1 00:00:00,080 --> 00:00:04,240 Speaker 1: My next guest. She's on the phone. Wow, longtime friend. Um, 2 00:00:04,280 --> 00:00:07,000 Speaker 1: you know, it's just just just really an amazing person. 3 00:00:07,520 --> 00:00:11,879 Speaker 1: She's an actress, philanthropis, co founder and artistic director director 4 00:00:11,960 --> 00:00:15,360 Speaker 1: of Amazing Grace Conservatory. She's well known for her role 5 00:00:15,400 --> 00:00:19,279 Speaker 1: as Devisti sports manager Tasha Mack on the c W 6 00:00:19,440 --> 00:00:22,520 Speaker 1: n b t s The Game for nine seasons, winning 7 00:00:22,560 --> 00:00:25,639 Speaker 1: an n ac Image Award for Best Actress in the 8 00:00:25,720 --> 00:00:29,560 Speaker 1: Comedy Series, and as They No Nonsense Principal Regina Grill 9 00:00:30,000 --> 00:00:32,880 Speaker 1: on The Famous Steve Harvey Show. She's now on the 10 00:00:32,920 --> 00:00:36,000 Speaker 1: show to talk about her new ABC series ABC That 11 00:00:37,120 --> 00:00:41,200 Speaker 1: Grand Hotel, and she's hosted the African Pride Gospel super 12 00:00:41,240 --> 00:00:44,720 Speaker 1: Fast TV. The is the Upcadings, the Nati Dannual Show. 13 00:00:44,880 --> 00:00:47,880 Speaker 1: She's a multi hosting person means that she's been doing 14 00:00:47,880 --> 00:00:52,040 Speaker 1: this before because she understands understands the value of multiple 15 00:00:52,040 --> 00:00:56,160 Speaker 1: strings of income. Please welcome to my show, Wendy Raquel 16 00:00:56,600 --> 00:01:05,400 Speaker 1: Robertson on Fire. You gotta put that with you all fire. 17 00:01:05,760 --> 00:01:10,080 Speaker 1: And how's my best friend doing? How's my best friend? Oh? Buddy, 18 00:01:10,760 --> 00:01:14,240 Speaker 1: I am great, I am great. I'm blessed, I am blessed. 19 00:01:14,280 --> 00:01:16,759 Speaker 1: I'm excited for you. I was just listening to your 20 00:01:16,760 --> 00:01:20,600 Speaker 1: podcasts and everything, and I'm about to enable it because 21 00:01:20,680 --> 00:01:23,720 Speaker 1: we all need those conversations. I'm so good. Well, you 22 00:01:23,760 --> 00:01:26,040 Speaker 1: know the thing about it is that the only bad 23 00:01:26,040 --> 00:01:28,960 Speaker 1: point about our relationship is that I cannot get down 24 00:01:29,040 --> 00:01:30,640 Speaker 1: to l A or get over to l A to 25 00:01:30,680 --> 00:01:32,800 Speaker 1: see one of your shows that you put over the 26 00:01:32,880 --> 00:01:37,000 Speaker 1: kid and she just in me videos of them going 27 00:01:37,160 --> 00:01:43,320 Speaker 1: please come, Mr McDonald. But you you have been so 28 00:01:43,720 --> 00:01:46,800 Speaker 1: supportive and you have poured into so many trains of 29 00:01:46,840 --> 00:01:50,240 Speaker 1: the young people at amazing Grace Conservatory, and I just 30 00:01:50,320 --> 00:01:53,640 Speaker 1: want you to be there just to see the harvest season, 31 00:01:53,920 --> 00:01:55,760 Speaker 1: you know, And that's what I call it. I feel 32 00:01:55,800 --> 00:01:57,760 Speaker 1: like it's the harvest season right now because it's been 33 00:01:57,800 --> 00:02:01,360 Speaker 1: twenty two years and you know, the kids are doing 34 00:02:01,400 --> 00:02:06,040 Speaker 1: phenomenal facings. I'm like, are you freaking kidding? Man? Really? Yeah, 35 00:02:06,360 --> 00:02:09,200 Speaker 1: I have been there. We have been there, and and 36 00:02:09,240 --> 00:02:12,240 Speaker 1: you know how I feel about what you do for 37 00:02:12,280 --> 00:02:16,200 Speaker 1: those young people or what I feel or my wife 38 00:02:16,320 --> 00:02:20,480 Speaker 1: always has been a firm believer and be writing those checks. 39 00:02:20,840 --> 00:02:24,600 Speaker 1: There's never any hesitation and because we just believe, and 40 00:02:24,919 --> 00:02:27,840 Speaker 1: it's an amazing just telling a little people tell everybody 41 00:02:27,880 --> 00:02:32,639 Speaker 1: about the amazing Grace Conservatory. Wow. Well, twenty two years ago, 42 00:02:32,720 --> 00:02:36,400 Speaker 1: my best friend and nine, Tracy Coley. He's an Atlanta native, 43 00:02:37,040 --> 00:02:40,320 Speaker 1: but we co founded a performing arts that is now 44 00:02:40,400 --> 00:02:45,000 Speaker 1: evolved into Digital and Media Arts Conservatory for youth and 45 00:02:45,080 --> 00:02:47,440 Speaker 1: young adults at ages five to eighteen to come in 46 00:02:47,520 --> 00:02:52,640 Speaker 1: and express themselves to music, dance, acting. Uh, we're doing 47 00:02:52,680 --> 00:02:57,280 Speaker 1: our podcast now, we're starting podcasting, video blogs and um, 48 00:02:57,280 --> 00:03:00,120 Speaker 1: we're doing short films and we are just giving is 49 00:03:00,160 --> 00:03:03,480 Speaker 1: a platform to have a voice, to express themselves in 50 00:03:03,560 --> 00:03:06,919 Speaker 1: a non judgmental environment. And we use the arts as 51 00:03:06,960 --> 00:03:10,960 Speaker 1: a life changing platform because it's saving lives. You know, 52 00:03:11,000 --> 00:03:13,359 Speaker 1: we're in South Central and there's so much that's going on, 53 00:03:13,520 --> 00:03:16,799 Speaker 1: but we have so much talent that's out there and 54 00:03:16,840 --> 00:03:20,320 Speaker 1: we're giving them the visibility and the you know, a 55 00:03:20,360 --> 00:03:22,920 Speaker 1: way where they could just beat themselves. So many of 56 00:03:22,919 --> 00:03:25,600 Speaker 1: them are getting bullied and ostracized and you know, we've 57 00:03:25,600 --> 00:03:28,920 Speaker 1: got gang crosses were going crazy, losing their minds. So 58 00:03:29,000 --> 00:03:32,720 Speaker 1: it's just it's a safe space where artists that are 59 00:03:32,840 --> 00:03:37,200 Speaker 1: at risk or emerging artists that have a platform. You know, 60 00:03:37,280 --> 00:03:40,040 Speaker 1: we do independent nights where you know, they cover jam 61 00:03:40,080 --> 00:03:43,320 Speaker 1: together with their music. So it's like the Black Mickey 62 00:03:43,320 --> 00:03:49,600 Speaker 1: Mouse Club. It really is. And it's not just limited 63 00:03:49,640 --> 00:03:53,000 Speaker 1: to black, you know, we're we're expanding that as well. 64 00:03:53,160 --> 00:03:59,040 Speaker 1: So um, it's it's so much to define Amazing Grace Conservatory. 65 00:03:59,080 --> 00:04:03,360 Speaker 1: But I'll just start the The thing about it is 66 00:04:03,400 --> 00:04:08,000 Speaker 1: that just just me, champion, just me talk about just 67 00:04:08,080 --> 00:04:11,840 Speaker 1: the changing lives a part, the part about and she 68 00:04:11,920 --> 00:04:16,599 Speaker 1: knows it's all love. She knows that for twenty two years, 69 00:04:16,600 --> 00:04:19,000 Speaker 1: I've yet to be to an event but this yet 70 00:04:19,600 --> 00:04:22,040 Speaker 1: yet it has not made me hesitating, no right in 71 00:04:22,080 --> 00:04:25,640 Speaker 1: the check. So that means that I believe and what 72 00:04:25,800 --> 00:04:28,240 Speaker 1: she does, and she knows. You know, you know what 73 00:04:28,320 --> 00:04:30,800 Speaker 1: Shan make goal Na for Sean back then it really 74 00:04:31,400 --> 00:04:33,800 Speaker 1: when they were the right check but I wrote them. Okay, 75 00:04:36,120 --> 00:04:39,400 Speaker 1: she knows my wife. My wife gotta love us Windy here, 76 00:04:39,400 --> 00:04:41,880 Speaker 1: you know, because of the fact that you know, we 77 00:04:41,920 --> 00:04:43,960 Speaker 1: we know, we go through life and you know, we're 78 00:04:43,960 --> 00:04:46,280 Speaker 1: still trying to figure out just a writer. But I 79 00:04:46,400 --> 00:04:49,159 Speaker 1: met her when Steve Harper's first sitcom with Me and 80 00:04:49,160 --> 00:04:51,760 Speaker 1: the Boys on ABC. That's how we met. And uh, 81 00:04:51,800 --> 00:05:00,159 Speaker 1: and so that a long time ago, and so up 82 00:05:00,200 --> 00:05:02,280 Speaker 1: here that was a long time time. That's a long 83 00:05:02,320 --> 00:05:04,800 Speaker 1: time ago. And so with that being said that that 84 00:05:04,839 --> 00:05:07,440 Speaker 1: means that the passion of what we have and changing 85 00:05:07,480 --> 00:05:11,760 Speaker 1: people's lives, you know, resonates in her personally. Now let's 86 00:05:11,760 --> 00:05:13,240 Speaker 1: talk about because you said it's kind of like the 87 00:05:13,320 --> 00:05:16,000 Speaker 1: Disney you know, the mouse Mickey Mouse Club. Tell us 88 00:05:16,040 --> 00:05:20,040 Speaker 1: about something that talent that and walked through them doors uow. 89 00:05:20,360 --> 00:05:23,520 Speaker 1: You know, we've we've been fortunate to afford into lives 90 00:05:23,560 --> 00:05:26,800 Speaker 1: of um. Well, Easa Rai is the big one right now, 91 00:05:27,080 --> 00:05:29,479 Speaker 1: you know, and she's doing all kinds of things and 92 00:05:29,560 --> 00:05:33,080 Speaker 1: developing and producing and acting and and all of that. 93 00:05:33,160 --> 00:05:36,080 Speaker 1: But but what was interesting when was there Joe sas 94 00:05:36,120 --> 00:05:40,120 Speaker 1: walk she um she was one of the quiet ones, 95 00:05:40,440 --> 00:05:43,719 Speaker 1: you know, that was the background, you know, and I 96 00:05:43,720 --> 00:05:46,440 Speaker 1: guess what's just taking it all in and you know, wow, 97 00:05:46,600 --> 00:05:49,520 Speaker 1: to see what she is doing now and to have 98 00:05:49,640 --> 00:05:52,640 Speaker 1: been a part of that. We can't take all the credits, 99 00:05:52,720 --> 00:05:56,120 Speaker 1: but she raised our doors. You know. Aston Sanders he 100 00:05:56,200 --> 00:06:00,000 Speaker 1: was in Moonlight and Equalizer too, and now he's maintaining 101 00:06:00,040 --> 00:06:03,000 Speaker 1: planned series and shooting in New York and he's poured 102 00:06:03,040 --> 00:06:06,240 Speaker 1: back into a GC and he's given us the first scholarship. 103 00:06:06,320 --> 00:06:08,720 Speaker 1: Fun that's going to be in his name. Talking about 104 00:06:08,720 --> 00:06:11,640 Speaker 1: that young man, that young man that played the Young 105 00:06:11,720 --> 00:06:18,960 Speaker 1: Teenager and Equalize. There's always pulling up his pants, never shows. 106 00:06:20,720 --> 00:06:23,360 Speaker 1: And he was also his a Native Fun he played 107 00:06:23,400 --> 00:06:27,880 Speaker 1: Bigger Thomas and HBO. He is so hot, He's on fire. 108 00:06:27,960 --> 00:06:32,960 Speaker 1: He's he is on fire fire. He was at the 109 00:06:33,000 --> 00:06:36,159 Speaker 1: Medal of the Year. Yeah, your fire to make Gala. 110 00:06:36,320 --> 00:06:39,400 Speaker 1: I'm just telling every every every show he does, he's 111 00:06:39,400 --> 00:06:41,039 Speaker 1: pulled up his pants because you know, his skin is 112 00:06:41,040 --> 00:06:43,720 Speaker 1: a to pick, you know, so if you put pants 113 00:06:43,760 --> 00:06:46,760 Speaker 1: on him right, they're gonna fall. He got a naturally 114 00:06:47,040 --> 00:06:48,720 Speaker 1: sagging booty. You know what I'm saying. He ain't got 115 00:06:48,760 --> 00:06:52,200 Speaker 1: no but you know what I will give to him. 116 00:06:52,279 --> 00:06:55,680 Speaker 1: Why is he the Louis Batton Stella Accartney? He is 117 00:06:55,839 --> 00:07:00,960 Speaker 1: the Yeah, he is the model for all of those lines, yes, 118 00:07:01,680 --> 00:07:06,880 Speaker 1: the headlines. So yeah, don't put up your pants. And 119 00:07:06,920 --> 00:07:09,040 Speaker 1: I love him. I love him, Yeah, I love him. 120 00:07:09,040 --> 00:07:12,360 Speaker 1: You know you know he's again again. You mentioned two 121 00:07:12,440 --> 00:07:16,400 Speaker 1: names that are just natural naturally talented people that uh 122 00:07:16,840 --> 00:07:19,160 Speaker 1: that that I think that is popular because you know, 123 00:07:19,200 --> 00:07:21,480 Speaker 1: when you start trying to get an authentic look, they 124 00:07:21,520 --> 00:07:23,960 Speaker 1: have it. You know, because I'm saying that that Hollywood 125 00:07:23,960 --> 00:07:25,840 Speaker 1: has always been like to look a certain way, you know, 126 00:07:25,920 --> 00:07:29,960 Speaker 1: won't overly handsome people, only well built people or people 127 00:07:30,280 --> 00:07:33,200 Speaker 1: feels should be on calendars and stuff. And now they're 128 00:07:33,240 --> 00:07:35,680 Speaker 1: going to people who are just regular everyday people that 129 00:07:35,800 --> 00:07:38,480 Speaker 1: we work with, that we go to if we're going 130 00:07:38,520 --> 00:07:41,480 Speaker 1: to fast food restaurants. And these are the people who, 131 00:07:41,680 --> 00:07:46,480 Speaker 1: guess what are resonating with the viewers right exactly because 132 00:07:46,480 --> 00:07:49,160 Speaker 1: they can see themselves, you know what I mean. So 133 00:07:49,200 --> 00:07:51,920 Speaker 1: there's something that I guess it's not only relatable, but 134 00:07:52,120 --> 00:07:56,840 Speaker 1: it's like wow, okay, it's three dimensionality. You know, It's 135 00:07:56,880 --> 00:08:01,440 Speaker 1: like you know what I mean, carry Howard Miniversity. You know, 136 00:08:02,560 --> 00:08:05,000 Speaker 1: she go through that Howard University degree out there. You 137 00:08:05,040 --> 00:08:07,880 Speaker 1: know what? The dimensionality what she just saying, I ain't 138 00:08:07,880 --> 00:08:14,400 Speaker 1: never heard that word. I don't know that hold the 139 00:08:14,440 --> 00:08:17,840 Speaker 1: gospel show that would have been holding the hosting gospel shows. 140 00:08:17,880 --> 00:08:21,160 Speaker 1: You know, dimensionality. I I'm just I got a mad three. 141 00:08:21,560 --> 00:08:24,920 Speaker 1: I never came close to dimensionality until I heard this 142 00:08:24,920 --> 00:08:26,840 Speaker 1: show here with this young lady. But we're gonna be 143 00:08:26,920 --> 00:08:29,400 Speaker 1: back with more m girl. When did with Carl Robinson. 144 00:08:29,480 --> 00:08:32,280 Speaker 1: We're gonna talk about a new show on ABC, also 145 00:08:32,360 --> 00:08:36,400 Speaker 1: talking about her hosting African Pride Gospel super Fast TV. 146 00:08:37,160 --> 00:08:40,880 Speaker 1: Uh and again you know I always you know, I'm 147 00:08:40,920 --> 00:08:43,280 Speaker 1: a fan of what she does. And we'll be racked 148 00:08:43,320 --> 00:08:48,160 Speaker 1: with more Windy with Call robertson. I just shot mcgon, 149 00:08:48,480 --> 00:08:50,559 Speaker 1: we're off and we were just talking so much Windy 150 00:08:50,559 --> 00:08:52,080 Speaker 1: and I said, I gotta get back on Eric because 151 00:08:52,080 --> 00:08:54,880 Speaker 1: we were talking another thirty minutes and won't have nothing 152 00:08:54,920 --> 00:08:57,280 Speaker 1: of this great information on tape. And I was telling 153 00:08:57,360 --> 00:09:00,400 Speaker 1: about a young actress was on my RADI your show 154 00:09:00,440 --> 00:09:04,200 Speaker 1: called Kimry Lewis and uh and now and she starts 155 00:09:04,240 --> 00:09:07,080 Speaker 1: on the ABC sitcom right now. And it was funny 156 00:09:07,120 --> 00:09:11,960 Speaker 1: because her personality, her style reminded me so much of 157 00:09:12,040 --> 00:09:14,240 Speaker 1: a good friend of mine. I said, I said, are 158 00:09:14,240 --> 00:09:18,079 Speaker 1: you familiar with Kimrie. Are you familiar with Windy Rick 159 00:09:18,080 --> 00:09:20,520 Speaker 1: Carol Robinson? She went, oh, my god, that's my mentor. 160 00:09:20,600 --> 00:09:22,920 Speaker 1: She taught me how to act. It was like wow, 161 00:09:24,600 --> 00:09:26,920 Speaker 1: I said wow. I said, why. My staff looked at 162 00:09:26,920 --> 00:09:29,120 Speaker 1: me like I was like some gifted dude, because they 163 00:09:29,160 --> 00:09:30,600 Speaker 1: I was there. I was mad at me because I 164 00:09:30,600 --> 00:09:32,839 Speaker 1: can just pull rabbits out of the hat when I'm 165 00:09:32,840 --> 00:09:35,120 Speaker 1: talking to people and uh, and it was just it 166 00:09:35,400 --> 00:09:38,440 Speaker 1: was just the beauty of how you're starting, you know, 167 00:09:38,520 --> 00:09:41,320 Speaker 1: like you know, if it's pro sports, they have you know, 168 00:09:41,360 --> 00:09:44,640 Speaker 1: these coaching trees, you know, and you started to develop 169 00:09:44,720 --> 00:09:49,160 Speaker 1: this acting actor's treat actress treet and and they really 170 00:09:49,400 --> 00:09:51,960 Speaker 1: have to make you feel good about something that you 171 00:09:51,960 --> 00:09:54,720 Speaker 1: know in the hood. And it was in the hood, okay. 172 00:09:55,040 --> 00:09:57,160 Speaker 1: And I went to the very first ones, you know, 173 00:09:57,520 --> 00:10:00,120 Speaker 1: you know, when the air condition wasn't coming on, you're 174 00:10:00,120 --> 00:10:02,040 Speaker 1: supposed to come on, you know what I'm saying, right 175 00:10:02,200 --> 00:10:07,480 Speaker 1: exactly right, right, right, right right. Everybody looked like they 176 00:10:07,480 --> 00:10:12,560 Speaker 1: were if they were working too hard. Okay, right, everybody jobs, 177 00:10:12,679 --> 00:10:16,480 Speaker 1: we're taking out the class the floor. Also the parents 178 00:10:16,440 --> 00:10:20,240 Speaker 1: are taking the tuition and so and so just just 179 00:10:20,280 --> 00:10:22,760 Speaker 1: for just for just let everybody to know that when 180 00:10:22,800 --> 00:10:24,880 Speaker 1: you when you going through that, that's like a balance 181 00:10:25,400 --> 00:10:27,880 Speaker 1: part of you your life. Let's say, now you've got 182 00:10:27,880 --> 00:10:30,480 Speaker 1: this new show on ABC. Tell us about the new 183 00:10:30,480 --> 00:10:33,320 Speaker 1: show on the ABC, because ABC, you know, you've done 184 00:10:33,320 --> 00:10:36,360 Speaker 1: the c W, the w B S, you done up 185 00:10:36,600 --> 00:10:38,559 Speaker 1: NS all this stuff. And I was just I was 186 00:10:38,600 --> 00:10:40,439 Speaker 1: just talking to Cedric. He was on the show last month, 187 00:10:40,679 --> 00:10:43,920 Speaker 1: you know his shows on CBS. Uh. And I was 188 00:10:43,960 --> 00:10:46,240 Speaker 1: just telling I said, that's that. I said, I said, 189 00:10:46,280 --> 00:10:48,880 Speaker 1: you've done at all. But when you when you want 190 00:10:48,880 --> 00:10:51,840 Speaker 1: on one of the top three you know Foxes there too, 191 00:10:52,240 --> 00:10:58,199 Speaker 1: you five, ABC, NBC, CB, that's a different conversation. That's 192 00:10:58,200 --> 00:11:01,880 Speaker 1: a different conversation. That's that that that really is And 193 00:11:01,880 --> 00:11:03,960 Speaker 1: there's no insult to anybody, but those are the are 194 00:11:04,040 --> 00:11:07,400 Speaker 1: the legacy channels. The challenge that when you start going 195 00:11:07,400 --> 00:11:10,280 Speaker 1: back to black and white TV, you know, okay, when 196 00:11:10,640 --> 00:11:12,800 Speaker 1: you know they were there, they were there at midnight 197 00:11:13,240 --> 00:11:16,880 Speaker 1: television went off, they were there you know before right right, 198 00:11:17,240 --> 00:11:21,280 Speaker 1: So tell me about yes, and so tell me about 199 00:11:21,280 --> 00:11:26,199 Speaker 1: getting on this show and what's your what's your character? So, um, 200 00:11:26,520 --> 00:11:28,120 Speaker 1: I didn't want to peep you back on the Kimry 201 00:11:28,200 --> 00:11:32,080 Speaker 1: Lewis okay though. That was so funny because, um, when 202 00:11:32,120 --> 00:11:34,520 Speaker 1: I booked the ABC show, you know, they had to 203 00:11:34,600 --> 00:11:37,240 Speaker 1: zen but it's called the upfront, So that's where they 204 00:11:37,280 --> 00:11:40,640 Speaker 1: send everybody out, you know that on these new ABC shows. 205 00:11:41,200 --> 00:11:43,199 Speaker 1: And we're in New York and we're at one of 206 00:11:43,280 --> 00:11:48,200 Speaker 1: the ABC parties and she's like swooky and I was like, uh, yes, 207 00:11:48,800 --> 00:11:51,520 Speaker 1: and she's like it's Kimry Kimry Lewis, and I was like, 208 00:11:51,520 --> 00:11:55,200 Speaker 1: oh my god, Kimfrey. And I had seen her, you know, 209 00:11:55,280 --> 00:11:58,040 Speaker 1: in almost twenty years since she graduated, but she's on 210 00:11:58,080 --> 00:12:01,160 Speaker 1: the show that it's seen parents. But I thought the 211 00:12:01,160 --> 00:12:03,400 Speaker 1: funny thing was that I had auditioned for it so 212 00:12:03,440 --> 00:12:06,600 Speaker 1: many times and it was like, oh, now I feel 213 00:12:06,640 --> 00:12:10,160 Speaker 1: why I didn't get it because it won't. I just 214 00:12:10,160 --> 00:12:12,680 Speaker 1: thought it was just it was amazing. She's such a 215 00:12:12,760 --> 00:12:17,120 Speaker 1: huge talent and so deserving. But um, God always has 216 00:12:17,200 --> 00:12:20,559 Speaker 1: something for you, you know, And that was there was 217 00:12:20,600 --> 00:12:22,040 Speaker 1: a hard one for me because it was like I 218 00:12:22,040 --> 00:12:24,360 Speaker 1: wanted to get back and said comments all of that, 219 00:12:24,520 --> 00:12:27,200 Speaker 1: and God was like, no, I got you. So what 220 00:12:27,280 --> 00:12:29,880 Speaker 1: do you have for me? Unbeknownst to me was a 221 00:12:29,960 --> 00:12:33,880 Speaker 1: one hour and it's it's called Grand Hotel and it's 222 00:12:33,920 --> 00:12:38,120 Speaker 1: produced by Eva Longoria. It's about the last standing hotel 223 00:12:38,240 --> 00:12:41,840 Speaker 1: in Miami, in Miami that his family owned. So it's 224 00:12:41,840 --> 00:12:45,240 Speaker 1: owned by this Spanish family that comes from all this 225 00:12:45,440 --> 00:12:49,200 Speaker 1: wealth and you know, given you sexy and they're giving you, um, 226 00:12:49,840 --> 00:12:52,440 Speaker 1: you know, money ritten using of bad but at the 227 00:12:52,559 --> 00:12:55,880 Speaker 1: end of the day, it's also about the upstairs of them. 228 00:12:55,920 --> 00:12:59,080 Speaker 1: And then the downstairs story of how the underbelly of 229 00:12:59,080 --> 00:13:03,000 Speaker 1: the hotel works. And that's me and that's Mrs p. 230 00:13:03,360 --> 00:13:06,680 Speaker 1: And I'm running the entire staff and the entire show 231 00:13:06,840 --> 00:13:09,600 Speaker 1: underneath the hotel, you know what I mean. So it's 232 00:13:09,640 --> 00:13:12,320 Speaker 1: all of the inner workings of this hotel. So you 233 00:13:12,400 --> 00:13:15,120 Speaker 1: have the drama between you know, there's the guests, there's 234 00:13:15,200 --> 00:13:19,520 Speaker 1: the management, there's the staff, there's the mystery, there's the intrigue, 235 00:13:19,559 --> 00:13:22,080 Speaker 1: there's this, you know, it's so many things that go 236 00:13:22,240 --> 00:13:27,040 Speaker 1: on with this hotel. This is kind of like soap opera, right, 237 00:13:27,200 --> 00:13:30,679 Speaker 1: but it's just that Spanish soap opera style. So but 238 00:13:30,720 --> 00:13:34,200 Speaker 1: it's not but it's not in that style. Present day 239 00:13:34,320 --> 00:13:38,000 Speaker 1: it's very Miami. It's very hot. You know, we're actually 240 00:13:38,000 --> 00:13:40,559 Speaker 1: going back to Miami now to do some press on it. 241 00:13:40,600 --> 00:13:44,320 Speaker 1: But it's very present day, which not in that vein 242 00:13:44,600 --> 00:13:48,640 Speaker 1: at all. They've taken elements of that and have really 243 00:13:48,880 --> 00:13:53,320 Speaker 1: modernized it and brought it to a circle and you know, 244 00:13:54,000 --> 00:13:55,719 Speaker 1: made it something for the people. You know, got to 245 00:13:55,760 --> 00:13:57,520 Speaker 1: get the people what they want. Now, let me ask 246 00:13:57,520 --> 00:13:59,880 Speaker 1: you this. So this premiere is on Monday on ABC 247 00:14:00,160 --> 00:14:03,360 Speaker 1: JUNIEH seventeen at ten pm. Nine Central ten a p m. 248 00:14:03,400 --> 00:14:06,880 Speaker 1: Eastern ninth Central on ABC called the Grand Hotel Now, 249 00:14:07,160 --> 00:14:11,920 Speaker 1: but there still is an acting style, correct that they 250 00:14:11,960 --> 00:14:15,120 Speaker 1: want from you, right because you know you you you 251 00:14:14,760 --> 00:14:17,960 Speaker 1: know you have you have a versatile platform or different 252 00:14:18,000 --> 00:14:21,320 Speaker 1: roles you play. So you come in and and that's 253 00:14:21,360 --> 00:14:24,120 Speaker 1: that's that's an incredible testament to why you keep working, 254 00:14:24,280 --> 00:14:27,520 Speaker 1: you keep working for a region and so so now 255 00:14:27,600 --> 00:14:29,920 Speaker 1: you have this role and you know it's kind of 256 00:14:29,960 --> 00:14:32,680 Speaker 1: like a soap opera, not not to dated format, but 257 00:14:32,680 --> 00:14:34,680 Speaker 1: it's still a style because I've seen her work and 258 00:14:34,720 --> 00:14:37,880 Speaker 1: I love the way she sells a lot of projects 259 00:14:37,880 --> 00:14:40,480 Speaker 1: on this this type of style. Or you just was 260 00:14:40,600 --> 00:14:42,880 Speaker 1: just you and you just built your character based on 261 00:14:43,960 --> 00:14:48,640 Speaker 1: being a seasoned actress. Wow, thank you. You know, I 262 00:14:48,680 --> 00:14:51,400 Speaker 1: don't want to say it's it's not a soap opera 263 00:14:51,520 --> 00:14:54,600 Speaker 1: or a soap opera style. What it is. It goes 264 00:14:54,680 --> 00:14:57,480 Speaker 1: back to that three dimensionality. And I was talking about 265 00:14:57,720 --> 00:15:02,280 Speaker 1: these characters being so crafted for real, they're really crafted, 266 00:15:02,320 --> 00:15:04,840 Speaker 1: like we would get a script because we wouldn't know, 267 00:15:04,920 --> 00:15:06,480 Speaker 1: and then you show up a table reading it's like, 268 00:15:06,640 --> 00:15:09,320 Speaker 1: oh my god, Okay, this is where I gotta go. 269 00:15:09,760 --> 00:15:12,600 Speaker 1: So it really made us a call on every single 270 00:15:12,720 --> 00:15:17,160 Speaker 1: emotion into the core of who we are and to 271 00:15:17,360 --> 00:15:21,600 Speaker 1: representing people because we all have a past, and the 272 00:15:21,640 --> 00:15:25,280 Speaker 1: show was sot in a lot of flashbacks, he becomes 273 00:15:25,280 --> 00:15:29,040 Speaker 1: her character. Um it's a recurring character, so it's kind 274 00:15:29,040 --> 00:15:32,920 Speaker 1: of told through her eyes and flashbacks. But how it 275 00:15:32,960 --> 00:15:36,440 Speaker 1: brings us all to get there, or how it brings 276 00:15:36,520 --> 00:15:40,680 Speaker 1: us all apart. So it's an evolving, it's an unraveling, 277 00:15:40,800 --> 00:15:44,200 Speaker 1: it's an unlayering, but it's also holding it together, putting 278 00:15:44,240 --> 00:15:46,120 Speaker 1: on that face because I guess, well, we're the you know, 279 00:15:46,160 --> 00:15:48,440 Speaker 1: we're the Bomb Hotel. You know, I've got guests, We're 280 00:15:48,440 --> 00:15:50,960 Speaker 1: doing this, that and the other. But you know, internally 281 00:15:51,000 --> 00:15:53,000 Speaker 1: we're kind of falling apart in a lot of ways, 282 00:15:53,080 --> 00:15:56,720 Speaker 1: but keeping it together. So it's that inner struggle, it's 283 00:15:56,760 --> 00:15:59,160 Speaker 1: that outer struggle to hold it together and keep up 284 00:15:59,200 --> 00:16:02,720 Speaker 1: that aside. So it's a lot of moving pieces that 285 00:16:02,920 --> 00:16:05,240 Speaker 1: I mean, it really prove with the heart strength, but 286 00:16:05,280 --> 00:16:08,200 Speaker 1: at the same time, it's kind of you know, it's funny, 287 00:16:08,280 --> 00:16:12,000 Speaker 1: it's sexy, it's it's a little you know, all over 288 00:16:12,040 --> 00:16:15,480 Speaker 1: the place. I really haven't seen anything like that on 289 00:16:15,680 --> 00:16:20,760 Speaker 1: t V in a minute, so you know, how it 290 00:16:20,800 --> 00:16:27,160 Speaker 1: is going to be the hotel setting. It's beautiful. It's beautiful, 291 00:16:27,960 --> 00:16:30,000 Speaker 1: you know, just how it shot. Now it's in that 292 00:16:30,080 --> 00:16:32,360 Speaker 1: hotel setting. And so with that being is in that 293 00:16:32,440 --> 00:16:35,680 Speaker 1: hotel setting, we're getting a celebrity, you know, kind of 294 00:16:35,720 --> 00:16:38,920 Speaker 1: like checking into the hotel being themselves or it's just 295 00:16:39,000 --> 00:16:44,360 Speaker 1: keep scripted. Uh, It's it's pretty scripted. They didn't do 296 00:16:44,400 --> 00:16:47,880 Speaker 1: the stunt casting, which I'm really excited about, which makes 297 00:16:47,880 --> 00:16:50,720 Speaker 1: it even more believable because it doesn't take you out 298 00:16:50,720 --> 00:16:53,440 Speaker 1: of that round. Right. It's in Miami. Now, everybody go 299 00:16:53,520 --> 00:16:56,960 Speaker 1: to Miami. We do have no go ahead, everybody come 300 00:16:57,000 --> 00:16:59,920 Speaker 1: to Miami. So it's it's believable that your hotel can 301 00:17:00,000 --> 00:17:02,400 Speaker 1: and have a d Wade show up, can't have a 302 00:17:02,840 --> 00:17:05,520 Speaker 1: you know, any anybody of credibility show up down the 303 00:17:05,600 --> 00:17:08,359 Speaker 1: shooting the movie or television show or down there on 304 00:17:08,520 --> 00:17:11,320 Speaker 1: vacation of getting the way. So it's interesting. I just 305 00:17:11,359 --> 00:17:14,360 Speaker 1: think that long term. First of all, it's a great concept. 306 00:17:14,680 --> 00:17:17,960 Speaker 1: Congratulations of being a part of this series. It's called 307 00:17:17,960 --> 00:17:21,840 Speaker 1: The Grand Hotel. UH premiers January seven. In June seventeenth, 308 00:17:22,280 --> 00:17:26,320 Speaker 1: on a Monday seventeen, now five days later on June two, 309 00:17:26,680 --> 00:17:30,840 Speaker 1: You're gonna be hosting the African Pride by African Pride 310 00:17:30,880 --> 00:17:37,480 Speaker 1: Gospel super Fast TV. And they they got you back, 311 00:17:37,680 --> 00:17:40,040 Speaker 1: got you coming back? Now come on that Praise the Lord. 312 00:17:40,040 --> 00:17:42,520 Speaker 1: Praise the Lord. You're coming back. Come on now we 313 00:17:42,600 --> 00:17:45,240 Speaker 1: praise them to song music and dance, the blow the 314 00:17:45,280 --> 00:17:48,840 Speaker 1: trumpet and the horn. No, no, no, but I'm really excited. 315 00:17:48,920 --> 00:17:54,080 Speaker 1: This has been like my seventh year, not consistently, but 316 00:17:54,520 --> 00:17:58,760 Speaker 1: throughout the time and I just really really really developed 317 00:17:58,760 --> 00:18:01,760 Speaker 1: a connection not only with UM, this particular audience, but 318 00:18:01,920 --> 00:18:05,199 Speaker 1: this particular genre. Music has always been, you know, an 319 00:18:05,240 --> 00:18:09,439 Speaker 1: affinitative for me, and gospel music has really always fed 320 00:18:09,560 --> 00:18:12,840 Speaker 1: my soul completely. So we have a good time and 321 00:18:12,880 --> 00:18:15,560 Speaker 1: we turned up and when I say, some of the 322 00:18:15,560 --> 00:18:20,080 Speaker 1: best in the hottest gospel artists UM around the nation 323 00:18:20,359 --> 00:18:23,600 Speaker 1: and the world, UH take the stage. And this year 324 00:18:23,680 --> 00:18:27,639 Speaker 1: it is sponsored by Asking Pride and UM. It was 325 00:18:27,720 --> 00:18:30,960 Speaker 1: formerly the All State Gospel Past. So we've been in Chicago, 326 00:18:31,160 --> 00:18:34,840 Speaker 1: we've been in Atlanta, but Daton, Ohio is the home 327 00:18:34,880 --> 00:18:38,000 Speaker 1: of Dr Cartwright, who was in the executive producer. I 328 00:18:38,240 --> 00:18:40,600 Speaker 1: just talked to him today. I talked to you. I'm 329 00:18:40,640 --> 00:18:42,199 Speaker 1: just telling you need to stop talking to me. I 330 00:18:42,240 --> 00:18:44,560 Speaker 1: know here everybody doing this show. Now, Remember I first started, 331 00:18:44,600 --> 00:18:46,800 Speaker 1: I was asking for a favor. When can you come 332 00:18:46,840 --> 00:18:50,360 Speaker 1: on my show? I needed celebrity twenty seventhing. Everybody will 333 00:18:50,400 --> 00:18:53,719 Speaker 1: show that Dr Boba Cattwright. Please tell him a loo. 334 00:18:53,800 --> 00:18:58,600 Speaker 1: He gonna go. That's my maid, that's my may You 335 00:18:58,720 --> 00:19:01,760 Speaker 1: getting them, you got all that get I just want 336 00:19:01,760 --> 00:19:03,080 Speaker 1: to let you know before I let you go. Here's 337 00:19:03,080 --> 00:19:06,359 Speaker 1: a deal, my dear. You're on a ride. You're on 338 00:19:06,480 --> 00:19:12,840 Speaker 1: a ride your own fire. Please understand that. Get in 339 00:19:12,880 --> 00:19:16,320 Speaker 1: front of all that. Let everybody know that it doesn't 340 00:19:16,359 --> 00:19:19,159 Speaker 1: matter this journey. Did you own the success story that 341 00:19:19,200 --> 00:19:23,040 Speaker 1: you're telling? This changing lives, That that happens for people 342 00:19:23,080 --> 00:19:27,040 Speaker 1: who work hard for it, who deserve it, and should 343 00:19:27,040 --> 00:19:28,879 Speaker 1: be blessed to tell the world about it.