1 00:00:00,480 --> 00:00:03,960 Speaker 1: Welcome to Truth Hounds, a production of My Heart Radio. 2 00:00:06,160 --> 00:00:10,000 Speaker 1: I'm Anna and I've been unemployed for two years now, 3 00:00:10,800 --> 00:00:14,360 Speaker 1: so I really have nothing going on. And I'm Kyle 4 00:00:14,920 --> 00:00:18,400 Speaker 1: and in middle school I received the award most Enthusiastic 5 00:00:18,440 --> 00:00:21,800 Speaker 1: to Learn. So that makes me pretty special. And that 6 00:00:22,040 --> 00:00:25,720 Speaker 1: is what makes us the perfect investigative duo. We are 7 00:00:25,800 --> 00:00:29,240 Speaker 1: two friends who love each other very much. But will 8 00:00:29,280 --> 00:00:32,440 Speaker 1: we love even more? Is getting to the bottom of mysteries? 9 00:00:32,840 --> 00:00:38,479 Speaker 1: All mysteries, short but small mysteries. Specifically, trust me, No 10 00:00:38,680 --> 00:00:41,400 Speaker 1: mystery is too small. No, no, no, Why don't you 11 00:00:41,400 --> 00:00:44,159 Speaker 1: trust me when I tell you we are ready to 12 00:00:44,200 --> 00:00:59,160 Speaker 1: sniff around? We are They're the Truth Hounds. Helloa, hey, Kyle, 13 00:01:01,440 --> 00:01:06,559 Speaker 1: who is this? I'm right behind you. I'm just kidding. 14 00:01:06,560 --> 00:01:11,200 Speaker 1: It's Anne. Are you okay? Are you okay? Oh? Hi? 15 00:01:12,040 --> 00:01:15,720 Speaker 1: Hi um. I'm really glad I caught you because we 16 00:01:15,760 --> 00:01:25,920 Speaker 1: actually need to talk. I'll be right there. Hi. Hi, 17 00:01:26,600 --> 00:01:29,240 Speaker 1: are you good. It's so nice to see you, so 18 00:01:29,280 --> 00:01:31,400 Speaker 1: good to see you. Oh my god, I can't believe 19 00:01:31,880 --> 00:01:34,480 Speaker 1: that we were where we were skydiving. I know the 20 00:01:34,560 --> 00:01:36,480 Speaker 1: last time I saw you, we were in the sky. 21 00:01:37,360 --> 00:01:39,920 Speaker 1: We were literally this guy. But now not only are 22 00:01:39,959 --> 00:01:42,039 Speaker 1: we on land, but we're also at sea, well not 23 00:01:42,120 --> 00:01:44,679 Speaker 1: at sea, but at the ocean. Yeah, it feels so 24 00:01:44,760 --> 00:01:47,440 Speaker 1: good to be back on land. I know, I mean 25 00:01:47,480 --> 00:01:51,040 Speaker 1: to see this. I feel like you could just breathe, 26 00:01:51,160 --> 00:01:54,520 Speaker 1: you know. Yeah, it feels good to sort of be 27 00:01:54,680 --> 00:01:58,560 Speaker 1: on land and I feel like I can breathe again. 28 00:02:00,040 --> 00:02:04,480 Speaker 1: You look good. Thank you. Honestly, I feel like that experience, 29 00:02:05,360 --> 00:02:08,480 Speaker 1: it was like it brought up a lot of interesting feelings. 30 00:02:08,760 --> 00:02:11,519 Speaker 1: First and foremost, it brought up a lot of fear. 31 00:02:11,760 --> 00:02:13,799 Speaker 1: I know, you know what I actually was going to 32 00:02:13,919 --> 00:02:16,200 Speaker 1: ask you because I feel like you're a bit of 33 00:02:16,240 --> 00:02:22,280 Speaker 1: a fear junkie, like thrill seeker. Yeah, yeah, I actually 34 00:02:22,280 --> 00:02:25,280 Speaker 1: wanted to know. We've never had a direct conversation about this, 35 00:02:25,320 --> 00:02:29,880 Speaker 1: but what what scares you? For me, my biggest fear 36 00:02:29,919 --> 00:02:34,079 Speaker 1: has to be like a rat, A rat, like a 37 00:02:34,840 --> 00:02:38,520 Speaker 1: like a rodent, A rodent? Yes, Because when I was 38 00:02:38,560 --> 00:02:43,720 Speaker 1: growing up, Um, once time we opened the toilet, the 39 00:02:43,800 --> 00:02:46,519 Speaker 1: lid was on and there was a dead rat who 40 00:02:46,560 --> 00:02:49,560 Speaker 1: had climbed through the pipes. What are you saying to me? 41 00:02:49,840 --> 00:02:52,120 Speaker 1: And climbed out of the toilet and then but couldn't 42 00:02:52,120 --> 00:02:56,000 Speaker 1: get out because the toilet lid was on. So I honestly, 43 00:02:56,120 --> 00:03:02,079 Speaker 1: my fear is rats. You're that's why. Honestly, if you 44 00:03:02,320 --> 00:03:05,080 Speaker 1: give it come to my house, which I do, you'll 45 00:03:05,120 --> 00:03:09,000 Speaker 1: notice the toilet limit is closed. That's right, Oh my god, 46 00:03:10,080 --> 00:03:15,720 Speaker 1: it is always closed. Okay, So what scares you? Does 47 00:03:15,760 --> 00:03:20,200 Speaker 1: that scare you? I mean, it is scary, but at 48 00:03:20,240 --> 00:03:24,519 Speaker 1: least with a rodent, I know what I'm looking at. Yeah, 49 00:03:24,680 --> 00:03:26,600 Speaker 1: I can see why you're afraid of it, but at 50 00:03:26,639 --> 00:03:29,640 Speaker 1: least you're like, Okay, that's the face, that's the tail, 51 00:03:30,520 --> 00:03:34,560 Speaker 1: that's where it's facing. That's where it's going to me 52 00:03:35,160 --> 00:03:38,120 Speaker 1: a cock roach. I don't know what I'm looking at. 53 00:03:38,280 --> 00:03:40,000 Speaker 1: I don't know if that's its face. I don't know 54 00:03:40,000 --> 00:03:42,480 Speaker 1: if that's its side. I have no idea what I'm 55 00:03:42,480 --> 00:03:45,600 Speaker 1: looking at. So I'm going, what am I looking at? Here? 56 00:03:46,080 --> 00:03:49,040 Speaker 1: And I can't look away because I get in my 57 00:03:49,120 --> 00:03:51,640 Speaker 1: head and I'm like, I gotta know what side of 58 00:03:51,640 --> 00:03:54,600 Speaker 1: the roach that is. That's an interesting part of fear 59 00:03:54,720 --> 00:03:57,920 Speaker 1: that like, sometimes we're really afraid of something, but we're 60 00:03:57,960 --> 00:04:00,240 Speaker 1: so intrigued by it that we can see you to 61 00:04:00,320 --> 00:04:03,480 Speaker 1: stare at it even though we're being were freaked out, 62 00:04:03,640 --> 00:04:06,880 Speaker 1: except because we want to understand, Like what am I? 63 00:04:07,080 --> 00:04:10,760 Speaker 1: What is that? Yes? You know what's really funny. The 64 00:04:10,760 --> 00:04:13,200 Speaker 1: reason why I actually brought you here to talk is 65 00:04:13,240 --> 00:04:18,760 Speaker 1: because I saw a website. It's so funny. It's exactly this, Huh. 66 00:04:18,839 --> 00:04:23,960 Speaker 1: I saw a website that is mortifying and Kyle, I 67 00:04:24,080 --> 00:04:28,279 Speaker 1: literally cannot look away and I need to show you. Okay, 68 00:04:28,360 --> 00:04:30,400 Speaker 1: should we go and look check it out? Let's go 69 00:04:30,560 --> 00:04:39,440 Speaker 1: check it out? Okay, let's go. Episode two, Anna's website. 70 00:04:41,880 --> 00:04:47,360 Speaker 1: So we came up with a plan. I would sit 71 00:04:47,400 --> 00:04:50,280 Speaker 1: down with Kyle and show her this website that I 72 00:04:50,320 --> 00:04:53,640 Speaker 1: had found. It wasn't just any website. It was the 73 00:04:53,680 --> 00:05:00,520 Speaker 1: website for a scary and intriguing for film festival. It 74 00:05:00,560 --> 00:05:03,039 Speaker 1: didn't seem like much of a plan, to be honest, 75 00:05:05,520 --> 00:05:09,000 Speaker 1: but Anna did say it was intriguing and scary, so 76 00:05:09,200 --> 00:05:11,919 Speaker 1: I guess it was a start. I went over to 77 00:05:12,000 --> 00:05:18,279 Speaker 1: Kyle's house to show her this festival's website. Wow, I 78 00:05:18,320 --> 00:05:20,200 Speaker 1: wish you guys could hear the name of the festival. 79 00:05:20,720 --> 00:05:25,040 Speaker 1: It's good, but we can't say it. I mean, I 80 00:05:25,120 --> 00:05:28,880 Speaker 1: love you guys, the listeners, but I'm not trying to 81 00:05:28,880 --> 00:05:35,400 Speaker 1: get sued. Just Google, Okay, let me go, hold on 82 00:05:37,440 --> 00:05:44,760 Speaker 1: that sounds scary. It was. Trust me, it's honestly better 83 00:05:45,120 --> 00:05:52,000 Speaker 1: that you don't know. Uh, film festival. Okay, here it is, Okay, 84 00:05:52,040 --> 00:05:55,880 Speaker 1: there we go. Oh my, what is that? So wait? 85 00:05:55,920 --> 00:05:59,799 Speaker 1: What is that? Oh it's just like a film can 86 00:06:00,000 --> 00:06:03,880 Speaker 1: and it says, admit on, let me be your eyes. 87 00:06:05,839 --> 00:06:11,440 Speaker 1: What I saw was a website dedicated to not just 88 00:06:11,640 --> 00:06:23,479 Speaker 1: a horror film festival, but horror in general. The background 89 00:06:25,320 --> 00:06:32,520 Speaker 1: black blacker than the night itself. Lightning bolts darting out 90 00:06:32,520 --> 00:06:39,039 Speaker 1: of the top left corner slashing the blackness with violence. 91 00:06:40,279 --> 00:06:44,560 Speaker 1: Rusted wheels and mechanisms crudely lined the right hand border. 92 00:06:46,560 --> 00:06:55,719 Speaker 1: The website basically said beware and fuck you. The website 93 00:06:55,800 --> 00:06:59,880 Speaker 1: was cool. It introduced the festival and urged its the 94 00:07:00,000 --> 00:07:04,080 Speaker 1: sitters to submit an original, cutting edge short feature or 95 00:07:04,160 --> 00:07:09,680 Speaker 1: screenplay to participate, and it even featured a little video 96 00:07:10,480 --> 00:07:20,600 Speaker 1: giving its visitors a taste of the madness. Oh should 97 00:07:20,600 --> 00:07:33,120 Speaker 1: we play this? Oh? Is it in New York? That 98 00:07:33,320 --> 00:07:41,200 Speaker 1: was times Square wasn't actually prong where this was actually 99 00:07:41,240 --> 00:07:45,880 Speaker 1: a great point. The video did not make it clear 100 00:07:46,040 --> 00:07:51,400 Speaker 1: where the festival would be taking place and that that 101 00:07:51,400 --> 00:07:54,880 Speaker 1: would prove to be a big deal. But that's a 102 00:07:54,920 --> 00:08:03,559 Speaker 1: story for another time. That's Times Square. That is Times Square. 103 00:08:03,640 --> 00:08:05,600 Speaker 1: Oh my god, did you see that man climbing out 104 00:08:05,600 --> 00:08:10,480 Speaker 1: of the hallway? Yes, okay, where is this? I don't know. 105 00:08:10,600 --> 00:08:17,480 Speaker 1: Maybe let's go to about us about us. So we 106 00:08:17,600 --> 00:08:22,240 Speaker 1: headed to the about us page, which actually was the 107 00:08:22,280 --> 00:08:26,320 Speaker 1: main reason I had brought Kyle to the website. There 108 00:08:26,440 --> 00:08:33,520 Speaker 1: was someone that I wanted Kyle to meet. Disclaimer The 109 00:08:33,600 --> 00:08:37,200 Speaker 1: next part and some of the later descriptive parts of 110 00:08:37,240 --> 00:08:43,400 Speaker 1: this episode might sound a little bit weird. That's because 111 00:08:44,000 --> 00:08:47,240 Speaker 1: for legal reasons, we had to go back and alter 112 00:08:47,520 --> 00:08:52,960 Speaker 1: the original audio, removing any identifying details from the website. 113 00:08:54,200 --> 00:08:56,600 Speaker 1: We did our best to preserve the spirit of the 114 00:08:56,640 --> 00:09:02,360 Speaker 1: original text. Kay and I too close to the subject, 115 00:09:04,040 --> 00:09:07,600 Speaker 1: so we had our editor, Adam. It was basically a 116 00:09:07,600 --> 00:09:15,920 Speaker 1: hacker superstar take care of it. Okay, The optimum indie 117 00:09:15,920 --> 00:09:19,520 Speaker 1: film festival happening made outside of the very box that 118 00:09:19,600 --> 00:09:22,840 Speaker 1: has film festivals, and that seeks to create the tip 119 00:09:22,880 --> 00:09:28,640 Speaker 1: top amount of pizzazz, enticement and intercommunal participation for the 120 00:09:28,720 --> 00:09:33,280 Speaker 1: cinema creator and cinema lever um. So and actually a 121 00:09:33,320 --> 00:09:39,040 Speaker 1: submission does the submission universe of the previously unfamiliar wa 122 00:09:40,160 --> 00:09:44,599 Speaker 1: so wait to see that. A submission to do is 123 00:09:44,640 --> 00:09:49,120 Speaker 1: a submission to the universe of the previously unfamiliar. This 124 00:09:49,240 --> 00:09:53,480 Speaker 1: is failed to remember other cinema happenings because you happened 125 00:09:53,520 --> 00:09:58,800 Speaker 1: upon the one that is inevitable. Wow, okay, and then 126 00:09:59,480 --> 00:10:06,120 Speaker 1: there cough these name really on it. That was all amazing, 127 00:10:06,760 --> 00:10:10,160 Speaker 1: but still not the reason why I brought Kyle to 128 00:10:10,200 --> 00:10:17,920 Speaker 1: this website. I finally got to it. Okay, this is 129 00:10:17,920 --> 00:10:20,320 Speaker 1: why I wanted you to see this website. Because the 130 00:10:20,400 --> 00:10:27,400 Speaker 1: festival director's name is Go ahead and say it. Okay, 131 00:10:28,120 --> 00:10:31,840 Speaker 1: I really wish you guys could hear this name. Trust me, 132 00:10:32,480 --> 00:10:36,760 Speaker 1: it's good, but we cannot share the name with you. 133 00:10:37,880 --> 00:10:39,680 Speaker 1: We do want to give you a little taste of 134 00:10:39,679 --> 00:10:45,040 Speaker 1: what the name invokes. So we'll just call him David 135 00:10:46,400 --> 00:10:55,240 Speaker 1: Scary Backromy. No, why are you signing because you're using 136 00:10:55,240 --> 00:11:00,960 Speaker 1: a name that is too close to his real name Acromy. Yes, 137 00:11:01,800 --> 00:11:05,920 Speaker 1: that's too close. We have to beat, But why don't 138 00:11:05,920 --> 00:11:10,240 Speaker 1: we just use David Scary. Wait, so if it's beeped, 139 00:11:10,640 --> 00:11:14,320 Speaker 1: then it's going to be beat macromy. Yes, but David's 140 00:11:14,360 --> 00:11:17,520 Speaker 1: scary as well. Can we just call him beat Macromy 141 00:11:17,559 --> 00:11:23,440 Speaker 1: Then it's kind of cute. I like it. Whatever. Now, 142 00:11:23,480 --> 00:11:26,840 Speaker 1: when you hear us refer to this really intriguing figure, 143 00:11:27,640 --> 00:11:37,560 Speaker 1: we will be using the name Beep Macromy. Okay, when 144 00:11:37,559 --> 00:11:42,599 Speaker 1: he comes from the Shepherd the shattering of the cinematic 145 00:11:42,679 --> 00:11:47,400 Speaker 1: happening industry by setting a blaze the original maps and 146 00:11:47,520 --> 00:11:50,680 Speaker 1: drafting new ones, which are avant garde to say the least. 147 00:11:51,040 --> 00:11:55,520 Speaker 1: Why immediately understood why Anna had brought me to this website. 148 00:11:56,040 --> 00:12:05,160 Speaker 1: Beep Macromy, the director of the festival, looked terrifying. His 149 00:12:05,320 --> 00:12:12,199 Speaker 1: bio photo wasn't a normal photo, like what you'd hang 150 00:12:12,240 --> 00:12:25,360 Speaker 1: on a wall. No, it was twisted. Literally, it was 151 00:12:25,440 --> 00:12:29,160 Speaker 1: like someone took a regular photo but then tilted it 152 00:12:29,240 --> 00:12:37,440 Speaker 1: about forty five degrees on its side. The lighting scary, 153 00:12:38,520 --> 00:12:44,120 Speaker 1: dark blues, even darker greens. A doll sitting in the 154 00:12:44,200 --> 00:12:48,280 Speaker 1: corner for no reason. I mean, there wasn't even a 155 00:12:48,360 --> 00:12:54,040 Speaker 1: kid to play with it. Beep himself was wearing a 156 00:12:54,160 --> 00:13:00,280 Speaker 1: full face of makeup, white contact lenses blocking out his eyes. Yeh, 157 00:13:01,920 --> 00:13:07,880 Speaker 1: black lips curled into a devilish smile, as if to say, 158 00:13:09,040 --> 00:13:15,280 Speaker 1: I dare you to submit to this festival. I'm a psychopath. 159 00:13:20,160 --> 00:13:22,680 Speaker 1: You know that feeling when you look at something horrifying, 160 00:13:23,000 --> 00:13:27,079 Speaker 1: but you just can't look away. That was exactly how 161 00:13:27,120 --> 00:13:33,960 Speaker 1: I felt looking at beat Macromy's photo. Now Kyle was 162 00:13:34,000 --> 00:13:39,400 Speaker 1: getting it. And by the way, David scary enough Beat Macromy, 163 00:13:39,559 --> 00:13:50,560 Speaker 1: we agreed, okay, Beep Macromy, Hey, no attitude this season, Okay, fine, 164 00:13:51,480 --> 00:13:56,480 Speaker 1: or whatever it's worth. Beep Macromy. Didn't run this festival alone. 165 00:13:57,840 --> 00:14:01,560 Speaker 1: There was a whole team of people, and to be 166 00:14:01,640 --> 00:14:04,560 Speaker 1: honest with you, guys, that is what drew me into 167 00:14:04,559 --> 00:14:12,320 Speaker 1: the festival in the first place. You see on the 168 00:14:12,360 --> 00:14:17,800 Speaker 1: about us page. Beep Macrims freaky little portrait was followed 169 00:14:17,800 --> 00:14:23,400 Speaker 1: by a series of other portraits, which honestly got progressively 170 00:14:23,760 --> 00:14:31,600 Speaker 1: less scary. Okay, but then, okay, the next guy's name 171 00:14:31,640 --> 00:14:38,600 Speaker 1: is Then we just got his coordinated. She's holding up 172 00:14:39,320 --> 00:14:44,960 Speaker 1: a metal of demons. Yeah, this guy just looks cool. 173 00:14:45,800 --> 00:14:51,720 Speaker 1: This guy, okay, why but why does this picture look 174 00:14:51,800 --> 00:14:54,240 Speaker 1: like it's Okay, that's actually the scariest picture of all, 175 00:14:54,240 --> 00:14:55,880 Speaker 1: because just looks like a guy in his house. He 176 00:14:55,960 --> 00:15:00,720 Speaker 1: took his picture by accident, without his shirt. Until we 177 00:15:00,760 --> 00:15:07,480 Speaker 1: got to the final staff member, an intern. I don't 178 00:15:07,520 --> 00:15:13,280 Speaker 1: know quite how to say this, but she looked normal, 179 00:15:14,800 --> 00:15:18,720 Speaker 1: not a single tattoo in sight, not a lick of 180 00:15:18,800 --> 00:15:24,080 Speaker 1: green hair dye. By comparison to the others, she looked 181 00:15:24,240 --> 00:15:28,360 Speaker 1: like a catfish. It was almost like they needed to 182 00:15:28,520 --> 00:15:32,040 Speaker 1: round out their staff photos, but ran out of people 183 00:15:32,080 --> 00:15:37,080 Speaker 1: they knew personally, like the words regular woman into Google 184 00:15:37,160 --> 00:15:45,000 Speaker 1: image search and found her picture. The point was there 185 00:15:45,080 --> 00:15:51,400 Speaker 1: was something here, something intriguing about this world. The sick 186 00:15:51,560 --> 00:15:56,000 Speaker 1: vision of this festival, the nomadic nature of not even 187 00:15:56,040 --> 00:16:01,880 Speaker 1: having a physical location for it, the twisted cast of characters, 188 00:16:03,040 --> 00:16:08,480 Speaker 1: the woman who looked eerily normal and presiding over them all, 189 00:16:09,240 --> 00:16:17,320 Speaker 1: the ultimately deranged puppet master himself deep macromy This was it. 190 00:16:18,040 --> 00:16:22,080 Speaker 1: This was the investigation. We had to get to the 191 00:16:22,120 --> 00:16:32,640 Speaker 1: bottom of whatever this is? So Episode two? What is fear? 192 00:16:33,560 --> 00:16:42,360 Speaker 1: And why can't I look away? I know things are 193 00:16:42,360 --> 00:16:45,120 Speaker 1: getting really good, but we have to take a break 194 00:16:45,440 --> 00:16:50,160 Speaker 1: for some ads, and the ad break is over back 195 00:16:50,240 --> 00:17:00,840 Speaker 1: to it. What can we do to an investigate this 196 00:17:01,080 --> 00:17:03,400 Speaker 1: when we're not even sure what the this that we're 197 00:17:03,400 --> 00:17:07,840 Speaker 1: trying to investigate is. I can barely say this sentence. 198 00:17:08,960 --> 00:17:11,000 Speaker 1: How do you start at the bottom of something that 199 00:17:11,080 --> 00:17:17,879 Speaker 1: grows sideways not up? Am I going crazy? Kyle? You 200 00:17:17,920 --> 00:17:22,040 Speaker 1: are unraveling. We need to give you a little string 201 00:17:22,119 --> 00:17:24,760 Speaker 1: to hang on too, so that you don't get completely 202 00:17:24,800 --> 00:17:29,199 Speaker 1: lost in the forest of your thoughts. Wait, you're talking 203 00:17:29,280 --> 00:17:36,800 Speaker 1: crazy too. This website it was really powerful. But anyway, 204 00:17:37,880 --> 00:17:41,639 Speaker 1: I actually had an idea, but I at first needed 205 00:17:41,680 --> 00:17:43,640 Speaker 1: to catch Kyle up on the website and make sure 206 00:17:43,680 --> 00:17:47,520 Speaker 1: she was seeing what I was seeing. And clearly she 207 00:17:47,760 --> 00:17:53,840 Speaker 1: was seeing what I was seeing, So it was time 208 00:17:53,920 --> 00:17:58,600 Speaker 1: to share my idea. Remember, at its core, this was 209 00:17:58,640 --> 00:18:05,119 Speaker 1: a festival and it took submissions. I think we should 210 00:18:05,160 --> 00:18:10,440 Speaker 1: make a movie to submit to this festival. We get 211 00:18:10,480 --> 00:18:21,840 Speaker 1: to meet Oh my god, Oh my god, look at him. 212 00:18:21,840 --> 00:18:24,520 Speaker 1: Sure this was a way to get closer to this 213 00:18:24,600 --> 00:18:28,480 Speaker 1: world and meet the man behind the madness. But honestly, 214 00:18:28,920 --> 00:18:35,240 Speaker 1: I didn't know if I wanted to meet him. I mean, you, guys, listeners, 215 00:18:35,760 --> 00:18:39,639 Speaker 1: you have to trust me. Had white contact lenses and 216 00:18:39,720 --> 00:18:43,440 Speaker 1: look like he wanted to kill me. Who does that? 217 00:18:46,440 --> 00:18:49,920 Speaker 1: Anna was proposing that we make a horror shot film 218 00:18:50,000 --> 00:18:54,600 Speaker 1: to submit to this horror film festival. Infiltrate beat mcarmy's world, 219 00:18:55,280 --> 00:18:58,080 Speaker 1: meet him up close and see what the hell was 220 00:18:58,119 --> 00:19:02,760 Speaker 1: going on with him? M hm. It was a whip 221 00:19:02,840 --> 00:19:08,760 Speaker 1: smart plan. But she forgot one key detail. We knew 222 00:19:08,800 --> 00:19:12,680 Speaker 1: nothing about making a horror short film, or a regular 223 00:19:12,760 --> 00:19:24,480 Speaker 1: short film, or any length film for that matter, short, long, sideways, reverse, nothing, zilch. 224 00:19:25,920 --> 00:19:31,320 Speaker 1: My gosh, I just can god, I don't even know 225 00:19:31,359 --> 00:19:35,160 Speaker 1: how we would go about making a horror thing. And 226 00:19:35,200 --> 00:19:42,560 Speaker 1: then Anna got really serious. I guess because she's a 227 00:19:42,600 --> 00:19:50,760 Speaker 1: movie lover. Filmmaking is obviously a kind of big endeavors. 228 00:19:51,160 --> 00:19:54,880 Speaker 1: But I really think that with our unique perspectives and 229 00:19:55,160 --> 00:19:58,960 Speaker 1: kind of how much we think about the world and 230 00:19:59,000 --> 00:20:04,560 Speaker 1: how much you love get scared, um, I think between 231 00:20:04,600 --> 00:20:09,679 Speaker 1: that we definitely have a great chance. Okay, maybe we 232 00:20:09,760 --> 00:20:15,440 Speaker 1: hadn't suckled at the teet of academia. You no, let 233 00:20:15,480 --> 00:20:18,720 Speaker 1: me say this. Maybe we didn't fit into the cookie 234 00:20:18,720 --> 00:20:22,600 Speaker 1: cutter definition of n y U film grads. Maybe we 235 00:20:22,640 --> 00:20:28,359 Speaker 1: didn't have fancy degrees, maybe we weren't textbook. But here's 236 00:20:28,359 --> 00:20:32,480 Speaker 1: what we did have. Our unique perspectives, how much we 237 00:20:32,560 --> 00:20:36,360 Speaker 1: thought about the world, file's love of scares and frights, 238 00:20:37,520 --> 00:20:45,760 Speaker 1: plus one other thing we had heart. I was certain 239 00:20:45,840 --> 00:20:50,560 Speaker 1: we could pull it off. So he came up with 240 00:20:50,600 --> 00:20:56,240 Speaker 1: a plan. We would make a horror short film to 241 00:20:56,320 --> 00:21:00,159 Speaker 1: submit to this film festival to meet beat Back Me 242 00:21:00,600 --> 00:21:05,320 Speaker 1: and see what the hell was going on there. We 243 00:21:05,400 --> 00:21:12,240 Speaker 1: immediately encountered a roadblock. Looking around the website some more, 244 00:21:12,920 --> 00:21:15,600 Speaker 1: we saw that to submit a horror short film would 245 00:21:15,640 --> 00:21:19,879 Speaker 1: cost us one hundred fifty dollars, And the thing about 246 00:21:20,000 --> 00:21:24,520 Speaker 1: us was that we didn't have a hundred fifty dollars. Kyle, 247 00:21:24,880 --> 00:21:28,520 Speaker 1: I totally hear you, especially because we don't have a 248 00:21:28,600 --> 00:21:35,480 Speaker 1: hundred fifty dollars. But that's just filmmaking. You gotta pay 249 00:21:35,520 --> 00:21:40,360 Speaker 1: to play. Anyway, we'll figure all that out later. Let's 250 00:21:40,400 --> 00:21:42,800 Speaker 1: just not even think about it right now. Let's just 251 00:21:42,840 --> 00:21:48,280 Speaker 1: get to the good stuff. Let's make a horror short film, 252 00:21:48,320 --> 00:21:51,640 Speaker 1: all right, Anna, But we're going to have to find 253 00:21:51,640 --> 00:21:56,480 Speaker 1: a hundred fifty dollars somewhere at some point. Plus what 254 00:21:56,560 --> 00:21:59,800 Speaker 1: about the budget of the movie. Doesn't that cost a 255 00:21:59,840 --> 00:22:03,240 Speaker 1: lot of money? Where are we going to get that? Kyle, 256 00:22:03,680 --> 00:22:07,920 Speaker 1: chill out? Okay, I just do think this will come 257 00:22:08,000 --> 00:22:15,359 Speaker 1: up at some point. But anyway, so first step, we 258 00:22:15,400 --> 00:22:17,440 Speaker 1: would need to come up with what the horror short 259 00:22:17,440 --> 00:22:26,159 Speaker 1: would be about. Me, Kyle, I love a good scare, 260 00:22:27,960 --> 00:22:30,880 Speaker 1: you know, like when a man goes to open his door, 261 00:22:31,160 --> 00:22:34,560 Speaker 1: but then we see that someone is right behind him 262 00:22:34,600 --> 00:22:42,640 Speaker 1: walking backward really fast, or like when a man goes 263 00:22:42,720 --> 00:22:46,120 Speaker 1: to open his door again a second time, but then 264 00:22:46,160 --> 00:22:49,639 Speaker 1: we see that someone else is right behind him, and 265 00:22:49,760 --> 00:22:52,679 Speaker 1: it's a different man from the guy before, and also 266 00:22:52,760 --> 00:22:56,000 Speaker 1: the man opening the door, and this new man is 267 00:22:56,040 --> 00:22:59,720 Speaker 1: actually so tall that his head kind of touches the 268 00:22:59,760 --> 00:23:04,040 Speaker 1: sea ceiling. It doesn't hit the ceiling because then you 269 00:23:04,080 --> 00:23:07,520 Speaker 1: would have to crouch, which is actually not scary at all. 270 00:23:07,680 --> 00:23:11,040 Speaker 1: And I would just be like, oh, you must be uncomfortable, 271 00:23:12,720 --> 00:23:22,359 Speaker 1: poor guy, and me Anna, I like any movie with 272 00:23:22,400 --> 00:23:26,400 Speaker 1: a social message, you know, the kind of movie where 273 00:23:26,400 --> 00:23:30,199 Speaker 1: a big city woman with curly hair comes into a 274 00:23:30,240 --> 00:23:33,320 Speaker 1: small town with her blazer and she goes into a 275 00:23:33,359 --> 00:23:36,439 Speaker 1: factory and she's like, when's your lunch break, and the 276 00:23:36,480 --> 00:23:40,560 Speaker 1: factory people are like, you haven't had lunch since the sixties, 277 00:23:41,440 --> 00:23:43,879 Speaker 1: and she's like, well, let's do something about that. And 278 00:23:44,040 --> 00:23:46,600 Speaker 1: she gets into her prius, but someone has actually spray 279 00:23:46,640 --> 00:23:49,400 Speaker 1: painted fuck war on the side of the door, and 280 00:23:49,440 --> 00:23:53,760 Speaker 1: then the mayor has cancer. Anyway, you guys, the listeners, 281 00:23:53,760 --> 00:24:01,840 Speaker 1: you get it, you know, something like that. So clearly 282 00:24:01,920 --> 00:24:06,040 Speaker 1: we had a lot of ideas, but we really weren't 283 00:24:06,080 --> 00:24:09,640 Speaker 1: sure how they were all going to fit together. I mean, 284 00:24:09,800 --> 00:24:13,840 Speaker 1: we weren't writers, and that worried me because if we 285 00:24:13,840 --> 00:24:16,320 Speaker 1: were going to get into this festival and meet beat Macromay, 286 00:24:16,680 --> 00:24:21,119 Speaker 1: we needed to make something really good. So, Kyle, how 287 00:24:21,119 --> 00:24:25,159 Speaker 1: about this? Maybe for now we put aside, you know, 288 00:24:25,240 --> 00:24:28,159 Speaker 1: the hundred fifty dollar submission fee, the details about what 289 00:24:28,200 --> 00:24:32,720 Speaker 1: the horror short film was about, and instead we find 290 00:24:32,840 --> 00:24:37,000 Speaker 1: someone who could just you know, put together everything for us, 291 00:24:37,800 --> 00:24:42,000 Speaker 1: a leader of some kind, you know, like a director. 292 00:24:43,720 --> 00:24:49,960 Speaker 1: So we came up with a new plan. We would 293 00:24:50,040 --> 00:24:53,720 Speaker 1: find a director to make the horror short film plore us. 294 00:24:55,119 --> 00:24:59,840 Speaker 1: Plus they needed to write it, and let's be on, 295 00:25:00,400 --> 00:25:04,280 Speaker 1: they should also fund ith. I hate to be a scrub, 296 00:25:04,280 --> 00:25:08,040 Speaker 1: but you gotta ask for what you need, and hey, 297 00:25:08,119 --> 00:25:12,600 Speaker 1: you know what, you should also be cool. That's why 298 00:25:12,680 --> 00:25:16,720 Speaker 1: we decided to talk to Lizzie. Lizzie was a friend 299 00:25:16,760 --> 00:25:21,680 Speaker 1: of a friends. Well actually I just I follow her 300 00:25:21,680 --> 00:25:26,800 Speaker 1: on Instagram, but she could be a friend anyway. She 301 00:25:26,920 --> 00:25:30,040 Speaker 1: looked really cool and I knew that she had directed 302 00:25:30,080 --> 00:25:34,240 Speaker 1: some stuff. Plus I was pretty sure that she wrote 303 00:25:34,359 --> 00:25:44,000 Speaker 1: some stuff. Plus she was gorgeous bingo. Anyway, we sent 304 00:25:44,080 --> 00:25:46,359 Speaker 1: her d M and set up a time to talk 305 00:25:46,880 --> 00:25:55,040 Speaker 1: via zoom. Good to good to meet guys. UM, so 306 00:25:55,160 --> 00:25:58,080 Speaker 1: kind of just to launch right into it. Um, So 307 00:25:58,119 --> 00:26:03,280 Speaker 1: we are looking for a director, um for a horror 308 00:26:03,480 --> 00:26:15,199 Speaker 1: short film. Cool. Yeah, that's kind of job. Yeah. We 309 00:26:15,400 --> 00:26:20,440 Speaker 1: basically found this film festival called the Film Festival, which 310 00:26:20,520 --> 00:26:25,640 Speaker 1: is like a prominent horror film festival. No, I've never 311 00:26:25,680 --> 00:26:31,159 Speaker 1: heard of the festival. Huh. We were off to a 312 00:26:31,200 --> 00:26:34,720 Speaker 1: little bit of a weird start because Lizzie didn't know 313 00:26:34,840 --> 00:26:39,240 Speaker 1: the festival, but that didn't deter us. We took the 314 00:26:39,280 --> 00:26:44,879 Speaker 1: opportunity to get to know her kind of Can you 315 00:26:44,920 --> 00:26:51,879 Speaker 1: talk about your background? Yeah? Sure, I'm a director screenwriter, 316 00:26:52,200 --> 00:26:56,600 Speaker 1: been working in the industry for about ten years. You know. 317 00:26:56,680 --> 00:26:59,720 Speaker 1: I've had short films that have gone to pretty prominent 318 00:27:00,040 --> 00:27:05,719 Speaker 1: smuls Sunday and South By. Um. I don't really know 319 00:27:05,800 --> 00:27:09,439 Speaker 1: what those are, but it sounded pretty cool. I was 320 00:27:09,480 --> 00:27:12,120 Speaker 1: starting to think she was the perfect person for the job. 321 00:27:13,400 --> 00:27:15,840 Speaker 1: I have a I have a television show that was 322 00:27:15,880 --> 00:27:22,159 Speaker 1: on Showtime last year and produced whoa Anna. Did you 323 00:27:22,240 --> 00:27:26,840 Speaker 1: hear that I love TV? Yeah? I heard that. Sounds 324 00:27:26,880 --> 00:27:31,960 Speaker 1: great to me. This was going really well. Next we 325 00:27:32,119 --> 00:27:40,119 Speaker 1: let her know about our situation. Do you have no 326 00:27:40,240 --> 00:27:44,680 Speaker 1: budget at all. Yeah, so that's that is kind of yeah, 327 00:27:44,760 --> 00:27:47,280 Speaker 1: that's a great thing to bring up. Um, we have 328 00:27:47,880 --> 00:27:53,240 Speaker 1: not no budget, yeah at all. So and then also 329 00:27:53,320 --> 00:27:55,520 Speaker 1: what's kind of important is that we yeah, we really 330 00:27:55,560 --> 00:28:05,880 Speaker 1: can't pay you, um actually anything. Yeah. Lizzie really took 331 00:28:05,880 --> 00:28:09,640 Speaker 1: her time responding. Yeah, it seemed like she was having 332 00:28:09,640 --> 00:28:18,479 Speaker 1: a little brain far you right, Well, I don't know 333 00:28:18,560 --> 00:28:23,040 Speaker 1: you guys, um so that you know, that feels like 334 00:28:23,080 --> 00:28:29,320 Speaker 1: a little I guess predatory. I don't, Um, it's a 335 00:28:29,359 --> 00:28:31,920 Speaker 1: little bit so I'm sorry. I just need to understand, 336 00:28:32,000 --> 00:28:33,800 Speaker 1: like you don't are you planning on doing like a 337 00:28:33,880 --> 00:28:37,399 Speaker 1: kickstarter or something like that is or you just like 338 00:28:37,480 --> 00:28:40,680 Speaker 1: how are you gonna you know, you know, equipment, like 339 00:28:40,720 --> 00:28:45,520 Speaker 1: there's you know obviously things cost money. Well we were 340 00:28:45,520 --> 00:28:47,960 Speaker 1: hoping that that's kind of your you know, like the 341 00:28:48,000 --> 00:28:50,720 Speaker 1: director that's like their things, so that that's what they 342 00:28:50,760 --> 00:28:54,320 Speaker 1: come in. We kind of come in with as the 343 00:28:54,400 --> 00:28:59,760 Speaker 1: talent um, the idea and the ideas. Um. Yeah, it's 344 00:28:59,760 --> 00:29:03,720 Speaker 1: just you don't really have an idea, right, So I'm sorry, 345 00:29:03,760 --> 00:29:08,040 Speaker 1: I'm just trying to catch up, like get the full picture. 346 00:29:07,880 --> 00:29:11,440 Speaker 1: There's a social message, there's a social message there's just fear, 347 00:29:11,760 --> 00:29:15,400 Speaker 1: and there's fear, and then we are going to submit 348 00:29:15,480 --> 00:29:22,840 Speaker 1: it to this especials. Okay, guys, let's just cut to 349 00:29:22,880 --> 00:29:26,360 Speaker 1: the chase. It was a big note from her. Yeah, 350 00:29:26,480 --> 00:29:30,600 Speaker 1: it seemed like this person, Lizzie just wasn't down to write, direct, 351 00:29:30,800 --> 00:29:34,600 Speaker 1: and fund our horror short film. I know we just 352 00:29:34,720 --> 00:29:39,480 Speaker 1: met her, but she really made us feel bad. I mean, 353 00:29:39,840 --> 00:29:43,680 Speaker 1: she used the word predatory and people have been canceled 354 00:29:43,720 --> 00:29:47,040 Speaker 1: for less. Don't even go there. You know how I 355 00:29:47,040 --> 00:29:51,800 Speaker 1: feel about cancel culture. I do know that we set 356 00:29:51,800 --> 00:29:57,440 Speaker 1: our goodbyes. I wish you the best of luck. Okay, well, 357 00:29:57,560 --> 00:30:05,880 Speaker 1: thank you so much. Maybe it wouldn't work out with Lizzie, 358 00:30:06,360 --> 00:30:10,480 Speaker 1: but she did bring up a great point. We would 359 00:30:10,520 --> 00:30:14,560 Speaker 1: need to raise some money at least to cover the 360 00:30:14,560 --> 00:30:18,680 Speaker 1: expense of getting into the festival. I mean it was 361 00:30:18,720 --> 00:30:25,480 Speaker 1: a hundred fifty dollars. Lizzie brought up Kickstarter, and that 362 00:30:25,560 --> 00:30:29,600 Speaker 1: made total sense. As far as I knew, it was 363 00:30:29,600 --> 00:30:33,960 Speaker 1: pretty common for young creatives to crowdfund their project. Hell, 364 00:30:35,200 --> 00:30:38,240 Speaker 1: Zach Braft did it to make that awesome follow up 365 00:30:38,280 --> 00:30:41,480 Speaker 1: to the Garden State. I mean, I know, I donated 366 00:30:41,520 --> 00:30:47,280 Speaker 1: thousands of dollars to it. I'm just one person. Yeah, 367 00:30:47,440 --> 00:30:49,680 Speaker 1: a little bit of money would be great, and we 368 00:30:49,720 --> 00:30:53,240 Speaker 1: didn't need a lot. We just wanted to raise enough 369 00:30:53,240 --> 00:30:56,320 Speaker 1: money to cover the submission fee, which again was a 370 00:30:56,400 --> 00:31:02,760 Speaker 1: hundred fifty dollars. Didn't we need any else? M Oh, 371 00:31:02,880 --> 00:31:08,000 Speaker 1: I know, what about food right now? No, for the 372 00:31:08,080 --> 00:31:13,280 Speaker 1: day of the shoot. Oh, that's an idea. Yeah, I 373 00:31:13,320 --> 00:31:16,000 Speaker 1: just figured we might get hungry. How about we just 374 00:31:16,040 --> 00:31:19,480 Speaker 1: get pizza? But anna, you know I don't eat pizza. 375 00:31:20,040 --> 00:31:25,040 Speaker 1: Oh that's right, Well, no worries. We'll just fundraise a 376 00:31:25,080 --> 00:31:27,560 Speaker 1: little more, and that way we can also get salad 377 00:31:28,000 --> 00:31:31,760 Speaker 1: for those of us who don't eat pizza. Thank you. 378 00:31:33,920 --> 00:31:37,560 Speaker 1: And hey, if we use Indiegogo instead of Kickstarter, even 379 00:31:37,600 --> 00:31:40,040 Speaker 1: if we don't reach our goal, we'll still get to 380 00:31:40,120 --> 00:31:45,240 Speaker 1: keep the cash. You're a genius. So that pretty much 381 00:31:45,240 --> 00:31:58,920 Speaker 1: settled the financial aspect of our problems. And now an 382 00:31:58,960 --> 00:32:08,760 Speaker 1: ad break. The ad break is over. Now back to 383 00:32:08,800 --> 00:32:13,320 Speaker 1: all this finding a director drama. I realized that I 384 00:32:13,360 --> 00:32:17,400 Speaker 1: actually did know someone. He had directed some stuff before, 385 00:32:17,680 --> 00:32:21,280 Speaker 1: and he would definitely work for free. Oh, he sounds perfect. 386 00:32:22,320 --> 00:32:26,240 Speaker 1: We arranged a time to meet with my friend Clay. 387 00:32:30,640 --> 00:32:32,280 Speaker 1: You want to do a spooky movie. Is that what 388 00:32:32,320 --> 00:32:36,920 Speaker 1: you're what I'm hearing? He already sounded awesome, but we 389 00:32:36,960 --> 00:32:39,400 Speaker 1: had learned the hard way with Lizzie that it was 390 00:32:39,600 --> 00:32:44,480 Speaker 1: very important to be upfront about your shortcomings and limitations. Yeah, 391 00:32:44,800 --> 00:32:46,840 Speaker 1: we don't have a script or anything. I think we 392 00:32:46,960 --> 00:32:49,520 Speaker 1: might hire some writers to do it, but we're thinking 393 00:32:49,520 --> 00:32:53,400 Speaker 1: that you would probably play the people. We're going to 394 00:32:53,520 --> 00:32:57,680 Speaker 1: do an Indigo Go campaign to raise the money to 395 00:32:57,800 --> 00:33:02,280 Speaker 1: submit to this festival, and so that's to submit the 396 00:33:02,320 --> 00:33:08,320 Speaker 1: film to get pizza and solad optional. Okay, cool. This 397 00:33:08,400 --> 00:33:10,800 Speaker 1: meeting was going a lot better than the last one. 398 00:33:11,280 --> 00:33:14,080 Speaker 1: Play really seemed to get what we were looking for. 399 00:33:15,800 --> 00:33:19,080 Speaker 1: It was time to get to the good stuff, the things. 400 00:33:19,080 --> 00:33:22,680 Speaker 1: We were very clear on our hopes and dreams for 401 00:33:22,760 --> 00:33:25,080 Speaker 1: the short. It just has to be as spooky as 402 00:33:25,080 --> 00:33:28,560 Speaker 1: possible and scares in ways that you've never seen before, 403 00:33:28,840 --> 00:33:31,160 Speaker 1: you know it. I think I see a lot of 404 00:33:31,160 --> 00:33:34,360 Speaker 1: horror movies and I really like it when the director 405 00:33:34,520 --> 00:33:37,400 Speaker 1: shows me something that I've never like, I've never seen 406 00:33:37,440 --> 00:33:41,560 Speaker 1: that like looks crazy woman's face before and that really scared. 407 00:33:41,680 --> 00:33:44,280 Speaker 1: So we're looking yeah, for a hybrid of I've never 408 00:33:44,280 --> 00:33:47,000 Speaker 1: seen a woman's face quite so scary and then just 409 00:33:47,040 --> 00:33:50,840 Speaker 1: to kind of really just you know, take it home. 410 00:33:51,240 --> 00:34:00,200 Speaker 1: You know it's going, it's going, it's gone, social social message. 411 00:34:01,400 --> 00:34:03,360 Speaker 1: I don't know how many times I can say this, 412 00:34:04,120 --> 00:34:08,319 Speaker 1: but this guy, Clay was awesome. He seemed perfect for 413 00:34:08,320 --> 00:34:14,200 Speaker 1: the job. Last he was willing to work for free. Well, Jay, 414 00:34:14,280 --> 00:34:17,880 Speaker 1: I'm really excited about this. We can make something really 415 00:34:18,080 --> 00:34:22,240 Speaker 1: sick and really spooky that also has um a social 416 00:34:22,239 --> 00:34:26,800 Speaker 1: commentary that's for the good of everyone. I was over 417 00:34:26,840 --> 00:34:30,759 Speaker 1: the moon with this guy. Before we ended the call, 418 00:34:31,239 --> 00:34:34,360 Speaker 1: I pitched one last minute idea for a social message 419 00:34:35,480 --> 00:34:37,200 Speaker 1: and it could be really just like it could be 420 00:34:37,239 --> 00:34:39,439 Speaker 1: the military drive. I don't really have a specific cause 421 00:34:39,480 --> 00:34:42,160 Speaker 1: in mind. It could be like let's not draft our boy. Yeah, 422 00:34:42,239 --> 00:34:43,759 Speaker 1: let's not get caught up in that. It could be 423 00:34:44,480 --> 00:34:47,280 Speaker 1: I think we should really get our get our brains 424 00:34:47,320 --> 00:34:50,279 Speaker 1: and just mainly think about the spooks. Maybe, like let's 425 00:34:50,320 --> 00:34:52,239 Speaker 1: think about the spookies and then I just would love 426 00:34:52,440 --> 00:34:55,719 Speaker 1: you know. Later we taxon we go and don't you know, 427 00:34:55,840 --> 00:35:00,000 Speaker 1: don't drive without a seatbelt or whatever. We said goodbye 428 00:35:00,239 --> 00:35:05,000 Speaker 1: to our new director. Well, okay, let's make some one. 429 00:35:05,120 --> 00:35:09,640 Speaker 1: That's all I have to say. We still needed to 430 00:35:09,719 --> 00:35:12,080 Speaker 1: raise money to cover the submission fee and pay for 431 00:35:12,120 --> 00:35:14,400 Speaker 1: the pizza and salad for the day of the shoot. 432 00:35:15,280 --> 00:35:23,200 Speaker 1: So we put together our indie go go campaign. Arguably 433 00:35:23,239 --> 00:35:26,000 Speaker 1: the most important part of an indigo go campaign is 434 00:35:26,040 --> 00:35:30,880 Speaker 1: an enticing video. This is it. This is us telling 435 00:35:30,920 --> 00:35:35,040 Speaker 1: the world why they should give us money. We got 436 00:35:35,080 --> 00:35:46,799 Speaker 1: together and made a video. Take one, Hi, start, start over. 437 00:35:50,640 --> 00:35:55,680 Speaker 1: Take two. Hi. My name is Answer Regina and my 438 00:35:55,760 --> 00:36:09,000 Speaker 1: name is Kyle Azzano. Okay, it's started it. Take three, Hi. God, 439 00:36:09,160 --> 00:36:15,160 Speaker 1: acting was hard. Once we had finished the video, we 440 00:36:15,320 --> 00:36:18,120 Speaker 1: filled out all the boring stuff. We're not going to 441 00:36:18,200 --> 00:36:20,840 Speaker 1: regale you with the details, but you know, stuff like 442 00:36:21,360 --> 00:36:24,120 Speaker 1: why you should give us the money, where the money 443 00:36:24,200 --> 00:36:28,040 Speaker 1: is going to, the perks, whatever. We waited a few 444 00:36:28,120 --> 00:36:31,680 Speaker 1: days to launch the campaign. We wanted to make sure 445 00:36:31,760 --> 00:36:35,400 Speaker 1: that it had eyes on it. I had heard somewhere 446 00:36:35,440 --> 00:36:37,400 Speaker 1: that it was bad to post social media stuff on 447 00:36:37,440 --> 00:36:40,520 Speaker 1: the weekends, just in case people were, you know, at 448 00:36:40,560 --> 00:36:45,160 Speaker 1: the beach. So a few days later I gave Anna 449 00:36:45,200 --> 00:36:54,440 Speaker 1: a call. I know you're driving, but I just wanted 450 00:36:54,480 --> 00:36:59,719 Speaker 1: to virtually press the launch button with you for indigoger campaign. 451 00:37:00,320 --> 00:37:02,680 Speaker 1: I mean, I just I just can't believe I'm not 452 00:37:03,000 --> 00:37:06,400 Speaker 1: they aren't oppressive with you. But yeah, okay, let's do 453 00:37:06,440 --> 00:37:16,040 Speaker 1: a little countdown together. Okay, let's do one from one, five, five, four, three. Wait, 454 00:37:16,080 --> 00:37:20,320 Speaker 1: you're out of sake, Okay, I'm okay. Okay, on account 455 00:37:20,360 --> 00:37:26,280 Speaker 1: of three, will start an one? Oh no fun one 456 00:37:27,000 --> 00:37:36,839 Speaker 1: f two I'm here, okay, three one Okay, I'm the startup. Okay. 457 00:37:36,840 --> 00:37:47,560 Speaker 1: After we say three, s what Okay, I'm clicking it. 458 00:37:48,280 --> 00:38:00,080 Speaker 1: You're clicking yet there it was, we were live. I 459 00:38:00,880 --> 00:38:03,640 Speaker 1: We are seeking your help today because we want to 460 00:38:03,680 --> 00:38:08,000 Speaker 1: make a short film. I have loved movies ever since 461 00:38:08,040 --> 00:38:11,839 Speaker 1: I can remember, and I have loved horror movies ever 462 00:38:11,920 --> 00:38:15,719 Speaker 1: since I could remember. So this project, well, it just 463 00:38:15,840 --> 00:38:20,320 Speaker 1: really means a lot to us. So let's break it down. 464 00:38:20,920 --> 00:38:24,400 Speaker 1: The submission for this festival. It's a really good festival. 465 00:38:24,520 --> 00:38:27,120 Speaker 1: So it costs a lot to get in and pizza 466 00:38:27,239 --> 00:38:29,480 Speaker 1: and salad on the day of the shoe. You know, 467 00:38:29,520 --> 00:38:33,520 Speaker 1: we gotta eat. And for awesome camera guy DP director. 468 00:38:33,760 --> 00:38:37,520 Speaker 1: It's all the same guy. He's awesome. You might be wondering, well, 469 00:38:37,560 --> 00:38:41,080 Speaker 1: what's in it for me as a contributor. Wow, if 470 00:38:41,080 --> 00:38:43,520 Speaker 1: you give us five dollars, we will give you a 471 00:38:43,560 --> 00:38:48,200 Speaker 1: shout out on our podcast Instagram for twenty We'll leave 472 00:38:48,280 --> 00:38:54,040 Speaker 1: you a freaky voicemail message, thank you so much for 473 00:38:54,080 --> 00:38:57,200 Speaker 1: watching our video and please contribute to our Indigo Go. 474 00:38:59,200 --> 00:39:10,279 Speaker 1: The next part even caught us off guard. Sometimes they 475 00:39:10,320 --> 00:39:14,600 Speaker 1: can feel like the world doesn't give a funk about you. 476 00:39:14,600 --> 00:39:18,560 Speaker 1: You're just a nobody, a speck of dust, just a 477 00:39:18,719 --> 00:39:27,920 Speaker 1: faceless body in a lineup of nobody's Kyle, are you okay? No, No, 478 00:39:28,080 --> 00:39:33,200 Speaker 1: I'm actually trying to say something positive. Okay, you just 479 00:39:33,239 --> 00:39:38,319 Speaker 1: scared me there. What I'm trying to say is that 480 00:39:38,480 --> 00:39:43,400 Speaker 1: sometimes it's hard to remember that you're not alone. In fact, 481 00:39:44,760 --> 00:39:47,279 Speaker 1: there's a whole big world out there of people who 482 00:39:47,280 --> 00:39:51,239 Speaker 1: are willing to give you money. What I'm trying to 483 00:39:51,320 --> 00:39:54,759 Speaker 1: say is that we met our Indi Go Go goal 484 00:39:55,920 --> 00:40:02,760 Speaker 1: within six hours, and then we went over our goal. 485 00:40:04,719 --> 00:40:08,680 Speaker 1: You see, we only really needed two fifty dollars to 486 00:40:08,760 --> 00:40:13,839 Speaker 1: cover the submission fee plus the pizza and salad. Well, 487 00:40:13,880 --> 00:40:18,960 Speaker 1: guess what, instead we made five hundred and nine dollars. 488 00:40:21,760 --> 00:40:25,719 Speaker 1: Now we had enough money for everything, and then some 489 00:40:27,400 --> 00:40:30,440 Speaker 1: you know what, maybe we could even pay the director 490 00:40:31,120 --> 00:40:40,960 Speaker 1: like fifty bucks or something like that. This extra three 491 00:40:41,080 --> 00:40:46,200 Speaker 1: was the start of something big. Sure, there was a 492 00:40:46,200 --> 00:40:49,160 Speaker 1: lot of stuff that we didn't have figured out yet, like, 493 00:40:49,440 --> 00:40:54,200 Speaker 1: for example, the script, but it didn't matter. We had 494 00:40:54,280 --> 00:40:57,799 Speaker 1: all the money in the world, and meeting Beat back 495 00:40:57,840 --> 00:41:02,319 Speaker 1: from me didn't even seem like just a possibility. It 496 00:41:02,520 --> 00:41:08,760 Speaker 1: was going to happen soon we headed to the beach 497 00:41:08,840 --> 00:41:14,200 Speaker 1: to talk. I thank so much for meeting me again. 498 00:41:15,360 --> 00:41:23,680 Speaker 1: I mean, but it really is beautiful tonight. You know. Okay, 499 00:41:23,680 --> 00:41:26,960 Speaker 1: obviously we have a director now and we have money now, 500 00:41:28,200 --> 00:41:33,800 Speaker 1: but you know this isn't over. Yeah, it feels like 501 00:41:35,120 --> 00:41:39,920 Speaker 1: I mean, we just kind of decided what we're investigating 502 00:41:40,000 --> 00:41:43,120 Speaker 1: here and what we're trying to do, and it doesn't 503 00:41:43,280 --> 00:41:47,279 Speaker 1: seem like something that we can take care of in 504 00:41:47,320 --> 00:41:49,759 Speaker 1: an episode, not at all. I mean, this is we 505 00:41:49,760 --> 00:41:53,120 Speaker 1: haven't even scratched the surface. And then I guess I'm 506 00:41:53,120 --> 00:41:54,920 Speaker 1: glad that we're here to talk because I think that 507 00:41:56,480 --> 00:41:59,080 Speaker 1: if we're gonna meet beat macromay, it's going to take 508 00:41:59,160 --> 00:42:04,640 Speaker 1: quite a few episod zodes. I think I would agree. 509 00:42:04,680 --> 00:42:06,120 Speaker 1: But is there a way you could say that it's 510 00:42:06,120 --> 00:42:09,720 Speaker 1: like sounds like a little bit more epic or something, 511 00:42:10,520 --> 00:42:13,640 Speaker 1: versus saying like there's gonna be more episodes. Just you 512 00:42:13,640 --> 00:42:16,239 Speaker 1: don't like that it's quite a few episodes. Yeah, I 513 00:42:16,280 --> 00:42:18,040 Speaker 1: just feel like there's a way of making it kind 514 00:42:18,040 --> 00:42:20,040 Speaker 1: of sound a little bit more like a little more 515 00:42:20,120 --> 00:42:24,960 Speaker 1: like like we're about to go on an epic journey. Okay, stars, Okay, 516 00:42:25,000 --> 00:42:27,600 Speaker 1: I can do that. Okay. So okay, So we're going 517 00:42:27,640 --> 00:42:31,640 Speaker 1: to meet beat Macrobon and it's going to take a lot. 518 00:42:32,719 --> 00:42:36,279 Speaker 1: But Kyle, look at me. Yes, can you look at me. 519 00:42:37,360 --> 00:42:39,799 Speaker 1: I'm looking at you, Kyle, as you're looking at me. 520 00:42:39,880 --> 00:42:43,040 Speaker 1: I'm here to tell you you're standing on the precipice 521 00:42:43,200 --> 00:42:47,560 Speaker 1: of something huge. It's a journey, and we don't know 522 00:42:47,600 --> 00:42:50,239 Speaker 1: where it will take us. We don't even know where 523 00:42:50,320 --> 00:42:55,120 Speaker 1: the festival is, so it could be far. This might 524 00:42:55,200 --> 00:42:59,160 Speaker 1: require travel. But I promise you, Kyle, I promise you, 525 00:43:00,320 --> 00:43:05,680 Speaker 1: we will get there no matter what it takes, blood, sweat, tears. 526 00:43:06,080 --> 00:43:09,640 Speaker 1: He might be weird. That's he might be weird. Yes, 527 00:43:10,880 --> 00:43:14,919 Speaker 1: In fact, if I were a gambler, I would say 528 00:43:15,120 --> 00:43:18,160 Speaker 1: he probably gets he kind of weird, but we will 529 00:43:18,200 --> 00:43:23,600 Speaker 1: meet him. Is that good? Yeah? Okay, Well I just 530 00:43:23,640 --> 00:43:32,279 Speaker 1: think yeah, I think that's better. So this isn't the end. Wow, Okay, 531 00:43:32,280 --> 00:43:36,520 Speaker 1: we should go back Pullman. Do you want to go home? Yeah, 532 00:43:36,600 --> 00:43:44,800 Speaker 1: let's go home him to be continued next time on 533 00:43:44,920 --> 00:43:50,000 Speaker 1: Truthhounds Into your living room night. It turns out what 534 00:43:50,040 --> 00:43:57,440 Speaker 1: we've just seen is a hormonem I mean, it's amazing, 535 00:43:57,880 --> 00:44:01,200 Speaker 1: This is amazing. I don't. I mean, it's just it's perfect. 536 00:44:02,480 --> 00:44:06,239 Speaker 1: We needed to be with the acting community. We would 537 00:44:06,239 --> 00:44:09,880 Speaker 1: make a pilgrimage to the heart of Hollywood, the Hollywood 538 00:44:09,960 --> 00:44:18,279 Speaker 1: blok of fame. Is this some twisted house of mirrors? Yeah? 539 00:44:18,320 --> 00:44:21,120 Speaker 1: I think Lacksyde specifically. I was thinking, what if we 540 00:44:21,239 --> 00:44:24,959 Speaker 1: needed that he kills us? Is this starting to feel 541 00:44:25,000 --> 00:44:32,839 Speaker 1: really serious? It really real? Hey, if you like The 542 00:44:32,840 --> 00:44:35,719 Speaker 1: Truth Hounds, please subscribe to us and leave us a 543 00:44:35,719 --> 00:44:41,960 Speaker 1: five star review. Seriously, it would really help us. And honestly, 544 00:44:42,719 --> 00:44:46,000 Speaker 1: you gotta start earning your keep around here. And as 545 00:44:46,080 --> 00:44:48,680 Speaker 1: soon as you're done earning your keep, follow us on 546 00:44:48,719 --> 00:44:53,040 Speaker 1: Instagram at truth Hounds and on Twitter at the truth 547 00:44:53,080 --> 00:44:56,520 Speaker 1: Hounds to participate in our investigations and see behind the 548 00:44:56,560 --> 00:45:02,000 Speaker 1: scenes footage and bonus juicy content. Truth Towns is a 549 00:45:02,040 --> 00:45:05,520 Speaker 1: production of I Heart Radio. For more podcasts from I 550 00:45:05,640 --> 00:45:09,200 Speaker 1: Heart Radio, visit the i Heart Radio app, Apple podcast, 551 00:45:09,480 --> 00:45:11,320 Speaker 1: or wherever you listen to your favorite shows