Speaker 1: Welcome to brain Stuff production of iHeart Radio, Hey brain
Speaker 1: Stuff Lauren Vogelbaum Here. La Basilica de la Sagrada Familia,
Speaker 1: or the Basilica of the Holy Family in Barcelona, Spain,
Speaker 1: is unlike any building in the world. The church's famous
Speaker 1: Nativity facade looks from a distance like a supersized drip
Speaker 1: sand castle, but closer inspection reveals ornately sculpted towers that
Speaker 1: have been described as the Bible written in stone. The
Speaker 1: architect of the Sagrada Familia was the eccentric and deeply
Speaker 1: religious cutal on artist Antony Gordy, who was struck and
Speaker 1: killed by a street car in ninety six when only
Speaker 1: the Nativity facade of his master work had been completed.
Speaker 1: At that point, the rest of the ambitious structure existed
Speaker 1: only in Godi's complex architectural drawings and scale plaster models. Tragically,
Speaker 1: Goodie's priceless models and most of his drawings were destroyed
Speaker 1: by anarchist revolutionaries just ten years after his death, and
Speaker 1: ever since, generations of architects and engineers have labored to
Speaker 1: piece together Godi's singular vision and finish his magnum opus.
Speaker 1: As of this writing, the Sagrada Familia is one hundred
Speaker 1: and thirty seven years old. The first stone was late
Speaker 1: in eighteen eighty two, making it the longest running active
Speaker 1: building project on Earth. Not the longest running ever, though,
Speaker 1: to name just one. Cologne Cathedral in Germany was started
Speaker 1: in twelve forty eight and completed in eighteen eighty. It
Speaker 1: wasn't until twenty nineteen that the City of Barcelona officially
Speaker 1: granted Sagrada Familia a construction permit, even though Godi applied
Speaker 1: for one in eighteen eighty five. The permit itself was
Speaker 1: the most expensive on record, a whopping four point six
Speaker 1: million euros that's around five point two million dollars American
Speaker 1: to complete the monumental project by six, which will be
Speaker 1: the one hundredth anniversary of Godi's death. As an architect
Speaker 1: and structural engineer, Godi was at least a century ahead
Speaker 1: of his time. His eleven vision airy works in and
Speaker 1: around Barcelona, seven of which are UNESCO World Heritage Sites,
Speaker 1: demonstrate how Godi employed wildly innovative building techniques to mimic
Speaker 1: the beauty of nature. Godi's park Gwill, on a hill
Speaker 1: overlooking Barcelona, features a broad patio contained by wavy, curved
Speaker 1: walls adorned colorful Mediterranean tiled mosaics, and his casa batio
Speaker 1: looks as if an alien apartment complex landed in the
Speaker 1: middle of a nineteenth century city. Its breathtaking facade is
Speaker 1: an architectural quilt of curved stone, iron, glass, and tile,
Speaker 1: all girded by God's uncanny grasp of engineering and material science.
Speaker 1: Godi was a devout and passionate Catholic who believed that
Speaker 1: the deepest way to commune with God was to abide
Speaker 1: in nature his creation. When thirty one year old Godi
Speaker 1: received the commission to build the Sagada Familia church, he
Speaker 1: drew up plans for a towering structure with eighteen spires
Speaker 1: representing the twelve apostles for evangelists, the Virgin Mary and
Speaker 1: Jesus Christ. Pope Francis's rumored to be considering Godi, known
Speaker 1: sometimes as God's Architect, as a candidate for sainthood. In
Speaker 1: contrast with the grand exterior, the inside of Sagrada Familia
Speaker 1: is meant to evoke a naturalistic forest of stone. Massive
Speaker 1: pillars stretched from floor to ceiling, where their twisting branches
Speaker 1: intertwined to form an ornate canopy. Work was slow due
Speaker 1: to the technical complexities of the cathedral and the fact
Speaker 1: that it relied solely on private donations. Godi worked on
Speaker 1: the Sagrada Familia for forty years, fully devoting the last
Speaker 1: years of his life to the project. His biographer once
Speaker 1: told the TV show Sixty Minutes he wanted to write
Speaker 1: the history of the Catholic faith in one building and
Speaker 1: added the Godi slept the construction site and took little
Speaker 1: care for appearance, wearing frayed pants held up by a
Speaker 1: rope belt. Godi knew that he wouldn't live to complete
Speaker 1: his master work, so he drew up detailed architectural plans and,
Speaker 1: most importantly, scale plaster models of each of the cathedral's
Speaker 1: sculpted facades and tow wring spires. When Godi was killed
Speaker 1: in the nineteen six tram accident, his associates were able
Speaker 1: to keep building based on the architect's drawings and models.
Speaker 1: But then the Spanish Civil War erupted in nineteen thirty
Speaker 1: six and gangs of anarchists targeted churches as symbols of
Speaker 1: institutional oppression. The Sagrada Familia was attacked and although the
Speaker 1: structure was saved, the anarchists broke into the architect's workshop
Speaker 1: and smashed Goodie's plaster models. Without those models, progress on
Speaker 1: Sagrada Familia slowed to a crawl, further delayed by the
Speaker 1: decades long fascist rule of Francisco Franco. Later, when New
Speaker 1: Zealand born architecture student Mark Bury backpacked through Spain in
Speaker 1: the nineteen seventies, he was recruited to the cause of
Speaker 1: finishing Sagrada Familia while remaining true to Godi's original vision.
Speaker 1: When Bury asked how these Stonemasons and other craftsmen were
Speaker 1: receiving their instructions, he was shown boxes and boxes containing
Speaker 1: the fragmented remains of Godie's plaster models. Bury told sixty minutes,
Speaker 1: my job is to reverse engineer the models. It was
Speaker 1: considered the only way to faithfully reconstruct the vision locked
Speaker 1: inside Godie's singular mind. Barie worked on Sagarda Familia for
Speaker 1: thirty years and is responsible for bringing the project into
Speaker 1: the twenty first century. He consulted with industrial designers working
Speaker 1: on vehicles, ships, and other complex engineering problems. All of
Speaker 1: them were using three D aeronautical drafting software. The could
Speaker 1: prototype designs and materials digitally before constructing them in the
Speaker 1: real world. So Bury decided to employ the same drafting
Speaker 1: technology to solve Sagrada Familia's thorniest engineering challenges on computers
Speaker 1: before casting them in concrete, iron, and stone. For a
Speaker 1: one and thirty seven year old construction project, Today's Sagrada
Speaker 1: Familia is remarkably high tech. In addition to using the
Speaker 1: latest virtual modeling software, components are prototyped using three D printers,
Speaker 1: and architects can explore and interact with digital models using
Speaker 1: virtual reality. Because of these technological and engineering advances, the
Speaker 1: car chief architect of the Sagada Familia, Jordie Foley's confident
Speaker 1: that Gordie's grandiose structure, including the tallest church spire in
Speaker 1: the world set at five hundred and sixty six feet
Speaker 1: that's a hundred and seventy three, will finally be completed
Speaker 1: in At least that's the hope. As fully mused to
Speaker 1: Architect Magazine, are the great cathedrals and basilicas of the
Speaker 1: world ever truly finished. Today's episode was written by Dave
Speaker 1: Ruse and produced by Tyler Clang. Grain Stuff is a
Speaker 1: production of I Heart Radio's house to Works. For more
Speaker 1: in this lots of other topics that we're always working on,
Speaker 1: visit our home planet as to Works dot com and
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