1 00:00:06,120 --> 00:00:08,760 Speaker 1: Hey, everyone, thanks so much for joining me on Table 2 00:00:08,800 --> 00:00:12,720 Speaker 1: for two. This season, we're gonna try something new. We're 3 00:00:12,720 --> 00:00:17,400 Speaker 1: gonna have bonus content for you between each full length episode. 4 00:00:17,600 --> 00:00:21,320 Speaker 1: It's so much fun, and we had such great conversation 5 00:00:21,880 --> 00:00:24,919 Speaker 1: at the table with Divine Joey Randolph that I thought 6 00:00:24,920 --> 00:00:27,240 Speaker 1: i'd share a little more with you. Both of us 7 00:00:27,320 --> 00:00:30,040 Speaker 1: love fashion and I wanted to know where she finds 8 00:00:30,160 --> 00:00:32,919 Speaker 1: clothing inspiration and what she was planning to wear during 9 00:00:32,960 --> 00:00:36,680 Speaker 1: award season. We recorded this interview before she took home 10 00:00:37,080 --> 00:00:42,879 Speaker 1: BAFTA SAG Award and Best Supporting Actress at the Academy Awards. 11 00:00:42,920 --> 00:00:44,760 Speaker 2: That's right, she won an Oscar. 12 00:00:45,440 --> 00:00:48,559 Speaker 1: Divine and I also discussed her love of diamonds and 13 00:00:48,600 --> 00:00:51,199 Speaker 1: an urgent need for a private jet. And even though 14 00:00:51,200 --> 00:00:54,240 Speaker 1: award season is over and the fashion shows have ended, 15 00:00:54,640 --> 00:00:57,720 Speaker 1: I'm sure she would still welcome a plane or an 16 00:00:57,720 --> 00:01:01,960 Speaker 1: Elizabeth Taylor worthy rock Daddy Warbucks. If you're listening, you 17 00:01:02,000 --> 00:01:04,120 Speaker 1: can message me on Instagram and I'll put you in 18 00:01:04,160 --> 00:01:07,479 Speaker 1: touch with Divines people. We hope you enjoyed this little 19 00:01:07,480 --> 00:01:10,280 Speaker 1: bonus from our conversation, and we'll be back next week 20 00:01:10,520 --> 00:01:12,240 Speaker 1: with the handsome Matt Bomer. 21 00:01:19,880 --> 00:01:23,040 Speaker 2: So I know that you're like you're into fashion. Yeah, 22 00:01:23,080 --> 00:01:23,639 Speaker 2: into fashion. 23 00:01:23,680 --> 00:01:28,080 Speaker 1: I mean you're just like wearing some beautiful like leather everything. 24 00:01:28,640 --> 00:01:31,039 Speaker 2: You know, you're about to go on this big getting 25 00:01:31,080 --> 00:01:36,080 Speaker 2: into the game. You're getting into the like what is 26 00:01:36,680 --> 00:01:39,160 Speaker 2: like the hunger game? It really is and. 27 00:01:39,160 --> 00:01:42,360 Speaker 1: I've heard about it, just you know when people experience 28 00:01:42,400 --> 00:01:43,360 Speaker 1: it's like whow. 29 00:01:43,480 --> 00:01:46,160 Speaker 2: So first of all, this is what I need to know. 30 00:01:46,600 --> 00:01:49,720 Speaker 2: Are you ready for it? No? Not ready for it? 31 00:01:49,720 --> 00:01:50,480 Speaker 2: It is what it is. 32 00:01:50,680 --> 00:01:53,120 Speaker 3: I'm you and be like I'm ready. I don't even 33 00:01:53,160 --> 00:01:56,400 Speaker 3: know what's around the corner. I just show up like 34 00:01:56,440 --> 00:01:57,800 Speaker 3: they just said, I gotta go to a photo shoot. 35 00:01:57,880 --> 00:01:59,960 Speaker 2: Okay, right, Like you're like here, I'm a table for two. 36 00:02:00,080 --> 00:02:03,600 Speaker 2: What the heck is responsing? I'm now go to the 37 00:02:03,640 --> 00:02:05,280 Speaker 2: next time. Let me ask you. 38 00:02:05,360 --> 00:02:07,240 Speaker 1: So, now, let's say we're out Oscar. We're going to 39 00:02:07,280 --> 00:02:11,400 Speaker 1: Oscar out fashion. What do we have any like I 40 00:02:11,480 --> 00:02:13,280 Speaker 1: don't know for jewelry. 41 00:02:12,840 --> 00:02:15,440 Speaker 2: Hair up, hair down? Like, what do are we vibings 42 00:02:15,560 --> 00:02:15,760 Speaker 2: you have? 43 00:02:15,880 --> 00:02:18,520 Speaker 3: Like I always I'll say this, I genuinely don't know, 44 00:02:18,560 --> 00:02:19,919 Speaker 3: and I would tell you even off the camera. 45 00:02:19,960 --> 00:02:21,720 Speaker 2: I would tell you I gingually don't know. Yet I 46 00:02:21,720 --> 00:02:24,040 Speaker 2: don't know I don't know what I'm wearing a. 47 00:02:24,120 --> 00:02:27,600 Speaker 3: Sad yet bath yet, I don't know yet, which is 48 00:02:27,639 --> 00:02:30,880 Speaker 3: exciting only because diners are coming to the. 49 00:02:30,880 --> 00:02:33,320 Speaker 2: Table being like we want to play with you. 50 00:02:33,480 --> 00:02:38,080 Speaker 3: Yeah, and having options is beyond right. Fashion is one 51 00:02:38,080 --> 00:02:42,120 Speaker 3: of the most fun like outside of acting. It's my 52 00:02:42,320 --> 00:02:45,920 Speaker 3: other gag where I'm just like, it's a blast. It's storyteller. 53 00:02:45,919 --> 00:02:48,480 Speaker 3: I always have to tell stories in my clothes. And 54 00:02:48,520 --> 00:02:52,080 Speaker 3: I always love to be timeless, like this stuff. 55 00:02:53,040 --> 00:02:53,880 Speaker 2: This is me off day. 56 00:02:54,080 --> 00:02:56,720 Speaker 1: Yeah, I'm looking pictures on the wall at the Tower 57 00:02:56,760 --> 00:02:59,840 Speaker 1: of Glamour, shots of people I have. 58 00:03:00,000 --> 00:03:03,959 Speaker 3: I have Turner classic movies on my TV, like it's 59 00:03:03,960 --> 00:03:05,720 Speaker 3: the news, that's my CNN. 60 00:03:06,240 --> 00:03:08,880 Speaker 2: It's always on. I'll be watching them. 61 00:03:08,880 --> 00:03:11,200 Speaker 3: That's how I like wind down from the night, especially 62 00:03:11,200 --> 00:03:13,960 Speaker 3: when I'm filming, and like in all this right, it's chaos. 63 00:03:14,320 --> 00:03:17,679 Speaker 1: Organized chaos is your favorite that you love since this 64 00:03:17,960 --> 00:03:18,680 Speaker 1: classic movie. 65 00:03:19,280 --> 00:03:22,760 Speaker 3: I always have to have in the rotation either head 66 00:03:22,800 --> 00:03:29,440 Speaker 3: burns because the acting, but also the fashion. Yeah, Sophia 67 00:03:29,520 --> 00:03:32,560 Speaker 3: Lawren always has to be in the rotation. I love 68 00:03:32,600 --> 00:03:36,000 Speaker 3: Spencer Tracy. Then I gotta get in my musicals. I 69 00:03:36,040 --> 00:03:38,800 Speaker 3: gotta get a Fred Astaire or something I love them, 70 00:03:38,800 --> 00:03:41,840 Speaker 3: Frank Sinatra's and something and a lot of times I 71 00:03:41,880 --> 00:03:45,560 Speaker 3: will freeze frame and freeze right, but pause and then 72 00:03:45,640 --> 00:03:50,200 Speaker 3: be like, take a screenshot of the dress and send it. 73 00:03:50,720 --> 00:03:52,720 Speaker 3: Shelly McClain, What a way to go? 74 00:03:52,880 --> 00:03:54,640 Speaker 2: What a way to go? Okay, I've not seen this. 75 00:03:54,840 --> 00:03:57,240 Speaker 2: I need to see this. I'm an old movie. 76 00:03:57,440 --> 00:04:03,840 Speaker 3: For the fashion alone. There is a ten minute fashion sequence. 77 00:04:04,400 --> 00:04:08,000 Speaker 3: It's just her pulling up in a car getting out 78 00:04:08,080 --> 00:04:09,000 Speaker 3: with the new husband. 79 00:04:10,560 --> 00:04:14,800 Speaker 2: Bah, what a way to go? Okay, the fashion is unreal. 80 00:04:15,200 --> 00:04:28,080 Speaker 2: What a way to go? So okay, we don't know yet. 81 00:04:28,160 --> 00:04:29,040 Speaker 3: Yeah, I don't know yet. 82 00:04:29,560 --> 00:04:37,440 Speaker 1: And when you said I love jewelry, yes, drip, well 83 00:04:37,480 --> 00:04:40,599 Speaker 1: to me, like you can be the simpler their dress. 84 00:04:42,440 --> 00:04:44,040 Speaker 2: Drip drip. Yeah, did you hear that? 85 00:04:44,160 --> 00:04:46,280 Speaker 1: Neil Lane? Neil Lane is a buddy of mine. Neil 86 00:04:46,320 --> 00:04:49,800 Speaker 1: Lane's very good buddy of mine. Oscar night you win? 87 00:04:50,440 --> 00:04:54,000 Speaker 2: Is it? Memorize? Improvise? No cards? 88 00:04:54,480 --> 00:05:00,719 Speaker 3: I think I do not trust myself. Well, sometimes what 89 00:05:00,880 --> 00:05:05,160 Speaker 3: happens is there's like this internal quaking that's going on. 90 00:05:05,680 --> 00:05:06,960 Speaker 3: You know, like I don't know if you're into yoga 91 00:05:07,080 --> 00:05:08,600 Speaker 3: or not, but like you know, like the fire bread, 92 00:05:09,320 --> 00:05:12,159 Speaker 3: like imagine like a quick internal fire breath. You're like 93 00:05:12,279 --> 00:05:16,760 Speaker 3: tremmering inside and it's resonating through your body. So that's 94 00:05:16,800 --> 00:05:19,040 Speaker 3: where a card could be good. But then a card 95 00:05:19,680 --> 00:05:23,600 Speaker 3: if you're shaking trying to catch the words. So I 96 00:05:23,600 --> 00:05:25,640 Speaker 3: think at a certain point people are just like forget 97 00:05:25,680 --> 00:05:27,920 Speaker 3: it and then start going off script. So I think 98 00:05:28,000 --> 00:05:32,000 Speaker 3: I will write something down, I will have it. I 99 00:05:32,000 --> 00:05:36,279 Speaker 3: will probably start shaking and probably halfway through go off script. 100 00:05:36,560 --> 00:05:40,520 Speaker 1: I feel from just us being together, and just also 101 00:05:41,360 --> 00:05:44,240 Speaker 1: you have something that comes so naturally out of you, 102 00:05:44,320 --> 00:05:47,480 Speaker 1: that eminates such strength and power. And even though all 103 00:05:47,560 --> 00:05:52,000 Speaker 1: that's I'm sure the most overwhelming thing, I would hedge. 104 00:05:51,760 --> 00:05:52,480 Speaker 2: It's just gonna. 105 00:05:53,240 --> 00:05:55,440 Speaker 3: I really pray so and I pray that I don't 106 00:05:55,440 --> 00:05:58,800 Speaker 3: cry only because I want to cry afterwards, because I want. 107 00:05:58,640 --> 00:05:59,680 Speaker 2: To get the words out. 108 00:06:00,520 --> 00:06:03,960 Speaker 3: You're trying. You know what it is to a room, 109 00:06:04,080 --> 00:06:07,360 Speaker 3: It's unnatural. I've never experienced it before. Of like when 110 00:06:07,360 --> 00:06:11,920 Speaker 3: a room just erupts and like cheering. I almost said yelling, 111 00:06:11,920 --> 00:06:14,720 Speaker 3: but it feels like it. But yelling and clapping it 112 00:06:14,800 --> 00:06:17,760 Speaker 3: throws off your equal liberty. So your body is like 113 00:06:19,320 --> 00:06:21,599 Speaker 3: and you're trying to then get up there and say 114 00:06:21,640 --> 00:06:26,080 Speaker 3: something eloquent and beautiful. You're trying to like come your 115 00:06:26,279 --> 00:06:30,120 Speaker 3: like nervous system to then at. 116 00:06:30,080 --> 00:06:33,279 Speaker 2: Least the good news is your category is in the beginning. 117 00:06:33,880 --> 00:06:40,160 Speaker 2: You just do it. Take the shoes, relast, enjoy the show. 118 00:06:40,640 --> 00:06:43,799 Speaker 1: Yeah yeah, yeah, So okay, a guilty pleasure, just something 119 00:06:44,040 --> 00:06:46,200 Speaker 1: I mean, maybe it's the movies, maybe it's TM. 120 00:06:46,360 --> 00:06:51,719 Speaker 2: Yeahs shopping. You and I should hang out. Jewelry and 121 00:06:51,760 --> 00:06:52,480 Speaker 2: shopping my. 122 00:06:52,560 --> 00:06:57,320 Speaker 3: Favorite eating, traveling. I love shopping abroad. So like I 123 00:06:57,360 --> 00:07:01,039 Speaker 3: have an upcoming London slash Paris hopefully do you know 124 00:07:01,080 --> 00:07:02,040 Speaker 3: someone with a jet. 125 00:07:01,880 --> 00:07:02,360 Speaker 2: With a jet. 126 00:07:02,480 --> 00:07:05,240 Speaker 3: Yeah, Okay, we need to talk after this because I 127 00:07:05,279 --> 00:07:06,719 Speaker 3: need to go to the Gucci show. 128 00:07:07,120 --> 00:07:09,240 Speaker 2: Yeah, but the Gucci show. I don't want to be boogie. 129 00:07:09,240 --> 00:07:10,080 Speaker 2: That's not my jets. 130 00:07:10,080 --> 00:07:13,560 Speaker 3: But yeah, because the Gucci for everybody to go to 131 00:07:13,600 --> 00:07:16,240 Speaker 3: the Gucci show, what is my life now on the 132 00:07:16,280 --> 00:07:18,480 Speaker 3: twenty third, the very next day is sack. There is 133 00:07:18,520 --> 00:07:21,880 Speaker 3: no domestic plane that can get me back in time 134 00:07:22,600 --> 00:07:23,600 Speaker 3: to go to the Gucci show. 135 00:07:23,640 --> 00:07:26,240 Speaker 2: You have to fly overnight after the Gucci like. 136 00:07:26,280 --> 00:07:35,200 Speaker 3: Immediately, like cloud cloud the plane. There's no plane there. 137 00:07:35,840 --> 00:07:39,960 Speaker 3: So I love shopping. We're going to have to Yes, 138 00:07:40,040 --> 00:07:41,800 Speaker 3: we will connect and exchange information. 139 00:07:41,920 --> 00:07:42,120 Speaker 2: Yes. 140 00:07:50,160 --> 00:07:52,520 Speaker 1: Table for two with Bruce Bosi is produced by iHeart 141 00:07:52,640 --> 00:07:56,760 Speaker 1: Radio seven three seven Park and Airmail. Our executive producers 142 00:07:56,960 --> 00:08:01,040 Speaker 1: Bruce Bosi Nathan King. Our supervising producer and editor is 143 00:08:01,160 --> 00:08:04,880 Speaker 1: Dylan Fagan. Table for two is researched and written by 144 00:08:04,960 --> 00:08:09,040 Speaker 1: Jack Sullivan. Our sound engineers are Meil B. Klein, Jess Krainich, 145 00:08:09,440 --> 00:08:13,680 Speaker 1: Evan Taylor, and Jesse Funk. Our music supervisor is Randall Poster. 146 00:08:14,000 --> 00:08:16,800 Speaker 1: Our talent booking is done by Jane Sarkin. Table for 147 00:08:16,880 --> 00:08:20,440 Speaker 1: two Social media manager is Graceie Wiener. Special thanks to 148 00:08:20,480 --> 00:08:26,080 Speaker 1: Amy Sugarman, Uni Scherer, Kevin Uvane, Bobby Bauer, Alison Kanter, Graber, 149 00:08:26,400 --> 00:08:29,120 Speaker 1: Barbara Jen, Jeff Klein, and the staff at the Tower 150 00:08:29,160 --> 00:08:33,400 Speaker 1: Bar in the world famous Sunset Tower Hotel in Hollywood. 151 00:08:33,679 --> 00:08:38,679 Speaker 1: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcast, 152 00:08:39,120 --> 00:08:46,679 Speaker 1: or wherever you listen to your favorite shows.