WEBVTT - Mini Crush #166 0:00:00.200 --> 0:00:29.560 Welcome to Movie Crush, a production of I Heart Radio. Hey, everybody, 0:00:29.600 --> 0:00:32.440 welcome to Mini Crush. It's a Wednesday for us, it's 0:00:32.479 --> 0:00:35.680 a Monday for you. Who's maybe we should just meet 0:00:35.680 --> 0:00:37.720 it Tuesday. Meet in the middle and that what they say, 0:00:37.720 --> 0:00:42.400 no totally isn't that? Wait? Wait? No, cott in the middle. 0:00:42.640 --> 0:00:46.840 That's the the ear song, the ear dance cut off gasoline, No, 0:00:47.000 --> 0:00:50.880 not quite caught in the middle with not quite null? 0:00:51.560 --> 0:00:55.240 What your clothes? What do you mean? Stuck in the middle? 0:00:56.280 --> 0:01:02.320 Crap here, I am caught on in the little stuck stuck, 0:01:02.440 --> 0:01:06.400 stuck in it's yet caught stuck. Clowns to lift me, 0:01:06.600 --> 0:01:09.080 guys doing his best. Bob Dylan, that man, Bob Dylan 0:01:09.160 --> 0:01:12.480 is the lazy vocal that launched a thousand lazy vocals. 0:01:12.520 --> 0:01:14.640 I love it. I'm not dissing it. I love his vocal, 0:01:14.720 --> 0:01:17.560 but like Tom Petty, is kind of a more accessible 0:01:17.600 --> 0:01:19.720 Bob Dylan voice. You know what I mean? Well, I 0:01:19.760 --> 0:01:23.000 mean uh, He's one of the only people who has 0:01:23.040 --> 0:01:26.600 a vocal style named after him which is Dylan esque. Yes, 0:01:26.760 --> 0:01:33.480 it's very dylonesk not very many people yet, but there's 0:01:33.600 --> 0:01:36.319 varying degrees of it. Like I said Tom Tom Petty 0:01:36.360 --> 0:01:39.040 to me is the much more buttoned up kind of 0:01:39.080 --> 0:01:42.720 like version of that. And then you've got who else 0:01:42.760 --> 0:01:48.320 is Dylan esque? I don't know Brian Ferry album too. Actually, 0:01:48.840 --> 0:01:52.480 oh is it really? It is? I did not know that. 0:01:52.800 --> 0:01:55.680 I didn't either. I like Brian Ferry. That's interesting. I 0:01:55.720 --> 0:01:59.520 wonder if they're all Dylan esque songs. I don't know. 0:01:59.640 --> 0:02:04.320 Pitch Or gave it a one point nine. Oh boy, 0:02:04.360 --> 0:02:10.600 you Pitchfork. They're the worst. They've become the worst worst. 0:02:10.680 --> 0:02:12.920 They used to be a cool resource for me, like 0:02:12.919 --> 0:02:17.560 I definitely discovered a lot of new music occasionally, but 0:02:17.600 --> 0:02:19.440 they just kind of drank their own kool aid a 0:02:19.440 --> 0:02:21.920 little too much, and that's, you know, they don't know, 0:02:22.120 --> 0:02:23.600 you know what, you know what rag I used to 0:02:23.680 --> 0:02:27.640 read NOL and get all my music from Magnet magazine 0:02:28.440 --> 0:02:34.359 Magnet Real Real Music Alternatives was the subtitle. Magnet was great, yeah, 0:02:34.400 --> 0:02:37.160 because they were a little indie, but not like you know, 0:02:37.720 --> 0:02:40.360 like high falutint indie, and they would still talk about 0:02:40.400 --> 0:02:43.760 like alternative and like more rock type ags. Yeah, Like 0:02:43.960 --> 0:02:46.360 the cover of Magnet would be like Dean Ween or 0:02:46.360 --> 0:02:49.880 Elliott Smith. You know, that's that's the sandbox they were 0:02:49.880 --> 0:02:52.760 playing in. But I learned about jeez, I learned about 0:02:52.760 --> 0:02:54.320 a lot of the bands that ended up being some 0:02:54.360 --> 0:02:56.520 of my favorite bands that I've never heard of until 0:02:56.520 --> 0:03:01.120 I read Magnet. Like I mean, the Black Keys. They 0:03:01.240 --> 0:03:03.960 every year they do a top ten albums that you 0:03:04.720 --> 0:03:07.560 should know that we're like so small that no one 0:03:07.600 --> 0:03:10.040 knew about them and the Black Keys. The big come 0:03:10.120 --> 0:03:12.919 up was on their list that their very first first 0:03:13.040 --> 0:03:15.240 I was their first album, huh, which is great. I 0:03:15.240 --> 0:03:18.200 mean it's their best if you ask me. But I've 0:03:18.240 --> 0:03:21.200 never really gotten into that super garage e type stuff. 0:03:21.240 --> 0:03:23.920 Like I like the songs that I like by the 0:03:23.919 --> 0:03:26.320 White Stripes, but I've never been like a full album guy. 0:03:26.560 --> 0:03:28.360 But I maybe need to because they're a little all 0:03:28.360 --> 0:03:29.920 over the place and you have those songs like the 0:03:29.919 --> 0:03:32.200 White Stripes are the Black Keys the White Stripes, and 0:03:32.320 --> 0:03:34.800 I just I consider them sort of parking in the 0:03:34.840 --> 0:03:38.360 same garage, right, Well, I mean, don't tell that to uh. 0:03:38.480 --> 0:03:40.880 They're they're they've been in a long I know that 0:03:41.000 --> 0:03:43.560 battle fight at their kids kindergarten or some ship, right, 0:03:43.680 --> 0:03:45.200 wasn't it, Like yeah, I think there was even a 0:03:45.280 --> 0:03:47.840 Rivals episode about that one. I think You're absolutely right, 0:03:48.600 --> 0:03:51.560 r I p rivals, So Nol, we are going to 0:03:51.640 --> 0:03:54.720 get going here because I have a surprise for you 0:03:56.040 --> 0:03:59.240 and for the Crushers surprises. I need you to navigate 0:03:59.280 --> 0:04:01.320 your way to the move be Crushed with Chuck Bryant 0:04:01.680 --> 0:04:05.480 facebook page, not the movie Crushers. I can do that, Chuck, 0:04:05.560 --> 0:04:07.640 I can do that. And so I borrowed this idea 0:04:07.720 --> 0:04:10.920 from Crusher Dave Duff. Dave posted over on the Crushers 0:04:10.920 --> 0:04:15.760 page like somebody should get Verner herd Zog two do 0:04:15.920 --> 0:04:19.080 it live twenty four hour narration of the ships stuck 0:04:19.120 --> 0:04:21.560 in the US canal. That ship has now been freed. 0:04:22.520 --> 0:04:24.279 By the time this comes out, it will be freed 0:04:24.279 --> 0:04:27.279 by about two weeks, two and a half weeks. But 0:04:27.640 --> 0:04:29.479 I thought, I asked Dave if I could borrow this, 0:04:29.560 --> 0:04:31.880 and I thought, here's what we'll do. We'll get the 0:04:32.040 --> 0:04:36.680 Crushers to add lines of narration and get you to 0:04:36.760 --> 0:04:40.680 read them as Werner Hertzog. Oh my god. So do 0:04:40.720 --> 0:04:45.040 you see the post there many Crush borrowed from Crusher 0:04:45.120 --> 0:04:48.359 Dave Duff. I'm navigating to uh and this is what 0:04:48.360 --> 0:04:50.720 I said. Let's say Verner Hertzog narrated that stuck ship 0:04:51.080 --> 0:04:52.960 that was finally freed in this US. Canal right, one 0:04:53.040 --> 0:04:55.920 or two sentences of this narration and we'll get an 0:04:55.920 --> 0:04:58.320 old to read them on the next many Crush And 0:04:58.560 --> 0:05:01.240 this is a movie Crush with Chuck Bryant. I just 0:05:01.480 --> 0:05:07.159 can't wait to hear these because I'm reading now. You 0:05:07.440 --> 0:05:11.479 are to me second only to Paula Thompkins. And oh 0:05:11.520 --> 0:05:15.120 my god, thank you Chuck. Borrowed from Crusher Dave Duffe. 0:05:15.200 --> 0:05:17.640 Do you see that post? I do? All right, So 0:05:18.440 --> 0:05:22.800 let's go. No, you can pick and choose what you want. Oh. 0:05:22.880 --> 0:05:25.960 I love this first one from Charles Martin. Ackers. Is 0:05:26.000 --> 0:05:27.840 he the guy who's supposed to eat our shorts? Though? 0:05:27.960 --> 0:05:31.440 Isn't that him? No, Charles Martin, I always say acres? 0:05:31.440 --> 0:05:34.720 Maybe those acres? Uh, He's he's a good guy. He's 0:05:34.760 --> 0:05:37.000 not a bad guy. He's not even even even the 0:05:37.040 --> 0:05:39.800 shorts eaters are fine, fine, No, they're great. Let me 0:05:39.800 --> 0:05:45.080 see how I can do it. The Overwroughtmanolith trudged into 0:05:45.160 --> 0:05:50.080 the narrow gap. Burdened by cargo. The ship found its 0:05:50.120 --> 0:05:55.520 way aground. The vessel and its crew cemented in time 0:05:55.560 --> 0:06:02.279 and space. It tonally good stuff. Mm hmm, there's more. 0:06:02.400 --> 0:06:04.520 But I like, I like, I like ending in on that, 0:06:04.640 --> 0:06:08.000 and the next line is almost anticlimactic. Okay, let's see. 0:06:10.520 --> 0:06:13.560 I like this one. These are all great at least 0:06:13.560 --> 0:06:15.320 are Oh my goodness, oh this is this is a 0:06:15.360 --> 0:06:19.159 reference to Uh. This is a reference to FITZGERALDO the 0:06:19.240 --> 0:06:23.400 great Werner Hertzog film with Klaus Kinski, where he uh 0:06:23.760 --> 0:06:29.000 pulls a steamship over a mountain. Uh in the effort too. 0:06:29.080 --> 0:06:30.320 I think he's like, is that the one about the 0:06:30.320 --> 0:06:33.040 opera house? I think it is. Anyway, Let's see from 0:06:33.080 --> 0:06:38.359 Steve Scott, here we go. Every man should pull a 0:06:38.440 --> 0:06:43.320 boat over a mountain, then into the Suez Canal, have 0:06:43.480 --> 0:06:50.920 it get stuck, stuck, gets stuck, and then pull it 0:06:51.160 --> 0:06:57.000 triumphantly out again once in his life. The universe is 0:06:57.160 --> 0:07:04.880 monstrously indifferent to the presence of tug boats. Here read 0:07:05.000 --> 0:07:09.200 uh read Debbie Franka Dakas, all right, Franky, doc here 0:07:09.200 --> 0:07:12.800 we go where you have Franka docas. It's alright. It 0:07:15.000 --> 0:07:19.720 has embedded itself into the artery of the economy. The 0:07:19.840 --> 0:07:25.560 boat is the result of agreed and fat hamburgers. I 0:07:25.600 --> 0:07:29.600 wonder if the boat knows what it has done? Does 0:07:29.720 --> 0:07:34.880 the boat dream does the boat dream. That's perfect. Boy. 0:07:34.920 --> 0:07:39.360 People can really write, and the voice of I'm not 0:07:39.400 --> 0:07:43.120 gonna lie Chuck, I I I they don't have indispensable 0:07:43.560 --> 0:07:46.560 Herzog impressions in me. I will eventually start to sound 0:07:46.640 --> 0:07:48.480 like somebody else. I'm gonna do three or four more 0:07:48.520 --> 0:07:51.200 of these. Let's see you got any tops here. I'll 0:07:51.240 --> 0:07:53.640 try one. Okay, we'll trade off. I don't do a 0:07:53.640 --> 0:07:56.280 great friend of her dog, but here goes as zach loose. 0:07:57.200 --> 0:07:59.920 You may have freed it from the clutches of the can, 0:08:00.840 --> 0:08:05.720 but your minds that was christof Waltz. All of a sudden, 0:08:06.440 --> 0:08:12.640 they'll never be free. I can't. I'm doing christof Waults now. 0:08:12.920 --> 0:08:15.680 I don't know if I can't do it's it's all no. No, 0:08:16.920 --> 0:08:18.400 let me let you go to go the way. Where 0:08:18.400 --> 0:08:23.120 are you at? Zak Low? No read any of them. 0:08:23.120 --> 0:08:25.800 I'm gonna start reading him as Christoff Walts. You you Tanish, 0:08:26.600 --> 0:08:28.240 you finished it? I love it. Okay, here we're gonna 0:08:28.240 --> 0:08:31.040 do here. We all like this one. Carrie v. McQuaid, 0:08:31.120 --> 0:08:35.240 I love him, acquaid. Uh As the shifting tides of 0:08:35.320 --> 0:08:41.559 capitalism become distorted through a lens of want and depleted resources, 0:08:41.880 --> 0:08:46.280 the viewer of this bereft colossus is left with an 0:08:46.320 --> 0:08:52.360 insight into the fragility of our existence. All right, I'm 0:08:52.360 --> 0:08:56.440 gonna read one is chrystof faults. Let me see here 0:09:03.640 --> 0:09:08.439 now I'm getting a stage right, all right? This is 0:09:08.480 --> 0:09:16.360 from Bear Baard, William Swedman Christoph Waltz. Steering massive carcass 0:09:16.400 --> 0:09:22.640 ships is a complicated profession. You're very good at that, Chuck. 0:09:22.760 --> 0:09:25.679 I would argue you're Christoph might even be better than 0:09:25.720 --> 0:09:28.720 my verner. But boy, that yeah, that's He's got this 0:09:28.840 --> 0:09:32.880 puckish kind of do to do thing, and you nail it. 0:09:33.200 --> 0:09:34.880 All right, I can do a couple more. Let's do 0:09:34.880 --> 0:09:39.200 this one from Weezer Long from culver Matthew um. The 0:09:39.320 --> 0:09:43.679 perseverance of the ancient culture that's built the Great Pyramids 0:09:43.720 --> 0:09:48.000 of Giza has come to life again, as these grandchildren 0:09:48.040 --> 0:09:51.440 of the fay Ros heaved the monolith three of its 0:09:51.559 --> 0:09:57.080 resting place, like so many tons of sandstone. The gateway 0:09:57.200 --> 0:10:01.880 between the Red and Mediterranean Sea, and between the people 0:10:02.240 --> 0:10:06.840 of the Near East and the West was once thrust open. 0:10:07.760 --> 0:10:12.240 Who's Who's What's that? That was culver Matthew oh Man 0:10:12.880 --> 0:10:17.400 for the win. I think we can stop there. This 0:10:18.040 --> 0:10:20.240 is the last one. These are so goods from Josh Brandon. 0:10:20.720 --> 0:10:26.959 Immovable uncertainty, a fixture of the muddy, narrow abyss of Suez, 0:10:27.600 --> 0:10:31.480 feelings of embarrassment and anguish as I look upon my 0:10:31.600 --> 0:10:38.840 waiting brethren anchored in place due to my despair. I'll 0:10:38.880 --> 0:10:43.920 read one more as Sammy Davis Jr. This is for 0:10:44.160 --> 0:10:48.200 the stuff you should know, listeners. Zack Pointers is pretty 0:10:48.240 --> 0:10:52.360 short and sweet. Hey man, that ship is stuck worse 0:10:52.440 --> 0:10:58.680 than a log and a constipated sumo wrestler. Yeah. See, 0:10:58.800 --> 0:11:00.920 oh did someone write that for Were you to do? In? 0:11:01.000 --> 0:11:04.720 Sammy Davis? And I just seemed like something Sam David 0:11:05.200 --> 0:11:07.559 might say, Yeah, it does. It doesn't seem like something 0:11:07.559 --> 0:11:09.760 that Werner would say at all. That's why I was 0:11:09.800 --> 0:11:11.719 confused about I saw that one and I gave it 0:11:11.760 --> 0:11:13.280 a pass. But I'm glad I liked it. I just 0:11:13.280 --> 0:11:16.240 didn't think it was on brand. Well done. I'm gonna 0:11:16.240 --> 0:11:19.480 do one more. As Christolf Fultz getting into it now, 0:11:19.520 --> 0:11:24.959 Brendan Reese says, this digging and dredging, it's a complicated profession. 0:11:25.080 --> 0:11:32.960 Don't you agree? I do agree. I do agree, all right. 0:11:33.400 --> 0:11:37.280 I think we've beaten that horse. Don't you think we have? 0:11:37.360 --> 0:11:40.280 I think we've beaten it to life, in fact, not 0:11:40.440 --> 0:11:50.679 to death at all. All right, nol, we have one 0:11:50.679 --> 0:11:53.920 more thing here. I asked the Crusher community, very simple 0:11:53.960 --> 0:11:57.320 question that I've never asked before Indiana Jones or Hand 0:11:57.440 --> 0:12:01.040 or Han Solo. And let's see you are reasons why, Like, 0:12:01.120 --> 0:12:04.160 that's the important part here. You got one. You got 0:12:04.200 --> 0:12:08.280 a hot tick on that. God, that's hard. That's hard. 0:12:08.559 --> 0:12:12.760 They're both charming fellas. Um. I think I'm more of 0:12:12.800 --> 0:12:15.760 an Indie guy than a than A than a Han guy. 0:12:16.320 --> 0:12:19.040 I don't know, because he's just grounded in reality. He's 0:12:19.040 --> 0:12:22.040 got the smarts, you know, he's got his flaws, he's 0:12:22.080 --> 0:12:23.800 got his weak This is he's scared of snakes. I 0:12:23.840 --> 0:12:26.360 like that. My mom was always scared of snakes. Han. 0:12:26.440 --> 0:12:27.920 This is a little too cock sure. It doesn't seem 0:12:27.960 --> 0:12:30.280 like he's scared a much of anything. He brings up bed. 0:12:31.160 --> 0:12:35.280 He totally does that. Hse uh. Kristen bits a guy 0:12:35.320 --> 0:12:37.320 says they're both such iconic characters, and the fact that 0:12:37.320 --> 0:12:40.480 Han Solo shines as brightly as Indiana Jones without actually 0:12:40.520 --> 0:12:44.320 being the main character, says, how freaking awesome. Han is 0:12:45.520 --> 0:12:48.000 fair point. I agree. I mean, I like I said, 0:12:48.120 --> 0:12:49.839 it's hard for me. I like both characters quite a lot. 0:12:50.679 --> 0:12:53.240 Angelica Singer says Indiana Jones, he was on my wall 0:12:53.280 --> 0:12:55.559 as a young girl, made me want to be an archaeologist, 0:12:55.559 --> 0:12:59.040 based solely on his adventures and the courageous expeditions. I'm 0:12:59.040 --> 0:13:04.040 no archaeologist by means, but adventurer. Yes. Han is seriously 0:13:04.120 --> 0:13:07.040 rad And this is a tough question. But Indiana inspired 0:13:07.080 --> 0:13:09.840 me as a timid middle school girl, and that made 0:13:09.920 --> 0:13:13.240 him a big deal to me. Great answer. I'm with that. Yeah, 0:13:13.440 --> 0:13:17.000 I e Ti once too, was a timid middle school girl. Uh. 0:13:17.040 --> 0:13:20.960 Andrew and Andrew Anderson says, my god, Chuck, you're ruining 0:13:21.000 --> 0:13:23.280 my evening with his dilemma. I would take Han solo 0:13:23.400 --> 0:13:25.960 six days a week, but that seventh day of junior 0:13:26.520 --> 0:13:31.720 would be magical. This is making my head hurt. Fascinating. 0:13:31.800 --> 0:13:35.240 It is a tough question. Justin Renter says, Han is 0:13:35.280 --> 0:13:39.720 kind of an ass Indie all the way. He's a professor, smart, athletic, 0:13:39.720 --> 0:13:43.520 good looking. Boom boom. We're on the same page. And again, 0:13:43.640 --> 0:13:46.439 I think the flaws are important. The fear of snakes 0:13:46.440 --> 0:13:48.400 that not wanting to use a gun, you know what 0:13:48.400 --> 0:13:51.480 I mean. Han just shot that greedo fellow dead. You know, 0:13:51.600 --> 0:13:55.520 I mean, come on, well a psychopath Indie shot that 0:13:55.720 --> 0:13:58.400 swordsman dead. Yeah, but that guy was like a weird 0:13:58.600 --> 0:14:03.079 you know the word ninja. He had a coming. Brian 0:14:03.160 --> 0:14:05.720 Ridge says, I'm going I'm gonna go with Han solo. 0:14:05.800 --> 0:14:09.400 Both are awesome, iconic characters. Han was first, so that helps. 0:14:09.760 --> 0:14:11.720 After doing the math. Indians Love Life is a bit 0:14:11.760 --> 0:14:15.439 problematic as well. Sure I'm confusing Indiana Jones with mcguiver 0:14:15.520 --> 0:14:17.360 and he was fine with using a gun. He does. 0:14:17.360 --> 0:14:19.040 He preferred the whip, but he would use the gun 0:14:19.080 --> 0:14:20.960 if he needed to. As case in point with that 0:14:21.040 --> 0:14:24.360 scene you mentioned, does mcgiver not using a gun? Mcgiver 0:14:24.440 --> 0:14:27.280 hates guns. He only likes to, you know, make gadgets. 0:14:27.400 --> 0:14:30.160 You know something. I never saw mcgivers that. Yeah, it 0:14:30.240 --> 0:14:31.840 was fine. It was one of those It came out 0:14:31.880 --> 0:14:33.760 right around the same time as Quantum Leap, and I 0:14:33.760 --> 0:14:35.360 watched both of those shows when I was a kid. 0:14:35.400 --> 0:14:37.680 I liked them quite a lot. My brother worked on 0:14:37.920 --> 0:14:43.200 Quantum Leap for a season, is that right. I thought 0:14:43.200 --> 0:14:46.080 that was a really clever show. Yeah, big big fan, 0:14:46.520 --> 0:14:50.280 I never saw it. He's always waiting for the leap home. 0:14:50.320 --> 0:14:52.440 He hopes the next leap will be the leap home. Chuck, 0:14:52.680 --> 0:14:54.560 is that the deal? That's the deal? And then well 0:14:54.600 --> 0:14:57.440 it's like it's like a it's it's really shoddy technology 0:14:57.480 --> 0:14:59.320 because it shoots him around all these places where he's 0:14:59.360 --> 0:15:02.520 inhabiting these people and like making like setting wrong right 0:15:02.640 --> 0:15:06.600 ready wrongs, but he doesn't know where he's gonna go. Uh, 0:15:06.640 --> 0:15:11.080 what's his name? Um? That actor Scott h Ship No 0:15:11.080 --> 0:15:15.600 no when Scot Scott bacular, but also Dean Stockwell Stockwell 0:15:15.640 --> 0:15:18.680 who plays Al who's his like little liaison from the 0:15:18.680 --> 0:15:21.800 future who's using this graphing calculator thing named Ziggy that's 0:15:21.800 --> 0:15:23.240 always sucking up and he has to hit it and 0:15:23.280 --> 0:15:26.520 makes little bleeps and bloops like he's a very imprecise guy. 0:15:26.960 --> 0:15:30.480 Ziggy gives very shoddy information. The technology of the future 0:15:30.520 --> 0:15:32.840 of this world is very flawed, I would argue, but 0:15:32.880 --> 0:15:36.440 it makes for a fun show. Emily Newton says, Han 0:15:36.640 --> 0:15:39.680 Solo not a womanizer, not intimidated by being with a 0:15:39.720 --> 0:15:44.760 woman of Leah's prowess, does his thing unapologetically loyal to 0:15:44.800 --> 0:15:48.480 those he loves indie as much as I love him. 0:15:48.720 --> 0:15:52.640 Is pretty much in it for indie boy. I don't 0:15:53.400 --> 0:15:56.200 that's a hot take, so I might say that's reversed 0:15:57.400 --> 0:16:00.360 and that Han is in it for Han. Yeah, but 0:16:00.360 --> 0:16:03.480 he says he sort of softens though. That's true. That's 0:16:03.520 --> 0:16:05.080 sort of the point that that maybe if there is 0:16:05.120 --> 0:16:09.440 anything that like makes his character attractive is that he 0:16:09.600 --> 0:16:12.760 redeems himself and becomes less of a self serving ass 0:16:12.800 --> 0:16:14.400 and starts to kind of be a team player and 0:16:14.440 --> 0:16:18.360 see the big picture. And he's in it for treasure, 0:16:19.440 --> 0:16:26.560 m true and fame. Yeah, notoriety. Greta Mansfield, says Mansfeld. 0:16:26.560 --> 0:16:29.400 Excuse me, Greta. One of our old friends, says Indiana Jones. 0:16:29.480 --> 0:16:33.080 Any day, Han Solo seems curmudgeing ly as both a 0:16:33.160 --> 0:16:38.000 young and old person. Fair enough, David Pott says, Han 0:16:38.080 --> 0:16:40.720 Solo because of Empire strikes back. The movie's a deeper 0:16:40.720 --> 0:16:42.920 part of me than any of those Indiana Jones movies. 0:16:43.720 --> 0:16:47.680 All right, Jimmy Quickendall, one of our old friends, says 0:16:47.680 --> 0:16:52.040 Indiana Jones all day, smart as hell, resourceful and good 0:16:52.040 --> 0:16:57.920 with the ladies. Exactly. He's a bit of a lothario type, 0:16:58.120 --> 0:17:01.120 does he say, well, I mean it was just uh 0:17:01.680 --> 0:17:05.040 Karen Allen, and she was an underage girl that he 0:17:05.160 --> 0:17:10.040 may have, you know, had improper groomed. There was some grooming. 0:17:10.280 --> 0:17:13.240 I mean, you know, it's it's all. Someone did the 0:17:13.280 --> 0:17:15.800 math at some point on the internet. And there are 0:17:15.840 --> 0:17:17.960 the scenes where she says, you know, I was a child, 0:17:18.640 --> 0:17:20.040 and he goes, you knew what you were doing, and 0:17:20.040 --> 0:17:23.040 I'm like, oh, you don't need to say that is 0:17:23.080 --> 0:17:27.439 Indiana Jones canceled, Chuck, He's not canceled, but there was. 0:17:28.560 --> 0:17:33.159 I think they produced some original meeting notes from Lucas 0:17:33.200 --> 0:17:39.960 in Spielberg and uh and uh, what's his face? The writer? 0:17:40.760 --> 0:17:43.439 It's totally escaping me. Think about the writer for Indiana, 0:17:43.520 --> 0:17:50.240 John legendary writer of Empire strikes back. Kasal just brain 0:17:50.320 --> 0:17:53.639 dead Nal? That's okay, what's his name? And people are yelling, 0:17:54.280 --> 0:17:58.000 but they produce these notes in Lucas was We talked 0:17:58.000 --> 0:17:59.760 a bit about this on the Raiders episode with how 0:17:59.840 --> 0:18:03.240 Love one. But Lucas said was like, you know what 0:18:03.320 --> 0:18:06.240 if she was like fifteen or thirteen, He's like, that 0:18:06.280 --> 0:18:09.760 would be a wild idea. And Spielberg was like, maybe 0:18:09.760 --> 0:18:13.959 she should have been older than that um And granted 0:18:13.960 --> 0:18:15.919 it was a long time ago. The setting wise, it 0:18:15.960 --> 0:18:22.520 was in the nineteen I guess thirties, but still, you know, yeah, 0:18:23.040 --> 0:18:26.200 so crazy. On the IMDb page for Empire doesn't even 0:18:26.240 --> 0:18:29.159 have a writer list, it just has story by George Lucas, 0:18:29.240 --> 0:18:32.760 Lawrence cast, Lawrence cat I said kaza as a cause 0:18:32.840 --> 0:18:36.880 of CAD's a car sound. I had the right idea, Oh, Chuck, 0:18:36.880 --> 0:18:38.480 I got a dish on something really quick. And now 0:18:38.480 --> 0:18:40.640 I'm like, I can give too many details about specifics, 0:18:40.640 --> 0:18:45.040 but I had a call with a legendary music supervisor, 0:18:46.080 --> 0:18:49.440 like probably the only one who people even know his name? Well, 0:18:50.119 --> 0:18:52.240 can I guess or can you not say it on 0:18:52.240 --> 0:18:54.680 the air? You can guess it was probably Randall Poster. 0:18:55.080 --> 0:18:58.240 Sure was. Well, I just had his sister on movie Crush. 0:18:58.680 --> 0:19:01.840 Is that right? Yeah? Errol was on two weeks ago. 0:19:01.880 --> 0:19:06.240 Because she does Call Your Grandmother with us. I wish 0:19:06.240 --> 0:19:07.840 I would have known that. I would have brought that 0:19:07.920 --> 0:19:10.280 up on the call. I don't think he was aware. Yeah, 0:19:10.320 --> 0:19:12.480 she does a podcast with us called Call Your Grandmother, 0:19:12.480 --> 0:19:16.679 which is great. She came on and offline she was like, 0:19:17.720 --> 0:19:19.760 you know, I should get hook you up with my 0:19:19.800 --> 0:19:23.720 brother randall he'd be a great guest and I went, yeah, 0:19:24.160 --> 0:19:27.640 can you well he would be and you should and 0:19:27.840 --> 0:19:31.800 uh that's all I can say. Um. Really cool again, 0:19:31.880 --> 0:19:35.679 legendary dude, And like those soundtracks and the way he 0:19:35.840 --> 0:19:39.359 curates music is so meaningful to me in my life, 0:19:39.400 --> 0:19:42.720 like the Royal Tennant boumb soundtrack and Rushmore turned me 0:19:42.760 --> 0:19:46.600 on too. Like old Kinks and not old Kinks, like 0:19:46.640 --> 0:19:49.159 you know these old Kinks now the old music of 0:19:49.200 --> 0:19:52.159 the early Kinks and uh you mean old Kinks like 0:19:52.160 --> 0:19:56.120 showing your ankle exactly, yes, they're a little thigh uh 0:19:56.160 --> 0:19:58.480 and uh you know, like she's like a rainbow rolling 0:19:58.520 --> 0:20:00.439 stone like I didn't know that era of role stones. 0:20:01.119 --> 0:20:03.520 Um the live version of a quick one while he's 0:20:03.520 --> 0:20:08.240 away by who absolute barn Burner. Um. But anyway, that 0:20:08.240 --> 0:20:09.679 was kind of neat. I got the fanboy out for 0:20:09.680 --> 0:20:13.840 a second. That's super cool Noll, and I definitely want 0:20:13.840 --> 0:20:16.280 to get him on because I love the idea. Meryl 0:20:16.359 --> 0:20:20.520 was able to speak to producing um as a job, 0:20:20.720 --> 0:20:22.960 which was really insightful, and I want to get more 0:20:23.720 --> 0:20:25.919 people like that. A friend of mine here is uh 0:20:26.119 --> 0:20:30.040 knows an a d working I'm not sure what he's 0:20:30.080 --> 0:20:32.639 working on right now here in Atlanta, but he was 0:20:32.920 --> 0:20:36.600 Paul Thomas Anderson's a d on Magnolia and Boogie Knights 0:20:36.640 --> 0:20:39.280 and Punch Drunk Love, And I'm gonna try and get 0:20:39.359 --> 0:20:42.800 him on because that's insight from another crew member. I 0:20:42.800 --> 0:20:44.879 think i'd I'd love to have Randall poster on. I 0:20:44.920 --> 0:20:46.560 think it's cool to get these people come on and 0:20:46.600 --> 0:20:50.280 speak to their jobs in the industry, uh, because that's 0:20:50.359 --> 0:20:53.320 kind of like a double a double whaymy Not only 0:20:53.320 --> 0:20:55.199 get do we get to talked about a movie, but 0:20:55.280 --> 0:20:57.800 the crushers and and myself get to learn about these 0:20:57.800 --> 0:21:00.520 school jobs. It's absolutely true. And you always such a 0:21:00.520 --> 0:21:02.440 good job of doing those little well, I don't know, 0:21:02.520 --> 0:21:04.280 it's like, I guess this only as a finite number 0:21:04.280 --> 0:21:05.919 of those segments, but we used to do those. Uh 0:21:06.520 --> 0:21:11.040 uh that's the one. Yeah, I'll get back to doing 0:21:11.080 --> 0:21:14.840 that one day. I've been lazy lately, very lazy. I 0:21:14.880 --> 0:21:17.600 don't think that's true. Chuck. Maybe in one department, but 0:21:17.640 --> 0:21:19.359 that just means that you're doing fifty other things and 0:21:19.359 --> 0:21:22.840 fifty other departments. All right, let's get back to Indiana Jones, 0:21:23.080 --> 0:21:27.639 the Han Solo Austin Handler one of our old pal says, uh, 0:21:27.680 --> 0:21:30.320 that's like asking me who my favorite son is. Having 0:21:30.359 --> 0:21:32.600 said that, it's gotta be Han Solo, Indie is a 0:21:32.600 --> 0:21:36.360 grave robber and culture plunderer who keeps robbing and plundering. 0:21:36.600 --> 0:21:39.440 Han may have been a spice runner, but at least 0:21:39.480 --> 0:21:41.840 he gave all that up and joined the rebellion to 0:21:41.920 --> 0:21:45.680 fight for something bigger than himself. I have to say 0:21:45.880 --> 0:21:47.800 when he said it's like picking my favorite son, but 0:21:47.920 --> 0:21:50.960 having said that, it's definitely Steve. He's the He's the 0:21:51.000 --> 0:21:54.320 far superior son. Um, I'm getting out of know what 0:21:54.359 --> 0:21:56.080 your son's names are. No, we'll I'm but I think 0:21:56.080 --> 0:21:58.520 we're on the same page. Like Indie was a plunderer, 0:21:58.600 --> 0:22:00.600 he was in it for these real x not and 0:22:00.640 --> 0:22:03.440 it just happened to cross paths with these life changing 0:22:03.720 --> 0:22:06.040 or world changing events. But it was all in the 0:22:06.080 --> 0:22:10.960 service of of his plunder. Yeah, I mean he wanted 0:22:11.000 --> 0:22:13.159 things to end up in museums. But I think he 0:22:13.200 --> 0:22:17.200 was selling the ship, wouldn't he kind of? Yeah? Did 0:22:17.200 --> 0:22:18.960 you know that he lived in New Jersey? Not funny 0:22:19.000 --> 0:22:23.399 to think about, I mean the character or character he 0:22:23.480 --> 0:22:26.520 lived in New Jersey? Yeah, because rewatching raiders for the 0:22:26.560 --> 0:22:28.520 show and how and I talked about this on the 0:22:28.600 --> 0:22:31.200 up it showed. You know, there's that one scene where 0:22:31.200 --> 0:22:33.800 he's packing in his house to go on his on 0:22:33.880 --> 0:22:37.120 his first big adventure to get the ARC. And I 0:22:37.160 --> 0:22:39.639 was like, it's just so funny to think about Indiana 0:22:39.720 --> 0:22:42.880 jones house. Like he seems like that's the only time 0:22:42.920 --> 0:22:45.119 you ever see his home, I believe. And it's in 0:22:45.119 --> 0:22:49.320 New Jersey. He lives in New Jersey. It's so funny. Yeah, 0:22:49.320 --> 0:22:51.000 I would, I would. I don't think of New Jersey 0:22:51.040 --> 0:22:56.280 as being a particularly collegiate city. Uh. Well, Princeton is there, 0:22:56.680 --> 0:22:58.399 Princeton is there? Is that? Where is he? Where is 0:22:58.440 --> 0:23:00.600 he meant to teach? I think at gets a made 0:23:00.680 --> 0:23:04.280 up college if I remember correctly, because I looked into it. Uh, 0:23:04.320 --> 0:23:08.520 Indiana Jones's college is not real, I don't believe, but 0:23:08.520 --> 0:23:11.679 I think it was sort of modeled on Princeton. Uh. 0:23:11.720 --> 0:23:13.720 And then of course the Big State School as Red Guys, 0:23:14.520 --> 0:23:17.840 Red Guys. Tony Saprana did one semester Red Gus and 0:23:17.840 --> 0:23:20.040 then he dropped out. I hung out, and when I 0:23:20.080 --> 0:23:22.240 lived in New Jersey, I went to Rutgers and hung 0:23:22.240 --> 0:23:24.440 out at the bars. There a couple of times, did 0:23:24.440 --> 0:23:27.000 you hang on the quad? No, I hung out in 0:23:27.000 --> 0:23:29.639 the bars. Okay, that's all right. I went to Princeton. 0:23:29.720 --> 0:23:33.359 To Princeton is a lovely town. Yeah, yeah, yeah. Um, 0:23:33.480 --> 0:23:36.520 Harvard is really nice and they've got all those yards 0:23:36.520 --> 0:23:41.680 where you can pocky ka. Harvard was weird to me 0:23:41.720 --> 0:23:44.439 because it's it's not what I expected. I know, like 0:23:44.560 --> 0:23:47.520 once you probably get onto the campus, but it seemed 0:23:47.560 --> 0:23:52.080 like it was like kind of just surrounded. And I 0:23:52.119 --> 0:23:54.720 guess I was used to college towns where sort of 0:23:54.720 --> 0:23:58.040