1 00:00:10,000 --> 00:00:13,280 Speaker 1: What oh, welcome back, Welcome back, like the O G 2 00:00:13,680 --> 00:00:17,000 Speaker 1: Sin say. Carlos Miller would love to say, man who 3 00:00:17,160 --> 00:00:19,880 Speaker 1: always like to say, Hey man, you know you got 4 00:00:20,000 --> 00:00:21,439 Speaker 1: DC know flying the building. 5 00:00:21,440 --> 00:00:24,439 Speaker 2: You got more minds in the building getting you know 6 00:00:24,480 --> 00:00:28,520 Speaker 2: what I'm saying, Uh, backwoods, backstage in the building down here, 7 00:00:28,680 --> 00:00:29,560 Speaker 2: dream Bill Man. 8 00:00:29,640 --> 00:00:32,839 Speaker 3: But it's not about us right now. We got some 9 00:00:32,920 --> 00:00:35,040 Speaker 3: real legends in the building. 10 00:00:34,720 --> 00:00:37,880 Speaker 4: Right now, like coming straight out of a New York 11 00:00:38,000 --> 00:00:42,959 Speaker 4: City up Mount Vernon, you big sack Brooklyn, you be saying, ok, 12 00:00:43,520 --> 00:00:51,640 Speaker 4: we got none other than Comcash and Nico Prey. 13 00:00:51,680 --> 00:00:58,400 Speaker 2: Know how y'all doing. We're talking about that? Yeah, we 14 00:00:58,440 --> 00:01:02,920 Speaker 2: feel amazing though. We just came up to seat I 15 00:01:02,960 --> 00:01:06,080 Speaker 2: feel man. First performance of dream Building, oh, first performance 16 00:01:06,120 --> 00:01:08,880 Speaker 2: at the last dreams all like that, bro, that ship 17 00:01:09,000 --> 00:01:11,080 Speaker 2: is major, you know what I mean? Last one? Yeah, yeah, 18 00:01:11,120 --> 00:01:19,080 Speaker 2: it's the last one. It's surreal like. 19 00:01:18,120 --> 00:01:18,840 Speaker 4: It's nice. 20 00:01:20,520 --> 00:01:25,200 Speaker 2: Well it's one of the ones, right, but it feels great. 21 00:01:25,240 --> 00:01:27,480 Speaker 2: It's surreal like it's a dream. Miko and I've been 22 00:01:27,480 --> 00:01:29,600 Speaker 2: working very very hard for a long time in the 23 00:01:29,680 --> 00:01:32,320 Speaker 2: week cousins, so it's like I don't like blood cousin 24 00:01:32,400 --> 00:01:34,920 Speaker 2: or just like Chris cross cooks blood couldn't make us 25 00:01:35,000 --> 00:01:39,160 Speaker 2: no more, you know, close right, But yeah, it was fire. 26 00:01:39,240 --> 00:01:42,000 Speaker 2: We went out there and we've just seen people polling 27 00:01:42,000 --> 00:01:43,640 Speaker 2: in as a show kept going on, you know what 28 00:01:43,680 --> 00:01:45,600 Speaker 2: I mean. So like just to see the restepping up 29 00:01:45,600 --> 00:01:47,640 Speaker 2: there for us to go up there as family and 30 00:01:47,800 --> 00:01:51,400 Speaker 2: shut it down like that, that ship is major. So 31 00:01:51,440 --> 00:01:53,720 Speaker 2: being from New York, you know there's a lot of 32 00:01:53,920 --> 00:01:56,960 Speaker 2: legendary rappers from New York. Do y'all feel a lot of. 33 00:01:56,920 --> 00:01:59,320 Speaker 5: Pressure coming up and being like the new school. 34 00:01:59,080 --> 00:01:59,760 Speaker 3: From New York? 35 00:02:01,640 --> 00:02:04,320 Speaker 2: Yeah, and no, I'm gonna say yeah, because we student 36 00:02:04,400 --> 00:02:06,919 Speaker 2: to the game, so we studied, you know, the predecessors, 37 00:02:06,920 --> 00:02:09,000 Speaker 2: the people that come for us from the towns. But 38 00:02:09,480 --> 00:02:12,359 Speaker 2: in the current climate, it's like, nah, it's not really. 39 00:02:12,160 --> 00:02:20,400 Speaker 5: No pressure, cause it's terrible and I feel like we 40 00:02:20,639 --> 00:02:22,440 Speaker 5: like it's the opportunity to carry the torch, you know 41 00:02:22,480 --> 00:02:24,480 Speaker 5: what I'm saying that if there's anybody our bank on it, 42 00:02:24,520 --> 00:02:26,120 Speaker 5: you know, you be here and vice versa. 43 00:02:26,200 --> 00:02:28,360 Speaker 2: So you know, we representing New York and we just 44 00:02:28,360 --> 00:02:30,640 Speaker 2: gonna carry the torch and push this shit for it. Okay, 45 00:02:31,040 --> 00:02:34,800 Speaker 2: So who would you say, are some of y'all musical influences. 46 00:02:36,200 --> 00:02:39,239 Speaker 2: I mean, I'm gonna say noads for sure, nos cold 47 00:02:40,080 --> 00:02:41,959 Speaker 2: you know what I mean? Uh? What's heavy? 48 00:02:42,200 --> 00:02:43,720 Speaker 3: Uh? Sorry? 49 00:02:45,320 --> 00:02:49,040 Speaker 2: I had Mace Big, Mary j Blige, gen Z. 50 00:02:50,560 --> 00:02:54,200 Speaker 3: And all good now Kendrick, because you know what it is, bruh. 51 00:02:54,360 --> 00:02:58,760 Speaker 2: Everybody from New York stick with the people, people. 52 00:02:58,520 --> 00:03:07,200 Speaker 6: From the south all over, and I ain't heard nobody cross. 53 00:03:05,120 --> 00:03:08,880 Speaker 2: To give more people though, like outcasts fire and you know, 54 00:03:08,960 --> 00:03:10,480 Speaker 2: when I'm go up there and we're doing our duals 55 00:03:10,520 --> 00:03:12,000 Speaker 2: figuring out, I feel like there's. 56 00:03:11,800 --> 00:03:13,000 Speaker 3: An heavy inspiration there. 57 00:03:13,040 --> 00:03:15,919 Speaker 2: I used to want to be juvenile when I was looking. Yeah, 58 00:03:16,160 --> 00:03:18,760 Speaker 2: I used to. I used to take the the winter first. 59 00:03:18,760 --> 00:03:19,359 Speaker 2: You don't rap. 60 00:03:21,800 --> 00:03:22,960 Speaker 3: Ta way or we'll blow up. 61 00:03:24,400 --> 00:03:27,480 Speaker 2: Because we was all living the thing like put just 62 00:03:27,520 --> 00:03:29,280 Speaker 2: a different area now. 63 00:03:29,400 --> 00:03:32,840 Speaker 3: So now y'all y'all doing Uh, y'all was sharing chemistry 64 00:03:32,840 --> 00:03:35,200 Speaker 3: on stage. It's similar to what me and my brothers do, 65 00:03:35,400 --> 00:03:38,360 Speaker 3: like explain to to the people like how do you 66 00:03:38,400 --> 00:03:42,320 Speaker 3: guys you know, share showing ship and understand like all right, 67 00:03:42,360 --> 00:03:44,560 Speaker 3: it's it's it's it's time for my brother shine, let 68 00:03:44,600 --> 00:03:46,200 Speaker 3: me bad Kimbo and when it's time for me to 69 00:03:46,240 --> 00:03:48,080 Speaker 3: do my thing. He he he does the same. 70 00:03:48,920 --> 00:03:52,080 Speaker 2: I feel like he's about having a friendship first with anything, 71 00:03:52,880 --> 00:03:54,760 Speaker 2: because it just allows you to grow closer. We know 72 00:03:54,840 --> 00:03:57,360 Speaker 2: each other as people before we know each other as artists. 73 00:03:57,800 --> 00:03:59,560 Speaker 2: And I want to see him look like I want 74 00:03:59,560 --> 00:04:01,960 Speaker 2: to see myself. So it's kind of easy for me 75 00:04:02,040 --> 00:04:04,720 Speaker 2: to know, like, alright, this sneak moment for him. You know, Okay, 76 00:04:04,760 --> 00:04:07,000 Speaker 2: this is cous but take the yeah. 77 00:04:07,120 --> 00:04:07,880 Speaker 3: Same samehit. 78 00:04:07,920 --> 00:04:10,120 Speaker 2: And I feel like when you when you have that 79 00:04:10,160 --> 00:04:12,160 Speaker 2: type of brotherhood with somebody, it's like you just know 80 00:04:12,600 --> 00:04:13,760 Speaker 2: now you know how like when you do with your 81 00:04:13,760 --> 00:04:15,920 Speaker 2: boys like this, nigga don't even got to say nothing. 82 00:04:16,680 --> 00:04:18,800 Speaker 2: I seem I'm staying I said that, nigga, he needs 83 00:04:18,800 --> 00:04:19,520 Speaker 2: somebody to say. 84 00:04:19,320 --> 00:04:20,080 Speaker 5: The words, right. 85 00:04:21,720 --> 00:04:22,400 Speaker 3: Boy in the water. 86 00:04:22,520 --> 00:04:24,280 Speaker 2: So you know, I feel like we just we just 87 00:04:24,279 --> 00:04:25,800 Speaker 2: been doing it for so long, like you know what 88 00:04:25,839 --> 00:04:26,960 Speaker 2: I'm saying, Like you said, it's. 89 00:04:26,800 --> 00:04:28,279 Speaker 5: Like it's real love, it's respected. 90 00:04:28,400 --> 00:04:30,800 Speaker 2: So it just helps us navigate more different. 91 00:04:30,920 --> 00:04:33,000 Speaker 3: Now now you guys are at a time where you're 92 00:04:33,040 --> 00:04:35,080 Speaker 3: starting to see, you know what I'm saying, your your 93 00:04:35,160 --> 00:04:36,920 Speaker 3: dreams come true. You're starting to see you know what 94 00:04:36,960 --> 00:04:39,880 Speaker 3: I'm saying, it's a sense rise is there anybody that 95 00:04:39,920 --> 00:04:40,960 Speaker 3: you guys want to work with me. 96 00:04:42,760 --> 00:04:48,880 Speaker 2: Hell yeah, here stage right now. Depth you gotta get 97 00:04:48,960 --> 00:04:51,200 Speaker 2: up An as you want to get up with Cole 98 00:04:52,279 --> 00:04:54,240 Speaker 2: I was. I was on the hook for Wayne Joy 99 00:04:54,240 --> 00:04:57,400 Speaker 2: with Wayne Rhapsody. I need a verse and versus Wayne 100 00:04:57,440 --> 00:05:02,800 Speaker 2: all the time. Not gonna walk back talk you on 101 00:05:02,880 --> 00:05:08,760 Speaker 2: the hook with Hoop with Quain, Yeah, money, what are 102 00:05:08,800 --> 00:05:11,119 Speaker 2: you talking about? You know? And I got a record 103 00:05:11,120 --> 00:05:15,960 Speaker 2: with Corey Guns to man, you feel that talk, I 104 00:05:16,000 --> 00:05:20,320 Speaker 2: would have to say, Kendrick grip fires j Cole Drake. 105 00:05:20,440 --> 00:05:23,400 Speaker 2: Of course it's this artist Hernan is aver Len I 106 00:05:23,440 --> 00:05:27,400 Speaker 2: mean not but Avery Lennox, alex Eisley and I gotta 107 00:05:27,400 --> 00:05:28,279 Speaker 2: get against you girls. 108 00:05:28,480 --> 00:05:29,680 Speaker 3: You know you gotta get again. 109 00:05:30,640 --> 00:05:39,120 Speaker 2: I gotta gets to drills Trump. So I have a 110 00:05:39,160 --> 00:05:42,120 Speaker 2: question next nobody, what's the new listening to y'all music? 111 00:05:42,520 --> 00:05:44,400 Speaker 3: What song would y'all say if they need to. 112 00:05:44,360 --> 00:05:49,040 Speaker 2: Hear, if they just yob, they should hear Michelin Star. Okay, 113 00:05:49,600 --> 00:05:52,560 Speaker 2: they should hear for the company, those dregs with both 114 00:05:52,560 --> 00:05:54,600 Speaker 2: of us that we also do our own thing individually. 115 00:05:55,040 --> 00:05:57,280 Speaker 2: Show I know for me, you could listen to south 116 00:05:57,320 --> 00:06:03,159 Speaker 2: Side Sundays bank Rolls, you see it oh seven man 117 00:06:04,240 --> 00:06:08,960 Speaker 2: the West, what you want? The cash news is on 118 00:06:09,000 --> 00:06:13,200 Speaker 2: the way. So I'm just saying album we're doing April 119 00:06:13,200 --> 00:06:17,600 Speaker 2: twenty fifth, April twenty fifth, twenty fifth right now? Yeah, yeah, 120 00:06:17,839 --> 00:06:19,839 Speaker 2: the drop right now. But some of us from twenty fifth, 121 00:06:20,480 --> 00:06:22,240 Speaker 2: the backwards backstages. 122 00:06:22,400 --> 00:06:25,240 Speaker 6: So can we get a sneak figle like features? No, 123 00:06:27,680 --> 00:06:30,640 Speaker 6: not just what listen, listen, let me tell you something 124 00:06:30,800 --> 00:06:33,440 Speaker 6: from it. Being a historian of artists drawing on that 125 00:06:33,440 --> 00:06:34,279 Speaker 6: ship man by. 126 00:06:34,240 --> 00:06:39,119 Speaker 3: Him saying know that fast, it's killing killing. 127 00:06:40,760 --> 00:06:42,800 Speaker 2: I've been consistent with telling I'm sorry. I've been telling 128 00:06:42,800 --> 00:06:45,159 Speaker 2: everybody that right, that's just like I gotta stick to 129 00:06:45,200 --> 00:06:45,480 Speaker 2: my gun. 130 00:06:45,560 --> 00:06:46,360 Speaker 1: I know it's some killers. 131 00:06:46,360 --> 00:06:46,800 Speaker 3: I ain't trying. 132 00:06:47,000 --> 00:06:54,000 Speaker 2: Let's ain't twenty fifth, Yes, sir, DC on that. I'm 133 00:06:54,000 --> 00:06:54,800 Speaker 2: on the look out. 134 00:06:56,360 --> 00:06:59,320 Speaker 1: No, man, appreciate y'all stopping through man that anything that 135 00:06:59,360 --> 00:07:00,000 Speaker 1: you are from world. 136 00:07:00,320 --> 00:07:01,880 Speaker 3: You know what I'm saying to want people to know? Man, 137 00:07:01,920 --> 00:07:04,440 Speaker 3: you know, got got backstage Batwood backstage. 138 00:07:04,440 --> 00:07:06,440 Speaker 2: Thet't gonna say you got poor minds got eighty five. 139 00:07:06,600 --> 00:07:08,640 Speaker 2: I was tapping into three different brands right back. 140 00:07:09,080 --> 00:07:10,920 Speaker 3: What do you want the people out there to go about? 141 00:07:10,920 --> 00:07:11,400 Speaker 6: You guys? 142 00:07:11,800 --> 00:07:15,000 Speaker 2: So I'll say no politics. Also on Away, that's my album. 143 00:07:15,440 --> 00:07:17,000 Speaker 2: We don't got a date on it yet, but it's coming. 144 00:07:17,160 --> 00:07:18,880 Speaker 2: Make sure y'all tap into the merch. Ya can go 145 00:07:18,920 --> 00:07:20,760 Speaker 2: to creative by Nico dot com. I got all my 146 00:07:20,880 --> 00:07:24,480 Speaker 2: mercher up there, vinyls T shirts, you know. Yeah, and 147 00:07:24,560 --> 00:07:25,960 Speaker 2: you on the lookout for more shit from me and 148 00:07:26,000 --> 00:07:29,080 Speaker 2: my brother man. You know we were here to say facts. 149 00:07:30,280 --> 00:07:33,680 Speaker 2: I got merched on me right now, so come on, 150 00:07:34,040 --> 00:07:36,160 Speaker 2: you know what we're doing. Feelings is out, you know, 151 00:07:36,280 --> 00:07:41,000 Speaker 2: shout out to the living big ship following me. Kay, 152 00:07:41,200 --> 00:07:44,400 Speaker 2: I see I can do that right, Yeah? What you get? 153 00:07:44,760 --> 00:07:47,000 Speaker 2: What are you talking about? I'm just happy to be 154 00:07:47,040 --> 00:07:49,600 Speaker 2: here because you know I'm I'm fans of both show. 155 00:07:51,680 --> 00:07:52,920 Speaker 3: Love you love doing what we need to do. 156 00:07:54,680 --> 00:08:00,880 Speaker 6: Get thank y'all, Thank you, and I say all last 157 00:08:00,920 --> 00:08:01,240 Speaker 6: music and 158 00:08:03,120 --> 00:08:14,080 Speaker 2: You mhm.