1 00:00:05,280 --> 00:00:11,000 Speaker 1: All right, this is a an emergency podcast, Emergency Iron 2 00:00:11,080 --> 00:00:15,040 Speaker 1: Rapports stereo podcast. We are the patent holders of the 3 00:00:15,080 --> 00:00:20,840 Speaker 1: emergency podcast. Despite uh what some other podcasts people might 4 00:00:20,840 --> 00:00:23,720 Speaker 1: be saying. Um, if ever, there's been a time for 5 00:00:23,760 --> 00:00:29,440 Speaker 1: an emergency podcast, this is it. Um. I'm sorry to 6 00:00:29,440 --> 00:00:31,560 Speaker 1: wake you up out of a sleep. G Moody. I 7 00:00:31,560 --> 00:00:33,320 Speaker 1: know it's late on the East Coast. I'm actually in 8 00:00:33,360 --> 00:00:36,879 Speaker 1: New York. Otherwise I'd be down at the police station 9 00:00:37,800 --> 00:00:45,040 Speaker 1: bailing Charles Oakley out of jail. They fucking arrested Charles 10 00:00:45,040 --> 00:00:49,200 Speaker 1: Oakley up. He was at the garden in the first 11 00:00:49,280 --> 00:00:54,480 Speaker 1: quarter of the Knicks Clippers game, and and and Porzingis 12 00:00:54,480 --> 00:00:56,120 Speaker 1: was at the line, and then the camera just kind 13 00:00:56,120 --> 00:00:59,000 Speaker 1: of swayed to to to see like an incident, you know, 14 00:00:59,040 --> 00:01:03,160 Speaker 1: Oakley six nine line, and he got into like a 15 00:01:03,200 --> 00:01:06,520 Speaker 1: shoving match and a pushing match with security. They're saying 16 00:01:06,560 --> 00:01:08,440 Speaker 1: that he was trying to go at Dolan, not to 17 00:01:08,440 --> 00:01:12,280 Speaker 1: funk him up, probably talk greasy or maybe even just 18 00:01:12,440 --> 00:01:14,480 Speaker 1: you know, to holler at who then knows. I don't know. 19 00:01:15,680 --> 00:01:17,600 Speaker 1: If I was in New York, I i'd be at 20 00:01:17,840 --> 00:01:19,840 Speaker 1: the police station right now bailing him out with my 21 00:01:19,880 --> 00:01:23,160 Speaker 1: own money. And and the security hemmed him up, grabbed 22 00:01:23,200 --> 00:01:26,240 Speaker 1: him up. He didn't really resist security too much. They 23 00:01:26,280 --> 00:01:28,720 Speaker 1: brought him to the corner, you know, like bye bye bye, 24 00:01:28,760 --> 00:01:30,520 Speaker 1: you know where the players come in and go come 25 00:01:30,520 --> 00:01:34,480 Speaker 1: out onto the court. The crowd could see it because 26 00:01:34,480 --> 00:01:37,240 Speaker 1: it's Charles Oakley's he's a big guy, and it's right 27 00:01:37,240 --> 00:01:44,520 Speaker 1: there down by courtside. The crowd started chanting Oakley, Oakley, Oakley. Yeah. 28 00:01:44,760 --> 00:01:49,680 Speaker 1: Then they arrested Charles Oakley and he's in custody. And 29 00:01:49,920 --> 00:01:53,760 Speaker 1: and Mike Brien, who's a Knicks fan, he knows, he said, yo. 30 00:01:53,920 --> 00:01:57,160 Speaker 1: Charles Oakley is a beloved player in New York. That's 31 00:01:57,160 --> 00:02:00,600 Speaker 1: why the fans always loved him. And and and and 32 00:02:00,600 --> 00:02:04,800 Speaker 1: and they fucking arrested Charles Oakley. Man arrested oak Man. 33 00:02:05,000 --> 00:02:11,160 Speaker 1: The crowd went fucking crazy. Yea, and and you know what, 34 00:02:11,320 --> 00:02:18,200 Speaker 1: ge His frustration is what all Nick fans have been 35 00:02:18,200 --> 00:02:28,000 Speaker 1: feeling since the chaos, the disappointment, the heartbreak, the confusion. 36 00:02:28,720 --> 00:02:33,000 Speaker 1: We have Knicks fans getting into fights and arguments with 37 00:02:33,080 --> 00:02:37,399 Speaker 1: other Knicks fans. We have the New York Post writers 38 00:02:38,000 --> 00:02:41,679 Speaker 1: getting into beefs with the daily news writers. We have 39 00:02:41,880 --> 00:02:44,320 Speaker 1: we have like a civil war Amongst Knicks fans. And 40 00:02:44,639 --> 00:02:47,160 Speaker 1: and you know what, it shouldn't be that way. This 41 00:02:47,240 --> 00:02:52,720 Speaker 1: is how frustrating it is. It's a fucking ship show. 42 00:02:53,520 --> 00:02:57,640 Speaker 1: It's a fucking ship show. And it culminated with Charles 43 00:02:57,639 --> 00:03:02,799 Speaker 1: Oakley being a Charles Oakley listen is He's not even 44 00:03:02,800 --> 00:03:05,920 Speaker 1: a top fifty, top hundred player, but he exemplified what 45 00:03:06,000 --> 00:03:11,200 Speaker 1: it meant to be a New York athlete. Charles Oakley 46 00:03:11,200 --> 00:03:14,880 Speaker 1: will always be beloved by New York fans because he 47 00:03:15,000 --> 00:03:20,800 Speaker 1: exemplified that hard work, that grit, that never say die, 48 00:03:21,560 --> 00:03:24,640 Speaker 1: that never give up, that that that that that what 49 00:03:24,800 --> 00:03:29,480 Speaker 1: New Yorkers are at their core. Forget the gentrified Manhattan, 50 00:03:29,680 --> 00:03:33,320 Speaker 1: Forget the hipster William Burke. I'm talking about the majority 51 00:03:33,360 --> 00:03:36,280 Speaker 1: of New Yorkers. Forget Fifth Avenue and Park Avenue. I'm 52 00:03:36,320 --> 00:03:38,800 Speaker 1: talking about the Five Boroughs as as a whole. I'm 53 00:03:38,800 --> 00:03:42,400 Speaker 1: talking about the working class people on Staten Island, Long Island, 54 00:03:42,600 --> 00:03:46,680 Speaker 1: the Bronx, the even outside of the city in Jersey. 55 00:03:47,000 --> 00:03:50,880 Speaker 1: He exemplified that, and and and and and you know, 56 00:03:50,920 --> 00:03:52,760 Speaker 1: you know, I don't know what the fallout was between 57 00:03:52,840 --> 00:03:54,920 Speaker 1: him and Dolan. You know, Oakley has talked a lot 58 00:03:54,960 --> 00:03:57,840 Speaker 1: of ship. You know, Oakley doesn't hold back. Oakley's over. 59 00:03:58,240 --> 00:04:00,400 Speaker 1: He showed tonight he's ready to fuck some ship up. 60 00:04:00,480 --> 00:04:02,600 Speaker 1: You can read his get your fucking hands off me 61 00:04:02,840 --> 00:04:06,360 Speaker 1: yas he's ready to fuck ship up. And and and 62 00:04:06,440 --> 00:04:08,480 Speaker 1: his frustration whatever it was, if he had maybe a 63 00:04:08,560 --> 00:04:11,320 Speaker 1: couple of glasses of wine, is what we all feel. 64 00:04:11,680 --> 00:04:13,280 Speaker 1: We all want to go to Dole and be like, 65 00:04:13,280 --> 00:04:17,839 Speaker 1: what the funk man? Yeah, So they fucking locked up 66 00:04:17,920 --> 00:04:21,880 Speaker 1: oak Man. They fucking they fucking locked him up. They're 67 00:04:21,880 --> 00:04:25,560 Speaker 1: probably gonna have Charles Oakley and the fucking Tombs. The 68 00:04:25,640 --> 00:04:29,200 Speaker 1: Tombs is the jail selling in Lower Manhattan where they 69 00:04:29,240 --> 00:04:32,360 Speaker 1: bring everybody. You go to the local priests and then 70 00:04:32,360 --> 00:04:40,600 Speaker 1: they bring you downtown free Charles Oakley and and and 71 00:04:40,720 --> 00:04:44,600 Speaker 1: all this ship about Carmelo this and Dole in this 72 00:04:44,760 --> 00:04:47,800 Speaker 1: and Phil Jackson this and and I was thinking, you 73 00:04:47,839 --> 00:04:49,360 Speaker 1: know what, Gee, I'm gonna keep it. I'm gonna keep 74 00:04:49,400 --> 00:04:53,080 Speaker 1: it five because I like Carmelo, I know his wife, 75 00:04:53,120 --> 00:04:55,440 Speaker 1: I like him as a player. I've always liked him. 76 00:04:55,480 --> 00:04:57,600 Speaker 1: But he's not the he's not the answer for the Knicks. 77 00:04:58,040 --> 00:05:02,280 Speaker 1: He's been under siege with the Nick and it's not 78 00:05:02,320 --> 00:05:06,000 Speaker 1: necessarily his fault. And then these people are trying to say, oh, oh, 79 00:05:06,080 --> 00:05:09,320 Speaker 1: Phil Jackson, He's not this, he's not that. And I 80 00:05:09,360 --> 00:05:14,680 Speaker 1: was thinking about this with Phil Jackson, Moody. Phil Jackson 81 00:05:16,400 --> 00:05:21,760 Speaker 1: knows more about basketball than almost any living person. Phil 82 00:05:22,040 --> 00:05:28,400 Speaker 1: Jackson has played with, played with, played against, battled in 83 00:05:28,440 --> 00:05:34,960 Speaker 1: the trenches with every single top fifty player in the 84 00:05:35,080 --> 00:05:39,840 Speaker 1: NBA history. Phil Jackson was playing against lu Al Sinder. 85 00:05:40,200 --> 00:05:46,279 Speaker 1: Phil Jackson was playing against Will Chamberlain, Elgin Baylor, Jerry West, 86 00:05:46,320 --> 00:05:52,400 Speaker 1: the original Big Three before Kareem was Kareem. Phil Jackson 87 00:05:52,440 --> 00:05:55,960 Speaker 1: was playing against Lou when he was with the Milwaukee Bucks, 88 00:05:56,160 --> 00:05:59,800 Speaker 1: Rick Barry, Elgin Baylor, Dave Bing, He played against all 89 00:05:59,880 --> 00:06:02,600 Speaker 1: in He played the ad at the Garden, the Boston 90 00:06:02,600 --> 00:06:07,840 Speaker 1: Garden when it was a fucking zoo. And then forget 91 00:06:07,880 --> 00:06:11,680 Speaker 1: about the people he coached, Billy Cunningham, All these fucking 92 00:06:11,839 --> 00:06:14,520 Speaker 1: john haveletch like he was in there playing against yo. 93 00:06:14,839 --> 00:06:17,200 Speaker 1: He was in there. You talk about playing hard. On 94 00:06:17,240 --> 00:06:21,920 Speaker 1: the New York Knicks. Dr Dick Barnett was the first 95 00:06:21,960 --> 00:06:23,800 Speaker 1: player he ever met when he came. Do you know 96 00:06:23,920 --> 00:06:26,400 Speaker 1: Dick Barnett is? Dick Barnett is one of the most 97 00:06:26,520 --> 00:06:31,599 Speaker 1: underrated underappreciated basketball players ever. He will bust your ass 98 00:06:32,320 --> 00:06:36,760 Speaker 1: in any in any era, in any era. Sam Jones 99 00:06:36,800 --> 00:06:41,560 Speaker 1: and them dudes, Jerry Lucas, all these dude. These are 100 00:06:41,640 --> 00:06:45,160 Speaker 1: dudes that he traded sweat against. Forget the guys he coaching, 101 00:06:45,400 --> 00:06:51,800 Speaker 1: He traded sweat against all these dudes. Earl Monroe. Yo. 102 00:06:52,760 --> 00:06:57,000 Speaker 1: When when Phil Jackson thinks the player isn't working hard, 103 00:06:57,200 --> 00:07:02,640 Speaker 1: you know what his standard is, Willis Reid. Willis Reid 104 00:07:03,080 --> 00:07:08,360 Speaker 1: was a fucking goon. You talk about hard work, that 105 00:07:08,360 --> 00:07:12,880 Speaker 1: that Willis reid career was made off of hard work determination. 106 00:07:13,240 --> 00:07:19,000 Speaker 1: Phil Jackson is the owner, the sole proprietor of the 107 00:07:19,040 --> 00:07:23,480 Speaker 1: photographs that he shot before Game seven of the nineteen 108 00:07:23,520 --> 00:07:28,480 Speaker 1: seventy Championship. He's never released him. He saw the three 109 00:07:28,480 --> 00:07:32,680 Speaker 1: inch needle that Willis red, Willis Read took him to 110 00:07:32,800 --> 00:07:37,440 Speaker 1: his thigh to go out there and play in Game seven. 111 00:07:37,480 --> 00:07:40,080 Speaker 1: When you talk about playing hard, you talk about determination, 112 00:07:40,120 --> 00:07:43,200 Speaker 1: you talk about work ethic. These fucking guys during that era, 113 00:07:43,800 --> 00:07:48,520 Speaker 1: they they they had jobs during the off season. The 114 00:07:48,600 --> 00:07:51,200 Speaker 1: NBA could You couldn't make a living playing in the NBA. 115 00:07:51,280 --> 00:07:54,320 Speaker 1: So when Phil Jackson just the guys he played against, 116 00:07:55,360 --> 00:07:57,560 Speaker 1: when are you talking about if a guy plays hard, 117 00:07:58,520 --> 00:08:04,720 Speaker 1: his his standards are in another level. He played against 118 00:08:04,760 --> 00:08:07,480 Speaker 1: lou All Cinder and Oscar fucking Robertson. Now we've talked 119 00:08:07,840 --> 00:08:10,840 Speaker 1: about Oscar roberts He played against these dudes. They were 120 00:08:10,840 --> 00:08:12,880 Speaker 1: playing life and death. This is how they You know, 121 00:08:12,960 --> 00:08:17,800 Speaker 1: Willis Reid was playing for life and death. So when 122 00:08:17,840 --> 00:08:20,360 Speaker 1: these guys are too Field doesn't know this. Forget the 123 00:08:20,480 --> 00:08:24,960 Speaker 1: nine fucking the the championships, the eleven championships, forget forget 124 00:08:25,000 --> 00:08:27,280 Speaker 1: all of that. I'm just talking about what he knows, 125 00:08:27,440 --> 00:08:30,600 Speaker 1: the level of basketball players that he's been So if 126 00:08:30,600 --> 00:08:34,120 Speaker 1: he doesn't think Carmelo was the answer, Carmelo is not 127 00:08:34,160 --> 00:08:38,280 Speaker 1: the fucking answer. Phil Jackson knows. Phil Jackson knows more 128 00:08:38,280 --> 00:08:43,880 Speaker 1: about basketball than you. He played against West unselled, Bill 129 00:08:43,920 --> 00:08:47,120 Speaker 1: Walton and these fucking guys, Lenny Wilkins, for forget who 130 00:08:47,120 --> 00:08:53,040 Speaker 1: he's coached, Kobe and Shack and Michael fucking Jordan's and 131 00:08:53,080 --> 00:08:55,560 Speaker 1: if he sees something. Now, I'm not saying he's handled 132 00:08:55,600 --> 00:08:59,040 Speaker 1: it right. With the tweets against Carmelo. I think it's bullshit. 133 00:08:59,800 --> 00:09:02,880 Speaker 1: I think it's total bullshit. Yeah, just come right out, 134 00:09:02,960 --> 00:09:06,280 Speaker 1: man and just trade him yeah, just come right out. 135 00:09:07,559 --> 00:09:10,480 Speaker 1: But if he's feeling something, you know, this is the 136 00:09:10,559 --> 00:09:13,200 Speaker 1: second guy, George Carl, And I don't agree with what 137 00:09:13,240 --> 00:09:16,360 Speaker 1: he did in his book, shipping on Kenyan Mortin, shipping 138 00:09:16,360 --> 00:09:18,880 Speaker 1: on other players publicly, you know, and all this personal ship. 139 00:09:19,120 --> 00:09:22,199 Speaker 1: But if if, if, if, George Carl, Phil Jackson, these 140 00:09:22,200 --> 00:09:25,040 Speaker 1: are basketball minds. These are guys that the the the 141 00:09:25,040 --> 00:09:28,400 Speaker 1: the the basketball is is just it's their lie. It's 142 00:09:28,440 --> 00:09:30,480 Speaker 1: just they're fucking it's in their blood. Not that it's 143 00:09:30,480 --> 00:09:34,000 Speaker 1: not in Carmelo, in the players, but but experience. Think 144 00:09:34,000 --> 00:09:38,200 Speaker 1: about experience and relationships. If they if they're saying Carmelo 145 00:09:38,240 --> 00:09:40,960 Speaker 1: Anthony is not that dude, you have to believe it. 146 00:09:41,280 --> 00:09:43,600 Speaker 1: And and the proof is in the fucking pudding. The 147 00:09:43,640 --> 00:09:46,880 Speaker 1: best that he's done is take that Denver Nuggets team 148 00:09:47,000 --> 00:09:50,240 Speaker 1: to the Western Conference Finals. I know the coaching situation 149 00:09:50,280 --> 00:09:52,680 Speaker 1: has been fucked up in New York. It's been fucked up. 150 00:09:52,679 --> 00:09:56,240 Speaker 1: And he said five coaches, five different systems, five different 151 00:09:56,280 --> 00:09:59,480 Speaker 1: ways shoot arounds and practices are in It's it's bullshit. 152 00:10:00,320 --> 00:10:02,640 Speaker 1: But at the end of the day, that Genesee quad, 153 00:10:02,720 --> 00:10:07,320 Speaker 1: that that charisma, that it factor on the court as 154 00:10:07,320 --> 00:10:10,840 Speaker 1: a winner, as a champion. The only time Carmelo exuded 155 00:10:10,840 --> 00:10:12,440 Speaker 1: it was at Syracuse, and he should have been at 156 00:10:12,440 --> 00:10:15,080 Speaker 1: the in the NBA. He should have went straight from 157 00:10:15,160 --> 00:10:18,560 Speaker 1: high school to the NBA. It's a fucking ship show 158 00:10:18,600 --> 00:10:22,480 Speaker 1: in New York. Man. They arrested Charles Oakley. People are 159 00:10:22,679 --> 00:10:26,360 Speaker 1: shipping on Phil Jackson. People are shipping on Carmelo. People. 160 00:10:26,600 --> 00:10:30,640 Speaker 1: There's a civil war. You're either on team Carmelo or 161 00:10:30,720 --> 00:10:34,600 Speaker 1: team Phil Jackson. And fucking James Dolan, the owner of 162 00:10:34,640 --> 00:10:37,560 Speaker 1: the Knicks, the son of a billionaire, has a blues band. 163 00:10:39,400 --> 00:10:43,719 Speaker 1: James Dolan has a fucking blues band. Yeah, you got 164 00:10:43,720 --> 00:10:49,800 Speaker 1: a lot of problems. It's I'm over it. I'm sucking done. 165 00:10:49,840 --> 00:10:52,560 Speaker 1: I don't know what what more to do. It's an embarrassment. 166 00:10:52,760 --> 00:10:56,400 Speaker 1: New York City is the mecca of basketball. Yes, motherfucker. 167 00:10:56,679 --> 00:11:00,640 Speaker 1: New York City is still an old ways will be 168 00:11:00,720 --> 00:11:04,800 Speaker 1: the mecca of basketball before the NBA. Some people, I'll 169 00:11:04,840 --> 00:11:06,040 Speaker 1: fuck it, tell you, and then I want to let 170 00:11:06,040 --> 00:11:08,160 Speaker 1: you hear because I think I just busted a blood 171 00:11:08,200 --> 00:11:12,719 Speaker 1: vessel with that with that rant. Before the NBA was 172 00:11:12,760 --> 00:11:16,600 Speaker 1: a thing, the n c a A was big business. 173 00:11:17,160 --> 00:11:19,160 Speaker 1: Where did the big n c a A tournaments take 174 00:11:19,200 --> 00:11:24,120 Speaker 1: place at Old Madison Square Garden. Yes, in the sixties, 175 00:11:24,840 --> 00:11:27,440 Speaker 1: the NBA was dominated by the Lakers and even more 176 00:11:27,480 --> 00:11:30,520 Speaker 1: so by Boston. The only people that cared about the 177 00:11:30,600 --> 00:11:34,880 Speaker 1: NBA were Boston Celtics fans and Laker fans. There were 178 00:11:34,920 --> 00:11:38,760 Speaker 1: eight fucking teams and then there was twelve teams. The 179 00:11:38,880 --> 00:11:41,600 Speaker 1: Knicks put the NBA on the map to turn it 180 00:11:41,600 --> 00:11:45,480 Speaker 1: into an entertainment league, all right. When the Nicks started winning, 181 00:11:45,679 --> 00:11:49,400 Speaker 1: it became must see ticket in New York City. If 182 00:11:49,440 --> 00:11:51,400 Speaker 1: you could make it here, you can make it anywhere. 183 00:11:51,559 --> 00:11:54,640 Speaker 1: That's a fucking fact. That's when the celebrities came out. 184 00:11:54,679 --> 00:11:56,760 Speaker 1: The celebrities weren't even coming out to see the Los 185 00:11:56,760 --> 00:12:02,400 Speaker 1: Angeles Lakers in the sixties seventy That team, when they 186 00:12:02,400 --> 00:12:06,360 Speaker 1: had the team that exuded, that exemplified New York. Dave 187 00:12:06,440 --> 00:12:10,800 Speaker 1: the Busher, Dick Barnett, Earl the Pearl, Monroe came in seventy, 188 00:12:11,080 --> 00:12:16,719 Speaker 1: Walt Clyde, Fraser, Bill Bradley, Kazie Russell, and so on 189 00:12:16,800 --> 00:12:19,520 Speaker 1: and so on and so on. It exemplified New York. 190 00:12:19,640 --> 00:12:22,360 Speaker 1: And they started winning. They were coached by a fucking 191 00:12:22,400 --> 00:12:27,959 Speaker 1: New York City jew, Red Holzman. It exemplified everything, the fabric, 192 00:12:28,000 --> 00:12:31,160 Speaker 1: the core of New York City. That's when Bill Cosby 193 00:12:31,320 --> 00:12:34,000 Speaker 1: Barber strives in and all of them. I talked about this, 194 00:12:34,200 --> 00:12:37,000 Speaker 1: and when the Garden was eating and when that team 195 00:12:37,000 --> 00:12:41,120 Speaker 1: won the NBA basketball players became stars like they had 196 00:12:41,160 --> 00:12:44,760 Speaker 1: never become before. All right, and and and on top 197 00:12:44,800 --> 00:12:48,040 Speaker 1: of that, just the players that we've put out the list, 198 00:12:48,200 --> 00:12:50,640 Speaker 1: you know you know who they are, fucking Kareem Abdul Jabbar, 199 00:12:50,760 --> 00:12:55,080 Speaker 1: Bernard King, Bob Couzy. New York and the fabric of 200 00:12:55,080 --> 00:12:58,440 Speaker 1: New York, The architectural fabric of New York is built 201 00:12:58,520 --> 00:13:02,160 Speaker 1: around basketball courts. New York City will always be the 202 00:13:02,200 --> 00:13:04,720 Speaker 1: mecca of basketball. Don't give a funk what anybody says. 203 00:13:05,559 --> 00:13:08,080 Speaker 1: Please tell me why you disagree with me, Mr Moody. 204 00:13:08,320 --> 00:13:10,880 Speaker 1: That's the I mean, nobody cares about that ship now, man, 205 00:13:10,960 --> 00:13:15,160 Speaker 1: I mean they're having this team. This team and and 206 00:13:15,280 --> 00:13:20,040 Speaker 1: this franchise are not relevant. No matter what you say. 207 00:13:20,160 --> 00:13:22,560 Speaker 1: You can go back to the old days and and 208 00:13:22,600 --> 00:13:27,240 Speaker 1: sing to the fucking cows come home. But nobody cares 209 00:13:27,320 --> 00:13:30,600 Speaker 1: about the New York Knicks. It ain't It's about Cleveland. 210 00:13:30,679 --> 00:13:35,120 Speaker 1: It's about Golden State Chicago. To an extent. Yeah, you know, 211 00:13:35,200 --> 00:13:38,000 Speaker 1: New York that's the old days. Man. You you know, 212 00:13:38,120 --> 00:13:40,560 Speaker 1: nobody gives a funk about all that willis Reid ship 213 00:13:43,120 --> 00:13:46,640 Speaker 1: only you. Well, it's not only me. I'm talking about 214 00:13:46,640 --> 00:13:49,719 Speaker 1: the the the texture of basketball. Why do you think 215 00:13:49,800 --> 00:13:51,520 Speaker 1: dudes come to New York and they want to show 216 00:13:51,600 --> 00:13:53,959 Speaker 1: their ass? Why do you think dudes come New York 217 00:13:53,960 --> 00:13:55,640 Speaker 1: they want to get fifty five, They want to get 218 00:13:55,679 --> 00:13:58,400 Speaker 1: sixty one. Everybody wants to show their ass. They want 219 00:13:58,400 --> 00:14:00,840 Speaker 1: to kick ass at the Garden be because it's the 220 00:14:00,880 --> 00:14:04,640 Speaker 1: world's most famous arena. That's why that's never gonna change. 221 00:14:04,679 --> 00:14:08,160 Speaker 1: That's his historical It is the world's most famous arena. 222 00:14:08,280 --> 00:14:10,679 Speaker 1: That's why motherfucker's coming there and they want to get hype. 223 00:14:11,720 --> 00:14:13,720 Speaker 1: And that's why the New York City will always be 224 00:14:13,760 --> 00:14:15,880 Speaker 1: the mecca of basketball, regardless of the fact that the 225 00:14:15,960 --> 00:14:18,640 Speaker 1: Knicks are a fucking ship show. The Knicks are a 226 00:14:18,760 --> 00:14:22,040 Speaker 1: fucking ship show. G I hate to fucking admit it. 227 00:14:22,720 --> 00:14:24,640 Speaker 1: I don't know, and I don't know what the fucking 228 00:14:24,680 --> 00:14:27,360 Speaker 1: answer is, man, I don't know what the fucking answer 229 00:14:27,400 --> 00:14:29,720 Speaker 1: they got. Jeff fucking hornets and has to do with 230 00:14:29,760 --> 00:14:33,640 Speaker 1: the culture. The Oakley's aren't around Marv Albert. I love 231 00:14:33,720 --> 00:14:36,680 Speaker 1: Mike Breen, He's my fucking man. I love Mike Breen. 232 00:14:36,720 --> 00:14:38,840 Speaker 1: He's been on the podcast. That couldn't be a classier, 233 00:14:38,920 --> 00:14:41,000 Speaker 1: nicer guy. I love him as an announcer. But they 234 00:14:41,000 --> 00:14:44,280 Speaker 1: got rid of Marv Albert because he criticized the Knicks. 235 00:14:44,800 --> 00:14:47,600 Speaker 1: They got rid of Charles Oakley because he criticized the Knicks. 236 00:14:49,320 --> 00:14:51,840 Speaker 1: This is why we're fucked, man. We don't have that culture. 237 00:14:52,040 --> 00:14:54,720 Speaker 1: It's it's it sounds crazy, like, well, what is Marve 238 00:14:54,720 --> 00:14:57,240 Speaker 1: Albert and Charles Oakley gonna do? Now? I'm saying it's 239 00:14:57,280 --> 00:14:59,720 Speaker 1: just it just it just all has to do with 240 00:15:00,040 --> 00:15:03,600 Speaker 1: the history, man, of of this team, and and and 241 00:15:03,600 --> 00:15:06,080 Speaker 1: and like the culture. This is the New York Knicks. 242 00:15:06,160 --> 00:15:09,200 Speaker 1: This is their seventieth season as a franchise, and we 243 00:15:09,200 --> 00:15:12,640 Speaker 1: were in a fucking They arrested Charles Oakley tonight. This 244 00:15:12,680 --> 00:15:16,320 Speaker 1: is an emergency. I am wrapping ports stereopocatus. If there's 245 00:15:16,320 --> 00:15:20,720 Speaker 1: ever been a need or a call for an emergency podcast, 246 00:15:20,800 --> 00:15:25,000 Speaker 1: this is it. Charles Oakley is in the tombs right now. 247 00:15:25,280 --> 00:15:29,640 Speaker 1: Ge Moody, Yeah, please remind the people of your night 248 00:15:29,680 --> 00:15:34,720 Speaker 1: in the tombs in Please tell everybody that story. Oh man, 249 00:15:34,760 --> 00:15:37,600 Speaker 1: I can't remember that story. Man, that was a bad, 250 00:15:37,840 --> 00:15:41,320 Speaker 1: bad memory, I know. But Putty, please please, just so 251 00:15:41,360 --> 00:15:43,920 Speaker 1: I could breathe, Please please share that with the people 252 00:15:43,920 --> 00:15:47,040 Speaker 1: you've talked about it before. That's when I'll do the 253 00:15:47,480 --> 00:15:50,320 Speaker 1: short version. G Moody, ha got this is the twenties. 254 00:15:50,480 --> 00:15:54,200 Speaker 1: You you got arrested for um hopping the turnstyle in 255 00:15:54,280 --> 00:15:56,520 Speaker 1: New York. You didn't have your I d They brought 256 00:15:56,520 --> 00:16:00,000 Speaker 1: you out your ass to the tombs. You're in there. Yeah, 257 00:16:00,240 --> 00:16:01,840 Speaker 1: I don't know where I was. While I didn't call me, 258 00:16:01,920 --> 00:16:05,240 Speaker 1: I came got you. I'm like calling G for like 259 00:16:05,280 --> 00:16:07,200 Speaker 1: three days and three days like he was like, yo, 260 00:16:07,240 --> 00:16:09,160 Speaker 1: I was locked up side, was like, what the funk happened? 261 00:16:09,400 --> 00:16:12,000 Speaker 1: Tells me the story? I was like, ship, what was that? Like? 262 00:16:13,280 --> 00:16:14,960 Speaker 1: He said, I was in there. Dudes was trying to 263 00:16:15,000 --> 00:16:17,360 Speaker 1: while out they were they were wallet. I said, what happened? 264 00:16:17,440 --> 00:16:19,640 Speaker 1: He said, well, the first dude, you know, I'm in 265 00:16:19,680 --> 00:16:21,840 Speaker 1: there eating my bologny. I can feel his energy. This 266 00:16:21,880 --> 00:16:23,680 Speaker 1: is you telling the story to me. I'm telling the 267 00:16:23,680 --> 00:16:26,960 Speaker 1: story right now. The dude was like kind of circling. 268 00:16:27,000 --> 00:16:29,400 Speaker 1: He's fucking with everybody. You said you were you were. 269 00:16:29,440 --> 00:16:31,840 Speaker 1: You were on your showing pen in the movie Bad Boys. Shit, 270 00:16:33,240 --> 00:16:38,800 Speaker 1: they gave you your sloppy bologny with the thick ass cheese. 271 00:16:39,280 --> 00:16:43,040 Speaker 1: And this is when the quote that lives in in 272 00:16:43,160 --> 00:16:45,840 Speaker 1: for me said. The guy said to you and he 273 00:16:45,920 --> 00:16:48,920 Speaker 1: called you duke. He said, because duke, we say duke now, 274 00:16:48,960 --> 00:16:51,000 Speaker 1: but at the time, Duke was like man. In New 275 00:16:51,080 --> 00:16:53,680 Speaker 1: York City, especially in Brooklyn, Duke was like what's up? 276 00:16:53,920 --> 00:16:56,640 Speaker 1: It was what up? Son? What up? Duke? It was 277 00:16:56,680 --> 00:16:58,920 Speaker 1: just like kind of like saying, what up, man, What up? Dude? 278 00:16:59,280 --> 00:17:03,520 Speaker 1: So he said, yo, do you He said to you 279 00:17:03,600 --> 00:17:05,880 Speaker 1: while G. Moody was eating his bolow and he trying 280 00:17:05,920 --> 00:17:09,000 Speaker 1: to do his Sean Pinscher to intimidate the guy. You said, 281 00:17:09,040 --> 00:17:14,080 Speaker 1: he said to you, Ao, Duke, you get hyped. That's 282 00:17:14,119 --> 00:17:16,000 Speaker 1: what he said to G. Moody. And you had never 283 00:17:16,040 --> 00:17:20,040 Speaker 1: heard that term. I've never heard it since. And you said, 284 00:17:20,880 --> 00:17:24,640 Speaker 1: I don't get hyped, but I don't like No. You said, 285 00:17:24,720 --> 00:17:28,000 Speaker 1: what did you say? Give your quote? It's a fantastic quote. 286 00:17:28,520 --> 00:17:31,159 Speaker 1: I said, I get hyped, but I don't like hurting 287 00:17:31,160 --> 00:17:34,800 Speaker 1: black people. There it is right there. I get hype, 288 00:17:35,320 --> 00:17:37,879 Speaker 1: but I don't like hurting black people, and and and 289 00:17:37,880 --> 00:17:40,080 Speaker 1: there's a calmness about G. Moody. If you never met him, 290 00:17:40,160 --> 00:17:42,600 Speaker 1: you you could tell right here he G Moody has 291 00:17:42,600 --> 00:17:46,000 Speaker 1: been dealing with me since nine two. He's never been 292 00:17:46,080 --> 00:17:49,520 Speaker 1: rattled by me. There's a certain calmness that the Moodies have. 293 00:17:50,119 --> 00:17:52,760 Speaker 1: Dean Moody. His brother has it. Bah Bah Moody. She 294 00:17:52,840 --> 00:17:57,159 Speaker 1: has it. His sister, Kimberly Moody, she has it. They 295 00:17:57,160 --> 00:18:00,480 Speaker 1: have a certain calmness. Otherwise I don't think we we 296 00:18:00,480 --> 00:18:02,560 Speaker 1: we were you, you probably would have kicked me to 297 00:18:02,600 --> 00:18:05,200 Speaker 1: the curb long time ago doesn't get rattled by much. 298 00:18:06,320 --> 00:18:09,200 Speaker 1: And the guy could probably like your calmnists, probably freaked 299 00:18:09,240 --> 00:18:11,560 Speaker 1: him out and then he went to go funk with 300 00:18:11,600 --> 00:18:15,439 Speaker 1: somebody else. But that's where the term you get hype 301 00:18:15,480 --> 00:18:22,199 Speaker 1: came from. When he got arrested. And what was no 302 00:18:22,320 --> 00:18:25,520 Speaker 1: eighties something? I don't know, No, no eighties. I was 303 00:18:25,560 --> 00:18:27,479 Speaker 1: already in l A. It was, it was, it was, 304 00:18:27,520 --> 00:18:31,399 Speaker 1: It was already in l A. Yeah, ninety one. I 305 00:18:31,720 --> 00:18:33,280 Speaker 1: don't know what to say. I'm sorry to wake you 306 00:18:33,359 --> 00:18:36,280 Speaker 1: up out of your sleep. G. I hear you, man, 307 00:18:36,359 --> 00:18:39,160 Speaker 1: You sound real, you sound real, salty man, you sound 308 00:18:39,200 --> 00:18:42,280 Speaker 1: like But I'm telling you, man, don't nobody gives a 309 00:18:42,320 --> 00:18:44,480 Speaker 1: funk about them Nicks man, only you and a couple 310 00:18:44,560 --> 00:18:48,520 Speaker 1: of them allfucking no, you're not understanding. That's like saying 311 00:18:48,560 --> 00:18:54,640 Speaker 1: you don't give a funk about history. Man. Tonight that 312 00:18:54,760 --> 00:18:57,520 Speaker 1: he listened when Richard Jefferson I talked about this a 313 00:18:57,520 --> 00:19:01,480 Speaker 1: couple of podcasts ago, when Richard Jefferson, fucking guy can't 314 00:19:01,520 --> 00:19:05,719 Speaker 1: grow facial hair for the Cleveland Cavaliers and they're up 315 00:19:05,760 --> 00:19:10,119 Speaker 1: by twenty points is giving hard foul to the Knicks, 316 00:19:10,160 --> 00:19:13,800 Speaker 1: and nobody bats an I at Richard Jefferson. Nobody says, yo, 317 00:19:13,880 --> 00:19:18,119 Speaker 1: watch that ship. Nobody does anything. This is why Charles 318 00:19:18,119 --> 00:19:21,640 Speaker 1: Oakley shows up at the garden. This is why he 319 00:19:21,960 --> 00:19:24,040 Speaker 1: wants to step the doll and be like do something. 320 00:19:24,800 --> 00:19:28,840 Speaker 1: Side note. The day Charles Oakley was traded to the 321 00:19:28,880 --> 00:19:32,000 Speaker 1: New York Knicks, me and g Moody were walking east 322 00:19:32,040 --> 00:19:35,440 Speaker 1: to west on seventy Street to catch the six train. 323 00:19:37,160 --> 00:19:41,080 Speaker 1: Seventy seven in Lexington is is lenox Hill Hospital from 324 00:19:41,119 --> 00:19:43,199 Speaker 1: across the street. It was, it was it was like 325 00:19:44,240 --> 00:19:47,560 Speaker 1: a late spring, early summer day. We saw just like 326 00:19:47,600 --> 00:19:50,280 Speaker 1: everybody at the garden. Because he's six nine, he's a 327 00:19:50,320 --> 00:19:55,720 Speaker 1: true blue goon. Charles Oakley is a true blue goon. 328 00:19:56,040 --> 00:19:58,159 Speaker 1: The day he got traded to the New York Knicks, 329 00:19:59,720 --> 00:20:02,879 Speaker 1: we him across the sheet. This is before Twitter. This 330 00:20:02,960 --> 00:20:05,200 Speaker 1: is before like you get everything instantly on the phone 331 00:20:05,200 --> 00:20:08,680 Speaker 1: and there's no there's no two way pages anything seeing No. 332 00:20:08,880 --> 00:20:11,280 Speaker 1: We said, yo, what Yo, what are you doing in 333 00:20:11,280 --> 00:20:13,880 Speaker 1: New York? And he said, Yo, I just got traded here. 334 00:20:14,000 --> 00:20:16,679 Speaker 1: I'm going to get my physical right now. That's a fact. 335 00:20:19,160 --> 00:20:21,359 Speaker 1: Charles Oakley told me. I'm gonna try to get the 336 00:20:21,440 --> 00:20:25,600 Speaker 1: video footage. He verified. I asked him straight up during 337 00:20:25,640 --> 00:20:29,919 Speaker 1: the player's lockout of did you smack fire out of 338 00:20:30,000 --> 00:20:32,840 Speaker 1: Charles Barkley? I asked him that question. I was doing 339 00:20:32,880 --> 00:20:38,240 Speaker 1: something for Complex Magazine. I asked him, did you smack 340 00:20:38,520 --> 00:20:42,520 Speaker 1: fire out of Charles Barkley? That was a rumor. He said, yes, 341 00:20:42,560 --> 00:20:45,360 Speaker 1: I did, And I said, what did he do? He said, 342 00:20:45,359 --> 00:20:48,520 Speaker 1: he didn't do shit. My man, Chris Mills told me 343 00:20:48,600 --> 00:20:52,199 Speaker 1: the story. I made him tell me that story probably 344 00:20:52,200 --> 00:20:55,119 Speaker 1: every time I see him, because it's so crazy. Charles 345 00:20:55,119 --> 00:20:59,920 Speaker 1: Oakley is a true goon. Free Charles Oakley. If I 346 00:21:00,080 --> 00:21:01,600 Speaker 1: was in New York right now, I'd be down there 347 00:21:01,640 --> 00:21:03,359 Speaker 1: with his bail right now. I bet you a Knicks 348 00:21:03,400 --> 00:21:07,520 Speaker 1: fan bails him out tonight. Shit, man, he was in there. 349 00:21:07,520 --> 00:21:11,640 Speaker 1: He fucking barroom brawl courtside at the Knicks tonight. That's 350 00:21:11,640 --> 00:21:14,680 Speaker 1: what the funk I'm talking about. Flip the fucking tables 351 00:21:14,760 --> 00:21:23,600 Speaker 1: over Attica, motherfucker Attica. That was the most heart and 352 00:21:23,760 --> 00:21:27,240 Speaker 1: passion anybody that had to do with anything with the 353 00:21:27,320 --> 00:21:32,800 Speaker 1: Knicks has shown since. To listen, see I Am Rapports 354 00:21:32,840 --> 00:21:38,000 Speaker 1: Stereo Pockets Emergency episode. The patenters of the emergency podcast. 355 00:21:39,160 --> 00:21:41,400 Speaker 1: You got anything else to add? I got nothing, man, 356 00:21:41,440 --> 00:21:43,760 Speaker 1: You're you're passion man, you you you woke me up. 357 00:21:43,800 --> 00:21:47,960 Speaker 1: I hear you. I'm sorry, man, I'm sorry. I got nothing. 358 00:21:48,400 --> 00:21:50,639 Speaker 1: All right, I'll go back to sleep and they listen. 359 00:21:51,040 --> 00:21:54,040 Speaker 1: Stay close to the phone. Man, we might need to 360 00:21:54,119 --> 00:21:56,280 Speaker 1: fucking go down there. You got some cash on you. 361 00:21:56,280 --> 00:22:00,000 Speaker 1: You gotta go get oak Man down there. He's fucked up. 362 00:22:00,000 --> 00:22:01,840 Speaker 1: They probably got him like locked up, and you gotta 363 00:22:01,880 --> 00:22:10,320 Speaker 1: suit on. Don't call me man, piece yo. I am 364 00:22:10,440 --> 00:22:14,040 Speaker 1: so excited for NBA All Star Weekend and it's not 365 00:22:14,080 --> 00:22:17,600 Speaker 1: what you think. The I Am wrapp Reports Stereo podcast 366 00:22:17,680 --> 00:22:21,160 Speaker 1: is coming live to the Big Easy for NBA All 367 00:22:21,200 --> 00:22:24,680 Speaker 1: Star Weekend. Me and g Moody will be performing at 368 00:22:24,680 --> 00:22:29,200 Speaker 1: the Iconic Joy Theater in New Orleans Saturday February eight 369 00:22:29,640 --> 00:22:33,719 Speaker 1: at five thirty with doors opening at four thirty. Tickets 370 00:22:33,720 --> 00:22:37,960 Speaker 1: are available at www Dot i am Rappaport Tour dot 371 00:22:38,040 --> 00:22:43,359 Speaker 1: com or www dot Joy Theater dot com. You know 372 00:22:43,440 --> 00:22:46,080 Speaker 1: what we do when we do live shows, You've heard them. 373 00:22:46,119 --> 00:22:48,719 Speaker 1: If you're in New Orleans for the NBA All Star Weekend, 374 00:22:48,960 --> 00:22:51,000 Speaker 1: or you're just chilling down to New Orleans and your 375 00:22:51,040 --> 00:22:53,880 Speaker 1: fans of the Iron Rapports Stereo Podcast, come see us 376 00:22:53,960 --> 00:22:58,760 Speaker 1: live at the Joy Theater Saturday February at five thirty pm. 377 00:22:58,800 --> 00:23:02,080 Speaker 1: Doors open at four third. Go to www Dot I 378 00:23:02,200 --> 00:23:05,679 Speaker 1: M rappaport toward dot com. 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