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Speaker 1: Listen, by the way, just so you know, I was

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Speaker 1: there Blackout.

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Speaker 2: We flew in fifty on your team.

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Speaker 3: Fifty. We had talked about it. Yo, what up, Yard,

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Speaker 3: This is your boy, the motherfucking dodge Joe Crack in

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Speaker 3: the building.

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Speaker 4: You know what it is, your boy Jada?

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Speaker 2: You know what it is?

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Speaker 4: Did Joe and Jada show every show legendary, every show

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Speaker 4: iconic and we got our foot on these throat right.

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Speaker 2: Now, right, I mean the next guest.

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Speaker 4: When you think of hard working, grinding, coming from the bottom,

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Speaker 4: you know what I mean, making something out of nothing.

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Speaker 4: One of the best sports agents in the world really

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Speaker 4: never loses. He does a lot of wining, you know

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Speaker 4: what I mean. Great businessman, great INDI visual ladies and gentlemen.

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Speaker 2: Make some noise for rich Paul.

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Speaker 3: Yeah, yeah, yeah, you coming in our space now, you

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Speaker 3: the new rookie in the block. You and Max Killerman

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Speaker 3: coming in that part. Well you said it's an audio

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Speaker 3: visual spick. Yes, explain what you mean by that when

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Speaker 3: you coming in that space.

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Speaker 2: Something I've been working on about eighteen months.

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Speaker 1: Max and I you know, when he first situation happened

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Speaker 1: with him, I called him. He thought I was trying

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Speaker 1: to represent him like, nah, we should do something together.

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Speaker 1: He called me back, he was like, oh, that's kind

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Speaker 1: of interesting. So we worked it, worked, it worked it,

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Speaker 1: and yeah, we're.

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Speaker 2: Excited about it. It's gonna be dope, though.

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Speaker 1: You know, it's like it's gonna be in LA in

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Speaker 1: New York, La La. But you know, it's well situations

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Speaker 1: where it's like The Ringers out of five Netflix, hard

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Speaker 1: to turn that down. It's Max who's a professional, and

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Speaker 1: then it's me who don't exist in that world.

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Speaker 2: And we've been working too, Like it's not like a game.

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Speaker 1: It's not like coming in like when I focus on

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Speaker 1: something like that, like I really put the time in

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Speaker 1: to rehearse and want to do it.

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Speaker 2: The right way. And you can't play with the business

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Speaker 2: like that. So I could tell by your lineup and

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Speaker 2: ship my barber flew in.

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Speaker 3: The world that ship the fibers Fiber. It ain't got

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Speaker 3: the Jalen Brown right now, Fibers Joe, we've been knowing

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Speaker 3: for like a week. I'm shot today. I'm just letting

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Speaker 3: you know. I'm fucking shocked. But but the third video, Nigga,

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Speaker 3: I'm on on points.

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Speaker 2: You're not gonna do right.

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Speaker 1: You and I still have a little You forgot, No,

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Speaker 1: I forgot. Let me know, I wanted U, man, I

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Speaker 1: mean I used to record. I never got nothing. I

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Speaker 1: never got nothing from what from Family Ties?

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Speaker 3: I got nothing.

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Speaker 1: One of the best songs on the on the whole album,

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Speaker 1: you Forgot, I forgot.

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Speaker 2: You me to play No, Okay, what happened on family Time?

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Speaker 2: I don't know.

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Speaker 3: I didn't get nothing nothing.

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Speaker 2: I'm just saying, that's not your style, that's not you,

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Speaker 2: that's not you.

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Speaker 4: I mean the artist he pulled the he went executive evening.

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Speaker 1: Don't send me to don't send me to the TS

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Speaker 1: study things.

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Speaker 3: I need. You know. Your response always the little guys, right,

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Speaker 3: because coming from fact, Joe, you're a little guy, right,

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Speaker 3: and so when hey, when I go, yeah, that was yes, that.

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Speaker 2: Was a flag. I was. You're sharp, though, Joe. I'm

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Speaker 2: with it.

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Speaker 3: I caught myself right now. It's a little bit better

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Speaker 3: like I was not caught it. Oh but you know

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Speaker 3: your girlfriend wife.

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Speaker 2: What you're talking about, you're talking about that. Yes. Oh.

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Speaker 3: So what I'm saying is always little little guys like you, man,

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Speaker 3: Like I said here, I'm looking at fuck with Jermaine Dupre.

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Speaker 3: Jermaine Dupre had Janet Jackson. What gives you guys the

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Speaker 3: courage to walk into a fucking ion Judy queen and

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Speaker 3: be like, yeah, big, what's up? I want to fuck

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Speaker 3: with a real one. I'm looking at you this man,

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Speaker 3: you guys yo, Well it's crazy. Yeah, I'm looking at us,

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Speaker 3: at Jermaine Dupri. You're about five to two and ship.

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Speaker 3: Some change, that's yeah, some change. The man went at yo,

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Speaker 3: want your Maine dupret. The confidence has got to be

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Speaker 3: at an all time Uh huh, well you do. We

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Speaker 3: all really do the choosing. You get chosen. Oh, good ship.

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Speaker 3: So that's that ship. That's I like that. Yeah, sometimes

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Speaker 3: we get chosen by the room ones. Uh dick, you

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Speaker 3: do the you got Josh machine.

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Speaker 2: Well you get chose, you have a choice.

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Speaker 3: I got a friend, he's breaking up right now. His

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Speaker 3: wife is on that fucking Instagram. She dropping the forty

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Speaker 3: eight laws of being the fucked up man. His ship

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Speaker 3: he on date twelve. He's still got he's still got

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Speaker 3: thirty more days and the ship. I'm like, I go

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Speaker 3: in the fucking Italian bakery. They're like, hey, you see

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Speaker 3: what the Italians, the real Italians that we are. Whatever

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Speaker 3: the like Yo, your friend nah his wife on fire

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Speaker 3: on INSTAGRAMN like, yo, let me get our sandwich.

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Speaker 2: Tack.

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Speaker 3: Critic said something wrong, right, I said.

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Speaker 2: Yo, you know I listen.

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Speaker 4: I don't want to get you do get chose though,

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Speaker 4: you know before we go any further, so we never

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Speaker 4: had to have this discussion again.

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Speaker 5: Can you please tell him King James can never be

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Speaker 5: treated unless I saw that, Joe, I wonder where you

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Speaker 5: going with that?

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Speaker 3: Do you do you what you said?

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Speaker 2: You followed something?

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Speaker 3: I got that. No, you can just follow nothing you said.

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Speaker 2: You see all somebody say something and I don't your stuf. King.

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Speaker 3: What I said is this league historically has been about rebuilding.

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Speaker 3: And when they got a bunch of young kids balling

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Speaker 3: the way they balling, got a bunch of white boys

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Speaker 3: too at that, balling over there, dropping thirty five forty

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Speaker 3: points a game, right, going crazy over there. The King

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Speaker 3: took a little bit off of the Sciatica. I'm wondering

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Speaker 3: if he's going he might have fucked up, because I

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Speaker 3: don't think he asked, hiatica, if you really want me

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Speaker 3: to tell you what I really want to say? No,

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Speaker 3: I think he said, yo, let me just see these guys.

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Speaker 3: What they could do on it, and they're just around as.

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Speaker 2: This is why I have a shell give them. Okay,

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Speaker 2: come on, because if you want through real, yeah he has.

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Speaker 3: Are you full of shit too? You made me some

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Speaker 3: promises that ain't never had.

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Speaker 2: You're a liar.

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Speaker 3: How you told me guys were coming to the nixt

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Speaker 3: I thing you represented. The motherfuckers went to Afghanistan. Ain't

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Speaker 3: come on.

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Speaker 1: They gave them more money that the Knicks probably had

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Speaker 1: the money.

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Speaker 3: I came here bragging so hard. You told me one

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Speaker 3: time somebody was coming in. I was so gassed. I

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Speaker 3: was ready to bet. I would have went to funk.

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Speaker 1: I was probably trolling you, was showing me you definitely joker.

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Speaker 3: The motherfucker ain't coming nowhere.

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Speaker 1: Did like y'all, but listen, you don't play with Sciatica

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Speaker 1: first of all, so but again now you can't be traded,

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Speaker 1: has no trade clause show and even if you even

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Speaker 1: if you wanted to trade, it's just people just say

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Speaker 1: the craziest thing. I saw all of that though, I

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Speaker 1: was just like, yes, this is why I'm doing a show,

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Speaker 1: because you got to get the real that's not really.

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Speaker 2: It's great clickbait, but.

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Speaker 1: It's not like the real the reality of it is

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Speaker 1: make fifty four million dollars at that age that said

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Speaker 1: truck slow too.

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Speaker 3: I'm on point today. That's why I'm trying to tell

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Speaker 3: you this. So hello.

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Speaker 1: So it's what Jada's saying, is right. He can't be

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Speaker 1: traded unless he wants to be traded. But even with

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Speaker 1: that being said, it takes two to tangle in the trade.

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Speaker 1: So we hear all these people, Oh, you gotta take

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Speaker 1: a back seat, you gotta fit in, you gotta do this.

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Speaker 1: If you want to break it down, you can take

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Speaker 1: all four positions and name your top five. He's in

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Speaker 1: one of the top five and all four positions outside

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Speaker 1: of the center.

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Speaker 2: So where is the fitting in at?

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Speaker 1: Yeah, but you say that now, I said, for the

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Speaker 1: last twenty three years.

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Speaker 2: For the last twenty three nars.

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Speaker 3: Let's say, let's cut the ship. Let's cut the ship.

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Speaker 3: Get to the bure mj Lebron James.

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Speaker 2: Who's to go? Here? We go?

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Speaker 3: I'm so tired. No, no, just saying the tired here

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Speaker 3: you salloween.

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Speaker 2: Fucking get here, Joe, you win?

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Speaker 3: No, how suck did you win?

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Speaker 2: Him?

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Speaker 3: He lined you on?

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Speaker 2: Man, No, I'm here.

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Speaker 3: You don't have to say this crazy ship and we're

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Speaker 3: not even gonna say this ship. Who's to go? Rich Boy,

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Speaker 3: you're here?

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Speaker 2: Who needs to go? To mistake?

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Speaker 3: He don't believe me. I'm outside. Maybe I'm talking to

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Speaker 3: some other guys. They when when we get to the

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Speaker 3: Jordan talk, Yo, they used to call fouls.

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Speaker 2: Yo.

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Speaker 3: He used to play against guys.

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Speaker 2: This religious.

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Speaker 3: A white guy tossing everybody's ass right now. So what

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Speaker 3: I'm trying to say is who's to go? That's all

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Speaker 3: I'm saying. Can I get you on record? Is Lebron James?

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Speaker 3: Cause you said for the last twenty three years he

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Speaker 3: could be number one in everything? Are you gonna say

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Speaker 3: he's better than Michael Jordan?

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Speaker 2: I'm gonna say I always said that.

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Speaker 3: I would say rich Play is the best coach in

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Speaker 3: the universe.

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Speaker 1: I'm gonna say that for my show. But this is

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Speaker 1: what I'm gonna tell you. I'm gonna tell you your show.

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Speaker 1: I'm gonna tell you your show. You judge guys by

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Speaker 1: what the rooms that you're in, right, who come in

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Speaker 1: the rooms that Joe's in? You don't let anybody in

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Speaker 1: the rooms that you go in, that super fact.

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Speaker 2: But Lebron James let me ask you this question.

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Speaker 1: Let me ask this question, Joe, since you already you

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Speaker 1: ain't painting my publisher, I got nothing whatever, but the

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Speaker 1: long story.

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Speaker 2: Listen to this. What room can might go in that

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Speaker 2: Lebron camp?

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Speaker 3: Listen I'm saying. And by the way, I don't think

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Speaker 3: you want to answer that.

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Speaker 2: I want to answer. Yo. That's something jay Man. This

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Speaker 2: is a different time.

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Speaker 1: But what I'm saying, you're asking you see until we

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Speaker 1: get to saying that, I'm not saying that. And I

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Speaker 1: said that respectfully though that's not that's not a respectfully

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Speaker 1: Russian question.

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Speaker 3: Who's had sneak is selling for thirty years?

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Speaker 2: Listen, man, I.

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Speaker 3: Keep jumping for.

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Speaker 5: Some of them.

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Speaker 2: He's talking to.

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Speaker 3: You're not answering the question was the baby when Jordan's

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Speaker 3: came up, you can't get that's space chare man, which

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Speaker 3: number two is just one?

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Speaker 2: Yeah, but you can't not sneak is.

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Speaker 3: Yeah, what are you talking about?

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Speaker 2: Kid?

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Speaker 3: It's not fair to even say that you think Lebron

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Speaker 3: is better than Michael Jordan. Hes talking it on our show.

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Speaker 3: We're on our show. You think Lebron is better than

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Speaker 3: Michael Jordan. That's crazy you No, he just said it.

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Speaker 3: I just I think you you think that Lebron James

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Speaker 3: is better than Michael Jordyan.

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Speaker 4: With room if you so many that he can't go.

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Speaker 1: If you're on the Basketball Greatness elevati, you get on

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Speaker 1: and just key accident.

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Speaker 3: Lebron is there what he started, He's going to and

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Speaker 3: my category and my my category opens up. Michael Jordan

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Speaker 3: goes in. Then it actually goes up one flight before

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Speaker 3: Lebron's and Kobe walks in. And then it goes up

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Speaker 3: one flight and Lebron walks it.

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Speaker 2: That's how I do it. There's nothing wrong with that.

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Speaker 3: You mean, like I'm this, I know that's bread and butter.

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Speaker 1: You gotta whatever, Let me do it another way. No,

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Speaker 1: it's not my bread and butter. I built the real business,

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Speaker 1: real business.

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Speaker 2: No no, no, no, no no no no no no.

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Speaker 3: So the elevator don't stop for you the same way

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Speaker 3: it stops me in the goat. You said, if you're

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Speaker 3: getting the goat. You know what I was going to say, elevate.

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Speaker 1: What I'm gonna say to you is I'm talking about

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Speaker 1: to the top floor. There's a key that takes you

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Speaker 1: all the way to the top floor.

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Speaker 2: Kobe's go there.

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Speaker 1: Lebrons go there, Mike, they both they all go to

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Speaker 1: that Floria.

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Speaker 2: You now don't get access denied your risk.

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Speaker 3: Let me tell you something Max Kellerman. I tried to

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Speaker 3: sign him to the rewind He said, y'all, I don't

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Speaker 3: really paint my ship like that. I'm saying, I'm sorry,

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Speaker 3: good luck sounds like a good idea, but I don't

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Speaker 3: do it. He was the first person I tried to

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Speaker 3: get on a Rewinded box. He said, he he's a

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Speaker 3: good sponsor show man. We ain't got nobody sponsored no show.

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Speaker 3: We just sponsored in this show right now. You know

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Speaker 3: what I'm saying, We just taking the ass call. You know,

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Speaker 3: we're building the business.

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Speaker 4: You know what means you go with New Balance is

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Speaker 4: stead of the Nike with all of the fuck you.

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Speaker 3: I think I do want to sponsor the show, but again,

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Speaker 3: continue like, let's.

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Speaker 2: Talk about it.

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Speaker 3: No, no, no, talk about it. So just put us

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Speaker 3: in the lower paper tier.

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Speaker 2: What's that? What's that?

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Speaker 3: Tier three? Not a tier three? I'll be picked number three.

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Speaker 1: Maybe go with newh In twenty nineteen, I did a

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Speaker 1: man do an internship with kid Darius Basic that kind

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Speaker 1: of expedity in il setting him going to college.

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Speaker 2: I sent him to work at New Balance, and he.

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Speaker 1: Learned an actual business that was directly aligned to where

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Speaker 1: he was going. He can't play basketball without shoot, But

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Speaker 1: what I really wanted him to learn was everything that

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Speaker 1: goes into it, you know, the marketing of it, how

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Speaker 1: company choose an athlete, the making of it, you know, cutting,

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Speaker 1: so all the different silhouettes of the shoes and all that.

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Speaker 1: But I knew that because he wasn't going to college,

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Speaker 1: that the NBA teams would have to cause somebody to

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Speaker 1: see how he performed, you know, what his habits was like,

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Speaker 1: they can call the college coach. So he went to Boston,

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Speaker 1: lived in Boston, trained before work.

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Speaker 2: Went to work, and trained afterwork.

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Speaker 1: And because of that, he still ended up going to

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Speaker 1: the first round, signed a deal with New Balance, and

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Speaker 1: then that started our relationship.

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Speaker 2: And it's a family owned business, so there's not a lot.

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Speaker 1: Of bureaucracy, so I can get right to the decision makers,

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Speaker 1: just build a relationship. And then came up with the

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Speaker 1: idea everyone else could have a shoe, I can CEO have.

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Speaker 2: A ship, right, And then they liked that idea.

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Speaker 1: Firstman did really well, second one did really well, and

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Speaker 1: now we're on this third one.

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Speaker 3: Let's see put it up on the on the on

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Speaker 3: the joint because I ain't really how about I ain't looking.

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Speaker 1: How About I do for you what you didn't do

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Speaker 1: for me, Joe, I'm just gonna give your own pair.

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Speaker 2: How about let me give.

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Speaker 3: You Yeah, yeah, yeah, I'll tell you. I tell you

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Speaker 3: small man. Well, I'm a twelve brother. They know my

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Speaker 3: size and the shoot game, they know what it is.

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Speaker 2: So but when you think about it, I was just

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Speaker 2: thinking about the joint.

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Speaker 3: I love that.

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Speaker 1: Comfortable, very comfortable fire, and the creative came for me.

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Speaker 2: That's why this it's all around being unbothered. Mhm.

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Speaker 1: And so if you were unbothered, it's more so just

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Speaker 1: like that, I'm focused.

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Speaker 2: See the box. Yeah, I'm locked in.

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Speaker 1: And the Colorway came from just this idea of like

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Speaker 1: when you're a kid, you go to school, come home,

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Speaker 1: just want your juice box. Everybody leave me along at

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Speaker 1: least for ten minutes. When you're adult, you got to work,

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Speaker 1: come home, just want your glass wine. So that started

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Speaker 1: the foundation of Colorway then kind of built on that.

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Speaker 2: That's kind of like unbothered by.

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Speaker 1: What pretty much every critics opinions they sayers people that

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Speaker 1: stay talking but never really did anything, you know, all

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Speaker 1: that type. And so it's actually this is the colorway

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Speaker 1: going to retail. It is the friends of their family color

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Speaker 1: with that lighter color were is on the box.

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Speaker 2: So y'all get both ya Mike a little close weather,

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Speaker 2: Come on, bro, because you're so spoken. Gentlemen, that's a flat.

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Speaker 2: Let me test the flat.

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Speaker 3: Kill the mic closer. You got that ship long distance

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Speaker 3: over now? Yeah, I thought you was sharp today I'm

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Speaker 3: super sharp.

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Speaker 2: Yeah, because he and when I fuck up, I win.

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Speaker 2: That's true. That's the point.

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Speaker 3: Yeah.

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Speaker 1: So, and New Balance has just been great, been great

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00:18:07,560 --> 00:18:10,600
Speaker 1: partners every step of the way from Clutch Athletics being

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Speaker 1: with New Balance signing guys like Maxie and Garland and

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Speaker 1: Laden and you know John Tay.

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Speaker 3: Who do you represent? Could you give us a list?

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Speaker 3: By the way, everybody, if y'all don't know who Rich

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Speaker 3: Paul is, because I guess you're guilty by association.

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Speaker 2: Even me.

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Speaker 3: All I think about is Lebron. But you represent a

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Speaker 3: bunch of superstar athletes. Can you just give us somebody?

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Speaker 3: But here's the thing.

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Speaker 1: I think people don't understand how important it is for

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Speaker 1: you to be given an opportunity, right, So I gotta

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Speaker 1: be thankful for Lebron because at the end of the day,

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Speaker 1: I've got to this place from a perception of people

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Speaker 1: thought you were extra and today I'm an executive at

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Speaker 1: the highest level. Right, So that road travel it has

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Speaker 1: to start somewhere. That starts with the opportunity that I

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Speaker 1: tell everybody around talent, whether you artists, whether you athletes,

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Speaker 1: these guys don't owe you anything.

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Speaker 2: They really don't.

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Speaker 1: And you don't have to know everything either, But what

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00:19:16,080 --> 00:19:18,679
Speaker 1: you need to know is what you're actually capable of

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Speaker 1: doing so you can.

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Speaker 2: Be a value add in the room.

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Speaker 1: The problem is, the idea of living like Joe and

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Speaker 1: Jada is not really a good idea. The idea of

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Speaker 1: living like me and how I live in terms of

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Speaker 1: when you next to the athlete and stay in that space,

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Speaker 1: it's what the focus should be because then they'll allow

365
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Speaker 1: you to skip steps. A lot of people get to

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Speaker 1: the point of skip steps. So I'm thankful for the

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Speaker 1: opportunity that Lebron gave, but my ultimate respect for the

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Speaker 1: opportunity gave and for him. What's the position I stand

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Speaker 1: in now because I'm no longer dependent up him. And

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Speaker 1: that's the most important important thing you can do. It's

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Speaker 1: become independent of the person that actually gave you that

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Speaker 1: opportunity because they didn't have to give it to you.

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Speaker 1: So that's a blessing. My thought process was to go

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Speaker 1: and build and build something. And when you asked me

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Speaker 1: a question earlier, like about the bags, it's not saying

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Speaker 1: I say how.

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Speaker 3: Many bags you done caught to the point of where

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Speaker 3: you was just like got another one.

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Speaker 1: I never The thing about it is I never focused

380
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Speaker 1: on the bag. You got to focus on the disruption

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Speaker 1: of an industry that's going to bring all the bags,

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Speaker 1: you know, and bags come in different.

383
00:20:36,359 --> 00:20:39,439
Speaker 2: Shapes and sizes. But also it's not so much.

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00:20:39,320 --> 00:20:43,000
Speaker 1: As currency is more so a positioning because that's the

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Speaker 1: actual bag.

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Speaker 2: The bag ain't the money. The bag is the position.

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Speaker 3: When it comes to this audio visual me and you

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Speaker 3: reposition real right, be on the top tier.

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Speaker 2: Now. But but but it's true.

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00:20:57,600 --> 00:21:00,600
Speaker 1: But to ask you a question, we represent over six

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Speaker 1: hundred clients today. You know, shit, yeah, clap it off

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00:21:06,520 --> 00:21:11,200
Speaker 1: for that, So what TENN is whole type of shit?

393
00:21:11,520 --> 00:21:16,600
Speaker 1: So a couple of years ago, we acquired my partners

394
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Speaker 1: at UTA a company called roof, which is like one

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Speaker 1: hundred and seventy europaying football is which is great.

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Speaker 2: Then we grew to football business.

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Speaker 1: Obviously the basketball business grew a little bit of baseball.

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Speaker 1: But then we have a commercial side of business that's

399
00:21:31,920 --> 00:21:35,040
Speaker 1: really grown at a rapid pace, and we're doing unbelievable work.

400
00:21:35,840 --> 00:21:38,240
Speaker 1: And you know this stuff, you don't do it by yourself.

401
00:21:38,720 --> 00:21:43,040
Speaker 1: Got an unbelievable team of people, and I think when

402
00:21:43,080 --> 00:21:46,520
Speaker 1: you start at one place and obviously started a company.

403
00:21:46,560 --> 00:21:47,880
Speaker 2: I started a company because I.

404
00:21:47,840 --> 00:21:52,240
Speaker 1: Felt like players was only being viewed as transactions and

405
00:21:52,280 --> 00:21:55,480
Speaker 1: I knew them as people coming from that side, working

406
00:21:55,480 --> 00:21:58,280
Speaker 1: at shoe companies, working I played every role, though people don't.

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Speaker 2: I don't know if people really understand. I played literally

408
00:22:01,080 --> 00:22:01,520
Speaker 2: every row.

409
00:22:01,600 --> 00:22:03,760
Speaker 3: Break that down on us, man, that's important for the people.

410
00:22:03,800 --> 00:22:07,560
Speaker 1: I play every role from stylists to I decided the

411
00:22:07,640 --> 00:22:12,520
Speaker 1: jury to watch, how to do put the lay together,

412
00:22:13,520 --> 00:22:17,120
Speaker 1: all the way to being in commercials, writing on commercials,

413
00:22:17,640 --> 00:22:20,800
Speaker 1: all the way to picking up you know, we did

414
00:22:21,200 --> 00:22:25,439
Speaker 1: a commercial walk in my shoes and Calla was actually

415
00:22:25,440 --> 00:22:28,879
Speaker 1: calling me on this crazy back then. They wanted to

416
00:22:29,000 --> 00:22:32,560
Speaker 1: use this Curtis may feel sample and I was like,

417
00:22:33,440 --> 00:22:36,560
Speaker 1: let's do something different from LJ because it was you know,

418
00:22:36,600 --> 00:22:40,959
Speaker 1: he's so connected to the culture. Long story short, end

419
00:22:41,080 --> 00:22:44,600
Speaker 1: up getting with Mike Will through my man Chubby made

420
00:22:44,600 --> 00:22:45,520
Speaker 1: recipes earlier.

421
00:22:46,200 --> 00:22:46,480
Speaker 2: Ruby.

422
00:22:48,720 --> 00:22:50,480
Speaker 1: I was just happy to be talking to Chubby. Well

423
00:22:50,560 --> 00:22:51,800
Speaker 1: there on the phone. He was asking me what I

424
00:22:51,840 --> 00:22:53,119
Speaker 1: was working on. I was like, man, I'm trying to

425
00:22:53,160 --> 00:22:53,520
Speaker 1: figure this.

426
00:22:53,920 --> 00:22:57,639
Speaker 3: Chubby, No, chubby baby, No, Yesterday's price is not today's price.

427
00:22:58,600 --> 00:23:01,159
Speaker 3: He threw the battery in my back that day after

428
00:23:01,200 --> 00:23:03,040
Speaker 3: the battle. He was talking to so much shit. I

429
00:23:03,080 --> 00:23:06,800
Speaker 3: went through the ig on and explaining the fucking verses.

430
00:23:06,880 --> 00:23:09,240
Speaker 3: That's how I came up with yesterday's price is not

431
00:23:09,359 --> 00:23:12,440
Speaker 3: to chuck the baby through the battery in my back.

432
00:23:12,680 --> 00:23:13,280
Speaker 2: Yeah.

433
00:23:13,440 --> 00:23:15,720
Speaker 1: That led me to get on the phone with Mike Will.

434
00:23:16,440 --> 00:23:18,520
Speaker 1: It was like, we need a hook for this, because

435
00:23:18,560 --> 00:23:21,800
Speaker 1: I'm gonna call this kid called Sam Hook. Sam Hook

436
00:23:21,840 --> 00:23:23,600
Speaker 1: wrote the hook, sent it to me.

437
00:23:24,160 --> 00:23:24,760
Speaker 2: Listen to it.

438
00:23:25,240 --> 00:23:27,600
Speaker 1: Who you hear on this and by us being from

439
00:23:27,640 --> 00:23:31,320
Speaker 1: Ohio and John Legend being from Ohio, you went and

440
00:23:31,359 --> 00:23:36,600
Speaker 1: got John Legend. So like going from the clothes the

441
00:23:36,720 --> 00:23:39,960
Speaker 1: jewelry to this, That's what I'm saying. People don't underreally understand.

442
00:23:40,000 --> 00:23:41,680
Speaker 1: Like the journey, and.

443
00:23:41,760 --> 00:23:44,480
Speaker 2: By the way, we were still around.

444
00:23:45,000 --> 00:23:48,439
Speaker 1: I mean, I've been around y'all for twenty plus years.

445
00:23:49,280 --> 00:23:51,880
Speaker 1: But it's just one of those things where you it's

446
00:23:51,880 --> 00:23:55,080
Speaker 1: okay to wait your turn and be observant while waiting

447
00:23:55,080 --> 00:24:01,399
Speaker 1: your turn, not being what I would say, eager to

448
00:24:01,440 --> 00:24:07,000
Speaker 1: be entitled, because there's an eagerness to entitlement when you're

449
00:24:07,040 --> 00:24:08,000
Speaker 1: around talent.

450
00:24:09,040 --> 00:24:13,679
Speaker 2: And it works even worse when you actually blood what you're.

451
00:24:13,520 --> 00:24:16,840
Speaker 1: Going to do, fire your brother at the end, my mom,

452
00:24:18,080 --> 00:24:20,320
Speaker 1: you know, so it gets a little it gets a

453
00:24:20,359 --> 00:24:20,959
Speaker 1: little tricky.

454
00:24:21,400 --> 00:24:24,280
Speaker 2: So I'm glad I was not not actual blood.

455
00:24:24,320 --> 00:24:27,520
Speaker 1: But but I've always had this this mentality to build

456
00:24:27,600 --> 00:24:30,800
Speaker 1: and to want to learn more and not know know

457
00:24:30,920 --> 00:24:33,720
Speaker 1: at all sort of speak, and that kind of just

458
00:24:33,800 --> 00:24:37,280
Speaker 1: led to other things, not really being complacent as you

459
00:24:37,840 --> 00:24:38,960
Speaker 1: have more success.

460
00:24:39,040 --> 00:24:41,600
Speaker 2: I've never really celebrated anything.

461
00:24:41,160 --> 00:24:43,200
Speaker 1: That I've been able to do up to this point though,

462
00:24:43,240 --> 00:24:44,960
Speaker 1: to be honest with you, I never popped a bio

463
00:24:45,119 --> 00:24:49,160
Speaker 1: or champagne or had to drink.

464
00:24:50,520 --> 00:24:54,240
Speaker 3: That's the biggest selex ever, never celebrating one. That's the

465
00:24:54,240 --> 00:24:56,320
Speaker 3: only way to be celeb.

466
00:25:02,320 --> 00:25:05,160
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491
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492
00:26:05,480 --> 00:26:09,360
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493
00:26:09,400 --> 00:26:10,080
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494
00:26:10,040 --> 00:26:17,159
Speaker 4: Physically present in Arizona, Colorado, Florida, Illinois, Indiana, New Jersey, Ohio, Tennessee,

495
00:26:17,480 --> 00:26:21,600
Speaker 4: or Virginia to play. Terms and conditions applied concerned about

496
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Speaker 4: gambling in Florida called one eight a admitted in Indiana

497
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498
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499
00:26:32,200 --> 00:26:37,400
Speaker 4: problem called one eight hundred gambling. That's in Arizona, Colorado, Illinois,

500
00:26:37,440 --> 00:26:40,240
Speaker 4: New Jersey, Ohio, Tennessee, and Virginia.

501
00:26:43,640 --> 00:26:45,240
Speaker 2: I can tell you two biggest.

502
00:26:44,880 --> 00:26:48,720
Speaker 3: Mistakes this business. Back in the day, Say Rock him

503
00:26:49,040 --> 00:26:50,720
Speaker 3: one of the greatest artists in the world.

504
00:26:50,920 --> 00:26:53,320
Speaker 2: He would wait every four years to drop out.

505
00:26:54,400 --> 00:26:58,200
Speaker 3: Somehow. When we first started rappers, even if they were

506
00:26:58,240 --> 00:27:00,720
Speaker 3: ready to make an album, they were all shit for

507
00:27:00,760 --> 00:27:04,080
Speaker 3: two three years and then drop a novel. That's just

508
00:27:04,119 --> 00:27:06,520
Speaker 3: the way it was. The Little Wayne and them started dropping,

509
00:27:06,560 --> 00:27:10,280
Speaker 3: and DMX started dropping albums every six months two and

510
00:27:10,400 --> 00:27:13,680
Speaker 3: one year. That's when people knew, oh shit, we could drop.

511
00:27:13,720 --> 00:27:16,800
Speaker 3: But before then it was like hurry up and wait.

512
00:27:16,880 --> 00:27:18,920
Speaker 3: It was like you know, and.

513
00:27:18,880 --> 00:27:22,160
Speaker 2: So you're sitting in your successes when you do that.

514
00:27:22,960 --> 00:27:25,119
Speaker 1: I'm trying to tell you can't do that, because when

515
00:27:25,160 --> 00:27:27,360
Speaker 1: you do that, it becomes settlement.

516
00:27:27,720 --> 00:27:30,960
Speaker 3: What I'm saying to you is same thing with bags.

517
00:27:31,400 --> 00:27:33,439
Speaker 3: Back in the days, I get a million dollars, two

518
00:27:33,520 --> 00:27:35,880
Speaker 3: million dollars. I live in Miami. I'm like, yo, I'm

519
00:27:35,880 --> 00:27:38,200
Speaker 3: not going out. I'm not going to work. I'm gonna

520
00:27:38,280 --> 00:27:41,240
Speaker 3: hit the clubs, pop bottles, pop champagne.

521
00:27:41,520 --> 00:27:42,040
Speaker 2: To the ship.

522
00:27:42,160 --> 00:27:44,400
Speaker 3: Look like it's running out. Then I go out there

523
00:27:44,400 --> 00:27:47,480
Speaker 3: and get the bag again. Big mistake, mistake.

524
00:27:47,600 --> 00:27:49,960
Speaker 2: That bag has to be the opposite way.

525
00:27:50,720 --> 00:27:54,680
Speaker 3: Actually, you actually gotta work more, right, So now it's

526
00:27:54,760 --> 00:27:58,879
Speaker 3: like the horse. Let that go. The horse taxes investment

527
00:27:59,480 --> 00:28:02,800
Speaker 3: that the course. Just be like, Yo, we gotta keep working,

528
00:28:02,880 --> 00:28:06,919
Speaker 3: we gotta keep going. I wasn't like that, but nobody was.

529
00:28:06,960 --> 00:28:10,360
Speaker 2: But you also didn't have the examples. Got to think.

530
00:28:10,400 --> 00:28:13,080
Speaker 1: We come from a totally different environment. You come from

531
00:28:13,119 --> 00:28:17,240
Speaker 1: a flip environment, not a compounding environment. See we only

532
00:28:17,280 --> 00:28:20,879
Speaker 1: thought about the flip. They think about the compounding of

533
00:28:20,920 --> 00:28:23,560
Speaker 1: it all. It's a totally different mentality.

534
00:28:23,920 --> 00:28:27,640
Speaker 3: So break down the difference between flip real quick flipping compounding.

535
00:28:28,400 --> 00:28:30,920
Speaker 3: I have ten this's a learning show. I have ten dollars.

536
00:28:30,960 --> 00:28:34,520
Speaker 3: I want to make twenty. That's flipping compounding?

537
00:28:34,600 --> 00:28:38,000
Speaker 1: Is I have ten dollars I'm putting that ten dollars away,

538
00:28:38,120 --> 00:28:40,400
Speaker 1: don't I don't. I'm not touching it for the next

539
00:28:40,440 --> 00:28:44,280
Speaker 1: ten years, and that ten dollars becomes, let's just say,

540
00:28:44,320 --> 00:28:47,640
Speaker 1: first sake, one hundred grand. So if you go ten

541
00:28:47,720 --> 00:28:51,080
Speaker 1: to twenty, twenty to forty forty to eighty eighty one

542
00:28:51,200 --> 00:28:57,240
Speaker 1: sixty versus ten work, that's one hundred. Now you compound

543
00:28:57,240 --> 00:28:57,640
Speaker 1: that hundred.

544
00:28:57,680 --> 00:29:00,360
Speaker 3: How do you do when you got an athlete, then

545
00:29:00,400 --> 00:29:04,840
Speaker 3: you represent that has six babies in one year, and

546
00:29:05,280 --> 00:29:05,840
Speaker 3: what do you do?

547
00:29:05,920 --> 00:29:08,000
Speaker 2: You have a real conversation with them on you.

548
00:29:08,240 --> 00:29:11,080
Speaker 1: Yeah, I have a justification for having that real conversation

549
00:29:11,120 --> 00:29:15,080
Speaker 1: because I lived it, right, I don't you know growing.

550
00:29:14,880 --> 00:29:17,040
Speaker 2: Up, that's what you lived it.

551
00:29:17,480 --> 00:29:19,960
Speaker 1: So that was one of the things that I felt

552
00:29:20,000 --> 00:29:21,880
Speaker 1: like the industry was missing.

553
00:29:22,360 --> 00:29:22,959
Speaker 3: These guys.

554
00:29:23,000 --> 00:29:26,840
Speaker 1: They can't you're not unrelatable, You can't relate and you

555
00:29:26,920 --> 00:29:30,240
Speaker 1: really don't care. See that's the thing that goes over

556
00:29:30,320 --> 00:29:35,000
Speaker 1: the head of most. But when you have all talent

557
00:29:35,720 --> 00:29:41,320
Speaker 1: has an ego. We all do right talent, especially high level.

558
00:29:41,640 --> 00:29:46,880
Speaker 1: So if you're feeding that ego with sweets while everything

559
00:29:47,000 --> 00:29:50,440
Speaker 1: is going good, you miss out on a lot per se.

560
00:29:51,640 --> 00:29:58,080
Speaker 1: But the vegetables and the nourishment don't sound good at

561
00:29:58,120 --> 00:30:00,920
Speaker 1: the time where I'm at a high level, it only

562
00:30:01,000 --> 00:30:05,680
Speaker 1: sounds great in need. You missed that conversation when it

563
00:30:05,720 --> 00:30:07,840
Speaker 1: don't matter. I got twenty cars, I got.

564
00:30:07,720 --> 00:30:08,680
Speaker 3: This that there.

565
00:30:08,800 --> 00:30:12,720
Speaker 1: I ain't trying to hear that that's talent today, but

566
00:30:12,760 --> 00:30:15,640
Speaker 1: you it should be the other way around. A lot

567
00:30:15,720 --> 00:30:19,200
Speaker 1: of talent don't value expertise, especially in the sports business,

568
00:30:19,280 --> 00:30:22,040
Speaker 1: because everyone thinks they can do your job.

569
00:30:22,240 --> 00:30:25,080
Speaker 2: We work the hardest. It don't matter. I can't write

570
00:30:25,120 --> 00:30:28,280
Speaker 2: like Jay I can't write like Joe, I can't perform it.

571
00:30:28,880 --> 00:30:34,160
Speaker 1: But in sports, because you grow up so close to

572
00:30:34,200 --> 00:30:37,480
Speaker 1: the player, I'm taking into practice of doing this, doing that.

573
00:30:37,680 --> 00:30:40,640
Speaker 1: Everyone thinks that they can do the job because the

574
00:30:40,680 --> 00:30:44,840
Speaker 1: talent it's shown, and the talent is actually the word.

575
00:30:44,880 --> 00:30:47,320
Speaker 3: I have one of the biggest problems in the world

576
00:30:47,480 --> 00:30:49,960
Speaker 3: with a good friend of mine. He was a good

577
00:30:50,000 --> 00:30:54,200
Speaker 3: friend of mine, but his thing was, you know, he

578
00:30:54,320 --> 00:30:58,160
Speaker 3: thought he could manage me. He would tell me, Yo,

579
00:30:58,240 --> 00:31:00,640
Speaker 3: can I have meetings with jay z Ken. This is

580
00:31:00,640 --> 00:31:02,720
Speaker 3: a street dude that ain't never have a nine to

581
00:31:02,800 --> 00:31:06,480
Speaker 3: five in his life. He dead ass was asking me that, Yo,

582
00:31:06,600 --> 00:31:08,800
Speaker 3: let me be jay Z. I got some ideas, Yo,

583
00:31:09,280 --> 00:31:14,240
Speaker 3: I should manage you. Anybody that wants to work, and

584
00:31:14,400 --> 00:31:19,160
Speaker 3: my crew has a job. Anybody I employed, maybe one

585
00:31:19,240 --> 00:31:23,240
Speaker 3: hundred people, maybe even more. Any one of my friends

586
00:31:23,680 --> 00:31:26,600
Speaker 3: that I grew up with that once a job, able

587
00:31:26,720 --> 00:31:30,280
Speaker 3: to work, bring something to the table, they have a job.

588
00:31:30,400 --> 00:31:32,280
Speaker 3: You see them everywhere in the stores, this and that.

589
00:31:32,840 --> 00:31:34,600
Speaker 3: Now if I know, this guy don't want to work,

590
00:31:34,720 --> 00:31:36,800
Speaker 3: never had a nine to five in his life, never

591
00:31:36,840 --> 00:31:41,400
Speaker 3: did nothing successful but just float around the hood, hustle

592
00:31:41,480 --> 00:31:44,960
Speaker 3: to hustle to hustle. He didn't understand, Yo, bro, you're

593
00:31:44,960 --> 00:31:48,800
Speaker 3: not qualified to be my manager and run my career.

594
00:31:48,960 --> 00:31:51,600
Speaker 3: You just can't do it. And he had a problem

595
00:31:51,640 --> 00:31:53,760
Speaker 3: with it. He kept telling everybody tell her. At the end,

596
00:31:53,800 --> 00:31:55,560
Speaker 3: it was like, you know, we have to fall out,

597
00:31:55,640 --> 00:31:58,560
Speaker 3: fall out, fall out, cause he had to know, like, yo,

598
00:31:58,600 --> 00:32:01,160
Speaker 3: my man, you never had a nana five Like.

599
00:32:01,600 --> 00:32:04,120
Speaker 2: But see, I never really had nine to five either.

600
00:32:04,840 --> 00:32:07,720
Speaker 3: No, I get that. But but we know who's qualified

601
00:32:07,760 --> 00:32:09,920
Speaker 3: or who's gonna work, who's gonna put in that work.

602
00:32:10,000 --> 00:32:11,760
Speaker 2: But here's the thing I always tell people.

603
00:32:12,000 --> 00:32:14,280
Speaker 1: With your friend, right, if I would have talked to him,

604
00:32:14,280 --> 00:32:17,240
Speaker 1: I would have said, no, you don't need to meet

605
00:32:17,240 --> 00:32:17,720
Speaker 1: with jay Z.

606
00:32:18,840 --> 00:32:23,040
Speaker 2: Go and find a guy with the qualifications that Joe

607
00:32:23,080 --> 00:32:26,520
Speaker 2: would see to meet with jay Z. You still get

608
00:32:26,520 --> 00:32:28,880
Speaker 2: in the credit. If I bring the guy to you

609
00:32:29,400 --> 00:32:32,479
Speaker 2: with the qualification and the capabilities, you're gonna be like,

610
00:32:32,520 --> 00:32:35,240
Speaker 2: oh shit, now I'm building a little equity in that

611
00:32:35,360 --> 00:32:38,880
Speaker 2: bank of your trust. From a business perspective, you're my friend.

612
00:32:38,920 --> 00:32:42,680
Speaker 2: I trust you from that perspective. But from a business perspective,

613
00:32:42,680 --> 00:32:44,680
Speaker 2: it's different. Now you make.

614
00:32:44,880 --> 00:32:49,320
Speaker 3: Only had one friend. I have a trusted blindage right,

615
00:32:49,800 --> 00:32:53,000
Speaker 3: rest in peace, my brother Raoul. When I signed my

616
00:32:53,080 --> 00:32:56,880
Speaker 3: big deal and no negotiated, they I had a deal, right,

617
00:32:57,360 --> 00:33:02,440
Speaker 3: Young big Punk comes out, he's selling like crazy. Every

618
00:33:02,480 --> 00:33:05,160
Speaker 3: record label was like fat Joe, we need the next

619
00:33:05,160 --> 00:33:09,600
Speaker 3: Spanish guys. So we sit down and they wouldn't let

620
00:33:09,640 --> 00:33:12,520
Speaker 3: me go. I was in one of them negotiations where

621
00:33:12,520 --> 00:33:14,640
Speaker 3: they were like, Yo, you can't leave. We're gonna work

622
00:33:14,720 --> 00:33:19,640
Speaker 3: this thing. We're gonna this deal. Kaiser did that to me?

623
00:33:20,160 --> 00:33:21,680
Speaker 3: You know fine, that's who did that?

624
00:33:22,120 --> 00:33:22,480
Speaker 2: Did that?

625
00:33:22,720 --> 00:33:25,200
Speaker 3: No, it wasn't cause it was all Craig coming. But

626
00:33:25,280 --> 00:33:30,440
Speaker 3: the crash safe. The point I'm saying is we close

627
00:33:30,560 --> 00:33:33,920
Speaker 3: the deal, we jump up and down, y'all while.

628
00:33:33,840 --> 00:33:35,440
Speaker 2: We made it. We kids.

629
00:33:35,480 --> 00:33:38,920
Speaker 3: We came from street street street to get a legit

630
00:33:39,120 --> 00:33:42,560
Speaker 3: check like that. We felt like we robbed the planet Earth.

631
00:33:42,840 --> 00:33:48,480
Speaker 3: We walk out, y'all part of my management team. I

632
00:33:48,520 --> 00:33:51,200
Speaker 3: got a beat in the marrow. One o'clock, see tomorrow,

633
00:33:51,280 --> 00:33:55,240
Speaker 3: one o'clock, one o'clock, come to a clock, Come three o'clock,

634
00:33:55,280 --> 00:33:59,000
Speaker 3: Come four o'clock, Come five o'clock, comes six a seventh.

635
00:33:59,560 --> 00:34:00,000
Speaker 2: I get it.

636
00:34:00,080 --> 00:34:03,920
Speaker 3: Call yourself god, you're huh. We had a meet and

637
00:34:04,480 --> 00:34:07,480
Speaker 3: one o'clock I got three bitches here, nigga.

638
00:34:07,520 --> 00:34:08,080
Speaker 2: I was in all.

639
00:34:08,239 --> 00:34:11,719
Speaker 3: I said, Okay, not for you, It's not for you.

640
00:34:12,440 --> 00:34:14,839
Speaker 3: This is one of my most trusted guys. I love

641
00:34:14,960 --> 00:34:17,680
Speaker 3: to death in my life. I had to tell them

642
00:34:17,680 --> 00:34:21,320
Speaker 3: more frip, like Yo, this ain't for you.

643
00:34:20,840 --> 00:34:25,320
Speaker 2: You you ain't on point with the ky that's what kyp.

644
00:34:25,840 --> 00:34:26,279
Speaker 2: What's that?

645
00:34:26,480 --> 00:34:30,960
Speaker 3: Know your person person, know your personality. Yeah, I mean

646
00:34:31,000 --> 00:34:34,200
Speaker 3: I know every rule. I've been doing business for so long.

647
00:34:34,680 --> 00:34:36,319
Speaker 3: I know every rule. I ain't got to read the

648
00:34:36,400 --> 00:34:40,080
Speaker 3: forty eight laws. I ain't got a KYP. I've been

649
00:34:40,160 --> 00:34:43,120
Speaker 3: through every scenario and you could fuck in the dress.

650
00:34:43,120 --> 00:34:44,440
Speaker 3: Oh that's this, that's that.

651
00:34:44,560 --> 00:34:44,840
Speaker 2: I don't go.

652
00:34:45,800 --> 00:34:48,600
Speaker 3: I've been through all that ship, you know what I'm saying,

653
00:34:48,680 --> 00:34:52,440
Speaker 3: And I gave opportunities even when I knew that certain

654
00:34:52,480 --> 00:34:57,360
Speaker 3: people ain't need opportunities. I say it is to guess

655
00:34:57,560 --> 00:35:00,840
Speaker 3: part is that survivors were more when you try to

656
00:35:00,840 --> 00:35:01,800
Speaker 3: bring everybody with you.

657
00:35:01,880 --> 00:35:03,920
Speaker 1: I went through that, you know what. I'm sorry, but

658
00:35:04,680 --> 00:35:08,439
Speaker 1: that thing is it's hard. I'm blessed because I don't.

659
00:35:08,560 --> 00:35:09,560
Speaker 1: I don't really have that.

660
00:35:10,080 --> 00:35:12,239
Speaker 2: You don't see many friends like that that you grew

661
00:35:12,360 --> 00:35:13,080
Speaker 2: up with, Like I.

662
00:35:13,000 --> 00:35:14,520
Speaker 1: Have a tother friends as I grew up with, but

663
00:35:14,600 --> 00:35:17,480
Speaker 1: we all was together. We just have a it's a

664
00:35:17,560 --> 00:35:22,360
Speaker 1: strange dynamic that I have my friends. They was positioned

665
00:35:22,400 --> 00:35:26,720
Speaker 1: with me, so we have a different perspective on it, right,

666
00:35:26,800 --> 00:35:29,240
Speaker 1: and then there's a pride that comes with it. Obviously

667
00:35:29,760 --> 00:35:32,359
Speaker 1: understand that. But I tell them right away I'm not

668
00:35:32,560 --> 00:35:35,560
Speaker 1: I'm not obligating to do nothing for you, especially now.

669
00:35:35,840 --> 00:35:36,400
Speaker 2: You wouldn't know.

670
00:35:36,400 --> 00:35:39,959
Speaker 3: What's crazy is I've been through so much in my life.

671
00:35:40,200 --> 00:35:43,839
Speaker 3: Somebody told me the other day, I'm looking at some shit.

672
00:35:44,440 --> 00:35:48,680
Speaker 3: Somebody I know knows the person, and he turned around

673
00:35:48,680 --> 00:35:52,920
Speaker 3: and say, y'all, dude, to bump be you in a

674
00:35:53,000 --> 00:36:02,440
Speaker 3: bump immediately, like a fucking flower blooming. I said, I

675
00:36:02,520 --> 00:36:07,319
Speaker 3: understood because I met some bums in my life. Bums

676
00:36:07,840 --> 00:36:10,600
Speaker 3: don't want to work, want to do the falla shit

677
00:36:10,719 --> 00:36:13,240
Speaker 3: to get it to this. This a bum is about,

678
00:36:13,280 --> 00:36:18,160
Speaker 3: I know, women, bums. I'm talking about bums. You know

679
00:36:18,160 --> 00:36:20,879
Speaker 3: what a bum is? A bum is if you gave

680
00:36:20,960 --> 00:36:22,759
Speaker 3: him the most money in the world, they would have

681
00:36:22,880 --> 00:36:26,799
Speaker 3: holes in they wall in the mansion. They'll be sliding

682
00:36:26,840 --> 00:36:29,759
Speaker 3: down the stairs. They will fuck your shit up. They

683
00:36:29,760 --> 00:36:33,240
Speaker 3: don't give a fuck. They are going to be bums

684
00:36:33,640 --> 00:36:36,680
Speaker 3: where any they can hit the lottery, and they're gonna

685
00:36:36,680 --> 00:36:40,520
Speaker 3: be bums no matter what the fuck they do. It's

686
00:36:40,560 --> 00:36:44,319
Speaker 3: sad that I've been dealing with so many different type

687
00:36:44,360 --> 00:36:46,800
Speaker 3: of people that the minute someone told me somebody I

688
00:36:46,960 --> 00:36:51,120
Speaker 3: trust to yo on me he's a bum, I said, Okay,

689
00:36:51,360 --> 00:36:55,480
Speaker 3: I got it. I know what this is. I don't

690
00:36:55,520 --> 00:36:57,600
Speaker 3: gotta deal with him or none. I'm watching social media.

691
00:36:57,600 --> 00:36:59,600
Speaker 3: It was like, nah, that's a bum. He's a bum

692
00:36:59,719 --> 00:37:02,160
Speaker 3: when you know him, he's a I'm like, okay, so

693
00:37:02,200 --> 00:37:06,040
Speaker 3: he's about to cross somebody about the ship.

694
00:37:05,880 --> 00:37:07,640
Speaker 2: On everything, this, this, this?

695
00:37:07,760 --> 00:37:10,320
Speaker 3: You know these guys are you know I met people

696
00:37:10,440 --> 00:37:13,560
Speaker 3: like that that there's nothing you could do to change them.

697
00:37:13,760 --> 00:37:16,560
Speaker 3: You give them anything, they could polish you. You could

698
00:37:16,560 --> 00:37:19,480
Speaker 3: take an up and coming wrapper, polish them, throw the

699
00:37:19,600 --> 00:37:22,279
Speaker 3: gear on them, the jury that this this, this, this,

700
00:37:22,280 --> 00:37:24,760
Speaker 3: this a bum is a bum.

701
00:37:25,440 --> 00:37:28,120
Speaker 2: We're not gonna throw the flag what I'm doing.

702
00:37:28,120 --> 00:37:31,040
Speaker 3: Now, take an up and coming wrapper and do what

703
00:37:31,320 --> 00:37:34,239
Speaker 3: up and coming wrapper. Throw the jury on him thing,

704
00:37:34,680 --> 00:37:38,279
Speaker 3: you know, get him an image to everything, and may

705
00:37:38,520 --> 00:37:41,160
Speaker 3: that coffee is like it the minute.

706
00:37:41,640 --> 00:37:42,520
Speaker 2: I used to hustle.

707
00:37:43,560 --> 00:37:46,040
Speaker 3: Not all I do is relax and when and then

708
00:37:46,080 --> 00:37:47,879
Speaker 3: I was a fan of the Jackson five.

709
00:37:47,920 --> 00:37:50,200
Speaker 2: But listen, I used to hustle.

710
00:37:51,520 --> 00:37:54,839
Speaker 3: And I was second in command without going in further right,

711
00:37:55,280 --> 00:37:57,680
Speaker 3: and I did good. And I used to hear these

712
00:37:57,719 --> 00:38:00,759
Speaker 3: guys in my face all the time. I thank you

713
00:38:00,800 --> 00:38:04,279
Speaker 3: for not killing me for my slot. That's one thing

714
00:38:04,320 --> 00:38:07,160
Speaker 3: I learned later. I said, man, you was something else,

715
00:38:07,200 --> 00:38:10,320
Speaker 3: but they ain't kill you in the fucking staircase. It

716
00:38:10,360 --> 00:38:12,400
Speaker 3: should have killed me a couple of times because I

717
00:38:12,440 --> 00:38:14,960
Speaker 3: was in the way right. But I would hear them

718
00:38:14,960 --> 00:38:19,680
Speaker 3: say all the time, Yo, fuck Joe. You know why

719
00:38:19,800 --> 00:38:20,919
Speaker 3: is Joe running the show?

720
00:38:21,000 --> 00:38:22,200
Speaker 2: This? This? This? We all equal.

721
00:38:22,239 --> 00:38:26,400
Speaker 3: We all grew up together as kids like Cinderella, I

722
00:38:26,480 --> 00:38:29,080
Speaker 3: leave the drug game alone. But we was making tons

723
00:38:29,160 --> 00:38:32,560
Speaker 3: of money be to rap. Did Apollo get a deal?

724
00:38:33,280 --> 00:38:35,399
Speaker 3: I'm gone. We had a run.

725
00:38:35,520 --> 00:38:35,920
Speaker 2: You hear me.

726
00:38:36,120 --> 00:38:39,759
Speaker 3: Everybody bends out, beam out this and that. They took

727
00:38:39,800 --> 00:38:44,879
Speaker 3: over less than three to six months. They was bums

728
00:38:44,920 --> 00:38:49,160
Speaker 3: back on the block, bums like they had a gold mine.

729
00:38:49,360 --> 00:38:51,560
Speaker 3: All you gotta do is open the shop and you

730
00:38:51,400 --> 00:38:55,160
Speaker 3: and you and you caked up. They found the way

731
00:38:55,560 --> 00:38:58,680
Speaker 3: to bum it out. And all these years I'm working

732
00:38:58,680 --> 00:39:00,799
Speaker 3: with these guys, I keep hearing the saying, Yo, why

733
00:39:00,960 --> 00:39:01,720
Speaker 3: Joe's second?

734
00:39:01,880 --> 00:39:03,160
Speaker 2: Why Joe this? This? This?

735
00:39:03,760 --> 00:39:06,560
Speaker 3: They couldn't do nothing with it, you know. So it's

736
00:39:06,600 --> 00:39:09,399
Speaker 3: certain people. You know, it's like the horse. You need

737
00:39:09,480 --> 00:39:12,719
Speaker 3: him the water and the motherfucker. You know, if they're

738
00:39:12,760 --> 00:39:15,000
Speaker 3: not gonna drink, it's over.

739
00:39:14,920 --> 00:39:15,839
Speaker 2: Shoot him in the head.

740
00:39:16,920 --> 00:39:18,719
Speaker 3: How do you deal with life? You know, it's a

741
00:39:18,840 --> 00:39:23,200
Speaker 3: very hard job, Like how do you deal when you know, uh, yo, bro,

742
00:39:23,320 --> 00:39:27,160
Speaker 3: I don't dealt with affluws. I don't dealt with athletes

743
00:39:27,239 --> 00:39:31,560
Speaker 3: that you know. You know, your mom's just getting take

744
00:39:31,600 --> 00:39:34,680
Speaker 3: advantage of if you see how they are with the

745
00:39:34,760 --> 00:39:39,759
Speaker 3: young dude and you caked up, and your mom's like.

746
00:39:39,760 --> 00:39:43,759
Speaker 2: I don't do it, Yeah, but you still gotta deal. Like,

747
00:39:44,440 --> 00:39:45,680
Speaker 2: what do you do, man?

748
00:39:45,719 --> 00:39:47,360
Speaker 3: What do you do when you tell a god like

749
00:39:47,440 --> 00:39:48,960
Speaker 3: do you tell a guy like yo.

750
00:39:49,360 --> 00:39:52,520
Speaker 2: Tell your muster get rid of a boyfriend? No?

751
00:39:52,800 --> 00:39:54,600
Speaker 3: Do they know he can't?

752
00:39:54,680 --> 00:39:56,480
Speaker 2: That's not my place. I don't. I don't really get

753
00:39:56,600 --> 00:39:57,239
Speaker 2: get into that.

754
00:39:57,719 --> 00:39:59,200
Speaker 1: But I thought you was gonna ask me a different

755
00:39:59,239 --> 00:40:01,319
Speaker 1: question what I was gonna ask. I thought you're gonna

756
00:40:01,360 --> 00:40:03,800
Speaker 1: ask me what do you do when a guy gets

757
00:40:04,160 --> 00:40:08,440
Speaker 1: to like the NBA but don't really take advantage of

758
00:40:08,480 --> 00:40:11,200
Speaker 1: it or not really you know they're satisfied.

759
00:40:11,400 --> 00:40:12,640
Speaker 2: I was not talking about that.

760
00:40:12,719 --> 00:40:15,279
Speaker 3: I was talking about what you see one of your

761
00:40:15,400 --> 00:40:18,840
Speaker 3: your athletes just getting taken advantage of what it depends.

762
00:40:18,880 --> 00:40:21,520
Speaker 2: I don't family stuck, you don't get involved. Nah, it's

763
00:40:21,520 --> 00:40:22,959
Speaker 2: not my place, man.

764
00:40:23,120 --> 00:40:25,319
Speaker 3: I've seen that shit so much where I was just like,

765
00:40:25,360 --> 00:40:27,040
Speaker 3: but you know me, I'm dumb like that.

766
00:40:27,800 --> 00:40:28,879
Speaker 2: Well, yeah, if I.

767
00:40:28,840 --> 00:40:30,960
Speaker 3: Got an artist and I really love you and all that,

768
00:40:31,000 --> 00:40:33,480
Speaker 3: I'm gonna sit you down and tell you yo, and

769
00:40:33,560 --> 00:40:36,160
Speaker 3: I'm discovering a lot of artists. Could I could break

770
00:40:36,160 --> 00:40:40,320
Speaker 3: that down to you and I would tell them.

771
00:40:39,480 --> 00:40:42,480
Speaker 2: Like, yo, you fucking up. But you just this, that's different.

772
00:40:42,600 --> 00:40:47,840
Speaker 2: What's you out of here? Those that's three different things. Okay, okay.

773
00:40:47,920 --> 00:40:49,040
Speaker 2: There's a difference.

774
00:40:48,640 --> 00:40:54,040
Speaker 1: Between keeping it very authentic and honest with someone you

775
00:40:54,120 --> 00:40:59,359
Speaker 1: represent and getting in the middle of something that has

776
00:40:59,400 --> 00:41:02,240
Speaker 1: to do with them and their wife or you whatever,

777
00:41:02,600 --> 00:41:03,800
Speaker 1: that those are separate.

778
00:41:04,040 --> 00:41:04,839
Speaker 2: He can't do that.

779
00:41:05,360 --> 00:41:08,959
Speaker 3: I lost severy time we're telling me, you never try

780
00:41:09,040 --> 00:41:14,879
Speaker 3: to tell my friend. Yeah, yeah, you can't. Every time.

781
00:41:14,960 --> 00:41:17,359
Speaker 3: Let me tell you, guys, if you want your friend

782
00:41:17,400 --> 00:41:21,440
Speaker 3: and you see his wife doing something you don't really like, unfortunately,

783
00:41:21,480 --> 00:41:24,680
Speaker 3: you gotta stay out of that area because they gonna

784
00:41:24,680 --> 00:41:27,799
Speaker 3: make you and now you're the back. It happened to

785
00:41:27,920 --> 00:41:32,200
Speaker 3: me legendary. At first, I thought it was keeping it real.

786
00:41:32,719 --> 00:41:35,000
Speaker 3: I bring the dude to his wife, like, yo, look

787
00:41:35,880 --> 00:41:38,120
Speaker 3: what's going on this next thing? I know I'm not

788
00:41:38,239 --> 00:41:41,320
Speaker 3: his man. No more like that, he back with his wife.

789
00:41:42,040 --> 00:41:43,080
Speaker 3: I give up on that.

790
00:41:44,000 --> 00:41:47,000
Speaker 1: I did learn though, the ten days I spent in college,

791
00:41:47,000 --> 00:41:48,839
Speaker 1: I learned that one of the ten days I had

792
00:41:48,920 --> 00:41:51,000
Speaker 1: to college, I saw my friend.

793
00:41:52,320 --> 00:41:56,040
Speaker 2: He was playing bar in a junior at JUCO. I

794
00:41:56,080 --> 00:42:02,680
Speaker 2: got to flip joint. I'm in the student center. I

795
00:42:02,719 --> 00:42:03,880
Speaker 2: didn't give them the whole.

796
00:42:04,320 --> 00:42:06,920
Speaker 1: But I'm just like, you might need to check home, man,

797
00:42:07,160 --> 00:42:10,360
Speaker 1: just you know the next day I'm back in the

798
00:42:10,400 --> 00:42:12,480
Speaker 1: student I get the egg mcmuffet joint.

799
00:42:12,560 --> 00:42:16,880
Speaker 2: Every morning. Here they come. Yeah, I'm like, oh, are

800
00:42:16,960 --> 00:42:19,040
Speaker 2: you so far man? Yeah? Yeah, ye, I like.

801
00:42:19,400 --> 00:42:22,200
Speaker 1: So I so from there. But also you learn I

802
00:42:22,239 --> 00:42:23,840
Speaker 1: learned that from my uncles and aunts.

803
00:42:23,920 --> 00:42:27,040
Speaker 2: You just learned so much. I just don't stay. Yeah,

804
00:42:27,239 --> 00:42:28,040
Speaker 2: that stuff you can't.

805
00:42:28,200 --> 00:42:30,799
Speaker 3: I'm but I was in trouble because I used to

806
00:42:30,840 --> 00:42:34,239
Speaker 3: really leave with my heart. Yeah that I would sit

807
00:42:34,320 --> 00:42:36,840
Speaker 3: down and tell somebody y'all, you should watch this and

808
00:42:36,920 --> 00:42:38,799
Speaker 3: this and that, and they would take it wrong or

809
00:42:38,800 --> 00:42:41,880
Speaker 3: mayby like I'm too strong or whatever. But I'm like,

810
00:42:42,120 --> 00:42:44,480
Speaker 3: you know the way I look at it. But you're

811
00:42:44,520 --> 00:42:48,640
Speaker 3: dealing with a different Yeah, you're dealing with athletes. They

812
00:42:48,719 --> 00:42:50,320
Speaker 3: know when they're ten years old, they're going to the

813
00:42:50,400 --> 00:42:53,120
Speaker 3: league if they stay straight. Were dealing with dysfunction, new

814
00:42:53,160 --> 00:42:56,520
Speaker 3: motherfucker rappers, all type of shit. They ain't got no

815
00:42:56,640 --> 00:43:02,080
Speaker 3: father their whole life, and I, Joseph Carter Gina give

816
00:43:02,160 --> 00:43:07,520
Speaker 3: them the opportunity. It's my choice if I like to

817
00:43:07,760 --> 00:43:11,240
Speaker 3: time a fella or not to make him a rapper,

818
00:43:11,400 --> 00:43:13,920
Speaker 3: use all my juice to give him the beats, to

819
00:43:14,040 --> 00:43:17,640
Speaker 3: produce this, to ask Jada Kiss to rap on his record,

820
00:43:17,920 --> 00:43:21,799
Speaker 3: to this and this and that to now they're millionaires. Right,

821
00:43:21,880 --> 00:43:24,239
Speaker 3: you gave him that like that that that was the

822
00:43:24,320 --> 00:43:28,200
Speaker 3: opportunity they was looking for, you know. And then so

823
00:43:28,280 --> 00:43:31,239
Speaker 3: sometimes you want to give him some advice when you

824
00:43:31,239 --> 00:43:34,359
Speaker 3: see him headed straight for a crash, you be like, yo,

825
00:43:35,160 --> 00:43:37,960
Speaker 3: you know you're gonna fuck this up. You know, That's

826
00:43:37,960 --> 00:43:40,799
Speaker 3: how I deal with it on on another level. But

827
00:43:41,600 --> 00:43:44,360
Speaker 3: you know something most people ain't never really understand what

828
00:43:44,440 --> 00:43:47,640
Speaker 3: I was trying to tell him till years later where

829
00:43:47,640 --> 00:43:49,919
Speaker 3: I had conversations with them. It was like, y'all, wish

830
00:43:49,960 --> 00:43:51,680
Speaker 3: I shouldn't listen to you. A lot of people I

831
00:43:51,800 --> 00:43:52,920
Speaker 3: wish I would have listened to it.

832
00:43:53,600 --> 00:43:54,359
Speaker 2: And you said it.

833
00:43:54,320 --> 00:43:57,320
Speaker 3: Earlier, you know, you young right, well, you want to

834
00:43:57,360 --> 00:44:03,359
Speaker 3: know what's up with rap today, standing today. But what

835
00:44:03,400 --> 00:44:08,279
Speaker 3: I'm trying to tell you is about somebody telling me, yo,

836
00:44:08,360 --> 00:44:10,520
Speaker 3: why you don't talk to them young boys? Joe, you

837
00:44:10,600 --> 00:44:13,359
Speaker 3: the old g TE in the list, and when they

838
00:44:13,400 --> 00:44:17,600
Speaker 3: hit you got a young boy that the survival rate,

839
00:44:17,800 --> 00:44:21,600
Speaker 3: fucker survival rate, the getting on rate and rapping being successful.

840
00:44:22,040 --> 00:44:24,160
Speaker 3: It's a lot of guys. Every time I see somebody

841
00:44:24,200 --> 00:44:27,360
Speaker 3: die on the news that they say rapper, corpola papete.

842
00:44:27,840 --> 00:44:31,280
Speaker 3: We never heard of this person them't they? What makes

843
00:44:31,320 --> 00:44:36,920
Speaker 3: of a rapp up? Qualify some Jada. I'm looking at

844
00:44:36,920 --> 00:44:41,080
Speaker 3: the news. She's an aspiring rapper. Bitch ain't got a demo,

845
00:44:42,360 --> 00:44:46,640
Speaker 3: So I'm keeping it a buck, right, So I turned around,

846
00:44:46,719 --> 00:44:50,160
Speaker 3: let alone a survival rate. I've been telling people this

847
00:44:50,200 --> 00:44:52,279
Speaker 3: all the time, and this is why people they get

848
00:44:52,280 --> 00:44:55,760
Speaker 3: mad at me sometimes because I gotta tell you the truth.

849
00:44:56,120 --> 00:44:58,440
Speaker 3: You think, cause you black or brown, you gotta evil

850
00:44:58,480 --> 00:45:02,160
Speaker 3: hoop or you gotta rap, and that's it. It's in

851
00:45:02,200 --> 00:45:05,000
Speaker 3: your mind. You're doing one or the other, right. And

852
00:45:05,120 --> 00:45:07,839
Speaker 3: so they come and they go, yo, you know, I'm

853
00:45:07,880 --> 00:45:10,640
Speaker 3: a rapper, but just somebody coming to you. It's three

854
00:45:10,680 --> 00:45:14,680
Speaker 3: people coming to your show. Is anybody downloading your raps?

855
00:45:14,920 --> 00:45:17,800
Speaker 3: It's anybody? So you're not really this is not really

856
00:45:17,840 --> 00:45:21,960
Speaker 3: a professional a professionist figure, is you gain't one of

857
00:45:21,960 --> 00:45:24,640
Speaker 3: the news this same man? Yeah, well you got one

858
00:45:24,800 --> 00:45:27,000
Speaker 3: percent if they sit and wrap.

859
00:45:27,320 --> 00:45:29,640
Speaker 2: I understand that our business is a lot different.

860
00:45:30,000 --> 00:45:33,600
Speaker 1: What's similar to that is there's times like rankings in

861
00:45:33,640 --> 00:45:34,600
Speaker 1: our business.

862
00:45:35,080 --> 00:45:37,399
Speaker 2: So you could be ranked number one, but I wasn't.

863
00:45:37,480 --> 00:45:39,239
Speaker 3: Let's let me let me finish this work because I'm

864
00:45:39,239 --> 00:45:41,120
Speaker 3: going to forget. You know, I get the old Simon's

865
00:45:41,160 --> 00:45:44,000
Speaker 3: and all that. Listen what I'm saying. How can I

866
00:45:44,120 --> 00:45:48,280
Speaker 3: talk to a young kid that I know is the exception.

867
00:45:49,239 --> 00:45:51,759
Speaker 3: He's beyond the one percent, he's less than the one

868
00:45:51,760 --> 00:45:54,680
Speaker 3: percent and he became successful. How can I sit and

869
00:45:54,719 --> 00:45:57,280
Speaker 3: tell that nineteen year old kid that made twenty million

870
00:45:57,320 --> 00:45:59,799
Speaker 3: dollars and got his whole crew around him and all that, Yo,

871
00:46:00,080 --> 00:46:02,799
Speaker 3: this ain't there. You gotta get focused this. He don't

872
00:46:02,800 --> 00:46:06,160
Speaker 3: want to hear that ship from me. No, he's straight

873
00:46:06,239 --> 00:46:08,560
Speaker 3: up like, you can't. I don't know the answer that

874
00:46:08,600 --> 00:46:11,560
Speaker 3: you can't tell him anything. Today you got and you

875
00:46:11,640 --> 00:46:14,279
Speaker 3: got a lot of dumb athletes too. It's a lot

876
00:46:14,320 --> 00:46:17,799
Speaker 3: of dumb athletes switched now. I'm telling you the truth.

877
00:46:17,800 --> 00:46:19,880
Speaker 3: These motherfucker's is dumb. I used to coach at the

878
00:46:19,920 --> 00:46:25,360
Speaker 3: Wucker Bro God God listen.

879
00:46:25,360 --> 00:46:30,279
Speaker 1: By the way, just so you know, I was there Blackout.

880
00:46:30,640 --> 00:46:34,560
Speaker 1: We flew in to drop fifty on your team.

881
00:46:35,920 --> 00:46:37,440
Speaker 3: Fifty. We had alan.

882
00:46:37,520 --> 00:46:38,600
Speaker 2: I talked about it.

883
00:46:38,680 --> 00:46:42,719
Speaker 3: We talked about Alan Iverson, We had Melo Anthony, We

884
00:46:42,760 --> 00:46:48,040
Speaker 3: had Stephano, Maull Burry, we had everybody, so they all

885
00:46:48,080 --> 00:46:51,919
Speaker 3: would have been dropping fifty were kicking. If you asked

886
00:46:51,920 --> 00:46:54,080
Speaker 3: your kill O'Neil, you win. If you just got Lebron

887
00:46:54,080 --> 00:46:56,759
Speaker 3: straight out of high school, you're not winning that game.

888
00:46:56,800 --> 00:46:57,000
Speaker 2: Bro.

889
00:46:57,160 --> 00:46:59,279
Speaker 3: We had the biggest in the game there too. We

890
00:46:59,320 --> 00:47:03,240
Speaker 3: had Carmelo right after the championship. We had Stephan Marlbury,

891
00:47:03,360 --> 00:47:05,920
Speaker 3: highest paid player in the league at that time. We

892
00:47:06,040 --> 00:47:09,239
Speaker 3: had Alan Arbson, We have Mike Bibby. How more you want?

893
00:47:09,280 --> 00:47:12,600
Speaker 3: You want Zach Randolph, you want your Maine O'Neil, you want, like,

894
00:47:12,680 --> 00:47:17,319
Speaker 3: who the fuck? We didn't have Listen? Oh no, brother, brother,

895
00:47:17,520 --> 00:47:20,440
Speaker 3: you didn't have listen. That was young Braun. That was

896
00:47:20,480 --> 00:47:24,120
Speaker 3: a prince. He wasn't the king yet. So that black

897
00:47:24,160 --> 00:47:27,240
Speaker 3: By the way, I flicked school with that blackout hit Joe.

898
00:47:27,640 --> 00:47:31,040
Speaker 3: There was nobody on the planet matter than I was.

899
00:47:31,400 --> 00:47:34,239
Speaker 3: I wouldn't even think about the blackout. I wanted to

900
00:47:34,320 --> 00:47:39,480
Speaker 3: be in that that atmosphere game that never happened.

901
00:47:39,520 --> 00:47:41,520
Speaker 2: I was also in the radio station.

902
00:47:42,360 --> 00:47:45,719
Speaker 3: Talk about it. People forget that.

903
00:47:45,360 --> 00:47:48,520
Speaker 1: That was It was great, great. I loved every bit

904
00:47:48,600 --> 00:47:50,399
Speaker 1: of it. I loved every bit of it.

905
00:47:50,480 --> 00:47:52,640
Speaker 3: Oh, what's that story you told was in the in

906
00:47:52,719 --> 00:47:55,440
Speaker 3: the air going to Paris? By the way, No, he wasn't.

907
00:47:55,480 --> 00:47:56,759
Speaker 3: He was there for the blackout.

908
00:47:57,080 --> 00:47:57,960
Speaker 2: He was in the rest.

909
00:48:00,080 --> 00:48:05,120
Speaker 3: Left that pulled up, All right, listen, Cooling Dre pulled

910
00:48:05,200 --> 00:48:07,600
Speaker 3: up and they saw jay Z in the back. He

911
00:48:07,719 --> 00:48:11,000
Speaker 3: was out there. It was the blackout. He left when

912
00:48:11,000 --> 00:48:14,160
Speaker 3: they were scheduled two days later. That's when I believe

913
00:48:14,200 --> 00:48:17,200
Speaker 3: you guys were in here the day of the game

914
00:48:17,280 --> 00:48:20,440
Speaker 3: to make up game. I did not see no players

915
00:48:20,480 --> 00:48:22,799
Speaker 3: coming out of the over. They left the next day.

916
00:48:22,920 --> 00:48:24,359
Speaker 3: All of that hype, it was old.

917
00:48:24,400 --> 00:48:26,719
Speaker 2: We left the next day. Hype of the first game

918
00:48:26,800 --> 00:48:28,799
Speaker 2: with the black guy was never gonna be left.

919
00:48:28,840 --> 00:48:31,759
Speaker 3: The chance they were acting like they were here. They

920
00:48:31,800 --> 00:48:33,839
Speaker 3: went to the radio, they were no, we was here

921
00:48:35,880 --> 00:48:40,240
Speaker 3: the next game. They scheduling. When I come was okay.

922
00:48:40,280 --> 00:48:43,080
Speaker 3: By the way, I walk in with my players. They've

923
00:48:43,080 --> 00:48:45,880
Speaker 3: seen them out there. There's pictures of all my players

924
00:48:45,880 --> 00:48:49,440
Speaker 3: out there. These guys never came. We was back. We

925
00:48:49,440 --> 00:48:51,760
Speaker 3: was back. They were gone. Everybody was back in camp

926
00:48:51,840 --> 00:48:56,359
Speaker 3: and all that everybody I was there off, nobody came.

927
00:48:56,400 --> 00:48:59,160
Speaker 3: What do you want me to do you got Shaquille O'Neil,

928
00:48:59,200 --> 00:49:02,839
Speaker 3: you win, you don't. It was a game. I'm talking

929
00:49:02,840 --> 00:49:06,440
Speaker 3: about Ai, I'm talking about Mike Bibby when he's an

930
00:49:06,480 --> 00:49:09,520
Speaker 3: All Star at that time, I'm talking about Stephan Moireberry,

931
00:49:10,000 --> 00:49:11,160
Speaker 3: Sebastian Telfair.

932
00:49:11,640 --> 00:49:14,920
Speaker 2: We already know he wasn't gonna he ain't had nothing

933
00:49:15,040 --> 00:49:17,960
Speaker 2: for Steph on Yo, you crazy man. This was a

934
00:49:17,960 --> 00:49:19,399
Speaker 2: good game. It was gonna be a good game.

935
00:49:19,440 --> 00:49:21,520
Speaker 3: Thank god it didn't that because I wouldn't be sitting

936
00:49:21,520 --> 00:49:24,279
Speaker 3: in Rock Nation getting money with these people. That thing

937
00:49:24,440 --> 00:49:26,800
Speaker 3: was a disaster waiting to happen. That was one step

938
00:49:26,920 --> 00:49:32,840
Speaker 3: Kaboom Junior Mafia clears the room. That shit was. That

939
00:49:33,000 --> 00:49:36,440
Speaker 3: was a terrible thing. After that radio that shit happed me.

940
00:49:36,719 --> 00:49:36,919
Speaker 4: Man.

941
00:49:37,239 --> 00:49:40,600
Speaker 3: It went from Fat Joe to the basketball to fat

942
00:49:40,680 --> 00:49:41,800
Speaker 3: Joe Army fatigue.

943
00:49:41,880 --> 00:49:44,280
Speaker 2: Like it was like, oh no, the got talking crazy.

944
00:49:44,360 --> 00:49:47,839
Speaker 3: You know one time people you know now comments and

945
00:49:47,880 --> 00:49:50,880
Speaker 3: all that one time people were very selective with how

946
00:49:50,920 --> 00:49:51,759
Speaker 3: they talked.

947
00:49:51,440 --> 00:49:52,839
Speaker 2: About Fat Joe out there.

948
00:49:54,840 --> 00:50:06,280
Speaker 3: Very it was a different time. Can we do toast

949
00:50:06,400 --> 00:50:11,360
Speaker 3: for the Sneaker and Rich Paul just lessing us the

950
00:50:11,440 --> 00:50:12,640
Speaker 3: new show what's it called?

951
00:50:13,400 --> 00:50:16,680
Speaker 2: Game Over? Game Over? You know what that means.

952
00:50:16,680 --> 00:50:20,480
Speaker 3: I like Max, one of the best game over.

953
00:50:21,560 --> 00:50:25,880
Speaker 2: I'll give you one more thing, can Coon two thousand

954
00:50:25,960 --> 00:50:29,239
Speaker 2: and four. Talk to your ship, it's Paul. Tell him

955
00:50:29,280 --> 00:50:31,880
Speaker 2: who was there? Just paint the picture.

956
00:50:32,080 --> 00:50:36,040
Speaker 1: Listen what S and S did for lean back. You

957
00:50:36,160 --> 00:50:38,439
Speaker 1: never seen how many times the man played that ship

958
00:50:38,520 --> 00:50:41,680
Speaker 1: out there one hundred times in a row. Being meth

959
00:50:41,880 --> 00:50:46,320
Speaker 1: was out there one hundred times in a row. Everybody

960
00:50:46,360 --> 00:50:48,680
Speaker 1: who mad it was out there, and that can Coon.

961
00:50:49,880 --> 00:50:53,000
Speaker 1: It was a party of Memorial weekend.

962
00:50:52,920 --> 00:50:56,240
Speaker 2: In both from city to daddy Os City.

963
00:50:56,520 --> 00:50:59,800
Speaker 1: There's only two clubs, so we're going across the street.

964
00:51:00,640 --> 00:51:03,160
Speaker 1: But S and S, by the way, was best.

965
00:51:03,360 --> 00:51:03,719
Speaker 2: It was.

966
00:51:04,160 --> 00:51:06,399
Speaker 3: He's one of the greatest here. You know we still

967
00:51:06,440 --> 00:51:08,799
Speaker 3: employ yes, and that's we still give them shows all

968
00:51:08,840 --> 00:51:13,479
Speaker 3: the time. Anybody kept the lawyer with us. Anybody who

969
00:51:13,480 --> 00:51:17,719
Speaker 3: didn't take the bag at that blackout time, they still

970
00:51:17,800 --> 00:51:21,359
Speaker 3: my brothers and we still take care of them now nobody. Yeah,

971
00:51:21,400 --> 00:51:23,359
Speaker 3: they had a lot of bags out there. They tried

972
00:51:23,400 --> 00:51:26,120
Speaker 3: to hire. They took my man John Strict. That's my

973
00:51:26,239 --> 00:51:30,680
Speaker 3: play about Strict. Was Strict. They took Straty flipped the

974
00:51:30,680 --> 00:51:31,719
Speaker 3: Strict was that dude?

975
00:51:32,480 --> 00:51:33,200
Speaker 2: They lived them.

976
00:51:33,440 --> 00:51:36,360
Speaker 3: They tried to flip Kareem Kareem. They left them a

977
00:51:36,520 --> 00:51:40,279
Speaker 3: bag and read Kareem Reid. Yeah, and he was my

978
00:51:40,400 --> 00:51:43,120
Speaker 3: main if we know, no, no Kareem read, I have

979
00:51:43,239 --> 00:51:44,040
Speaker 3: no championship.

980
00:51:44,040 --> 00:51:46,920
Speaker 2: Speaking of the trolling, where's my well?

981
00:51:46,960 --> 00:51:48,840
Speaker 1: I can't even I don't even want him now. But

982
00:51:49,160 --> 00:51:52,200
Speaker 1: twenty years ago, I got you rich On, Joe. I

983
00:51:52,280 --> 00:51:54,440
Speaker 1: need those joints we had them on. I got you

984
00:51:54,560 --> 00:51:56,040
Speaker 1: rich never never.

985
00:51:56,640 --> 00:52:00,920
Speaker 2: You gotta remind me no sneakers, no he hos graze,

986
00:52:01,040 --> 00:52:04,239
Speaker 2: then don't send me the plastic ts joint? Did you

987
00:52:04,280 --> 00:52:07,560
Speaker 2: get to the the kids? Let me tell you something.

988
00:52:08,000 --> 00:52:11,239
Speaker 2: Thank you for the sneakers. Thank you for the sneakers

989
00:52:11,239 --> 00:52:13,600
Speaker 2: you gave us in the new show Game over.

990
00:52:14,280 --> 00:52:17,480
Speaker 3: We know it's gonna be highly successful. You know what

991
00:52:17,520 --> 00:52:19,440
Speaker 3: I'm saying. We know it's gonna be holly Yo. You

992
00:52:19,520 --> 00:52:21,440
Speaker 3: a funny dude. You know I'm with you in the

993
00:52:21,520 --> 00:52:23,760
Speaker 3: champions all right, let's take the sip.

994
00:52:24,280 --> 00:52:26,800
Speaker 2: Dude. Let me tell you about rich Sport.

995
00:52:26,880 --> 00:52:29,040
Speaker 3: We in the champion we in the Knicks is in

996
00:52:29,080 --> 00:52:32,359
Speaker 3: the championship game one of your players lost who they

997
00:52:32,440 --> 00:52:35,520
Speaker 3: was playing for Boston or something like that. Last year

998
00:52:36,719 --> 00:52:39,520
Speaker 3: for the year before sixes. That was so the he

999
00:52:39,600 --> 00:52:45,919
Speaker 3: go Maxiere. So I'm on the court, which Baul comes on, Yo, crack,

1000
00:52:46,000 --> 00:52:47,040
Speaker 3: what's up this this dad?

1001
00:52:47,200 --> 00:52:49,600
Speaker 2: He said, Yo, my player, I said, them guys got

1002
00:52:49,640 --> 00:52:53,160
Speaker 2: packed up. They gotta go. Like next morning, I fly

1003
00:52:53,320 --> 00:52:53,880
Speaker 2: to la.

1004
00:52:53,880 --> 00:52:58,560
Speaker 3: I got a meeting at the Polo Lounge and I'm

1005
00:52:58,600 --> 00:53:01,080
Speaker 3: up in there. I'm talking about nine in the morning.

1006
00:53:01,160 --> 00:53:04,080
Speaker 3: I'm eating at the Polo Laws and I look to

1007
00:53:04,160 --> 00:53:06,800
Speaker 3: the right, Rich Fauls in the next stable age, Joe,

1008
00:53:07,120 --> 00:53:08,080
Speaker 3: how you like, Yo?

1009
00:53:08,160 --> 00:53:12,480
Speaker 2: He hit your rich Paul that day you learn fat jokes.

1010
00:53:12,840 --> 00:53:16,200
Speaker 3: He's everywhere. That guy crossed the country.

1011
00:53:16,239 --> 00:53:18,799
Speaker 2: He knew that. I knew that already. Ah Man.

1012
00:53:18,880 --> 00:53:21,000
Speaker 3: I looked to the side. I said, God, damn, this

1013
00:53:21,160 --> 00:53:23,560
Speaker 3: guy out here nine in the morning. Like what we

1014
00:53:23,600 --> 00:53:26,279
Speaker 3: was on the same flight as some shit that shit

1015
00:53:26,480 --> 00:53:29,400
Speaker 3: crazy run from acting you from Cleveland from Cleveland?

1016
00:53:29,480 --> 00:53:32,520
Speaker 2: Yeah. How important is it to give back? Two ways?

1017
00:53:32,520 --> 00:53:36,200
Speaker 1: To give back in ways that's helpful, in ways that's impactful,

1018
00:53:37,239 --> 00:53:40,200
Speaker 1: passing out turkeys and things like that, that's helpful. The

1019
00:53:40,239 --> 00:53:45,800
Speaker 1: impactfulness is being able to create things that provide opportunities.

1020
00:53:46,520 --> 00:53:48,920
Speaker 1: You also give back through education too. I think when

1021
00:53:48,920 --> 00:53:50,759
Speaker 1: people say give back. It's like, oh, you didn't get

1022
00:53:50,800 --> 00:53:52,080
Speaker 1: me nothing to go in my pome.

1023
00:53:53,680 --> 00:53:56,719
Speaker 3: Yeah, education is incredible. Well did out there with that

1024
00:53:56,800 --> 00:53:57,880
Speaker 3: school is amazing.

1025
00:53:58,080 --> 00:54:01,399
Speaker 1: So for me, my give back is I get back

1026
00:54:01,440 --> 00:54:03,600
Speaker 1: in a number of ways. And I don't I don't

1027
00:54:03,600 --> 00:54:05,799
Speaker 1: want nothing. I do a lot of things that I

1028
00:54:05,800 --> 00:54:09,000
Speaker 1: don't want to know pub from it. Sometimes I do

1029
00:54:09,080 --> 00:54:12,000
Speaker 1: things and people don't even know I've done things. People

1030
00:54:12,000 --> 00:54:16,359
Speaker 1: don't even know it. But it's very important though, because

1031
00:54:16,360 --> 00:54:18,720
Speaker 1: I was one of those kids that the community raids,

1032
00:54:18,920 --> 00:54:20,839
Speaker 1: and I was one of those kids that.

1033
00:54:22,280 --> 00:54:26,440
Speaker 2: Y'all came to the strip club, the strip clo.

1034
00:54:28,000 --> 00:54:31,680
Speaker 3: Like y'all Yeahmunity strip Club.

1035
00:54:33,000 --> 00:54:35,400
Speaker 2: Yeah, I had a show. I was there. It was

1036
00:54:35,480 --> 00:54:37,200
Speaker 2: on Cleveland States. I forgot where it was.

1037
00:54:37,320 --> 00:54:40,560
Speaker 3: But anyway, I'll tell you one thing, right, I tell

1038
00:54:40,560 --> 00:54:45,279
Speaker 3: you my father from Cuba rest in peace. No, my

1039
00:54:45,320 --> 00:54:48,560
Speaker 3: father never gave me a compliment in my life. Okay,

1040
00:54:48,640 --> 00:54:51,760
Speaker 3: he never said great song, even though he was Cuban,

1041
00:54:52,120 --> 00:54:55,120
Speaker 3: thank you for buying me my home twenty years ago. Whatever,

1042
00:54:55,239 --> 00:54:59,880
Speaker 3: it's nothing they bills for thirty years. The only time

1043
00:55:00,080 --> 00:55:02,480
Speaker 3: he ever gave me a compliment was when he see

1044
00:55:02,520 --> 00:55:04,719
Speaker 3: me in the middle of the street giving out turkeys

1045
00:55:04,760 --> 00:55:07,840
Speaker 3: and feeding the people. He said, that makes me proud,

1046
00:55:08,440 --> 00:55:11,200
Speaker 3: proud of you, son, for looking out for the people.

1047
00:55:11,800 --> 00:55:14,799
Speaker 3: And so there's many ways. You you're correct, there's many ways.

1048
00:55:14,800 --> 00:55:20,040
Speaker 3: There's ways inspired. You know, we got stores, our stores, stores,

1049
00:55:20,600 --> 00:55:24,040
Speaker 3: huh that with your dad. Yeah, we got two stores

1050
00:55:24,080 --> 00:55:27,439
Speaker 3: where single parent moms are the managers. One of them

1051
00:55:27,520 --> 00:55:30,440
Speaker 3: just bought a first home. Ever, there's so many different

1052
00:55:30,520 --> 00:55:35,239
Speaker 3: ways of giving back and impacting the community. You just

1053
00:55:35,960 --> 00:55:39,480
Speaker 3: gotta do it. And the problem I got is the

1054
00:55:39,560 --> 00:55:45,440
Speaker 3: people that don't give back, complaining about somebody giving back.

1055
00:55:46,120 --> 00:55:48,960
Speaker 3: So it's never enough, it's never how you do it.

1056
00:55:48,960 --> 00:55:51,080
Speaker 3: So you got he got, we got a best friend,

1057
00:55:51,920 --> 00:55:59,520
Speaker 3: grumpy Jim Jones. Right, but now Jim Jones gives back. Okay,

1058
00:56:00,200 --> 00:56:02,919
Speaker 3: Jim Jones don't give back, because right there I see

1059
00:56:02,960 --> 00:56:06,000
Speaker 3: him give back all the time in the community, whether

1060
00:56:06,080 --> 00:56:09,480
Speaker 3: it's clothes, whether it's coats, whether it's turkeys, whether it's this,

1061
00:56:09,800 --> 00:56:13,160
Speaker 3: He's front line with the giving back. I don't know

1062
00:56:13,200 --> 00:56:15,239
Speaker 3: what happened, but I could tell that lady skipped the

1063
00:56:15,280 --> 00:56:20,640
Speaker 3: line three times. I'm out there. I'm outside like I'm there,

1064
00:56:21,320 --> 00:56:22,440
Speaker 3: I'm on the line.

1065
00:56:22,600 --> 00:56:24,920
Speaker 2: I see the six family members, I know them more.

1066
00:56:24,920 --> 00:56:27,239
Speaker 3: They all waiting for the turkey with the grocery, the

1067
00:56:27,360 --> 00:56:30,600
Speaker 3: six the daughter, the son that this. At some point

1068
00:56:30,640 --> 00:56:32,600
Speaker 3: you could say, yo, you know young, you know some

1069
00:56:32,640 --> 00:56:37,080
Speaker 3: people you got one of you took six turkeys and

1070
00:56:37,600 --> 00:56:40,840
Speaker 3: the voucher for the food. I know, I just choose

1071
00:56:40,880 --> 00:56:41,760
Speaker 3: to mind my business.

1072
00:56:41,840 --> 00:56:42,000
Speaker 2: You know.

1073
00:56:42,120 --> 00:56:44,399
Speaker 3: Jim out there, he got a little man and lady

1074
00:56:44,480 --> 00:56:47,520
Speaker 3: skipped three times. I make him look like, yeah, it's

1075
00:56:47,520 --> 00:56:50,160
Speaker 3: all over social media, but and make him look like

1076
00:56:50,239 --> 00:56:53,360
Speaker 3: he a bad guy because he los his patience. But

1077
00:56:53,560 --> 00:56:56,560
Speaker 3: anybody who from the hood hood know they trying to

1078
00:56:56,560 --> 00:57:00,000
Speaker 3: skip the line, you know. And so I look at

1079
00:57:00,120 --> 00:57:03,960
Speaker 3: the comments and everybody we posts, they talk bad about somebody,

1080
00:57:03,960 --> 00:57:05,440
Speaker 3: But you ain't giving that.

1081
00:57:06,960 --> 00:57:09,640
Speaker 1: You ain't changed some people that's got the mill on

1082
00:57:09,760 --> 00:57:11,680
Speaker 1: say go in fact, it being unbothered, Joe.

1083
00:57:11,719 --> 00:57:13,800
Speaker 2: You can't worry about what somebody talking about own social

1084
00:57:13,880 --> 00:57:17,840
Speaker 2: media showing no hoodie show them. That's what you know.

1085
00:57:18,080 --> 00:57:20,560
Speaker 2: I can't worry about that. Yeah I do that, and

1086
00:57:20,640 --> 00:57:24,600
Speaker 2: I want to smoke whatever, but you can't.

1087
00:57:24,640 --> 00:57:27,920
Speaker 3: I want every I know we're putting our foot in

1088
00:57:27,960 --> 00:57:29,400
Speaker 3: your ass even when we don't.

1089
00:57:29,520 --> 00:57:32,440
Speaker 2: Yeah, but here's what I tell you legendary ship right now.

1090
00:57:32,520 --> 00:57:35,840
Speaker 3: Let me tell you better study this podcast because we

1091
00:57:35,880 --> 00:57:39,760
Speaker 3: are changing the whole DNA. This is entertainment. This is

1092
00:57:39,800 --> 00:57:43,480
Speaker 3: like coming home to watch Martin a fucking Cosme show.

1093
00:57:43,640 --> 00:57:47,360
Speaker 3: It's just just it ain't done. No, sure, we ain't

1094
00:57:47,400 --> 00:57:51,240
Speaker 3: look one time. So mister Paul, when you graduated high school?

1095
00:57:51,280 --> 00:57:52,880
Speaker 3: This that ship dinosaur.

1096
00:57:52,920 --> 00:57:55,800
Speaker 1: By the way, I told my team they gave me

1097
00:57:55,880 --> 00:57:56,720
Speaker 1: this thing in the car.

1098
00:57:57,320 --> 00:57:59,520
Speaker 2: It's like, oh, you know, here's the talking points.

1099
00:58:00,160 --> 00:58:03,440
Speaker 1: Was like, these guys aren't following that.

1100
00:58:03,680 --> 00:58:05,560
Speaker 2: I can guarantee you that I doing that.

1101
00:58:05,800 --> 00:58:07,640
Speaker 3: We're shooting this ship from there.

1102
00:58:09,360 --> 00:58:12,760
Speaker 4: I told you about life about this.

1103
00:58:13,240 --> 00:58:16,840
Speaker 1: But you know my team is they alto prepared, which

1104
00:58:16,880 --> 00:58:17,880
Speaker 1: I'm thankful for.

1105
00:58:18,360 --> 00:58:20,600
Speaker 2: But I thought about it. I'm like Joe and Jason

1106
00:58:20,960 --> 00:58:21,720
Speaker 2: is not smiling.

1107
00:58:22,680 --> 00:58:24,640
Speaker 3: They don't look like our guys.

1108
00:58:25,920 --> 00:58:29,720
Speaker 2: Them. What is just look like? Our guys look like

1109
00:58:29,800 --> 00:58:33,160
Speaker 2: they know what the bubonic chronic this this?

1110
00:58:33,480 --> 00:58:33,720
Speaker 4: Nah?

1111
00:58:34,960 --> 00:58:36,400
Speaker 2: Let me tell you them with that joke.

1112
00:58:36,480 --> 00:58:42,000
Speaker 3: Your guys they all got listen. Our staff is great.

1113
00:58:42,120 --> 00:58:44,360
Speaker 3: Let me tell you something. We have a great staff.

1114
00:58:44,480 --> 00:58:47,640
Speaker 3: Ain't none of them got the lines like him? You

1115
00:58:47,680 --> 00:58:53,000
Speaker 3: see them ship like he rose with that ship Mike

1116
00:58:53,160 --> 00:58:55,600
Speaker 3: he got this ship. Two women here with me.

1117
00:58:55,960 --> 00:58:57,160
Speaker 2: Yeah, yeah, on the point.

1118
00:58:57,560 --> 00:58:59,520
Speaker 3: Listen, let me tell you something. Your risk for war

1119
00:58:59,640 --> 00:59:02,680
Speaker 3: uses both god, man, let me tell you but this

1120
00:59:02,840 --> 00:59:06,880
Speaker 3: is not dinosaur, not lately, because I'm in the game.

1121
00:59:07,960 --> 00:59:10,640
Speaker 3: Every now and then I lurk and I look at

1122
00:59:10,640 --> 00:59:12,880
Speaker 3: a little sumthing and I said, damn everything we know.

1123
00:59:13,640 --> 00:59:15,680
Speaker 3: I'm just keeping it a buck. I want everybody to

1124
00:59:15,680 --> 00:59:21,200
Speaker 3: get a dollar. But dang't us we entertaining? We get

1125
00:59:21,240 --> 00:59:27,400
Speaker 3: we dropped close closest you think, like closest to us.

1126
00:59:27,800 --> 00:59:30,160
Speaker 2: Don't get No, he's about to tell you something crazy.

1127
00:59:30,200 --> 00:59:33,160
Speaker 3: Don't look. You know they're not us. You want to

1128
00:59:33,200 --> 00:59:36,640
Speaker 3: know why, because we're Chuck and Shock. We got the

1129
00:59:36,720 --> 00:59:38,919
Speaker 3: chips Kenny. He got the Kenny leg.

1130
00:59:39,160 --> 00:59:40,200
Speaker 2: I got the Kenny leg.

1131
00:59:41,000 --> 00:59:45,680
Speaker 3: Yeah, I got the Kenny spirit. I'm more like Kenny.

1132
00:59:46,600 --> 00:59:49,440
Speaker 2: Yeah, we chucky there.

1133
00:59:49,520 --> 00:59:52,520
Speaker 3: You know what you're here. You're training here, Yo, you

1134
00:59:52,600 --> 00:59:54,880
Speaker 3: might have showed me how to straighten the leg out. Man,

1135
00:59:55,640 --> 01:00:01,080
Speaker 3: I can't take this man's new It's there a way off,

1136
01:00:01,480 --> 01:00:04,520
Speaker 3: hold on, hold on, it's there way. Your man trades

1137
01:00:04,680 --> 01:00:05,320
Speaker 3: nothing else.

1138
01:00:05,360 --> 01:00:08,240
Speaker 2: Don't care. He can't give him anything, giant balltender.

1139
01:00:08,400 --> 01:00:10,040
Speaker 3: It's there a way for me to straighten out my

1140
01:00:10,120 --> 01:00:14,040
Speaker 3: leg like legally or is it like an operation calisthenic. Oh,

1141
01:00:14,080 --> 01:00:17,520
Speaker 3: you don't know about fucking boy he knows the human body.

1142
01:00:20,160 --> 01:00:24,400
Speaker 3: He don't know about away from me all fucked up

1143
01:00:24,440 --> 01:00:24,720
Speaker 3: for a lot.

1144
01:00:27,840 --> 01:00:29,600
Speaker 2: He can't fix your leg.

1145
01:00:30,120 --> 01:00:33,680
Speaker 3: He can fix your jesty shoulders, you know, but donna

1146
01:00:33,760 --> 01:00:36,200
Speaker 3: give me the list off your leg is strike right.

1147
01:00:36,600 --> 01:00:40,880
Speaker 3: There's a way to do it right, Joe my Son

1148
01:00:41,000 --> 01:00:43,960
Speaker 3: seventy six ship of operation for my leg. He got

1149
01:00:43,960 --> 01:00:46,200
Speaker 3: them fucked up out there they think of my leg.

1150
01:00:46,080 --> 01:00:47,760
Speaker 2: Here lords in London.

1151
01:00:50,640 --> 01:00:53,440
Speaker 3: Up and y see we got these These are snow ships.

1152
01:00:53,480 --> 01:00:56,120
Speaker 3: This is like having a heater all this is. He's

1153
01:00:56,160 --> 01:00:59,280
Speaker 3: a snow Those are fire on my sea.

1154
01:00:59,400 --> 01:00:59,840
Speaker 2: You know what I mean?

1155
01:01:00,120 --> 01:01:02,280
Speaker 3: For there, that's the timely way you get the right shoot.

1156
01:01:03,400 --> 01:01:07,160
Speaker 3: They I gotta go stores up tail the Bronx haul

1157
01:01:07,240 --> 01:01:08,080
Speaker 3: in Washington Knights.

1158
01:01:08,320 --> 01:01:11,560
Speaker 2: They gave him a twelve and ten and a half Timbo.

1159
01:01:12,280 --> 01:01:14,280
Speaker 3: He came up and he was like, yeah, you know,

1160
01:01:14,520 --> 01:01:21,160
Speaker 3: cells dropped after that, yo, yo, yo, yo, kiss your

1161
01:01:21,240 --> 01:01:24,640
Speaker 3: word is gold in the hood. Our cells dropped after that.

1162
01:01:24,760 --> 01:01:25,840
Speaker 3: Little ladies and gentlemen.

1163
01:01:25,880 --> 01:01:26,480
Speaker 2: I went back.

1164
01:01:26,560 --> 01:01:28,600
Speaker 3: They took care of me they had. They had a

1165
01:01:28,680 --> 01:01:30,600
Speaker 3: Krispy box for me, and they gave me the right.

1166
01:01:31,160 --> 01:01:32,240
Speaker 3: Make sure you shot up.

1167
01:01:32,280 --> 01:01:34,959
Speaker 2: Man, your word is golden. Let me ask you she's

1168
01:01:35,040 --> 01:01:35,480
Speaker 2: hit him with that?

1169
01:01:36,040 --> 01:01:38,520
Speaker 3: Let me ask your bounty when you hit hit bound,

1170
01:01:38,640 --> 01:01:42,880
Speaker 3: kiss his dressing, his age, and to me, he's flying,

1171
01:01:44,120 --> 01:01:46,840
Speaker 3: you know. Now, A lot of they call us tween

1172
01:01:46,920 --> 01:01:48,320
Speaker 3: ages and ship like that.

1173
01:01:49,400 --> 01:01:50,040
Speaker 2: They call you.

1174
01:01:50,720 --> 01:01:54,240
Speaker 3: They talking about if you got a quarter zipper or something.

1175
01:01:54,320 --> 01:01:57,640
Speaker 3: You are old man on day a quarter zippers. I

1176
01:01:57,760 --> 01:02:05,120
Speaker 3: just capped the four quarter zip for sure. Quarter ships. No, no,

1177
01:02:05,240 --> 01:02:10,840
Speaker 3: the quarter four thousand dollars lord reading it now? The

1178
01:02:10,920 --> 01:02:17,280
Speaker 3: quarter quarters trying to fucking disrespect Air Force one. They say,

1179
01:02:17,360 --> 01:02:18,680
Speaker 3: his granddad's shoes.

1180
01:02:18,880 --> 01:02:20,640
Speaker 2: Yeah, I ain't. That can't be.

1181
01:02:21,320 --> 01:02:22,480
Speaker 3: Are you with new balance?

1182
01:02:23,800 --> 01:02:24,000
Speaker 2: Yeah?

1183
01:02:24,040 --> 01:02:27,440
Speaker 3: You you like a don Jesus, you're like a don king.

1184
01:02:27,600 --> 01:02:29,520
Speaker 3: Don king come in the ring with a Mexican and

1185
01:02:29,600 --> 01:02:31,080
Speaker 3: Puerto Rican fly whoever won.

1186
01:02:31,440 --> 01:02:33,440
Speaker 2: That's the ship he walking on the way when you

1187
01:02:33,520 --> 01:02:34,520
Speaker 2: put her.

1188
01:02:34,400 --> 01:02:37,120
Speaker 3: Motherfucker like that. He came with the wedding, he left

1189
01:02:37,160 --> 01:02:39,800
Speaker 3: with them with him. That's the cody. Le's the cody.

1190
01:02:39,880 --> 01:02:43,440
Speaker 3: Now that's gonna be like the coda. No, No, that's

1191
01:02:43,480 --> 01:02:46,240
Speaker 3: not gonna happen just when you put these on. Oh,

1192
01:02:46,720 --> 01:02:51,120
Speaker 3: I know it's your risk for you, bucker.

1193
01:02:51,240 --> 01:02:53,880
Speaker 2: Wat should you yo Joe? When you when you when

1194
01:02:53,880 --> 01:02:54,880
Speaker 2: you put the.

1195
01:02:54,680 --> 01:02:58,160
Speaker 3: Layout put them joints up there? Oh no, we want

1196
01:02:58,160 --> 01:02:58,440
Speaker 3: to do it.

1197
01:02:58,560 --> 01:03:00,800
Speaker 1: By the way, use I had to get a whole

1198
01:03:00,880 --> 01:03:03,360
Speaker 1: new got coming everything.

1199
01:03:03,560 --> 01:03:04,400
Speaker 2: I brought a class.

1200
01:03:04,440 --> 01:03:06,280
Speaker 3: Don't do that. I brought a classic out.

1201
01:03:06,520 --> 01:03:10,040
Speaker 2: Now that you do that, wait for him.

1202
01:03:12,800 --> 01:03:13,280
Speaker 3: Christmas.

1203
01:03:13,680 --> 01:03:14,720
Speaker 2: No, believe my business.

1204
01:03:14,720 --> 01:03:17,600
Speaker 3: No, no, no, I'm not business. Fay give me a

1205
01:03:17,680 --> 01:03:19,080
Speaker 3: day tune of Christmas.

1206
01:03:19,520 --> 01:03:21,400
Speaker 2: I got a gift for you, by the way, I

1207
01:03:21,480 --> 01:03:23,360
Speaker 2: got a gift coming for you by you get a

1208
01:03:23,440 --> 01:03:25,160
Speaker 2: Daytona in the the mins for Chris.

1209
01:03:25,160 --> 01:03:27,880
Speaker 3: I never said nothing about no day timing. I don't

1210
01:03:27,880 --> 01:03:30,440
Speaker 3: know what niggas from you. It might be a fucking

1211
01:03:30,560 --> 01:03:35,360
Speaker 3: Lettuce rap because he's sold vegetarian is rap. That ship

1212
01:03:35,480 --> 01:03:38,600
Speaker 3: might be nobody. I got a gift for you, though,

1213
01:03:38,680 --> 01:03:42,280
Speaker 3: that's that's no bullshit. I got a nice, thoughtful gift

1214
01:03:42,280 --> 01:03:44,520
Speaker 3: for you that you're gonna truly enjoy.

1215
01:03:45,240 --> 01:03:47,560
Speaker 2: Brother, what's a watch? Who wants the next to what?

1216
01:03:48,120 --> 01:03:49,240
Speaker 2: But your risk?

1217
01:03:49,360 --> 01:03:53,160
Speaker 3: Ball? This ain't that, that, ain't this crack ain't just

1218
01:03:53,320 --> 01:03:55,000
Speaker 3: gotta get the noise for Rick

1219
01:04:00,960 --> 01:04:07,720
Speaker 4: The Thirsty