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Speaker 1: And I'm sitting down with Ethan Cohen and she and Joel.

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Speaker 1: Whatever happens, he's he wants to meet people.

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Speaker 2: Like most things, it's none of my business. Hey, here's

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Speaker 2: a little lesson for the listeners. There's a lot of

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Speaker 2: shit in the world that happens between two people, brothers

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Speaker 2: and collaborators, and that stuff that happens is none of

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Speaker 2: your business.

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Speaker 1: What happens between two brothers is not about you, to know.

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Speaker 3: You're not entitled to that information.

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Speaker 2: They may share it with you if they so choose,

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Speaker 2: and if they don't, you know what you do.

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Speaker 3: Just shat up already.

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Speaker 1: And I walk in and he does. He does want

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Speaker 1: to talk about it? What did happen? Yeah, Yeah, I'm curious.

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Speaker 1: I'm like, I don't, I don't brothers, you don't want

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Speaker 1: to know?

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Speaker 3: Yeah, I don't want her to hear about this. That's

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Speaker 3: brother stuff. But professionally made some brother movies. Huh mm hmm.

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Speaker 1: Yeah, the Brothers where the four brothers, four brothers, the brothers?

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Speaker 3: Where are you brothers? Mcmulkin.

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Speaker 1: And I'm talking to Ethan. I'm like, so, who was

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Speaker 1: it that it was actually like doing work? Who was

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Speaker 1: like actually doing this camera and writing it. Yeah, and

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Speaker 1: he was like, oh, I did all that stuff. I

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Speaker 1: did basically everything. Yeah, he says, first of all, was

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Speaker 1: my idea to have the Lebowski be so damn big.

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Speaker 2: And well I and I knew this a little bit

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Speaker 2: because I remember going to an early screening and yeah, Joel.

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Speaker 3: Just like just couldn't get he couldn't sit still.

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Speaker 2: He should be smaller, he should be smaller, should be

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Speaker 2: so much smaller.

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Speaker 1: And I said I didn't think he was like unusually

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Speaker 1: like that huge. And he was like, did you see

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Speaker 1: him up there? He's like, are you serious? One of

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Speaker 1: the biggest guys ever. Yeah, the screen was big too.

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Speaker 1: I think that's maybe what he was referring what he

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Speaker 1: was referring to. It was like, okay, he said it was.

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Speaker 1: He said it was my idea to have Miller do

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Speaker 1: all that crossing, right. It's like, okay, that's pretty smart.

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Speaker 3: He was the one who made Barton a think. Yeah.

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Speaker 1: Yeah, And he said it was my idea to have

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Speaker 1: some of the country be for old men.

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Speaker 3: But that's where I was like, none of it was.

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Speaker 1: I think I think they said that none of it

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Speaker 1: was for old men. And he was like, you're fucking

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Speaker 1: kidding me.

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Speaker 3: Yeah, I think Joel recut that.

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Speaker 2: I think he actually went over his head and went

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Speaker 2: behind his back with the studio because I because I

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Speaker 2: had a meeting with Ethan, I didn't get to sit

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Speaker 2: down like you did. We were we were on treadmills.

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Speaker 2: But he but what he told me was he was like,

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Speaker 2: you know the thing I'm most proud of that we

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Speaker 2: did entire movie that took place completely outside Lewin Davis.

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Speaker 3: Oh god, brutal.

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Speaker 1: I didn't know what to say. I mean, you, Flula,

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Speaker 1: did you take one of these? Because I when I left,

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Speaker 1: Nate Cordrey was coming in. As soon as I left.

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Speaker 1: I could tell that they were like talking to a

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Speaker 1: lot of people.

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Speaker 3: I mean a lot of guy.

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Speaker 1: Yeah, yeah, did you take one of these?

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Speaker 4: Flula?

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Speaker 1: Sorry, just like give me one second, Flula Borg his

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Speaker 1: returns to Hollywood Handbook and Insiders guy to kicking button

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Speaker 1: dropping names.

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Speaker 2: He's got Flula back. All the fucking hater said he'll

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Speaker 2: never come back. They said we treated him like shit,

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Speaker 2: he didn't have fun and it wasn't anything he would

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Speaker 2: ever do again. That he's only gotten bigger and we

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Speaker 2: have stayed the same size. Generously and probably gotten smaller,

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Speaker 2: and that we'd never see him again. Well, well, well

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Speaker 2: look who's sitting in his car and talking to us?

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Speaker 5: Ohhow the cookie crackers? New bitches, new bitches who doubted it? Yeah,

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Speaker 5: it reminds me. I had a coffee with Karen Karen Colin.

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Speaker 5: She was She was just telling me a lot about

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Speaker 5: how they were umlauts initially on Lebevsky and they wanted

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Speaker 5: to keep they wanted to keep them everywhere, and I

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Speaker 5: told him we you should add them to more of

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Speaker 5: the films.

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Speaker 4: So I'm waiting to hear back on that.

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Speaker 3: Maybe Yeah, the beer and after reading.

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Speaker 5: M you don't after reading what was the one about

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Speaker 5: Cyclops with the man from Rosanne is swinging things with

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Speaker 5: his eyeballs against a tree, and then the man from

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Speaker 5: a paid peace maker and j Low what's his name?

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Speaker 4: They are they're in prison?

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Speaker 1: Yeah, that's the brothers. Where are you?

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Speaker 4: Who are the brothers? Who are the brothers?

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Speaker 2: Who?

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Speaker 3: Where is the brother the brother.

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Speaker 4: Where are the brothers?

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Speaker 3: Love?

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Speaker 1: And so Karen Karen's their moms, the mom she's very

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Speaker 1: looks very young, Yes, but she didn't really nice.

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Speaker 4: Oh well okay, well that's let's not no it's you know.

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Speaker 3: It's I'm not saying anything. People can look nice, you

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Speaker 3: know what. Unfortunately for a lot of.

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Speaker 2: These uh you know, keyboard warriors out there in twenty

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Speaker 2: twenty one, people can still look nice.

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Speaker 3: And I can notice that.

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Speaker 4: Thank you. Listen type that out you bitches. Right.

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Speaker 1: So did you take one of these me so Flewa, Yeah,

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Speaker 1: the suicide squad javelin.

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Speaker 4: Yes, these are all announce Yep, we'll.

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Speaker 1: Talk about it. We'll get into all this. Did you

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Speaker 1: take one of these meetings with with Ethan, with Joel?

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Speaker 3: You met with Karen?

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Speaker 4: I met with Karen.

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Speaker 5: Ethan and Joel and I were MySpace friends for some time.

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Speaker 4: They were both in my top eight.

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Speaker 3: It was them.

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Speaker 5: It was Kart Top, Bruce Springsteen and then Emily in Paris.

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Speaker 4: Emily unrelated to the show.

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Speaker 3: Yeah, but you were early on that.

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Speaker 4: I was. I was early adopted. I was like the man,

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Speaker 4: was she even in Paris yet?

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Speaker 2: No?

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Speaker 5: The passport process had just begun there. This is pre

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Speaker 5: tsa pre so it was taking some time for her

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Speaker 5: to get there. Someone's about to rear end me. This

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Speaker 5: is fun.

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Speaker 4: I'm in my automobiles.

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Speaker 2: So will this will be submitted for as a court document.

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Speaker 4: Which it will be.

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Speaker 3: Yes, I think it's pretty exciting.

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Speaker 5: I'm excited. I'm excited to enter the court of law

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Speaker 5: as a German.

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Speaker 2: Think'd so big for the show. You know, would we

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Speaker 2: be the first podcast video podcast ever to be submitted

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Speaker 2: in evidence.

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Speaker 4: Yeah, to witness a hit and running?

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Speaker 3: Yes?

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Speaker 5: Anyway, Sorry, so that's I never met with Joel and Ethan.

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Speaker 5: But and then I lost my MySpace password.

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Speaker 4: So what happened?

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Speaker 3: How do you do that?

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Speaker 5: I the original email address, which was flulaborg is cool

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Speaker 5: at Gmail. I lost the password to this and then

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Speaker 5: I lost because this password was connected to MySpace, I

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Speaker 5: could not reactivate.

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Speaker 2: My Okay, can I guess what the password was? Yes,

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Speaker 2: kulaborg is flul.

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Speaker 4: I mean that's a better password. I can tell.

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Speaker 5: Well, you're no answers. I don't remember my password. This

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Speaker 5: is the issue of Sean.

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Speaker 3: Yeah, that's so even if I'm right, you don't know.

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Speaker 4: Yeah, it's you know how this is? And are we

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Speaker 4: spelling it.

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Speaker 3: Like see you? Or are we moving the O over?

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Speaker 3: And then yeah, there's.

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Speaker 2: No way, so you have you'll get locked out trying

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Speaker 2: to figure that out exactly. I have a quick I

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Speaker 2: have a question for you. This is something we like

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Speaker 2: to ask all our guests, and I don't want to

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Speaker 2: get out of the way up top is so right

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Speaker 2: now as we record, it's August twenty seventh.

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Speaker 3: I want to know, is it too early for a

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Speaker 3: punkin spice latte?

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Speaker 4: Sean?

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Speaker 3: Just start with the pumpkin spice? Yet?

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Speaker 4: I don't research all, but I know, Sean, I feel

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Speaker 4: like no.

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Speaker 5: I think research, like, what is the stupidest fucking question

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Speaker 5: I've ever heard? And the number one result was that

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Speaker 5: one Sean about the p S. L Okay, it's it's

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Speaker 5: always time for a p S.

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Speaker 3: I feel silly we're asking. Yeahally, come on, it's too late.

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Speaker 3: Why not on?

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Speaker 5: I mean sweet ships on my tents. That's inappropriate. Thank

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Speaker 5: you you guys look nice?

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Speaker 3: Mm hmm. Plug that it's stitch that hre stitch it.

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Speaker 4: Yeah, put an adrop a drop? Yes.

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Speaker 1: Javelin from the suicide Squad?

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Speaker 3: Yeah, was he wiped up?

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Speaker 5: No? Javelin has a very high testosterone.

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Speaker 3: Too high for marriage? Is he boot up?

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Speaker 5: I don't know his religion, but I can tell you

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Speaker 5: inter course is high on his list of activities. It's

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Speaker 5: also low on his list of activities. It's his entire

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Speaker 5: list of activities.

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Speaker 3: Okay, okay, just for one activity.

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Speaker 5: Well, yeah, javelin is a very very obvious metaphor for.

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Speaker 4: His gigantic penis.

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Speaker 3: So he throws it.

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Speaker 5: No, he refers to his own genitalia as a chavelin,

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Speaker 5: but also his.

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Speaker 3: Wedding in swing in it, right, yeah.

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Speaker 4: Yeah, yeah, yeah, yeah, he's us.

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Speaker 5: It's there's not a lot of subtle so subtle CDs

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Speaker 5: with chavelin.

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Speaker 4: It's very obvious. Wizzy Wig. What you see is what

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Speaker 4: you get.

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Speaker 3: I like that.

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Speaker 2: You know some of these superheroes keep me guessing in

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Speaker 2: this way where I go like, okay, so it's Batman,

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Speaker 2: all right, we made fifteen movies of this guy.

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Speaker 3: This is a bat? Is it a man like a

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Speaker 3: bat downstairs? Yeah?

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Speaker 5: Right?

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Speaker 2: You think this guy is swinging a bag he got

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Speaker 2: a legit bat coming out of a freaking batsuit.

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Speaker 1: There is this other guy hauling around a green lantern.

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Speaker 3: I mean for.

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Speaker 2: Right, yeah no, but you said you said wizzy Wig

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Speaker 2: and Hayes, I think correctly, So talk about speak on this.

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Speaker 4: Whizzywick is an achronyme. What you see is what you get.

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Speaker 5: Often, if you are coding a website and you're using

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Speaker 5: HTML or something like Macromedia flash. You want to make

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Speaker 5: certain that whizzywig is that what you see is what

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Speaker 5: you get. Also flash, I'll flash, shout out.

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Speaker 1: I like, I'll I'll use it for I'll go to

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Speaker 1: the site. They'll say you have to download this. I'll

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Speaker 1: download it, thank you, I say, And then afterwards I

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Speaker 1: will go in and menu, I will dispose of it.

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Speaker 3: I want a fresh flash.

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Speaker 4: You get a fresh flash every time.

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Speaker 2: I don't want to be using old flash because you

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Speaker 2: don't know, you know what, what kind of stuff they've

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Speaker 2: improved since you last were.

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Speaker 1: Yeah, it gets all gummed up. And the and the

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Speaker 1: web tunes.

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Speaker 4: I'm watching on your on your zoom.

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Speaker 1: Yes they will, they will come up the works, the

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Speaker 1: fucking jib jabs.

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Speaker 3: I'm saying, his elf. I'm Britney Spears.

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Speaker 4: Oh man, I'm going to world baby. Yeah I hear that. Yeah, yeah,

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Speaker 4: Live at five.

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Speaker 3: Top five cheers, cheers.

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Speaker 4: Okay, close to you guys.

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Speaker 5: Yeah, it's five o'clock in a location some it's some

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Speaker 5: it's er.

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Speaker 4: Yeah.

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Speaker 2: Well, do you want to talk about how you ordered

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Speaker 2: extra small Lacroix cants to make your hands look big

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Speaker 2: on the zoo.

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Speaker 5: Well, I don't need to talk about it, Sean, because

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Speaker 5: you just said it. So why don't you order a

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Speaker 5: very large gallon of P S L and shove it

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Speaker 5: up your rhinus?

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Speaker 3: A large gallon, A large gallon.

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Speaker 5: Which just like not not a small A large gallon

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Speaker 5: or a small gallon?

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Speaker 1: What are we what are we whipping around these days?

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Speaker 1: What are we sitting in right now?

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Speaker 3: Yeah?

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Speaker 5: Oh, this ghost writing of the whips. This is a

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Speaker 5: Least automobile from Germany. I don't want to say the

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Speaker 5: brand because.

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Speaker 4: No one's paying me. I'm paying them, so mm hmmmm.

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Speaker 3: You know they should say you but some of it's

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Speaker 3: coming home at the end of the year. Huh.

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Speaker 5: Of course, of course, there's lots of cum here to

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Speaker 5: come up to works.

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Speaker 4: Hey, what kind of couch are you sitting on? Can

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Speaker 4: you say?

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Speaker 1: This is also least from Germany?

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Speaker 4: Okay?

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Speaker 3: Uh? This is you know Harry's Razors.

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Speaker 1: They have this factory and uh in Germany. Yeah, we've

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Speaker 1: had a relationship with them for a really long time.

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Speaker 1: And this is a a very sharp couch using a

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Speaker 1: lot of the same materials. It's don't do no, it's

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Speaker 1: not like uh like a it's not like a drum fill.

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Speaker 1: Like it is really sharp. It really hurts.

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Speaker 3: It's like.

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Speaker 1: Genuinely like the definitely the sharpest couch. I've pretty uncomfortable.

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Speaker 2: I I you know, I've I mean, in some ways,

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Speaker 2: no offense is I'm relieved that we don't record in

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Speaker 2: person because there was a peer where we would both

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Speaker 2: sit on the couch and then I would have to

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Speaker 2: treat Haes's wounds afterward.

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Speaker 4: So it breaks the skin.

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Speaker 2: Yeah, the way he sits, he kind of like he

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Speaker 2: does a lot of it looks like you're holding still,

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Speaker 2: but he does a lot of kind of bouncing around

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Speaker 2: with his But.

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Speaker 1: I'll get excited about like something I'm gonna say yeah,

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Speaker 1: and I'll kind of like wiggle like my my tushy

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Speaker 1: around and like just to like get get really excited,

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Speaker 1: and yeah, it will essentially garrot my butt garrot. Yeah,

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Speaker 1: Like you know, like in like a like three Days

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Speaker 1: of the Condor or something there, it almost happened to

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Speaker 1: Austin Powers random task almost did this awesome powers.

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Speaker 2: I don't associate that with you know, like razor blades

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Speaker 2: in your couch though, then I.

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Speaker 4: Guess this is an acronym.

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Speaker 3: It could be.

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Speaker 4: Yeah, good ridden old.

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Speaker 5: Uh, I'm replacing you because of the raisers.

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Speaker 3: That's closer to spelling group there than.

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Speaker 2: But yeah, bade, no, no, it's never a bad thing

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Speaker 2: to spell group.

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Speaker 4: A great great.

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Speaker 3: I guess I'll talk about what I'm sitting in, uh please,

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Speaker 3: you know.

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Speaker 2: Also from a sponsor, just so just the audience probably

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Speaker 2: gonna be like, it's.

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Speaker 3: Shawn going to say anything?

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Speaker 4: Yea.

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Speaker 2: Also from a sponsor, not from Harry's Razors, but also

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Speaker 2: from a European sponsor. This is a snooze chair. Mm hm,

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00:16:11,600 --> 00:16:14,120
Speaker 2: so this is yeah, it's reclaimed snooze.

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00:16:15,600 --> 00:16:19,080
Speaker 4: Snooze like it's just an animal sneuze.

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00:16:19,320 --> 00:16:22,280
Speaker 2: It may be in addition to being a just a

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00:16:22,520 --> 00:16:27,520
Speaker 2: delightful smokeless tobacco uh. You know, you keep it cold

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00:16:27,680 --> 00:16:29,560
Speaker 2: and then you go ahead and tuck it into your

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00:16:29,640 --> 00:16:32,480
Speaker 2: cheek and you're gonna get a nice buzz on a

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Speaker 2: pleasant flavor. And after that a lot of people were

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Speaker 2: just throwing it out. Snooze had the presence of mind too,

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Speaker 2: for some of their their best spokespeople shove the used

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00:16:46,640 --> 00:16:52,000
Speaker 2: tobacco product into like a plastic pouch and and now

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Speaker 2: I sit on it.

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Speaker 5: I could try a beanbag a beanbag of shrewed up tobacco.

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Speaker 3: H m hm.

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Speaker 4: And how does this smell show?

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Speaker 2: I've gotten pretty used to it. I guess if you

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Speaker 2: were walking in for the first time, you would say

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Speaker 2: that it smells kind of like shit.

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Speaker 3: Because yeah, it's not. It's not great.

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Speaker 2: It's it's the breath of people who use smokeless tobacco

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Speaker 2: products that primarily is making up the odor.

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Speaker 4: Uh, you know.

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Speaker 2: Combined with the plastic and and and a great deal

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Speaker 2: of time.

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Speaker 4: Okay, it sounds. And is there a promo code just

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Speaker 4: for anyone listening?

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00:17:33,760 --> 00:17:34,040
Speaker 3: Yeah?

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00:17:34,080 --> 00:17:43,520
Speaker 2: Absolutely, Uh snooze Doggie, Snooze Doggie twenty.

330
00:17:44,400 --> 00:17:47,159
Speaker 3: Type that in. Uh, there's not a space for it.

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00:17:47,240 --> 00:17:49,400
Speaker 2: But if you if you just go to the website

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Speaker 2: start typing, they'll know what you mean.

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Speaker 4: It auto fits the promo code.

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Speaker 3: They could feel it.

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00:17:57,119 --> 00:17:59,959
Speaker 4: Mm hmm. They smell it. Once you get to snooze

336
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Speaker 4: d they know the comes next. Got it?

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00:18:05,119 --> 00:18:09,199
Speaker 1: So I have to I made a mistake. It was

338
00:18:09,280 --> 00:18:15,840
Speaker 1: not random task that tried to garrot two. It was

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00:18:15,880 --> 00:18:20,920
Speaker 1: not number two, although eventually Austin did ask. His name

340
00:18:20,960 --> 00:18:23,920
Speaker 1: is not Lucky Charms. His name is Patty O'Brien. He

341
00:18:23,960 --> 00:18:28,200
Speaker 1: does have a charred bracelet that he calls his lucky charms.

342
00:18:29,280 --> 00:18:29,399
Speaker 3: Uh.

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00:18:29,720 --> 00:18:32,880
Speaker 1: And he says that Scotland Yard is after his lucky Charms,

344
00:18:34,480 --> 00:18:36,720
Speaker 1: but he is not familiar with the cereal.

345
00:18:36,840 --> 00:18:40,159
Speaker 2: It turns out Patty O'Brien feels like a miss on

346
00:18:40,240 --> 00:18:43,720
Speaker 2: those names totally. Shouldn't it been at least like patio

347
00:18:43,840 --> 00:18:49,359
Speaker 2: furniture or something like, oh, yes, I feel like that

348
00:18:49,400 --> 00:18:54,960
Speaker 2: would have fit more with fat bastard gold members should

349
00:18:55,000 --> 00:18:57,640
Speaker 2: have been Patty, oh furniture.

350
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Speaker 4: That is very good and is excellent.

351
00:19:00,920 --> 00:19:04,440
Speaker 1: Pol you've been trying to say something to share your

352
00:19:05,080 --> 00:19:07,199
Speaker 1: uh your a story of yours?

353
00:19:07,320 --> 00:19:11,640
Speaker 4: Go ahead, sorry, Yeah, you can read it from the energy.

354
00:19:11,480 --> 00:19:13,760
Speaker 3: Yeah, yeah, I can. I can feel it. You're frustrated

355
00:19:13,800 --> 00:19:14,080
Speaker 3: with me.

356
00:19:14,359 --> 00:19:18,320
Speaker 5: I can tell the no, Sean, the frustration you feel

357
00:19:18,400 --> 00:19:21,720
Speaker 5: is pure jealousy because of your snoozy chair. And I

358
00:19:21,880 --> 00:19:25,680
Speaker 5: just while we were speaking earlier, I was looking online

359
00:19:25,720 --> 00:19:28,440
Speaker 5: and I did try snoothstock at twenty as a promo code.

360
00:19:28,440 --> 00:19:31,320
Speaker 4: It did not go through, So it's more just as

361
00:19:31,320 --> 00:19:33,199
Speaker 4: a foremore so.

362
00:19:33,840 --> 00:19:36,359
Speaker 1: Yeah, that well, we can definitely put in a word.

363
00:19:36,440 --> 00:19:39,640
Speaker 1: I don't think it's gonna make that much difference.

364
00:19:40,320 --> 00:19:44,720
Speaker 4: Okay, there is a little yeah, yeah, no, please.

365
00:19:46,080 --> 00:19:49,000
Speaker 1: When you type the code, your camera activates. Of course

366
00:19:49,040 --> 00:19:52,800
Speaker 1: your camera's already on, so that makes it a little easier. Yeah,

367
00:19:52,840 --> 00:19:54,360
Speaker 1: and they kind of like check you out to see

368
00:19:54,400 --> 00:19:57,359
Speaker 1: if you'll fit in the chair. Obviously, like given what

369
00:19:57,440 --> 00:20:01,800
Speaker 1: it's made out of, it's like a very specif body.

370
00:20:01,840 --> 00:20:06,000
Speaker 1: They can't like change the chair for like certain body types.

371
00:20:06,680 --> 00:20:10,199
Speaker 4: Yeah, okay, and uh well and just to conclude, that

372
00:20:10,359 --> 00:20:11,080
Speaker 4: was my story.

373
00:20:12,400 --> 00:20:15,399
Speaker 3: That was the whole okay, yeah, yeah.

374
00:20:15,000 --> 00:20:19,040
Speaker 1: Okay, well flulo, last time you did that, we're on

375
00:20:19,080 --> 00:20:22,800
Speaker 1: the show. We talked about formats.

376
00:20:23,359 --> 00:20:26,000
Speaker 4: We did m hm, snow mats.

377
00:20:26,840 --> 00:20:28,040
Speaker 1: This is formats.

378
00:20:28,320 --> 00:20:32,400
Speaker 2: You've got your car on the brain, friend, No, it's formats.

379
00:20:32,480 --> 00:20:37,680
Speaker 2: So we you know, obviously America's out of ideas. All

380
00:20:37,800 --> 00:20:42,080
Speaker 2: the shows you see are foreign shows. They're just they've

381
00:20:42,119 --> 00:20:46,480
Speaker 2: been you know, the name has been translated. But basically

382
00:20:46,520 --> 00:20:47,880
Speaker 2: every show the Office.

383
00:20:48,720 --> 00:20:59,879
Speaker 6: Oh yeah, yeah, yeah, yeah, it's true, it's yeah yeah.

384
00:21:00,040 --> 00:21:06,320
Speaker 1: And of course, yeah Brooklyn nine nine, Madrid and Wave.

385
00:21:07,200 --> 00:21:08,280
Speaker 4: Everybody knows.

386
00:21:09,359 --> 00:21:16,560
Speaker 3: Welcome to Sweden was Get Out of Sweden, That's what

387
00:21:16,600 --> 00:21:17,040
Speaker 3: it was.

388
00:21:17,640 --> 00:21:21,000
Speaker 1: And so yeah, we last time we talked about some

389
00:21:21,080 --> 00:21:25,639
Speaker 1: German formats that we could adapt.

390
00:21:26,040 --> 00:21:32,440
Speaker 3: We did, and we ran through them all we curved through.

391
00:21:32,600 --> 00:21:36,439
Speaker 2: They're done, those are used up. We had it was

392
00:21:36,520 --> 00:21:41,320
Speaker 2: a great experience for us. We need more, we need.

393
00:21:41,080 --> 00:21:45,840
Speaker 4: Okay, okay, okay, great from me right now?

394
00:21:46,560 --> 00:21:50,679
Speaker 2: Yeah, what's hot? What's been new on the German TV scene?

395
00:21:50,920 --> 00:21:53,960
Speaker 2: Give us some ideas and we'll work our magic and

396
00:21:54,000 --> 00:21:56,440
Speaker 2: three of us can you know, co create these things?

397
00:21:56,480 --> 00:21:59,240
Speaker 1: Doesn't have to be right now, we can sit quietly.

398
00:21:58,960 --> 00:22:04,000
Speaker 2: For minutes, fifteen minutes, twenty minutes. You know I won't

399
00:22:04,000 --> 00:22:06,720
Speaker 2: bother you. I'll go on mute. I'm still, I'm you know,

400
00:22:07,280 --> 00:22:09,760
Speaker 2: I'm stuck on this yesterday's cross room puzzle.

401
00:22:10,320 --> 00:22:11,879
Speaker 4: Oh, what's what's your question?

402
00:22:13,960 --> 00:22:18,280
Speaker 2: Let's see let's find one that's what said that that

403
00:22:18,280 --> 00:22:24,280
Speaker 2: would be embarrassing. I can get stuck up couples at

404
00:22:24,280 --> 00:22:29,000
Speaker 2: a wedding and it's and it's got a question mark afterwards. Now,

405
00:22:29,040 --> 00:22:31,480
Speaker 2: the first four letters are cake.

406
00:22:33,920 --> 00:22:36,720
Speaker 1: Oh, it's they're stuck up cake top. Yes, I know,

407
00:22:37,000 --> 00:22:37,960
Speaker 1: I know, at.

408
00:22:37,840 --> 00:22:42,040
Speaker 4: Toppers, tapas cake.

409
00:22:41,280 --> 00:22:44,960
Speaker 3: Top, Yes, cake toppers, like what do they call it?

410
00:22:45,680 --> 00:22:51,200
Speaker 5: Cake toompas roof cake roof u cake cake cake it

411
00:22:51,280 --> 00:22:52,600
Speaker 5: kike a top so cake.

412
00:22:52,880 --> 00:22:56,440
Speaker 2: So cake toppers did work, but I don't want to,

413
00:22:58,119 --> 00:22:59,680
Speaker 2: you know, I don't want to discourage you.

414
00:22:59,680 --> 00:23:03,159
Speaker 3: Flew the even better correct answer.

415
00:23:03,680 --> 00:23:06,000
Speaker 5: No, as they say on the postals, if it fits

416
00:23:06,000 --> 00:23:07,760
Speaker 5: at chips, no, let's do this okay.

417
00:23:07,800 --> 00:23:11,280
Speaker 1: That was another that was another format like cake boss.

418
00:23:11,560 --> 00:23:13,760
Speaker 1: Of course, the original version of the Spanish verte was

419
00:23:13,840 --> 00:23:15,320
Speaker 1: cake Tapas.

420
00:23:15,040 --> 00:23:19,720
Speaker 5: Tapas is all cold, all small, and then only after

421
00:23:19,840 --> 00:23:21,439
Speaker 5: four pm.

422
00:23:21,480 --> 00:23:27,720
Speaker 1: And just like little uh Prosecuto wrapped cakes in the.

423
00:23:27,720 --> 00:23:30,959
Speaker 4: Hambone, Oh Hambone.

424
00:23:30,560 --> 00:23:32,240
Speaker 3: Was big and salty cake.

425
00:23:33,840 --> 00:23:37,479
Speaker 5: There is a show it's right now only in bayn

426
00:23:37,720 --> 00:23:41,560
Speaker 5: It's a very regional show called Spaghetti Hoody.

427
00:23:42,040 --> 00:23:46,320
Speaker 4: Okay and Spaghetti Hoody. It does sound good.

428
00:23:46,800 --> 00:23:49,119
Speaker 5: It sounds like what you would think is spaghetti, but

429
00:23:49,280 --> 00:23:50,840
Speaker 5: there's no pasta.

430
00:23:50,440 --> 00:23:50,920
Speaker 4: In the show.

431
00:23:51,960 --> 00:23:56,919
Speaker 3: Don't have to be Yeah no, oh great.

432
00:23:56,720 --> 00:24:01,440
Speaker 5: Because Hoodi who is your protagonist? Yeah, Jodi is a

433
00:24:01,520 --> 00:24:05,720
Speaker 5: man Hoody. It's a show of it's always one one shot,

434
00:24:05,840 --> 00:24:06,720
Speaker 5: there's no cut.

435
00:24:06,560 --> 00:24:10,119
Speaker 3: Is and it's just good for production, very.

436
00:24:10,040 --> 00:24:12,080
Speaker 4: Cheap and it's hoody.

437
00:24:12,320 --> 00:24:16,119
Speaker 5: Just he's walking around the block, you know, and he

438
00:24:16,200 --> 00:24:18,480
Speaker 5: goes and he makes a right, and then he goes

439
00:24:18,520 --> 00:24:21,359
Speaker 5: fifty meters and makes a right, and then he goes

440
00:24:22,040 --> 00:24:25,480
Speaker 5: thirty meters and makes a ride, and then he goes

441
00:24:25,720 --> 00:24:29,080
Speaker 5: ten meters and makes a ride, and then he goes

442
00:24:29,400 --> 00:24:32,200
Speaker 5: two meters and makes a left.

443
00:24:32,800 --> 00:24:38,679
Speaker 3: Can I ask what makes Hoody so spaghetti? Thank you?

444
00:24:40,400 --> 00:24:40,720
Speaker 4: So?

445
00:24:40,880 --> 00:24:42,480
Speaker 3: I'm just wondering because I.

446
00:24:42,520 --> 00:24:44,880
Speaker 2: Love I love that there's no spaghetti in the show.

447
00:24:45,000 --> 00:24:50,240
Speaker 2: I love that I love Hoody. This is a guy

448
00:24:50,320 --> 00:24:53,880
Speaker 2: I can root for. You know who among us hasn't

449
00:24:54,240 --> 00:24:57,720
Speaker 2: gone fifty meters, taken a right, another fifty meters, taken

450
00:24:57,760 --> 00:25:01,560
Speaker 2: a right, gone ten meters, taken awright, gone two meters, taking.

451
00:25:01,359 --> 00:25:02,919
Speaker 4: A left, taking a left.

452
00:25:03,040 --> 00:25:06,919
Speaker 2: There's Yeah, there's no one in my life that doesn't

453
00:25:06,960 --> 00:25:11,080
Speaker 2: have if not that story, a similar story that they

454
00:25:11,080 --> 00:25:15,280
Speaker 2: can map onto Hoodie's experience. What I'm wondering is I

455
00:25:15,440 --> 00:25:23,439
Speaker 2: walk into your peacocks right, your pluses, yes, right, and

456
00:25:23,520 --> 00:25:26,040
Speaker 2: I say and I say, hey, I've got this show,

457
00:25:26,240 --> 00:25:29,280
Speaker 2: and they go, why is it called spaghetti Hoodie?

458
00:25:29,840 --> 00:25:31,320
Speaker 3: I have to have an answer.

459
00:25:32,960 --> 00:25:37,880
Speaker 2: Well, I can't say because I stole it.

460
00:25:38,000 --> 00:25:42,600
Speaker 5: The answer is in the beginning of the show, and

461
00:25:42,640 --> 00:25:45,280
Speaker 5: as Hoodie is walking right when he made you think

462
00:25:45,320 --> 00:25:49,720
Speaker 5: he will walk straight for an additional fifty one meters.

463
00:25:49,960 --> 00:25:52,119
Speaker 4: But on the on the ground of the street.

464
00:25:52,720 --> 00:25:56,760
Speaker 5: There are two noodles, and so he's he observes those

465
00:25:56,800 --> 00:26:01,640
Speaker 5: and she makes a right and so and that's they're

466
00:26:01,680 --> 00:26:02,440
Speaker 5: not spaghetti.

467
00:26:02,480 --> 00:26:04,160
Speaker 3: No, not spaghetti noodles.

468
00:26:04,000 --> 00:26:05,119
Speaker 4: Not spaghetti noodles.

469
00:26:05,160 --> 00:26:10,320
Speaker 3: No, it's it's my oh my.

470
00:26:11,600 --> 00:26:14,080
Speaker 5: But the riders didn't and they don't, you know, some

471
00:26:14,160 --> 00:26:16,679
Speaker 5: people don't know different like dog species, they.

472
00:26:16,600 --> 00:26:19,080
Speaker 4: Only know like greyhound, bloodhound, poodle.

473
00:26:20,240 --> 00:26:25,120
Speaker 5: The writers only new spaghetti three.

474
00:26:24,240 --> 00:26:25,600
Speaker 3: Yes, and like two.

475
00:26:27,600 --> 00:26:31,240
Speaker 1: Americans, like they see all these different pasta and it's

476
00:26:31,359 --> 00:26:33,879
Speaker 1: just they think it's all spaghetti.

477
00:26:33,520 --> 00:26:35,399
Speaker 4: All spaghetti a spaghetti.

478
00:26:35,920 --> 00:26:36,160
Speaker 3: Yeah.

479
00:26:36,400 --> 00:26:40,520
Speaker 5: So but so that's my serious that it's called spaghetti

480
00:26:40,560 --> 00:26:44,120
Speaker 5: hoody because of the pasta rights prior to the first term.

481
00:26:45,400 --> 00:26:48,879
Speaker 1: There's pasta in there. I've traveled and so I know.

482
00:26:49,000 --> 00:26:55,159
Speaker 1: There's the Linguinano. There's the Tortalano.

483
00:26:54,680 --> 00:26:56,399
Speaker 4: Torto very good.

484
00:26:56,920 --> 00:26:58,800
Speaker 3: There's the far Folow.

485
00:27:01,119 --> 00:27:06,600
Speaker 2: I have not been allowed to travel, but I but

486
00:27:07,040 --> 00:27:09,560
Speaker 2: even just from reading, and I love to read.

487
00:27:09,560 --> 00:27:10,679
Speaker 3: It's such an escape for me.

488
00:27:11,160 --> 00:27:18,240
Speaker 7: I know there's SMACARRONI mm hmm, isn't there smackarrony this,

489
00:27:18,520 --> 00:27:21,920
Speaker 7: And there's a subset boot Smackaroony, which is very good.

490
00:27:26,119 --> 00:27:30,560
Speaker 4: Yes, And there's Pasta which is also very.

491
00:27:30,359 --> 00:27:37,840
Speaker 1: Good Kevin Pasta Pics go CD, sorry CD, and of

492
00:27:37,840 --> 00:27:50,399
Speaker 1: course it's it's and of course it's partner zd Rahm. Okay,

493
00:27:50,600 --> 00:27:53,200
Speaker 1: formats we did Spaghetti Hoodie.

494
00:27:53,520 --> 00:27:56,440
Speaker 5: Spaghetti Hooded done very good. I think has a lot

495
00:27:56,480 --> 00:27:57,800
Speaker 5: of potential.

496
00:27:57,400 --> 00:27:58,879
Speaker 3: For French profit.

497
00:27:59,280 --> 00:28:01,240
Speaker 2: There's gotta be in saying if you can get that

498
00:28:01,320 --> 00:28:03,920
Speaker 2: off the ground, because I don't know how you could

499
00:28:04,000 --> 00:28:06,840
Speaker 2: actually tell if I was playing the same episode again,

500
00:28:07,240 --> 00:28:08,120
Speaker 2: does ut he talk?

501
00:28:09,440 --> 00:28:09,640
Speaker 4: No?

502
00:28:10,160 --> 00:28:19,640
Speaker 2: Okay, yeah, we close that, yeah, are we on face at.

503
00:28:22,160 --> 00:28:26,120
Speaker 5: It's well, this is a it's a CSI situation, you know, so.

504
00:28:26,119 --> 00:28:29,840
Speaker 1: Like watching you through his insides.

505
00:28:30,600 --> 00:28:32,760
Speaker 5: Well no, so like the first c s I, it

506
00:28:32,840 --> 00:28:35,560
Speaker 5: is just it's just a man you are following as

507
00:28:35,600 --> 00:28:39,080
Speaker 5: he goes his trails. And then like the CSI Miami,

508
00:28:39,160 --> 00:28:41,560
Speaker 5: it just it's is the same trail, but now it's

509
00:28:41,720 --> 00:28:43,160
Speaker 5: just from behind.

510
00:28:44,040 --> 00:28:46,560
Speaker 1: Okay that is yeah, I guess that is what they

511
00:28:46,560 --> 00:28:48,800
Speaker 1: did between c s I Miami.

512
00:28:48,920 --> 00:28:52,240
Speaker 3: Yeah, they got all behind. Yeah it's different.

513
00:28:52,600 --> 00:28:54,280
Speaker 5: And then C s I, I don't know what is

514
00:28:54,320 --> 00:28:59,720
Speaker 5: it Topeka. It's like he's just.

515
00:28:58,000 --> 00:28:59,440
Speaker 3: To sell it in this country.

516
00:28:59,520 --> 00:29:02,000
Speaker 2: If we're going to be behind him, we probably got

517
00:29:02,000 --> 00:29:03,280
Speaker 2: to give this guy a fake.

518
00:29:03,080 --> 00:29:06,880
Speaker 4: But let's do it. I know he would be open

519
00:29:06,920 --> 00:29:07,200
Speaker 4: to it.

520
00:29:08,160 --> 00:29:11,480
Speaker 2: Where he's gonna just because of the way, well again,

521
00:29:11,560 --> 00:29:13,840
Speaker 2: I like to read, you know, so I don't watch

522
00:29:14,000 --> 00:29:18,120
Speaker 2: the Keeping Up with the Carduche bags or.

523
00:29:18,120 --> 00:29:19,200
Speaker 3: Whatever this stuff is.

524
00:29:19,320 --> 00:29:24,440
Speaker 2: But but me, it's like, I know what sells on

525
00:29:24,520 --> 00:29:27,640
Speaker 2: TV and hoodie. If he wants to make the leap

526
00:29:27,880 --> 00:29:30,280
Speaker 2: to American television, we're gonna need to put this guy

527
00:29:30,320 --> 00:29:31,080
Speaker 2: in a big fake.

528
00:29:31,160 --> 00:29:34,680
Speaker 5: But put some booty on that man. Yeah that's what

529
00:29:34,800 --> 00:29:37,520
Speaker 5: they say. Yeah, that's fine. I know he would be

530
00:29:37,560 --> 00:29:40,240
Speaker 5: open to it. He he and I have been speaking

531
00:29:40,240 --> 00:29:43,440
Speaker 5: a little bit, so I'll text him about his anus

532
00:29:43,520 --> 00:29:45,480
Speaker 5: and see if he's he's I.

533
00:29:45,480 --> 00:29:47,840
Speaker 2: Don't know that the yeah, yeah, I don't know the

534
00:29:47,880 --> 00:29:53,160
Speaker 2: anus is even really gonna be visible the way I was.

535
00:29:53,440 --> 00:29:56,920
Speaker 2: But you know, I forget. I said that let's not speak,

536
00:29:56,960 --> 00:29:59,360
Speaker 2: let's let's wait and see where it lands, because if

537
00:29:59,360 --> 00:29:59,920
Speaker 2: we are on.

538
00:30:00,160 --> 00:30:01,840
Speaker 1: I want to stop this und I just want to

539
00:30:01,840 --> 00:30:05,680
Speaker 1: make sure that we're in Okay territory. Here do I

540
00:30:05,800 --> 00:30:08,560
Speaker 1: do my research. I spent We've got a week to

541
00:30:08,560 --> 00:30:11,120
Speaker 1: prep for this stuff, and so I'm in I'm basically

542
00:30:11,120 --> 00:30:13,320
Speaker 1: in the archives. I'm in the I'm in the library,

543
00:30:13,400 --> 00:30:17,320
Speaker 1: I'm blowing the dust off and I'm researching. Yeah, we

544
00:30:17,360 --> 00:30:21,720
Speaker 1: talked about this, but this fake butt m H. And

545
00:30:23,600 --> 00:30:29,920
Speaker 1: I am reading in GQ Good Questions Magazine, Good Questions

546
00:30:30,960 --> 00:30:37,200
Speaker 1: that Flua he actually declined a fake butt cushion.

547
00:30:37,320 --> 00:30:41,600
Speaker 3: And this is the headline. It's in the headline. It says.

548
00:30:42,840 --> 00:30:45,920
Speaker 1: The real life diet of Flula Borg, who declined butt

549
00:30:45,960 --> 00:30:49,280
Speaker 1: cushions to fill out his suicide Squad costume.

550
00:30:49,480 --> 00:30:51,920
Speaker 3: And it's by Danielle Danielle.

551
00:30:51,960 --> 00:30:56,080
Speaker 5: I told Danielle about I didn't shove anything into my higus.

552
00:30:57,200 --> 00:30:59,800
Speaker 3: That's not what they but that's not what this is. Again.

553
00:31:00,120 --> 00:31:02,200
Speaker 2: Yeah, I feel like we have two different ideas of

554
00:31:02,240 --> 00:31:04,800
Speaker 2: what would constitute a fake BUTK.

555
00:31:04,640 --> 00:31:06,440
Speaker 1: So now I wonder I don't know if this came

556
00:31:06,520 --> 00:31:08,400
Speaker 1: up in the interview. In fact, I don't think it did.

557
00:31:08,520 --> 00:31:13,200
Speaker 1: But I think that is maybe what we're that's maybe

558
00:31:13,240 --> 00:31:14,800
Speaker 1: the impasse that we're basic.

559
00:31:14,920 --> 00:31:18,840
Speaker 2: This is an interesting philosophical idea though, What does.

560
00:31:20,440 --> 00:31:21,520
Speaker 3: Make a butt?

561
00:31:23,280 --> 00:31:23,400
Speaker 1: Uh?

562
00:31:23,560 --> 00:31:29,320
Speaker 2: You know, I've always thought so much about the two cheeks,

563
00:31:30,680 --> 00:31:33,840
Speaker 2: and that to me was the butt. But to Flula

564
00:31:33,960 --> 00:31:36,240
Speaker 2: it seems like and I can't tell me he's wrong.

565
00:31:36,880 --> 00:31:41,720
Speaker 2: The butt is the internal mechanism through which waste can

566
00:31:41,760 --> 00:31:42,440
Speaker 2: be expelled.

567
00:31:43,480 --> 00:31:46,600
Speaker 5: For me, the anus is this hole from where all

568
00:31:46,640 --> 00:31:47,960
Speaker 5: of the things can go in.

569
00:31:47,880 --> 00:31:49,120
Speaker 3: The soul of the butt.

570
00:31:49,280 --> 00:31:52,240
Speaker 5: Yes, yeah, it can go in and out with depending

571
00:31:52,280 --> 00:31:54,320
Speaker 5: on your on your activity.

572
00:31:54,040 --> 00:31:58,000
Speaker 3: And without an anus? Is it even a butt?

573
00:31:58,480 --> 00:31:58,840
Speaker 4: Hello?

574
00:31:59,200 --> 00:31:59,600
Speaker 7: Is it? What?

575
00:32:00,360 --> 00:32:00,680
Speaker 5: Hello?

576
00:32:00,920 --> 00:32:02,240
Speaker 4: Yates? Yates said it?

577
00:32:02,480 --> 00:32:06,280
Speaker 5: You know? And so yeah, So I would say that

578
00:32:06,320 --> 00:32:10,840
Speaker 5: anus also includes these cushies for the pushes, uh, and

579
00:32:11,240 --> 00:32:15,960
Speaker 5: everything you know below and behind your penis of for Chinese.

580
00:32:16,200 --> 00:32:18,280
Speaker 1: And the pushies in this case is the push in

581
00:32:19,400 --> 00:32:22,160
Speaker 1: shot slow push.

582
00:32:21,680 --> 00:32:27,320
Speaker 4: During during who is walk? Yes? Correct? Yeah?

583
00:32:27,400 --> 00:32:30,880
Speaker 3: Okay, Kevin, what.

584
00:32:32,480 --> 00:32:35,760
Speaker 1: Since since obviously you don't have to take notes, so

585
00:32:35,840 --> 00:32:38,080
Speaker 1: obviously you have perfect memory photographic memory?

586
00:32:38,240 --> 00:32:39,560
Speaker 4: Uh huh?

587
00:32:39,600 --> 00:32:42,680
Speaker 1: Do you want to say, like, what did we just talk?

588
00:32:42,840 --> 00:32:46,000
Speaker 1: What format was that? So we can actually use this

589
00:32:46,080 --> 00:32:49,480
Speaker 1: and so this can actually be a worthwhile away that

590
00:32:49,520 --> 00:32:50,920
Speaker 1: we spent our time, that.

591
00:32:50,840 --> 00:32:53,040
Speaker 3: We didn't just waste all of Flula's time.

592
00:32:53,520 --> 00:32:57,120
Speaker 4: Please be our one sheet, Kevin, I.

593
00:32:57,080 --> 00:33:03,000
Speaker 5: Would say, it's a reverse pushy close up dramedy.

594
00:33:04,760 --> 00:33:07,360
Speaker 4: Reverse pushy, reverse pushy.

595
00:33:07,480 --> 00:33:09,440
Speaker 1: So we shoot it, we shoot it in reverse.

596
00:33:09,480 --> 00:33:14,680
Speaker 3: We shoot in reverse. We played footage in reverse. Both.

597
00:33:15,040 --> 00:33:16,680
Speaker 4: Okay, he's walking backwards.

598
00:33:16,880 --> 00:33:18,840
Speaker 1: That could be useful actually because it's gonna be getting

599
00:33:18,920 --> 00:33:21,960
Speaker 1: dark during the shot and so during the no, we're

600
00:33:21,960 --> 00:33:25,920
Speaker 1: gonna be going backwards. It's actually getting brighter.

601
00:33:26,760 --> 00:33:30,880
Speaker 5: Oh yeah, I like it rather than darker than darker.

602
00:33:30,920 --> 00:33:34,520
Speaker 4: Yeah, it's a metaphor. Yeah, whizzy wig like.

603
00:33:34,520 --> 00:33:35,800
Speaker 3: It closer, you get.

604
00:33:36,800 --> 00:33:40,480
Speaker 1: Okay, we need but we need this other format. We

605
00:33:40,560 --> 00:33:41,680
Speaker 1: need more formats.

606
00:33:42,120 --> 00:33:46,240
Speaker 5: Yes, yes, is this another show called is it a Train?

607
00:33:50,480 --> 00:33:53,400
Speaker 5: And in the show what happens is? Hey, what's happening?

608
00:33:53,480 --> 00:33:54,440
Speaker 5: What is on your fingers?

609
00:33:54,440 --> 00:33:56,000
Speaker 4: Hes? Who is it?

610
00:33:56,800 --> 00:33:58,080
Speaker 3: This is show?

611
00:33:58,320 --> 00:34:04,320
Speaker 1: Look how big it is? And is that a very

612
00:34:04,320 --> 00:34:05,320
Speaker 1: popular format?

613
00:34:05,960 --> 00:34:09,640
Speaker 4: Yes, it's the horse. Yeah, yeah, as you can see.

614
00:34:10,360 --> 00:34:15,440
Speaker 1: As you can see, I'm a fan the man who

615
00:34:15,520 --> 00:34:20,399
Speaker 1: can make his head very small or very big like.

616
00:34:20,360 --> 00:34:22,200
Speaker 3: An ant mhm.

617
00:34:23,520 --> 00:34:24,120
Speaker 4: And that's it.

618
00:34:25,600 --> 00:34:30,920
Speaker 1: I am curious about he doesn't use his abilities very

619
00:34:30,920 --> 00:34:35,520
Speaker 1: often in the show, and I guess I'm curious. I'm behind.

620
00:34:36,040 --> 00:34:40,120
Speaker 1: They haven't released aliv hand and we're like.

621
00:34:40,000 --> 00:34:41,800
Speaker 3: A fourth season behind you.

622
00:34:41,719 --> 00:34:45,040
Speaker 5: One, You're a whole season behind your season three, your

623
00:34:45,080 --> 00:34:45,960
Speaker 5: season three, right.

624
00:34:46,000 --> 00:34:50,040
Speaker 1: Season three, he's getting divorced divorced. He just got he

625
00:34:50,800 --> 00:34:53,960
Speaker 1: just just finalized. He made his hand really small to

626
00:34:54,080 --> 00:34:55,239
Speaker 1: sign the paperwork.

627
00:34:55,880 --> 00:34:58,360
Speaker 4: Yeah, exactly, so that's how you do.

628
00:34:58,560 --> 00:35:01,239
Speaker 1: He was sad, Yeah, that he actually didn't want to

629
00:35:01,239 --> 00:35:04,080
Speaker 1: get divorced because he was like, my hand is so

630
00:35:04,160 --> 00:35:11,160
Speaker 1: small you can barely even see the signature. Yeah, but what,

631
00:35:11,320 --> 00:35:13,880
Speaker 1: like I guess other than that, or they're like, is

632
00:35:13,920 --> 00:35:17,400
Speaker 1: there like superhero like is he actually like using this

633
00:35:17,640 --> 00:35:18,480
Speaker 1: power and anything.

634
00:35:18,560 --> 00:35:20,399
Speaker 2: It was really the first time I think we had

635
00:35:20,440 --> 00:35:23,879
Speaker 2: seen him use the power with what surprised me that

636
00:35:24,360 --> 00:35:27,080
Speaker 2: we were We were three seasons deep or you know,

637
00:35:27,120 --> 00:35:31,520
Speaker 2: two and a half, and I hadn't seen him shrink

638
00:35:31,640 --> 00:35:34,960
Speaker 2: or grow his hand. And then really you don't even

639
00:35:34,960 --> 00:35:36,680
Speaker 2: see it happen in the show. What happens is he

640
00:35:36,719 --> 00:35:38,520
Speaker 2: sends the paperwork back to his wife. She goes, hey,

641
00:35:38,560 --> 00:35:40,600
Speaker 2: you didn't sign this. He goes, yes, I did. Look

642
00:35:40,640 --> 00:35:44,040
Speaker 2: again and she gets out of magnifying glass and sees

643
00:35:44,080 --> 00:35:46,160
Speaker 2: that there's a very tiny signature, and she goes, wow,

644
00:35:46,200 --> 00:35:48,560
Speaker 2: you must have been really sad to sign it this small.

645
00:35:49,560 --> 00:35:53,719
Speaker 4: Yeah. So, yeah, you never see his hands. This is

646
00:35:53,760 --> 00:35:58,040
Speaker 4: the weirdest pot of hell. Yeah, not one time. You

647
00:35:58,239 --> 00:35:59,560
Speaker 4: never see the hands.

648
00:36:00,120 --> 00:36:03,799
Speaker 1: Either too to see or weirdly like too huge to

649
00:36:03,880 --> 00:36:07,320
Speaker 1: see or there, or they're normal.

650
00:36:08,400 --> 00:36:08,960
Speaker 3: Or the normal.

651
00:36:09,000 --> 00:36:13,880
Speaker 4: It's another option. Yeah, it's one of those three. Okay,

652
00:36:15,520 --> 00:36:17,640
Speaker 4: so yes and hand and.

653
00:36:18,040 --> 00:36:20,479
Speaker 2: So in the next season does he does he grow

654
00:36:20,560 --> 00:36:21,839
Speaker 2: his hands or shrink them at all?

655
00:36:22,080 --> 00:36:23,239
Speaker 3: Just if you're ahead of us.

656
00:36:23,400 --> 00:36:25,319
Speaker 2: I hope some people won't want to get spoiled, but

657
00:36:25,480 --> 00:36:27,279
Speaker 2: I'm not sure I want to keep watching if he

658
00:36:27,320 --> 00:36:29,160
Speaker 2: doesn't use it at least one more time.

659
00:36:29,760 --> 00:36:32,000
Speaker 4: Do you want to know? I can tell you.

660
00:36:32,120 --> 00:36:34,319
Speaker 2: I'd like Hayes, you can you can go, you can

661
00:36:34,320 --> 00:36:36,160
Speaker 2: take your headphones off or something if you don't want

662
00:36:36,160 --> 00:36:36,319
Speaker 2: to know.

663
00:36:36,400 --> 00:36:39,360
Speaker 1: Okay, yeah, I'm gonna go. I'm gonna go. I'm gonna

664
00:36:39,719 --> 00:36:40,160
Speaker 1: go away.

665
00:36:41,600 --> 00:36:44,280
Speaker 5: Okay, hey is gone? Okay, So I'm sean. What happens

666
00:36:44,360 --> 00:36:49,439
Speaker 5: is episode seven of season four. It's just it's the scene.

667
00:36:49,520 --> 00:36:52,719
Speaker 5: It's a it's a whole episode about applause and so

668
00:36:53,840 --> 00:36:56,719
Speaker 5: the first twenty five minutes it's just a rock concert.

669
00:36:57,280 --> 00:36:59,880
Speaker 4: It's a very long song. It's like, is it about.

670
00:36:59,600 --> 00:37:01,759
Speaker 2: Being real band? Or is it a band that was

671
00:37:01,760 --> 00:37:03,000
Speaker 2: invented for the show.

672
00:37:03,400 --> 00:37:07,360
Speaker 5: It's a it's exactly this. They're called they're called Steel Butterfly.

673
00:37:07,640 --> 00:37:11,840
Speaker 5: It's an Iron Butterfly cover band singing in a garda

674
00:37:11,920 --> 00:37:15,080
Speaker 5: da vida. And then you know, you can see it's

675
00:37:15,080 --> 00:37:18,520
Speaker 5: just pansing into and hands face because he knows at

676
00:37:18,560 --> 00:37:22,520
Speaker 5: the end he will have to clap, and we are waiting,

677
00:37:22,640 --> 00:37:22,960
Speaker 5: and so.

678
00:37:23,040 --> 00:37:25,840
Speaker 4: It's a very long push. You know.

679
00:37:25,920 --> 00:37:28,160
Speaker 5: It's like that scene at the end of The Third Man,

680
00:37:28,600 --> 00:37:31,400
Speaker 5: you know, and they're walking away from that automobile, except

681
00:37:31,400 --> 00:37:35,280
Speaker 5: it's pushing into his hands. And then he begins to clap,

682
00:37:35,360 --> 00:37:36,640
Speaker 5: and just like with the.

683
00:37:36,600 --> 00:37:39,600
Speaker 3: Subpan looking of three men and a baby.

684
00:37:39,400 --> 00:37:42,440
Speaker 5: Three men in all right, because he was holding the baby,

685
00:37:42,520 --> 00:37:45,759
Speaker 5: and then the baby started to make that sound, and

686
00:37:45,800 --> 00:37:49,320
Speaker 5: then the show came in, the ghost came in, and

687
00:37:49,440 --> 00:37:50,759
Speaker 5: what p Goldberg was there?

688
00:37:50,960 --> 00:37:53,640
Speaker 2: That's right, yes, but anyway, no, you just said The

689
00:37:53,640 --> 00:37:54,840
Speaker 2: Third Man, which I don't.

690
00:37:54,600 --> 00:38:00,120
Speaker 3: Think is a movie. I'm not certain, but anyway, yeah.

691
00:37:59,600 --> 00:38:01,839
Speaker 5: Oh so, and then right, just like in the Sopranos

692
00:38:01,880 --> 00:38:05,240
Speaker 5: when Tony is assassinated, we don't see it or smell it.

693
00:38:05,440 --> 00:38:11,360
Speaker 4: Just when you see ant Anty wants to clap Sopranos, Sopranos.

694
00:38:11,719 --> 00:38:15,560
Speaker 1: Yeah, the ant went inside my computer. You must really

695
00:38:15,600 --> 00:38:16,480
Speaker 1: love my podcast.

696
00:38:17,239 --> 00:38:19,440
Speaker 4: Oh subscribe little boy.

697
00:38:19,400 --> 00:38:21,000
Speaker 1: Must be a fan. You don't have to go all

698
00:38:21,040 --> 00:38:22,879
Speaker 1: the way there, you just listen like everyone else.

699
00:38:22,960 --> 00:38:30,200
Speaker 3: It's free, cuty, some of it's free. Spaghetti CUTI CUTI.

700
00:38:30,320 --> 00:38:32,920
Speaker 4: Spaghetti CUTI is a great.

701
00:38:32,880 --> 00:38:37,320
Speaker 3: For the American, for the American audience to know. He's cute.

702
00:38:38,280 --> 00:38:42,359
Speaker 4: Yeah, hoody cute. Spaghetti cuty works. That works.

703
00:38:42,880 --> 00:38:47,279
Speaker 5: That's strong cut spaghetti cuty is is it cute? So

704
00:38:47,400 --> 00:38:49,120
Speaker 5: let us Q and T like spaghetti.

705
00:38:49,200 --> 00:38:53,440
Speaker 1: Quick Time Okay, quick Time? I mean quick Time is

706
00:38:53,480 --> 00:38:56,720
Speaker 1: so big now deep, really big. I think we gotta

707
00:38:56,800 --> 00:38:59,959
Speaker 1: take advantage. We gotta ride this wave to the shore,

708
00:39:00,280 --> 00:39:00,920
Speaker 1: you know what I mean.

709
00:39:02,200 --> 00:39:04,880
Speaker 2: They just hit the scene and they hit it with

710
00:39:05,120 --> 00:39:11,360
Speaker 2: a splash. I haven't seen a premiere like this since

711
00:39:12,120 --> 00:39:13,920
Speaker 2: and then, Kevin, what I'll have to do is come

712
00:39:14,000 --> 00:39:16,560
Speaker 2: up with like some kind of big premiere.

713
00:39:16,840 --> 00:39:24,919
Speaker 1: Well since Adobe Premiere, Adobe Big Time, which is I mean,

714
00:39:25,040 --> 00:39:27,560
Speaker 1: I think Adobe Premiere that does a lot of the

715
00:39:27,600 --> 00:39:31,000
Speaker 1: same stuff like it was also that was that was

716
00:39:31,160 --> 00:39:34,440
Speaker 1: huge when that and then Quick showed.

717
00:39:34,160 --> 00:39:40,080
Speaker 5: Out bam, just like the bang of Google.

718
00:39:44,520 --> 00:39:51,600
Speaker 1: Let's let's do format three. Sean, What's is.

719
00:39:51,600 --> 00:39:54,120
Speaker 3: It a train? Did we talk about? Is it a train?

720
00:39:54,320 --> 00:39:54,960
Speaker 3: Last time?

721
00:39:55,920 --> 00:39:57,680
Speaker 1: Oh, I think it might have I think we might

722
00:39:57,719 --> 00:40:00,640
Speaker 1: have talked about and made is it a train?

723
00:40:01,239 --> 00:40:05,839
Speaker 3: Oh? You we sold it. We shot it. We sold

724
00:40:05,840 --> 00:40:06,439
Speaker 3: it in the room.

725
00:40:06,520 --> 00:40:10,200
Speaker 2: We shot it in the room. We said, we sold

726
00:40:10,239 --> 00:40:13,120
Speaker 2: it and we shot it in the room. We made

727
00:40:13,120 --> 00:40:16,480
Speaker 2: it in the room. It aired and was canceled in

728
00:40:16,560 --> 00:40:22,040
Speaker 2: the room. Yeah, the room saw a lot of action

729
00:40:22,239 --> 00:40:23,320
Speaker 2: that day.

730
00:40:24,200 --> 00:40:27,360
Speaker 3: Yeah, it was quite a ride. And we we said

731
00:40:27,360 --> 00:40:28,680
Speaker 3: all we had to say.

732
00:40:31,280 --> 00:40:38,719
Speaker 1: This one is for We need a show for HDMI

733
00:40:38,960 --> 00:40:43,320
Speaker 1: Port number two. You know how all these other shows

734
00:40:43,320 --> 00:40:47,239
Speaker 1: are on HDMI Port one, yeah or.

735
00:40:47,239 --> 00:40:49,719
Speaker 3: Three if they're like weird shows.

736
00:40:50,239 --> 00:40:54,560
Speaker 2: We need a show that is not so niche that

737
00:40:54,600 --> 00:40:57,600
Speaker 2: it's for the complete freaks who use HDMI Port three.

738
00:40:58,440 --> 00:40:58,680
Speaker 3: Yeah.

739
00:40:59,080 --> 00:41:03,880
Speaker 2: But we don't want to do this like mainstream candy

740
00:41:03,960 --> 00:41:08,800
Speaker 2: coded like just dumbed down HDA my Port one stuff.

741
00:41:10,600 --> 00:41:12,040
Speaker 3: I want to do smart.

742
00:41:12,239 --> 00:41:15,719
Speaker 2: I want to do smart comedy that has something to

743
00:41:15,800 --> 00:41:19,080
Speaker 2: say that doesn't mind if it loses some of the

744
00:41:19,120 --> 00:41:21,040
Speaker 2: lowest common denominator audience.

745
00:41:21,640 --> 00:41:24,080
Speaker 1: And this is for so like you know how every

746
00:41:24,160 --> 00:41:27,200
Speaker 1: time you try to put the HGMI kble in, you're

747
00:41:27,400 --> 00:41:28,960
Speaker 1: no matter what way you try to put.

748
00:41:28,840 --> 00:41:30,799
Speaker 3: In, it's the wrong way, yep, I know it.

749
00:41:31,560 --> 00:41:34,880
Speaker 1: For this show, you do have to keep trying and

750
00:41:34,920 --> 00:41:38,520
Speaker 1: you do have to get it in that that way yep.

751
00:41:38,600 --> 00:41:41,360
Speaker 1: Uh huh, Like you have to really really push and

752
00:41:41,400 --> 00:41:43,600
Speaker 1: you have to get it in there. But when you're

753
00:41:43,640 --> 00:41:45,640
Speaker 1: in you'll be able to watch this show.

754
00:41:45,800 --> 00:41:49,480
Speaker 5: Oh there's a show only in Stutgarts called Flip It

755
00:41:49,680 --> 00:41:53,720
Speaker 5: Flop It, Don't Stop It, Okay, and it's a show

756
00:41:53,800 --> 00:41:57,400
Speaker 5: that I think we could carry over to h We

757
00:41:57,440 --> 00:42:01,640
Speaker 5: could carry it over to HGMI Port three and flip

758
00:42:01,719 --> 00:42:04,239
Speaker 5: It Flop It, don't Stop It. It's actually it's an

759
00:42:04,280 --> 00:42:08,200
Speaker 5: intercourse show. But you can't see anything. It's all in

760
00:42:08,280 --> 00:42:08,680
Speaker 5: the dark.

761
00:42:09,200 --> 00:42:10,439
Speaker 3: So the intercourse show.

762
00:42:10,520 --> 00:42:14,040
Speaker 2: So you say that that's a in your mind, that's

763
00:42:14,040 --> 00:42:15,080
Speaker 2: a type of show.

764
00:42:16,000 --> 00:42:16,720
Speaker 4: It's a genre.

765
00:42:16,920 --> 00:42:20,840
Speaker 2: Yeah yeah, okay, so it's an intercourse show.

766
00:42:21,360 --> 00:42:23,640
Speaker 3: You can't see you can't see anything.

767
00:42:24,320 --> 00:42:27,360
Speaker 5: No, so it's it's beautiful in that well, like with

768
00:42:27,480 --> 00:42:30,680
Speaker 5: Spaghetti Whodie, there's no sound with flip It Flop It,

769
00:42:30,680 --> 00:42:34,279
Speaker 5: Don't Stop It, and this there's no video, so it

770
00:42:34,360 --> 00:42:38,360
Speaker 5: can be produced very cheap. I think it would be

771
00:42:38,520 --> 00:42:43,840
Speaker 5: very good for all ports, airports, car ports and h GMI,

772
00:42:44,000 --> 00:42:45,359
Speaker 5: all the ports would enjoy it.

773
00:42:45,880 --> 00:42:49,080
Speaker 4: M flip it, flop it, don't stop.

774
00:42:48,880 --> 00:42:51,680
Speaker 2: It, don't stop it. So it's and and is this

775
00:42:51,840 --> 00:42:54,040
Speaker 2: what they're saying while they make well.

776
00:42:55,080 --> 00:42:59,600
Speaker 4: That's it. Yeah, it's flip Yeah, it's only they.

777
00:43:00,120 --> 00:43:02,000
Speaker 1: You just disappeared for a second, did do you.

778
00:43:03,040 --> 00:43:04,799
Speaker 5: I'm just sorry. I was wanting to give you a

779
00:43:04,840 --> 00:43:06,600
Speaker 5: preview or flip it, flop it, don't stop.

780
00:43:06,960 --> 00:43:11,200
Speaker 3: Oh yeah, during that very.

781
00:43:11,040 --> 00:43:13,879
Speaker 4: Brief Yeah, I flipped it. I didn't flop it.

782
00:43:14,800 --> 00:43:18,640
Speaker 2: I think I actually have seen an episode of this,

783
00:43:18,920 --> 00:43:22,120
Speaker 2: and it was it was a little concerning, or I

784
00:43:22,360 --> 00:43:24,399
Speaker 2: say I've seen it. I mean really what I did

785
00:43:24,520 --> 00:43:27,600
Speaker 2: was I heard it, but but I was trying to

786
00:43:27,640 --> 00:43:30,279
Speaker 2: force the HDMI uh.

787
00:43:30,400 --> 00:43:31,319
Speaker 3: Poured in the wrong way.

788
00:43:31,360 --> 00:43:35,240
Speaker 2: Of course it was in It was in UH German

789
00:43:35,320 --> 00:43:37,319
Speaker 2: because it was I was watching the Stuttgart version.

790
00:43:37,320 --> 00:43:38,200
Speaker 3: We would translate it.

791
00:43:38,239 --> 00:43:40,360
Speaker 2: But to translate it for you guys, now it sounded

792
00:43:40,360 --> 00:43:47,080
Speaker 2: a little like this, flip it, flop it.

793
00:43:47,280 --> 00:43:48,359
Speaker 3: No, don't stop it.

794
00:43:51,239 --> 00:43:52,000
Speaker 4: That was perfect.

795
00:43:52,680 --> 00:43:56,480
Speaker 2: So so it does always end with I don't know

796
00:43:56,520 --> 00:43:58,040
Speaker 2: exactly what's going on for him.

797
00:43:58,239 --> 00:44:02,239
Speaker 3: Is he like, is something hurting him? Or is he

798
00:44:03,480 --> 00:44:05,160
Speaker 3: ejaculating prematurely?

799
00:44:06,640 --> 00:44:08,440
Speaker 5: Well, this is part of the fund of the show,

800
00:44:08,520 --> 00:44:12,000
Speaker 5: nobody knows, and then and then they're like and the

801
00:44:12,080 --> 00:44:15,080
Speaker 5: last thing is always like, now let's see what happens,

802
00:44:15,360 --> 00:44:16,959
Speaker 5: and then but then the show ends.

803
00:44:17,400 --> 00:44:19,799
Speaker 1: I guess the credit for this is do we do

804
00:44:20,280 --> 00:44:24,960
Speaker 1: dubs or subs for the original Germany?

805
00:44:25,000 --> 00:44:27,520
Speaker 3: You know, because like we can take the entire.

806
00:44:27,400 --> 00:44:31,400
Speaker 1: Visual feed of this, Yeah, just like put the like

807
00:44:32,000 --> 00:44:36,720
Speaker 1: just import that for this format. But do we do dubs?

808
00:44:36,719 --> 00:44:38,839
Speaker 1: Do we do subs or we do scrubs?

809
00:44:39,400 --> 00:44:41,480
Speaker 5: I would say, well, I don't want no scrubs. I

810
00:44:41,480 --> 00:44:44,680
Speaker 5: would say, you do jobs. Dubs and subs is how

811
00:44:44,719 --> 00:44:49,160
Speaker 5: I would do it. Dobs and subs and then maybe

812
00:44:49,560 --> 00:44:51,919
Speaker 5: some hubs hubs.

813
00:44:52,080 --> 00:44:54,279
Speaker 3: Okay, that's interesting. Yeah.

814
00:44:54,760 --> 00:44:59,000
Speaker 5: Have you heard of the hubble telescope? Yeah, yeah, so

815
00:44:59,040 --> 00:45:01,560
Speaker 5: there's a few. That's a slang in Truman Hollywood.

816
00:45:01,719 --> 00:45:05,759
Speaker 2: It's a big This is a big telescope. This this

817
00:45:05,880 --> 00:45:12,200
Speaker 2: thing is massive. You when you really want it, when

818
00:45:12,239 --> 00:45:16,879
Speaker 2: you want to look at the you know, the sun,

819
00:45:16,960 --> 00:45:18,360
Speaker 2: when you want to look directly into the.

820
00:45:18,400 --> 00:45:21,400
Speaker 3: S you want to get all the way up in space.

821
00:45:22,800 --> 00:45:27,160
Speaker 2: Yeah, uh so we'll do dubs and subs, some flubs

822
00:45:28,160 --> 00:45:29,600
Speaker 2: you want to when you want to hit the back

823
00:45:29,640 --> 00:45:30,360
Speaker 2: walls of space.

824
00:45:33,960 --> 00:45:37,640
Speaker 4: Yes, that's.

825
00:45:40,040 --> 00:45:44,560
Speaker 3: Yeah. No, Yeah, love science. I fucking love science, dude.

826
00:45:44,600 --> 00:45:47,000
Speaker 2: I want all I want to do is is grab

827
00:45:47,000 --> 00:45:49,879
Speaker 2: the Hubble telescope and just blow Jupiter's back out.

828
00:45:49,920 --> 00:45:57,560
Speaker 3: Man. That's my weekend.

829
00:45:57,960 --> 00:46:04,040
Speaker 1: Okay, Kevin, since you have this amazing memory, go back

830
00:46:04,080 --> 00:46:07,440
Speaker 1: through the last We just had three formats.

831
00:46:06,920 --> 00:46:09,839
Speaker 4: Yeah, yeah, So.

832
00:46:09,760 --> 00:46:14,640
Speaker 3: What did we do? What did we cover? You know,

833
00:46:14,760 --> 00:46:16,280
Speaker 3: the sud stuff?

834
00:46:17,320 --> 00:46:17,720
Speaker 4: SuDS?

835
00:46:18,880 --> 00:46:21,680
Speaker 3: Yeah, the car wash show. I don't think we talked

836
00:46:21,719 --> 00:46:24,160
Speaker 3: about what SuDS? Did we do? Oh?

837
00:46:24,360 --> 00:46:26,640
Speaker 5: It's funny you guys bring that up because I had

838
00:46:26,680 --> 00:46:28,960
Speaker 5: an idea of doing a show in the car wash.

839
00:46:29,840 --> 00:46:33,120
Speaker 3: Oh oh, first ever car wash show.

840
00:46:33,680 --> 00:46:34,640
Speaker 4: That was elegant.

841
00:46:34,760 --> 00:46:38,399
Speaker 2: This segue, okay, car wash karaoke. You can't hear them

842
00:46:38,400 --> 00:46:48,560
Speaker 2: singing car wash karaoke? Uh, that could be cool. I

843
00:46:48,600 --> 00:46:51,560
Speaker 2: don't want to step on yours, Kevin. That's I realized

844
00:46:51,600 --> 00:46:54,279
Speaker 2: that I love well I can hear them in the

845
00:46:54,320 --> 00:46:55,040
Speaker 2: car pool.

846
00:46:55,200 --> 00:46:57,200
Speaker 1: I like to change some of the culture around this,

847
00:46:57,280 --> 00:47:02,560
Speaker 1: because I did one the other day where where I

848
00:47:02,719 --> 00:47:05,759
Speaker 1: was not putting the car in neutral, I did leave

849
00:47:05,800 --> 00:47:10,680
Speaker 1: it in drive. And the way they made me feel

850
00:47:10,719 --> 00:47:19,120
Speaker 1: about that, yeah, was actually pretty toxic. The whole environment

851
00:47:19,160 --> 00:47:24,600
Speaker 1: there was like very judgmental, very kind of regressive, and

852
00:47:24,640 --> 00:47:29,680
Speaker 1: its approach to basically that we live in the twenty

853
00:47:29,719 --> 00:47:32,640
Speaker 1: first century now and people handle things in different ways,

854
00:47:32,680 --> 00:47:36,480
Speaker 1: and so it's actually okay if you leave the car

855
00:47:36,520 --> 00:47:37,040
Speaker 1: and drive.

856
00:47:38,480 --> 00:47:41,360
Speaker 2: It's it's a personal it's we're talking about personal choice,

857
00:47:41,600 --> 00:47:44,680
Speaker 2: and we're talking about like and it's it's such a

858
00:47:44,719 --> 00:47:50,040
Speaker 2: slippery slope from making people put their car in neutral

859
00:47:50,080 --> 00:47:53,160
Speaker 2: to go into the car wash when they want to

860
00:47:53,239 --> 00:48:00,560
Speaker 2: have it in drive to suddenly where what all getting

861
00:48:00,640 --> 00:48:05,600
Speaker 2: killed with bullets by the president of and he's got

862
00:48:05,680 --> 00:48:07,520
Speaker 2: a fucking submachine gun.

863
00:48:08,080 --> 00:48:11,160
Speaker 3: Joe Biden is his fucking.

864
00:48:11,320 --> 00:48:14,440
Speaker 2: Parachuting down into my living room with a submachine gun

865
00:48:14,760 --> 00:48:18,120
Speaker 2: and riddling my body with bullets, blasting me to a

866
00:48:18,160 --> 00:48:22,240
Speaker 2: bloody pulp. And I'm like, and I sign a paper

867
00:48:22,280 --> 00:48:26,960
Speaker 2: and I say thank you, that's now the country. No thanks,

868
00:48:27,000 --> 00:48:29,399
Speaker 2: I'll actually leave it in drive. Thanks, And I will

869
00:48:29,480 --> 00:48:32,600
Speaker 2: fill the car wash system with exhaust, and I will

870
00:48:32,680 --> 00:48:36,280
Speaker 2: wreck the machines and I will hurt myr my car.

871
00:48:36,880 --> 00:48:42,160
Speaker 3: Operative word is my I bought the car and I

872
00:48:42,200 --> 00:48:45,600
Speaker 3: could fucking leave it in drive and make everything get broken.

873
00:48:47,040 --> 00:48:47,920
Speaker 4: Freedom.

874
00:48:48,040 --> 00:48:48,399
Speaker 3: Mm hmm.

875
00:48:48,520 --> 00:48:52,719
Speaker 4: Freedom it's choice. It's literally a choice.

876
00:48:53,040 --> 00:48:57,080
Speaker 1: The same word in every language. Uh, there's a reason

877
00:48:57,080 --> 00:49:02,879
Speaker 1: for that. What's the wood freedom, It's the same word

878
00:49:02,920 --> 00:49:03,880
Speaker 1: in every language.

879
00:49:04,239 --> 00:49:06,279
Speaker 4: Oh no, it's fry heightened German.

880
00:49:08,239 --> 00:49:09,319
Speaker 3: Fry hide.

881
00:49:10,680 --> 00:49:19,360
Speaker 4: Nor height, like.

882
00:49:15,960 --> 00:49:19,840
Speaker 2: Like in the Freedom Freedom Freedom fry height freedom fries.

883
00:49:20,600 --> 00:49:26,520
Speaker 5: Sure, okay, yeah, height hayes.

884
00:49:26,840 --> 00:49:29,279
Speaker 4: Do you want me to tell you what happens with

885
00:49:30,400 --> 00:49:31,560
Speaker 4: tiny Hand? What's his name?

886
00:49:31,600 --> 00:49:32,200
Speaker 3: Hand?

887
00:49:31,960 --> 00:49:32,720
Speaker 4: Hand?

888
00:49:33,920 --> 00:49:38,160
Speaker 1: I think I am ready to learn about Hand. Maybe

889
00:49:38,160 --> 00:49:39,920
Speaker 1: it's just because the ant is in my computer and

890
00:49:39,960 --> 00:49:44,680
Speaker 1: it's kind of like making the show about whatever it

891
00:49:44,840 --> 00:49:46,279
Speaker 1: wants that it.

892
00:49:46,320 --> 00:49:49,280
Speaker 2: Has been responsible for the last several minutes of content.

893
00:49:49,440 --> 00:49:53,200
Speaker 1: It definitely does want to hear more about the show

894
00:49:53,280 --> 00:49:54,279
Speaker 1: and Hand.

895
00:49:55,480 --> 00:49:56,360
Speaker 4: Well, I'll just tell you.

896
00:49:56,440 --> 00:50:00,239
Speaker 5: There's an episode where there's applause that's happening, Hey, okay,

897
00:50:00,360 --> 00:50:02,400
Speaker 5: but it's we don't know whether.

898
00:50:02,320 --> 00:50:08,040
Speaker 3: Now I've heard this part, should I leave? Okay?

899
00:50:08,080 --> 00:50:10,520
Speaker 1: So he has to applot Okay, I can see how

900
00:50:10,560 --> 00:50:11,760
Speaker 1: that is left.

901
00:50:12,120 --> 00:50:15,439
Speaker 5: So, hey, it's a it's a it's a scene where

902
00:50:15,600 --> 00:50:19,720
Speaker 5: during the entire episode, a band called Steel Butterflies playing

903
00:50:19,760 --> 00:50:23,680
Speaker 5: a song by that sounds like Inada da Vida very long,

904
00:50:24,239 --> 00:50:28,040
Speaker 5: and then it's a pan in into and hands face,

905
00:50:28,360 --> 00:50:29,320
Speaker 5: and he's stressy.

906
00:50:29,400 --> 00:50:31,040
Speaker 4: He's very sweaty.

907
00:50:30,960 --> 00:50:33,040
Speaker 5: Because he knows at the end of the song he

908
00:50:33,120 --> 00:50:36,200
Speaker 5: will have to applause and we will finally see his hands.

909
00:50:36,400 --> 00:50:39,720
Speaker 1: Okay, so he that's right, So he has his tiny

910
00:50:39,760 --> 00:50:44,600
Speaker 1: hands and he I think I heard this. My roommate

911
00:50:44,680 --> 00:50:47,440
Speaker 1: was watching in the other room. Oh we used to

912
00:50:47,440 --> 00:50:52,360
Speaker 1: be married, but oh, sorry about that. And I heard

913
00:50:52,400 --> 00:50:58,200
Speaker 1: the episode and it sounded like a tiny crystal bell.

914
00:51:00,160 --> 00:51:03,319
Speaker 1: And so that's what it sounds like when aunt hand.

915
00:51:03,800 --> 00:51:07,359
Speaker 4: Yes, what it sounds like a small Christen bell.

916
00:51:07,719 --> 00:51:09,719
Speaker 3: It's so beautiful.

917
00:51:09,400 --> 00:51:11,280
Speaker 4: From like a scene from Frozen.

918
00:51:12,160 --> 00:51:12,640
Speaker 3: Wow.

919
00:51:14,840 --> 00:51:19,839
Speaker 1: I want to know where we can find you.

920
00:51:21,239 --> 00:51:25,680
Speaker 4: I'm currently in an automobile. Okay, West Hollywood.

921
00:51:26,080 --> 00:51:29,160
Speaker 1: Okay, we'll send someone. We'll send someone right now.

922
00:51:29,200 --> 00:51:31,000
Speaker 4: Okay, please let me know.

923
00:51:31,280 --> 00:51:34,239
Speaker 3: Don't go anywhere. Okay, don't do not move.

924
00:51:34,320 --> 00:51:40,200
Speaker 5: Okay, I'm not my keelim lacroix to hydrate me and

925
00:51:40,320 --> 00:51:44,440
Speaker 5: also a large empty water container to urinate in for

926
00:51:44,480 --> 00:51:45,360
Speaker 5: several hours.

927
00:51:45,640 --> 00:51:48,080
Speaker 1: Okay, we're gonna send someone, Kevin, We're gonna send someone

928
00:51:48,080 --> 00:51:51,799
Speaker 1: out right now. Okay, Okay, Okay, we're gonna go right now. Okay, Bye, Bye,

929
00:51:52,239 --> 00:51:53,040
Speaker 1: Okay Bye.

930
00:51:55,080 --> 00:51:58,719
Speaker 2: This week on the Patreon, Carl and Nissan rank Drake's albums,

931
00:51:59,000 --> 00:52:01,879
Speaker 2: Zach and Jess from book Help Bang make a rap

932
00:52:01,920 --> 00:52:03,480
Speaker 2: song on Hollywood.

933
00:52:03,000 --> 00:52:07,000
Speaker 3: Masterclass, The Boys do a vibe check on the pro Version,

934
00:52:07,320 --> 00:52:11,239
Speaker 3: and The Flagrant Ones are mostly talking all things basketball.

935
00:52:11,600 --> 00:52:15,319
Speaker 3: Check out these bonus podcasts and videos of the full episodes,

936
00:52:15,360 --> 00:52:19,120
Speaker 3: including today's with Flula at patreon dot com. Slash The

937
00:52:19,160 --> 00:52:22,040
Speaker 3: Flagrant Ones, Hollywood, Hamburg,