1 00:00:04,400 --> 00:00:09,040 Speaker 1: Hello, Hello, okay, Hi Diamond, all right, sauce on the side. 2 00:00:09,080 --> 00:00:11,799 Speaker 1: What's up. It's Gandhi with my girl Diamond, who I 3 00:00:11,840 --> 00:00:14,120 Speaker 1: absolutely love an a door for a lot of reasons. 4 00:00:15,080 --> 00:00:16,560 Speaker 1: Today is gonna be an interesting episode. 5 00:00:16,800 --> 00:00:18,120 Speaker 2: Hi. 6 00:00:18,880 --> 00:00:23,919 Speaker 1: So I actually we're recording this part before I get 7 00:00:23,960 --> 00:00:26,840 Speaker 1: to the edit. I just talked to Will I Am 8 00:00:27,400 --> 00:00:30,639 Speaker 1: and Taboo of the Black Eyed Peas for maybe an hour. 9 00:00:31,200 --> 00:00:32,880 Speaker 1: Talk to them for a long time. Have a couple 10 00:00:32,920 --> 00:00:37,239 Speaker 1: of takeaways. Taboo, I want to marry. I am not 11 00:00:37,320 --> 00:00:42,680 Speaker 1: the marrying type, but if that man was interested, I'd 12 00:00:42,680 --> 00:00:45,720 Speaker 1: have to think about it, because oh my god, beautiful, 13 00:00:45,960 --> 00:00:50,960 Speaker 1: beautiful man, just like everything about him was he was. 14 00:00:51,479 --> 00:00:54,000 Speaker 1: He just has that like he was like, fuck you up. 15 00:00:55,560 --> 00:00:59,200 Speaker 1: I looked at him, but he has amazing tattoos, his jewelry, 16 00:00:59,240 --> 00:01:02,680 Speaker 1: he was wearing like turk jewelry. Incredible, And I think 17 00:01:02,720 --> 00:01:04,720 Speaker 1: when you hear this interview, you're gonna hear a very 18 00:01:04,800 --> 00:01:08,920 Speaker 1: stark contrast between Taboo and Will I Am. Who could 19 00:01:08,959 --> 00:01:14,160 Speaker 1: be an alien? I'm not sure. Like he was great. 20 00:01:14,160 --> 00:01:18,120 Speaker 1: They were super friendly and like, very very nice. I 21 00:01:18,400 --> 00:01:21,000 Speaker 1: just there were a couple of times I had to 22 00:01:21,120 --> 00:01:23,200 Speaker 1: reset in my brain. What was the question I asked, 23 00:01:23,200 --> 00:01:25,039 Speaker 1: because like we went off and you're gonna hear because 24 00:01:25,080 --> 00:01:28,480 Speaker 1: I'm not taking it out. A moment where Taboo and 25 00:01:28,520 --> 00:01:31,039 Speaker 1: I were like having a whole conversation and he says 26 00:01:31,040 --> 00:01:32,560 Speaker 1: something about Will, and then we went to Will, and 27 00:01:32,600 --> 00:01:35,800 Speaker 1: then Will answered a question from approximately two minutes before, 28 00:01:36,760 --> 00:01:38,280 Speaker 1: and then was like, wait, what are you gonna talk about? 29 00:01:39,200 --> 00:01:39,360 Speaker 2: Oh? 30 00:01:39,400 --> 00:01:42,520 Speaker 1: You guys had like a whole conversation, right, It was great. 31 00:01:42,520 --> 00:01:46,120 Speaker 1: It was a really fun interview. Again, Taboo, Hello, I 32 00:01:46,120 --> 00:01:47,960 Speaker 1: don't even if he's single, Probably shouldn't even say this 33 00:01:48,320 --> 00:01:48,840 Speaker 1: this free. 34 00:01:48,720 --> 00:01:51,040 Speaker 2: Yea, but yeah. 35 00:01:51,080 --> 00:01:55,400 Speaker 1: And then also Will said in the interview that one 36 00:01:55,400 --> 00:01:57,440 Speaker 1: of the things that I brought up he didn't want 37 00:01:57,480 --> 00:02:00,280 Speaker 1: to address while the cameras were rolling, but he would 38 00:02:00,280 --> 00:02:03,120 Speaker 1: address later because it was very dark. And then they 39 00:02:03,120 --> 00:02:04,960 Speaker 1: got ushered out of the studio so fast. Because I 40 00:02:05,000 --> 00:02:06,360 Speaker 1: talked to them for so long, I never had to 41 00:02:06,360 --> 00:02:08,799 Speaker 1: find out what it was. So I'm gonna try to 42 00:02:08,880 --> 00:02:10,640 Speaker 1: chase them down and figure this out. 43 00:02:11,200 --> 00:02:12,080 Speaker 2: What do you think it was? 44 00:02:12,720 --> 00:02:16,519 Speaker 1: We will find out. I will go see if there's 45 00:02:16,600 --> 00:02:19,520 Speaker 1: any type of resolution to it. They have another interview 46 00:02:19,560 --> 00:02:21,760 Speaker 1: down the hallway in a second, so they're not leaving 47 00:02:22,800 --> 00:02:25,679 Speaker 1: but yeah. And I also when I when they walked 48 00:02:25,720 --> 00:02:28,760 Speaker 1: out of the studio, I was like, oh my god, taboo, 49 00:02:28,960 --> 00:02:32,720 Speaker 1: And shockingly, Diamond was like, yeah, no, yeah, whoa. I 50 00:02:32,720 --> 00:02:35,880 Speaker 1: feel like we don't often agree on dudes, but no. 51 00:02:35,760 --> 00:02:38,600 Speaker 2: But he's yeah, oh yeah. 52 00:02:38,520 --> 00:02:41,919 Speaker 1: Oh yeah, everything about him, sir, look at us being 53 00:02:41,960 --> 00:02:45,720 Speaker 1: complete goofs What okay? What are the odds that in 54 00:02:45,800 --> 00:02:48,400 Speaker 1: the last episode we were talking about if I'm attracted 55 00:02:48,400 --> 00:02:52,120 Speaker 1: to somebody, I can't function or focus around them. I 56 00:02:52,280 --> 00:02:55,560 Speaker 1: did with him, but what happened? I was sweating, like 57 00:02:55,800 --> 00:02:58,160 Speaker 1: dripping sweats so bad. 58 00:02:58,840 --> 00:03:00,480 Speaker 2: We love to see a nerve queen. 59 00:03:01,440 --> 00:03:01,760 Speaker 3: Oh. 60 00:03:01,800 --> 00:03:03,200 Speaker 1: He came to give me a hug at the end, 61 00:03:03,240 --> 00:03:04,560 Speaker 1: and I was like, please don't touch me. This is 62 00:03:04,560 --> 00:03:08,160 Speaker 1: gonna be so bad. Just look at that face, the 63 00:03:08,320 --> 00:03:13,800 Speaker 1: fatal hair, the personality. Give me that anyway. Look at 64 00:03:13,840 --> 00:03:17,880 Speaker 1: us just fawning all over him. He's amazing. It's Taboo 65 00:03:17,919 --> 00:03:20,720 Speaker 1: and Will I Am from the Black Eyed Peas do 66 00:03:20,800 --> 00:03:22,639 Speaker 1: with this what you will? We talked about a lot 67 00:03:22,680 --> 00:03:29,360 Speaker 1: of stuff Taboo and will I am. How are you? 68 00:03:29,600 --> 00:03:30,000 Speaker 4: How are you? 69 00:03:31,280 --> 00:03:33,680 Speaker 1: Yeah? Okay, I'm doing very well and I love the 70 00:03:33,680 --> 00:03:36,040 Speaker 1: project that you guys are currently working on. East La. 71 00:03:36,120 --> 00:03:36,920 Speaker 4: Did you watch the video? 72 00:03:37,000 --> 00:03:38,680 Speaker 1: I watched the video. I watched it all the way 73 00:03:38,720 --> 00:03:40,720 Speaker 1: to the end to hear what you have to say 74 00:03:40,840 --> 00:03:42,600 Speaker 1: about East La, and I would like to start there. 75 00:03:42,800 --> 00:03:44,840 Speaker 1: So the two of you are from East Lay, Yes, 76 00:03:45,200 --> 00:03:47,400 Speaker 1: and this song, as you guys have covered in the past, 77 00:03:47,440 --> 00:03:49,600 Speaker 1: you guys have tackled some heavier subject when you did 78 00:03:49,680 --> 00:03:51,839 Speaker 1: Where's the Love? That was very important at the time. 79 00:03:52,400 --> 00:03:55,360 Speaker 1: It's wild to think all these years later, we're still 80 00:03:55,440 --> 00:03:58,920 Speaker 1: in that vein of what the fuck is going on here? 81 00:03:59,400 --> 00:04:02,880 Speaker 1: And it's worse so with you guys with East La. 82 00:04:03,280 --> 00:04:05,200 Speaker 1: Who wants to fill me in on where the concept 83 00:04:05,240 --> 00:04:07,440 Speaker 1: came from this and what is specifically is about. 84 00:04:08,440 --> 00:04:09,920 Speaker 4: I wrote the. 85 00:04:09,840 --> 00:04:12,960 Speaker 5: Song just in celebration of the neighborhood. I have a 86 00:04:13,920 --> 00:04:18,599 Speaker 5: program teaching kids computer science and robotics and college prep, 87 00:04:18,839 --> 00:04:22,320 Speaker 5: and we have awesome scholars at the program, and I 88 00:04:22,360 --> 00:04:25,960 Speaker 5: wanted to celebrate the neighborhood and thank the neighborhood for 89 00:04:26,080 --> 00:04:30,080 Speaker 5: all the awesome memories, the culture, the vibration. This is 90 00:04:30,120 --> 00:04:33,280 Speaker 5: before the Ice raids. I just wanted to celebrate the neighborhood. 91 00:04:33,600 --> 00:04:37,680 Speaker 5: The Black Eyed Peas were out on tour and I'm like, yo, Dad, 92 00:04:37,720 --> 00:04:40,600 Speaker 5: wouldn't it be dope if we took that Carlos Santana 93 00:04:40,680 --> 00:04:44,240 Speaker 5: song and just highlighted the East La part. And so 94 00:04:44,320 --> 00:04:47,080 Speaker 5: that was always on my mind, and then the ice 95 00:04:47,160 --> 00:04:49,920 Speaker 5: raids happened, So I'm like, yo, we needed to make 96 00:04:49,960 --> 00:04:54,080 Speaker 5: a song that changes the vibration and celebrates the neighborhood 97 00:04:54,360 --> 00:04:59,240 Speaker 5: because there's been fear pumped into our community. They've been sloppily, clumsily. 98 00:04:59,400 --> 00:05:02,680 Speaker 5: I hope it sloppily clumsily, because if it was strategically, 99 00:05:03,000 --> 00:05:07,599 Speaker 5: that's just inhumane, going after people that are brown mask 100 00:05:07,720 --> 00:05:12,520 Speaker 5: men and unmarked cars, nabbing residents. They even nabbed a 101 00:05:12,560 --> 00:05:15,880 Speaker 5: person who served in the military, right because he's Latin. 102 00:05:16,080 --> 00:05:20,080 Speaker 5: So that mandate someone in government approved it went a mess. 103 00:05:20,560 --> 00:05:21,640 Speaker 4: He just grabbed anybody. 104 00:05:21,960 --> 00:05:24,560 Speaker 1: It's insane. Yeah, that kidnapping people in broad daily, Yeah, 105 00:05:24,560 --> 00:05:25,280 Speaker 1: in their own neighborhood. 106 00:05:25,360 --> 00:05:26,760 Speaker 4: Families being taken away. 107 00:05:26,640 --> 00:05:28,320 Speaker 1: And people are just letting this happen. 108 00:05:28,440 --> 00:05:30,520 Speaker 5: Yeah, and you couldn't even like who was it? Can 109 00:05:30,560 --> 00:05:32,479 Speaker 5: you give me a description? But how would you know 110 00:05:32,560 --> 00:05:35,440 Speaker 5: the difference between a kidnapper and these folks? 111 00:05:35,520 --> 00:05:37,160 Speaker 1: And how do we know that that hasn't happened at 112 00:05:37,200 --> 00:05:39,280 Speaker 1: some point in the process of all of this. So 113 00:05:39,960 --> 00:05:42,640 Speaker 1: what is Eastla like for you guys right now? Because 114 00:05:42,640 --> 00:05:44,760 Speaker 1: I think one of the things that happens a lot, 115 00:05:44,960 --> 00:05:46,720 Speaker 1: we see it here in New York. We've seen these 116 00:05:46,720 --> 00:05:48,880 Speaker 1: things happening. You guys are seeing it in La and 117 00:05:49,400 --> 00:05:51,960 Speaker 1: the cities between those two places. I think a lot 118 00:05:52,000 --> 00:05:53,720 Speaker 1: of people are having a hard time believing that this 119 00:05:53,760 --> 00:05:56,039 Speaker 1: is going on and wrapping their heads around how it 120 00:05:56,080 --> 00:05:59,240 Speaker 1: actually happened. So for you, Yabo, what is Estla like 121 00:05:59,320 --> 00:06:00,160 Speaker 1: right now? 122 00:06:00,480 --> 00:06:04,480 Speaker 3: Honestly, we've been through a crazy twenty twenty five starting 123 00:06:04,520 --> 00:06:09,360 Speaker 3: with the fires Altadena, Palisades, Malibu, So as a Angelino, 124 00:06:09,920 --> 00:06:12,560 Speaker 3: we're heavily affected by that. Maybe people think it's over, 125 00:06:12,600 --> 00:06:15,160 Speaker 3: but it's not. There's still a lot of remnants of, 126 00:06:15,480 --> 00:06:17,839 Speaker 3: you know, getting back to a healing, some former healing. 127 00:06:18,200 --> 00:06:20,400 Speaker 3: So that was the beginning of the year. Then you 128 00:06:20,440 --> 00:06:23,320 Speaker 3: get to the ice rates and the energy of the 129 00:06:23,360 --> 00:06:26,520 Speaker 3: people needing healing as well, like who's standing up for us, 130 00:06:26,600 --> 00:06:30,919 Speaker 3: Who's who's gonna champion Latinos, Mexicanos, who's going to champion us? 131 00:06:30,960 --> 00:06:32,200 Speaker 4: Even other people from. 132 00:06:32,000 --> 00:06:37,039 Speaker 3: Salvador, from Guatemala, Nicaraua, all these different people that make 133 00:06:37,120 --> 00:06:40,039 Speaker 3: up Los Angeles as a mosaic of cultural representation. 134 00:06:40,440 --> 00:06:42,800 Speaker 4: It felt like East LA Boyle. 135 00:06:42,600 --> 00:06:45,280 Speaker 3: Heights, and I'll say Will has more and more connection 136 00:06:45,360 --> 00:06:48,600 Speaker 3: to it because he's always there. But the idea of 137 00:06:48,839 --> 00:06:52,080 Speaker 3: people standing together is powerful, and I think that's where 138 00:06:52,560 --> 00:06:54,400 Speaker 3: East LA is right now. It's like, how do we 139 00:06:54,760 --> 00:06:57,880 Speaker 3: find solace in peace amongst each other and standing with. 140 00:06:57,839 --> 00:06:59,000 Speaker 4: The people that are affected. 141 00:06:59,200 --> 00:07:01,400 Speaker 3: The balda man and the food detO, you know, the 142 00:07:01,400 --> 00:07:04,040 Speaker 3: people in the factories, the ladies that are taking care 143 00:07:04,080 --> 00:07:08,040 Speaker 3: of kids in freaking you know, Brentwood and Beverly Hills. 144 00:07:08,200 --> 00:07:09,640 Speaker 4: Those are the people that we're speaking to. 145 00:07:09,880 --> 00:07:13,320 Speaker 5: In Boyle Heights. You have more mom and pop stores 146 00:07:13,480 --> 00:07:17,040 Speaker 5: in Boyle Heights than you do across LA. And so 147 00:07:17,640 --> 00:07:21,600 Speaker 5: from Boyle Heights, from my perspective, there's fear. By five o'clock, 148 00:07:21,840 --> 00:07:23,160 Speaker 5: there's usually traffic. 149 00:07:23,240 --> 00:07:24,280 Speaker 4: There's not that much traffic. 150 00:07:24,560 --> 00:07:25,440 Speaker 1: Wow, okay. 151 00:07:25,680 --> 00:07:28,120 Speaker 5: You would think we're gonna go out there, We're going 152 00:07:28,200 --> 00:07:30,720 Speaker 5: to apprehend criminals. You would think people are like, oh, Wow, 153 00:07:30,760 --> 00:07:32,000 Speaker 5: our neighborhood's gonna be safer. 154 00:07:32,920 --> 00:07:33,240 Speaker 4: It's not. 155 00:07:33,600 --> 00:07:36,560 Speaker 5: And it didn't come with like a relief. It came 156 00:07:36,600 --> 00:07:37,800 Speaker 5: with angst. 157 00:07:37,560 --> 00:07:39,800 Speaker 1: Because they're not grabbing criminals they're grabbing dads and moms 158 00:07:39,800 --> 00:07:41,200 Speaker 1: and claws families. 159 00:07:40,920 --> 00:07:44,640 Speaker 4: Bizarre, which is like cowardly and causes. 160 00:07:44,360 --> 00:07:47,160 Speaker 1: Such long term generational damage if these things don't actually 161 00:07:47,240 --> 00:07:49,600 Speaker 1: end up working out, you're splitting families apart and then 162 00:07:49,640 --> 00:07:52,840 Speaker 1: expecting them to carry on and be good, upstanding citizens. 163 00:07:52,840 --> 00:07:54,160 Speaker 5: How does that happen America? 164 00:07:54,200 --> 00:07:54,880 Speaker 4: Be in America? 165 00:07:55,200 --> 00:07:57,840 Speaker 5: You would think it would have been executed at the 166 00:07:57,920 --> 00:08:02,080 Speaker 5: highest Apple level, with the highest Google level. 167 00:08:02,840 --> 00:08:05,160 Speaker 1: I would have thought that at one point Ford level. 168 00:08:05,160 --> 00:08:05,880 Speaker 1: I don't know anymore. 169 00:08:05,960 --> 00:08:08,000 Speaker 5: Yeah, pristine execution. 170 00:08:08,480 --> 00:08:11,400 Speaker 4: Our city's beautiful because of these folks. Food is in. 171 00:08:11,480 --> 00:08:16,200 Speaker 5: Our supermarkets are local markets. They know how important these 172 00:08:16,200 --> 00:08:17,880 Speaker 5: people are, So you'd think we would have done it. 173 00:08:17,960 --> 00:08:21,840 Speaker 5: You think there would be some strategy utilizing the technology. 174 00:08:21,960 --> 00:08:24,000 Speaker 5: You probably didn't see that, but there was a satellite 175 00:08:24,000 --> 00:08:26,880 Speaker 5: that went across our head one thousand miles an hour 176 00:08:27,000 --> 00:08:29,800 Speaker 5: that saw through this building. They know where these people are. 177 00:08:29,880 --> 00:08:31,280 Speaker 5: It's twenty twenty five. 178 00:08:31,200 --> 00:08:32,480 Speaker 1: But it feels like nineteen fifty. 179 00:08:32,600 --> 00:08:34,760 Speaker 4: But it feels like sloppiness. 180 00:08:35,120 --> 00:08:39,320 Speaker 5: It's an inhumane disregard a tactic that's happening to brown people. 181 00:08:39,360 --> 00:08:43,720 Speaker 3: Yeah, fears has been a horrible trauma to a lot 182 00:08:43,760 --> 00:08:47,760 Speaker 3: of people, especially the kids, you know, me being a parent, 183 00:08:47,840 --> 00:08:50,880 Speaker 3: seeing how other parents are, you know, getting taken away 184 00:08:50,880 --> 00:08:53,439 Speaker 3: from their kids, and the kids are screaming, and you know, 185 00:08:53,600 --> 00:08:56,440 Speaker 3: what's the outcome of their future with the trauma and 186 00:08:56,480 --> 00:08:59,720 Speaker 3: the experience and just the negativity that comes from that. 187 00:09:00,559 --> 00:09:03,559 Speaker 5: And people get confused. They're like, so when are you saying, well, 188 00:09:03,600 --> 00:09:05,040 Speaker 5: I am on our border should be open. 189 00:09:05,160 --> 00:09:06,199 Speaker 4: No, that's not what I'm saying. 190 00:09:06,240 --> 00:09:08,160 Speaker 1: People take it from one extreme to the other. So 191 00:09:08,200 --> 00:09:09,840 Speaker 1: you're saying, I think we should be reasonable, and people 192 00:09:09,880 --> 00:09:11,080 Speaker 1: are like, oh, well, I just guess you don't care 193 00:09:11,080 --> 00:09:12,960 Speaker 1: about immigration at all. Let all the criminals in. 194 00:09:13,200 --> 00:09:17,040 Speaker 5: Yeah, there's a whole spectrum there, right, and so there 195 00:09:17,080 --> 00:09:22,200 Speaker 5: should be some effort to acknowledge while keeping our community safe. No, Angst, 196 00:09:22,280 --> 00:09:25,280 Speaker 5: there should be a civil path, a civilized path to 197 00:09:25,360 --> 00:09:28,520 Speaker 5: do that. Now, what would it feel like if they 198 00:09:28,559 --> 00:09:32,560 Speaker 5: went and did raids in Middle America? They're like, Yo, 199 00:09:32,720 --> 00:09:34,880 Speaker 5: this myth stuff is out of hand. They want to 200 00:09:34,920 --> 00:09:37,960 Speaker 5: anybody that looked like they sold meth put them in 201 00:09:38,000 --> 00:09:41,920 Speaker 5: some camp. You would think that's inhumane because you know 202 00:09:41,960 --> 00:09:46,280 Speaker 5: the stereotype. Because TV and Breaking Bad did an awesome 203 00:09:46,360 --> 00:09:48,800 Speaker 5: job telling you what they look like. 204 00:09:49,600 --> 00:09:52,080 Speaker 4: Anybody that looks like a school shooter. You know what 205 00:09:52,120 --> 00:09:53,400 Speaker 4: school shooters look like? 206 00:09:53,840 --> 00:09:54,560 Speaker 1: Young white males. 207 00:09:54,840 --> 00:09:58,480 Speaker 5: Yes, right, And there's been far more school shootings, yes, 208 00:09:58,640 --> 00:10:00,000 Speaker 5: than there has been immigrants. 209 00:10:00,120 --> 00:10:01,800 Speaker 4: It's terrorizing our community. 210 00:10:01,960 --> 00:10:04,560 Speaker 5: Now, imagine anybody that looks like and there is a 211 00:10:04,600 --> 00:10:07,880 Speaker 5: look you could do a movie cast and be like, yo. 212 00:10:07,800 --> 00:10:09,400 Speaker 4: You cast that pretty cool? That actually looks like a 213 00:10:09,400 --> 00:10:09,959 Speaker 4: school shooter. 214 00:10:10,600 --> 00:10:13,160 Speaker 5: As crazy as that may sound, I know, I'm diving 215 00:10:13,160 --> 00:10:16,040 Speaker 5: into the extreme stereotype. They just dove into the extreme 216 00:10:16,120 --> 00:10:19,800 Speaker 5: stereotype and how they're executing what's happening in our communities. 217 00:10:20,040 --> 00:10:22,360 Speaker 3: And we've seen this before, you know, in the eighties 218 00:10:22,600 --> 00:10:25,800 Speaker 3: it was a huge thing when people say lamia and 219 00:10:25,880 --> 00:10:28,400 Speaker 3: it was a thing, right, And so we got through that. 220 00:10:28,559 --> 00:10:31,360 Speaker 3: We still have remnants of, like how do we bounce 221 00:10:31,440 --> 00:10:34,679 Speaker 3: back from that era? Now you go into twenty twenty 222 00:10:34,720 --> 00:10:37,840 Speaker 3: five and it's the cell phone era, and you know, 223 00:10:38,040 --> 00:10:41,480 Speaker 3: information being fed to everybody. You see all these clips 224 00:10:41,520 --> 00:10:45,680 Speaker 3: of like misguided information. Oh they're burning or they're looting 225 00:10:45,880 --> 00:10:48,800 Speaker 3: or you know, and we see that, yeah, all that. 226 00:10:49,160 --> 00:10:52,640 Speaker 3: So it's just wanted to have a clear picture of 227 00:10:52,679 --> 00:10:55,800 Speaker 3: what's happening in Los Angeles and I think encapsulating that 228 00:10:56,240 --> 00:10:59,080 Speaker 3: with a message of healing and how we are able 229 00:10:59,080 --> 00:11:01,520 Speaker 3: to stand together as is important to this whole thing. 230 00:11:01,800 --> 00:11:03,440 Speaker 1: It is really tough right now to try and stand 231 00:11:03,440 --> 00:11:06,520 Speaker 1: together because everything has really divided. Of course, race has 232 00:11:06,559 --> 00:11:09,640 Speaker 1: divided people, Politics has divided people, class has divided people, 233 00:11:10,000 --> 00:11:12,360 Speaker 1: and I don't know how that's necessarily going to improve 234 00:11:12,440 --> 00:11:16,199 Speaker 1: in the future. But to your point, will of imagine 235 00:11:16,200 --> 00:11:17,760 Speaker 1: if we rounded up all the people who looked a 236 00:11:17,760 --> 00:11:20,800 Speaker 1: certain way, It is interesting how it's not interesting. It's 237 00:11:20,840 --> 00:11:24,160 Speaker 1: actually very pathetic that one to classify immigrants as brown 238 00:11:24,160 --> 00:11:27,319 Speaker 1: people as wild because the first immigrants that came here 239 00:11:27,320 --> 00:11:30,559 Speaker 1: were white people, and they're the ones who have really 240 00:11:30,720 --> 00:11:33,360 Speaker 1: caused a lot of damage to a specific community, Native Americans. 241 00:11:33,400 --> 00:11:35,000 Speaker 1: We watch what happened there, it seems like now they're 242 00:11:35,040 --> 00:11:37,360 Speaker 1: afraid that could happen to them, and now some people 243 00:11:37,440 --> 00:11:40,480 Speaker 1: are sort of clawing. But you're going after the brown 244 00:11:40,520 --> 00:11:43,439 Speaker 1: people and you're importing white people, which is fascinating when 245 00:11:43,440 --> 00:11:46,000 Speaker 1: you bring in South Africans and say this is fine. 246 00:11:46,080 --> 00:11:48,200 Speaker 1: And by the way, at least one of those people 247 00:11:48,240 --> 00:11:51,320 Speaker 1: who was brought in did murder his wife within weeks 248 00:11:51,400 --> 00:11:53,439 Speaker 1: of him being here. No one's talking about these things 249 00:11:53,440 --> 00:11:55,280 Speaker 1: and no one's worried about it. So if you're worried 250 00:11:55,280 --> 00:11:57,320 Speaker 1: about criminals, that is a criminal. If you're worried about 251 00:11:57,320 --> 00:12:00,320 Speaker 1: people not working and sucking off the system, why are 252 00:12:00,360 --> 00:12:02,480 Speaker 1: you arresting people at their jobs. It is a really 253 00:12:02,559 --> 00:12:04,680 Speaker 1: wild dance that's happening right now, and it's sad and 254 00:12:04,720 --> 00:12:08,680 Speaker 1: pathetic for you, guys. What do you see as a 255 00:12:08,720 --> 00:12:11,320 Speaker 1: way to affect change? Do you see a way to 256 00:12:11,360 --> 00:12:12,440 Speaker 1: affect change right now? 257 00:12:12,559 --> 00:12:14,400 Speaker 4: It's a beautiful question. You're really good. 258 00:12:15,400 --> 00:12:18,120 Speaker 5: First, you have to start with acknowledging. You start there, 259 00:12:18,160 --> 00:12:20,920 Speaker 5: and that's what this song is about. His acknowledging and 260 00:12:21,040 --> 00:12:25,480 Speaker 5: celebrating and appreciating their contributions and meeting them. 261 00:12:25,360 --> 00:12:26,000 Speaker 4: Where they are. 262 00:12:26,200 --> 00:12:29,440 Speaker 5: And then you have to and we haven't even started 263 00:12:29,440 --> 00:12:31,280 Speaker 5: there as a collective, right A. 264 00:12:31,280 --> 00:12:33,560 Speaker 1: Lot of people are saying it's not actually happening, or 265 00:12:33,880 --> 00:12:35,840 Speaker 1: they're disregarding how serious it is. 266 00:12:36,080 --> 00:12:38,559 Speaker 5: And then at the same time turn a blind eye 267 00:12:38,600 --> 00:12:41,760 Speaker 5: to the criminals here in America. 268 00:12:41,440 --> 00:12:42,280 Speaker 4: Shoot up schools. 269 00:12:42,480 --> 00:12:45,840 Speaker 5: And then the zoning, because the zoning is responsible for 270 00:12:45,880 --> 00:12:49,000 Speaker 5: this industrial prison complex that we have where black and 271 00:12:49,040 --> 00:12:51,679 Speaker 5: brown folks are the ones that are in that pipeline 272 00:12:51,800 --> 00:12:55,640 Speaker 5: to go to these prisons if the zoning is configured 273 00:12:55,679 --> 00:12:59,280 Speaker 5: to where there's no investment on their education, no investment 274 00:12:59,720 --> 00:13:04,120 Speaker 5: and community building, and then there's a private size organization 275 00:13:04,200 --> 00:13:07,040 Speaker 5: that benefits from that. Okay, yeah, and so along. 276 00:13:06,800 --> 00:13:09,240 Speaker 3: With what he just said that, we also are connected 277 00:13:09,280 --> 00:13:13,319 Speaker 3: to Protect Your Rights, which is a application or actually 278 00:13:13,360 --> 00:13:18,319 Speaker 3: a project on Will's app called FIKA and basically you 279 00:13:18,360 --> 00:13:21,240 Speaker 3: could get the latest news and updates knowing your rights, 280 00:13:21,440 --> 00:13:26,880 Speaker 3: how you can help rapid response, legal support and safety 281 00:13:26,920 --> 00:13:30,840 Speaker 3: guides and ways to really amplify and be a part 282 00:13:30,960 --> 00:13:33,280 Speaker 3: of solution, and how you can be of service as well. 283 00:13:33,320 --> 00:13:35,240 Speaker 1: Perfect I see how you guys work well together because 284 00:13:35,240 --> 00:13:36,600 Speaker 1: you came at it for more of like a macro 285 00:13:36,720 --> 00:13:39,000 Speaker 1: angle of this huge thing that needs to be done, 286 00:13:39,000 --> 00:13:41,520 Speaker 1: which is important, and then you've got the hey day 287 00:13:41,559 --> 00:13:43,440 Speaker 1: to day this is what people can do right now, 288 00:13:43,760 --> 00:13:46,760 Speaker 1: Which to that point with you guys, are you seeing 289 00:13:46,760 --> 00:13:50,440 Speaker 1: communities band together and protect people when these ice rays 290 00:13:50,440 --> 00:13:52,640 Speaker 1: are happening? And is that actually effective right now? Because 291 00:13:52,640 --> 00:13:54,840 Speaker 1: there have been a couple of neighborhoods here where I 292 00:13:54,960 --> 00:13:57,280 Speaker 1: showed up and the community came out and was like 293 00:13:57,320 --> 00:13:57,960 Speaker 1: absolutely not. 294 00:13:58,080 --> 00:14:00,720 Speaker 5: No, we've seen yeah, we see that. 295 00:14:00,360 --> 00:14:04,040 Speaker 1: And definitely is it effective? Is it working? 296 00:14:04,360 --> 00:14:06,480 Speaker 3: I mean the people come together to try to stop, 297 00:14:06,559 --> 00:14:09,280 Speaker 3: you know, families from getting taken away, and like you said, 298 00:14:09,480 --> 00:14:12,360 Speaker 3: people mask on mark cars like you're you're taking somebody 299 00:14:12,360 --> 00:14:15,040 Speaker 3: from our community. We're gonna we're gonna protect them good. 300 00:14:15,200 --> 00:14:17,840 Speaker 1: So would you guys say that throughout your career this 301 00:14:18,040 --> 00:14:20,560 Speaker 1: is the most important song or one of the most 302 00:14:20,600 --> 00:14:21,640 Speaker 1: important that you've worked on. 303 00:14:21,880 --> 00:14:25,479 Speaker 5: I think it's just another era where we activate ourselves 304 00:14:25,600 --> 00:14:29,880 Speaker 5: to highlight what's happening. But yeah, we always apply ourselves 305 00:14:29,880 --> 00:14:33,000 Speaker 5: to an issue that's happening in the world, and this 306 00:14:33,040 --> 00:14:36,520 Speaker 5: one is It's not a political song lyrically, like I 307 00:14:36,560 --> 00:14:39,800 Speaker 5: Got a feeling's not, but it's in response to what's 308 00:14:39,840 --> 00:14:44,320 Speaker 5: going on. And then the testimony after the song gives 309 00:14:44,320 --> 00:14:45,720 Speaker 5: you the reason why we wrote the song. 310 00:14:45,960 --> 00:14:48,120 Speaker 4: I want to do that more. You know. 311 00:14:48,240 --> 00:14:50,760 Speaker 5: The only thing in the song that talks about it 312 00:14:50,800 --> 00:14:54,240 Speaker 5: specifically is I love mexicanas from the border. Make her 313 00:14:54,320 --> 00:14:57,320 Speaker 5: my wife so Ice won't deport her. Turns out to 314 00:14:57,320 --> 00:15:00,440 Speaker 5: be wrong because Ice will deport her. Yeah, even if 315 00:15:00,440 --> 00:15:03,800 Speaker 5: you marry her, all right, and salute to the military. 316 00:15:04,000 --> 00:15:06,640 Speaker 5: Get his name, but thank you for your service, and 317 00:15:06,760 --> 00:15:07,600 Speaker 5: it's unfortunate. 318 00:15:07,840 --> 00:15:08,480 Speaker 4: I'm sorry. 319 00:15:08,480 --> 00:15:12,280 Speaker 5: I apologize on behalf of all things American that you 320 00:15:12,360 --> 00:15:16,400 Speaker 5: got apprehended and mistreated by your own country that you protected. 321 00:15:16,720 --> 00:15:19,560 Speaker 3: Yeah, I also add, as we know, art and music 322 00:15:19,640 --> 00:15:22,080 Speaker 3: is subjective, right, people receive it how they want to 323 00:15:22,080 --> 00:15:24,920 Speaker 3: receive it. So this song may not speak to the 324 00:15:24,960 --> 00:15:26,880 Speaker 3: world the way I Got a Feeling spoke to them. 325 00:15:27,120 --> 00:15:30,960 Speaker 3: But really it's our version of if this makes us happy, 326 00:15:31,400 --> 00:15:33,680 Speaker 3: and we want to create something that's a time capsule, 327 00:15:33,760 --> 00:15:36,640 Speaker 3: what's happening. That's us just saying, you know what, whether 328 00:15:36,680 --> 00:15:38,840 Speaker 3: you receive it or not, if this is not the 329 00:15:38,880 --> 00:15:41,000 Speaker 3: same frequency that you tapped into when you fell in 330 00:15:41,000 --> 00:15:43,360 Speaker 3: love with I Got a Feeling, it's okay, you know, 331 00:15:43,440 --> 00:15:46,800 Speaker 3: because someone will hear it and feel inspired, motivated and 332 00:15:47,320 --> 00:15:48,880 Speaker 3: feel heard and seen. 333 00:15:49,400 --> 00:15:52,000 Speaker 1: Absolutely, you get to touch people in different ways when 334 00:15:52,040 --> 00:15:54,520 Speaker 1: it comes to the creative process for you guys, and 335 00:15:54,560 --> 00:15:56,360 Speaker 1: you think of okay, obviously we see where you came 336 00:15:56,440 --> 00:15:58,640 Speaker 1: up with this song, but in general, are you ever 337 00:15:58,720 --> 00:16:00,480 Speaker 1: just sitting there and something hits you and you make 338 00:16:00,480 --> 00:16:02,040 Speaker 1: a note in your phone, Hey, this is going to 339 00:16:02,040 --> 00:16:04,680 Speaker 1: be a dope song. And now fast forward five years, 340 00:16:04,680 --> 00:16:07,480 Speaker 1: you've got an entire, long, long note of songs that 341 00:16:07,520 --> 00:16:08,840 Speaker 1: you want to release and haven't done yet. 342 00:16:08,880 --> 00:16:09,560 Speaker 4: Will's good at that. 343 00:16:09,640 --> 00:16:11,560 Speaker 1: Will's good at that. Yeah, let's see your phone, Will. 344 00:16:11,960 --> 00:16:13,760 Speaker 5: So what was? 345 00:16:13,920 --> 00:16:14,200 Speaker 4: What was? 346 00:16:16,080 --> 00:16:16,160 Speaker 3: So? 347 00:16:16,240 --> 00:16:18,080 Speaker 1: What is your writing process? You have a bunch of 348 00:16:18,120 --> 00:16:20,000 Speaker 1: unreleased music that you has just hit you at one 349 00:16:20,040 --> 00:16:22,160 Speaker 1: point in one way or another, and now you're saving 350 00:16:22,200 --> 00:16:23,320 Speaker 1: it to release at some point. 351 00:16:25,160 --> 00:16:25,360 Speaker 4: Oh. 352 00:16:25,520 --> 00:16:29,440 Speaker 5: His name is George ratis a US Army veteran and 353 00:16:29,480 --> 00:16:33,640 Speaker 5: citizen who was detained during an immigration rate in Camarillo, California, 354 00:16:33,680 --> 00:16:37,160 Speaker 5: on July tenth, twenty twenty five. Ratiz claims he was 355 00:16:37,280 --> 00:16:40,920 Speaker 5: pepper sprayed and forcefully removed from his vehicle despite identifying 356 00:16:41,000 --> 00:16:44,760 Speaker 5: himself as a citizen, and suffered energies sustained during his 357 00:16:44,840 --> 00:16:47,720 Speaker 5: service in Iraq. He was held for three days without 358 00:16:47,840 --> 00:16:50,400 Speaker 5: charges or access to legal counsel. 359 00:16:50,480 --> 00:16:51,480 Speaker 4: I mean that's just horrible. 360 00:16:51,520 --> 00:16:53,560 Speaker 1: Oh yeah, the Constitution's going off the window because you're 361 00:16:53,560 --> 00:16:56,280 Speaker 1: not actually allowed to do that to people for our constitution. 362 00:16:56,400 --> 00:16:58,720 Speaker 3: To answer your question. Yeah, So one of the things 363 00:16:58,760 --> 00:17:02,760 Speaker 3: that he held on too that was magical was Girl 364 00:17:02,800 --> 00:17:03,760 Speaker 3: Like Me with Chakda. 365 00:17:04,440 --> 00:17:06,879 Speaker 5: So you guys are talking about Sorry, my mind was 366 00:17:06,920 --> 00:17:11,480 Speaker 5: looking for Georgeatista's day. I saw conversation we. 367 00:17:11,520 --> 00:17:14,840 Speaker 4: Did they did it? She asked a question. 368 00:17:16,080 --> 00:17:18,720 Speaker 3: I was still on the last so she said, is 369 00:17:18,760 --> 00:17:23,000 Speaker 3: there times that you've created something on your voice memo 370 00:17:23,160 --> 00:17:26,400 Speaker 3: or held onto an idea that later on came out 371 00:17:26,480 --> 00:17:28,080 Speaker 3: and was something special. 372 00:17:28,320 --> 00:17:28,560 Speaker 4: Yeah. 373 00:17:28,600 --> 00:17:31,480 Speaker 5: So Girl Like Me was a song that I recorded 374 00:17:31,480 --> 00:17:34,440 Speaker 5: in two thousand and eight with Shakira, but it didn't 375 00:17:34,480 --> 00:17:37,160 Speaker 5: come out to two thousand and twenty. That's a full 376 00:17:37,440 --> 00:17:42,880 Speaker 5: decade in the year. There's there's verses and you know, beats. 377 00:17:43,320 --> 00:17:46,000 Speaker 5: The back end beat for where Is the Love was 378 00:17:46,040 --> 00:17:49,200 Speaker 5: a sketch that I did on a on an album 379 00:17:49,640 --> 00:17:53,360 Speaker 5: must be twenty one. But yeah, I always have pieces 380 00:17:53,680 --> 00:17:57,560 Speaker 5: that I re reconfigure or elements that I have hidden 381 00:17:57,960 --> 00:18:01,080 Speaker 5: in my hard drive, and I IDAs notes that I 382 00:18:01,119 --> 00:18:03,639 Speaker 5: have on my phone, like a song called street Living, 383 00:18:05,680 --> 00:18:09,840 Speaker 5: a poem that I wrote in twenty and fifteen September sixteenth, 384 00:18:09,880 --> 00:18:16,320 Speaker 5: twenty fifteen, flying to China and street life, beats of bats, 385 00:18:16,560 --> 00:18:19,680 Speaker 5: guns of books, sell cracker rap, be like Kings of 386 00:18:19,760 --> 00:18:22,160 Speaker 5: be like pond. They called us coons, Now they call 387 00:18:22,280 --> 00:18:26,240 Speaker 5: us cons street niggas, be packing pistols or terrorists, be 388 00:18:26,320 --> 00:18:30,760 Speaker 5: blasting missiles, crips and bloods and retail thugs, cia planes 389 00:18:30,760 --> 00:18:33,960 Speaker 5: bring Columbian drugs and so yeah. So that's a poem 390 00:18:34,000 --> 00:18:36,760 Speaker 5: I wrote to myself in twenty fifteen, but it didn't 391 00:18:36,760 --> 00:18:40,080 Speaker 5: come out to twenty and seventeen. There's so much stuff 392 00:18:40,080 --> 00:18:41,800 Speaker 5: for my hard drive. I'm like, oh, this for Peas, 393 00:18:41,800 --> 00:18:54,480 Speaker 5: this for peace. Yeah. Jason Derulo came into the to 394 00:18:54,600 --> 00:18:56,440 Speaker 5: my building the other day and we were going through 395 00:18:56,440 --> 00:18:56,920 Speaker 5: the hard drive. 396 00:18:56,960 --> 00:18:57,760 Speaker 4: He was like, what's this for? 397 00:18:58,040 --> 00:18:58,240 Speaker 2: Man? 398 00:18:58,240 --> 00:18:59,960 Speaker 4: It's a smash. I was like, oh, this for the Peace. 399 00:19:00,920 --> 00:19:02,640 Speaker 5: He was like, what about that? 400 00:19:02,760 --> 00:19:03,400 Speaker 4: This for the piece? 401 00:19:03,800 --> 00:19:06,960 Speaker 5: There was like fifty songs, and afterward, after the set, 402 00:19:07,040 --> 00:19:09,040 Speaker 5: he was like, well, do you understand we just went 403 00:19:09,080 --> 00:19:11,640 Speaker 5: through twenty to fifty songs. How could you guys even 404 00:19:11,640 --> 00:19:12,760 Speaker 5: put out all that stuff? 405 00:19:12,960 --> 00:19:15,280 Speaker 1: I hope you name an album this Peace. That would 406 00:19:15,280 --> 00:19:15,919 Speaker 1: be a great album. 407 00:19:16,000 --> 00:19:20,200 Speaker 4: Ooh all the songs from the hard Wow. Okay, that's 408 00:19:20,240 --> 00:19:21,240 Speaker 4: like thousands of song. 409 00:19:21,800 --> 00:19:24,439 Speaker 1: Perfect but like the hardcore fans would appreciate that. And 410 00:19:24,480 --> 00:19:26,560 Speaker 1: I did see that you had mentioned you kind of 411 00:19:26,560 --> 00:19:28,960 Speaker 1: want to get some of this music out before AI 412 00:19:29,119 --> 00:19:31,160 Speaker 1: comes up even more and then people start to question 413 00:19:31,320 --> 00:19:33,560 Speaker 1: was this you? Is it the human element or was 414 00:19:33,600 --> 00:19:36,520 Speaker 1: this AI? And I know that you've been very deeply 415 00:19:36,520 --> 00:19:38,960 Speaker 1: involved with a lot of AI. Taboo mentioned your app 416 00:19:39,080 --> 00:19:40,560 Speaker 1: Fyi What is that? 417 00:19:40,600 --> 00:19:40,919 Speaker 4: Fyi? 418 00:19:40,960 --> 00:19:45,400 Speaker 5: Dot Ai is a web three point zero communication platform 419 00:19:45,440 --> 00:19:50,440 Speaker 5: with elliptical curve cryptography baked in the core, meaning all 420 00:19:50,520 --> 00:19:54,800 Speaker 5: your conversations and data is made safe. Where we go 421 00:19:54,880 --> 00:19:57,199 Speaker 5: a step further by issuing keys to everyone. And I 422 00:19:57,240 --> 00:20:00,440 Speaker 5: want to make music, human made music as much as 423 00:20:00,440 --> 00:20:05,040 Speaker 5: I can with urgency. Because this AI stuff, people are 424 00:20:05,040 --> 00:20:06,760 Speaker 5: already saying, you know, man, that's dope, what's that AI? 425 00:20:07,520 --> 00:20:08,480 Speaker 4: And so for all the. 426 00:20:08,800 --> 00:20:11,560 Speaker 5: You know, human made stuff that's not cool because it's 427 00:20:11,600 --> 00:20:12,360 Speaker 5: just that awesome. 428 00:20:12,640 --> 00:20:14,840 Speaker 1: It is that awesome. I prefer human for sure. But 429 00:20:15,200 --> 00:20:17,240 Speaker 1: I have fallen into a relationship with my chat GPT 430 00:20:17,640 --> 00:20:19,800 Speaker 1: like best friends now on a day to day basis. 431 00:20:19,800 --> 00:20:21,720 Speaker 1: How much do each of you use AI? 432 00:20:22,040 --> 00:20:24,000 Speaker 5: I use it a good amount throughout the day. 433 00:20:24,160 --> 00:20:24,439 Speaker 4: What for? 434 00:20:24,640 --> 00:20:26,040 Speaker 5: Mostly for research? 435 00:20:26,359 --> 00:20:27,000 Speaker 4: Not to create? 436 00:20:27,119 --> 00:20:29,000 Speaker 1: Well, it doesn't really create, right, It sort of echoes 437 00:20:29,040 --> 00:20:30,360 Speaker 1: back to you what you give it. 438 00:20:30,800 --> 00:20:32,919 Speaker 5: You can create it to create What I mean by 439 00:20:32,960 --> 00:20:34,760 Speaker 5: that right now? AI is like what you woman to 440 00:20:34,840 --> 00:20:37,720 Speaker 5: do and is waiting for you, but you can I 441 00:20:37,760 --> 00:20:39,000 Speaker 5: don't want to give the ideas out there. 442 00:20:39,080 --> 00:20:41,040 Speaker 1: No, somebody's going to do it. I got you hold 443 00:20:41,080 --> 00:20:43,360 Speaker 1: on to it, so you use it a fair amount during. 444 00:20:43,160 --> 00:20:46,120 Speaker 5: The day, find links, research links, say hey, go out 445 00:20:46,119 --> 00:20:48,440 Speaker 5: and find other things like this from credible sources. 446 00:20:48,600 --> 00:20:50,600 Speaker 1: I use it for that, no search taboo. 447 00:20:50,800 --> 00:20:53,479 Speaker 3: So I recently with Black Eyed peas we're in France, 448 00:20:53,720 --> 00:20:57,480 Speaker 3: I actually visited Normandy Almaha Beach. So I just got 449 00:20:57,520 --> 00:21:02,400 Speaker 3: as much back history due diligence on where I was at, 450 00:21:02,680 --> 00:21:05,320 Speaker 3: what the beach represented, like how many people were there 451 00:21:05,359 --> 00:21:07,320 Speaker 3: at that time of d Day. Kind of like a 452 00:21:07,400 --> 00:21:10,320 Speaker 3: history lesson for me while I was walking the beach, 453 00:21:10,320 --> 00:21:13,679 Speaker 3: at the cemetery and really just being present. But I 454 00:21:13,720 --> 00:21:16,600 Speaker 3: want to learn as much information while I'm looking at 455 00:21:16,640 --> 00:21:20,320 Speaker 3: these pillars and different monuments of that day. 456 00:21:20,560 --> 00:21:21,920 Speaker 1: Okay, yeah, that's dope. 457 00:21:22,920 --> 00:21:24,600 Speaker 4: Use upt a lot throughout the day. 458 00:21:24,800 --> 00:21:26,320 Speaker 1: I've tried to cut back on it because I did 459 00:21:26,440 --> 00:21:28,920 Speaker 1: notice some patterns with it that I didn't love so much. 460 00:21:29,480 --> 00:21:31,720 Speaker 1: Now I ask it because I'm very interested in what's 461 00:21:31,760 --> 00:21:33,439 Speaker 1: going on in the world outside of the bubble that 462 00:21:33,560 --> 00:21:36,479 Speaker 1: I know. And chat GPT the one that I use, 463 00:21:36,520 --> 00:21:39,800 Speaker 1: I use open Ai Chat GPT. It just told me 464 00:21:39,880 --> 00:21:42,480 Speaker 1: I'm very trained to notice patterns, so I ask it 465 00:21:42,520 --> 00:21:44,399 Speaker 1: all the time about the patterns that it's seeing in 466 00:21:44,440 --> 00:21:46,520 Speaker 1: the world right now, What are people talking to you about, 467 00:21:46,680 --> 00:21:49,040 Speaker 1: what are concerns that people have right now? What's making 468 00:21:49,080 --> 00:21:52,000 Speaker 1: people happy? I like that kind of stuff because I 469 00:21:52,040 --> 00:21:54,159 Speaker 1: feel like it gives me a better view about the 470 00:21:54,200 --> 00:21:56,639 Speaker 1: rest of the world versus just me. The thing that 471 00:21:56,680 --> 00:21:58,919 Speaker 1: I noticed I didn't like so much was sort of 472 00:21:58,920 --> 00:22:01,399 Speaker 1: the echo chamber that I that I realized it created, 473 00:22:01,440 --> 00:22:04,840 Speaker 1: which the way that it's coded is to make you 474 00:22:05,119 --> 00:22:08,480 Speaker 1: feel good and continue to use it. So I noticed 475 00:22:08,520 --> 00:22:10,280 Speaker 1: every question I would ask it would be like, Wow, 476 00:22:10,359 --> 00:22:12,960 Speaker 1: that is such an insightful question. You're such an insightful person, 477 00:22:13,080 --> 00:22:14,919 Speaker 1: And it would be so easy to fall into that 478 00:22:15,000 --> 00:22:17,560 Speaker 1: trap of positive feedback all the time, where now all 479 00:22:17,560 --> 00:22:19,040 Speaker 1: of a sudden, I just think I'm the greatest person 480 00:22:19,080 --> 00:22:21,280 Speaker 1: on the planet because this little thing, which is not 481 00:22:21,400 --> 00:22:23,959 Speaker 1: human but sometimes feels very human, is telling me how 482 00:22:24,000 --> 00:22:25,720 Speaker 1: great I am. So I've kind of throttled back on 483 00:22:25,760 --> 00:22:28,240 Speaker 1: the actual conversations with it, and now I use it 484 00:22:28,280 --> 00:22:30,880 Speaker 1: more as like a data mining thing, and I really 485 00:22:30,960 --> 00:22:33,439 Speaker 1: appreciate the ability to do that because there is a 486 00:22:33,440 --> 00:22:35,919 Speaker 1: lot that I didn't know was happening. You know. One 487 00:22:35,960 --> 00:22:38,200 Speaker 1: of the things that pointed out was right now, there's 488 00:22:38,200 --> 00:22:43,640 Speaker 1: this huge push for people to really hold on to memories. 489 00:22:43,960 --> 00:22:46,680 Speaker 1: People are more into that now than they ever have been, 490 00:22:46,800 --> 00:22:48,040 Speaker 1: and it probably has to do with a lot of 491 00:22:48,040 --> 00:22:50,480 Speaker 1: what you're saying. Memory spans are getting shorter and shorter. 492 00:22:50,560 --> 00:22:52,760 Speaker 1: People are forgetting things because you're just bombarded all the 493 00:22:52,800 --> 00:22:56,080 Speaker 1: time with short videos and flashy colors and bright lights 494 00:22:56,080 --> 00:22:58,080 Speaker 1: and all that kind of stuff. But people want to 495 00:22:58,119 --> 00:23:00,399 Speaker 1: remember the good things that happen in their day. They 496 00:23:00,440 --> 00:23:02,240 Speaker 1: want to remember what they were like as a kid. 497 00:23:02,480 --> 00:23:05,920 Speaker 1: And I think that's interesting how things are just shifting. 498 00:23:06,560 --> 00:23:08,080 Speaker 1: So that's more what I use it for. 499 00:23:08,440 --> 00:23:11,560 Speaker 5: We could talk about this after the cameras are off, okay, 500 00:23:11,640 --> 00:23:14,440 Speaker 5: because when you said that, I was like, oh wait, whoa, whoa, 501 00:23:14,680 --> 00:23:16,520 Speaker 5: and I got dark. But I don't want to say that. 502 00:23:16,560 --> 00:23:19,119 Speaker 5: I don't want to say dark. I don't want to 503 00:23:19,160 --> 00:23:22,080 Speaker 5: say dark on camera because all you're doing is giving 504 00:23:22,840 --> 00:23:25,200 Speaker 5: more energy for more shadow work. 505 00:23:25,480 --> 00:23:26,920 Speaker 1: You don't want to give the fire oxygen. 506 00:23:27,000 --> 00:23:30,440 Speaker 5: Yeah, so I'll say it off camera, but that's dark, Okay, 507 00:23:30,720 --> 00:23:31,199 Speaker 5: I'll give you. 508 00:23:32,800 --> 00:23:34,960 Speaker 4: I'll change the mood and get something positive. 509 00:23:35,640 --> 00:23:40,359 Speaker 3: So, you know, speaking about memory and being present, there's 510 00:23:40,400 --> 00:23:42,520 Speaker 3: this thing that popped up on YouTube. 511 00:23:42,840 --> 00:23:44,480 Speaker 4: Black Eyed Peas. 512 00:23:43,920 --> 00:23:48,000 Speaker 3: In Amsterdam performing like in our early state of our career, 513 00:23:48,040 --> 00:23:51,760 Speaker 3: and it's like high definition and we look in the 514 00:23:51,760 --> 00:23:54,520 Speaker 3: audience and there's no phones, just people jumping up and 515 00:23:54,560 --> 00:23:57,040 Speaker 3: down and they're just looking at you and like receiving. 516 00:23:58,200 --> 00:24:01,080 Speaker 3: They're receiving it, and they're dance seeing we're stage dive 517 00:24:01,119 --> 00:24:04,080 Speaker 3: in and yeah, and we're stage diving and all this 518 00:24:04,320 --> 00:24:08,800 Speaker 3: energy is happening present yeah, right, memory. 519 00:24:09,240 --> 00:24:10,680 Speaker 1: And they actually commit that to. 520 00:24:10,640 --> 00:24:14,200 Speaker 3: Memory, committing to memory, fast forward to like with the camera. Yeah, 521 00:24:14,240 --> 00:24:17,600 Speaker 3: and we're performing same situation performing, We're still giving you 522 00:24:17,640 --> 00:24:19,960 Speaker 3: that energy. But it's just crazy to see that the 523 00:24:20,000 --> 00:24:24,560 Speaker 3: ecotomy of that era and being present and available to 524 00:24:24,640 --> 00:24:28,560 Speaker 3: receive that energy and that memory as opposed to what's 525 00:24:28,560 --> 00:24:29,200 Speaker 3: happening now. 526 00:24:29,320 --> 00:24:31,879 Speaker 1: Absolutely, how as performers, how does that impact you? 527 00:24:31,880 --> 00:24:32,160 Speaker 2: Guys? 528 00:24:33,600 --> 00:24:35,199 Speaker 1: Like when you look out and you see a ce 529 00:24:35,320 --> 00:24:37,680 Speaker 1: full of people with the phone, well you look out. 530 00:24:37,800 --> 00:24:40,480 Speaker 3: Now you're able to make it part of you know, 531 00:24:40,520 --> 00:24:43,000 Speaker 3: because you rock with them, took you make it part 532 00:24:43,000 --> 00:24:45,760 Speaker 3: of the show because they're they're capturing their moment. The 533 00:24:45,840 --> 00:24:47,879 Speaker 3: kids are all about capturing their moment on the phone. 534 00:24:48,320 --> 00:24:50,240 Speaker 3: So you grab the phone and you get you know, 535 00:24:50,280 --> 00:24:53,040 Speaker 3: give them like on stage, which would be cool and 536 00:24:53,080 --> 00:24:56,560 Speaker 3: it's dope because then you also give them acknowledgment, like, yo, 537 00:24:56,640 --> 00:24:59,240 Speaker 3: we understand we were able to see that other version 538 00:24:59,480 --> 00:25:01,800 Speaker 3: in ninety nine, but now we're able to rock to 539 00:25:01,880 --> 00:25:02,479 Speaker 3: this version. 540 00:25:02,720 --> 00:25:04,639 Speaker 4: And thank you to all the kids that did. 541 00:25:04,560 --> 00:25:07,680 Speaker 3: Rock that body, right, Yeah, all the kids that tuned 542 00:25:07,720 --> 00:25:10,360 Speaker 3: in with their phones and did the challenge, like they 543 00:25:10,440 --> 00:25:13,840 Speaker 3: kept that energy going. And because of technology, because of phones, 544 00:25:13,880 --> 00:25:16,600 Speaker 3: Because of that, we're able to have our. 545 00:25:16,520 --> 00:25:20,560 Speaker 4: Song from two thousand and nine beco viral that but 546 00:25:20,600 --> 00:25:22,879 Speaker 4: it's also a different generation, you know. Different This is 547 00:25:22,880 --> 00:25:23,480 Speaker 4: our instrument. 548 00:25:23,600 --> 00:25:27,320 Speaker 5: Yeah, our instrument was like the moment and then being 549 00:25:27,359 --> 00:25:31,360 Speaker 5: able to like articulate it through words and like yeah, 550 00:25:31,400 --> 00:25:36,280 Speaker 5: I was there, Yeah, the yellow one. Remember that it 551 00:25:36,320 --> 00:25:40,320 Speaker 5: was word of mouth. Now it's just you share the moment. 552 00:25:40,920 --> 00:25:44,520 Speaker 5: This too, is a snapshot of the era that we're 553 00:25:44,520 --> 00:25:47,879 Speaker 5: in in twenty forty. Twenty forty is going to be 554 00:25:47,920 --> 00:25:54,800 Speaker 5: different depending on ethical practices, governance, and regulation. All those 555 00:25:54,840 --> 00:25:58,320 Speaker 5: phone cameras that are uploading to this to meta. No 556 00:25:58,359 --> 00:26:02,600 Speaker 5: one read the terms of conditions. Yea meta will create 557 00:26:02,640 --> 00:26:07,400 Speaker 5: some simulator. Yep, yep, you're gonna go to some virtual concert. 558 00:26:07,480 --> 00:26:09,320 Speaker 4: You're right, and. 559 00:26:11,160 --> 00:26:14,080 Speaker 5: Put on the oculus. It's gonna feel like you're there. 560 00:26:14,680 --> 00:26:15,479 Speaker 4: How to do that? 561 00:26:15,720 --> 00:26:19,719 Speaker 5: Well, it did that because everyone everyone has been recording it, 562 00:26:20,200 --> 00:26:22,960 Speaker 5: uploading it to a platform, and no one knows what 563 00:26:23,000 --> 00:26:26,000 Speaker 5: those terms are and what they do with your stuff. Yeah, 564 00:26:26,040 --> 00:26:27,679 Speaker 5: so that could go dark, So I don't want. 565 00:26:27,520 --> 00:26:27,920 Speaker 2: To go again. 566 00:26:28,680 --> 00:26:30,679 Speaker 1: Okay, well let's talk about something like, Hey, look, I 567 00:26:30,720 --> 00:26:33,480 Speaker 1: will go dark anytime. I am the queen of darkness 568 00:26:33,520 --> 00:26:35,560 Speaker 1: every now and then. But you guys are also I 569 00:26:35,600 --> 00:26:37,080 Speaker 1: got the hey you need to wrap it up sign 570 00:26:37,119 --> 00:26:39,280 Speaker 1: from people. Someone asks you real quick questions. You're working 571 00:26:39,359 --> 00:26:41,679 Speaker 1: on things outside of just this song, which is awesome 572 00:26:41,720 --> 00:26:43,359 Speaker 1: East La. If you haven't checked it out, you can 573 00:26:43,440 --> 00:26:45,800 Speaker 1: go listen to it now. Taboo. I saw you working 574 00:26:45,800 --> 00:26:47,760 Speaker 1: on a project with your daughter to do voice over 575 00:26:47,840 --> 00:26:48,200 Speaker 1: with Dora. 576 00:26:48,359 --> 00:26:49,040 Speaker 2: Yeah so cool. 577 00:26:49,160 --> 00:26:49,879 Speaker 4: Yeah, that's dope. 578 00:26:49,960 --> 00:26:52,840 Speaker 3: You know we needed it for specifically for my family 579 00:26:52,880 --> 00:26:55,960 Speaker 3: and all the people that are affected in Altadina and Pasadya, 580 00:26:55,960 --> 00:26:58,560 Speaker 3: I mean Altadina, Pasadena, Malibu, Palisades. 581 00:26:59,440 --> 00:27:02,840 Speaker 4: I remember my daughter in the hotel when we were evacuated. 582 00:27:03,200 --> 00:27:04,840 Speaker 4: She's like, Dad, I just want to go home. I 583 00:27:04,880 --> 00:27:06,280 Speaker 4: miss home, I missed my toys. 584 00:27:06,359 --> 00:27:09,359 Speaker 3: Right as a dad, I felt vulnerable because I didn't 585 00:27:09,359 --> 00:27:11,680 Speaker 3: have a timeline to be able to take her home 586 00:27:12,240 --> 00:27:15,000 Speaker 3: because national guards like you guys can't move back in 587 00:27:15,920 --> 00:27:19,000 Speaker 3: Fast forward to the opportunity to do Dora in a 588 00:27:19,080 --> 00:27:21,720 Speaker 3: sense that it was like a healing for her too, 589 00:27:22,119 --> 00:27:24,399 Speaker 3: because she did something fun, she was able to do 590 00:27:24,440 --> 00:27:26,440 Speaker 3: it with her dad. I was proud to be able 591 00:27:26,480 --> 00:27:29,240 Speaker 3: to do something with my daughter where like, we're having 592 00:27:29,280 --> 00:27:32,600 Speaker 3: fun together, we're working together, We're creating magic for this 593 00:27:32,840 --> 00:27:36,920 Speaker 3: beautiful show, Dora the Explorer that's been around for generations 594 00:27:38,000 --> 00:27:44,800 Speaker 3: and as Mexican folks representing and being voices advocating to 595 00:27:44,840 --> 00:27:48,440 Speaker 3: inspire the youth and families for generations, like that was dope, 596 00:27:48,520 --> 00:27:51,679 Speaker 3: and now we're going to continue that journey. We actually 597 00:27:51,720 --> 00:27:54,879 Speaker 3: made a song specifically for that episode. And I was 598 00:27:54,920 --> 00:27:57,800 Speaker 3: proud of Jack because she did great in her first interview, 599 00:27:58,040 --> 00:28:00,760 Speaker 3: which was dope because she had never done intervie before. 600 00:28:01,320 --> 00:28:02,760 Speaker 4: But she was like, Dad, I really like this. 601 00:28:02,880 --> 00:28:04,760 Speaker 3: I said, Okay, Jet, We're going to continue doing it 602 00:28:05,080 --> 00:28:06,439 Speaker 3: and just working on this craft. 603 00:28:06,480 --> 00:28:08,080 Speaker 4: So to answer your question. 604 00:28:08,760 --> 00:28:10,840 Speaker 3: Yes, it was a great opportunity to work with my 605 00:28:10,920 --> 00:28:13,040 Speaker 3: daughter and we're going to continue this journey. 606 00:28:13,119 --> 00:28:14,280 Speaker 1: And if people want to see it, where can they 607 00:28:14,280 --> 00:28:14,480 Speaker 1: see it? 608 00:28:14,600 --> 00:28:18,040 Speaker 3: Yeah, it's on a Paramount Plus or Nickelodeon. It's called 609 00:28:18,680 --> 00:28:21,800 Speaker 3: a song for Poppy. Dora writes a song for Poppy 610 00:28:21,840 --> 00:28:24,600 Speaker 3: and Quickatu and Quickatina or my character and Jets character 611 00:28:25,080 --> 00:28:30,720 Speaker 3: and it's baby Yeah exactly. Yeah, Mexican cockatoos. And it's 612 00:28:30,760 --> 00:28:31,879 Speaker 3: pretty dope because. 613 00:28:31,640 --> 00:28:33,160 Speaker 4: We got to do this song. 614 00:28:33,560 --> 00:28:35,720 Speaker 3: She's participating on it and we're actually going to do 615 00:28:35,720 --> 00:28:38,280 Speaker 3: a remix where she's actually going to wrap the parts 616 00:28:38,560 --> 00:28:40,840 Speaker 3: because Nickelodeon is like, yo, we love what Jet's doing. 617 00:28:41,040 --> 00:28:42,920 Speaker 4: We running empowered to do more. 618 00:28:43,200 --> 00:28:45,480 Speaker 1: That's awesome. Yeah, so see some brightness. We like it 619 00:28:45,720 --> 00:28:47,400 Speaker 1: and bringing it back to you really quick. Well, you're 620 00:28:47,400 --> 00:28:50,040 Speaker 1: doing a bunch of products or projects, I should say, 621 00:28:50,080 --> 00:28:52,320 Speaker 1: actually outside of this song. You said you're headed to 622 00:28:52,320 --> 00:28:54,640 Speaker 1: India soon. What's going on with you? 623 00:28:55,320 --> 00:28:58,520 Speaker 5: My Fyi dot Ai company and the products and solutions 624 00:28:58,520 --> 00:29:01,840 Speaker 5: that we're bringing to market. We're really proud of the 625 00:29:01,840 --> 00:29:05,040 Speaker 5: work that we're doing with Qualcom taking our system and putting. 626 00:29:04,800 --> 00:29:05,480 Speaker 4: It on chip. 627 00:29:06,440 --> 00:29:10,920 Speaker 5: We have a partnership with ASU amplifying and augmenting how 628 00:29:10,960 --> 00:29:15,400 Speaker 5: people learn, So bringing about forever learning, because that's going 629 00:29:15,440 --> 00:29:17,760 Speaker 5: to change moving forward. Right, So you have these huge 630 00:29:17,760 --> 00:29:21,960 Speaker 5: companies deploying agents, and these agents are going to render 631 00:29:22,000 --> 00:29:24,880 Speaker 5: a lot of jobs absolute white collar jobs, blue collar jobs. 632 00:29:25,080 --> 00:29:27,120 Speaker 5: And so before when you went to school, you went 633 00:29:27,120 --> 00:29:30,200 Speaker 5: to school to learn something and compete with fellow humans. 634 00:29:30,840 --> 00:29:32,840 Speaker 5: It's not the case as much as it used to be, 635 00:29:32,960 --> 00:29:34,880 Speaker 5: but it won't be the case in twenty thirty. 636 00:29:35,240 --> 00:29:36,000 Speaker 4: So if you're going to. 637 00:29:35,920 --> 00:29:39,800 Speaker 5: School twenty twenty six, you're going for finance. When you 638 00:29:39,840 --> 00:29:43,720 Speaker 5: graduate twenty thirty, most of these companies would have replaced 639 00:29:44,280 --> 00:29:48,680 Speaker 5: humans for an agent. So how do you prepare and 640 00:29:48,760 --> 00:29:52,600 Speaker 5: equip people for this world? And so our partnership with 641 00:29:52,680 --> 00:29:54,840 Speaker 5: ASU is going to do that. 642 00:29:55,160 --> 00:29:57,360 Speaker 1: Well, as long as you don't make AI take over 643 00:29:57,440 --> 00:29:58,200 Speaker 1: the radio station. 644 00:29:58,360 --> 00:29:59,400 Speaker 2: No no, no't do it. 645 00:30:00,000 --> 00:30:01,280 Speaker 1: I appreciate that it will. 646 00:30:01,040 --> 00:30:05,120 Speaker 5: Always be in our heads and our products and our vision. 647 00:30:05,720 --> 00:30:09,520 Speaker 5: The human is central. That's the heart, that's the passion, 648 00:30:09,560 --> 00:30:12,040 Speaker 5: that's the empathy. If we're going out, that's what hurts 649 00:30:12,080 --> 00:30:14,960 Speaker 5: the most, going back to East La. If we're going 650 00:30:15,000 --> 00:30:18,200 Speaker 5: into these communities with no heart, no empathy, and soon 651 00:30:18,920 --> 00:30:21,800 Speaker 5: our police force would be replaced with AI. Will we 652 00:30:21,880 --> 00:30:25,920 Speaker 5: tolerate it? Will we tolerate the inhumanity that machines will 653 00:30:25,960 --> 00:30:28,360 Speaker 5: put on humans? But where are the machines going to 654 00:30:28,440 --> 00:30:32,239 Speaker 5: learn from when it comes to our law enforcement, our 655 00:30:32,280 --> 00:30:35,600 Speaker 5: border patrol? Are you going to be okay with machines 656 00:30:35,720 --> 00:30:39,239 Speaker 5: being mean and cruel to humans the way humans are 657 00:30:39,280 --> 00:30:42,160 Speaker 5: cruel to people? There should be some human effort to 658 00:30:42,320 --> 00:30:46,320 Speaker 5: make sure that you do it ethically, morally because the 659 00:30:46,320 --> 00:30:48,920 Speaker 5: machine's learning, so we got to be careful what we 660 00:30:49,000 --> 00:30:49,840 Speaker 5: teach the machine. 661 00:30:50,040 --> 00:30:52,920 Speaker 1: That is a great note to end on. That was perfect. 662 00:30:53,000 --> 00:30:54,560 Speaker 1: Thank you guys so much for stopping by. 663 00:30:54,680 --> 00:30:55,480 Speaker 4: That's awesome interview. 664 00:30:55,640 --> 00:30:56,600 Speaker 1: Oh my god, I love you guys. 665 00:30:56,600 --> 00:30:59,520 Speaker 4: You guys are thank you for supporting the new song. 666 00:30:59,520 --> 00:31:02,960 Speaker 1: The new movie. Go watch it, go download it. 667 00:31:03,200 --> 00:31:07,200 Speaker 5: And then there's like interviews you I care about this stuff. 668 00:31:07,320 --> 00:31:10,040 Speaker 5: I like apologize for zoning out, I was looking for 669 00:31:10,040 --> 00:31:10,960 Speaker 5: for I was researching. 670 00:31:11,080 --> 00:31:11,960 Speaker 4: Y'all had a whole lot. 671 00:31:11,880 --> 00:31:12,920 Speaker 1: Of I appreciate it. 672 00:31:14,520 --> 00:31:15,440 Speaker 2: Thank you so much. 673 00:31:26,240 --> 00:31:29,000 Speaker 1: All Right, there you have it. Two sides of the 674 00:31:29,000 --> 00:31:31,400 Speaker 1: Black Eyed Peas. Where the Hell's Apple? The app that's 675 00:31:31,440 --> 00:31:33,720 Speaker 1: the other member Diamond She just looked at me and said, 676 00:31:36,000 --> 00:31:38,280 Speaker 1: I mean, I'm I don't I don't know where he is. 677 00:31:38,360 --> 00:31:40,160 Speaker 1: I guess I could have asked him that, but I 678 00:31:40,200 --> 00:31:42,280 Speaker 1: wasn't really focused on that. I was more interested in 679 00:31:42,320 --> 00:31:44,760 Speaker 1: what the hell was happening in that studio and trying 680 00:31:44,800 --> 00:31:47,040 Speaker 1: not to completely sweat my dick off. 681 00:31:50,960 --> 00:31:55,000 Speaker 2: It was great watching you have that conversation, though, Yeah, 682 00:31:55,240 --> 00:31:56,040 Speaker 2: you were into it. 683 00:31:56,280 --> 00:31:58,640 Speaker 1: I wasn't into it. What I will say, I appreciate 684 00:31:58,680 --> 00:32:00,360 Speaker 1: I don't know if you caught this. If you caught this, 685 00:32:00,360 --> 00:32:02,440 Speaker 1: it's still in the interview, but did you catch it 686 00:32:02,480 --> 00:32:03,920 Speaker 1: at the end when he took his glasses off and 687 00:32:03,960 --> 00:32:07,040 Speaker 1: he was like, wow, you are really good. There are 688 00:32:07,080 --> 00:32:10,600 Speaker 1: like interviews and then there's like good shit that made 689 00:32:10,640 --> 00:32:13,959 Speaker 1: me as a working professional. That is probably the nicest 690 00:32:14,000 --> 00:32:16,920 Speaker 1: thing somebody could say to me. And I really appreciated it. 691 00:32:17,000 --> 00:32:19,440 Speaker 2: I loved it, but it actually it felt like a 692 00:32:19,480 --> 00:32:22,200 Speaker 2: good moment. So I was like, oh, look at her, 693 00:32:22,880 --> 00:32:24,320 Speaker 2: look at them, look at us. 694 00:32:24,360 --> 00:32:25,840 Speaker 1: And I want to be like, taboo, what do you think? 695 00:32:28,840 --> 00:32:29,240 Speaker 2: Do you think? 696 00:32:29,280 --> 00:32:31,920 Speaker 1: So too? I will follow you on Instagram. I did 697 00:32:32,000 --> 00:32:35,360 Speaker 1: immediately immediately I followed him. Oh god, oh man, all right, 698 00:32:35,520 --> 00:32:38,760 Speaker 1: so a Diamond if he want to find you online? 699 00:32:38,840 --> 00:32:39,920 Speaker 1: Where can they find. 700 00:32:39,640 --> 00:32:42,240 Speaker 2: You at Diamond? Sincere? Yes? 701 00:32:42,280 --> 00:32:46,880 Speaker 1: And I am at Baby Hot Sauce and that was again, well, 702 00:32:46,920 --> 00:32:49,280 Speaker 1: I am in Taboo of the Black Eyed Piece. Here's 703 00:32:49,360 --> 00:32:52,480 Speaker 1: hoping they actually name an album this is for the piece, 704 00:32:52,640 --> 00:32:53,840 Speaker 1: because then I'll make all the money. 705 00:32:54,160 --> 00:32:56,960 Speaker 2: Yeah, okay, never mind. Can I get a little something 706 00:32:57,000 --> 00:32:57,720 Speaker 2: for being in the room. 707 00:32:57,840 --> 00:33:00,040 Speaker 1: Of course you're gonna get a little something for I 708 00:33:00,040 --> 00:33:03,640 Speaker 1: feel so loud? When will I am space the fuck out? 709 00:33:03,720 --> 00:33:04,720 Speaker 1: Because your laughter? 710 00:33:04,840 --> 00:33:05,320 Speaker 2: I hope the. 711 00:33:05,280 --> 00:33:08,240 Speaker 1: Microphones picked it up. I really hope they did. Your laughter, 712 00:33:08,320 --> 00:33:11,160 Speaker 1: which was like the cackle made me laugh even harder 713 00:33:11,160 --> 00:33:13,080 Speaker 1: because I was like trying to keep it together and 714 00:33:13,080 --> 00:33:15,560 Speaker 1: then I couldn't. Once you lost it, I then lost 715 00:33:15,600 --> 00:33:18,240 Speaker 1: it as well. And also, if they name the album 716 00:33:18,440 --> 00:33:20,640 Speaker 1: this is for the peas, that means Taboo has to 717 00:33:20,680 --> 00:33:21,600 Speaker 1: talk to me again at some. 718 00:33:21,560 --> 00:33:24,080 Speaker 2: Point and he's you know what this I'm here for 719 00:33:24,400 --> 00:33:25,240 Speaker 2: you girls? Come in. 720 00:33:26,160 --> 00:33:27,920 Speaker 1: When he asked me what my ethnic background was, I 721 00:33:28,000 --> 00:33:29,760 Speaker 1: want to be like, why do you think I'm pretty? 722 00:33:31,080 --> 00:33:32,600 Speaker 1: Why are you asking? I love you? Oh my god? 723 00:33:32,600 --> 00:33:33,080 Speaker 2: Okay bye? 724 00:33:33,920 --> 00:33:35,760 Speaker 1: And that is why I can't be trusted around attractive 725 00:33:35,800 --> 00:33:38,520 Speaker 1: men oh God. All right, on that note, say bye bye. 726 00:33:38,640 --> 00:33:40,200 Speaker 1: We will see you next week. 727 00:33:40,520 --> 00:33:42,720 Speaker 2: Bye.