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Speaker 1: Hey, Christy, Hey Will, how are you? I'm doing so great.

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Speaker 1: Today's guest was just such a rainbow. He really is.

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Speaker 1: It's a strange way to to describe him, but yes

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Speaker 1: he is. And normally we would do our intro at

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Speaker 1: the beginning, but I'm away and I had some technical issues,

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Speaker 1: so we got to talk to this amazing man first

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Speaker 1: and now we're enjoying him second. But who's our guest today?

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Speaker 1: Oh man, it's the one, the only Rob Paulson. Wait

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Speaker 1: to hear this. Hi guys, Hey, how are you? Hey buddy,

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Speaker 1: this is the coolest thing. So for everybody here at

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Speaker 1: I Hear Voices. The first thing we need to say

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Speaker 1: is that this show would absolutely not exist without our

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Speaker 1: guest today, because one of the greatest shows in history

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Speaker 1: for anybody who loved animation was Talking Tunes. Oh God,

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Speaker 1: bless you well man by the way you lowered your

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Speaker 1: standards enough to get on to come on my show.

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Speaker 1: That's not you're kidding. You know how honored I was

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Speaker 1: to be able to sit there with you. And without

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Speaker 1: Talking Tunes, I Hear Voices would not exist. So credit

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Speaker 1: where credit is due. We were trying to to pick

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Speaker 1: up the torch, which is absolutely impossible to do after

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Speaker 1: having such a brilliant show, So thank you for joining us. Hello, Christie,

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Speaker 1: nice to see it loves to have a lot of

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Speaker 1: foudu in the water tower. Look at that beautiful smile. Wow,

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Speaker 1: I am really excited to me because I'm a huge

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Speaker 1: fan of yours. You look pretty normal size to me.

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Speaker 1: But thank you very much. All of this is uh

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Speaker 1: is just well, you know, well, anytime anytime anyone takes

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Speaker 1: a moment to express their appreciation for something that you

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Speaker 1: were paid to do for free, um you would have

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Speaker 1: done for free, is a is a profound compliment. And

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Speaker 1: I I love it when people say, well, I know

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Speaker 1: you hear this all the time, but it's the first

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Speaker 1: time I heard it from you, and it's always incredibly

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Speaker 1: flattering and humbling. So thank you, Christie. It's very strange.

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Speaker 1: One of the things that's so strange and and wonderful. Uh.

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Speaker 1: And and you know, anytime there's anything terrible like the pandemic,

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Speaker 1: you try to look for positives wherever you can And

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Speaker 1: one of the things that came out that was so

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Speaker 1: positive was a whole new group of people found animation.

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Speaker 1: Hey man, it has blown up off rightfully so the

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Speaker 1: most talented actors you will ever meet in history, from

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Speaker 1: any genre of acting. You want to pick our bar

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Speaker 1: non voice over actors. I will say that till the

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Speaker 1: day I beg if they are the best ever. And

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Speaker 1: people they're starting to get there due just a little bit.

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Speaker 1: And when you're at a convention and you're seeing on

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Speaker 1: camera actors with a decent line of people, and then

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Speaker 1: the voice over actors with people down the street, you

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Speaker 1: realize you are finally getting their due. Isn't that something? Uh?

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Speaker 1: It is. I started my career in in Hollywood forty

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Speaker 1: four years ago, uh, ostensibly to do what I had

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Speaker 1: done at theater, guide music and all that. So I

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Speaker 1: came out and was doing TV and movies and a

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Speaker 1: lot of commercials on camera. H But as you know, well, um,

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Speaker 1: you know, average looking Caucasian kids from Michigan or a

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Speaker 1: diamond doesn't Uh. Some are talented, some art and sometimes

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Speaker 1: it doesn't matter, especially when commercials are small parts on television.

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Speaker 1: If you fit the suit, you got a shot. Um.

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Speaker 1: But I'll tell you what. Everybody loves cartoons virtually, and

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Speaker 1: when I got here, cartoons were pretty much relegated to

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Speaker 1: Saturday morning. The Three networks. Um, and so they were

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Speaker 1: literally a handful of actors who were fortunate up to

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Speaker 1: do them all and rightfully so June Foray and now

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Speaker 1: blank and you know does Butler and just legends over

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Speaker 1: and over and over and over again. Um. So in

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Speaker 1: the mid eighties, I think my agent, uh called. By

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Speaker 1: the way, I'm still represented by them. They still haven't

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Speaker 1: figured it out that they should. Don't be a long

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Speaker 1: time ago, but um they said, have you ever thought

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Speaker 1: about auditioning for animation as well? Sure, but it's that

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Speaker 1: gig is closed. Well, you know, things are starting to change.

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Speaker 1: Of course, this was before uh the Internet, before HBO,

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Speaker 1: certainly before Cartoon Network anything. So the first show I

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Speaker 1: went to audition forward shows were g I Joe and Transformers,

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Speaker 1: and I got a gig, and I remember just minor characters.

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Speaker 1: I called my agent literally when I found a phone booth, um,

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Speaker 1: and I said, do whatever it takes, send me out

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Speaker 1: for more of this. The first thing I noticed when

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Speaker 1: I walked into this room of wonderful actors, several of

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Speaker 1: whom where people I recognized from episodic television. You know,

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Speaker 1: Bob Rigiley or Bill Daily or Marsha Wallace, whomever. And

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Speaker 1: the second thing I noticed is that they were not

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Speaker 1: only obviously gifted, but they were utterly unencumbered by how

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Speaker 1: they looked. They were monsters and you know, bad guys,

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Speaker 1: good guys singing, not singing exactly why kids begin acting

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Speaker 1: in the first place. It's literally like high tech sandbox.

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Speaker 1: And I thought, man on, man, now you're talking. Nobody

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Speaker 1: gives up Pardner. You know what what I'm looking like? Um,

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Speaker 1: I was only limited by my chops, my willingness to

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Speaker 1: be fearless, small enough, you know what I mean, but

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Speaker 1: not not worry about how I looked, at how I

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Speaker 1: came across, and by getting the right angle or or

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Speaker 1: my teeth, none of that. It was literally like being

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Speaker 1: a kid saying, all right, you be the monster, and

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Speaker 1: I'm gonna be the guy to kill the monster. That's

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Speaker 1: what it was. And oh my god, it really was

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Speaker 1: like like somebody had shown a light on this is

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Speaker 1: the reason you came to Hollywood. Uh. And honestly, now,

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Speaker 1: when I'm old enough to be pretty much everybody's grandfather,

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Speaker 1: people don't know. People don't know that I was the

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Speaker 1: entertainment at the last time. Pretty old I was checky

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Speaker 1: of arimathea, you know, but sit down, Judas, that's exactly

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Speaker 1: and you know what it was, Jesus, what a party,

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Speaker 1: and you know it was. It was great. But nonetheless, Uh,

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Speaker 1: now that I'm older, I'm young enough to travel around

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Speaker 1: the world doing what I'm doing now getting a chance

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Speaker 1: to meet people, as you had alluded to earlier. Well,

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Speaker 1: these fantastic conventions, which are so ubiquitous, they're springing up

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Speaker 1: like it's on a twelve year old. I couldn't be

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Speaker 1: more excited. The stories we hear over and over again,

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Speaker 1: you guys, is the extent to which these characters connect

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Speaker 1: with people. It got me through this my father died.

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Speaker 1: We used to watch it together, you name it. And

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Speaker 1: it is so much bigger than my paycheck. It is

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Speaker 1: so much bigger than an action figure or rating point.

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Speaker 1: And as long as I can do this physically and

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Speaker 1: travel around, I can't get enough of it. It is

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Speaker 1: after the pandemic and increcredible reminder of not only how

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Speaker 1: fortunate we all are to do this gig, but our

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Speaker 1: work really is important. It really is, and oh my god,

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Speaker 1: you guys can't enough of it. Well, it's also the

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Speaker 1: thing that's amazing is it's generational, which is something that

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Speaker 1: I love so and every generation really believes that they

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Speaker 1: have their own, their best, their best cartoons. And with

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Speaker 1: the funny thing is mine does um so everything, So

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Speaker 1: everything you've done when we're talking about we can get

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Speaker 1: and we're going to get into Pinky and the Brain

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Speaker 1: and all this stuff obviously, but when you say the

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Speaker 1: first thing you did was G I Joe's, I had

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Speaker 1: to run home to watch G I Joe. I would

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Speaker 1: cry when I missed G I Joe. I mean it

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Speaker 1: was one of those things where this was back in

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Speaker 1: the day where there was one VCR and somebody had

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Speaker 1: it on the streets. So it wasn't you couldn't. You

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Speaker 1: didn't record anything. There was no no YouTube, no DVDs.

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Speaker 1: If you caught the show, you caught the show. If

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Speaker 1: you didn't, you didn't. But the idea that you got

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Speaker 1: to do G I Joe and Transformers, and that was

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Speaker 1: during the ThunderCats and he Man and silver Hawks. I

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Speaker 1: mean again that those that's my jam, that's my that's

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Speaker 1: it got me into those cartoons. So I've got to

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Speaker 1: know a little bit about what it was like to

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Speaker 1: record G I Joe. Oh well, I walked in and

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Speaker 1: Charlie Avert, the lovely Charlie Adder, who just had a

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Speaker 1: birthday I think the day before yesterday. Uh Charlie and

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Speaker 1: I meant on G I Joe five six um and

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Speaker 1: Uh Charlie came from a heavy duty Broadway background and

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Speaker 1: my background was live theater music and then commercials in

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Speaker 1: l a um. But we were both really really excited.

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Speaker 1: And as a kid, when I was a kid, G

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Speaker 1: I Joe was an action figure for boys. It was

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Speaker 1: like about that talk. Of course you always said, oh

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Speaker 1: it's like a Kendall. No, it's not a doll. It's

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Speaker 1: an acid figure and one of which I had. So

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Speaker 1: as soon as my agent said G I Joe, I said, oh,

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Speaker 1: I am so in yeah, try and stop me. So

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Speaker 1: I got hired to do a character called snow Job,

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Speaker 1: who was, uh, like I, a Nordic winter soldier, you know.

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Speaker 1: So he was. He was the Polar. He was a

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Speaker 1: polar Polar ranger. Came with the sled with the snowmobile

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Speaker 1: and he did check this out, Christie. He came with

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Speaker 1: the sled. He was all dressed in white, a white

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Speaker 1: a white weapon, okay, and he's got a white hood.

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Speaker 1: So everything is gonna meld in a mission with the

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Speaker 1: snow sea. You can't see, but what they also don't

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Speaker 1: tell you. He's got a bright red beer and so

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Speaker 1: he's like a real Santa Clause. Well said, thank you,

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Speaker 1: Well said a little more spelled from Boston. And so

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Speaker 1: I really thinking to myself, Yeah, as much as I

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Speaker 1: as much as I want to do this gig and

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Speaker 1: Ruski with half a half a link of being able

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Speaker 1: to fire his weapon could not be off in three

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Speaker 1: hundred yards, you know. But every single time you guys

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Speaker 1: walked in, I could not wait to get to the

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Speaker 1: the studio. And every time I saw the people whom

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Speaker 1: I you know, um, Peter Cullen, Frank Welker, over and

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Speaker 1: over and over again and natily, did I know I

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Speaker 1: was going to have a really great experience. I was

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Speaker 1: going to have just a fun experience because you know

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Speaker 1: these folks and they're so talented, but they're also uh

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Speaker 1: just the nicest, most accepting, zero pretense, no arrogance. Uh.

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Speaker 1: I really truly felt like I'd won the lottery. And

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Speaker 1: I was so thrilled to get g I Joe because

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Speaker 1: it was a big deal for me. And then they

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Speaker 1: called me had this, we're doing this other thing called Transformers,

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Speaker 1: and so I go and become an aerial bot. And

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Speaker 1: to this day when I go to UH conventions, people

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Speaker 1: come up to me with I didn't even know that

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Speaker 1: there was a snow Job action figure? Are you kidding?

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Speaker 1: My god? How about that? Yeah? I do, my god.

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Speaker 1: They're they're incredibly uh they become incredibly um. If you

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Speaker 1: can find a brand new with the bubble thing still

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Speaker 1: on it focks and has the card to the back

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Speaker 1: and he tells you the whole back story of everybody

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Speaker 1: was to save the cards. You could, you could cut

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Speaker 1: them out and save the cards. And I had all

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Speaker 1: the cards and all the guys, and it was I

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Speaker 1: was that kid. I mean that g I Joe, especially

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Speaker 1: G I Joe, Transformers, mask um, those were all like

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Speaker 1: you said, that's it was just commercials for the toys.

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Speaker 1: But that's all that's all I cared about. It was

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Speaker 1: the greatest thing in the world. So that's that was

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Speaker 1: my You you change my life in that way. You

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Speaker 1: That's what it was. That's what it was when you

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Speaker 1: were What I find interesting about the rooms that we

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Speaker 1: all work in as voice actors and the community of

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Speaker 1: people just obviously who were so talented and supportive. We

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Speaker 1: hear this time and time again. But do you feel like,

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Speaker 1: I know, some movies it's almost like life imitates art.

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Speaker 1: But with g I, Joe, did you feel like it

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Speaker 1: was a more math skilling kind of recording process or five? Well, yeah,

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Speaker 1: I mean totally. I was trying to be you know,

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Speaker 1: uh in terms of the context of the character, trying

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Speaker 1: to be, you know, a badass. Now that I had

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Speaker 1: my little had a sort of a down east, the

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Speaker 1: sort of accent there from up and on the northeast,

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Speaker 1: you know, and and knowing is half the battle, yo, Joe. Um,

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Speaker 1: it was the coolest thing in the world. But that's

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Speaker 1: the thing. I'm five nine and a half of buck fifty.

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Speaker 1: Nobody is going to be intimidated by me, Christie, at

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Speaker 1: least with respect to my you know, bad ashes. Um.

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Speaker 1: But man, I I can well, like well all of

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Speaker 1: you questioned, not just well you too, Christie, all of

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Speaker 1: us can play characters, uh, for whom we would never

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Speaker 1: be considered on camera ever. And UM. To to have

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Speaker 1: that experience still and now to be able to see

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Speaker 1: generational I was this weekend I was with Maurice la Marshall,

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Speaker 1: we're doing a thing in Ohio. Oh my god, with

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Speaker 1: Pinky in the brain and g I Joe. We have

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Speaker 1: three generations grandparents who are sixty five, who were thirty

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Speaker 1: when the shows came out, wash them in college or whatever,

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Speaker 1: had a couple of beers or drank the bong water

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Speaker 1: and watched cartoons, you know, And now they have their

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Speaker 1: children and grandchildren and they're all yeah, yeah, And people say, well,

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Speaker 1: you know, I got to tell you now thinking they drink. Dude.

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Speaker 1: Steven Spielberg is seventy six. He's my boss, you think,

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Speaker 1: but he gives him a problem for being the biggest

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Speaker 1: richest nerd in Hollywood. Of course not. But these are

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Speaker 1: utterly uh, not at all. I'm what I'm trying to say.

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Speaker 1: It's not at all inappropriate for anybody to watch cartoons.

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Speaker 1: My god. If I if I watch Bamby now, I

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Speaker 1: still fall apart when he starts, when Babby starts screaming

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Speaker 1: for his mom, I always do course, does that happen

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Speaker 1: like the Babby's mom is dead by? Like the credits,

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Speaker 1: by the way, exactly what a way to start a

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Speaker 1: film that's like, my popcorn is not even done? What

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Speaker 1: are you doing. I love that that as well, stated

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Speaker 1: so perfectly at the beginning the incredible platinum lining for

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Speaker 1: people in our business Visa v COVID is exactly that

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Speaker 1: that it drove people to kind of go, well, you

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Speaker 1: know what, I haven't watched G I Joe in a

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Speaker 1: million years. Let me see if I could paint it

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Speaker 1: on YouTube. Oh my god, what this dude, I've got? All?

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Speaker 1: G I jo was on YouTube's and it absolutely has

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Speaker 1: blown my mind how how marvelous these characters hold up

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Speaker 1: forever and the extent to which they inspired brand new

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Speaker 1: creators to go to all these lengths because there's so

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Speaker 1: much technology now that they can use that never was

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Speaker 1: available all those years ago. You know what's funny is

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Speaker 1: I I constantly remind myself and my my wife joke.

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Speaker 1: My wife and I joke about this the whole time,

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Speaker 1: because it's kind of like a motto I live by.

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Speaker 1: There is a very big difference between childish and childlike,

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Speaker 1: and cartoons and animation are the perfect way to remain

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Speaker 1: childlike for as long as you want. In defense though

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Speaker 1: of the nerd Dum, I also think like something that's

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Speaker 1: brought me to animation time and time again, is is

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Speaker 1: the art of it, right? I mean every everything that

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Speaker 1: we see that you've done, it's like different, you know,

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Speaker 1: everything is just a little Yeah, Ninja Turtles is not

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Speaker 1: pinky in the brain. We're not even getting into Ninja

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Speaker 1: Turtles yet we got that much, so much I can't

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Speaker 1: even it's so much to talk about, um, but no,

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Speaker 1: but it is. It's it sounds ridiculous, but coming from

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Speaker 1: on camera and Rob you did this as well, and

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Speaker 1: Christie you did this as well, you can get burnt

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Speaker 1: out very quickly. And the industry becomes the industry and

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Speaker 1: it's this machine. And it's like you forget about the

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Speaker 1: love of acting in the love and you and then

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Speaker 1: all of a sudden you're in a booth yeah, and

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Speaker 1: then next thing you know, you're like, wow, this is

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Speaker 1: what I wanted the whole time, is just acting well.

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Speaker 1: And how many times do you guys, both of you

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Speaker 1: here as on camera's talent, how many times you meet

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Speaker 1: people who are primarily doing on camera gigs and they

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Speaker 1: just said, oh my god, who who duration I so bad?

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Speaker 1: They want to do Simpsons? Are you know family Guy

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Speaker 1: or whatever? And big actors too, big actors time? How

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Speaker 1: do you get that gig. How do you do that?

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Speaker 1: How do I get that? And it's like, oh, give

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Speaker 1: you my agents name, sir, who's won two Academy Awards. Absolutely,

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Speaker 1: I mean we did up. I was Donna Tello in

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Speaker 1: a two thousand and twelve version of Nickelodeon of Turtles

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Speaker 1: at Nickelodeon and the last season, a thirteen episode arc

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Speaker 1: and I get to work one day and David Tennant

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Speaker 1: is they're doing this particular bad guy. And of course

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Speaker 1: I'm a huge fan of broad Church and let alone

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Speaker 1: the doctor or who would all be? So I said, Dave,

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Speaker 1: what a pleasure? Oh man, thank you? And I said,

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Speaker 1: I said, I we are real. Did you'd be here?

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Speaker 1: And he said it was absolutely a little bit sort

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Speaker 1: of non plus not in a really horrible but he said,

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Speaker 1: this is Ninja Turtles. And it wasn't. It wasn't like, well,

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Speaker 1: it's turtles. He was, no, this is Ninja turtles. Man

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Speaker 1: um anybody John Cena was on it, um um. It

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Speaker 1: just yeah, And it lasts for utterly forever. That silly

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Speaker 1: little song. I shouldn't say silly that song. I sang

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Speaker 1: an animaniaction with all the countries of the world that

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Speaker 1: that that song has now as a stand alone several

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Speaker 1: piece of modern animation art period. End of story. It's

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Speaker 1: about to three minutes it and of course it was

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Speaker 1: very glad to sing it. But the hard part. We

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Speaker 1: live in Hollywood, you guys. You can throw a dark

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Speaker 1: and get a good singer. What you can't do is

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Speaker 1: throw a darkness somebody to write that stuff. And that

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Speaker 1: is such a testament to great writing, great animation. Uh.

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Speaker 1: And you don't have to know animaniacs exactly, Christie. You

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Speaker 1: ain't got to know nothing about Warner Brothers animation, animaniac nothing.

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Speaker 1: You could watch that and just go, oh my god.

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Speaker 1: And that that's what I love about about this particular

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Speaker 1: gig is it's uh, it's sort of not even contextual.

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Speaker 1: You can watch it for its own reason. Many pieces

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Speaker 1: and and are many different shows and they are exciting, inspiring,

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Speaker 1: mind blowing, and they're like you just want to watch

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Speaker 1: them again and again and again. Well, my one of

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Speaker 1: my favorite stories Jason Marsden. Um so, my my best

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Speaker 1: friend Jason, when we were doing Boy Meets World. Um,

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Speaker 1: the audience, you know, there's a warm up guy for

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Speaker 1: the audience while they're there, and in between scenes, people

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Speaker 1: would get up and do Yeah, they get up and

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Speaker 1: do different um uh talents for the audience. And Jason

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Speaker 1: would always grab the microphone and do that song every

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Speaker 1: single week. He just do it in the voice as

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Speaker 1: much as he could to try to try to emulate you.

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Speaker 1: And I heard that song over and over and over

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Speaker 1: from Mr Mark. I just I just love that boy

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Speaker 1: so much. We did me too. He um. We did

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Speaker 1: uh you know show together called goof Troop and then

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Speaker 1: we did the Goofy movie. That was another one of

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Speaker 1: those things. I don't know. Five six years ago, I

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Speaker 1: gotta call and Disney said, you guys know all about

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Speaker 1: d twenty three and the big Disney. We are just there.

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Speaker 1: We were just there in a couple of weekends. OK. Right,

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Speaker 1: So they called and said, hey, we're doing a Goofy movie. Um,

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Speaker 1: you know, retrospective twenty anniversaries. Great. I'd love to come

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Speaker 1: down you guys. I had no idea how big that

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Speaker 1: movie is. Two millions of people huge, And it's not

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Speaker 1: only a charming little movie. But I know I'm preaching

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Speaker 1: of the choir. But for all your folks out there,

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Speaker 1: if you've not seen it, watch it again or watch it.

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Speaker 1: But but also so um my son is now thirty eight,

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Speaker 1: but anyone, any young boy with his father, can utterly

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Speaker 1: relate to the difficulties that both were having. Both Max

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Speaker 1: and Goofy were having to communicate with It's timeless. It

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Speaker 1: is about, you know, Max hinding his way and Goofy

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Speaker 1: went to let go and trying to communicate. Very difficult.

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Speaker 1: But those performances Bill Farmer as Goofy and Jason Marsden

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Speaker 1: as Max, we're nothing short of incredible. They were heartrending,

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Speaker 1: oh beautiful and almost like human human elements. Absolutely, Christie

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Speaker 1: and uh, you know you can see Goofy just gosh.

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Speaker 1: I just don't know. I don't know, honey, I don't

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Speaker 1: know what to say to woman. I don't love him

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Speaker 1: so much. But it's perfect. And yeah, talk about acting

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Speaker 1: is acting those characters. They're just fine actors. Jason and

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Speaker 1: Billy are just world class actors. It's not a wonder

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Speaker 1: that they they do so well because they're really talented.

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Speaker 1: I remember asking Andrea Romano about that, where I said,

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Speaker 1: because you know, working with Andrea, you never know it

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Speaker 1: was like that, like the teenage meeting Ninja Turtles thing

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Speaker 1: where you walk in the room and you never knew

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Speaker 1: the actors that were going to be there, and you

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Speaker 1: were like, oh my god, I get to work with

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Speaker 1: John Ritter, I get to where it was just one

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Speaker 1: but Robert Patrick, one person after the next. And I

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Speaker 1: always asked her, I said, what now when you're casting?

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Speaker 1: You know, with Andrea, I try to get as many

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Speaker 1: little tidbits from her as that possibly could. And I

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Speaker 1: was like, how how do you do your casting? And

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Speaker 1: she said, I don't ever cast voice over actors. I

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Speaker 1: cast actors. That's it. She's like, some of them can

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Speaker 1: do a bunch of voices, some of them can't. But

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Speaker 1: I always cast actors, and that's that's the difference. Is

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Speaker 1: it interesting? If you go down her IMDb of the

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Speaker 1: shows on which she was a director, most, I would say,

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Speaker 1: most of, not all, All are are iconic shows that

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Speaker 1: show and the reason they are is because, for example,

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Speaker 1: Mark Hamill is a tripic actor. Of course, he's a

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Speaker 1: tripic actor. Kevin Conroy is a mind blowing actor, right,

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Speaker 1: So Tress McNeil over and over and over and over

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Speaker 1: and over again. And so it makes perfect sense that

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Speaker 1: not only is she a tripic director, but she knows

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Speaker 1: that it is not just about to do in the

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Speaker 1: funny voice. And I think more and more people, thanks

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Speaker 1: to shows like yours, are starting to understand it. Wow.

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Speaker 1: Uh And I know you guys get this at all

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Speaker 1: the time from young people. Christie, I'm a big fan.

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Speaker 1: How do I if you get into this? What do

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Speaker 1: you suggest I do? I do a really great Bart

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Speaker 1: Simpson good for you and and have a blast. But

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Speaker 1: I'm not trying to burst your bubble. I would never

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Speaker 1: tell you not to come out here. But it's about acting,

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Speaker 1: and it's about improv acting maybe music, stretching yourself, being

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Speaker 1: utterly self aware. That is to say, not that you're

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Speaker 1: a beautiful young woman that goes out the window, a

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Speaker 1: beautiful young woman when you walk out the door. But

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Speaker 1: the idea is to inhabit the character. And that's why

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Speaker 1: people love bugs. That's why people love Barts, why they

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Speaker 1: love Goofy, why they love you know, all these characters.

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Speaker 1: They're wonderfully well. You mentioned before the term high tech

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Speaker 1: sandbox to play in, and I think that's something that

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Speaker 1: we haven't heard before. Will and it's really love that shirt.

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Speaker 1: I play in a high tech sandbox. And you know, Robert,

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Speaker 1: you had that Vanity Fair YouTube. You know video that

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Speaker 1: we saw and I mean, well you saw it, right,

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Speaker 1: I'm sure you've seen it. You've I think you've quoted

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Speaker 1: it before Vanity Fairview. Robin. He does all the voices

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Speaker 1: and it's it's amazing. If you haven't seen it, not

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Speaker 1: will But you guys listening, if you haven't seen it,

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Speaker 1: you should definitely go and check out Rob's amazing ability

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Speaker 1: to just inhabit all of those characters. But I mean,

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Speaker 1: could we talk about that, I mean, your approach, whatever

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Speaker 1: you want. He takes all the different characters. Oh, he

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Speaker 1: takes all the characters and he just goes and he

425
00:24:05,920 --> 00:24:09,560
Speaker 1: plays and it's amazing to watch. Well, you guys know

426
00:24:09,680 --> 00:24:12,400
Speaker 1: this also, And I think Billy another guy. I gotta

427
00:24:12,400 --> 00:24:17,080
Speaker 1: stop dropping names, but we love it. But Billy, you

428
00:24:17,119 --> 00:24:20,840
Speaker 1: guys know Billy West and not again on our show.

429
00:24:21,760 --> 00:24:26,840
Speaker 1: What a sweet man first and foremost a delightful, sweet

430
00:24:27,440 --> 00:24:32,840
Speaker 1: kind on giving man giving and but he opens his mouth,

431
00:24:32,960 --> 00:24:37,439
Speaker 1: it's just hm. But Billy coined the phrase, and I

432
00:24:37,480 --> 00:24:39,359
Speaker 1: think he's right. He said, you know what, Robbie, what

433
00:24:39,440 --> 00:24:42,320
Speaker 1: I love about voice actors is we're fearless. And he's right,

434
00:24:43,359 --> 00:24:46,840
Speaker 1: especially I mean while they're working, um, when the producers say,

435
00:24:47,400 --> 00:24:49,159
Speaker 1: you know, well, we're looking to a guy. Do you

436
00:24:49,200 --> 00:24:50,800
Speaker 1: do a very good dot n I said, well, I

437
00:24:50,800 --> 00:24:52,520
Speaker 1: don't really do a good dot Knox, but I'll tell

438
00:24:52,560 --> 00:24:55,040
Speaker 1: you what I'll do. I'll give you my take on it,

439
00:24:55,240 --> 00:24:57,560
Speaker 1: and I'm gonna jump right in. And the worst that

440
00:24:57,680 --> 00:25:00,560
Speaker 1: can happen is the director of a reduce the last

441
00:25:00,600 --> 00:25:02,399
Speaker 1: little bit and says, well, you're right, it is not

442
00:25:02,720 --> 00:25:04,880
Speaker 1: terribly good, but you know what what you did there

443
00:25:04,920 --> 00:25:09,239
Speaker 1: was pretty interesting, and you know, let me take out

444
00:25:09,280 --> 00:25:13,320
Speaker 1: a second. Yeah, we don't need donats go go ahead

445
00:25:13,320 --> 00:25:16,320
Speaker 1: and do that some more. Well, and that stuff happens

446
00:25:16,680 --> 00:25:20,200
Speaker 1: all the time. I've also seen people who say, hey, Rob,

447
00:25:20,320 --> 00:25:23,600
Speaker 1: can you do good Donna? Jesus, you know Jeff Benness

448
00:25:23,640 --> 00:25:26,720
Speaker 1: the guy I don't. I don't want to embarrass myself.

449
00:25:27,320 --> 00:25:31,199
Speaker 1: Oh okay, get Jeff Benni and yep, boom. You just

450
00:25:31,280 --> 00:25:35,399
Speaker 1: lost a chance to show that you are fearless if

451
00:25:35,440 --> 00:25:38,480
Speaker 1: you're willing to play, and that you are not And

452
00:25:38,760 --> 00:25:41,240
Speaker 1: you said it earlier, Christie. It's a it's a big

453
00:25:41,280 --> 00:25:47,880
Speaker 1: team experience, and uh it. It really is important not

454
00:25:47,960 --> 00:25:51,600
Speaker 1: to have that adult junk about oh my god, I'm

455
00:25:51,600 --> 00:25:53,280
Speaker 1: getting old and all that stuff when you know and

456
00:25:53,359 --> 00:25:55,639
Speaker 1: it's not about leave your ego outside the door and

457
00:25:55,680 --> 00:25:58,280
Speaker 1: if somebody says do not say I'll do the best

458
00:25:58,320 --> 00:26:01,520
Speaker 1: I can, but meant to it and you never know

459
00:26:01,560 --> 00:26:05,440
Speaker 1: when the producer is going to Christie was unterly fearless.

460
00:26:05,440 --> 00:26:09,040
Speaker 1: She jumped right in. It was not exactly what we

461
00:26:09,400 --> 00:26:15,600
Speaker 1: thought we wanted, but Christie's talent and her willingness to

462
00:26:15,880 --> 00:26:19,040
Speaker 1: jump in the pool was so great. She came up

463
00:26:19,080 --> 00:26:20,720
Speaker 1: with something we never would have thought of it. We're

464
00:26:20,720 --> 00:26:22,800
Speaker 1: going to write that character to the show. Happens all

465
00:26:22,800 --> 00:26:24,760
Speaker 1: the time. I think it has an energy to it too,

466
00:26:24,840 --> 00:26:27,200
Speaker 1: right where if you're really going for it and you're

467
00:26:27,200 --> 00:26:30,080
Speaker 1: really trying something and you're free in that moment with

468
00:26:30,119 --> 00:26:33,879
Speaker 1: your voice, well, it's it's it's also it's one of

469
00:26:33,880 --> 00:26:35,480
Speaker 1: those things where I think what you just said is

470
00:26:35,560 --> 00:26:38,840
Speaker 1: very very important because we so we're One of the

471
00:26:38,840 --> 00:26:40,439
Speaker 1: things we love to do here on I Hear Voices

472
00:26:40,520 --> 00:26:42,520
Speaker 1: is we have, you know, an amateur come in and

473
00:26:42,560 --> 00:26:44,720
Speaker 1: they get to work with some of these legends, which

474
00:26:44,800 --> 00:26:47,400
Speaker 1: obviously we're going to do a little bit later um,

475
00:26:47,440 --> 00:26:51,160
Speaker 1: but we try to give nuggets of or have our

476
00:26:51,200 --> 00:26:55,560
Speaker 1: guests give nuggets of of of advice on how to

477
00:26:55,840 --> 00:26:58,359
Speaker 1: navigate not only the world of animation, but just acting

478
00:26:58,359 --> 00:27:00,480
Speaker 1: in general. And something you just said there is is

479
00:27:00,560 --> 00:27:02,720
Speaker 1: hugely important in something that we haven't really covered. And

480
00:27:02,720 --> 00:27:07,000
Speaker 1: it doesn't matter whether it's animation, it's on camera, it's radio,

481
00:27:07,160 --> 00:27:10,720
Speaker 1: it's jokes, whatever it is, you have to commit a

482
00:27:10,840 --> 00:27:14,399
Speaker 1: hundred persist if you get the worst case scenario is

483
00:27:14,400 --> 00:27:16,520
Speaker 1: you're going to run into the wall, but you're gonna

484
00:27:16,600 --> 00:27:21,520
Speaker 1: run into the If you walk into the wall, nobody cares.

485
00:27:21,920 --> 00:27:25,440
Speaker 1: If you run into the wall for full steam, there's

486
00:27:25,440 --> 00:27:27,960
Speaker 1: a chance you're gonna break through. UM. So that you

487
00:27:28,000 --> 00:27:32,840
Speaker 1: have to commit to everything that you do UM. And

488
00:27:32,880 --> 00:27:35,720
Speaker 1: you know, for instance, in sitcom, you commit to the

489
00:27:35,800 --> 00:27:38,880
Speaker 1: joke and you are relying on your writers to know that, Hey,

490
00:27:39,000 --> 00:27:41,080
Speaker 1: if I commit to the joke percent, you're going to

491
00:27:41,119 --> 00:27:44,280
Speaker 1: be able to see that the joke doesn't work. But

492
00:27:44,520 --> 00:27:46,920
Speaker 1: I gave it. If I give you, you're not gonna

493
00:27:46,920 --> 00:27:48,560
Speaker 1: know whether the joke's gonna work or not. I give

494
00:27:48,560 --> 00:27:51,080
Speaker 1: You're going to know the joke didn't work. It's the

495
00:27:51,160 --> 00:27:53,760
Speaker 1: same in animation. And that is one of the things

496
00:27:53,800 --> 00:27:56,520
Speaker 1: with the actors and actresses in the booth that you

497
00:27:56,520 --> 00:27:59,680
Speaker 1: get to work with is I don't ever think I've

498
00:27:59,760 --> 00:28:05,640
Speaker 1: ever ever seen anybody who works consistently half asid never

499
00:28:05,720 --> 00:28:09,000
Speaker 1: And you know, uh um, I've started directing a little

500
00:28:09,000 --> 00:28:11,520
Speaker 1: bit and I really enjoyed and that it is so

501
00:28:11,640 --> 00:28:15,040
Speaker 1: much easier to pull an actor back than to say,

502
00:28:15,200 --> 00:28:17,119
Speaker 1: come on, come on, just I don't want to tell

503
00:28:17,119 --> 00:28:19,920
Speaker 1: you how to do it, but god, you're you're not

504
00:28:20,000 --> 00:28:22,440
Speaker 1: getting it and uh. And so you don't want to

505
00:28:22,440 --> 00:28:25,119
Speaker 1: put an actor on their heels. You don't want to

506
00:28:25,119 --> 00:28:28,960
Speaker 1: embarrass them. But if somebody says, uh, and how many

507
00:28:28,960 --> 00:28:32,560
Speaker 1: times have you been in a a session with somebody

508
00:28:32,560 --> 00:28:35,439
Speaker 1: who's kind of just given, especially on camera talent, and

509
00:28:35,480 --> 00:28:37,640
Speaker 1: they say, we need you to really when this happens,

510
00:28:37,680 --> 00:28:41,080
Speaker 1: you're you're screaming because your girlfriend has been stolen in

511
00:28:41,120 --> 00:28:44,360
Speaker 1: the monster Journey. But they're they're used to having the

512
00:28:44,480 --> 00:28:47,840
Speaker 1: camera right here, and so Andrea will say, okay, let's

513
00:28:47,880 --> 00:28:51,600
Speaker 1: dud again. It's just really screaming. So what happens They

514
00:28:51,640 --> 00:28:55,720
Speaker 1: finally get there, and when the person screams at the

515
00:28:55,920 --> 00:28:58,800
Speaker 1: level that the producers and the directors are happy with,

516
00:28:59,520 --> 00:29:01,560
Speaker 1: they kind of that's like the way out of my

517
00:29:01,640 --> 00:29:05,960
Speaker 1: comfort zone exactly. So but but if you see John Demago,

518
00:29:06,960 --> 00:29:10,440
Speaker 1: or you see you know, or you see uh Welker

519
00:29:11,000 --> 00:29:14,719
Speaker 1: or any of those other guys, it is astonishing. And

520
00:29:14,840 --> 00:29:18,080
Speaker 1: I've worked with Frank I don't know three hundred times.

521
00:29:18,640 --> 00:29:22,880
Speaker 1: I've known him forever. Every time I work with that guy,

522
00:29:23,280 --> 00:29:26,520
Speaker 1: he does something that just said, Frank, where did that

523
00:29:26,600 --> 00:29:29,440
Speaker 1: come from? And he The point is, folks and young

524
00:29:29,440 --> 00:29:33,400
Speaker 1: actors out there, Frank never stops learning, he never stops

525
00:29:33,760 --> 00:29:36,160
Speaker 1: coming up with new stuff. Guy's got all the money

526
00:29:36,200 --> 00:29:38,880
Speaker 1: he'll ever need. Same thing with Tress, same thing with

527
00:29:38,960 --> 00:29:42,280
Speaker 1: Nancy Cartwright, same thing with all of it there. They

528
00:29:42,480 --> 00:29:47,080
Speaker 1: love the process. They are bona fide actors and it's

529
00:29:47,160 --> 00:29:50,200
Speaker 1: something that is utterly part of their soul. I mean,

530
00:29:50,240 --> 00:29:52,239
Speaker 1: and whether they're getting paid for it or not, if

531
00:29:52,280 --> 00:29:58,280
Speaker 1: I'm hanging out with with you guys and Billy and Uhde,

532
00:29:58,360 --> 00:30:03,760
Speaker 1: Bradley Baker, Um, April Winchell or whatever, in five or

533
00:30:03,800 --> 00:30:08,480
Speaker 1: ten minutes, will have all these wonderful actors being lit

534
00:30:08,600 --> 00:30:11,200
Speaker 1: up by one another and it's going like this, and

535
00:30:11,240 --> 00:30:13,240
Speaker 1: we're laughing our guts out. The people around us think

536
00:30:13,320 --> 00:30:17,800
Speaker 1: we were utterly insane, but it's and there's no money involved.

537
00:30:18,320 --> 00:30:22,640
Speaker 1: It's just about the joy right of the process. And

538
00:30:22,680 --> 00:30:25,240
Speaker 1: when you see that happen in the studio. I tell

539
00:30:25,280 --> 00:30:27,720
Speaker 1: people all the time, you guys, that's the show. That

540
00:30:27,960 --> 00:30:29,880
Speaker 1: is the freaking show. And you're a room with people

541
00:30:29,960 --> 00:30:33,520
Speaker 1: like that playing that game at high level, and it's

542
00:30:33,600 --> 00:30:36,720
Speaker 1: just it talked about a high tide raising all boats.

543
00:30:37,360 --> 00:30:43,360
Speaker 1: I'm way better around those people they do. Christine, at

544
00:30:43,360 --> 00:30:46,520
Speaker 1: the beginning, you learned pretty quickly, which is precisely what

545
00:30:46,600 --> 00:30:50,440
Speaker 1: Will was suggesting about the commitment. You learned pretty quickly

546
00:30:51,080 --> 00:30:54,760
Speaker 1: that it's okay to be a little bit afraid of that,

547
00:30:55,200 --> 00:30:57,040
Speaker 1: but if you don't make the choice to jump in,

548
00:30:57,880 --> 00:31:01,320
Speaker 1: then you're gonna get run over because people are so

549
00:31:01,600 --> 00:31:05,040
Speaker 1: good and the bar is so hot, and you know,

550
00:31:05,160 --> 00:31:07,800
Speaker 1: if I die tomorrow, be a little bit of a drag.

551
00:31:07,880 --> 00:31:09,680
Speaker 1: My wife had had plenty of money, and they'd say, well,

552
00:31:10,120 --> 00:31:13,040
Speaker 1: I reckon, we better start recasting. So there are plenty

553
00:31:13,080 --> 00:31:17,080
Speaker 1: of really fabulous actors out there, and when the best

554
00:31:17,080 --> 00:31:20,160
Speaker 1: of the best don't rest on their laurels, they just don't.

555
00:31:21,240 --> 00:31:26,080
Speaker 1: And that's why it's well it is. But it's also

556
00:31:26,480 --> 00:31:28,720
Speaker 1: the only thing I can liken it too. When you're

557
00:31:28,720 --> 00:31:32,360
Speaker 1: in a room with with these amazing men and women

558
00:31:32,720 --> 00:31:35,800
Speaker 1: that are pushing each other but also at times trying

559
00:31:35,800 --> 00:31:38,240
Speaker 1: to one up each other. The only feeling I've ever

560
00:31:38,280 --> 00:31:40,320
Speaker 1: had like that in my life is trying to make

561
00:31:40,360 --> 00:31:44,840
Speaker 1: my brother's laugh. Like there's like you're trying to get

562
00:31:44,880 --> 00:31:48,640
Speaker 1: your get respect, but you also want to earn. It's

563
00:31:48,680 --> 00:31:51,680
Speaker 1: the strangest thing. But again, you're right when it comes

564
00:31:51,680 --> 00:31:56,160
Speaker 1: to the commitment. You're never gonna hear anybody say, John DiMaggio,

565
00:31:56,280 --> 00:31:59,280
Speaker 1: can you bring it up to It's always bring it

566
00:31:59,320 --> 00:32:03,760
Speaker 1: back yet, and that's what you want. That's exactly as

567
00:32:03,960 --> 00:32:06,720
Speaker 1: you are listening to each other too, all performing and

568
00:32:06,800 --> 00:32:11,080
Speaker 1: raising the bar. Oh yeah, you have to listen to me. Sure.

569
00:32:11,120 --> 00:32:13,160
Speaker 1: The only technical thing is that sometimes you have to

570
00:32:13,160 --> 00:32:16,160
Speaker 1: be very careful about overlapping one another because of the

571
00:32:15,520 --> 00:32:20,600
Speaker 1: technical aspects of the animation. But no, I'm always better.

572
00:32:20,680 --> 00:32:23,400
Speaker 1: Obviously with respect to COVID, you know, we've all been

573
00:32:23,480 --> 00:32:25,800
Speaker 1: lucky enough to keep working, whether recording from home or

574
00:32:26,280 --> 00:32:30,040
Speaker 1: solo in a studio. But I'm an old dog. I

575
00:32:30,400 --> 00:32:33,800
Speaker 1: much prefer to be with the other actors. They absolutely

576
00:32:33,880 --> 00:32:37,640
Speaker 1: make me better. And when you go home exhausted from

577
00:32:37,720 --> 00:32:41,400
Speaker 1: four hours of doing what you would do for free,

578
00:32:42,280 --> 00:32:45,840
Speaker 1: and what a great way to go through life. You're

579
00:32:45,840 --> 00:32:48,240
Speaker 1: exhausted from lapping and hanging out with people that you

580
00:32:48,280 --> 00:32:51,640
Speaker 1: would choose to be your friends. Holy smoke. Okay, So

581
00:32:51,760 --> 00:32:53,760
Speaker 1: before we we bring in our special guests, which we're

582
00:32:53,760 --> 00:32:55,840
Speaker 1: gonna to play with us again because ladies and gentlemen,

583
00:32:55,880 --> 00:32:58,560
Speaker 1: we have brought back a fan favorite which were so

584
00:32:58,560 --> 00:33:01,840
Speaker 1: excited to have back us, the Garden. We're very excited.

585
00:33:01,880 --> 00:33:03,600
Speaker 1: We could not have Rob Paulson here and not do

586
00:33:03,640 --> 00:33:05,440
Speaker 1: a little bit of work with But I need to

587
00:33:05,440 --> 00:33:08,960
Speaker 1: know some of your basic backgrounds. So for instance, Rob,

588
00:33:09,840 --> 00:33:12,760
Speaker 1: what was your animation jam growing up? What were the

589
00:33:12,800 --> 00:33:15,560
Speaker 1: shows that you wanted to watch when you were a kid?

590
00:33:15,640 --> 00:33:21,760
Speaker 1: Looney Tunes, uh, flint Stone's Johnny Quest. Um, I love

591
00:33:21,840 --> 00:33:24,960
Speaker 1: Johnny Quest and I got to be my first uh

592
00:33:25,000 --> 00:33:28,440
Speaker 1: steady gig animation was was with the God Blessing the

593
00:33:28,520 --> 00:33:33,400
Speaker 1: late Great Gordon Hunt. And there was a a reboot

594
00:33:33,400 --> 00:33:35,120
Speaker 1: of Johnny Quest in the mid eighties and I got

595
00:33:35,120 --> 00:33:38,440
Speaker 1: to be Hog and I really thought I was going

596
00:33:38,480 --> 00:33:41,240
Speaker 1: to lose my mind. But yeah, those shows, there were

597
00:33:41,240 --> 00:33:45,200
Speaker 1: a couple of people don't remember, especially there's no reasoning

598
00:33:45,200 --> 00:33:48,200
Speaker 1: with their younger folks don't know that flint Stones was

599
00:33:48,240 --> 00:33:52,880
Speaker 1: a prime time animated show on ABC. Uh. There was

600
00:33:52,920 --> 00:33:55,840
Speaker 1: another animated show with William Wyndham as the star called

601
00:33:56,000 --> 00:33:58,400
Speaker 1: um Wait Till Your Father Gets Home. It was a

602
00:33:58,440 --> 00:34:02,320
Speaker 1: prime time animated show. Really, I believe, Yeah, I believe

603
00:34:02,320 --> 00:34:06,560
Speaker 1: even Johnny Quest uh was was the Jetsons was Jetsons

604
00:34:06,600 --> 00:34:09,440
Speaker 1: also prized one? Yeah, and I love the Jetson's uh

605
00:34:09,480 --> 00:34:13,200
Speaker 1: in fact two quick stories. Um, this is the coolest thing.

606
00:34:13,239 --> 00:34:15,440
Speaker 1: I remember when we did the first episode of the

607
00:34:15,520 --> 00:34:20,280
Speaker 1: Johnny Quest reboot and Don Messi, who was the voice

608
00:34:20,280 --> 00:34:23,399
Speaker 1: of Dr Quest also was a Boo Boo bear and

609
00:34:23,600 --> 00:34:29,360
Speaker 1: uh um uh Bubba Louie Bubba Louie on Quick Drama

610
00:34:30,000 --> 00:34:32,920
Speaker 1: Crazy Talent, okay uh. He was the voice of Scooby

611
00:34:32,960 --> 00:34:35,560
Speaker 1: Doo until he passed away and Frank now was doing it.

612
00:34:35,600 --> 00:34:38,920
Speaker 1: But the first episode of the Johnny Quest I was

613
00:34:38,960 --> 00:34:41,600
Speaker 1: in in which I was I was sitting next to

614
00:34:41,680 --> 00:34:46,520
Speaker 1: Mr Uh you know, Don to Mr Messi, and all

615
00:34:46,600 --> 00:34:50,680
Speaker 1: of a sudden he says, careful, Johnny, there's an It

616
00:34:50,840 --> 00:34:52,759
Speaker 1: was like I thought, for lunch, I'll have to have

617
00:34:52,800 --> 00:34:58,400
Speaker 1: a seizure salad. Uh. It was. It was Dr freaking

618
00:34:58,600 --> 00:35:01,799
Speaker 1: Quest right next to uh. And I kind of had

619
00:35:01,800 --> 00:35:05,319
Speaker 1: to gather myself. Then a couple of years later there

620
00:35:05,400 --> 00:35:09,840
Speaker 1: was a Jetson's movie in which I played uh, a

621
00:35:09,920 --> 00:35:12,360
Speaker 1: rock and roll star, and I was in love with

622
00:35:12,440 --> 00:35:15,319
Speaker 1: Judy Jetson, so I got to go to work. I

623
00:35:15,320 --> 00:35:17,440
Speaker 1: went to work one day and Gordon Hut says, hey, Robbie,

624
00:35:17,800 --> 00:35:19,160
Speaker 1: mel Blank is here? Ay? Good? You want to sit

625
00:35:19,239 --> 00:35:21,919
Speaker 1: next to him? And I said, of course. So Mr

626
00:35:22,000 --> 00:35:26,279
Speaker 1: Blank was probably I don't know, late seventies, and he

627
00:35:26,280 --> 00:35:31,400
Speaker 1: passed away as uh I sat next to them, and

628
00:35:31,560 --> 00:35:33,719
Speaker 1: of course it took me a while to must have

629
00:35:33,840 --> 00:35:37,680
Speaker 1: the courage, but I said, Mr Blank look like anyone

630
00:35:37,719 --> 00:35:42,520
Speaker 1: with a pulse. I'm a I'm a fan and uh,

631
00:35:42,640 --> 00:35:46,560
Speaker 1: I just not only need to tell you that, but

632
00:35:46,600 --> 00:35:48,560
Speaker 1: if it's not too much trouble. And of course he

633
00:35:48,640 --> 00:35:50,640
Speaker 1: knew exactly what he wanted, took off his glasses and

634
00:35:50,640 --> 00:35:54,200
Speaker 1: looks at me, said yeah, what's up, doc? And it

635
00:35:54,280 --> 00:36:03,560
Speaker 1: was mind melted. Yeah, And immediately immediately, you guys, I

636
00:36:03,640 --> 00:36:08,640
Speaker 1: was transported back to sitting in Livonia, Michigan. You know

637
00:36:08,760 --> 00:36:13,959
Speaker 1: what's the television? Um? And just killed the web, killed

638
00:36:14,000 --> 00:36:18,320
Speaker 1: the web's things and fire. I've seen all those a

639
00:36:18,480 --> 00:36:21,920
Speaker 1: hundred times, and it was sudden, I'm sitting next to

640
00:36:22,000 --> 00:36:24,000
Speaker 1: this guy was like, you know, kind of small and

641
00:36:24,600 --> 00:36:28,840
Speaker 1: old and and that one none of that matter. It

642
00:36:28,960 --> 00:36:36,720
Speaker 1: was just astonishing, almost chemical experience of what's up, Doc?

643
00:36:37,200 --> 00:36:42,480
Speaker 1: That was real. It's the voice. Yeah, No, I've had

644
00:36:42,520 --> 00:36:44,880
Speaker 1: I've told this before, I've told the story before. But

645
00:36:44,880 --> 00:36:48,239
Speaker 1: I had exactly the same, exactly the same moment when

646
00:36:48,320 --> 00:36:52,040
Speaker 1: I was doing Transformers and so I was I was

647
00:36:52,080 --> 00:36:55,719
Speaker 1: Bumblebee and Peter Colin comes in and he's sitting there,

648
00:36:55,800 --> 00:36:58,560
Speaker 1: and I'm next to kry Peyton and there's you know,

649
00:36:58,560 --> 00:37:00,960
Speaker 1: a couple of us were all in our warties and

650
00:37:01,000 --> 00:37:04,439
Speaker 1: we're sitting there and the first line, Peter just goes

651
00:37:04,680 --> 00:37:10,080
Speaker 1: Bumblebee and we almost cried in the room, like literally,

652
00:37:10,200 --> 00:37:13,120
Speaker 1: and it took me thirty seconds to realize I had

653
00:37:13,160 --> 00:37:15,799
Speaker 1: to answer him. It was like he was talking to

654
00:37:15,880 --> 00:37:18,360
Speaker 1: me and I was eight years old. I had my

655
00:37:18,480 --> 00:37:22,760
Speaker 1: Transformers in front of me, and instantly there's almost nothing

656
00:37:23,080 --> 00:37:26,360
Speaker 1: that that brings you back to that place that fast

657
00:37:26,640 --> 00:37:29,319
Speaker 1: as when you were a fan of cartoons growing up,

658
00:37:29,360 --> 00:37:31,920
Speaker 1: and you hear that voice and you I could smell

659
00:37:31,920 --> 00:37:36,240
Speaker 1: the carpet was on again, and I was it was amazing.

660
00:37:36,320 --> 00:37:39,320
Speaker 1: So you have those moments, they are magical. I remember

661
00:37:39,680 --> 00:37:42,359
Speaker 1: a few years ago when the first Transformers movie came out,

662
00:37:42,400 --> 00:37:46,120
Speaker 1: the first Michael Baby movie came out, and Maurice Uh

663
00:37:46,320 --> 00:37:50,279
Speaker 1: texted me from the Chinese theater. They said, you know,

664
00:37:50,280 --> 00:37:52,759
Speaker 1: we're all kind of excited, but you know, Robbie, I

665
00:37:52,760 --> 00:37:55,960
Speaker 1: don't know. They hadn't really talked much about the voice cast,

666
00:37:56,520 --> 00:38:00,359
Speaker 1: and of course to the COGNISENTI the the real ill

667
00:38:00,360 --> 00:38:02,359
Speaker 1: have you getting Transformers fans? They were like, I hope

668
00:38:02,400 --> 00:38:07,040
Speaker 1: they don't put you know, Kevin Nelon as the voice

669
00:38:07,200 --> 00:38:11,320
Speaker 1: in here, and so he said, I'll let you know

670
00:38:11,360 --> 00:38:15,080
Speaker 1: how it goes. So Mo calls me afterwards. She says, Robbie,

671
00:38:15,960 --> 00:38:19,160
Speaker 1: we're sitting here and the audience is full, I mean

672
00:38:19,320 --> 00:38:23,880
Speaker 1: jam And as soon as Optimists comes on on the screen,

673
00:38:24,320 --> 00:38:28,320
Speaker 1: everybody's screaming and yelling. And then Peter says on the

674
00:38:28,480 --> 00:38:33,000
Speaker 1: bus rollout and they everybody jumped up hot corn one

675
00:38:33,000 --> 00:38:35,880
Speaker 1: in the air. They started clapping because it was utterly

676
00:38:35,960 --> 00:38:41,120
Speaker 1: authentic and their fears were completely blown out. They're just like,

677
00:38:41,120 --> 00:38:45,760
Speaker 1: oh my god, it's really optimised and it matters. It matters.

678
00:38:45,800 --> 00:38:48,400
Speaker 1: It's not about whether or not Brad Pitt as a

679
00:38:48,480 --> 00:38:51,960
Speaker 1: talking dragon. I love Brad Pitt, but unless Brad Pitt

680
00:38:52,840 --> 00:38:56,960
Speaker 1: creates the voice that becomes iconic, it doesn't really matter.

681
00:38:57,560 --> 00:39:00,920
Speaker 1: And boy, I just I love the those characters have

682
00:39:01,080 --> 00:39:05,120
Speaker 1: that much power. Yes, yes, And also I know that

683
00:39:05,160 --> 00:39:07,360
Speaker 1: we're going to bring our guest on pretty soon. Right well,

684
00:39:07,640 --> 00:39:10,480
Speaker 1: it feels like we'll probably, I think. But I have

685
00:39:10,520 --> 00:39:14,439
Speaker 1: a couple I there, we got right when we talk

686
00:39:14,480 --> 00:39:17,040
Speaker 1: about the voice being an instrument, right, this is my

687
00:39:17,120 --> 00:39:19,920
Speaker 1: final thing. And I'll let well with his questions because

688
00:39:20,040 --> 00:39:23,520
Speaker 1: we love you when when we talk about the voice.

689
00:39:23,680 --> 00:39:25,600
Speaker 1: By the way, I have my I have my dush

690
00:39:25,640 --> 00:39:29,120
Speaker 1: proof clothes on. Okay, good because it's there. Yeah, we're

691
00:39:29,120 --> 00:39:31,640
Speaker 1: we're it's it's gonna be essentially the first row of

692
00:39:31,680 --> 00:39:34,359
Speaker 1: a Gallagher concert for for a little while here. So

693
00:39:34,680 --> 00:39:38,200
Speaker 1: welcome to see worl No for me to um and

694
00:39:38,560 --> 00:39:41,000
Speaker 1: uh you know you It says you know in our

695
00:39:41,000 --> 00:39:45,040
Speaker 1: notes that you are a survivor of throat cancer. M Um.

696
00:39:45,080 --> 00:39:50,560
Speaker 1: That's about that amazing amazing, well it really got my attention. Um,

697
00:39:50,560 --> 00:39:56,319
Speaker 1: not toe cancer, not hair cancer. But but I have

698
00:39:56,360 --> 00:40:00,200
Speaker 1: to tell you, honestly, and I'm so glad you brought that, Um,

699
00:40:01,520 --> 00:40:07,040
Speaker 1: I'm fine. I'm gonna die someday, but not from throat cancer. However, Um,

700
00:40:07,080 --> 00:40:10,680
Speaker 1: all of us who are halfway decent humans move through

701
00:40:10,719 --> 00:40:15,760
Speaker 1: our lives in a certain hopefully uh well rounded sense

702
00:40:15,760 --> 00:40:19,799
Speaker 1: of kindness and empathy and sympathy. I mean we all

703
00:40:19,840 --> 00:40:22,319
Speaker 1: live in we live in l l A. I mean

704
00:40:22,320 --> 00:40:26,360
Speaker 1: they are homeless encampments on every corner. How many times

705
00:40:26,360 --> 00:40:28,439
Speaker 1: a day do you go there? But for the grace

706
00:40:28,480 --> 00:40:33,160
Speaker 1: of God? Um? And so when I was diagnosed, the

707
00:40:33,200 --> 00:40:35,520
Speaker 1: first thing it was kind of go, wow, that's a

708
00:40:35,560 --> 00:40:39,520
Speaker 1: little bit of a surprise. UM. And it wasn't about

709
00:40:39,640 --> 00:40:42,560
Speaker 1: why me, Oh my God and the boys that why

710
00:40:42,920 --> 00:40:46,680
Speaker 1: why the not me? Do you think anybody wants this?

711
00:40:46,840 --> 00:40:50,440
Speaker 1: Of course not um, but now and of course it

712
00:40:50,480 --> 00:40:54,400
Speaker 1: was a little bit frightening. Um. It was. The treatment

713
00:40:54,520 --> 00:40:59,080
Speaker 1: was very difficult for obvious reasons that the radiation you know,

714
00:40:59,200 --> 00:41:02,319
Speaker 1: kind of tears up your throat, your your mouth. But

715
00:41:03,200 --> 00:41:07,480
Speaker 1: now that I'm through it, I have an important story.

716
00:41:07,960 --> 00:41:10,640
Speaker 1: Not because I'm an actor with throat cancer, but because

717
00:41:10,920 --> 00:41:16,360
Speaker 1: I I'm U a guy whose instrument, as you suggested,

718
00:41:17,040 --> 00:41:21,080
Speaker 1: was in uh pretty you know, it was pretty dire

719
00:41:21,440 --> 00:41:24,520
Speaker 1: danger there for a while uh, but not only did

720
00:41:24,560 --> 00:41:28,000
Speaker 1: I survive it, and I'm different, Rob two point oh

721
00:41:28,080 --> 00:41:30,640
Speaker 1: is different. I lost fifty pounds that I didn't have

722
00:41:30,840 --> 00:41:35,600
Speaker 1: to lose. I couldn't taste frud for I don't know

723
00:41:35,600 --> 00:41:40,480
Speaker 1: about three years. Um. I my salim glands were pretty

724
00:41:40,520 --> 00:41:43,760
Speaker 1: much shot. But it saved my life and it saved

725
00:41:44,200 --> 00:41:47,439
Speaker 1: my voice. So now when I have the great good

726
00:41:47,440 --> 00:41:49,800
Speaker 1: fortune of being on with people like you who asked

727
00:41:49,800 --> 00:41:53,200
Speaker 1: me about it, we'd never know, you, guys, when somebody's

728
00:41:53,200 --> 00:41:56,120
Speaker 1: gonna be watching this terrific show and say, hey, man,

729
00:41:56,640 --> 00:41:59,319
Speaker 1: I was watching Christy and Will the other day and

730
00:41:59,360 --> 00:42:01,839
Speaker 1: there was this by Ron Pullman. I don't know if

731
00:42:01,840 --> 00:42:04,320
Speaker 1: that was his name was, But it turns out the guy, uh,

732
00:42:04,360 --> 00:42:09,560
Speaker 1: you know as cartoons and this person watching may have

733
00:42:09,600 --> 00:42:11,600
Speaker 1: a loved one who's going through the same thing. You

734
00:42:11,680 --> 00:42:15,239
Speaker 1: just never know. Ah. And if they said, oh my god,

735
00:42:15,360 --> 00:42:18,920
Speaker 1: uncle Bill, I'm gonna send you something. You gotta watch

736
00:42:19,000 --> 00:42:23,080
Speaker 1: this this guy who was on the show, these two

737
00:42:23,120 --> 00:42:25,360
Speaker 1: lovely people. Remember how much you turned me on too

738
00:42:25,400 --> 00:42:27,000
Speaker 1: pinky in the brain a million years ago, and how

739
00:42:27,080 --> 00:42:29,800
Speaker 1: much we still love watching saying hey, what do you

740
00:42:29,880 --> 00:42:31,759
Speaker 1: do tonight? Uncle Bill? And you know or you think

741
00:42:31,800 --> 00:42:34,960
Speaker 1: that what I'm all that stuff. This guy is your

742
00:42:35,000 --> 00:42:38,480
Speaker 1: age and he survived throat cancer. You got this man.

743
00:42:39,600 --> 00:42:43,600
Speaker 1: That's why it's important. So now not only have I

744
00:42:43,719 --> 00:42:49,080
Speaker 1: been beyond fortunately to make a living doing essentially what

745
00:42:49,160 --> 00:42:52,359
Speaker 1: got me in trouble in seventh grade, um, I now

746
00:42:52,440 --> 00:42:57,839
Speaker 1: have a story with which I can help people. And

747
00:42:58,000 --> 00:43:00,160
Speaker 1: it is not about whether or not they buy an

748
00:43:00,160 --> 00:43:03,000
Speaker 1: autograph or buy an action figure. It's a It's a

749
00:43:03,160 --> 00:43:09,120
Speaker 1: pure human exchange of information. Uh. And when I say

750
00:43:09,120 --> 00:43:12,600
Speaker 1: to somebody either I do have the opportunity to talk

751
00:43:12,640 --> 00:43:14,640
Speaker 1: to a lot of people about it, do a lot

752
00:43:14,680 --> 00:43:18,399
Speaker 1: of engagements. Um. And so whether I'm holding somebody's hand

753
00:43:18,520 --> 00:43:22,239
Speaker 1: literally or figuredily and speaking about our mutual experiences, and

754
00:43:22,280 --> 00:43:25,920
Speaker 1: I say, man, I get it, I get it. And

755
00:43:27,120 --> 00:43:29,320
Speaker 1: that is a big deal when you're able to say

756
00:43:29,800 --> 00:43:32,560
Speaker 1: to somebody with utter authenticity, I really know what you're

757
00:43:32,600 --> 00:43:36,160
Speaker 1: going through. Because I don't know what a homeless family

758
00:43:36,360 --> 00:43:39,080
Speaker 1: is going through. I never will. I can give them

759
00:43:39,120 --> 00:43:41,879
Speaker 1: all the money I've got. But when I say, God,

760
00:43:42,160 --> 00:43:44,400
Speaker 1: I know what you're saying, No, you don't. And it

761
00:43:44,440 --> 00:43:47,000
Speaker 1: doesn't mean that it's you don't want to stop being

762
00:43:47,080 --> 00:43:51,239
Speaker 1: empathic and sympathetic, but if you're able to say you

763
00:43:51,239 --> 00:43:55,040
Speaker 1: know with utter certainty, you're just another human. You're not

764
00:43:55,120 --> 00:43:58,319
Speaker 1: a doctor, but you know what the struggle is like.

765
00:43:58,560 --> 00:44:02,040
Speaker 1: That's a really important part of my life now. And

766
00:44:02,080 --> 00:44:04,399
Speaker 1: it turns out that that cancer experience for me had

767
00:44:04,400 --> 00:44:07,959
Speaker 1: a platinum lining. So I'm really grateful that you asked

768
00:44:07,960 --> 00:44:11,280
Speaker 1: you about that's the platinum lining. What is the platinum

769
00:44:11,320 --> 00:44:15,520
Speaker 1: lining up? The fact that I'm able to talk about

770
00:44:15,560 --> 00:44:17,399
Speaker 1: it and that I not only can do my job,

771
00:44:17,480 --> 00:44:22,720
Speaker 1: and I'll tell you very quickly, Um, it was pretty

772
00:44:22,719 --> 00:44:26,279
Speaker 1: difficult because of it was eight weeks of radiation or

773
00:44:26,280 --> 00:44:30,640
Speaker 1: a bunch of chemo and all that. Um. But we

774
00:44:30,719 --> 00:44:34,920
Speaker 1: are enjoying a renaissance of Animaniacs. We got to do

775
00:44:34,960 --> 00:44:37,880
Speaker 1: a reboot of Animaniacs, and so there's a lot of

776
00:44:37,920 --> 00:44:41,200
Speaker 1: music in those shows. And I'm a singer before anything.

777
00:44:41,600 --> 00:44:43,799
Speaker 1: The reason I got the gig on Animaniacs was I'm

778
00:44:43,800 --> 00:44:46,520
Speaker 1: a singer. And and so I remember on the new

779
00:44:47,239 --> 00:44:49,680
Speaker 1: New Bunch that we've done for hul we started, they

780
00:44:49,760 --> 00:44:54,800
Speaker 1: dropped in two thousand and we're recording in two thousand nineteen.

781
00:44:54,840 --> 00:44:58,200
Speaker 1: And my cancer it was in two thousand sixty. Um,

782
00:44:58,239 --> 00:45:02,600
Speaker 1: and I remember the first song I got to sing

783
00:45:03,320 --> 00:45:09,120
Speaker 1: for animaniacs. Um, it was a little bit uh, it

784
00:45:09,200 --> 00:45:11,719
Speaker 1: was a little bit off putting. I jumped into it.

785
00:45:11,840 --> 00:45:16,080
Speaker 1: I was prepared, but still I haven't done anything. I

786
00:45:16,120 --> 00:45:17,640
Speaker 1: got done with my treatment and when I got to

787
00:45:17,760 --> 00:45:22,640
Speaker 1: the song, it was a remarkable experience that I won't forget.

788
00:45:22,680 --> 00:45:24,799
Speaker 1: It was like, it was like, Okay, this is my

789
00:45:25,400 --> 00:45:29,680
Speaker 1: trial by fire. This is these people love me. Ah,

790
00:45:30,320 --> 00:45:33,440
Speaker 1: they will do anything to help me, but it's a business.

791
00:45:34,320 --> 00:45:37,719
Speaker 1: And I told them right from the beginning. I said, look, man,

792
00:45:38,160 --> 00:45:43,719
Speaker 1: I'm not a hero, but I am. I am logical

793
00:45:44,000 --> 00:45:46,799
Speaker 1: and I'm rational. I know you love me. I know

794
00:45:46,840 --> 00:45:48,880
Speaker 1: you're gonna do everything you can to wait till I

795
00:45:48,880 --> 00:45:54,000
Speaker 1: get better. Great, But if you can't, or if I

796
00:45:54,080 --> 00:45:56,319
Speaker 1: come back and you listen to stuff and you go

797
00:45:56,400 --> 00:45:58,560
Speaker 1: back and put it together, and you said, Jesus Christ,

798
00:45:58,600 --> 00:46:02,080
Speaker 1: how do we tell him that we love him? But

799
00:46:02,800 --> 00:46:04,520
Speaker 1: you might have to get somebody to sink for him,

800
00:46:04,640 --> 00:46:09,600
Speaker 1: or or maybe you know, recast and we'll do it.

801
00:46:10,280 --> 00:46:13,360
Speaker 1: It's not the end of the world. I'm alive it.

802
00:46:14,040 --> 00:46:17,960
Speaker 1: You guys have nothing to prove to me. You this

803
00:46:18,040 --> 00:46:22,160
Speaker 1: is a business. You didn't ask me to get the cancer.

804
00:46:22,480 --> 00:46:26,280
Speaker 1: I didn't ask for it, nobody wants it, so please.

805
00:46:27,239 --> 00:46:31,080
Speaker 1: I appreciate that you are concerned about how this lands

806
00:46:31,120 --> 00:46:35,320
Speaker 1: on me. But I'm a big boy, and you guys

807
00:46:35,360 --> 00:46:38,160
Speaker 1: gotta do what you gotta do. So when I got

808
00:46:38,160 --> 00:46:41,479
Speaker 1: through it and they used it, and they used all

809
00:46:41,600 --> 00:46:43,320
Speaker 1: the music, I did, all this thing, I've done it,

810
00:46:43,440 --> 00:46:47,399
Speaker 1: it was a remarkable time to just take a break

811
00:46:47,440 --> 00:46:50,160
Speaker 1: and say, wow, thank God for cutting edge medicine. But

812
00:46:50,239 --> 00:46:55,560
Speaker 1: also over and above that um my podcast on which

813
00:46:55,880 --> 00:46:59,560
Speaker 1: was so kind to be a part, I ended every episode.

814
00:46:59,600 --> 00:47:02,359
Speaker 1: I say, laugh is the best medicine. The cool thing

815
00:47:02,400 --> 00:47:04,640
Speaker 1: is you can't ode and the refills are free. And

816
00:47:04,680 --> 00:47:08,680
Speaker 1: I'm telling you what it's that God's honest truth. The

817
00:47:08,680 --> 00:47:13,440
Speaker 1: the ability to laugh at myself. Um two, uh, find

818
00:47:13,480 --> 00:47:16,040
Speaker 1: ways to laugh at the parts that were kind of dark,

819
00:47:16,520 --> 00:47:19,440
Speaker 1: make fun of myself when I looked, you know, just

820
00:47:19,520 --> 00:47:22,359
Speaker 1: like like a skeleton with a little bit of skin

821
00:47:22,400 --> 00:47:25,879
Speaker 1: all written. I mean, does not everybody works that way?

822
00:47:26,120 --> 00:47:28,560
Speaker 1: That worked for me. And the joy that all these

823
00:47:28,640 --> 00:47:31,200
Speaker 1: characters that I've been so lucky to perform over the years,

824
00:47:31,880 --> 00:47:34,520
Speaker 1: all right, it's right in here. And so I call

825
00:47:34,640 --> 00:47:37,360
Speaker 1: up Pinky and call up Jacko and all the other knuckleheads,

826
00:47:37,400 --> 00:47:40,040
Speaker 1: Carl Wheezer and all that, and it just it just

827
00:47:40,280 --> 00:47:43,680
Speaker 1: helped me get through that madness. So that's why it's

828
00:47:43,719 --> 00:47:47,360
Speaker 1: the platinum lining. And that's why Christie, I'm so grateful

829
00:47:47,400 --> 00:47:49,160
Speaker 1: that you guys let me ramble on about it. It's

830
00:47:49,440 --> 00:47:51,839
Speaker 1: a big deal for me. It's amazing. And now you're

831
00:47:51,840 --> 00:47:53,560
Speaker 1: helping other people who are who are dealing with the

832
00:47:53,600 --> 00:47:58,560
Speaker 1: same thing. That is pretty incredible. Yeah, there's uh one

833
00:47:58,600 --> 00:48:01,959
Speaker 1: of my my favorite uh anecdotes very quickly about something

834
00:48:02,000 --> 00:48:03,600
Speaker 1: like that is exactly what we're talking about. Where a

835
00:48:03,600 --> 00:48:06,000
Speaker 1: man falls into a hole and he's down there and

836
00:48:06,000 --> 00:48:07,920
Speaker 1: and people are walking over him, and he sees a

837
00:48:07,920 --> 00:48:09,719
Speaker 1: police officer and he says, officer, you gotta help me,

838
00:48:09,760 --> 00:48:12,000
Speaker 1: I've fallen in the hole. And the officer throws him

839
00:48:12,040 --> 00:48:13,640
Speaker 1: a pair of cuffs and says, don't worry. If somebody

840
00:48:13,640 --> 00:48:15,239
Speaker 1: somebody comes at you can arrest him. And then the

841
00:48:15,280 --> 00:48:18,040
Speaker 1: doctor walks by and and he says, doc, you gotta

842
00:48:18,080 --> 00:48:19,840
Speaker 1: help me. I've fallen into a hole. Please help me.

843
00:48:19,880 --> 00:48:21,719
Speaker 1: And the doctor writes some prescription and throws it down

844
00:48:21,719 --> 00:48:23,719
Speaker 1: the hole and walks by, and he sees his best

845
00:48:23,719 --> 00:48:25,839
Speaker 1: friend walk by, and he says, it's you. You gotta

846
00:48:25,880 --> 00:48:27,319
Speaker 1: help me, And the guy jumps in the hole with

847
00:48:27,360 --> 00:48:29,200
Speaker 1: him and he says, what are you What are you

848
00:48:29,239 --> 00:48:30,839
Speaker 1: doing now? We're both down here, and he says, yeah,

849
00:48:30,840 --> 00:48:32,319
Speaker 1: but I've been here before and I know the way out.

850
00:48:33,280 --> 00:48:36,879
Speaker 1: So there's that. That is one of my favorite anecdotes ever.

851
00:48:37,160 --> 00:48:40,560
Speaker 1: And it's that same kind of kind of thing. So

852
00:48:41,000 --> 00:48:42,640
Speaker 1: I had a bunch of questions for you. I don't

853
00:48:42,640 --> 00:48:44,359
Speaker 1: even want to ask him anymore because that I want

854
00:48:44,360 --> 00:48:47,200
Speaker 1: to end right there. It was no, it's perfect. There

855
00:48:47,280 --> 00:48:49,279
Speaker 1: is one question that we ask everybody, and there's only

856
00:48:49,280 --> 00:48:50,960
Speaker 1: one question that I want to know, and that's and

857
00:48:51,000 --> 00:48:52,640
Speaker 1: I don't think you're even gonna be able to answer

858
00:48:52,640 --> 00:48:56,160
Speaker 1: this because you've been everybody. One character you haven't played

859
00:48:56,200 --> 00:48:58,680
Speaker 1: that you want to, any character you want, who would

860
00:48:58,680 --> 00:49:04,759
Speaker 1: you pick? I really like every after. I really would

861
00:49:04,760 --> 00:49:06,400
Speaker 1: love to get a crack at the joker. I just

862
00:49:08,920 --> 00:49:12,360
Speaker 1: I think, And you know why, I think because uh

863
00:49:12,600 --> 00:49:17,319
Speaker 1: Mark has set the bar so high that I love

864
00:49:17,360 --> 00:49:19,440
Speaker 1: a challenge and I would love to come up with

865
00:49:19,560 --> 00:49:24,880
Speaker 1: something that was different but interesting. Um and my like

866
00:49:24,880 --> 00:49:26,600
Speaker 1: I mentioned, my son is thirty eight is in the

867
00:49:26,680 --> 00:49:32,600
Speaker 1: video game business. And I remember Mark and Kevin are

868
00:49:32,640 --> 00:49:34,799
Speaker 1: both dear friends. I know you know those guys, and

869
00:49:35,400 --> 00:49:40,399
Speaker 1: um uh, my son loves the Batman franchise. And he said,

870
00:49:40,719 --> 00:49:43,600
Speaker 1: I'm telling you what. I love the Chris Nolan movies.

871
00:49:43,640 --> 00:49:46,120
Speaker 1: I love Christian Bale, Michael Keaton, all that stuff. I

872
00:49:46,160 --> 00:49:50,320
Speaker 1: love watching it. I love the whole mythos of Batman.

873
00:49:50,880 --> 00:49:52,920
Speaker 1: But I'm telling you what this is after you met

874
00:49:52,960 --> 00:49:55,600
Speaker 1: Kevin Conroy and he said, there is no doubt that

875
00:49:55,640 --> 00:49:59,120
Speaker 1: if I had to watch one version the rest of

876
00:49:59,160 --> 00:50:04,040
Speaker 1: my life, I easily watch the animated series forever and

877
00:50:04,120 --> 00:50:07,480
Speaker 1: never looked back. His Batman is Kevin and his joker

878
00:50:07,640 --> 00:50:12,120
Speaker 1: is Mark. And I love that character because it's so rich.

879
00:50:12,760 --> 00:50:15,160
Speaker 1: But I don't know that I have said that had

880
00:50:15,200 --> 00:50:18,759
Speaker 1: I never heard Mark doing it. Mark just killed it

881
00:50:18,880 --> 00:50:21,120
Speaker 1: so much that I kind of want to go, well,

882
00:50:21,160 --> 00:50:23,919
Speaker 1: I don't expect it to be better. That's a very

883
00:50:23,960 --> 00:50:27,400
Speaker 1: subjective thing, but I would love the challenge of coming

884
00:50:27,440 --> 00:50:32,480
Speaker 1: up my own version because I've just been so transfixed

885
00:50:32,480 --> 00:50:36,040
Speaker 1: by Marx. You know it's pretty cool. I think, Okay,

886
00:50:36,040 --> 00:50:37,719
Speaker 1: that's great. Well, yeah that we we get that a lot,

887
00:50:37,760 --> 00:50:39,760
Speaker 1: and I think that is the character that everybody seems

888
00:50:39,800 --> 00:50:42,759
Speaker 1: to want to tackle is the joker, So we love

889
00:50:42,840 --> 00:50:55,799
Speaker 1: that we have our voice over actor with us. He's

890
00:50:55,800 --> 00:50:59,600
Speaker 1: coming in today. His name is Brandon and Brandon is

891
00:50:59,640 --> 00:51:02,520
Speaker 1: going to be joining us for Across the Garden, which

892
00:51:02,560 --> 00:51:04,520
Speaker 1: is coming back. He asked me have brought it back

893
00:51:04,600 --> 00:51:08,239
Speaker 1: because people requested it, and we, frankly just absolutely love

894
00:51:08,320 --> 00:51:12,160
Speaker 1: to do it. So we can't wait in there is Brandon. Hey, Brandon,

895
00:51:12,560 --> 00:51:22,600
Speaker 1: are you've got snow job here? Yeah? I can't with

896
00:51:22,600 --> 00:51:25,080
Speaker 1: the g I Joe anymore. I'm gonna start crying, um

897
00:51:25,120 --> 00:51:28,719
Speaker 1: brand So Brandon, we we've obviously won before and we've

898
00:51:28,800 --> 00:51:31,520
Speaker 1: met you at conventions yep. And actually I won the

899
00:51:31,520 --> 00:51:35,839
Speaker 1: fan xbo one one. You won the Live I Hear

900
00:51:35,960 --> 00:51:41,520
Speaker 1: Voices Fan Expo episode, which is great. So where are

901
00:51:41,560 --> 00:51:45,560
Speaker 1: you from? Denver, Colorado? That's okay, You're from from the

902
00:51:45,640 --> 00:51:49,320
Speaker 1: from the Windy Apple, the mile high Windy Apple of Denver,

903
00:51:50,080 --> 00:51:53,440
Speaker 1: which we love. And did you get your your script? Oh?

904
00:51:53,520 --> 00:51:55,920
Speaker 1: Yes I did, and you are going to be playing

905
00:51:56,160 --> 00:52:00,640
Speaker 1: Sue No Sue as in Spread it O. You excited

906
00:52:00,680 --> 00:52:08,640
Speaker 1: about our contest coming up? Oh yeah, yet you're like

907
00:52:08,680 --> 00:52:14,160
Speaker 1: our number one exactly and we will talk about it

908
00:52:14,200 --> 00:52:16,640
Speaker 1: more fuller, but just a quick plug for Christie. What

909
00:52:16,680 --> 00:52:21,439
Speaker 1: was the contest called again califragilistic? So nope, not even close.

910
00:52:21,520 --> 00:52:24,640
Speaker 1: You're not even trying. She's given up trying. Every episode

911
00:52:24,680 --> 00:52:27,600
Speaker 1: I try and I fail. We are going to try again. No,

912
00:52:27,800 --> 00:52:32,320
Speaker 1: we are, of course once again announcing the Super Awesome

913
00:52:32,360 --> 00:52:37,040
Speaker 1: Contest to become the Next Big Voice Actor contest close close,

914
00:52:37,120 --> 00:52:39,800
Speaker 1: that was actually closer than Christie. The Super Awesome Contest

915
00:52:39,840 --> 00:52:41,759
Speaker 1: to Become the Next Big Voice Actor. We will be

916
00:52:41,800 --> 00:52:44,799
Speaker 1: announcing all of the great prizes and everything. I think

917
00:52:44,840 --> 00:52:46,799
Speaker 1: we're gonna be. It's gonna be right around Halloween, if

918
00:52:46,840 --> 00:52:48,439
Speaker 1: not on Halloween, that we are going to be able

919
00:52:48,520 --> 00:52:51,680
Speaker 1: to really jump into the contest. One person out there

920
00:52:51,800 --> 00:52:54,160
Speaker 1: is going to win the opportunity to get an amazing

921
00:52:54,239 --> 00:52:57,000
Speaker 1: voice actor career. We can open the door a little

922
00:52:57,000 --> 00:52:58,400
Speaker 1: bit for you, we can crack it, but then you

923
00:52:58,480 --> 00:53:00,600
Speaker 1: got to kick it open with your talent, is the plan.

924
00:53:01,320 --> 00:53:05,080
Speaker 1: But as we're waiting for the contest to launch, we're

925
00:53:05,120 --> 00:53:07,440
Speaker 1: getting back into Across the Garden. And for those of

926
00:53:07,480 --> 00:53:12,040
Speaker 1: you who are our old fan like Brandon, Yes I

927
00:53:12,080 --> 00:53:17,080
Speaker 1: said that right fan. Um, we have two characters that

928
00:53:17,120 --> 00:53:19,239
Speaker 1: we invented in the fly called Ricky and Mocha, who

929
00:53:19,280 --> 00:53:21,160
Speaker 1: are two little mice that are trying to get across

930
00:53:21,160 --> 00:53:23,080
Speaker 1: the garden to get to the other side so that

931
00:53:23,200 --> 00:53:26,560
Speaker 1: Mocha can see her boyfriend at the mall. And we

932
00:53:26,600 --> 00:53:29,960
Speaker 1: have had some wonderful amateur voice over actors, some amazing

933
00:53:30,600 --> 00:53:33,600
Speaker 1: uh pros that come on and we are hopefully the

934
00:53:33,640 --> 00:53:37,759
Speaker 1: goal is then amateurre um animators are going to take

935
00:53:37,800 --> 00:53:40,720
Speaker 1: these little segments and they're going to animate together a cartoon,

936
00:53:40,800 --> 00:53:42,800
Speaker 1: and all of these amateur voiceover actors are going to

937
00:53:42,840 --> 00:53:45,759
Speaker 1: get a chance to be on the very right. It

938
00:53:45,880 --> 00:53:49,719
Speaker 1: is a ton of fun. We really can't wait. So yes,

939
00:53:49,840 --> 00:53:52,799
Speaker 1: Ricky and Mocha are still on their journey and we

940
00:53:52,840 --> 00:53:56,279
Speaker 1: are going to pick it up once again Exterior Woods Continuous.

941
00:53:56,360 --> 00:54:00,279
Speaker 1: Is everybody ready? All right? Here we go Brandon you ready? Yes,

942
00:54:00,400 --> 00:54:03,760
Speaker 1: got my script? We're good. I'm ready, I'm ready, I'm ready.

943
00:54:03,760 --> 00:54:06,280
Speaker 1: Do we go, folks, Let's do it. Ricky and Moca

944
00:54:06,320 --> 00:54:09,880
Speaker 1: are still on their journey in the woods. Uh Moca,

945
00:54:10,120 --> 00:54:12,160
Speaker 1: do you ever get the feeling that we're not actually

946
00:54:12,239 --> 00:54:16,120
Speaker 1: really like, we're just fictional characters being written by someone

947
00:54:16,160 --> 00:54:18,759
Speaker 1: else to fulfill some kind of empty hole. They have

948
00:54:18,920 --> 00:54:22,960
Speaker 1: in their life. Yeah, you know, like we're never going

949
00:54:23,040 --> 00:54:24,880
Speaker 1: to actually get to them all to see your boyfriend

950
00:54:24,920 --> 00:54:27,920
Speaker 1: if you even exist. Like every time we feel like

951
00:54:28,040 --> 00:54:30,759
Speaker 1: we're getting close to some other crazy character is just

952
00:54:30,800 --> 00:54:36,319
Speaker 1: gonna pop up and distract us. No got me neither.

953
00:54:43,120 --> 00:54:46,279
Speaker 1: Do you hear that? Do you hear that? Come on,

954
00:54:48,200 --> 00:54:50,080
Speaker 1: Ricky Moco, come over a small hill to find a

955
00:54:50,120 --> 00:54:52,200
Speaker 1: tiny little kitchen set up in the middle of the clearing.

956
00:54:52,239 --> 00:54:54,640
Speaker 1: A chipmunk in a chef's hat and coat is berating

957
00:54:54,640 --> 00:54:57,680
Speaker 1: another chipmunk in a black chef's coat, So you'll think

958
00:54:57,719 --> 00:55:02,640
Speaker 1: you are to we now you dounky? Are you a donkey?

959
00:55:02,800 --> 00:55:05,760
Speaker 1: These are to me? Seriously? Can you answer me? Because

960
00:55:05,800 --> 00:55:10,160
Speaker 1: my eyes don't work too good anymore. No chef saying

961
00:55:10,200 --> 00:55:13,360
Speaker 1: why would you do this to my south? Tell me

962
00:55:13,400 --> 00:55:16,520
Speaker 1: why you do this to my house? I don't know ship.

963
00:55:16,760 --> 00:55:20,640
Speaker 1: I just thought he needed something. He did something, dude,

964
00:55:20,680 --> 00:55:25,120
Speaker 1: that something. This ric p as been eating my family

965
00:55:25,400 --> 00:55:35,759
Speaker 1: for general. What is possibly um flavor? Bab Jeff hit

966
00:55:35,840 --> 00:55:39,600
Speaker 1: Sue in the head with a ladle Oh damn, that

967
00:55:39,760 --> 00:55:42,600
Speaker 1: finest prea teach in the world. I drive myself and

968
00:55:42,680 --> 00:55:48,520
Speaker 1: I'm giving it. Glowing radio RAI one you can pulls

969
00:55:48,560 --> 00:55:50,840
Speaker 1: out a piece of paper and shoves it at Sue.

970
00:55:51,920 --> 00:55:55,840
Speaker 1: Chef monks Boarder Lisauce should be renamed board all days

971
00:55:55,880 --> 00:56:00,800
Speaker 1: to us with this limited depth and indescribable texture, says

972
00:56:00,840 --> 00:56:03,120
Speaker 1: would be better surf speckling up a hole in the

973
00:56:03,160 --> 00:56:09,440
Speaker 1: wall then on a plate. See quote in describe texture

974
00:56:09,680 --> 00:56:15,920
Speaker 1: close court. You cannot buy pub like that. You're dumb.

975
00:56:16,000 --> 00:56:20,200
Speaker 1: I don't think you are the words. Ricky and Mocha

976
00:56:20,280 --> 00:56:26,480
Speaker 1: walk up. Excuse us? Can I help you? Pap hit

977
00:56:26,560 --> 00:56:35,120
Speaker 1: with the ladle again? You're just this? Can you you know?

978
00:56:35,160 --> 00:56:37,120
Speaker 1: I feel like I have asked this? How do we

979
00:56:37,160 --> 00:56:44,120
Speaker 1: get to the ball? Hit with the ladle? You're thinking?

980
00:56:44,280 --> 00:56:49,480
Speaker 1: How about? I'm sorry? Sue's face goes bright red. That it.

981
00:56:51,760 --> 00:56:53,960
Speaker 1: He walks over the pot, grabs two spoons and dips in,

982
00:56:54,040 --> 00:56:56,520
Speaker 1: and he turns and shoved the spoons into Ricky and

983
00:56:56,560 --> 00:57:00,399
Speaker 1: Mocha's mouths. How does this taste? Do you? Their eyes

984
00:57:00,480 --> 00:57:08,520
Speaker 1: light up? This is the best thing, so good. The

985
00:57:08,520 --> 00:57:11,120
Speaker 1: background chef grabs two spoons and dips him into his

986
00:57:11,160 --> 00:57:15,279
Speaker 1: own pot and walks over. Okay, now did you try

987
00:57:15,760 --> 00:57:19,360
Speaker 1: this one? Before they can answer, he shoves the spoons

988
00:57:19,360 --> 00:57:22,520
Speaker 1: in Rickey and Mocha's mouth. A beat passes. They turned. No,

989
00:57:22,880 --> 00:57:31,520
Speaker 1: I don't for me. Oh, I think you see you'll

990
00:57:31,560 --> 00:57:35,840
Speaker 1: see you'll see you see you see him. He might

991
00:57:35,920 --> 00:57:39,680
Speaker 1: teach you now gold kill dogs potatoes. Chef's about to

992
00:57:39,680 --> 00:57:43,400
Speaker 1: answer when Sue slowly raises the ladle again many check.

993
00:57:44,880 --> 00:57:47,800
Speaker 1: He smiles and turns to Ricky and Mocha is just

994
00:57:47,840 --> 00:57:51,040
Speaker 1: around the bed. Thank you for your service. Thank you

995
00:57:51,120 --> 00:58:01,440
Speaker 1: getting weirder right, Yeah, so, good job, great job, Brandon. Honestly,

996
00:58:01,480 --> 00:58:03,800
Speaker 1: he's getting better and better with it. From the time

997
00:58:03,840 --> 00:58:06,120
Speaker 1: I feel like we first met him and heard him,

998
00:58:06,240 --> 00:58:09,960
Speaker 1: he's always been also, Brandon. You might not because you're

999
00:58:10,000 --> 00:58:12,320
Speaker 1: in the waiting room, certainly didn't hear the conversation that

1000
00:58:12,360 --> 00:58:14,800
Speaker 1: we were just having with Rob. But you did something

1001
00:58:14,840 --> 00:58:19,760
Speaker 1: that exactly what we were talking about. You committed to

1002
00:58:19,960 --> 00:58:22,320
Speaker 1: what we were doing, and that is the first most

1003
00:58:22,360 --> 00:58:24,280
Speaker 1: important thing you got to do, Brandon. You came in

1004
00:58:24,360 --> 00:58:27,480
Speaker 1: and you nailed it. So congratulation. How to give my

1005
00:58:27,560 --> 00:58:31,280
Speaker 1: best hundred tem per cent all of that times. Look

1006
00:58:31,280 --> 00:58:37,840
Speaker 1: at him going, look at him going, He'll win that. Oh, Brandon,

1007
00:58:37,960 --> 00:58:42,080
Speaker 1: thank you so much. Congratulations. Is there any place where

1008
00:58:42,080 --> 00:58:44,320
Speaker 1: people can find you. Do you have any social media presence?

1009
00:58:44,400 --> 00:58:48,720
Speaker 1: I do well. I have personal Facebook and Instagram. Instagram

1010
00:58:48,760 --> 00:58:52,120
Speaker 1: is h g A Brandon easy fine, so you guys

1011
00:58:52,120 --> 00:58:55,360
Speaker 1: can find me there. Perfect and other than that, I'm

1012
00:58:55,360 --> 00:58:58,600
Speaker 1: just about around in the world. There's nothing wrong with that.

1013
00:58:58,880 --> 00:59:02,560
Speaker 1: Thank you so much, Brandon. That is the best. Thank you,

1014
00:59:02,600 --> 00:59:04,760
Speaker 1: and I hope to see you guys soon against pleasure.

1015
00:59:04,800 --> 00:59:07,360
Speaker 1: We'll see you agoon, good luck. Thank you. One more thing,

1016
00:59:07,720 --> 00:59:12,840
Speaker 1: this was my first voice acting Joe. Hey, there's no first,

1017
00:59:12,880 --> 00:59:15,200
Speaker 1: like first my friend. I know. It was an honor.

1018
00:59:15,320 --> 00:59:19,960
Speaker 1: Thank Thank you, Brandon. Bye bye. How lovely that you

1019
00:59:20,080 --> 00:59:23,080
Speaker 1: guys do that. I just think that's great that you're

1020
00:59:23,080 --> 00:59:25,560
Speaker 1: finding a way to include folks. Good for you, Thank you.

1021
00:59:25,800 --> 00:59:28,440
Speaker 1: It is so much fun. And yeah, when we so

1022
00:59:28,600 --> 00:59:31,880
Speaker 1: the first we've actually announced this before, but the first

1023
00:59:31,920 --> 00:59:35,720
Speaker 1: thing you actually win is a one year contract with

1024
00:59:35,760 --> 00:59:39,840
Speaker 1: a voice over agency. Wow. And there's another couple of

1025
00:59:39,880 --> 00:59:41,520
Speaker 1: prizes that we are still working on that are still

1026
00:59:41,520 --> 00:59:43,640
Speaker 1: going to be absolutely outstanding. So once again, that is

1027
00:59:43,680 --> 00:59:49,400
Speaker 1: the man. Christie. What's the names? Just okay, you know,

1028
00:59:49,520 --> 00:59:56,840
Speaker 1: hold on, what's it called? CHRISTI? It is the super

1029
00:59:56,880 --> 00:59:59,240
Speaker 1: awesome contest to become the next big voice actor. So

1030
01:00:00,000 --> 01:00:04,040
Speaker 1: awesome contest to become the next big voice actor. There,

1031
01:00:04,640 --> 01:00:09,640
Speaker 1: I do it, you did so, thank you come back.

1032
01:00:10,400 --> 01:00:13,960
Speaker 1: He had the time one of the and I was

1033
01:00:13,960 --> 01:00:15,600
Speaker 1: going to talk to you about this later. This might

1034
01:00:15,600 --> 01:00:16,960
Speaker 1: be cut. We'll see if we're going to cut this

1035
01:00:17,080 --> 01:00:18,360
Speaker 1: or not. But one of the things we're gonna do

1036
01:00:18,440 --> 01:00:20,680
Speaker 1: is when we get down to the final two contestants,

1037
01:00:21,360 --> 01:00:23,360
Speaker 1: um actually might be the final four, they're going to

1038
01:00:23,520 --> 01:00:26,280
Speaker 1: get for you know, a day or so just over zoom.

1039
01:00:26,600 --> 01:00:28,640
Speaker 1: They're going to get a voice over mentor that's going

1040
01:00:28,680 --> 01:00:31,160
Speaker 1: to help them and uh, and then we go to

1041
01:00:31,400 --> 01:00:34,000
Speaker 1: pick the big final winner. So um yeah, we'd love

1042
01:00:34,040 --> 01:00:35,720
Speaker 1: to have you involved somewhere down the law. It would

1043
01:00:35,760 --> 01:00:40,560
Speaker 1: be absolutely a pleasure. Anything you guys want. I just

1044
01:00:40,680 --> 01:00:44,240
Speaker 1: love to look. You guys were in a happy business.

1045
01:00:44,400 --> 01:00:46,640
Speaker 1: Isn't this the coolest thing in the world? And look

1046
01:00:46,920 --> 01:00:51,160
Speaker 1: we are. That's sweet Brandon. He will never forget that,

1047
01:00:51,560 --> 01:00:55,000
Speaker 1: irrespectable what happens down the road, he will never forget that.

1048
01:00:55,040 --> 01:00:57,439
Speaker 1: And it's thanks to you guys. That's a very big deal.

1049
01:00:58,240 --> 01:01:01,200
Speaker 1: It's cool as if we were having fun. So you

1050
01:01:01,200 --> 01:01:04,919
Speaker 1: can join us obviously on anywhere you listen to podcasts

1051
01:01:05,000 --> 01:01:08,040
Speaker 1: or on the I Heart radio app and uh yeah,

1052
01:01:08,080 --> 01:01:11,040
Speaker 1: please join us and again, um I can't. I can

1053
01:01:11,160 --> 01:01:13,800
Speaker 1: wish I could remember the name of the contest contest

1054
01:01:13,880 --> 01:01:17,440
Speaker 1: to become the next big voice over actor. I guess

1055
01:01:17,920 --> 01:01:23,960
Speaker 1: you almost had a great voice over. Sorry voice over actor.

1056
01:01:24,800 --> 01:01:28,040
Speaker 1: There you voice actor? Okay, got it, I'll get it

1057
01:01:28,080 --> 01:01:31,120
Speaker 1: next time. All right, next time, next episode, now, Rob.

1058
01:01:32,120 --> 01:01:34,400
Speaker 1: I always end by saying, if you think you can

1059
01:01:34,400 --> 01:01:36,240
Speaker 1: do what we do, step up and put your voices

1060
01:01:36,280 --> 01:01:38,040
Speaker 1: where your mouth is. I think we should end with

1061
01:01:38,160 --> 01:01:40,880
Speaker 1: his you could do us a favor. If you could

1062
01:01:40,880 --> 01:01:42,480
Speaker 1: do us a favor and you could take us out

1063
01:01:42,520 --> 01:01:48,360
Speaker 1: with the talking tunes. I was so appreciate the happiness, laughing. Yeah,

1064
01:01:48,400 --> 01:01:51,200
Speaker 1: I'll tell you what. Let me do something very crauickly

1065
01:01:51,280 --> 01:01:53,000
Speaker 1: because if you guys will get a kicked out of this.

1066
01:01:53,560 --> 01:01:57,760
Speaker 1: Um Will was doing a bit of the United States

1067
01:01:57,760 --> 01:02:01,800
Speaker 1: count well that song, a little bit of Inside Baseball.

1068
01:02:02,760 --> 01:02:05,400
Speaker 1: Check out how much talent. This is a great example

1069
01:02:05,440 --> 01:02:08,560
Speaker 1: of you guys watching. Is that you when you're in Hollywood,

1070
01:02:09,360 --> 01:02:13,160
Speaker 1: uh or New York? You never know. I always tell

1071
01:02:13,280 --> 01:02:16,400
Speaker 1: young people, surround yourself with people of a like mind.

1072
01:02:16,680 --> 01:02:19,160
Speaker 1: Go to class go out to eat with actors. Just

1073
01:02:20,680 --> 01:02:24,280
Speaker 1: uh I remember when Animanias was coming along and I

1074
01:02:24,360 --> 01:02:27,280
Speaker 1: got the job, there was obviously music that was a

1075
01:02:27,280 --> 01:02:32,040
Speaker 1: big part of it. Um So I had never met

1076
01:02:32,120 --> 01:02:35,360
Speaker 1: Randy Rogal, who wrote most of the songs that you

1077
01:02:35,400 --> 01:02:39,080
Speaker 1: guys know from Animanias, including Yako's World. But what people

1078
01:02:39,120 --> 01:02:43,800
Speaker 1: don't know is that Jacko's World was the song that

1079
01:02:44,000 --> 01:02:51,200
Speaker 1: Randy Rogal dave two Warner Brothers as his audition piece.

1080
01:02:51,880 --> 01:02:54,760
Speaker 1: He wrote that song when they said all right, well

1081
01:02:54,760 --> 01:02:56,400
Speaker 1: what have you got? Can you write something on spect?

1082
01:02:56,440 --> 01:02:59,680
Speaker 1: He said, I sure, Ken He wrote that song just

1083
01:03:00,040 --> 01:03:03,360
Speaker 1: because he could and played it for them. And that's

1084
01:03:03,360 --> 01:03:04,800
Speaker 1: one of those things when you hear it, you stick

1085
01:03:04,840 --> 01:03:06,520
Speaker 1: your head out the door on Mr Spielberg, I think

1086
01:03:06,520 --> 01:03:09,880
Speaker 1: you should hear this, and not only that. So it

1087
01:03:10,000 --> 01:03:13,160
Speaker 1: was the first song he wrote for Animaniacs, and it

1088
01:03:13,240 --> 01:03:15,720
Speaker 1: was the first song I recorded. Talked about setting the

1089
01:03:15,720 --> 01:03:20,720
Speaker 1: bar high, unbelievable and he didn't disappoint. However, a few

1090
01:03:20,800 --> 01:03:23,920
Speaker 1: years later, uh I told Randy, I said, you know,

1091
01:03:23,960 --> 01:03:26,600
Speaker 1: I've been doing a convention. People every now and then

1092
01:03:26,600 --> 01:03:28,520
Speaker 1: say are they going to update the Apples World? Because

1093
01:03:28,560 --> 01:03:32,000
Speaker 1: you know there are a lot of different countries that

1094
01:03:32,120 --> 01:03:34,200
Speaker 1: they have come to be and some of them gone

1095
01:03:34,200 --> 01:03:36,320
Speaker 1: away since that song was written, he said, you know what,

1096
01:03:36,320 --> 01:03:39,800
Speaker 1: you're right, So an extra eleven minutes on a Tuesday,

1097
01:03:40,440 --> 01:03:42,680
Speaker 1: and he wrote the follow This is just a quick

1098
01:03:42,800 --> 01:03:47,360
Speaker 1: update of the song. Okay, it goes like this. Montenegro

1099
01:03:47,440 --> 01:03:50,480
Speaker 1: and Bodnia, Herze Obania, the Soviet Union is gone. It's

1100
01:03:50,680 --> 01:03:54,840
Speaker 1: that bag Georgia, Moldovia, Latvia, Batjan who's bekas on? Hey

1101
01:03:54,920 --> 01:03:59,840
Speaker 1: k hey, I mean talk about left Serbian Cross about

1102
01:03:59,840 --> 01:04:04,840
Speaker 1: you Sama, about Balbin Bruni, McCowen, Primia, than Eritrea, Ukraini

1103
01:04:04,880 --> 01:04:08,440
Speaker 1: outther Stony, here's not Sooni and New Caledonia. He just Lobonia.

1104
01:04:08,520 --> 01:04:11,160
Speaker 1: I've read Coasting Cape Berti and Door the Solomon out

1105
01:04:11,160 --> 01:04:17,160
Speaker 1: of Dubai something wow. So he just came up with it.

1106
01:04:18,160 --> 01:04:24,120
Speaker 1: And as you can tell by the beautiful Christie Romano

1107
01:04:24,320 --> 01:04:32,240
Speaker 1: and the impossibly handsome Will the we can all absolutely agree,

1108
01:04:32,520 --> 01:04:37,240
Speaker 1: folks that laughter is so the best medicine. You don't

1109
01:04:37,280 --> 01:04:40,680
Speaker 1: know why Becauld you can't owe d and the refills

1110
01:04:40,760 --> 01:04:43,240
Speaker 1: are free. Thanks a lot, you, guys. It was an

1111
01:04:43,240 --> 01:04:50,240
Speaker 1: absolute privilege hanging Thank you. Thanks guys, I hear Voices

1112
01:04:50,240 --> 01:04:52,920
Speaker 1: as hosted by Wilfred l and Christy Carlson Romano. Executive

1113
01:04:52,920 --> 01:04:55,520
Speaker 1: produced by Wilfred Ill, Brendan Rooney, Amy Sugarman and Vicky

1114
01:04:55,640 --> 01:04:58,560
Speaker 1: Ernst Chang. Our executive in charge of production is Danielle Romo.

1115
01:04:58,760 --> 01:05:01,200
Speaker 1: Our producer is Lorraine very Was, and our editor slash

1116
01:05:01,240 --> 01:05:05,080
Speaker 1: engineer is Brian Burton. And that was my announcer voice.

1117
01:05:05,400 --> 01:05:07,400
Speaker 1: Some side effects of listening to I Hear Voices are

1118
01:05:07,440 --> 01:05:10,400
Speaker 1: sore abs from hilarity falling down the coco melon rabbit hole,

1119
01:05:10,520 --> 01:05:13,360
Speaker 1: sneezing due to mass nostalgia, and hugs. Follow I Hear

1120
01:05:13,440 --> 01:05:15,360
Speaker 1: Voices wherever you listen to podcasts so you don't miss

1121
01:05:15,400 --> 01:05:17,600
Speaker 1: any of the amazing voices. Be sure to follow us

1122
01:05:17,640 --> 01:05:20,400
Speaker 1: on Instagram and TikTok at I Hear Voices podcast. To

1123
01:05:20,440 --> 01:05:22,840
Speaker 1: see the video stream, subscribe to my YouTube channel. You

1124
01:05:22,880 --> 01:05:25,240
Speaker 1: can also check us out on my space, omegal Vine,

1125
01:05:25,360 --> 01:05:27,919
Speaker 1: Lime Wire. Hey I'm a napster. Okay, well, let's teach

1126
01:05:27,920 --> 01:05:29,040
Speaker 1: you about the Internet. The who