WEBVTT - #484 - Juvenile & Mannie Fresh

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<v Speaker 1>What's up. This is your boy DJ Manny Fresh and right.

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<v Speaker 2>Here it's your boy juven is great. You know, four

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<v Speaker 2>hundred degrees man, right here on the number one podcast

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<v Speaker 2>of My dog Bootleg Cab.

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<v Speaker 3>You're yo Boutlet CAV Podcast. Man, special guests in here.

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<v Speaker 3>It's not every day we get two living legends walking

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<v Speaker 3>into the Boutlet CAV podcast. But we got to right now, Man,

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<v Speaker 3>A lot of people see, these guys are the soundtrack

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<v Speaker 3>to my childhood. A lot of people meaning me Manny Freshman, Juvenile.

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<v Speaker 1>Yes, thank you, brother, thank you, thank you, thank you.

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<v Speaker 4>Finally I'm over here.

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<v Speaker 1>Hey.

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<v Speaker 3>I just want you all to know if you told,

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<v Speaker 3>like the twelve year old me that this was happening,

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<v Speaker 3>I would be fucking tripping balls for sure.

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<v Speaker 5>So this is a man, I mean, bro in meeting you.

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<v Speaker 5>You know, I appreciate when just the warm hello you came.

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<v Speaker 5>You know, you was like, bro, like I'll fuck with you.

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<v Speaker 5>You just like, dude, you don't even understand, you know,

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<v Speaker 5>And that's the ship that you know, you know your

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<v Speaker 5>mission is complete.

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<v Speaker 1>When yeah, I.

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<v Speaker 3>Felt like it's funny too. I think I told you

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<v Speaker 3>on the first I was like, Bro, you don't understand

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<v Speaker 3>how much of a big deal it was recently because

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<v Speaker 3>for for whatever reason, I got that work was not

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<v Speaker 3>on Spotify yea forever, and I was like tired of

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<v Speaker 3>going on YouTube and pulling up the bullshit like YouTube

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<v Speaker 3>uploads of yeah and so yeah. I mean that it

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<v Speaker 3>wasn't for.

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<v Speaker 2>Yeah, that's kind of like Project English m Yeah yeah,

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<v Speaker 2>because you can't you can't find.

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<v Speaker 3>So the twenty fifth anniversary of Back That Ass Up is,

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<v Speaker 3>first of all, I always say this. I'm on video

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<v Speaker 3>saying this a lot. It could go down as the

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<v Speaker 3>greatest hip hop song of all time. And I say

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<v Speaker 3>that with full confidence. I'm not saying it is or

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<v Speaker 3>it isn't, but it very much well could be because

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<v Speaker 3>I don't I can't think of the other song that

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<v Speaker 3>you could play in peak hours of a nightclub for

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<v Speaker 3>any crowd, and it just goes the fuck off to

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<v Speaker 3>this day, like.

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<v Speaker 1>Yeah, yeah, yeah.

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<v Speaker 3>It's like to me, like you're gonna get a bigger

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<v Speaker 3>reaction than if you play like an usher, yeah, or

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<v Speaker 3>you play too short blow the whistle, like these are

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<v Speaker 3>other records about this record, like like back that Ass

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<v Speaker 3>Up is like it's timeless forever.

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<v Speaker 1>Yeah, I'm all right, to your name.

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<v Speaker 2>Two more songs. You're right, bro, that blow the whistle.

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<v Speaker 5>Man, Yeah, blow the whistle is gonna be It's gonna

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<v Speaker 5>be right there with you.

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<v Speaker 3>But if you played at a bar Mitzvah, yeah, yeah,

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<v Speaker 3>good club.

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<v Speaker 2>It has happened.

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<v Speaker 5>Yeah, wherever transleas with with anybody, like you know what

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<v Speaker 5>I'm saying, klu Klux playing raby.

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<v Speaker 2>K Yo.

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<v Speaker 3>You can play back that ass up at a Cobblo

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<v Speaker 3>rally or a Trump rally. You know what I'm saying.

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<v Speaker 4>I've heard it all man.

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<v Speaker 3>It's crazy though, because, like uh, I mean twenty five

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<v Speaker 3>years later, I mean I've been seeing the tour stuff

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<v Speaker 3>with the live band and just just the moment you

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<v Speaker 3>guys have been creating with this. How does it feel

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<v Speaker 3>to sell a ready with the fans in this manner?

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<v Speaker 2>It's been fun, man, it's been real fun. It's been

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<v Speaker 2>a blessing, you know, especially working with my big brother

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<v Speaker 2>Man and we sanging songs that we've been singing for

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<v Speaker 2>twenty five plus years and seeing the reaction from not

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<v Speaker 2>only you know, the fans from back in the nine

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<v Speaker 2>nine to two thousands, the new fans, like the fans

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<v Speaker 2>that's been taught by their parents like bag them. You know,

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<v Speaker 2>when mama was young, this was my song right here,

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<v Speaker 2>that's what I used to listen to. This what we

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<v Speaker 2>went out to. So man, just to be living it

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<v Speaker 2>out right now in real time, is this crazy for us?

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<v Speaker 3>Yeah? It's interesting too because when we think of four

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<v Speaker 3>hundred Degrees, it's an album that has like stood the

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<v Speaker 3>test of time. But it's also an album that, for

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<v Speaker 3>whatever reason, I don't know why, we always will hear

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<v Speaker 3>about like the Illmatics and the Reasonable Doubts and to

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<v Speaker 3>get richard Ie Tryan's but I feel like four hundred

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<v Speaker 3>Degrees has to be in that conversation more. I know

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<v Speaker 3>it is certain people, but it's like it's one of

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<v Speaker 3>those albums that's like up on the wall with like

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<v Speaker 3>good Kid, Mad City, you know what I mean, Like one.

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<v Speaker 1>Of the ones I think a lot of it was.

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<v Speaker 5>We kind of took the nice guy approach, you know,

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<v Speaker 5>were just like, we know what, We're gonna let the

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<v Speaker 5>music speak for it. But it's obvious that we definitely

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<v Speaker 5>got to be a voice about it and say it

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<v Speaker 5>because it's like you said, you don't say nobody else

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<v Speaker 5>because it's it's definitely like you said it should be

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<v Speaker 5>in more conversations, you know, and because it is not

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<v Speaker 5>only to the South the world like you know this,

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<v Speaker 5>this this introduced a lot of people to Southern rap.

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<v Speaker 5>You know this, This was like and it was a

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<v Speaker 5>big deal for us to win the East Coast and

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<v Speaker 5>the West Coast because that was always a dream as

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<v Speaker 5>a kid. You know, we like we we I love

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<v Speaker 5>New Orleans, but we like we want our records to

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<v Speaker 5>be played everywhere, you know.

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<v Speaker 1>And the dream was, you know, us growing up.

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<v Speaker 5>We grew up on in w A, we grew up

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<v Speaker 5>on you know what was with jay Z or whatever,

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<v Speaker 5>and we accepted all of that New Orleans, but they

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<v Speaker 5>wasn't accepting to us, like you know. So the big

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<v Speaker 5>thing was, we want to hit these records in New York.

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<v Speaker 5>We want to hear these records in California, you know

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<v Speaker 5>what I'm saying. So that getting that accomplished was kind

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<v Speaker 5>of it was more important than making money, you know what.

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<v Speaker 2>I'm saying, and not just that doing it and being

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<v Speaker 2>who we are doing it, you know, at the same time,

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<v Speaker 2>not changing who we are to get the attention from

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<v Speaker 2>New York or the West Coast, just doing our music

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<v Speaker 2>and being who we are, staying authentic in that. I

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<v Speaker 2>think that was the main thing with us, and then

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<v Speaker 2>introducing people to to the whole New Orleans culture, you know.

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<v Speaker 4>The way we act, the way we talk, the way

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<v Speaker 4>we dress.

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<v Speaker 2>I think that played a big role too, because we

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<v Speaker 2>not only changed I feel like we not only changed

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<v Speaker 2>the way people talk, we changed the way people dress.

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<v Speaker 2>You know a lot of people started wearing T shirts

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<v Speaker 2>and JA.

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<v Speaker 3>Bowls, and I mean I was wearing a X because

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<v Speaker 3>you guys, Yeah see you know what I'm saying. I

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<v Speaker 3>had a fucking aver X leather I got from a

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<v Speaker 3>Burlington co Factory and I wore that bitch during the

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<v Speaker 3>summer in Arizona and it was like a four X.

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<v Speaker 3>Imagine me, I'm in the eighth grade.

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<v Speaker 2>Women. He had to get it way bigger than when

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<v Speaker 2>it was closet.

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<v Speaker 1>Well, I'm like, damn, I could make a sofa man

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<v Speaker 1>money Now.

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<v Speaker 3>Yeah, they're coming back. But you guys put those actions

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<v Speaker 3>on the map. Yeah, I forget what photo shoot It

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<v Speaker 3>was all us?

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<v Speaker 2>Yeah, yeah, that was Yeah, that was a cash money

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<v Speaker 2>Poto shop with everybody hot boys who was on the

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<v Speaker 2>handleballs and stuff.

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<v Speaker 4>Yeah.

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<v Speaker 3>Uh, you talked about kind of like when everyone's acceptance.

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<v Speaker 3>You and jay Z have this like cool little run

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<v Speaker 3>because he hopped on the Hot remix and then we

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<v Speaker 3>were on volume three. How important was getting Hove to

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<v Speaker 3>kind of because listen to be fair, when Hot came out,

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<v Speaker 3>Hove wasn't quite Hove. Yeah, I mean, but he was

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<v Speaker 3>still jay Z.

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<v Speaker 1>Yeah.

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<v Speaker 2>Yeah in the South man in that time when when

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<v Speaker 2>jay Z, you know, when he jumped on the song,

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<v Speaker 2>it was a great move for both of us.

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<v Speaker 3>And I'm a kidding, I say you were probably hotter

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<v Speaker 3>than Hoe at that time.

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<v Speaker 2>I wanted to break the ice in New York, and

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<v Speaker 2>I'm pretty sure it was some grounds that he needed

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<v Speaker 2>to cover in the South because a lot of people

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<v Speaker 2>are we from.

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<v Speaker 4>We wasn't really on ya.

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<v Speaker 5>I was a fan of the crazy thing is me

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<v Speaker 5>and Jew was the only two in cash Money who.

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<v Speaker 2>We jumped on the song. We was our money.

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<v Speaker 5>We was like, bro, man, that's it, you know in

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<v Speaker 5>New York, you know, yeah, everybody was like, man, who

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<v Speaker 5>is Who's.

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<v Speaker 2>Like? What is it like? Rock?

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<v Speaker 5>But that was important to even how we did songs.

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<v Speaker 5>There was really no outside influence, you know what I'm saying.

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<v Speaker 5>And that was more so because baby wanted to keep

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<v Speaker 5>it all cash money if you if you, if you

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<v Speaker 5>really think about it, the only features we probably ever

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<v Speaker 5>had was bun be you know what I'm saying. Before

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<v Speaker 5>I got yeah, you know what I'm saying. So that

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<v Speaker 5>was the only feature that that is true.

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<v Speaker 3>It was only you guys on everything.

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<v Speaker 5>Yeah, yeah, and so. But they didn't listen to outside music.

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<v Speaker 5>They really did not listen to outside music, Like you

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<v Speaker 5>know what I'm saying, And I'm just like, dude, there's

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<v Speaker 5>a whole world outside of this.

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<v Speaker 1>They like, nah, this gonna stay us.

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<v Speaker 3>Yeah, Yo, I think obviously you know, uh blink blink

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<v Speaker 3>is kind of what kicked off I guess the uh

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<v Speaker 3>the money ship that you guys became so known for.

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<v Speaker 3>But floss in season and then like the Big Timers albums,

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<v Speaker 3>there was like.

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<v Speaker 2>The Time albums I think really said the tone listen.

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<v Speaker 3>But I would just have these visuals of like these

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<v Speaker 3>cars that didn't exist and like all this jewelry and

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<v Speaker 3>just like like I was like, yo, this these are

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<v Speaker 3>the richest motherfuckers on the plane. Like where do they

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<v Speaker 3>get the car with the steering wheel in the middle?

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<v Speaker 3>But like, were you guys would y'all just be in

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<v Speaker 3>the studio with like a dart board and be like

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<v Speaker 3>like yo, yo, you know'd be crazy if we had

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<v Speaker 3>this ship, let's put it away.

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<v Speaker 2>We had this thing about we're gonna speak it into

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<v Speaker 2>being the truth, you know, speaking into fruition. So you know,

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<v Speaker 2>in the beginning, a lot of stuff we talked about

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<v Speaker 2>we didn't have it, but it started. You know, it's

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<v Speaker 2>you know, so then you know, things that we our

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<v Speaker 2>imagination became our reality. Right, So then we were like,

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<v Speaker 2>now we've got we got to take it to another level.

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<v Speaker 1>Now.

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<v Speaker 5>We even had some arguments about it because because you

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<v Speaker 5>think early on what we was trying to do and

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<v Speaker 5>it did work, you know, and I think boosting them

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<v Speaker 5>even followed this. The way we did it, we did

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<v Speaker 5>stuff that was for the average dude. We just showed

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<v Speaker 5>you how to fix it. You know, we had like

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<v Speaker 5>PT cruises, We had Chrysler three hundred.

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<v Speaker 3>I was gonna say, you guys single handedly probably responsible

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<v Speaker 3>for PT cruisers having a longer run.

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<v Speaker 2>Than you know what I'm saying, Well, I forgot I

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<v Speaker 2>got how I got that damn PC cruiser.

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<v Speaker 5>But yeah, but we was you know, we figured out

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<v Speaker 5>that it was more people like that than that lamb

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<v Speaker 5>bow thing, you know what I'm saying.

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<v Speaker 1>And then baby turned into a monster.

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<v Speaker 3>Of course, I remember when there was what was that

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<v Speaker 3>Birdman song that came a little later with the they

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<v Speaker 3>keep spinning about the.

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<v Speaker 2>He started buying calls. He went crazy. Yeah, but man

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<v Speaker 2>and being man and being you know, he being light

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<v Speaker 2>on it for himself because many got I don't know

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<v Speaker 2>how many calls we got. Man got over a hundred calls.

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<v Speaker 3>It's funny because you're being manny fresh and you're like yo'

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<v Speaker 3>he's like this. You're like you're very like unassuming, like

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<v Speaker 3>you know, like you're not from the big timers, like

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<v Speaker 3>you weren't all these records talking that man, you're.

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<v Speaker 2>Talking about a lot of them call. Yeah, man, he

0:10:26.120 --> 0:10:28.120
<v Speaker 2>got a lot of their calls. I'm gonna be honest

0:10:28.120 --> 0:10:30.320
<v Speaker 2>with you. If you hear him say somethbody call, he

0:10:30.400 --> 0:10:33.319
<v Speaker 2>got it. He got it, bro. He just built my

0:10:33.400 --> 0:10:34.320
<v Speaker 2>lads car like.

0:10:34.480 --> 0:10:35.000
<v Speaker 4>He got it.

0:10:35.160 --> 0:10:38.280
<v Speaker 3>Are you you're still heavily messing with heavy old schools?

0:10:38.360 --> 0:10:41.720
<v Speaker 1>Yeah? Yeah, yeah, what car did you schools? Wait?

0:10:41.720 --> 0:10:46.319
<v Speaker 3>Wait wait the warehouse? Yeah yeah, I'm telling you, Jay Leno,

0:10:48.200 --> 0:10:51.079
<v Speaker 3>like that card you own, I.

0:10:51.040 --> 0:10:54.160
<v Speaker 5>Don't know, bro, don't clips you got. I don't even

0:10:54.200 --> 0:10:55.520
<v Speaker 5>want to. I don't even want to count him. You

0:10:55.520 --> 0:10:57.280
<v Speaker 5>know how you feel like that would be crazy?

0:10:57.360 --> 0:10:58.360
<v Speaker 3>What's the over under?

0:11:00.360 --> 0:11:01.320
<v Speaker 1>Yeah? Yeah?

0:11:01.520 --> 0:11:03.800
<v Speaker 3>Wow, so you got a fucking collection?

0:11:04.040 --> 0:11:06.600
<v Speaker 2>Yeah, my son and bought a call from him. My

0:11:06.640 --> 0:11:09.040
<v Speaker 2>first call from told me another call.

0:11:09.200 --> 0:11:10.800
<v Speaker 3>You got to the other ship?

0:11:10.880 --> 0:11:12.440
<v Speaker 1>What are you?

0:11:12.440 --> 0:11:15.600
<v Speaker 2>When he said I sold juve the Beama, that's the

0:11:15.640 --> 0:11:16.440
<v Speaker 2>truth he did.

0:11:18.679 --> 0:11:19.000
<v Speaker 1>I don't.

0:11:19.360 --> 0:11:21.400
<v Speaker 5>I don't send his son nothing because when I send it,

0:11:21.440 --> 0:11:23.040
<v Speaker 5>I know he's gonna go mess with him about it,

0:11:23.400 --> 0:11:25.240
<v Speaker 5>like Brian sending you no more calls because you be

0:11:25.280 --> 0:11:27.040
<v Speaker 5>bother your daddy by Like, man, I need.

0:11:26.920 --> 0:11:29.600
<v Speaker 2>To get this, And I'm like, no, you know me

0:11:29.679 --> 0:11:32.199
<v Speaker 2>right now about something you got? He got fress got

0:11:32.280 --> 0:11:33.800
<v Speaker 2>a call with the ball in the back.

0:11:33.640 --> 0:11:38.320
<v Speaker 5>Of it and Honda actors the little small little Honda

0:11:38.360 --> 0:11:42.440
<v Speaker 5>trucks like they like little bitty little tiny trucks, you

0:11:42.440 --> 0:11:44.680
<v Speaker 5>know what I'm saying. And I made mine into like

0:11:44.720 --> 0:11:47.120
<v Speaker 5>a bar or whatever and where you can put bottles

0:11:47.160 --> 0:11:48.480
<v Speaker 5>and all of that and it I'll show it till

0:11:48.520 --> 0:11:50.120
<v Speaker 5>you have to, you know, before we get.

0:11:50.679 --> 0:11:52.400
<v Speaker 4>You know, that's crazy, It's fantastic.

0:11:52.520 --> 0:11:54.760
<v Speaker 3>You're like you know what, straight out the plastic.

0:11:54.800 --> 0:11:56.440
<v Speaker 4>Still yeah, he's still stantastic.

0:11:57.520 --> 0:11:59.360
<v Speaker 3>Like I'm bored, let me just trick out a Honda.

0:11:59.559 --> 0:12:01.400
<v Speaker 1>Yeah, that shit's crazy.

0:12:01.520 --> 0:12:04.800
<v Speaker 3>You need a fucking reality show. Somebody needs to put

0:12:04.800 --> 0:12:07.320
<v Speaker 3>you on some sort of network. Jay Leno has a show,

0:12:07.360 --> 0:12:08.280
<v Speaker 3>Manny Fresh needs to show.

0:12:08.559 --> 0:12:09.080
<v Speaker 2>Isn't the words?

0:12:12.200 --> 0:12:16.720
<v Speaker 3>Yo? I always wondered this because as a kid, I

0:12:16.880 --> 0:12:19.760
<v Speaker 3>was a big No Limit fan, right, and then it

0:12:19.800 --> 0:12:22.559
<v Speaker 3>felt like there was like a switch that happened when

0:12:22.600 --> 0:12:25.160
<v Speaker 3>you guys came, and like I was like a big

0:12:25.200 --> 0:12:27.080
<v Speaker 3>cash Money fan, and all my friends were big Cash

0:12:27.080 --> 0:12:30.319
<v Speaker 3>Money fans. Obviously, Ghetto Dope is one of my favorite,

0:12:30.360 --> 0:12:32.320
<v Speaker 3>you know albums. Ever shouts at master P. But how

0:12:32.679 --> 0:12:34.720
<v Speaker 3>like what the rivalry was like a real thing, you.

0:12:34.720 --> 0:12:36.640
<v Speaker 4>Know, let me be truthful about everything.

0:12:36.720 --> 0:12:39.840
<v Speaker 2>Before I got with Cash Money, right, I was a

0:12:39.840 --> 0:12:41.800
<v Speaker 2>master P fan. I used to listen to master P

0:12:41.960 --> 0:12:44.800
<v Speaker 2>a lot him, though not not the whole No Limit.

0:12:44.920 --> 0:12:47.120
<v Speaker 2>You didn't have all those groups yet. It was just

0:12:47.240 --> 0:12:49.520
<v Speaker 2>him when he was out there and Richmond doing his thing.

0:12:49.920 --> 0:12:51.959
<v Speaker 2>I actually like that that, you know. I actually listened

0:12:53.320 --> 0:12:55.600
<v Speaker 2>a little bit before that too, Like before that, like

0:12:55.920 --> 0:12:58.120
<v Speaker 2>nine and nine Ways to Die and all that stuff, like,

0:12:58.200 --> 0:13:00.880
<v Speaker 2>you know, I was on him then. So when he

0:13:01.200 --> 0:13:03.960
<v Speaker 2>when he came out and started doing this thing and no, lemme,

0:13:04.120 --> 0:13:06.520
<v Speaker 2>I kind of like, you know me, I thought he wasn't.

0:13:06.600 --> 0:13:08.000
<v Speaker 2>I didn't know he was from New Orleans or not.

0:13:08.200 --> 0:13:10.560
<v Speaker 2>So it was a confusion with me and them. And

0:13:10.559 --> 0:13:14.000
<v Speaker 2>then my pops, my pop's knew him though. My pops like,

0:13:14.080 --> 0:13:16.240
<v Speaker 2>nah he went to Booker t I know him, like

0:13:16.360 --> 0:13:18.880
<v Speaker 2>I know his people and everything, like oh damn. So

0:13:19.320 --> 0:13:21.120
<v Speaker 2>you know, then come to find out I know all

0:13:21.120 --> 0:13:24.000
<v Speaker 2>these people poking and everybody, and so that changed everything

0:13:24.040 --> 0:13:26.120
<v Speaker 2>for me. When I got the cash, money and stuff.

0:13:26.400 --> 0:13:28.520
<v Speaker 2>When people was trying to make the friction, it was like, nah,

0:13:28.559 --> 0:13:31.400
<v Speaker 2>they got on and we got on. They we they

0:13:31.400 --> 0:13:33.160
<v Speaker 2>had the opportunity to do their thing and we do.

0:13:33.240 --> 0:13:35.640
<v Speaker 2>We're doing our things. But there's no hatred between us.

0:13:36.200 --> 0:13:37.320
<v Speaker 2>The fans is creating that.

0:13:37.800 --> 0:13:39.520
<v Speaker 3>I was gonna say, can you imagine if you guys

0:13:39.559 --> 0:13:40.720
<v Speaker 3>if this was happening.

0:13:40.400 --> 0:13:42.160
<v Speaker 1>Oh yeah, right, and with the Internet, it would.

0:13:42.000 --> 0:13:44.360
<v Speaker 3>Be fans would have created this crazy The.

0:13:44.280 --> 0:13:45.120
<v Speaker 4>Fans was doing it.

0:13:45.160 --> 0:13:45.319
<v Speaker 1>Man.

0:13:45.360 --> 0:13:47.439
<v Speaker 2>The fans was like trying to pit us against each other.

0:13:47.440 --> 0:13:49.720
<v Speaker 2>I'm like, man, I just went to the club with mystical,

0:13:50.080 --> 0:13:52.559
<v Speaker 2>like y'all tripping because.

0:13:52.280 --> 0:13:53.920
<v Speaker 3>There was like the five or four Boys and then

0:13:53.920 --> 0:13:54.480
<v Speaker 3>the Hot Boys.

0:13:55.280 --> 0:13:57.719
<v Speaker 2>Me and Mysical was in three nine Posita together back

0:13:57.760 --> 0:14:00.160
<v Speaker 2>in the day, so he been my party. So when

0:14:00.160 --> 0:14:02.520
<v Speaker 2>he went to No Limit and stuff, I was like, congratulations,

0:14:02.760 --> 0:14:03.439
<v Speaker 2>didn't no Limit?

0:14:03.640 --> 0:14:06.160
<v Speaker 4>Then? Uh, Magnoya Slim.

0:14:06.480 --> 0:14:08.560
<v Speaker 2>You know. I kind of like brought him to the

0:14:08.640 --> 0:14:10.280
<v Speaker 2>whole rap world because he said he wanted the rap.

0:14:10.400 --> 0:14:13.040
<v Speaker 2>Was like, nah, be serious and start writing, and you know,

0:14:13.120 --> 0:14:14.920
<v Speaker 2>I kind of like paid for his first demo. So

0:14:14.960 --> 0:14:16.559
<v Speaker 2>when he went to Know Limit, I was like, all right,

0:14:16.640 --> 0:14:19.880
<v Speaker 2>my brother over there now, So how hate? It's gonna

0:14:19.880 --> 0:14:20.800
<v Speaker 2>be hate.

0:14:20.920 --> 0:14:24.160
<v Speaker 1>A lot of people don't know the stories DJ do

0:14:24.200 --> 0:14:24.760
<v Speaker 1>in the same.

0:14:24.640 --> 0:14:27.440
<v Speaker 4>Came Kel was three nine positive, right, So that was

0:14:27.480 --> 0:14:27.880
<v Speaker 4>my fam.

0:14:28.000 --> 0:14:29.560
<v Speaker 2>That was the first person to make a beat for me.

0:14:30.400 --> 0:14:32.360
<v Speaker 2>Besides Harvey R. Was the first one to make one

0:14:32.400 --> 0:14:34.280
<v Speaker 2>for me for Talent Show. But then cal was the

0:14:34.280 --> 0:14:36.440
<v Speaker 2>first one to make me something and put it on

0:14:36.520 --> 0:14:37.840
<v Speaker 2>the track and record for it.

0:14:37.880 --> 0:14:38.880
<v Speaker 4>So it's like that.

0:14:39.040 --> 0:14:41.600
<v Speaker 3>So it was like an overstated rivalry. It was weird,

0:14:41.920 --> 0:14:42.920
<v Speaker 3>fan created weird.

0:14:43.240 --> 0:14:43.800
<v Speaker 1>It was weird.

0:14:44.120 --> 0:14:46.400
<v Speaker 3>Yeah, now that's ours. Was like, damn if the five

0:14:46.480 --> 0:14:48.400
<v Speaker 3>or Four Boys and the How Boys did a record together.

0:14:48.840 --> 0:14:50.600
<v Speaker 1>But you got to think about it. It worked.

0:14:50.680 --> 0:14:52.600
<v Speaker 5>So that's why it was like, you know what, if

0:14:52.600 --> 0:14:54.200
<v Speaker 5>that's the way it is, that's the way.

0:14:54.080 --> 0:14:56.160
<v Speaker 2>For sure, because because we sold a lot of records

0:14:56.200 --> 0:14:58.080
<v Speaker 2>at the same time, so sure, I got to give

0:14:58.120 --> 0:15:00.360
<v Speaker 2>him credit for that date. We didn't stop. They sales

0:15:00.400 --> 0:15:02.480
<v Speaker 2>and they damn sure weren't gonna stop. Hours we was

0:15:02.520 --> 0:15:05.040
<v Speaker 2>at it, we felt like the world was ours.

0:15:05.240 --> 0:15:09.000
<v Speaker 3>Yeah, Uh, Juvie, how often you go back? Obviously you

0:15:09.040 --> 0:15:11.040
<v Speaker 3>have to perform four hundred degrees at this point, but

0:15:11.240 --> 0:15:14.120
<v Speaker 3>prior to this anniversary run, how often would you go

0:15:14.200 --> 0:15:17.360
<v Speaker 3>back and like listen to that album and just like

0:15:17.680 --> 0:15:21.160
<v Speaker 3>just from just reminisce or just revisit it.

0:15:21.280 --> 0:15:23.320
<v Speaker 2>When I listened to the songs that I don't perform

0:15:23.440 --> 0:15:25.400
<v Speaker 2>right when I listen to those, you know, and I'd

0:15:25.400 --> 0:15:27.520
<v Speaker 2>be like, damn, man, listen to this one, you know,

0:15:27.680 --> 0:15:31.720
<v Speaker 2>like like uh me and Wayne me and Wayne on

0:15:32.080 --> 0:15:36.920
<v Speaker 2>uh when when uh.

0:15:35.360 --> 0:15:36.440
<v Speaker 4>The run for It.

0:15:36.760 --> 0:15:39.120
<v Speaker 2>I think that was one of the songs that we

0:15:39.160 --> 0:15:40.400
<v Speaker 2>could have shot a video.

0:15:40.200 --> 0:15:40.760
<v Speaker 1>To, you know.

0:15:41.360 --> 0:15:43.000
<v Speaker 2>I just I have one of the songs I'm like, man,

0:15:43.040 --> 0:15:44.400
<v Speaker 2>I wish we me and my little bro could have

0:15:44.400 --> 0:15:46.520
<v Speaker 2>shot a video to that song because people was really

0:15:46.520 --> 0:15:47.880
<v Speaker 2>trying to do the dance and stuff.

0:15:48.000 --> 0:15:49.400
<v Speaker 4>I think could have been a big situation.

0:15:49.640 --> 0:15:51.160
<v Speaker 3>I don't think it's too late because you just dropped

0:15:51.160 --> 0:15:52.200
<v Speaker 3>the video like twenty five.

0:15:52.160 --> 0:15:54.320
<v Speaker 4>Yes later, Wayne, and I gotta get Wayne.

0:15:54.760 --> 0:15:56.320
<v Speaker 3>I mean, you got Louisiana coming.

0:15:56.600 --> 0:15:59.080
<v Speaker 2>He's a busy man. He's a busy man. He's you know,

0:15:59.120 --> 0:16:00.920
<v Speaker 2>it's hard to be the great rapper on the world,

0:16:01.040 --> 0:16:04.040
<v Speaker 2>you know, in the world, and uh and find time

0:16:04.080 --> 0:16:04.680
<v Speaker 2>for your big bro.

0:16:06.200 --> 0:16:10.280
<v Speaker 3>Are you guys excited? I hope you sees this? Yehoot

0:16:10.280 --> 0:16:10.640
<v Speaker 3>a video?

0:16:10.840 --> 0:16:11.200
<v Speaker 1>Why not?

0:16:12.120 --> 0:16:14.520
<v Speaker 3>I was gonna say, uh, I know, I know you

0:16:14.600 --> 0:16:17.720
<v Speaker 3>guys were trying to pull off the reunion ad. I

0:16:17.720 --> 0:16:20.280
<v Speaker 3>think it was Essence Fest. Yeah, but it looks like

0:16:20.320 --> 0:16:21.160
<v Speaker 3>it's gonna happen.

0:16:21.280 --> 0:16:21.480
<v Speaker 1>Yeah.

0:16:21.760 --> 0:16:25.920
<v Speaker 5>I mean that's another thing the internet turned into. There

0:16:25.960 --> 0:16:28.840
<v Speaker 5>was never the Hot Boys for Essence Fest. The internet

0:16:28.880 --> 0:16:30.480
<v Speaker 5>made it that it was baby in French.

0:16:30.720 --> 0:16:32.080
<v Speaker 1>It was very man.

0:16:32.840 --> 0:16:36.200
<v Speaker 5>It was here start titling it the Hot Boys reunion,

0:16:36.280 --> 0:16:37.040
<v Speaker 5>you know what I'm saying.

0:16:37.160 --> 0:16:40.320
<v Speaker 1>It was like it was never a Hot Boys reunion.

0:16:39.880 --> 0:16:41.840
<v Speaker 2>When we when we was doing Essence Festival, I was

0:16:41.840 --> 0:16:44.720
<v Speaker 2>already booked for Louisiana Fest before they even booked me

0:16:44.760 --> 0:16:47.000
<v Speaker 2>for the Essence. Yeah, so I was already on it,

0:16:47.120 --> 0:16:48.320
<v Speaker 2>but I didn't know it was going to be all

0:16:48.320 --> 0:16:50.600
<v Speaker 2>of us. But that was the plan, you know, that

0:16:50.680 --> 0:16:52.120
<v Speaker 2>was the plan. That's what they told me. Like, man,

0:16:52.160 --> 0:16:53.680
<v Speaker 2>the plan is that we got you, We're gonna get

0:16:53.680 --> 0:16:56.960
<v Speaker 2>everybody else, Like, oh cool, everybody everybody, Like.

0:16:57.920 --> 0:16:59.920
<v Speaker 3>That's gotta be exciting. How many have you guys figured

0:17:00.120 --> 0:17:01.120
<v Speaker 3>how many songs you guys are doing?

0:17:01.480 --> 0:17:03.000
<v Speaker 2>I don't think we're gonna figure that out.

0:17:03.880 --> 0:17:04.080
<v Speaker 1>Yeah.

0:17:04.320 --> 0:17:06.920
<v Speaker 2>Yeah, there's gonna be a lot of minds in the room.

0:17:07.119 --> 0:17:10.199
<v Speaker 3>Yeah, that's dope, man, Julie, I always wondered because you

0:17:10.200 --> 0:17:14.240
<v Speaker 3>were the guy who broke this whole ship down, and

0:17:14.240 --> 0:17:16.399
<v Speaker 3>and you were kind of like the big homie for

0:17:16.480 --> 0:17:18.919
<v Speaker 3>everybody else in the crew, Like how much of like

0:17:18.920 --> 0:17:21.240
<v Speaker 3>what were you like did you feel like for him?

0:17:21.640 --> 0:17:21.840
<v Speaker 2>No?

0:17:21.840 --> 0:17:24.400
<v Speaker 3>No, I mean I mean for everybody in the Hotboys, right, Yeah?

0:17:24.440 --> 0:17:26.600
<v Speaker 3>But like, did you ever feel like a babysitter ever?

0:17:26.600 --> 0:17:28.680
<v Speaker 3>Low key being around like Wayne and turking those guys

0:17:28.720 --> 0:17:29.600
<v Speaker 3>when they were like younger.

0:17:29.800 --> 0:17:34.000
<v Speaker 2>No, not really, man, I'm talking about Well he was listen.

0:17:33.800 --> 0:17:36.720
<v Speaker 3>Because you were like you were the get around on

0:17:36.840 --> 0:17:37.280
<v Speaker 3>the artists.

0:17:37.280 --> 0:17:39.320
<v Speaker 2>I'm gonna tell you, they picked it like they are.

0:17:39.480 --> 0:17:44.960
<v Speaker 2>They're Wayne Wayne waa. Wayne was slick boy. Wayne had

0:17:45.000 --> 0:17:47.960
<v Speaker 2>to watch Wayne because Wayne and Wayne in trouble. Wayne

0:17:47.960 --> 0:17:50.199
<v Speaker 2>to say something, Wayne have a whole situation. Wane was

0:17:50.280 --> 0:17:55.000
<v Speaker 2>way beyond and way smarter than any kid his age, right,

0:17:55.119 --> 0:17:57.479
<v Speaker 2>way smart. I always try to tell people Wayne went

0:17:57.520 --> 0:17:59.840
<v Speaker 2>to one of the best schools in New Orleans. He's real,

0:18:00.320 --> 0:18:03.359
<v Speaker 2>real BookSmart. Wayne knew some things that you wouldn't expect

0:18:03.359 --> 0:18:07.760
<v Speaker 2>a kid to know. You know, in the scenes, I did,

0:18:07.880 --> 0:18:10.800
<v Speaker 2>but not when it came to the studio. That's the thing, Like, nah,

0:18:10.840 --> 0:18:13.119
<v Speaker 2>my little bros. It was body in the studio, but

0:18:13.240 --> 0:18:13.800
<v Speaker 2>anything else.

0:18:13.800 --> 0:18:15.399
<v Speaker 3>Once you got on the road, you're like what you

0:18:15.680 --> 0:18:16.520
<v Speaker 3>oh yeah, oh.

0:18:16.480 --> 0:18:18.600
<v Speaker 2>Yeah, we gotta watch him a little yeah yeah, oh yeah.

0:18:18.640 --> 0:18:19.679
<v Speaker 1>They got in trouble a lot.

0:18:20.520 --> 0:18:20.720
<v Speaker 2>Yeah.

0:18:21.040 --> 0:18:25.000
<v Speaker 3>Imagine, like I just think back to like imagine like

0:18:25.080 --> 0:18:27.000
<v Speaker 3>being like their age and then going on the Cash

0:18:27.040 --> 0:18:28.080
<v Speaker 3>Money Rough Riders tour.

0:18:28.320 --> 0:18:29.120
<v Speaker 1>Yeah, oh man.

0:18:29.160 --> 0:18:30.880
<v Speaker 4>We used to have so much fun though, man.

0:18:31.040 --> 0:18:33.359
<v Speaker 3>Like how crazy was that tour? Like you guys in

0:18:33.440 --> 0:18:37.200
<v Speaker 3>DMX on the road at the same time as Oh yeah.

0:18:37.119 --> 0:18:39.119
<v Speaker 5>I mean we were just talking about this earlier, and

0:18:39.400 --> 0:18:40.840
<v Speaker 5>I let him say his part, But we was talking

0:18:40.880 --> 0:18:41.480
<v Speaker 5>about this earlier.

0:18:41.520 --> 0:18:43.479
<v Speaker 1>How DMX fired us.

0:18:43.800 --> 0:18:46.040
<v Speaker 5>You know, just on the way he performed, you know

0:18:46.080 --> 0:18:49.880
<v Speaker 5>what I'm saying, our first two times performed. It kind

0:18:49.880 --> 0:18:52.680
<v Speaker 5>of changed the whole outlook on how we was going

0:18:52.760 --> 0:18:56.120
<v Speaker 5>at it, you know, how our approach towards performing. Yeah,

0:18:56.240 --> 0:19:00.600
<v Speaker 5>because he was just so emotional the way he put then,

0:19:00.600 --> 0:19:03.680
<v Speaker 5>you know, and Julee said jokingly, you know what I'm saying,

0:19:03.680 --> 0:19:05.119
<v Speaker 5>but it was the real He was like, man, do

0:19:05.240 --> 0:19:10.000
<v Speaker 5>you Mexican climb on a speaker? He gonna cry, he

0:19:10.119 --> 0:19:12.040
<v Speaker 5>gonna do all of that, and you don't have a chance.

0:19:12.480 --> 0:19:15.280
<v Speaker 4>You don't have a chance. They talking about man juve.

0:19:15.359 --> 0:19:17.719
<v Speaker 2>You gotta go on after what I'm not going on

0:19:17.760 --> 0:19:20.359
<v Speaker 2>after I'm going after anybody except Team makes B.

0:19:20.480 --> 0:19:23.280
<v Speaker 4>I'm like, and I'm known to be.

0:19:23.200 --> 0:19:25.120
<v Speaker 2>A close I'm known to be one of them artists

0:19:25.440 --> 0:19:27.119
<v Speaker 2>that you know what I'm saying, I'm a performer, you

0:19:27.160 --> 0:19:27.720
<v Speaker 2>know what I'm saying.

0:19:27.720 --> 0:19:30.040
<v Speaker 4>And that dude he scared me.

0:19:30.560 --> 0:19:32.879
<v Speaker 2>I just thought day I think he was the greatest

0:19:32.920 --> 0:19:35.080
<v Speaker 2>rap performer out there, hands down.

0:19:35.240 --> 0:19:37.440
<v Speaker 3>I was just with John Minnelli, who was Jay Z's

0:19:37.480 --> 0:19:40.000
<v Speaker 3>old manager, and we're talking about the Hard Knock Life

0:19:40.040 --> 0:19:44.520
<v Speaker 3>tour and he was like, yeah, the first date when better?

0:19:44.960 --> 0:19:47.920
<v Speaker 3>Well because because DMX went on before jay Z on

0:19:47.920 --> 0:19:50.280
<v Speaker 3>the Hard Knocked Life. Yes, He's like, we knew we

0:19:50.320 --> 0:19:53.160
<v Speaker 3>were in trouble because all this dude, all the lights

0:19:53.160 --> 0:19:54.720
<v Speaker 3>were out and he growled on the mic and the

0:19:54.760 --> 0:19:59.000
<v Speaker 3>whole fucking place just lost their fucking out. Man, how

0:19:59.040 --> 0:19:59.919
<v Speaker 3>are we supposed top that?

0:20:00.800 --> 0:20:01.040
<v Speaker 1>Great?

0:20:01.119 --> 0:20:02.520
<v Speaker 3>And made the whole crowd cry.

0:20:03.040 --> 0:20:05.439
<v Speaker 5>It's like it's like saying he'll bring you through so

0:20:05.600 --> 0:20:06.439
<v Speaker 5>many emotions.

0:20:06.440 --> 0:20:07.600
<v Speaker 4>It's like Dowie Cocks.

0:20:07.640 --> 0:20:10.879
<v Speaker 2>Man. My office went up there, like, how supposed to

0:20:10.920 --> 0:20:11.360
<v Speaker 2>top that?

0:20:11.680 --> 0:20:11.880
<v Speaker 1>Man?

0:20:13.440 --> 0:20:17.560
<v Speaker 2>I'm m king, I'm great, I'm king Like hell no, man,

0:20:17.800 --> 0:20:20.880
<v Speaker 2>I'm sitting back there, nervous as hell. They telling us

0:20:20.960 --> 0:20:22.960
<v Speaker 2>because we're in the South man, we're gonna go on

0:20:23.080 --> 0:20:24.639
<v Speaker 2>last after Rough Riders.

0:20:24.720 --> 0:20:25.520
<v Speaker 4>I'm like, yeah, so.

0:20:27.440 --> 0:20:30.879
<v Speaker 2>Damn X made the show. I'm asking, Yeah, he going on?

0:20:31.119 --> 0:20:35.240
<v Speaker 2>I said, so who going on stage first? Like I

0:20:35.280 --> 0:20:38.880
<v Speaker 2>don't want to be the first.

0:20:37.640 --> 0:20:39.440
<v Speaker 3>Like sending kids up there.

0:20:41.040 --> 0:20:43.040
<v Speaker 4>No, they go out there and baby Bird go out first.

0:20:43.880 --> 0:20:47.560
<v Speaker 5>But see what what what a lot of us, well

0:20:47.800 --> 0:20:50.080
<v Speaker 5>me and him had already been doing shows, you know,

0:20:50.200 --> 0:20:53.320
<v Speaker 5>even even younger than me. You know, I had records

0:20:53.320 --> 0:20:56.560
<v Speaker 5>out and he had some stuff, so he had stage presence.

0:20:56.560 --> 0:21:00.520
<v Speaker 5>So what we was kind of messing up on Wayne

0:21:00.880 --> 0:21:03.000
<v Speaker 5>Turk and Beg would just go out there and yell.

0:21:03.119 --> 0:21:05.159
<v Speaker 5>They would be excited, like, you know, just hit the

0:21:05.160 --> 0:21:09.120
<v Speaker 5>stage and just talk over everything. Jewelry was like, listen, bro,

0:21:10.080 --> 0:21:12.119
<v Speaker 5>that's gotta be some kind of way that you know,

0:21:12.240 --> 0:21:14.199
<v Speaker 5>like when you're saying your thing, I'm gonna shut up.

0:21:14.240 --> 0:21:16.119
<v Speaker 5>Everybody shut up. And He's like when I'm saying me,

0:21:16.560 --> 0:21:18.240
<v Speaker 5>just shut up. I know my parts, I know all

0:21:18.280 --> 0:21:20.000
<v Speaker 5>of them. I don't really need you to help me

0:21:20.320 --> 0:21:23.600
<v Speaker 5>because y'all yelling at all my parts y'all just random

0:21:23.640 --> 0:21:27.080
<v Speaker 5>word screen, you know what I'm saying. So there was

0:21:27.119 --> 0:21:29.040
<v Speaker 5>a lot of stuff we learned on the on the

0:21:29.160 --> 0:21:31.920
<v Speaker 5>you know, the Rough Riders tour, like one of them

0:21:32.119 --> 0:21:32.920
<v Speaker 5>was from DMX.

0:21:34.960 --> 0:21:37.399
<v Speaker 1>Yeah. It was always man with him, you know what

0:21:37.480 --> 0:21:37.880
<v Speaker 1>I'm saying.

0:21:37.880 --> 0:21:39.800
<v Speaker 5>It would be like a meeting when he wasn't in there, man,

0:21:40.000 --> 0:21:42.080
<v Speaker 5>motherfucker telling me what the dude man.

0:21:42.240 --> 0:21:43.880
<v Speaker 1>He think he running the group.

0:21:44.760 --> 0:21:49.160
<v Speaker 3>That's funny, yo, speaking a lot of stuff man. How

0:21:49.200 --> 0:21:51.880
<v Speaker 3>cool was it because I think you kind of reminded

0:21:51.920 --> 0:21:54.919
<v Speaker 3>a lot of people all the hits you got, you

0:21:54.960 --> 0:21:56.800
<v Speaker 3>know with the tiny dest performance.

0:21:56.920 --> 0:22:00.080
<v Speaker 2>Oh yeah, man, we loaded man, y'all trust me, we

0:22:00.400 --> 0:22:01.680
<v Speaker 2>didn't even we didn't even.

0:22:03.240 --> 0:22:05.280
<v Speaker 4>We didn't even do them all. Man, that's the other part.

0:22:05.560 --> 0:22:07.639
<v Speaker 3>Yeah, No, how cool was that to because obviously like

0:22:07.680 --> 0:22:10.840
<v Speaker 3>the tidy dest thing is like it either like will

0:22:10.840 --> 0:22:12.800
<v Speaker 3>show everybody out dope you are, could expose you for

0:22:13.200 --> 0:22:13.600
<v Speaker 3>you know.

0:22:13.920 --> 0:22:17.840
<v Speaker 2>Yes, it could make you, will break you, and you

0:22:17.880 --> 0:22:20.560
<v Speaker 2>know what it ain't mean for everybody, and not trying

0:22:20.560 --> 0:22:22.840
<v Speaker 2>to be critical. I watched other artists went on, and

0:22:22.920 --> 0:22:24.960
<v Speaker 2>I watched artists before me, and I kind of like

0:22:25.000 --> 0:22:27.120
<v Speaker 2>studied the artist before me once I once I knew

0:22:27.119 --> 0:22:28.879
<v Speaker 2>I was about to be on there, I like, I

0:22:28.880 --> 0:22:30.760
<v Speaker 2>gotta go start watching people, you know what I'm saying.

0:22:31.160 --> 0:22:34.240
<v Speaker 2>I watched Usher, and I'm like, damn us should have

0:22:34.280 --> 0:22:37.480
<v Speaker 2>said raised the damn bar. I gotta I gotta get USh.

0:22:37.480 --> 0:22:39.360
<v Speaker 2>I gotta I gotta at least come somewhere near where

0:22:39.440 --> 0:22:42.920
<v Speaker 2>Usher at. So you know, I gotta get the big homie.

0:22:43.520 --> 0:22:45.359
<v Speaker 2>As you know this, this man gonna cut up you

0:22:45.440 --> 0:22:47.159
<v Speaker 2>know what I'm saying, He's gonna clown, so.

0:22:47.160 --> 0:22:47.960
<v Speaker 4>I gotta get him.

0:22:48.160 --> 0:22:50.600
<v Speaker 2>I gotta get him first, and let me see if

0:22:50.600 --> 0:22:52.520
<v Speaker 2>I can put you know, a few a couple more

0:22:52.560 --> 0:22:54.360
<v Speaker 2>cats from you all is on and just so happened.

0:22:54.680 --> 0:22:57.399
<v Speaker 2>John Baptiste was down for it and Trombone Shardy was

0:22:57.440 --> 0:22:58.000
<v Speaker 2>down for it.

0:22:58.040 --> 0:22:58.840
<v Speaker 4>So it came out.

0:22:58.840 --> 0:23:00.800
<v Speaker 2>It was It was one of those things when New

0:23:00.880 --> 0:23:03.600
<v Speaker 2>Orleans stood up together and man, it was a great thing,

0:23:03.840 --> 0:23:06.960
<v Speaker 2>especially when he did the encore was the part.

0:23:07.080 --> 0:23:08.680
<v Speaker 4>Because we was already over time.

0:23:09.119 --> 0:23:12.199
<v Speaker 2>We went way over time and we did a hardcore

0:23:12.240 --> 0:23:13.040
<v Speaker 2>and then people was like.

0:23:13.480 --> 0:23:14.640
<v Speaker 4>Keep it going.

0:23:14.800 --> 0:23:16.920
<v Speaker 2>He was like, keep going, keep going.

0:23:17.760 --> 0:23:18.640
<v Speaker 1>So yo.

0:23:19.320 --> 0:23:23.679
<v Speaker 3>I always wondered this because you guys have some of

0:23:23.720 --> 0:23:27.600
<v Speaker 3>the most just random outlandish album covers covers of all time,

0:23:27.680 --> 0:23:30.440
<v Speaker 3>Like how you love that and like you know, Chopper

0:23:30.480 --> 0:23:31.040
<v Speaker 3>City and the like.

0:23:31.080 --> 0:23:32.399
<v Speaker 4>That's what I have nothing to do with that.

0:23:32.600 --> 0:23:34.480
<v Speaker 3>I just wondered, like when you guys put these album

0:23:34.520 --> 0:23:37.720
<v Speaker 3>covers together and there were it was just like the

0:23:37.840 --> 0:23:41.560
<v Speaker 3>craziest like Microsoft, like you was.

0:23:41.600 --> 0:23:44.320
<v Speaker 5>This company Penn and Pixel Pixel that's what did Penn

0:23:44.320 --> 0:23:47.159
<v Speaker 5>and Pixel did it and and those album covers actually

0:23:47.200 --> 0:23:50.399
<v Speaker 5>made Penn and Pixel you know, the company because people

0:23:50.480 --> 0:23:52.600
<v Speaker 5>was looking forward to It was wow.

0:23:53.080 --> 0:23:55.240
<v Speaker 1>Crazy. It was like, what's going to be the next

0:23:55.240 --> 0:23:55.720
<v Speaker 1>album cover?

0:23:55.840 --> 0:24:01.200
<v Speaker 3>Like there's fucking helicopters and around animals.

0:24:01.840 --> 0:24:03.960
<v Speaker 4>There was like no limit cash money.

0:24:03.720 --> 0:24:06.040
<v Speaker 2>And swave House like you just had to crew wash

0:24:06.119 --> 0:24:07.480
<v Speaker 2>the album covers up the I forget.

0:24:07.560 --> 0:24:09.439
<v Speaker 3>I don't know whose artist it was, but I remember

0:24:09.440 --> 0:24:11.520
<v Speaker 3>Pinning Pixel did one with like a big old grizzly

0:24:11.560 --> 0:24:13.080
<v Speaker 3>bear on the cover. I think it was a swave

0:24:13.080 --> 0:24:15.040
<v Speaker 3>House artist. But it was just like but just that

0:24:15.119 --> 0:24:16.080
<v Speaker 3>whole era of art.

0:24:16.280 --> 0:24:16.480
<v Speaker 2>Man.

0:24:16.560 --> 0:24:17.240
<v Speaker 1>Yeah. Yeah.

0:24:17.520 --> 0:24:19.840
<v Speaker 3>It also is like you know, it's like a like

0:24:19.920 --> 0:24:21.680
<v Speaker 3>you see it now on T shirts and ship people

0:24:21.720 --> 0:24:23.480
<v Speaker 3>are redoing that for like they really do.

0:24:23.760 --> 0:24:25.040
<v Speaker 4>They really do redo it.

0:24:25.119 --> 0:24:27.159
<v Speaker 2>And the crazy part about it, they just say what

0:24:27.200 --> 0:24:29.320
<v Speaker 2>you want on your album cover. And the first thing

0:24:29.359 --> 0:24:32.480
<v Speaker 2>I said was, man, I just want something big, Like.

0:24:35.080 --> 0:24:36.960
<v Speaker 4>I said, I want something. I wanted like one of

0:24:36.960 --> 0:24:38.040
<v Speaker 4>them swave House covers.

0:24:38.240 --> 0:24:40.440
<v Speaker 2>So I'm like, we know the He said, oh yeah,

0:24:40.480 --> 0:24:43.200
<v Speaker 2>we already going to Penny Pics. We already got something

0:24:43.200 --> 0:24:44.600
<v Speaker 2>in places. I was like, all right, hook it up

0:24:44.720 --> 0:24:46.640
<v Speaker 2>because I ain't no, I wasn't good with that type

0:24:46.640 --> 0:24:49.120
<v Speaker 2>of stuff. They always what you input is, but look

0:24:49.600 --> 0:24:51.600
<v Speaker 2>the name of the album. I used to always tell

0:24:51.600 --> 0:24:53.560
<v Speaker 2>you they look the name of the album and how

0:24:53.600 --> 0:24:55.720
<v Speaker 2>the pictures going looking on it to leave me out

0:24:55.760 --> 0:25:00.160
<v Speaker 2>that part, Just leave me out that part. Everything ain't

0:25:00.160 --> 0:25:01.679
<v Speaker 2>shot the message. Well that's it right there.

0:25:03.119 --> 0:25:06.560
<v Speaker 1>Yeah. Chris Rock got a yeah, bigger and black.

0:25:06.640 --> 0:25:08.720
<v Speaker 5>Yeah, you know, and he was like, who is the

0:25:08.760 --> 0:25:11.240
<v Speaker 5>company that did cash money? You know, and there's no

0:25:11.320 --> 0:25:14.760
<v Speaker 5>limits stuff, you know. Yeah, it looks it's a pending

0:25:14.800 --> 0:25:16.400
<v Speaker 5>pixel covered because it's big.

0:25:16.640 --> 0:25:18.480
<v Speaker 3>It's big like the iced out.

0:25:18.640 --> 0:25:20.400
<v Speaker 2>Oh you know what I did see that. I did

0:25:20.480 --> 0:25:20.880
<v Speaker 2>see that.

0:25:21.560 --> 0:25:23.440
<v Speaker 3>Yeah, No, that was yeah, you guys, I mean very

0:25:23.440 --> 0:25:26.879
<v Speaker 3>influential with that too. Uh. There's obviously a lot of

0:25:26.960 --> 0:25:28.760
<v Speaker 3>talk about the Super Bowl being in New Orleans and

0:25:28.760 --> 0:25:31.000
<v Speaker 3>the halftime show. What were your guys' thoughts about you know,

0:25:31.320 --> 0:25:33.120
<v Speaker 3>a lot of people think Wayne should have had it.

0:25:33.280 --> 0:25:35.320
<v Speaker 2>My quarrel, I had one thing. Now, I feel like

0:25:35.320 --> 0:25:37.080
<v Speaker 2>Wayne should have had it a lot of people do,

0:25:37.160 --> 0:25:39.879
<v Speaker 2>because he was out there actually campaigning to have the spot.

0:25:40.200 --> 0:25:42.119
<v Speaker 2>You know, it ain't too many artists of his statute

0:25:42.119 --> 0:25:44.359
<v Speaker 2>that's out there asking to do the halftime, So I

0:25:44.400 --> 0:25:46.760
<v Speaker 2>don't that's the first time I ever see that, seeing that,

0:25:47.080 --> 0:25:49.520
<v Speaker 2>and it's you know, we so culture driven. I thought

0:25:49.560 --> 0:25:51.159
<v Speaker 2>it was a good look also for you know, for

0:25:51.200 --> 0:25:53.840
<v Speaker 2>the city. But my real quarrel was now with jay Z,

0:25:54.440 --> 0:25:56.960
<v Speaker 2>not with the Kendrick Lamar because Kendrick Lamar is a

0:25:56.960 --> 0:25:58.679
<v Speaker 2>great artist, and I'm pretty sure you're gonna do a

0:25:58.680 --> 0:26:01.960
<v Speaker 2>great job and time show. And I'm not even counting

0:26:01.960 --> 0:26:04.200
<v Speaker 2>out the fact that he probably would have put somebody

0:26:04.200 --> 0:26:06.400
<v Speaker 2>from New Orleans on and it still might do well.

0:26:06.720 --> 0:26:11.359
<v Speaker 2>I'm not overlooking that. But at the same time, the

0:26:11.480 --> 0:26:13.600
<v Speaker 2>NFL and did like ten So this is like the

0:26:13.640 --> 0:26:16.280
<v Speaker 2>eleven super Bowl in New Orleans and they keep on.

0:26:16.320 --> 0:26:19.840
<v Speaker 4>Excluding anything new. Yeah, that's my point.

0:26:19.920 --> 0:26:22.119
<v Speaker 2>So I'm like, you know, you know, a lot of

0:26:22.320 --> 0:26:23.719
<v Speaker 2>I feel like a lot of people are mad for

0:26:23.720 --> 0:26:25.879
<v Speaker 2>the wrong, you know, mad at the wrong people like,

0:26:26.280 --> 0:26:28.080
<v Speaker 2>don't get mad at jay Z. Don't get mad at

0:26:28.800 --> 0:26:31.840
<v Speaker 2>it's the people that's hiding the hand that's behind all

0:26:31.880 --> 0:26:34.600
<v Speaker 2>of this that I feel like should be stepping up

0:26:34.640 --> 0:26:37.000
<v Speaker 2>and being responsible and saying because this is the first time,

0:26:37.280 --> 0:26:39.320
<v Speaker 2>and do business with the local businesses. I don't care

0:26:39.320 --> 0:26:41.679
<v Speaker 2>what city you bring the Super Bowl to, you should

0:26:41.720 --> 0:26:44.280
<v Speaker 2>be doing business with the local businesses and not bringing

0:26:44.280 --> 0:26:47.520
<v Speaker 2>these big corporations in and just just counting us out

0:26:47.720 --> 0:26:49.560
<v Speaker 2>because it ain't just about the artist being in the

0:26:49.600 --> 0:26:51.840
<v Speaker 2>super Bowl. It's about all other things that's going on

0:26:51.880 --> 0:26:54.119
<v Speaker 2>around the Super Bowl, the money that's being made in

0:26:54.240 --> 0:26:56.879
<v Speaker 2>my city. Don't see none of being a city of privaty,

0:26:56.920 --> 0:26:59.600
<v Speaker 2>stricten city that went through something like a training that's

0:26:59.640 --> 0:27:03.000
<v Speaker 2>been through COVID like everywhere else. I feel like we're

0:27:03.040 --> 0:27:08.800
<v Speaker 2>being overlooked again with another major, another major sports corporation,

0:27:09.560 --> 0:27:11.280
<v Speaker 2>just like the n C Double A with the with

0:27:11.359 --> 0:27:14.600
<v Speaker 2>the Final Fours, they do the same thing. So it's

0:27:14.600 --> 0:27:16.320
<v Speaker 2>a lot of it's a lot of things going on

0:27:16.320 --> 0:27:18.320
<v Speaker 2>on there that we don't like that we're trying to

0:27:18.320 --> 0:27:21.960
<v Speaker 2>fix because laws will be in place so very soon. Yeah.

0:27:22.200 --> 0:27:23.639
<v Speaker 3>Now I think I think like at the end of

0:27:23.640 --> 0:27:25.760
<v Speaker 3>the day, like with the Super Bowl thing, it's like,

0:27:26.600 --> 0:27:29.119
<v Speaker 3>man like, at least there's a rapper, you know what

0:27:29.119 --> 0:27:31.760
<v Speaker 3>I mean, because I feel like for so many years

0:27:31.760 --> 0:27:34.400
<v Speaker 3>it was like we get like Maroon five or yeah,

0:27:34.920 --> 0:27:36.960
<v Speaker 3>you know what I'm saying, Like, you.

0:27:36.920 --> 0:27:39.120
<v Speaker 2>Know, it'll be cool with that. They got somebody from

0:27:39.119 --> 0:27:45.160
<v Speaker 2>the Maroon five from New Walkans anyway, Yeah we'll yeah,

0:27:45.200 --> 0:27:46.479
<v Speaker 2>so we'll be cool with that.

0:27:49.480 --> 0:27:51.560
<v Speaker 3>How do you feel about your Saints? Man, I've lost

0:27:51.560 --> 0:27:55.800
<v Speaker 3>a lot of money, Spencer Ler.

0:27:57.200 --> 0:28:01.720
<v Speaker 1>Last night, everybody our team, right, everybody is out.

0:28:01.960 --> 0:28:05.480
<v Speaker 2>Everybody heard Nicky Loomis or he don't play on the team.

0:28:05.520 --> 0:28:07.520
<v Speaker 2>That's yeah, he heard too.

0:28:07.880 --> 0:28:13.760
<v Speaker 1>He's our own of Gail Benson. Everybody pockets hurt.

0:28:16.240 --> 0:28:18.359
<v Speaker 3>I was gonna say, is it is it a Saints town?

0:28:18.480 --> 0:28:22.040
<v Speaker 3>Or has the Pelicans ever even gotten close to Yeah?

0:28:22.680 --> 0:28:24.680
<v Speaker 5>They messed with the Peals. But believe it or not,

0:28:24.840 --> 0:28:26.080
<v Speaker 5>we love our teams.

0:28:26.160 --> 0:28:27.440
<v Speaker 1>Yeah, we win, lose, we do.

0:28:27.680 --> 0:28:30.439
<v Speaker 5>Yeah, we win unlose. You know what I'm saying. We

0:28:30.480 --> 0:28:32.320
<v Speaker 5>could have a loser season and we just got to.

0:28:33.160 --> 0:28:35.760
<v Speaker 2>So I think I think we got our Pelicans. We've

0:28:35.800 --> 0:28:38.520
<v Speaker 2>made some good moves and off season. I think the

0:28:38.560 --> 0:28:41.280
<v Speaker 2>Pelicans gonna have a great season and came back.

0:28:41.440 --> 0:28:43.560
<v Speaker 3>Body right, he's he's he's gonna clown.

0:28:43.280 --> 0:28:45.600
<v Speaker 2>Manna, We're gonna clown man because I don't I don't

0:28:45.600 --> 0:28:47.800
<v Speaker 2>see nothing happening with my Saints right now. So I

0:28:47.800 --> 0:28:49.560
<v Speaker 2>gotta turn my head a little bit and see.

0:28:49.960 --> 0:28:52.720
<v Speaker 4>You know, basketball season is getting ready to start.

0:28:52.760 --> 0:28:56.040
<v Speaker 3>So I want to ask you guys a question. I

0:28:56.080 --> 0:28:57.720
<v Speaker 3>want to let's start it let's say let's start in

0:28:57.720 --> 0:28:59.680
<v Speaker 3>two thousand and one and back or you know what,

0:28:59.760 --> 0:29:04.720
<v Speaker 3>let's you like from the Carter one backwards. Let's rank

0:29:04.800 --> 0:29:07.800
<v Speaker 3>the best cash money albums of all time. Damn, give

0:29:07.840 --> 0:29:09.840
<v Speaker 3>me the top four, because I think four under Degrees

0:29:09.880 --> 0:29:11.200
<v Speaker 3>is under number one.

0:29:11.840 --> 0:29:15.160
<v Speaker 5>I would say the Carter one, the Carter one definitely is.

0:29:15.240 --> 0:29:18.760
<v Speaker 5>You know, it's a great album from like, you know.

0:29:18.760 --> 0:29:20.560
<v Speaker 3>I Missed My Dogs was so special when you heard

0:29:20.600 --> 0:29:23.680
<v Speaker 3>that for the first time over here like thoughts on hearing.

0:29:23.800 --> 0:29:26.080
<v Speaker 2>Oh, I was touched. I was touched, you know, I

0:29:26.120 --> 0:29:27.320
<v Speaker 2>was touched. I reached out to.

0:29:27.320 --> 0:29:31.160
<v Speaker 3>Him because I feel like all the fans are like, damn, yeah,

0:29:31.240 --> 0:29:32.200
<v Speaker 3>you hear I missed my dog.

0:29:32.280 --> 0:29:32.960
<v Speaker 4>I felt bad.

0:29:33.000 --> 0:29:37.360
<v Speaker 2>I'm like, damn yeah, Well, maybe I shouldn't want my money.

0:29:39.440 --> 0:29:43.760
<v Speaker 5>Cleaned it up real good boy, clean up good.

0:29:47.120 --> 0:29:48.760
<v Speaker 3>Maybe I should Maybe I should let that go.

0:29:48.880 --> 0:29:50.600
<v Speaker 2>It was the time of this song, like I loved

0:29:50.600 --> 0:29:52.160
<v Speaker 2>the song, but it was like, man, you know, we

0:29:52.160 --> 0:29:54.120
<v Speaker 2>was in court battles and stuff at the time, so

0:29:54.160 --> 0:29:56.000
<v Speaker 2>it was like it was hard for me to feel

0:29:56.000 --> 0:29:56.560
<v Speaker 2>a certain way.

0:29:56.680 --> 0:29:56.840
<v Speaker 1>You know.

0:29:57.040 --> 0:29:59.880
<v Speaker 2>It was like it was it was I had mixed

0:30:00.520 --> 0:30:00.880
<v Speaker 2>for sure.

0:30:01.240 --> 0:30:03.680
<v Speaker 3>So Carter would be number two, I I gotta put Uh.

0:30:05.120 --> 0:30:06.480
<v Speaker 3>I don't know, man, I.

0:30:06.440 --> 0:30:09.720
<v Speaker 5>Would even say the first volume of I Got That work,

0:30:09.840 --> 0:30:11.920
<v Speaker 5>Like you know, it was so different from anything that

0:30:11.960 --> 0:30:14.880
<v Speaker 5>anybody done, Like you know what I'm saying, because what

0:30:14.960 --> 0:30:17.840
<v Speaker 5>we was laying down, you know, like everybody was like, man,

0:30:17.880 --> 0:30:19.719
<v Speaker 5>this dude just said he got a space shuttle.

0:30:19.760 --> 0:30:23.040
<v Speaker 1>You know what I'm saying, Like, yeah, how you love that? Well?

0:30:23.040 --> 0:30:27.160
<v Speaker 1>How you love that Volume one? Volume one?

0:30:26.080 --> 0:30:28.800
<v Speaker 3>How I Got That works?

0:30:28.840 --> 0:30:31.120
<v Speaker 2>My ship me the first hot boys out and get

0:30:31.160 --> 0:30:31.600
<v Speaker 2>how You Live?

0:30:32.600 --> 0:30:35.640
<v Speaker 1>Oh yeah, the first hot boy man of commercials.

0:30:37.320 --> 0:30:40.240
<v Speaker 4>Listen to the commercials? Man clown?

0:30:40.920 --> 0:30:41.959
<v Speaker 3>What what for you?

0:30:42.080 --> 0:30:43.160
<v Speaker 1>Juvi and Manny?

0:30:43.200 --> 0:30:46.160
<v Speaker 3>You guys like, uh, you know we've all seen, like

0:30:46.200 --> 0:30:48.360
<v Speaker 3>you said, like the court battles and all this, but

0:30:48.400 --> 0:30:50.800
<v Speaker 3>to be in a place of of of harmony with

0:30:50.840 --> 0:30:52.960
<v Speaker 3>everybody where you guys, you know, you guys obviously pulled

0:30:53.040 --> 0:30:55.680
<v Speaker 3>up to the event at the BT Awards earlier this year,

0:30:56.400 --> 0:30:58.440
<v Speaker 3>uh doing the reunion ship being able to grace the

0:30:58.440 --> 0:31:02.680
<v Speaker 3>stage with everybody at the same time, Like, uh, is

0:31:02.680 --> 0:31:04.000
<v Speaker 3>it nice to be in that space?

0:31:04.360 --> 0:31:04.640
<v Speaker 1>Yeah?

0:31:04.800 --> 0:31:08.920
<v Speaker 5>Yeah, I mean what we figured out between us, like

0:31:09.080 --> 0:31:13.440
<v Speaker 5>the way we work it is Juvie will put.

0:31:13.280 --> 0:31:15.200
<v Speaker 1>The fans and make the fans say it.

0:31:15.240 --> 0:31:17.560
<v Speaker 5>So so we when when it was a space where

0:31:17.600 --> 0:31:19.960
<v Speaker 5>it's like, Okay, y'all, we're not getting the loan, the

0:31:20.000 --> 0:31:22.040
<v Speaker 5>fans gonna tell y'all, you know what I'm saying, Like

0:31:22.080 --> 0:31:23.760
<v Speaker 5>I'm gonna put it on the fans, and then the

0:31:23.800 --> 0:31:26.440
<v Speaker 5>fans start reaching out to people like what the fans

0:31:26.520 --> 0:31:28.640
<v Speaker 5>was telling BG knock it off. Where the fans was

0:31:28.640 --> 0:31:30.880
<v Speaker 5>telling Turk you need to chill out, bro, Like you

0:31:30.920 --> 0:31:32.880
<v Speaker 5>know what I'm saying, y'all, y'all homies is out there

0:31:32.920 --> 0:31:35.760
<v Speaker 5>getting it and they're telling y'all, come on, you know

0:31:35.800 --> 0:31:36.360
<v Speaker 5>what I'm saying.

0:31:36.440 --> 0:31:38.200
<v Speaker 1>So that was the cool.

0:31:37.960 --> 0:31:40.880
<v Speaker 5>Thing about the Internet right now, like the Internet actually

0:31:41.120 --> 0:31:43.880
<v Speaker 5>actually won that battle for us because we was like, bro,

0:31:43.960 --> 0:31:44.680
<v Speaker 5>while y'all.

0:31:44.520 --> 0:31:46.680
<v Speaker 1>Arguing, were getting this, but we're getting this bad.

0:31:46.920 --> 0:31:51.480
<v Speaker 3>You guys are running the country. Yeah. Yeah, I feel

0:31:51.520 --> 0:31:54.680
<v Speaker 3>like I feel like there's like the flowers are being

0:31:54.680 --> 0:31:56.560
<v Speaker 3>given right now at a high level to you, Juvie

0:31:56.560 --> 0:31:58.239
<v Speaker 3>and Manny. I think it's dope to see this.

0:31:59.080 --> 0:32:01.840
<v Speaker 2>It's all love is whet my brothers together. I don't

0:32:01.960 --> 0:32:03.440
<v Speaker 2>I don't want to see that, you know, I don't.

0:32:03.920 --> 0:32:05.600
<v Speaker 2>I don't want to see that get it.

0:32:05.800 --> 0:32:05.960
<v Speaker 1>You know.

0:32:06.040 --> 0:32:08.720
<v Speaker 2>It's like like you say, uh, it's like when a

0:32:08.800 --> 0:32:12.080
<v Speaker 2>parent take their kid out to something a sports event,

0:32:12.400 --> 0:32:14.160
<v Speaker 2>and it's just certain things you just don't feel you

0:32:14.200 --> 0:32:15.800
<v Speaker 2>don't want to see you if you feel like that's

0:32:15.800 --> 0:32:17.760
<v Speaker 2>how I feel about that, Like I don't, I don't,

0:32:17.920 --> 0:32:19.400
<v Speaker 2>I don't want to see I don't think that's good

0:32:19.440 --> 0:32:21.000
<v Speaker 2>for TV, good for nothing.

0:32:21.080 --> 0:32:22.520
<v Speaker 4>So you know what I mean. And that's why I

0:32:22.520 --> 0:32:24.160
<v Speaker 4>won't never have nothing negative to say.

0:32:24.240 --> 0:32:26.120
<v Speaker 2>You know. It's kind of like when my mama, how

0:32:26.160 --> 0:32:28.880
<v Speaker 2>my mama raised me. You know, we got these great

0:32:28.880 --> 0:32:32.200
<v Speaker 2>platforms and these big platforms, and everybody got their eyes

0:32:32.280 --> 0:32:34.600
<v Speaker 2>on you. You know, if you don't have nothing good

0:32:34.640 --> 0:32:36.840
<v Speaker 2>to see about somebody, just shut up. For sure.

0:32:36.920 --> 0:32:37.360
<v Speaker 4>Shut up.

0:32:37.560 --> 0:32:40.040
<v Speaker 2>Keep your opinions to yourself, especially something that you know

0:32:40.120 --> 0:32:41.120
<v Speaker 2>affect the next person.

0:32:41.640 --> 0:32:41.960
<v Speaker 1>Fresh.

0:32:42.000 --> 0:32:44.400
<v Speaker 3>I feel like one of the more slept on projects

0:32:44.680 --> 0:32:46.920
<v Speaker 3>in the cash Many catalog was the mind of Manny Fresh.

0:32:47.080 --> 0:32:48.320
<v Speaker 1>Yeah.

0:32:48.480 --> 0:32:50.200
<v Speaker 3>I feel like it kind of gave you like an

0:32:50.240 --> 0:32:53.200
<v Speaker 3>opportunity to kind of like spaz out a little on

0:32:53.240 --> 0:32:55.840
<v Speaker 3>the profection side. It was like your only time like

0:32:55.880 --> 0:32:57.840
<v Speaker 3>were you really you probably didn't have to bounce anything

0:32:57.840 --> 0:32:59.720
<v Speaker 3>creatively off anybody. You're like, I'm gonna just do me.

0:33:00.320 --> 0:33:02.360
<v Speaker 3>You feel like that album is a little slept on.

0:33:02.520 --> 0:33:04.760
<v Speaker 5>Yeah, But I also think it's kind of, like in

0:33:05.200 --> 0:33:07.280
<v Speaker 5>a crazy way as a cult classic because it's a

0:33:07.280 --> 0:33:11.520
<v Speaker 5>lot of people who like, dude, you are the craziest

0:33:11.520 --> 0:33:13.360
<v Speaker 5>person on the planet. And I'm like, well, that's what

0:33:13.520 --> 0:33:15.640
<v Speaker 5>happened when you know, when I'm like, I'm not making

0:33:15.640 --> 0:33:17.560
<v Speaker 5>this for nobody else. I was making this for me,

0:33:17.960 --> 0:33:20.240
<v Speaker 5>you know what I'm saying. And believe me, when I

0:33:20.320 --> 0:33:24.520
<v Speaker 5>was doing it, a lot of it was interfered sometimes

0:33:24.560 --> 0:33:26.280
<v Speaker 5>where they was like, dude, you shouldn't do that. You

0:33:26.280 --> 0:33:27.880
<v Speaker 5>shouldn't do dah da da dad, And I'm like, bro,

0:33:28.000 --> 0:33:29.560
<v Speaker 5>this is the only way I know how to do this.

0:33:29.840 --> 0:33:31.800
<v Speaker 5>Y'all told me to do it, you know what I'm saying.

0:33:31.880 --> 0:33:33.760
<v Speaker 5>Y'all gave me the green light. Let me do it,

0:33:33.960 --> 0:33:37.400
<v Speaker 5>you know. And of course everybody wants something to be

0:33:37.720 --> 0:33:40.720
<v Speaker 5>a top seller or whatever. But I had this thought

0:33:40.720 --> 0:33:43.360
<v Speaker 5>of like, this one is going to take a while,

0:33:43.400 --> 0:33:47.040
<v Speaker 5>and it is that now. It became that where people

0:33:47.040 --> 0:33:49.200
<v Speaker 5>were like, dude, I love this album, you know what

0:33:49.240 --> 0:33:51.400
<v Speaker 5>I'm saying. And some of the cool things is like

0:33:51.480 --> 0:33:54.600
<v Speaker 5>even Real Big, Real Big was made a hit off

0:33:54.600 --> 0:33:55.600
<v Speaker 5>of a video game.

0:33:55.880 --> 0:33:56.680
<v Speaker 1>You know what I'm saying.

0:33:57.080 --> 0:33:58.720
<v Speaker 5>That was on a video game, and that's how a

0:33:58.720 --> 0:34:01.880
<v Speaker 5>lot of people was introduced to and from starting to

0:34:01.920 --> 0:34:04.520
<v Speaker 5>buy that, they went and got the album, you know

0:34:04.520 --> 0:34:06.440
<v Speaker 5>what I'm saying. So a lot of stuff can happen,

0:34:06.480 --> 0:34:08.359
<v Speaker 5>like in a funny way, Like you know what I'm saying.

0:34:08.360 --> 0:34:10.800
<v Speaker 5>That was on Midnight Club and everybody's like, oh my god,

0:34:11.120 --> 0:34:11.960
<v Speaker 5>I remember us.

0:34:12.120 --> 0:34:14.640
<v Speaker 3>Yeah, that was the ship that had the Christ of

0:34:14.680 --> 0:34:15.560
<v Speaker 3>three hundred on the top.

0:34:16.000 --> 0:34:17.359
<v Speaker 4>Know what the hell y'all talking about?

0:34:19.120 --> 0:34:20.000
<v Speaker 2>Looking like what?

0:34:20.680 --> 0:34:24.560
<v Speaker 3>Maybe want to get a Chrysler? Yeah, shout to the

0:34:24.600 --> 0:34:29.520
<v Speaker 3>Christ of three hundred. Quite possibly the greatest lower level

0:34:30.040 --> 0:34:31.319
<v Speaker 3>WE dealer car of all time.

0:34:31.400 --> 0:34:36.319
<v Speaker 2>Hurricane Katrina took my fixed up through my damn Chris.

0:34:37.400 --> 0:34:40.880
<v Speaker 3>I went through all levels of like low tier WE

0:34:41.040 --> 0:34:45.120
<v Speaker 3>dealer cars. I had a Dodge Magnum, Yeah, the three hundred,

0:34:45.560 --> 0:34:47.439
<v Speaker 3>you know them cars that you felt like, yeah, yeah,

0:34:47.520 --> 0:34:47.799
<v Speaker 3>you know.

0:34:47.880 --> 0:34:48.840
<v Speaker 4>That's the hood cars.

0:34:48.880 --> 0:34:51.879
<v Speaker 1>Yeah, but hey not, but that was the car.

0:34:52.200 --> 0:34:55.000
<v Speaker 5>I think like even us doing that early on, we

0:34:55.040 --> 0:34:57.560
<v Speaker 5>want a whole lot of fans because it was something

0:34:57.560 --> 0:35:00.080
<v Speaker 5>that you can afford. You know what I'm saying, and

0:35:00.239 --> 0:35:02.479
<v Speaker 5>we would do those in videos like you know about

0:35:02.480 --> 0:35:04.239
<v Speaker 5>the dozens and you knowing somebody like oh, I could

0:35:04.239 --> 0:35:05.920
<v Speaker 5>go out and buy one of them. You know what

0:35:05.920 --> 0:35:08.840
<v Speaker 5>I'm saying. And now rappers, you know your favorite rapper

0:35:09.040 --> 0:35:10.160
<v Speaker 5>like yours.

0:35:10.480 --> 0:35:13.880
<v Speaker 1>I can't, Yeah I can't, but got it that you

0:35:14.000 --> 0:35:14.640
<v Speaker 1>know what I'm saying.

0:35:15.320 --> 0:35:17.239
<v Speaker 3>It's like almost like the Tesla cyber truck has been

0:35:17.239 --> 0:35:19.319
<v Speaker 3>the most affordable wrapper wrapper car in years.

0:35:19.360 --> 0:35:20.040
<v Speaker 1>Yeah it's still.

0:35:19.960 --> 0:35:25.520
<v Speaker 3>Underd Yeah, exactly, Dude, At Julie, I always wondered you

0:35:25.600 --> 0:35:29.200
<v Speaker 3>obviously had a dope run with u TP. I actually

0:35:29.200 --> 0:35:32.800
<v Speaker 3>went to uh your area. I was driving from Phoenix

0:35:32.800 --> 0:35:35.040
<v Speaker 3>to Tampa and I stopped off and I ate at

0:35:35.360 --> 0:35:40.439
<v Speaker 3>the hot wing spot Skip Spot. Yeah they had yes,

0:35:40.520 --> 0:35:44.759
<v Speaker 3>chicken and watermelon. Yeah, they had Obama punch Oprah punch.

0:35:46.239 --> 0:35:47.680
<v Speaker 2>Right, and the.

0:35:47.680 --> 0:35:52.000
<v Speaker 3>Wings were smacking. But I always wondered, like I never

0:35:52.000 --> 0:35:54.799
<v Speaker 3>heard I'm sure you've told the story, but like you know,

0:35:55.080 --> 0:35:57.960
<v Speaker 3>young young Buck was with you, right and then ended

0:35:58.000 --> 0:36:01.200
<v Speaker 3>up going with fifty and gun. Yeah, what what ended up?

0:36:01.280 --> 0:36:01.360
<v Speaker 1>Like?

0:36:01.400 --> 0:36:02.799
<v Speaker 3>What was kind of the backstory what.

0:36:02.760 --> 0:36:05.000
<v Speaker 2>Happened with b It was some old backdoor stuff, man,

0:36:05.000 --> 0:36:07.200
<v Speaker 2>he did, but I don't like to talk of you know, negative.

0:36:07.200 --> 0:36:09.160
<v Speaker 4>That's why I really speak. Upon't speak on it.

0:36:09.800 --> 0:36:12.560
<v Speaker 3>Yeah, because you were because ut he was doing ship

0:36:12.600 --> 0:36:14.040
<v Speaker 3>with g and it on the mixtape circuit.

0:36:14.080 --> 0:36:15.239
<v Speaker 4>I was, and I was, Uh.

0:36:15.680 --> 0:36:17.640
<v Speaker 2>I was kind of like giving him somewhere the record

0:36:17.680 --> 0:36:19.720
<v Speaker 2>to it because, uh, you know, at the time fifty

0:36:19.840 --> 0:36:22.600
<v Speaker 2>was it was hard for him to record anywhere in

0:36:22.600 --> 0:36:25.799
<v Speaker 2>New York. It kind of like he was to be

0:36:25.840 --> 0:36:28.280
<v Speaker 2>number one, kind of like, man, nobody didn't like fifty.

0:36:28.320 --> 0:36:30.200
<v Speaker 2>But I was in New York and I had the

0:36:30.200 --> 0:36:32.319
<v Speaker 2>studio bus, so I let him music. I let him

0:36:32.360 --> 0:36:34.640
<v Speaker 2>record on that. He was coming every other every other day,

0:36:34.719 --> 0:36:40.560
<v Speaker 2>him and lrd Banks and YAlO Yeah, Yaloe every other

0:36:40.640 --> 0:36:43.400
<v Speaker 2>day in ever record. Man, it was all of that's interesting.

0:36:43.400 --> 0:36:46.080
<v Speaker 2>We recall it recorded a couple of mixtapes on a

0:36:46.280 --> 0:36:46.960
<v Speaker 2>few songs.

0:36:47.160 --> 0:36:49.319
<v Speaker 3>What happened to Whacko and Skip with those guys?

0:36:49.440 --> 0:36:51.880
<v Speaker 2>I mean they still doing anything, man, You know Skip

0:36:51.880 --> 0:36:54.319
<v Speaker 2>a business man now with the with the restaurants. I

0:36:54.360 --> 0:36:56.360
<v Speaker 2>haven't seen Whacko lately, so I don't really know what

0:36:56.360 --> 0:36:58.600
<v Speaker 2>he's into, but he's still he's still moving around there.

0:36:58.680 --> 0:37:01.080
<v Speaker 3>Can you speak to the like importance and like kind

0:37:01.080 --> 0:37:02.759
<v Speaker 3>of I feel like Soldier Slim is one of those

0:37:02.800 --> 0:37:05.200
<v Speaker 3>guys that if you're not from your area, you don't

0:37:05.200 --> 0:37:08.240
<v Speaker 3>really understand, like kind of what he meant to this scene.

0:37:09.239 --> 0:37:13.719
<v Speaker 2>He was what Tupac is to to to Oakland and California, right.

0:37:13.800 --> 0:37:17.120
<v Speaker 2>He was our I asked to always tell him this, like, Bro,

0:37:18.120 --> 0:37:20.400
<v Speaker 2>you you got a whole lot of talent, Bro, and

0:37:21.120 --> 0:37:23.319
<v Speaker 2>you gotta take time out and just stopping them and

0:37:23.400 --> 0:37:26.000
<v Speaker 2>let everybody else enjoy the talent that you got. You

0:37:26.239 --> 0:37:28.440
<v Speaker 2>know what I mean, because ain't nobody out there like

0:37:28.920 --> 0:37:32.320
<v Speaker 2>You're just that different. Dude just breed hits. Yeah, he

0:37:32.400 --> 0:37:34.640
<v Speaker 2>come up with the slow motion song. It was meant

0:37:34.680 --> 0:37:36.560
<v Speaker 2>for me to just be featured on his song. That

0:37:36.640 --> 0:37:39.920
<v Speaker 2>song was meant for his album, Yeah, and he was.

0:37:40.280 --> 0:37:42.520
<v Speaker 2>He would grabbed my brother and told my brother like, look,

0:37:42.800 --> 0:37:45.400
<v Speaker 2>you need to talk to Jude Bro, tell him he

0:37:45.840 --> 0:37:49.040
<v Speaker 2>in the system. He was universal, I'm not I'm over

0:37:49.040 --> 0:37:51.759
<v Speaker 2>here with Cosh. Not no disrespect to Cash, but he

0:37:51.760 --> 0:37:54.040
<v Speaker 2>didn't look at it. He looked at it like with me,

0:37:54.120 --> 0:37:56.799
<v Speaker 2>it was gonna be could put him where he needed

0:37:56.840 --> 0:37:59.160
<v Speaker 2>to be, And he was right about that. So I listened.

0:37:59.160 --> 0:38:01.439
<v Speaker 2>I heard him out in I put that I put

0:38:01.440 --> 0:38:03.120
<v Speaker 2>this song on my album.

0:38:03.520 --> 0:38:03.719
<v Speaker 4>You know.

0:38:04.200 --> 0:38:06.560
<v Speaker 2>The bad part about it was he wasn't He didn't

0:38:06.600 --> 0:38:08.880
<v Speaker 2>live to see the success of the song. But he

0:38:08.960 --> 0:38:10.840
<v Speaker 2>saw the beginning, but he didn't he didn't see the

0:38:10.920 --> 0:38:14.719
<v Speaker 2>end this whole smash it was. Yeah, it's It's one

0:38:14.719 --> 0:38:16.960
<v Speaker 2>of these situations every time I think of my dude, man,

0:38:17.040 --> 0:38:19.120
<v Speaker 2>you know, yea sure she was here to be able

0:38:19.160 --> 0:38:22.040
<v Speaker 2>to you know, enjoy it. I'm pretty sure that was

0:38:22.080 --> 0:38:24.040
<v Speaker 2>just the beginning of his hit run because dude just

0:38:24.360 --> 0:38:25.520
<v Speaker 2>me a lot of songs, bro.

0:38:25.520 --> 0:38:29.120
<v Speaker 3>For sure, a lot of songs manny how because you know,

0:38:29.920 --> 0:38:31.799
<v Speaker 3>I think what was dope about the pandemic is we

0:38:31.840 --> 0:38:33.560
<v Speaker 3>had all these verses and you were one of the

0:38:33.600 --> 0:38:34.440
<v Speaker 3>earlier verses.

0:38:34.560 --> 0:38:35.640
<v Speaker 1>Yeah, and we got to.

0:38:35.719 --> 0:38:37.440
<v Speaker 3>Kind of I feel like, I feel like a lot

0:38:37.440 --> 0:38:39.080
<v Speaker 3>of people like we had to like kind of be like,

0:38:39.120 --> 0:38:41.399
<v Speaker 3>oh ship, like I forgot you know what I mean?

0:38:41.440 --> 0:38:45.960
<v Speaker 3>Like yeah, yeah him, yeah, you in storage, that's right,

0:38:46.000 --> 0:38:46.359
<v Speaker 3>that's right.

0:38:46.719 --> 0:38:48.200
<v Speaker 2>Thinking about the concerts.

0:38:47.800 --> 0:38:50.920
<v Speaker 3>You and KM, but like how cool was that like

0:38:51.320 --> 0:38:54.600
<v Speaker 3>and for you, like, like I wonder like because because

0:38:54.640 --> 0:38:57.400
<v Speaker 3>there was like a versus stimulus package, it felt like

0:38:57.520 --> 0:39:03.799
<v Speaker 3>I was chiming in. Everybody was in the comments. I'm like, man,

0:39:04.000 --> 0:39:06.200
<v Speaker 3>kill him, kill him.

0:39:06.480 --> 0:39:09.960
<v Speaker 1>They like people were choosing up in the cot playing

0:39:10.000 --> 0:39:10.319
<v Speaker 1>the song.

0:39:12.040 --> 0:39:13.600
<v Speaker 5>Dude, you know what I'm saying. That's what a lot

0:39:13.600 --> 0:39:16.840
<v Speaker 5>of people don't know. You know what I'm saying. And

0:39:16.880 --> 0:39:19.120
<v Speaker 5>it was scripted, you know what I'm saying. And the

0:39:19.200 --> 0:39:22.120
<v Speaker 5>thing was, they couldn't get nobody to go against me,

0:39:22.239 --> 0:39:24.160
<v Speaker 5>Like they asked t Paine. He was like, nah, man,

0:39:24.160 --> 0:39:26.040
<v Speaker 5>he got too many songs, you know what I'm saying.

0:39:26.320 --> 0:39:28.800
<v Speaker 5>They asked Lil John. John was like, nah, man, he

0:39:28.880 --> 0:39:31.720
<v Speaker 5>got too many songs. Blah blah blah. And so Scott

0:39:31.760 --> 0:39:33.959
<v Speaker 5>was like, yeah, I'll do it, you know, and we're good.

0:39:34.040 --> 0:39:36.960
<v Speaker 5>But they was just like, bro, you can't come out

0:39:37.280 --> 0:39:40.439
<v Speaker 5>like swinging, you know what I'm saying. And Scott went

0:39:40.480 --> 0:39:42.879
<v Speaker 5>a little bit off, you know, he went, I'm like, bro,

0:39:43.120 --> 0:39:45.759
<v Speaker 5>you know, and I'm texting why this is going on?

0:39:45.840 --> 0:39:48.400
<v Speaker 1>And I'm like, bro, you're not sticking to what was

0:39:48.440 --> 0:39:50.840
<v Speaker 1>supposed to happen, Like you know what what I'm saying?

0:39:51.200 --> 0:39:51.919
<v Speaker 1>What what? What?

0:39:51.920 --> 0:39:52.440
<v Speaker 3>What were there?

0:39:52.760 --> 0:39:52.840
<v Speaker 1>Like?

0:39:53.080 --> 0:39:54.600
<v Speaker 3>What songs didn't you play? You wish you would have

0:39:54.640 --> 0:39:55.879
<v Speaker 3>got off? Was there anything that was.

0:39:55.840 --> 0:39:58.600
<v Speaker 5>That was a lot of songs. There was a whole

0:39:58.600 --> 0:40:01.600
<v Speaker 5>lot of songs I didn't play. But but the thing was,

0:40:02.239 --> 0:40:05.680
<v Speaker 5>you know, it's like saying something that you know and

0:40:06.040 --> 0:40:09.799
<v Speaker 5>I'm thinking somebody gonna change it, you know, cause I'm like, Bro,

0:40:10.120 --> 0:40:12.160
<v Speaker 5>you didn't do that song. That's not that's not a

0:40:12.160 --> 0:40:14.319
<v Speaker 5>song that you did. You played on that song. You

0:40:14.320 --> 0:40:16.520
<v Speaker 5>know what I'm saying, which is different? That's different. Yeah,

0:40:16.680 --> 0:40:18.000
<v Speaker 5>Like you know what I'm saying. And I'm like, you

0:40:18.280 --> 0:40:22.600
<v Speaker 5>play like four songs that wasn't your songs. So you know,

0:40:22.640 --> 0:40:25.040
<v Speaker 5>I'm going, Okay, so what do we do here?

0:40:25.480 --> 0:40:29.319
<v Speaker 3>Because when you do a beat, you're doing the whole Yeah. Yeah,

0:40:29.440 --> 0:40:31.880
<v Speaker 3>story jobs. He's played keys on a lot of big records.

0:40:31.920 --> 0:40:34.799
<v Speaker 5>Yeah, Doctor Dre like that exactly right, you know what

0:40:34.800 --> 0:40:37.319
<v Speaker 5>I'm saying. And I'm just like, you know, like I'm

0:40:37.360 --> 0:40:39.960
<v Speaker 5>like this, this is not going like what y'all said,

0:40:40.320 --> 0:40:42.239
<v Speaker 5>you know. And the one thing I'm gonna tell you

0:40:42.280 --> 0:40:45.960
<v Speaker 5>what I learned right in that that we are different

0:40:46.040 --> 0:40:48.960
<v Speaker 5>now because this was the beginning of a whole different

0:40:49.000 --> 0:40:53.400
<v Speaker 5>way how people operate. I'm very competitive. I'm very competitive.

0:40:53.440 --> 0:40:55.879
<v Speaker 5>I'm like we good, Scott, I'm like you are You're

0:40:55.960 --> 0:40:59.200
<v Speaker 5>my dude, but when we're doing this, I don't mess

0:40:59.239 --> 0:41:03.040
<v Speaker 5>with you until this over, you know what I'm saying.

0:41:03.040 --> 0:41:04.480
<v Speaker 5>And there was a lot of people who was like, bro,

0:41:04.520 --> 0:41:06.799
<v Speaker 5>you're going too hard. You're doing da da da da

0:41:06.840 --> 0:41:08.520
<v Speaker 5>and the skits and all of that, like bro, you

0:41:08.600 --> 0:41:10.840
<v Speaker 5>know wherever I'm from, And I'm like, I am not

0:41:10.960 --> 0:41:11.640
<v Speaker 5>the new guy.

0:41:12.200 --> 0:41:14.000
<v Speaker 1>You know what I'm saying. I'm not the new guy,

0:41:14.080 --> 0:41:14.480
<v Speaker 1>you know.

0:41:14.600 --> 0:41:17.560
<v Speaker 5>And and what a lot of people don't know, this

0:41:17.760 --> 0:41:19.279
<v Speaker 5>idea was tooken from me.

0:41:19.560 --> 0:41:21.520
<v Speaker 1>I was doing this before they.

0:41:21.480 --> 0:41:26.880
<v Speaker 5>Was doing me kl on just blaze, you know, so

0:41:27.080 --> 0:41:30.040
<v Speaker 5>you know, tim them just took the idea and turned

0:41:30.040 --> 0:41:31.640
<v Speaker 5>it into something, you know, into anything.

0:41:32.000 --> 0:41:33.400
<v Speaker 1>But we was doing this already.

0:41:33.400 --> 0:41:36.720
<v Speaker 5>We was doing the producer battles, you know what I'm saying,

0:41:36.800 --> 0:41:39.560
<v Speaker 5>and all of that went in it, all of whatever.

0:41:39.719 --> 0:41:40.439
<v Speaker 1>You know what I'm saying.

0:41:40.760 --> 0:41:43.040
<v Speaker 5>If you came out, you know what I'm saying, and

0:41:43.080 --> 0:41:44.600
<v Speaker 5>you did whatever you wanted to do.

0:41:44.920 --> 0:41:46.080
<v Speaker 1>I remember, like even.

0:41:46.239 --> 0:41:48.160
<v Speaker 2>I wasn't playing certain so I remember that there.

0:41:48.239 --> 0:41:49.640
<v Speaker 1>Yeah, you know what I'm saying.

0:41:49.640 --> 0:41:51.960
<v Speaker 5>So I was just like, okay if this because this

0:41:52.000 --> 0:41:54.319
<v Speaker 5>was they was like, bro, we gotta have this one

0:41:54.400 --> 0:41:57.080
<v Speaker 5>schedule it's got to happen because blah blah blah. So

0:41:57.480 --> 0:41:59.760
<v Speaker 5>we kind of just gonna you know, we're gonna script

0:41:59.760 --> 0:42:01.760
<v Speaker 5>it is gonna be cool. And I'm like, okay, cool,

0:42:02.080 --> 0:42:06.480
<v Speaker 5>but you know, shout out to Swiss for trying to

0:42:06.520 --> 0:42:08.520
<v Speaker 5>make it right because after that, he was like, bro,

0:42:08.600 --> 0:42:10.640
<v Speaker 5>I understand all of your you know, dah da da da,

0:42:10.920 --> 0:42:13.040
<v Speaker 5>but I could tell you this was the great thing

0:42:13.080 --> 0:42:17.719
<v Speaker 5>about it is I felt like I lost something and

0:42:17.760 --> 0:42:20.279
<v Speaker 5>it made me dangerous, you know what I'm saying. I

0:42:20.440 --> 0:42:23.920
<v Speaker 5>was like, Okay, if y'all took that from me, now,

0:42:24.400 --> 0:42:26.480
<v Speaker 5>everybody gotta pay for it. You know what I'm saying.

0:42:26.840 --> 0:42:29.439
<v Speaker 5>Everybody gotta pay for it, you know what I'm saying.

0:42:29.440 --> 0:42:32.800
<v Speaker 5>And it turned me into super DJ, super beats everything,

0:42:32.800 --> 0:42:35.760
<v Speaker 5>and I'm like, I'm going to rule the Internet until

0:42:35.800 --> 0:42:37.120
<v Speaker 5>this pandemic is over with.

0:42:37.520 --> 0:42:37.680
<v Speaker 1>Yo.

0:42:37.760 --> 0:42:40.520
<v Speaker 3>There's a specific record I wanted to can you walk

0:42:40.600 --> 0:42:44.200
<v Speaker 3>me through? Because you're a DJ for people who are

0:42:44.400 --> 0:42:46.759
<v Speaker 3>ignorant at that, but you're a DJ, right yeah? And

0:42:48.480 --> 0:42:50.200
<v Speaker 3>I feel like kind of one of those like new

0:42:50.239 --> 0:42:52.640
<v Speaker 3>cash money records past kind of like what we consider

0:42:52.680 --> 0:42:55.719
<v Speaker 3>the Golden Age was like go DJ, which was very

0:42:55.800 --> 0:42:58.880
<v Speaker 3>much like I felt like your brainchild, like, can you

0:42:58.920 --> 0:43:02.279
<v Speaker 3>walk me through like how go DJ was was made?

0:43:02.360 --> 0:43:05.920
<v Speaker 5>So we were having a meeting because that's Carter Won, right,

0:43:06.280 --> 0:43:09.480
<v Speaker 5>and I'm telling Wayne, you know, I'm like, bro, at

0:43:09.480 --> 0:43:12.520
<v Speaker 5>this point, cash money is on your back.

0:43:12.600 --> 0:43:15.520
<v Speaker 3>Because look five Degrees came out and kind of came

0:43:15.560 --> 0:43:16.239
<v Speaker 3>and went yeah.

0:43:16.400 --> 0:43:18.480
<v Speaker 5>So I was like, cash money is on your back, bro,

0:43:18.880 --> 0:43:20.840
<v Speaker 5>like you know what I'm saying. And I'm just like,

0:43:20.960 --> 0:43:25.200
<v Speaker 5>so this one gotta be like it's gotta be the one.

0:43:25.400 --> 0:43:25.600
<v Speaker 2>You know.

0:43:25.680 --> 0:43:28.160
<v Speaker 5>I'm like, you could stop with the sound effects and

0:43:28.200 --> 0:43:30.799
<v Speaker 5>all of that, you know, like you're not you know,

0:43:30.960 --> 0:43:33.080
<v Speaker 5>young Wayne no more. You got to step up your game.

0:43:33.120 --> 0:43:35.520
<v Speaker 5>And you know, he was just like, Bro, I'm I'm ready.

0:43:35.840 --> 0:43:39.680
<v Speaker 5>I'm ready. But he asked because go DJ was actually

0:43:39.760 --> 0:43:42.879
<v Speaker 5>a song from this group you in LV, just the.

0:43:42.880 --> 0:43:46.600
<v Speaker 3>Part which is the Bounce group whole ship.

0:43:46.760 --> 0:43:47.080
<v Speaker 1>Yeah.

0:43:47.200 --> 0:43:50.120
<v Speaker 5>Yeah, So he was like, man, is it any way

0:43:50.239 --> 0:43:51.320
<v Speaker 5>I could do go dj?

0:43:51.480 --> 0:43:51.600
<v Speaker 1>Oh?

0:43:52.280 --> 0:43:55.120
<v Speaker 5>So I'm like yeah, and I'm like I actually got

0:43:55.120 --> 0:43:56.879
<v Speaker 5>a visual for it. I'm like, this is what we're

0:43:56.920 --> 0:43:59.600
<v Speaker 5>gonna do. I'm like, we can send all the radio

0:43:59.680 --> 0:44:03.160
<v Speaker 5>DJ like cam carters and let them film them, you know,

0:44:03.280 --> 0:44:06.200
<v Speaker 5>doing their whatever they're doing on air and then send

0:44:06.280 --> 0:44:08.080
<v Speaker 5>it back to us and we're gonna and we're gonna

0:44:08.200 --> 0:44:11.359
<v Speaker 5>edit all of that into into the music video. Right,

0:44:11.640 --> 0:44:14.520
<v Speaker 5>So we hadn't recorded the song yet, we talking about it,

0:44:14.920 --> 0:44:17.120
<v Speaker 5>so all right. So I get the beat done and

0:44:17.160 --> 0:44:19.359
<v Speaker 5>he come in there. He do the hook first, so

0:44:19.440 --> 0:44:22.160
<v Speaker 5>I in my mind, I know this song is about

0:44:22.160 --> 0:44:26.160
<v Speaker 5>to be about DJ's right, and he do the first

0:44:26.239 --> 0:44:28.680
<v Speaker 5>verse and it ain't got ship to do with DJs,

0:44:29.480 --> 0:44:31.719
<v Speaker 5>and I'm just like, but fuck, I'm like, it's so

0:44:31.880 --> 0:44:32.640
<v Speaker 5>fucking hard.

0:44:32.960 --> 0:44:35.279
<v Speaker 1>I'm like, it's so hard. Bro. I'm like, you know what.

0:44:35.360 --> 0:44:37.239
<v Speaker 5>I'm just like, bro, what the fuck? Like, you know

0:44:37.239 --> 0:44:39.520
<v Speaker 5>what I'm saying? And he was like, yeah, I know, bro,

0:44:39.600 --> 0:44:41.920
<v Speaker 5>but this is what I was feeling. And I'm like,

0:44:42.040 --> 0:44:43.960
<v Speaker 5>so I'm like, okay, the second verse gotta have a

0:44:44.000 --> 0:44:45.000
<v Speaker 5>reference to a DJ.

0:44:45.280 --> 0:44:49.640
<v Speaker 1>And he do the second I'm like, you know what

0:44:49.680 --> 0:44:50.120
<v Speaker 1>I'm saying.

0:44:50.239 --> 0:44:54.280
<v Speaker 5>But by the time he finished the song, the vibe

0:44:54.400 --> 0:44:57.560
<v Speaker 5>was so like in there in the studio it was

0:44:57.600 --> 0:44:59.920
<v Speaker 5>motherfucker's going. Bro, you heard what he said, you just

0:45:00.080 --> 0:45:01.560
<v Speaker 5>here with the fun And I was like, bro, we

0:45:01.640 --> 0:45:03.680
<v Speaker 5>just got to leave it alone. I'm like, this one's

0:45:03.680 --> 0:45:06.640
<v Speaker 5>gonna be something that the world ain't gonna understand unless

0:45:06.640 --> 0:45:09.279
<v Speaker 5>we explain, and nobody said nothing like you know what

0:45:09.320 --> 0:45:11.200
<v Speaker 5>I'm saying, Well this she ain't got no references to,

0:45:11.280 --> 0:45:13.120
<v Speaker 5>no DJs.

0:45:12.360 --> 0:45:15.840
<v Speaker 3>Like it was just a hit. Yeah, No, it's crazy

0:45:15.840 --> 0:45:17.319
<v Speaker 3>because it felt like that was kind of like his

0:45:17.960 --> 0:45:19.799
<v Speaker 3>I think about like the first song on the Carter

0:45:20.000 --> 0:45:22.840
<v Speaker 3>was well, like like Birdman Junior was so hard, like

0:45:23.200 --> 0:45:24.560
<v Speaker 3>it felt like he was just on a mission from

0:45:24.560 --> 0:45:26.719
<v Speaker 3>the writ to kind of change whatever narrative people had.

0:45:26.960 --> 0:45:29.360
<v Speaker 5>Yeah, I mean he stepped into his lyrical shoes on,

0:45:29.440 --> 0:45:29.759
<v Speaker 5>you know.

0:45:29.719 --> 0:45:32.319
<v Speaker 2>On the first call, like you know, and look, he

0:45:32.480 --> 0:45:34.960
<v Speaker 2>been like that long before that. We had like a

0:45:34.960 --> 0:45:38.520
<v Speaker 2>little breaks on him in the beginning, like everybody.

0:45:38.800 --> 0:45:40.920
<v Speaker 3>Yo, I remember that, Remember that album the Tunnel. You

0:45:40.920 --> 0:45:43.080
<v Speaker 3>guys had that record on the Tunnel, the Flex, big

0:45:43.120 --> 0:45:45.839
<v Speaker 3>cap Wayne fucking He.

0:45:45.840 --> 0:45:47.920
<v Speaker 2>Had a situation when he was younger with you know,

0:45:48.160 --> 0:45:50.560
<v Speaker 2>with with with a gun and stuff like that. So

0:45:51.120 --> 0:45:53.719
<v Speaker 2>you know, his moms ain't really want him, ain't want

0:45:53.760 --> 0:45:56.440
<v Speaker 2>him saying no cursion, she ain't want him around, none

0:45:56.480 --> 0:45:59.279
<v Speaker 2>of that type of stuff. So you know, we were

0:45:59.320 --> 0:46:04.320
<v Speaker 2>told were giving straight directions, ain't gonna be rapping cursing,

0:46:04.400 --> 0:46:06.719
<v Speaker 2>doing them gangs and stuff, none of that. So we

0:46:06.800 --> 0:46:08.759
<v Speaker 2>had to figure out how to do stuff with him.

0:46:09.200 --> 0:46:13.279
<v Speaker 2>And every time he rapped, he can curse. Wow, So

0:46:14.000 --> 0:46:15.720
<v Speaker 2>we was toning him down on a lot. I always

0:46:15.719 --> 0:46:18.440
<v Speaker 2>tell people that I'm like, I remember back in the day,

0:46:18.480 --> 0:46:20.520
<v Speaker 2>we was going through interviews and I'm telling people.

0:46:20.360 --> 0:46:22.399
<v Speaker 4>Way in the future. We used to always say that

0:46:22.719 --> 0:46:23.200
<v Speaker 4>in the future.

0:46:23.200 --> 0:46:28.560
<v Speaker 2>They're looking at us like for real, Like I'm like, listen, bro,

0:46:28.640 --> 0:46:32.160
<v Speaker 2>y'all don't trust me. If y'all hear, we hear the

0:46:32.200 --> 0:46:34.359
<v Speaker 2>stuff that he ain't even allowed to say. He had

0:46:34.400 --> 0:46:37.200
<v Speaker 2>all kind of versions that we couldn't put out. They're like, man,

0:46:37.239 --> 0:46:39.399
<v Speaker 2>you can't say that. He can't say that.

0:46:39.320 --> 0:46:40.480
<v Speaker 1>Bro, you listen.

0:46:40.560 --> 0:46:43.280
<v Speaker 5>And a lot of people never even really paid attention

0:46:43.400 --> 0:46:45.800
<v Speaker 5>to it. But on none of them songs he cursed.

0:46:45.840 --> 0:46:46.600
<v Speaker 2>He's not cursing.

0:46:46.719 --> 0:46:48.120
<v Speaker 1>He never cursed on none of.

0:46:48.040 --> 0:46:49.960
<v Speaker 3>Those wow, because I never even noticed that as much

0:46:49.960 --> 0:46:52.200
<v Speaker 3>as I and all that stuff that's crazy.

0:46:52.000 --> 0:46:53.440
<v Speaker 4>Or the moment he could curse.

0:46:53.680 --> 0:46:58.000
<v Speaker 2>Yeah, he was outside like he broke the chain who

0:46:58.360 --> 0:46:59.160
<v Speaker 2>with the cutting up.

0:46:59.320 --> 0:47:02.479
<v Speaker 3>You had such great chemistry with other artists outside of

0:47:02.800 --> 0:47:05.319
<v Speaker 3>the cash money world, like t I or GZ like,

0:47:05.520 --> 0:47:08.239
<v Speaker 3>who's your favorite artist that you've worked with outside of

0:47:08.280 --> 0:47:10.120
<v Speaker 3>the Cash Money roster over the years.

0:47:10.560 --> 0:47:14.720
<v Speaker 5>Oh shit, it's not even a rapper, would be Tina Marie.

0:47:15.239 --> 0:47:17.000
<v Speaker 5>You know what I'm saying. Oh, I got a chance

0:47:17.040 --> 0:47:19.839
<v Speaker 5>to do Tina Marie. And you know, that's one when

0:47:19.880 --> 0:47:21.880
<v Speaker 5>your parents called. My dad called me and it was like,

0:47:21.920 --> 0:47:24.520
<v Speaker 5>you're fucking doing the song with Tina Marie. Yeah, you know,

0:47:24.600 --> 0:47:27.239
<v Speaker 5>because that was big to New Orleans. Tina Marie was

0:47:27.280 --> 0:47:30.360
<v Speaker 5>so big, huge, huge to us in New Orleans, Like

0:47:30.360 --> 0:47:33.560
<v Speaker 5>you know what I'm saying, Like an icon, Frankie Beverley,

0:47:34.080 --> 0:47:34.920
<v Speaker 5>Tina Marie.

0:47:35.480 --> 0:47:38.040
<v Speaker 3>That's how your parents could be like yeah, shit.

0:47:37.960 --> 0:47:39.520
<v Speaker 1>Yeah, yeah, you know what I'm saying.

0:47:40.080 --> 0:47:43.000
<v Speaker 5>And to know that that was a gold record for her,

0:47:43.200 --> 0:47:46.080
<v Speaker 5>you know what I'm saying. And because when I did

0:47:46.080 --> 0:47:48.759
<v Speaker 5>the song, she was just like, well I just want

0:47:48.840 --> 0:47:50.680
<v Speaker 5>something like she was like, you know, like that song

0:47:50.760 --> 0:47:53.239
<v Speaker 5>still fly that you gotta you know or something, And

0:47:53.280 --> 0:47:55.279
<v Speaker 5>I was like, no, miss miss Tina Marie, we not

0:47:55.400 --> 0:47:55.759
<v Speaker 5>doing that.

0:47:55.840 --> 0:47:56.840
<v Speaker 1>I'm like, we're gonna.

0:47:56.640 --> 0:47:58.560
<v Speaker 5>Get a real bass player and we're gonna do something

0:47:58.600 --> 0:48:01.960
<v Speaker 5>real simple and we you know, and and I'm glad

0:48:02.040 --> 0:48:05.120
<v Speaker 5>she she accepted you know because it's Tina Marie for sure,

0:48:05.120 --> 0:48:07.040
<v Speaker 5>you know what I'm saying, And I'm geeked out, Like

0:48:07.120 --> 0:48:08.960
<v Speaker 5>every time I'm doing it, I'm stopping and I'm like,

0:48:09.000 --> 0:48:10.960
<v Speaker 5>I can't believe this team.

0:48:13.400 --> 0:48:13.520
<v Speaker 4>Yo.

0:48:13.719 --> 0:48:17.000
<v Speaker 3>So a new Snoop and Dre album has been announced?

0:48:17.400 --> 0:48:19.640
<v Speaker 3>Can we get a new Juvian Manny Fresh?

0:48:21.160 --> 0:48:21.399
<v Speaker 1>Yeah?

0:48:21.600 --> 0:48:23.800
<v Speaker 3>I feel like I feel like, man, all the artists

0:48:23.800 --> 0:48:25.560
<v Speaker 3>I grew up listen to for whatever reason, they end

0:48:25.640 --> 0:48:28.240
<v Speaker 3>up just stop making music together, but they'll still do shows.

0:48:28.719 --> 0:48:30.759
<v Speaker 5>Like we need a new album. Were working on it, bro.

0:48:31.000 --> 0:48:32.920
<v Speaker 5>You know what's the hardest thing. You know, we were

0:48:32.960 --> 0:48:35.680
<v Speaker 5>just talking about this. You you want to evolve. You

0:48:35.719 --> 0:48:37.640
<v Speaker 5>want to you know you you want to turn into

0:48:37.680 --> 0:48:41.040
<v Speaker 5>something that you know, like, damn, this is my sound,

0:48:41.120 --> 0:48:43.399
<v Speaker 5>but I hear it so much. I want to do

0:48:43.680 --> 0:48:47.280
<v Speaker 5>something new, but there is nothing new for us. It's

0:48:47.400 --> 0:48:51.319
<v Speaker 5>just really staying on your sound, you know what I'm saying.

0:48:51.680 --> 0:48:54.640
<v Speaker 3>Yeah, Yeah, it's hard because you guys have evolved this, yes, yeah.

0:48:54.560 --> 0:48:55.839
<v Speaker 1>And that's a hard thing to do.

0:48:56.000 --> 0:48:58.400
<v Speaker 5>So it's one of them things that we learning how

0:48:58.400 --> 0:49:00.520
<v Speaker 5>to do, to step back to say like, you know what,

0:49:00.760 --> 0:49:03.759
<v Speaker 5>we don't really have to sound like what this what

0:49:03.760 --> 0:49:05.480
<v Speaker 5>what what you know what hip hop is and and

0:49:05.480 --> 0:49:09.560
<v Speaker 5>and that's that's it's nothing disrespectful to the new generation.

0:49:10.040 --> 0:49:12.719
<v Speaker 5>But we're not the new generation. We are who we are.

0:49:13.000 --> 0:49:16.200
<v Speaker 5>But because we are older, you know what I'm saying,

0:49:16.239 --> 0:49:18.480
<v Speaker 5>And it's like going like, man, do I want to

0:49:18.520 --> 0:49:19.080
<v Speaker 5>do that again?

0:49:19.200 --> 0:49:20.120
<v Speaker 1>Or do I want to leave that?

0:49:20.960 --> 0:49:21.160
<v Speaker 2>Please?

0:49:21.200 --> 0:49:22.160
<v Speaker 1>Do see what I'm saying.

0:49:22.200 --> 0:49:25.680
<v Speaker 5>So, so that's the it was researching, and I think

0:49:25.760 --> 0:49:29.120
<v Speaker 5>being the DJ has showed me that, like to say, like, hey, bro,

0:49:29.360 --> 0:49:30.960
<v Speaker 5>you ain't got to go find no new sun.

0:49:31.360 --> 0:49:33.560
<v Speaker 3>Back that e still going up in the club right now.

0:49:33.640 --> 0:49:34.239
<v Speaker 1>Yeah.

0:49:34.360 --> 0:49:38.120
<v Speaker 3>No, It's it's interesting because it's like you'll see artists

0:49:38.160 --> 0:49:40.719
<v Speaker 3>that you you know, love growing up and then they'll

0:49:40.760 --> 0:49:44.160
<v Speaker 3>try to chase whatever the young kids are exactly and

0:49:44.200 --> 0:49:44.840
<v Speaker 3>you'd be like.

0:49:45.000 --> 0:49:47.080
<v Speaker 1>Man, if you just if you would have just stayed

0:49:47.120 --> 0:49:48.360
<v Speaker 1>in your lane, did it?

0:49:48.520 --> 0:49:50.360
<v Speaker 5>Like you know what I'm saying, how you you know,

0:49:50.600 --> 0:49:53.239
<v Speaker 5>plug up that old drum machine? Yeah, you know what

0:49:53.239 --> 0:49:54.719
<v Speaker 5>I'm saying. You ain't got to do it on able

0:49:54.760 --> 0:49:56.080
<v Speaker 5>to you know how I know how to write.

0:49:57.680 --> 0:50:01.080
<v Speaker 2>You can be real innovative without without out doing what

0:50:01.120 --> 0:50:01.920
<v Speaker 2>everybody else doing.

0:50:01.960 --> 0:50:03.680
<v Speaker 3>You don't have to be the fun because you guys

0:50:03.719 --> 0:50:05.600
<v Speaker 3>got your fans, and you guys, do your fans want

0:50:05.600 --> 0:50:06.040
<v Speaker 3>to hear them?

0:50:06.360 --> 0:50:08.880
<v Speaker 5>We got a lot of songs that was just eight sounds,

0:50:08.920 --> 0:50:10.520
<v Speaker 5>you know, a lot of them was done just on

0:50:10.560 --> 0:50:11.320
<v Speaker 5>the SP twelve.

0:50:11.400 --> 0:50:13.680
<v Speaker 2>I personally like songs that don't have a lot of

0:50:14.560 --> 0:50:15.160
<v Speaker 2>extra shit.

0:50:15.400 --> 0:50:16.680
<v Speaker 1>Yeah, I was done on it.

0:50:16.800 --> 0:50:18.640
<v Speaker 2>It gives me to talk my talk.

0:50:19.239 --> 0:50:23.399
<v Speaker 1>I was done on the Wow the whole song, Yo,

0:50:24.120 --> 0:50:27.480
<v Speaker 1>what where'd you get the so? What was? What was

0:50:27.520 --> 0:50:30.440
<v Speaker 1>bling bling made on same thing? SB twelve hundred.

0:50:30.640 --> 0:50:33.480
<v Speaker 3>What's that like? That sound and bling bling? That real distinct?

0:50:34.600 --> 0:50:37.799
<v Speaker 3>It almost it sounds it almost sounds like you know

0:50:38.440 --> 0:50:40.200
<v Speaker 3>the sound I'm talking about that's throughout the whole beat?

0:50:40.600 --> 0:50:42.879
<v Speaker 1>Oh, the little the Planet rockall thing.

0:50:42.960 --> 0:50:45.000
<v Speaker 5>Yeah, that was just like a like the little clip,

0:50:45.200 --> 0:50:47.839
<v Speaker 5>the little clip sound like that was from Planet Rock,

0:50:47.920 --> 0:50:48.799
<v Speaker 5>Like you know what I'm saying.

0:50:48.800 --> 0:50:50.640
<v Speaker 1>And I just kind of pitched it down.

0:50:51.160 --> 0:50:54.560
<v Speaker 3>You know, did you guys have any idea Bling Bling

0:50:54.600 --> 0:50:57.759
<v Speaker 3>obviously is one of the most important songs to your

0:50:57.840 --> 0:50:58.840
<v Speaker 3>to your guys story.

0:50:59.000 --> 0:51:01.480
<v Speaker 2>It is because it winded up being a word, right,

0:51:01.600 --> 0:51:05.239
<v Speaker 2>you know how her song you could hear something and

0:51:05.280 --> 0:51:07.320
<v Speaker 2>you know something special about that word.

0:51:07.719 --> 0:51:10.439
<v Speaker 5>You know, we had a song and Wayne said, tell

0:51:10.520 --> 0:51:14.120
<v Speaker 5>me what kind of nigga got damage that of bling blind? Yeah,

0:51:14.360 --> 0:51:17.319
<v Speaker 5>And I was like it was something about that right there.

0:51:17.680 --> 0:51:22.759
<v Speaker 5>So I remember, like I was, I wrote the hook

0:51:22.800 --> 0:51:24.680
<v Speaker 5>in my head, so you know how you gotta hurry

0:51:24.760 --> 0:51:26.040
<v Speaker 5>up and get get to the studio.

0:51:26.360 --> 0:51:26.600
<v Speaker 1>You know.

0:51:26.920 --> 0:51:28.960
<v Speaker 5>I'm like, I gotta hurry up and record this before

0:51:29.000 --> 0:51:31.120
<v Speaker 5>I forget it, you know what I'm saying. And I

0:51:31.160 --> 0:51:33.400
<v Speaker 5>had done the dummy before they got there. I just

0:51:33.440 --> 0:51:36.000
<v Speaker 5>done the dummy like bling bling every time I come

0:51:36.040 --> 0:51:36.680
<v Speaker 5>around the city.

0:51:36.680 --> 0:51:38.319
<v Speaker 1>And Wayne went right behind me and was like, nah,

0:51:38.320 --> 0:51:39.279
<v Speaker 1>I got it. Let me do the hook.

0:51:39.760 --> 0:51:42.080
<v Speaker 5>So it was a lot of shit that Wayne you

0:51:42.800 --> 0:51:46.600
<v Speaker 5>down first, Yeah, yeah, because because I mean I always, yeah,

0:51:46.640 --> 0:51:48.359
<v Speaker 5>I would put the hook down with because I knew

0:51:48.360 --> 0:51:50.640
<v Speaker 5>what to beat how I wanted to beat the sound

0:51:50.719 --> 0:51:53.000
<v Speaker 5>with the hook, Like you know what I'm saying. I'm like, listen,

0:51:53.200 --> 0:51:55.000
<v Speaker 5>I want to you know. I'm like, I'm a lady

0:51:55.080 --> 0:51:57.360
<v Speaker 5>hooking and whoever do it? You know what I'm saying.

0:51:57.400 --> 0:52:00.959
<v Speaker 5>And the crazy thing was, originally it was a big

0:52:01.000 --> 0:52:06.160
<v Speaker 5>time or song. It was a big time song. It

0:52:06.239 --> 0:52:09.400
<v Speaker 5>was a big time and what happened was because we

0:52:09.480 --> 0:52:12.719
<v Speaker 5>had so many songs. We was we was next all

0:52:12.840 --> 0:52:15.080
<v Speaker 5>like next up was BG.

0:52:15.200 --> 0:52:18.200
<v Speaker 2>And he said BG album needed was like I'm listening

0:52:18.239 --> 0:52:19.479
<v Speaker 2>to the album he needed a.

0:52:19.360 --> 0:52:21.440
<v Speaker 5>Song like that, Like I'm like, it needs this because

0:52:21.800 --> 0:52:24.839
<v Speaker 5>his album was you know he the hood Dude out

0:52:24.840 --> 0:52:25.200
<v Speaker 5>the Crew.

0:52:25.600 --> 0:52:27.320
<v Speaker 3>I mean there's two. I mean, I think when I

0:52:27.320 --> 0:52:28.560
<v Speaker 3>think of that album, I think of that and I

0:52:28.560 --> 0:52:30.840
<v Speaker 3>think cash Money is an army.

0:52:31.160 --> 0:52:33.359
<v Speaker 2>Cash Money's arm is a gangster the song, right, like,

0:52:34.480 --> 0:52:37.759
<v Speaker 2>that's who That's who he is. He he always had

0:52:37.800 --> 0:52:42.279
<v Speaker 2>been the gang style to click right, that's that's his personality, right.

0:52:42.360 --> 0:52:45.719
<v Speaker 2>So you know that's what I liked about Manny Man.

0:52:45.719 --> 0:52:48.399
<v Speaker 2>He always created a different sound for each one of us.

0:52:48.600 --> 0:52:52.120
<v Speaker 2>And you listen to our albums, you would see the difference.

0:52:52.160 --> 0:52:55.160
<v Speaker 2>You're like, damn, you know what. It's four different artists,

0:52:55.160 --> 0:52:58.080
<v Speaker 2>but the music ain't the same. Because he had a

0:52:58.120 --> 0:53:01.239
<v Speaker 2>thing with Bjna have this sound. You were gonna have

0:53:01.320 --> 0:53:03.600
<v Speaker 2>this sound, Wayne, soone's got to be like it worked.

0:53:03.640 --> 0:53:09.040
<v Speaker 3>Turns on the architect, Manny Fresh. I also feel I

0:53:09.040 --> 0:53:10.720
<v Speaker 3>feel like you were one of the first like producers

0:53:10.719 --> 0:53:13.359
<v Speaker 3>that really coined like talking your ship before the song

0:53:13.400 --> 0:53:16.279
<v Speaker 3>would start. Oh yeah, I mean yeah, because like after

0:53:16.360 --> 0:53:19.879
<v Speaker 3>you like Swiss Swiss came along and then like Jazzy Fay.

0:53:19.960 --> 0:53:22.040
<v Speaker 3>But I feel like you were like like you were

0:53:22.160 --> 0:53:23.719
<v Speaker 3>gonna get your ship off before.

0:53:23.440 --> 0:53:25.880
<v Speaker 1>The song started. I mean, the intro started becoming a

0:53:25.920 --> 0:53:26.640
<v Speaker 1>big thing. You know.

0:53:26.719 --> 0:53:29.640
<v Speaker 5>People were like, man, I can't wait just to hear

0:53:29.680 --> 0:53:31.640
<v Speaker 5>Manny Fresh intro, like you know what I'm saying, to

0:53:31.640 --> 0:53:34.040
<v Speaker 5>see what the hell he gonna say on there, you know,

0:53:34.640 --> 0:53:38.800
<v Speaker 5>And it was always something that was kind of seventies musical,

0:53:38.920 --> 0:53:41.480
<v Speaker 5>like you know what I'm saying and what I had

0:53:41.600 --> 0:53:46.360
<v Speaker 5>learned like from and I told him this recently. My

0:53:46.480 --> 0:53:49.839
<v Speaker 5>dad was just like, listen, dude, start putting yourself first

0:53:49.880 --> 0:53:51.040
<v Speaker 5>on a lot of these songs.

0:53:51.320 --> 0:53:52.920
<v Speaker 1>You know what I'm saying, and you know.

0:53:52.960 --> 0:53:55.520
<v Speaker 5>And I was like, well, well, you know, why would

0:53:55.520 --> 0:53:57.319
<v Speaker 5>you you know, he was like because he was like,

0:53:57.560 --> 0:54:00.160
<v Speaker 5>you know the dude who first, Because my dad was

0:54:00.160 --> 0:54:01.600
<v Speaker 5>the DJ before I was a DJ.

0:54:01.680 --> 0:54:02.040
<v Speaker 4>That's the one.

0:54:02.760 --> 0:54:04.120
<v Speaker 5>He was like, That's the one who they're gonna hear

0:54:04.120 --> 0:54:06.319
<v Speaker 5>on the song no matter what, no matter what, you

0:54:06.400 --> 0:54:07.040
<v Speaker 5>know what I'm saying.

0:54:07.280 --> 0:54:10.200
<v Speaker 1>So me and him always make sure that you know

0:54:10.239 --> 0:54:10.680
<v Speaker 1>what I'm saying.

0:54:11.120 --> 0:54:13.880
<v Speaker 3>Voice was first, I told him.

0:54:13.920 --> 0:54:16.160
<v Speaker 4>I told him oh you knew.

0:54:16.760 --> 0:54:17.319
<v Speaker 1>You know.

0:54:21.239 --> 0:54:22.520
<v Speaker 3>That's so funny, man.

0:54:22.680 --> 0:54:24.319
<v Speaker 4>Like say the best for the last they got even

0:54:24.360 --> 0:54:24.960
<v Speaker 4>hit the last one?

0:54:25.920 --> 0:54:28.600
<v Speaker 3>Yeah yeah, bling Blink's one of the greatest posse records

0:54:28.640 --> 0:54:32.399
<v Speaker 3>of all time. Yeah, obviously it's now in the dictionary, y'all. Really,

0:54:32.800 --> 0:54:34.760
<v Speaker 3>I mean, do you guys? I feel like that should

0:54:34.760 --> 0:54:35.520
<v Speaker 3>have been trademarked.

0:54:35.920 --> 0:54:38.200
<v Speaker 5>I think it is trademarked. I think it is. You

0:54:38.239 --> 0:54:40.760
<v Speaker 5>know what, But that's one of those things babying slipped.

0:54:40.800 --> 0:54:43.799
<v Speaker 2>Yeah, that wasn't That wasn't a juvie thing right there? Yeah,

0:54:43.880 --> 0:54:44.319
<v Speaker 2>there it is.

0:54:44.360 --> 0:54:44.480
<v Speaker 1>Man.

0:54:44.520 --> 0:54:46.839
<v Speaker 3>We'll look you guys. You guys are how many how

0:54:46.840 --> 0:54:48.760
<v Speaker 3>many dates stuffs on the tour ship?

0:54:48.880 --> 0:54:52.239
<v Speaker 2>We stop on the thirty first of December New Years

0:54:52.480 --> 0:54:53.040
<v Speaker 2>the last day?

0:54:53.120 --> 0:54:55.160
<v Speaker 3>Wow, so that's a lot more. I just saw you

0:54:55.239 --> 0:54:56.600
<v Speaker 3>pop out of the Russell's house too.

0:54:56.840 --> 0:54:59.440
<v Speaker 2>Yeah, man, that's I gotta take my dog back to

0:55:00.040 --> 0:55:01.440
<v Speaker 2>you got to go to l Russell back.

0:55:01.760 --> 0:55:02.759
<v Speaker 3>It's crazy. I went.

0:55:02.880 --> 0:55:05.200
<v Speaker 2>And it's like the whole experience with his mom too.

0:55:05.239 --> 0:55:07.719
<v Speaker 3>Man's barbecuing.

0:55:08.120 --> 0:55:10.759
<v Speaker 2>He barbecueing it out of space walking in the y'all

0:55:10.800 --> 0:55:14.080
<v Speaker 2>for the kids. I'm telling you, if you never had

0:55:14.080 --> 0:55:16.440
<v Speaker 2>an experience like that, they got to check it out,

0:55:16.440 --> 0:55:18.160
<v Speaker 2>and man, they got that dude with Larrussell.

0:55:18.160 --> 0:55:18.640
<v Speaker 4>He's different.

0:55:18.680 --> 0:55:20.840
<v Speaker 3>Is there any besides Russell? Is there any young artists

0:55:20.840 --> 0:55:21.880
<v Speaker 3>you guys are just fans of.

0:55:22.600 --> 0:55:23.759
<v Speaker 4>It's a lot of them, you know.

0:55:23.800 --> 0:55:28.840
<v Speaker 2>I like I like uh uh uh, I like Gorilla,

0:55:28.920 --> 0:55:35.080
<v Speaker 2>I like uh Sexy Red, you know who else? Sauce

0:55:35.120 --> 0:55:38.160
<v Speaker 2>Walker Crazy, It's a lot of It's a lot of artists. Man,

0:55:38.200 --> 0:55:39.759
<v Speaker 2>it's a lot of artists out that I like.

0:55:39.840 --> 0:55:41.880
<v Speaker 3>And I have respect for anybody you want to produce

0:55:41.920 --> 0:55:42.600
<v Speaker 3>for many.

0:55:42.840 --> 0:55:45.440
<v Speaker 1>Anybody, if you if you if you take this serious.

0:55:45.640 --> 0:55:46.480
<v Speaker 1>You know what I'm saying.

0:55:46.640 --> 0:55:50.040
<v Speaker 5>Yeah, Because sometimes I hear interviews and the most upsetting

0:55:50.080 --> 0:55:52.800
<v Speaker 5>thing to me is, you know, you got some people

0:55:52.800 --> 0:55:54.719
<v Speaker 5>who say I don't really do this, this is not

0:55:54.800 --> 0:55:58.480
<v Speaker 5>what I really do, and I'm just feeling I don't

0:55:58.520 --> 0:56:00.879
<v Speaker 5>really wrap, you know what I'm saying, And I'm just like, well,

0:56:01.320 --> 0:56:03.560
<v Speaker 5>give it to somebody who really want to do it. Yeah,

0:56:03.640 --> 0:56:05.280
<v Speaker 5>you know what I'm saying. And I'm like, you really

0:56:05.320 --> 0:56:07.839
<v Speaker 5>do rap? You just think it's cool to say that you.

0:56:07.719 --> 0:56:09.959
<v Speaker 3>Don't, Yeah, to say that you're nowana bad?

0:56:10.239 --> 0:56:11.440
<v Speaker 1>Yeah, you know what I'm saying.

0:56:11.560 --> 0:56:14.279
<v Speaker 5>And I just won't give me a real artist like

0:56:14.320 --> 0:56:16.120
<v Speaker 5>you know, with somebody who really takes.

0:56:15.840 --> 0:56:19.320
<v Speaker 2>This, I can't say that. Yeah, I ain't really no rapper.

0:56:19.760 --> 0:56:20.400
<v Speaker 1>That is crazy.

0:56:22.480 --> 0:56:24.640
<v Speaker 3>At your job, how you're painting it exactly.

0:56:25.160 --> 0:56:26.600
<v Speaker 2>Take it to your rapping.

0:56:26.960 --> 0:56:29.839
<v Speaker 1>It's a lucrative business. I really rap, you know what

0:56:29.840 --> 0:56:30.239
<v Speaker 1>I'm saying.

0:56:30.960 --> 0:56:33.520
<v Speaker 3>And you and you and you. You could out rap

0:56:33.560 --> 0:56:34.280
<v Speaker 3>both of these guys.

0:56:34.800 --> 0:56:38.040
<v Speaker 2>So look, when the law catch you two three o'clock

0:56:38.080 --> 0:56:40.920
<v Speaker 2>in the morning, which is you, I ain't really now rapper.

0:56:41.880 --> 0:56:42.960
<v Speaker 3>Seeing the body can put it.

0:56:43.040 --> 0:56:50.760
<v Speaker 1>Yeah, you know what, well, man, that's real trouble.

0:56:50.920 --> 0:56:53.880
<v Speaker 3>Well listen, man, I'm glad to see you guys thriving

0:56:53.960 --> 0:56:56.520
<v Speaker 3>right now. And uh, I hope we get a new album.

0:56:56.360 --> 0:56:56.880
<v Speaker 1>From from you.

0:56:57.239 --> 0:56:59.880
<v Speaker 5>Yeah, dude, believe it or not. Whenever we do songs,

0:56:59.880 --> 0:57:01.880
<v Speaker 5>we still competitive, you know what I'm saying. And that's

0:57:01.960 --> 0:57:03.200
<v Speaker 5>that's what makes it a good song.

0:57:03.560 --> 0:57:03.839
<v Speaker 1>You know.

0:57:04.239 --> 0:57:07.839
<v Speaker 5>I know I'm not on Julie's level of rapping, but

0:57:07.880 --> 0:57:09.880
<v Speaker 5>it's still inspired me to be like, man, I gotta

0:57:09.960 --> 0:57:13.480
<v Speaker 5>have something on this verse that's creative that's gonna make

0:57:13.600 --> 0:57:17.560
<v Speaker 5>him say, damn, bro, I wasn't expecting you to say that.

0:57:17.760 --> 0:57:18.560
<v Speaker 1>You know what, I'm.

0:57:18.400 --> 0:57:21.560
<v Speaker 2>Saying, right, I could be honest with you right now,

0:57:21.600 --> 0:57:24.000
<v Speaker 2>I'm in my zone as far as rappers considered, Like

0:57:24.200 --> 0:57:26.200
<v Speaker 2>you know, like people have don't know what I'm up

0:57:26.200 --> 0:57:28.480
<v Speaker 2>to want to know. Yeah, I'm in my song right

0:57:28.520 --> 0:57:30.320
<v Speaker 2>now and it don't happen often for me.

0:57:30.400 --> 0:57:33.800
<v Speaker 3>But you're in your pocket right now. You're inspired.

0:57:33.880 --> 0:57:36.880
<v Speaker 5>Yeah, there's a lot of songs you know that like

0:57:37.840 --> 0:57:41.120
<v Speaker 5>where I'm like, bro, I can't tell you tone it down,

0:57:41.120 --> 0:57:43.400
<v Speaker 5>but you killed everybody on here, Like you know what

0:57:43.400 --> 0:57:45.600
<v Speaker 5>I'm saying, Well, I'm like, what you want me to

0:57:45.640 --> 0:57:47.439
<v Speaker 5>do with this? Like you know what I'm saying, Well,

0:57:47.440 --> 0:57:50.280
<v Speaker 5>I'm like you so far from what this person is

0:57:50.360 --> 0:57:51.040
<v Speaker 5>doing on it?

0:57:51.240 --> 0:57:54.480
<v Speaker 1>You know what? It makes the song like damn? You know?

0:57:54.560 --> 0:57:57.439
<v Speaker 5>And I know right now that might go, but that's

0:57:57.480 --> 0:57:59.240
<v Speaker 5>not the way we was raised. I'm like, nah, I

0:57:59.240 --> 0:58:01.680
<v Speaker 5>want the song to be super good. I want whoever

0:58:01.720 --> 0:58:04.520
<v Speaker 5>the other or the other person rapping. I'm like, bro,

0:58:04.600 --> 0:58:07.120
<v Speaker 5>you gotta up your game. You gotta want to write

0:58:07.120 --> 0:58:09.080
<v Speaker 5>it over after you heard you what he just did?

0:58:09.120 --> 0:58:10.280
<v Speaker 5>You like, you know what I'm.

0:58:10.120 --> 0:58:11.800
<v Speaker 3>Saying, how many how many songs you got sitting on

0:58:11.880 --> 0:58:12.160
<v Speaker 3>right now?

0:58:12.160 --> 0:58:14.240
<v Speaker 2>That you guys got a lot, bro I got a

0:58:14.280 --> 0:58:17.240
<v Speaker 2>lot of music, man, I recall it. I recall whatever.

0:58:17.680 --> 0:58:19.040
<v Speaker 2>I really don't like to speak on it.

0:58:19.080 --> 0:58:23.480
<v Speaker 3>And you know what about you guys though, like we got.

0:58:23.080 --> 0:58:25.280
<v Speaker 4>A lot and not just that.

0:58:25.360 --> 0:58:27.800
<v Speaker 2>I just did put some fresh ink too, some paperwork,

0:58:27.880 --> 0:58:29.880
<v Speaker 2>so be looking looking for it.

0:58:29.920 --> 0:58:32.840
<v Speaker 5>All the albums that we the older albums, like like

0:58:32.840 --> 0:58:35.320
<v Speaker 5>like the four hundred Degrees when we when we dropped it,

0:58:35.320 --> 0:58:37.320
<v Speaker 5>we added two songs that we had old.

0:58:37.400 --> 0:58:38.919
<v Speaker 1>So we still got a lot of old songs.

0:58:38.960 --> 0:58:41.280
<v Speaker 5>And every time we dropped one of Julie albums, we're

0:58:41.320 --> 0:58:43.240
<v Speaker 5>going to give you even some of them that was

0:58:43.320 --> 0:58:46.320
<v Speaker 5>demos if they'll have songs added to that that that

0:58:46.480 --> 0:58:48.400
<v Speaker 5>was in our vote. Like you know what I'm saying,

0:58:48.400 --> 0:58:50.600
<v Speaker 5>where we like you know what, we did this one

0:58:50.720 --> 0:58:52.560
<v Speaker 5>at the same time we was doing this album. It

0:58:52.640 --> 0:58:55.640
<v Speaker 5>just didn't make the album. So we we got we

0:58:55.680 --> 0:58:57.320
<v Speaker 5>got a song at a lot of songs.

0:58:57.400 --> 0:58:58.200
<v Speaker 3>Dude, there it is.

0:58:58.240 --> 0:58:58.400
<v Speaker 2>Man.

0:58:58.440 --> 0:59:00.280
<v Speaker 3>Well, look, you guys are legends. I appreciate you sitting

0:59:00.320 --> 0:59:01.520
<v Speaker 3>down with me. I was trying to find I have

0:59:01.560 --> 0:59:03.680
<v Speaker 3>all my double xls and my damn garage, and I

0:59:03.680 --> 0:59:06.479
<v Speaker 3>was trying to find my bright my bright orange double

0:59:06.600 --> 0:59:09.280
<v Speaker 3>XCEL car. Yeah, I couldn't find it to bring it

0:59:09.320 --> 0:59:11.520
<v Speaker 3>in to get it signed. Next time I see you,

0:59:11.560 --> 0:59:14.200
<v Speaker 3>I'll try to. It was great, yeah, of course, But listen, man,

0:59:14.240 --> 0:59:17.080
<v Speaker 3>thank you for pulling up, thank you for having having us.

0:59:17.080 --> 0:59:19.320
<v Speaker 3>And you guys are on the road throughout the rest

0:59:19.360 --> 0:59:23.160
<v Speaker 3>of the year. Louisiana. Uh, Festus in November, right.

0:59:23.360 --> 0:59:27.680
<v Speaker 2>Second, Yeah, tomorrow tomorrow night in Atlanaheim. You know, the

0:59:27.680 --> 0:59:29.680
<v Speaker 2>House of Blues going down. Me and my dog again

0:59:29.800 --> 0:59:31.280
<v Speaker 2>with the four in the Degrees.

0:59:30.880 --> 0:59:35.760
<v Speaker 1>Band, big thing next next year, we were getting the Europe.

0:59:35.520 --> 0:59:37.479
<v Speaker 4>What you're doing, Yeah, we're doing a euro run.

0:59:37.560 --> 0:59:38.560
<v Speaker 1>Yeah, you know what I'm saying.

0:59:38.600 --> 0:59:40.439
<v Speaker 5>That's how you get That's how you get yourself fitting.

0:59:40.440 --> 0:59:43.400
<v Speaker 5>You got to see it while you're here. We in Europe, right,

0:59:43.520 --> 0:59:50.120
<v Speaker 5>Julie's definitely it's video now speaking fridge already.

0:59:51.480 --> 0:59:53.760
<v Speaker 3>And there's uh and there's uh, you know, some foreigner

0:59:53.800 --> 0:59:56.600
<v Speaker 3>degrees uh cannabis out there. And you got rolling papers coming.

0:59:56.640 --> 0:59:57.760
<v Speaker 3>You've got a lot of stuff happening.

0:59:57.800 --> 0:59:59.640
<v Speaker 2>I got I got the rolling papers, I got the Juvi,

1:00:00.080 --> 1:00:02.120
<v Speaker 2>I got the fore under degree chips. Me and my

1:00:02.160 --> 1:00:04.240
<v Speaker 2>son got the hot sauce. We call the hot sauce

1:00:04.720 --> 1:00:06.960
<v Speaker 2>y'all be looking. Man, y'all gonna see me drop my products,

1:00:06.960 --> 1:00:09.520
<v Speaker 2>but check out check me out on my platforms at

1:00:09.600 --> 1:00:12.440
<v Speaker 2>juvet the great on on the ground and follow link

1:00:12.480 --> 1:00:13.400
<v Speaker 2>you to everything from there.

1:00:13.480 --> 1:00:15.760
<v Speaker 3>Many Fresh appreciate you coming through too, man, Thank you sir,

1:00:15.840 --> 1:00:18.479
<v Speaker 3>Thank you guys for sucking legends. Ippreciate your time.