1 00:00:00,080 --> 00:00:06,439 Speaker 1: I was donkey up the dam damn he hogged. It's 2 00:00:06,559 --> 00:00:09,160 Speaker 1: time the donkey of the t I me ain't trying 3 00:00:09,160 --> 00:00:10,520 Speaker 1: to be donkey today no more. 4 00:00:10,560 --> 00:00:12,720 Speaker 2: They should be embarrassed by what they already did. I'm 5 00:00:12,760 --> 00:00:14,760 Speaker 2: not making new people do these things called donkey of 6 00:00:14,840 --> 00:00:18,599 Speaker 2: the day, and it really caught me off guard. Damn Charlamagne, 7 00:00:18,760 --> 00:00:20,200 Speaker 2: who got the donkey of. 8 00:00:20,280 --> 00:00:22,759 Speaker 1: To day today? Wow? 9 00:00:23,000 --> 00:00:26,200 Speaker 2: Donkey Today for Thursday, June fifteenth goes to Yko Cyrus. Now, 10 00:00:26,200 --> 00:00:27,960 Speaker 2: if you don't know who y Ko Cyrus is, He's 11 00:00:27,960 --> 00:00:30,920 Speaker 2: a singer songwriter from Jacksonville, Florida, and for the last 12 00:00:30,920 --> 00:00:33,160 Speaker 2: twenty four hours, he has been black twitters most wanted 13 00:00:33,400 --> 00:00:35,680 Speaker 2: because he was seen on video trying to give another 14 00:00:35,800 --> 00:00:39,240 Speaker 2: artist by the name of Sukiana a kiss without her consent. 15 00:00:39,560 --> 00:00:42,080 Speaker 2: The term they are using in various articles online are 16 00:00:42,159 --> 00:00:45,400 Speaker 2: forcibly kissing. That's the headline I've seen y Ko Cyrus 17 00:00:45,440 --> 00:00:50,200 Speaker 2: accused of sexual assault after forcefully kissing Sukiana at an event. Now, 18 00:00:50,960 --> 00:00:52,519 Speaker 2: and some of y'all listening to me who don't know 19 00:00:52,520 --> 00:00:54,040 Speaker 2: who the hell either one of these people are, and 20 00:00:54,040 --> 00:00:54,520 Speaker 2: that's fine. 21 00:00:54,760 --> 00:00:55,240 Speaker 1: Just know why. 22 00:00:55,280 --> 00:00:57,880 Speaker 2: Kio Cyrus is a young man Sukiyana is a young woman. Now, 23 00:00:57,880 --> 00:00:59,760 Speaker 2: there has been all types of reason in going around. 24 00:01:00,200 --> 00:01:02,880 Speaker 2: You know, stories like this get computers puting all right. 25 00:01:02,920 --> 00:01:05,400 Speaker 2: Most common sentiments I saw were folks saying this was 26 00:01:05,440 --> 00:01:08,039 Speaker 2: sexual assault. And I saw a lot of people saying, hey, 27 00:01:08,319 --> 00:01:10,880 Speaker 2: she walks around calling herself Suokie with the good kouchie, 28 00:01:10,880 --> 00:01:13,560 Speaker 2: and she has a song about eating a man's groceries. 29 00:01:13,600 --> 00:01:15,160 Speaker 2: So this is the energy she puts out, So this 30 00:01:15,200 --> 00:01:17,679 Speaker 2: is the energy she should expect to receive. That second 31 00:01:17,720 --> 00:01:21,400 Speaker 2: sentiment reminds me of when rappers who rap about various 32 00:01:21,720 --> 00:01:24,959 Speaker 2: nefarious activities, whether it's murdered, drug selling, whatever crime they 33 00:01:25,040 --> 00:01:27,160 Speaker 2: choose to put to a beat when they get jammed 34 00:01:27,240 --> 00:01:28,120 Speaker 2: up in Canta. 35 00:01:27,880 --> 00:01:30,039 Speaker 1: Rico or if they get shot and killed or. 36 00:01:30,000 --> 00:01:33,160 Speaker 2: Beat up, first thing folks say is, hey, he bought 37 00:01:33,200 --> 00:01:33,840 Speaker 2: it on himself. 38 00:01:33,959 --> 00:01:35,319 Speaker 1: Okay, because of the music he makes. 39 00:01:35,319 --> 00:01:37,160 Speaker 2: Hell, if youre a rapper who raps about concant drug 40 00:01:37,160 --> 00:01:40,200 Speaker 2: youth and then you diving overdose, people say, well, that's 41 00:01:40,200 --> 00:01:42,399 Speaker 2: what he rapped about. So folks are consistent when it 42 00:01:42,400 --> 00:01:45,399 Speaker 2: comes to blaming people's misfortunes on their music, and we 43 00:01:45,400 --> 00:01:49,080 Speaker 2: should have a discussion about that, But not really today, 44 00:01:49,480 --> 00:01:52,120 Speaker 2: Well maybe later we need to all be asking ourselves 45 00:01:53,240 --> 00:01:56,120 Speaker 2: how come we know better but don't do better? That's 46 00:01:56,120 --> 00:01:58,400 Speaker 2: the question I have for the young brother, yk O Sirus, 47 00:01:58,440 --> 00:02:00,480 Speaker 2: how come you don't knowing better? 48 00:02:00,520 --> 00:02:00,880 Speaker 1: All right? 49 00:02:00,960 --> 00:02:03,000 Speaker 2: Sometimes I'd be naive because I gave him the benefit 50 00:02:03,000 --> 00:02:04,960 Speaker 2: of the doubt yesterday, because I thought to myself, for 51 00:02:05,040 --> 00:02:07,600 Speaker 2: him to be moving like that, they must have a relationship, 52 00:02:07,640 --> 00:02:09,960 Speaker 2: because there's no possible way in twenty twenty three. If 53 00:02:10,000 --> 00:02:12,360 Speaker 2: all we have learned about boundaries and what's consent and 54 00:02:12,400 --> 00:02:14,640 Speaker 2: what's not consent in the whole me Too movement, I 55 00:02:14,680 --> 00:02:18,079 Speaker 2: would think in twenty twenty three, no man would still 56 00:02:18,120 --> 00:02:18,960 Speaker 2: be moving like that. 57 00:02:19,000 --> 00:02:22,600 Speaker 1: But here we are. Y k O Cyrus, do you 58 00:02:22,680 --> 00:02:23,880 Speaker 1: realize what you did is. 59 00:02:23,880 --> 00:02:27,959 Speaker 2: Exactly why Caine Pistol whip Chauncey and minister Society. You 60 00:02:28,000 --> 00:02:31,040 Speaker 2: remember that envy major plot line to the movie, and 61 00:02:31,080 --> 00:02:34,320 Speaker 2: it was when Chauncey was making sexual advances toward Ronnie, 62 00:02:34,360 --> 00:02:35,600 Speaker 2: and Ronnie clearly wasn't with it. 63 00:02:35,639 --> 00:02:37,040 Speaker 1: Sokine Pistol whipped them, all right. 64 00:02:37,120 --> 00:02:38,760 Speaker 2: The reason I'm putting that out there is because, whether 65 00:02:38,800 --> 00:02:41,120 Speaker 2: we realize it or not, scenes like that taught us 66 00:02:41,120 --> 00:02:43,399 Speaker 2: what not to do, and if we did do those things, 67 00:02:43,440 --> 00:02:45,760 Speaker 2: those were the kinds of consequences and repercussions that could 68 00:02:45,760 --> 00:02:48,040 Speaker 2: happen now, even though we had those teachable moments, I'll 69 00:02:48,080 --> 00:02:50,480 Speaker 2: be the first to tell you that we was raised wrong. Okay, 70 00:02:50,520 --> 00:02:53,320 Speaker 2: I mean everything about our culture has been hyper sexualized. 71 00:02:53,320 --> 00:02:54,880 Speaker 2: I don't even have to get into what I mean 72 00:02:55,280 --> 00:02:56,959 Speaker 2: when I said we was raised wrong, because if you 73 00:02:57,040 --> 00:02:59,080 Speaker 2: was born in nineteen hundreds, you know what the hell 74 00:02:59,120 --> 00:03:02,080 Speaker 2: I'm talking about. There is a reason. Okay, your mommy 75 00:03:02,120 --> 00:03:05,000 Speaker 2: and your grandma is sweating about this freaknick documentary. All right, 76 00:03:05,000 --> 00:03:06,680 Speaker 2: but at what point did those of us that know 77 00:03:06,760 --> 00:03:09,240 Speaker 2: better teach better? Okay, if you know better and you've 78 00:03:09,280 --> 00:03:12,160 Speaker 2: done better, it's your obligation to teach better. So I 79 00:03:12,200 --> 00:03:16,200 Speaker 2: am sitting here literally wondering if someone fail yko Cyrus 80 00:03:16,280 --> 00:03:19,160 Speaker 2: or is he just a d head who knows better? 81 00:03:19,200 --> 00:03:21,600 Speaker 2: What has lapses of judgment like this? I read his 82 00:03:21,680 --> 00:03:24,840 Speaker 2: apology and he said, I want to publicly offer my 83 00:03:24,960 --> 00:03:28,440 Speaker 2: sincereous apology to Sukiana. An attempt to be playful, I 84 00:03:28,560 --> 00:03:32,959 Speaker 2: misread the moment and violated Sukiana's boundaries. He also said, 85 00:03:33,000 --> 00:03:35,560 Speaker 2: I understanding importance of consent and I am embarrassed by 86 00:03:35,600 --> 00:03:39,600 Speaker 2: my behavior. Clearly, that apology shows he knew better, but 87 00:03:39,640 --> 00:03:42,040 Speaker 2: for whatever reason, he didn't do better in that moment. 88 00:03:42,280 --> 00:03:44,280 Speaker 2: And that's what we have to prevent because we gotta 89 00:03:44,320 --> 00:03:47,680 Speaker 2: protect women, right, but we also have to protect men, 90 00:03:47,760 --> 00:03:49,440 Speaker 2: all right, we gotta protect black women, but we also 91 00:03:49,520 --> 00:03:51,880 Speaker 2: have to protect black men because black men. What if 92 00:03:51,880 --> 00:03:54,520 Speaker 2: Sukuiana decided to press charges against you for sexual assault, 93 00:03:54,760 --> 00:03:56,680 Speaker 2: who's to tell us she can't do that? Now, your 94 00:03:56,720 --> 00:03:58,760 Speaker 2: dumb ass got a charge and for what because you 95 00:03:59,160 --> 00:04:01,880 Speaker 2: misread the moment? No, black man, we gotta do better. 96 00:04:01,880 --> 00:04:04,320 Speaker 2: And I wonder about that misread the moment line. It 97 00:04:04,400 --> 00:04:07,280 Speaker 2: seems to me a lot of y'all are misreading the 98 00:04:07,280 --> 00:04:09,600 Speaker 2: moment when it comes to miss Sukiana, and y'all blaming 99 00:04:09,600 --> 00:04:10,560 Speaker 2: it on her music. 100 00:04:11,400 --> 00:04:12,200 Speaker 1: Let's unpack that. 101 00:04:12,240 --> 00:04:15,560 Speaker 2: Okay, if a woman is walking around calling herself Suki 102 00:04:15,800 --> 00:04:17,880 Speaker 2: with the good kouchi, I understand why you would be 103 00:04:17,960 --> 00:04:20,040 Speaker 2: curious about that good kuchi. 104 00:04:20,080 --> 00:04:20,640 Speaker 1: That makes sense. 105 00:04:20,680 --> 00:04:23,400 Speaker 2: Doesn't give you the right to make unwanted sexual advances 106 00:04:23,400 --> 00:04:26,320 Speaker 2: to her and violate her boundaries. But I understand the curiosity. 107 00:04:26,400 --> 00:04:29,480 Speaker 2: But another main reason I'm giving why ko Cyrus donkey 108 00:04:30,680 --> 00:04:33,200 Speaker 2: is because all of y'all talking about Sukiana's music is 109 00:04:33,240 --> 00:04:37,040 Speaker 2: the reason. You know she receives this type of behavior 110 00:04:37,080 --> 00:04:39,680 Speaker 2: because of the music she makes, she should expect it. 111 00:04:39,800 --> 00:04:40,080 Speaker 1: Hmmm. 112 00:04:41,560 --> 00:04:43,719 Speaker 2: I've only heard one suki on a song, right, and 113 00:04:43,760 --> 00:04:46,400 Speaker 2: that song is called Cassimigo's right and correct. Let get 114 00:04:46,400 --> 00:04:49,320 Speaker 2: this right, my brothers, Sukiana has a song she's talking 115 00:04:49,320 --> 00:04:51,800 Speaker 2: about eating a man's groceries. I'm not king shaving at 116 00:04:51,839 --> 00:04:55,280 Speaker 2: all at my groceries eating. I'm just wondering, why, Ko Cyrus, 117 00:04:55,560 --> 00:04:58,440 Speaker 2: Why was you so ready to put your tongue in 118 00:04:58,520 --> 00:05:00,000 Speaker 2: her mouth knowing were her tongue. 119 00:05:00,120 --> 00:05:02,560 Speaker 1: It's being all of y'all out here talking about Sukiana's 120 00:05:02,600 --> 00:05:04,480 Speaker 1: music is why men do this to her. 121 00:05:04,600 --> 00:05:06,680 Speaker 2: So y'all in the rush to either get your boom 122 00:05:06,720 --> 00:05:09,480 Speaker 2: keys brunched on, or, in the case of hy Ko Cyrus, 123 00:05:09,480 --> 00:05:11,800 Speaker 2: and a rush to taste another man's ass. 124 00:05:12,640 --> 00:05:16,800 Speaker 1: That's where is Jesus? Where is he? Where is he? 125 00:05:16,880 --> 00:05:19,360 Speaker 1: Where is he? We need him so bad right now? 126 00:05:19,560 --> 00:05:21,719 Speaker 2: Okay, we need a group therapy session for all of 127 00:05:21,800 --> 00:05:23,920 Speaker 2: us because I'm just sick of us hurting each other. 128 00:05:23,960 --> 00:05:26,599 Speaker 2: I don't want to see Sukiana or any other woman hurt, 129 00:05:26,680 --> 00:05:27,400 Speaker 2: and I don't want. 130 00:05:27,240 --> 00:05:28,800 Speaker 1: To see why ko Cyrus hurt either. 131 00:05:28,880 --> 00:05:31,479 Speaker 2: Yes, he should be held accountable if there is consequences 132 00:05:31,480 --> 00:05:34,160 Speaker 2: to his actions, he earned them. But what do we 133 00:05:34,520 --> 00:05:36,479 Speaker 2: have to do as a society, What do we have 134 00:05:36,600 --> 00:05:38,440 Speaker 2: to teach as a culture? What do we have to 135 00:05:38,560 --> 00:05:43,279 Speaker 2: learn to make sure things like this don't happen ever again? 136 00:05:43,520 --> 00:05:45,800 Speaker 2: Because I would think brothers would know better by now, 137 00:05:45,800 --> 00:05:49,360 Speaker 2: wouldn't they please give y ko Cyrus the biggest he hull. 138 00:05:53,520 --> 00:05:57,240 Speaker 2: I'm just saying, y'all keep blaming Sukiana's music. You know, 139 00:05:57,400 --> 00:06:01,000 Speaker 2: y'all keep saying you know this is what she puts out? Okay, man, 140 00:06:01,200 --> 00:06:04,040 Speaker 2: like I only know that one song? 141 00:06:04,800 --> 00:06:06,840 Speaker 1: What are you saying? My brothers? All right? You know 142 00:06:06,880 --> 00:06:09,359 Speaker 1: what I'm saying? Yeah, I do you want your you 143 00:06:09,360 --> 00:06:13,000 Speaker 1: want your bookie eating? What? What? What? You want to 144 00:06:13,040 --> 00:06:13,960 Speaker 1: take the bookie on the tongue. 145 00:06:13,960 --> 00:06:15,600 Speaker 2: I'm just trying to figure it out, all right, I 146 00:06:15,640 --> 00:06:17,120 Speaker 2: don't get it? All right? 147 00:06:17,120 --> 00:06:19,120 Speaker 3: Well, thank you for that dog of today this question? 148 00:06:19,200 --> 00:06:23,279 Speaker 3: What was his name? You said you like getting your butt? 149 00:06:23,760 --> 00:06:25,560 Speaker 1: Man? Shut up? I done told you cut that out. 150 00:06:25,600 --> 00:06:27,640 Speaker 1: Now that's what you said that. I ain't say nothing 151 00:06:27,640 --> 00:06:30,599 Speaker 1: about month it was. His name was Rashaan Ksey. 152 00:06:30,839 --> 00:06:33,040 Speaker 2: Since y'all must know, no, since y'all must know, you 153 00:06:33,080 --> 00:06:35,480 Speaker 2: want to do a room report, his name was Rashan Casey. 154 00:06:35,640 --> 00:06:37,839 Speaker 1: That's why we've been so close to the last thirteen years. 155 00:06:38,040 --> 00:06:40,719 Speaker 1: All right. He was eating this ass. He was eating 156 00:06:40,720 --> 00:06:43,479 Speaker 1: this ass. Okay, all right, yes I do. 157 00:06:43,520 --> 00:06:45,960 Speaker 2: I'm burning the whole car to down, all right, Yeah, 158 00:06:46,080 --> 00:06:47,799 Speaker 2: I don't want Yeah, that's all song I'm writing. 159 00:06:48,000 --> 00:06:50,880 Speaker 1: I'm taking my toys. That's toy box. Okay, that's what 160 00:06:50,880 --> 00:06:52,640 Speaker 1: we're gonna dance through it all way. I'm not saying 161 00:06:53,000 --> 00:06:54,680 Speaker 1: first song. I'm leaving the ground. 162 00:06:54,760 --> 00:06:57,880 Speaker 3: Okay, all right, shout out to BT. We'll see you tomorrow. 163 00:06:57,920 --> 00:06:59,880 Speaker 3: I don't want blame with you no more BT piece. 164 00:07:00,200 --> 00:07:02,599 Speaker 1: That's right. What's wrong with you? 165 00:07:02,680 --> 00:07:04,920 Speaker 2: Man? That's wrong with me. I'm perfectly fine, like my 166 00:07:04,920 --> 00:07:06,760 Speaker 2: father's son to it right now. I'm gon show y'all fine. 167 00:07:06,760 --> 00:07:09,000 Speaker 2: I am alright. Well we come back. The cast of 168 00:07:09,080 --> 00:07:10,640 Speaker 2: The Blackening will be joining us. 169 00:07:10,640 --> 00:07:11,840 Speaker 1: Of course. It's a new film. 170 00:07:12,080 --> 00:07:14,960 Speaker 3: It's a horror slash comedy, really funny, and we'll talk 171 00:07:15,000 --> 00:07:19,240 Speaker 3: to the cast, which is Yvonne org Sinqua Walls, J Farroll, 172 00:07:19,320 --> 00:07:22,200 Speaker 3: Grace Mayas, Antoinette Robinson and Duyne Perkins. 173 00:07:22,240 --> 00:07:24,640 Speaker 1: So don't move. It's to Breakfast Club. Good morning. The 174 00:07:24,800 --> 00:07:25,960 Speaker 1: Breakfast Club. 175 00:07:28,280 --> 00:07:30,400 Speaker 2: Donkey today is brought to you by the law office 176 00:07:30,440 --> 00:07:33,480 Speaker 2: of Michael Slamminsoft. Don't be a donkey. Dot pound two 177 00:07:33,560 --> 00:07:35,960 Speaker 2: fifty on your cell and say the bull. If you've 178 00:07:36,000 --> 00:07:38,160 Speaker 2: been hurt in a construction accident, that's pound two five 179 00:07:38,200 --> 00:07:39,800 Speaker 2: Ozho from your cell and say the bull.