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Speaker 1: Hello, and welcome back to movie Mike's movie Podcast. I

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Speaker 1: am your host Movie Mike, joined by my wife and

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Speaker 1: co host Kelsey. How are you good?

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Speaker 2: I think feel like I have a multi vitamin stuck

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Speaker 2: in my throat. No, thank you, good Burpio. Well it's

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Speaker 2: either that or I got a nice latan. I get

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Speaker 2: cinnamon in them, and I think the barista heard like

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Speaker 2: cinnamon challenge, so I think I'm just drinking straight cloves

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Speaker 2: of cinnamon. Through this.

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Speaker 1: We are here to talk about a very specific topic,

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Speaker 1: movies that can only be watched on a two thousand

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Speaker 1: and four Chevrolet Tahos built in DVD player.

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Speaker 2: Very passionate.

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Speaker 1: It is the longest episode title we have ever dove into.

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Speaker 1: But somebody posted this on x and even though it's

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Speaker 1: so specific, we all know exactly what that means. If

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Speaker 1: you grew up in the two thousands, I guess I

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Speaker 1: also you didn't have a built in Oh we'll get

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Speaker 1: into that. We'll get into that. In the movie review,

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Speaker 1: we'll be talking about Paul Thomas Anderson's one Battle after

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Speaker 1: Another was it worth the almost three hour runtime? And

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Speaker 1: in the trailer park we will be talking about Mandalorian

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Speaker 1: and grogu. Is it gonna be anything different than the

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Speaker 1: TV show or is it just Disney trying to cash

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Speaker 1: in on another Disney Plus show turned to movie, which

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Speaker 1: they do. But thank you for being here, Thank you

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Speaker 1: for being subscribed. Shout out to the Monday Morning Movie crew.

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Speaker 1: And now let's talk movies from the Nashville Podcast Network.

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Speaker 1: This is Movie Mike Movie Podcast. All right. The topic

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Speaker 1: is movies that can only be watched on a two

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Speaker 1: thousand and four Chevrolet Tahos built in DVD player. What

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Speaker 1: were you saying earlier?

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Speaker 2: I said, I didn't think that you had a built

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Speaker 2: in DVD player.

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Speaker 1: We did not have a DVD player. I was envious

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Speaker 1: to those people because it looks so cool. I remember

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Speaker 1: driving on the highway and seeing other people watch movies

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Speaker 1: and I'm like, man, they're living in the future.

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Speaker 2: We got one when my younger brother was born, the

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Speaker 2: middle brother, two thousand and six, two thousand and seven.

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Speaker 2: It was a Ford expedition. I'd had like a portable

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Speaker 2: DVD player as a kid that I watched. But yeah,

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Speaker 2: the age of a build in in the car, it's

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Speaker 2: a younger brother.

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Speaker 1: That it's long gone now though, because it's all phones

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Speaker 1: I've maybe seen some minivans now that still have built

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Speaker 1: in screens, but it's a very two thousands thing.

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Speaker 2: Listen. I don't hate the luxuries of a minivan. I

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Speaker 2: don't think I ever want to drive a minivan, but

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Speaker 2: I don't hate the luxuries.

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Speaker 1: I think I have something selected on my Uber whenever

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Speaker 1: we request the ride that we need a bigger vehicle

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Speaker 1: like Uber Excel. We always get a mini ban A

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Speaker 1: lot of time in New York, though we get a minivan.

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Speaker 1: I don't mind it clutch in.

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Speaker 2: New York because you don't have time to open a door,

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Speaker 2: and you can't open a door into the street or

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Speaker 2: you're gonna get taken out. So the minivan, it just

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Speaker 2: pulls up. They just slide it open and off you go.

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Speaker 1: It's comfortable. If you were to watch a movie in there,

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Speaker 1: I think it's it feels like you're in a little movie.

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Speaker 2: Here's in the captain's chairs in the second row.

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Speaker 1: I don't hate it.

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Speaker 2: I don't hate I don't hate being in one, but

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Speaker 2: I want to drive one.

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Speaker 3: No.

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Speaker 1: Yeah, so we never had the built in DVD player,

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Speaker 1: but we had I had, like what you were describing,

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Speaker 1: the small DVD player that was portable, which I think

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Speaker 1: in the early two thousands those became.

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Speaker 2: Really popular and they'd skipped like a CD.

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Speaker 1: Oh Man and I had like the bare minimum one

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Speaker 1: that you could get from Walmart. It wasn't even it

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Speaker 1: wasn't a Sony, it wasn't a Phillips. It was some

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Speaker 1: weird brand that probably existed. It was just it was soorny,

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Speaker 1: I think. But the thing I hated about it is

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Speaker 1: the battery life on it was terrible. Yeah, the actual

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Speaker 1: appeal of the portable DVD player was that you could

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Speaker 1: watch it anywhere. But I think for maybe a solid

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Speaker 1: maybe month, the battery was good that you could watch

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Speaker 1: it for the actual runtime of a movie. But after

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Speaker 1: a while it became something that I could only watch

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Speaker 1: if I had it plugged in. So we would take

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Speaker 1: it on road trips to Mexico, which that's a sixteen

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Speaker 1: hour road trip. I could probably watch two movies before

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Speaker 1: it died, But that's tragic. That is my experience with

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Speaker 1: portable movies that I'm going to get into my list later.

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Speaker 2: But I'll be curious to see if any of the

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Speaker 2: ones that my little brother loved are on this this

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Speaker 2: I was ten in two thousand and four.

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Speaker 1: In two thousand and four I was thirteen.

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Speaker 2: Yeah, so then like two I feel like two thousand

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Speaker 2: and four to like two thousand and eight, we're like

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Speaker 2: peak car movie years.

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Speaker 1: It was peaked DBD years, where that doesn't really happen anymore.

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Speaker 1: And I think, what we're going to see on this list,

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Speaker 1: it's going to be a movie that couldn't be made

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Speaker 1: today because a lot of these were movies that whenever

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Speaker 1: they came out in theaters, probably weren't the best received

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Speaker 1: whenever it comes to critics scores, whenever it comes to

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Speaker 1: box office performance. But a lot of these movies made

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Speaker 1: their money not from opening weekend or its theatrical run.

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Speaker 1: It was the DVD sales. Because that is something that

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Speaker 1: doesn't exist anymore. Because the movie comes out now in theaters,

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Speaker 1: it doesn't make money, really can't recoup it when it

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Speaker 1: goes to streaming. But back then there was so much

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Speaker 1: money in the physical media sales, and we don't have

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Speaker 1: that anymore. So I think that is something that we're

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Speaker 1: going to see here, how a movie can become a

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Speaker 1: cold hit through kind of a delayed people discovering it,

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Speaker 1: which now the delayed is people discovering it on streaming,

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Speaker 1: but now there's just no money in it. But let's

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Speaker 1: get into this list now, all right. The first one

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Speaker 1: that comes up on the thread is The Pacifier with

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Speaker 1: Ben Diesel. This is a perfect example of a movie

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Speaker 1: that cannot be made today.

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Speaker 2: Listen kind of loved that movie.

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Speaker 1: There's an entire genre of these type of movies with.

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Speaker 2: Diesel, don't they hate each other? They hate each other

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Speaker 2: and then yeah, because then the rock was in like

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Speaker 2: the Tooth Fairy exactly.

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Speaker 1: So there is this entire and it's specifically kids movies

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Speaker 1: that we don't really get like this anymore. And I

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Speaker 1: feel really bad for anybody growing up now that won't

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Speaker 1: experience this type of family friendly, not too serious, but

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Speaker 1: just something that's so nostalgic that I don't think we're

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Speaker 1: really having it anymore because it's not really profitable like

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Speaker 1: it used to be. So I think this entire list,

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Speaker 1: we're gonna see these type of I don't want to

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Speaker 1: call them bless movies, but just movies that, how dare

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Speaker 1: you can only appreciate if you were the key demographic

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Speaker 1: when they came out and you associate really great memories

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Speaker 1: with because of them just being something that you would

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Speaker 1: watch in the backseat of a head rest, but the

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Speaker 1: pacifier is first up on the list. Next up is

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Speaker 1: over the Hedge from DreamWorks.

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Speaker 2: Oh my god, this was literally my little brother's car movie.

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Speaker 2: Great film, honestly kind of hilarious, which the cover does

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Speaker 2: say a laugh out loud funny. I will concur I

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Speaker 2: need to go back and rewatch it.

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Speaker 1: It is so dumb funny. From the same people who

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Speaker 1: brought you Shrek. This is like just peak two thousands

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Speaker 1: to me. Love this movie. An animated movie about animals

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Speaker 1: that is so ridiculous like this. I remember the trailer

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Speaker 1: being everywhere when this movie came out. This movie says

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Speaker 1: to me, you're gonna go to Walmart and see this

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Speaker 1: on the shelves and want to buy it.

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Speaker 2: Walmart had a great five dollars DVD bin.

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Speaker 1: Oh that was my I love the five dollars DVD bin.

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Speaker 1: When you would just go in, you would scan the

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Speaker 1: things at the top and I would just like to

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Speaker 1: grab my hand and like dig all the way to

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Speaker 1: the bottom just to see what would come out. Next

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Speaker 1: up on the list, are we there yet? With ice Cube?

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Speaker 2: Incredible.

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Speaker 1: It's also like a road trip movie while you're planning

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Speaker 1: a road trip. See, this is the movie that ice

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Speaker 1: Cube needs to go back to doing, like the Family

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Speaker 1: Friendly ice Cube, which I think it kind of got

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Speaker 1: away from a little bit because.

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Speaker 2: They do a sequel. Are we done yet? Not as good? Yeah?

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Speaker 1: They did it. I guess he did a run to

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Speaker 1: a family friendly films. Maybe he kind of burn out

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Speaker 1: on doing those type of movies. But anything is better

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Speaker 1: than War of the World. Yeah, are we there yet

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Speaker 1: as a good one? What about the game plan?

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Speaker 2: That's the rock? That's the other one I was thinking

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Speaker 2: of too, the game plan Tooth Fairy?

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Speaker 1: Did I make better? He did do the Tooth Fairy yet?

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Speaker 1: Well that could be further down on the left with

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Speaker 1: the gameplay. If we're looking at the posters here, it's

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Speaker 1: basically the same poster as the pacifier it is. It's

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Speaker 1: the exact same thing, and that just feels like the

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Speaker 1: two thousands to me. It's a white, just plain background.

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Speaker 1: You have the lead and then you have the kid.

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Speaker 1: It looks nostalgic to me, and that's look nostalgic And

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Speaker 1: how we gotten so far away from We can't even

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Speaker 1: do simple movie poster designs like this anymore. Everything is

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Speaker 1: floating heads. Everything just looks like everything's made in Cambo. Yeah,

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Speaker 1: we're even just something simple like this that looks like

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Speaker 1: you could go to the movies and see it outside

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Speaker 1: and be enticed to go watch that. You would see

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Speaker 1: this poster and want to see it again, exactly. I

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Speaker 1: am all about this with the dog at the bottom

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Speaker 1: and then you have the tag on you half his

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Speaker 1: size twice the trouble and that's the same girl now

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Speaker 1: who was just in the wrong Paris. I was gonna

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Speaker 1: say that you took my fount Well you can take

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Speaker 1: it away. No, that's fine. Yeah. Whenever we watched that,

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Speaker 1: I was like, I'm pretty sure I recognize that kid

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Speaker 1: from something. Yeah, she was a child actress. To come

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Speaker 1: out like that's so wild that twenty years ago was

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Speaker 1: two thousand and five, Like that feels weird. That makes

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Speaker 1: me feel more because a lot of those movies still

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Speaker 1: feel relevant to me. And to think that a kid

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Speaker 1: in high school now that feels like maybe even not

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Speaker 1: even high school, like people in their twenties, that to

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Speaker 1: them is movies to us that came out in the eighties,

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Speaker 1: which felt ancient to us. That is that's I'm gonna

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Speaker 1: keep going.

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Speaker 2: Well, It's also like we're in the time where there's

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Speaker 2: like a renaissance of people who were famous in our youth,

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Speaker 2: like Hillary Duff's making new music, Lindsay lohands back, and

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Speaker 2: I'm like, how are we already on the second run

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Speaker 2: of some of these people?

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Speaker 1: We're in the comeback era. You know what I saw

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Speaker 1: the other day that also made me feel old? What

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Speaker 1: it was like?

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Speaker 2: It said, No, Dancing with the Stars isn't cool again,

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Speaker 2: You're just now the target demograph fit?

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Speaker 1: Is that true? Because we've been watching that every week now,

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Speaker 1: which I think we.

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Speaker 2: Had like a little I mean, after Bobby did it

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Speaker 2: and you like lived it, I feel like we were

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Speaker 2: a little like I can't do Dancing with the Stars.

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Speaker 1: I never watched it until I experienced it live. Never

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Speaker 1: I never watched it until he was on it. Never

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Speaker 1: saw a single episode. I had no idea how the

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Speaker 1: show really worked up until that season. I didn't know

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Speaker 1: anything about Dancing with the Stars lore And then I

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Speaker 1: went from knowing nothing about the show to going to

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Speaker 1: every single taping what was live wasn't a taping, every

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Speaker 1: single taping of every single episode for season twenty seven,

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Speaker 1: And now I think when I watch it. It's kind

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Speaker 1: of like reminiscing on a weird part of my life

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Speaker 1: where I was in the audience and I know how

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Speaker 1: everything works. It just reminds me of like getting there

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Speaker 1: super early, going through security.

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Speaker 2: We were long distance then, so like i'd call you

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Speaker 2: while you were I was walking to my car after works.

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Speaker 2: It was like five o'clock my time, and because they

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Speaker 2: would be getting to the studio, it was weird.

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Speaker 1: I started to know the security people there. Everybody was

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Speaker 1: nice to me. I look forward to finding out where

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Speaker 1: they were going to see this because they always see

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Speaker 1: all the contestants, family and friends and like this all together.

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Speaker 1: So I was always with people that I knew. And

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Speaker 1: then it was cool getting like tagged on social media

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Speaker 1: like I see on TV.

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Speaker 2: It was a very weird time. We had just started

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Speaker 2: dating that year, and then I'd be like, well, there's

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Speaker 2: my boyfriend in the audience of Dancing with the Stars.

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Speaker 2: I tried telling someone the other day and I was like,

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Speaker 2: this is about to be the most unrelatable star I

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Speaker 2: have ever told. But yeah, now apparently we're just the

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Speaker 2: target demograph. Yeah, because we're seated every week. I am

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Speaker 2: here for it.

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Speaker 1: I guess we're just the key demographic now.

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Speaker 2: And then Robert Irwin, although everyone was I guess he

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Speaker 2: said something in his like what's it called the packet

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Speaker 2: or whatever they show before the package package, and I

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Speaker 2: guess he was like, I wasn't alive in two thousand

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Speaker 2: and everyone was.

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Speaker 1: Like, oh, oh yeah. It's interesting. How that show works

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Speaker 1: is basically they set up each dance while those are running,

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Speaker 1: so not only is it for the TV show, it's

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Speaker 1: also for the stage to be able to move all

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Speaker 1: those pieces. It was cool seeing how fast they could

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Speaker 1: move that because they have like I think those things

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Speaker 1: are like maybe a minute, maybe ninety seconds, and that

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Speaker 1: entire ninety second is spent just getting everything on stage

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Speaker 1: as they need, getting people out of the way, and

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Speaker 1: getting the couple set, and then as soon as they

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Speaker 1: are done and they move over to where they accept

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Speaker 1: their scores, they get everything out of the way. So

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Speaker 1: that was always really cool to see how fast they

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Speaker 1: could do that.

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Speaker 2: All right back to the top of it, hands all right, distracted.

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Speaker 1: Next on the list, Daddy Daycare. Another funny one Eddie

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Speaker 1: Murphy in a family comedy is something he needs to

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Speaker 1: go back to as well.

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Speaker 2: Put him an ice cube in a family comedy, put

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Speaker 2: them together. This was like the grown Ups Sarah too.

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Speaker 1: Yeah, that was also that time.

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Speaker 2: It's like grown ups Daddy Daycare. Yeah, all of those

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Speaker 2: like kind of slapstick comedies.

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Speaker 1: Also on the list The Haunted Mansion with Eddie Murphy

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Speaker 1: another good one. I wasn't as into this one. I

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Speaker 1: loved it. You don't really like Halloween movies though.

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Speaker 2: Yeah, but I liked the Honed Mansion. It was a

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Speaker 2: Disney movie.

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Speaker 1: Yeah, it's not scary. That's a that's a ride correct

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Speaker 1: at Disney. Never been to Disney. We know you go

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Speaker 1: over this time unaccompanied minors man. Not the greatest, yeah

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Speaker 1: that I remember this one. Not one that I have

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Speaker 1: really great memories of snow Dogs with Cuba Gooding Junior excellent.

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Speaker 1: That is a classic that feels like a two thousand

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Speaker 1: and four Chevy ride like Mike.

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Speaker 2: Also great.

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Speaker 1: What about Cheaper by the Dozen two? Not as funny

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Speaker 1: as the first one. Yeah, I'm more of a Cheaper

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Speaker 1: by the Dozen, but because of you, I love Cheaper

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Speaker 1: by the Dozen one. I think that whenever this one

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Speaker 1: came out, it was probably more in the prime time

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Speaker 1: for a DVD.

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Speaker 2: Yeah. It also I feel like that's when sequels for

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Speaker 2: direct to DVD.

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Speaker 1: Yeah, the direct to DVD sequel that just wasn't as good.

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Speaker 2: It was like the sequel to DVD pipeline.

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Speaker 1: Next up Agent Cody Banks with Frankie Munaz and Hillary Duff.

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Speaker 2: This era was Hillary Duff's time to shine.

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Speaker 1: Remember how cool all these people were to us? Yeah,

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Speaker 1: she's still cool to me, but I mean, like these

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Speaker 1: people were so unattainable to us as kids, and people

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Speaker 1: now don't have that, they don't struggle with that. That's

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Speaker 1: a good point because to me, Frankie Munaz was like

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Speaker 1: the biggest thing on the planet because the movies like

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Speaker 1: this because of Malcolm in the Middle, but you could

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Speaker 1: only seen them in this movie.

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Speaker 2: Or if they were on the cover of like J fourteen,

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Speaker 2: and that was it.

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Speaker 1: Oh, that was a good magazine. I remember J fourteen

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Speaker 1: mainly because Tiger Beat. Yeah, because some of the two

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Speaker 1: thousands bands I was into kind of crossed over into

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Speaker 1: like big pop culture. So I remember, like I wanted

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Speaker 1: to see like a blank Naty two article and they

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Speaker 1: just happened to be in J fourteen.

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Speaker 2: I was just a basic beast, so I was reading

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Speaker 2: those all the time. Oh my God, these.

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Speaker 1: Two Alvin and the Chipmunks and Happy Feet.

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Speaker 2: Oh my gosh, similar to Over the Hedge. Happy few

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Speaker 2: More was my youngest brother because he had an obsession

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Speaker 2: with penguins as a child, and then they both like

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Speaker 2: Dovin and the Chipmunks.

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Speaker 1: I remember finding Alvin in the Chipmunks really annoying, but

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Speaker 1: I love the movie Alvin Simon. I think it was

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Speaker 1: because of how popular the movie got.

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Speaker 2: Yeah, it did get really popular.

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Speaker 1: And they did the Squeak Wool and then it was

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Speaker 1: just the constant and perioding of all the songs that

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Speaker 1: just became. I was two into Alvin and the Chipmunk's

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Speaker 1: mania that it got a little like I'm so sick

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Speaker 1: of them.

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Speaker 2: Jesse McCartney was one of the Chipmunks.

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Speaker 1: He was who are the other was? Weren't they all somebody?

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Speaker 1: Let's see that.

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Speaker 2: Well, of course they were all someone, but.

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Speaker 1: Like all somebody famous because Jason Lee was the human

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Speaker 1: in it. Yeah, Justin Long was Alvin.

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Speaker 2: M and then Matthew Grey Goodblur from Criminal Minds he

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Speaker 2: was Simon, and then Jesse McCarney was Theodore.

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Speaker 1: I know they're all somebody, but I meant you said

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Speaker 1: it weren't.

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Speaker 2: They all someone Sometimes.

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Speaker 1: They just get voice actors and it's like they do

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Speaker 1: a really good job, but you don't really know who

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Speaker 1: the name is. I meant that they are all somebody

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Speaker 1: that we would know because they're actors.

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Speaker 2: I walk around sometimes still singing that one part of

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Speaker 2: Happy Feet that they when they did the don't push me,

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Speaker 2: I am close to the little penguin does it close

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Speaker 2: to the edge? You trying not to lose my cool?

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Speaker 1: Times were just better whenever Happy Feet was real kicking

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Speaker 1: and screaming with Farrell. I feel like this was the

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Speaker 1: start of his downturn a little bit. Yeah, because when

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Speaker 1: whenever he started doing the family friendly comedy.

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Speaker 2: Recession Indicator, Yeah, I feel like he.

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Speaker 1: Was just trying to cash a check at this point

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Speaker 1: where I wasn't the key demographic when this movie came out,

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Speaker 1: I was like getting the teen era now. So whenever

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Speaker 1: I saw Will Ferrell starting to do movies like this,

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Speaker 1: I'm like, ah, I don't want him in that. I

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Speaker 1: want him in old school r V.

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Speaker 2: You know who loves this movie?

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Speaker 1: Who? It's a family member of mine? Can you guess people?

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Speaker 3: Yes?

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Speaker 1: Because of the r V.

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Speaker 2: People loves somebody loves this movie. We have to watch

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Speaker 2: it at Christmas.

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Speaker 1: Whenever I was looking through this list, I'm like, something

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Speaker 1: sticks out to me about r V and it's not

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Speaker 1: the part that I remember watching it.

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Speaker 2: He loves this movie.

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Speaker 1: That's hilarious.

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Speaker 2: It is a great film. He really likes when they

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Speaker 2: have to empty the septic tank.

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00:16:52,600 --> 00:16:54,400
Speaker 1: Yeah, that he thinks that part's pretty funny. I mean

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Speaker 1: that part was in the trailer. That part sold me.

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Speaker 1: And the next block we have Madagascar to escape after

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Speaker 1: escape to Africa. Ah, I see what they did there.

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Speaker 1: I don't really remember this one. I was never big

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Speaker 1: escape Africa. To escape to Africa, I found Madagascar movies

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Speaker 1: really annoying when never the moment movie thing. I couldn't

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Speaker 1: stand Madagascar. I was more of a dislander when it

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Speaker 1: came to DreamWorks movie. I even had to come around

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Speaker 1: to Shrek a little bit because it was so what

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Speaker 1: I was talking about earlier. There was so much Shrek

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Speaker 1: everywhere that it became annoying.

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Speaker 2: Yeah.

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Speaker 1: I feel like DreamWorks movies were really annoying but really effective,

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Speaker 1: Like they know how to make a kid addicted to something.

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Speaker 1: So it was those little music moments that just really

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Speaker 1: annoyed me. So I was never big on Madagascar The Penguins.

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Speaker 1: I never really found that funny. I wasn't a big

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Speaker 1: DreamWorks kid again the Penguins.

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Speaker 2: My little brother went through penguin obsession. There's the tooth

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Speaker 2: fair Fair.

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Speaker 1: I knew it right there at the bottom. A great

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Speaker 1: family comedy.

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Speaker 2: You don't get endorsements like that anymore.

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00:17:57,320 --> 00:18:00,199
Speaker 1: That is my dream to be a quote like that

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00:18:00,320 --> 00:18:03,080
Speaker 1: on a movie poster. But I don't say things like that.

403
00:18:03,160 --> 00:18:06,240
Speaker 1: You don't. I would never just call something a great

404
00:18:06,280 --> 00:18:07,280
Speaker 1: family comedy.

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00:18:07,560 --> 00:18:09,399
Speaker 2: And I also don't feel like that sells the movie.

406
00:18:09,480 --> 00:18:11,480
Speaker 1: It really does. And that is my problem with these

407
00:18:11,560 --> 00:18:15,120
Speaker 1: quotes is whenever you see this, it's something so generic,

408
00:18:15,240 --> 00:18:19,840
Speaker 1: like astonishing, and it's somebody from like the Times breathtaking.

409
00:18:20,119 --> 00:18:22,760
Speaker 1: I wouldn't feel comfortable reviewing a movie like that with

410
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Speaker 1: something so generic like a bold vision, and that's what

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Speaker 1: they want. And if I see that on a poster,

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Speaker 1: it's not going to maybe want to go see that movie.

413
00:18:30,400 --> 00:18:32,960
Speaker 1: I like to say things that are so oddly specific

414
00:18:33,000 --> 00:18:36,520
Speaker 1: to my experience watching that movie. So maybe my takes

415
00:18:36,640 --> 00:18:39,560
Speaker 1: on even like a simplified take, would not fit well

416
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Speaker 1: on a poster because they don't like to use butt drenching,

417
00:18:43,760 --> 00:18:46,000
Speaker 1: which I feel as a movie that induces anxiety. That's

418
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Speaker 1: my favorite way to describe a movie. Excuse me, what

419
00:18:48,400 --> 00:18:52,800
Speaker 1: butt drenching? Butt drenching because you get so anxious from

420
00:18:52,800 --> 00:18:54,560
Speaker 1: it that you start to sweat in your seat at

421
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Speaker 1: the movies, and therefore it is a butt drenching movie

422
00:18:57,119 --> 00:18:59,399
Speaker 1: because by the end of it, your butt is drenched

423
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Speaker 1: and sweat. Okay, next week, but that's why I will

424
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Speaker 1: never be on a boaster.

425
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Speaker 2: Kangaroo Jack. Little brother left this one also for everyone.

426
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Speaker 2: I really do have little brothers and they really did

427
00:19:09,840 --> 00:19:12,639
Speaker 2: love these movies. It's not just me, I promise ye,

428
00:19:12,920 --> 00:19:15,280
Speaker 2: little brother love this. We have a twelve and sixteen

429
00:19:15,359 --> 00:19:18,479
Speaker 2: year age gap. So yeah, I did love these as

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00:19:18,520 --> 00:19:20,240
Speaker 2: like a twelve and sixteen year old, but my little

431
00:19:20,280 --> 00:19:21,640
Speaker 2: brothers were watching them.

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Speaker 1: Kangaroo Jack was a little bit of a bait and

433
00:19:23,640 --> 00:19:28,000
Speaker 1: switch where kangaroo Jack really wasn't in kangaroo Jack that much. Yeah,

434
00:19:28,320 --> 00:19:30,119
Speaker 1: like this easily could have been like a rated R

435
00:19:30,560 --> 00:19:31,359
Speaker 1: adult movie.

436
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Speaker 2: I don't know what the poster gets me.

437
00:19:33,080 --> 00:19:33,800
Speaker 1: Grown ups.

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00:19:33,800 --> 00:19:34,199
Speaker 2: There we go.

439
00:19:34,280 --> 00:19:36,320
Speaker 1: I told you you knew grown up to be on

440
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Speaker 1: this list. I was kind of a Light a late

441
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Speaker 1: adapter to the Grown Ups franchise.

442
00:19:40,000 --> 00:19:42,000
Speaker 2: We watched it again during the pandemic.

443
00:19:41,680 --> 00:19:43,720
Speaker 1: And it maybe that was just a dark time where

444
00:19:43,760 --> 00:19:46,240
Speaker 1: I needed something stupid and funny. But I finally came

445
00:19:46,280 --> 00:19:48,000
Speaker 1: around to Grown Ups. I think it was because, like

446
00:19:48,040 --> 00:19:51,199
Speaker 1: I was mentioning with Will Ferrell earlier, I felt like

447
00:19:51,240 --> 00:19:53,719
Speaker 1: the Grown Ups franchise were a little bit of the

448
00:19:53,720 --> 00:19:58,600
Speaker 1: downfall of Adam Sandler making really really low brown movies

449
00:19:58,640 --> 00:20:00,600
Speaker 1: that where he got into like don't mess with his

450
00:20:00,720 --> 00:20:01,960
Speaker 1: O hand territory.

451
00:20:02,200 --> 00:20:02,800
Speaker 2: That was bad.

452
00:20:03,320 --> 00:20:05,680
Speaker 1: But the first Grown Ups is great, Like you still

453
00:20:05,760 --> 00:20:07,639
Speaker 1: kind of have to be in that mentality of Okay,

454
00:20:07,640 --> 00:20:10,080
Speaker 1: it's not gonna be the Adam Sandler I grew up with.

455
00:20:10,280 --> 00:20:12,440
Speaker 2: It's so funny, though, but if you're.

456
00:20:12,240 --> 00:20:15,000
Speaker 1: Able to turn your brain off and you need a

457
00:20:15,040 --> 00:20:18,159
Speaker 1: movie that is something that will please the whole family,

458
00:20:18,160 --> 00:20:20,040
Speaker 1: which is hard to do, which is what Adam Sandler

459
00:20:20,040 --> 00:20:22,639
Speaker 1: does really well. Grown Ups is where it's at kind

460
00:20:22,680 --> 00:20:25,000
Speaker 1: of want to rewatch it. There's the three, right or

461
00:20:25,080 --> 00:20:25,520
Speaker 1: the just two?

462
00:20:25,600 --> 00:20:27,800
Speaker 2: I think it's just two. Okay, if they stopped after two.

463
00:20:27,680 --> 00:20:29,439
Speaker 1: They should make another one because it's really just an

464
00:20:29,440 --> 00:20:32,320
Speaker 1: excuse for Adam Sandler to go out to an island

465
00:20:32,400 --> 00:20:34,960
Speaker 1: or somewhere be like Happy Gil morning. It would just

466
00:20:35,000 --> 00:20:38,240
Speaker 1: be a bunch of ads, a bunch of cameos. Yeah, yeah,

467
00:20:38,280 --> 00:20:40,800
Speaker 1: I think we're good with two The Spy next Door

468
00:20:40,840 --> 00:20:45,120
Speaker 1: with Jackie chan I don't really remember this one. No,

469
00:20:45,480 --> 00:20:47,560
Speaker 1: this was probably when I saw the trailer two and

470
00:20:47,680 --> 00:20:51,160
Speaker 1: never saw it in theaters. Undercover Brother, that's a classic,

471
00:20:51,359 --> 00:20:53,000
Speaker 1: although I don't really feel like that fits.

472
00:20:52,800 --> 00:20:55,360
Speaker 2: The I'm like, that's not a watch in the back

473
00:20:55,400 --> 00:20:56,080
Speaker 2: of your mom's car.

474
00:20:56,960 --> 00:20:58,080
Speaker 1: Yeah, this is.

475
00:20:58,440 --> 00:21:00,080
Speaker 2: Some of these are getting a little too.

476
00:21:00,240 --> 00:21:03,560
Speaker 1: Like, yeah, because this isn't a kid's movie at all.

477
00:21:04,080 --> 00:21:07,680
Speaker 1: Spy Kids, Now, that's a kid's movie. Robert Rodriguez, like

478
00:21:07,760 --> 00:21:09,280
Speaker 1: that is just that is peak.

479
00:21:09,440 --> 00:21:12,240
Speaker 2: It's an Austin, Texas institution there.

480
00:21:12,280 --> 00:21:14,000
Speaker 1: If you look back at the CG. I though, on

481
00:21:14,080 --> 00:21:17,360
Speaker 1: the Spy Kids movies, it's crazy to think as kids

482
00:21:17,680 --> 00:21:20,840
Speaker 1: how high tech we thought these movies were. The now

483
00:21:20,960 --> 00:21:24,080
Speaker 1: mimable moment whenever he hits like the the glasses that

484
00:21:24,240 --> 00:21:26,960
Speaker 1: like zoom in, those green glasses that like another one

485
00:21:27,040 --> 00:21:30,159
Speaker 1: keeps it appearing. That was so cool to us as kids.

486
00:21:30,400 --> 00:21:32,520
Speaker 1: And if you go back and watch the CGI, you're like, man,

487
00:21:32,600 --> 00:21:35,159
Speaker 1: Shark Boy and Lava Girl look pretty bad, and it

488
00:21:35,320 --> 00:21:36,000
Speaker 1: was later.

489
00:21:35,920 --> 00:21:38,800
Speaker 2: To think that a Junie is married to Mecan trainer. Oh,

490
00:21:39,080 --> 00:21:40,320
Speaker 2: a child looks just like him.

491
00:21:40,320 --> 00:21:43,280
Speaker 1: And the Spy kids. We also have Finding Nemo, which

492
00:21:43,280 --> 00:21:46,720
Speaker 1: I think not only was that a backseat DVD player movie,

493
00:21:46,760 --> 00:21:48,920
Speaker 1: that was just an everywhere movie that was a watch

494
00:21:48,920 --> 00:21:51,879
Speaker 1: in school movie. I associate that a lot with movies

495
00:21:51,920 --> 00:21:54,360
Speaker 1: we'd watch in school. I think this whole slide right

496
00:21:54,359 --> 00:21:56,719
Speaker 1: here is movies I associate with watching in school. Stuart

497
00:21:56,760 --> 00:22:01,320
Speaker 1: Little Yes with Jonathan Lipniki class, and that's one that

498
00:22:01,920 --> 00:22:05,560
Speaker 1: it wasn't a movie we would watch for educational purposes.

499
00:22:05,960 --> 00:22:07,359
Speaker 1: It was a reward day movie.

500
00:22:07,720 --> 00:22:10,840
Speaker 2: Do you ever look back now, I don't know if

501
00:22:10,840 --> 00:22:12,560
Speaker 2: I've said this before. Do you ever wonder if those

502
00:22:12,600 --> 00:22:14,199
Speaker 2: days your teacher put on a movie, if they were

503
00:22:14,240 --> 00:22:14,760
Speaker 2: like hungover.

504
00:22:15,840 --> 00:22:20,000
Speaker 1: I never thought about that until right now, because now

505
00:22:20,080 --> 00:22:22,880
Speaker 1: we are at the age of seeing your.

506
00:22:22,680 --> 00:22:24,719
Speaker 2: Teachers ever went to a happy hour and had a

507
00:22:24,880 --> 00:22:26,960
Speaker 2: little too much fun and had to teach the next day.

508
00:22:27,280 --> 00:22:29,160
Speaker 1: I think that could have been a thing because we

509
00:22:29,160 --> 00:22:34,600
Speaker 1: were in elementary school in the two thousands, yeah, where

510
00:22:34,680 --> 00:22:37,399
Speaker 1: that was probably a little bit more acceptable wouldn't happen

511
00:22:37,440 --> 00:22:39,720
Speaker 1: now if somebody came in hungover.

512
00:22:39,840 --> 00:22:41,720
Speaker 2: Doesn't remind me of faite movie is bad teacher.

513
00:22:41,880 --> 00:22:45,080
Speaker 1: Yeah, But thinking about that now, that could quite honestly

514
00:22:45,160 --> 00:22:47,560
Speaker 1: be the reason that our teachers would roll out that

515
00:22:47,640 --> 00:22:51,240
Speaker 1: big cart and turn down the light and they would

516
00:22:51,280 --> 00:22:53,960
Speaker 1: just be at their desk grading papers or working on

517
00:22:54,040 --> 00:22:57,119
Speaker 1: some lesson planned. And we're here watching Stuart Little and

518
00:22:57,119 --> 00:22:59,840
Speaker 1: finding Nemo for no apparent reason, because there's no work

519
00:23:00,119 --> 00:23:01,200
Speaker 1: it there's nothing.

520
00:23:01,440 --> 00:23:04,400
Speaker 2: They weren't like historical, they weren't like English.

521
00:23:04,040 --> 00:23:05,040
Speaker 1: We weren't taking notes.

522
00:23:05,400 --> 00:23:08,600
Speaker 2: There was a test off snow arithmetic. If you're a teacher,

523
00:23:08,840 --> 00:23:10,040
Speaker 2: you don't have to say if you've done it, but

524
00:23:10,080 --> 00:23:12,520
Speaker 2: if you could let us know, confirm or deny, yeah,

525
00:23:12,680 --> 00:23:13,560
Speaker 2: I'm curious.

526
00:23:13,320 --> 00:23:16,760
Speaker 1: Just throw like the shades emoji in like comments yes.

527
00:23:16,880 --> 00:23:19,560
Speaker 2: Yes, and yeah, and just let us know.

528
00:23:19,640 --> 00:23:21,480
Speaker 1: Just throw the shop admit to it, even if you're

529
00:23:21,600 --> 00:23:24,159
Speaker 1: especially if you're like not a teacher anymore. Like Statue

530
00:23:24,160 --> 00:23:29,480
Speaker 1: of libert limitations say libertations, Statue of liberty, Statue of liberty,

531
00:23:29,840 --> 00:23:31,520
Speaker 1: you could say it after ten years according to the

532
00:23:31,520 --> 00:23:32,600
Speaker 1: Statue of Liberty.

533
00:23:32,440 --> 00:23:33,439
Speaker 2: Is the Statue of liberty.

534
00:23:33,480 --> 00:23:36,880
Speaker 1: Emoji I don't know, because.

535
00:23:36,680 --> 00:23:39,720
Speaker 2: If that that's what I want people to put.

536
00:23:40,000 --> 00:23:41,360
Speaker 1: There is a statue of liberty.

537
00:23:41,400 --> 00:23:45,359
Speaker 2: Okay, if you or someone you know rolled in the

538
00:23:45,440 --> 00:23:49,240
Speaker 2: television because you were a little too hungover, please leave

539
00:23:49,240 --> 00:23:50,720
Speaker 2: a statue of liberty emoji.

540
00:23:50,920 --> 00:23:55,800
Speaker 1: Statue of Liberty says ten years Big Fat Liar Apology.

541
00:23:56,040 --> 00:23:57,640
Speaker 2: Recently rewatched this. I did.

542
00:23:58,280 --> 00:24:00,520
Speaker 1: It's because whenever we watched a hold of I was like,

543
00:24:00,600 --> 00:24:06,160
Speaker 1: maybe against maybe I was unfair in my hatred towards

544
00:24:06,200 --> 00:24:10,080
Speaker 1: Paul Giamatti because I've been a long Paul Giamati hater

545
00:24:10,280 --> 00:24:12,920
Speaker 1: because whenever Sideways came out, I remember him doing an

546
00:24:12,920 --> 00:24:17,040
Speaker 1: interview where he started to get annoyed by people giving

547
00:24:17,119 --> 00:24:19,080
Speaker 1: him or low, which was a big thing in that movie,

548
00:24:19,080 --> 00:24:20,719
Speaker 1: and he's like, everybody does it, and I think they

549
00:24:21,000 --> 00:24:22,600
Speaker 1: they're the first one to do it, and he gets so

550
00:24:22,600 --> 00:24:25,200
Speaker 1: annoyed by it, and me, I saw that as him

551
00:24:25,240 --> 00:24:28,280
Speaker 1: being ungrateful for his fame because it just.

552
00:24:28,480 --> 00:24:30,680
Speaker 2: Feels like an easy, like stick for the movie.

553
00:24:30,760 --> 00:24:32,320
Speaker 1: And it's like, dude, you were in a movie where

554
00:24:32,320 --> 00:24:34,480
Speaker 1: that was your thing. You just got free wine to

555
00:24:34,600 --> 00:24:38,439
Speaker 1: have somebody who just wanted to do something nice and

556
00:24:38,640 --> 00:24:40,600
Speaker 1: knows your work and is a fan of your work

557
00:24:40,800 --> 00:24:42,720
Speaker 1: that you got so annoyed by that, which I could

558
00:24:42,760 --> 00:24:45,480
Speaker 1: get that if somebody has something that they're known for,

559
00:24:46,200 --> 00:24:49,000
Speaker 1: they start to get just inundated with it, Like I

560
00:24:49,000 --> 00:24:52,320
Speaker 1: think Jason Biggs from American Pie. Anytime there's pie around,

561
00:24:52,359 --> 00:24:54,800
Speaker 1: like people are gonna point it out to him. But

562
00:24:54,880 --> 00:24:56,760
Speaker 1: I think to have a role like that that is

563
00:24:56,800 --> 00:24:59,080
Speaker 1: so impactful, you got to embrace it. And to see

564
00:24:59,119 --> 00:25:02,520
Speaker 1: him just being kind of annoying about the way he

565
00:25:02,640 --> 00:25:04,880
Speaker 1: handled it, I always hated him for that.

566
00:25:05,040 --> 00:25:08,639
Speaker 2: It's giving Jacob Lordi in the Kissing Booth. Yeah again,

567
00:25:08,880 --> 00:25:10,960
Speaker 2: Like I get that it could be annoying, Suck it

568
00:25:11,040 --> 00:25:14,040
Speaker 2: up and smile. It probably bought you some nice things

569
00:25:14,119 --> 00:25:14,520
Speaker 2: in life.

570
00:25:14,560 --> 00:25:18,800
Speaker 1: It really did. And I think anything you do that

571
00:25:19,400 --> 00:25:22,679
Speaker 1: is public facing you have to embrace it, and the

572
00:25:22,720 --> 00:25:26,080
Speaker 1: minute you start being annoyed by it, maybe it's time

573
00:25:26,119 --> 00:25:27,080
Speaker 1: not to do it anymore.

574
00:25:27,240 --> 00:25:28,200
Speaker 2: Yeah, it's a good point.

575
00:25:28,320 --> 00:25:30,240
Speaker 1: We'll wrap up with some here. I also have some

576
00:25:30,440 --> 00:25:32,159
Speaker 1: of my own, because I think we're start seeing some

577
00:25:32,160 --> 00:25:35,680
Speaker 1: repeats on this list. Taxi with Queen Latifa and Jimmy Fallon. Again,

578
00:25:35,760 --> 00:25:38,280
Speaker 1: this doesn't feel like Yeah, I think we're getting towards here.

579
00:25:38,320 --> 00:25:40,320
Speaker 2: I think people just started putting in their favorite movie

580
00:25:40,320 --> 00:25:41,240
Speaker 2: from the two thousands.

581
00:25:41,320 --> 00:25:44,320
Speaker 1: Yeah. I came up with my list of not movies

582
00:25:44,359 --> 00:25:47,960
Speaker 1: that I watched on the Tahoe DVD player because we

583
00:25:48,000 --> 00:25:50,399
Speaker 1: didn't have one. I have movies that I watched on

584
00:25:50,760 --> 00:25:53,960
Speaker 1: portable DVD player that we got from the bootleg flea

585
00:25:54,040 --> 00:25:57,280
Speaker 1: market in Mexico, because that is what I associate with

586
00:25:57,359 --> 00:26:00,000
Speaker 1: this time period where we would go to Mexico everyday

587
00:26:00,119 --> 00:26:03,119
Speaker 1: Christmas and there was something called the tan Geese, which

588
00:26:03,160 --> 00:26:06,600
Speaker 1: is essentially like a flea market in Mexico, and it

589
00:26:06,640 --> 00:26:09,119
Speaker 1: only happened on Thursdays, and we would go and they

590
00:26:09,160 --> 00:26:13,119
Speaker 1: would sell bootleg DVDs. But these were movies that we got.

591
00:26:13,480 --> 00:26:16,240
Speaker 1: I think most of most all of them were in Spanish,

592
00:26:16,520 --> 00:26:18,200
Speaker 1: so they were movies that I watched for the first

593
00:26:18,200 --> 00:26:20,639
Speaker 1: time in Spanish on a small DVD player.

594
00:26:20,760 --> 00:26:24,240
Speaker 2: So was this someone recording on their handheld camcorder in

595
00:26:24,280 --> 00:26:25,560
Speaker 2: the theater and then they put it on a.

596
00:26:25,600 --> 00:26:28,280
Speaker 1: DV Glad you asked that question. Sometimes yes it was,

597
00:26:29,240 --> 00:26:31,199
Speaker 1: and you would hear people coughing, you would see it

598
00:26:31,200 --> 00:26:35,360
Speaker 1: shake a little bit. Some of them were actual movie files,

599
00:26:35,440 --> 00:26:38,000
Speaker 1: but they were still in Spanish. Okay, so it depended

600
00:26:38,080 --> 00:26:40,920
Speaker 1: you didn't know, because you would just get you would

601
00:26:40,920 --> 00:26:41,719
Speaker 1: just get the DVD.

602
00:26:42,080 --> 00:26:43,359
Speaker 2: Kind of feels like a blind box.

603
00:26:43,480 --> 00:26:44,920
Speaker 1: Yeah, kind of like a blind box. You don't know

604
00:26:44,960 --> 00:26:47,120
Speaker 1: what experience you're about to walk into, because you would

605
00:26:47,200 --> 00:26:49,679
Speaker 1: either buy it in a case where they just printed

606
00:26:49,720 --> 00:26:53,440
Speaker 1: it on just the standard computer printer and like slid

607
00:26:53,520 --> 00:26:56,720
Speaker 1: it in there, or it would just be the actual

608
00:26:56,880 --> 00:26:59,720
Speaker 1: disc with like a label printed on it, and that

609
00:27:00,119 --> 00:27:01,399
Speaker 1: it was just the risk you were running.

610
00:27:01,480 --> 00:27:03,199
Speaker 2: I feel like we have to start with the one

611
00:27:03,240 --> 00:27:05,159
Speaker 2: your mom feels the most guilty about having the bootleg

612
00:27:05,240 --> 00:27:05,560
Speaker 2: copy of.

613
00:27:05,680 --> 00:27:08,320
Speaker 1: First up on my list The Passion of the Christ,

614
00:27:08,359 --> 00:27:11,399
Speaker 1: which I watched for the first time on a bootleg

615
00:27:11,520 --> 00:27:15,480
Speaker 1: DVD on a portable DVD player in Mexico in Spanish.

616
00:27:15,640 --> 00:27:18,800
Speaker 1: In Spanish. I think this one was one where somebody

617
00:27:18,840 --> 00:27:21,359
Speaker 1: went in with a video camera because I remember it

618
00:27:21,440 --> 00:27:24,919
Speaker 1: being not completely centered and at times it would like

619
00:27:24,960 --> 00:27:26,960
Speaker 1: move a little bit and you see the seats. But

620
00:27:27,000 --> 00:27:30,760
Speaker 1: we watched the entire thing on this DVD player, and

621
00:27:30,800 --> 00:27:32,399
Speaker 1: my mom felt bad about it. She was like, I

622
00:27:32,440 --> 00:27:35,840
Speaker 1: don't know I feel about watching a story about Jesus

623
00:27:36,040 --> 00:27:39,119
Speaker 1: on a bootleg DVD that we probably paid the equivalent

624
00:27:39,200 --> 00:27:41,040
Speaker 1: of like two American dollars.

625
00:27:40,760 --> 00:27:43,800
Speaker 2: For I mean the money. Also, like, wasn't going to

626
00:27:43,840 --> 00:27:47,320
Speaker 2: a church you think about it, it was going to Hollywood. Yeah,

627
00:27:47,520 --> 00:27:50,840
Speaker 2: So I actually don't know if the guilt there was warranted.

628
00:27:51,000 --> 00:27:52,960
Speaker 1: But this is the only time I've watched this movie,

629
00:27:53,000 --> 00:27:56,120
Speaker 1: so I remember enjoying it. I remember the ending, even

630
00:27:56,160 --> 00:27:58,159
Speaker 1: though I knew how it was going to end spoiler alert.

631
00:27:59,040 --> 00:28:03,199
Speaker 1: But I remember it really affecting me because I was like,

632
00:28:03,320 --> 00:28:04,040
Speaker 1: man to see it.

633
00:28:04,400 --> 00:28:07,159
Speaker 2: Oh, I think everyone, I think, and to be a

634
00:28:07,240 --> 00:28:09,600
Speaker 2: kid when it came out. Yeah, reading and seeing.

635
00:28:09,640 --> 00:28:12,919
Speaker 1: I mean it's rated R. So the brutality of it

636
00:28:12,960 --> 00:28:15,120
Speaker 1: was something that I wasn't expecting. And I think that's

637
00:28:15,160 --> 00:28:17,640
Speaker 1: also something that affected my mom a little bit. That

638
00:28:17,720 --> 00:28:19,840
Speaker 1: scene was just hard for her to watch. And then

639
00:28:19,880 --> 00:28:22,040
Speaker 1: the whole dilemma of the way we got this DVD.

640
00:28:22,280 --> 00:28:24,280
Speaker 1: I think she was just like, I can't watch this

641
00:28:24,359 --> 00:28:27,320
Speaker 1: movie anymore. But that is to me peak watching things

642
00:28:27,400 --> 00:28:31,119
Speaker 1: on a portable DVD player. I also have Supersized Me,

643
00:28:31,960 --> 00:28:36,760
Speaker 1: which was the documentary about Morgan Spurlock eating McDonald's for

644
00:28:37,160 --> 00:28:39,640
Speaker 1: every single meal for a period of time, and what

645
00:28:39,640 --> 00:28:42,640
Speaker 1: we found out later was that he was also battling

646
00:28:42,680 --> 00:28:46,040
Speaker 1: alcoholism during this so a lot of the effects that

647
00:28:46,440 --> 00:28:49,160
Speaker 1: he attributed to him eating McDonald's all the time from

648
00:28:49,160 --> 00:28:52,240
Speaker 1: the weight gain him barfing, was not just the food

649
00:28:52,320 --> 00:28:54,280
Speaker 1: he was eating, but also the fact that he was

650
00:28:54,360 --> 00:28:57,760
Speaker 1: drinking and not really showing the audience that. So that's

651
00:28:57,760 --> 00:28:59,960
Speaker 1: a weird one to look back on and remember.

652
00:29:00,120 --> 00:29:02,560
Speaker 2: How but also don't eat fast footed for every yeah,

653
00:29:02,680 --> 00:29:03,080
Speaker 2: every day.

654
00:29:03,160 --> 00:29:05,440
Speaker 1: But it was one that I look back on now, like, man,

655
00:29:05,600 --> 00:29:08,680
Speaker 1: it just doesn't feel like a valid movie anymore because

656
00:29:08,720 --> 00:29:10,920
Speaker 1: there were some things going on behind the scenes. So

657
00:29:11,360 --> 00:29:15,040
Speaker 1: but rip to him. We also have Spider Man two,

658
00:29:15,200 --> 00:29:17,360
Speaker 1: which we actually just went this past weekend to go

659
00:29:17,400 --> 00:29:20,200
Speaker 1: see in theaters. We saw two point one. That one

660
00:29:20,200 --> 00:29:21,920
Speaker 1: I watched for the first time in Spanish. But I

661
00:29:21,920 --> 00:29:24,080
Speaker 1: think this one, no, this one was also one that

662
00:29:24,080 --> 00:29:28,440
Speaker 1: they recorded handheld, because I remember, I think there's a

663
00:29:28,480 --> 00:29:32,080
Speaker 1: scene that was missing whenever I think doc owc first

664
00:29:32,120 --> 00:29:34,480
Speaker 1: goes to attack people missing they went to the bath

665
00:29:35,200 --> 00:29:37,840
Speaker 1: and I remember not seeing that until later until I

666
00:29:37,920 --> 00:29:40,520
Speaker 1: actually watched it on a real DVD. And I'll say, man,

667
00:29:40,520 --> 00:29:42,440
Speaker 1: I miss like a whole ten minutes of this movie

668
00:29:42,440 --> 00:29:42,760
Speaker 1: because a.

669
00:29:42,800 --> 00:29:44,880
Speaker 2: Guy film and it had to go pee, he had

670
00:29:44,880 --> 00:29:45,640
Speaker 2: to get snacks.

671
00:29:45,880 --> 00:29:49,200
Speaker 1: But I also didn't fully understand all the dialogue in

672
00:29:49,240 --> 00:29:52,520
Speaker 1: Spanish when I watched this one, so whenever I watched

673
00:29:52,520 --> 00:29:54,360
Speaker 1: it again in English, it was kind of like watching

674
00:29:54,400 --> 00:29:56,400
Speaker 1: it for the first time. And you've since watched it

675
00:29:56,640 --> 00:30:00,120
Speaker 1: seven every single every single time that I don't have

676
00:30:00,000 --> 00:30:02,120
Speaker 1: I have anything to watch, I'm always itching to go

677
00:30:02,160 --> 00:30:03,200
Speaker 1: watch the Spider Man movies.

678
00:30:03,400 --> 00:30:06,280
Speaker 2: It made me buy tickets like minute anallence, Yeah.

679
00:30:06,200 --> 00:30:07,360
Speaker 1: I was like, I gotta go see it. With New

680
00:30:07,360 --> 00:30:10,640
Speaker 1: Footage two point one Gothica, which was a movie with

681
00:30:10,720 --> 00:30:14,320
Speaker 1: Halle Berry. Oh that one which was really weird, and

682
00:30:15,240 --> 00:30:17,960
Speaker 1: I think that was one that was an actual rip

683
00:30:18,000 --> 00:30:20,960
Speaker 1: of the file. But that just wasn't really a good movie.

684
00:30:20,960 --> 00:30:23,240
Speaker 1: But I just remember watching that on that DVD player

685
00:30:24,000 --> 00:30:27,080
Speaker 1: and then that's pretty much my entire list mine.

686
00:30:27,080 --> 00:30:29,640
Speaker 2: We're all in the in the Twitter list.

687
00:30:31,040 --> 00:30:33,720
Speaker 1: What a good time two thousand and four.

688
00:30:33,920 --> 00:30:36,200
Speaker 2: Thanks for simpler, but that is the list.

689
00:30:36,360 --> 00:30:38,400
Speaker 1: I'll come back and I give my spoiler free review

690
00:30:38,720 --> 00:30:44,800
Speaker 1: of One Battle after Another. Let's get into it now.

691
00:30:44,880 --> 00:30:48,560
Speaker 1: A spoiler free movie review of One Battle after Another

692
00:30:48,640 --> 00:30:53,680
Speaker 1: starring Leonardo DiCaprio, Anicio del Toro, directed by Paul Thomas Anderson.

693
00:30:54,120 --> 00:30:56,120
Speaker 1: The movie is about a character named Bob who was

694
00:30:56,160 --> 00:30:59,840
Speaker 1: an American revolutionary. Takes place at the beginning of the

695
00:30:59,840 --> 00:31:04,080
Speaker 1: movie in what could some describe as his glory days

696
00:31:04,120 --> 00:31:07,640
Speaker 1: of being a revolutionary, fighting back against the government, trying

697
00:31:07,680 --> 00:31:11,440
Speaker 1: to liberate some people, blowing things up, and then it

698
00:31:11,520 --> 00:31:14,640
Speaker 1: kind of jump cuts to about him fifteen years later,

699
00:31:14,840 --> 00:31:19,200
Speaker 1: has a daughter now is trying to maintain a normal

700
00:31:19,280 --> 00:31:23,120
Speaker 1: family dynamic. But then a member from his past played

701
00:31:23,160 --> 00:31:26,520
Speaker 1: by Sean Penn, who is the bad guy in this movie,

702
00:31:26,840 --> 00:31:29,360
Speaker 1: creeps back into his life, and suddenly he goes from

703
00:31:29,400 --> 00:31:32,960
Speaker 1: being kind of a burnt out nobody who just gets

704
00:31:33,000 --> 00:31:37,120
Speaker 1: stoned all the time, reminiscing on his days as a revolutionary,

705
00:31:37,520 --> 00:31:39,760
Speaker 1: suddenly he is back in it. All of his old

706
00:31:39,760 --> 00:31:43,480
Speaker 1: friends come back together in order to save each other,

707
00:31:43,720 --> 00:31:47,240
Speaker 1: keep each other from being in some cases taken out,

708
00:31:47,280 --> 00:31:50,880
Speaker 1: in some cases captured. Leonardo DiCaprio on the run the

709
00:31:51,120 --> 00:31:54,600
Speaker 1: entire time, and that's what makes this movie exciting. Paul

710
00:31:54,680 --> 00:31:57,720
Speaker 1: Thomas Anderson really hasn't done an action movie like this.

711
00:31:58,240 --> 00:32:01,479
Speaker 1: He's done really big epic movies like There Will Be Blood.

712
00:32:01,840 --> 00:32:04,680
Speaker 1: He's done comedy movies like Liquorage Pizza. Back in the day,

713
00:32:04,800 --> 00:32:07,080
Speaker 1: was known for movies like Boogie Nights, but this is

714
00:32:07,080 --> 00:32:09,360
Speaker 1: his first time really stepping into what I feel is

715
00:32:09,400 --> 00:32:13,960
Speaker 1: his most commercial film. So going into any Paul Thomas

716
00:32:14,000 --> 00:32:17,280
Speaker 1: Anderson movie, my question is is it going to warrant

717
00:32:17,280 --> 00:32:19,280
Speaker 1: the runtime? And I feel like that is a slap

718
00:32:19,320 --> 00:32:21,800
Speaker 1: of the face to him as a visionary that us

719
00:32:21,840 --> 00:32:25,840
Speaker 1: as audiences now we think about those types of things

720
00:32:25,960 --> 00:32:28,240
Speaker 1: because we think about how is this going to fit

721
00:32:28,280 --> 00:32:30,720
Speaker 1: into my day? And maybe just because I'm in my

722
00:32:30,760 --> 00:32:32,320
Speaker 1: thirties now and I'm like, man, if I go watch

723
00:32:32,400 --> 00:32:34,240
Speaker 1: three hour movie, It's going to take out my entire

724
00:32:34,320 --> 00:32:38,880
Speaker 1: Friday night. And as soon as this movie started, all

725
00:32:38,920 --> 00:32:41,520
Speaker 1: of those concerns went way out the window. Before I

726
00:32:41,600 --> 00:32:43,800
Speaker 1: knew it, I was an hour into this movie before

727
00:32:43,800 --> 00:32:46,000
Speaker 1: I knew it. Again, we were at the two hour mark,

728
00:32:46,600 --> 00:32:48,680
Speaker 1: and then it ends up being even though it's listed

729
00:32:48,680 --> 00:32:50,600
Speaker 1: as two hours and fifty minutes, right around two and

730
00:32:50,680 --> 00:32:54,960
Speaker 1: a half hours, this entire movie flew by, and that

731
00:32:55,200 --> 00:32:57,840
Speaker 1: was the sign to me that it's a good movie.

732
00:32:57,920 --> 00:33:00,720
Speaker 1: I don't have to question his run times anymore. There

733
00:33:00,800 --> 00:33:03,760
Speaker 1: is so much action from beginning to end, as there

734
00:33:03,760 --> 00:33:07,000
Speaker 1: were so many storylines to follow, because while you're following

735
00:33:07,080 --> 00:33:09,479
Speaker 1: Leonardo DiCaprio and his daughter, which I think at the

736
00:33:09,520 --> 00:33:12,400
Speaker 1: core of this movie, it is a movie about father

737
00:33:12,520 --> 00:33:15,640
Speaker 1: and daughter dynamic, so you have things like that going on,

738
00:33:15,720 --> 00:33:18,560
Speaker 1: you also have Sean Penn's character, who is the villain

739
00:33:18,600 --> 00:33:21,880
Speaker 1: in this movie, trying to track down Leonardo DiCaprio. His

740
00:33:22,040 --> 00:33:24,920
Speaker 1: character was very much to me giving off Christoph Walton

741
00:33:24,880 --> 00:33:28,560
Speaker 1: and glorious bastards, not as intense, not as oscar worthy,

742
00:33:28,760 --> 00:33:31,920
Speaker 1: but that was the cat and mouse dynamic that I

743
00:33:32,000 --> 00:33:34,160
Speaker 1: needed in this movie that really made me love it.

744
00:33:34,280 --> 00:33:37,240
Speaker 1: And his character is intense but also comical, which I

745
00:33:37,320 --> 00:33:40,400
Speaker 1: think is something that maybe some people aren't expecting from

746
00:33:40,440 --> 00:33:43,920
Speaker 1: a Paul Thomas Anderson movie, who he does comedy really well.

747
00:33:43,960 --> 00:33:45,480
Speaker 1: And I did think that this was going to be

748
00:33:45,520 --> 00:33:48,480
Speaker 1: a little bit more of a visceral action movie, just

749
00:33:48,600 --> 00:33:51,080
Speaker 1: given the fact that it is about a group of

750
00:33:51,120 --> 00:33:53,760
Speaker 1: revolutionaries who at the beginning of the film do blow

751
00:33:53,840 --> 00:33:55,640
Speaker 1: up a lot of things. They have a lot of

752
00:33:55,640 --> 00:33:58,320
Speaker 1: intentions of anarchy and chaos, and I thought that was

753
00:33:58,360 --> 00:34:00,080
Speaker 1: going to be a little bit more evident throughout the

754
00:34:00,200 --> 00:34:03,680
Speaker 1: entire film. And while there is a lot of action

755
00:34:03,800 --> 00:34:05,800
Speaker 1: in it, there's also a lot of comedy in it,

756
00:34:05,840 --> 00:34:08,160
Speaker 1: so it has this really unique balance going back and

757
00:34:08,200 --> 00:34:11,279
Speaker 1: forth between the two. I think in our theater, which

758
00:34:11,320 --> 00:34:13,839
Speaker 1: was a pack theater on a Friday night, there were

759
00:34:13,920 --> 00:34:17,799
Speaker 1: a lot of laughs. Sometimes I was confused at what

760
00:34:17,920 --> 00:34:20,120
Speaker 1: people were laughing at because I didn't find it to

761
00:34:20,280 --> 00:34:22,759
Speaker 1: be as comical as some of the other people in

762
00:34:22,800 --> 00:34:25,040
Speaker 1: our audience. So maybe there was some things that were

763
00:34:25,040 --> 00:34:28,279
Speaker 1: going a little bit over my head. Even maybe I'm

764
00:34:28,280 --> 00:34:30,520
Speaker 1: not smart enough to get some of the jokes. I

765
00:34:30,560 --> 00:34:33,040
Speaker 1: didn't see it as full on as a comedy as

766
00:34:33,080 --> 00:34:35,840
Speaker 1: some other people did. To me, it did at moments

767
00:34:35,920 --> 00:34:39,960
Speaker 1: kind of feel like Pineapple Express because Leonardo DiCaprio's character

768
00:34:40,120 --> 00:34:42,640
Speaker 1: is a stoner. Some could say this is the best

769
00:34:42,680 --> 00:34:47,120
Speaker 1: action stoner that has ever been created. But in Pineapple Express,

770
00:34:47,600 --> 00:34:49,960
Speaker 1: Seth Rogan plays a guy named Dale Denton who is

771
00:34:50,000 --> 00:34:52,640
Speaker 1: a process server. I saw a lot of parallels between

772
00:34:52,719 --> 00:34:55,960
Speaker 1: Dale Denton and Bob played by Leonardo DiCaprio that I

773
00:34:56,000 --> 00:34:58,480
Speaker 1: was like, this is almost a more serious version of

774
00:34:58,520 --> 00:35:00,640
Speaker 1: that movie, because I was the it was going to

775
00:35:00,719 --> 00:35:02,800
Speaker 1: have more of a tone of There will be Blood

776
00:35:02,840 --> 00:35:05,400
Speaker 1: by Paul Thomas Anderson, the fact that you have one

777
00:35:05,440 --> 00:35:08,880
Speaker 1: of the best actors of all time, Leonardo DiCaprio, who

778
00:35:09,000 --> 00:35:12,360
Speaker 1: has that range, who can be a little bit more intense.

779
00:35:12,880 --> 00:35:16,000
Speaker 1: This was an entirely different look at Leo. He was

780
00:35:16,080 --> 00:35:19,400
Speaker 1: comical in a way I wasn't expecting he was a

781
00:35:19,520 --> 00:35:23,080
Speaker 1: hero at times. But it was almost like Bob wasn't

782
00:35:23,120 --> 00:35:25,960
Speaker 1: really set up to be a hero. He was set

783
00:35:26,040 --> 00:35:28,200
Speaker 1: up a little bit more to be the comic relief,

784
00:35:28,680 --> 00:35:31,200
Speaker 1: to be the dad that did care about his daughter

785
00:35:31,920 --> 00:35:35,239
Speaker 1: but also just did not have his life together. And

786
00:35:35,280 --> 00:35:37,400
Speaker 1: there are moments where are like, come on, Bob, just

787
00:35:37,400 --> 00:35:40,040
Speaker 1: get it together, get out of the bathrobe, and be

788
00:35:40,120 --> 00:35:42,800
Speaker 1: a little bit more heroic. But that's not the story

789
00:35:42,800 --> 00:35:44,839
Speaker 1: that was being told here. I would think if there

790
00:35:44,920 --> 00:35:47,759
Speaker 1: was one real hero out of the entire film, it

791
00:35:47,760 --> 00:35:51,440
Speaker 1: was Benicio del Toro, which my only real complaint with

792
00:35:51,480 --> 00:35:53,640
Speaker 1: this movie is I wanted more of him because I

793
00:35:53,680 --> 00:35:57,120
Speaker 1: love their dynamic together, them driving in the car, drinking

794
00:35:57,160 --> 00:36:00,000
Speaker 1: and driving. Those were the moments that made me feel

795
00:36:00,800 --> 00:36:04,400
Speaker 1: like it was Seth Rogan and James Springo in Pineapple

796
00:36:04,440 --> 00:36:07,920
Speaker 1: Express doing dumb things, and it was really cool to

797
00:36:07,960 --> 00:36:12,800
Speaker 1: see a movie like this on an incredibly vast cinematic level,

798
00:36:12,920 --> 00:36:17,680
Speaker 1: that vision combined with all the comedic elements and giving

799
00:36:17,719 --> 00:36:20,640
Speaker 1: me things on screen that I've never seen before. Because

800
00:36:20,680 --> 00:36:23,040
Speaker 1: while in somebody else's hands this could have been just

801
00:36:23,080 --> 00:36:26,839
Speaker 1: another generic action movie, you truly see the vision take

802
00:36:26,920 --> 00:36:31,319
Speaker 1: shape throughout every scene, having so much intent, all the

803
00:36:31,400 --> 00:36:36,279
Speaker 1: storylines working together as one, a true cinematic experience that

804
00:36:36,480 --> 00:36:39,279
Speaker 1: is one that you seek out movies like this in

805
00:36:39,320 --> 00:36:43,200
Speaker 1: your life. And you realize now maybe more than ever,

806
00:36:43,360 --> 00:36:47,239
Speaker 1: how much Hollywood right now is a director's game. But

807
00:36:47,400 --> 00:36:50,799
Speaker 1: you see with the movies that have really impacted audiences

808
00:36:50,840 --> 00:36:55,319
Speaker 1: this year, Sinners Weapons Now one battle after another. I'll

809
00:36:55,360 --> 00:36:59,000
Speaker 1: even throw highest Lowis in there from Spike Lee. But

810
00:36:59,120 --> 00:37:04,280
Speaker 1: it's these directors who are standing out more than just Ip.

811
00:37:04,560 --> 00:37:09,200
Speaker 1: In my opinion, I think original stories are alive and

812
00:37:09,239 --> 00:37:11,480
Speaker 1: well and they are right here in front of you.

813
00:37:11,800 --> 00:37:14,279
Speaker 1: So I think that is the direction Hollywood needs to go.

814
00:37:14,480 --> 00:37:18,400
Speaker 1: Invest more in directors, allow them to make the movies

815
00:37:18,400 --> 00:37:21,000
Speaker 1: that they want to make, because boy, this was his

816
00:37:21,040 --> 00:37:24,719
Speaker 1: most expensive movie ever, and it puts a lot of

817
00:37:24,760 --> 00:37:29,000
Speaker 1: trust in him to create something that is also gonna

818
00:37:29,040 --> 00:37:31,520
Speaker 1: make money. So that's the line you have to walk.

819
00:37:31,560 --> 00:37:35,239
Speaker 1: The movie also had a fantastic score that was used

820
00:37:35,239 --> 00:37:38,200
Speaker 1: so well throughout. You have this theme song almost driving

821
00:37:38,280 --> 00:37:41,440
Speaker 1: all the action in one battle after another. Which the

822
00:37:41,560 --> 00:37:45,400
Speaker 1: last movie where the score was so evident that it

823
00:37:45,440 --> 00:37:48,040
Speaker 1: was distracting to me was Highest to Lois, and that

824
00:37:48,160 --> 00:37:51,000
Speaker 1: is an example of when it is used correctly and

825
00:37:51,040 --> 00:37:54,960
Speaker 1: when I believe it is used incorrectly. And highest to Lois,

826
00:37:55,360 --> 00:37:59,160
Speaker 1: it was so distracting and it changed the feeling of

827
00:37:59,280 --> 00:38:02,840
Speaker 1: every single because it was so overbearing with this orchestra.

828
00:38:03,440 --> 00:38:06,360
Speaker 1: It made it feel so lesser than what was actually

829
00:38:06,400 --> 00:38:10,920
Speaker 1: happening on the screen. But here it added to the intensity.

830
00:38:11,040 --> 00:38:14,720
Speaker 1: It added to that franticness, It added to that feeling

831
00:38:14,800 --> 00:38:18,240
Speaker 1: of anxiety, just that dun chugging all the way throughout

832
00:38:18,239 --> 00:38:20,759
Speaker 1: the film. A lot of Auscar nominations are going to

833
00:38:20,840 --> 00:38:23,239
Speaker 1: be thrown out for this movie. I don't think it

834
00:38:23,320 --> 00:38:26,239
Speaker 1: is one that is going to warrant an automatic win

835
00:38:26,280 --> 00:38:29,120
Speaker 1: for Leonardo DiCaprio. He'll probably be nominated, but I don't

836
00:38:29,160 --> 00:38:31,759
Speaker 1: think he is giving Best Actor in this I think

837
00:38:31,800 --> 00:38:36,480
Speaker 1: it's because Bob's character doesn't have the greatest amount of range.

838
00:38:36,520 --> 00:38:39,480
Speaker 1: He does his comedic thing really well throughout, and there

839
00:38:39,480 --> 00:38:42,719
Speaker 1: are moments where Leonardo shines in a way that he

840
00:38:42,800 --> 00:38:46,319
Speaker 1: never has. But I don't think that warrants a win

841
00:38:46,440 --> 00:38:48,799
Speaker 1: for Best Actor. I think Benicio del Toro will get

842
00:38:48,800 --> 00:38:52,279
Speaker 1: Supporting Actor. If anybody is a clear winner here, I

843
00:38:52,280 --> 00:38:56,320
Speaker 1: think Paul Thomas Anderson for Best Director and Best Score.

844
00:38:56,480 --> 00:38:58,840
Speaker 1: Those were the two elements that really stood out to me.

845
00:38:59,320 --> 00:39:02,320
Speaker 1: Cinematograph could also be one where they take home an oscar.

846
00:39:02,360 --> 00:39:05,040
Speaker 1: Because this movie looked beautiful. They filmed a lot of

847
00:39:05,080 --> 00:39:08,400
Speaker 1: it in California and El Paso. I love every single

848
00:39:08,440 --> 00:39:11,480
Speaker 1: scene that took place in El Paso. They also use

849
00:39:11,640 --> 00:39:14,279
Speaker 1: a lot of non actors, which I love it when

850
00:39:14,320 --> 00:39:18,360
Speaker 1: directors use this because it adds to the level of authenticity.

851
00:39:18,440 --> 00:39:21,919
Speaker 1: Where you have somebody like Sean Penn interacting with other

852
00:39:21,960 --> 00:39:25,520
Speaker 1: people who are not actors. That gives you that taste

853
00:39:25,719 --> 00:39:29,680
Speaker 1: of the community, a taste of that environment, that adds

854
00:39:29,719 --> 00:39:32,719
Speaker 1: to that sense of realism. One of my favorite examples

855
00:39:32,760 --> 00:39:34,759
Speaker 1: of this was No Country for Old Men, where the

856
00:39:34,800 --> 00:39:37,800
Speaker 1: Coen Brothers use a lot of people throughout this small

857
00:39:37,840 --> 00:39:40,720
Speaker 1: town in Texas as the actual people in that town.

858
00:39:41,080 --> 00:39:43,719
Speaker 1: Paul Thomas Anderson did the same thing here, and it

859
00:39:43,760 --> 00:39:46,959
Speaker 1: makes those interactions just feel that much more authentic. Chase

860
00:39:46,960 --> 00:39:50,600
Speaker 1: Infinity was also great as Leonardo DiCaprio's daughter. She was

861
00:39:50,640 --> 00:39:54,080
Speaker 1: fantastic and presumed innocent. I think she is somebody who

862
00:39:54,160 --> 00:39:57,440
Speaker 1: is going to have a really great career in Hollywood.

863
00:39:57,560 --> 00:39:59,880
Speaker 1: But my favorite thing about One Battle after Another is

864
00:40:00,120 --> 00:40:02,960
Speaker 1: I believe it has the best chase scene in ten years.

865
00:40:03,040 --> 00:40:05,120
Speaker 1: Before this, my number one chase scene in the last

866
00:40:05,120 --> 00:40:08,440
Speaker 1: ten years was Penguin being chased by the Batman with

867
00:40:08,560 --> 00:40:11,719
Speaker 1: Robert Pattinson and Colin Farrell. But without giving up too much,

868
00:40:11,800 --> 00:40:14,080
Speaker 1: the chas sing in the third act is the best

869
00:40:14,160 --> 00:40:17,880
Speaker 1: chasing I've seen since. Is it a masterpiece? No, but

870
00:40:17,920 --> 00:40:20,480
Speaker 1: it's really close. And it's so hard for me to

871
00:40:20,480 --> 00:40:23,000
Speaker 1: give out a perfect score because right now I believe

872
00:40:23,480 --> 00:40:26,520
Speaker 1: that a perfect score comes with time. This does feel

873
00:40:26,520 --> 00:40:29,440
Speaker 1: like a movie that has a great rewatchability factor, So

874
00:40:29,760 --> 00:40:32,239
Speaker 1: quite possibly down the line, I could look back on

875
00:40:32,280 --> 00:40:34,680
Speaker 1: this and think, oh, that truly was a masterpiece. But

876
00:40:34,800 --> 00:40:37,799
Speaker 1: for now I give One Battle after Another a four

877
00:40:37,840 --> 00:40:40,279
Speaker 1: point five out of five Bathrobes.

878
00:40:44,040 --> 00:40:46,680
Speaker 2: It's time to head down to movie Mike.

879
00:40:46,800 --> 00:40:50,120
Speaker 1: Trey Lar Paul for the first time in seven years

880
00:40:50,160 --> 00:40:52,799
Speaker 1: Star Wars. Why am I saying that weird. I think

881
00:40:52,800 --> 00:40:55,720
Speaker 1: it's because my dad says it as Star Wars. Star

882
00:40:55,840 --> 00:41:00,879
Speaker 1: Wars is returning to the box office next year May

883
00:41:00,960 --> 00:41:05,680
Speaker 1: twenty second, twenty twenty six, we are getting the Mandalorian

884
00:41:05,800 --> 00:41:09,319
Speaker 1: and gro Good. I feel like the fan base is

885
00:41:09,400 --> 00:41:13,160
Speaker 1: pretty split on this movie, and I think it's the

886
00:41:13,239 --> 00:41:17,000
Speaker 1: fans who have been there since day one, maybe not

887
00:41:17,080 --> 00:41:20,560
Speaker 1: even day one, back in the seventies. It is those

888
00:41:20,680 --> 00:41:25,280
Speaker 1: people who have a hard time accepting that Star Wars

889
00:41:25,480 --> 00:41:29,960
Speaker 1: has and always will be aimed towards a younger audience,

890
00:41:30,280 --> 00:41:35,920
Speaker 1: making movies that sell toys and inspiring young people with

891
00:41:36,080 --> 00:41:39,600
Speaker 1: these stories. That is overall what Star Wars has done.

892
00:41:40,160 --> 00:41:42,839
Speaker 1: If you were a kid when the original trilogy came out,

893
00:41:43,680 --> 00:41:47,200
Speaker 1: that is probably the best memories you associate with the franchise.

894
00:41:47,800 --> 00:41:50,239
Speaker 1: That is your baby. If you were a kid in

895
00:41:50,239 --> 00:41:54,160
Speaker 1: the late nineties, early two thousands, the prequel trilogy, oh

896
00:41:54,200 --> 00:41:58,399
Speaker 1: those are your babies. If now you are somebody who

897
00:41:58,600 --> 00:42:02,680
Speaker 1: just discovered Star Wars in the last saga that so

898
00:42:02,880 --> 00:42:06,680
Speaker 1: many people hate, that's still going to be your baby.

899
00:42:06,719 --> 00:42:09,560
Speaker 1: And in ten years that is what is going to

900
00:42:09,600 --> 00:42:12,000
Speaker 1: be recognized as some of the best Star Wars films.

901
00:42:12,040 --> 00:42:13,759
Speaker 1: Not right now, because people still hate on it a lot,

902
00:42:14,880 --> 00:42:17,680
Speaker 1: and I think that's why people are so split on

903
00:42:17,880 --> 00:42:21,480
Speaker 1: this show. And I call it a show because it

904
00:42:21,520 --> 00:42:24,839
Speaker 1: has roots on Disney Plus, and to those people, I

905
00:42:24,880 --> 00:42:28,600
Speaker 1: think this feels like just season four of The Mandalorian

906
00:42:28,680 --> 00:42:30,759
Speaker 1: on the big screen, and we'll get into all the

907
00:42:30,800 --> 00:42:33,000
Speaker 1: things that Disney has going on right now with their

908
00:42:33,040 --> 00:42:37,120
Speaker 1: Disney Plus model. But I still think the majority of

909
00:42:37,160 --> 00:42:39,800
Speaker 1: the hate is those people who still want these movies

910
00:42:39,840 --> 00:42:43,000
Speaker 1: to be the films of their childhood and it is

911
00:42:43,040 --> 00:42:45,440
Speaker 1: never going to be like that. But whenever the sequel

912
00:42:45,480 --> 00:42:48,520
Speaker 1: trilogy came out, that is where I started to go

913
00:42:48,560 --> 00:42:50,879
Speaker 1: see all of them in theaters and then went back

914
00:42:50,920 --> 00:42:53,040
Speaker 1: and revisited all the Star Wars movies and did a

915
00:42:53,040 --> 00:42:56,120
Speaker 1: deep dive. It is those movies that were the conduit

916
00:42:56,239 --> 00:42:59,440
Speaker 1: to me even being able to associate myself with the

917
00:42:59,480 --> 00:43:02,480
Speaker 1: Star Wars fandom. Force Awakens, The Last Jedi, The Rise

918
00:43:02,520 --> 00:43:06,640
Speaker 1: of Skywalker. I love those movies, and you can't really

919
00:43:06,680 --> 00:43:09,680
Speaker 1: say that in Star Wars culture, it seems because for

920
00:43:09,719 --> 00:43:13,440
Speaker 1: the most part, everybody believes that the writing was so terrible.

921
00:43:13,760 --> 00:43:16,360
Speaker 1: A lot of people hate Ray I found them to

922
00:43:16,400 --> 00:43:19,680
Speaker 1: be really enjoyable. And that is what got me into

923
00:43:19,680 --> 00:43:22,920
Speaker 1: The Mandalorian, because without those movies, I don't think I

924
00:43:22,920 --> 00:43:26,160
Speaker 1: would have been interested in a show about a character

925
00:43:26,200 --> 00:43:30,200
Speaker 1: I had no idea about. Is because of those movies,

926
00:43:30,239 --> 00:43:32,880
Speaker 1: whenever The Mandalorian first premiered, I was like, I'm going

927
00:43:32,960 --> 00:43:35,640
Speaker 1: to check that out, And to date, it is my

928
00:43:35,760 --> 00:43:39,000
Speaker 1: favorite of all the Star Wars shows because I feel

929
00:43:39,040 --> 00:43:42,520
Speaker 1: it is the perfect balance of the original trilogy and

930
00:43:42,600 --> 00:43:45,520
Speaker 1: what it needs to evolve to in order to survive.

931
00:43:45,800 --> 00:43:48,960
Speaker 1: Season one came out back in twenty nineteen, Season two

932
00:43:49,040 --> 00:43:52,040
Speaker 1: came out in twenty twenty, and season three was already

933
00:43:52,040 --> 00:43:54,360
Speaker 1: a couple of years ago, came out in twenty twenty

934
00:43:54,400 --> 00:43:58,000
Speaker 1: three was what I believe to be the weakest of

935
00:43:58,080 --> 00:44:00,759
Speaker 1: all the seasons, And now it all kind of makes

936
00:44:00,800 --> 00:44:03,640
Speaker 1: sense because I think that was the bridge to get

937
00:44:03,719 --> 00:44:06,239
Speaker 1: us to this movie. But I think now it makes sense.

938
00:44:06,280 --> 00:44:09,759
Speaker 1: The official description of the movie reads, the Evil Empire

939
00:44:09,840 --> 00:44:14,480
Speaker 1: has fallen and the Imperial Warlreds remain scattered throughout the galaxy.

940
00:44:14,880 --> 00:44:17,840
Speaker 1: As the fledging New Republic works to protect everything the

941
00:44:17,880 --> 00:44:21,719
Speaker 1: Rebellion fought for. They have enlisted the help of legendary

942
00:44:21,760 --> 00:44:25,120
Speaker 1: Mandalorian bounty hunter played by Pedro Pascal and his young

943
00:44:25,160 --> 00:44:30,920
Speaker 1: apprentice Grogu. So Pedro Pascal is returning, Jeremy Allen White

944
00:44:31,000 --> 00:44:34,440
Speaker 1: is going to play job of the hutsun Rata I

945
00:44:34,520 --> 00:44:38,359
Speaker 1: believe that you pronounce it. Sigourney Weaver is also in

946
00:44:38,400 --> 00:44:41,600
Speaker 1: this movie. So before we talk about this more and

947
00:44:41,680 --> 00:44:44,520
Speaker 1: why everybody is so split on this, here's just a

948
00:44:44,520 --> 00:44:47,680
Speaker 1: little bit of the Mandalorian and Grogu trailer.

949
00:44:51,120 --> 00:45:08,520
Speaker 3: Progressive fuck good shot David.

950
00:45:10,200 --> 00:45:13,120
Speaker 1: So not a whole lot of dialogue in this trailer. Overall.

951
00:45:13,160 --> 00:45:16,080
Speaker 1: The trailer is pretty short, under two minutes. I think

952
00:45:16,080 --> 00:45:18,920
Speaker 1: it's like a minute and a half. You see some fighting,

953
00:45:19,000 --> 00:45:23,120
Speaker 1: you see a big lizard monster, you see the ataighties

954
00:45:23,280 --> 00:45:27,000
Speaker 1: go down, you see the Mandalorian fighting, some people flying,

955
00:45:27,560 --> 00:45:30,440
Speaker 1: all the things you would expect in a Mandalorian trailer.

956
00:45:30,880 --> 00:45:33,640
Speaker 1: You do get that first glimpse of Jeremy Allen White

957
00:45:33,719 --> 00:45:36,400
Speaker 1: voicing Rata, which I think that scene was pretty cool.

958
00:45:36,760 --> 00:45:39,560
Speaker 1: Aside from that, they're not giving us too many specific

959
00:45:39,600 --> 00:45:43,279
Speaker 1: details about what is going on where the Mandalorian is

960
00:45:43,280 --> 00:45:46,200
Speaker 1: in his journey where they're trying to break into. You

961
00:45:46,280 --> 00:45:49,399
Speaker 1: do see Grogu try out a couple of different things,

962
00:45:49,480 --> 00:45:52,279
Speaker 1: which I think that is probably the most entertaining part

963
00:45:52,320 --> 00:45:55,160
Speaker 1: of the Mandalorian is just seeing Grogu be cute and

964
00:45:55,239 --> 00:45:57,560
Speaker 1: do silly little things like here you see him trying

965
00:45:57,560 --> 00:45:59,759
Speaker 1: to use the force to get a snack. You see

966
00:45:59,800 --> 00:46:02,760
Speaker 1: him swimming, which I was like, oh man, you gotta

967
00:46:02,800 --> 00:46:05,200
Speaker 1: put the little guy in some water and make him swim.

968
00:46:05,440 --> 00:46:07,600
Speaker 1: And then you also see what I believe is going

969
00:46:07,640 --> 00:46:11,080
Speaker 1: to be the GIF or meme worthy moment of Grogu

970
00:46:11,280 --> 00:46:14,560
Speaker 1: kind of eating some kind of popcorn like snack. It

971
00:46:14,600 --> 00:46:17,000
Speaker 1: looks like it's in a popcorn tin and he's just

972
00:46:17,080 --> 00:46:18,360
Speaker 1: munching on it. You kind of heard it in the

973
00:46:18,400 --> 00:46:21,719
Speaker 1: clip there, But that just tells me the man who

974
00:46:21,840 --> 00:46:26,480
Speaker 1: eating Grogu is going to have a sick popcorn bucket.

975
00:46:26,719 --> 00:46:29,239
Speaker 1: I want a Rod of the Hut popcorn bucket right now.

976
00:46:29,640 --> 00:46:32,040
Speaker 1: I'm already putting myself on the pre order list for that.

977
00:46:32,440 --> 00:46:35,480
Speaker 1: I would love something like that of Grogu holding a

978
00:46:35,520 --> 00:46:38,600
Speaker 1: popcorn bucket. I have to imagine that has to be

979
00:46:38,680 --> 00:46:41,560
Speaker 1: the tie in now, because I think the thing to

980
00:46:41,680 --> 00:46:44,879
Speaker 1: have is a cool popcorn bucket in twenty twenty five,

981
00:46:44,960 --> 00:46:47,880
Speaker 1: so definitely in twenty twenty six. My main issue with

982
00:46:47,920 --> 00:46:52,240
Speaker 1: this trailer. Is it looks exactly like the TV show visually?

983
00:46:52,560 --> 00:46:54,480
Speaker 1: And I have to think about it because I don't

984
00:46:54,480 --> 00:46:57,560
Speaker 1: want to be an I rational fan. Here. Is it

985
00:46:57,680 --> 00:47:01,440
Speaker 1: that this movie looks just like a TV show or

986
00:47:01,480 --> 00:47:04,880
Speaker 1: the TV show looks so good that it looks like

987
00:47:04,920 --> 00:47:08,120
Speaker 1: a movie. I actually think the TV show looks so

988
00:47:08,280 --> 00:47:11,480
Speaker 1: good that it looks like a movie, and this just

989
00:47:11,520 --> 00:47:13,359
Speaker 1: looks I don't know if they can make it look

990
00:47:13,400 --> 00:47:17,359
Speaker 1: any better without changing the aesthetic. Because as much as

991
00:47:17,400 --> 00:47:20,359
Speaker 1: I would love some film green on this to make

992
00:47:20,400 --> 00:47:23,200
Speaker 1: it look more like a seventy Star Wars film, to

993
00:47:23,320 --> 00:47:26,759
Speaker 1: have that rich, bold look, they filmed this for IMAX.

994
00:47:27,239 --> 00:47:29,919
Speaker 1: They wanted to look big. They wanted to look crystal clear.

995
00:47:30,000 --> 00:47:33,120
Speaker 1: The way they make these shows and Star Wars movies

996
00:47:33,200 --> 00:47:36,239
Speaker 1: is using that big led screen for a lot of

997
00:47:36,280 --> 00:47:38,600
Speaker 1: these backgrounds. So I think they have to look a

998
00:47:38,760 --> 00:47:41,680
Speaker 1: very specific way because obviously they're not going to some

999
00:47:41,840 --> 00:47:44,439
Speaker 1: planet outside of this world to film these movies. They're

1000
00:47:44,440 --> 00:47:46,759
Speaker 1: doing it in a studio with a big screen that

1001
00:47:46,800 --> 00:47:49,840
Speaker 1: they could project anything on to give it that depth.

1002
00:47:50,200 --> 00:47:53,400
Speaker 1: But I think that requires a specific kind of camera

1003
00:47:53,960 --> 00:47:57,200
Speaker 1: that you can't really make it look like those practical

1004
00:47:57,200 --> 00:48:01,160
Speaker 1: effects and how they feel in the original trill where

1005
00:48:01,239 --> 00:48:05,399
Speaker 1: everything most everything was something tangible. But if you look

1006
00:48:05,400 --> 00:48:08,960
Speaker 1: at how much they spend on seasons of The Mandalorian,

1007
00:48:09,040 --> 00:48:11,960
Speaker 1: to make season one costs about one hundred to one

1008
00:48:12,000 --> 00:48:15,440
Speaker 1: hundred and twenty million dollars, which is pretty expensive. Episodes

1009
00:48:15,560 --> 00:48:18,840
Speaker 1: range from about fifteen to twenty million dollars alone. That

1010
00:48:18,960 --> 00:48:22,320
Speaker 1: is a small movie budget in itself, and this movie

1011
00:48:22,360 --> 00:48:26,000
Speaker 1: cost about one hundred and sixty six million dollars, So

1012
00:48:26,040 --> 00:48:28,960
Speaker 1: I feel like it's a little bit comparable, adding a

1013
00:48:29,000 --> 00:48:32,280
Speaker 1: little bit there to maybe make it more cinematic, maybe

1014
00:48:32,320 --> 00:48:34,760
Speaker 1: do some things that they haven't done in the TV show.

1015
00:48:35,320 --> 00:48:38,520
Speaker 1: I think that is the issue I'm having with watching

1016
00:48:38,600 --> 00:48:42,440
Speaker 1: this trailer, is that it just doesn't feel as epic

1017
00:48:42,480 --> 00:48:44,040
Speaker 1: to me. And then you have to think about the

1018
00:48:44,080 --> 00:48:47,800
Speaker 1: Disney Plus model, which it's also releasing on Memorial Day weekend,

1019
00:48:48,160 --> 00:48:50,919
Speaker 1: the same weekend that this year Leelo and Stitch came out.

1020
00:48:51,280 --> 00:48:55,360
Speaker 1: Leilo and Stitch was initially going to be a Disney

1021
00:48:55,360 --> 00:48:58,120
Speaker 1: Plus series, not the first time they've done that. Also

1022
00:48:58,320 --> 00:49:02,520
Speaker 1: with Mwana two was also gonna be a Disney Plus series.

1023
00:49:02,800 --> 00:49:04,960
Speaker 1: But they put those movies out in theaters, and what

1024
00:49:05,040 --> 00:49:07,720
Speaker 1: did they do. They made a lot of money Leilo

1025
00:49:07,800 --> 00:49:10,880
Speaker 1: and Stitch highest grossing movie of the year, hitting that

1026
00:49:10,960 --> 00:49:14,560
Speaker 1: billion mark. I think they are trying that again because

1027
00:49:14,560 --> 00:49:17,120
Speaker 1: if they are spending so much money on The Mandalorian

1028
00:49:17,800 --> 00:49:22,840
Speaker 1: and the return on investment is okay on Disney, it

1029
00:49:22,960 --> 00:49:26,120
Speaker 1: is a big exclusive for them. Probably a big reason

1030
00:49:26,160 --> 00:49:29,360
Speaker 1: that people subscribe to Disney Plus is to watch The Mandalorian.

1031
00:49:29,400 --> 00:49:32,200
Speaker 1: It is that big of a show. But if they

1032
00:49:32,239 --> 00:49:35,920
Speaker 1: could create a movie instead that goes to the box

1033
00:49:35,960 --> 00:49:40,560
Speaker 1: office and brings home a billion dollars, that is worth

1034
00:49:40,719 --> 00:49:44,080
Speaker 1: so much more. You create a moment like Lelo and

1035
00:49:44,080 --> 00:49:47,200
Speaker 1: Stitch did this year where people were filling on the theaters,

1036
00:49:47,480 --> 00:49:50,560
Speaker 1: But do audiences want that from a Star Wars film

1037
00:49:50,800 --> 00:49:54,320
Speaker 1: or we already conditioned to watching this at home. I

1038
00:49:54,360 --> 00:49:58,000
Speaker 1: think that is the difference here because Mawana came out

1039
00:49:58,000 --> 00:50:01,440
Speaker 1: in theaters. First, came out in theaters again, so that

1040
00:50:01,560 --> 00:50:03,520
Speaker 1: is what we were conditioned to. Same with Leelo and

1041
00:50:03,560 --> 00:50:05,200
Speaker 1: Stitch with a movie back in the day came out

1042
00:50:05,200 --> 00:50:08,720
Speaker 1: in theaters. No real difference there. This is a show

1043
00:50:08,840 --> 00:50:12,960
Speaker 1: that only exists on Disney Plus. If it feels exactly

1044
00:50:13,000 --> 00:50:16,080
Speaker 1: the same, even though it could be great and I

1045
00:50:16,080 --> 00:50:17,960
Speaker 1: think a lot of people who have a problem with

1046
00:50:18,000 --> 00:50:20,640
Speaker 1: that will still go watch it in theaters and still

1047
00:50:20,680 --> 00:50:24,120
Speaker 1: love it. Even if it's great, people are still gonna

1048
00:50:24,120 --> 00:50:26,920
Speaker 1: say that was exactly like the TV show that was

1049
00:50:27,080 --> 00:50:30,520
Speaker 1: just season four on the big screen. But you made

1050
00:50:30,560 --> 00:50:32,680
Speaker 1: me pay more money for it. You made me driving

1051
00:50:32,760 --> 00:50:35,239
Speaker 1: my car to the theater, You made me buy the

1052
00:50:35,280 --> 00:50:37,640
Speaker 1: popcorn bucket. Look at all these extra things you made

1053
00:50:37,719 --> 00:50:40,160
Speaker 1: me buy. That is going to be the difference here.

1054
00:50:40,480 --> 00:50:42,239
Speaker 1: And when this movie comes out, it'll be the first

1055
00:50:42,239 --> 00:50:46,560
Speaker 1: Star Wars movie in theaters in seven years. How is

1056
00:50:46,600 --> 00:50:49,480
Speaker 1: that going to be received? Because they've had some hits,

1057
00:50:49,520 --> 00:50:53,200
Speaker 1: they've had some misses. Solo didn't do so well. Even

1058
00:50:53,239 --> 00:50:57,120
Speaker 1: though I love Donald Glover Eslando, Rogue One was probably

1059
00:50:57,160 --> 00:50:59,319
Speaker 1: the best out of all those movies. Even though I

1060
00:50:59,400 --> 00:51:04,080
Speaker 1: loved the sequel trilogy, Rogue One is just a fantastic

1061
00:51:04,160 --> 00:51:06,840
Speaker 1: movie on its own. You don't have to know anything

1062
00:51:06,920 --> 00:51:09,640
Speaker 1: else about Star Wars. It is just a great movie.

1063
00:51:09,920 --> 00:51:13,400
Speaker 1: And then the other thing, Pedro Pascal. I feel like

1064
00:51:13,480 --> 00:51:17,040
Speaker 1: his reception among audiences is a little bit different now.

1065
00:51:17,560 --> 00:51:19,799
Speaker 1: I feel like this doesn't have as much of an

1066
00:51:19,840 --> 00:51:24,160
Speaker 1: effect on people's Pedro fatigue because He's not really seen

1067
00:51:24,200 --> 00:51:26,760
Speaker 1: a whole lot. Unless the Mandalorian takes off his helmet,

1068
00:51:27,239 --> 00:51:30,200
Speaker 1: you hear his voice, but he does it so differently

1069
00:51:30,840 --> 00:51:33,880
Speaker 1: that you could honestly disassociate and not realize that you

1070
00:51:33,920 --> 00:51:37,480
Speaker 1: were at a Pedro Pascal movie another time. Because apparently,

1071
00:51:37,600 --> 00:51:39,239
Speaker 1: if he doesn't make a movie that comes out in

1072
00:51:39,280 --> 00:51:41,120
Speaker 1: theaters every three months, he like turns back into a

1073
00:51:41,120 --> 00:51:43,960
Speaker 1: pumpkin or something. I don't think that'll be a major

1074
00:51:44,040 --> 00:51:47,520
Speaker 1: issue here, but that is another bit of rumblings that

1075
00:51:47,560 --> 00:51:50,120
Speaker 1: I hear from the split fan base right now. And

1076
00:51:50,160 --> 00:51:53,360
Speaker 1: then it is directed by John Favreau, who created The Mandalorian,

1077
00:51:53,560 --> 00:51:56,400
Speaker 1: who was a fantastic director. Obviously, we know him for

1078
00:51:56,480 --> 00:51:59,720
Speaker 1: the Iron Man movies, for directing those, for being happy,

1079
00:52:00,000 --> 00:52:02,600
Speaker 1: but I kind of feel like The Mandalorian is his baby,

1080
00:52:03,000 --> 00:52:06,480
Speaker 1: and I trust him with making something worthy of the

1081
00:52:06,520 --> 00:52:09,440
Speaker 1: big screen that it's going to be epic, even though

1082
00:52:09,520 --> 00:52:12,600
Speaker 1: everything right now telling me this doesn't feel like it

1083
00:52:12,680 --> 00:52:15,480
Speaker 1: warrants a movie. It almost feels like a meeting that

1084
00:52:15,520 --> 00:52:17,200
Speaker 1: could have been an email, but I want to be

1085
00:52:17,280 --> 00:52:20,600
Speaker 1: proven wrong. The other really weird thing that I'll critique

1086
00:52:20,600 --> 00:52:23,919
Speaker 1: about this is I hate the font I am all

1087
00:52:24,040 --> 00:52:27,839
Speaker 1: about a good movie poster font, but I hate the

1088
00:52:27,920 --> 00:52:30,799
Speaker 1: font that the title of the movie is in. It

1089
00:52:30,880 --> 00:52:35,280
Speaker 1: almost looks like a reused font that Disney has already

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00:52:35,360 --> 00:52:37,839
Speaker 1: used before. Just the color scheme of it doesn't feel

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00:52:37,880 --> 00:52:40,279
Speaker 1: right to me. It doesn't feel like it looks good

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00:52:40,320 --> 00:52:44,319
Speaker 1: on the poster. And they did release like a kind

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00:52:44,320 --> 00:52:47,319
Speaker 1: of hand drawn, hand painted looking poster that's supposed to

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00:52:47,320 --> 00:52:49,719
Speaker 1: look a little bit nostalgic. But I just can't get

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00:52:49,760 --> 00:52:52,360
Speaker 1: over the font. These little things that I'm finding that

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00:52:52,440 --> 00:52:55,040
Speaker 1: I'm hoping in the end just mean nothing. But The

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00:52:55,040 --> 00:52:58,560
Speaker 1: Mandalorian comes out in theaters next year on May twenty second,

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00:52:58,640 --> 00:53:01,200
Speaker 1: twenty twenty six. PA head that for us.

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00:53:01,200 --> 00:53:04,520
Speaker 2: This week's edition of Movie by Framer.

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00:53:04,280 --> 00:53:06,520
Speaker 1: Bar and that is going to do it for another

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00:53:06,560 --> 00:53:09,000
Speaker 1: episode here of the podcast. But before I go, I

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00:53:09,000 --> 00:53:11,200
Speaker 1: got to give my listener shout out of the week

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00:53:11,680 --> 00:53:14,680
Speaker 1: this week. I'm going over to Instagram. I posted a

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00:53:14,719 --> 00:53:17,279
Speaker 1: reel for my Zach Kregor interview that I did last

1105
00:53:17,280 --> 00:53:20,120
Speaker 1: week the director of Weapons, and I said comment with

1106
00:53:20,239 --> 00:53:23,799
Speaker 1: the hot dog emoji, and I will pick somebody as

1107
00:53:23,880 --> 00:53:26,200
Speaker 1: next week's listener shout out of the Week. So this

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00:53:26,320 --> 00:53:29,680
Speaker 1: week's listener shout out goes to Gina, who commented with

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00:53:29,800 --> 00:53:33,520
Speaker 1: four hot dog emojis and said, Mike, quick question, does

1110
00:53:33,560 --> 00:53:36,840
Speaker 1: it help your ratings more if we access your podcast

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00:53:36,960 --> 00:53:40,480
Speaker 1: directly on the iHeart app versus accessing it on the

1112
00:53:40,520 --> 00:53:42,799
Speaker 1: BBS link in the app? I try to go to

1113
00:53:42,840 --> 00:53:45,479
Speaker 1: your podcast directly because it seems that would be better

1114
00:53:45,520 --> 00:53:48,920
Speaker 1: for you. Question mark shrug it emoji. Thank you Gina

1115
00:53:48,960 --> 00:53:51,200
Speaker 1: first of all for listening to last week's episode, for

1116
00:53:51,320 --> 00:53:54,839
Speaker 1: commenting on the reel, and for asking that question, because

1117
00:53:54,840 --> 00:53:58,200
Speaker 1: it's a great question. The answer is, wherever you listen,

1118
00:53:58,719 --> 00:54:02,840
Speaker 1: it helps. Doesn't matter if it's directly subscribed to the

1119
00:54:02,840 --> 00:54:05,560
Speaker 1: movie Mike's Movie podcast feed or if you listen on

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00:54:05,560 --> 00:54:07,480
Speaker 1: the Bobby Bone Show feed, which I know a lot

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00:54:07,520 --> 00:54:10,480
Speaker 1: of people do. It all helps put gas in the car.

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00:54:10,680 --> 00:54:14,040
Speaker 1: So wherever you're listening, I don't want to change your habits.

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00:54:14,320 --> 00:54:17,799
Speaker 1: What I prefer is that you are subscribed to the

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00:54:17,840 --> 00:54:21,040
Speaker 1: actual movie Mike's Movie podcast feed, whether it be on

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00:54:21,080 --> 00:54:25,480
Speaker 1: Apple Podcasts, Spotify, iHeartRadio, wherever you get your podcast, just

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00:54:25,520 --> 00:54:29,280
Speaker 1: because that ensures that you get every single brand new episode.

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00:54:29,400 --> 00:54:33,000
Speaker 1: So if you are subscribed there, it means like we're friends,

1128
00:54:33,000 --> 00:54:35,640
Speaker 1: like we're good like, oh, you you're a writer. Die.

1129
00:54:35,719 --> 00:54:37,480
Speaker 1: You are in this for the long run. If I

1130
00:54:37,520 --> 00:54:40,319
Speaker 1: put up a bonus episode, you're gonna get that on

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00:54:40,360 --> 00:54:42,400
Speaker 1: that feed, because sometimes it won't go up on the

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00:54:42,400 --> 00:54:45,480
Speaker 1: BBS feed because you know, my favorite thing is somebody

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00:54:45,480 --> 00:54:49,000
Speaker 1: who posts on Twitter or Instagram listening and it's a

1134
00:54:49,040 --> 00:54:51,919
Speaker 1: screenshot that way. I know I see my logo down there,

1135
00:54:51,960 --> 00:54:55,719
Speaker 1: so I love that. But wherever you listen means the

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00:54:55,719 --> 00:54:57,520
Speaker 1: world to me, no matter how you do it. So

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00:54:57,560 --> 00:55:00,360
Speaker 1: appreciate you Gena for asking that question. It makes to

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00:55:00,400 --> 00:55:04,160
Speaker 1: everybody for listening this week and until next time, go

1139
00:55:04,239 --> 00:55:06,319
Speaker 1: out and watch good movies and I will talk to

1140
00:55:06,400 --> 00:55:07,319
Speaker 1: you later.