1 00:00:00,760 --> 00:00:01,400 Speaker 1: And you're here. 2 00:00:01,520 --> 00:00:04,120 Speaker 2: Thanks for choosing the iHeartRadio and Coast to Coast Day 3 00:00:04,120 --> 00:00:09,240 Speaker 2: and Paranormal Podcast Network. Your quest for podcasts of the paranormal, supernatural, 4 00:00:09,240 --> 00:00:12,399 Speaker 2: and the unexplained ends here. We invite you to enjoy 5 00:00:12,520 --> 00:00:15,320 Speaker 2: all our shows we have on this network, and right now, 6 00:00:15,680 --> 00:00:18,239 Speaker 2: let's start with Strange Things with Joshua P. 7 00:00:18,480 --> 00:00:18,720 Speaker 1: Warren. 8 00:00:25,560 --> 00:00:28,840 Speaker 3: Welcome to our podcast. Please be aware the thoughts and 9 00:00:28,920 --> 00:00:32,880 Speaker 3: opinions expressed by the host are their thoughts and opinions 10 00:00:32,920 --> 00:00:38,080 Speaker 3: only and do not reflect those of iHeartMedia, iHeartRadio, Coast 11 00:00:38,120 --> 00:00:42,560 Speaker 3: to Coast AM, employees of Premiere Networks, or their sponsors 12 00:00:42,600 --> 00:00:45,800 Speaker 3: and associates. We would like to encourage you to do 13 00:00:45,840 --> 00:00:49,480 Speaker 3: your own research and discover the subject matter for yourself. 14 00:01:10,760 --> 00:01:15,440 Speaker 1: Ready to be amazed by the wizard of Weird Strange 15 00:01:15,600 --> 00:01:26,920 Speaker 1: Thing with Joshua Warren. I am Joshua B. Warren, and 16 00:01:27,000 --> 00:01:29,319 Speaker 1: each week on this show, I'll be bringing you brand 17 00:01:29,360 --> 00:01:34,280 Speaker 1: new mind blowing content, news exercises, and weird experiments you 18 00:01:34,319 --> 00:01:38,000 Speaker 1: can do at home, and a lot more. On this 19 00:01:38,200 --> 00:01:44,160 Speaker 1: edition of the show, an eerie Clark Gable story and 20 00:01:45,080 --> 00:01:48,120 Speaker 1: I'm going to tell you what happened when I conducted 21 00:01:48,160 --> 00:01:53,240 Speaker 1: my new meditation experiment. Now, this was something that was 22 00:01:53,320 --> 00:01:55,640 Speaker 1: difficult for me. I know this would not be difficult 23 00:01:55,720 --> 00:01:57,960 Speaker 1: for many of you listening, perhaps, but I wasn't sure 24 00:01:58,000 --> 00:01:59,760 Speaker 1: I was going to be able to do what I did, 25 00:02:00,400 --> 00:02:03,880 Speaker 1: and my wife Lauren certainly had her doubts. But I'm 26 00:02:03,920 --> 00:02:06,880 Speaker 1: going to tell you what happened. That's coming up later 27 00:02:06,920 --> 00:02:12,519 Speaker 1: in the show. But first this story about Clark Gable. Now, 28 00:02:12,720 --> 00:02:15,360 Speaker 1: for one thing, Clark Gable, you know, he was one 29 00:02:15,440 --> 00:02:17,440 Speaker 1: of the most famous actors who ever lived. And I 30 00:02:17,480 --> 00:02:21,320 Speaker 1: don't know if the word eerie is the right word 31 00:02:21,360 --> 00:02:25,519 Speaker 1: for this story. It's definitely otherworldly. I think it's a 32 00:02:25,560 --> 00:02:30,440 Speaker 1: little eerie because it has to do with being observed 33 00:02:31,360 --> 00:02:37,200 Speaker 1: by beings that are outside of our realm. And this 34 00:02:37,360 --> 00:02:43,480 Speaker 1: especially caught my eye because apparently Clark Gable, he is 35 00:02:43,639 --> 00:02:47,720 Speaker 1: often associated with paranormal stuff. And let me just remind you, okay, 36 00:02:48,040 --> 00:02:50,640 Speaker 1: if you're not sure exactly who I'm talking about, he 37 00:02:50,720 --> 00:02:53,880 Speaker 1: delivered one of the most famous lines in Hollywood history. 38 00:02:54,120 --> 00:02:57,320 Speaker 1: He was in Gone with the Wind, and he delivered 39 00:02:57,360 --> 00:03:02,800 Speaker 1: the line Frankly, my dear give a damn. And apparently 40 00:03:02,880 --> 00:03:05,120 Speaker 1: that was kind of strong language at the time, and 41 00:03:05,160 --> 00:03:07,880 Speaker 1: so it got a lot of attention. So that was 42 00:03:07,960 --> 00:03:11,520 Speaker 1: Clark Gable and that guy. He was so famous that 43 00:03:12,600 --> 00:03:15,560 Speaker 1: he was as famous as maybe somebody like Tom Hanks 44 00:03:15,680 --> 00:03:22,880 Speaker 1: or Tom Cruise is today. And in nineteen forty two 45 00:03:23,400 --> 00:03:28,360 Speaker 1: he was married to a famous actress named Carole Lombard, 46 00:03:29,280 --> 00:03:31,760 Speaker 1: and so they were like this star coupleisk It was 47 00:03:31,840 --> 00:03:33,840 Speaker 1: kind of like, you know, when Tom Cruise got married 48 00:03:33,840 --> 00:03:37,360 Speaker 1: to Nicole Kidman, and you know, there was all this 49 00:03:37,520 --> 00:03:40,600 Speaker 1: fodder for gossip, but it seemed like that Gable and 50 00:03:41,280 --> 00:03:44,920 Speaker 1: Lombard they really loved each other. It wasn't like some 51 00:03:45,040 --> 00:03:50,840 Speaker 1: stage Hollywood marriage. And there was a tragedy that happened 52 00:03:51,800 --> 00:03:54,960 Speaker 1: right there in the midst of their romance. In nineteen 53 00:03:55,160 --> 00:04:00,360 Speaker 1: forty two, when Carol Lombard was thirty three years old, 54 00:04:01,240 --> 00:04:06,080 Speaker 1: she was flying back toward Los Angeles from out east. 55 00:04:06,320 --> 00:04:09,280 Speaker 1: This is in the midst of World War Two, and 56 00:04:09,360 --> 00:04:13,600 Speaker 1: it was nighttime, it was stormy, and her plane crashed 57 00:04:13,680 --> 00:04:19,400 Speaker 1: into this mountain called Mount Potosi, which is right outside 58 00:04:19,440 --> 00:04:21,599 Speaker 1: of Vegas and very close to this little town called 59 00:04:21,680 --> 00:04:26,080 Speaker 1: Good Springs, Nevada. And there is a saloon there called 60 00:04:26,160 --> 00:04:29,760 Speaker 1: the Pioneer Saloon. And you may remember if you go 61 00:04:29,880 --> 00:04:34,720 Speaker 1: back to episode twenty of this podcast. It was called 62 00:04:35,040 --> 00:04:37,800 Speaker 1: the Haunted Pioneer Saloon. I went there. I did a 63 00:04:37,839 --> 00:04:42,960 Speaker 1: whole podcast just about my field investigation at the Pioneer Saloon, 64 00:04:44,600 --> 00:04:49,520 Speaker 1: And of course, one of the reasons I paid attention 65 00:04:49,560 --> 00:04:51,599 Speaker 1: to this Clark Gable story I'm going to show you 66 00:04:51,720 --> 00:04:55,719 Speaker 1: is because that after Carol Lombard crashed there, Clark Gable 67 00:04:55,960 --> 00:05:00,440 Speaker 1: rushed out to Nevada to see what the the status 68 00:05:00,520 --> 00:05:03,919 Speaker 1: of his wife was because nobody knew if there were 69 00:05:03,960 --> 00:05:06,559 Speaker 1: any survivors. This was in a very remote, rugged area. 70 00:05:06,760 --> 00:05:08,560 Speaker 1: He wanted to be part of the rescue crew. They 71 00:05:08,600 --> 00:05:11,520 Speaker 1: wouldn't let him, and so he stayed at the closest 72 00:05:11,560 --> 00:05:15,320 Speaker 1: point of civilization, the Pioneer Saloon, which also I believe 73 00:05:15,320 --> 00:05:17,599 Speaker 1: had a hotel at the time. He stayed there for 74 00:05:17,800 --> 00:05:21,640 Speaker 1: days at the bar, just drinking and smoking cigarettes and 75 00:05:21,760 --> 00:05:25,760 Speaker 1: praying while the rescue crew was out there, you know, 76 00:05:25,800 --> 00:05:28,760 Speaker 1: climbing this mountain to find out what had happened, and 77 00:05:28,800 --> 00:05:30,760 Speaker 1: that they had to come back and deliver the terrible 78 00:05:30,800 --> 00:05:34,120 Speaker 1: news to him that his wife had perished. So again, 79 00:05:34,160 --> 00:05:37,000 Speaker 1: she was thirty three and he was forty one at 80 00:05:37,040 --> 00:05:41,760 Speaker 1: the time, So you can imagine Pioneer saloon is haunted 81 00:05:41,800 --> 00:05:44,320 Speaker 1: for a lot of different reasons, you know, miners shooting 82 00:05:44,320 --> 00:05:46,880 Speaker 1: each other over poker games and such. But there are 83 00:05:46,880 --> 00:05:49,000 Speaker 1: people who say they see the ghost of Clark Gable 84 00:05:49,040 --> 00:05:52,159 Speaker 1: there now, even though Clark Gable did not die there. 85 00:05:52,920 --> 00:05:55,920 Speaker 1: A lot of times people's ghosts are seen at places 86 00:05:55,920 --> 00:05:59,760 Speaker 1: where the person did not die. If something traumatic happened 87 00:05:59,760 --> 00:06:02,600 Speaker 1: to a person, and that was about as dramatic as 88 00:06:02,600 --> 00:06:06,919 Speaker 1: it can get, I guess the person expresses this huge 89 00:06:06,920 --> 00:06:09,680 Speaker 1: surge of energy which can burn something we think of 90 00:06:09,720 --> 00:06:15,320 Speaker 1: as an imprint or some residual energy in that environment. 91 00:06:15,360 --> 00:06:18,920 Speaker 1: It might be similar to how like an electromagnetic pulse 92 00:06:19,000 --> 00:06:22,680 Speaker 1: could burn a recording onto an old VHS tape or 93 00:06:22,680 --> 00:06:25,080 Speaker 1: an audio cassette tape. That kind of thing. We just 94 00:06:25,120 --> 00:06:28,080 Speaker 1: don't know for sure, But there are people who say 95 00:06:28,080 --> 00:06:30,159 Speaker 1: they've seen him there, and in fact, on the bar 96 00:06:30,320 --> 00:06:33,320 Speaker 1: at the old Pioneer Saloon there is this kind of 97 00:06:33,360 --> 00:06:38,039 Speaker 1: a deep hole and they claim some claim that that 98 00:06:38,200 --> 00:06:40,680 Speaker 1: is where Clark Gable over the days would sit there 99 00:06:40,720 --> 00:06:44,480 Speaker 1: and crush out his cigarettes as he was waiting on 100 00:06:44,520 --> 00:06:47,000 Speaker 1: this news to find out if she was alive or not. 101 00:06:47,880 --> 00:06:51,000 Speaker 1: And he was a very heavy smoker and In fact, 102 00:06:51,040 --> 00:06:55,320 Speaker 1: he died in nineteen sixty when he was fifty nine, 103 00:06:55,920 --> 00:06:58,440 Speaker 1: of a heart attack, and a lot of people blamed 104 00:06:58,600 --> 00:07:03,920 Speaker 1: the smoking for that. Well, that's why I've had an 105 00:07:03,960 --> 00:07:10,120 Speaker 1: interest in Clark Gable and this paranormal topic. And then 106 00:07:11,200 --> 00:07:14,880 Speaker 1: last October, for my birthday, my wife gave me a 107 00:07:14,920 --> 00:07:17,520 Speaker 1: copy of this book that was published in the early 108 00:07:17,600 --> 00:07:22,560 Speaker 1: nineteen sixties called Fate's Strangest Mysteries, compiled by the editors 109 00:07:22,560 --> 00:07:27,160 Speaker 1: of Fate Magazine. A true and startling chronicle of fantastic 110 00:07:27,160 --> 00:07:31,920 Speaker 1: people and strange events science cannot explain. And when I 111 00:07:31,960 --> 00:07:34,840 Speaker 1: got this, I immediately loved this book. And I know 112 00:07:34,920 --> 00:07:38,400 Speaker 1: Phyllis Galdy who is She owns Fate Magazine now, and 113 00:07:38,440 --> 00:07:41,160 Speaker 1: she was kind enough to give me permission to occasionally 114 00:07:41,200 --> 00:07:44,880 Speaker 1: read a story to you from this book, and I 115 00:07:44,960 --> 00:07:47,960 Speaker 1: read one not too long ago. These are true stories 116 00:07:47,960 --> 00:07:50,440 Speaker 1: that people submitted to Fate. And again, this is an 117 00:07:50,480 --> 00:07:52,480 Speaker 1: old book. This book costs fifty cents when it came 118 00:07:52,520 --> 00:07:57,120 Speaker 1: out around nineteen sixty one or sixty two, and so 119 00:07:57,720 --> 00:08:00,880 Speaker 1: you've probably never heard these stories before. And I implore you, 120 00:08:00,920 --> 00:08:03,320 Speaker 1: if you have not gone to fatemag dot com in 121 00:08:03,360 --> 00:08:06,120 Speaker 1: a while, do it. Go there, check out all. They 122 00:08:06,160 --> 00:08:08,640 Speaker 1: have a store there. They have print issues, you can 123 00:08:08,680 --> 00:08:11,520 Speaker 1: get e issues. They have all kinds of stuff. Fatemag 124 00:08:11,640 --> 00:08:14,960 Speaker 1: dot com, fat e m a g dot com. So 125 00:08:15,080 --> 00:08:17,200 Speaker 1: thank you to Phillis Galdy for giving me permission to 126 00:08:17,240 --> 00:08:19,480 Speaker 1: read you some stories once in a while, because I 127 00:08:19,520 --> 00:08:23,560 Speaker 1: came across this old story that I'd never heard. It's 128 00:08:23,560 --> 00:08:26,920 Speaker 1: called Clark Gable's Mystic Journey, and I was like, huh, well, 129 00:08:27,160 --> 00:08:31,000 Speaker 1: I know this one paranormal story about Clark Gable. What's 130 00:08:31,040 --> 00:08:34,040 Speaker 1: this other one. Well, I'm going to read it to 131 00:08:34,080 --> 00:08:35,959 Speaker 1: you right now, and I may skip some parts here 132 00:08:36,000 --> 00:08:39,800 Speaker 1: and there. This is written by Dana Howard. I don't 133 00:08:39,840 --> 00:08:42,959 Speaker 1: know who that is, but this obviously was written right 134 00:08:43,000 --> 00:08:48,520 Speaker 1: after Clark Gable died. Clark Gable's sudden death has revived 135 00:08:48,559 --> 00:08:51,600 Speaker 1: in my memory the days when his name first began 136 00:08:51,679 --> 00:08:55,240 Speaker 1: to appear in the theaters of the world. An article 137 00:08:55,280 --> 00:08:58,960 Speaker 1: of mine titled Substitute Fatherhood had just been published in 138 00:08:59,000 --> 00:09:02,760 Speaker 1: Psychology MAGA. When I first met mister Gable. I had 139 00:09:02,800 --> 00:09:05,360 Speaker 1: covered the court trial where mister Gable was accused of 140 00:09:05,400 --> 00:09:09,280 Speaker 1: fathering an illegitimate child. The accuser was a love crazed 141 00:09:09,320 --> 00:09:14,600 Speaker 1: English woman suffering from a paranoid quirk. Gable's good sportsmanship 142 00:09:14,640 --> 00:09:17,360 Speaker 1: ruled his actions then, just as it continued to rule 143 00:09:17,400 --> 00:09:21,800 Speaker 1: through the ensuing years. Okay, so let's skip along. Here 144 00:09:23,640 --> 00:09:26,199 Speaker 1: says here at a certain point, this person, who obviously 145 00:09:26,280 --> 00:09:31,320 Speaker 1: is again a professional writer, got this job working for 146 00:09:31,400 --> 00:09:35,520 Speaker 1: another publication. I was on the staff of the Olmen 147 00:09:35,679 --> 00:09:38,760 Speaker 1: Publications in their Hollywood office and had come to New 148 00:09:38,840 --> 00:09:43,160 Speaker 1: York to cover the trial. Okay, so I guess you 149 00:09:43,160 --> 00:09:45,600 Speaker 1: know this is the same incident. Sorry about that. So 150 00:09:46,160 --> 00:09:49,840 Speaker 1: let's see here. So this writer literally got to go 151 00:09:50,600 --> 00:09:53,280 Speaker 1: to cover the trial, and guess what, the writer got 152 00:09:53,280 --> 00:09:56,040 Speaker 1: to meet Clark Gable. As he sat in his dressing 153 00:09:56,120 --> 00:10:00,760 Speaker 1: room at MGM Studio, mister Gable unfolded the story that 154 00:10:00,800 --> 00:10:05,280 Speaker 1: has remained etched in my consciousness, although nearly thirty years 155 00:10:05,280 --> 00:10:11,040 Speaker 1: have passed since then. He called it three day amnesia. However, 156 00:10:11,880 --> 00:10:15,520 Speaker 1: considered in the light of occult knowledge, I believe it 157 00:10:15,600 --> 00:10:19,640 Speaker 1: was an experience in the super normal. At any rate 158 00:10:19,840 --> 00:10:22,959 Speaker 1: I laid at see At any rate, it laid the 159 00:10:23,040 --> 00:10:26,640 Speaker 1: cornerstone for his career as an all time great in 160 00:10:26,760 --> 00:10:31,000 Speaker 1: motion picture history. As a review of his life will reveal, 161 00:10:31,559 --> 00:10:35,160 Speaker 1: Clark Gable was not born to riches and greatness. In 162 00:10:35,200 --> 00:10:37,880 Speaker 1: his youth, he worked very hard for everything he obtained 163 00:10:37,880 --> 00:10:40,880 Speaker 1: from life. He was aroused about in the oil fields. 164 00:10:41,160 --> 00:10:45,040 Speaker 1: He shivied logs in the Great Northwest. Anything and everything 165 00:10:45,080 --> 00:10:48,960 Speaker 1: that paid for a living wage he pursued. Meanwhile, he 166 00:10:49,120 --> 00:10:53,680 Speaker 1: yearned to become an actor. His first real opportunity in 167 00:10:53,720 --> 00:10:56,360 Speaker 1: the theater was the leading role in an intense drama 168 00:10:56,440 --> 00:11:00,320 Speaker 1: called Blind Windows. This was around nineteen thirty ten in 169 00:11:00,400 --> 00:11:03,120 Speaker 1: New York. For weeks he had put every ounce of 170 00:11:03,160 --> 00:11:07,600 Speaker 1: his emotional intensity into rehearsals. His body was weary with fatigue, 171 00:11:07,720 --> 00:11:11,120 Speaker 1: his mind was filled with fog banked hopes. And then 172 00:11:11,640 --> 00:11:17,280 Speaker 1: one Friday night, tired and spent, he started a long walk. 173 00:11:19,400 --> 00:11:20,959 Speaker 1: Why do you think is going to happen to Clark 174 00:11:20,960 --> 00:11:24,360 Speaker 1: Gable on this long walk? Well, when we come back 175 00:11:24,360 --> 00:11:28,120 Speaker 1: from our break, I'm going to continue telling you all 176 00:11:28,280 --> 00:11:30,400 Speaker 1: about it. And again, I bet you never heard this 177 00:11:30,480 --> 00:11:34,599 Speaker 1: story before. By the way, you know that I occasionally 178 00:11:34,760 --> 00:11:38,800 Speaker 1: produce a show here in the Las Vegas area called 179 00:11:39,400 --> 00:11:42,800 Speaker 1: the Paranormal Vegas Show. We used to call it Creepy Vegas, 180 00:11:42,880 --> 00:11:46,080 Speaker 1: but now we call it Paranormal Vegas and it turns 181 00:11:46,080 --> 00:11:49,040 Speaker 1: out that we're only going to have one show for 182 00:11:49,160 --> 00:11:51,840 Speaker 1: all of twenty twenty four due to some other obligations. 183 00:11:51,880 --> 00:11:54,400 Speaker 1: It's going to be on February the twenty seventh at 184 00:11:54,480 --> 00:11:57,920 Speaker 1: seven pm. And if you live near Las Vegas, well, 185 00:11:57,960 --> 00:11:59,839 Speaker 1: let me just say, this is a sixty minute show. 186 00:12:00,200 --> 00:12:03,080 Speaker 1: It's warm and indoors. You get to touch real evidence. 187 00:12:03,559 --> 00:12:07,360 Speaker 1: We're talking about ghosts, UFOs, cryptid psychic phenomena. You could 188 00:12:07,400 --> 00:12:11,760 Speaker 1: take selfies. It's for all ages. You get to see 189 00:12:11,800 --> 00:12:14,800 Speaker 1: the like real footage and the best evidence of these 190 00:12:14,840 --> 00:12:17,360 Speaker 1: ghosts and UFOs and monsters. I mean, this is a 191 00:12:17,400 --> 00:12:20,319 Speaker 1: show I put together for you. And if you go 192 00:12:20,360 --> 00:12:23,160 Speaker 1: get your ticket right now, there are I believe twenty 193 00:12:23,280 --> 00:12:27,199 Speaker 1: nine seats available. It costs you right now the early 194 00:12:27,240 --> 00:12:30,360 Speaker 1: bird price of nine dollars and ninety five cents per 195 00:12:30,480 --> 00:12:32,920 Speaker 1: ticket all ages. You're not gonna be able to beat that. 196 00:12:33,840 --> 00:12:37,199 Speaker 1: We do it in Boulder City, Nevada, about thirty minutes 197 00:12:37,280 --> 00:12:40,520 Speaker 1: right outside of Vegas, so you can avoid the strip. 198 00:12:41,520 --> 00:12:45,800 Speaker 1: Go to Paranormal Vegas dot com and get your ticket immediately. 199 00:12:46,240 --> 00:12:51,640 Speaker 1: Paranormal Vegas dot com and get your ticket to Joshua 200 00:12:51,720 --> 00:12:55,080 Speaker 1: pe Warren's Paranormal Vegas show. Now Nick Weird is going 201 00:12:55,120 --> 00:12:58,200 Speaker 1: to be hosting it. But tell let me tell you something, 202 00:12:58,200 --> 00:13:01,480 Speaker 1: you're gonna love it. I am josh Warren. You're listening 203 00:13:01,559 --> 00:13:05,320 Speaker 1: to Strange Things on the iHeartRadio and Coast to Coast 204 00:13:05,400 --> 00:13:09,720 Speaker 1: AM Paranormal Podcast Network, and I will be right back. 205 00:13:40,640 --> 00:13:45,800 Speaker 1: Welcome back to Strange Things on the iHeartRadio and Coast 206 00:13:45,800 --> 00:13:49,720 Speaker 1: to Coast AM Paranormal Podcast Network. I am your host, 207 00:13:49,800 --> 00:13:53,560 Speaker 1: the Wizard of Weird, Joshua P. Warren, beaming into your 208 00:13:53,559 --> 00:13:58,240 Speaker 1: wormhole brain from my studio in Sin City, Las Vegas, Nevada, 209 00:13:58,440 --> 00:14:02,000 Speaker 1: where every day is golden and every night is silver. 210 00:14:02,960 --> 00:14:09,120 Speaker 1: Gap to do zoume and I hope you're enjoying this tale. 211 00:14:09,120 --> 00:14:11,640 Speaker 1: And if you like this podcast in general, well you 212 00:14:11,679 --> 00:14:15,079 Speaker 1: know what. It's a free podcast. And if you're new 213 00:14:15,120 --> 00:14:17,720 Speaker 1: to it and you want to enjoy more free stuff, 214 00:14:18,320 --> 00:14:21,680 Speaker 1: please sign up for my free e newsletter. Go to 215 00:14:21,920 --> 00:14:26,000 Speaker 1: Joshua Pwarren dot com. There is no period after the P. 216 00:14:26,160 --> 00:14:27,720 Speaker 1: When you type that in and right there on the 217 00:14:27,720 --> 00:14:29,800 Speaker 1: homepage it says put in your email address and hit 218 00:14:29,840 --> 00:14:33,800 Speaker 1: submit and for Joshua's newsletter something like that. You do 219 00:14:33,920 --> 00:14:37,800 Speaker 1: that and boom you instantaneously receive an automated email from 220 00:14:37,800 --> 00:14:41,240 Speaker 1: me with links to some free online goodies that will 221 00:14:41,280 --> 00:14:44,160 Speaker 1: help you start making your life more magical. And then 222 00:14:44,240 --> 00:14:48,040 Speaker 1: you will get breaking news, exclusive stuff that I only 223 00:14:48,080 --> 00:14:51,760 Speaker 1: send out to people through my e newsletter. Sign up 224 00:14:51,840 --> 00:14:56,240 Speaker 1: right there at Joshua P. Warren dot com. Back to 225 00:14:56,320 --> 00:15:00,600 Speaker 1: this story about the famous actor Clark Gable. So apparently 226 00:15:00,640 --> 00:15:03,600 Speaker 1: here's what we can gather so far. This writer named 227 00:15:03,680 --> 00:15:07,840 Speaker 1: Dana Howard got to sit down in person with Clark 228 00:15:07,880 --> 00:15:13,240 Speaker 1: Gable sometime in the nineteen thirties, and that's when Gone 229 00:15:13,240 --> 00:15:19,240 Speaker 1: with the Wind came out, and he starts talking about 230 00:15:19,280 --> 00:15:24,280 Speaker 1: this experience that he had before he was famous. Really, 231 00:15:24,320 --> 00:15:27,400 Speaker 1: I mean, the writer is saying that the first real 232 00:15:27,480 --> 00:15:33,120 Speaker 1: opportunity that Gable got in the theater. When I'm talking like, 233 00:15:33,320 --> 00:15:36,400 Speaker 1: you know, on stage, probably like Broadway, I'm assuming here 234 00:15:36,440 --> 00:15:39,840 Speaker 1: in New York, it was this very intense drama called 235 00:15:39,920 --> 00:15:42,920 Speaker 1: Blind Windows, and it was really draining him and he 236 00:15:43,000 --> 00:15:49,560 Speaker 1: was feeling weary and fatigued, and so one night he 237 00:15:49,640 --> 00:15:52,280 Speaker 1: was probably just sort of even doubting that this was 238 00:15:52,320 --> 00:15:55,160 Speaker 1: the right direction for his life, and so he decided 239 00:15:55,200 --> 00:15:58,280 Speaker 1: to go out by himself on a Friday night, tired 240 00:15:58,320 --> 00:16:01,920 Speaker 1: and spent, and he started a walk. So here's what 241 00:16:01,960 --> 00:16:05,600 Speaker 1: the story says. Quote it seemed to me I was 242 00:16:05,640 --> 00:16:10,560 Speaker 1: walking out on the pier, he told us. Quote. I 243 00:16:10,600 --> 00:16:13,440 Speaker 1: hadn't gone far when I came face to face with 244 00:16:13,520 --> 00:16:19,880 Speaker 1: a dirty, ragged, disheveled tramp. Where you going, bow, he asked. 245 00:16:20,000 --> 00:16:22,680 Speaker 1: And I'm going to pause here and say it's spelled 246 00:16:22,760 --> 00:16:26,920 Speaker 1: b O. Where are you going, bow, he asked, I replied, 247 00:16:27,840 --> 00:16:32,840 Speaker 1: I'm going for a swim, Gable stated. The tramp looked 248 00:16:32,880 --> 00:16:36,040 Speaker 1: him over before answering, and then with a smirk on 249 00:16:36,080 --> 00:16:39,040 Speaker 1: his face, he said, but you ain't going to be 250 00:16:39,120 --> 00:16:43,200 Speaker 1: needing them duds where you're going get them off? Gable 251 00:16:43,240 --> 00:16:45,600 Speaker 1: said he did not attempt to argue. It was apparent 252 00:16:45,720 --> 00:16:49,040 Speaker 1: the man needed a new suit of clothes, so the 253 00:16:49,160 --> 00:16:54,560 Speaker 1: exchange of raiment was made. Then, as an afterthought, the 254 00:16:54,640 --> 00:16:59,560 Speaker 1: tramp asked for his money. Without a moment's hesitancy, he 255 00:16:59,600 --> 00:17:01,680 Speaker 1: told him that every dime he had in the world 256 00:17:01,760 --> 00:17:04,560 Speaker 1: was in the pocket of his pants, thirty dollars in all. 257 00:17:05,440 --> 00:17:08,600 Speaker 1: He bid the tramp goodbye and moved on down the pier. 258 00:17:10,920 --> 00:17:15,080 Speaker 1: A little farther along, he met another man, a kindly 259 00:17:15,560 --> 00:17:21,480 Speaker 1: elderly gentleman. His clothes had seen better days, but they 260 00:17:21,480 --> 00:17:27,439 Speaker 1: were a fine material and spotlessly clean. Quote. He was 261 00:17:27,480 --> 00:17:31,159 Speaker 1: the kindest, most beautiful male face I had ever seen, 262 00:17:31,400 --> 00:17:35,800 Speaker 1: Gable said. He was like someone from another world. End 263 00:17:35,880 --> 00:17:42,119 Speaker 1: quote quote where are you going, young man? He asked 264 00:17:42,119 --> 00:17:46,240 Speaker 1: in a clear resonant voice. I'm going for a swim, 265 00:17:46,440 --> 00:17:50,400 Speaker 1: Gable replied. They chatted for a few moments, and then 266 00:17:50,400 --> 00:17:53,600 Speaker 1: the older man asked, why not come home with me? 267 00:17:55,680 --> 00:17:58,919 Speaker 1: Somehow it seemed like a good suggestion, and there was 268 00:17:58,960 --> 00:18:02,760 Speaker 1: something about the man Gable could not resist, so he 269 00:18:02,800 --> 00:18:06,800 Speaker 1: went along home with him. Quote to this day, I 270 00:18:06,920 --> 00:18:09,280 Speaker 1: do not know where that home was, he told me, 271 00:18:10,080 --> 00:18:13,919 Speaker 1: but it was the cleanest, homiest place I have ever seen. 272 00:18:14,480 --> 00:18:18,199 Speaker 1: It was simply furnished, but there was a restfulness and 273 00:18:18,240 --> 00:18:23,359 Speaker 1: a sense of security there. The man had a daughter, 274 00:18:23,920 --> 00:18:27,879 Speaker 1: and Clark Gable described her and said she was beautiful 275 00:18:27,960 --> 00:18:33,120 Speaker 1: beyond words, with beauty of soul and beauty of body. 276 00:18:33,920 --> 00:18:37,400 Speaker 1: She was affectionate in her greeting and was soon preparing 277 00:18:37,480 --> 00:18:41,399 Speaker 1: coffee and sandwiches for him. She was like a lithe 278 00:18:41,480 --> 00:18:47,480 Speaker 1: angel moving about the apartment. She held him in spellbound fascination, 279 00:18:47,920 --> 00:18:54,520 Speaker 1: he said. Quote I had met my plenty of feminine pulkratude, 280 00:18:54,680 --> 00:18:59,119 Speaker 1: he said. Okay, let's look that word up. Do you 281 00:18:59,119 --> 00:19:03,399 Speaker 1: know what that means? Polk ratude. Let's do this together. 282 00:19:04,880 --> 00:19:09,800 Speaker 1: Maybe I should have done more show prep. But oh well, 283 00:19:09,840 --> 00:19:15,320 Speaker 1: that just means beauty polk ratude. Okay, if you want 284 00:19:15,320 --> 00:19:19,399 Speaker 1: to impress your loved one, tell your girlfriend her pulk 285 00:19:19,480 --> 00:19:24,439 Speaker 1: ratude is overwhelming. All right, so he said, I had 286 00:19:24,520 --> 00:19:28,040 Speaker 1: met plenty of feminine polk ratude, he said, but no 287 00:19:28,160 --> 00:19:32,560 Speaker 1: woman affected me as she did. There was nothing sensual 288 00:19:32,600 --> 00:19:36,199 Speaker 1: about it. I felt I was in the presence of 289 00:19:36,240 --> 00:19:42,120 Speaker 1: an angel. And then before retiring, she kissed me good night. 290 00:19:43,320 --> 00:19:46,919 Speaker 1: It was not a kiss of the flesh. It was 291 00:19:46,960 --> 00:19:55,920 Speaker 1: a kiss of the spirit. End quote. Well this is oh. 292 00:19:56,359 --> 00:19:58,560 Speaker 1: I was gonna make a joke, but I guess I 293 00:19:58,640 --> 00:20:02,880 Speaker 1: better not. It's a family friend show. Don't worry. Then 294 00:20:02,920 --> 00:20:06,560 Speaker 1: the old man sat him down at a table, and 295 00:20:06,680 --> 00:20:09,399 Speaker 1: looking him straight in the eye, he began to draw 296 00:20:09,520 --> 00:20:13,000 Speaker 1: him a word picture of the years to come. He 297 00:20:13,080 --> 00:20:16,399 Speaker 1: told Clark Gable of his own life. 298 00:20:17,080 --> 00:20:17,439 Speaker 2: Quote. 299 00:20:17,480 --> 00:20:21,320 Speaker 1: I was once very famous, he said. I was very wealthy. 300 00:20:22,080 --> 00:20:24,399 Speaker 1: I was married to a woman I loved very dearly. 301 00:20:25,800 --> 00:20:29,560 Speaker 1: In quote and he also told him that possessions are 302 00:20:29,600 --> 00:20:33,960 Speaker 1: only loaned to one for the duration. They must eventually 303 00:20:34,000 --> 00:20:38,439 Speaker 1: be surrendered, he said, quote. And so I gave fame away, 304 00:20:38,600 --> 00:20:41,600 Speaker 1: the old man said, and then I gave wealth away. 305 00:20:42,760 --> 00:20:48,280 Speaker 1: Finally I gave personalized love away. In quote, he spoke 306 00:20:48,320 --> 00:20:54,240 Speaker 1: of humility and sacrifice of the fickle public that one 307 00:20:54,320 --> 00:20:59,520 Speaker 1: day cheers, the next day sneers. He told the pitfalls 308 00:20:59,520 --> 00:21:03,919 Speaker 1: of too much money. He warned against the seductiveness of women. 309 00:21:05,280 --> 00:21:08,560 Speaker 1: He instructed him in the higher values of life. In short, 310 00:21:08,680 --> 00:21:11,720 Speaker 1: he gave him the dues and the daunts for the 311 00:21:11,760 --> 00:21:16,920 Speaker 1: pattern of his coming success. And there in that room, 312 00:21:17,240 --> 00:21:21,440 Speaker 1: which mister Gable could not identify, his future was mapped out. 313 00:21:23,720 --> 00:21:27,320 Speaker 1: Monday morning came and mister Gable returned to normal consciousness, 314 00:21:28,560 --> 00:21:33,000 Speaker 1: but there now were three days missing from his life. 315 00:21:33,080 --> 00:21:38,280 Speaker 1: He went to rehearsal. Lunchtime came, he started his walk 316 00:21:38,320 --> 00:21:42,920 Speaker 1: down Broadway to his usual eating place, and suddenly, about 317 00:21:42,960 --> 00:21:48,440 Speaker 1: fifty yards ahead of him, he saw her, the old 318 00:21:48,480 --> 00:21:53,840 Speaker 1: man's daughter. He started toward her, jostling the crowd. He 319 00:21:53,880 --> 00:21:57,320 Speaker 1: tried to call to her, but in his breathless hurry, 320 00:21:57,800 --> 00:22:01,520 Speaker 1: the words did not carry. Finally, he caught up with her, 321 00:22:02,960 --> 00:22:06,680 Speaker 1: but she paid no attention to him. He reached out 322 00:22:06,760 --> 00:22:12,200 Speaker 1: to touch her shoulder, and his hand went through thin air. 323 00:22:13,880 --> 00:22:21,080 Speaker 1: The girl was not there. The most outstanding quotation I 324 00:22:21,119 --> 00:22:24,600 Speaker 1: remember from what Clark Gable said is quote there in 325 00:22:24,640 --> 00:22:30,160 Speaker 1: that place where there was neither money nor the things 326 00:22:30,200 --> 00:22:33,600 Speaker 1: we strived for, I felt a sense of peace and 327 00:22:33,680 --> 00:22:40,240 Speaker 1: happiness approaching the supernatural. That strange interlude influenced me beyond 328 00:22:40,400 --> 00:22:44,720 Speaker 1: anything I have ever experienced. In that three days, I 329 00:22:44,880 --> 00:22:52,080 Speaker 1: lost out of my life, I found myself end quote. 330 00:22:52,480 --> 00:22:56,840 Speaker 1: Following this transdimensional experience, Clark Gable enjoyed more than thirty 331 00:22:56,920 --> 00:23:02,360 Speaker 1: years of epoch making success. There are many occult factors involved. 332 00:23:02,680 --> 00:23:06,719 Speaker 1: First came the intensity of his zeal. This roll in 333 00:23:06,840 --> 00:23:10,040 Speaker 1: blind windows was the part he had hoped for. He 334 00:23:10,119 --> 00:23:14,840 Speaker 1: turned on his personal dynamo full speed. Suddenly something exploded. 335 00:23:15,280 --> 00:23:19,560 Speaker 1: The breakthrough came, and suddenly his consciousness was released into 336 00:23:19,560 --> 00:23:24,919 Speaker 1: the great unknown. It reached another dimension without losing his 337 00:23:25,160 --> 00:23:29,920 Speaker 1: own identity. In that moment, Clark Gable became a universal citizen. 338 00:23:32,200 --> 00:23:35,960 Speaker 1: Let's examine the symbolism of the dream. Clark Gable went 339 00:23:36,000 --> 00:23:39,800 Speaker 1: out on the pier. He was experiencing an extension of consciousness. 340 00:23:40,359 --> 00:23:43,640 Speaker 1: He was looking for a swim, a form of ablution, 341 00:23:44,080 --> 00:23:48,240 Speaker 1: a preparation for a new life. He exchanged his one 342 00:23:48,560 --> 00:23:51,879 Speaker 1: good suit of clothes for the tramp's rags, a lesson 343 00:23:51,880 --> 00:23:55,440 Speaker 1: in humility and sacrifice, and thus he earned the privilege 344 00:23:55,440 --> 00:23:58,040 Speaker 1: of penetrating the next dimension, where he met a soul 345 00:23:58,080 --> 00:24:01,560 Speaker 1: who drafted the years ahead and at the same time 346 00:24:02,000 --> 00:24:05,280 Speaker 1: made him know that fame is transient, that money, too, 347 00:24:05,880 --> 00:24:09,000 Speaker 1: is on loan from the universal bank. He told him 348 00:24:09,000 --> 00:24:11,920 Speaker 1: also that personal love is the essence of God's love, 349 00:24:12,400 --> 00:24:15,800 Speaker 1: that one day one would supplant the other. All of 350 00:24:15,840 --> 00:24:19,600 Speaker 1: this comprises a perspective which few of us attain, but 351 00:24:19,760 --> 00:24:23,880 Speaker 1: one which Clark Gable never lost. I like to think 352 00:24:23,960 --> 00:24:27,639 Speaker 1: that this grand old man whom Clark Gable first met 353 00:24:27,680 --> 00:24:32,040 Speaker 1: out there on the pier, together with his beautiful daughter, 354 00:24:32,720 --> 00:24:37,400 Speaker 1: were there to meet him on November sixteenth, nineteen sixty 355 00:24:38,080 --> 00:24:47,159 Speaker 1: when he left this world for the next. Wow. Did 356 00:24:47,240 --> 00:24:51,720 Speaker 1: that one give you some goosebumps? When we come back, 357 00:24:52,000 --> 00:24:53,760 Speaker 1: I'll give you a couple more thoughts on that, And 358 00:24:53,800 --> 00:24:57,840 Speaker 1: then I'm going to tell you about my recent experiment 359 00:24:57,880 --> 00:25:01,200 Speaker 1: and meditation. And I've you know, I've got a tip 360 00:25:02,080 --> 00:25:04,879 Speaker 1: that you might find useful as well if you've always wondered, 361 00:25:04,960 --> 00:25:09,639 Speaker 1: like what would it be like to meditate, because you 362 00:25:09,840 --> 00:25:14,680 Speaker 1: just can't do it. Your mind's racing, you're too distracted. Well, 363 00:25:14,760 --> 00:25:17,600 Speaker 1: I'll tell you how I overcame that, at least for 364 00:25:17,640 --> 00:25:20,840 Speaker 1: a little bit. I'm Joshua PE Warren. You're listening to 365 00:25:20,920 --> 00:25:24,760 Speaker 1: Strange Things on the iHeartRadio and Coast to Coast. I 366 00:25:24,800 --> 00:25:28,120 Speaker 1: am Paranormal Podcast Network, and I will be back after 367 00:25:28,200 --> 00:26:04,439 Speaker 1: these important messages. Welcome back to Strange Things on the 368 00:26:04,480 --> 00:26:09,480 Speaker 1: iHeartRadio and Coast to Coast a m Paranormal podcast Network. 369 00:26:09,920 --> 00:26:13,439 Speaker 1: I am your hosts, Joshua P. Warren, and this is 370 00:26:13,480 --> 00:26:18,439 Speaker 1: the show where the unusual becomes usual. Yeah. That's a 371 00:26:18,440 --> 00:26:22,040 Speaker 1: pretty wild story about Clark Gable, don't you think. From 372 00:26:22,520 --> 00:26:27,879 Speaker 1: Fate's Strangest Mysteries. I want to thank Phillis Galdy again 373 00:26:28,080 --> 00:26:30,159 Speaker 1: and for letting me read that to you. Go to 374 00:26:30,320 --> 00:26:35,280 Speaker 1: Fate Magazine. Actually it's Fatemag fatemag dot com. I like 375 00:26:35,320 --> 00:26:38,800 Speaker 1: this story because it's a story about not only fate 376 00:26:39,320 --> 00:26:43,680 Speaker 1: but also destiny and this concept that maybe there are 377 00:26:44,080 --> 00:26:48,280 Speaker 1: beings that are sort of you know, in a spiritual realm. 378 00:26:48,359 --> 00:26:53,520 Speaker 1: Watching us trying to help us along. Maybe they give 379 00:26:53,600 --> 00:26:57,159 Speaker 1: us ideas, maybe they create opportunities for us if we 380 00:26:57,200 --> 00:26:58,880 Speaker 1: are open to them and we have the right kind 381 00:26:58,920 --> 00:27:01,760 Speaker 1: of heart. I don't know if they are necessarily angelic, 382 00:27:03,200 --> 00:27:07,080 Speaker 1: but it reminds me somewhat of that movie The Adjustment 383 00:27:07,119 --> 00:27:09,280 Speaker 1: Bureau that I was telling you about a while back. 384 00:27:10,119 --> 00:27:13,200 Speaker 1: That you know, some people have a destiny and a fate, 385 00:27:13,280 --> 00:27:15,440 Speaker 1: and there are people there who are supposed to help 386 00:27:15,480 --> 00:27:19,120 Speaker 1: them along the way, for better or for worse, depending 387 00:27:19,119 --> 00:27:22,399 Speaker 1: on if you agree with how your destiny is supposed 388 00:27:22,400 --> 00:27:26,720 Speaker 1: to turn out. I guess, but I wouldn't quite call 389 00:27:26,800 --> 00:27:32,639 Speaker 1: that Clark Gable story a story with an amazing happy ending. 390 00:27:33,840 --> 00:27:37,919 Speaker 1: It's sort of the cousin of an amazing happy ending story. 391 00:27:38,680 --> 00:27:40,600 Speaker 1: And if you don't know what I'm talking about, For 392 00:27:40,720 --> 00:27:44,960 Speaker 1: over two years now, I have been collecting true stories 393 00:27:45,000 --> 00:27:49,520 Speaker 1: from around the world for this new book that is 394 00:27:49,560 --> 00:27:51,840 Speaker 1: going to be coming out very soon. It is called 395 00:27:51,880 --> 00:27:55,879 Speaker 1: Amazing Happy Endings. True Stories that will make you Smile. 396 00:27:57,320 --> 00:28:02,639 Speaker 1: And I just got on the podcast and other media 397 00:28:02,720 --> 00:28:06,000 Speaker 1: and I said, there are only four rules. Send me 398 00:28:06,040 --> 00:28:08,760 Speaker 1: these stories that you have. But number one, your story 399 00:28:08,840 --> 00:28:12,560 Speaker 1: must be true. Number two, your story must be short, 400 00:28:13,000 --> 00:28:16,159 Speaker 1: ideally no more than a few paragraphs. Number three, year 401 00:28:16,240 --> 00:28:20,600 Speaker 1: story must be amazing, and number four, your story must 402 00:28:20,640 --> 00:28:24,400 Speaker 1: have a happy ending. And I just fell in love 403 00:28:24,480 --> 00:28:28,080 Speaker 1: with the selection of stories that came in. I didn't 404 00:28:28,119 --> 00:28:29,919 Speaker 1: know it was going to take me over two years 405 00:28:29,960 --> 00:28:32,200 Speaker 1: to put this all together, but I was in no hurry. 406 00:28:32,680 --> 00:28:34,720 Speaker 1: I wanted to be patient and pick out what I 407 00:28:34,760 --> 00:28:37,840 Speaker 1: thought were some of the best ones. And also I 408 00:28:37,960 --> 00:28:42,080 Speaker 1: did register Amazing Happy Endings as a trademark that is 409 00:28:42,160 --> 00:28:45,480 Speaker 1: now fully registered as a US trademark with US pat 410 00:28:45,480 --> 00:28:49,760 Speaker 1: and a trademark office, because I think that this could 411 00:28:49,840 --> 00:28:53,959 Speaker 1: become a series of a very interesting products that are 412 00:28:54,120 --> 00:28:58,240 Speaker 1: kind of inspirational and curious and humorous, and so I 413 00:28:58,240 --> 00:29:00,880 Speaker 1: have big plans for this. So it's all going to 414 00:29:00,960 --> 00:29:05,320 Speaker 1: launch here very soon. I just I have to authorize 415 00:29:06,360 --> 00:29:10,640 Speaker 1: or I guess approve of like one or two more proofs. 416 00:29:10,720 --> 00:29:14,880 Speaker 1: And I'm thinking that Amazing Happy Endings, at least in 417 00:29:14,960 --> 00:29:19,600 Speaker 1: paperback form and possibly kindle, will be available on Amazon 418 00:29:19,920 --> 00:29:25,280 Speaker 1: probably sometime February of twenty twenty four. So that's about 419 00:29:25,600 --> 00:29:29,160 Speaker 1: you know, it's coming up very soon. And now I'm 420 00:29:29,200 --> 00:29:31,640 Speaker 1: also going to do an audiobook version of this. I 421 00:29:31,680 --> 00:29:33,560 Speaker 1: don't know if the audiobook's going to come out the 422 00:29:33,560 --> 00:29:36,840 Speaker 1: same time as the paperback. We'll see. But I know 423 00:29:36,880 --> 00:29:39,400 Speaker 1: a lot of people like if you listen to a podcast, 424 00:29:39,440 --> 00:29:42,080 Speaker 1: well then a lot of you also enjoy audiobooks. That's 425 00:29:42,120 --> 00:29:46,400 Speaker 1: not always the case, but I like listening to audiobooks 426 00:29:46,440 --> 00:29:48,000 Speaker 1: when I'm in the shower or if I'm on a 427 00:29:48,080 --> 00:29:51,680 Speaker 1: road trip. So that's all something to look forward to. 428 00:29:51,800 --> 00:29:54,800 Speaker 1: I'll let you know when Amazing Happy Endings the book 429 00:29:54,920 --> 00:29:58,800 Speaker 1: is finally available, and many of the stories came from 430 00:29:59,080 --> 00:30:01,520 Speaker 1: those of you who listen this podcast, so it's actually 431 00:30:01,560 --> 00:30:04,760 Speaker 1: a very exciting thing that has is coming to Fruition 432 00:30:04,960 --> 00:30:09,480 Speaker 1: this year. Well, here is a challenge that I gave 433 00:30:09,560 --> 00:30:12,280 Speaker 1: myself that I had alluded to on a past podcast. 434 00:30:12,400 --> 00:30:18,000 Speaker 1: I'm always juggling way to many projects. It's the story 435 00:30:18,000 --> 00:30:22,240 Speaker 1: of my life, and this Amazing Happy Endings thing is 436 00:30:22,320 --> 00:30:24,240 Speaker 1: just another example of one of the many things that 437 00:30:24,280 --> 00:30:27,320 Speaker 1: I'm working on all the time as a side project, 438 00:30:28,680 --> 00:30:33,480 Speaker 1: and I therefore have difficulty sitting still and focusing on 439 00:30:33,480 --> 00:30:35,760 Speaker 1: one thing for a long period of time. If I'm 440 00:30:35,760 --> 00:30:37,400 Speaker 1: going to watch a movie, it needs to grab my 441 00:30:37,440 --> 00:30:40,200 Speaker 1: attention pretty quickly and really you know, suck me in there. 442 00:30:41,040 --> 00:30:46,440 Speaker 1: And so I have always found it difficult to meditate. 443 00:30:47,680 --> 00:30:51,640 Speaker 1: And people talk about how beneficial meditation is, how it 444 00:30:51,640 --> 00:30:55,240 Speaker 1: makes you feel better. And I went out and I 445 00:30:55,240 --> 00:30:58,320 Speaker 1: started buying these little hour a goal. Actually it's like 446 00:30:58,720 --> 00:31:01,640 Speaker 1: they're little timers, a mini ature hourglass. I think I 447 00:31:01,760 --> 00:31:03,800 Speaker 1: just got them all off an Amazon. I have one. It's 448 00:31:03,840 --> 00:31:05,920 Speaker 1: in my hands right now. It's it looks just like 449 00:31:05,960 --> 00:31:08,600 Speaker 1: a little hourglass with sand in it. But it's a 450 00:31:08,680 --> 00:31:12,840 Speaker 1: one minute timer. So I figure, if I can meditate 451 00:31:12,920 --> 00:31:16,760 Speaker 1: for one minute, then I'll move up from there to 452 00:31:16,840 --> 00:31:18,960 Speaker 1: my next timeher I have sitting here and this is 453 00:31:19,000 --> 00:31:21,960 Speaker 1: a three minute timer, and I'll just sort of increase it. 454 00:31:22,160 --> 00:31:24,320 Speaker 1: But what do you do when you meditate, Well, everybody 455 00:31:24,360 --> 00:31:27,200 Speaker 1: says the easiest thing to do is to just kind 456 00:31:27,200 --> 00:31:30,600 Speaker 1: of relax and repeat a mantra because it takes your 457 00:31:30,720 --> 00:31:33,280 Speaker 1: mind off of things. And I have this book I've 458 00:31:33,280 --> 00:31:37,560 Speaker 1: mentioned to you before called Moldavite Magic by Ball Cadman, 459 00:31:38,440 --> 00:31:42,160 Speaker 1: and on page well they're not numbers, but on one 460 00:31:42,200 --> 00:31:44,840 Speaker 1: of the pages of this book he says, here is 461 00:31:44,880 --> 00:31:47,920 Speaker 1: a mantra to promote physical healing. And I think that's 462 00:31:48,040 --> 00:31:51,720 Speaker 1: very important. You know, I have rheumatoid arthritis, and so 463 00:31:51,760 --> 00:31:54,840 Speaker 1: I'm always looking for things to make myself feel better. 464 00:31:54,840 --> 00:31:56,440 Speaker 1: I got to kind of stay on top of that. 465 00:31:57,240 --> 00:32:00,640 Speaker 1: And so this is a mantra that he includes, and 466 00:32:00,720 --> 00:32:04,520 Speaker 1: the mantra is amsred on van trein a maha amsred 467 00:32:04,560 --> 00:32:08,720 Speaker 1: on vontrein in a maha. Now, it doesn't matter if 468 00:32:08,840 --> 00:32:11,800 Speaker 1: you literally know what the words are. I actually think 469 00:32:11,840 --> 00:32:15,120 Speaker 1: in many cases it's better not to know literally, because 470 00:32:15,920 --> 00:32:19,080 Speaker 1: if you know what the words mean, then it is 471 00:32:19,200 --> 00:32:22,400 Speaker 1: going to uh excite that critical part of your brain 472 00:32:23,280 --> 00:32:26,440 Speaker 1: that's going to be, you know, trying to make intellectual 473 00:32:26,520 --> 00:32:29,840 Speaker 1: sense of what's happening, and that's not good. You want 474 00:32:29,840 --> 00:32:32,560 Speaker 1: your whole brain to kind of just relax and let 475 00:32:32,600 --> 00:32:37,000 Speaker 1: go from the intellectual side. That's why, as I've mentioned before, 476 00:32:37,040 --> 00:32:39,880 Speaker 1: when it comes to like words you use in magical spells, 477 00:32:39,920 --> 00:32:42,840 Speaker 1: a lot of them are nonsense, like bibity bobbity boo, 478 00:32:43,360 --> 00:32:48,480 Speaker 1: abracadabra odsiotato zoume. These are words that don't have a 479 00:32:48,560 --> 00:32:54,000 Speaker 1: literal meaning because when you say them, that means that 480 00:32:54,480 --> 00:32:56,800 Speaker 1: the creative side of the brain could run wild, and 481 00:32:56,880 --> 00:33:00,880 Speaker 1: it allows the clinical, intellectual, critical side of the brain 482 00:33:00,920 --> 00:33:03,440 Speaker 1: to relax. So I prefer not to know exactly what 483 00:33:03,480 --> 00:33:06,520 Speaker 1: I'm saying when I do a mantra. So here's what 484 00:33:06,600 --> 00:33:10,280 Speaker 1: I decided to do. I said, Okay, I'm gonna I'm 485 00:33:10,280 --> 00:33:12,040 Speaker 1: going to go all out. I'm going to buy a 486 00:33:12,240 --> 00:33:17,160 Speaker 1: real hour glass, you know, Wizard of Oz style. So 487 00:33:17,320 --> 00:33:21,240 Speaker 1: I bought a true one hour hour glass, just with 488 00:33:21,360 --> 00:33:24,680 Speaker 1: the sand in it. And I told Lauren, I said, 489 00:33:24,880 --> 00:33:26,640 Speaker 1: I'm going to sit down and I think I can 490 00:33:26,680 --> 00:33:28,480 Speaker 1: go for one hour. And she goes, there's no way 491 00:33:28,520 --> 00:33:30,960 Speaker 1: you can make your brain stop racing for an hour. 492 00:33:31,040 --> 00:33:33,800 Speaker 1: She just didn't think it could happen. So I said, 493 00:33:33,840 --> 00:33:37,280 Speaker 1: you may be right. When I got this hour glass, 494 00:33:37,320 --> 00:33:39,160 Speaker 1: the first thing I did was I set it down 495 00:33:39,200 --> 00:33:41,560 Speaker 1: in my office and I put a video camera on it, 496 00:33:41,600 --> 00:33:45,479 Speaker 1: and I recorded it for an hour to make sure 497 00:33:45,760 --> 00:33:49,080 Speaker 1: that it actually was an authentic hourglass. And sure enough, 498 00:33:49,120 --> 00:33:52,000 Speaker 1: it was uncanny like, right down to the second, it 499 00:33:52,120 --> 00:33:55,920 Speaker 1: was like a perfect, you know, sixty minutes this hourglass. 500 00:33:56,920 --> 00:33:59,280 Speaker 1: So then I just kept it sitting around. I'd look 501 00:33:59,280 --> 00:34:00,720 Speaker 1: at it once in a while and I'd think, like, 502 00:34:00,840 --> 00:34:02,160 Speaker 1: when am I going to feel like I'm in the 503 00:34:02,200 --> 00:34:04,880 Speaker 1: mood for this. So finally, one evening, I go tonight's 504 00:34:04,920 --> 00:34:08,399 Speaker 1: the night, and I'd been up late, Laren had already 505 00:34:08,440 --> 00:34:10,680 Speaker 1: gone to bed. The house was quiet, the dogs were 506 00:34:10,719 --> 00:34:17,600 Speaker 1: put away. So I take out the uh, the hour glass. 507 00:34:17,600 --> 00:34:20,000 Speaker 1: I went into my studio and I have a mattress 508 00:34:20,000 --> 00:34:21,840 Speaker 1: in my studio. A lot of times I just sleep 509 00:34:21,840 --> 00:34:24,439 Speaker 1: in here, you know, and I'm working on stuff. And 510 00:34:24,560 --> 00:34:26,319 Speaker 1: I put the hourglass in front of me. This is 511 00:34:26,320 --> 00:34:28,799 Speaker 1: probably like three o'clock in the morning. I put the 512 00:34:28,840 --> 00:34:31,560 Speaker 1: hourglass about ten or twelve feet in front of me, 513 00:34:32,520 --> 00:34:36,680 Speaker 1: and I had this little light that would shine up 514 00:34:36,680 --> 00:34:38,680 Speaker 1: on it, and I made sure the room was dim. 515 00:34:38,680 --> 00:34:41,200 Speaker 1: But I did not want to fall asleep, and so 516 00:34:41,320 --> 00:34:44,640 Speaker 1: I sat there and I actually did print out the 517 00:34:45,239 --> 00:34:48,359 Speaker 1: phrase lmstree don von traina maha, because I figured, after 518 00:34:48,400 --> 00:34:51,319 Speaker 1: I said it so many times, it might just sort 519 00:34:51,360 --> 00:34:54,319 Speaker 1: of my lips might become so loosey goosey, and I 520 00:34:54,400 --> 00:34:56,399 Speaker 1: might get so out of it that I couldn't even 521 00:34:56,480 --> 00:34:59,920 Speaker 1: remember the phrase. So I started it. I had some 522 00:35:00,080 --> 00:35:03,040 Speaker 1: white lily's going. I laid back and I just stared 523 00:35:03,280 --> 00:35:07,360 Speaker 1: at that hour glass, saying, omstred on von train a maha, 524 00:35:07,520 --> 00:35:10,440 Speaker 1: msreed on von train a maha, and let me tell 525 00:35:10,440 --> 00:35:14,719 Speaker 1: you that it was a long hour. It did not 526 00:35:14,880 --> 00:35:18,319 Speaker 1: fly by for me about the first ten minutes, I guess, 527 00:35:18,360 --> 00:35:21,279 Speaker 1: because you know, it's hard to even tell how time 528 00:35:21,360 --> 00:35:24,480 Speaker 1: is passing. But I I for the first ten minutes, 529 00:35:24,520 --> 00:35:27,120 Speaker 1: I felt like I'm a guy sitting like we're lying 530 00:35:27,200 --> 00:35:31,080 Speaker 1: here looking at an hourglass. And then I would say, 531 00:35:31,120 --> 00:35:34,320 Speaker 1: after about ten minutes, things began to shift. Now, I 532 00:35:34,760 --> 00:35:36,840 Speaker 1: promise you I never went to sleep. But what started 533 00:35:36,880 --> 00:35:40,160 Speaker 1: to slowly happen is I started feeling lighter and lighter 534 00:35:40,200 --> 00:35:45,719 Speaker 1: and a little bit number. And then at a certain point, 535 00:35:45,400 --> 00:35:48,240 Speaker 1: I can't tell you when the transition happened, but I 536 00:35:48,280 --> 00:35:51,759 Speaker 1: became aware of this sensation that I was sort of 537 00:35:51,800 --> 00:35:54,840 Speaker 1: hovering above my body, that I wasn't actually in my 538 00:35:54,920 --> 00:35:59,960 Speaker 1: physical body anymore. And I didn't like snap out of it, though. 539 00:36:00,160 --> 00:36:03,680 Speaker 1: I just relaxed and went with it, and kind of 540 00:36:03,680 --> 00:36:07,160 Speaker 1: started breathing deeper as I was saying the mantra. And 541 00:36:07,200 --> 00:36:11,040 Speaker 1: then my vision began to change, and it almost seemed 542 00:36:11,080 --> 00:36:16,680 Speaker 1: like I was in a room full of those sort 543 00:36:16,680 --> 00:36:24,000 Speaker 1: of striking colors that you get right around dawn or sunset. 544 00:36:25,239 --> 00:36:27,560 Speaker 1: You know, a lot of those sort of those hues 545 00:36:27,600 --> 00:36:32,160 Speaker 1: of kind of purple and orange and red, and it 546 00:36:32,320 --> 00:36:39,160 Speaker 1: was very relaxing, and there wasn't any My mind was 547 00:36:39,200 --> 00:36:44,360 Speaker 1: not even tempted to shift around and think about other things. 548 00:36:44,400 --> 00:36:48,680 Speaker 1: And then when the sand finally ran out, I just 549 00:36:48,719 --> 00:36:52,359 Speaker 1: sort of felt like I just floated kind of back 550 00:36:52,360 --> 00:36:55,520 Speaker 1: into my body. There was nothing jarring about it. And 551 00:36:55,560 --> 00:37:01,239 Speaker 1: then I realized that I felt very good. I felt 552 00:37:01,280 --> 00:37:03,719 Speaker 1: really good. I didn't even feel sleepy at that point. 553 00:37:04,360 --> 00:37:05,759 Speaker 1: I gotta take a break. When I come back, I'll 554 00:37:05,760 --> 00:37:07,799 Speaker 1: tell you a little bit more about what happened after that. 555 00:37:09,480 --> 00:37:13,560 Speaker 1: And then I want to share with you an email 556 00:37:13,640 --> 00:37:16,640 Speaker 1: I got from a listener I believe he's in California 557 00:37:17,400 --> 00:37:23,120 Speaker 1: about mojo. Something he did that you can do that 558 00:37:23,200 --> 00:37:27,200 Speaker 1: might increase your mojo. Do you even know exactly what 559 00:37:27,320 --> 00:37:33,000 Speaker 1: mojo is? Most people think of mojo in a slightly 560 00:37:33,040 --> 00:37:35,720 Speaker 1: incorrect way. We're going to dig into that and more 561 00:37:36,640 --> 00:37:40,000 Speaker 1: when we come back. I am Joshua wa Pee Warren, 562 00:37:40,239 --> 00:37:44,400 Speaker 1: and you are listening to Strange Things on the iHeartRadio 563 00:37:44,480 --> 00:37:49,080 Speaker 1: and Coast to Coast AM Paranormal Podcast Network, and I 564 00:37:49,160 --> 00:38:24,600 Speaker 1: will be right back. Welcome back to the final segment 565 00:38:25,040 --> 00:38:28,560 Speaker 1: of this edition of Strange Things on the iHeartRadio and 566 00:38:28,760 --> 00:38:34,600 Speaker 1: Coast to Coast AM Paranormal Podcast Network. I am your host, 567 00:38:34,800 --> 00:38:39,080 Speaker 1: Joshua P. Warren, And you know how you hear about 568 00:38:39,120 --> 00:38:44,520 Speaker 1: this thing called like a hip nagogic state hip nagodia. 569 00:38:45,719 --> 00:38:49,120 Speaker 1: They say it's a transitional state from wakefulness to sleep, 570 00:38:50,320 --> 00:38:53,560 Speaker 1: also defined as the waning state of consciousness during the 571 00:38:53,640 --> 00:38:58,799 Speaker 1: onset of sleep. Mental phenomenon may occur during the threshold 572 00:38:58,920 --> 00:39:04,480 Speaker 1: consciousness phase, is like hallucinations, lucid dreaming, sleep paralysis. You know, 573 00:39:04,719 --> 00:39:06,640 Speaker 1: I know all about that, and I don't think I 574 00:39:06,719 --> 00:39:10,640 Speaker 1: was in a hypnogogic state. I really don't. I have 575 00:39:10,719 --> 00:39:14,640 Speaker 1: no way of being able to define exactly while I 576 00:39:14,719 --> 00:39:18,680 Speaker 1: was experiencing. But I liked it, and the next day 577 00:39:18,760 --> 00:39:21,840 Speaker 1: I did feel better. And so the next day I 578 00:39:21,920 --> 00:39:24,600 Speaker 1: was in the kitchen I said, Lauren, guess what I 579 00:39:24,680 --> 00:39:28,319 Speaker 1: did last night. She goes, there's no telling. I said, 580 00:39:28,680 --> 00:39:34,799 Speaker 1: I meditated for a full hour, and she rolls her 581 00:39:34,840 --> 00:39:38,520 Speaker 1: eyes and goes, oh, you just went to sleep. And 582 00:39:38,560 --> 00:39:43,520 Speaker 1: I was like, Hey, what's with the attitude here? Why 583 00:39:43,520 --> 00:39:46,920 Speaker 1: do you have a problem believing that I might be 584 00:39:46,960 --> 00:39:51,520 Speaker 1: able to meditate here for an hour? And then it 585 00:39:51,560 --> 00:39:56,359 Speaker 1: occurred to me, Oh, I see what's happening. It's not 586 00:39:56,440 --> 00:40:00,520 Speaker 1: that she's just jealous. Perhaps it's that she is afraid 587 00:40:01,120 --> 00:40:06,160 Speaker 1: that I'm going to evolve and advance into a much 588 00:40:06,200 --> 00:40:12,120 Speaker 1: more superior, transcendent spiritual being, and that I will leave 589 00:40:12,200 --> 00:40:16,000 Speaker 1: her behind. I don't know if you've ever seen, if 590 00:40:16,040 --> 00:40:19,840 Speaker 1: you've ever seen the movie Watchman, the guy with the big, 591 00:40:21,120 --> 00:40:29,720 Speaker 1: big blue body, who he transcends everyone else, he becomes 592 00:40:29,760 --> 00:40:32,680 Speaker 1: more enlightened, and he leaves them behind. He goes to Mars. 593 00:40:32,800 --> 00:40:36,920 Speaker 1: I think she's afraid that this is what's gonna happen. 594 00:40:37,000 --> 00:40:41,719 Speaker 1: Something's gonna swell here. But no, don't worry. I would 595 00:40:41,840 --> 00:40:44,880 Speaker 1: never ever allow that to occur. You know, my old buddy, 596 00:40:44,920 --> 00:40:53,560 Speaker 1: Jim Mars, I asked him one time. I said, Jim, 597 00:40:53,719 --> 00:40:55,640 Speaker 1: you know because he wrote Alien Agenda. I said, Jim, 598 00:40:55,680 --> 00:40:58,080 Speaker 1: if if after all the work you've done, if a 599 00:40:58,120 --> 00:41:01,560 Speaker 1: flying saucer came over right now and aliens came down 600 00:41:01,600 --> 00:41:03,359 Speaker 1: and said, come with us, we want to take you 601 00:41:03,400 --> 00:41:06,080 Speaker 1: off into space, but you can't ever come back to Earth, 602 00:41:06,080 --> 00:41:10,440 Speaker 1: would you go? And Jim thought for a second, and 603 00:41:10,480 --> 00:41:14,600 Speaker 1: then with that Texas drawl, he goes, well, I might 604 00:41:14,640 --> 00:41:21,120 Speaker 1: ask if I could take my wife. So, yes, a 605 00:41:21,120 --> 00:41:22,920 Speaker 1: wife is not necessary. You know, I used to do 606 00:41:22,960 --> 00:41:25,080 Speaker 1: this segment on the show called things to make my 607 00:41:25,200 --> 00:41:28,160 Speaker 1: wife mad or I would poke fun at Lauren, and 608 00:41:28,520 --> 00:41:31,040 Speaker 1: I don't do that segment anymore because it turns out 609 00:41:31,440 --> 00:41:36,719 Speaker 1: it worked, so her sense of humor only goes so far. 610 00:41:37,480 --> 00:41:41,200 Speaker 1: But I did, I did, and I don't you know what, 611 00:41:41,760 --> 00:41:43,560 Speaker 1: I'm glad I did it, but I wouldn't do it 612 00:41:43,560 --> 00:41:51,239 Speaker 1: on a regular basis. It's still I'm still fighting that 613 00:41:51,480 --> 00:41:55,400 Speaker 1: dynamic force that just you know, the attention that I 614 00:41:55,440 --> 00:41:58,040 Speaker 1: have is very strong to get a lot done in 615 00:41:58,080 --> 00:42:01,560 Speaker 1: a short period of time. But anyway, that's how my 616 00:42:01,680 --> 00:42:06,480 Speaker 1: experience went. Now, let's go to some listener emails, at 617 00:42:06,560 --> 00:42:11,560 Speaker 1: least one here. Never have enough time, do I? Okay, 618 00:42:12,239 --> 00:42:17,040 Speaker 1: you know how people talk about my mojo. You hear 619 00:42:17,040 --> 00:42:20,040 Speaker 1: somebody say like, oh, my mojo's off, especially you know, 620 00:42:20,200 --> 00:42:22,680 Speaker 1: living in Las Vegas where you have gamblers around, people 621 00:42:22,719 --> 00:42:25,879 Speaker 1: say oh, oh my mojo's down today or whatever. And 622 00:42:27,680 --> 00:42:30,360 Speaker 1: I guess it goes back to like the Austin Powers 623 00:42:30,360 --> 00:42:34,680 Speaker 1: sort of mindset of up my mojo. So people think 624 00:42:34,719 --> 00:42:39,279 Speaker 1: of their mojo as kind of their charm or their 625 00:42:39,400 --> 00:42:44,160 Speaker 1: their magical persuasive presence or something along those lines, but 626 00:42:44,239 --> 00:42:49,279 Speaker 1: actually a mojo is a physical thing, and I'm not 627 00:42:49,320 --> 00:42:51,600 Speaker 1: an expert on this, so I just want to read 628 00:42:51,640 --> 00:42:58,320 Speaker 1: this to you. A mojo in the African American spiritual 629 00:42:58,360 --> 00:43:04,320 Speaker 1: practice called whodo is an amulet consisting of a flannel 630 00:43:04,480 --> 00:43:10,240 Speaker 1: bag containing one or more magical items. It is a quote, 631 00:43:10,400 --> 00:43:14,000 Speaker 1: prayer in a bag, or a spell that can be 632 00:43:14,080 --> 00:43:18,279 Speaker 1: carried with or on the host's body, and there are 633 00:43:18,280 --> 00:43:21,960 Speaker 1: all kinds of different names for them. The word mojo 634 00:43:22,160 --> 00:43:28,160 Speaker 1: also refers to magic and charms. Mojo containers are bags, gourds, bottles, shells, 635 00:43:28,160 --> 00:43:32,640 Speaker 1: and other containers. The making of mojo bags in hoodoo 636 00:43:32,760 --> 00:43:37,520 Speaker 1: is a system of African American occult magic. The creation 637 00:43:37,680 --> 00:43:41,799 Speaker 1: of mojo bags is an esoteric system that involves sometimes 638 00:43:41,880 --> 00:43:47,360 Speaker 1: housing spirits inside of bags for either protection, healing, or harm, 639 00:43:47,600 --> 00:43:52,480 Speaker 1: and to consult with spirits. Other times, mojo bags are 640 00:43:52,520 --> 00:43:55,560 Speaker 1: created to manifest results in a person's life, such as 641 00:43:55,600 --> 00:44:00,319 Speaker 1: good luck, money, or love. The etymology here is the 642 00:44:00,360 --> 00:44:04,080 Speaker 1: word mojo is believed to be derived from this other 643 00:44:04,120 --> 00:44:08,520 Speaker 1: word moyo, which means quote to the spirits that dwelt 644 00:44:08,560 --> 00:44:14,480 Speaker 1: within magical charms end quote. So I tell you this 645 00:44:15,239 --> 00:44:21,319 Speaker 1: because I got this email recently from a listener named Dan, 646 00:44:22,200 --> 00:44:27,840 Speaker 1: and I believe he is in California, and he wrote, Hi, Joshua, 647 00:44:28,520 --> 00:44:32,600 Speaker 1: I recently bought some small pouches that can clip onto 648 00:44:32,640 --> 00:44:39,239 Speaker 1: your keychain, et cetera. It has a velcro closure. I 649 00:44:39,320 --> 00:44:45,759 Speaker 1: put my buddhistone in it, a five dollar bill, my 650 00:44:45,920 --> 00:44:51,440 Speaker 1: personal sigil, and now the luck money and one hundred 651 00:44:51,440 --> 00:44:54,160 Speaker 1: dollars bill sigel. So it's kind of like a mojo. 652 00:44:55,880 --> 00:45:00,000 Speaker 1: Not more than two hours later, I got direct depositive 653 00:45:00,239 --> 00:45:04,040 Speaker 1: my bonus for the year. Now. Granted I was expecting 654 00:45:04,040 --> 00:45:07,680 Speaker 1: it at some point, but still, and he said, an 655 00:45:07,719 --> 00:45:10,560 Speaker 1: interesting story on my buddhistone. I had one from a 656 00:45:10,640 --> 00:45:13,120 Speaker 1: kit I bought. Plus I had a new one I 657 00:45:13,160 --> 00:45:17,000 Speaker 1: got from your Halloween mystery box, a bigger one. No 658 00:45:17,160 --> 00:45:20,360 Speaker 1: sooner did I get the new one. I lost the 659 00:45:20,400 --> 00:45:24,279 Speaker 1: old one this weekend. I was doing some cleaning up 660 00:45:24,320 --> 00:45:26,520 Speaker 1: and found it in my chair. I carry it with 661 00:45:26,560 --> 00:45:28,960 Speaker 1: me often. I thought I had lost it in the field. 662 00:45:29,080 --> 00:45:31,160 Speaker 1: I won't lose it now or the new one. They 663 00:45:31,160 --> 00:45:33,520 Speaker 1: are both in Puches now, and I'll let you know 664 00:45:33,560 --> 00:45:38,279 Speaker 1: if any other things happen. Dan, Well, interesting idea, Dan, 665 00:45:38,440 --> 00:45:41,000 Speaker 1: I like it. I like it. You know, if you're 666 00:45:41,000 --> 00:45:43,120 Speaker 1: listening and you've never been to my Curiosity Shop, go 667 00:45:43,200 --> 00:45:45,000 Speaker 1: there and you'll see all kinds of stuff. You can 668 00:45:45,040 --> 00:45:49,880 Speaker 1: get a personalized sigil. Occasionally, I'll have buddhistones available if 669 00:45:49,920 --> 00:45:53,160 Speaker 1: I can get my hands on them. And I also 670 00:45:53,280 --> 00:45:57,040 Speaker 1: have some other really interesting stuff that I planned to 671 00:45:58,000 --> 00:46:01,319 Speaker 1: produce for you over the next few months. Some of 672 00:46:01,360 --> 00:46:03,400 Speaker 1: it will be stuff I do not talk about on 673 00:46:03,440 --> 00:46:05,920 Speaker 1: this podcast, but always go to the Curiosity Shop at 674 00:46:05,960 --> 00:46:09,279 Speaker 1: Joshua Pwarren dot com and again sign up for my 675 00:46:09,320 --> 00:46:11,920 Speaker 1: free newsletter so you'll know when I have these limited 676 00:46:11,960 --> 00:46:14,520 Speaker 1: runs of things. But that's cool, Dan, I like that 677 00:46:14,640 --> 00:46:17,400 Speaker 1: idea of taking some of these things that are meaningful 678 00:46:17,480 --> 00:46:19,959 Speaker 1: and turning them into a pouch, carrying them with you. 679 00:46:22,239 --> 00:46:24,200 Speaker 1: And uh, you know what, I think I have just 680 00:46:24,320 --> 00:46:26,799 Speaker 1: enough time here to share a quick story with you 681 00:46:28,160 --> 00:46:30,319 Speaker 1: before we play the good Fortune tone and go out 682 00:46:30,320 --> 00:46:32,319 Speaker 1: with that. I was thinking the other day I call 683 00:46:32,360 --> 00:46:34,839 Speaker 1: this mental mental man. I was thinking the other day 684 00:46:34,840 --> 00:46:38,160 Speaker 1: about when I was born. What was my first memory 685 00:46:38,160 --> 00:46:42,200 Speaker 1: that I had, and my earliest memory, and what does 686 00:46:42,239 --> 00:46:44,279 Speaker 1: this say about a person? Maybe I've talked about this. 687 00:46:44,960 --> 00:46:48,120 Speaker 1: My very first memory was looking over I was in 688 00:46:48,160 --> 00:46:49,920 Speaker 1: a crib and I looked over and there was a 689 00:46:49,920 --> 00:46:55,759 Speaker 1: big stuffed cookie Monster sitting there. And that's the first 690 00:46:56,280 --> 00:47:00,360 Speaker 1: moment of consciousness that I have related to this world. 691 00:47:00,760 --> 00:47:02,600 Speaker 1: The first thing I saw that I can remember was 692 00:47:02,640 --> 00:47:06,200 Speaker 1: not a person. It was a big, blue, furry creature 693 00:47:06,320 --> 00:47:09,560 Speaker 1: that actually doesn't exist. By the way, did you know 694 00:47:09,600 --> 00:47:12,960 Speaker 1: that Cookie Monster's real name is sid He came out 695 00:47:13,000 --> 00:47:17,320 Speaker 1: at some point and said that, you know, a cookie 696 00:47:17,320 --> 00:47:19,920 Speaker 1: Monster from Sesame Street. They say that Cookie Monster was 697 00:47:19,960 --> 00:47:25,520 Speaker 1: created because Jim Henson got some jobs with like food companies, 698 00:47:25,560 --> 00:47:28,200 Speaker 1: creating monsters that would eat different snacks and like, oh 699 00:47:28,360 --> 00:47:33,600 Speaker 1: and love them, and they never were actually used, but 700 00:47:33,800 --> 00:47:36,239 Speaker 1: you know, he had had them around, and so one 701 00:47:36,280 --> 00:47:38,399 Speaker 1: of them was Cookie Monster, and so he used that 702 00:47:38,640 --> 00:47:43,080 Speaker 1: in Sesame Street during the debut and everybody loved it. 703 00:47:43,160 --> 00:47:46,560 Speaker 1: Of course, now people are like, oh, he's making kids fat, 704 00:47:46,640 --> 00:47:49,600 Speaker 1: you know, because so they try to balance out Cookie 705 00:47:49,680 --> 00:47:52,960 Speaker 1: Monster with with healthy eating tips. But I always thought 706 00:47:52,960 --> 00:47:56,000 Speaker 1: to myself, I wonder how that affected my grasp of reality, 707 00:47:56,520 --> 00:47:59,560 Speaker 1: that the first thing that I saw when I entered 708 00:47:59,560 --> 00:48:05,480 Speaker 1: this to men was a fantastical creature, and maybe that 709 00:48:05,560 --> 00:48:08,600 Speaker 1: had something to do with inspiring my weird interests in life? 710 00:48:09,160 --> 00:48:12,799 Speaker 1: What was your first memory? Think about it, psychoanalyze it. 711 00:48:13,920 --> 00:48:15,920 Speaker 1: Do you see a connection between how your life is 712 00:48:15,960 --> 00:48:20,200 Speaker 1: turned out and your very first earliest memory of something 713 00:48:20,400 --> 00:48:24,440 Speaker 1: clear in this dimension? It's an interesting topic. Maybe if 714 00:48:24,480 --> 00:48:27,120 Speaker 1: you send me your emails about that, I'll find what 715 00:48:27,200 --> 00:48:30,160 Speaker 1: I can read here on the show. All right, well, 716 00:48:30,680 --> 00:48:32,759 Speaker 1: it is now that time, my friends, when we all 717 00:48:32,800 --> 00:48:36,880 Speaker 1: try to collectively manifest at least another great seven days, 718 00:48:36,960 --> 00:48:40,560 Speaker 1: if not longer for ourselves. If you can close your 719 00:48:40,560 --> 00:48:45,759 Speaker 1: eyes regardless, take some deep breaths, relax, and let us 720 00:48:45,800 --> 00:48:48,400 Speaker 1: reach out in the world of spirit and hold hands 721 00:48:48,560 --> 00:48:52,120 Speaker 1: as we experience the one, the Only, the original, the 722 00:48:52,160 --> 00:49:21,600 Speaker 1: twenty second good Fortune tone. That's it for this edition 723 00:49:21,680 --> 00:49:25,160 Speaker 1: of the show. Follow me on Twitter at Joshua P. Warren, 724 00:49:25,640 --> 00:49:29,120 Speaker 1: Plus visit joshuapwarren dot com to sign up for my 725 00:49:29,400 --> 00:49:33,759 Speaker 1: free e newsletter to receive a free instant gift, and 726 00:49:34,160 --> 00:49:37,120 Speaker 1: check out the cool stuff in the Curiosity Shop all 727 00:49:37,320 --> 00:49:41,120 Speaker 1: at Joshuapwarren dot com. I have a fun one lined 728 00:49:41,200 --> 00:49:44,719 Speaker 1: up for you next time, I promise, so please tell 729 00:49:44,760 --> 00:49:48,160 Speaker 1: all your friends to subscribe to this show and to 730 00:49:48,280 --> 00:49:53,720 Speaker 1: always remember the Golden Rule. Thank you for listening, Thank 731 00:49:53,760 --> 00:49:57,640 Speaker 1: you for your interest and support, Thank you for staying curious, 732 00:49:58,200 --> 00:50:02,799 Speaker 1: and I will talk to you again soon. You've been 733 00:50:02,800 --> 00:50:07,279 Speaker 1: listening to Strange Things on the iHeartRadio and Coast to 734 00:50:07,360 --> 00:50:10,719 Speaker 1: Coast AM Paranormal Podcast Network. 735 00:50:19,440 --> 00:50:21,960 Speaker 2: Thanks for listening to the iHeartRadio and Coast to Coast 736 00:50:22,040 --> 00:50:25,279 Speaker 2: AM Paranormal Podcast Network. Make sure and check out all 737 00:50:25,440 --> 00:50:28,440 Speaker 2: our shows on the iHeartRadio app or by going to 738 00:50:28,520 --> 00:50:34,840 Speaker 2: iHeartRadio dot com