1 00:00:01,480 --> 00:00:04,000 Speaker 1: The on air moments that had the whole studio talking. 2 00:00:04,280 --> 00:00:06,760 Speaker 2: This is the year's best. From Elvis Iran in the 3 00:00:06,760 --> 00:00:08,960 Speaker 2: Morning show is. 4 00:00:09,080 --> 00:00:17,280 Speaker 3: I'm gonna standing ovation for Lizzo, Liz. 5 00:00:20,360 --> 00:00:21,280 Speaker 2: I love this outfit. 6 00:00:23,079 --> 00:00:28,880 Speaker 4: You look so good, Honey, this is a miracle. 7 00:00:29,040 --> 00:00:31,760 Speaker 3: You're not gonna blame it on the juice, now, are you? 8 00:00:31,800 --> 00:00:35,480 Speaker 2: Which juice which thrown Julio? 9 00:00:36,040 --> 00:00:38,239 Speaker 3: Okay, so you're really just kind of mowing it up 10 00:00:38,280 --> 00:00:40,440 Speaker 3: in New York City. That's what you're supposed to do here. 11 00:00:40,520 --> 00:00:40,960 Speaker 3: That's good. 12 00:00:41,159 --> 00:00:42,240 Speaker 2: I haven't slept system. 13 00:00:43,240 --> 00:00:46,240 Speaker 3: You know what Mom always says, it's time to sleep 14 00:00:46,240 --> 00:00:46,840 Speaker 3: when you're dead. 15 00:00:47,240 --> 00:00:51,360 Speaker 2: Oh, and I feel so alive, I. 16 00:00:51,320 --> 00:00:53,440 Speaker 3: Heard, Lizzo. As soon as we're done, you're gonna, hope 17 00:00:53,640 --> 00:00:54,880 Speaker 3: head back to the hotel New. 18 00:00:54,840 --> 00:00:56,000 Speaker 2: I'm going to sleep. 19 00:00:56,400 --> 00:00:59,040 Speaker 3: What the good news is, you're going to sleep after 20 00:00:59,080 --> 00:01:00,520 Speaker 3: the interview. The bad news is this is like a 21 00:01:00,560 --> 00:01:01,360 Speaker 3: five hour interview. 22 00:01:02,880 --> 00:01:04,840 Speaker 5: No, we're gonna work out. 23 00:01:04,959 --> 00:01:07,520 Speaker 2: Well, you know what, I wouldn't want to be anywhere 24 00:01:07,520 --> 00:01:08,200 Speaker 2: else in the world. 25 00:01:08,240 --> 00:01:10,759 Speaker 3: Well, thank you for being here. You know, Lizzo, every 26 00:01:10,800 --> 00:01:12,600 Speaker 3: time we're with you, we always have the best time. 27 00:01:12,640 --> 00:01:15,480 Speaker 3: You always bring us the good vibes, and we needed it. 28 00:01:16,440 --> 00:01:18,000 Speaker 3: This isn't about you today. It's about us and what 29 00:01:18,000 --> 00:01:18,720 Speaker 3: we need, Harry. 30 00:01:18,920 --> 00:01:19,920 Speaker 2: It's always about. 31 00:01:21,120 --> 00:01:23,319 Speaker 3: A new album coming out this summer. We've heard a 32 00:01:23,319 --> 00:01:25,760 Speaker 3: couple of cuts already. Yes, and I'm going to play 33 00:01:25,760 --> 00:01:32,880 Speaker 3: one in a few minutes. Which one, Wait a minute, Okay, 34 00:01:32,959 --> 00:01:35,199 Speaker 3: Well i'll play. I'll play whatever you're doing to play. 35 00:01:35,240 --> 00:01:37,200 Speaker 4: Okay, Because I have a new version of Still Bad, 36 00:01:37,280 --> 00:01:39,039 Speaker 4: the demo version, Animal Style dropping. 37 00:01:39,080 --> 00:01:40,800 Speaker 2: I'm about to just drop it today. 38 00:01:41,000 --> 00:01:43,480 Speaker 3: Actually, well, you got to drop it in my computer 39 00:01:43,520 --> 00:01:44,360 Speaker 3: in the next five minutes. 40 00:01:44,600 --> 00:01:45,480 Speaker 2: How do we do that? 41 00:01:46,040 --> 00:01:46,360 Speaker 3: I don't know. 42 00:01:46,680 --> 00:01:47,360 Speaker 2: We'll figure it out. 43 00:01:47,400 --> 00:01:49,600 Speaker 3: We'll figure it out, and you know, keep in mind, 44 00:01:49,680 --> 00:01:51,160 Speaker 3: we'll play this version and when we get the new one, 45 00:01:51,200 --> 00:01:51,760 Speaker 3: we'll play that one. 46 00:01:52,000 --> 00:01:52,440 Speaker 2: Thank you. 47 00:01:52,720 --> 00:01:53,440 Speaker 3: This is no race. 48 00:01:53,560 --> 00:01:58,240 Speaker 2: Have you seen Lizzo's phone case? Look at this moonlight 49 00:01:58,480 --> 00:02:02,960 Speaker 2: it's the Sailor Moon Crescent one. Yeah, I love it. 50 00:02:03,160 --> 00:02:05,200 Speaker 3: That's a very complicated phone case. I like it. 51 00:02:05,240 --> 00:02:07,520 Speaker 4: If I could do this and and cure my hangover 52 00:02:07,720 --> 00:02:08,600 Speaker 4: before it happens. 53 00:02:10,080 --> 00:02:15,440 Speaker 2: Water, just water, honey, not anymore. I need a lecture light. 54 00:02:15,600 --> 00:02:17,880 Speaker 3: Well, here here's the thing. You came to New York 55 00:02:17,960 --> 00:02:20,320 Speaker 3: to party. You can't have fun I did, so you 56 00:02:20,360 --> 00:02:21,960 Speaker 3: need to accomplish that, and you're doing it. 57 00:02:22,000 --> 00:02:22,639 Speaker 2: Oh, thank you. 58 00:02:23,120 --> 00:02:24,679 Speaker 3: Look, you're not the only drinker in this room. 59 00:02:25,280 --> 00:02:26,720 Speaker 2: I know that. I heard that we were supposed to 60 00:02:26,760 --> 00:02:27,440 Speaker 2: do a shot together. 61 00:02:27,800 --> 00:02:31,240 Speaker 3: If the dog they say. Your people just looked at 62 00:02:31,280 --> 00:02:31,560 Speaker 3: me like. 63 00:02:33,240 --> 00:02:36,240 Speaker 2: Your people are looking at you like yeah, my. 64 00:02:36,200 --> 00:02:37,840 Speaker 3: People look at me like no, you don't need it either. 65 00:02:38,720 --> 00:02:41,079 Speaker 1: You know how many times Michael has been in here 66 00:02:41,080 --> 00:02:43,720 Speaker 1: getting us strong, Shaggy's come in and gotten us drunk. 67 00:02:43,720 --> 00:02:45,519 Speaker 2: Who else in the morning? 68 00:02:45,840 --> 00:02:52,040 Speaker 3: Yes, atro Diddy, Oh he did, though there's not a 69 00:02:52,120 --> 00:02:52,799 Speaker 3: joke he did. 70 00:02:53,280 --> 00:02:57,600 Speaker 2: I know you weren't joking. It's like, is it too soon? 71 00:02:57,960 --> 00:03:00,799 Speaker 3: No? No, no, no no. I don't know what else 72 00:03:00,840 --> 00:03:06,359 Speaker 3: he did, but I keep slipping off my chair. What 73 00:03:07,480 --> 00:03:08,760 Speaker 3: you didn't say it? You didn't say it. 74 00:03:08,880 --> 00:03:11,520 Speaker 1: You're gonna get me canceled, by the way, Michael bo 75 00:03:11,639 --> 00:03:13,800 Speaker 1: blaze alcohol is still here that we drank. 76 00:03:13,880 --> 00:03:14,960 Speaker 2: See on the top shelf. 77 00:03:15,560 --> 00:03:16,680 Speaker 3: It is liquor. 78 00:03:17,160 --> 00:03:19,639 Speaker 5: Okay, I have a question. Yes, you've been partying for 79 00:03:19,680 --> 00:03:21,600 Speaker 5: a couple of days and you look good. Is this 80 00:03:21,639 --> 00:03:23,280 Speaker 5: hair and makeup from last night's party? And you just 81 00:03:23,360 --> 00:03:23,919 Speaker 5: rolled right in. 82 00:03:23,880 --> 00:03:28,440 Speaker 2: Here, literally, ma'am, no, literally got a little touch up. 83 00:03:28,880 --> 00:03:31,840 Speaker 4: No shot, by the way, shout out my makeup artist, 84 00:03:31,919 --> 00:03:35,240 Speaker 4: Alex Mayo. He just dropped this. Well, he's dropping this 85 00:03:35,280 --> 00:03:38,200 Speaker 4: thing called Eternal Water. And it's this thing that he 86 00:03:38,280 --> 00:03:40,240 Speaker 4: puts on my face and so my makeup doesn't move. 87 00:03:40,320 --> 00:03:42,360 Speaker 4: This is this is my makeup from yesterday. 88 00:03:42,560 --> 00:03:44,400 Speaker 2: We need to get literally, I did a. 89 00:03:44,320 --> 00:03:47,920 Speaker 4: Magazine shoot like at noon yesterday and he put it 90 00:03:47,920 --> 00:03:50,119 Speaker 4: on my face and I have not taken it off 91 00:03:50,120 --> 00:03:55,000 Speaker 4: since then. 92 00:03:53,040 --> 00:03:58,160 Speaker 2: No Water, literally, Eternal Water dream loud. 93 00:03:59,200 --> 00:04:01,560 Speaker 3: So you're still young, and you know when you're my age, 94 00:04:01,560 --> 00:04:04,160 Speaker 3: you look for things like that. You need all the people. 95 00:04:04,360 --> 00:04:06,040 Speaker 4: You can put a lily turn along you, baby, But 96 00:04:06,360 --> 00:04:08,280 Speaker 4: I just called it nineteen forty two. 97 00:04:08,520 --> 00:04:10,840 Speaker 3: That's my water for you, so warm. 98 00:04:10,920 --> 00:04:14,200 Speaker 2: I'm hold honey, you can call you up. 99 00:04:15,480 --> 00:04:17,400 Speaker 3: Is it what they say when you get to shiver 100 00:04:17,440 --> 00:04:19,960 Speaker 3: all of a sudden, someone stepping on your grave? WHOA, 101 00:04:20,080 --> 00:04:21,680 Speaker 3: I've had that three times today. 102 00:04:22,120 --> 00:04:23,640 Speaker 2: How this is not an interview? I know? 103 00:04:27,440 --> 00:04:30,800 Speaker 4: Okay, people who are in their cars listening to the radio, 104 00:04:30,880 --> 00:04:32,520 Speaker 4: I'm so sorry, and I love you. 105 00:04:32,640 --> 00:04:35,159 Speaker 3: There are things to talk about, the new albums coming 106 00:04:35,160 --> 00:04:38,240 Speaker 3: out this summer. Okay, what else you want to talk about? 107 00:04:38,400 --> 00:04:47,040 Speaker 2: I know right now, you know what pre really press? 108 00:04:47,279 --> 00:04:48,359 Speaker 2: Ask you about the med gala? 109 00:04:48,480 --> 00:04:50,599 Speaker 3: Okay, oh yeah, we want to talk about it, can't 110 00:04:50,600 --> 00:04:50,919 Speaker 3: we do it? 111 00:04:50,960 --> 00:04:52,480 Speaker 2: We can talk about anything you want, baby. 112 00:04:52,600 --> 00:04:55,159 Speaker 1: So the rumor is is that the red carpet is 113 00:04:55,160 --> 00:04:57,560 Speaker 1: the most important, and that a lot of people change 114 00:04:57,640 --> 00:04:59,680 Speaker 1: once they get inside, and that once you get inside 115 00:04:59,760 --> 00:05:00,320 Speaker 1: is kind of boring. 116 00:05:00,960 --> 00:05:03,720 Speaker 2: Whoa who said that? We've heard that you do you 117 00:05:03,839 --> 00:05:04,799 Speaker 2: can change. 118 00:05:04,960 --> 00:05:08,200 Speaker 4: I have never well, except for the time I performed 119 00:05:08,279 --> 00:05:10,880 Speaker 4: I performed the car Lagger fell year, so I have 120 00:05:10,960 --> 00:05:13,440 Speaker 4: to change some performance out every other time. I am 121 00:05:13,520 --> 00:05:16,080 Speaker 4: stuck in a corset and I can't sit, so every 122 00:05:16,160 --> 00:05:18,320 Speaker 4: year it's about finding out how to sit down. I 123 00:05:18,320 --> 00:05:20,520 Speaker 4: had to do like side saddle this time because my 124 00:05:20,560 --> 00:05:23,160 Speaker 4: corset was so tight you I literally like had to 125 00:05:23,200 --> 00:05:25,360 Speaker 4: straddle a chair on the side, and I had like 126 00:05:25,480 --> 00:05:28,159 Speaker 4: a team of people move like just people inside, like 127 00:05:28,240 --> 00:05:30,520 Speaker 4: moving my skirts, and I was just like kind of 128 00:05:30,600 --> 00:05:32,000 Speaker 4: leaning on the side of my chair. 129 00:05:32,279 --> 00:05:35,080 Speaker 2: I don't think it's boring. I actually have so much fun. 130 00:05:35,520 --> 00:05:37,240 Speaker 2: You know. Social anxiety is afraid of me. 131 00:05:37,440 --> 00:05:40,560 Speaker 4: So when I'm in there, I'm just like looking for 132 00:05:40,640 --> 00:05:42,719 Speaker 4: people that I don't get the opportunity to speak to 133 00:05:42,760 --> 00:05:43,839 Speaker 4: and I speak to them. 134 00:05:43,760 --> 00:05:46,760 Speaker 3: Like Nicki Minaj the other day, Nicki Minaj, you saw 135 00:05:46,800 --> 00:05:48,919 Speaker 3: her and you you did get a little nervous, like 136 00:05:48,920 --> 00:05:51,039 Speaker 3: should I go say hi to her? Yeah? 137 00:05:51,080 --> 00:05:53,760 Speaker 4: I always get starstruck when I see Nicki Minaj every 138 00:05:53,760 --> 00:05:55,800 Speaker 4: single time. So the you know, I was just like, 139 00:05:56,000 --> 00:05:58,320 Speaker 4: there she is, you know. And then I was like, 140 00:05:58,520 --> 00:05:59,880 Speaker 4: I'm gonna go speak to her. And I got the 141 00:06:00,040 --> 00:06:01,719 Speaker 4: I'm gonna go speak to her, but she was leaving 142 00:06:02,200 --> 00:06:03,400 Speaker 4: and I was like, you look beautiful. 143 00:06:03,440 --> 00:06:05,920 Speaker 2: She said, you look beautiful. Baby. 144 00:06:06,320 --> 00:06:07,840 Speaker 4: She got in her car and she left us to 145 00:06:07,960 --> 00:06:12,080 Speaker 4: get home safe. Jeff Goldbloom, Oh my god. Me and 146 00:06:12,160 --> 00:06:14,920 Speaker 4: Jeff we just hailed hands and we just stared into 147 00:06:14,960 --> 00:06:18,039 Speaker 4: each other's eyes. He's such a passionate human. It's like 148 00:06:18,120 --> 00:06:21,719 Speaker 4: he's like eating everything that you're saying. He's like, yes, flute, 149 00:06:22,160 --> 00:06:23,839 Speaker 4: Jeff More. 150 00:06:25,080 --> 00:06:27,720 Speaker 2: That was really fun. That's actually a very good Jeff 151 00:06:28,760 --> 00:06:29,360 Speaker 2: off the cuff. 152 00:06:29,440 --> 00:06:33,520 Speaker 3: Guys, you know, he is a fascinating guy. Fascinating do 153 00:06:33,640 --> 00:06:37,159 Speaker 3: you find yourself attracted No, not sexually, but in a 154 00:06:37,640 --> 00:06:40,320 Speaker 3: boyfriend in a conversation. Tried to to be like quirky 155 00:06:40,360 --> 00:06:43,480 Speaker 3: people like that, people that there are always that picture 156 00:06:43,520 --> 00:06:45,320 Speaker 3: on the wall that's crooked and you straightened up and 157 00:06:45,360 --> 00:06:47,320 Speaker 3: it's crooked again. Jeff gold Bloom is one of those 158 00:06:47,440 --> 00:06:49,200 Speaker 3: Oh my, who else fascinates you? 159 00:06:49,920 --> 00:06:51,760 Speaker 2: Oh? Who is that? 160 00:06:51,839 --> 00:06:54,200 Speaker 3: The megal or just January in life? I mean just 161 00:06:54,360 --> 00:06:55,400 Speaker 3: I know that's kind of like. 162 00:06:55,640 --> 00:06:57,160 Speaker 2: It's so broad, just a broad question. 163 00:06:57,200 --> 00:06:59,279 Speaker 4: But I can also take it back to the megala 164 00:06:59,520 --> 00:07:04,160 Speaker 4: Andre three thousand, super fascinating person, you know, because he's 165 00:07:04,200 --> 00:07:08,880 Speaker 4: like arguably the most talented rapper of all time, and 166 00:07:08,960 --> 00:07:11,520 Speaker 4: he just like decides to not give us albums. 167 00:07:12,200 --> 00:07:13,800 Speaker 2: He's like, I'm just not going to do it for 168 00:07:13,840 --> 00:07:15,240 Speaker 2: you anymore. As a matter of fact, I'm going to 169 00:07:15,280 --> 00:07:17,720 Speaker 2: do a flute album. So I downloaded the whole thing. 170 00:07:18,040 --> 00:07:19,680 Speaker 3: Did a keyboard album like a piano. 171 00:07:20,000 --> 00:07:23,240 Speaker 2: The piano. Yeah, that's why he wore a piano. Wait, 172 00:07:23,320 --> 00:07:24,679 Speaker 2: that was to promote his eyes. 173 00:07:24,680 --> 00:07:25,920 Speaker 1: He dropped something that same day. 174 00:07:26,040 --> 00:07:29,240 Speaker 2: A genius. Are these fan questions? 175 00:07:29,680 --> 00:07:32,400 Speaker 3: You can you can see what he says. 176 00:07:35,120 --> 00:07:36,880 Speaker 2: You know, literally we can't say that on the. 177 00:07:36,920 --> 00:07:40,680 Speaker 4: Radio, but actually, guys, inaccurate. 178 00:07:40,800 --> 00:07:43,600 Speaker 3: If we got to get to noon, oh my. 179 00:07:43,520 --> 00:07:47,760 Speaker 5: God, you know what, I have more questions about the 180 00:07:47,800 --> 00:07:51,040 Speaker 5: mat gather one do people talk business there. So you 181 00:07:51,120 --> 00:07:53,160 Speaker 5: run into Andre three thousand and you love him. Would 182 00:07:53,160 --> 00:07:55,160 Speaker 5: you ever be like, hey, you know we should collaborate sometimes? 183 00:07:55,440 --> 00:07:55,520 Speaker 4: Oh? 184 00:07:55,560 --> 00:07:56,360 Speaker 2: I absolutely did. 185 00:07:56,480 --> 00:07:59,440 Speaker 4: I read that's my only chance to talk to and 186 00:08:00,040 --> 00:08:01,880 Speaker 4: those people, if I see them all the time, I'm like, 187 00:08:01,920 --> 00:08:04,239 Speaker 4: I'm not gonna bore you with work. 188 00:08:04,560 --> 00:08:06,160 Speaker 2: But with him, I was like, when do you see 189 00:08:06,200 --> 00:08:08,200 Speaker 2: He's like a unicorn, Like when do you see him? 190 00:08:08,360 --> 00:08:09,920 Speaker 4: So I rolled up on him and I said, if 191 00:08:09,960 --> 00:08:12,800 Speaker 4: you ever want to jam out on flute, I am available. 192 00:08:13,160 --> 00:08:15,640 Speaker 4: I know people you work with, So if I call 193 00:08:15,760 --> 00:08:17,520 Speaker 4: them and you're jamming on flute, can I come? 194 00:08:17,600 --> 00:08:19,680 Speaker 2: And he was like yeah, And I was like that's 195 00:08:19,680 --> 00:08:20,920 Speaker 2: all I need to know, and I ran away. I 196 00:08:20,960 --> 00:08:22,200 Speaker 2: will be there. And then too. 197 00:08:22,240 --> 00:08:24,640 Speaker 5: Do people eat at the metcala? I just can't imagine 198 00:08:24,680 --> 00:08:25,000 Speaker 5: it happened. 199 00:08:25,920 --> 00:08:29,040 Speaker 4: If you have a corset on your occasionally I ate 200 00:08:29,080 --> 00:08:30,600 Speaker 4: my food, he ate his food in it. 201 00:08:31,200 --> 00:08:32,640 Speaker 2: I didn't eat because I don't know. 202 00:08:32,720 --> 00:08:34,559 Speaker 4: I don't eat at the met gala because I'm too 203 00:08:34,559 --> 00:08:38,280 Speaker 4: busy yapping. So I'm just like drinking and yeah, the corset, 204 00:08:38,440 --> 00:08:40,400 Speaker 4: and so I just look over your kids and I'm like, 205 00:08:40,400 --> 00:08:42,760 Speaker 4: you're gonna eat that I was like, oh my god, baby, 206 00:08:42,760 --> 00:08:43,400 Speaker 4: you're not here. 207 00:08:43,280 --> 00:08:43,839 Speaker 2: Eat my food. 208 00:08:43,880 --> 00:08:46,760 Speaker 4: And so he took my plate and he tore my 209 00:08:46,800 --> 00:08:52,800 Speaker 4: food up. I said, okay, here baby, not matoris here. Baby. 210 00:08:53,679 --> 00:08:54,120 Speaker 2: I'm gonna go. 211 00:08:54,080 --> 00:08:56,640 Speaker 3: Back to something you said earlier about going there. Social 212 00:08:56,960 --> 00:09:00,120 Speaker 3: anxiety is afraid of me. See, I'm the opposite. We 213 00:09:00,160 --> 00:09:01,959 Speaker 3: went to kind of a fancy schmancy party down in 214 00:09:02,000 --> 00:09:03,319 Speaker 3: Miami Friday night. 215 00:09:04,000 --> 00:09:05,560 Speaker 2: Wait, you were just in the n I A. And 216 00:09:05,600 --> 00:09:07,199 Speaker 2: now you're here the shoe party. 217 00:09:07,240 --> 00:09:09,920 Speaker 3: Boy. We went to uh, Carbone Beach. 218 00:09:10,600 --> 00:09:12,160 Speaker 2: You took the pj's of Carbone. 219 00:09:12,240 --> 00:09:16,960 Speaker 4: Yeah, he did Big Daddy Elvis. 220 00:09:16,800 --> 00:09:17,200 Speaker 2: That's right. 221 00:09:17,480 --> 00:09:20,680 Speaker 3: But see those events were the you know, the lambou 222 00:09:20,760 --> 00:09:21,400 Speaker 3: driving people. 223 00:09:21,440 --> 00:09:21,800 Speaker 2: I don't. 224 00:09:22,200 --> 00:09:24,040 Speaker 3: I'm that's so not that person, right. 225 00:09:24,520 --> 00:09:26,760 Speaker 4: And I get very sure because I saw your lambo 226 00:09:26,840 --> 00:09:29,520 Speaker 4: out front on the side. 227 00:09:30,120 --> 00:09:34,719 Speaker 3: I drive a Prius. I don't really but car. So 228 00:09:34,920 --> 00:09:39,160 Speaker 3: you don't get nervous around the people that are, you know, 229 00:09:39,360 --> 00:09:44,000 Speaker 3: like the like the type faced leather pin wearing you 230 00:09:44,000 --> 00:09:47,080 Speaker 3: know what I'm saying, type face leather you know, people 231 00:09:47,080 --> 00:09:48,960 Speaker 3: that people. I can't relate with him. Yeah, and so 232 00:09:49,000 --> 00:09:51,000 Speaker 3: I get nervous at the met gala. I don't I 233 00:09:51,000 --> 00:09:52,520 Speaker 3: don't know if I would do well, I would I 234 00:09:52,520 --> 00:09:54,480 Speaker 3: would vomit all over myself and crack my pants. I 235 00:09:54,559 --> 00:09:57,200 Speaker 3: just but you're you love that talk about that. You 236 00:09:57,240 --> 00:09:58,880 Speaker 3: live for it, you live them for that energy. 237 00:09:59,040 --> 00:10:01,760 Speaker 2: Well, I cracked the code. I realize what's that. 238 00:10:01,880 --> 00:10:07,320 Speaker 4: Everybody's awkward and everybody's anxious. So if everyone's anxious, I 239 00:10:07,320 --> 00:10:09,240 Speaker 4: can do whatever, I can say whatever I want. And 240 00:10:09,280 --> 00:10:12,120 Speaker 4: they're actually I'm actually a relief to people like that. 241 00:10:12,280 --> 00:10:15,120 Speaker 4: They're like, oh thank god, because sometimes when people just 242 00:10:15,200 --> 00:10:16,600 Speaker 4: kind of look at you when you're talking, they'll be 243 00:10:16,679 --> 00:10:18,920 Speaker 4: like this, and I'm like, oh my god, I'm scaring 244 00:10:18,960 --> 00:10:20,920 Speaker 4: them off. I need to stop talking to them. But 245 00:10:20,960 --> 00:10:23,000 Speaker 4: I realize, no, they just don't know what to say. 246 00:10:23,160 --> 00:10:25,719 Speaker 4: So I just keep running my mouth and it. 247 00:10:25,679 --> 00:10:27,480 Speaker 2: Makes them comfort, and it makes them comfortable. 248 00:10:27,520 --> 00:10:30,000 Speaker 3: So that's why you're great at any in any social setting, 249 00:10:30,000 --> 00:10:32,240 Speaker 3: because you are the spark plug that makes it room. 250 00:10:32,480 --> 00:10:35,640 Speaker 3: Like you threw my notes away and I'm gonna I 251 00:10:35,640 --> 00:10:37,400 Speaker 3: want to talk. I want to talk about the album. 252 00:10:37,760 --> 00:10:40,360 Speaker 5: What she's talking about is exactly what this album sort 253 00:10:40,400 --> 00:10:42,320 Speaker 5: of is about. Because we look at celebrities and we 254 00:10:42,400 --> 00:10:44,680 Speaker 5: think they're so smooth, they're so cool. They're amazing, no 255 00:10:44,720 --> 00:10:48,319 Speaker 5: awkwardness because they're famous, which is not reality. That's just 256 00:10:48,360 --> 00:10:50,280 Speaker 5: what we're saying, which is just like social media. It 257 00:10:50,360 --> 00:10:53,160 Speaker 5: is not reality. It's what people see. And that's what 258 00:10:53,320 --> 00:10:56,160 Speaker 5: you are talking about with this album, Like your real 259 00:10:56,200 --> 00:10:58,600 Speaker 5: friends are the important thing. Love is in the real 260 00:10:58,640 --> 00:11:03,120 Speaker 5: life online that's not that's not gratifying, no at all. 261 00:11:03,280 --> 00:11:05,439 Speaker 2: Like the real love is in the room. 262 00:11:05,600 --> 00:11:08,400 Speaker 4: This is like real love, Like you know, this is 263 00:11:08,440 --> 00:11:11,080 Speaker 4: better than a zoom for me or a FaceTime to 264 00:11:11,080 --> 00:11:11,760 Speaker 4: be able to see you. 265 00:11:11,800 --> 00:11:13,880 Speaker 2: I remember once I think we had to do an 266 00:11:13,880 --> 00:11:15,960 Speaker 2: interview over zooma and we did a couple of my 267 00:11:16,080 --> 00:11:18,160 Speaker 2: heart ached. I was like, I miss you guys, like 268 00:11:18,200 --> 00:11:19,319 Speaker 2: I want to be in the studio. 269 00:11:19,400 --> 00:11:21,720 Speaker 3: Nothing hits like we couldn't breathe each other back then. 270 00:11:23,600 --> 00:11:23,960 Speaker 2: Each other. 271 00:11:25,600 --> 00:11:28,400 Speaker 3: So the album is about what's real in your circle. 272 00:11:28,440 --> 00:11:30,720 Speaker 3: That and you know it's real. You know, social media 273 00:11:30,840 --> 00:11:33,320 Speaker 3: just isn't real, but sometimes we allow it to be 274 00:11:33,480 --> 00:11:35,319 Speaker 3: a little too real and it really fs us up. 275 00:11:35,440 --> 00:11:37,920 Speaker 4: You know, I actually don't know that it's not real. 276 00:11:38,000 --> 00:11:40,319 Speaker 4: I actually made it. I actually made it very real 277 00:11:40,480 --> 00:11:43,320 Speaker 4: to me in a lot of ways. Like you know, 278 00:11:43,480 --> 00:11:47,840 Speaker 4: if people loved my outfit, you know, the night before 279 00:11:47,880 --> 00:11:50,640 Speaker 4: I'm like, oh my god, people love me. People really 280 00:11:50,679 --> 00:11:52,480 Speaker 4: love me. I don't think that the love is fake. 281 00:11:52,920 --> 00:11:56,000 Speaker 4: And I think when it's hate everyone hated my outfit, 282 00:11:56,559 --> 00:11:58,880 Speaker 4: I can't differentiate and be like I can't pick and 283 00:11:58,920 --> 00:12:00,680 Speaker 4: choose and be like, well, if they my outfit, then 284 00:12:00,720 --> 00:12:01,000 Speaker 4: it's real. 285 00:12:01,040 --> 00:12:02,560 Speaker 2: And have they hate my outfit, then it's fake. 286 00:12:02,920 --> 00:12:05,120 Speaker 4: So it's kind of a strange thing and it kind 287 00:12:05,120 --> 00:12:07,200 Speaker 4: of messes with your head a lot. And I think 288 00:12:07,240 --> 00:12:11,920 Speaker 4: it's like, actually just learning how to curate, you know 289 00:12:11,960 --> 00:12:14,840 Speaker 4: what I mean, your experience in the access the Internet 290 00:12:14,880 --> 00:12:16,760 Speaker 4: has to you and that you have to it. 291 00:12:17,120 --> 00:12:18,679 Speaker 3: Well, so in love in real life. 292 00:12:19,160 --> 00:12:21,000 Speaker 2: Now me trying to sound smart while drug. 293 00:12:25,360 --> 00:12:29,960 Speaker 3: But so, why this message this album right now? What? 294 00:12:31,240 --> 00:12:34,319 Speaker 3: Why'd you merge into this lane for this album you? 295 00:12:34,559 --> 00:12:37,280 Speaker 3: Because obviously you merged into this lane in your life. 296 00:12:37,760 --> 00:12:38,040 Speaker 2: Yeah. 297 00:12:38,160 --> 00:12:41,200 Speaker 4: I think that every album I've ever written has always 298 00:12:41,200 --> 00:12:44,520 Speaker 4: been very parallel to what I'm actually going through, you know, 299 00:12:44,920 --> 00:12:48,080 Speaker 4: So because I love you, hoof baby I was going through. 300 00:12:48,320 --> 00:12:51,280 Speaker 4: I was, you know, trying to discover how to love 301 00:12:51,520 --> 00:12:54,320 Speaker 4: and be loved. And then with Special I Want, I 302 00:12:54,400 --> 00:12:56,600 Speaker 4: learned how to love and be loved and I wanted 303 00:12:56,640 --> 00:12:59,920 Speaker 4: to help people see the love in themselves. And then 304 00:13:00,080 --> 00:13:04,640 Speaker 4: with this album Love in Real Life, I had my 305 00:13:04,760 --> 00:13:10,800 Speaker 4: whole like perception of self destroyed like an instant because 306 00:13:10,880 --> 00:13:15,600 Speaker 4: I kind of gleaned all of my like identity from 307 00:13:15,640 --> 00:13:19,800 Speaker 4: the Internet, you know, and my validation from the internet, 308 00:13:19,960 --> 00:13:22,079 Speaker 4: from my social media, from people liking me. 309 00:13:22,559 --> 00:13:24,880 Speaker 2: And when one day everyone. 310 00:13:24,520 --> 00:13:26,400 Speaker 4: On the Internet is like I don't like you, I 311 00:13:26,440 --> 00:13:28,800 Speaker 4: hate you and you should die, You're like, oh my god, 312 00:13:29,080 --> 00:13:31,920 Speaker 4: it must be true, and I'm so I had to 313 00:13:32,040 --> 00:13:34,679 Speaker 4: like separate myself from that. And then I wrote an 314 00:13:34,679 --> 00:13:37,480 Speaker 4: album during that time, which was like peaks and valleys 315 00:13:37,520 --> 00:13:40,720 Speaker 4: and learning. And then now I'm coming back to it. 316 00:13:40,800 --> 00:13:43,120 Speaker 4: I'm coming back to being able to get on the 317 00:13:43,160 --> 00:13:45,920 Speaker 4: Internet and also still get a little bit of validation 318 00:13:45,960 --> 00:13:47,800 Speaker 4: from it, honey, because my megal ad dress was cute 319 00:13:47,800 --> 00:13:50,040 Speaker 4: and everybody loved it, and I was like, yeah, I'm gonna. 320 00:13:49,760 --> 00:13:51,000 Speaker 2: Accept this, you know what I mean. 321 00:13:51,320 --> 00:13:53,920 Speaker 4: But also if I see a hate comment, I'm not 322 00:13:54,000 --> 00:13:56,280 Speaker 4: going to like read into it and let it define 323 00:13:56,280 --> 00:13:56,720 Speaker 4: my day. 324 00:13:57,040 --> 00:13:57,679 Speaker 2: You know you. 325 00:13:57,640 --> 00:14:01,360 Speaker 3: Shouldn't, but keep in mind, these these comments from people 326 00:14:01,480 --> 00:14:05,360 Speaker 3: are coming from who they are. If I look at 327 00:14:05,360 --> 00:14:11,280 Speaker 3: you in your met Galla outfit and go that is hot. Well, 328 00:14:11,280 --> 00:14:14,560 Speaker 3: that's from a complimentary, wonderful place in a person who 329 00:14:14,640 --> 00:14:17,280 Speaker 3: obviously wants to give a compliment. But if I say 330 00:14:17,280 --> 00:14:20,120 Speaker 3: something really rude and just slicing and dicing you, that's 331 00:14:20,160 --> 00:14:21,880 Speaker 3: coming from a place where it says a lot about 332 00:14:21,880 --> 00:14:24,520 Speaker 3: me and nothing about you. It's hard force to figure 333 00:14:24,520 --> 00:14:24,880 Speaker 3: that out. 334 00:14:25,200 --> 00:14:27,280 Speaker 4: Yeah, sometimes it's like why did you want to Why 335 00:14:27,320 --> 00:14:30,920 Speaker 4: you had to say that? Like what possessed you to be? 336 00:14:31,040 --> 00:14:33,600 Speaker 4: Like you know what I'm gonna say, I don't like this, 337 00:14:33,760 --> 00:14:35,800 Speaker 4: Like just look at it and keep scrowing, you. 338 00:14:35,760 --> 00:14:37,240 Speaker 3: Know, why take time to do that? 339 00:14:37,360 --> 00:14:39,800 Speaker 4: Yeah, And it doesn't just happen to famous people. It 340 00:14:39,840 --> 00:14:43,520 Speaker 4: doesn't just happen to celebrities or influencers anymore. It happens 341 00:14:43,520 --> 00:14:46,560 Speaker 4: to everybody. And so I felt like this album Love 342 00:14:46,600 --> 00:14:48,960 Speaker 4: and Real Life or the theme isn't just like something 343 00:14:49,040 --> 00:14:52,760 Speaker 4: very unrelatable, like kids in high school are dealing with this. 344 00:14:52,840 --> 00:14:55,440 Speaker 4: Kids in high school are getting backlash and hate comments 345 00:14:55,440 --> 00:14:57,640 Speaker 4: and death threats. 346 00:14:57,080 --> 00:14:58,960 Speaker 2: Just for posting their prom outfit. 347 00:14:59,360 --> 00:15:01,240 Speaker 4: So it's like we can all relate to this, and 348 00:15:01,280 --> 00:15:03,800 Speaker 4: I think we all, especially the younger generation, need to 349 00:15:03,880 --> 00:15:07,160 Speaker 4: learn how to get ahead of this before it controls us. 350 00:15:08,160 --> 00:15:10,040 Speaker 5: Well, you know they say happy bitches ain't hayten and 351 00:15:10,080 --> 00:15:12,440 Speaker 5: hayten bitches ain't happy. That's just how that goes. 352 00:15:12,760 --> 00:15:16,640 Speaker 4: But for you say that on the radio, ye think 353 00:15:16,680 --> 00:15:18,840 Speaker 4: we just did Oh my gosh. 354 00:15:19,000 --> 00:15:20,680 Speaker 5: But were there were times like, I mean. 355 00:15:21,280 --> 00:15:24,320 Speaker 2: Something else had the sensor myself, you think, and you. 356 00:15:24,280 --> 00:15:27,480 Speaker 5: Have such a big presence on Instagram or wherever where 357 00:15:27,480 --> 00:15:28,760 Speaker 5: there were times that you just say, I'm just going 358 00:15:28,800 --> 00:15:31,080 Speaker 5: to deactivate. I can't do this. And how important is 359 00:15:31,080 --> 00:15:32,920 Speaker 5: that as far as your brand goes and marketing? 360 00:15:33,520 --> 00:15:37,480 Speaker 2: Oh honey, that was tough. I've done it a lot. 361 00:15:37,560 --> 00:15:41,400 Speaker 4: Oh me and me and the social media app that 362 00:15:41,480 --> 00:15:48,720 Speaker 4: shall not be named it rhymes with litter. I mean, 363 00:15:48,800 --> 00:15:51,840 Speaker 4: I've broken up with her so many times and we 364 00:15:51,880 --> 00:15:55,840 Speaker 4: officially are, you know, broken up because that is one 365 00:15:55,880 --> 00:15:59,240 Speaker 4: of the most toxic apps. And at a certain point 366 00:15:59,280 --> 00:16:01,800 Speaker 4: you just have to say it, I don't I don't 367 00:16:01,840 --> 00:16:04,360 Speaker 4: even need this a part of my brand or part 368 00:16:04,360 --> 00:16:07,800 Speaker 4: of my marketing. If I if what I do is impactful, 369 00:16:07,960 --> 00:16:10,960 Speaker 4: it'll reach her, It'll reach the areas that it needs 370 00:16:11,000 --> 00:16:11,400 Speaker 4: to reach. 371 00:16:11,560 --> 00:16:14,000 Speaker 2: Yeah, I always say that I don't need social media. 372 00:16:14,040 --> 00:16:15,880 Speaker 2: Social media needs me. I've always said. 373 00:16:15,680 --> 00:16:20,240 Speaker 5: That, and we talk about all the time, how when 374 00:16:20,240 --> 00:16:23,000 Speaker 5: people are hating at you, they're hating from the arena 375 00:16:23,040 --> 00:16:25,560 Speaker 5: seats and you're in the arena, so really they can 376 00:16:25,600 --> 00:16:27,120 Speaker 5: say whatever they want you, but they're still watching you. 377 00:16:27,280 --> 00:16:29,920 Speaker 3: That is such a great analogy, And that's that's an old, 378 00:16:29,960 --> 00:16:33,560 Speaker 3: old analogy, an old Yeah, you can hate me all 379 00:16:33,560 --> 00:16:36,920 Speaker 3: you want, but you're way up in the nosebleed section. 380 00:16:37,080 --> 00:16:40,280 Speaker 3: I'm on the field in the arena, playing the game. 381 00:16:40,760 --> 00:16:41,440 Speaker 3: So it's so easy. 382 00:16:41,480 --> 00:16:42,960 Speaker 2: You've paid to get in, so right. 383 00:16:43,080 --> 00:16:46,000 Speaker 4: But also it's like it's just someone who could relate 384 00:16:46,040 --> 00:16:48,600 Speaker 4: who's also in the arena with somebody who's hating. 385 00:16:49,080 --> 00:16:51,280 Speaker 2: It's like, what you hating for? Are we all here 386 00:16:51,280 --> 00:16:57,480 Speaker 2: trying to have a good time? Smile? Do you not? Like? Tryn? 387 00:16:59,040 --> 00:17:01,280 Speaker 1: I always I always wonder about like when someone makes 388 00:17:01,280 --> 00:17:03,960 Speaker 1: a comment, like if someone said that to your brother 389 00:17:04,080 --> 00:17:06,160 Speaker 1: or your mother or your sister. 390 00:17:06,280 --> 00:17:07,359 Speaker 5: Would you be okay with that? 391 00:17:07,440 --> 00:17:09,119 Speaker 1: Why would you say that to somebody else? 392 00:17:09,400 --> 00:17:13,480 Speaker 4: Right's or give grace to people too. It's like if 393 00:17:13,560 --> 00:17:16,520 Speaker 4: your loved one or your friend or your favor bestie 394 00:17:16,880 --> 00:17:20,000 Speaker 4: or mother or somebody did what you saw this person 395 00:17:20,040 --> 00:17:22,359 Speaker 4: do on the internet. Would you condemn them or would 396 00:17:22,359 --> 00:17:24,120 Speaker 4: you give them grace and the benefit of the doubt. 397 00:17:25,240 --> 00:17:27,000 Speaker 3: Keep it in mind next time you go online and 398 00:17:27,080 --> 00:17:28,480 Speaker 3: want to be a hag. 399 00:17:30,960 --> 00:17:32,720 Speaker 2: Shot to don't she at the mess? She did what 400 00:17:32,840 --> 00:17:34,720 Speaker 2: she asserted herself and did what she had to do. 401 00:17:36,040 --> 00:17:43,240 Speaker 3: Where's my unbrea? Exactly? You got a couple of things, 402 00:17:43,320 --> 00:17:49,480 Speaker 3: memories of Lizzo. When you your career was really going into 403 00:17:51,600 --> 00:17:53,680 Speaker 3: way back in the day, way back in the day, 404 00:17:53,720 --> 00:17:56,480 Speaker 3: it was, it was really it was hitting in. We 405 00:17:56,520 --> 00:17:59,840 Speaker 3: did this kickoff to summer at Jenkinson's at at this 406 00:18:00,200 --> 00:18:02,600 Speaker 3: Jersey shore, remember, and you had already signed up to 407 00:18:02,640 --> 00:18:05,760 Speaker 3: do it. Yeah, and then all be see. But from 408 00:18:05,800 --> 00:18:08,040 Speaker 3: the moment you sunned on the dotted line to the 409 00:18:08,040 --> 00:18:11,280 Speaker 3: moment you did it, your career was an outer space. 410 00:18:11,400 --> 00:18:13,520 Speaker 3: When you sunned on the dotted line, it was almost 411 00:18:13,560 --> 00:18:15,840 Speaker 3: an out of space. Did you regret having to go 412 00:18:15,920 --> 00:18:19,960 Speaker 3: to a Jersey shore appearance with us? I mean you 413 00:18:20,280 --> 00:18:22,560 Speaker 3: could have filled it in at that point, Radio City, 414 00:18:22,880 --> 00:18:25,200 Speaker 3: you could have filled it. You were at a on 415 00:18:25,240 --> 00:18:29,920 Speaker 3: the shore at the beach, and we loved you for it. 416 00:18:30,080 --> 00:18:32,040 Speaker 3: But were you sitting there going hmmm. 417 00:18:32,440 --> 00:18:34,840 Speaker 4: I had so much fun during that time in my life. 418 00:18:34,960 --> 00:18:38,720 Speaker 4: It was such a blur. I lack self awareness of 419 00:18:38,840 --> 00:18:42,919 Speaker 4: what was actually going on, going, going, going, going. I 420 00:18:42,960 --> 00:18:45,800 Speaker 4: didn't even realize that my career, you know what's so loud. 421 00:18:45,840 --> 00:18:48,240 Speaker 4: I just realized I didn't actually because with that was 422 00:18:48,240 --> 00:18:53,280 Speaker 4: like twenty nineteen, right. I don't believe I truly blew 423 00:18:53,400 --> 00:18:56,600 Speaker 4: up or became famous until twenty twenty, and then we 424 00:18:56,600 --> 00:18:59,560 Speaker 4: were on lockdown. So it was kind of a weird 425 00:18:59,600 --> 00:19:01,800 Speaker 4: experience for me being like locked in the house and 426 00:19:01,840 --> 00:19:04,040 Speaker 4: being like, wait a minute, experiencing like fame for the 427 00:19:04,080 --> 00:19:06,680 Speaker 4: first time. Twenty nineteen, I was just I was trying 428 00:19:06,720 --> 00:19:09,119 Speaker 4: to survive, honey. I was trying to put food on 429 00:19:09,200 --> 00:19:10,159 Speaker 4: my family's table. 430 00:19:12,320 --> 00:19:14,560 Speaker 3: Now you're trying to put food on the guy's plate 431 00:19:14,600 --> 00:19:16,639 Speaker 3: that's next to you at the met Hey. 432 00:19:16,480 --> 00:19:19,600 Speaker 4: I'm trying to Kjranada's tape. No, I'm trying to feed Kana. 433 00:19:19,600 --> 00:19:22,960 Speaker 4: I'm trying to feed everybody. This this music is food 434 00:19:22,960 --> 00:19:24,880 Speaker 4: for the soul, and I'm trying to trying to feed 435 00:19:24,920 --> 00:19:25,639 Speaker 4: everybody right now. 436 00:19:25,680 --> 00:19:26,440 Speaker 2: We all need it. 437 00:19:26,480 --> 00:19:27,960 Speaker 3: And you know you came out on that stage and 438 00:19:28,000 --> 00:19:29,960 Speaker 3: you gave it. You're all right there at the Jersey 439 00:19:29,960 --> 00:19:33,439 Speaker 3: Shore with the Atlantic Ocean lapping at the thing, and 440 00:19:33,520 --> 00:19:36,040 Speaker 3: then another memory of Lizzo. I love you were doing 441 00:19:36,119 --> 00:19:37,720 Speaker 3: jingle Ball at the garden. 442 00:19:37,880 --> 00:19:41,200 Speaker 2: Period and I cried like a baby, and we gave. 443 00:19:41,040 --> 00:19:42,680 Speaker 3: You a little sweater for your flute. 444 00:19:43,040 --> 00:19:45,400 Speaker 2: Oh my god, Sos's little house. 445 00:19:45,320 --> 00:19:47,720 Speaker 3: And I'm like, you know what if she doesn't. So 446 00:19:47,760 --> 00:19:49,800 Speaker 3: I went to your dressing room after you left the garden, 447 00:19:50,560 --> 00:19:53,879 Speaker 3: hoping I wouldn't find your flute sweater left behind along 448 00:19:53,880 --> 00:19:57,000 Speaker 3: with you know, the catering. And it wasn't there. Had 449 00:19:57,040 --> 00:20:00,600 Speaker 3: you left on that cold winter night, had you left 450 00:20:00,600 --> 00:20:02,959 Speaker 3: your flute sweater in the dressing room, I was going 451 00:20:03,000 --> 00:20:04,920 Speaker 3: to use it as a penis warmer for my own 452 00:20:06,040 --> 00:20:11,879 Speaker 3: I was going to repurpose that, but you didn't leave. 453 00:20:13,520 --> 00:20:20,359 Speaker 2: The same Sasha still wear the sweater. She likes. She 454 00:20:20,480 --> 00:20:23,800 Speaker 2: likes Louis Vuitton, she does Guccio. 455 00:20:27,200 --> 00:20:29,240 Speaker 3: But ever since then, I've been kind of cold down there. 456 00:20:30,760 --> 00:20:36,840 Speaker 2: Elvis. You I thought I was crazy crazy about wee 457 00:20:36,880 --> 00:20:37,479 Speaker 2: wee sweater. 458 00:20:41,119 --> 00:20:44,600 Speaker 3: Lizzo, Lizzo, Lizzo. All right, there's just something and look, 459 00:20:44,640 --> 00:20:46,280 Speaker 3: and a lot of people ask us what's it like 460 00:20:46,320 --> 00:20:49,520 Speaker 3: when you meet the artists? And I will usually give 461 00:20:49,560 --> 00:20:52,600 Speaker 3: you an answer When Lizzo walks into the room, you 462 00:20:52,640 --> 00:20:57,240 Speaker 3: feel warm, you feel loved, and you feel safe because 463 00:20:57,280 --> 00:20:59,040 Speaker 3: I know if anyone walked through that door to trying 464 00:20:59,040 --> 00:21:01,640 Speaker 3: to mess with me, so we kicked their ass. Oh wow, 465 00:21:01,960 --> 00:21:03,880 Speaker 3: I just feel that. Please say you would. 466 00:21:04,720 --> 00:21:10,200 Speaker 4: I yes, purposes would never hurt a fly. 467 00:21:12,840 --> 00:21:16,159 Speaker 3: The flies aren't bothered. The flies won't touch me. So 468 00:21:16,280 --> 00:21:19,120 Speaker 3: this album, you must be so so excited. I mean, 469 00:21:19,200 --> 00:21:22,439 Speaker 3: it's not since this summer, but this summer is do 470 00:21:22,480 --> 00:21:24,520 Speaker 3: we have a date yet? Or is just this summer 471 00:21:24,560 --> 00:21:25,440 Speaker 3: we don't have a date. 472 00:21:25,600 --> 00:21:28,719 Speaker 4: I've kind of gone a little rogue and I'm just 473 00:21:28,760 --> 00:21:30,479 Speaker 4: doing whatever I want to do. I'm dropping like the 474 00:21:30,480 --> 00:21:34,440 Speaker 4: demo version of Still Bad Tonight. I just shot a 475 00:21:34,520 --> 00:21:36,520 Speaker 4: music video for it after the met like I was 476 00:21:36,600 --> 00:21:39,240 Speaker 4: running through the streets in New York, running and gunning. 477 00:21:40,400 --> 00:21:43,960 Speaker 4: So we don't know yet, I promise I'm not being 478 00:21:43,960 --> 00:21:47,399 Speaker 4: cryptic and like, hey, mysterious. No, I really don't know, 479 00:21:47,520 --> 00:21:49,200 Speaker 4: But as soon as I know, you will be the 480 00:21:49,240 --> 00:21:49,879 Speaker 4: first to know. 481 00:21:50,240 --> 00:21:52,440 Speaker 5: Do you have a favorite song of all the babies? 482 00:21:52,640 --> 00:21:55,680 Speaker 2: Oh, my gosh, they're all my babies. They're all my babies. 483 00:21:55,800 --> 00:21:59,360 Speaker 4: I don't I don't have a favorite, right now for 484 00:21:59,400 --> 00:22:03,200 Speaker 4: the sake of promotion. Still still bad animal style coming 485 00:22:03,280 --> 00:22:05,840 Speaker 4: so right now, I wish I could play it for 486 00:22:05,840 --> 00:22:06,840 Speaker 4: you guys, like right now. 487 00:22:06,880 --> 00:22:08,760 Speaker 2: But I also don't have like the clean version. 488 00:22:11,000 --> 00:22:12,280 Speaker 3: But you know what this button is here? Do you 489 00:22:12,320 --> 00:22:15,879 Speaker 3: see this button right here? It's called dump or if 490 00:22:16,280 --> 00:22:18,119 Speaker 3: ever you say a curse word or you play a 491 00:22:18,160 --> 00:22:19,720 Speaker 3: song of the curse word, you just push that button 492 00:22:20,440 --> 00:22:23,320 Speaker 3: and it's just erases the last three seconds of our lives. 493 00:22:23,359 --> 00:22:25,200 Speaker 3: Really joke, you wish you had that in real life, 494 00:22:25,760 --> 00:22:28,480 Speaker 3: you say, you say something, where's my dumb button? 495 00:22:28,720 --> 00:22:32,520 Speaker 2: Oh my god? All the time. 496 00:22:32,720 --> 00:22:34,520 Speaker 5: We could get the song and give it to our 497 00:22:34,520 --> 00:22:36,800 Speaker 5: production team and they could replace all the bad words 498 00:22:36,800 --> 00:22:37,600 Speaker 5: with the quacks again. 499 00:22:37,880 --> 00:22:38,880 Speaker 2: Oh I love quack. 500 00:22:39,240 --> 00:22:41,320 Speaker 3: Well give us a further I'll give you an example 501 00:22:41,520 --> 00:22:53,960 Speaker 3: on single to Mayo. Where's listen, here's how. 502 00:22:54,119 --> 00:22:56,280 Speaker 2: Said I would just put on a we Wi sweater. 503 00:22:56,880 --> 00:22:57,880 Speaker 2: That what I was gonna say. 504 00:22:57,880 --> 00:23:01,280 Speaker 3: Here's how we edited one, Margarita Kimmy my creator. 505 00:23:01,400 --> 00:23:13,960 Speaker 6: I'm an open plea, not the affleck. 506 00:23:17,200 --> 00:23:19,840 Speaker 3: If you you should, you know, just you should have 507 00:23:19,920 --> 00:23:22,600 Speaker 3: little albums that come out with edited version for the 508 00:23:22,680 --> 00:23:24,880 Speaker 3: kids and kids bop. 509 00:23:25,680 --> 00:23:28,359 Speaker 4: So I'm about to throw my phone away. 510 00:23:29,240 --> 00:23:31,920 Speaker 2: Can't let my girls know broban whacking with my dad. 511 00:23:34,400 --> 00:23:35,600 Speaker 2: And it's called animal salad. 512 00:23:35,640 --> 00:23:36,639 Speaker 5: Could be all kinds of animals. 513 00:23:37,200 --> 00:23:44,280 Speaker 4: We could wow editing where animal was that? 514 00:23:44,280 --> 00:23:44,919 Speaker 2: That's what worses? 515 00:23:46,119 --> 00:23:48,560 Speaker 3: Okay, So you got New York City waiting for you, 516 00:23:48,600 --> 00:23:50,119 Speaker 3: and you're gonna choose to go to the hotel and 517 00:23:50,160 --> 00:23:51,480 Speaker 3: crawl in that most comfortable there. 518 00:23:51,640 --> 00:23:54,560 Speaker 4: Yes, I haven't slept in so long. I'm about to 519 00:23:54,560 --> 00:23:58,240 Speaker 4: have bedrot. Honey, are you are you quacking? 520 00:23:58,320 --> 00:24:00,600 Speaker 2: Are you? Are you ducking? Syri's right now. 521 00:24:01,040 --> 00:24:05,159 Speaker 3: I'm gonna send that to your producer for the next album. Well, look, Lizzo, 522 00:24:05,359 --> 00:24:08,520 Speaker 3: we adore you, We adore your music. We love that 523 00:24:08,600 --> 00:24:11,080 Speaker 3: an album's coming out during the summer on some date. 524 00:24:11,960 --> 00:24:15,439 Speaker 3: And uh, I just thank you for being you. You know, 525 00:24:15,640 --> 00:24:18,560 Speaker 3: never apologize for being you, because sometimes people make you 526 00:24:18,560 --> 00:24:20,240 Speaker 3: feel like you want to. I'm sure how cold I am? 527 00:24:20,359 --> 00:24:22,840 Speaker 2: No warm up, honey, get a little bit of this warm. 528 00:24:24,560 --> 00:24:27,000 Speaker 4: You. Oh no, don't tost my hand and then talk 529 00:24:27,000 --> 00:24:29,560 Speaker 4: about the weaving sweater father God. 530 00:24:29,840 --> 00:24:30,720 Speaker 2: Listen to early. 531 00:24:30,840 --> 00:24:33,080 Speaker 3: Here's a text. Please let Lizzo and the rest of 532 00:24:33,080 --> 00:24:36,719 Speaker 3: the morning show remember lions don't lose sleep over the 533 00:24:36,760 --> 00:24:40,960 Speaker 3: opinions of sheep that baby can't hate from the outside 534 00:24:41,000 --> 00:24:42,840 Speaker 3: of the club, that you can't even get in. 535 00:24:43,320 --> 00:24:43,800 Speaker 2: Baby. 536 00:24:44,800 --> 00:24:46,320 Speaker 3: We got a lot of We've got a lot of 537 00:24:46,320 --> 00:24:47,560 Speaker 3: philosophers listening today. 538 00:24:47,840 --> 00:24:49,440 Speaker 2: Yeah, very wise listeners. 539 00:24:49,440 --> 00:24:51,800 Speaker 3: All right, we're gonna play Still Bad the Uh it's 540 00:24:51,800 --> 00:24:54,880 Speaker 3: not the animal version quite yet. Are wet? Are you live? 541 00:24:55,320 --> 00:24:56,120 Speaker 2: Should I go live? 542 00:24:56,400 --> 00:24:56,560 Speaker 4: No? 543 00:24:56,600 --> 00:25:00,960 Speaker 2: I just you doing my on my I R L 544 00:25:01,000 --> 00:25:07,480 Speaker 2: account little I r L. Oh my god, are. 545 00:25:07,400 --> 00:25:09,719 Speaker 4: We really We're about to be live? But I have 546 00:25:09,760 --> 00:25:12,600 Speaker 4: a secret account. We're on a secret account. 547 00:25:12,680 --> 00:25:16,959 Speaker 2: Yeah, Hi, hey money? Oh my god? Why would you 548 00:25:16,960 --> 00:25:20,440 Speaker 2: tell her you owe me money? In for the Wee 549 00:25:20,440 --> 00:25:21,040 Speaker 2: Wee Sweater? 550 00:25:22,840 --> 00:25:24,639 Speaker 4: That was like my fifth time referencing the Wei So 551 00:25:24,720 --> 00:25:26,800 Speaker 4: I'm never gonna forget we we Sweater. Hi. 552 00:25:27,320 --> 00:25:28,600 Speaker 2: Ain't nobody in this live yet? 553 00:25:30,320 --> 00:25:31,719 Speaker 3: Don't you love me to throw a party? No one 554 00:25:31,760 --> 00:25:34,880 Speaker 3: shows up? All right, we gotta get still bead on here. 555 00:25:34,920 --> 00:25:37,320 Speaker 3: Of course. The album Love in Real Life is out 556 00:25:37,480 --> 00:25:40,280 Speaker 3: very soon, and we love you whenever you want to 557 00:25:40,320 --> 00:25:42,800 Speaker 3: come visit us.