WEBVTT - Ghost Chocolate

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<v Speaker 1>I didn't want to do the nine five. I was

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<v Speaker 1>not going to take the normal path. I'm sitting in

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<v Speaker 1>a hammock in well paradise if your idea of paradise

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<v Speaker 1>is kind of the classic one. Lush rainforests, green hills,

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<v Speaker 1>clear streams, too many chattering birds and monkeys to count.

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<v Speaker 1>At night, the wood swarm with headlight beetles, which are

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<v Speaker 1>like giant fireflies. It feels like Pandora. I wanted to

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<v Speaker 1>go see some chocolate forests, and I wanted to go

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<v Speaker 1>catch sneaks and crocodiles and stuff that I did in

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<v Speaker 1>the hammock. Beside me is Jacob Marlin, and this is

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<v Speaker 1>his baby. The Belize Foundation for Research and Environmental Education

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<v Speaker 1>or be Free, I one thousand acre preserve in the

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<v Speaker 1>Maya Mountains, dotted with thatch huts and visiting biologists who

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<v Speaker 1>come here from all over the world to study what

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<v Speaker 1>a healthy rainforest is like. Beefree is right at the

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<v Speaker 1>juncture of several other huge preserves, including the Bladen Nature Reserve,

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<v Speaker 1>the crown jewel of Belize wilderness areas, which is why

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<v Speaker 1>Jacob bought it thirty years ago and has lived here

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<v Speaker 1>as its conservator ever since. It connects all the other

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<v Speaker 1>preserves into one massive wild forest. Jacob is laid back

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<v Speaker 1>dude in his fifties. His long hair parted in the middle.

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<v Speaker 1>Kind of reminds me of the actor Crispin Glover. He

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<v Speaker 1>came here as the reptile guy on a team of

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<v Speaker 1>biologists that were exploring the Bladon, which is famously remote

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<v Speaker 1>and inaccessible. As he hiked his way through it, Jacob

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<v Speaker 1>felt like he'd entered a time capsule. We went to

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<v Speaker 1>places that no human had been since St. Chimayah. We

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<v Speaker 1>came upon clay statues of monkey and jaguar gods. We

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<v Speaker 1>saw barrel grounds of maya stuff. Clearly no one had

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<v Speaker 1>been there. For the next two weeks, Jacob found himself

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<v Speaker 1>exploring a world straight out of a fantasy novel. You're like,

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<v Speaker 1>oh my god, I think I say a cave opening,

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<v Speaker 1>and then you go in there, and then you walk

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<v Speaker 1>for nine hours, and then you look down and fifty

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<v Speaker 1>feet below you there's a massive river flowing. And then

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<v Speaker 1>you look over there and there's like mine pottery and

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<v Speaker 1>skeletons and ship scattered over there. Then swim out the

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<v Speaker 1>cave and go over here, and then you find two

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<v Speaker 1>fifty spider monkeys swinging down. Then there's a jaguar over there.

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<v Speaker 1>That's what our expedition was like. It's lost the whole time.

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<v Speaker 1>I mean, we were all lost. It was madness, but

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<v Speaker 1>it was the best kind of madness, the kind he

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<v Speaker 1>wanted to devote his life too. When I came out,

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<v Speaker 1>I was completely blown away, and I was like, Oh

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<v Speaker 1>my god, this place is incredible. I wonder if I

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<v Speaker 1>could get involved in this place. In fact, the Blatant

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<v Speaker 1>was so full of wonders that he overlooked one of

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<v Speaker 1>them entirely. I remember passing wild cacao trees, which I

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<v Speaker 1>was like, Oh, it's a wild cocow. Who cares to Jacob,

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<v Speaker 1>cocao was agriculture and he was a nature guy. So

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<v Speaker 1>he devoted his life to preserving the big nature of

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<v Speaker 1>the Blatant and forgot all about the cacao. But little

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<v Speaker 1>did he know that that particular cocao hiding in plain

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<v Speaker 1>sight in the Maya Mountains would end up being the

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<v Speaker 1>key to protecting the very rainforest he devoted his life too,

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<v Speaker 1>and possibly a whole lot more. He was living with

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<v Speaker 1>ancient ghosts that had been waiting centuries to speak their

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<v Speaker 1>Peace of Kaleidoscope and i Heeart podcasts. This is Obsessions

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<v Speaker 1>Wild Chocolate. I'm Roman jameson chapter five Ghost Chocolate. The

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<v Speaker 1>Forest of Belieze contain more than a thousand species of trees,

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<v Speaker 1>astounding diversity. To Jacob, pacat was just one of those thousands.

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<v Speaker 1>But as he explored his preserved he began catching his

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<v Speaker 1>eye more and more. Some of the pods are one

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<v Speaker 1>color or another color or another color. Some are yellow

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<v Speaker 1>when they're ripe, Some are orange when they are oranges,

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<v Speaker 1>purple when they're right. Some are green when they're ripe.

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<v Speaker 1>Some are multi colored when they're right. It's different shapes,

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<v Speaker 1>a little bit different sizes. The trees had a lot

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<v Speaker 1>of diversity in appearance, but they had one very important

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<v Speaker 1>thing in common. Sometimes you'd walk up to a tree

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<v Speaker 1>it's and it's a nine percent shade to the middle

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<v Speaker 1>of the forest shade, and its covered ponds. To the

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<v Speaker 1>average person that might not sound like a big deal,

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<v Speaker 1>but to people who think about sustainable food production, that's

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<v Speaker 1>the holy grail. Think about every crop humans have cultivated,

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<v Speaker 1>corn rice, gale, whatever, They all need full sun. Same

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<v Speaker 1>for the modern strains of cacao, we've used for a century,

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<v Speaker 1>and that means that growing food often means wiping out

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<v Speaker 1>for us. And that's been especially true for cacao in

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<v Speaker 1>West Africa, destroying national parks. It's eradicating species. It's uh,

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<v Speaker 1>I'm like, fuck, caca is horrible, but not this cacao.

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<v Speaker 1>This stuff is weird. It is, it's weird. The trees

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<v Speaker 1>are different. These are not hardy, robust plants. These are

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<v Speaker 1>rainforest play they want you know, don't don't put them

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<v Speaker 1>in the sun. Don't give them any sun. These trees

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<v Speaker 1>do best in shade, and if you give them, lestie

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<v Speaker 1>die good. I know, I know. It's amazing, amazing because

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<v Speaker 1>a tree that could flourish and produce fruit in the

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<v Speaker 1>deep shade of the jungle that requires rainforests over its head, well,

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<v Speaker 1>that could turn farming into a way to grow new

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<v Speaker 1>rainforests and pay for it. So Jacob got super curious

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<v Speaker 1>about these cocoa trees, and the first step was to

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<v Speaker 1>find out how many he had. So in two thousand

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<v Speaker 1>twelve he hired Elmer Salama, a local mind, got to

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<v Speaker 1>map them. So I did the expedition for I think

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<v Speaker 1>like two three years. Find do them white trees, new jungles,

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<v Speaker 1>just wandering around. So I didn't have any GPS, just

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<v Speaker 1>my memories. And you're started cutting trialsutting trels on to leg,

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<v Speaker 1>you know. And I found it about almost like three

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<v Speaker 1>on the trees wild trees here, and it's out of

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<v Speaker 1>water place phenotypes. We have harpolo orange, who have guint

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<v Speaker 1>to yellow. We have um print to green. Then we

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<v Speaker 1>have multiple colors. Those are the four types of trees

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<v Speaker 1>they've identified, all named for the colors of their pods

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<v Speaker 1>as they ripen. All four are members of the same

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<v Speaker 1>shade loving variety, which Jacob hoped could be the engine

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<v Speaker 1>of his rainforest revival scheme if, of course, it produced

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<v Speaker 1>delicious chocolate. So it was like, well, shut up, man,

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<v Speaker 1>let's make some chocolate because if nothing else, we could

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<v Speaker 1>chocolate here like chocolate. Yeah, why not, just as like

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<v Speaker 1>a hobby. As we tore the preserve, Jacob and Elmer

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<v Speaker 1>offered to snag a couple of pods for me to

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<v Speaker 1>show me their special qualities. But the pods are twenty

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<v Speaker 1>feet up, like three four five. That's like five pods, guys,

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<v Speaker 1>most progress, yeah, yeah, because what we do be hardest

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<v Speaker 1>do bring along bush stick with h Yeah, gonna. Cahoons

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<v Speaker 1>are crazy palms. Their fronts could be thirty ft long,

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<v Speaker 1>shooting up from the ground. And these graceful arcs walking

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<v Speaker 1>through a Calhoun grove you expect to come upon a

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<v Speaker 1>Brontosaurus munging on them. The immense fronds are the go

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<v Speaker 1>to choice for roofing, and the sharp and central ribs

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<v Speaker 1>make awesome jousting lances for cutting to cow pods out

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<v Speaker 1>of trees. Get a catch here, thing you like? Oh

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<v Speaker 1>I see, so you just scrape scrape up the drunk

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<v Speaker 1>and got it and there it is in my hand.

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<v Speaker 1>To cow with some very unusual qualities. The multicolor and

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<v Speaker 1>the purple orange had close to like almost six cocoa

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<v Speaker 1>butts super high super high rich creamy chocolate. Some people

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<v Speaker 1>say it tastes like almost like milk chocolate. It's a

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<v Speaker 1>light brownish red shot, zero bitterness, there's nothing bitter about it,

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<v Speaker 1>and it doesn't even taste that much like chocolate. What

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<v Speaker 1>you think of his chocolate Like at first, Jacob's chocolate

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<v Speaker 1>making skills were limited, but he kept dialing it in

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<v Speaker 1>and so like every year about this time we go

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<v Speaker 1>out there with backpacks and and I'd bring up to

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<v Speaker 1>the station and make chocolate with him, and I'd experim him.

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<v Speaker 1>I'm learning, I'm trying to figure things out. People would

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<v Speaker 1>come through here and it's like that creole. You can't

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<v Speaker 1>believe that that stuff is probably really special. That word

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<v Speaker 1>creoio is a famous and sacred term in the world

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<v Speaker 1>of chocolate. But Jacob was only just discovering the treasure

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<v Speaker 1>he had on his hands. I'm learning about creb I

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<v Speaker 1>don't really know much about what that meant, but it's like, okay,

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<v Speaker 1>so it's it's a relic cocao. It's not prow much.

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<v Speaker 1>Creoa was the original cacao of the ancient mile the

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<v Speaker 1>variety they cultivated all over their empire and introduced the

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<v Speaker 1>Spanish and the fift hundreds. The smooth, creamy flavor of

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<v Speaker 1>creoia made chocolate a worldwide obsession. It was the only

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<v Speaker 1>chocolate anyone knew until the seventeen hundreds, when it began

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<v Speaker 1>to get wiped out by disease. Soon it was replaced

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<v Speaker 1>by hardier and more productive hybrid varieties, varieties that didn't

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<v Speaker 1>taste as good, but we're easier to draw, and those

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<v Speaker 1>varieties took over the world For decades, craft chocolate cares

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<v Speaker 1>have been scouring Central America for sources of Creoia. The

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<v Speaker 1>best they can usually find are hybrids that have a

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<v Speaker 1>percentage of creoo gens and a trace of that original

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<v Speaker 1>creole smoothness. Pure creoia. You never see it. But Jacob

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<v Speaker 1>began wondering about his three trees if there was anywhere

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<v Speaker 1>some old creoio strains could have escaped hybridization that was

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<v Speaker 1>in the middle of one of the most inaccessible rainforests

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<v Speaker 1>in the world. It's least explored, least disturbed, most unspoiled place.

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<v Speaker 1>Everything up there. It just feels like this stuff has

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<v Speaker 1>always been here, just old. So he embarked on a

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<v Speaker 1>new quest, find someone who would tell him just how

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<v Speaker 1>special this stuff was and find out if anyone cared.

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<v Speaker 1>I want to taste of some of this God love chocolate.

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<v Speaker 1>We got you covered. Kalia Scop has joined forces with

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<v Speaker 1>Louise Abram and Stetler Chocolate to make a special box

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<v Speaker 1>to go along with its very podcast Taste One has

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<v Speaker 1>driven many to near madness at www dot Stetler dash

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<v Speaker 1>Chocolate dot com. What I always remember is the smell,

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<v Speaker 1>just the smell of my ya Ya's kitchen during the summer.

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<v Speaker 1>Remember Matt Capoda, the Salt Lake, Delhi guy who became

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<v Speaker 1>America's heirloom chocolate champion. Matt credits his Greek grandmother for

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<v Speaker 1>his passion for rare ingredients and unusual flavors. She had

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<v Speaker 1>a tiny little plot in Salt Lake City. She grew

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<v Speaker 1>her own potatoes, dandylion greens. You know, her produce didn't

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<v Speaker 1>taste like the produce you could buy in the grocery store.

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<v Speaker 1>So I became accustomed to looking for flavors that don't

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<v Speaker 1>really exist in you know what has become a pretty

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<v Speaker 1>monoculture food system. Taste and smell are some of the

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<v Speaker 1>first most important ways that we make meaning of the

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<v Speaker 1>world around us. They're the raw material of experience, the

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<v Speaker 1>scaffolding upon which we hang our memories. They're the way

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<v Speaker 1>each generation passes its passions to the next. No matter

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<v Speaker 1>where you're from in the world, we have beautiful traditions,

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<v Speaker 1>delicious foods, incredibly rich ingredients that are disappearing at an

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<v Speaker 1>alarming rate over the years. Matt had built Caputos into

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<v Speaker 1>a show house for these cultural Touchsdownes, but he'd also

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<v Speaker 1>watched in dismay. As those flavors disappeared, it was harder

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<v Speaker 1>and harder to get, you know, a raw milk, pecorino, romano.

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<v Speaker 1>And I would see this trajectory in every category, not

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<v Speaker 1>just cheese, of things getting more and more homogenized, more

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<v Speaker 1>and more flavorless. As he watched industrial agriculture set fire

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<v Speaker 1>to the world's libraries of flavor, Matt became convinced that

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<v Speaker 1>he had to be a kind of librarian, preserving as

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<v Speaker 1>many of the great flavor manuscripts as he could, and

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<v Speaker 1>cacao seemed like a special case, with some of the

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<v Speaker 1>most endangered masterpieces of all he wanted to help. Then

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<v Speaker 1>he heard about a new initiative that captured his imagination,

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<v Speaker 1>the Heirloom Cacao Preservation Fund. The goal of the project

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<v Speaker 1>was to identify the world's great cocaws with an expert

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<v Speaker 1>tasting panel and to prove their uniqueness through genetic testing.

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<v Speaker 1>That certification would be the stamp of approval, drawing the

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<v Speaker 1>attention of Beam to Bar chocolate makers. The first designee

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<v Speaker 1>was an easy call, Volker Lehman and his Tranquilidad beans.

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<v Speaker 1>Soon other designees were added, including Emily Stones my Mountain

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<v Speaker 1>cocao in sen Jacob submitted the be free beans, hoping

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<v Speaker 1>they had enough Creoo parentage to be something special, and

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<v Speaker 1>soon enough he heard back from the committee congratulations, your

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<v Speaker 1>beans have made the cut. I heard that from one

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<v Speaker 1>of their board members. Oh, We're going to be announcing

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<v Speaker 1>this your pure CREOLEO in San Francisco at this big

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<v Speaker 1>chocolate event. And I was like, you are. I mean,

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<v Speaker 1>that sounds I'm coming. Thanks for not inviting me, but

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<v Speaker 1>I'm like, I'm sucking going to San Francisco. God damn it.

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<v Speaker 1>So he attends the awards ceremony. The audience is student

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<v Speaker 1>in fifty well dressed people in the world of chocolate,

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<v Speaker 1>and the m C is Ed Sege, a legend in

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<v Speaker 1>the fine chocolate industry, and to Jacob's amazement, ed is

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<v Speaker 1>getting all worked up over Jacob's beans and he's talking

0:14:30.760 --> 0:14:35.200
<v Speaker 1>about pure Creoo. It's the only pure cacao known in

0:14:35.240 --> 0:14:40.080
<v Speaker 1>the world. The tasting parils never tasted anything quite this

0:14:40.280 --> 0:14:44.960
<v Speaker 1>Araban before pure creator Parentidge blah blah blah, and I'm like,

0:14:45.080 --> 0:14:49.680
<v Speaker 1>what what does that even mean? And and then he's done,

0:14:49.960 --> 0:14:53.000
<v Speaker 1>and I was like, wait a minute. So I stand

0:14:53.120 --> 0:14:59.520
<v Speaker 1>up and I said, wait, a minute. I'm the guy

0:14:59.520 --> 0:15:01.640
<v Speaker 1>that submit of those means you're not gonna invite me up.

0:15:06.800 --> 0:15:09.000
<v Speaker 1>Jacob was just looking for a little love, but he

0:15:09.080 --> 0:15:12.280
<v Speaker 1>got a lot. After the ceremony, it was swarmed by

0:15:12.360 --> 0:15:15.280
<v Speaker 1>chocolate makers. Could they get some samples of those beans?

0:15:15.520 --> 0:15:18.200
<v Speaker 1>How about a few tons? Did he need a business partner?

0:15:18.920 --> 0:15:22.040
<v Speaker 1>He soon found out why. The expert tasting panel had

0:15:22.080 --> 0:15:25.000
<v Speaker 1>tasted Jacob's submission and found it to be a paragon

0:15:25.400 --> 0:15:29.880
<v Speaker 1>of smooth and silky chocolate. Then the genesis of the U. S.

0:15:29.920 --> 0:15:32.800
<v Speaker 1>D A did their thing and came away and shocked.

0:15:33.640 --> 0:15:36.960
<v Speaker 1>These beans weren't high in preoil content. They were a

0:15:37.040 --> 0:15:41.840
<v Speaker 1>hundred percent kreoia. In other words, this was the original

0:15:42.080 --> 0:15:45.120
<v Speaker 1>cow of the Maya, a direct line back to the

0:15:45.160 --> 0:15:48.880
<v Speaker 1>one that existed before Europeans ever got involved. Somehow, it

0:15:48.920 --> 0:15:51.760
<v Speaker 1>had hold up in the Maya Mountains for a thousand years,

0:15:52.360 --> 0:15:55.520
<v Speaker 1>and now it was ready for re entry. The panel's

0:15:55.560 --> 0:15:58.240
<v Speaker 1>declaration gave Jacob all the incentive he needed to try

0:15:58.280 --> 0:16:01.240
<v Speaker 1>to make that delicious, shade loving cow a flagship of

0:16:01.320 --> 0:16:06.120
<v Speaker 1>rainforest restoration, and those original three trees became sacred to him.

0:16:06.400 --> 0:16:08.920
<v Speaker 1>You know, we all touched these trees. Yeah, I don't

0:16:08.920 --> 0:16:12.160
<v Speaker 1>do anything. All we do is harvest pods, collect data,

0:16:12.200 --> 0:16:16.880
<v Speaker 1>and collect budwood. That budwood super important. Budwood is the

0:16:16.920 --> 0:16:19.280
<v Speaker 1>newly formed tips of branches that are used to grow

0:16:19.320 --> 0:16:22.400
<v Speaker 1>an exact duplicate of the mother tree. When Jacob returned

0:16:22.400 --> 0:16:24.880
<v Speaker 1>from his trip to the States, he's set to work planting.

0:16:25.400 --> 0:16:28.520
<v Speaker 1>We have almost ten thousand trees of this material now growing,

0:16:29.240 --> 0:16:34.200
<v Speaker 1>ten thousand trees, ten thousand baby creas, a forest of

0:16:34.280 --> 0:16:38.440
<v Speaker 1>ancient mind CaCO rising up in the Belize wilds, and

0:16:38.560 --> 0:16:41.560
<v Speaker 1>they are just the beginning. If Jacob has his way,

0:16:41.920 --> 0:16:44.720
<v Speaker 1>those ten thousand trees will give birth to a million more,

0:16:45.400 --> 0:16:48.360
<v Speaker 1>not just a bee free but anywhere anyone wants to

0:16:48.360 --> 0:16:50.600
<v Speaker 1>grow new rain forests and figure out a way to

0:16:50.640 --> 0:16:53.560
<v Speaker 1>pay for it. As a bonus, we'll all get to

0:16:53.600 --> 0:16:58.120
<v Speaker 1>experience this ghost of chocolate past. Jacob also became the

0:16:58.200 --> 0:17:01.160
<v Speaker 1>volunteer president of the air Land could Cow Preservation Fund,

0:17:01.400 --> 0:17:04.360
<v Speaker 1>which is now designated sixteen of the world's cocaos as

0:17:04.520 --> 0:17:08.440
<v Speaker 1>essential cultural heritage. That's helped bring recognition and a decent

0:17:08.480 --> 0:17:11.719
<v Speaker 1>income to the farmers who are keeping these masterpieces alive.

0:17:12.560 --> 0:17:16.359
<v Speaker 1>But it isn't always enough. Ironically, it couldn't save the

0:17:16.440 --> 0:17:21.800
<v Speaker 1>very first DESIGNI Vulgar Layman. After years of dodging bullet

0:17:21.800 --> 0:17:24.320
<v Speaker 1>after bullet in the jungle, he was about to take

0:17:24.359 --> 0:17:30.720
<v Speaker 1>one right in the heart. Everything went just upside down,

0:17:32.000 --> 0:17:35.560
<v Speaker 1>and all from one moment to the other. I thought

0:17:35.600 --> 0:17:37.520
<v Speaker 1>I was doing the good things, and all of a

0:17:37.600 --> 0:17:42.800
<v Speaker 1>sudden I was in turmoil. You know, the sky was

0:17:42.840 --> 0:18:11.560
<v Speaker 1>falling on my head. One thing I noticed right away

0:18:11.680 --> 0:18:14.959
<v Speaker 1>when I came back to Bolivia in was that whatever

0:18:15.119 --> 0:18:18.040
<v Speaker 1>romance the jungle had once held for Vulgar, it was

0:18:18.080 --> 0:18:24.320
<v Speaker 1>long gone. It seems like that the birds in in

0:18:24.440 --> 0:18:28.439
<v Speaker 1>the in the jungle, in the Amazone and in the

0:18:28.480 --> 0:18:33.639
<v Speaker 1>tropical here, they don't know how to sing. It seems

0:18:33.680 --> 0:18:38.920
<v Speaker 1>like they never went to singing school. And it most

0:18:38.960 --> 0:18:43.560
<v Speaker 1>and most of it is it's like more like shouting noise.

0:18:45.240 --> 0:18:51.400
<v Speaker 1>Uh like this, And there's one I maybe we're here.

0:18:51.840 --> 0:18:58.400
<v Speaker 1>We're here. It's like a like a dying sound. It's

0:18:58.760 --> 0:19:03.679
<v Speaker 1>it's like somebody is strangling the bird while he tries

0:19:03.760 --> 0:19:11.680
<v Speaker 1>to sing. Like that sounded like a different guy from

0:19:11.680 --> 0:19:13.240
<v Speaker 1>the one I had left on top of the world.

0:19:13.359 --> 0:19:16.240
<v Speaker 1>After our visit to the euro Care, they'd agreed to

0:19:16.240 --> 0:19:19.120
<v Speaker 1>provide fifteen tons of cacao, which meant he'd be delivering

0:19:19.160 --> 0:19:22.800
<v Speaker 1>forty five tons to felsh Lean three shipping containers. But

0:19:22.840 --> 0:19:25.919
<v Speaker 1>he needed serious capital. He needed to build a fermentation

0:19:25.960 --> 0:19:29.080
<v Speaker 1>center in the jungle, He needed boats, and he had

0:19:29.080 --> 0:19:32.160
<v Speaker 1>to hire people to do the buying and transporting for him.

0:19:32.320 --> 0:19:35.560
<v Speaker 1>Most of all, he needed cash to pay all the harvesters,

0:19:36.720 --> 0:19:40.040
<v Speaker 1>so he took on investors. It was a huge gamble,

0:19:40.600 --> 0:19:43.119
<v Speaker 1>but the first year it worked great. He produced more

0:19:43.280 --> 0:19:46.399
<v Speaker 1>cal than ever. The quality was awesome. Felsh Lean was

0:19:46.440 --> 0:19:49.480
<v Speaker 1>thrilled and he made his payments. It worked the next

0:19:49.560 --> 0:19:52.399
<v Speaker 1>year too. He felt like the system he'd always envisioned

0:19:52.440 --> 0:19:55.480
<v Speaker 1>in his mind was finally up and running. But in

0:19:56.720 --> 0:19:59.760
<v Speaker 1>three years into his business, the rains came even harder

0:19:59.760 --> 0:20:03.879
<v Speaker 1>than usual. The mom Rae flooded badly. I wasn't in

0:20:04.280 --> 0:20:07.880
<v Speaker 1>very good terms with the people, so I trusted them

0:20:07.880 --> 0:20:11.600
<v Speaker 1>and I asked him, would that be cacao? Yeah? Yeah,

0:20:11.640 --> 0:20:14.359
<v Speaker 1>there will be a lot of cacal, you know, but

0:20:14.480 --> 0:20:18.080
<v Speaker 1>give you us so much and repay you don't worry.

0:20:18.359 --> 0:20:21.440
<v Speaker 1>So he flashed fifty into the jungle, expecting to get

0:20:21.480 --> 0:20:24.640
<v Speaker 1>twice that much in cacao out of it. For weeks later,

0:20:25.119 --> 0:20:29.879
<v Speaker 1>the harvest trickled in just twenty worth of cocao. Vulker

0:20:29.960 --> 0:20:34.320
<v Speaker 1>was understanding despite the knot in his stomach. He said, fine,

0:20:34.640 --> 0:20:38.679
<v Speaker 1>whatever things get weird in the jungle, just give me

0:20:38.720 --> 0:20:42.159
<v Speaker 1>back the rest of the money. And his buyers said, well,

0:20:42.800 --> 0:20:45.680
<v Speaker 1>here's the thing. We gave the money to the pickers

0:20:46.560 --> 0:20:52.359
<v Speaker 1>and they spend it all. Sorry, thirty grand just evaporated

0:20:52.480 --> 0:20:55.280
<v Speaker 1>into the bush. What was he going to do? Bring

0:20:55.320 --> 0:20:58.280
<v Speaker 1>a legal case against the whole forest. He decided to

0:20:58.280 --> 0:21:01.679
<v Speaker 1>eat the losses himself. Liked the guys and they've had

0:21:01.680 --> 0:21:04.399
<v Speaker 1>a good track record until then. I said, that's not

0:21:04.520 --> 0:21:08.640
<v Speaker 1>a problem. Okay, you owe me so for the next year. Yeah,

0:21:08.720 --> 0:21:13.080
<v Speaker 1>next year, and so we we leveled this out. It's

0:21:13.119 --> 0:21:17.720
<v Speaker 1>not such a great deal. In other words, no worries.

0:21:18.280 --> 0:21:21.399
<v Speaker 1>Consider it an advance on next year's Kao. He comes

0:21:21.400 --> 0:21:23.600
<v Speaker 1>so close, and he just really didn't want to see

0:21:23.640 --> 0:21:26.040
<v Speaker 1>this one go down the tubes. He was now fully

0:21:26.080 --> 0:21:28.800
<v Speaker 1>emotionally invested. But then it was time to talk to

0:21:28.840 --> 0:21:31.359
<v Speaker 1>his lenders and explained that he couldn't make his payment

0:21:31.400 --> 0:21:36.240
<v Speaker 1>this year, and they were not emotionally invested. I said, okay,

0:21:36.280 --> 0:21:41.679
<v Speaker 1>this year I present a loss, and they said what

0:21:41.880 --> 0:21:46.840
<v Speaker 1>is the loss? Um, please explain you know, I said, yeah,

0:21:46.880 --> 0:21:50.639
<v Speaker 1>loss is when you don't have earnings. You know you

0:21:50.640 --> 0:21:54.480
<v Speaker 1>you're on the negative. Yeah. Negative is no good? Yeah.

0:21:54.800 --> 0:21:57.840
<v Speaker 1>Oh could we sue you? Yeah? Yeah, you have to

0:21:57.880 --> 0:22:00.560
<v Speaker 1>give us the money back. I said, the money is

0:22:00.600 --> 0:22:03.679
<v Speaker 1>with the people in the jungle. I explained it again

0:22:03.720 --> 0:22:06.840
<v Speaker 1>to you if you want, I'm happy to explain it again.

0:22:07.520 --> 0:22:11.640
<v Speaker 1>So I gave the money. The horfus was low. So

0:22:11.720 --> 0:22:16.160
<v Speaker 1>now we have to recover the loss. Oh loss, no no, no, no, no,

0:22:16.280 --> 0:22:18.280
<v Speaker 1>you have to give us a monthay, I said, I

0:22:18.320 --> 0:22:21.919
<v Speaker 1>have no money. Oh yeah, then we seize your as

0:22:22.119 --> 0:22:31.760
<v Speaker 1>it Okay. I ended up in a lawsuit, total fucking disaster,

0:22:32.480 --> 0:22:35.520
<v Speaker 1>leans on his house and on his business. He had

0:22:35.520 --> 0:22:40.040
<v Speaker 1>to declare bankruptcy. His marriage crumbled. Later, as we were

0:22:40.080 --> 0:22:44.080
<v Speaker 1>driving around Bolivia looking for a cowdibi, Walker confessed just

0:22:44.240 --> 0:22:47.480
<v Speaker 1>how devastating it all was to his life and his psyche.

0:22:47.880 --> 0:22:49.440
<v Speaker 1>I mean, it seems like it must have been hard

0:22:49.960 --> 0:22:53.080
<v Speaker 1>just personally to walk like when you just gotten all

0:22:53.119 --> 0:22:54.879
<v Speaker 1>that recognition, you knew you were making one of the

0:22:54.920 --> 0:23:01.040
<v Speaker 1>best chocolates in the world. It took me, um, you know,

0:23:01.200 --> 0:23:10.639
<v Speaker 1>from basically from fourteen to until last year actually to

0:23:10.800 --> 0:23:20.760
<v Speaker 1>recover um financially or personally, spiritually entirely. Yeah, everything, everything

0:23:21.119 --> 0:23:25.280
<v Speaker 1>a little bit because everything is interlinked, and you know,

0:23:27.280 --> 0:23:31.240
<v Speaker 1>and and I wanted to save ton Kilda, and I

0:23:31.320 --> 0:23:35.160
<v Speaker 1>wanted to save at least you know this part. Yes,

0:23:35.200 --> 0:23:37.320
<v Speaker 1>his creditors were coming for his glove and the cow

0:23:37.400 --> 0:23:40.800
<v Speaker 1>forest man. You must have been furious at a lot

0:23:40.840 --> 0:23:48.000
<v Speaker 1>of people. I had a little it was a section

0:23:48.040 --> 0:23:52.760
<v Speaker 1>of rage and now a pure rage. I would now

0:23:52.800 --> 0:23:54.600
<v Speaker 1>with a gun in my hand, I would have killed

0:23:54.640 --> 0:24:01.639
<v Speaker 1>some people. Maybe. Fortunately he didn't. In fact, at the

0:24:01.680 --> 0:24:05.159
<v Speaker 1>moment of maximum rage, when he thought he might explode,

0:24:05.880 --> 0:24:10.800
<v Speaker 1>he just let it all go. The lawsuits, the frustration,

0:24:11.160 --> 0:24:15.359
<v Speaker 1>the fury gone. The guys who just lost all his

0:24:15.400 --> 0:24:17.640
<v Speaker 1>money in the jungle. He knew they were hard up,

0:24:18.000 --> 0:24:20.119
<v Speaker 1>so we said, why don't you just live in my

0:24:20.160 --> 0:24:22.440
<v Speaker 1>house and trided ad for free until you get back

0:24:22.480 --> 0:24:25.800
<v Speaker 1>on your feet. Ever since, I'm calm. I'm much calm,

0:24:25.880 --> 0:24:32.760
<v Speaker 1>was than be far much more. Oh off, Budda is

0:24:33.840 --> 0:24:41.480
<v Speaker 1>is nothing. You know. I'm more calm than the river

0:24:42.000 --> 0:24:45.160
<v Speaker 1>Sitata was sitting at. Have you ever been in touch

0:24:45.359 --> 0:24:48.680
<v Speaker 1>with those guys? Oh yeah, yeah, yeah, yeah, you know

0:24:48.920 --> 0:24:51.920
<v Speaker 1>I saw. Yeah. Yeah, once in a while I remind

0:24:51.960 --> 0:24:54.760
<v Speaker 1>them to pay me and then they laugh and say, yeah, yeah,

0:24:54.760 --> 0:24:59.640
<v Speaker 1>we do. Is that just kind of how things work here? Yeah? Yeah,

0:24:59.800 --> 0:25:03.440
<v Speaker 1>Just forget about it and go off. It's like a

0:25:03.440 --> 0:25:07.600
<v Speaker 1>pant divorce. You know, you cannot suffer forever, you know,

0:25:08.560 --> 0:25:13.560
<v Speaker 1>you have to go on with your life. And he did.

0:25:14.240 --> 0:25:18.040
<v Speaker 1>In fact, he pulled a full Siddartha. He just decided

0:25:18.119 --> 0:25:22.840
<v Speaker 1>to walk away from Tranquila Dad, from Bolivia, from Cacao,

0:25:23.200 --> 0:25:27.000
<v Speaker 1>from everything, a new start. But he did need to

0:25:27.040 --> 0:25:29.000
<v Speaker 1>make good on his debts, so he took a job

0:25:29.040 --> 0:25:33.200
<v Speaker 1>as a consultant with Conservation International in Costa Rica, living

0:25:33.240 --> 0:25:37.119
<v Speaker 1>like a hermit, saving every penny. And with that, it

0:25:37.200 --> 0:25:40.880
<v Speaker 1>seemed like the dream of wild Cacao had died. Perhaps

0:25:40.880 --> 0:25:44.720
<v Speaker 1>it was just too hard, too remote, too iffy. A

0:25:44.760 --> 0:25:50.200
<v Speaker 1>successful coco business requires predictability, and Amazon eats predictability for breakfast.

0:25:51.119 --> 0:25:53.800
<v Speaker 1>But unbeknownst to Vulcar, even as he struggled to put

0:25:53.840 --> 0:25:56.400
<v Speaker 1>Coco out of his mind for good, the seeds were

0:25:56.400 --> 0:25:59.600
<v Speaker 1>taking hold on new ground, and the next crop of

0:25:59.640 --> 0:26:06.320
<v Speaker 1>cocaw lenders was about to blossom the same year he

0:26:06.400 --> 0:26:10.440
<v Speaker 1>was walking away from the Amazon Louisa Abraham was plunging

0:26:10.480 --> 0:26:16.160
<v Speaker 1>in year by year, just coming and just showing them

0:26:16.200 --> 0:26:20.240
<v Speaker 1>that I was not gonna be defeated, like I was

0:26:20.920 --> 0:26:25.960
<v Speaker 1>going to persist, And she wasn't going to let European

0:26:26.040 --> 0:26:29.320
<v Speaker 1>chocolate makers or loan sharks tell her how to operate.

0:26:30.040 --> 0:26:32.280
<v Speaker 1>She was going to do it all on her own terms.

0:26:33.119 --> 0:26:44.440
<v Speaker 1>A new hope next week on Obsessions Wild Chocolate. Wild

0:26:44.480 --> 0:26:48.080
<v Speaker 1>Chocolate is a Kaleidoscope production with I Heeart Podcasts, hosted

0:26:48.080 --> 0:26:50.960
<v Speaker 1>and reported by me Rowan Jacobson and produced by Shane

0:26:51.040 --> 0:26:54.679
<v Speaker 1>McKeon at Nice Marmot Media, Edited by Kate Osborne and

0:26:54.760 --> 0:26:58.000
<v Speaker 1>my Guest out of Kudor. Sound design and mixing by Soundboard.

0:26:58.520 --> 0:27:02.080
<v Speaker 1>Original music composition by NCER Stevenson, a k a Botany

0:27:02.680 --> 0:27:06.120
<v Speaker 1>production help from Baheeny Shorty from My Heart. Our executive

0:27:06.160 --> 0:27:10.000
<v Speaker 1>producers are Katrina Norbelle and Nikki Etre. Special thanks to

0:27:10.040 --> 0:27:15.760
<v Speaker 1>Laura Mayor, Costaslinos Ozwalash and Aaron Kaufman, Will Pearson, codel Burn,

0:27:16.200 --> 0:27:19.240
<v Speaker 1>Bob Pittman, Daria Daniel and the team at Stetler who

0:27:19.240 --> 0:27:21.440
<v Speaker 1>are helping us make a very special chocolate of our own.

0:27:22.080 --> 0:27:25.080
<v Speaker 1>That's right, we're working with Louisa and others to protect

0:27:25.080 --> 0:27:30.160
<v Speaker 1>the rainforest and make delicious Amazonian chocolate. Visit www Dot

0:27:30.200 --> 0:27:33.440
<v Speaker 1>Stetler dash Chocolate dot com to taste it for yourself.

0:27:34.119 --> 0:27:39.280
<v Speaker 1>That's www. Dot Stetler Dash Chocolate dot com And if

0:27:39.280 --> 0:27:40.840
<v Speaker 1>you want to hear more of this type of content.

0:27:41.119 --> 0:27:43.800
<v Speaker 1>Nothing is more important to the creators here at Kaleidoscope

0:27:43.920 --> 0:27:48.159
<v Speaker 1>than subscribers, ratings, and reviews. Please spread the love wherever

0:27:48.200 --> 0:27:48.560
<v Speaker 1>you listen.