1 00:00:00,120 --> 00:00:02,400 Speaker 1: Round round to get around. I get around. It's one 2 00:00:02,400 --> 00:00:11,000 Speaker 1: more thing. I'm strong and getty, one more thing before 3 00:00:11,039 --> 00:00:13,600 Speaker 1: we get to the beach boys and a more deep 4 00:00:13,640 --> 00:00:16,439 Speaker 1: dive discussion of music maybe in general. I saw this 5 00:00:16,480 --> 00:00:18,799 Speaker 1: about the Spice girls, who haven't been a thing for 6 00:00:19,000 --> 00:00:22,240 Speaker 1: what were the Spice girls hotties? 7 00:00:22,280 --> 00:00:23,079 Speaker 2: Yeah, in the nineties. 8 00:00:25,160 --> 00:00:27,000 Speaker 3: It's longer ago than I would like to admit. 9 00:00:27,160 --> 00:00:30,680 Speaker 1: And the only one that, like, you know, isn't waiting 10 00:00:30,720 --> 00:00:33,520 Speaker 1: tables as far as I know, it's Victoria Beckham because 11 00:00:33,520 --> 00:00:36,080 Speaker 1: she married you know, the soccer player and became a 12 00:00:36,120 --> 00:00:38,280 Speaker 1: really big deal. She was posh Spice. Well, one of 13 00:00:38,320 --> 00:00:40,080 Speaker 1: the other Spice girls and I don't know which one, 14 00:00:40,080 --> 00:00:41,680 Speaker 1: and I'm not going to google it because I don't care, 15 00:00:42,360 --> 00:00:45,199 Speaker 1: came out and said that they should change their names 16 00:00:45,320 --> 00:00:49,680 Speaker 1: to be more inclusive and wanted to everything to be 17 00:00:49,720 --> 00:00:52,519 Speaker 1: listed on Apple Music and everything is the Spice people 18 00:00:52,600 --> 00:00:55,280 Speaker 1: or something like that. That girls was, you know, because 19 00:00:55,320 --> 00:00:59,560 Speaker 1: of trans Okay, you know what, if you're a trans man, 20 00:00:59,600 --> 00:01:00,880 Speaker 1: do you feel like he can't be I don't know 21 00:01:00,880 --> 00:01:04,080 Speaker 1: what it was, but anyways, parody. So the only Spice 22 00:01:04,120 --> 00:01:07,560 Speaker 1: person that anybody's ever heard of before Victoria Beckham came 23 00:01:07,560 --> 00:01:09,640 Speaker 1: out and said, okay, well we know who was woke Spice, 24 00:01:09,800 --> 00:01:11,240 Speaker 1: which I thought was pretty funny. 25 00:01:13,080 --> 00:01:16,240 Speaker 3: Dumb ass Spice. Yeah that's good. 26 00:01:16,440 --> 00:01:20,560 Speaker 1: Yeah, more important musically, Brian Wilson of the Beach Boys 27 00:01:20,640 --> 00:01:23,680 Speaker 1: has died at age eighty two. Joe for people who 28 00:01:23,720 --> 00:01:26,080 Speaker 1: don't know what was he to the Beach Boys. 29 00:01:27,120 --> 00:01:29,720 Speaker 3: Oh, he was their awe toeur. He was everything. 30 00:01:29,920 --> 00:01:32,160 Speaker 1: If I knew what that more meant, I would be 31 00:01:32,280 --> 00:01:33,119 Speaker 1: highly impressed. 32 00:01:33,680 --> 00:01:39,360 Speaker 3: He was the creative engine of the Beach Boys. He wrote, arranged, 33 00:01:39,640 --> 00:01:46,800 Speaker 3: envisioned not only you know, chord pattern, melody, lyrics, but 34 00:01:47,800 --> 00:01:50,880 Speaker 3: he heard the arrangements in his head, the weird experimental 35 00:01:51,080 --> 00:01:56,720 Speaker 3: sounds and haunting reverby harmonies and all. He just he 36 00:01:57,160 --> 00:02:01,080 Speaker 3: came up with all that. So he like produced the albums. Also, yeah, yeah, 37 00:02:01,120 --> 00:02:04,120 Speaker 3: he often with other people's help, but so was he. 38 00:02:04,360 --> 00:02:05,280 Speaker 2: It wasn't Mike Love. 39 00:02:06,960 --> 00:02:08,200 Speaker 3: No, it's funny. 40 00:02:08,240 --> 00:02:10,080 Speaker 1: Mike Love, the frontman for the Beach Boys, like the 41 00:02:10,240 --> 00:02:12,960 Speaker 1: least impressive of them all. I think, isn't he musically? 42 00:02:13,400 --> 00:02:14,360 Speaker 1: I mean he could sing. 43 00:02:14,200 --> 00:02:16,960 Speaker 3: Obviously, Yeah it's fine, but yeah he stands there in 44 00:02:16,960 --> 00:02:18,959 Speaker 3: his sailor's hat and sings, which is fine, he made 45 00:02:19,080 --> 00:02:21,919 Speaker 3: the damn good living at it. But yeah, and Brian 46 00:02:21,919 --> 00:02:24,440 Speaker 3: Wilson stopped touring because he was just a little too 47 00:02:24,480 --> 00:02:26,919 Speaker 3: crazy and delicate and had stage fright and all sorts 48 00:02:26,919 --> 00:02:31,119 Speaker 3: of stuff. Did he play instruments and sing, Brian, Yeah, 49 00:02:31,160 --> 00:02:33,920 Speaker 3: oh yeah, he played piano and guitar, and yeah he 50 00:02:34,000 --> 00:02:36,160 Speaker 3: sang lead on a lot of their hits, but he 51 00:02:36,240 --> 00:02:39,040 Speaker 3: just he wouldn't sing it sing live. That was one 52 00:02:39,080 --> 00:02:40,640 Speaker 3: of the cool things about the Beach Boys. And there 53 00:02:40,639 --> 00:02:42,519 Speaker 3: are a couple of bands like this, like the band 54 00:02:42,919 --> 00:02:46,080 Speaker 3: which is one of our mutual you know, musical gods. 55 00:02:47,760 --> 00:02:49,640 Speaker 3: The chief songwriter would say, you know, I think this 56 00:02:49,680 --> 00:02:52,680 Speaker 3: one sound good. If Carl Wilson sung it like some 57 00:02:52,720 --> 00:02:55,760 Speaker 3: of those beautiful God only knows which is a lot 58 00:02:55,760 --> 00:02:58,880 Speaker 3: of high pitch and falsetto, that's Carl Wilson, I believe, 59 00:02:59,040 --> 00:03:01,239 Speaker 3: And Brian would think this sound great of Carl sang it. 60 00:03:01,360 --> 00:03:04,200 Speaker 1: So and Brian, most of the Beach Boys was legit crazy. 61 00:03:05,160 --> 00:03:07,680 Speaker 3: Yeah. Yeah, he had some pretty serious mental illness problem. 62 00:03:07,720 --> 00:03:09,960 Speaker 3: He was abused terribly as a child. I didn't know 63 00:03:10,040 --> 00:03:13,960 Speaker 3: what was the name of that that documentary. Yeah, his dad, 64 00:03:14,080 --> 00:03:20,840 Speaker 3: Murray Wilson was uh a harsh, abusive, belittling. He would 65 00:03:20,919 --> 00:03:23,920 Speaker 3: humiliate Brian over and over again when he didn't, you know, 66 00:03:24,000 --> 00:03:25,320 Speaker 3: live up to his expectations. 67 00:03:25,560 --> 00:03:27,799 Speaker 1: Did those his brothers, the other people and the Beach 68 00:03:27,840 --> 00:03:30,760 Speaker 1: Boys are cousins and cousins, but so did it? Was 69 00:03:30,760 --> 00:03:32,919 Speaker 1: it where he's brothers abused also. 70 00:03:34,240 --> 00:03:38,680 Speaker 3: Just Brian And if you've ever known a dysfunctional family, 71 00:03:39,480 --> 00:03:43,200 Speaker 3: often there's one special target of abusive asshole down. 72 00:03:43,200 --> 00:03:45,800 Speaker 1: Sometimes the only target for some weird reason. 73 00:03:46,480 --> 00:03:49,840 Speaker 3: Yeah, yeah, which is horrible. And I'm like not an 74 00:03:49,880 --> 00:03:51,440 Speaker 3: expert on the Beach Boys or anything, but. 75 00:03:51,520 --> 00:03:52,320 Speaker 1: You're more than I am. 76 00:03:52,400 --> 00:03:54,440 Speaker 3: But yeah, he was. He was a torture genius. 77 00:03:54,560 --> 00:03:58,320 Speaker 1: Huh. And then he had that fascination with the Beatles 78 00:03:58,360 --> 00:04:00,119 Speaker 1: because they were at the same time. 79 00:04:00,080 --> 00:04:05,200 Speaker 3: And friendly rivals. Yeah. Those stories are actually really cool 80 00:04:05,400 --> 00:04:08,520 Speaker 3: because each band's album would come out and the other 81 00:04:08,560 --> 00:04:13,640 Speaker 3: Bando'd say, oh my god, that's unbelievably cool. What have 82 00:04:13,720 --> 00:04:15,960 Speaker 3: we got? Where do we go? What do we do? 83 00:04:16,279 --> 00:04:19,680 Speaker 3: So it was a very positive, you know, spurring each 84 00:04:19,680 --> 00:04:21,599 Speaker 3: other forward creatively period. 85 00:04:22,080 --> 00:04:24,960 Speaker 1: I think there's like ab Beach Boys still touring with 86 00:04:25,040 --> 00:04:26,480 Speaker 1: like a bunch of twenty year olds and they call 87 00:04:26,520 --> 00:04:28,800 Speaker 1: themselves at the Beach Boys or something like. Right, you 88 00:04:28,839 --> 00:04:30,640 Speaker 1: can go to your county fair and see them if 89 00:04:30,680 --> 00:04:31,159 Speaker 1: you want. 90 00:04:31,120 --> 00:04:34,080 Speaker 3: Right, sure, Yeah, so you can get people of pay 91 00:04:34,160 --> 00:04:36,760 Speaker 3: twenty bucks to show up for that, More power to you. 92 00:04:36,800 --> 00:04:38,320 Speaker 3: I'm a capitalist, shameless. 93 00:04:38,400 --> 00:04:40,200 Speaker 1: I was wondering, just since we were talking about music, 94 00:04:40,240 --> 00:04:42,680 Speaker 1: and I know you have strong opinions on much of this. 95 00:04:42,880 --> 00:04:47,640 Speaker 1: What's your least favorite kind of music? Because I like 96 00:04:47,680 --> 00:04:50,080 Speaker 1: a lot of different kinds of music, and like, am 97 00:04:50,080 --> 00:04:53,000 Speaker 1: I getting my car and it might be nine minute 98 00:04:53,120 --> 00:04:56,360 Speaker 1: jazz or it might be two minute pop or who 99 00:04:56,360 --> 00:04:59,880 Speaker 1: knows what, but depending on my mood, what's your least 100 00:05:00,000 --> 00:05:00,920 Speaker 1: favorite kind of music? 101 00:05:01,640 --> 00:05:03,920 Speaker 3: Wow, I'd say Polka. 102 00:05:04,600 --> 00:05:08,000 Speaker 1: Poco PoCA, Polka Big and Sheboygan that's one of my favorite. 103 00:05:08,080 --> 00:05:08,960 Speaker 1: John Candy lines. 104 00:05:09,800 --> 00:05:13,920 Speaker 3: A lot of modern pop music I just can't listen to. 105 00:05:14,520 --> 00:05:15,760 Speaker 1: You just can't listen to it. 106 00:05:16,520 --> 00:05:20,359 Speaker 3: Oh yeah, it's just I can hear exactly what they're doing, 107 00:05:20,720 --> 00:05:22,800 Speaker 3: why they're doing it, and how they did it, and 108 00:05:22,839 --> 00:05:26,800 Speaker 3: it's all corporate crap. It's like, you know, it's like 109 00:05:26,839 --> 00:05:30,120 Speaker 3: going to Ruth's Chris and wolfing down hot dogs, like 110 00:05:30,320 --> 00:05:33,880 Speaker 3: bad hot dogs? Why am I doing this? There? Are delicious? 111 00:05:33,960 --> 00:05:36,920 Speaker 3: You know, mistakes to be consumed, but you know, if 112 00:05:36,960 --> 00:05:39,800 Speaker 3: it makes you happy and lifts the load of life 113 00:05:39,839 --> 00:05:42,800 Speaker 3: off you for a while. Kick out the Jams. M 114 00:05:42,839 --> 00:05:47,400 Speaker 3: efforts to quote the uh, the the MotorCity five, the 115 00:05:47,520 --> 00:05:52,120 Speaker 3: MC five. Yeah, I don't care. I just don't get it. Now, 116 00:05:52,120 --> 00:05:58,680 Speaker 3: there's some music I listened to intellectually and am impressed by, 117 00:05:58,839 --> 00:06:00,680 Speaker 3: but I would never listen to it for fun, like 118 00:06:02,080 --> 00:06:05,680 Speaker 3: electronica and house music and stuff like that. I think, wow, 119 00:06:05,760 --> 00:06:08,200 Speaker 3: that's interesting how they changed the beat. Now they've got 120 00:06:08,200 --> 00:06:11,320 Speaker 3: that little melody and now, oh there's another layer to 121 00:06:11,360 --> 00:06:14,159 Speaker 3: it to keep the dancing people interested, And I think, oh, 122 00:06:14,200 --> 00:06:16,320 Speaker 3: that's cool. But then I'd never listened to it. 123 00:06:16,440 --> 00:06:18,599 Speaker 1: I've been on my Harry Styles kick lately and that 124 00:06:18,680 --> 00:06:20,120 Speaker 1: guy is really something. 125 00:06:20,400 --> 00:06:21,560 Speaker 3: Wow, I should dig in. 126 00:06:21,800 --> 00:06:24,160 Speaker 1: Oh, his first of all his three albums are all 127 00:06:24,320 --> 00:06:27,880 Speaker 1: so different. The first album, every track is a different 128 00:06:28,000 --> 00:06:31,080 Speaker 1: kind of music, which is true. He's closer to like 129 00:06:32,360 --> 00:06:39,520 Speaker 1: David Boi and Prince and Queen than he is anything else. 130 00:06:39,600 --> 00:06:40,320 Speaker 3: But cool. 131 00:06:40,560 --> 00:06:43,120 Speaker 1: Yeah, very interesting, dude. Why you wear his ladies clothes? 132 00:06:43,120 --> 00:06:47,279 Speaker 1: I have no idea, because he's a strange I am. 133 00:06:47,160 --> 00:06:50,159 Speaker 3: Not knee jerk contemptuous of like modern music or even 134 00:06:50,160 --> 00:06:53,320 Speaker 3: modern pop music. I just need people to direct me 135 00:06:53,400 --> 00:06:56,760 Speaker 3: to the stuff that's good, because I don't have time 136 00:06:56,800 --> 00:06:59,080 Speaker 3: to plow through it. Because when you're a kid, and 137 00:06:59,160 --> 00:07:01,320 Speaker 3: it was one of the great plays, honestly, you plowed 138 00:07:01,320 --> 00:07:03,719 Speaker 3: through all sorts of music to find the stuff you 139 00:07:03,760 --> 00:07:04,120 Speaker 3: really like. 140 00:07:04,160 --> 00:07:06,200 Speaker 1: A yet time. Here's a weird thing that we've talked 141 00:07:06,240 --> 00:07:07,920 Speaker 1: about this before. This is a weird thing that happens 142 00:07:07,920 --> 00:07:10,680 Speaker 1: when you're into some music and it becomes more popular 143 00:07:10,840 --> 00:07:13,160 Speaker 1: and it kind of like ruins it for you, which 144 00:07:13,200 --> 00:07:15,280 Speaker 1: is weird. You know, you should want them to be 145 00:07:15,360 --> 00:07:20,520 Speaker 1: successful and make more money and everything. But like Turnpike Troubadours, 146 00:07:20,560 --> 00:07:23,600 Speaker 1: which I wouldn't have known anybody even had, Like there 147 00:07:23,640 --> 00:07:25,480 Speaker 1: was more than like a hundred people in the country 148 00:07:25,480 --> 00:07:28,520 Speaker 1: that even knew they were. I mean, they're tiny band. 149 00:07:28,960 --> 00:07:30,760 Speaker 1: You could have gone and see him, and maybe you 150 00:07:30,760 --> 00:07:32,560 Speaker 1: still can, but you could have gone and seen him 151 00:07:32,600 --> 00:07:35,720 Speaker 1: with thirty other people at some place in your town 152 00:07:36,760 --> 00:07:40,480 Speaker 1: and you know whatever. And but CBS News did a 153 00:07:40,480 --> 00:07:44,000 Speaker 1: big feature on them on Sunday Morning a week ago. 154 00:07:44,640 --> 00:07:45,400 Speaker 3: And it was weird. 155 00:07:45,440 --> 00:07:48,600 Speaker 1: It gave me in awe, you're gonna show, You're gonna 156 00:07:48,600 --> 00:07:50,840 Speaker 1: tell the whole country about Turnpiketory. I don't want that 157 00:07:50,920 --> 00:07:53,200 Speaker 1: to happen. And it's just, I don't know, it's weird. 158 00:07:53,200 --> 00:07:55,880 Speaker 1: It's disappointing to me. I like, I'm cool because I 159 00:07:55,920 --> 00:07:59,720 Speaker 1: know about them, or just it will ruin it somehow, 160 00:07:59,880 --> 00:08:01,280 Speaker 1: or I don't know, probably won't. 161 00:08:01,920 --> 00:08:05,840 Speaker 3: Sly Stone passed away recently, sly and sly Stone of 162 00:08:05,960 --> 00:08:08,840 Speaker 3: sly in the family Stone and I just got a 163 00:08:08,880 --> 00:08:10,640 Speaker 3: tip on an album to listen to. I've never heard 164 00:08:10,680 --> 00:08:12,360 Speaker 3: that had no hits on it, but they said that's 165 00:08:12,400 --> 00:08:15,600 Speaker 3: the one that really really endures as music making. I 166 00:08:15,640 --> 00:08:19,360 Speaker 3: haven't heard it yet, but I'm fresh from nineteen Rocky's 167 00:08:19,360 --> 00:08:24,920 Speaker 3: younger brother. Uh No, No, different fella, Stone, not stallone. 168 00:08:26,000 --> 00:08:28,880 Speaker 1: He Oh the guy that Trump that has Trump Nixon 169 00:08:29,120 --> 00:08:33,160 Speaker 1: tattooed across his back? Does he the Stone guy that 170 00:08:33,240 --> 00:08:34,960 Speaker 1: helped out Trump? Roger Stone? 171 00:08:35,040 --> 00:08:39,760 Speaker 3: Rogers Stone. Again, different fella a black man for one thing, 172 00:08:39,840 --> 00:08:43,319 Speaker 3: so it's easier to tell him apart from Roger Stone. Okay, 173 00:08:43,360 --> 00:08:48,479 Speaker 3: but one of the great cokeheads ever produced by America. Unfortunately, 174 00:08:49,080 --> 00:08:53,640 Speaker 3: creative genius got onto the Bolivian marching Powder just ruined 175 00:08:53,679 --> 00:08:54,160 Speaker 3: his life. 176 00:08:54,440 --> 00:08:56,360 Speaker 1: Oh yes, Michael, I don't know if. 177 00:08:56,280 --> 00:08:59,240 Speaker 2: You guys remember, way back twenty seventeen, they did a 178 00:08:59,280 --> 00:09:01,240 Speaker 2: tribute to him on the Grammys. 179 00:09:01,200 --> 00:09:03,040 Speaker 3: And he came out, yes, briefly. 180 00:09:03,040 --> 00:09:06,080 Speaker 2: It was bizarre because he came out briefly on stage, 181 00:09:06,559 --> 00:09:08,319 Speaker 2: kind of nodded his head, looked at the crowd, and 182 00:09:08,360 --> 00:09:10,000 Speaker 2: then disappeared back in the curtain. 183 00:09:10,200 --> 00:09:10,600 Speaker 3: Right. 184 00:09:10,920 --> 00:09:14,160 Speaker 1: It was weird. Didn't he live up in Plasherville or something? 185 00:09:14,200 --> 00:09:16,439 Speaker 1: We heard from somebody in his band. It was I 186 00:09:16,480 --> 00:09:17,680 Speaker 1: don't know if it was him or somebody in the 187 00:09:17,679 --> 00:09:18,920 Speaker 1: band once years ago. 188 00:09:19,679 --> 00:09:21,560 Speaker 3: I mean he didn't sing or anything. Then say it 189 00:09:21,640 --> 00:09:22,320 Speaker 3: was strange. 190 00:09:22,400 --> 00:09:24,560 Speaker 1: He's like like this, Yeah, walked back. 191 00:09:24,440 --> 00:09:27,280 Speaker 3: Out too bad? 192 00:09:27,400 --> 00:09:31,680 Speaker 1: Funky though fun One more music note that we've also 193 00:09:31,720 --> 00:09:33,839 Speaker 1: discussed a lot which I find interesting. I would love 194 00:09:33,880 --> 00:09:40,680 Speaker 1: if you could take various became wealthy people's careers, put 195 00:09:40,720 --> 00:09:43,360 Speaker 1: him in the modern era where you can't make money 196 00:09:43,400 --> 00:09:45,760 Speaker 1: off of having a hit song. Oh yeah, you make 197 00:09:45,880 --> 00:09:47,840 Speaker 1: nothing off of have a hit song, and see where 198 00:09:47,880 --> 00:09:52,559 Speaker 1: they would be. And one example is currently dating Elizabeth 199 00:09:52,679 --> 00:09:57,280 Speaker 1: Hurley Billy ray Cyrus. She just had her sixtieth birthday. 200 00:09:57,280 --> 00:10:01,360 Speaker 1: Put out some noodie pics with with Billy Ray Cyrus 201 00:10:01,360 --> 00:10:03,200 Speaker 1: and they're together and now at the same age, and 202 00:10:03,400 --> 00:10:05,400 Speaker 1: she still looks fantastic. Of course, how could you tell 203 00:10:05,440 --> 00:10:09,360 Speaker 1: with modern ability to change pictures. But Billy Ray Cyrus 204 00:10:09,480 --> 00:10:14,160 Speaker 1: achy Breaky Heart, you do that now? Congratulations, everybody heard 205 00:10:14,200 --> 00:10:16,960 Speaker 1: your song for six months. You made no money whatsoever. 206 00:10:17,600 --> 00:10:19,920 Speaker 1: Depends on how hard you work, wanting to travel around 207 00:10:19,920 --> 00:10:22,920 Speaker 1: the country playing that song every single night. And he 208 00:10:23,080 --> 00:10:25,480 Speaker 1: and because, oh the reason I thought of this because 209 00:10:25,480 --> 00:10:29,200 Speaker 1: Elizabeth Hurley was visiting him on his nine hundred acre 210 00:10:29,360 --> 00:10:33,040 Speaker 1: ranch in Tennessee with his thirty thousand square foot house 211 00:10:33,080 --> 00:10:35,760 Speaker 1: and all this different sort of stuff. Oh and because 212 00:10:35,760 --> 00:10:39,679 Speaker 1: he got so wealthy. And now I don't know if 213 00:10:39,720 --> 00:10:42,280 Speaker 1: you'd been able to quit your job with having a 214 00:10:42,520 --> 00:10:43,760 Speaker 1: Achey Breaky Heart as a hit. 215 00:10:44,480 --> 00:10:47,160 Speaker 3: Yeah you could if you invested reasonably well, if you 216 00:10:47,240 --> 00:10:50,679 Speaker 3: had like one multi million seller, sure you could live 217 00:10:50,679 --> 00:10:52,880 Speaker 3: off that the rest of your day. Yeah, absolutely, yep, 218 00:10:53,600 --> 00:10:56,080 Speaker 3: good made your whole life well. And I've talked about 219 00:10:56,080 --> 00:10:58,240 Speaker 3: this and I'm not going to name any names. If 220 00:10:58,240 --> 00:11:00,360 Speaker 3: you're a detective, you could probably figure it out hartly 221 00:11:00,400 --> 00:11:03,560 Speaker 3: because this band would just despise my politics. But I 222 00:11:03,600 --> 00:11:06,520 Speaker 3: got to know one member in particular of a nationally 223 00:11:06,600 --> 00:11:11,680 Speaker 3: known band pretty well. And this person who's an incredible musician, 224 00:11:12,640 --> 00:11:17,240 Speaker 3: gives for a long time, gave lessons to kids when 225 00:11:17,320 --> 00:11:21,440 Speaker 3: they weren't on tour, because you're just being in a big, 226 00:11:21,480 --> 00:11:25,160 Speaker 3: famous band. Unless you are a huge, crazy famous band, 227 00:11:25,520 --> 00:11:26,680 Speaker 3: it's a modest living. 228 00:11:26,800 --> 00:11:28,960 Speaker 1: Sure. So I think Billy Ray Cyrus has the same 229 00:11:29,040 --> 00:11:32,040 Speaker 1: size hit now and you find out while he's fictioning 230 00:11:32,120 --> 00:11:34,360 Speaker 1: your air conditioner, Oh you're the guy who had ache, 231 00:11:34,400 --> 00:11:35,880 Speaker 1: you break your heart, I'll be done. Yeah yeah, And 232 00:11:35,920 --> 00:11:38,640 Speaker 1: then I got into air conditioner repair and now check in. 233 00:11:38,600 --> 00:11:41,160 Speaker 3: With Little Nazax in fifteen years front. 234 00:11:41,320 --> 00:11:43,600 Speaker 1: Yeah, perfect example, perfect example. 235 00:11:44,559 --> 00:11:47,679 Speaker 2: Yeah, well, I guess that's it.