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Speaker 1: No, Willian No, can doctor Wi better wrapper resals symbol. Yeah,

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Speaker 1: let's have that comments and let's in friendships today. Y'all

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Speaker 1: want to in friendships. That's how we're starting to here.

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Speaker 1: Let's infrence. I mean, go, why baby why are you

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Speaker 1: trying to in friendship? I'm just joking? Yo? Can we

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Speaker 1: can we laugh in twenty twenty six?

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Speaker 2: No?

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Speaker 3: Because every time we laugh we go viral. I'm gotta

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Speaker 3: don't laugh no more. Niggah?

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Speaker 1: Why I can't laugh here? What's wrong with that? Yo?

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Speaker 1: Y'all be one to be too serious? We not Barbara

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Speaker 1: Walters in them? Who's too serious? I want to talk

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Speaker 1: about you're trying to be Barbara trying to be No

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Speaker 1: Dann Barbara Watters? Baby D. I know who you're trying

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Speaker 1: to be?

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Speaker 2: Why not is a funny reson to be the best

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Speaker 2: version of yourself who I'm trying to be.

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Speaker 1: You're trying to be Baby D? I am being Baby

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Speaker 1: D trying. You ain't see the new baby D clip

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Speaker 1: with Mike Apps. Baby D is back. You seen you

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Speaker 1: an't see the clip they put out? They shot like

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Speaker 1: a skit. Okay, mikeps and Baby D got her own cleaners.

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Speaker 1: Now she got her own business.

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Speaker 2: Really, yeah, clean yourself up. That's I like hearing those

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Speaker 2: those endings to those clean So she wasn't dirty before that.

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Speaker 2: She was throwing bricks through fucking clean. You might still

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Speaker 2: throw a brick dal wind shield at the cleaners. Is

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Speaker 2: it across from Pinky or is the location where Pinky's

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Speaker 2: records was? I'm not sure where that would be a

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Speaker 2: full circle moment. That was dope to see uh Lady

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Speaker 2: of Rage and Mike doing clip like, yeah, we're gonna

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Speaker 2: have to fight reach yeah rest Yeah, that was sad

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Speaker 2: to hear that.

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Speaker 1: That was definitely sad.

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Speaker 2: We are back sponsored by Boost. I don't know if

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Speaker 2: I want to have the conversation you just said, why.

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Speaker 1: Y'all have conversations about your friends? No, because he was

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Speaker 1: the better rapper between y'all friends. Because I don't really

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Speaker 1: know if I have an answer for that. You genuinely,

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Speaker 1: I really don't know if I have an answer for that.

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Speaker 1: You want to go through their discog? Are we naming

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Speaker 1: the friends? I mean, yeah, the clock I asked who's

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Speaker 1: the better rapper between Symbol or Reason? Because I loved

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Speaker 1: I loved the uh the record that Simber dropped in

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Speaker 1: response to you know j Cole's young cymbol line. Yeah,

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Speaker 1: I thought it was great. No Simba killed that. That

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Speaker 1: was like, very very dope. I was.

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Speaker 2: I was.

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Speaker 1: I ain't gonna lie. I was actually surprised. I know

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Speaker 1: Symba can rap, but the way he did that, the

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Speaker 1: way he put that together, that was really dope. So

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Speaker 1: I was both. I was trying to start friend beef.

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Speaker 2: They're rappers that can make songs. That's tough. Usually people

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Speaker 2: that are good at the freestyle thing can't make a

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Speaker 2: song for their life.

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Speaker 1: Both can make songs.

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Speaker 2: That's why I'm kind of I like the comparisons when

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Speaker 2: I can do the cop out, like, well, now he

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Speaker 2: could rapt better, but he makes better music.

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Speaker 1: I don't have that cop out here, Okay, what you think.

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Speaker 3: I don't listen to enough symbol to know to be

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Speaker 3: able to judge him against reason.

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Speaker 1: Okay.

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Speaker 3: Unlike y'all, I'm a loyal friend, so I'm writing with

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Speaker 3: my dog.

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Speaker 1: Unlike that was a shot, I know shots, one of

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Speaker 1: his shots. Unlike us, you're a loyal friend. What that

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Speaker 1: means just say, I'm not loyal. I'm loyal to my friends.

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Speaker 3: I would never put them. I would never put two

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Speaker 3: bad bitches against each other.

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Speaker 1: You just called your friend a bad bitch. He's a

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Speaker 1: bad bitch. Have you seen reason that Nigga was what

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Speaker 1: that means? No, not like that, not like at a

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Speaker 1: Vegas pool together. I didn't think anything.

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Speaker 3: No, I'm talking about like did you see like on

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Speaker 3: his story when Cole dropped yo yo what he said?

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Speaker 3: This is not a loyal friend.

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Speaker 1: This is his story? This No, this what you know

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Speaker 1: a little about that album?

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Speaker 2: Did you?

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Speaker 1: Did you ask him about it? Of course? How do

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Speaker 1: you feel about it? You should ask him. I know

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Speaker 1: what that means. But no, that's not an answer. Don't

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Speaker 1: do that. I don't want to speak for a reason.

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Speaker 3: That Nigga said on his little you know, the little

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Speaker 3: note you can have, he said, why is it so

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Speaker 3: cold outside?

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Speaker 1: Oh my god? O MG.

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Speaker 2: Reason is like a big cold fan was one of

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Speaker 2: the third repords. He's been public about that.

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Speaker 1: I said, this is gay stopped like you worse than me?

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Speaker 1: Oh so, reason is the reason why Cole didn't respond

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Speaker 1: to Kendrick.

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Speaker 3: That's that's a crazy one word to put on my friend.

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Speaker 3: That's a crazy put on my friend.

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Speaker 1: Reason is td E don't do it? Oh he was

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Speaker 1: td at I don't think he was TD.

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Speaker 2: He was.

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Speaker 1: He was well. He was clearly on the outs. He

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Speaker 1: was begging to get the fuck out, but he was

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Speaker 1: he was still in the building. I don't do that.

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Speaker 1: He was still he might have liked that nigga out

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Speaker 1: at that time. Nah, he was still work. His key

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Speaker 1: cards still work. We're not doing that. Yeah. Did he

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Speaker 1: cut his top, may cut his key caught off yet,

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Speaker 1: don't do that. Not worse than when you don't know

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Speaker 1: your key card cut off till you get there. Yeah,

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Speaker 1: I I think I felt.

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Speaker 3: At four o'clock in the morning, I came to upload

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Speaker 3: an episode coming from the J Cole concert and the

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Speaker 3: door was locked.

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Speaker 2: Well that's because at that time we had to change

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Speaker 2: the hours with certain people's cards because this office is

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Speaker 2: being used for non work related activities.

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Speaker 1: Yeah, showed up one day and it was a shin

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Speaker 1: dig almost shot everybody. So good. Yeah, but you see

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Speaker 1: the cards are back, cards are back.

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Speaker 3: I need twenty four hour access to this motherfucker.

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Speaker 1: For what the key cards you lose? Yeah? What you

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Speaker 1: need twenty four our access for because so you can

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Speaker 1: go shake your ass, get drunk, coming here, sleep and

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Speaker 1: they be like yo, I'm gonna at work early today. Nah, nigga,

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Speaker 1: you ain't gonna watch it. You sh ass smelling like

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Speaker 1: vi P take vip and hoopa smoke. Take your asshold

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Speaker 1: and taket smell when the sparkler like goes out, nasty

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Speaker 1: smell your Hanna smell yo.

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Speaker 3: I for sure was going to walk up in this

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Speaker 3: office one day drunk man. I was in here looking

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Speaker 3: for merch to put on. I'm like, I cannot go outside.

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Speaker 1: Looking for funny, especially when you know where it is.

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Speaker 1: It's only one place. Nah, I doesn't feel right.

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Speaker 3: I had to put on that shirt that Peach had

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Speaker 3: made before before the Drake fiasco. But he had that

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Speaker 3: the no Kia shirt with all the names on the

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Speaker 3: back and the little Nokia phone. I was walking around

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Speaker 3: with that on smelling light the day before.

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Speaker 1: Mmmm.

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Speaker 2: Good nights, though, do we think Mall slept here before?

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Speaker 2: He's not gonna tell us the truth.

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Speaker 1: He's definitely taking a little nap, slept like overslept overnight.

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Speaker 2: Yeah, well, I guess let's define sleep it overnight, Like

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Speaker 2: if you crash here for three hours because you was out,

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Speaker 2: does that count of sleeping here?

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Speaker 1: I never crashed it for three hours. How long I've

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Speaker 1: stayed here, probably like after we recorded, probably till like

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Speaker 1: midnight and went home, like watched it like if I

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Speaker 1: if I watch it, if it's like a doubleheaded the

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Speaker 1: West Coast game is late. So if I'm watching like

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Speaker 1: the West Coast game like halftime, I leave it was

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Speaker 1: like midnight. But I've never like stayed overnight here. Oh no,

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Speaker 1: this shit ain't robby. When you were here like late alone,

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Speaker 1: it's scary. Aren't getting a funk it? Like crazy? I

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Speaker 1: was so pussy.

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Speaker 3: It's scary, especially in the dark at night. It's scary.

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Speaker 1: That wasn't scary was literally lighting. If I had if

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Speaker 1: I had like company with me, then yeah, I'll stay

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Speaker 1: a little longer. But you know, I ain't never do

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Speaker 1: that yet. I might.

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Speaker 2: I might.

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Speaker 1: I might Christian the place though I might do that.

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Speaker 1: What area would you just so? I would? Right here?

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Speaker 1: You could been over in that chair. It's the seat

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Speaker 1: that built it up brick by brick right here, and

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Speaker 1: it can spin. Oh that'd be fun. You know what

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Speaker 1: you doing? Legs like this is stratle You like this?

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Speaker 2: God?

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Speaker 1: You know how that ship go? Nothing? Just show me

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Speaker 1: how to give me the remote? So I can have

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Speaker 1: the remote while I'm like right here, and I can

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Speaker 1: just switch good time long as thirty seconds of her

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Speaker 1: life rock her World Hard twenty n and switch switching

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Speaker 1: the cameras during it would be great. I don't want

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Speaker 1: pieces to be here for that. You don't need to

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Speaker 1: see me in that type of vulnerable position. Peace, don't

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Speaker 1: need to see how flexible I am.

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Speaker 2: Hey, yeah, come on, bro, like ma's mad by what's

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Speaker 2: flexible about a god being? Like?

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Speaker 1: What's what's about a god being flexed? What you mean? Flexible?

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Speaker 3: Should supposed to be flexible. That's a sign of like

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Speaker 3: good health. You supposed to not flexible? Your legs spread

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Speaker 3: fire apart? You can make your leg spread fire?

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Speaker 1: No, no, she don't do that. That's so what the

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Speaker 1: fuck is flexible about? Flexible is just you know, like

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Speaker 1: you're able to like, you know, hold something kind of

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Speaker 1: like you know, like twist and you know.

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Speaker 2: Your legs a little more, remember how exactly but twist

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Speaker 2: like what she was doing rememb when like Austin Powers

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Speaker 2: legs went all the way up. That's what I think

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Speaker 2: I was talking about.

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Speaker 3: I saw a video of somebody getting the ASSD eight

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Speaker 3: and I was like this, what the position.

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Speaker 1: All being, No, I don't do that because the when

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Speaker 1: that might not have been the position I was not only.

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Speaker 3: Man, I know that, like you know, openly admits to

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Speaker 3: having his ass.

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Speaker 2: I like that.

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Speaker 1: You said that was like really admits. I like that.

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Speaker 1: She said that he was like this, like but like

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Speaker 1: he was holding his legs. No, I never did that.

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Speaker 1: I never went that crazy. I never did that.

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Speaker 3: That bir she had like she was gripping the balls

202
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Speaker 3: and like licking up underneath netflixing.

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Speaker 1: I'm sorry, Auntie. What's her name? What green handle? Yeah,

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00:09:01,360 --> 00:09:03,040
Speaker 1: we just want to support. She was working too. She

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Speaker 1: was very pretty. It's always the listen y'all not listening

206
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Speaker 1: to me. It's always the pretty prettiest girl I know

207
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Speaker 1: is an ass eater, So shout out to her. The

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Speaker 1: prettiest girl you knows, the ass eater? Yes, why you don't?

209
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Speaker 1: Never what's her what's her like handle?

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Speaker 2: Though?

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Speaker 1: Follow her already? Anyway, I thought this was a good

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Speaker 1: transition following off my conversation, like I just followed her. No,

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Speaker 1: not that one. Which one you just have to find

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Speaker 1: out just to run through anyway, you just hope you

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Speaker 1: get you guess right on the first one.

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Speaker 3: It's not of my friends, but Maul does, for we

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Speaker 3: have a mutual he follows her. But speaking of my friends, Mal,

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Speaker 3: stop following my friends.

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Speaker 1: Baby, I didn't. First of all, I didn't know that

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Speaker 1: was your friend, first of all. Second of all, she

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Speaker 1: was following me. And then one of her pictures popped

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Speaker 1: up on my Explore page and I was like, Oh,

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Speaker 1: she's from the city. She seemed like she lives in

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Speaker 1: New York. I was like, oh, she follows me. I

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Speaker 1: like the aesthetic. I like he lives in Syracuse. She

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Speaker 1: doesn't live in New York. She has a lot of

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Speaker 1: pictures in the city. Though, Well, could she be here

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Speaker 1: with me better? She came to the office one time.

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Speaker 1: You're better.

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Speaker 3: I've never met that, I promise you in this office.

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Speaker 3: She came to the office. Yes, when this was right

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Speaker 3: in the spring.

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Speaker 1: This was in the spring. Do you remember that?

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Speaker 2: I actually don't. Also don't know what you guys are

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Speaker 2: talking about. She was.

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Speaker 1: It must have been like a quick like y'all just

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Speaker 1: met up.

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Speaker 3: And she she watched here. She sat here and watched

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Speaker 3: the whole episode.

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Speaker 1: I do not remember that. I bring too many bad

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Speaker 1: bitches around.

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Speaker 3: I did know, I just don't remember that she's not

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Speaker 3: a cat. She watched the whole episode. I forgot all

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Speaker 3: about that. Actually, you should do that whole crew fun challenge.

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Speaker 3: Oh we are when we go to Houston, We're going

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Speaker 3: to do that.

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Speaker 1: And then just put all the ads from all and

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Speaker 1: then you can try to guess.

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Speaker 3: Well, yeah, when we go to Houston, we're going to

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Speaker 3: do the whole whole crew fine, because.

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Speaker 1: I keep she came, that's her, that's her in the

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Speaker 1: office camera.

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Speaker 3: Yeah, in the office we were also. Yeah, we went

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Speaker 3: and got drinks everything we was outside.

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Speaker 1: I can't remember that. That's footage of you. Yeah, are

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Speaker 1: you already in there? She already sees you as a star, Rory,

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Speaker 1: you were in her as a star? Crazy? Shut up? Yeah,

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Speaker 1: as a star is crazy. Don't ever say that to me.

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Speaker 1: Shut up.

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Speaker 3: Yeah, mall but mallby finding Autumn, I always see Marling

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Speaker 3: a pretty woman likes I'll be on Explore page. Bitch

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Speaker 3: be from Africa. They're gonna mall with money bags. How

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Speaker 3: you found her?

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Speaker 1: Because I'm trying to I'm trying to build the tunnel

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Speaker 1: for us to get back to the Motherland. I'm trying

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Speaker 1: to show people this is exactly what you need to

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Speaker 1: do and who you need to be around and where

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Speaker 1: you need to go. If you're having the motherland, it's

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Speaker 1: just a trail. The money bags is just a trail.

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Speaker 1: I'm just it's like a yellow brick road. I'm just

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Speaker 1: dying you through through the land of ours. That's all.

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Speaker 2: Okay, that's all it is, following coin trail to Yeah,

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Speaker 2: it's just femininity. Yes, he can't come, No, he has

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Speaker 2: to stay home. He has a mar We both we

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Speaker 2: would both get summer.

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Speaker 1: Why you got glasses on it again? Today? What's going

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Speaker 1: on with you? Somebody? He's in his John Lennen error.

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Speaker 1: I just read he's in his linen up. My ass,

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Speaker 1: my ass? She's breaking up the band. Your Yoko had

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Speaker 1: to have some fun. Oh, it had to be fire

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Speaker 1: life changing.

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Speaker 2: If you if you let a chick play cow bell

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Speaker 2: on Johnny Carson with the creative rock and roll, Yeah,

284
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Speaker 2: you got that.

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Speaker 1: She was looking his ass, is what I'm saying. Mmm,

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Speaker 1: ain't no way that that you're puncturing. She was puncturing.

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Speaker 1: Puncturing because licking is a puncturing.

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Speaker 3: How that it is a straight like tongue showed a

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Speaker 3: difference again, Actually, compare I need to make like the

290
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Speaker 3: lick is like a swipe, but the puncture is a poke,

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Speaker 3: like you stiff in your tongue.

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Speaker 1: And go in it. Yeatnam cool sticking your tongue.

293
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Speaker 3: You just want to swipe the ass. You don't want

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Speaker 3: her to instant don't. So that's not eating the ass,

295
00:13:06,200 --> 00:13:07,959
Speaker 3: that's like tasting it.

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Speaker 2: All right, Well, okay, whatever it is, I'm home. I'm

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Speaker 2: freaking sampler. We talked about what I'm trying to protect

298
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Speaker 2: my eyes from these lights. It's spending it, spending ten years.

299
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Speaker 1: I'm yeah, I definitely definitely feel my vision like getting

300
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Speaker 1: a little like I'm really not even around my eyes.

301
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Speaker 1: I think have been really fucked up from that lights

302
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Speaker 1: every goddamn day. Damn. So, you know, trying to give

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Speaker 1: him rest, but no nobody punched me. I'm not I'm

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Speaker 1: to good.

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Speaker 2: I'm totally fine, all right. It could happen on the

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Speaker 2: way out. I don't know, but I'm saying I'm not

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Speaker 2: wearing them to hide anything.

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Speaker 3: It's just that's why to make sure you're not being battered,

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Speaker 3: being bad at the man being battered.

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Speaker 1: It's always gonna be funny than me. It happened, you think,

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Speaker 1: Yoko hit John for sure. Yeah, because John was such

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Speaker 1: a peaceful guy, like she brought the war. It's always

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Speaker 1: the peaceful ones that get to be was just like, honey,

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Speaker 1: you just relaxed, going, just sit down, it's okay. I'll

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Speaker 1: make you some team. While she's swinging on him going

316
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Speaker 1: crazy like you can tell John Lennon was. But they

317
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Speaker 1: like that.

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Speaker 3: Though they call men like wild women.

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Speaker 1: Wild is different. Beating on me is a whole, a

320
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Speaker 1: whole other thing. Like you should not be putting your hands.

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Speaker 1: Pinch is evil. I think if you pinch a human.

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Speaker 1: You've pinched the baby before when the parents weren't looking,

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Speaker 1: I think you definitely. I don't know why she's crying.

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Speaker 1: It is because you pinched the ship out of it.

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Speaker 2: Just now. Well, don't think the doctors do that when

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Speaker 2: they're born, to make sure they're.

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Speaker 1: Like a lot. They smack them on the ass. They

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Speaker 1: do that.

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Speaker 3: They they they they sometimes they're like patch you on

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Speaker 3: your back to make sure you cry because because you

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Speaker 3: need to get this thought.

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Speaker 1: That's okay, that's what I thought. That was always cry,

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Speaker 1: not for the for you to just cry. I thought

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Speaker 1: it was the clear yet. Yeah, but you have to cry, Yeah,

335
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Speaker 1: make sure that it's all clear. All that gook, Yeah,

336
00:14:50,920 --> 00:14:53,960
Speaker 1: and all that fluid is out of there. Yes, it's nasty. Yeah,

337
00:14:54,040 --> 00:14:56,240
Speaker 1: it looks like some tar ship at one point, Tar

338
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Speaker 1: not Tar per Sae.

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Speaker 2: I think I think she was. I think she's shipped

340
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Speaker 2: at the same time. No kid, no god, no kid

341
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Speaker 2: did not on the table. I know, but she did

342
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Speaker 2: not know she Amara shipped on both of us.

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Speaker 3: Oh, when she was coming out. My baby came into

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Speaker 3: the world knowing who she was. You know, exactly who

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Speaker 3: she was. Maddie knew who she was from very just

346
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Speaker 3: shipping on us, shipping on him, played shipping on him.

347
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Speaker 2: And you're having that play when your baby is coming out, ya,

348
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Speaker 2: don't have no music playing? Yeah, when you playing. I'm

349
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Speaker 2: trying to remember when like Amara actually came out. It

350
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Speaker 2: was a mix between Frank and Rufus the soul okay

351
00:15:39,920 --> 00:15:41,600
Speaker 2: was was the mixture of the playlist that we had.

352
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Speaker 2: I'm trying to remember. I was so like locked in.

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Speaker 2: I'll have to go back to the game footage to

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Speaker 2: see what was playing at the exact time.

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Speaker 1: If this, if the beat switch.

356
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Speaker 3: On Pyramids happened while I'm mid push, she gonna glide

357
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Speaker 3: out and.

358
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Speaker 2: That's that's why I loved our doctor. She came in

359
00:15:56,680 --> 00:15:59,440
Speaker 2: and was like, all right, some Frank finally in room.

360
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Speaker 1: I like that's fire. Just hope to have music playing

361
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Speaker 1: while you're give him birth. I like that. I like

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Speaker 1: that idea. Yeah, it shouldn't just be like hearing the

363
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Speaker 1: machines and the doctors.

364
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Speaker 2: Like we made sure with with lighting candles, like I

365
00:16:12,200 --> 00:16:14,720
Speaker 2: set up the whole whole vibe to be a very

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Speaker 2: calm mom.

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Speaker 3: Do you want to be in the room where your

368
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Speaker 3: baby's born. Absolutely, you're gonna hold a leg back, holding

369
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Speaker 3: me back. Absolutely, you're gonna look, yeah, okay, peace that

370
00:16:25,880 --> 00:16:26,600
Speaker 3: he would pass out.

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Speaker 1: I don't want the doctor looking you turn your head, man,

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00:16:30,960 --> 00:16:33,880
Speaker 1: Yeah I'm not. I'm not guy yet. I'm looking. How

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Speaker 1: are you gonna catch with his ice clubs? I got it,

374
00:16:35,840 --> 00:16:37,920
Speaker 1: I got it. Just let me know when, doctor movie.

375
00:16:37,960 --> 00:16:40,120
Speaker 1: Are we gonna let you know when? If his eyes closed,

376
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Speaker 1: if I see once you see the stick crown right

377
00:16:41,920 --> 00:16:43,880
Speaker 1: once you see the head. Okay, but when you go in.

378
00:16:43,920 --> 00:16:46,040
Speaker 3: There to check her service, he's gonna be up to hear.

379
00:16:46,040 --> 00:16:53,600
Speaker 4: Him the cervix. No gloves, my service, no glove is

380
00:16:53,720 --> 00:16:59,320
Speaker 4: crazy because I'm checking on us my cervix right there. Okay,

381
00:16:59,400 --> 00:17:01,360
Speaker 4: you're checking my how do you check it? Put your

382
00:17:01,400 --> 00:17:03,680
Speaker 4: hold your fingers up like I usually check it. At

383
00:17:03,760 --> 00:17:10,080
Speaker 4: first you start like this, you get it, wont but

384
00:17:10,400 --> 00:17:12,040
Speaker 4: just give it a little, yeah, just a little, you.

385
00:17:12,040 --> 00:17:14,280
Speaker 1: Know what I mean? Yeah, get that thing nice and

386
00:17:14,359 --> 00:17:15,960
Speaker 1: you know what I mean, like get it ready? They

387
00:17:16,040 --> 00:17:20,639
Speaker 1: call me go like that, you mean you start to

388
00:17:20,800 --> 00:17:23,000
Speaker 1: just like you know, then you hit that almond that's

389
00:17:23,080 --> 00:17:26,359
Speaker 1: underneath the hood right there, you start hit that armand

390
00:17:26,440 --> 00:17:28,680
Speaker 1: like that. You gotta get her, you know me, relax

391
00:17:28,720 --> 00:17:31,119
Speaker 1: You gotta relax it. Woman has to be relaxed. You

392
00:17:31,200 --> 00:17:33,560
Speaker 1: can't just that's not you can't just go up in

393
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Speaker 1: there and dude, come on, doct what you're doing. And

394
00:17:35,440 --> 00:17:37,159
Speaker 1: he's definitely not touching my woman like that. Well, you

395
00:17:37,200 --> 00:17:39,160
Speaker 1: could get a woman doctor. We had a woman doctor.

396
00:17:39,600 --> 00:17:39,760
Speaker 3: Yea.

397
00:17:40,560 --> 00:17:42,720
Speaker 2: Though, the guy that did the epidural, he came in

398
00:17:42,840 --> 00:17:44,359
Speaker 2: and he was a little too funny and I didn't

399
00:17:44,400 --> 00:17:46,600
Speaker 2: like stop being funny while drugging my girl.

400
00:17:47,400 --> 00:17:49,480
Speaker 1: Mm hmm, like you got you got?

401
00:17:51,720 --> 00:17:51,840
Speaker 2: Was it?

402
00:17:51,960 --> 00:17:59,760
Speaker 1: Doctor Huxtable? What's what's the name for your doctor? Doctor?

403
00:18:00,600 --> 00:18:02,080
Speaker 1: He had on a sweater. He didn't even have the

404
00:18:02,119 --> 00:18:03,639
Speaker 1: garment that I thought he was supposed to have on.

405
00:18:03,880 --> 00:18:06,040
Speaker 1: If it was, I got news for you. He might

406
00:18:06,160 --> 00:18:07,800
Speaker 1: not like it, but I got news for you that

407
00:18:08,080 --> 00:18:12,200
Speaker 1: is so not funny but funny. Oh sh and that

408
00:18:12,320 --> 00:18:14,440
Speaker 1: patrol is somewhat of a drug ball. Yes, and it

409
00:18:14,560 --> 00:18:17,840
Speaker 1: was a consensual situation. Yeah, she probably begged for it naturally.

410
00:18:18,280 --> 00:18:20,320
Speaker 2: Well, no, it's part of the birthplaany oh is that Yeah,

411
00:18:20,440 --> 00:18:23,240
Speaker 2: this was before she was in labor, but not like

412
00:18:23,359 --> 00:18:26,879
Speaker 2: it wasn't like mid Almara coming out like it was pasted.

413
00:18:27,200 --> 00:18:29,720
Speaker 3: Oh that's my Then it's too late anyway, my birth playing.

414
00:18:29,760 --> 00:18:31,520
Speaker 3: I don't want any drugs. I don't want to be

415
00:18:31,560 --> 00:18:32,080
Speaker 3: in the hospital.

416
00:18:32,200 --> 00:18:33,719
Speaker 1: That's so cute. You want to be at home, leve

417
00:18:33,720 --> 00:18:35,359
Speaker 1: When people say that, well.

418
00:18:35,240 --> 00:18:36,919
Speaker 3: I watched my best friend gave birth to both her

419
00:18:37,000 --> 00:18:40,280
Speaker 3: kids at home, no drugs, It was just us delivering

420
00:18:40,359 --> 00:18:40,720
Speaker 3: her baby.

421
00:18:41,240 --> 00:18:43,040
Speaker 1: That's beautiful. She's a warrior. Yeah.

422
00:18:43,720 --> 00:18:45,000
Speaker 3: The first time she was on the label for twenty

423
00:18:45,000 --> 00:18:46,240
Speaker 3: four hours. The second time I think it was like

424
00:18:46,280 --> 00:18:50,000
Speaker 3: two hours. So but yeah, but she gave birth at home.

425
00:18:50,080 --> 00:18:51,880
Speaker 3: She had a doula and a midwife.

426
00:18:51,960 --> 00:18:53,880
Speaker 1: Yeah, that's what I want. I've always wanted that, given

427
00:18:53,960 --> 00:18:55,840
Speaker 1: birth is just like because I remember when I was

428
00:18:55,920 --> 00:18:57,720
Speaker 1: conspating causeing shit one time and I felt like I

429
00:18:57,840 --> 00:19:00,639
Speaker 1: was gonna die. So I imagine given birth and you

430
00:19:00,840 --> 00:19:03,159
Speaker 1: like two hours in label. He was like ready for

431
00:19:03,240 --> 00:19:05,200
Speaker 1: this baby to come out, and you gotta just yeah,

432
00:19:05,680 --> 00:19:10,040
Speaker 1: wait until the baby is ready to No, I coudn't

433
00:19:10,040 --> 00:19:12,240
Speaker 1: ship ship. I thought I was out of here and

434
00:19:12,359 --> 00:19:13,600
Speaker 1: in the hospital. They won't feed you.

435
00:19:14,160 --> 00:19:16,639
Speaker 3: They won't feed you because just in case you have

436
00:19:16,680 --> 00:19:18,720
Speaker 3: to have a c section, so they won't feed you.

437
00:19:19,200 --> 00:19:20,720
Speaker 3: You could be in labor for twelve hours.

438
00:19:20,760 --> 00:19:23,280
Speaker 1: They won't feed you. You just in there on liquids

439
00:19:23,320 --> 00:19:27,760
Speaker 1: like water and ships ivy. God bless all the mothers

440
00:19:27,760 --> 00:19:29,080
Speaker 1: out there, man shout out to them.

441
00:19:29,400 --> 00:19:32,399
Speaker 2: Well, I will say with with our birth plan, obviously,

442
00:19:32,440 --> 00:19:35,639
Speaker 2: we stayed for two days like you normally do.

443
00:19:36,119 --> 00:19:38,000
Speaker 1: I didn't know. I wasn't part of the plan.

444
00:19:38,640 --> 00:19:41,000
Speaker 2: When it came to food, we got to our little

445
00:19:41,119 --> 00:19:43,320
Speaker 2: like our little dorm room and brought the menu for

446
00:19:43,400 --> 00:19:46,400
Speaker 2: breakfast and everything. I was pointing at what I wanted

447
00:19:46,400 --> 00:19:47,520
Speaker 2: and they were like, oh no, no, no, no, no,

448
00:19:47,800 --> 00:19:51,479
Speaker 2: this is yeah. Yeah, there's a cafeteria on too. If

449
00:19:51,480 --> 00:19:53,600
Speaker 2: you want to bring your debit card down there. I

450
00:19:53,640 --> 00:19:57,560
Speaker 2: don't get any turkey sandwich. You can go get that

451
00:19:57,600 --> 00:19:58,800
Speaker 2: twenty five dollars turkey sent We.

452
00:19:58,800 --> 00:19:59,760
Speaker 1: Do ship, but not like what you.

453
00:20:00,760 --> 00:20:03,920
Speaker 2: I was supportive. I did the breathing stuff. Yeah, oh really,

454
00:20:04,440 --> 00:20:07,440
Speaker 2: yeah that's great. Well that was that's so supportive.

455
00:20:07,560 --> 00:20:10,920
Speaker 1: Skinned to skin speaking of supportive, Tony Yo, Uncle Murder

456
00:20:11,640 --> 00:20:14,840
Speaker 1: and Ja Rule bumped into each other on a flight

457
00:20:14,880 --> 00:20:21,159
Speaker 1: the other day. Now, wow, this is definitely random and funny.

458
00:20:22,880 --> 00:20:24,280
Speaker 1: Let's get to the Let's get to the funnies first

459
00:20:24,280 --> 00:20:25,680
Speaker 1: and then we can get to, like, I guess you know,

460
00:20:26,119 --> 00:20:29,840
Speaker 1: the more serious part of it. Well, podcasts have have

461
00:20:29,960 --> 00:20:30,639
Speaker 1: a young audience.

462
00:20:30,680 --> 00:20:32,680
Speaker 2: More you want to give the backstory of maybe why

463
00:20:32,920 --> 00:20:35,600
Speaker 2: someone like a Tony Yo would have an issue with

464
00:20:35,840 --> 00:20:38,119
Speaker 2: Joy Rule on a Delta flight in twenty twenty six. Well,

465
00:20:38,200 --> 00:20:41,439
Speaker 2: Tony Yo is a g unit, a member of Yes Carilla,

466
00:20:41,560 --> 00:20:42,720
Speaker 2: member of Guerrilla Unit.

467
00:20:42,800 --> 00:20:48,720
Speaker 1: LLC, and obviously the Kappi kan Is Rule have had

468
00:20:49,240 --> 00:20:53,200
Speaker 1: a feud for some years now, a war of words,

469
00:20:53,280 --> 00:20:57,119
Speaker 1: a warf words, or a war of you know, personal matters,

470
00:20:57,800 --> 00:21:00,119
Speaker 1: not just music. It's not just a music beef. This

471
00:21:00,240 --> 00:21:05,320
Speaker 1: is like a real life all alleged allegedly we're only

472
00:21:05,400 --> 00:21:09,480
Speaker 1: referring to alleged. Yes, we're only talking alleged here, and

473
00:21:10,480 --> 00:21:12,240
Speaker 1: we're talking about So they were on a flight the

474
00:21:12,320 --> 00:21:14,520
Speaker 1: other day and come back in the Super Bowl. Yes,

475
00:21:14,600 --> 00:21:18,600
Speaker 1: Antony Yeo and Uncle Murder happened to be sitting right

476
00:21:18,720 --> 00:21:22,399
Speaker 1: behind Joe Rule. This is the most but it's not

477
00:21:22,520 --> 00:21:24,359
Speaker 1: when you think about it. This is the time that

478
00:21:24,440 --> 00:21:26,240
Speaker 1: this would happen, though, of course, like when it's All

479
00:21:26,320 --> 00:21:29,240
Speaker 1: Star Week and Super Bowl like events where everybody is

480
00:21:29,320 --> 00:21:31,520
Speaker 1: at nine times out of ten, you're gonna be on

481
00:21:31,560 --> 00:21:33,240
Speaker 1: a flight with people that you either know in the

482
00:21:33,280 --> 00:21:35,760
Speaker 1: industry or don't like in the industry or something of

483
00:21:36,080 --> 00:21:40,800
Speaker 1: the sort. This just happens to be a very public

484
00:21:42,080 --> 00:21:45,159
Speaker 1: beef that we've all grew up. It's crazy that we

485
00:21:45,240 --> 00:21:47,920
Speaker 1: literally have all grew up like watching this beef and

486
00:21:48,000 --> 00:21:53,120
Speaker 1: hearing this beef for years. And uh, Uncle Murder, who

487
00:21:53,640 --> 00:21:55,520
Speaker 1: I don't think Jou has ever really had an issue with.

488
00:21:55,600 --> 00:21:57,760
Speaker 1: But he's Juni. He's Juni, so he gotta he gotta,

489
00:21:57,800 --> 00:21:59,840
Speaker 1: he gotta hold the flag. He got a ride, and

490
00:22:00,760 --> 00:22:02,720
Speaker 1: you know they had some words with Jay Rule, and

491
00:22:02,960 --> 00:22:05,960
Speaker 1: you know they put out a video talking, you know,

492
00:22:06,240 --> 00:22:09,000
Speaker 1: talking shit to Jyrul. Jyrul turned around, He's talking shit back.

493
00:22:10,040 --> 00:22:12,359
Speaker 1: It all just seemed like, you know, just people on

494
00:22:12,440 --> 00:22:16,240
Speaker 1: a flight, disagreements, arguing, whatever. But because of who it was,

495
00:22:16,320 --> 00:22:18,959
Speaker 1: it was obviously like, oh shit, this could have gotten bad. Now.

496
00:22:19,320 --> 00:22:21,840
Speaker 1: If you've ever traveled, you know that if you fight

497
00:22:22,040 --> 00:22:25,560
Speaker 1: or do anything in an airport, you are one of

498
00:22:25,560 --> 00:22:28,159
Speaker 1: the dumbest people ever because you will be banned from flying.

499
00:22:28,880 --> 00:22:31,600
Speaker 1: And I don't think that any of these gentlemen can

500
00:22:31,680 --> 00:22:34,360
Speaker 1: afford to not fly or be allowed to fly.

501
00:22:34,720 --> 00:22:37,440
Speaker 2: I'll say they got lucky because that the first video

502
00:22:37,600 --> 00:22:41,080
Speaker 2: that Yo put up and then fifty ended up posting

503
00:22:41,119 --> 00:22:43,440
Speaker 2: as well, when they were just talking from seat to seat.

504
00:22:43,560 --> 00:22:47,680
Speaker 2: Yeah whatever that other angle that TMZ got when Uncle

505
00:22:47,760 --> 00:22:49,760
Speaker 2: Murder was standing up and Jyrul was standing up and

506
00:22:49,760 --> 00:22:52,840
Speaker 2: they was yelling. I also wanted, like, want to know

507
00:22:52,960 --> 00:22:56,879
Speaker 2: that that young white kid, imagine entering a plane just

508
00:22:57,160 --> 00:23:00,560
Speaker 2: to go home and you see Ja Rule and Tony

509
00:23:00,640 --> 00:23:02,719
Speaker 2: Yao screaming at each other in the aisle. I think,

510
00:23:02,760 --> 00:23:05,280
Speaker 2: can you just imagine because that that kid looked about

511
00:23:05,400 --> 00:23:07,919
Speaker 2: a little younger than me, so I'm sure he's aware

512
00:23:08,440 --> 00:23:09,320
Speaker 2: of I think he was with.

513
00:23:10,960 --> 00:23:14,280
Speaker 1: Okay Yo kept saying that the rule was completely by himself.

514
00:23:15,080 --> 00:23:17,040
Speaker 1: I guess by myself, meaning like he doesn't have.

515
00:23:17,320 --> 00:23:21,120
Speaker 2: Anybody like reinforcement, and that in that way you didn't

516
00:23:21,119 --> 00:23:22,879
Speaker 2: have the murderers BJ with him.

517
00:23:22,960 --> 00:23:28,720
Speaker 1: Yeah yeah, I mean I we can get to the funnies.

518
00:23:28,760 --> 00:23:29,880
Speaker 1: But they got lucky. Man.

519
00:23:30,800 --> 00:23:34,600
Speaker 2: This is stupid if I ever got lucky, though, because

520
00:23:35,240 --> 00:23:39,200
Speaker 2: I've seen people get thrown off and banned from flying

521
00:23:39,280 --> 00:23:42,600
Speaker 2: on any airline for less than this m HM. And

522
00:23:42,720 --> 00:23:47,240
Speaker 2: the fact that the three of these gentlemen literally depends well,

523
00:23:47,320 --> 00:23:49,520
Speaker 2: let me say it, but a huge part of their

524
00:23:49,600 --> 00:23:53,119
Speaker 2: income is the ability to travel at any time, and

525
00:23:53,280 --> 00:23:57,159
Speaker 2: you lose that over a yelling match. That's the dumbest

526
00:23:57,160 --> 00:23:59,200
Speaker 2: shit ever. I don't have any ops or any beef.

527
00:23:59,560 --> 00:24:01,520
Speaker 2: If I do, or if someone thinks we do and

528
00:24:01,600 --> 00:24:03,640
Speaker 2: we see each other on a plane, you have every

529
00:24:03,720 --> 00:24:06,119
Speaker 2: right to get on a podcast on your Instagram and

530
00:24:06,200 --> 00:24:09,000
Speaker 2: call me pussy for not saying anything. If I have

531
00:24:09,040 --> 00:24:10,440
Speaker 2: an issue with you and we are on an airplane,

532
00:24:10,480 --> 00:24:11,920
Speaker 2: I am not going to say anything. I will be

533
00:24:12,000 --> 00:24:13,879
Speaker 2: on my phone minding my motherfucking business.

534
00:24:15,400 --> 00:24:16,960
Speaker 1: You can go and call me pussy. I'm not he

535
00:24:17,080 --> 00:24:19,000
Speaker 1: was dead, Why he ain't saying nothing. I'm not fucking

536
00:24:19,119 --> 00:24:21,920
Speaker 1: right airport. I'm not fighting nowhere in an airport. I'm

537
00:24:21,920 --> 00:24:25,119
Speaker 1: not getting plane, not getting bad from it. Are you aling?

538
00:24:25,200 --> 00:24:25,760
Speaker 1: That's not happening?

539
00:24:26,800 --> 00:24:30,840
Speaker 2: Losing that part of your life nowhere, it's devastating. Over listen,

540
00:24:31,320 --> 00:24:33,000
Speaker 2: if you want to say something at my seat, Hey,

541
00:24:33,080 --> 00:24:35,280
Speaker 2: can we set up a time in a location between

542
00:24:35,320 --> 00:24:35,560
Speaker 2: each other.

543
00:24:35,680 --> 00:24:36,520
Speaker 1: Let's exchange numbers.

544
00:24:36,600 --> 00:24:38,720
Speaker 2: We could settle this after we get off the plane

545
00:24:38,760 --> 00:24:42,280
Speaker 2: and out of any tsa, any federal area.

546
00:24:43,160 --> 00:24:45,320
Speaker 1: We can go as soon as we land at Loo

547
00:24:45,600 --> 00:24:48,280
Speaker 1: JFK LO wherever these gentlemen was at it. I promise

548
00:24:48,359 --> 00:24:51,000
Speaker 1: you we can go to the local gas station right

549
00:24:51,080 --> 00:24:52,639
Speaker 1: down the street, because you've got to be off. You

550
00:24:52,720 --> 00:24:55,040
Speaker 1: gotta be off airport property. You gotta be even if

551
00:24:55,080 --> 00:24:57,359
Speaker 1: you right outside the airport. A fight like you can

552
00:24:57,400 --> 00:25:00,800
Speaker 1: get in trouble for that. We were gonna go one

553
00:25:00,840 --> 00:25:03,680
Speaker 1: exit down and let's get it shaken. But I'm not

554
00:25:03,760 --> 00:25:06,399
Speaker 1: fighting nobody on an airplane, or it's not happening. I

555
00:25:06,440 --> 00:25:08,480
Speaker 1: don't care how much beef forgot. Only thing worse than

556
00:25:08,520 --> 00:25:12,280
Speaker 1: losing your privilege to fly is losing custody your kids. Nah,

557
00:25:12,359 --> 00:25:15,639
Speaker 1: the flying might be worse and flying might be worse

558
00:25:17,359 --> 00:25:21,240
Speaker 1: because if you have custody your kids and you can't fly, hey,

559
00:25:21,280 --> 00:25:22,960
Speaker 1: I'm a terrible dad. If I got my kids and

560
00:25:23,040 --> 00:25:25,800
Speaker 1: we can't fly nowhere, I'm a shitty dad. Like how

561
00:25:25,880 --> 00:25:26,800
Speaker 1: your dad can't fly.

562
00:25:27,560 --> 00:25:31,280
Speaker 2: I'm glad this didn't go even more left because when

563
00:25:31,320 --> 00:25:35,600
Speaker 2: you land at JFK, Yeah it was from Southside. John

564
00:25:35,680 --> 00:25:38,040
Speaker 2: Ruse from Hollis, Uncle Murders from East New York. All

565
00:25:38,119 --> 00:25:40,760
Speaker 2: three of these places are within five minutes of jfkre

566
00:25:40,880 --> 00:25:43,440
Speaker 2: for Yeah, you're landing in their neighborhoods.

567
00:25:43,480 --> 00:25:45,800
Speaker 1: Yeah, we home we home that East New York's had left.

568
00:25:45,840 --> 00:25:49,040
Speaker 1: Both got home field advantage now like which I want

569
00:25:49,080 --> 00:25:51,639
Speaker 1: to do. I'm just glad that they you know again,

570
00:25:52,240 --> 00:25:55,080
Speaker 1: words and argument, we understand that. But I'm I knew

571
00:25:55,119 --> 00:25:56,480
Speaker 1: that none of those gentlemen was going to throw a

572
00:25:56,520 --> 00:25:57,960
Speaker 1: punch in that flight. That's not happening.

573
00:25:58,000 --> 00:25:58,200
Speaker 2: You're not.

574
00:25:58,320 --> 00:26:01,439
Speaker 1: They they are not. Yeah, you're murder. Joh. They've been

575
00:26:01,520 --> 00:26:04,480
Speaker 1: traveling for years. They know good and god damn, well,

576
00:26:04,760 --> 00:26:06,800
Speaker 1: we can't fight on this plane. That's not happening. Well, YAlO,

577
00:26:06,880 --> 00:26:09,399
Speaker 1: get crack jokes and record and talk shit. Oh we

578
00:26:09,440 --> 00:26:12,040
Speaker 1: could do that. The whole flight, but we're not gonna.

579
00:26:11,840 --> 00:26:14,800
Speaker 2: Fight YAlO did did say, because he gave a recap

580
00:26:15,480 --> 00:26:18,320
Speaker 2: on Vlad. He did say during the whole why YAlO

581
00:26:18,440 --> 00:26:18,600
Speaker 2: do that?

582
00:26:18,960 --> 00:26:19,480
Speaker 1: I didn't.

583
00:26:19,880 --> 00:26:22,199
Speaker 2: Don't YAlO Murder have a podcast one which they ended

584
00:26:22,240 --> 00:26:25,320
Speaker 2: up talking about it on their show as well. But yeah,

585
00:26:25,320 --> 00:26:28,240
Speaker 2: they give me the exclusive and that's not a hated

586
00:26:28,320 --> 00:26:29,040
Speaker 2: Vlad whatsoever.

587
00:26:29,160 --> 00:26:31,000
Speaker 1: He could have went on and say she's anything.

588
00:26:31,000 --> 00:26:32,679
Speaker 2: I would have been like, why yo giving that up

589
00:26:33,280 --> 00:26:34,879
Speaker 2: to him, But he has a relationship with Lad and

590
00:26:35,320 --> 00:26:38,359
Speaker 2: Blad probably paid well for it. He did say that

591
00:26:38,480 --> 00:26:41,119
Speaker 2: he was trying to be the one in between. He

592
00:26:41,240 --> 00:26:43,800
Speaker 2: was making his jokes and saying stuff my dick to job,

593
00:26:43,840 --> 00:26:46,000
Speaker 2: but he was telling Murder like we're on a flight

594
00:26:46,119 --> 00:26:48,160
Speaker 2: though no more caviar pancakes.

595
00:26:48,440 --> 00:26:50,760
Speaker 1: This goes down like it's over, not even I don't

596
00:26:50,760 --> 00:26:53,760
Speaker 1: even think you could fly private once you get a

597
00:26:54,200 --> 00:26:56,320
Speaker 1: fifty while fifty is flying private, like I don't, I

598
00:26:56,320 --> 00:26:58,480
Speaker 1: don't even think you can get on that that flight anymore.

599
00:26:59,000 --> 00:27:02,440
Speaker 2: The reports were made it sound like Joe was kind

600
00:27:02,480 --> 00:27:04,160
Speaker 2: of not the aggressor I think is the wrong word,

601
00:27:04,240 --> 00:27:05,720
Speaker 2: but was the first one to say something like it,

602
00:27:05,800 --> 00:27:08,480
Speaker 2: what's up? Because again, I think, which is kind of

603
00:27:08,520 --> 00:27:10,360
Speaker 2: crazy because John fifty had been on a plane before

604
00:27:10,400 --> 00:27:12,960
Speaker 2: where we heard both stories, three sides to everything.

605
00:27:12,960 --> 00:27:14,240
Speaker 1: Who knows what the fuck happened, but the.

606
00:27:14,400 --> 00:27:18,679
Speaker 2: Only commonality in all of their stories was nothing happened.

607
00:27:19,040 --> 00:27:21,920
Speaker 2: Fifty kept to himself, Jock kept to himself. Nobody's doing nothing.

608
00:27:22,040 --> 00:27:23,760
Speaker 2: They both made jokes back and forth of what they

609
00:27:23,840 --> 00:27:25,879
Speaker 2: was thinking. Make an ode contact, y'all got up for

610
00:27:25,920 --> 00:27:28,600
Speaker 2: the bathroom. He was like, YO, started getting scared, but

611
00:27:28,880 --> 00:27:31,800
Speaker 2: neither of y'all did anything. Because you're smart enough not

612
00:27:31,960 --> 00:27:33,040
Speaker 2: to fight on an airplane.

613
00:27:33,160 --> 00:27:35,520
Speaker 1: Yeah, man can't be fighting on an airplane, but I do.

614
00:27:36,320 --> 00:27:38,400
Speaker 1: Throwing a pillow at somebody, though, is fuck.

615
00:27:38,480 --> 00:27:40,080
Speaker 3: He's out threw a pillow at him because he's soft,

616
00:27:40,160 --> 00:27:40,399
Speaker 3: get it.

617
00:27:41,359 --> 00:27:43,840
Speaker 2: Having a pillow fight on the plane is And in

618
00:27:43,920 --> 00:27:45,840
Speaker 2: Job's defense though, And I'm not trying to big leave

619
00:27:45,840 --> 00:27:48,119
Speaker 2: you guys, because you know, I fly first class. That

620
00:27:48,240 --> 00:27:50,679
Speaker 2: pillow that they initially put right there, I sometimes want

621
00:27:50,760 --> 00:27:52,240
Speaker 2: to just throw at the other seat. It is.

622
00:27:52,400 --> 00:27:54,880
Speaker 1: It's a very inconvenient pillow, Like I can't even suit

623
00:27:54,920 --> 00:27:55,560
Speaker 1: down when I get on there.

624
00:27:55,640 --> 00:27:57,119
Speaker 2: So if your enemy is behind you and you have

625
00:27:57,160 --> 00:27:59,359
Speaker 2: the opportunity, like to get that pillow instead of putting

626
00:27:59,400 --> 00:27:59,920
Speaker 2: it by your feet.

627
00:28:00,400 --> 00:28:02,560
Speaker 1: Yeah, Yale's getting well you just say no. I was

628
00:28:02,600 --> 00:28:03,879
Speaker 1: trying to put it up here, and it's just like

629
00:28:04,160 --> 00:28:05,639
Speaker 1: it just flew. We went to the back seat, it

630
00:28:05,680 --> 00:28:06,520
Speaker 1: went to the seat behind me.

631
00:28:06,920 --> 00:28:09,040
Speaker 2: But all right, when they first posted it, I thought

632
00:28:09,080 --> 00:28:10,600
Speaker 2: it was kind of funny. I know there's a real

633
00:28:10,760 --> 00:28:12,840
Speaker 2: history behind it, but it seemed like it was just

634
00:28:12,880 --> 00:28:14,240
Speaker 2: a funny, like what you're gonna do for It's like

635
00:28:14,280 --> 00:28:16,240
Speaker 2: just funny shit that other angle.

636
00:28:16,840 --> 00:28:19,080
Speaker 1: I kind of thought it got corny. Yeah, you stepping

637
00:28:19,160 --> 00:28:22,440
Speaker 1: up this and that. But I mean, why don't I

638
00:28:22,480 --> 00:28:24,560
Speaker 1: ever get on these flights? Man? You would have got

639
00:28:24,600 --> 00:28:27,439
Speaker 1: on that flight you to try to diffuse it. No, yes,

640
00:28:27,520 --> 00:28:28,000
Speaker 1: you would have it.

641
00:28:28,240 --> 00:28:30,560
Speaker 3: Yes, would have would have been like, guys, come on, dog,

642
00:28:30,640 --> 00:28:33,440
Speaker 3: you got a podcast now, that's what you got a podcast?

643
00:28:33,520 --> 00:28:36,359
Speaker 1: Now, it's hilarious. You got a podcast.

644
00:28:38,800 --> 00:28:41,520
Speaker 2: All right, Well, hear me out, you got a podcast now.

645
00:28:42,640 --> 00:28:46,400
Speaker 2: I am outside of our our volume.

646
00:28:46,680 --> 00:28:47,120
Speaker 1: Loyalty.

647
00:28:48,160 --> 00:28:51,040
Speaker 2: Congrats to Yale and Oaker Murder for joint joining the squad.

648
00:28:52,040 --> 00:28:55,080
Speaker 2: We'll put that over there. My loyalty to Colin. Let's

649
00:28:55,080 --> 00:28:59,760
Speaker 2: put that over here. Yeah, well, I might have been

650
00:28:59,800 --> 00:29:02,280
Speaker 2: the only one that would have been able to squash

651
00:29:02,360 --> 00:29:04,400
Speaker 2: it because my roots of even getting into the industry

652
00:29:04,440 --> 00:29:05,680
Speaker 2: come from Shot money in g Unit.

653
00:29:05,760 --> 00:29:08,120
Speaker 1: That's that's that's where I give all credits.

654
00:29:08,720 --> 00:29:11,800
Speaker 2: Bones made your bones by going to the corner store

655
00:29:11,840 --> 00:29:15,200
Speaker 2: to get them rolled bones on Liberty Avenue.

656
00:29:16,960 --> 00:29:18,400
Speaker 1: So I have a strong loyalty.

657
00:29:18,480 --> 00:29:20,880
Speaker 2: Even if Shot and fifty are not in the best

658
00:29:20,920 --> 00:29:23,480
Speaker 2: place or whatever, that's still highleening them.

659
00:29:23,640 --> 00:29:25,800
Speaker 1: That's those are my mentors.

660
00:29:26,480 --> 00:29:31,000
Speaker 2: But I have a very cordial and great relationship with

661
00:29:31,200 --> 00:29:34,920
Speaker 2: Job Rule, with Chris Gotti, with members of the Supreme Team.

662
00:29:35,040 --> 00:29:37,920
Speaker 2: I think I'm the only one that could have diffused

663
00:29:37,960 --> 00:29:45,400
Speaker 2: the whole thing. Both sides respect me. So saying both sides, yeah,

664
00:29:45,520 --> 00:29:48,480
Speaker 2: you could an elbow right in your nose. Your ship

665
00:29:48,480 --> 00:29:52,280
Speaker 2: would have blew open like tomato soup. Well, you think

666
00:29:52,280 --> 00:29:54,520
Speaker 2: I would have tried to diffuse that, Yeah, I think so.

667
00:29:54,640 --> 00:29:55,760
Speaker 2: I think you would have got it been like, but

668
00:29:55,800 --> 00:29:57,520
Speaker 2: that's definitely fellows.

669
00:29:58,800 --> 00:29:59,560
Speaker 1: You know what, Actually, I.

670
00:29:59,600 --> 00:30:03,400
Speaker 3: Really my I know Rory would have nah, bro, come on, bro,

671
00:30:03,520 --> 00:30:04,120
Speaker 3: no bullshit.

672
00:30:04,160 --> 00:30:06,760
Speaker 1: I would have like if I was sitting in first time,

673
00:30:07,000 --> 00:30:08,520
Speaker 1: I would be like, yo, come on, Yeah, y'all tripping,

674
00:30:08,560 --> 00:30:10,680
Speaker 1: y'all can't do this. Yeah, Now, if I would have

675
00:30:10,680 --> 00:30:12,240
Speaker 1: seen them get up in this solid like they get

676
00:30:12,280 --> 00:30:13,760
Speaker 1: I'm not jumping in the middle of that ship. I

677
00:30:13,800 --> 00:30:16,080
Speaker 1: don't want nobody in mistaken I'm not been Like I

678
00:30:16,120 --> 00:30:18,640
Speaker 1: would have said when it was words, I'd be like, yo, y'all, chill, y'all,

679
00:30:18,720 --> 00:30:21,640
Speaker 1: y'all tripping like we're on a federal this is federal

680
00:30:21,720 --> 00:30:24,320
Speaker 1: property were on right now. Yeah, I can't do nothing

681
00:30:24,360 --> 00:30:27,840
Speaker 1: on this flight. Everybody, relax, Just chill the funk out.

682
00:30:28,600 --> 00:30:30,640
Speaker 1: Go to that dunkin Donuts one exit away from JFK

683
00:30:30,760 --> 00:30:32,880
Speaker 1: when we get off the flight, and then and then

684
00:30:33,000 --> 00:30:35,240
Speaker 1: we could talk like but on this flight, y'all, niggas

685
00:30:35,280 --> 00:30:37,920
Speaker 1: better relax. Put a movie on your screen, nigga, watch

686
00:30:37,960 --> 00:30:39,160
Speaker 1: some bunch your headphones on something.

687
00:30:39,160 --> 00:30:41,000
Speaker 2: Wait, but with John because I know it was murder

688
00:30:41,080 --> 00:30:43,920
Speaker 2: in YAlO in the two and two. Just go two

689
00:30:44,000 --> 00:30:45,920
Speaker 2: one two or yeah, two to two, it's two ones.

690
00:30:45,920 --> 00:30:48,200
Speaker 2: I was about to say, like, what what if you

691
00:30:48,400 --> 00:30:53,920
Speaker 2: just happened to be that emptyc like it's rule murdered

692
00:30:54,040 --> 00:30:55,200
Speaker 2: Yaloe and then you walk.

693
00:30:55,040 --> 00:30:56,560
Speaker 1: On the plane like now, I don't want to deal

694
00:30:56,600 --> 00:30:57,640
Speaker 1: with it. I was, I want to go to sleep.

695
00:30:57,920 --> 00:31:00,480
Speaker 1: I'm still you just said, right, but I would definitely

696
00:31:00,520 --> 00:31:03,680
Speaker 1: be like, hey, listen, fellas, this shit cute cut this ship,

697
00:31:04,200 --> 00:31:06,160
Speaker 1: not on this flight, man, I can't. But but they

698
00:31:06,240 --> 00:31:08,400
Speaker 1: knew that. Though all the words and all of that,

699
00:31:08,560 --> 00:31:11,120
Speaker 1: we know what that is. Just because we see some

700
00:31:11,240 --> 00:31:14,000
Speaker 1: people recording this, that and the third nobody want to

701
00:31:14,040 --> 00:31:16,080
Speaker 1: look like they got punked or anything like that. We

702
00:31:16,240 --> 00:31:19,040
Speaker 1: know what that's about. But I can promise you that

703
00:31:19,240 --> 00:31:22,240
Speaker 1: all three of these gentlemen are very very well aware

704
00:31:22,280 --> 00:31:25,200
Speaker 1: of where they were and what could not happen, and

705
00:31:25,200 --> 00:31:26,640
Speaker 1: they knew they could not fight on that plane.

706
00:31:26,800 --> 00:31:30,200
Speaker 2: Okay, what if in that scenario, Mam Yayo throws the

707
00:31:30,240 --> 00:31:34,480
Speaker 2: pillow back and rule because you know he's agile, ducts

708
00:31:34,520 --> 00:31:35,120
Speaker 2: it and it hits you.

709
00:31:35,320 --> 00:31:38,200
Speaker 1: That's okay. I got extra pillow. Okay, I got to

710
00:31:38,480 --> 00:31:42,000
Speaker 1: take that personal. I got a extra pillow. I'm not listen, man,

711
00:31:42,080 --> 00:31:43,760
Speaker 1: I got to I'm not doing nothing on no flight,

712
00:31:44,120 --> 00:31:46,240
Speaker 1: all right, cool with a pillow. I'll take it. Y'all

713
00:31:46,320 --> 00:31:49,600
Speaker 1: better sit down though. I know that because if the

714
00:31:49,680 --> 00:31:53,360
Speaker 1: boys in the uniform walk on his flight, everybody's point.

715
00:31:53,400 --> 00:31:54,840
Speaker 2: I'm trying to think how I would have tried to

716
00:31:54,920 --> 00:31:56,720
Speaker 2: diffuse that. Let's settle on the blacktop.

717
00:31:56,760 --> 00:32:00,760
Speaker 1: Fellas like settle on the Blacktop, they would have punched it,

718
00:32:03,440 --> 00:32:07,040
Speaker 1: definite would dance battle. But I do hope that they

719
00:32:08,040 --> 00:32:09,920
Speaker 1: find a way even though this is a real personal

720
00:32:10,200 --> 00:32:12,520
Speaker 1: in the years and years, I don't think that the

721
00:32:13,120 --> 00:32:16,040
Speaker 1: beef between John and fifty will ever be squashed.

722
00:32:16,440 --> 00:32:20,400
Speaker 2: No, but and not one of those Uh it shouldn't.

723
00:32:20,480 --> 00:32:23,320
Speaker 2: It's just everyone can just coexistence, Yeah, just coexist and

724
00:32:23,440 --> 00:32:24,840
Speaker 2: not everything needs to be kumbaya.

725
00:32:25,040 --> 00:32:27,200
Speaker 1: Just avoid each other, to avoid each other as obviously

726
00:32:27,440 --> 00:32:29,080
Speaker 1: we can't. You don't know who you're gonna end up

727
00:32:29,080 --> 00:32:30,680
Speaker 1: with a flight with. So this just happened to be

728
00:32:30,840 --> 00:32:35,080
Speaker 1: like just you know, a wild coincidence that they were

729
00:32:35,120 --> 00:32:38,000
Speaker 1: on the same flight. But yeah, man, I'm glad nothing happened.

730
00:32:38,040 --> 00:32:40,480
Speaker 1: And you know, hopefully these guys, Okay, everybody can go

731
00:32:40,600 --> 00:32:43,000
Speaker 1: home and to their families and still be able to

732
00:32:43,080 --> 00:32:45,560
Speaker 1: fly and travel the world and make make the money

733
00:32:45,600 --> 00:32:47,680
Speaker 1: that they've been making. And you know, it may feel

734
00:32:47,680 --> 00:32:48,440
Speaker 1: a good viral moment.

735
00:32:51,720 --> 00:32:54,880
Speaker 2: Maul finally got the most powerful iPhone ever. He got

736
00:32:54,920 --> 00:32:57,760
Speaker 2: the seventeen finally, so we can't move on it took

737
00:32:57,800 --> 00:32:59,760
Speaker 2: forever to get him and do that. But thank god

738
00:33:00,080 --> 00:33:02,760
Speaker 2: boost Mobile is proving that you don't have to overpay

739
00:33:02,840 --> 00:33:05,560
Speaker 2: for great wireless. He knows that now with his iPhone seventeen.

740
00:33:05,800 --> 00:33:09,880
Speaker 2: Unlock the savings with twenty five dollars a month forever

741
00:33:10,160 --> 00:33:15,720
Speaker 2: unlimited plan, forever at the permanent price, No grandfathering in

742
00:33:15,840 --> 00:33:19,320
Speaker 2: all that other contract weird price hiking nonsense. You can

743
00:33:19,440 --> 00:33:22,320
Speaker 2: keep your phone and your number, but you save up

744
00:33:22,400 --> 00:33:26,560
Speaker 2: to six hundred dollars a year compared to the major

745
00:33:26,640 --> 00:33:28,960
Speaker 2: carriers mall. I can't even tell you what I could

746
00:33:28,960 --> 00:33:30,120
Speaker 2: do with the extra six hundred dollars.

747
00:33:30,200 --> 00:33:33,240
Speaker 1: We need that extra six hundred. Listen, stop overpaying and

748
00:33:33,280 --> 00:33:35,720
Speaker 1: switch to a fair price at boosmobile dot com today

749
00:33:35,920 --> 00:33:38,360
Speaker 1: based on average annual single line payment of AT and

750
00:33:38,360 --> 00:33:41,000
Speaker 1: T Verizon and T Mobile customers compared to twelve months

751
00:33:41,080 --> 00:33:43,320
Speaker 1: on the boost Mobile Unlimited plan as of January twenty

752
00:33:43,400 --> 00:33:46,440
Speaker 1: twenty six. For full off of details, visit boostmobile dot com.

753
00:33:52,600 --> 00:33:55,560
Speaker 2: Fun I was confused after I watched Jeo's his take

754
00:33:55,640 --> 00:33:59,320
Speaker 2: on the entire thing. The conversation switched. Did rule not

755
00:33:59,480 --> 00:34:01,480
Speaker 2: go back on the flight after they all got pulled

756
00:34:01,520 --> 00:34:05,880
Speaker 2: off the flight? I think he got pulled off. Okay, yeah, damn.

757
00:34:06,800 --> 00:34:09,239
Speaker 2: Now you're just in San fran I mean, it's not

758
00:34:09,320 --> 00:34:11,719
Speaker 2: a bad city to be. What's what's some of the

759
00:34:11,760 --> 00:34:13,880
Speaker 2: most random people you've been on a flight with?

760
00:34:15,120 --> 00:34:17,239
Speaker 1: Remember the first person I was on the flight growing up,

761
00:34:17,440 --> 00:34:23,239
Speaker 1: I was on the flight with I met. Yeah, I

762
00:34:23,239 --> 00:34:26,000
Speaker 1: don't know if I'll member chubb Rock member chub Rock,

763
00:34:26,239 --> 00:34:28,520
Speaker 1: of course, member of chub Rock. I actually sat next

764
00:34:28,560 --> 00:34:30,640
Speaker 1: to chubb Rock on the flight one time. That's really cool,

765
00:34:32,280 --> 00:34:37,080
Speaker 1: Regina King. Okay, she was on my flight during COVID.

766
00:34:37,280 --> 00:34:38,920
Speaker 1: I think I was gonna coming from l A to

767
00:34:39,000 --> 00:34:45,560
Speaker 1: New York. Fine at f Geina King. Uh, the what's

768
00:34:45,640 --> 00:34:50,800
Speaker 1: the mom from What's What's the what's the movie with

769
00:34:50,920 --> 00:34:53,759
Speaker 1: the I call it? I call it the female version

770
00:34:53,760 --> 00:35:00,120
Speaker 1: of Wedding Crashes Girls Trip? But it was the was

771
00:35:00,160 --> 00:35:02,680
Speaker 1: the best friend, remember the one that she was battling.

772
00:35:02,760 --> 00:35:05,000
Speaker 1: It was it was the broke bestie. And then it

773
00:35:05,080 --> 00:35:07,240
Speaker 1: was the best tie to have money. Yeah, the bestie

774
00:35:07,320 --> 00:35:08,560
Speaker 1: to have money. I was on a flight with her.

775
00:35:09,160 --> 00:35:10,640
Speaker 1: She's in a lot of stuff. Yeah, she was on

776
00:35:10,680 --> 00:35:12,759
Speaker 1: the flight with her her family. They were sitting right

777
00:35:12,800 --> 00:35:20,800
Speaker 1: behind me. Okay, yeah, bigs, my brothers.

778
00:35:21,960 --> 00:35:24,400
Speaker 2: We didn't know each other at the time. To me

779
00:35:24,600 --> 00:35:25,360
Speaker 2: was seeing a celebrity.

780
00:35:25,880 --> 00:35:27,920
Speaker 3: Who were we on the flight with that one time

781
00:35:28,000 --> 00:35:32,040
Speaker 3: when we were going to Atlanta, it was a celebrity.

782
00:35:32,120 --> 00:35:33,160
Speaker 3: We were all in first class.

783
00:35:34,440 --> 00:35:36,520
Speaker 1: We were going out, pressed by Russ on the plane

784
00:35:36,560 --> 00:35:38,880
Speaker 1: once it wasn't Russ that It wasn't Russ, it was

785
00:35:39,120 --> 00:35:43,480
Speaker 1: it was a black dude. I can't remember. Was it

786
00:35:43,520 --> 00:35:46,920
Speaker 1: Michael Bivens? Possibly? Yes, I was on the flight with

787
00:35:46,920 --> 00:35:48,719
Speaker 1: Michael Bibbins. I remember that one. Yeah, yeah, I think

788
00:35:48,719 --> 00:35:50,759
Speaker 1: that might have been it. Michael Bivens. Oh, actually, you know,

789
00:35:50,800 --> 00:35:51,399
Speaker 1: I take that back.

790
00:35:51,400 --> 00:35:56,000
Speaker 2: I've been on a flight leaving Essence vest uh P

791
00:35:56,120 --> 00:35:59,919
Speaker 2: losing New Orleans. I was on the flight with Michael Bivens. Yeah,

792
00:36:00,080 --> 00:36:04,279
Speaker 2: niould be fine. I mean it's Michael business. You got

793
00:36:04,360 --> 00:36:05,640
Speaker 2: business trying to.

794
00:36:05,600 --> 00:36:06,319
Speaker 1: Think I haven't.

795
00:36:06,760 --> 00:36:08,960
Speaker 2: My mother one time sent me a photo on the

796
00:36:09,000 --> 00:36:11,040
Speaker 2: plane and said Steedman's on my flight, And I said, Mom,

797
00:36:11,160 --> 00:36:12,560
Speaker 2: only you would recognize.

798
00:36:12,120 --> 00:36:14,320
Speaker 1: Stedman first of all, I would recognize that.

799
00:36:14,600 --> 00:36:16,440
Speaker 2: I ask him, I was like, why are you sending

800
00:36:16,480 --> 00:36:20,520
Speaker 2: me a photo? You wouldn't recognize that I would recognize seven?

801
00:36:20,880 --> 00:36:23,359
Speaker 1: Why would I recognize Stedman. You could put two people

802
00:36:23,440 --> 00:36:25,080
Speaker 1: right here, I wouldn't know which one was Steedman. You

803
00:36:25,120 --> 00:36:27,239
Speaker 1: could put one person right here, I wouldn't. Y'all don't

804
00:36:27,239 --> 00:36:30,320
Speaker 1: know what Stedman look like. That's crazy to me. No,

805
00:36:30,760 --> 00:36:33,640
Speaker 1: I really dont I couldn't tell you what he looked like, which.

806
00:36:33,520 --> 00:36:37,600
Speaker 2: I've told on the pod other than that. I was

807
00:36:37,600 --> 00:36:39,719
Speaker 2: waiting at baggage claim with j R. Smith and eighty

808
00:36:39,760 --> 00:36:41,480
Speaker 2: eight Keys, and a pod fan came up and said,

809
00:36:41,520 --> 00:36:43,600
Speaker 2: this is the craziest trio I've ever seen in my life.

810
00:36:44,000 --> 00:36:48,160
Speaker 1: Fire Bro, How would y'all not recognize Stedman? Man? That Stedman? Yes,

811
00:36:48,880 --> 00:36:51,719
Speaker 1: I wouldn't know who that. I would think he loves

812
00:36:51,840 --> 00:36:53,920
Speaker 1: He looks black in the photo. My mom said, he

813
00:36:54,080 --> 00:36:56,080
Speaker 1: is black. He's just the light skin black. Okay, I

814
00:36:56,120 --> 00:36:58,719
Speaker 1: would not know that. He looks like everything doctor Phil.

815
00:36:58,800 --> 00:37:00,839
Speaker 1: He's like every math teacher I've ever had in my life.

816
00:37:01,520 --> 00:37:03,920
Speaker 1: I cannot that's crazy to me. I don't know.

817
00:37:03,960 --> 00:37:05,920
Speaker 3: I guess that's crazy to me that you wouldn't recognize

818
00:37:05,920 --> 00:37:08,239
Speaker 3: Stemen like that's I would recognize Stemen any man if

819
00:37:08,239 --> 00:37:08,560
Speaker 3: you put.

820
00:37:08,520 --> 00:37:10,080
Speaker 1: Him next to Oprah, I would recognize them.

821
00:37:11,040 --> 00:37:14,320
Speaker 2: But one person is allowed next to Oprah, it's that

822
00:37:14,480 --> 00:37:17,279
Speaker 2: or g and who's a doesn't you have some other

823
00:37:17,360 --> 00:37:17,920
Speaker 2: lesbian lover?

824
00:37:18,440 --> 00:37:20,400
Speaker 3: I think I thought they said Gail was the lesbian.

825
00:37:20,200 --> 00:37:23,439
Speaker 1: Or was it Gail either way? But yeah, I haven't

826
00:37:23,480 --> 00:37:27,120
Speaker 1: had like crazy luck with with flights like that. That's luck.

827
00:37:28,600 --> 00:37:31,200
Speaker 3: I wouldn't want to be next to a celebrity on

828
00:37:31,280 --> 00:37:34,040
Speaker 3: a flight mm hmm, because I don't want you feeling

829
00:37:34,080 --> 00:37:35,640
Speaker 3: like I'm checking for you, because I'm not checking for you.

830
00:37:35,640 --> 00:37:36,359
Speaker 1: You see what I'm saying.

831
00:37:36,480 --> 00:37:38,359
Speaker 3: So now I gotta really look like I'm not checking

832
00:37:38,400 --> 00:37:40,440
Speaker 3: for you, even though naturally I'm not checking for you, like,

833
00:37:40,520 --> 00:37:41,719
Speaker 3: I don't want you to feel checked for.

834
00:37:42,239 --> 00:37:44,719
Speaker 1: They're probably like either folks on what they're doing checked for.

835
00:37:44,800 --> 00:37:47,200
Speaker 1: It is hilarious. I've been on I've been on a

836
00:37:47,239 --> 00:37:50,920
Speaker 1: flight on the l A one time and was sitting

837
00:37:51,080 --> 00:37:56,680
Speaker 1: right across some what's the porn star's name, the midget

838
00:37:57,040 --> 00:37:59,000
Speaker 1: that was a different one. She was sitting beha me.

839
00:37:59,560 --> 00:38:03,279
Speaker 1: I found that the only fans model a little person. Yeah, OK, nice,

840
00:38:03,320 --> 00:38:05,960
Speaker 1: sorry it was it was some poorn stars. She was

841
00:38:05,960 --> 00:38:08,319
Speaker 1: sitting ready across from me, and I felt crazy because

842
00:38:08,320 --> 00:38:11,000
Speaker 1: I was like, you know, you seen what I thought.

843
00:38:11,000 --> 00:38:13,440
Speaker 1: I'm sorry, what are you talking about?

844
00:38:13,560 --> 00:38:15,000
Speaker 3: He said that the little person get the laid back.

845
00:38:15,000 --> 00:38:17,719
Speaker 3: He's an asshole, he's an I.

846
00:38:17,760 --> 00:38:20,120
Speaker 1: Forgot the porn star's name, but it's crazy, like she's

847
00:38:20,440 --> 00:38:23,440
Speaker 1: like a porn star seeing her work, like so to

848
00:38:23,480 --> 00:38:26,080
Speaker 1: see a porn star like on your flight that you've

849
00:38:26,080 --> 00:38:29,040
Speaker 1: seen like in the craziest scenes of all time, sucking

850
00:38:29,160 --> 00:38:31,960
Speaker 1: seven dicks. And now she's just sitting there like reading

851
00:38:32,000 --> 00:38:36,200
Speaker 1: a book. You like he doing like hair pulled back classes.

852
00:38:36,560 --> 00:38:37,759
Speaker 1: What are you doing? Like why are you doing that?

853
00:38:37,800 --> 00:38:38,560
Speaker 1: Why are you reading the book?

854
00:38:38,640 --> 00:38:39,440
Speaker 2: Like not?

855
00:38:39,560 --> 00:38:41,719
Speaker 1: Why why are you doing your career? Why are you

856
00:38:41,760 --> 00:38:43,879
Speaker 1: reading a book? Why are you reading? Why reading the book?

857
00:38:43,920 --> 00:38:46,000
Speaker 2: Telling you don't have to do this reading a book?

858
00:38:46,040 --> 00:38:47,800
Speaker 2: You shouldn't be doing that. You shouldn't be on a

859
00:38:47,840 --> 00:38:48,520
Speaker 2: flight reading the book.

860
00:38:48,600 --> 00:38:50,640
Speaker 1: But see, would you do?

861
00:38:50,719 --> 00:38:52,680
Speaker 3: You think it's weird to say, like how how Rory

862
00:38:52,719 --> 00:38:54,640
Speaker 3: did denis? Like you changed my life, like your work

863
00:38:54,719 --> 00:38:56,080
Speaker 3: changed my life to a porn star.

864
00:38:57,160 --> 00:38:58,520
Speaker 1: I mean if we weren't on the flight, I would

865
00:38:58,520 --> 00:38:58,960
Speaker 1: have said.

866
00:38:58,760 --> 00:39:01,560
Speaker 3: That sick, yeah, because the flight is weird because you're.

867
00:39:01,440 --> 00:39:03,440
Speaker 1: Kind of like stuck there now it's like I'm just

868
00:39:03,560 --> 00:39:05,440
Speaker 1: I'm the wed guy in the flight now. Yeah, but

869
00:39:05,560 --> 00:39:06,960
Speaker 1: once we get our bags, I could like hit her

870
00:39:07,000 --> 00:39:08,279
Speaker 1: with have walked by like you changed my life and

871
00:39:08,320 --> 00:39:10,560
Speaker 1: keep moving like yeah, it's like I'm going, I'm leaving

872
00:39:10,560 --> 00:39:12,759
Speaker 1: the airport. See Karen Noir. I have to say. I

873
00:39:12,840 --> 00:39:14,440
Speaker 1: have to say something. I can't just let her just

874
00:39:14,480 --> 00:39:16,120
Speaker 1: walk by. What would you say to Karen Noir?

875
00:39:16,280 --> 00:39:18,440
Speaker 2: She you know she traveled with the hammer. She get

876
00:39:18,480 --> 00:39:23,440
Speaker 2: a signed, Yo, what do you put on getting the crazy?

877
00:39:25,280 --> 00:39:26,319
Speaker 2: And where do you get it signed?

878
00:39:26,360 --> 00:39:26,400
Speaker 1: That?

879
00:39:26,560 --> 00:39:26,600
Speaker 2: Like?

880
00:39:29,239 --> 00:39:32,200
Speaker 1: Yo, getting the dido side is crazy?

881
00:39:32,920 --> 00:39:35,719
Speaker 3: Telling people I travel with the hammer is crazier, like

882
00:39:35,760 --> 00:39:36,880
Speaker 3: because what do people believe you?

883
00:39:38,000 --> 00:39:38,120
Speaker 2: Yo?

884
00:39:38,280 --> 00:39:41,800
Speaker 1: Pulling off pulling off the travel and getting it side

885
00:39:41,880 --> 00:39:42,680
Speaker 1: it's crazy.

886
00:39:45,000 --> 00:39:48,960
Speaker 2: Okay, But if you're if you're a bat day, you

887
00:39:48,960 --> 00:39:52,400
Speaker 2: wouldn't want Derek j to sign the bat baseball like

888
00:39:53,000 --> 00:39:57,000
Speaker 2: Jordan signs basketballs. Why wouldn't she signed you know part

889
00:39:57,040 --> 00:39:58,640
Speaker 2: of her her weapons.

890
00:39:58,320 --> 00:40:00,560
Speaker 1: Are, Yeah, but that's not what the Her sounding in

891
00:40:00,640 --> 00:40:02,680
Speaker 1: the deal though, is like that's not what is that?

892
00:40:02,840 --> 00:40:02,880
Speaker 2: Like?

893
00:40:02,960 --> 00:40:05,840
Speaker 1: That doesn't it's memorabilia the same way with any other The.

894
00:40:06,040 --> 00:40:09,120
Speaker 3: Ink is gonna like water off, like it's not gonna stay.

895
00:40:09,160 --> 00:40:10,040
Speaker 1: Do you use it again?

896
00:40:10,920 --> 00:40:10,960
Speaker 2: No?

897
00:40:11,239 --> 00:40:14,160
Speaker 3: I wouldn't do it to begin with, stopting things of me.

898
00:40:14,160 --> 00:40:16,160
Speaker 3: I wouldn't do it to begin with. But now I

899
00:40:16,280 --> 00:40:17,920
Speaker 3: just wrote what it was my favorite. It's the only

900
00:40:17,960 --> 00:40:18,600
Speaker 3: one I got on me.

901
00:40:19,480 --> 00:40:22,560
Speaker 1: Take a picture with Caro Noir or video. You would

902
00:40:22,560 --> 00:40:26,319
Speaker 1: have to or a date see if you're available. I mean, listen, hey,

903
00:40:27,280 --> 00:40:27,800
Speaker 1: I don't like that.

904
00:40:29,239 --> 00:40:30,440
Speaker 3: I don't like ask a for a picture. I think

905
00:40:30,440 --> 00:40:31,960
Speaker 3: that that's weird. I would just be like, yo, I

906
00:40:32,040 --> 00:40:33,359
Speaker 3: love you and just keep it moving.

907
00:40:34,200 --> 00:40:35,680
Speaker 1: Well, she like, show me how much you love me?

908
00:40:37,680 --> 00:40:39,120
Speaker 1: You look at you fumble. You wouldn't even know how

909
00:40:39,120 --> 00:40:42,840
Speaker 1: to respond. I know how to respond. Why not? No,

910
00:40:44,480 --> 00:40:46,719
Speaker 1: I'm not we know you gay baby? D like what

911
00:40:46,880 --> 00:40:49,040
Speaker 1: you mean? Like we know that already about you? You're

912
00:40:49,080 --> 00:40:50,680
Speaker 1: not hot? Do you're not giving us no information? Like

913
00:40:50,719 --> 00:40:52,239
Speaker 1: we know that you would take up on an offer

914
00:40:53,160 --> 00:40:54,719
Speaker 1: and a lot to be mad if you didn't, I'd

915
00:40:54,719 --> 00:40:56,360
Speaker 1: be like, yo, she said what and you didn't like?

916
00:40:56,840 --> 00:40:58,680
Speaker 1: You didn't give her to add you're gonna drop the pin?

917
00:41:00,200 --> 00:41:02,280
Speaker 1: Can you get kicked out of the airport? Can you? Okay?

918
00:41:02,320 --> 00:41:04,120
Speaker 3: So I know fighting in the airport, but like if

919
00:41:04,160 --> 00:41:06,320
Speaker 3: you have lesbian sex in the airport bathroom, can you

920
00:41:06,440 --> 00:41:07,600
Speaker 3: get off the flightless.

921
00:41:08,040 --> 00:41:13,080
Speaker 1: Yes, you you get kicked out of Starbucks band from

922
00:41:13,160 --> 00:41:17,960
Speaker 1: McDonald's for that. Yeah, yes, yes. If you get caught

923
00:41:18,040 --> 00:41:19,399
Speaker 1: having sex in the airport.

924
00:41:19,280 --> 00:41:20,839
Speaker 3: Can be doing the Mile High Club all the time.

925
00:41:20,880 --> 00:41:21,880
Speaker 3: Nobody ever says anything.

926
00:41:22,040 --> 00:41:23,680
Speaker 1: They don't get caught. They get caught.

927
00:41:23,840 --> 00:41:26,439
Speaker 2: They get caught their band, like yeah, the Lord landing

928
00:41:26,480 --> 00:41:27,319
Speaker 2: in Minneapolis, like.

929
00:41:27,400 --> 00:41:28,719
Speaker 1: As soon as you land, you know, when you get

930
00:41:28,719 --> 00:41:31,480
Speaker 1: off the plate and you get done that way, there's

931
00:41:31,480 --> 00:41:32,960
Speaker 1: plenty of that's worth it, though.

932
00:41:33,280 --> 00:41:35,239
Speaker 3: I think there's plenty of flight attendants that know that

933
00:41:35,320 --> 00:41:36,600
Speaker 3: people be fucking in the bathrooms and.

934
00:41:36,640 --> 00:41:39,400
Speaker 2: Oh they know their business, you know.

935
00:41:40,440 --> 00:41:42,239
Speaker 1: But it's like, you know, you know, if there's a

936
00:41:42,280 --> 00:41:44,200
Speaker 1: flight attendant, if it's a cool flight, you're like, yo, listen, man,

937
00:41:44,600 --> 00:41:47,120
Speaker 1: don't don't go in there again, like y'all tripping. But

938
00:41:47,200 --> 00:41:49,040
Speaker 1: you ain't gonna be like yo, won't be laying. Some

939
00:41:49,200 --> 00:41:50,480
Speaker 1: officers want to talk to you as soon as you

940
00:41:50,520 --> 00:41:51,680
Speaker 1: get off the flight, don't. You ain't gonna be that

941
00:41:51,760 --> 00:41:54,279
Speaker 1: person like, yeah, it's just a couple having sex. Yeah.

942
00:41:55,360 --> 00:41:57,960
Speaker 2: I've heard like a lot of musicians, celebrities, whatever, hate

943
00:41:57,960 --> 00:42:00,080
Speaker 2: when people be like yo, I love your work, but

944
00:42:00,160 --> 00:42:02,560
Speaker 2: don't say what and they appreciate the fans that like

945
00:42:03,360 --> 00:42:05,719
Speaker 2: give in depth answers like I love track six off

946
00:42:05,760 --> 00:42:06,640
Speaker 2: your third album.

947
00:42:06,719 --> 00:42:07,879
Speaker 1: What were you going to say about Knaves?

948
00:42:07,920 --> 00:42:10,239
Speaker 3: Which one? Which was the life defining track?

949
00:42:10,760 --> 00:42:10,880
Speaker 2: Oh?

950
00:42:11,080 --> 00:42:16,920
Speaker 1: Just his overall existence? Which which which scenes?

951
00:42:16,920 --> 00:42:19,480
Speaker 2: Would you bring up to her just to like, just

952
00:42:19,560 --> 00:42:21,160
Speaker 2: to show you a real fan, You're just not somebody

953
00:42:21,200 --> 00:42:23,680
Speaker 2: that sees like if fake just wants to give a

954
00:42:23,760 --> 00:42:26,160
Speaker 2: selfie so to be, you know, go on Instagram.

955
00:42:26,320 --> 00:42:27,759
Speaker 3: It will reveal too much about me. So I'm going

956
00:42:27,800 --> 00:42:30,800
Speaker 3: to keep that to myself. Okay, but yeah, but you

957
00:42:30,840 --> 00:42:32,600
Speaker 3: always talk about killing in the water, you love caring

958
00:42:34,000 --> 00:42:37,280
Speaker 3: Kieran noir skin diamond type apparently.

959
00:42:37,680 --> 00:42:41,600
Speaker 1: Skinned diamond and call in the wir Are you more

960
00:42:42,760 --> 00:42:47,200
Speaker 1: her pre fake Tit's or post fake tits pre is fine?

961
00:42:47,800 --> 00:42:47,920
Speaker 2: Yo.

962
00:42:48,040 --> 00:42:50,080
Speaker 3: Jack Harlowe is dropping an album, Baby keen too.

963
00:42:51,400 --> 00:42:56,040
Speaker 1: Jack Hallowing? When Jack dropping single March thirteenth, it's enough

964
00:42:56,080 --> 00:42:56,680
Speaker 1: time for a single.

965
00:42:56,719 --> 00:42:59,600
Speaker 2: I don't think Jack is. It's just putting out album.

966
00:42:59,600 --> 00:43:02,359
Speaker 2: So we're called Monica, right correct? Did he give any

967
00:43:02,440 --> 00:43:04,759
Speaker 2: context of who Monica is in his life? Is that

968
00:43:04,840 --> 00:43:07,759
Speaker 2: a significant other? Is that a family member? Is that

969
00:43:08,239 --> 00:43:11,560
Speaker 2: a singer that did a tour with Brandy. Do we

970
00:43:11,640 --> 00:43:12,480
Speaker 2: have any context of.

971
00:43:12,480 --> 00:43:17,719
Speaker 1: What that Lewinski, I'm assuming because he's white. No, that

972
00:43:17,920 --> 00:43:22,719
Speaker 1: is an interesting name. I mean, I'm guessing it's a

973
00:43:23,440 --> 00:43:24,839
Speaker 1: particul about a particular woman.

974
00:43:25,200 --> 00:43:25,359
Speaker 2: Yeah.

975
00:43:25,400 --> 00:43:27,600
Speaker 1: I can't see Jack Harlow just naming an album Monica

976
00:43:27,800 --> 00:43:31,600
Speaker 1: just to name it that. Yeah, Well, what do we.

977
00:43:31,600 --> 00:43:34,360
Speaker 2: Think Jack is taking some time off? I like the

978
00:43:34,400 --> 00:43:34,920
Speaker 2: record with Dave.

979
00:43:34,960 --> 00:43:36,840
Speaker 1: He's put out some freestyles while he's been living in

980
00:43:36,920 --> 00:43:40,200
Speaker 1: New York. Jackways has good albums, though I don't think

981
00:43:40,280 --> 00:43:42,440
Speaker 1: Jack Carlo has ever put out like a trash album.

982
00:43:42,640 --> 00:43:45,760
Speaker 2: I agree with you, it's just a it's a different

983
00:43:47,160 --> 00:43:48,960
Speaker 2: not roll out, per say, but it's a different energy

984
00:43:49,040 --> 00:43:52,680
Speaker 2: now than Come Home the Kids, Missue with the three

985
00:43:53,360 --> 00:43:57,360
Speaker 2: smash records he had and Paul's jack Man that was

986
00:43:57,440 --> 00:43:58,920
Speaker 2: more of a mixtape like he was. He was just

987
00:43:58,960 --> 00:44:01,520
Speaker 2: trying to put music out in between. That wasn't really

988
00:44:02,600 --> 00:44:04,080
Speaker 2: of the song he did when he was walking through

989
00:44:04,120 --> 00:44:07,799
Speaker 2: the was it Manhattan? I didn't mean freestyle for say,

990
00:44:07,880 --> 00:44:10,759
Speaker 2: Tranquility was the name and at a video, but then

991
00:44:10,800 --> 00:44:12,400
Speaker 2: he had to set you Free Joint right after that,

992
00:44:12,560 --> 00:44:15,000
Speaker 2: and then if you guys forgot. He had the Doja

993
00:44:15,080 --> 00:44:18,279
Speaker 2: Cat record just Us, which which I thought was fire.

994
00:44:19,000 --> 00:44:22,320
Speaker 2: I mean I didn't particularly like, you know, Drama and

995
00:44:22,440 --> 00:44:24,800
Speaker 2: Lake kind of being the leads. As far as the

996
00:44:24,880 --> 00:44:26,920
Speaker 2: video Vixen's in there, I feel like we should have

997
00:44:26,960 --> 00:44:29,600
Speaker 2: focused more on Doja Cat. But I mean I see

998
00:44:29,640 --> 00:44:31,520
Speaker 2: the vision. Yeah, but I like that record a lot.

999
00:44:32,760 --> 00:44:35,440
Speaker 2: It felt like between those three records, because Tranquility is

1000
00:44:35,480 --> 00:44:38,080
Speaker 2: a year ago, set you three eleven months, just Us

1001
00:44:38,200 --> 00:44:43,080
Speaker 2: ten months, Hello mss Johnson like, it felt like he

1002
00:44:43,200 --> 00:44:44,719
Speaker 2: was about to roll a project out and.

1003
00:44:44,800 --> 00:44:48,879
Speaker 1: Then kind of just chilled. Hm. So I'm not sure

1004
00:44:48,920 --> 00:44:51,640
Speaker 1: if those even are part of this rollout or what

1005
00:44:51,760 --> 00:44:52,800
Speaker 1: he's he's trying.

1006
00:44:52,600 --> 00:44:55,359
Speaker 2: To do, But but we all expecting a single from

1007
00:44:55,400 --> 00:44:59,000
Speaker 2: this album. Yeah, between now in March thirteenth, I would

1008
00:44:59,000 --> 00:45:01,319
Speaker 2: say two like a month out. Yeah, I would say

1009
00:45:01,360 --> 00:45:05,000
Speaker 2: we'd get a single probably next week and then maybe

1010
00:45:05,040 --> 00:45:10,680
Speaker 2: another record week of the album or week before. But yeah,

1011
00:45:10,880 --> 00:45:13,040
Speaker 2: I don't I can't see Jack on this go round

1012
00:45:13,360 --> 00:45:16,080
Speaker 2: not trying to utilize a single. Yeah, but that's what

1013
00:45:16,120 --> 00:45:17,239
Speaker 2: I thought the dose scheduling was.

1014
00:45:17,640 --> 00:45:19,120
Speaker 1: I'm looking forward to it. I like Jack. I think

1015
00:45:19,160 --> 00:45:21,120
Speaker 1: he makes good music, good albums. So I want to

1016
00:45:21,120 --> 00:45:24,920
Speaker 1: see what the Yeah, yeah, the team cooked up anticipating

1017
00:45:24,960 --> 00:45:27,399
Speaker 1: I'm not gonna say I'm anticipating it, but I'm looking

1018
00:45:27,440 --> 00:45:27,840
Speaker 1: forward to it.

1019
00:45:28,120 --> 00:45:30,399
Speaker 2: What does anticipate mean. I'm just curious, Like I don't

1020
00:45:30,400 --> 00:45:30,960
Speaker 2: want to answer you.

1021
00:45:31,120 --> 00:45:33,000
Speaker 3: Like you checking for it, like you like damn y'all

1022
00:45:33,200 --> 00:45:35,239
Speaker 3: list and when you're watching thisshes like damn it that

1023
00:45:35,400 --> 00:45:36,160
Speaker 3: Jack album coming.

1024
00:45:36,400 --> 00:45:38,439
Speaker 1: No, No, I've never said that. I've never watched dishes

1025
00:45:38,480 --> 00:45:41,000
Speaker 1: and said that Jack album is coming. I probably washed

1026
00:45:41,040 --> 00:45:43,640
Speaker 1: dishes to a Jack album. Yeah, but Jack is playing.

1027
00:45:43,680 --> 00:45:45,960
Speaker 1: But I never was anticipating the album, like while I'm

1028
00:45:45,960 --> 00:45:50,560
Speaker 1: busting SuDS, like, yeah, that Jack album is a month out,

1029
00:45:50,640 --> 00:45:52,480
Speaker 1: Like I've never done that, busting suys to Jack man,

1030
00:45:52,520 --> 00:45:55,400
Speaker 1: it's crazy, Like I've never done that. But he does

1031
00:45:55,480 --> 00:45:58,080
Speaker 1: make good albums, he makes good projects. So yeah, I'm

1032
00:45:58,120 --> 00:46:01,680
Speaker 1: curious what direction goes with with this one based off

1033
00:46:01,680 --> 00:46:03,960
Speaker 1: the last two projects, because they were drastically different.

1034
00:46:04,400 --> 00:46:07,040
Speaker 2: Do you think he stays in uh? I mean he

1035
00:46:07,120 --> 00:46:13,720
Speaker 2: hit it with with those recognizable samples Chip Monkeys. Does

1036
00:46:13,760 --> 00:46:16,880
Speaker 2: he stay there if it's not broke, don't fix it?

1037
00:46:17,320 --> 00:46:19,200
Speaker 2: Does he stay in the same the thing? Do we

1038
00:46:19,239 --> 00:46:20,520
Speaker 2: get a whole new sound from Jack.

1039
00:46:22,320 --> 00:46:25,560
Speaker 1: I don't know, man, I think he's not stay in

1040
00:46:25,640 --> 00:46:29,920
Speaker 1: the same you know vibe that the other projects and

1041
00:46:30,000 --> 00:46:33,120
Speaker 1: albums were giving us, but like he has to still

1042
00:46:33,120 --> 00:46:35,680
Speaker 1: be Jack though, you gotta still be Jack on the songs.

1043
00:46:37,200 --> 00:46:39,600
Speaker 1: But he does great with features like so I'm interested

1044
00:46:39,600 --> 00:46:40,840
Speaker 1: to see who he worked with on the album, like

1045
00:46:40,880 --> 00:46:43,000
Speaker 1: who he has one album with him? Yeah, I need

1046
00:46:43,080 --> 00:46:44,359
Speaker 1: a Bob, I need a Jack Bob.

1047
00:46:46,200 --> 00:46:46,319
Speaker 4: Oh.

1048
00:46:46,400 --> 00:46:49,320
Speaker 2: He gave you that the Dojah cat ship was boppish.

1049
00:46:50,200 --> 00:46:53,400
Speaker 2: I mean, it wasn't like the nail text ship, but

1050
00:46:53,520 --> 00:46:55,480
Speaker 2: it was still somewhat to a bop. I can't wait

1051
00:46:55,520 --> 00:47:00,080
Speaker 2: to catch her show who what did she here in

1052
00:47:00,120 --> 00:47:02,000
Speaker 2: New York the end of the year. I think she

1053
00:47:02,120 --> 00:47:03,840
Speaker 2: does Europe first and then comes to America.

1054
00:47:03,840 --> 00:47:06,880
Speaker 1: I need to anticipate in December. In February, I you know,

1055
00:47:06,920 --> 00:47:08,759
Speaker 1: I love Dojaka and I'm mad I missed her last one.

1056
00:47:08,880 --> 00:47:11,560
Speaker 3: Are you gonna go see Cardi? Carti starts touring a

1057
00:47:11,600 --> 00:47:13,359
Speaker 3: couple of days. Am I gonna go see Carti?

1058
00:47:13,480 --> 00:47:13,520
Speaker 2: No?

1059
00:47:13,920 --> 00:47:18,200
Speaker 1: No, okay, I'm cool, not anything against Cardi. I'm just

1060
00:47:18,280 --> 00:47:21,200
Speaker 1: not gonna go. Yeah, like I wish, I don't. I

1061
00:47:21,239 --> 00:47:23,680
Speaker 1: don't know Cardi's music enough like that to go to show.

1062
00:47:23,840 --> 00:47:26,440
Speaker 1: I was like listening to Dojiah for real. So and

1063
00:47:26,520 --> 00:47:29,759
Speaker 1: then her last project was eighties all the way through that's,

1064
00:47:29,840 --> 00:47:32,319
Speaker 1: you know, my vibe. So I'm looking and like her

1065
00:47:32,560 --> 00:47:35,000
Speaker 1: just a stage show. All of that is like, you know,

1066
00:47:35,120 --> 00:47:36,920
Speaker 1: she's dog just that type of artist that I think

1067
00:47:36,960 --> 00:47:38,560
Speaker 1: you have to go see live if you're into it.

1068
00:47:39,440 --> 00:47:40,520
Speaker 1: So I'm looking forward with that show.

1069
00:47:40,600 --> 00:47:42,560
Speaker 2: If somebody at me was like, Yo, you want I

1070
00:47:42,600 --> 00:47:43,960
Speaker 2: got passages, you want to go to the Cardi show,

1071
00:47:44,040 --> 00:47:46,640
Speaker 2: I'd say yes, but to like plan go out my

1072
00:47:46,719 --> 00:47:48,520
Speaker 2: way buy tickets and I'm not, but I don't do

1073
00:47:48,600 --> 00:47:50,960
Speaker 2: that for who's cardis on tour. I don't know if

1074
00:47:51,000 --> 00:47:52,719
Speaker 2: she has support on the tour. And again I'm not

1075
00:47:53,000 --> 00:47:55,560
Speaker 2: shipping on Cardia. I'm just you know, not going out

1076
00:47:55,600 --> 00:47:57,640
Speaker 2: my way to the show. But I don't feel like

1077
00:47:57,680 --> 00:47:59,399
Speaker 2: any artist is gonna be able to sell tickets selling

1078
00:47:59,440 --> 00:48:01,840
Speaker 2: album once that sexy red Eat It hits the streets.

1079
00:48:04,080 --> 00:48:06,959
Speaker 2: Sexy what Jack Harlowe may have to cancel his album,

1080
00:48:07,040 --> 00:48:08,440
Speaker 2: Cardi b may have to cancel her tour.

1081
00:48:11,040 --> 00:48:15,840
Speaker 1: When that yo, when that Eat It drops? Is is

1082
00:48:15,920 --> 00:48:16,279
Speaker 1: y'all wrap?

1083
00:48:16,360 --> 00:48:18,279
Speaker 2: God? I thought you guys were gonna come in here

1084
00:48:19,239 --> 00:48:21,440
Speaker 2: on ten like we found we got a classic from her.

1085
00:48:24,640 --> 00:48:25,279
Speaker 1: Nah, chill, chill.

1086
00:48:25,280 --> 00:48:26,600
Speaker 2: You give them way too much right now, you give

1087
00:48:26,640 --> 00:48:28,759
Speaker 2: them too much, giving the streets way too much?

1088
00:48:30,000 --> 00:48:32,439
Speaker 1: Yo, Yati, What what do we owe to this leak man?

1089
00:48:34,200 --> 00:48:35,080
Speaker 1: What what do we owe?

1090
00:48:35,600 --> 00:48:35,759
Speaker 2: Wait?

1091
00:48:35,880 --> 00:48:37,799
Speaker 1: Yachi, this is I He was the one that took

1092
00:48:37,840 --> 00:48:40,319
Speaker 1: the video. Okay, Like what.

1093
00:48:40,440 --> 00:48:43,120
Speaker 2: Do we owe to to get this in depth behind

1094
00:48:43,160 --> 00:48:45,680
Speaker 2: the scenes of of of of a master at work

1095
00:48:46,719 --> 00:48:55,160
Speaker 2: with eat it? You stay coming as sexy? She made

1096
00:48:55,200 --> 00:48:59,520
Speaker 2: that move up, yo, sexy rap. You know what's funny?

1097
00:48:59,560 --> 00:49:02,040
Speaker 2: Think I'm coming in here to hate. I think this

1098
00:49:02,200 --> 00:49:02,800
Speaker 2: is kind of funny.

1099
00:49:03,040 --> 00:49:06,360
Speaker 1: I'm really not that mad at it. What works for her?

1100
00:49:06,600 --> 00:49:10,840
Speaker 2: It's clearly comedic, Like, yeah, it's not she's not being serious.

1101
00:49:10,920 --> 00:49:15,080
Speaker 1: Yeah, people said weird al already did it? He did?

1102
00:49:15,600 --> 00:49:17,640
Speaker 1: He did eat it? You never see with Al. You

1103
00:49:17,800 --> 00:49:21,600
Speaker 1: I remember suit on No, when we had the fat shoot,

1104
00:49:21,640 --> 00:49:23,760
Speaker 1: y'all remember that that was? That's like a classic.

1105
00:49:24,040 --> 00:49:26,960
Speaker 2: Okay, Well, Sexy Red, being the genius that she is,

1106
00:49:27,080 --> 00:49:29,279
Speaker 2: is flipping it from a different perspective instead of eat

1107
00:49:29,360 --> 00:49:30,480
Speaker 2: my pussy period.

1108
00:49:30,560 --> 00:49:33,239
Speaker 1: Perfect for Valentine's Day. WHOA. She really surprised us with that.

1109
00:49:33,320 --> 00:49:35,720
Speaker 1: One didn't think she was talking about eating her pussy

1110
00:49:35,760 --> 00:49:38,759
Speaker 1: on this on this single, who are we talking about here?

1111
00:49:38,960 --> 00:49:39,720
Speaker 1: Trying to show arrange.

1112
00:49:41,400 --> 00:49:43,399
Speaker 3: Y'all don't have no problem with push It t rapping

1113
00:49:43,400 --> 00:49:46,960
Speaker 3: about selling that same pack for seventeen albums in a row,

1114
00:49:47,120 --> 00:49:49,320
Speaker 3: but y'all got problem with Sexy Reds talking about her pussy.

1115
00:49:51,000 --> 00:49:54,200
Speaker 1: If Sexy Red makes a song that sounds like the

1116
00:49:54,400 --> 00:49:58,120
Speaker 1: birds will sing the birds don't sing, then I would

1117
00:49:58,160 --> 00:50:01,360
Speaker 1: be I wouldn't have to I wouldn't need no quarrel

1118
00:50:01,400 --> 00:50:04,880
Speaker 1: what sexy at all? But she showed me some versatility.

1119
00:50:05,400 --> 00:50:06,759
Speaker 1: I'm not mad at it, but eat it.

1120
00:50:07,600 --> 00:50:10,520
Speaker 2: This seems like even if it does get cleared and

1121
00:50:10,600 --> 00:50:12,160
Speaker 2: comes out, this seems like a joke, Like I would

1122
00:50:12,239 --> 00:50:13,719
Speaker 2: not even be mad at this. This seems like some

1123
00:50:13,800 --> 00:50:16,120
Speaker 2: funny shit like, but I don't think this is real.

1124
00:50:16,280 --> 00:50:19,359
Speaker 1: So so did my pussy pink? My booty whole bown?

1125
00:50:19,480 --> 00:50:20,560
Speaker 1: And that was a snow.

1126
00:50:20,560 --> 00:50:22,640
Speaker 2: I think she was seriously trying to put a song

1127
00:50:22,680 --> 00:50:25,640
Speaker 2: out at that time. I think this is a joke

1128
00:50:25,719 --> 00:50:27,520
Speaker 2: that may end up working for a week.

1129
00:50:28,640 --> 00:50:29,960
Speaker 1: I don't think this is a real song. I think

1130
00:50:29,960 --> 00:50:32,080
Speaker 1: she's probably you don't think the estate will clear it. No,

1131
00:50:33,080 --> 00:50:33,879
Speaker 1: I don't think it's real.

1132
00:50:33,920 --> 00:50:35,600
Speaker 3: I think they just not when the movie coming out.

1133
00:50:35,680 --> 00:50:37,040
Speaker 3: The movie coming out, and this is what I got

1134
00:50:37,200 --> 00:50:38,239
Speaker 3: that's on the soundtrack I heard.

1135
00:50:38,440 --> 00:50:42,399
Speaker 1: Yeah, that's what y'all love.

1136
00:50:42,480 --> 00:50:44,520
Speaker 3: Coming in here and shipping off female rappers. It's actually

1137
00:50:44,560 --> 00:50:46,040
Speaker 3: very I'm not shitting on.

1138
00:50:46,120 --> 00:50:47,759
Speaker 1: I'm just like eat it, Like, come on, man.

1139
00:50:48,680 --> 00:50:52,640
Speaker 2: I think maybe you're misunderstanding. So Michael Jackson said beat it,

1140
00:50:53,440 --> 00:50:57,200
Speaker 2: she's saying eat it. I think that's why I don't

1141
00:50:57,200 --> 00:50:58,080
Speaker 2: think you understood.

1142
00:50:58,200 --> 00:50:59,760
Speaker 1: Baby Kim has a new album coming.

1143
00:50:59,600 --> 00:51:01,719
Speaker 3: Out, he does, you're looking forward to him more than

1144
00:51:01,760 --> 00:51:02,319
Speaker 3: Sexy Rat.

1145
00:51:03,360 --> 00:51:06,960
Speaker 1: Absolutely, I'm looking forward to hearing a Baby Game album

1146
00:51:07,000 --> 00:51:08,719
Speaker 1: more than I'm listening looking forward to be a Sexy

1147
00:51:08,800 --> 00:51:09,160
Speaker 1: Right album.

1148
00:51:09,200 --> 00:51:14,120
Speaker 2: For sure, I will say to your anticipation point, I

1149
00:51:14,719 --> 00:51:16,040
Speaker 2: have anticipation for Baby Keem.

1150
00:51:16,680 --> 00:51:19,440
Speaker 1: I liked his last project. It was cool.

1151
00:51:19,480 --> 00:51:21,800
Speaker 2: It showed a lot of potential of the artist that

1152
00:51:21,880 --> 00:51:23,840
Speaker 2: I think he could be in his talent level. But

1153
00:51:24,080 --> 00:51:25,479
Speaker 2: it was just cool to me. It was just a cool,

1154
00:51:26,200 --> 00:51:29,160
Speaker 2: cool project. Spent a lot of time. I thought with

1155
00:51:29,280 --> 00:51:31,239
Speaker 2: that project he was going to have a pretty quick

1156
00:51:31,360 --> 00:51:35,719
Speaker 2: turnaround with a new album. To take that much time

1157
00:51:35,840 --> 00:51:43,200
Speaker 2: off as a new artist, with the hype and people

1158
00:51:43,280 --> 00:51:46,880
Speaker 2: around you, I thought you would have, like Kendrick put

1159
00:51:46,920 --> 00:51:49,439
Speaker 2: out three albums since you put out your first, which

1160
00:51:49,520 --> 00:51:53,879
Speaker 2: is like unheard of. So I'm not sitting there thinking like, oh,

1161
00:51:54,440 --> 00:51:57,719
Speaker 2: it's bad because he took this much time. But yeah,

1162
00:51:58,000 --> 00:51:59,719
Speaker 2: the pressure is on with this one. When you take

1163
00:51:59,719 --> 00:52:03,080
Speaker 2: that time off as a new artist, We're gonna look

1164
00:52:03,080 --> 00:52:05,719
Speaker 2: at it a little different. You think pressures on Baby King.

1165
00:52:05,880 --> 00:52:07,320
Speaker 1: Tell Yah for what?

1166
00:52:08,560 --> 00:52:12,680
Speaker 2: Because if you're super consistent and it dues happens, people can.

1167
00:52:12,960 --> 00:52:15,200
Speaker 1: Can forget about it. They can move on.

1168
00:52:15,520 --> 00:52:18,400
Speaker 2: But when you do the gap ship, when you do

1169
00:52:18,520 --> 00:52:20,640
Speaker 2: the and I'm not comparing Baby Came to Frank Ocean whatsoever.

1170
00:52:20,680 --> 00:52:23,080
Speaker 2: I'm just saying, when you do the channel orange to

1171
00:52:23,200 --> 00:52:25,279
Speaker 2: Blonde gap, you gotta deliver a blond.

1172
00:52:26,200 --> 00:52:26,600
Speaker 1: I get it.

1173
00:52:27,040 --> 00:52:30,440
Speaker 2: Like there's a lot of time and you've had one

1174
00:52:30,719 --> 00:52:33,719
Speaker 2: like real, real official project, which again it was cool.

1175
00:52:33,760 --> 00:52:35,520
Speaker 2: I was not mad at the project. I was like,

1176
00:52:35,560 --> 00:52:37,320
Speaker 2: I think Kam's gonna end up being a dope artist. This,

1177
00:52:37,400 --> 00:52:39,879
Speaker 2: this has a lot of potential. Yeah, I think people

1178
00:52:39,880 --> 00:52:44,040
Speaker 2: are looking at I came at one point was the

1179
00:52:44,120 --> 00:52:49,359
Speaker 2: most anticipated new artist okay by far, I should even

1180
00:52:49,480 --> 00:52:52,600
Speaker 2: before the Beef, Drake was one of the first people

1181
00:52:52,719 --> 00:52:54,160
Speaker 2: trying to co sign Baby Keeam how dope.

1182
00:52:54,160 --> 00:52:56,200
Speaker 1: He was like, yeah, but I don't think it's pressure

1183
00:52:56,239 --> 00:52:59,160
Speaker 1: on him. Though, I wouldn't say pressures on them.

1184
00:52:59,080 --> 00:53:00,920
Speaker 2: Because if you take this much time off what the

1185
00:53:01,000 --> 00:53:04,400
Speaker 2: last project was one, Yeah, but that doesn't even if

1186
00:53:04,400 --> 00:53:06,200
Speaker 2: he did that, that doesn't mean it's pressure on him.

1187
00:53:06,280 --> 00:53:09,759
Speaker 1: Like, I just don't think. I think what you're saying

1188
00:53:09,880 --> 00:53:12,040
Speaker 1: is like, I think people are looking forward to it,

1189
00:53:12,239 --> 00:53:13,800
Speaker 1: like he twenty eighteen.

1190
00:53:14,320 --> 00:53:18,279
Speaker 2: No, it's twenty twenty one Melodic Blue, which which is

1191
00:53:18,680 --> 00:53:21,839
Speaker 2: a cool project. Yeah, I think with all the hype

1192
00:53:21,920 --> 00:53:27,000
Speaker 2: that you had from that project, which was a solid

1193
00:53:27,120 --> 00:53:32,200
Speaker 2: first release. Then you're on the Mister Morale tour, which

1194
00:53:33,239 --> 00:53:33,840
Speaker 2: you opened up.

1195
00:53:33,880 --> 00:53:34,399
Speaker 1: You did great.

1196
00:53:34,440 --> 00:53:37,520
Speaker 2: You're also part of Kendricks set as well, not even

1197
00:53:37,560 --> 00:53:39,040
Speaker 2: on some hype man shit, you just really part of

1198
00:53:39,120 --> 00:53:41,319
Speaker 2: the entire set with the ad libs because he's all

1199
00:53:41,360 --> 00:53:42,200
Speaker 2: over mister Morale.

1200
00:53:42,560 --> 00:53:43,160
Speaker 1: You are a.

1201
00:53:43,280 --> 00:53:47,520
Speaker 2: Fixture in that show on Twitter, on Instagram, like Keem

1202
00:53:47,560 --> 00:53:50,520
Speaker 2: had some crazy hype coming off that Mister Morale shit,

1203
00:53:50,680 --> 00:53:54,520
Speaker 2: Like we already know Kendrick's a legend over here, Keim

1204
00:53:54,640 --> 00:53:58,360
Speaker 2: who is like who is this guy? And five years

1205
00:53:58,640 --> 00:54:01,160
Speaker 2: in this era with a new artist is a long

1206
00:54:01,200 --> 00:54:03,960
Speaker 2: time in life there, and I'm fine with that. I

1207
00:54:04,040 --> 00:54:06,799
Speaker 2: think more artists should take their time, especially if they

1208
00:54:06,840 --> 00:54:08,879
Speaker 2: take their craft very seriously, which I think King does.

1209
00:54:09,239 --> 00:54:11,759
Speaker 2: And obviously there was a lot going on with TD

1210
00:54:12,080 --> 00:54:14,480
Speaker 2: and Kendrick and he signed a PG lang yeah, to

1211
00:54:14,560 --> 00:54:16,520
Speaker 2: get that business up and running, and him being the

1212
00:54:16,560 --> 00:54:19,120
Speaker 2: first signing. I'm sure there was some politics there as well,

1213
00:54:19,320 --> 00:54:20,680
Speaker 2: and they didn't want to put out a baby King

1214
00:54:20,680 --> 00:54:22,920
Speaker 2: album until they got their business right, so I can

1215
00:54:23,120 --> 00:54:27,799
Speaker 2: appreciate that. But yeah, I think there's some pressure with King.

1216
00:54:27,840 --> 00:54:31,239
Speaker 2: That that also is what happens when you're next to

1217
00:54:31,560 --> 00:54:36,560
Speaker 2: a legend, like you automatically get pressure if this person

1218
00:54:36,640 --> 00:54:40,160
Speaker 2: has co signed you and you've delivered with him multiple

1219
00:54:40,239 --> 00:54:43,319
Speaker 2: times as well, like all right, where's your second solo joint.

1220
00:54:43,960 --> 00:54:45,560
Speaker 1: That's why I said it's no pressure though, because this

1221
00:54:45,640 --> 00:54:47,960
Speaker 1: is only his second album. I don't think it's no

1222
00:54:48,080 --> 00:54:51,320
Speaker 1: pressure on him. His first album was a good release,

1223
00:54:51,800 --> 00:54:53,600
Speaker 1: but I don't think it's pressure. I think that he

1224
00:54:54,360 --> 00:54:57,160
Speaker 1: has to deliver a good project, but I don't think

1225
00:54:57,200 --> 00:55:00,759
Speaker 1: that people expect like he had don't set a bar

1226
00:55:01,320 --> 00:55:04,480
Speaker 1: very true, like Baby Keeam hasn't set his bar yet

1227
00:55:04,520 --> 00:55:06,719
Speaker 1: where it's like he has to live up to this.

1228
00:55:07,080 --> 00:55:09,680
Speaker 1: Like but I get what you're saying, hype around him, No, no,

1229
00:55:10,280 --> 00:55:12,400
Speaker 1: his odds on him and it definitely like you know

1230
00:55:12,440 --> 00:55:14,640
Speaker 1: what I'm saying. But I don't when you say this

1231
00:55:14,840 --> 00:55:17,239
Speaker 1: pressure on him, I just don't. Nobody looks at a

1232
00:55:17,320 --> 00:55:20,320
Speaker 1: Baby Keem album or Baby Keeam like, oh, he gotta

1233
00:55:20,400 --> 00:55:22,759
Speaker 1: he gotta outdo this one or he gotta do It's

1234
00:55:22,800 --> 00:55:25,239
Speaker 1: not that with him yet. I think people are still

1235
00:55:26,000 --> 00:55:28,279
Speaker 1: learning who Keem is, learning what his sound is, learning

1236
00:55:28,320 --> 00:55:30,640
Speaker 1: what his craft is and his skill his skill set

1237
00:55:30,760 --> 00:55:32,719
Speaker 1: is is an artist. I think that he has to

1238
00:55:32,760 --> 00:55:37,120
Speaker 1: put out a good project. I think that he should.

1239
00:55:37,160 --> 00:55:39,120
Speaker 1: You know, anytime an artist put out album, think they

1240
00:55:39,120 --> 00:55:41,319
Speaker 1: should put their best, their best ship because they only

1241
00:55:41,360 --> 00:55:43,239
Speaker 1: remember you for your last ship. But I think that

1242
00:55:43,520 --> 00:55:45,640
Speaker 1: when you say there's pressure on them, I don't know

1243
00:55:45,680 --> 00:55:47,840
Speaker 1: if I think it's pressure on him, because again we

1244
00:55:47,880 --> 00:55:51,279
Speaker 1: don't really we still don't know what baby team is it.

1245
00:55:51,440 --> 00:55:53,920
Speaker 2: I mean I feel like, uh, I think of established

1246
00:55:54,160 --> 00:55:56,200
Speaker 2: like a young boy. No matter what I don't think

1247
00:55:56,200 --> 00:55:57,919
Speaker 2: there's ever going to be pressure for an album because

1248
00:55:57,920 --> 00:55:59,840
Speaker 2: if people don't fuck with this album, he'll put in

1249
00:55:59,840 --> 00:56:03,359
Speaker 2: a one out in three weeks. And I'm not saying

1250
00:56:03,400 --> 00:56:05,799
Speaker 2: you have to be on that trajectory, but I think

1251
00:56:05,880 --> 00:56:08,640
Speaker 2: it's it's helpful. And this is gonna sound like a

1252
00:56:08,719 --> 00:56:12,960
Speaker 2: bad first take take, but every album is pivotal for

1253
00:56:13,120 --> 00:56:16,280
Speaker 2: every artist. I just think this one in his career

1254
00:56:16,400 --> 00:56:20,239
Speaker 2: could be You're launching to the next level or we're

1255
00:56:20,280 --> 00:56:23,920
Speaker 2: just gonna stay plateaued. Because if he delivers, delivers on

1256
00:56:24,000 --> 00:56:27,040
Speaker 2: this one based off who he has around him, the

1257
00:56:27,160 --> 00:56:29,879
Speaker 2: fan base, Kendrick has the resources they're doing with pg lang,

1258
00:56:31,080 --> 00:56:35,080
Speaker 2: Kim has everything surrounding him that could make him one

1259
00:56:35,120 --> 00:56:38,600
Speaker 2: of the ones. But if you don't deliver, then it's

1260
00:56:38,719 --> 00:56:41,839
Speaker 2: just like you're just a cool artist with a bunch

1261
00:56:41,880 --> 00:56:45,160
Speaker 2: of resources. Yeah, and I'm not saying I think Kim

1262
00:56:45,239 --> 00:56:48,680
Speaker 2: is very, very talented, but I think this is the

1263
00:56:48,800 --> 00:56:53,040
Speaker 2: first real pg lang artist release. I think that's a

1264
00:56:53,080 --> 00:56:55,000
Speaker 2: lot of fucking pressure to to put on somebody. I

1265
00:56:55,080 --> 00:56:57,560
Speaker 2: think Cole had the same thing with rock Nation in

1266
00:56:57,680 --> 00:56:58,360
Speaker 2: Eskard Enterprise.

1267
00:56:58,920 --> 00:57:01,080
Speaker 3: I think he probably put set pressure on himself. But

1268
00:57:01,080 --> 00:57:03,000
Speaker 3: I agree with them all that, like, the world isn't

1269
00:57:03,040 --> 00:57:05,640
Speaker 3: putting that pressure on. I would have that pressure if

1270
00:57:05,640 --> 00:57:07,440
Speaker 3: I was in his position, But I don't think it's

1271
00:57:07,520 --> 00:57:10,319
Speaker 3: like the world is like Hia Kiems now or nothing.

1272
00:57:10,360 --> 00:57:10,880
Speaker 1: I don't think that.

1273
00:57:11,120 --> 00:57:13,799
Speaker 2: I'm excited for it though. Everything Keem has put out

1274
00:57:13,880 --> 00:57:20,800
Speaker 2: with Kendrick since his first official release, I've liked, He'll

1275
00:57:20,840 --> 00:57:25,080
Speaker 2: really shit is crazy, like I really do, so I'm

1276
00:57:25,120 --> 00:57:28,360
Speaker 2: excited for that. We also get a Brent fire his

1277
00:57:28,520 --> 00:57:31,280
Speaker 2: album right right before Valentine's Days.

1278
00:57:31,640 --> 00:57:34,880
Speaker 1: You'll fuck you, br Why why are you doing this

1279
00:57:34,960 --> 00:57:38,760
Speaker 1: to us? Even that's just toxic shit? Maybe some of

1280
00:57:38,880 --> 00:57:40,280
Speaker 1: us needed? Is that the cover art?

1281
00:57:41,040 --> 00:57:41,160
Speaker 2: Oh?

1282
00:57:41,240 --> 00:57:44,320
Speaker 1: Yeah, he got a headache? He's second already You're like

1283
00:57:44,440 --> 00:57:45,800
Speaker 1: this bit ship But god damn.

1284
00:57:45,920 --> 00:57:48,560
Speaker 2: I mean it's it's no secret how much this podcast

1285
00:57:48,560 --> 00:57:51,480
Speaker 2: supports Brent. I'm super excited, and just as a fan,

1286
00:57:51,760 --> 00:57:55,439
Speaker 2: I'm happy the announcement. It's only like a few days

1287
00:57:55,520 --> 00:57:56,120
Speaker 2: before the album.

1288
00:57:56,480 --> 00:57:58,760
Speaker 1: I love that. I love that too. It's probably not

1289
00:57:58,840 --> 00:58:00,680
Speaker 1: great for art. I mean, Brent's ablish, so he can

1290
00:58:00,880 --> 00:58:01,120
Speaker 1: do that.

1291
00:58:01,560 --> 00:58:03,960
Speaker 2: That's greatest last week, but yeah, but it's still a

1292
00:58:03,960 --> 00:58:06,919
Speaker 2: weak Yeah, with no real record and the Brent Brent

1293
00:58:07,000 --> 00:58:10,000
Speaker 2: can do that. It's been independent United Master's tie is great,

1294
00:58:10,040 --> 00:58:12,960
Speaker 2: fucking team. I just like that as a selfish fan.

1295
00:58:13,200 --> 00:58:15,160
Speaker 2: Sometimes it's bad for artists to do that. But yeah,

1296
00:58:15,440 --> 00:58:17,000
Speaker 2: tell me four days before the album come out.

1297
00:58:17,080 --> 00:58:19,400
Speaker 1: I can't wait. I think Brent gonna have some ship

1298
00:58:19,440 --> 00:58:19,720
Speaker 1: on here.

1299
00:58:20,880 --> 00:58:22,800
Speaker 3: I love when you singing about that cocad bit she

1300
00:58:22,880 --> 00:58:25,160
Speaker 3: fell in love with mm hmmm, mm hmm.

1301
00:58:26,320 --> 00:58:28,320
Speaker 2: And you don't get rid of them, No, you don't

1302
00:58:28,320 --> 00:58:30,960
Speaker 2: have no choice circle bairclea. No, you don't circle back

1303
00:58:31,000 --> 00:58:33,360
Speaker 2: she they're on coke. They don't get rid of your

1304
00:58:33,560 --> 00:58:34,280
Speaker 2: she's gonna be on this out.

1305
00:58:34,320 --> 00:58:35,840
Speaker 1: You don't get rid of your coca girl until she

1306
00:58:35,920 --> 00:58:37,520
Speaker 1: has to go to rehab, to a family steps in

1307
00:58:37,800 --> 00:58:39,920
Speaker 1: mm hmmm. And then she's a rehab now and they're like,

1308
00:58:40,360 --> 00:58:43,080
Speaker 1: you're not allowed to see her anymore. You're a trigger. Yeah,

1309
00:58:43,760 --> 00:58:45,400
Speaker 1: So that's what this who cover artist about, Like he

1310
00:58:45,440 --> 00:58:47,480
Speaker 1: can't see his cocaine girl no more.

1311
00:58:47,520 --> 00:58:49,440
Speaker 2: I will tell you though, coke ds do have a

1312
00:58:49,560 --> 00:58:52,520
Speaker 2: great talent of memorizing numbers, so she could call you

1313
00:58:52,560 --> 00:58:53,040
Speaker 2: from rehab.

1314
00:58:53,600 --> 00:58:56,760
Speaker 1: Yeah. Icon February thirteenth.

1315
00:58:58,280 --> 00:59:00,240
Speaker 3: If I was a cokead and I was dating he

1316
00:59:00,280 --> 00:59:01,160
Speaker 3: will be a trigger for me.

1317
00:59:02,480 --> 00:59:04,640
Speaker 1: You don't think it's just local dealer.

1318
00:59:05,280 --> 00:59:08,000
Speaker 2: He's a trigger for me without cocaine. Yeah, he makes

1319
00:59:08,040 --> 00:59:11,000
Speaker 2: you want it, Like no, what, Yeah, we don't know

1320
00:59:11,040 --> 00:59:15,560
Speaker 2: that Brent does coke, but he the music uh vibe

1321
00:59:15,600 --> 00:59:17,080
Speaker 2: for some some low lights and some coke.

1322
00:59:17,680 --> 00:59:19,200
Speaker 3: Yeah, I'm not putting coke on him. I'm just saying

1323
00:59:19,200 --> 00:59:20,600
Speaker 3: he would make me want to do it because he

1324
00:59:21,000 --> 00:59:23,120
Speaker 3: stressed me out badly.

1325
00:59:23,680 --> 00:59:26,040
Speaker 1: He's cocaine relatable. Brit might be one of my favorite

1326
00:59:26,080 --> 00:59:31,520
Speaker 1: artists really of all time or currently. I mean when

1327
00:59:31,560 --> 00:59:33,680
Speaker 1: you say all time, all time is crazy all times,

1328
00:59:33,720 --> 00:59:39,040
Speaker 1: like we next to Michael, Like, he's definitely one of

1329
00:59:39,080 --> 00:59:43,280
Speaker 1: my favorite artists of the last ten years. He's a.

1330
00:59:44,880 --> 00:59:47,680
Speaker 2: He's like R and B Gibbs to me, okay, Like

1331
00:59:47,760 --> 00:59:50,840
Speaker 2: if you go through his desography, even including Saunder, like, yeah,

1332
00:59:50,920 --> 00:59:53,360
Speaker 2: Brent has never missed on it in my opinion, my

1333
00:59:53,440 --> 00:59:56,520
Speaker 2: personal opinion, has never missed on any project, even ones

1334
00:59:56,560 --> 00:59:59,439
Speaker 2: that had hype, ones that didn't have hype, Like Brent

1335
00:59:59,600 --> 01:00:01,320
Speaker 2: is always put out a body of work that I

1336
01:00:01,600 --> 01:00:05,919
Speaker 2: fucked with top to bottom, paws, So yeah, I don't

1337
01:00:05,920 --> 01:00:07,960
Speaker 2: think it's gonna be any different. He's never not delivered.

1338
01:00:08,000 --> 01:00:10,760
Speaker 2: In my opinion, I can see some people view it

1339
01:00:10,800 --> 01:00:12,480
Speaker 2: as like everything sounds the same, this and that. I

1340
01:00:13,280 --> 01:00:15,680
Speaker 2: guess I can sort of understand what you're saying, But

1341
01:00:15,760 --> 01:00:17,480
Speaker 2: I like all the stuff that sounds the same. You know,

1342
01:00:17,560 --> 01:00:21,000
Speaker 2: I hate when people say that I'm not really listening because.

1343
01:00:20,880 --> 01:00:22,760
Speaker 1: As soon as they as soon as the artist you

1344
01:00:22,840 --> 01:00:24,960
Speaker 1: told about, like all the stuff sounds the same, as

1345
01:00:25,000 --> 01:00:27,600
Speaker 1: soon as they try to give you some different, different sound, Yo,

1346
01:00:27,680 --> 01:00:30,160
Speaker 1: this ship trash. He tried to do some shit he

1347
01:00:30,360 --> 01:00:32,120
Speaker 1: this ain't even with this same with his sound, the

1348
01:00:32,160 --> 01:00:34,640
Speaker 1: same with y'all. Just said, y'all was tired of the

1349
01:00:34,720 --> 01:00:38,560
Speaker 1: same sound and the same formula. They try to whip

1350
01:00:38,680 --> 01:00:40,520
Speaker 1: up something different, throw you off a little bit, give

1351
01:00:40,520 --> 01:00:42,920
Speaker 1: you a different vibe, Yo, This shit trash.

1352
01:00:43,240 --> 01:00:45,400
Speaker 2: Yeah, because if Brent tried to experiment with the d

1353
01:00:45,560 --> 01:00:48,400
Speaker 2: M Celtic reggaetone album, I'd lose my fucking mind. Let's

1354
01:00:48,440 --> 01:00:50,120
Speaker 2: go back, come on, let's stay in our pocket.

1355
01:00:50,240 --> 01:00:53,080
Speaker 1: Yeah, let Brent. Let Brent be Brent. That's what makes

1356
01:00:53,160 --> 01:00:56,760
Speaker 1: him dope, is that he's he that's his sound, that's

1357
01:00:56,840 --> 01:00:58,440
Speaker 1: his vibe. You know what I'm saying. You know what

1358
01:00:58,600 --> 01:01:01,560
Speaker 1: he's gonna give you every time rock let him be that.

1359
01:01:02,320 --> 01:01:04,720
Speaker 2: I mean outside of the Saunder stuff. To me, Brent's

1360
01:01:05,320 --> 01:01:08,520
Speaker 2: biggest attribute is his pen. That's why I'm not mad

1361
01:01:08,560 --> 01:01:11,720
Speaker 2: that he just picks instrumentals that leave so much space.

1362
01:01:12,200 --> 01:01:14,320
Speaker 2: Like I'm paying attention more to what Brent is saying.

1363
01:01:14,480 --> 01:01:16,880
Speaker 2: I think Brent would even say he's not like the

1364
01:01:17,040 --> 01:01:20,640
Speaker 2: craziest vocalist. But if you're listening to Brent, in my opinion,

1365
01:01:20,680 --> 01:01:23,440
Speaker 2: you're listening for lyrics absolutely like.

1366
01:01:23,960 --> 01:01:27,840
Speaker 1: His pen is what I love. You stay in the space.

1367
01:01:29,480 --> 01:01:31,560
Speaker 1: He ain't gonna eat Luther. He ain't that he's not

1368
01:01:31,720 --> 01:01:35,160
Speaker 1: the crazy vocalist, but his vibe is like, Okay, I

1369
01:01:35,200 --> 01:01:35,680
Speaker 1: can get with it.

1370
01:01:35,760 --> 01:01:38,520
Speaker 3: That nigga said, I got too many hoes the Dane sho.

1371
01:01:38,760 --> 01:01:40,640
Speaker 3: You'd like to put that shit in your nose, but

1372
01:01:40,760 --> 01:01:43,280
Speaker 3: I still love you. You're doing shit that nobody knows

1373
01:01:44,280 --> 01:01:46,160
Speaker 3: in the freak state. In the streets, they be thinking

1374
01:01:46,200 --> 01:01:48,440
Speaker 3: you a lady, but at home you a motherfucking porn star.

1375
01:01:49,640 --> 01:01:50,680
Speaker 1: I know who you're talking about.

1376
01:01:50,720 --> 01:01:51,160
Speaker 2: If you a.

1377
01:01:55,880 --> 01:02:00,960
Speaker 1: All day yeah period. I do hope Brent does like

1378
01:02:01,000 --> 01:02:02,840
Speaker 1: a tour soon as well. With this. I don't know

1379
01:02:02,840 --> 01:02:04,120
Speaker 1: if I don't think I've ever seen Brent live.

1380
01:02:05,000 --> 01:02:06,680
Speaker 2: I've never seen brentin Yeah, I don't think I have.

1381
01:02:08,000 --> 01:02:09,320
Speaker 2: Do you think he does meet and greets? Because I

1382
01:02:09,360 --> 01:02:12,680
Speaker 2: feel like Brent. Brent would have a nasty and I

1383
01:02:12,760 --> 01:02:15,560
Speaker 2: mean nasty in a good way type of meet and greet.

1384
01:02:16,800 --> 01:02:18,840
Speaker 1: I would just want to see cigarette with Brent at

1385
01:02:18,880 --> 01:02:21,680
Speaker 1: his meet and greet. You want your ship cigarette? That's

1386
01:02:21,760 --> 01:02:23,520
Speaker 1: that seems like the type of ship that Brent be doing.

1387
01:02:23,680 --> 01:02:25,960
Speaker 1: His met his signs. Brent definitely gonna sign some titties

1388
01:02:26,000 --> 01:02:27,280
Speaker 1: for sure. Yo.

1389
01:02:27,360 --> 01:02:29,880
Speaker 2: Ask him, Brent, if you got to bust down at

1390
01:02:29,880 --> 01:02:35,000
Speaker 2: a meet sign Yeah, put it right next to kars

1391
01:02:35,080 --> 01:02:40,680
Speaker 2: uh Bil though your Brent Hall of Fame.

1392
01:02:42,240 --> 01:02:45,600
Speaker 1: But yeah, I feel like Chris Brown, he fucked up

1393
01:02:45,640 --> 01:02:48,200
Speaker 1: the meet and Greek game. Man. It was genius what

1394
01:02:48,280 --> 01:02:49,680
Speaker 1: he did picking up women.

1395
01:02:50,240 --> 01:02:52,760
Speaker 2: We all thought he's crazy charging fifteen hundred dollars for it,

1396
01:02:52,840 --> 01:02:56,520
Speaker 2: but he delivered and gave everybody what they were asking for.

1397
01:02:56,680 --> 01:02:58,440
Speaker 2: They got their money's worth out of Chris Brown meet

1398
01:02:58,440 --> 01:03:02,320
Speaker 2: and greet. Now I feel like all fans with artists

1399
01:03:02,400 --> 01:03:04,760
Speaker 2: are looking for that Chris Brown meet and greet, Like,

1400
01:03:04,800 --> 01:03:08,080
Speaker 2: why aren't you humping me during this entire thing summer

1401
01:03:08,120 --> 01:03:11,520
Speaker 2: Walker's onto her now. She's sitting in the stool honestly

1402
01:03:11,600 --> 01:03:13,720
Speaker 2: acting like how most meet and greets really used to go.

1403
01:03:14,880 --> 01:03:17,360
Speaker 2: But she's just also socially awkward, and she's getting a

1404
01:03:17,400 --> 01:03:19,480
Speaker 2: lot of shit for it. Like I think Chris fucked

1405
01:03:19,560 --> 01:03:22,479
Speaker 2: up the meet and greet game because not everyone's gonna

1406
01:03:22,520 --> 01:03:26,600
Speaker 2: do what Chris does. But there's a medium, all right.

1407
01:03:26,640 --> 01:03:29,600
Speaker 2: But I also think there's a responsibility on a fans

1408
01:03:29,680 --> 01:03:33,800
Speaker 2: side of knowing so awkward knowing if you buy a

1409
01:03:33,840 --> 01:03:36,520
Speaker 2: meet and greet ticket, you would say that you're you're

1410
01:03:36,520 --> 01:03:40,600
Speaker 2: pretty invested in the artists, right, She would agree there too.

1411
01:03:40,680 --> 01:03:42,440
Speaker 1: You know, you have somewhat of an understanding of who

1412
01:03:42,480 --> 01:03:45,800
Speaker 1: they are. You should understand. Why do justice and keep

1413
01:03:45,840 --> 01:03:46,600
Speaker 1: doing this this summer?

1414
01:03:47,800 --> 01:03:49,800
Speaker 3: Why do they keep doing the money is not worth

1415
01:03:49,840 --> 01:03:52,280
Speaker 3: the bad, Like it's the money your justice.

1416
01:03:52,360 --> 01:03:54,760
Speaker 2: Why do y'all keep doing this the justice amb I'm

1417
01:03:54,800 --> 01:03:56,240
Speaker 2: calling hr on LVR.

1418
01:03:57,240 --> 01:03:59,400
Speaker 1: Why do y'all keep doing this this summer? Like it's

1419
01:03:59,440 --> 01:04:00,960
Speaker 1: okay to I have a meet and Greek for some

1420
01:04:01,120 --> 01:04:03,000
Speaker 1: like they still won't buy the hour but still love summer.

1421
01:04:03,120 --> 01:04:04,920
Speaker 1: They're gonna go to the show. Summer is summer. We

1422
01:04:05,040 --> 01:04:08,160
Speaker 1: love her. Yeah, but but in a way they know

1423
01:04:08,240 --> 01:04:10,919
Speaker 1: what they're doing with they notice is going viral. Of course,

1424
01:04:11,240 --> 01:04:14,880
Speaker 1: they know that Summer's awkwardness, her interaction with her fans

1425
01:04:14,920 --> 01:04:17,480
Speaker 1: is always gonna be awkward because some are socially awkward,

1426
01:04:18,120 --> 01:04:19,600
Speaker 1: so they know it's gonna go viral. But it's just

1427
01:04:19,720 --> 01:04:22,560
Speaker 1: like it's just it looks like torture for some of us,

1428
01:04:22,680 --> 01:04:26,520
Speaker 1: Like she is like dreading every second of doing this

1429
01:04:26,640 --> 01:04:30,800
Speaker 1: and being here. I mean, but also and then it

1430
01:04:30,840 --> 01:04:34,160
Speaker 1: could be taken like she's not appreciative. It's not like

1431
01:04:34,240 --> 01:04:36,280
Speaker 1: it could be taking the wrong way like some people

1432
01:04:36,320 --> 01:04:37,919
Speaker 1: could be like, oh, she's acting like a bitch. She's

1433
01:04:37,960 --> 01:04:41,000
Speaker 1: acting like ungrateful to her friend, like her fans are

1434
01:04:41,040 --> 01:04:44,080
Speaker 1: here to support her. Like the interaction is very weird.

1435
01:04:44,120 --> 01:04:47,040
Speaker 1: It's very like stand off as no, Summer is just

1436
01:04:47,120 --> 01:04:49,000
Speaker 1: so socially awkward, and that they don't do it. And

1437
01:04:49,200 --> 01:04:50,680
Speaker 1: I get that don't do a meet and Greek, don't

1438
01:04:50,720 --> 01:04:51,920
Speaker 1: offer a meet and greet. I agree.

1439
01:04:52,000 --> 01:04:54,760
Speaker 2: I will also don't agree one if I've seen my

1440
01:04:54,960 --> 01:04:58,600
Speaker 2: favorite artists say multiple times on the internet and it's

1441
01:04:58,600 --> 01:05:02,200
Speaker 2: been a no that I'm socially awkward, I'm not buying.

1442
01:05:03,120 --> 01:05:05,640
Speaker 1: That's wrong because they have to stop setting up the

1443
01:05:05,720 --> 01:05:08,480
Speaker 1: meet and greet. Yeah, not don't buy the meet and greet. No,

1444
01:05:08,720 --> 01:05:10,000
Speaker 1: don't set up a meet and greet.

1445
01:05:10,120 --> 01:05:11,720
Speaker 3: You do meet and greets, and you tell the people

1446
01:05:11,720 --> 01:05:14,000
Speaker 3: all the time that you're fucking socially awkward what you are,

1447
01:05:14,120 --> 01:05:16,040
Speaker 3: and people still want to support you. Then they get

1448
01:05:16,280 --> 01:05:18,000
Speaker 3: they're socially awkward.

1449
01:05:20,000 --> 01:05:21,960
Speaker 1: Eight years we would do meet and greece. Do I

1450
01:05:22,000 --> 01:05:24,760
Speaker 1: act like this? I also the social anxiety. Don't like people.

1451
01:05:25,480 --> 01:05:26,280
Speaker 1: I fucking.

1452
01:05:27,680 --> 01:05:30,480
Speaker 3: Jerry that deep down inside me, and I over delivered

1453
01:05:30,520 --> 01:05:33,520
Speaker 3: on everything, moving our points, our points.

1454
01:05:33,640 --> 01:05:34,560
Speaker 1: Someone does not do that.

1455
01:05:34,720 --> 01:05:36,800
Speaker 2: I'm not expecting her to be like me. I'm sure

1456
01:05:36,800 --> 01:05:40,080
Speaker 2: I'm not saying that. I actually think it's damaged, damaged

1457
01:05:40,120 --> 01:05:42,400
Speaker 2: myself that she doesn't.

1458
01:05:42,160 --> 01:05:45,919
Speaker 1: Have the ability. I agree, Yeah, so they lv should

1459
01:05:45,920 --> 01:05:46,800
Speaker 1: not shut some up for.

1460
01:05:47,160 --> 01:05:48,800
Speaker 3: But I said that because it's like you can't the

1461
01:05:48,880 --> 01:05:51,440
Speaker 3: same way you say you're socially awkward. Your fans hear that,

1462
01:05:51,600 --> 01:05:53,560
Speaker 3: but they still buy meet and greets, and because of that,

1463
01:05:54,000 --> 01:05:55,760
Speaker 3: you bury it deep down and you do what you

1464
01:05:55,840 --> 01:05:56,120
Speaker 3: have to do.

1465
01:05:56,200 --> 01:05:58,240
Speaker 1: It's not it's not the fans own us to do that.

1466
01:05:58,360 --> 01:05:58,920
Speaker 1: It's on her.

1467
01:05:58,960 --> 01:06:03,400
Speaker 2: But there the levels of that are are drastically different

1468
01:06:03,440 --> 01:06:06,360
Speaker 2: because every time we've done meet and greets the stuff,

1469
01:06:06,400 --> 01:06:08,240
Speaker 2: But on socials like we put it on our flogs,

1470
01:06:08,440 --> 01:06:10,520
Speaker 2: there's not a whole running thing. Yes, on this podcast,

1471
01:06:10,600 --> 01:06:14,160
Speaker 2: I say I'm socially awkward, but it's not a running

1472
01:06:14,200 --> 01:06:16,920
Speaker 2: thing on the internet. Anytime someone comes near me, I'm like,

1473
01:06:17,320 --> 01:06:19,200
Speaker 2: you'll get the fuck away from me. That's a thing

1474
01:06:19,320 --> 01:06:21,760
Speaker 2: for summer, and also it's summer, Walker, It's not fucking

1475
01:06:21,840 --> 01:06:24,959
Speaker 2: will mask me. The world knows that this woman stands

1476
01:06:25,000 --> 01:06:29,760
Speaker 2: even at the Grammy's like this, that's apples and oranges

1477
01:06:29,760 --> 01:06:33,280
Speaker 2: when it comes to my social anxiety at our meeting greets. Yeah,

1478
01:06:33,360 --> 01:06:36,680
Speaker 2: the fans know that, but I should be a family

1479
01:06:36,720 --> 01:06:38,520
Speaker 2: reunion when we do our meet and greets that She

1480
01:06:38,680 --> 01:06:41,080
Speaker 2: just is fun and cool seeing people we've seen.

1481
01:06:41,280 --> 01:06:44,440
Speaker 1: For years like someone Walker should not be doing meeting greats.

1482
01:06:44,560 --> 01:06:48,040
Speaker 1: Bottom line, she just why they setting why do they

1483
01:06:48,120 --> 01:06:51,600
Speaker 1: keep setting up for this? Maybe she wants to maybe

1484
01:06:51,640 --> 01:06:54,160
Speaker 1: she wants it all time. Man, she doesn't. She doesn't.

1485
01:06:54,880 --> 01:06:57,360
Speaker 1: She does not very she doesn't want to talk to nobody,

1486
01:06:58,360 --> 01:07:01,400
Speaker 1: and then they're now kill her. Of course they are.

1487
01:07:02,480 --> 01:07:04,960
Speaker 1: Of course they are not get it. It's viral. You

1488
01:07:05,000 --> 01:07:06,320
Speaker 1: know what I'm saying. You're gonna get a moment out

1489
01:07:06,320 --> 01:07:08,960
Speaker 1: of it, But at some point it does more damage

1490
01:07:08,960 --> 01:07:11,680
Speaker 1: than at some point. At some point people start to

1491
01:07:11,720 --> 01:07:14,280
Speaker 1: look at Summer like she's a bitch, or you know,

1492
01:07:14,440 --> 01:07:17,360
Speaker 1: she's she's she's like, she's stand offish, or she you know,

1493
01:07:17,560 --> 01:07:20,960
Speaker 1: her attitude sucks. It turns into that other than no,

1494
01:07:21,160 --> 01:07:24,320
Speaker 1: she's been telling y'all for years she's socially awkward. Socially awkward.

1495
01:07:24,360 --> 01:07:26,880
Speaker 1: It's not personal. We know that. We know that she's

1496
01:07:26,920 --> 01:07:29,520
Speaker 1: just socially awkward, and it's not personal to fans. But

1497
01:07:29,920 --> 01:07:32,400
Speaker 1: the fans don't know that. They pay for something. They

1498
01:07:32,480 --> 01:07:34,760
Speaker 1: want you to seem like you're the happiest person in

1499
01:07:34,800 --> 01:07:37,200
Speaker 1: the world to see them. They want you to inquire

1500
01:07:37,240 --> 01:07:40,240
Speaker 1: about their kids. They want you to sign everything, take

1501
01:07:40,320 --> 01:07:42,280
Speaker 1: this picture? Can I hug you?

1502
01:07:42,600 --> 01:07:42,720
Speaker 3: You know?

1503
01:07:43,120 --> 01:07:45,640
Speaker 1: Can I FaceTime you with my homegirl? She's a big fan.

1504
01:07:46,080 --> 01:07:47,840
Speaker 1: A lot of those things happen at me and Greece.

1505
01:07:48,120 --> 01:07:50,480
Speaker 1: Some ain't with none of that shit, So she don't

1506
01:07:50,520 --> 01:07:51,160
Speaker 1: want to do none of that.

1507
01:07:51,360 --> 01:07:53,520
Speaker 3: This clip is now going viral and making his rounds,

1508
01:07:53,520 --> 01:07:56,920
Speaker 3: and they're killing her. She says that she doesn't like

1509
01:07:57,040 --> 01:07:58,560
Speaker 3: hugging people, not even her parents.

1510
01:08:04,680 --> 01:08:08,320
Speaker 1: I don't like nobody in summer strip.

1511
01:08:09,200 --> 01:08:11,240
Speaker 3: Now they now they're saying, they're like, you don't let

1512
01:08:11,280 --> 01:08:14,080
Speaker 3: nobody touching you, and you had like three kids in

1513
01:08:14,200 --> 01:08:16,160
Speaker 3: like two years. They now they tearing her up. They're like,

1514
01:08:16,160 --> 01:08:18,200
Speaker 3: you got new nigga every other day because the first

1515
01:08:18,200 --> 01:08:21,160
Speaker 3: of all, that's different than than a meet and greet

1516
01:08:21,240 --> 01:08:22,719
Speaker 3: she's talking about. She don't like hugging her parents.

1517
01:08:22,760 --> 01:08:24,760
Speaker 2: Baby, she said, I I don't like people touching me,

1518
01:08:25,960 --> 01:08:28,400
Speaker 2: but that'd be different than your You don't touch your parents,

1519
01:08:28,439 --> 01:08:30,120
Speaker 2: send me touch your significant other, like.

1520
01:08:30,840 --> 01:08:33,800
Speaker 1: But saying you don't like being touched, the point is

1521
01:08:36,040 --> 01:08:37,680
Speaker 1: touched by the person. They are level. She don't like

1522
01:08:37,760 --> 01:08:41,000
Speaker 1: hugging her parents, which more more than likely means she

1523
01:08:41,120 --> 01:08:43,640
Speaker 1: don't like touching anybody. She don't want anybody touching her.

1524
01:08:44,080 --> 01:08:46,240
Speaker 1: She don't want anybody trying to, like, you know, give

1525
01:08:46,240 --> 01:08:49,519
Speaker 1: any type of affection. And if you do meet me

1526
01:08:49,640 --> 01:08:52,000
Speaker 1: with your fans, I'm gonna go out on the women

1527
01:08:52,000 --> 01:08:56,160
Speaker 1: and say somebody's gonna try to hug you. A lot

1528
01:08:56,200 --> 01:08:59,360
Speaker 1: of energy when you when you use stand office just

1529
01:08:59,400 --> 01:09:02,280
Speaker 1: like well she was a weird. No, she's just socially

1530
01:09:02,280 --> 01:09:04,960
Speaker 1: awkward and doesn't like nobody touching her cool. I'm just

1531
01:09:05,080 --> 01:09:08,720
Speaker 1: saying LVRN is very, very great at what they do.

1532
01:09:09,560 --> 01:09:11,519
Speaker 1: They know Somemer does not want to do shit like this.

1533
01:09:12,600 --> 01:09:14,680
Speaker 1: Stop setting up some of the do shit like this

1534
01:09:14,880 --> 01:09:19,160
Speaker 1: is all I'm saying. Put out great music. The people

1535
01:09:19,160 --> 01:09:22,800
Speaker 1: are going to buy it, stream it, whatever, go on

1536
01:09:22,880 --> 01:09:24,600
Speaker 1: the road. People are gonna go to the show. We

1537
01:09:24,680 --> 01:09:27,680
Speaker 1: love Summer. We're gonna support her anyway, and let that

1538
01:09:27,800 --> 01:09:31,800
Speaker 1: be that, like or Summer. How would you like to

1539
01:09:31,960 --> 01:09:35,200
Speaker 1: interact with your fans more intimately outside of a meet

1540
01:09:35,320 --> 01:09:37,280
Speaker 1: and greet. How can we make it so that we're

1541
01:09:37,320 --> 01:09:40,479
Speaker 1: not putting you in such an awkward position to where

1542
01:09:40,520 --> 01:09:43,360
Speaker 1: you look like your fucking skin is crawling because you

1543
01:09:43,400 --> 01:09:45,519
Speaker 1: don't want to be around the boy. What type of

1544
01:09:45,720 --> 01:09:49,320
Speaker 1: ideas do you have because I'm pretty sure someone didn't land.

1545
01:09:49,320 --> 01:09:50,719
Speaker 1: Oh okay, fuck it, I'll just do a meet and greed.

1546
01:09:52,120 --> 01:09:54,000
Speaker 1: They probably like Summer you need to do a meet

1547
01:09:54,040 --> 01:09:57,000
Speaker 1: and greet. They probably beat that in the head for weeks, like, y'all, Summer,

1548
01:09:57,360 --> 01:09:59,040
Speaker 1: the album's coming. We gotta do this as part of

1549
01:09:59,080 --> 01:10:00,640
Speaker 1: the game, you know how part of the gig. We

1550
01:10:00,680 --> 01:10:02,280
Speaker 1: gotta do a me and Greek, gotta touch your fans,

1551
01:10:02,439 --> 01:10:05,160
Speaker 1: gotta be out there, gotta have these intimate moments, which

1552
01:10:05,280 --> 01:10:08,720
Speaker 1: is all true. But with her, somebody who has been

1553
01:10:09,160 --> 01:10:12,280
Speaker 1: as successful as Summer, somebody who has given as much

1554
01:10:12,360 --> 01:10:15,599
Speaker 1: dope music, as many dope albums as Summer, we all

1555
01:10:15,720 --> 01:10:18,280
Speaker 1: know she's socially awkward. She does not like these things.

1556
01:10:18,880 --> 01:10:21,320
Speaker 1: Why do we keep putting her in these positions? That's

1557
01:10:21,360 --> 01:10:23,320
Speaker 1: all I'm saying. Shout out to lvr Ran, much love

1558
01:10:23,360 --> 01:10:25,439
Speaker 1: to y'all. You know we support y'all, But i mean,

1559
01:10:25,479 --> 01:10:27,040
Speaker 1: come on, like someone don't want to do that shit.

1560
01:10:27,160 --> 01:10:28,920
Speaker 1: Some is not. She don't want to do none of

1561
01:10:28,960 --> 01:10:30,320
Speaker 1: that ship. Look at her face.

1562
01:10:31,479 --> 01:10:33,560
Speaker 2: Tickets to the meet and greet in New York and

1563
01:10:33,640 --> 01:10:36,160
Speaker 2: have that conversation with her with Summer, Yeah, I would

1564
01:10:36,240 --> 01:10:40,040
Speaker 2: never have this common I don't like people, so I

1565
01:10:40,160 --> 01:10:42,080
Speaker 2: understand what she's think. Like, you ain't lying to tell

1566
01:10:42,120 --> 01:10:43,439
Speaker 2: her you don't need to do this, you know that, right?

1567
01:10:43,520 --> 01:10:45,200
Speaker 1: No, I'm just it's just like I'm gonna tell you

1568
01:10:45,360 --> 01:10:47,519
Speaker 1: justice that Just why y'all keep putting some up here

1569
01:10:47,560 --> 01:10:49,840
Speaker 1: with this ship while you're standing next to him at

1570
01:10:49,880 --> 01:10:52,800
Speaker 1: the meeting, I'm like look at something. She don't want

1571
01:10:52,800 --> 01:10:54,840
Speaker 1: to be here. Bro y'all keep telling us she has

1572
01:10:54,920 --> 01:10:57,400
Speaker 1: to do. She has do they love her, she has, man,

1573
01:10:57,400 --> 01:10:58,400
Speaker 1: you gotta find another way.

1574
01:10:58,520 --> 01:11:01,679
Speaker 2: There was one comment on an Instagram post a little

1575
01:11:01,680 --> 01:11:04,200
Speaker 2: while ago that was a negative Instagram post about me,

1576
01:11:04,920 --> 01:11:08,040
Speaker 2: and in the comments, somebody said, I know Roy's pussy.

1577
01:11:08,040 --> 01:11:10,880
Speaker 2: I'm paraphrasing, of course, I know Rory's pussy. I went

1578
01:11:10,960 --> 01:11:12,240
Speaker 2: to one of their meet and greets and he was

1579
01:11:12,240 --> 01:11:15,640
Speaker 2: scared to meet me. Were you scared to meet him?

1580
01:11:16,280 --> 01:11:19,439
Speaker 2: You're scared to meet everybody? He socially, don't think I

1581
01:11:19,520 --> 01:11:22,280
Speaker 2: was scared to meet anyone at the meeting. No, Rory

1582
01:11:22,360 --> 01:11:25,760
Speaker 2: actually like he's scared to be there. He actually Rory

1583
01:11:25,800 --> 01:11:28,160
Speaker 2: says he doesn't like interacting people. He loves it at

1584
01:11:28,160 --> 01:11:30,120
Speaker 2: the meet and Greece. Ah right, I love I love

1585
01:11:30,160 --> 01:11:33,240
Speaker 2: talking to our listeners for sure. That's not really a

1586
01:11:33,360 --> 01:11:36,000
Speaker 2: socially awkward thing for me. I love talking to our listeners.

1587
01:11:36,200 --> 01:11:38,639
Speaker 2: They're great. So yeah, whoever put that in the comments,

1588
01:11:38,800 --> 01:11:44,560
Speaker 2: that's I was scared to meet you. Today's show is

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1612
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Speaker 1: and Virginia. The maveris needs to answer for Clay Day,

1620
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Speaker 1: what is that? Lory put that on the list. I

1621
01:13:14,439 --> 01:13:16,920
Speaker 1: don't know what the fuck he's talking about? Your favorite rapper?

1622
01:13:17,000 --> 01:13:17,160
Speaker 2: Man?

1623
01:13:17,400 --> 01:13:20,080
Speaker 1: What's up not living her rhymes? Shit is getting out

1624
01:13:20,080 --> 01:13:20,479
Speaker 1: of hand now.

1625
01:13:20,720 --> 01:13:23,599
Speaker 3: She her last song was my Man, my Man, my man,

1626
01:13:23,720 --> 01:13:26,160
Speaker 3: my man, and my baby, dicking me down, fucking me,

1627
01:13:26,280 --> 01:13:28,360
Speaker 3: driving me crazy or spoiling me one of them I

1628
01:13:28,400 --> 01:13:29,840
Speaker 3: put fucking in there, fucking wasn't in there?

1629
01:13:29,960 --> 01:13:31,920
Speaker 1: Who was dicking me down, spoiling me, driving me crazy?

1630
01:13:32,040 --> 01:13:33,840
Speaker 1: That was her last song. Do we ever even believe

1631
01:13:33,880 --> 01:13:39,559
Speaker 1: her rhymes before that? I did, some of them may

1632
01:13:39,600 --> 01:13:40,760
Speaker 1: gave us some real balls before.

1633
01:13:40,800 --> 01:13:44,600
Speaker 2: Absolutely do we think the music will suffer now that

1634
01:13:45,280 --> 01:13:47,760
Speaker 2: she wants to live her rhymes in this way.

1635
01:13:48,320 --> 01:13:50,559
Speaker 3: No, her last relationship, the Rhymes didn't suffer.

1636
01:13:50,640 --> 01:13:53,519
Speaker 1: She was in love then too. But what's the latest

1637
01:13:53,520 --> 01:13:54,880
Speaker 1: with them? Like, why are we talking about this?

1638
01:13:54,960 --> 01:13:56,479
Speaker 2: But with her and Party, we didn't. We only saw

1639
01:13:56,520 --> 01:13:59,799
Speaker 2: them working out. We didn't see Party Day, Clay Clay's

1640
01:13:59,800 --> 01:14:03,680
Speaker 2: burn day. For Clay's birthday, she threw him Clay Day.

1641
01:14:03,960 --> 01:14:06,080
Speaker 2: She threw him like a birthday party. She had his

1642
01:14:06,160 --> 01:14:09,800
Speaker 2: favorite group performed, Bone Thugs and Harmony. She had like

1643
01:14:09,880 --> 01:14:11,680
Speaker 2: a surprise picking kind of beach for him, Like she

1644
01:14:11,800 --> 01:14:13,599
Speaker 2: just did a whole day full of ship.

1645
01:14:13,800 --> 01:14:15,320
Speaker 1: She was she was a good girl. It was beautiful. No,

1646
01:14:15,360 --> 01:14:17,640
Speaker 1: it was it was great. Great to see her do

1647
01:14:17,760 --> 01:14:21,000
Speaker 1: this for the man that she loves. I'm just saying, like, it's.

1648
01:14:20,840 --> 01:14:24,240
Speaker 2: A little different this this is it may be a

1649
01:14:24,320 --> 01:14:26,639
Speaker 2: bit of the blemish. With Ross, it was like, damn,

1650
01:14:26,680 --> 01:14:27,479
Speaker 2: he was the CEO.

1651
01:14:30,600 --> 01:14:35,599
Speaker 1: Megan and Megasine love. Yeah that's what you're saying, Okay, yeah, yeah,

1652
01:14:35,600 --> 01:14:37,040
Speaker 1: But we knew she was in love before this, so

1653
01:14:37,160 --> 01:14:38,760
Speaker 1: we didn't need this. We didn't need Clay Day to

1654
01:14:38,800 --> 01:14:41,080
Speaker 1: confirm she was in love. That girl.

1655
01:14:41,080 --> 01:14:42,800
Speaker 2: They're gonna get start to think that maybe the real

1656
01:14:42,880 --> 01:14:44,880
Speaker 2: Noryaga didn't o Rick Ross a thousand favors.

1657
01:14:45,240 --> 01:14:49,280
Speaker 1: You said, you think you think they're gonna get married. Okay,

1658
01:14:49,600 --> 01:14:52,559
Speaker 1: I think they're gonna get married. Y'all disagree. I'm I'm

1659
01:14:52,600 --> 01:14:56,960
Speaker 1: not following uh what's the name of their uh like relationships?

1660
01:14:57,080 --> 01:14:58,720
Speaker 1: You know everybody has to have like her. I don't

1661
01:14:58,760 --> 01:15:00,960
Speaker 1: know what it is. I'm not I'm not following the

1662
01:15:01,080 --> 01:15:05,880
Speaker 1: Clay Meg love Clagen. I don't like that Klagen is.

1663
01:15:06,360 --> 01:15:11,800
Speaker 1: I'm not following the Klagen the Klagen journey. But you know,

1664
01:15:12,000 --> 01:15:15,320
Speaker 1: Meg's happy, and she seems like she's happy. Clay is happy.

1665
01:15:15,360 --> 01:15:18,360
Speaker 1: He ain't hit a three and twelve months, so you know,

1666
01:15:18,400 --> 01:15:20,599
Speaker 1: doesn't even seem interested in it either, which is fine.

1667
01:15:20,680 --> 01:15:26,200
Speaker 1: He's ready to retire. But she's with the family holidays. Yes,

1668
01:15:26,320 --> 01:15:28,400
Speaker 1: this seems like this is not a let me see

1669
01:15:28,400 --> 01:15:30,280
Speaker 1: something just for we're in one of those let me

1670
01:15:30,280 --> 01:15:35,360
Speaker 1: see what Clay is doing this season. Don't do that, Clays.

1671
01:15:35,400 --> 01:15:37,760
Speaker 3: I think Clay is having probably the happiest year his life.

1672
01:15:38,479 --> 01:15:41,439
Speaker 3: He's having a ball bow Thugs and Harvardy your favorite

1673
01:15:41,479 --> 01:15:43,840
Speaker 3: group of performing at your birthday party. You got this

1674
01:15:44,000 --> 01:15:47,000
Speaker 3: thick ass woman from Texas cooking for you and your parents.

1675
01:15:47,360 --> 01:15:51,240
Speaker 3: He's overjoyed. She got busy bone there too. I don't

1676
01:15:51,240 --> 01:15:52,559
Speaker 3: know the whole there.

1677
01:15:52,720 --> 01:15:56,160
Speaker 2: That's that that takes some breath getting busy to show up?

1678
01:15:56,240 --> 01:16:00,719
Speaker 2: Is is a foot listen? That's all was so random.

1679
01:16:00,760 --> 01:16:04,280
Speaker 1: How old is Clayon Thomson? Probably what like ninety five? Yeah?

1680
01:16:04,280 --> 01:16:06,599
Speaker 1: I think he's thirty six. He's my age.

1681
01:16:06,840 --> 01:16:09,679
Speaker 2: Yeah, oh damn. Why do I think Clay was younger

1682
01:16:09,720 --> 01:16:13,280
Speaker 2: than me? Okay, it makes sense then Bone Thugs. Okay,

1683
01:16:14,080 --> 01:16:16,280
Speaker 2: I thought he was way younger for some weird reason,

1684
01:16:16,320 --> 01:16:18,240
Speaker 2: because like that's a while. I love Bone Thugs, but

1685
01:16:18,320 --> 01:16:21,120
Speaker 2: that wouldn't be my first thought of Clay Thompson's face.

1686
01:16:21,160 --> 01:16:22,680
Speaker 3: If a girl wanted to surprise you, surprise you with

1687
01:16:22,800 --> 01:16:25,680
Speaker 3: a birthday, with a perfect day, with Rory Day, what

1688
01:16:25,760 --> 01:16:28,160
Speaker 3: would Rory Day look like? And don't say the obvious

1689
01:16:28,479 --> 01:16:29,240
Speaker 3: to leave me alone.

1690
01:16:30,760 --> 01:16:32,240
Speaker 2: I wasn't gonna say that. It was really just trying

1691
01:16:32,280 --> 01:16:36,680
Speaker 2: to think of what that that perfect day would look like.

1692
01:16:37,200 --> 01:16:40,320
Speaker 1: Oh years old for Clay. You're looking at the stats? Yeah,

1693
01:16:42,520 --> 01:16:44,200
Speaker 1: now are we talking? Uh? Meg?

1694
01:16:44,280 --> 01:16:49,800
Speaker 2: Thee Stallion budget, like the way Bone Thugs came to Dallas.

1695
01:16:50,640 --> 01:16:54,200
Speaker 3: Uh, maybe a little bit under megde Stallion, but you

1696
01:16:54,280 --> 01:16:55,200
Speaker 3: know the real nowhere you go.

1697
01:16:55,320 --> 01:17:02,400
Speaker 1: Owe her a couple of favors. I would love if.

1698
01:17:04,439 --> 01:17:07,559
Speaker 2: She got foreign exchange, if she rented out Blue Note

1699
01:17:07,600 --> 01:17:08,840
Speaker 2: and got foreign exchange to perform.

1700
01:17:09,280 --> 01:17:12,560
Speaker 1: Okay, I don't know if I'd want to do the

1701
01:17:12,640 --> 01:17:13,080
Speaker 1: whole day.

1702
01:17:13,160 --> 01:17:14,760
Speaker 2: I know you said the whole leave me alone shit,

1703
01:17:14,840 --> 01:17:17,320
Speaker 2: but part of me would like to relax in the morning,

1704
01:17:17,600 --> 01:17:20,000
Speaker 2: something at home that she would do for me.

1705
01:17:21,760 --> 01:17:22,080
Speaker 1: Very light.

1706
01:17:22,160 --> 01:17:24,800
Speaker 2: I'm actually very easy to please when it comes to

1707
01:17:24,880 --> 01:17:27,679
Speaker 2: that type of stuff. Cook and us just chill. I'm

1708
01:17:27,720 --> 01:17:30,800
Speaker 2: fine with that, and then for the night. But I

1709
01:17:30,880 --> 01:17:32,800
Speaker 2: don't want a surprise. I want to see the guest list.

1710
01:17:34,640 --> 01:17:37,400
Speaker 1: God, I want to know.

1711
01:17:37,520 --> 01:17:40,120
Speaker 2: I want to know who's gonna be there. But yeah,

1712
01:17:40,320 --> 01:17:43,760
Speaker 2: close friends, my family there. Yeah, I'm kind of easy

1713
01:17:43,800 --> 01:17:46,479
Speaker 2: to please with that type of stuff. Foreign exchange at

1714
01:17:46,520 --> 01:17:47,160
Speaker 2: the Blue Note.

1715
01:17:47,360 --> 01:17:49,920
Speaker 1: That, yeah, that would be a nice And give me

1716
01:17:49,960 --> 01:17:52,280
Speaker 1: the front table, make me the bell of the ball.

1717
01:17:55,960 --> 01:17:56,679
Speaker 1: He's so gay.

1718
01:17:57,600 --> 01:18:01,439
Speaker 2: Like, maybe make like a T shirt like with the

1719
01:18:01,520 --> 01:18:04,080
Speaker 2: date and the you know, a specialized item there.

1720
01:18:05,439 --> 01:18:08,280
Speaker 1: Yes, I wanted to do something special.

1721
01:18:08,040 --> 01:18:10,200
Speaker 3: For me, Yeah, like mall day, the perfect day or

1722
01:18:10,240 --> 01:18:11,360
Speaker 3: your birthday all day.

1723
01:18:11,520 --> 01:18:13,360
Speaker 1: Oh man just could do a volume did for him

1724
01:18:13,360 --> 01:18:22,000
Speaker 1: by'm weed stop stop allegedly no, it's legal here and

1725
01:18:22,160 --> 01:18:26,000
Speaker 1: didn't buy it, like one or two. That was the idea.

1726
01:18:26,080 --> 01:18:28,280
Speaker 1: I was just like, it's the thought that count. I

1727
01:18:28,400 --> 01:18:30,840
Speaker 1: was like, it's okay, guys, it's okay, thank you. I

1728
01:18:30,880 --> 01:18:35,880
Speaker 1: don't know, maybe just like a vacation, just us, like nobody,

1729
01:18:36,080 --> 01:18:37,400
Speaker 1: I don't need a party and all of that, Like

1730
01:18:37,479 --> 01:18:37,720
Speaker 1: I'm not.

1731
01:18:38,040 --> 01:18:40,000
Speaker 3: So that we'll talk about the day though on the vacate,

1732
01:18:40,080 --> 01:18:41,600
Speaker 3: like what happens on the day, it's not.

1733
01:18:41,680 --> 01:18:47,600
Speaker 1: Just then on the beach, you know, just us in

1734
01:18:47,680 --> 01:18:51,640
Speaker 1: the pool at night, my favorite songs playing you know

1735
01:18:51,640 --> 01:18:56,720
Speaker 1: what I'm saying, Like just just a vibe? Is a romantic?

1736
01:18:57,280 --> 01:19:01,320
Speaker 1: Is that really romantic? Yes? Was the favorite songs playing

1737
01:19:01,360 --> 01:19:04,880
Speaker 1: with in the pool? Our playlist? Make a playlist of

1738
01:19:04,920 --> 01:19:07,960
Speaker 1: odd joints. That's it. I don't I don't want I

1739
01:19:08,000 --> 01:19:11,439
Speaker 1: don't please don't bring out fucking a little baby, or

1740
01:19:12,280 --> 01:19:13,680
Speaker 1: I don't want to see none of them niggas on

1741
01:19:13,720 --> 01:19:16,599
Speaker 1: my birthday. No, I'm cool. I don't don't. I don't

1742
01:19:16,640 --> 01:19:17,240
Speaker 1: want none of that.

1743
01:19:17,320 --> 01:19:18,920
Speaker 3: If you was telling me she bought out, if she

1744
01:19:19,000 --> 01:19:21,040
Speaker 3: brought out Cold to perform Who the fuck is you?

1745
01:19:21,600 --> 01:19:25,360
Speaker 1: Ja Cole? And he did it just to p It'll

1746
01:19:25,400 --> 01:19:29,360
Speaker 1: be the worst birthday in my life. That if you

1747
01:19:29,479 --> 01:19:31,760
Speaker 1: brought out Jay Cole to perform for me for my

1748
01:19:31,800 --> 01:19:36,519
Speaker 1: birthday birthday, that's the worst birthday I've ever had. I

1749
01:19:36,640 --> 01:19:38,840
Speaker 1: can bring out Ja Jay Cole. I don't want to

1750
01:19:38,840 --> 01:19:41,560
Speaker 1: see Ja Cole before on my birthday. Really, I J

1751
01:19:41,680 --> 01:19:44,280
Speaker 1: Cole show, but not on my birthday. Like he's here

1752
01:19:44,479 --> 01:19:47,760
Speaker 1: to perform for me? What are you doing? Nobody else

1753
01:19:47,760 --> 01:19:52,559
Speaker 1: will Ja Cole? Would you rather? You might as well

1754
01:19:52,600 --> 01:19:55,160
Speaker 1: get an old school rap group before Ja Cole. Go

1755
01:19:55,320 --> 01:19:58,439
Speaker 1: get EPM D or every being rock him before Ja

1756
01:19:58,640 --> 01:20:02,360
Speaker 1: Cole on my birthday. That's crazy. I would love that

1757
01:20:04,520 --> 01:20:06,320
Speaker 1: someone younger than you performing a ship, but I don't

1758
01:20:06,360 --> 01:20:08,720
Speaker 1: want this nigga before. I'm older than this nigga, Like,

1759
01:20:08,760 --> 01:20:11,160
Speaker 1: get out of here. He respects his elder Get the

1760
01:20:11,240 --> 01:20:15,320
Speaker 1: fuck out of my birthday party. They co performing for

1761
01:20:15,400 --> 01:20:18,120
Speaker 1: me for my birthday. I just thought, if you got

1762
01:20:18,160 --> 01:20:20,000
Speaker 1: me to say you're going to Cold, I'm all right, cool,

1763
01:20:20,040 --> 01:20:22,439
Speaker 1: come on, but like it's mine, this is my like

1764
01:20:23,120 --> 01:20:26,120
Speaker 1: dinner or whatever, and like yo, mom, come to the front,

1765
01:20:27,720 --> 01:20:29,519
Speaker 1: I'm like, nah, y'all, who y'all got, be like, yo,

1766
01:20:29,760 --> 01:20:32,000
Speaker 1: let cold cut your cake with you. Who y'all got.

1767
01:20:32,080 --> 01:20:36,320
Speaker 1: I'm like, who y'all got? We got a real thing.

1768
01:20:37,120 --> 01:20:40,160
Speaker 1: I'm like, yo, nah, hold on, this gotta be a troll.

1769
01:20:40,360 --> 01:20:42,080
Speaker 1: Y'all gotta be trying. And he was doing like d

1770
01:20:42,280 --> 01:20:44,880
Speaker 1: side he was doing, he was doing mix. This is

1771
01:20:44,960 --> 01:20:48,120
Speaker 1: a fucking troll? Right here? Are you kidding me? I

1772
01:20:48,160 --> 01:20:49,559
Speaker 1: would be like, y'allould look at my girl, like, why

1773
01:20:49,560 --> 01:20:51,720
Speaker 1: are you playing? You can't. No nigga younger than me

1774
01:20:51,800 --> 01:20:54,600
Speaker 1: performed for my birthday, y'all on stage like it's like

1775
01:20:54,720 --> 01:20:57,920
Speaker 1: this performing No, that's nasty. I don't find I don't

1776
01:20:57,920 --> 01:21:01,599
Speaker 1: feel there's nothing wrong. What happens to my younger It's fine.

1777
01:21:01,880 --> 01:21:06,080
Speaker 1: It is no fucking way. Man drinks. I wouldn't want

1778
01:21:06,160 --> 01:21:08,240
Speaker 1: drink performing free for my birthday. I'd like that would

1779
01:21:08,240 --> 01:21:11,960
Speaker 1: be worse if he didn't perform at your birthday. I

1780
01:21:11,960 --> 01:21:13,400
Speaker 1: would be like, Yo, what are y'all doing? Y'all can

1781
01:21:13,680 --> 01:21:15,880
Speaker 1: go get one of my like, go get a like

1782
01:21:16,000 --> 01:21:19,280
Speaker 1: a super legend that. I'm like, oh ship, I grew up,

1783
01:21:19,439 --> 01:21:21,559
Speaker 1: like you know what I'm saying. I grew up watching

1784
01:21:21,600 --> 01:21:24,080
Speaker 1: you like this is my I never like that type

1785
01:21:24,120 --> 01:21:27,200
Speaker 1: of cole come off and shop playing with me though.

1786
01:21:27,600 --> 01:21:29,080
Speaker 1: I was like I would woke past Cold and look

1787
01:21:29,080 --> 01:21:31,280
Speaker 1: in the back like you're back here man, like yo, cold,

1788
01:21:31,360 --> 01:21:32,360
Speaker 1: open y'all.

1789
01:21:32,280 --> 01:21:37,560
Speaker 2: Playing man stop, and then him like getting started like

1790
01:21:37,600 --> 01:21:39,040
Speaker 2: in My Bad was supposed to be a surprise.

1791
01:21:39,680 --> 01:21:41,200
Speaker 1: No, don't do that.

1792
01:21:41,880 --> 01:21:43,519
Speaker 2: I was thinking of some devious ship though, because you know,

1793
01:21:43,720 --> 01:21:47,280
Speaker 2: like early in a relationship sometimes your girl will go

1794
01:21:47,360 --> 01:21:50,400
Speaker 2: to one of your friends to ask, like secretly, like, yo,

1795
01:21:50,479 --> 01:21:53,200
Speaker 2: what you think? And if that was a situation with Maul,

1796
01:21:53,320 --> 01:21:55,240
Speaker 2: like he's been dating there for like four or five months,

1797
01:21:55,280 --> 01:21:58,439
Speaker 2: but they getting serious and she comes to us like

1798
01:21:58,960 --> 01:22:01,000
Speaker 2: like what do you think would be the best thing?

1799
01:22:01,080 --> 01:22:03,080
Speaker 2: From all, I would one thousand percent be like, yo,

1800
01:22:03,240 --> 01:22:05,640
Speaker 2: he loves a little baby, like he really loves a

1801
01:22:05,640 --> 01:22:08,400
Speaker 2: little bit. Now, Like if you could get Cardi to come,

1802
01:22:08,720 --> 01:22:10,760
Speaker 2: yeah you have no And she'd be like, that's weird.

1803
01:22:10,760 --> 01:22:13,320
Speaker 1: He's never brought. I know he's he's shy. He's shy

1804
01:22:13,360 --> 01:22:16,800
Speaker 1: about that one. Shay, he's not shy. If that nigga

1805
01:22:16,840 --> 01:22:20,040
Speaker 1: come out on the stage tonight, this party is over.

1806
01:22:20,040 --> 01:22:23,200
Speaker 1: I'm let y'all know right now, little baby, I'm get

1807
01:22:23,320 --> 01:22:26,040
Speaker 1: I'm like y'all bugging the fuck out. It has to

1808
01:22:26,080 --> 01:22:28,479
Speaker 1: be what about the hell it gotta be. It gotta

1809
01:22:28,520 --> 01:22:31,360
Speaker 1: be somebody I grew up like listening to. It gotta

1810
01:22:31,360 --> 01:22:32,920
Speaker 1: be like, if it's gonna be like a rapper artist,

1811
01:22:33,000 --> 01:22:35,760
Speaker 1: it ask to me somebody that like I grew up like, oh,

1812
01:22:35,800 --> 01:22:39,000
Speaker 1: this is my new addition. It gotta be something like that.

1813
01:22:39,320 --> 01:22:41,560
Speaker 1: You gotta be Bobby or so that. It can't be

1814
01:22:43,040 --> 01:22:46,800
Speaker 1: Jake Hole. That would be the worst birthday of my life.

1815
01:22:47,160 --> 01:22:49,320
Speaker 1: You are so extra. You definitely had a worst birthday.

1816
01:22:49,720 --> 01:22:49,800
Speaker 2: Now.

1817
01:22:49,920 --> 01:22:52,160
Speaker 1: I've never had a young a nigga younger than me

1818
01:22:52,280 --> 01:22:55,080
Speaker 1: performing at my birthday? Are you crazy? That would feel

1819
01:22:55,160 --> 01:22:55,880
Speaker 1: crazy as ship.

1820
01:22:56,320 --> 01:22:59,360
Speaker 2: I would also just feel awkward about that, like you're

1821
01:22:59,400 --> 01:23:01,400
Speaker 2: here from my Yeah, like I don't even want you.

1822
01:23:02,200 --> 01:23:03,760
Speaker 2: The whole thing would just feel very odd.

1823
01:23:04,040 --> 01:23:04,560
Speaker 1: Rory got know.

1824
01:23:04,720 --> 01:23:06,160
Speaker 3: We sung happy birthday to him, But you.

1825
01:23:06,160 --> 01:23:09,200
Speaker 1: See, I got bone thugs older than Clay. Clay grew

1826
01:23:09,240 --> 01:23:11,120
Speaker 1: up that was his. He grew up listening to them.

1827
01:23:11,320 --> 01:23:13,160
Speaker 1: He missed his uncle Charlie just as much. Yeah, like

1828
01:23:13,320 --> 01:23:17,439
Speaker 1: she Man could have called meek, Clay probably would have

1829
01:23:17,439 --> 01:23:19,960
Speaker 1: been pissed. Off if me came out like Meek, like

1830
01:23:20,240 --> 01:23:20,960
Speaker 1: Meek is older.

1831
01:23:20,800 --> 01:23:23,719
Speaker 3: Than him too, but yeah, they're probably like the same age.

1832
01:23:24,280 --> 01:23:28,000
Speaker 2: Yeah, like I probably like thirty, I'll be thirty six

1833
01:23:28,000 --> 01:23:30,200
Speaker 2: this year, at least three year four years older than me.

1834
01:23:30,439 --> 01:23:35,120
Speaker 1: Like for Clay, the the the limit might have been

1835
01:23:35,200 --> 01:23:38,000
Speaker 1: like Wayne, Wayne is older than Clay. But it's like

1836
01:23:38,439 --> 01:23:41,719
Speaker 1: that and almost that is a little like that's almost

1837
01:23:41,760 --> 01:23:43,479
Speaker 1: my pid Like you know what I'm saying, Like, okay,

1838
01:23:43,720 --> 01:23:46,280
Speaker 1: owne thugs. He was a kid watching them on TV.

1839
01:23:46,520 --> 01:23:48,240
Speaker 1: Like it's like a nostalgic thing, but.

1840
01:23:48,320 --> 01:23:50,439
Speaker 2: What a whole whole vibe at the party, Like at

1841
01:23:50,479 --> 01:23:53,439
Speaker 2: a at Prince's birthday party, Nas and Kiss were there

1842
01:23:53,680 --> 01:23:57,120
Speaker 2: and they grabbed the microphone and performed. They're younger than him,

1843
01:23:57,160 --> 01:24:00,000
Speaker 2: but like you know, everyone's friends, so they're just gonna

1844
01:24:00,000 --> 01:24:02,000
Speaker 2: grab a mic and perform because it's the vibe. Like

1845
01:24:03,439 --> 01:24:05,519
Speaker 2: you don't think Drake might want to do too much.

1846
01:24:05,800 --> 01:24:06,920
Speaker 2: That's your birthday, just on a win.

1847
01:24:07,000 --> 01:24:08,960
Speaker 1: Oh my god, look at the song selection.

1848
01:24:10,280 --> 01:24:12,920
Speaker 2: Look at but don't even do that because there's been

1849
01:24:13,080 --> 01:24:15,720
Speaker 2: We've seen plenty of people that have rap friends, like

1850
01:24:15,800 --> 01:24:18,360
Speaker 2: real legitimate friends, and they get thrown a birthday party

1851
01:24:18,400 --> 01:24:20,839
Speaker 2: and someone grabs a mic to perform dreams of Nightmares,

1852
01:24:21,080 --> 01:24:24,120
Speaker 2: It's not weird. If I'm close friends with Meek and

1853
01:24:24,200 --> 01:24:26,320
Speaker 2: we all drunk at my birthday party and the DJ

1854
01:24:26,439 --> 01:24:28,519
Speaker 2: throws on dreams of Nightmares and I'm not gonna be

1855
01:24:28,560 --> 01:24:29,759
Speaker 2: like Meek, don't grab the microphone.

1856
01:24:31,000 --> 01:24:33,880
Speaker 1: That's never gonna happen. Different, that's your friend. That's that's

1857
01:24:33,920 --> 01:24:35,680
Speaker 1: why I was speaking more with the Drakes. Yeah, yeah,

1858
01:24:35,720 --> 01:24:37,880
Speaker 1: that's that's different. If it's my like a friend of

1859
01:24:37,920 --> 01:24:39,800
Speaker 1: mine that it just happens to be like a great artist,

1860
01:24:40,240 --> 01:24:42,839
Speaker 1: that's different. That's lad. That's my friend performing for a birthday.

1861
01:24:43,280 --> 01:24:47,240
Speaker 1: But if it's some nigga I don't know, and I'm

1862
01:24:47,280 --> 01:24:49,720
Speaker 1: older than this nigga, you come out and talk about YO,

1863
01:24:49,880 --> 01:24:51,800
Speaker 1: happy birthday, be like your fam get off the stage.

1864
01:24:51,880 --> 01:24:53,320
Speaker 1: So what what's weird or not?

1865
01:24:53,520 --> 01:24:57,400
Speaker 2: Like the rich bar mitzvah type celebrity thing, but like

1866
01:24:57,880 --> 01:25:00,920
Speaker 2: you know, the CEO billionaire whose wife books a bunch

1867
01:25:00,960 --> 01:25:04,080
Speaker 2: of celebrities to go to the birthday party, ones that

1868
01:25:04,240 --> 01:25:08,200
Speaker 2: have like musical talent, I get. But like if Tom

1869
01:25:08,280 --> 01:25:10,200
Speaker 2: Brady just comes to your birthday party because you can

1870
01:25:10,280 --> 01:25:12,840
Speaker 2: afford it, Like, what do you do like you don't

1871
01:25:12,840 --> 01:25:15,479
Speaker 2: feel weird about that, Like I'm talking to someone. This

1872
01:25:15,520 --> 01:25:16,400
Speaker 2: feels like prostitution.

1873
01:25:17,280 --> 01:25:17,680
Speaker 1: Well that's what.

1874
01:25:17,800 --> 01:25:20,680
Speaker 2: Like, I'm literally talking to somebody that's here at an

1875
01:25:20,760 --> 01:25:24,720
Speaker 2: intimate time for me. Thanks, thanks for coming, Tom, Like, yeah,

1876
01:25:24,760 --> 01:25:27,320
Speaker 2: you paid me one point five right you thought? I wait,

1877
01:25:27,400 --> 01:25:29,639
Speaker 2: show like the performance. I get that, Like I would

1878
01:25:29,680 --> 01:25:32,240
Speaker 2: love to watch a performance during my birthday party and

1879
01:25:32,360 --> 01:25:34,479
Speaker 2: like that's cool. And if we get to kick it

1880
01:25:34,560 --> 01:25:37,639
Speaker 2: after whatever, we paid for a performance, just some somebody

1881
01:25:37,720 --> 01:25:39,920
Speaker 2: to show up, that's so weird to me.

1882
01:25:40,479 --> 01:25:42,960
Speaker 1: Like to me, that really feels like prostitution. Yeah, I

1883
01:25:43,000 --> 01:25:45,040
Speaker 1: get it. I remember one time when when Trevor was

1884
01:25:45,040 --> 01:25:49,240
Speaker 1: playing with the Knicks, somebody had hired him to come

1885
01:25:49,320 --> 01:25:53,800
Speaker 1: to his son's His son had basketball practice, and he

1886
01:25:53,840 --> 01:25:56,800
Speaker 1: showed up. We went to the kids basketball practice and

1887
01:25:57,120 --> 01:25:59,120
Speaker 1: Travis his favorite player on the Knicks at the time,

1888
01:26:00,280 --> 01:26:02,160
Speaker 1: you know, trip shot. But it's like they're in a gym.

1889
01:26:02,640 --> 01:26:04,519
Speaker 1: This is what this guy does. So if Tom Brady

1890
01:26:04,600 --> 01:26:07,040
Speaker 1: is coming to my birthday, it's perfect sense to me. Yeah, Like,

1891
01:26:07,080 --> 01:26:08,880
Speaker 1: if Tom Brady's coming to my birthday party, it's like

1892
01:26:09,439 --> 01:26:11,120
Speaker 1: the fellas we had to just have play the game

1893
01:26:11,120 --> 01:26:13,120
Speaker 1: of flag football. For my birthday and then Tom Brady

1894
01:26:13,200 --> 01:26:15,680
Speaker 1: shows up. He's the QB. But if like, we're in

1895
01:26:15,760 --> 01:26:19,320
Speaker 1: the fucking in Manhattan at a restaurant and my wife

1896
01:26:19,439 --> 01:26:22,519
Speaker 1: was like, yo, tom Brady, I'm like what and he

1897
01:26:22,600 --> 01:26:27,240
Speaker 1: sits down here like like hey man. Yeah. The first

1898
01:26:27,280 --> 01:26:28,760
Speaker 1: time I would do is like, am I dying? Like

1899
01:26:28,840 --> 01:26:34,720
Speaker 1: why Tom Bradley? Like watch Angela, watch Tom Brady at

1900
01:26:34,760 --> 01:26:36,920
Speaker 1: my birthday dinner, Like this is crazy as fun. But

1901
01:26:37,360 --> 01:26:39,760
Speaker 1: my wife said, Yo, we're going away. We're gonna have

1902
01:26:39,760 --> 01:26:44,280
Speaker 1: a flag football game. That's fire. Tom Brady show up,

1903
01:26:44,520 --> 01:26:48,240
Speaker 1: he got the jersey on, He's the QB. Best birthday ever.

1904
01:26:48,320 --> 01:26:50,559
Speaker 2: Well, the Sally's are doing that right now. Yeah, before

1905
01:26:50,600 --> 01:26:52,400
Speaker 2: we get to that, I don't want to hear any

1906
01:26:52,840 --> 01:26:55,160
Speaker 2: like billionaires that do listen to this podcast and you

1907
01:26:55,200 --> 01:26:57,000
Speaker 2: want to book us. We will talk like we talk

1908
01:26:57,040 --> 01:26:58,560
Speaker 2: on the podcast. We will do everything at the I

1909
01:26:58,600 --> 01:26:59,600
Speaker 2: will get stream the.

1910
01:26:59,720 --> 01:27:03,400
Speaker 3: Third days, the boys told me I have to wear

1911
01:27:03,400 --> 01:27:04,080
Speaker 3: a burka if I.

1912
01:27:04,160 --> 01:27:04,720
Speaker 1: Come, you do.

1913
01:27:05,400 --> 01:27:08,320
Speaker 2: Well, that's because we respect tradition and religion and things

1914
01:27:08,360 --> 01:27:11,880
Speaker 2: like that. So yes, and how they view women. The

1915
01:27:12,000 --> 01:27:16,240
Speaker 2: Saudis are peage. Keep it, just keep bro, keep it.

1916
01:27:16,320 --> 01:27:17,720
Speaker 2: Don't don't let them talk you out of it.

1917
01:27:18,400 --> 01:27:20,080
Speaker 1: Keep it. I'll deal with it.

1918
01:27:20,320 --> 01:27:24,360
Speaker 2: Anyways, Tom Brady was talking with Logan Paul, which I

1919
01:27:24,400 --> 01:27:26,360
Speaker 2: assume was Logan Paul's podcast. I just saw the clip

1920
01:27:26,840 --> 01:27:29,160
Speaker 2: and they were talking about the Saudis hiring them for

1921
01:27:29,200 --> 01:27:32,080
Speaker 2: a flag football game, and Logan Paul, I get it,

1922
01:27:32,160 --> 01:27:34,920
Speaker 2: he's a wrestler now, so he has to get in

1923
01:27:34,960 --> 01:27:38,400
Speaker 2: his marketing. He's a marketing bag. But he was talking

1924
01:27:38,439 --> 01:27:43,120
Speaker 2: a little crazy to a goat, to the point that

1925
01:27:43,200 --> 01:27:47,800
Speaker 2: he said, Yo, I know it's flag football and that's

1926
01:27:47,840 --> 01:27:51,040
Speaker 2: y'all arena, but I've never seen Saquon Barkley do a

1927
01:27:51,120 --> 01:27:55,519
Speaker 2: backflip off the ropes. I'm an athlete mm And they

1928
01:27:55,600 --> 01:28:00,640
Speaker 2: looked to said he jumped over somebody backwards in the

1929
01:28:00,720 --> 01:28:05,720
Speaker 2: most elite league in the world. And that's my thing

1930
01:28:05,800 --> 01:28:09,280
Speaker 2: with people that have that are this athletic. Because Logan

1931
01:28:09,320 --> 01:28:12,920
Speaker 2: Pole is extremely athletic. That don't mean you can you

1932
01:28:13,040 --> 01:28:15,800
Speaker 2: can run and gun with he could he run faster

1933
01:28:15,840 --> 01:28:18,519
Speaker 2: than Tom Brady? Of course, does that make a more

1934
01:28:18,560 --> 01:28:21,640
Speaker 2: athletic than Tom Brady on a football field? No, Like,

1935
01:28:21,760 --> 01:28:23,920
Speaker 2: that's insane to me. And you got the nerve to

1936
01:28:23,920 --> 01:28:26,000
Speaker 2: bring up saiquan As is probably the most athletic human being.

1937
01:28:26,200 --> 01:28:28,240
Speaker 1: You gotta love you gotta love the confidence though in

1938
01:28:28,320 --> 01:28:31,800
Speaker 1: the Paul Brothers in general, like their confidence is is

1939
01:28:32,040 --> 01:28:34,160
Speaker 1: honestly what got them to the level that they're at

1940
01:28:34,240 --> 01:28:34,519
Speaker 1: right now.

1941
01:28:34,640 --> 01:28:36,800
Speaker 2: Jake Paul was so confident he called Puerto Rican's fake

1942
01:28:36,800 --> 01:28:39,560
Speaker 2: Americans while he lives in Puerto Rico. Yeah, as a

1943
01:28:39,600 --> 01:28:43,400
Speaker 2: fake Americans to not pay taxes. Confidence, well, taxes is

1944
01:28:43,400 --> 01:28:46,360
Speaker 2: the most American thing. Like, you have confidence, man, gotta

1945
01:28:46,400 --> 01:28:48,840
Speaker 2: have confidence no matter what. I love the Paul Brothers

1946
01:28:48,880 --> 01:28:51,760
Speaker 2: for that. But Tom Brady even doubled down. I think

1947
01:28:51,800 --> 01:28:53,800
Speaker 2: he posts on his Twitter and was like, yeah, this

1948
01:28:53,920 --> 01:28:55,680
Speaker 2: was funny in the moment, but now I'm pissed off

1949
01:28:55,720 --> 01:28:59,240
Speaker 2: again after he watched this back and forth. Who Tom Brady, Yeah,

1950
01:28:59,800 --> 01:29:02,080
Speaker 2: that that's insane to say that you're just as athletic.

1951
01:29:02,720 --> 01:29:04,840
Speaker 2: Then Logan Paul started bringing up his high school stats.

1952
01:29:04,880 --> 01:29:06,679
Speaker 2: He's like, yeah, I rushed for fifteen hundred and nineteen

1953
01:29:06,720 --> 01:29:09,160
Speaker 2: touchdown and Brady's like, I won seven Super Bowl rings.

1954
01:29:09,240 --> 01:29:11,640
Speaker 2: I'm not even bringing that up. Like, what can you

1955
01:29:11,720 --> 01:29:16,240
Speaker 2: do today? In Saudi Arabia that's gonna be they having

1956
01:29:16,280 --> 01:29:18,880
Speaker 2: a flag football League, right, it's flag or some something

1957
01:29:18,880 --> 01:29:19,519
Speaker 2: along those lines.

1958
01:29:19,560 --> 01:29:23,840
Speaker 1: Flag football coach clash. Yeah, okay, that means that would

1959
01:29:23,880 --> 01:29:26,759
Speaker 1: be so much fun. Listen, man, Saudi's just bringing everybody

1960
01:29:26,840 --> 01:29:29,120
Speaker 1: over there and entertain them. Okay, do that thing you do.

1961
01:29:31,479 --> 01:29:33,040
Speaker 1: How much money do you think Tom Brady?

1962
01:29:33,360 --> 01:29:38,000
Speaker 2: This isn't really Accounting Pockets podcast, but how much money

1963
01:29:38,080 --> 01:29:40,200
Speaker 2: does it take Tom Brady to go play flag football?

1964
01:29:42,160 --> 01:29:43,160
Speaker 1: They gave him a bag?

1965
01:29:43,560 --> 01:29:45,040
Speaker 2: Do you think it gave him a whole oil rig?

1966
01:29:45,360 --> 01:29:46,760
Speaker 2: They gave him a but I don't even know if

1967
01:29:46,800 --> 01:29:50,040
Speaker 2: there's a number for that. Yeah, I think like you

1968
01:29:50,160 --> 01:29:52,120
Speaker 2: literally just take oil tem probably just they probably was like,

1969
01:29:52,200 --> 01:29:53,479
Speaker 2: we just got a blank check for you. Don't worry

1970
01:29:53,479 --> 01:29:57,080
Speaker 2: about it. You put your number on it. You never

1971
01:29:57,160 --> 01:29:58,760
Speaker 2: have to when you get here, you put your number

1972
01:29:58,760 --> 01:29:59,040
Speaker 2: on there.

1973
01:29:59,080 --> 01:29:59,760
Speaker 1: Tom. It's all good.

1974
01:30:00,760 --> 01:30:03,000
Speaker 2: But I mean, shit, I hope they I mean, I

1975
01:30:03,000 --> 01:30:04,400
Speaker 2: don't know if they're gonna live stream it. I don't

1976
01:30:04,400 --> 01:30:07,960
Speaker 2: even know if that that VPN or whatever works in America.

1977
01:30:08,439 --> 01:30:10,479
Speaker 1: But I like to watch this. Oh no, we gotta

1978
01:30:10,479 --> 01:30:13,800
Speaker 1: watch that. We definitely gotta watch that. All right. Well

1979
01:30:15,520 --> 01:30:20,559
Speaker 1: halfway through the week, mm hmmm, almost done. Two episodes down.

1980
01:30:21,040 --> 01:30:23,479
Speaker 1: Everybody feeling good. Yeah, I feel great.

1981
01:30:23,520 --> 01:30:26,520
Speaker 3: I can't wait to talk about y'all Valentine's they plans tomorrow.

1982
01:30:26,560 --> 01:30:28,599
Speaker 1: I can't wait to talk about yours tomorrow. I don't

1983
01:30:28,600 --> 01:30:32,120
Speaker 1: have any but yo yo yo yo yo, yo yo yo.

1984
01:30:32,520 --> 01:30:34,160
Speaker 1: We're not doing that. We're not doing it if I

1985
01:30:34,200 --> 01:30:35,639
Speaker 1: don't have if you don't have any, I don't have any.

1986
01:30:35,880 --> 01:30:38,760
Speaker 1: That's not true. That's not true. Ain't true because I know,

1987
01:30:38,960 --> 01:30:41,519
Speaker 1: I know your stuff. I know your ship you got

1988
01:30:41,600 --> 01:30:43,000
Speaker 1: going on, and I know some of your ship you

1989
01:30:43,040 --> 01:30:45,280
Speaker 1: got going on to I have nothing going on. I'll

1990
01:30:45,280 --> 01:30:49,559
Speaker 1: be hearing you on that phone. That's just pimped. If

1991
01:30:49,600 --> 01:30:52,080
Speaker 1: we're talking to y'all soon, Be safe, be blessed. I'm

1992
01:30:52,120 --> 01:30:53,519
Speaker 1: that nigga, he's just ginger peace