WEBVTT - Secret Garden

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<v Speaker 1>Family Secrets is a production of I Heart Radio, Close

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<v Speaker 1>your eyes and count to four, he whispered. I felt

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<v Speaker 1>his breath on my cheek. The barrel of the gun

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<v Speaker 1>was hard and cold against my forehead. I counted, and

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<v Speaker 1>when I opened my eyes, he was gone. I sat

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<v Speaker 1>up quickly in bed, gasping, my body soaked with sweat.

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<v Speaker 1>What the hell was that? It was pitch dark in

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<v Speaker 1>the room, not even a sliver of the moon to

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<v Speaker 1>offer some light. Damn, another nightmare. I've been having them

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<v Speaker 1>for almost two years, during which they had become more

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<v Speaker 1>and more violent and vivid, and in each I was

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<v Speaker 1>hunted by an anonymous man with a gun or a knife.

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<v Speaker 1>I would struggle to recognize him, but he kept his

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<v Speaker 1>face turned away from me. Then, just as he fined

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<v Speaker 1>my hiding place, I'd wake up with my heart pounding

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<v Speaker 1>and in trentaline horsing through my legs until they ached

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<v Speaker 1>that this nightmare was different. In this dream, I was

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<v Speaker 1>a young girl again, probably nine or ten, in my

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<v Speaker 1>summer pajamas, walking down along hallway hotel hallway. Suddenly the

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<v Speaker 1>elusive man blocked my path, backed me up against the wall,

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<v Speaker 1>and pointed a gun at my head. I looked up

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<v Speaker 1>at him, and I finally saw a space. It was

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<v Speaker 1>a man I hadn't seen since I was a child

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<v Speaker 1>in Provincetown, Massachusetts. That's Liza Rodman, author of The Babysitter

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<v Speaker 1>My Summers with a Serial Killer. Liza's story involves not one,

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<v Speaker 1>but two very disturbed people. One well, one is the

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<v Speaker 1>babysitter and the other the other is Liza's own mother.

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<v Speaker 1>Liza spent her childhood toggling between two places. Her family's

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<v Speaker 1>year around home near hacka Mock Swamp in southeastern Massachusetts

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<v Speaker 1>and Provincetown, a village on the extreme tip of Cape Cod.

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<v Speaker 1>I'm Danny Shapiro, and this is family secrets, the secrets

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<v Speaker 1>that are kept from us, the secrets we keep from others,

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<v Speaker 1>and the secrets we keep from ourselves. Tell me about

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<v Speaker 1>the landscape of your childhood, literally the landscape of my childhood.

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<v Speaker 1>It was kind of swampy. We lived in a swamp,

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<v Speaker 1>and um, I don't know if you've ever heard about

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<v Speaker 1>of the Hackamock Swamp, but my childhood home was right

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<v Speaker 1>on the edge of it. Hacka Mack being the Algonquin

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<v Speaker 1>name for places where spirits dwell. So that was literally

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<v Speaker 1>the beginning of my life, you know, outside. And you

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<v Speaker 1>know it's interesting too with COVID because I've found that

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<v Speaker 1>that that landscape, that being outside, that's the only way

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<v Speaker 1>I could comfort myself during COVID. So that remains because

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<v Speaker 1>it was the only way I could comfort myself in

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<v Speaker 1>my childhood. So I spent my life outside. You know,

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<v Speaker 1>we had a tremendous amount of freedom in nineteen sixty

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<v Speaker 1>three four five, and that went for Provincetown too, so

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<v Speaker 1>you know, we had no supervision. Just in context, we

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<v Speaker 1>had no supervision and we sort of ran the neighborhood.

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<v Speaker 1>No one was really looking after us much. My parents

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<v Speaker 1>were married for the first I think four years of

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<v Speaker 1>my life, and after they divorced. You know, my mother

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<v Speaker 1>was young and she was a single mother, and she

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<v Speaker 1>didn't get a lot of support from him, financial or otherwise.

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<v Speaker 1>And she had a best friend who said, hey, my

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<v Speaker 1>husband and I are building a big, gigantic motel on

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<v Speaker 1>the water in Provincetown on a summer job. Because my

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<v Speaker 1>mother taught school, and didn't take her but a minute

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<v Speaker 1>to say yes, and off we went. At that time,

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<v Speaker 1>I think it was seven. So in the early years,

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<v Speaker 1>we stayed local. But from the time I was seven

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<v Speaker 1>on Yes, we went back and forth and could you

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<v Speaker 1>describe to, you know, people listening to this podcast from

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<v Speaker 1>all over the world. Provincetown is a very specific kind

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<v Speaker 1>of place. Provincetown is it's a spit of land that

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<v Speaker 1>runs off the coast and out into a U shape

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<v Speaker 1>almost um to the tip of Cape Cod in Massachusetts.

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<v Speaker 1>And they say it has the finest light for artists

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<v Speaker 1>in the world, and it's always, at least from the

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<v Speaker 1>beginning of the nineteen hundreds, it was an artist community.

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<v Speaker 1>And it has a rich, rich history of um playwrights,

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<v Speaker 1>Eugene O'Neill, poets, fine artists, all congregated there. There was

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<v Speaker 1>a bit of a there was a local flavor of

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<v Speaker 1>Portuguese fishermen, and then there was this these transplants from

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<v Speaker 1>New York, the likes of Stanley Kunits, the poet, who

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<v Speaker 1>had a home there and beautiful gardens there, and so

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<v Speaker 1>they these two factions sort of coexisted for many, many,

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<v Speaker 1>many decades and happily so. So it's an artist community.

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<v Speaker 1>It's a beach community. It's on a sand dune and

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<v Speaker 1>it sort of juts out into the sea. It's some

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<v Speaker 1>of the best beaches you'll ever walk on. Tell me

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<v Speaker 1>about your mother from your childhood. She was angry, so

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<v Speaker 1>I put it, and I'm sure there were lots of

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<v Speaker 1>reasons for that, but I never knew what they were.

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<v Speaker 1>And you know, she died recently and she went to

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<v Speaker 1>her grave with whatever had happened to her. We never

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<v Speaker 1>did find out. Um, But she was pretty, she was funny,

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<v Speaker 1>she was charismatic, she had a wonderful laugh. People liked her.

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<v Speaker 1>But she had a problem with me. I don't know

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<v Speaker 1>whether I look too much like my father or not

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<v Speaker 1>enough like her, or maybe I was too much like her.

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<v Speaker 1>I don't know, but she had a problem with me,

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<v Speaker 1>and and that anger was usually focused on me. But again,

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<v Speaker 1>she was a hard worker. It was such a complicated

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<v Speaker 1>relationship to begin with that. But as a child I

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<v Speaker 1>was afraid of her. I spent most of my time

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<v Speaker 1>hiding from her. How old was she when you were born?

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<v Speaker 1>Good question, And your sister is younger than you, two

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<v Speaker 1>years younger. Her memories. She calls me the rememberer, and

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<v Speaker 1>she's the forgetter, and she was quite a bit younger.

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<v Speaker 1>She has some some sort of tactile memories and you know,

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<v Speaker 1>over the years, we've had a lot of conversations about it.

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<v Speaker 1>Your mother struck me as a complicated figure because she

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<v Speaker 1>had this kind of almost you know, she's beautiful, she's lively,

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<v Speaker 1>she'd go up to anyone and talk to them. She

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<v Speaker 1>kind of had this magic about her in a certain way,

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<v Speaker 1>the way you would describe her. And she was also

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<v Speaker 1>just kind of a disaster as a mother. Mm hmm.

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<v Speaker 1>She really was, I mean in terms of in terms

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<v Speaker 1>of warmth, in terms of I'd love you almost never.

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<v Speaker 1>She really didn't want to be inconvenienced. She was really

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<v Speaker 1>looking for her next good time. And I you know, honestly,

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<v Speaker 1>I think if you were to diagnose her, you could

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<v Speaker 1>one of her her favorite things to do or one

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<v Speaker 1>of her addictions, as I now say, was mean to

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<v Speaker 1>be mean at someone else's expense. There was always was

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<v Speaker 1>always a joke. She always had a funny name for

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<v Speaker 1>you that was just a little bit on the mean side,

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<v Speaker 1>and you felt it. You know, it wasn't It wasn't

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<v Speaker 1>something where you went, oh, did she mean that or not?

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<v Speaker 1>You knew she meant it. Even when she was young.

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<v Speaker 1>She just to tell me about the way she used

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<v Speaker 1>to tease her brother, and it was just something she

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<v Speaker 1>enjoyed it. She used to like to make him cry.

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<v Speaker 1>And what was your father likes? I mean, I know

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<v Speaker 1>they split up when you were really quite small, and

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<v Speaker 1>he was kind of not really president, but would show

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<v Speaker 1>up every once in a while, right exactly. He was

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<v Speaker 1>I think, you know, in a lot of ways, he

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<v Speaker 1>was equally unstable. He was a huge personality, and I

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<v Speaker 1>just thought he was carry Grant or you know, uh,

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<v Speaker 1>I used to think he was Clark Gable from Gone

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<v Speaker 1>with the Wind. He was had this big personality and

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<v Speaker 1>very very handsome and funny and grew up in a

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<v Speaker 1>funeral home, so he had all these funny jokes and

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<v Speaker 1>he just found a way to deal with death early on.

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<v Speaker 1>I think it was through humor. And he was very,

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<v Speaker 1>very extroverted, so you know, you wanted to be around him,

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<v Speaker 1>and he was never around and of course, as a

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<v Speaker 1>young girl, you want to be around your dad anyway.

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<v Speaker 1>And he just was a puzzle to me despite his

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<v Speaker 1>absence and distance. Was he more loving than your mother

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<v Speaker 1>in his way? Yes, he was more nurturing. So for instance,

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<v Speaker 1>when I was nineteen, I had a knee surgery and

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<v Speaker 1>I had been um at his house, um for you know,

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<v Speaker 1>I've been thrown out of my house for one reason

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<v Speaker 1>or another, and so I was at his house recovery

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<v Speaker 1>and he was the one to feed the ice chips

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<v Speaker 1>and to give the pain medication and to um just

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<v Speaker 1>sort of make sure I was okay. And that was

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<v Speaker 1>a really that was a new experience for me, either

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<v Speaker 1>one of them. Really. See, your mother never would have

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<v Speaker 1>done that, not in that way. She might have made pasta,

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<v Speaker 1>but she would have said, you know what, get up,

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<v Speaker 1>you're fine. And again, you have to contextualize these things,

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<v Speaker 1>right because in that in that day, it was pull

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<v Speaker 1>yourself up, dust yourself off, and move because we're not

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<v Speaker 1>going to sit around here and talk about what's wrong.

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<v Speaker 1>We're just going to go out and do. And I

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<v Speaker 1>my mother's father was very much like that. So my

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<v Speaker 1>mother was very much like that. So you know, if

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<v Speaker 1>there was, as she said, a nurse I'm not, she wasn't.

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<v Speaker 1>I like the order of that sentence, not i'm not

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<v Speaker 1>a nurse, A nurse i'm not Exactly, it's a finer

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<v Speaker 1>point than it. You know, something that strikes me often

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<v Speaker 1>on this podcast is that especially when whatever the whatever

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<v Speaker 1>the sort of secrets at hand. Are are sort of

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<v Speaker 1>like rooted in childhood that we have a way of

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<v Speaker 1>imagining all children do, imagining that all other families are

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<v Speaker 1>like our family. You know, we don't know, we don't

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<v Speaker 1>know anything different. Really, it's not until we grow up

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<v Speaker 1>and get a little bit of a more wide angle

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<v Speaker 1>of view that we that we begin to see that, oh, actually,

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<v Speaker 1>maybe that was really not good, not good or not

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<v Speaker 1>the way everybody else was being raised. We'll be right back.

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<v Speaker 1>It's the summer of nineteen sixty six and Liza is

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<v Speaker 1>seven years old. She's in Provincetown with her mother and sister.

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<v Speaker 1>Her mother needs to work, which means she also needs babysitters,

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<v Speaker 1>and she's very good at getting them. She'll ask anyone

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<v Speaker 1>to be a babysitter. She doesn't exactly vet them, you know,

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<v Speaker 1>check references. All you need basically is to have a

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<v Speaker 1>pulse and be able to show up. They used to

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<v Speaker 1>call her the babysitter Finder. If you needed one, you

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<v Speaker 1>called her. So she had this whole cadre of young women.

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<v Speaker 1>And oh, we had some terrible babysitters at We had

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<v Speaker 1>car accidents with babysitters. We had babysitters that would cut

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<v Speaker 1>our line us up and cut our nails down to

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<v Speaker 1>the quick until they bled in some cases. And there

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<v Speaker 1>was this little um restaurant next to the hotel and

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<v Speaker 1>they'd send the seven and five year old across to

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<v Speaker 1>get whatever it was, French fries in the vanilla shake,

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<v Speaker 1>and we'd come back with it and they go, we

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<v Speaker 1>didn't want this, and they'd throw it out the window.

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<v Speaker 1>I mean, just crazy people. There are a lot of

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<v Speaker 1>crazy people in Provincetown in those days. There was some

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<v Speaker 1>nice ones, but you know, the drug scene was already entrenched,

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<v Speaker 1>so we had some interesting and and really we would

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<v Speaker 1>be left with anybody. I want to say too, because

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<v Speaker 1>I really do know that that landscape of Provincetown, that

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<v Speaker 1>there's something about that town that really feels like it's

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<v Speaker 1>sort of at the edge of the world. I mean,

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<v Speaker 1>it's surrounded by water, and it's the it's the furthest

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<v Speaker 1>point on Cape Cod, which is already a you know,

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<v Speaker 1>increasingly remote place as you go further and further out,

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<v Speaker 1>and then there's this real town. You know, this kind

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<v Speaker 1>of like ramshackle town, you know, not that small, but

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<v Speaker 1>that is sort of just perched there like there are

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<v Speaker 1>other places in the world like this. Key West is

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<v Speaker 1>a little bit like this, where there is that feeling

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<v Speaker 1>that you can't go any further than that. Yeah, it was.

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<v Speaker 1>It was a definite let it all hang out place.

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<v Speaker 1>And that juxtaposition you're talking about about the ramshackle town

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<v Speaker 1>and the tourist trade was a real two competing forces.

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<v Speaker 1>The locals had been there for generations and they needed

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<v Speaker 1>the summer tourists and they needed the artists. They also

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<v Speaker 1>resented the hell out of it, and for good reason.

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<v Speaker 1>So there was always that tension there, and it was

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<v Speaker 1>just under the surface. And even as a child, you

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<v Speaker 1>wanted to be a local. You wanted to play with

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<v Speaker 1>the local kids. The chef at the restaurant, you know,

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<v Speaker 1>he'd come out to the back door of the restaurant.

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<v Speaker 1>He'd come out and he'd feed us food, and we

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<v Speaker 1>thought it was wonderful to be able to hang out

0:14:13.559 --> 0:14:17.000
<v Speaker 1>with his kids, who would knew where the bike trails were,

0:14:17.040 --> 0:14:19.600
<v Speaker 1>and knew where the dune trails were, and knew where

0:14:19.600 --> 0:14:23.280
<v Speaker 1>the hiding places were, and you know, all of those

0:14:23.360 --> 0:14:26.560
<v Speaker 1>names I still have in my head. He wanted to

0:14:26.560 --> 0:14:28.960
<v Speaker 1>be part of it, and in my case, I was

0:14:29.040 --> 0:14:32.880
<v Speaker 1>really not part of anything. So I really deeply wanted

0:14:32.920 --> 0:14:36.160
<v Speaker 1>to be part of Provincetown and of the kids there

0:14:36.200 --> 0:14:38.880
<v Speaker 1>and the people there. There was a warmth to it

0:14:40.080 --> 0:14:43.560
<v Speaker 1>in the sort of the full time, the year round residents.

0:14:44.400 --> 0:14:49.120
<v Speaker 1>You know. It was transient up against really fixed and warm.

0:14:50.000 --> 0:14:52.200
<v Speaker 1>Frank Gaspar, I don't know if you know who he is,

0:14:52.240 --> 0:14:54.720
<v Speaker 1>but he writes a lot about this. He was he

0:14:54.800 --> 0:14:57.080
<v Speaker 1>grew up there, and he writes about what it was

0:14:57.120 --> 0:14:59.720
<v Speaker 1>like to grow up there, and the mother's talking over

0:14:59.720 --> 0:15:03.600
<v Speaker 1>the pens. Everybody knew what everybody else was doing in town,

0:15:03.680 --> 0:15:06.600
<v Speaker 1>and Frank Gaspar, you smoked that cigarette. I'm going to

0:15:06.720 --> 0:15:09.200
<v Speaker 1>tell your mother. So it was that kind of a

0:15:10.040 --> 0:15:12.760
<v Speaker 1>sense and a feeling of belonging to something that I

0:15:12.800 --> 0:15:15.360
<v Speaker 1>think the locals still cling to there, And I don't

0:15:15.400 --> 0:15:18.200
<v Speaker 1>blame them. I would to. As you're speaking, I'm thinking

0:15:18.240 --> 0:15:21.880
<v Speaker 1>it's essentially like insiders versus outsiders in a certain way, right,

0:15:22.200 --> 0:15:24.880
<v Speaker 1>And if you already feel like an outsider and you're

0:15:24.880 --> 0:15:28.800
<v Speaker 1>a child, you're desperate to belong and get swept up

0:15:28.800 --> 0:15:34.640
<v Speaker 1>into into other lives. Yep. So Liza has already had

0:15:34.800 --> 0:15:37.880
<v Speaker 1>quite the parade of babysitters in the summer of sixty six.

0:15:38.560 --> 0:15:41.240
<v Speaker 1>But one of them is a very charismatic young man

0:15:41.360 --> 0:15:45.760
<v Speaker 1>named Tony Costa, whose mother, Cecilia, works for Liza's mother

0:15:45.880 --> 0:15:52.120
<v Speaker 1>at the motel. I had encountered his mother first. She

0:15:52.320 --> 0:15:55.320
<v Speaker 1>was a chambermaid at the motel, so she was my

0:15:55.400 --> 0:16:00.960
<v Speaker 1>first friend, and he was her son, and he was

0:16:00.960 --> 0:16:05.160
<v Speaker 1>looking for work, and of course it was a wonderful

0:16:05.200 --> 0:16:08.600
<v Speaker 1>thing for the year round people to have these resorts

0:16:08.640 --> 0:16:12.040
<v Speaker 1>open up, because they it promised them lots of work

0:16:12.520 --> 0:16:15.840
<v Speaker 1>and lots of hours. And how old was Tony when

0:16:15.840 --> 0:16:20.240
<v Speaker 1>you were seven? He was born in so he would

0:16:20.240 --> 0:16:25.800
<v Speaker 1>have been twenty two. So Tony is hired to babysit you.

0:16:26.840 --> 0:16:30.160
<v Speaker 1>He's hired to take the trash, and he ends up

0:16:30.800 --> 0:16:34.080
<v Speaker 1>befriending all of us. He was like a pied piper,

0:16:34.520 --> 0:16:38.120
<v Speaker 1>is how I describe it. And my aunt used to say,

0:16:38.480 --> 0:16:42.600
<v Speaker 1>here comes Tony, and he'd be driving up the long

0:16:42.680 --> 0:16:46.920
<v Speaker 1>driveway to the motel, and we'd scamper out and try

0:16:46.920 --> 0:16:48.880
<v Speaker 1>and get in the truck with him and talk to him.

0:16:48.960 --> 0:16:51.480
<v Speaker 1>And he's loading the trash in the truck and we're

0:16:51.880 --> 0:16:55.360
<v Speaker 1>dancing around with our flip flop, using our towels as capes.

0:16:56.480 --> 0:16:59.720
<v Speaker 1>And um, we just started going with him, and I

0:16:59.720 --> 0:17:03.800
<v Speaker 1>don't remember exactly how we ended up going in the truck,

0:17:03.880 --> 0:17:05.600
<v Speaker 1>but we thought it was a blast to go to

0:17:05.640 --> 0:17:08.920
<v Speaker 1>the dump, and so off we would go, and it

0:17:08.960 --> 0:17:14.200
<v Speaker 1>was great for them because we were somewhere else. He

0:17:14.320 --> 0:17:18.080
<v Speaker 1>had sort of a kind of Italian darkness to him,

0:17:18.440 --> 0:17:22.200
<v Speaker 1>very dark hair, kind of a big nose, but handsome

0:17:22.880 --> 0:17:27.159
<v Speaker 1>and tall, well for me he was. He felt really tall,

0:17:27.200 --> 0:17:29.919
<v Speaker 1>but I think he was about six ft And the

0:17:29.960 --> 0:17:32.000
<v Speaker 1>guys at the front desk used to say he you know,

0:17:32.119 --> 0:17:34.520
<v Speaker 1>he was as strong as a guy as you'd ever

0:17:34.560 --> 0:17:37.040
<v Speaker 1>want or not want to meet in a dark alley.

0:17:37.520 --> 0:17:41.280
<v Speaker 1>He wore glasses, as I remember, and he also had

0:17:41.320 --> 0:17:45.000
<v Speaker 1>a dark beard, and he was often quite tan. And

0:17:45.040 --> 0:17:49.320
<v Speaker 1>I remember his fingers quite well too. M that's interesting,

0:17:49.680 --> 0:17:52.960
<v Speaker 1>what about them, Um, I just remember them. The truck

0:17:53.040 --> 0:17:56.680
<v Speaker 1>that he always drove was the Royal Coachman utility truck

0:17:57.320 --> 0:18:00.520
<v Speaker 1>and it had a shift. And he was a smoker too,

0:18:00.640 --> 0:18:03.640
<v Speaker 1>and I was fascinated with that. So I remember him

0:18:03.640 --> 0:18:06.320
<v Speaker 1>smoking with his fingers. And you know what else is

0:18:06.320 --> 0:18:10.520
<v Speaker 1>funny to this day, I look at the hands of

0:18:10.640 --> 0:18:14.639
<v Speaker 1>people everyone I meet, um, and I'm just making that

0:18:14.720 --> 0:18:17.280
<v Speaker 1>connection now. But anyway, his hand was always on the shift,

0:18:18.320 --> 0:18:20.240
<v Speaker 1>and I was always right there were you know, my

0:18:20.280 --> 0:18:22.080
<v Speaker 1>sister and I in the front seat, on the big

0:18:22.240 --> 0:18:25.480
<v Speaker 1>front seat, so I was always close to that hand.

0:18:26.280 --> 0:18:30.760
<v Speaker 1>So how much time did you spend with Tony over

0:18:30.760 --> 0:18:36.160
<v Speaker 1>the course of that summer? And there were subsequent summers, right,

0:18:36.280 --> 0:18:38.840
<v Speaker 1>I mean he was he became kind of part of

0:18:38.880 --> 0:18:42.679
<v Speaker 1>your Provincetown life for a period of time, exactly, he

0:18:42.760 --> 0:18:45.600
<v Speaker 1>and his mother, and so I mean, I have no

0:18:45.680 --> 0:18:48.639
<v Speaker 1>idea how many times, but many more more than I

0:18:48.640 --> 0:18:52.320
<v Speaker 1>could count. And you know, every time he was around,

0:18:53.200 --> 0:18:55.560
<v Speaker 1>he'd jingle his keys and we'd come running. And plus,

0:18:55.800 --> 0:18:57.480
<v Speaker 1>you know, he used to buy a streets he used

0:18:57.520 --> 0:19:00.760
<v Speaker 1>to take us. You know, he just felt like you

0:19:00.840 --> 0:19:04.600
<v Speaker 1>were sort of you know, the music was going, you know.

0:19:05.119 --> 0:19:08.119
<v Speaker 1>I heard an interview with Paul McCartney recently, and the

0:19:08.200 --> 0:19:12.080
<v Speaker 1>interviewer asked him what happens to you when you're driving

0:19:12.080 --> 0:19:18.800
<v Speaker 1>along and you hear Beatles song? And Paul McCartney said

0:19:19.440 --> 0:19:24.720
<v Speaker 1>two things. I start singing along, and you can I

0:19:24.880 --> 0:19:28.080
<v Speaker 1>dropped right into the studio when we're laying down the tracks,

0:19:29.160 --> 0:19:32.399
<v Speaker 1>and I remember everything we did that day. And so

0:19:32.560 --> 0:19:35.600
<v Speaker 1>that's the way it was. The songs of the nineteen

0:19:35.680 --> 0:19:39.159
<v Speaker 1>sixties were in the front seat of that truck, and

0:19:39.240 --> 0:19:42.960
<v Speaker 1>so we were always singing, We were always laughing, We

0:19:42.960 --> 0:19:46.439
<v Speaker 1>were always you know, up and down that driveway. It

0:19:46.520 --> 0:19:48.600
<v Speaker 1>felt like the wind in your hair. I mean, it

0:19:48.640 --> 0:19:52.959
<v Speaker 1>was just a wind blown summer in the city, you know,

0:19:53.160 --> 0:19:55.679
<v Speaker 1>is what it felt like to me. And so we

0:19:55.720 --> 0:19:58.000
<v Speaker 1>went with him pretty frequently, at least a couple of

0:19:58.000 --> 0:20:00.000
<v Speaker 1>times a week when he was dumping trash, we would

0:20:00.000 --> 0:20:04.760
<v Speaker 1>out with this condree of little kids would accompany Tony

0:20:04.800 --> 0:20:07.119
<v Speaker 1>in his truck as he made his rounds to the

0:20:07.160 --> 0:20:11.160
<v Speaker 1>town dumps in p Town and Truro. Tony would take

0:20:11.200 --> 0:20:14.199
<v Speaker 1>them to what he called his secret garden in the

0:20:14.240 --> 0:20:19.959
<v Speaker 1>woods and told Liza she could never tell anyone. Imagine

0:20:19.960 --> 0:20:23.000
<v Speaker 1>how special that must have felt to a seven year old.

0:20:23.560 --> 0:20:26.959
<v Speaker 1>An adult was asking her to keep a secret. Liza,

0:20:27.040 --> 0:20:29.960
<v Speaker 1>of course didn't know this, but Tony and a bunch

0:20:29.960 --> 0:20:33.720
<v Speaker 1>of his friends were burglarizing pharmacies and doctors offices, making

0:20:33.720 --> 0:20:36.640
<v Speaker 1>trips to Boston where they were buying drugs and stashing

0:20:36.640 --> 0:20:40.439
<v Speaker 1>them in the woods. There was all kinds of ways

0:20:40.520 --> 0:20:44.280
<v Speaker 1>that they stashed the drugs in those woods and Tony

0:20:44.359 --> 0:20:46.920
<v Speaker 1>and his whole crew of friends and people all knew

0:20:46.960 --> 0:20:51.320
<v Speaker 1>those drugs were out there, and they also evidently stashed

0:20:51.320 --> 0:20:54.720
<v Speaker 1>them at the Provincetown dump so that when somebody wanted something,

0:20:54.760 --> 0:20:58.280
<v Speaker 1>that's where they went to get it. And they had

0:20:58.359 --> 0:21:00.560
<v Speaker 1>some kind of crazy system of you pay me and

0:21:00.560 --> 0:21:02.919
<v Speaker 1>I'll pay you, and I mean, I don't know, and

0:21:03.280 --> 0:21:05.560
<v Speaker 1>I wasn't privy to it, but I've read about it later,

0:21:06.320 --> 0:21:11.159
<v Speaker 1>but at the time as a child, he made it

0:21:11.200 --> 0:21:14.439
<v Speaker 1>feel special to you that he was showing you something

0:21:14.440 --> 0:21:16.760
<v Speaker 1>that was a secret and that and that you mustn't

0:21:16.800 --> 0:21:22.080
<v Speaker 1>tell anyone exactly. But that was See, we were talking

0:21:22.119 --> 0:21:24.800
<v Speaker 1>about a garden in the We had talked a lot

0:21:24.800 --> 0:21:27.240
<v Speaker 1>about a garden because I lived next door to my

0:21:27.320 --> 0:21:31.320
<v Speaker 1>grandfather and my grandfather had this amazing garden. And so

0:21:31.400 --> 0:21:34.280
<v Speaker 1>when Tony said he had a garden, I thought, I

0:21:34.280 --> 0:21:37.600
<v Speaker 1>can relate to this. Here's this grown up boy, and

0:21:37.640 --> 0:21:40.600
<v Speaker 1>I'm going to impress him with my knowledge. And so

0:21:41.160 --> 0:21:44.440
<v Speaker 1>I started talking gardening with him, and I think that's

0:21:44.480 --> 0:21:46.679
<v Speaker 1>how it happened. He said, I'll show you my garden.

0:21:46.760 --> 0:21:49.199
<v Speaker 1>I have a garden, and I was like, I'm in

0:21:49.280 --> 0:21:53.959
<v Speaker 1>my wheelhouse now because I can impress this guy. And

0:21:54.000 --> 0:21:57.119
<v Speaker 1>I think that's how it happened. And he said, I

0:21:57.160 --> 0:21:58.800
<v Speaker 1>bet you've got to keep it a secret. You can't

0:21:58.840 --> 0:22:00.480
<v Speaker 1>tell anybody. But but the other of thing is this,

0:22:01.160 --> 0:22:04.520
<v Speaker 1>he took everybody and anybody out to that garden. And

0:22:04.560 --> 0:22:06.520
<v Speaker 1>as far as I know, he took his own kids.

0:22:06.920 --> 0:22:10.360
<v Speaker 1>That has no basis in fact. But he took everybody

0:22:10.440 --> 0:22:14.760
<v Speaker 1>out there. And the other weird thing was and and

0:22:14.840 --> 0:22:17.280
<v Speaker 1>this is part of the whole illness, part of what

0:22:17.359 --> 0:22:20.800
<v Speaker 1>was going on. He was quite afraid to go out there,

0:22:22.359 --> 0:22:24.840
<v Speaker 1>and he talked a lot about it after the fact

0:22:24.960 --> 0:22:27.320
<v Speaker 1>in all of the research I did about how he

0:22:27.400 --> 0:22:32.119
<v Speaker 1>was afraid because it's adjacent to a cemetery, and that

0:22:32.160 --> 0:22:35.240
<v Speaker 1>would also make sense as to why he would wait

0:22:35.359 --> 0:22:38.320
<v Speaker 1>till there was someone in the truck to go out there.

0:22:39.160 --> 0:22:42.600
<v Speaker 1>So I think it was quite convoluted and quite I

0:22:42.640 --> 0:22:44.879
<v Speaker 1>don't think his mind was working right, you know. I

0:22:44.880 --> 0:22:48.119
<v Speaker 1>think he was kind of spinning all the time. He

0:22:48.240 --> 0:22:53.200
<v Speaker 1>had young kids. We had three young kids, so things

0:22:53.200 --> 0:22:56.080
<v Speaker 1>were about to take a very dark turn here. Just

0:22:56.200 --> 0:23:00.920
<v Speaker 1>in case you didn't suspect Tony Costa father three de

0:23:01.040 --> 0:23:06.240
<v Speaker 1>facto babysitter of several more, is well let's just wait

0:23:06.280 --> 0:23:11.720
<v Speaker 1>for what comes next. When you're ten, you say that,

0:23:11.880 --> 0:23:15.160
<v Speaker 1>as clear as a bell. You hear his name as

0:23:15.200 --> 0:23:20.600
<v Speaker 1>somehow associated with something very bad that's happened, whatever was

0:23:20.640 --> 0:23:24.200
<v Speaker 1>going on down there, the place was crawling with cops. Yeah,

0:23:24.359 --> 0:23:26.400
<v Speaker 1>I mean, one of the things I find so interesting

0:23:26.480 --> 0:23:29.119
<v Speaker 1>is what we remember and what we don't. And you know,

0:23:29.200 --> 0:23:32.520
<v Speaker 1>sort of like what we bury, and you know, what

0:23:32.640 --> 0:23:36.280
<v Speaker 1>only comes out years later, and so like you realize

0:23:36.760 --> 0:23:42.879
<v Speaker 1>that something big has happened, and you overhear these little

0:23:42.920 --> 0:23:46.439
<v Speaker 1>snatches of dialogue, you know, that come back to you.

0:23:47.000 --> 0:23:52.040
<v Speaker 1>You overhear the phrase the murdered girls and all cut up.

0:23:52.960 --> 0:23:57.240
<v Speaker 1>But there's nothing in you at that point that's associating

0:23:57.320 --> 0:24:02.640
<v Speaker 1>that with Tony Costa. No, and that look so shocking.

0:24:03.560 --> 0:24:09.760
<v Speaker 1>Never in a million years did I make that association. This,

0:24:10.200 --> 0:24:13.199
<v Speaker 1>what I'm about to recount is going to be pretty

0:24:13.320 --> 0:24:17.800
<v Speaker 1>hard to hear. Tony Costa, though Liza as a child

0:24:17.840 --> 0:24:21.159
<v Speaker 1>doesn't know that it's him, is accused and convicted of

0:24:21.200 --> 0:24:24.600
<v Speaker 1>at least two horrific murders of young women, and is

0:24:24.600 --> 0:24:28.040
<v Speaker 1>a suspect and more. He would become involved with them

0:24:28.119 --> 0:24:32.120
<v Speaker 1>in a romantic way, and then he would kill them.

0:24:32.160 --> 0:24:34.840
<v Speaker 1>He cut up their bodies and did horrific things to

0:24:34.880 --> 0:24:38.959
<v Speaker 1>those bodies. I won't get into. A neuroscientist who studies

0:24:39.000 --> 0:24:42.840
<v Speaker 1>the brains of serial killers told Liza years later that

0:24:42.920 --> 0:24:46.480
<v Speaker 1>these guys are so rare and hard to study because

0:24:46.560 --> 0:24:50.479
<v Speaker 1>usually they kill themselves. Their brains are gone before they

0:24:50.480 --> 0:24:55.320
<v Speaker 1>can figure out what happened. So when you're, you know,

0:24:55.600 --> 0:24:58.800
<v Speaker 1>ten eleven years old and he's disappeared, do you have

0:24:58.840 --> 0:25:00.800
<v Speaker 1>any kind of narrative for your self? Was like, why

0:25:00.800 --> 0:25:04.239
<v Speaker 1>he's disappeared? No, he was just gone, and you know

0:25:04.680 --> 0:25:06.679
<v Speaker 1>that less. The other thing we need to remember is

0:25:06.720 --> 0:25:10.479
<v Speaker 1>not only was my life transient with people coming in

0:25:10.480 --> 0:25:14.800
<v Speaker 1>and out of it, but provincetowns and graphic transient. And

0:25:15.760 --> 0:25:18.800
<v Speaker 1>my father was gone, my grandparents moved away. It just

0:25:18.960 --> 0:25:22.880
<v Speaker 1>wasn't unusual. He did always talk about going, going, going,

0:25:22.960 --> 0:25:25.960
<v Speaker 1>going to California, going, You're going there. He was always

0:25:26.000 --> 0:25:29.000
<v Speaker 1>talking about that. And there was a big connection between

0:25:29.040 --> 0:25:33.360
<v Speaker 1>Hayde Ashbury at the time and Boston Common and Provincetown.

0:25:34.080 --> 0:25:37.320
<v Speaker 1>The young people were all trying to get away, especially

0:25:37.320 --> 0:25:41.000
<v Speaker 1>from a town like Provincetown that probably felt pretty remote

0:25:41.000 --> 0:25:43.800
<v Speaker 1>to them. I remember how remote it it still feels

0:25:43.800 --> 0:25:46.159
<v Speaker 1>remote to me. I don't know how you experienced it,

0:25:46.200 --> 0:25:49.199
<v Speaker 1>but when I go out there, it feels pretty remote.

0:25:51.600 --> 0:25:54.120
<v Speaker 1>We'll be back in a moment with more family secrets.

0:26:13.400 --> 0:26:16.200
<v Speaker 1>Tony sort of fades away. For Eliza, she doesn't think

0:26:16.240 --> 0:26:19.760
<v Speaker 1>about him, She has no idea what happened. She moves

0:26:19.800 --> 0:26:24.200
<v Speaker 1>on the way kids do, and she grows up. Life happens,

0:26:24.840 --> 0:26:27.960
<v Speaker 1>she gets married, starts a family. She has as little

0:26:28.000 --> 0:26:31.560
<v Speaker 1>to do with her mother as possible. Time speeds up

0:26:31.880 --> 0:26:36.399
<v Speaker 1>as time does, so let's fast forward, oh to about

0:26:36.400 --> 0:26:40.480
<v Speaker 1>the time lies as oldest child, a son is graduating

0:26:40.480 --> 0:26:44.920
<v Speaker 1>from high school. I went back to school to finish

0:26:44.960 --> 0:26:47.800
<v Speaker 1>my bachelor's degree, which I've never been able to finish

0:26:48.600 --> 0:26:51.760
<v Speaker 1>um coming from the family, I came from quite frankly,

0:26:51.800 --> 0:26:55.600
<v Speaker 1>with an anxious mess most of the time. And so

0:26:55.720 --> 0:26:57.800
<v Speaker 1>I went back and I said, I'm gonna do this now.

0:26:58.440 --> 0:27:01.040
<v Speaker 1>While I was doing that, I start of having these dreams,

0:27:02.280 --> 0:27:04.399
<v Speaker 1>and they were very violent, and they were right in

0:27:04.440 --> 0:27:07.840
<v Speaker 1>a row of about six months, and someone was always

0:27:07.880 --> 0:27:10.000
<v Speaker 1>trying to kill me, and with a gun or a

0:27:10.080 --> 0:27:12.119
<v Speaker 1>knife or in the case of the first dream, of

0:27:12.200 --> 0:27:16.400
<v Speaker 1>fireplace poker. And I had always written down my dreams

0:27:16.440 --> 0:27:20.960
<v Speaker 1>always I had always written, and in order to figure

0:27:21.000 --> 0:27:24.359
<v Speaker 1>out what was going on during this time that I

0:27:24.440 --> 0:27:28.199
<v Speaker 1>was keeping a process journal anyway, um, as I was

0:27:28.240 --> 0:27:32.080
<v Speaker 1>reading and writing about different you know, literature and writing

0:27:32.080 --> 0:27:35.520
<v Speaker 1>poems and other things, I decided to start writing them in.

0:27:36.960 --> 0:27:40.720
<v Speaker 1>And when I did that, I noticed the repeat images,

0:27:42.720 --> 0:27:46.640
<v Speaker 1>and all of those repeat images were of my childhood,

0:27:48.000 --> 0:27:51.240
<v Speaker 1>and I kept saying, what is going on? So I

0:27:51.359 --> 0:27:55.520
<v Speaker 1>just kept writing them down, the dreams, the poems. Then

0:27:56.440 --> 0:27:59.440
<v Speaker 1>I had that final It wasn't actually the final dream,

0:27:59.440 --> 0:28:02.000
<v Speaker 1>but it was fine enough because in each one of

0:28:02.000 --> 0:28:04.800
<v Speaker 1>these dreams I couldn't see the face of the man

0:28:04.880 --> 0:28:08.159
<v Speaker 1>in the dream, so whoever was holding the weapon I

0:28:08.200 --> 0:28:11.840
<v Speaker 1>couldn't see. And it became more and more irritating to

0:28:11.880 --> 0:28:15.880
<v Speaker 1>me until the day that I had the dream when

0:28:15.880 --> 0:28:18.359
<v Speaker 1>I was face to face with Tony and that was

0:28:18.400 --> 0:28:23.879
<v Speaker 1>in the Royal Coachman lobby in my dream, and so

0:28:24.520 --> 0:28:28.359
<v Speaker 1>I said, holy sh it, I wonder if this is

0:28:28.400 --> 0:28:30.440
<v Speaker 1>what it's about. And that's when I said to my mother,

0:28:30.720 --> 0:28:33.120
<v Speaker 1>did something happen to me that you have not been

0:28:33.119 --> 0:28:37.720
<v Speaker 1>clear about? And that's when she told me. So she

0:28:38.960 --> 0:28:43.560
<v Speaker 1>knew when you said that your mother was able to

0:28:43.600 --> 0:28:47.960
<v Speaker 1>put those pieces together. Both my mother and my aunt

0:28:48.080 --> 0:28:50.200
<v Speaker 1>were there that day, and I had said, I had

0:28:50.280 --> 0:28:52.720
<v Speaker 1>just saw Tony Costa in the dream with a gun

0:28:52.760 --> 0:28:56.240
<v Speaker 1>to my head. What do you know about him? Why

0:28:56.280 --> 0:28:59.480
<v Speaker 1>would I be thinking about that? And she said, well,

0:28:59.480 --> 0:29:02.600
<v Speaker 1>I know he'd be came, you know, a serial killer.

0:29:04.200 --> 0:29:06.600
<v Speaker 1>I know he became a serial killer, as if I

0:29:06.680 --> 0:29:10.080
<v Speaker 1>know he became a doctor or an oncologist or a

0:29:10.160 --> 0:29:15.680
<v Speaker 1>pediatrician and a serial killer. And I just stood there

0:29:16.520 --> 0:29:19.080
<v Speaker 1>and I you know, there's that moment in time when

0:29:19.120 --> 0:29:23.880
<v Speaker 1>something so significant, have such significant information coming your way,

0:29:23.920 --> 0:29:27.200
<v Speaker 1>that everything slows down and just grinds to a halt,

0:29:28.360 --> 0:29:31.080
<v Speaker 1>and you're hearing it and saying, how can how can

0:29:31.120 --> 0:29:35.080
<v Speaker 1>I be hearing this information? And that's what it was like.

0:29:35.240 --> 0:29:38.680
<v Speaker 1>It was like almost like a drug flashback. It just

0:29:38.880 --> 0:29:43.160
<v Speaker 1>slowed right down, and I something said to me, this

0:29:43.360 --> 0:29:47.920
<v Speaker 1>is it, This is it. Until I started researching, and

0:29:48.720 --> 0:29:51.240
<v Speaker 1>of course they all laughed at me, and I just

0:29:51.360 --> 0:29:54.680
<v Speaker 1>kept researching and writing and researching and not really knowing

0:29:54.720 --> 0:29:56.720
<v Speaker 1>I was making a book, but more trying to find

0:29:56.760 --> 0:29:59.960
<v Speaker 1>out what happened to me and what those dreams meant.

0:30:01.360 --> 0:30:05.080
<v Speaker 1>So is is it your sense that on some level

0:30:06.000 --> 0:30:11.600
<v Speaker 1>that you always knew. I always had the images, Danny.

0:30:12.240 --> 0:30:15.920
<v Speaker 1>I always had these images of what had happened in Provincetown,

0:30:17.120 --> 0:30:19.360
<v Speaker 1>and I carried them with me, and I used to

0:30:19.440 --> 0:30:22.160
<v Speaker 1>tell people the story and they would go hu huh,

0:30:23.200 --> 0:30:27.360
<v Speaker 1>you know, almost like when you share too much. And

0:30:27.440 --> 0:30:29.480
<v Speaker 1>so we sort of carried that with us, and we

0:30:29.520 --> 0:30:31.920
<v Speaker 1>would laugh about it because we didn't know, you know,

0:30:32.000 --> 0:30:34.640
<v Speaker 1>this is our childhood, how did yours go? You know,

0:30:35.880 --> 0:30:38.440
<v Speaker 1>my sister has a famous line. She used to say,

0:30:38.680 --> 0:30:40.640
<v Speaker 1>you know, I was at a cocktail party the other night,

0:30:40.680 --> 0:30:43.840
<v Speaker 1>and I was telling some stories from our childhood, and

0:30:43.960 --> 0:30:46.280
<v Speaker 1>other people don't think it's as funny as we do.

0:30:46.800 --> 0:30:49.240
<v Speaker 1>And so, you know, that's how we dealt with it

0:30:49.280 --> 0:30:51.520
<v Speaker 1>with humor, because it was kind of a crazy image

0:30:51.560 --> 0:30:54.719
<v Speaker 1>to remember. Why did we remember that? Why did we

0:30:54.760 --> 0:30:58.040
<v Speaker 1>hear about that? We knew something awful had happened, But

0:30:58.160 --> 0:31:01.520
<v Speaker 1>what we did not know was that the same man

0:31:01.720 --> 0:31:04.920
<v Speaker 1>who was driving us around and getting us ice cream

0:31:04.960 --> 0:31:08.840
<v Speaker 1>cones was the man who had committed that. Whatever atrocities

0:31:08.880 --> 0:31:11.080
<v Speaker 1>we had in our heads because we were little, so

0:31:11.120 --> 0:31:13.360
<v Speaker 1>we didn't put a narrative together about it. We were

0:31:13.920 --> 0:31:16.560
<v Speaker 1>in some cases, we were barely reading it. Wasn't until

0:31:16.600 --> 0:31:18.440
<v Speaker 1>I was nine or ten years old that I started

0:31:18.480 --> 0:31:22.760
<v Speaker 1>reading these accounts in the paper and not understanding that

0:31:22.840 --> 0:31:25.320
<v Speaker 1>they had anything to do with Tony. And at the

0:31:25.360 --> 0:31:27.880
<v Speaker 1>time his name was not in the paper either. That's

0:31:27.920 --> 0:31:33.840
<v Speaker 1>important Liza's history was. Tony was of course, much less central,

0:31:34.320 --> 0:31:37.400
<v Speaker 1>much briefer than the relationship she had with her mother.

0:31:38.240 --> 0:31:43.880
<v Speaker 1>Both were damaging, both were indelible, but Liza had been lucky.

0:31:44.680 --> 0:31:47.720
<v Speaker 1>She didn't fit the mold of Tony's victims. She was

0:31:47.760 --> 0:31:51.000
<v Speaker 1>a child, a child of a woman who inflicted greater

0:31:51.080 --> 0:31:54.800
<v Speaker 1>damage on her. As she writes, and here is the

0:31:54.840 --> 0:31:57.800
<v Speaker 1>deepest of those wounds. I have always felt as though

0:31:57.800 --> 0:32:01.000
<v Speaker 1>there was something wrong with me, inherently deep and dirty

0:32:01.040 --> 0:32:05.640
<v Speaker 1>and dark, something unlikable and unfixable and worst of all, unlovable,

0:32:05.920 --> 0:32:08.760
<v Speaker 1>and I believed it. As a result, I spent my

0:32:08.840 --> 0:32:11.960
<v Speaker 1>childhood more afraid of my mother than I was of

0:32:12.000 --> 0:32:16.000
<v Speaker 1>a psychopathic serial killer. And then you go on. Finally,

0:32:16.000 --> 0:32:18.320
<v Speaker 1>when I became a mother, and in spite of my fear,

0:32:18.800 --> 0:32:21.920
<v Speaker 1>I was able to stop what had been generations of

0:32:21.920 --> 0:32:26.040
<v Speaker 1>physical abuse. It ended with me mm hmm, And it

0:32:26.120 --> 0:32:31.360
<v Speaker 1>did in family secrets. I think, like every guest of

0:32:31.400 --> 0:32:35.560
<v Speaker 1>mine to a person would say this ends with me.

0:32:36.120 --> 0:32:38.200
<v Speaker 1>I think it's self selecting. People who are willing to

0:32:38.200 --> 0:32:41.120
<v Speaker 1>have this conversation in such a public a forum. Are

0:32:41.200 --> 0:32:44.280
<v Speaker 1>people who have come to a place of the way

0:32:44.320 --> 0:32:47.520
<v Speaker 1>that I make meaning of this is to completely change

0:32:47.560 --> 0:32:51.160
<v Speaker 1>the narrative. I think that's so important, the way that

0:32:51.200 --> 0:32:54.360
<v Speaker 1>I make meaning of this. This is not a subject

0:32:54.400 --> 0:32:57.520
<v Speaker 1>we can sweep under the rug anymore. That these kinds

0:32:57.560 --> 0:33:02.080
<v Speaker 1>of people are out there and they're not well, and

0:33:02.240 --> 0:33:04.560
<v Speaker 1>we need to find some kind of system whereby we

0:33:04.640 --> 0:33:07.840
<v Speaker 1>put back together our mental health system because we can

0:33:07.880 --> 0:33:11.320
<v Speaker 1>prevent some of this. You know, in California they're screening

0:33:11.360 --> 0:33:15.160
<v Speaker 1>children for trauma early trauma now under the new Attorney General.

0:33:15.520 --> 0:33:18.120
<v Speaker 1>You know, they need to do that in this country

0:33:18.440 --> 0:33:20.760
<v Speaker 1>in order to save some of these kids. Because I

0:33:20.880 --> 0:33:23.959
<v Speaker 1>just clawed my way out and I've spent most of

0:33:23.960 --> 0:33:27.320
<v Speaker 1>my life in therapy. But you know, I think the

0:33:27.320 --> 0:33:29.880
<v Speaker 1>willingness to talk about it is kind of a double

0:33:29.960 --> 0:33:32.920
<v Speaker 1>edged sword when I'm doing it anyway, because I had to,

0:33:33.800 --> 0:33:36.800
<v Speaker 1>because I couldn't not. Why does it feel like a

0:33:36.800 --> 0:33:41.040
<v Speaker 1>double edged sword to you? Well, because it's exposing yourself, right,

0:33:41.560 --> 0:33:44.000
<v Speaker 1>because in order to do it, your vulnerabilities have to

0:33:44.040 --> 0:33:47.320
<v Speaker 1>get known to other people. I guess there's a certain

0:33:47.320 --> 0:33:50.120
<v Speaker 1>amount of shame that goes with it until you realize

0:33:50.160 --> 0:33:54.080
<v Speaker 1>it's not you. It's not you, it's other people, and

0:33:54.200 --> 0:33:56.720
<v Speaker 1>that's you know, that's a difficult transition to make. So

0:33:56.800 --> 0:33:59.800
<v Speaker 1>I think it's a double edged sword coming out and

0:34:00.000 --> 0:34:02.560
<v Speaker 1>talking about it. Believe me, there are people who are

0:34:02.640 --> 0:34:05.840
<v Speaker 1>not happy that have done this. But that's too bad

0:34:06.680 --> 0:34:09.839
<v Speaker 1>because it's given me a new freedom and I'll take it.

0:34:21.239 --> 0:34:24.560
<v Speaker 1>Family Secrets is a production of I Heart Media. Dylan

0:34:24.640 --> 0:34:29.320
<v Speaker 1>Fagin and Bethan Macaluso are the executive producers. Andrew Howard

0:34:29.360 --> 0:34:32.600
<v Speaker 1>is our audio editor. If you have a secret you'd

0:34:32.640 --> 0:34:35.600
<v Speaker 1>like to share, leave us a voicemail and your story

0:34:35.719 --> 0:34:40.160
<v Speaker 1>could appear on an upcoming bonus episode. Our number is

0:34:40.760 --> 0:34:46.280
<v Speaker 1>one secret zero. That's secret and then the number zero.

0:34:47.239 --> 0:34:50.640
<v Speaker 1>You can also find us on Instagram at Danny Writer,

0:34:51.440 --> 0:34:55.880
<v Speaker 1>Facebook at facebook dot com slash Family Secrets Pod, and

0:34:55.920 --> 0:34:58.920
<v Speaker 1>Twitter at fami Secret Spot. And if you want to

0:34:58.920 --> 0:35:02.759
<v Speaker 1>know about my family's great that inspired this podcast, check

0:35:02.800 --> 0:35:26.600
<v Speaker 1>out my New York Times bestselling memoir Inheritance. For more

0:35:26.640 --> 0:35:29.520
<v Speaker 1>podcasts for my Heart Radio, visit the I Heart Radio app,

0:35:29.600 --> 0:35:32.600
<v Speaker 1>Apple podcast, or wherever you listen to your favorite shows.