --> 02:01:39,040
Speaker 1: becoming a post after we spoke about it becoming a post.

2831
02:01:39,760 --> 02:01:42,320
Speaker 1: That's all it was. And we only saw each other

2832
02:01:42,480 --> 02:01:43,840
Speaker 1: once after that happened.

2833
02:01:44,600 --> 02:01:46,720
Speaker 3: You saw I saw you Wednesday, and I saw you Thursday,

2834
02:01:47,160 --> 02:01:52,600
Speaker 3: and today is Monday, so I saw you twice. This

2835
02:01:52,760 --> 02:01:55,200
Speaker 3: is the third time. You also, I have my phone number.

2836
02:01:56,120 --> 02:01:57,680
Speaker 1: Yeah, but I gotta apologize publicly.

2837
02:01:57,760 --> 02:02:00,440
Speaker 2: I can't, you know, so then apologies not for me,

2838
02:02:00,520 --> 02:02:01,440
Speaker 2: It's no, it's for you.

2839
02:02:01,880 --> 02:02:04,280
Speaker 1: But I'm apologizing because it was something that was public.

2840
02:02:04,360 --> 02:02:07,400
Speaker 1: It was a public post that you felt the way about,

2841
02:02:07,600 --> 02:02:10,400
Speaker 1: so I have to apologize publicly to you. You see

2842
02:02:10,400 --> 02:02:12,520
Speaker 1: what I'm saying. I could have called you behind the scenes,

2843
02:02:12,560 --> 02:02:15,040
Speaker 1: like yo, my bad, but that don't really It's like, no, nigga,

2844
02:02:15,040 --> 02:02:17,280
Speaker 1: You're still laughing on the post though, So I could

2845
02:02:17,280 --> 02:02:18,400
Speaker 1: have done that, but then I would have had to

2846
02:02:18,480 --> 02:02:22,120
Speaker 1: public apologize publicly as well. So I'm just apologizing publicly

2847
02:02:22,160 --> 02:02:23,280
Speaker 1: because I don't want you to feel like I was

2848
02:02:23,400 --> 02:02:25,440
Speaker 1: laughing at you. I'm never laughing at you, And if

2849
02:02:25,480 --> 02:02:27,440
Speaker 1: it was something disrespecting you, I would have never laughed

2850
02:02:27,440 --> 02:02:30,760
Speaker 1: at it. But I didn't think that that was disrespecting me.

2851
02:02:30,800 --> 02:02:34,600
Speaker 1: I thought it was just a funny post, so I laughed. Okay,

2852
02:02:35,160 --> 02:02:38,480
Speaker 1: I love. This has been another beautiful episode. Why are

2853
02:02:38,480 --> 02:02:40,560
Speaker 1: you looking like that, looking like a nigga in HR

2854
02:02:40,680 --> 02:02:44,040
Speaker 1: that's trying to sit there and watch two nothing's on

2855
02:02:44,160 --> 02:02:48,959
Speaker 1: your all day on your laptop. Close your laptop.

2856
02:02:49,360 --> 02:02:52,440
Speaker 2: You didn't pull up shit, close that fucking laptop.

2857
02:02:52,200 --> 02:02:55,000
Speaker 1: Said another beautiful empisode. We'll talk to you in a

2858
02:02:55,040 --> 02:02:58,400
Speaker 1: couple of days. Be safe, be blessed. I'm that nigga.

2859
02:02:58,400 --> 02:03:00,000
Speaker 1: He's just ginger and I just laught.

2860
02:03:05,240 --> 02:03:06,760
Speaker 3: No Willian now