WEBVTT - Interview With James Gleick: Masters in Business (Audio)

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<v Speaker 1>Brought to you by Bank of America. Merrill Lynch, committed

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<v Speaker 1>to bringing higher finance to lower carbon named the most

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<v Speaker 1>innovative investment bank for climate change and sustainability by the Banker.

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<v Speaker 1>That's the power of Global Connections. Bank of America North

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<v Speaker 1>America member f d i C. This is Masters in

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<v Speaker 1>Business with Barry Ridholtz on Boomberg Radio. This week on

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<v Speaker 1>the podcast, I have James Glick. He is an author

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<v Speaker 1>and journalist at The New York Times who has covered

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<v Speaker 1>science and technology for a long time. I've been a

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<v Speaker 1>fan of his for many, many years, going back to

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<v Speaker 1>really the first book he ever wrote, called Chaos, Making

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<v Speaker 1>of a New Science. I'm a physics geek, it's sort

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<v Speaker 1>of my background, and at the time this book came out,

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<v Speaker 1>it was really cunning edge stuff. It was absolutely fascinating.

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<v Speaker 1>It's not the most accessible subject, but i'mronically long before

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<v Speaker 1>I joined finance, chaos UH and chaos theory had all

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<v Speaker 1>sorts of applications UH to the world of markets and investing.

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<v Speaker 1>It's not a coincidence that theoretical physicists and mathematicians end

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<v Speaker 1>up working on Wall Street. The ability to deal with

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<v Speaker 1>issues of uncertainty and probability and randomness are really really

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<v Speaker 1>helpful when when thinking about markets. This was a really

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<v Speaker 1>unusual book. It's a very challenging subject and Click makes

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<v Speaker 1>it accessible and really quite quite fascinating and enjoyable. UH.

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<v Speaker 1>From the book comes the term the butterfly effect, which

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<v Speaker 1>Click is credited with popularizing. But that's just one book

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<v Speaker 1>he had written many years ago. He's written dozens of books,

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<v Speaker 1>including biographies on Richard Lineman and Isaac Newton, and What

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<v Speaker 1>Just Happened, which is about technology, and Faster, which is

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<v Speaker 1>about changes in technology. I think his his magnum opus

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<v Speaker 1>is UH The Information, A History A Theory of flood.

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<v Speaker 1>It is just a brilliant exposition about information theory and

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<v Speaker 1>how all technology has tracked various ways of communicating uh

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<v Speaker 1>as people. UM, It's really a brilliant, brilliant book. Who

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<v Speaker 1>was nominated for a Pulitzer Uh. It's totally totally readable.

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<v Speaker 1>I I found it to be delightful to just dive into.

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<v Speaker 1>I think I read it on the beach on vacation

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<v Speaker 1>in in in a day and a half for two days. UH.

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<v Speaker 1>And his most recent book is actually a little off

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<v Speaker 1>the beaten path. It's quite charming. It's called Time Travel History,

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<v Speaker 1>and it discusses how time travel as a concept has developed.

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<v Speaker 1>You you may be shocked to learn that before H. G.

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<v Speaker 1>Wells's book The Time Machine, there was no such thing

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<v Speaker 1>as time travel. Nobody had even conceptualized it. It simply

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<v Speaker 1>didn't exist. Anyway, I could babble about the books he's

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<v Speaker 1>written about over and over again. Rather than do that,

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<v Speaker 1>let's just jump right to my interview, my conversation with

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<v Speaker 1>James click Voss Masters in Business with Barry Ridholtz on

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<v Speaker 1>Boomberg Radio. My special guest today is James Gleek. He

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<v Speaker 1>is one of my favorite science writers, perhaps best described

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<v Speaker 1>as a historian of science ideas, looking at the impact

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<v Speaker 1>of technology on our understanding of the world. He is

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<v Speaker 1>the author of Chaos, Making of a New Science, The Information,

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<v Speaker 1>A History, A Theory of Flood, and his latest book

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<v Speaker 1>is Time Travel History. Several of his books have been

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<v Speaker 1>nominated for Pulitzer Prizes and National Book Finalist Awards. The

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<v Speaker 1>Information was awarded the pen Literary Science Award as well

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<v Speaker 1>as the Royal Society Witton Prize for Science Books. James Glick,

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<v Speaker 1>Welcome to Bloomberg. Well, thank you. I'm happy to be here.

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<v Speaker 1>I have to start out asking about your background, because

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<v Speaker 1>you're really the fact that you're a science writer is

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<v Speaker 1>sort of surprising. You majored in English and linguistics. How

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<v Speaker 1>did that morph into science writing? I was a journalist.

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<v Speaker 1>I wasn't. I wasn't any kind of scientist, and I

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<v Speaker 1>I never intended to be a science writer, and I'm

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<v Speaker 1>hardly I don't really think I'm a science writer now.

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<v Speaker 1>And you know, Time Travel isn't really a science book.

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<v Speaker 1>Well not yet, but one day it might be. Well

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<v Speaker 1>we we can dream, but it isn't. But but it

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<v Speaker 1>really isn't. I mean, I have a I have a

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<v Speaker 1>feeling that if you go into the bookstore you can

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<v Speaker 1>probably find it in the science section. But I think

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<v Speaker 1>it's actually it's actually a mistake. So in general, your

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<v Speaker 1>books are these deeply researched, years in the making sort

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<v Speaker 1>of projects. What what made you approach book writing in

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<v Speaker 1>that way? I approached book writing in the first place

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<v Speaker 1>as a journalist and deeply researched. Well, that's you know,

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<v Speaker 1>that's what you do. You go out and you talk

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<v Speaker 1>to people, you do reporting. I thought of it as

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<v Speaker 1>reporting before I thought of it as research. It's changed,

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<v Speaker 1>it's changed a little bit over the years. But my

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<v Speaker 1>first book, Chaos was about something dramatic that was happening

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<v Speaker 1>in the world of science that wasn't getting any attention

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<v Speaker 1>as far as I could see. And I learned about

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<v Speaker 1>it almost by accident when I was writing a profile

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<v Speaker 1>of a of a scientist, and I was only writing

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<v Speaker 1>profiles of scientists because I was interested in science. I

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<v Speaker 1>liked it, so which would that be Mandelbrod or or Um. No. Ways,

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<v Speaker 1>the way it actually came about was I wrote a

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<v Speaker 1>profile early on of Douglas Hofstader. Sure I read go

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<v Speaker 1>to lesch Bach exactly right, and he was, you know,

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<v Speaker 1>he was a computer scientist and was um had a

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<v Speaker 1>lot to say about consciousness. And he was the one

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<v Speaker 1>who told me that he had heard about this thing

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<v Speaker 1>called Kass theory that was going on, and that that

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<v Speaker 1>not just mathematicians and physicists but also economists and meteorologists

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<v Speaker 1>and by all everybody was talking about chaos theory, but

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<v Speaker 1>it was very much under the radar. And I thought, well,

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<v Speaker 1>that sounds kind of cool, and it was, and and

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<v Speaker 1>I've been recommending that book for for many years. Well,

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<v Speaker 1>will come back to that, um so somewhat unusual career path.

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<v Speaker 1>Then if you started out as a journalist, how do

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<v Speaker 1>you veer from someone doing broad interviews to somebody doing

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<v Speaker 1>these really deep dives into very very comprehensive and complicated

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<v Speaker 1>subjects like information theory or chaos theory. Well, chaos theory

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<v Speaker 1>just you know, as I said, started out as a

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<v Speaker 1>kind of journalism I was. I felt I was reporting

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<v Speaker 1>on something that was very real, that was happening in

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<v Speaker 1>the world, and it just happened to be science, and

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<v Speaker 1>I approached it. I intended to approach it the way

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<v Speaker 1>a political reporter would approach politics, or a reporter specializing

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<v Speaker 1>in art would approach art. You know, it just happened

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<v Speaker 1>to be science, and a line a bunch of experts

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<v Speaker 1>asked them questions, some dumb questions, and figure out what

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<v Speaker 1>was going on, and I wanted to My goal in

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<v Speaker 1>that book wasn't so much explained the ideas of chaos

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<v Speaker 1>as tell the story of how this new science was

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<v Speaker 1>being born, and tell the stories of the individual scientists

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<v Speaker 1>and find out what they were thinking and how they

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<v Speaker 1>communicated with one another. And that was just I mean,

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<v Speaker 1>that's the kind of book I like to read, So

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<v Speaker 1>that's the kind of book I wrote. But it's true.

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<v Speaker 1>Um not the usual approach to writing a book on

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<v Speaker 1>science then, or do you think of the Worst Day

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<v Speaker 1>of Dagon? Similar? But I'm not sure there is one

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<v Speaker 1>usual approach. You know, science writing covers a lot of territory,

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<v Speaker 1>a lot of there's a kind of science writing that's

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<v Speaker 1>written by scientists, and they write about their own work,

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<v Speaker 1>or they write about other things in the field. I mean,

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<v Speaker 1>I was a huge admirer of Stephen Jay Gould, who

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<v Speaker 1>wrote um the most beautiful essays, and they often turned

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<v Speaker 1>into books about his own work and work that was

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<v Speaker 1>connected to his work. And he had a very broad

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<v Speaker 1>view of the world, and you could learn a lot

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<v Speaker 1>from reading his stuff. And there are many there are

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<v Speaker 1>people today who write about physics, who are physicists, and

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<v Speaker 1>they're just trying to explain, maybe in a popular way,

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<v Speaker 1>the things they know. I don't like the word popularization,

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<v Speaker 1>maybe because I'm not an expert myself. You know, I'm

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<v Speaker 1>not trying to popularize things. I'm trying to write about

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<v Speaker 1>things that I care about and in some cases barely

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<v Speaker 1>understand when I get started. The word popularize often implies

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<v Speaker 1>a dumbing down from mass audience. Exactly, you're you have

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<v Speaker 1>never been accused of of doing and I don't know

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<v Speaker 1>how you dumb care. I don't know. I've been accused

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<v Speaker 1>of just about everything. Barry, thank you, but um, but

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<v Speaker 1>not that. No, but I'm not. I don't need to

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<v Speaker 1>dumb anything down. I need to raise my own understanding

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<v Speaker 1>to the level of grasping the stuff I'm writing about.

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<v Speaker 1>You're listening to Masters in Business on Bloomberg Radio. My

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<v Speaker 1>guest this week is James Glicky is the author of

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<v Speaker 1>numerous books, most recently time Travel History, and let's jump

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<v Speaker 1>right into this. I was astonished to learned from your

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<v Speaker 1>book that prior to H. G. Wells, there really wasn't

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<v Speaker 1>a whole lot of discussion of time travel. How is

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<v Speaker 1>that possible? Not just not a lot of discussion? Time

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<v Speaker 1>travel didn't exist. The words the words literally were not

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<v Speaker 1>used in English. If you had said to somebody, are

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<v Speaker 1>you interested in time travel? They would have just looked

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<v Speaker 1>at you as if you were crazy. And yes, I

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<v Speaker 1>was astonished too. If there was one thing that got

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<v Speaker 1>me going on this as a book subject, it was

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<v Speaker 1>that discovery that that the idea of time travel has

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<v Speaker 1>had a relatively short lifetime, barely essential. And the reason

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<v Speaker 1>it's hard to believe. I mean, I I assume that

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<v Speaker 1>that some of the people listening to us are thinking, well,

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<v Speaker 1>that's not true, that's ridiculous. What about X and X

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<v Speaker 1>might be I'm going to guess now people might be thinking,

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<v Speaker 1>weren't there Greek myths that involved traveling through time? Or

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<v Speaker 1>what about a Christmas Carol by Charles Dickens, which was

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<v Speaker 1>a little before H. G. Wells that clearly didn't involve

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<v Speaker 1>time travel, then involved We're going to show you a

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<v Speaker 1>potential future. That is the difference, and then rip Van

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<v Speaker 1>Winkle sleeps into the future. And you could say, you

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<v Speaker 1>could argue, with the advantage of hindsight, that that's a

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<v Speaker 1>kind of time travel if you want to explore the literature,

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<v Speaker 1>which I did have to do extensively there. Um, there

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<v Speaker 1>were sort of precursors to the idea, but until H. G. Wells,

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<v Speaker 1>nobody imagined a machine or any other method where you

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<v Speaker 1>could choose to transport yourself to another place in time,

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<v Speaker 1>in the past or in the future. There was no

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<v Speaker 1>possibility of volition, and of course Wells jumped right into it.

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<v Speaker 1>He invented a machine with a lever, and his time

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<v Speaker 1>traveler as he called him, hops on the machine and

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<v Speaker 1>sends himself hurtling into the future. So what was it

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<v Speaker 1>that led you to an interest in time travel? It's

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<v Speaker 1>so different than most of your other world, where there's

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<v Speaker 1>an underlying theme of some specific branch of science and

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<v Speaker 1>the impact that it in technology has on society and culture.

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<v Speaker 1>And it's a more philosophical approach to a harder science

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<v Speaker 1>e sort of discussion. This is very science fiction, fun

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<v Speaker 1>sort of thing. What made you say let's try this?

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<v Speaker 1>I would say it's you're right, it's not a science book.

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<v Speaker 1>I don't know if it's a philosophical book. At least

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<v Speaker 1>there's some certainly some philosophy in it. It couldn't be avoided.

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<v Speaker 1>Once again, I I wanted to tell a story, and

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<v Speaker 1>the story was It started with a question. The question

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<v Speaker 1>was why did this powerful and exciting, kind of exhilarating

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<v Speaker 1>idea of time travel arise in the first place? Why

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<v Speaker 1>did it arise at this particular time in the mind

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<v Speaker 1>of H. G. Wells, a young writer he had never

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<v Speaker 1>written a book before, trying to make a living in

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<v Speaker 1>eighteen England. And then what happened to turn this primitive

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<v Speaker 1>version of time travel, born out of the blue, into

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<v Speaker 1>the very complicated and various cornucopia of things that were

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<v Speaker 1>so familiar with today. I mean, we've got time travel cartoons,

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<v Speaker 1>you know, I know, eight year old to get up

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<v Speaker 1>in the morning and start arguing about the paradoxus of

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<v Speaker 1>time travel. We are very sophisticated about time travel, and

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<v Speaker 1>so I wanted to chart that as a story, to

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<v Speaker 1>watch the ideas get handed from one person to another,

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<v Speaker 1>and watch new writers. And we're talking about people who

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<v Speaker 1>range from pulp science writers in New York in the

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<v Speaker 1>nine twenties to literary writers like James Joyce and Virginia

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<v Speaker 1>Wolf also in the early twentieth century, and scientists beginning

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<v Speaker 1>with Einstein, all toying with ideas of time in very

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<v Speaker 1>imagine native new ways. We have a tendency to you know,

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<v Speaker 1>we live in the world and we know how things are,

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<v Speaker 1>and we have a tendency to think it's always been

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<v Speaker 1>like that, but it hasn't. And I just think it's

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<v Speaker 1>it's really fun to watch the ideas transform. That's classic

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<v Speaker 1>hindsight biases that well, of course it worked out this way.

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<v Speaker 1>How else could it have worked out. It's very difficult

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<v Speaker 1>to go back and unimagined an idea after you're familiar

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<v Speaker 1>with it. So what was it about the Industrial Age

0:14:29.880 --> 0:14:33.080
<v Speaker 1>and whatever, all of the new technologies that came about

0:14:33.080 --> 0:14:35.640
<v Speaker 1>at the turn of the prior century, in the ninet

0:14:36.040 --> 0:14:38.600
<v Speaker 1>whatever that put this out in the air and allowed

0:14:38.680 --> 0:14:41.480
<v Speaker 1>so many people to conceptualize it when it had never

0:14:41.520 --> 0:14:43.640
<v Speaker 1>really been thought about previous. There were a lot of

0:14:43.680 --> 0:14:46.120
<v Speaker 1>things happening all at once. One thing that was happening

0:14:46.160 --> 0:14:50.080
<v Speaker 1>was that there was a new idea of futurity. There

0:14:50.160 --> 0:14:53.360
<v Speaker 1>was a new ability to imagine the future and a

0:14:53.400 --> 0:14:57.479
<v Speaker 1>new interest in the future that depended on the Industrial

0:14:57.520 --> 0:15:00.600
<v Speaker 1>Revolution and then the acceleration of technology. G When you

0:15:00.640 --> 0:15:03.160
<v Speaker 1>think about it, if you took your time machine back

0:15:03.560 --> 0:15:07.800
<v Speaker 1>and arrived on a farm in the fifteenth century and

0:15:07.920 --> 0:15:09.880
<v Speaker 1>asked the first person you met, what is what do

0:15:09.920 --> 0:15:11.560
<v Speaker 1>you think the world is going to be like for

0:15:11.680 --> 0:15:15.080
<v Speaker 1>your grandchildren? They would say, what are you talking about?

0:15:15.080 --> 0:15:17.480
<v Speaker 1>The world is going to be the same for my grandchildren.

0:15:18.160 --> 0:15:19.960
<v Speaker 1>You know they're going to be using the same plows

0:15:20.040 --> 0:15:22.880
<v Speaker 1>that I'm using because my grandparents used those plows, and

0:15:23.440 --> 0:15:25.440
<v Speaker 1>there was nothing like the conception that we have of

0:15:25.480 --> 0:15:29.560
<v Speaker 1>the progress of technology, which starts to seem inevitable to us.

0:15:30.040 --> 0:15:31.960
<v Speaker 1>But by the end of the nineteenth century, there were

0:15:32.040 --> 0:15:36.360
<v Speaker 1>railroads steaming across the landscape. There was the electric telegraph

0:15:36.760 --> 0:15:41.280
<v Speaker 1>sending instant messages at the speed of electricity, and people

0:15:41.320 --> 0:15:45.480
<v Speaker 1>were very conscious of how life was changing. They could

0:15:45.560 --> 0:15:47.960
<v Speaker 1>see their lives changing right in front of them, and

0:15:48.000 --> 0:15:51.760
<v Speaker 1>then they could start to wonder and get excited about

0:15:52.080 --> 0:15:54.360
<v Speaker 1>how life was going to be in a hundred years.

0:15:54.800 --> 0:15:59.120
<v Speaker 1>How significant were railroads along with the telegraph and in

0:15:59.320 --> 0:16:05.200
<v Speaker 1>having people recognize that time wasn't necessarily a constant that

0:16:05.240 --> 0:16:07.760
<v Speaker 1>they had to think about time zones in different places

0:16:07.800 --> 0:16:12.000
<v Speaker 1>across the country. How important was that development to Ah, Well,

0:16:12.040 --> 0:16:14.800
<v Speaker 1>that's a really good question, Barry, because you're right it was.

0:16:15.080 --> 0:16:19.240
<v Speaker 1>It's exactly because of railroads and the telegraph, both of

0:16:19.280 --> 0:16:24.120
<v Speaker 1>those technologies that clocks were changing. The telegraph made it

0:16:24.160 --> 0:16:28.920
<v Speaker 1>possible to synchronize clocks electrically across great distances, which had

0:16:28.960 --> 0:16:31.800
<v Speaker 1>never been possible before. When you think about it, if

0:16:31.800 --> 0:16:33.760
<v Speaker 1>you had a clock in New York and you had

0:16:33.760 --> 0:16:38.040
<v Speaker 1>a clock in Chicago, who would care what those you know,

0:16:39.240 --> 0:16:41.680
<v Speaker 1>because because it would take days to get from New

0:16:41.760 --> 0:16:45.280
<v Speaker 1>York to Chicago. So first the railroad made it kind

0:16:45.280 --> 0:16:49.080
<v Speaker 1>of necessary to have accurate clocks in different places and

0:16:49.480 --> 0:16:51.840
<v Speaker 1>help people notice that the sun was in a different

0:16:51.840 --> 0:16:54.960
<v Speaker 1>place in the sky in New York and Chicago. And

0:16:55.000 --> 0:16:57.800
<v Speaker 1>then the telegraph made it possible to synchronize the clocks.

0:16:58.120 --> 0:17:00.640
<v Speaker 1>And it wasn't just Eighth d Well, it was also

0:17:00.720 --> 0:17:04.480
<v Speaker 1>Einstein who was living in a world with these new technologies,

0:17:04.480 --> 0:17:08.480
<v Speaker 1>and as a patent clerk, he was reading patents that

0:17:08.520 --> 0:17:11.119
<v Speaker 1>had to do with synchronizing clocks, and he was starting

0:17:11.160 --> 0:17:13.440
<v Speaker 1>to think about what what if you take a clock

0:17:13.480 --> 0:17:16.080
<v Speaker 1>and you put it in motion at high speed? Does

0:17:16.119 --> 0:17:19.639
<v Speaker 1>anything change? You know, all of these things were happening

0:17:19.640 --> 0:17:23.320
<v Speaker 1>at once. I'm Barry Ridults. You're listening to Master's in

0:17:23.359 --> 0:17:27.560
<v Speaker 1>Business on Bloomberg Radio. My special guest today is James Glick.

0:17:27.720 --> 0:17:31.760
<v Speaker 1>He is the author of numerous books, most recently time

0:17:31.800 --> 0:17:37.000
<v Speaker 1>travel History. His first book was Chaos, Making of a

0:17:37.000 --> 0:17:40.280
<v Speaker 1>New Science. And I have to ask you, this is

0:17:40.520 --> 0:17:45.720
<v Speaker 1>an extremely complex subject in physics. What on Earth made

0:17:45.760 --> 0:17:48.840
<v Speaker 1>you for your first book say, I know, I'll tackle

0:17:49.119 --> 0:17:54.080
<v Speaker 1>chaos theory? Well, it wasn't, I know it was it

0:17:54.200 --> 0:17:58.000
<v Speaker 1>was Woa, there's a thing called chaos theory. Okay, I mean, right,

0:17:58.200 --> 0:18:02.640
<v Speaker 1>we we've it's it's kind of familiar now. People now,

0:18:02.800 --> 0:18:05.480
<v Speaker 1>for example, have seen Jurassic Park and they watched Jeff

0:18:05.520 --> 0:18:12.160
<v Speaker 1>Goldblum explain chaos mansplain chaos theory in fact, but it

0:18:12.240 --> 0:18:15.200
<v Speaker 1>was brand new. And I was interested in science and

0:18:15.920 --> 0:18:18.320
<v Speaker 1>writing about some scientists, and I heard about this thing,

0:18:18.359 --> 0:18:19.960
<v Speaker 1>and I thought, I want to know what that is.

0:18:20.280 --> 0:18:24.040
<v Speaker 1>And then as I learned what it was, I realized

0:18:24.520 --> 0:18:29.480
<v Speaker 1>that it was a kind of science that really mattered

0:18:29.760 --> 0:18:34.800
<v Speaker 1>to people who might not otherwise care about the esoterica

0:18:34.800 --> 0:18:37.399
<v Speaker 1>of theoretical physics. It was a very, I felt, a

0:18:37.520 --> 0:18:41.200
<v Speaker 1>very human kind of science. And one thing, one thing

0:18:41.240 --> 0:18:44.560
<v Speaker 1>that was unusual about it was that it was cross disciplinary.

0:18:44.560 --> 0:18:48.639
<v Speaker 1>That it involved people studying the weather, people studying the

0:18:49.280 --> 0:18:53.840
<v Speaker 1>physiology of the human heart. It involved economics as well

0:18:53.880 --> 0:19:02.200
<v Speaker 1>as theoretical physics. And that was because irregularity and disorder

0:19:02.280 --> 0:19:06.760
<v Speaker 1>and complexity arise in all of these different areas, and

0:19:07.320 --> 0:19:10.960
<v Speaker 1>as humans, we're interested in that, right. I mean, I'm

0:19:11.000 --> 0:19:13.920
<v Speaker 1>not a scientist myself, so I have the kind of

0:19:14.640 --> 0:19:17.159
<v Speaker 1>I have the prejudice that if I'm interested in it,

0:19:17.280 --> 0:19:19.400
<v Speaker 1>other people are going to be interested in it too.

0:19:19.520 --> 0:19:23.000
<v Speaker 1>It can't be that esoteric, and that was true of chaos.

0:19:23.080 --> 0:19:27.800
<v Speaker 1>So you're credited with making the expression the butterfly affect

0:19:28.000 --> 0:19:32.040
<v Speaker 1>a household word. Um explained what the butterfly Well, I

0:19:32.040 --> 0:19:36.000
<v Speaker 1>didn't invent the butterfly effect. It was invented by a meteorologist,

0:19:36.080 --> 0:19:40.000
<v Speaker 1>Edward Lorenz, who was one of the pioneers of chaos theory,

0:19:40.119 --> 0:19:46.199
<v Speaker 1>and he discovered and proved that the Earth's weather is

0:19:46.240 --> 0:19:50.600
<v Speaker 1>a chaotic system in this in this definite technical sense,

0:19:50.880 --> 0:19:56.600
<v Speaker 1>that it's so unstable and so subject to small perturbations

0:19:57.200 --> 0:20:01.880
<v Speaker 1>that the flapping of a butterfly's wing in one part

0:20:01.920 --> 0:20:06.640
<v Speaker 1>of the globe at one instant can actually affect the

0:20:06.640 --> 0:20:09.720
<v Speaker 1>the path of a hurricane a month later on the

0:20:09.760 --> 0:20:14.560
<v Speaker 1>far side of the globe. That is not obviously true.

0:20:14.960 --> 0:20:18.119
<v Speaker 1>I mean it could be the Earth's weather could be

0:20:18.160 --> 0:20:20.520
<v Speaker 1>designed in a different way such that the flapping of

0:20:20.560 --> 0:20:23.720
<v Speaker 1>the butterfly's wings would just dissipate and it wouldn't be important,

0:20:23.960 --> 0:20:27.480
<v Speaker 1>and it would take a giant perturbation to actually have

0:20:27.560 --> 0:20:30.399
<v Speaker 1>an effect on something as large as the course of

0:20:30.440 --> 0:20:33.440
<v Speaker 1>a hurricane. So that's a surprise, and it had to

0:20:33.480 --> 0:20:36.040
<v Speaker 1>be proved mathematically and it does turn out to be true.

0:20:36.520 --> 0:20:40.640
<v Speaker 1>And it's why to this day, weather forecasting, no matter

0:20:40.680 --> 0:20:44.280
<v Speaker 1>how powerful our computers get, is such an imperfect science.

0:20:44.359 --> 0:20:47.920
<v Speaker 1>So so let's talk about something else that involves imperfect

0:20:48.000 --> 0:20:53.159
<v Speaker 1>forecasts where small perturbations have outside effects, and that's the

0:20:53.200 --> 0:20:57.240
<v Speaker 1>stock market. I'm gonna pull a line from Chaos the book.

0:20:57.720 --> 0:21:06.040
<v Speaker 1>Markets exhibit unstable, a periodic behavior in deterministic nonlinear dynamism

0:21:06.080 --> 0:21:10.760
<v Speaker 1>sensitive to initial conditions. Now you were writing in general

0:21:10.920 --> 0:21:15.520
<v Speaker 1>about theory of chaos, but that is very applicable to

0:21:15.880 --> 0:21:19.840
<v Speaker 1>stock markets. That they're nonlinear, meaning a small change can

0:21:19.880 --> 0:21:24.399
<v Speaker 1>have an outsize effect. That they're not they're a periodic

0:21:24.520 --> 0:21:27.440
<v Speaker 1>in that there's sort of a cycle. You know, it's

0:21:27.480 --> 0:21:29.960
<v Speaker 1>colder in the winter and warmer in the summer, but

0:21:30.119 --> 0:21:34.160
<v Speaker 1>the day to day changes appear to be fairly random.

0:21:34.200 --> 0:21:38.040
<v Speaker 1>There are all sorts of interesting parallels between chaos theory

0:21:38.080 --> 0:21:40.840
<v Speaker 1>and the markets. Have you ever heard much back from

0:21:40.880 --> 0:21:45.240
<v Speaker 1>people who work in finance or or work investing as

0:21:45.280 --> 0:21:48.760
<v Speaker 1>to how chaos theory is applicable to investing. I have

0:21:48.920 --> 0:21:52.000
<v Speaker 1>heard from people, and people have tried to explore it,

0:21:52.080 --> 0:21:55.199
<v Speaker 1>and in fact, some of the chaos scientists who I

0:21:55.240 --> 0:21:59.160
<v Speaker 1>wrote about in that book all those years ago, try

0:21:59.240 --> 0:22:02.400
<v Speaker 1>to apply k Us theory to the markets, and I

0:22:02.440 --> 0:22:06.760
<v Speaker 1>can't say whether they had any particular success. Personally, I'm

0:22:06.800 --> 0:22:10.120
<v Speaker 1>a little bit skeptical. I think if anybody had had

0:22:10.160 --> 0:22:14.399
<v Speaker 1>a magic trick for applying the science of chaos to

0:22:14.480 --> 0:22:17.159
<v Speaker 1>making money in the market, well, I don't know if

0:22:17.200 --> 0:22:20.200
<v Speaker 1>we'd know about it. Coming up, we continue our conversation

0:22:20.280 --> 0:22:24.680
<v Speaker 1>with James Glick discussing information theory and human history. I'm

0:22:24.680 --> 0:22:27.879
<v Speaker 1>Barry rid Hults. You're listening to Masters in Business on

0:22:27.960 --> 0:22:32.080
<v Speaker 1>Bloomberg Radio. My special guest this week is author James Glick,

0:22:32.240 --> 0:22:36.240
<v Speaker 1>whose most recent book is called Time Travel History. He's

0:22:36.320 --> 0:22:42.359
<v Speaker 1>previously written biographies of Richard Feynman and Isaac Newton, as

0:22:42.440 --> 0:22:45.560
<v Speaker 1>well as a couple of other books, Chaos, The Making

0:22:45.560 --> 0:22:48.600
<v Speaker 1>of a New Science, and what I think is a

0:22:48.640 --> 0:22:53.120
<v Speaker 1>tour to force book. The information a flood, a history,

0:22:53.520 --> 0:22:56.359
<v Speaker 1>a theory. I got that backwards somewhat. Let's talk a

0:22:56.400 --> 0:22:59.360
<v Speaker 1>little bit about this, because this is really a fascinating,

0:22:59.400 --> 0:23:06.719
<v Speaker 1>fascinating book. Human beings are information seeking creatures? Discuss Well,

0:23:07.200 --> 0:23:11.000
<v Speaker 1>it's like an essay question. Yes, first of all, that's

0:23:11.040 --> 0:23:14.600
<v Speaker 1>obviously true, right, Information is is what we live on. Well,

0:23:14.920 --> 0:23:17.959
<v Speaker 1>is it obviously true? Because when you were referring previously

0:23:18.119 --> 0:23:20.800
<v Speaker 1>to the farmer who lived the same life as his

0:23:20.920 --> 0:23:24.520
<v Speaker 1>grandparents and expected his children and grandchildren to live the

0:23:24.520 --> 0:23:27.840
<v Speaker 1>same life, and there was no growth from learning and

0:23:27.880 --> 0:23:32.800
<v Speaker 1>applying new information, maybe we haven't always been information seeking creatures. Well, exactly,

0:23:32.840 --> 0:23:35.760
<v Speaker 1>you're making my point for me, Barry. We have always

0:23:35.800 --> 0:23:39.359
<v Speaker 1>been information seeking creatures. We didn't always know it. We

0:23:39.359 --> 0:23:43.680
<v Speaker 1>didn't we didn't use the word information. The word information

0:23:43.880 --> 0:23:47.679
<v Speaker 1>now has a scientific meaning, and we're comfortable with that.

0:23:47.760 --> 0:23:50.600
<v Speaker 1>Even if we aren't scientists. We know what the unit

0:23:50.640 --> 0:23:54.640
<v Speaker 1>of measure of information is. It's the bit, right, That's

0:23:54.640 --> 0:23:58.720
<v Speaker 1>a fundamental particle, on or off, yes or no. It's

0:23:58.760 --> 0:24:01.040
<v Speaker 1>at the root of all of our computers and our

0:24:01.080 --> 0:24:05.640
<v Speaker 1>communication devices. Information is being transmitted in bits, but that's

0:24:05.680 --> 0:24:09.520
<v Speaker 1>the language of how it's communicated. It's it's on or off.

0:24:09.600 --> 0:24:13.480
<v Speaker 1>And with that binary system you can create a universe

0:24:13.520 --> 0:24:17.320
<v Speaker 1>of things. Is but is that really the bottom building

0:24:17.359 --> 0:24:22.080
<v Speaker 1>block of of information there is? Because there's nothing smaller

0:24:22.760 --> 0:24:25.480
<v Speaker 1>than yes or no, than yes or no. It's if

0:24:25.520 --> 0:24:27.399
<v Speaker 1>you want to if you want to measure how much

0:24:27.480 --> 0:24:30.360
<v Speaker 1>information there is in something, how much information is there

0:24:30.400 --> 0:24:33.440
<v Speaker 1>in a book? How much information is there in three

0:24:33.480 --> 0:24:37.160
<v Speaker 1>minutes of audio of a certain quality? How much information

0:24:37.240 --> 0:24:40.680
<v Speaker 1>is there in a photograph or a video. We're fairly comfortable,

0:24:40.720 --> 0:24:45.920
<v Speaker 1>I think, asking that question how much information? It implies

0:24:46.000 --> 0:24:48.399
<v Speaker 1>that information is a thing you can measure, and if

0:24:48.440 --> 0:24:50.840
<v Speaker 1>you're measuring it, there has to be a unit of measure,

0:24:50.880 --> 0:24:52.879
<v Speaker 1>and there has to be well, there wouldn't have to

0:24:52.920 --> 0:24:56.280
<v Speaker 1>be a smallest amount. You could imagine an infinitesimal amount

0:24:56.320 --> 0:24:59.399
<v Speaker 1>of information, But in fact there is a smallest amount.

0:25:00.080 --> 0:25:02.880
<v Speaker 1>It's one bit. There can't be any less than that.

0:25:03.080 --> 0:25:05.159
<v Speaker 1>So let's talk a little bit about some of the

0:25:05.200 --> 0:25:08.640
<v Speaker 1>concepts that come up in the book, starting with drums

0:25:08.840 --> 0:25:13.000
<v Speaker 1>and going to alphabets. How does that then move on

0:25:13.080 --> 0:25:18.040
<v Speaker 1>to computing and more complex technologies. Because we now have

0:25:18.240 --> 0:25:21.200
<v Speaker 1>this expansive view of information as a kind of general

0:25:21.280 --> 0:25:24.479
<v Speaker 1>category of things, we can think about all the different

0:25:24.480 --> 0:25:27.560
<v Speaker 1>information technologies. Well, we know there are a lot of

0:25:27.560 --> 0:25:30.159
<v Speaker 1>them that rule our lives now, right, we've got an

0:25:30.200 --> 0:25:33.639
<v Speaker 1>information gadget in our pocket. Probably we a lot of

0:25:33.680 --> 0:25:37.760
<v Speaker 1>information comes to us on screens. The networks of the

0:25:37.800 --> 0:25:42.360
<v Speaker 1>Internet are a kind of information technology, just as television

0:25:42.520 --> 0:25:46.760
<v Speaker 1>is and before that the radio. But before that there

0:25:46.840 --> 0:25:51.119
<v Speaker 1>was the telegraph, and before that, if you you know,

0:25:51.160 --> 0:25:53.639
<v Speaker 1>we start to think more broadly about information. We know

0:25:53.720 --> 0:25:57.120
<v Speaker 1>that the printing press was an information technology, and even

0:25:57.160 --> 0:26:01.080
<v Speaker 1>before that, the invention of the alphabet changed the way

0:26:01.200 --> 0:26:07.320
<v Speaker 1>human beings process, transmit, and store information. So all of

0:26:07.320 --> 0:26:09.720
<v Speaker 1>those are technologies, and you can start to think about

0:26:09.920 --> 0:26:12.400
<v Speaker 1>what they have in common and what the differences are,

0:26:12.480 --> 0:26:14.760
<v Speaker 1>and how they evolved and how they changed our lives.

0:26:15.000 --> 0:26:18.639
<v Speaker 1>So let's talk about the modern era and the Internet.

0:26:19.000 --> 0:26:23.000
<v Speaker 1>What's the significance of Wikipedia. What's the significance of the

0:26:23.040 --> 0:26:29.000
<v Speaker 1>Internet for our ability to perceive and manipulate information. That's

0:26:29.000 --> 0:26:31.720
<v Speaker 1>a pretty big question. What's the significance? There are a

0:26:31.760 --> 0:26:35.280
<v Speaker 1>lot of things going on all at once. You mentioned Wikipedia.

0:26:35.880 --> 0:26:38.480
<v Speaker 1>I happen to like Wikipedia. I'm a fan. In fact,

0:26:38.520 --> 0:26:43.280
<v Speaker 1>I think it's it's really an extraordinary monument in the

0:26:43.320 --> 0:26:48.240
<v Speaker 1>information era. Of all of the giant information enterprises, it's

0:26:48.280 --> 0:26:51.560
<v Speaker 1>the only one that isn't designed to make money. It's

0:26:51.600 --> 0:26:54.320
<v Speaker 1>never made a penny, and if it continues on its

0:26:54.320 --> 0:26:58.359
<v Speaker 1>current course, it never will. It's entirely crowdsourced. When it

0:26:58.520 --> 0:27:03.359
<v Speaker 1>started out, it was kind of famously inaccurate, right, And

0:27:03.440 --> 0:27:08.600
<v Speaker 1>maybe it is in some circles famously inaccurate. Schools probably

0:27:08.640 --> 0:27:14.200
<v Speaker 1>don't allow students to cite Wikipedia as a final source

0:27:14.359 --> 0:27:18.600
<v Speaker 1>on anything. Newspapers certainly don't. On the other hand, we

0:27:18.640 --> 0:27:20.960
<v Speaker 1>all rely on it, a lot, more of us rely

0:27:21.040 --> 0:27:24.560
<v Speaker 1>on it than it then admit it. And it's astoundingly

0:27:24.680 --> 0:27:26.480
<v Speaker 1>good when you think about it. You know, if you

0:27:26.520 --> 0:27:29.240
<v Speaker 1>want to start doing research on any subject, you look

0:27:29.280 --> 0:27:31.800
<v Speaker 1>it up on Wikipedia, and it doesn't matter so much

0:27:31.840 --> 0:27:35.040
<v Speaker 1>what was written. As the whole run of sources to

0:27:35.240 --> 0:27:39.000
<v Speaker 1>truly authoritative sources at the bottom is a great place

0:27:39.040 --> 0:27:42.080
<v Speaker 1>to start doing sources you can cite and quote if

0:27:42.119 --> 0:27:44.560
<v Speaker 1>you can't quote Wikipedia, right, Okay, So here we are

0:27:44.600 --> 0:27:47.880
<v Speaker 1>both praising Wikipedia. And yet it remains true that at

0:27:47.880 --> 0:27:51.159
<v Speaker 1>this moment anybody who's listening to us could, as a

0:27:51.240 --> 0:27:54.800
<v Speaker 1>prank look up any not any because some of them

0:27:54.800 --> 0:27:58.280
<v Speaker 1>are are kind of protected now, but could look up

0:27:58.320 --> 0:28:02.320
<v Speaker 1>most of what's on Wikipedia, just change it. So it's

0:28:02.359 --> 0:28:08.520
<v Speaker 1>a kind of miracle that, given its vulnerability to mischief

0:28:08.840 --> 0:28:13.199
<v Speaker 1>and to just plain carelessness, it's as accurate as it is.

0:28:13.640 --> 0:28:18.760
<v Speaker 1>The people who are inclined to make mischief are far

0:28:18.880 --> 0:28:22.359
<v Speaker 1>less motivated than the people who really care deeply about

0:28:22.359 --> 0:28:25.359
<v Speaker 1>a subject. You have a run of different experts writing

0:28:25.400 --> 0:28:29.919
<v Speaker 1>about it. It's a crowdsourced version of an encyclopedia. And

0:28:29.960 --> 0:28:32.360
<v Speaker 1>it seems Yeah, the mischief makers can have a little

0:28:32.400 --> 0:28:35.000
<v Speaker 1>fun on the on the periphery, but the people who

0:28:35.080 --> 0:28:39.160
<v Speaker 1>cared deeply about something aren't gonna allow it to be despoiled.

0:28:39.240 --> 0:28:40.720
<v Speaker 1>Or at least that's how it seems to work in

0:28:40.760 --> 0:28:43.320
<v Speaker 1>the real world. Yeah, of course there are other problems too.

0:28:43.360 --> 0:28:47.800
<v Speaker 1>Besides besides obvious errors, there there's opinion and their points

0:28:47.800 --> 0:28:50.480
<v Speaker 1>of view, and and we we seem to be living

0:28:50.480 --> 0:28:56.360
<v Speaker 1>through an election where um, people have not just different opinions,

0:28:56.400 --> 0:28:59.000
<v Speaker 1>but they feel entitled to their own sets of facts.

0:28:59.000 --> 0:29:03.200
<v Speaker 1>And Wikipedia, like the rest of us, gets embroiled into

0:29:03.240 --> 0:29:08.520
<v Speaker 1>disputes over over what's actually true because and this has

0:29:08.560 --> 0:29:12.320
<v Speaker 1>been called the post factual era well, and and with

0:29:12.400 --> 0:29:15.959
<v Speaker 1>the best of intentions, we can't ever be absolutely certain

0:29:16.080 --> 0:29:19.080
<v Speaker 1>that we have a claim to to the truth. And

0:29:19.160 --> 0:29:23.040
<v Speaker 1>so now another thing I guess we've learned from Wikipedia,

0:29:23.280 --> 0:29:28.200
<v Speaker 1>or maybe from the Internet in general, is two always

0:29:28.360 --> 0:29:30.240
<v Speaker 1>at least I think this is what we should have

0:29:30.320 --> 0:29:32.880
<v Speaker 1>learned to have a little bit of humility about what

0:29:32.920 --> 0:29:36.000
<v Speaker 1>we think we know to be true, to recognize that

0:29:36.040 --> 0:29:40.280
<v Speaker 1>our knowledge is provisional, to keep an open mind and

0:29:40.320 --> 0:29:45.800
<v Speaker 1>continue to listen to other possibilities as scientists do as

0:29:45.840 --> 0:29:49.360
<v Speaker 1>the best scientists have always done. The best scientists don't

0:29:49.400 --> 0:29:53.200
<v Speaker 1>say here's the truth. I have arrived at it. That's final,

0:29:53.360 --> 0:29:55.920
<v Speaker 1>end of story for those of you joining us. Now

0:29:56.240 --> 0:29:59.640
<v Speaker 1>we're speaking with James Glick. He's the author of The Information,

0:30:00.080 --> 0:30:03.000
<v Speaker 1>A Theory of History of Flood. Let me pull a

0:30:03.080 --> 0:30:05.959
<v Speaker 1>quote out of the book that I really like you wrote,

0:30:06.320 --> 0:30:10.640
<v Speaker 1>the same paradox was destined to reappear in different guises,

0:30:11.200 --> 0:30:15.120
<v Speaker 1>each technology of information bringing its own power and its

0:30:15.120 --> 0:30:18.520
<v Speaker 1>own fears. Would we say that's still true today? Well,

0:30:18.640 --> 0:30:22.160
<v Speaker 1>isn't it. Every time we get a new social network,

0:30:22.320 --> 0:30:26.160
<v Speaker 1>or a or a a new uh, a new device,

0:30:26.960 --> 0:30:31.080
<v Speaker 1>some people worry that it's just gonna drain us of humanity, right,

0:30:31.520 --> 0:30:35.080
<v Speaker 1>that we're gonna we're going to maybe gain some kinds

0:30:35.080 --> 0:30:37.880
<v Speaker 1>of knowledge and then lose some of their skills. And

0:30:38.480 --> 0:30:42.200
<v Speaker 1>that's always been true. I mean, when when electronic calculators arrived,

0:30:42.240 --> 0:30:45.080
<v Speaker 1>people started very quickly to forget how to do arithmetic.

0:30:45.840 --> 0:30:50.240
<v Speaker 1>But before that, when well, for that matter, when writing

0:30:50.320 --> 0:30:53.920
<v Speaker 1>was invented, Plato worried about the effect it was going

0:30:53.960 --> 0:30:56.080
<v Speaker 1>to have on human memory. I used to have a

0:30:56.120 --> 0:30:59.200
<v Speaker 1>thousand phone numbers in my head. Now, courtesy of the

0:30:59.760 --> 0:31:02.640
<v Speaker 1>I phone, I don't know anybody's phone number. So there

0:31:02.680 --> 0:31:04.520
<v Speaker 1>you go. And is that a good thing or a

0:31:04.520 --> 0:31:07.680
<v Speaker 1>bad thing? You can take your pick. I would I

0:31:08.360 --> 0:31:11.560
<v Speaker 1>suspect I only have a finite capacity, and I'm freeing

0:31:11.640 --> 0:31:16.240
<v Speaker 1>up some space for perhaps more useful functions. But along

0:31:16.280 --> 0:31:19.440
<v Speaker 1>the same lines, while I was preparing for this, uh

0:31:19.520 --> 0:31:24.680
<v Speaker 1>and researching and googling certain things, I came across Louis c.

0:31:24.840 --> 0:31:28.400
<v Speaker 1>K On I think it was on Conan, and he

0:31:28.520 --> 0:31:33.120
<v Speaker 1>does this hilarious bit about everything is amazing and nobody's happy.

0:31:35.080 --> 0:31:41.120
<v Speaker 1>It's told in Jess. But how accurate is that sentiment? Well, yes,

0:31:41.280 --> 0:31:44.040
<v Speaker 1>it's it's partly a joke because it's an exaggeration to

0:31:44.080 --> 0:31:47.920
<v Speaker 1>say that nobody's happy. But I think what he's pointing

0:31:47.920 --> 0:31:51.240
<v Speaker 1>out is is something that's healthy that we have these

0:31:51.760 --> 0:31:54.440
<v Speaker 1>We have tremendous powers. We have what would have looked

0:31:54.480 --> 0:31:59.720
<v Speaker 1>to our grandparents like the magical abilities to access one

0:31:59.720 --> 0:32:02.960
<v Speaker 1>another there and to access sources of information. And yet

0:32:03.240 --> 0:32:08.200
<v Speaker 1>we don't necessarily feel any smarter, and that's good because

0:32:08.240 --> 0:32:11.720
<v Speaker 1>we aren't any smarter. We have we have new sources

0:32:11.720 --> 0:32:15.520
<v Speaker 1>of knowledge, and we have new reasons to worry about

0:32:16.880 --> 0:32:22.840
<v Speaker 1>attention deficit disorder, to worry about um, about new sources

0:32:22.880 --> 0:32:26.680
<v Speaker 1>of error, and as I say too, hopefully remain humble.

0:32:27.760 --> 0:32:31.600
<v Speaker 1>We have been speaking with author James Glick, most recently

0:32:32.040 --> 0:32:36.600
<v Speaker 1>writing Time Travel a History on Twitter. You're at James

0:32:36.640 --> 0:32:40.440
<v Speaker 1>Glick spelled g L E I c k at James Glick.

0:32:40.760 --> 0:32:43.560
<v Speaker 1>If you enjoy this conversation, be sure and stick around

0:32:43.640 --> 0:32:46.440
<v Speaker 1>for the podcast extras, where the tape will continue to

0:32:46.560 --> 0:32:50.640
<v Speaker 1>roll as we discuss all things time travel related. Be

0:32:50.760 --> 0:32:54.080
<v Speaker 1>sure and check out my daily column on Bloomberg View

0:32:54.080 --> 0:32:58.800
<v Speaker 1>dot com or follow me on Twitter at Riholts. I'm

0:32:58.840 --> 0:33:01.960
<v Speaker 1>Barry Riholts. You've and listening to Masters in Business on

0:33:02.040 --> 0:33:08.680
<v Speaker 1>Bloomberg Radio, brought to you by Bank of America. Merrill Lynch.

0:33:09.000 --> 0:33:12.280
<v Speaker 1>Seeing what others have seen, but uncovering what others may not.

0:33:12.720 --> 0:33:16.440
<v Speaker 1>Global Research that helps You Harness disruption. Voted top global

0:33:16.480 --> 0:33:20.040
<v Speaker 1>research firm five years running. Merrill Lynch, Pierce, Finner and

0:33:20.080 --> 0:33:23.080
<v Speaker 1>Smith Incorporated. Welcome to the podcast, James, thank you so

0:33:23.160 --> 0:33:25.280
<v Speaker 1>much for doing this. I have been a fan of

0:33:25.320 --> 0:33:30.040
<v Speaker 1>yours for quite a while, and i've I've enjoyed your books, Um,

0:33:30.080 --> 0:33:34.560
<v Speaker 1>and I remember not just plowing through Chaos, which for

0:33:34.680 --> 0:33:39.200
<v Speaker 1>a recovering physics want was a delight, but The Information

0:33:39.320 --> 0:33:44.640
<v Speaker 1>was one of those books that was I can't complimented enough.

0:33:45.600 --> 0:33:50.520
<v Speaker 1>It's a tour de force of information theory and human

0:33:50.600 --> 0:33:55.040
<v Speaker 1>technological development. It's almost as if information theory is an

0:33:55.080 --> 0:34:00.560
<v Speaker 1>overlay across every single technology that we've developed, more or

0:34:00.640 --> 0:34:04.880
<v Speaker 1>less from sharp and Stones forward. Is that an overstatement

0:34:05.040 --> 0:34:07.160
<v Speaker 1>or no? I think you got that. I think you've

0:34:07.160 --> 0:34:11.920
<v Speaker 1>got that exactly right, Mary, And you know we're pretty

0:34:11.960 --> 0:34:14.080
<v Speaker 1>well aware of that. These days, we hear a lot

0:34:14.080 --> 0:34:17.640
<v Speaker 1>about information. We know this is the information age. It's

0:34:17.680 --> 0:34:20.359
<v Speaker 1>been the information age now for more than fifty years.

0:34:20.960 --> 0:34:24.560
<v Speaker 1>So it's it's interesting too to stop and explore that

0:34:24.640 --> 0:34:28.600
<v Speaker 1>and figure out how information became a thing and and

0:34:28.600 --> 0:34:32.120
<v Speaker 1>how we can make it a useful part of our

0:34:32.160 --> 0:34:35.600
<v Speaker 1>lives without letting it overwhelm us. So I I went

0:34:35.640 --> 0:34:43.480
<v Speaker 1>through Chaos, I reviewed UM the Information I revisited faster. UM.

0:34:44.000 --> 0:34:47.840
<v Speaker 1>I didn't go through Isaac Newton or or Feynman, Although

0:34:47.840 --> 0:34:50.960
<v Speaker 1>I've listened to his lecture, so I'm kind of more

0:34:51.000 --> 0:34:53.480
<v Speaker 1>or less up to speed with that. And I started

0:34:53.719 --> 0:34:57.240
<v Speaker 1>time travel recently, and I'm I'm pretty much halfway through.

0:34:57.680 --> 0:35:00.120
<v Speaker 1>So I have some questions for you about it that

0:35:00.160 --> 0:35:03.600
<v Speaker 1>I find fascinating, many of which you allude to in

0:35:03.640 --> 0:35:05.880
<v Speaker 1>the beginning, And hopefully I'm not going to ask you

0:35:05.920 --> 0:35:08.960
<v Speaker 1>stuff that you resolve later in the book. But one

0:35:08.960 --> 0:35:11.360
<v Speaker 1>of the questions that comes up over and over again

0:35:11.600 --> 0:35:16.560
<v Speaker 1>philosophically in the book is time real? Does time actually exist?

0:35:17.040 --> 0:35:20.360
<v Speaker 1>Or is it just an allusion to us pathetic humans?

0:35:21.000 --> 0:35:24.279
<v Speaker 1>And isn't that kind of Isn't it funny that we

0:35:24.360 --> 0:35:27.520
<v Speaker 1>even ask a question like that, because and physicists do

0:35:27.600 --> 0:35:31.040
<v Speaker 1>ask it. Physicists even have they have symposia on the

0:35:31.160 --> 0:35:35.120
<v Speaker 1>question of whether time is real? Well, what does that mean?

0:35:35.280 --> 0:35:38.200
<v Speaker 1>Because if time isn't real, what have we been talking

0:35:38.200 --> 0:35:40.920
<v Speaker 1>about for all of these millennia. It's one of the

0:35:40.960 --> 0:35:44.840
<v Speaker 1>oldest concepts in the book. It is, I believe, in English,

0:35:45.120 --> 0:35:49.400
<v Speaker 1>the noun most frequently used in the language time time.

0:35:49.560 --> 0:35:53.520
<v Speaker 1>That's quite fascinating. Well, the the counter argument is, there's

0:35:53.560 --> 0:35:57.000
<v Speaker 1>only the presence you going from. We'll start with the

0:35:57.040 --> 0:36:00.040
<v Speaker 1>big bang and end up with universal entropy and the

0:36:00.040 --> 0:36:04.600
<v Speaker 1>heat death trillion years in the future. And we can

0:36:04.640 --> 0:36:09.840
<v Speaker 1>conceptualize the future, we can recall our own distorted perspective

0:36:09.840 --> 0:36:12.359
<v Speaker 1>of the past, but really there's only the here and now,

0:36:12.440 --> 0:36:15.160
<v Speaker 1>and what might be or what might have come before

0:36:16.640 --> 0:36:22.280
<v Speaker 1>is just that progression along. Well, there's there's what you

0:36:22.280 --> 0:36:25.920
<v Speaker 1>you might call the kind of naive person in the

0:36:25.960 --> 0:36:31.520
<v Speaker 1>street view of time, and before before that sounds too condescending,

0:36:31.520 --> 0:36:33.920
<v Speaker 1>I should say, that's that's my view of time. That

0:36:34.080 --> 0:36:37.640
<v Speaker 1>is I'm going to endorse the naive view. And and

0:36:37.719 --> 0:36:40.640
<v Speaker 1>that view is is this. It's that the only thing

0:36:40.680 --> 0:36:45.200
<v Speaker 1>that's real is the present. What's happening now, that's real,

0:36:45.400 --> 0:36:48.160
<v Speaker 1>this instant, this instant, I'm looking at you, you're looking

0:36:48.160 --> 0:36:51.319
<v Speaker 1>at me. Here we are. But I said that a

0:36:51.320 --> 0:36:54.760
<v Speaker 1>few seconds ago, and now it's gone. It's the past

0:36:55.000 --> 0:36:58.160
<v Speaker 1>and it was real, but it's not real. We have

0:36:58.719 --> 0:37:02.040
<v Speaker 1>lost access to it. We have a memory of it,

0:37:02.400 --> 0:37:05.680
<v Speaker 1>we have records, we have artifacts, we have ruins. But

0:37:05.800 --> 0:37:10.440
<v Speaker 1>the past is gone and the future isn't real because

0:37:10.440 --> 0:37:13.359
<v Speaker 1>it doesn't exist yet. We can imagine it, we can

0:37:13.400 --> 0:37:15.359
<v Speaker 1>think about it, we can worry about it, we can

0:37:15.400 --> 0:37:19.080
<v Speaker 1>fear it. But it's not real the way the present is.

0:37:19.480 --> 0:37:23.719
<v Speaker 1>And so if you believe that, then you have what

0:37:23.800 --> 0:37:26.239
<v Speaker 1>I consider to be a kind of reasonable view of

0:37:26.239 --> 0:37:29.600
<v Speaker 1>how time works. Um, why do you say that's the

0:37:29.719 --> 0:37:34.080
<v Speaker 1>naive man in the street view? Because physicists have developed

0:37:34.600 --> 0:37:38.439
<v Speaker 1>a more complicated view of the universe, which which we're

0:37:38.480 --> 0:37:43.400
<v Speaker 1>also familiar with, in which time is like a fourth

0:37:43.440 --> 0:37:48.040
<v Speaker 1>dimension of space, and time and space together have an

0:37:48.120 --> 0:37:51.759
<v Speaker 1>independent reality that we call space time. And you can

0:37:51.800 --> 0:37:55.680
<v Speaker 1>imagine all of creation, all of existence, as a four

0:37:55.760 --> 0:38:00.399
<v Speaker 1>dimensional space time continuum. And if you imagine this thing

0:38:00.440 --> 0:38:04.480
<v Speaker 1>as a big block, then the past is there, and

0:38:04.560 --> 0:38:07.640
<v Speaker 1>the future is there, and there's a point that our

0:38:07.719 --> 0:38:11.640
<v Speaker 1>consciousness happens to be moving through and we call that

0:38:11.760 --> 0:38:15.440
<v Speaker 1>the present. But it's an illusion to think that only

0:38:15.520 --> 0:38:17.680
<v Speaker 1>that part is real. All the rest is real too,

0:38:17.760 --> 0:38:21.080
<v Speaker 1>and you can make calculations about them using the equations

0:38:21.080 --> 0:38:24.640
<v Speaker 1>of physics. So along those lines, I think the phrase

0:38:24.640 --> 0:38:28.000
<v Speaker 1>in the book is the pink worm. Basically, somebody's life's

0:38:28.400 --> 0:38:32.840
<v Speaker 1>lifespan as existing through four dimensions, and you're seeing them.

0:38:32.880 --> 0:38:35.320
<v Speaker 1>They start out crawling, they end up on two legs,

0:38:35.320 --> 0:38:38.440
<v Speaker 1>and ultimately end up on on on three legs with

0:38:38.440 --> 0:38:43.440
<v Speaker 1>the cane. Isn't that just an abstract conception as well?

0:38:43.719 --> 0:38:46.600
<v Speaker 1>Or does physics say, well, if you really make the

0:38:46.640 --> 0:38:52.880
<v Speaker 1>fourth dimension real, that that is its own existence as well? Well?

0:38:52.920 --> 0:38:55.560
<v Speaker 1>That that pink worm that comes from a science fiction

0:38:55.600 --> 0:38:59.400
<v Speaker 1>story by Robert Heinlin, And we can we can imagine that.

0:38:59.440 --> 0:39:02.080
<v Speaker 1>You can wrap your heads around that. If you imagine

0:39:02.800 --> 0:39:05.600
<v Speaker 1>the human being that you are now as a three

0:39:05.600 --> 0:39:09.640
<v Speaker 1>dimensional object, what's the four dimensional version? It starts with

0:39:09.680 --> 0:39:11.760
<v Speaker 1>you as a baby, and it ends with you dead,

0:39:12.320 --> 0:39:16.080
<v Speaker 1>and along the way you could, you know, construct a

0:39:16.120 --> 0:39:20.440
<v Speaker 1>well along pink worm. But that's you know, that's a match.

0:39:20.600 --> 0:39:25.440
<v Speaker 1>That's a fantasy, right, I mean, we're still here are

0:39:25.440 --> 0:39:28.400
<v Speaker 1>We're just the three dimensional blobs that we are, and

0:39:28.400 --> 0:39:33.120
<v Speaker 1>and we are changing from one form to another. What

0:39:33.239 --> 0:39:37.520
<v Speaker 1>about Stephen hawkings um time travel party. I found that

0:39:37.560 --> 0:39:39.600
<v Speaker 1>to be kind of amusing, although I think he made

0:39:39.880 --> 0:39:43.800
<v Speaker 1>a small error in his in his calculus. What's the error?

0:39:45.440 --> 0:39:49.280
<v Speaker 1>So my naive view of time travel, assuming it exists,

0:39:49.280 --> 0:39:53.640
<v Speaker 1>which is a giant assumption. Um, you could go back

0:39:53.680 --> 0:39:56.799
<v Speaker 1>in time, and you could go so there's time that

0:39:56.840 --> 0:40:01.720
<v Speaker 1>has not yet unrolled yet. Picture the manaphor is a

0:40:01.760 --> 0:40:04.759
<v Speaker 1>film camera. You can you can shoot a movie and

0:40:04.800 --> 0:40:06.680
<v Speaker 1>you can always go back and rewind and look at

0:40:06.680 --> 0:40:09.319
<v Speaker 1>anything you've shot, and you could go forward to where

0:40:09.360 --> 0:40:12.120
<v Speaker 1>you currently are, but you can't see anything that has

0:40:12.160 --> 0:40:16.640
<v Speaker 1>not yet been filmed. So you can travel back in time,

0:40:16.680 --> 0:40:19.319
<v Speaker 1>and you could travel up to the present, but no

0:40:19.440 --> 0:40:22.279
<v Speaker 1>further than that. Um, so you can't go into the

0:40:22.320 --> 0:40:27.840
<v Speaker 1>future that has not yet uh unrolled. So the first

0:40:27.880 --> 0:40:31.279
<v Speaker 1>time Stephen Hawkins does that the future hasn't occurred. There

0:40:31.280 --> 0:40:33.799
<v Speaker 1>are no time travelers to come back. It's only at

0:40:33.880 --> 0:40:38.600
<v Speaker 1>some future date in an alternative lot timeline that travelers

0:40:38.640 --> 0:40:41.239
<v Speaker 1>can come back to the future. And so this is

0:40:41.360 --> 0:40:44.200
<v Speaker 1>that's how we know, Stephen Hawkins taught us. This is

0:40:44.239 --> 0:40:48.160
<v Speaker 1>the first go through. We're not really living an alternative time. Well,

0:40:48.200 --> 0:40:51.040
<v Speaker 1>you've got an interesting theory, so in in your theory

0:40:51.800 --> 0:40:54.280
<v Speaker 1>as possible to the pet as possible, to the past,

0:40:54.320 --> 0:40:58.520
<v Speaker 1>but not to the future beyond where it's unrolled. And

0:40:59.320 --> 0:41:03.560
<v Speaker 1>we're talking about Stephen Hawkings famous invitation to time travelers.

0:41:03.560 --> 0:41:07.160
<v Speaker 1>He printed up an invitation and said, dear dear time

0:41:07.160 --> 0:41:10.319
<v Speaker 1>travelers from the future, you're invited to this party, which

0:41:10.320 --> 0:41:13.480
<v Speaker 1>took place last week. And then he said, well, nobody

0:41:13.600 --> 0:41:19.000
<v Speaker 1>showed up. Therefore, I have proved that time travel doesn't exist.

0:41:19.120 --> 0:41:21.920
<v Speaker 1>There are no time travelers from the future among us.

0:41:22.080 --> 0:41:25.600
<v Speaker 1>He should know better because he created the paradox, had he,

0:41:26.280 --> 0:41:28.440
<v Speaker 1>and he was right this go around. But if there

0:41:28.520 --> 0:41:32.840
<v Speaker 1>is time travel that's evented a thousand years hence, then

0:41:32.880 --> 0:41:36.239
<v Speaker 1>in the alternative timeline where they come back and visit

0:41:36.280 --> 0:41:40.960
<v Speaker 1>his party, won't he be surprised? Well, I think Hawking was.

0:41:40.760 --> 0:41:43.759
<v Speaker 1>It was partly putting that out there with his tongue

0:41:43.760 --> 0:41:47.280
<v Speaker 1>in his cheek, just to touch and then he, like

0:41:47.280 --> 0:41:50.400
<v Speaker 1>like other physicists, like to have fun with time travel

0:41:50.440 --> 0:41:54.360
<v Speaker 1>because it's such an exciting idea. Um. One person I

0:41:54.440 --> 0:41:57.000
<v Speaker 1>ran into said he had he had yet another theory

0:41:57.040 --> 0:41:59.520
<v Speaker 1>of for why we aren't seeing the time travelers in

0:41:59.520 --> 0:42:03.560
<v Speaker 1>our midst and it's that they're afraid of disease. There

0:42:03.560 --> 0:42:05.839
<v Speaker 1>you go, they don't have an immune system the way

0:42:05.960 --> 0:42:09.359
<v Speaker 1>settlers on a new continent catch diseases that they aren't

0:42:09.360 --> 0:42:12.560
<v Speaker 1>prepared for. And so what we should do is create

0:42:12.680 --> 0:42:16.640
<v Speaker 1>quarantine areas and then sound send out the infantition. Again.

0:42:16.760 --> 0:42:18.840
<v Speaker 1>There you go. That that makes a lot of sense.

0:42:19.480 --> 0:42:22.880
<v Speaker 1>Or they could be similarly fearful of the butterfly effect

0:42:22.880 --> 0:42:26.360
<v Speaker 1>and not wanting to change future history. I'm early in

0:42:26.360 --> 0:42:29.000
<v Speaker 1>the book you talk about something I've always wondered, which

0:42:29.320 --> 0:42:33.080
<v Speaker 1>isn't the time aspect of it, but it's the physical

0:42:33.160 --> 0:42:36.480
<v Speaker 1>space aspect of it. We have we have the Earth

0:42:36.640 --> 0:42:41.040
<v Speaker 1>um rotating, revolving, we have the Sun and moving around

0:42:41.120 --> 0:42:45.239
<v Speaker 1>the entire galaxy. The galaxy is expanding from from the

0:42:45.280 --> 0:42:48.040
<v Speaker 1>point of of the Big Bang. How do you physically

0:42:48.160 --> 0:42:51.640
<v Speaker 1>end up given all this motion in those three dimensions?

0:42:52.040 --> 0:42:54.799
<v Speaker 1>When you so the Earth today, if you go into

0:42:54.800 --> 0:42:57.239
<v Speaker 1>a time machine right here and you want to go

0:42:57.280 --> 0:43:00.319
<v Speaker 1>back a thousand years, you're that taught three dimensional, those

0:43:00.360 --> 0:43:04.200
<v Speaker 1>three coordinates. It is not here, it's it's we're really

0:43:04.200 --> 0:43:06.640
<v Speaker 1>getting into the weeds here, Barry. And And it's true

0:43:06.680 --> 0:43:08.200
<v Speaker 1>that this is the kind of thing that if you're

0:43:08.200 --> 0:43:11.279
<v Speaker 1>going to construct a science fiction story, you have to

0:43:11.280 --> 0:43:13.880
<v Speaker 1>worry about, or if you don't want to worry about it,

0:43:13.920 --> 0:43:17.680
<v Speaker 1>you have to you know, a little a little hocus focus,

0:43:17.680 --> 0:43:20.080
<v Speaker 1>a little hocus focus. So H. G. Wells, when he

0:43:20.080 --> 0:43:23.000
<v Speaker 1>wrote The Time Machine, didn't worry about that. You know,

0:43:23.160 --> 0:43:25.879
<v Speaker 1>it didn't occur to him, or if it occurred to him,

0:43:25.880 --> 0:43:28.160
<v Speaker 1>he decided his readers weren't going to think about it,

0:43:28.440 --> 0:43:32.160
<v Speaker 1>so his time machine just advances through space and he

0:43:32.200 --> 0:43:35.000
<v Speaker 1>ignores the fact that the whole Earth is going to

0:43:35.040 --> 0:43:39.880
<v Speaker 1>be in a different place. You know, um, nowadays you

0:43:39.920 --> 0:43:41.600
<v Speaker 1>can do whatever you want if you if you want

0:43:41.600 --> 0:43:46.000
<v Speaker 1>to construct a science fiction story. And everybody who watches

0:43:46.080 --> 0:43:52.560
<v Speaker 1>Doctor Who knows that the tardest, the Great Blue British

0:43:52.600 --> 0:43:56.960
<v Speaker 1>London Police block box travels through time and through space

0:43:57.480 --> 0:43:59.919
<v Speaker 1>and so it gets to go wherever the Doctor wants

0:43:59.920 --> 0:44:02.920
<v Speaker 1>to ascended. So I know, I only have you for

0:44:03.000 --> 0:44:06.040
<v Speaker 1>a finite amount of time, and I have a million

0:44:06.120 --> 0:44:09.000
<v Speaker 1>questions for you. Let me jump right to my favorite

0:44:09.000 --> 0:44:13.759
<v Speaker 1>few questions I asked all my guests. Um, So, as

0:44:13.760 --> 0:44:17.880
<v Speaker 1>a writer, who are some of your early mentors? I

0:44:18.000 --> 0:44:22.239
<v Speaker 1>don't think I had mentors because I started out as

0:44:22.280 --> 0:44:25.080
<v Speaker 1>a as a journalist. I was a reporter. I was

0:44:25.120 --> 0:44:27.279
<v Speaker 1>an editor. My my first boss at the New York

0:44:27.320 --> 0:44:32.520
<v Speaker 1>Times was the great Sydney Schanberg, who was a magnificent

0:44:32.600 --> 0:44:37.479
<v Speaker 1>foreign correspondent who was Metropolitan editor when I started working

0:44:37.480 --> 0:44:40.239
<v Speaker 1>at the New York Times, and I I revered him

0:44:40.400 --> 0:44:44.960
<v Speaker 1>and still still revere him. But I can't say that

0:44:45.040 --> 0:44:48.319
<v Speaker 1>he had all that much time for me. Um, So

0:44:48.480 --> 0:44:51.160
<v Speaker 1>let's talk about other writers and editors who might have

0:44:51.280 --> 0:44:54.200
<v Speaker 1>influenced your approach to writing. Who who do you feel

0:44:54.840 --> 0:45:00.319
<v Speaker 1>has been a um an influence on on your work? Well? Also,

0:45:00.400 --> 0:45:03.520
<v Speaker 1>let me say two contradictory things. One is I write

0:45:03.520 --> 0:45:09.160
<v Speaker 1>a kind of nonfiction that is has journalism at its root,

0:45:09.280 --> 0:45:11.760
<v Speaker 1>even though I haven't really been a journalist for a while.

0:45:11.880 --> 0:45:16.080
<v Speaker 1>And one person, one writer I admired very much when

0:45:16.080 --> 0:45:21.040
<v Speaker 1>I was starting out, was Gay to Leaves, who, um

0:45:21.080 --> 0:45:23.600
<v Speaker 1>you know his he's known for his books now. I

0:45:23.640 --> 0:45:27.840
<v Speaker 1>don't know how well known he'll he'll be to our listeners,

0:45:27.880 --> 0:45:32.400
<v Speaker 1>but um, he wrote in Back in the Dark Ages

0:45:32.560 --> 0:45:37.799
<v Speaker 1>profiles for Esquire magazine that were absolutely magnificent. They were

0:45:37.800 --> 0:45:41.120
<v Speaker 1>a kind of writing that I really aspired to that

0:45:41.280 --> 0:45:48.560
<v Speaker 1>involved no first person, nothing about him, just kind of

0:45:49.520 --> 0:45:55.319
<v Speaker 1>intensively reported kind of work where you knew so much,

0:45:55.400 --> 0:45:58.320
<v Speaker 1>you spent so much time with your subject and knew

0:45:58.440 --> 0:46:02.200
<v Speaker 1>so much about your subject that you could that you

0:46:02.239 --> 0:46:06.439
<v Speaker 1>could achieve something close to omniscience, and you could write

0:46:06.440 --> 0:46:10.440
<v Speaker 1>about your subject the way a novelist would you. You wouldn't.

0:46:11.080 --> 0:46:13.400
<v Speaker 1>You wouldn't just do an interview where you're talking to

0:46:13.440 --> 0:46:15.799
<v Speaker 1>your subject but but you would be eavesdropping on the

0:46:15.840 --> 0:46:18.960
<v Speaker 1>conversations that your subject is having as he or she

0:46:19.040 --> 0:46:22.600
<v Speaker 1>went through daily life. Narrative nonfiction. I love that kind

0:46:22.600 --> 0:46:25.240
<v Speaker 1>of writing. And so the other half of my answer

0:46:25.239 --> 0:46:29.880
<v Speaker 1>to your question is I read fiction. It's it's I

0:46:29.880 --> 0:46:33.640
<v Speaker 1>don't read very much nonfiction myself, because the writer's I

0:46:33.640 --> 0:46:36.879
<v Speaker 1>admire most tend to be fiction writers. So let's talk

0:46:36.880 --> 0:46:39.680
<v Speaker 1>a little bit about your favorite books. Tell tell us

0:46:39.719 --> 0:46:43.480
<v Speaker 1>some books that either recently or way back when, that

0:46:43.480 --> 0:46:46.840
<v Speaker 1>that you've really enjoyed. All right, Well, you know, favorite

0:46:46.840 --> 0:46:50.560
<v Speaker 1>books books is so arbitrary and changes week by week.

0:46:51.880 --> 0:46:54.360
<v Speaker 1>So I feel entitled to name a couple of books

0:46:54.360 --> 0:46:56.759
<v Speaker 1>that I talked about in time Travel because their time

0:46:56.800 --> 0:47:01.280
<v Speaker 1>travel books, and but they aren't necessarily obvious time travel books.

0:47:01.760 --> 0:47:05.280
<v Speaker 1>So one of them is um by the great Ursula

0:47:05.360 --> 0:47:10.839
<v Speaker 1>k Legwin, a novel called The Lathe of Heaven, and

0:47:11.719 --> 0:47:16.320
<v Speaker 1>it's not exactly time travel. It involves a helpless man

0:47:16.840 --> 0:47:21.480
<v Speaker 1>who discovers that when he dreams, he is reshaping the future.

0:47:22.160 --> 0:47:25.840
<v Speaker 1>And well, hilarity ensues that I want to give the

0:47:25.840 --> 0:47:28.480
<v Speaker 1>book away. It's a it's an imaginative tour to force

0:47:28.760 --> 0:47:32.560
<v Speaker 1>someone just did a fantastic profile on her. I want

0:47:32.600 --> 0:47:36.000
<v Speaker 1>to say it was either The Atlantic or Esquire New

0:47:36.080 --> 0:47:39.080
<v Speaker 1>Yorker New Yorkers that just was out like two weeks ago.

0:47:39.360 --> 0:47:41.360
<v Speaker 1>Actually I say that, and now I'm not a d

0:47:41.520 --> 0:47:44.960
<v Speaker 1>percent sure, so they can check this and go back

0:47:45.000 --> 0:47:47.240
<v Speaker 1>and edit it. But yes, I'm a great fan of hers.

0:47:47.280 --> 0:47:50.600
<v Speaker 1>She's she is just a great spirit as well as

0:47:50.640 --> 0:47:52.719
<v Speaker 1>a great writer. Who else? Who else? Do you? What

0:47:52.760 --> 0:47:55.880
<v Speaker 1>other books are you? Well? And the last book that

0:47:55.960 --> 0:47:58.560
<v Speaker 1>I wrote about in time Travel is the most recent

0:47:58.600 --> 0:48:02.160
<v Speaker 1>book by William Gibson, science science fiction writer who really

0:48:02.880 --> 0:48:06.399
<v Speaker 1>is his visionary and transcends science fiction. And he had

0:48:06.400 --> 0:48:10.960
<v Speaker 1>avoided time travel through his whole career, even though his

0:48:11.000 --> 0:48:14.480
<v Speaker 1>books were set in the future. He for one reason

0:48:14.600 --> 0:48:17.400
<v Speaker 1>or another wasn't interested in time travel. And then suddenly

0:48:17.400 --> 0:48:21.359
<v Speaker 1>in his latest book, The Peripheral, he invents a new

0:48:21.440 --> 0:48:26.759
<v Speaker 1>kind of time travel that is very um redolent of

0:48:27.080 --> 0:48:31.680
<v Speaker 1>our world of cyberspace, which is appropriate because William Gibson

0:48:31.719 --> 0:48:38.520
<v Speaker 1>invented cyberspace. Neuromancer was mona Lisa overdrive, And so I'll

0:48:38.560 --> 0:48:42.360
<v Speaker 1>recommend The Peripheral. The Peripheral give us a non time

0:48:42.360 --> 0:48:47.040
<v Speaker 1>travel book that you've enjoyed of recently. Um alright, well

0:48:47.320 --> 0:48:51.680
<v Speaker 1>just um, because I just finished reading it and Patchett's

0:48:51.719 --> 0:48:56.160
<v Speaker 1>new novel, Commonwealth, which is nothing that there's no science

0:48:56.200 --> 0:48:59.080
<v Speaker 1>fiction or anything else. She's a beautiful writer. It's a

0:48:59.160 --> 0:49:04.160
<v Speaker 1>family story that takes place over generations. And if you

0:49:04.760 --> 0:49:06.759
<v Speaker 1>forced me to bring it back to the conversation, which

0:49:06.800 --> 0:49:09.520
<v Speaker 1>you're not trying to do, I would say that she

0:49:10.120 --> 0:49:15.839
<v Speaker 1>also is a master of using time and memory in

0:49:16.640 --> 0:49:22.719
<v Speaker 1>creative narrative ways. Sommon Wealth, so let me I'm gonna

0:49:22.760 --> 0:49:28.160
<v Speaker 1>go or of script a moment. You're an accomplished writer. No.

0:49:28.640 --> 0:49:32.279
<v Speaker 1>Three of your books nominated for Pulitzers. When you are

0:49:32.360 --> 0:49:37.120
<v Speaker 1>reading something, are you just reading for escapist pleasure? Does

0:49:37.200 --> 0:49:40.640
<v Speaker 1>the craft intrude on your ability to read? Are you

0:49:41.280 --> 0:49:44.560
<v Speaker 1>sort of noticing little oh, I see what they did here?

0:49:44.560 --> 0:49:48.960
<v Speaker 1>Are you noticing techniques? Or do you get definitely? But

0:49:49.600 --> 0:49:53.319
<v Speaker 1>first of all, why escapist pleasure? Can't I just read

0:49:53.400 --> 0:49:58.160
<v Speaker 1>for you know, virtuous life, life enhancement. Well, but but

0:49:58.560 --> 0:50:02.680
<v Speaker 1>that's how the criticism has always been about fiction versus nonfiction.

0:50:03.200 --> 0:50:05.920
<v Speaker 1>I need for pleasure, and I don't feel guilty about that.

0:50:06.120 --> 0:50:11.120
<v Speaker 1>But it's it's true that when I'm writing. In particular,

0:50:11.560 --> 0:50:14.840
<v Speaker 1>there are times it often happens that I'm reading a

0:50:14.840 --> 0:50:18.920
<v Speaker 1>book and suddenly I think, ah ha, I can steal that.

0:50:19.520 --> 0:50:24.000
<v Speaker 1>And I and I'm meaning a technique or meaning a

0:50:24.120 --> 0:50:28.799
<v Speaker 1>technique or the way a sentence is constructed, or a

0:50:28.960 --> 0:50:32.880
<v Speaker 1>rhythm or something I don't even know what it is,

0:50:33.000 --> 0:50:36.000
<v Speaker 1>but something I'll need to I'll need to put the

0:50:36.040 --> 0:50:38.360
<v Speaker 1>book down for a second and rush over to the keyboard.

0:50:38.480 --> 0:50:43.360
<v Speaker 1>So so you, as you're reading, you are stealing. But

0:50:43.600 --> 0:50:47.440
<v Speaker 1>by the way, the reason I ask every single guest

0:50:47.880 --> 0:50:53.040
<v Speaker 1>for some of their favorite books. I've had a dozen billionaires,

0:50:53.160 --> 0:50:56.520
<v Speaker 1>I've had just as many Nobel laureates in the studio

0:50:57.040 --> 0:51:02.520
<v Speaker 1>and other people of accomplishment, and pretty much every single one.

0:51:02.760 --> 0:51:06.880
<v Speaker 1>When you get to the question, so what do you

0:51:06.920 --> 0:51:13.520
<v Speaker 1>attribute your success to? The concept of constantly learning, constantly reading,

0:51:14.280 --> 0:51:20.560
<v Speaker 1>being able to take advantage of the information that someone

0:51:20.719 --> 0:51:24.000
<v Speaker 1>someone basically lives a lifetime and says, here, I'm gonna

0:51:24.000 --> 0:51:26.279
<v Speaker 1>spend a year and spill out what I've learned over

0:51:26.360 --> 0:51:30.360
<v Speaker 1>fifty years. Have this to to ignore? That is a

0:51:30.360 --> 0:51:34.799
<v Speaker 1>a tremendous waste and the idea of accessing books and

0:51:34.880 --> 0:51:38.320
<v Speaker 1>knowledge and other people's experience comes up over and over.

0:51:38.960 --> 0:51:42.000
<v Speaker 1>I wanted to ask you specifically what you get out

0:51:42.000 --> 0:51:45.319
<v Speaker 1>of reading, because you're a professional writer and and you

0:51:45.600 --> 0:51:49.920
<v Speaker 1>pretty much address the question the way I was hoping,

0:51:50.200 --> 0:51:54.120
<v Speaker 1>But I always asked the question. And it's amazing how

0:51:54.160 --> 0:51:58.160
<v Speaker 1>animated some people become about the books that are so

0:51:58.239 --> 0:52:03.520
<v Speaker 1>significant to them. They really, um seem to have credited

0:52:04.160 --> 0:52:08.080
<v Speaker 1>reading as as an enormous part of their development. So

0:52:08.080 --> 0:52:12.759
<v Speaker 1>so that's why that that comes up. Um, So what

0:52:12.800 --> 0:52:17.520
<v Speaker 1>do you do outside of writing for for pleasure? What

0:52:17.560 --> 0:52:23.520
<v Speaker 1>do you do, uh to to keep yourself? Um, I'm

0:52:23.520 --> 0:52:26.120
<v Speaker 1>gonna rephray, I'm gonna ask that again in a slightly

0:52:26.160 --> 0:52:29.800
<v Speaker 1>different way. So outside of the office, outside of writing,

0:52:29.880 --> 0:52:40.279
<v Speaker 1>what do you do to relax away from books? What

0:52:40.360 --> 0:52:43.000
<v Speaker 1>does anybody do? I don't know. I go to movies,

0:52:43.040 --> 0:52:48.800
<v Speaker 1>I listen to music, I go to place I occasionally

0:52:49.400 --> 0:52:51.759
<v Speaker 1>it's hard, as as it may be to believe I

0:52:51.800 --> 0:52:56.359
<v Speaker 1>actually just sit quietly. Okay, that that's not hard to

0:52:56.520 --> 0:53:00.000
<v Speaker 1>believe at all. And and now, um, by the way,

0:53:00.040 --> 0:53:04.080
<v Speaker 1>that's a question that had come from listeners, and people

0:53:04.120 --> 0:53:06.560
<v Speaker 1>always ask ask people what they do to relax outside

0:53:06.560 --> 0:53:09.960
<v Speaker 1>of the office. And then my last it's kind of

0:53:09.960 --> 0:53:13.200
<v Speaker 1>an interesting question. There's no office, you know, I mean

0:53:13.200 --> 0:53:15.319
<v Speaker 1>there is an office. You have a computer somewhere. Are

0:53:15.360 --> 0:53:17.319
<v Speaker 1>you have a desk? Right? So what do you when

0:53:17.320 --> 0:53:21.120
<v Speaker 1>you're away from the desk? That I I for the

0:53:21.160 --> 0:53:26.560
<v Speaker 1>most part, I assume people are conceptualizing, um, a sort

0:53:26.600 --> 0:53:29.759
<v Speaker 1>of grinding workload and what do people do outside of that?

0:53:30.120 --> 0:53:33.240
<v Speaker 1>And these are not I can as someone who writes

0:53:33.800 --> 0:53:37.680
<v Speaker 1>a daily column, I can tell there's an enormous amount

0:53:37.680 --> 0:53:41.600
<v Speaker 1>of work and thought and activity and energy that goes

0:53:41.640 --> 0:53:44.560
<v Speaker 1>into this. It's not There may not be a physical office,

0:53:44.680 --> 0:53:48.920
<v Speaker 1>but there is clearly a defined workspace and a lot

0:53:48.960 --> 0:53:51.840
<v Speaker 1>of labor goes into that. Is that a fair statement?

0:53:51.920 --> 0:53:54.799
<v Speaker 1>That's fair? Um? And there is an office, it's just

0:53:55.000 --> 0:53:59.400
<v Speaker 1>in my house. Okay. Uh So, if a millennial or

0:53:59.400 --> 0:54:02.040
<v Speaker 1>someone who graduated from college came up to you and

0:54:02.080 --> 0:54:05.719
<v Speaker 1>said they were interested in a career as either a

0:54:05.760 --> 0:54:09.080
<v Speaker 1>journalist or an author, what sort of advice would you

0:54:09.080 --> 0:54:14.120
<v Speaker 1>give them? Well? I got two pieces of advice. The

0:54:14.200 --> 0:54:20.080
<v Speaker 1>first one is don't take too much advice from um,

0:54:20.280 --> 0:54:25.080
<v Speaker 1>people much older than yourself, And the second is just um, right,

0:54:26.320 --> 0:54:28.080
<v Speaker 1>the only way to the only way to learn how

0:54:28.080 --> 0:54:31.880
<v Speaker 1>to write is to write, and um, reading about writing

0:54:32.000 --> 0:54:35.560
<v Speaker 1>isn't going to help. Going to school to learn how

0:54:35.560 --> 0:54:37.319
<v Speaker 1>to write isn't going to help. You just have to

0:54:37.560 --> 0:54:41.160
<v Speaker 1>have to write. And um, if you need to find

0:54:42.040 --> 0:54:45.080
<v Speaker 1>somebody to give you orders, then you know, try to

0:54:45.120 --> 0:54:48.560
<v Speaker 1>work for a newspaper. So I like the paradox of

0:54:49.480 --> 0:54:52.720
<v Speaker 1>here's my advice, don't take my advice. I find that interesting.

0:54:53.160 --> 0:54:57.080
<v Speaker 1>And finally, so you've been writing The Chaos came out

0:54:57.120 --> 0:55:00.279
<v Speaker 1>in eighty seven, You've been writing thirty plus years. What

0:55:00.440 --> 0:55:03.160
<v Speaker 1>is it that you know about the craft of writing today?

0:55:03.440 --> 0:55:06.200
<v Speaker 1>You wish you knew thirty years ago? When you begin,

0:55:08.360 --> 0:55:11.480
<v Speaker 1>the question implies that I know something about the craft

0:55:11.520 --> 0:55:13.880
<v Speaker 1>of writing. And are you really going to fight me

0:55:13.920 --> 0:55:19.359
<v Speaker 1>on that? I really am seriously, Ye, Pulitzer nominations, I

0:55:19.360 --> 0:55:24.759
<v Speaker 1>know this is embarrassing. Three National Book Awards. You clearly

0:55:25.320 --> 0:55:27.839
<v Speaker 1>know a thing or two about writing. Maybe I don't

0:55:27.840 --> 0:55:31.439
<v Speaker 1>know what I know that I feel each time I'm

0:55:31.440 --> 0:55:34.080
<v Speaker 1>still figuring it out each time. Is that true you

0:55:34.200 --> 0:55:36.520
<v Speaker 1>when you approach a new book. I do not lie

0:55:36.520 --> 0:55:40.080
<v Speaker 1>to you, Barry. I do not sit down and think, Okay,

0:55:40.160 --> 0:55:42.360
<v Speaker 1>here's I don't have a file of index cards of

0:55:42.440 --> 0:55:45.480
<v Speaker 1>things I've learned. I think, oh my god, what am

0:55:45.560 --> 0:55:47.799
<v Speaker 1>How am I going to do it this time? So

0:55:48.160 --> 0:55:50.640
<v Speaker 1>each time you approach a new topic, a new subject,

0:55:50.719 --> 0:55:55.360
<v Speaker 1>a new book, you're starting from scratch. It's literally a

0:55:55.400 --> 0:55:58.200
<v Speaker 1>blank page. Now what am I going to do with this? Oh,

0:55:58.200 --> 0:56:02.359
<v Speaker 1>it's always it's always a blank page. It well, the

0:56:02.400 --> 0:56:06.520
<v Speaker 1>page itself, but the approach how you I have to

0:56:06.600 --> 0:56:10.120
<v Speaker 1>imagine that you have developed some skills and some techniques over,

0:56:10.200 --> 0:56:13.600
<v Speaker 1>I must have some skills. But if you're accusing me

0:56:13.640 --> 0:56:18.680
<v Speaker 1>of of withholding some some magic sand click, he's not sharing.

0:56:20.000 --> 0:56:23.000
<v Speaker 1>You know. If if other people are giving you the secret,

0:56:23.040 --> 0:56:26.080
<v Speaker 1>I'd like I'd like to know what they are. But um, yeah,

0:56:26.120 --> 0:56:28.920
<v Speaker 1>I'll tell you that when I write the book about

0:56:28.960 --> 0:56:34.200
<v Speaker 1>this radio series. Here. Let me save people the three

0:56:34.239 --> 0:56:37.400
<v Speaker 1>things that come up over and over and over again.

0:56:37.960 --> 0:56:41.719
<v Speaker 1>It's hard work, it's reading, and it's a little bit

0:56:41.719 --> 0:56:44.279
<v Speaker 1>of luck that has those three things have come up

0:56:44.719 --> 0:56:48.040
<v Speaker 1>from person to person to person. And I'm referring to

0:56:48.080 --> 0:56:53.840
<v Speaker 1>people who are you know, by any measure of traditional wealth,

0:56:54.520 --> 0:57:01.160
<v Speaker 1>professional accolades, whatever, awards, and you kind of nor when

0:57:01.200 --> 0:57:04.240
<v Speaker 1>you hear the same things over, I'm fortunate that somehow

0:57:04.280 --> 0:57:07.799
<v Speaker 1>I've talked this building into allowing me to do this

0:57:08.040 --> 0:57:12.799
<v Speaker 1>and conning people like yourself into coming here. Um, and

0:57:12.800 --> 0:57:16.560
<v Speaker 1>and that comes up over again. Well, I absolutely agree

0:57:16.600 --> 0:57:18.920
<v Speaker 1>with all three of those. Oh, so there it is.

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<v Speaker 1>I didn't mean to put words into your math. I

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<v Speaker 1>just wanted to share those three. We have been speaking

0:57:25.400 --> 0:57:29.520
<v Speaker 1>with author James Glick, most recently. Um, he put out

0:57:29.520 --> 0:57:34.080
<v Speaker 1>the book Time Travel of History. I also highly recommend

0:57:34.120 --> 0:57:36.760
<v Speaker 1>the information. And if you have any sort of bend

0:57:36.800 --> 0:57:39.960
<v Speaker 1>towards physics, I would tell you chaos is just a

0:57:40.040 --> 0:57:43.760
<v Speaker 1>fascinating and by the way, it's held up very well,

0:57:44.000 --> 0:57:48.240
<v Speaker 1>mostly because you don't make any declarations. Um, this is

0:57:48.240 --> 0:57:49.720
<v Speaker 1>how it is, and this is how it's always going

0:57:49.800 --> 0:57:52.720
<v Speaker 1>to be. It's a history of what took place in

0:57:53.560 --> 0:57:55.960
<v Speaker 1>chaos theory up to that point. And I think the

0:57:55.960 --> 0:57:59.120
<v Speaker 1>book is the test of time. You're raising your eyebrows

0:57:59.000 --> 0:58:02.160
<v Speaker 1>and now I'm I'm I'm thanking you for saying that. Okay, well,

0:58:02.440 --> 0:58:05.120
<v Speaker 1>I'm not the only person who said that Time Travel

0:58:05.120 --> 0:58:08.640
<v Speaker 1>of History. If you enjoy this conversation, be shure and

0:58:08.720 --> 0:58:12.760
<v Speaker 1>check out the other hundred or so uh such chats

0:58:12.840 --> 0:58:14.840
<v Speaker 1>on iTunes. Just look up an inch or down an

0:58:14.880 --> 0:58:17.160
<v Speaker 1>inch and you can see the rest of them. I

0:58:17.200 --> 0:58:20.840
<v Speaker 1>would be remiss if I did not think my booker,

0:58:20.960 --> 0:58:24.840
<v Speaker 1>Taylor Riggs. We love your comments and feedback. Be sure

0:58:24.880 --> 0:58:29.040
<v Speaker 1>to write to us at m IB podcast at Bloomberg

0:58:29.520 --> 0:58:33.000
<v Speaker 1>dot net. I'm Barry rid Holts. You've been listening to

0:58:33.080 --> 0:58:36.800
<v Speaker 1>Masters in Business on Bloomberg Radio, brought to you by

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0:58:47.320 --> 0:58:50.960
<v Speaker 1>of Global Connections. Bank of America North America member f

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