WEBVTT - Sideshow 5: Whisked Away

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<v Speaker 1>Hey, folks, Aaron here Before we begin, just a heads

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<v Speaker 1>up that today's episode contains the story of a traumatic birth.

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<v Speaker 1>Listener discretion is advised. Tinkering In his small shop just

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<v Speaker 1>off Broadway, Joseph Trust was busy concocting skin creams and

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<v Speaker 1>making promises. He was going to make women beautiful after all,

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<v Speaker 1>and himself rich in the process, and he would do

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<v Speaker 1>both of those things through manipulation and deceit. Joseph did

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<v Speaker 1>this by transforming himself into an alter ego Felix Gurad,

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<v Speaker 1>a chemist and doctor. But behind this sophisticated facade was

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<v Speaker 1>a difficult snake, oil salesman and general scoundrel about town.

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<v Speaker 1>To those who really knew him, and there weren't many,

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<v Speaker 1>he was less of a superman and Clark Kent and

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<v Speaker 1>more of a jackal and hide. One of his items, though,

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<v Speaker 1>was a canary in the coal mine or the Changing Times.

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<v Speaker 1>On August eighth of eighteen forty, he advertised a woman's

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<v Speaker 1>hair removal powder on the front page of the New

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<v Speaker 1>York Daily Herald. He wrote, we could never think of

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<v Speaker 1>falling in love with a woman whose fuzzy face bears

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<v Speaker 1>a resemblance to the back of a half picked goose

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<v Speaker 1>and wonder how anyone else ever could. But ladies removing

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<v Speaker 1>their body hair wasn't anything new, of course, and can

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<v Speaker 1>be traced back thousands of years to civilizations across the world.

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<v Speaker 1>Egyptian women sometimes removed their head and pubic hair, Elizabethan

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<v Speaker 1>women did away with their eyebrows. Ancient Romans used a

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<v Speaker 1>myriad of pumice stones and tweezers that were at a

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<v Speaker 1>lady's disposal. In America, though, female hair removal had yet

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<v Speaker 1>to be commodified and institutionalized. But then that all started

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<v Speaker 1>to change. In eighteen eighty, the King Camp Gillette Company

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<v Speaker 1>created the first modern razor. It appeared at a time

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<v Speaker 1>when the upper and middle class continued their efforts by

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<v Speaker 1>separating themselves from the working class. Personal hygieing was utilized,

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<v Speaker 1>arguably weaponized at times, to fight against what was considered

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<v Speaker 1>to be improper. By the early nineteen hundreds, to be

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<v Speaker 1>clean shaven was a basic expectation of good breeding, and

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<v Speaker 1>so here Joseph Trust was tapping into a veritable gold

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<v Speaker 1>mine of class anxieties uppercross Victorian Americans. You see, were

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<v Speaker 1>in the habit of clinging to any life raft that

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<v Speaker 1>would keep them floating above the masses. Codd advertising language

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<v Speaker 1>meant that women weren't directly asked to do something as

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<v Speaker 1>masculine as getting rid of their five o'clock shadow. Instead,

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<v Speaker 1>they were just smoothing their surfaces out, dissolving the rough bits,

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<v Speaker 1>and bleaching away their nonconformity. And of course, manufacturers knew

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<v Speaker 1>that many women, an established economic force by this time,

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<v Speaker 1>would be drawn in blade refills. New designs and fancy

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<v Speaker 1>creams kept them coming back for more. Charles Darwin too

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<v Speaker 1>weighed in on the body hair issue with a hot

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<v Speaker 1>take in his book The Descent of Man. He claimed

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<v Speaker 1>that humans have less fur than their ape ancestors because

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<v Speaker 1>less hairy mates are more sexually attractive. We evolve out

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<v Speaker 1>of hair. Following that logic, he believed that excessive hair

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<v Speaker 1>puts a person in closer proximity to a primitive state. Closer,

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<v Speaker 1>to use his words, to the savage, it seems that

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<v Speaker 1>women who wore their hair wild and untamed were being

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<v Speaker 1>boxed out of proper society. But if proper society wasn't

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<v Speaker 1>going to take them, there was another place that would

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<v Speaker 1>welcome them, for better or for worse, with open arms.

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<v Speaker 1>The stage I'm Aaron Manky. Welcome to the Side Show.

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<v Speaker 1>All we know for sure is that Julia Pastrana only

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<v Speaker 1>ever wanted to be loved. It's evident from the few

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<v Speaker 1>words that she left behind. Her complete life story has

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<v Speaker 1>been a treasure hunt for contemporary scholars as they've tried

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<v Speaker 1>to find clues scattered across the pages of history. But

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<v Speaker 1>sometimes the dead have their way of keeping secrets. Our

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<v Speaker 1>story begins on a quiet day in Sinaloa, Mexico. It's

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<v Speaker 1>a state that occupies a narrow stretch of land that

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<v Speaker 1>sits between the Sierra Madre Occidental Mountain range to the

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<v Speaker 1>east and the Sea of Cortez to the west. The

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<v Speaker 1>terrain is carved with peaks and valleys and covered in

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<v Speaker 1>fertile soil. In eighteen thirty four, Sinalo was recently freed

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<v Speaker 1>from Spanish rule, but for the previous three hundred years,

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<v Speaker 1>the indigenous population had been squeezed by colonization and ravaged

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<v Speaker 1>by disease and war. It's here that we meet our

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<v Speaker 1>two hunters, or as some claim, they were herders, walking

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<v Speaker 1>a familiar worn path up a mountain, tracking their game.

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<v Speaker 1>Just up ahead sat a cave. It's rocky Mouth, daring

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<v Speaker 1>them to enter. So they did, and what they found

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<v Speaker 1>there startled them. They found a woman, haggard, half feral,

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<v Speaker 1>and captive. But she wasn't being held by just anyone. No,

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<v Speaker 1>she told them she was being imprisoned by a bear.

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<v Speaker 1>She pleaded for their help, but the hunters were ill prepared,

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<v Speaker 1>so they told her that they would come back with assistance.

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<v Speaker 1>Just as they turned to leave, though they were thwarted,

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<v Speaker 1>the bear had come home. The surprise left them with

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<v Speaker 1>no choice. They had to act fast, but then they

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<v Speaker 1>saw something else. The bear was holding a cub in

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<v Speaker 1>his arms. Legend tells us that the cub was this

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<v Speaker 1>woman's daughter, the product of this inner species hostage situation,

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<v Speaker 1>and the baby was nothing like the hunters had ever

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<v Speaker 1>seen before. Black fur covered her face and body. Although

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<v Speaker 1>she cried and cooed like any other human infant, it

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<v Speaker 1>seemed that she was half person and half beast. The

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<v Speaker 1>infant Julia, was taken from her mother and brought to

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<v Speaker 1>the city, violently altering her life path and the woman

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<v Speaker 1>she would become. You see, women are often treated as

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<v Speaker 1>blank slates for the stories of men, and the tale

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<v Speaker 1>of Julia Pastrana would be no print for her. This

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<v Speaker 1>was just the beginning. What we do know now is

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<v Speaker 1>that she was born with two congenital conditions, hypertrichosis terminalis,

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<v Speaker 1>which caused dark hair to grow all over her body,

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<v Speaker 1>and gingerble hyperplasia, which caused overgrown gums. Some scholars believe

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<v Speaker 1>that she could have been a member of the a

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<v Speaker 1>Coxy people. Promotional materials from later in her life would

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<v Speaker 1>claim that she was a member of a root digger tribe,

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<v Speaker 1>a derogatory term given to a number of culturally separate

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<v Speaker 1>and distinct communities in the region. Julia came to live

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<v Speaker 1>in the home of Pedro Sanchez, one of Sinaloa's governors

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<v Speaker 1>and a man with a penchant for curiosities. There she

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<v Speaker 1>became a servant and also was said to have taken

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<v Speaker 1>on the role of liven entertainer. We know that she

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<v Speaker 1>left his home in eighteen fifty four, although the details

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<v Speaker 1>of that exit are hazy, but it said that she

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<v Speaker 1>eventually came into contact with three men, Miguel Ritez, Francisco

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<v Speaker 1>sepel Veda, and most famous of all, Theodore Lent. We

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<v Speaker 1>don't know the act details of their arrangements or how

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<v Speaker 1>she came under their employ Newspapers tell us that in

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<v Speaker 1>the company of her male comrades, she boarded the S

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<v Speaker 1>s Or Above and left Vera Cruz for New Orleans.

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<v Speaker 1>She arrived in the Ports city on October eighteen fifty four,

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<v Speaker 1>took a steamership up the Mississippi River to St. Louis,

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<v Speaker 1>and then finally went on to New York City. And

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<v Speaker 1>it's here that we meet her again, reincarnated as someone new.

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<v Speaker 1>According to promotional posters, she had become known as the

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<v Speaker 1>Marvel Hybrid and the Bear Woman. She debuted at Gothic

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<v Speaker 1>Hall on Broadway, a tiny form in a red dress,

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<v Speaker 1>dancing to a tinkling piano. According to the New York Tribune,

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<v Speaker 1>the eyes of this Lucius Natura beam with intelligence, while

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<v Speaker 1>its jaws, jagged, fangs, and ears are terrifically hideous. Nearly

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<v Speaker 1>its whole frame is coated in long, glossy hair. Its

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<v Speaker 1>voice is harmonious, for this semi human being is perfectly

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<v Speaker 1>stile and speaks the Spanish language. The papers compared her

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<v Speaker 1>arrival to the spectacle of Joyce Heth and claimed that

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<v Speaker 1>Barnum himself was being well out. Barnumed Theodore, though, decided

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<v Speaker 1>that he would get the upper hand over all of them.

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<v Speaker 1>He would marry Julia in secrets and become her legal

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<v Speaker 1>guardian with all the rights that afforded him and Mary.

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<v Speaker 1>They did on November nine of eighteen fifty. Her other

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<v Speaker 1>managers were furious, but Julia stood by and made it

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<v Speaker 1>clear that it was her choice. She wouldn't give up

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<v Speaker 1>her husband for anyone, she said. But as we know,

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<v Speaker 1>the idea of choice in these situations is often an

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<v Speaker 1>attempt to mitigate harm or side with the lesser of evils.

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<v Speaker 1>It has been reported that Julia truly loved Theodore and

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<v Speaker 1>felt that he saw her for who she truly was,

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<v Speaker 1>but some scholars have speculated that he also saw dollar

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<v Speaker 1>signs when he looked at Julia and only wanted to

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<v Speaker 1>possess her for his own gain. And this is how

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<v Speaker 1>things went. For a good long while. Theodore kept recreating Julia,

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<v Speaker 1>further embellishing her act with songs and dances and costume changes,

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<v Speaker 1>and in all of it, her advertisements teased that she

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<v Speaker 1>was nothing more than a domesticated beast. One man Dr

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<v Speaker 1>Alexander B. Mott wrote a letter of certification for Julia,

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<v Speaker 1>claiming that she was a hybrid of a human and

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<v Speaker 1>an orangutan. He called her a mysterious animal and mused

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<v Speaker 1>over her missing tail. So while her contemporary white bearded

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<v Speaker 1>ladies were marketed as beacons of Victorian propriety beautiful oddities

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<v Speaker 1>if you will, her suit women of color were often

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<v Speaker 1>billed as freaks of nature. Not only was her womanhood

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<v Speaker 1>in question, but her very humanity. And it was upon

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<v Speaker 1>this platform that she toured all over North America, her

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<v Speaker 1>story and body being exploited at every turn. Whereas the

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<v Speaker 1>paper's new Barnum dealt in humbuggery and hoax, they believed

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<v Speaker 1>that Julia was the bona fide real deal. It's a

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<v Speaker 1>that her audiences were largely content with, believing that she

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<v Speaker 1>was something less than human, and as they looked at

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<v Speaker 1>all the cash that flowed in, Theodore couldn't have been

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<v Speaker 1>more pleased. Everyone seemed to have an opinion about Julia's looks,

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<v Speaker 1>so much so that she was shut down for obscenity.

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<v Speaker 1>On November five, eighteen fifty seven, she took the stage

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<v Speaker 1>as the star in a play in Berlin, but unbeknownst

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<v Speaker 1>to her and Theodore Lent, spies from the German police

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<v Speaker 1>were in the audience, and unlike other places Julia had

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<v Speaker 1>traveled to, German authorities were on guard against displays that

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<v Speaker 1>they considered to be tasteless, degrading monster shows. The police

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<v Speaker 1>called her appearance immoral and quite literally feared for their children.

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<v Speaker 1>Obstetricians in Germany weighed in, worried that pregnant women would

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<v Speaker 1>miscarry at the sight of her. They also tossed around

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<v Speaker 1>threats of maternal impression, the idea that those in the

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<v Speaker 1>family way were infinitely susceptible to any kind of upset,

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<v Speaker 1>and that those anxieties would manifest in the body of

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<v Speaker 1>the child. The authorities were afraid that more babies would

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<v Speaker 1>be born looking like Julia. This, of course, caused her

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<v Speaker 1>great pain. It was when people saw her as a

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<v Speaker 1>full person that she felt truly animated, truly alive and actualized,

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<v Speaker 1>But so often this wasn't the case. A friend once

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<v Speaker 1>noted that there was always a light fog of sadness

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<v Speaker 1>that hung over her, resigned to a life and narrative

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<v Speaker 1>that kept her humanity locked away in the shadows. After

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<v Speaker 1>the backlash in the press, Theodore reimagined the performance as

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<v Speaker 1>a set of short song and dance numbers, A burlesque

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<v Speaker 1>act and private meetings, all for a fee. Of course,

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<v Speaker 1>Julia attracted the attention of hermann Otto, a sympathetic German

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<v Speaker 1>circus showman. He wrote that for those who knew her,

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<v Speaker 1>she was warm, thoughtful, and spiritually gifted, with a sensitive

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<v Speaker 1>heart and mind. It affected her very deeply in her heart,

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<v Speaker 1>having to stand beside people instead of with them, and

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<v Speaker 1>to be shown as a freak for money, not sharing

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<v Speaker 1>any of the everyday joys in a home filled with love.

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<v Speaker 1>But then something happened that held the potential to change

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<v Speaker 1>all of that. In eighteen fifty nine, she and Theodore

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<v Speaker 1>were in Moscow. Their tour was keeping them busy in afloat,

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<v Speaker 1>but she was starting to feel strangely different. It wouldn't

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<v Speaker 1>be long before she realized why she was pregnant. Now,

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<v Speaker 1>instead of Julia being told that she was a risk

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<v Speaker 1>to expect it mother's, she was becoming one. Obstetricians grew

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<v Speaker 1>concerned with this news. They feared that her particularly narrow

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<v Speaker 1>pelvis would prove to be dangerous. At best, birth is

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<v Speaker 1>a physically traumatic experience. At its worst, it can be deadly.

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<v Speaker 1>Her labor began on March eighteen sixty and she was

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<v Speaker 1>attended to buy a handful of doctors. What we do

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<v Speaker 1>know is that the doctors use forceps to help the

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<v Speaker 1>baby out. We can imagine that they were clamped to

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<v Speaker 1>his skull or to his shoulders, crushing him, and around

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<v Speaker 1>four in the afternoon he was born, and as the

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<v Speaker 1>doctors held him for the first time, they were horrified.

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<v Speaker 1>The baby's body was covered in thick black hair, just

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<v Speaker 1>like his mother. Tragically, the baby, unnamed in the history books,

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<v Speaker 1>died thirty five hours later, and Julia would fare no better.

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<v Speaker 1>First came the chills, and then the shaking. An intense

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<v Speaker 1>pain in her abdomen was followed by unbearable swelling and

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<v Speaker 1>finally a fever. It said that a crowd of spectators

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<v Speaker 1>gathered around Julia's deathbed. If Theodore sold tickets, we don't know,

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<v Speaker 1>but could we put it past him. It said that

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<v Speaker 1>her last words were, I die happy. I know I

0:13:40.760 --> 0:13:45.200
<v Speaker 1>have been loved for myself. Julia followed her baby into

0:13:45.240 --> 0:13:49.800
<v Speaker 1>death on March eighteen sixty. According to the Romantics, she

0:13:49.880 --> 0:13:53.160
<v Speaker 1>died of a broken heart. This, of course, is nonsense.

0:13:53.520 --> 0:13:56.440
<v Speaker 1>A broken heart theory was just yet another story about

0:13:56.480 --> 0:13:59.840
<v Speaker 1>her that became repeated just another tale that was tacked

0:13:59.840 --> 0:14:03.840
<v Speaker 1>on to her body's canvas. In the end, doctors listed

0:14:03.880 --> 0:14:06.920
<v Speaker 1>her official cause of death as inflammation of the uterine

0:14:06.960 --> 0:14:10.559
<v Speaker 1>membrane and the lining of the abdominal cavity. It wasn't

0:14:10.559 --> 0:14:14.120
<v Speaker 1>a beautiful death in which Julia slipped away gracefully. It

0:14:14.240 --> 0:14:19.200
<v Speaker 1>was brutal. Theodore, however, was not one to mourn. Instead,

0:14:20.080 --> 0:14:27.120
<v Speaker 1>he had an idea. Death is usually the end for

0:14:27.200 --> 0:14:30.240
<v Speaker 1>most of us, but the longest stretch of Julia's career

0:14:30.720 --> 0:14:35.400
<v Speaker 1>was just beginning. The unscrupulous Theodore Lentz, committed to never

0:14:35.480 --> 0:14:38.200
<v Speaker 1>losing a dime, sold the bodies of his wife and

0:14:38.280 --> 0:14:42.120
<v Speaker 1>child to a professor at Moscow University. Whether they commanded

0:14:42.160 --> 0:14:44.280
<v Speaker 1>a high price or not depends on how you determine

0:14:44.320 --> 0:14:47.400
<v Speaker 1>their value, but they lined his wallet with the equivalent

0:14:47.440 --> 0:14:51.320
<v Speaker 1>of about eighty four thousand dollars in today's currency. In

0:14:51.360 --> 0:14:54.400
<v Speaker 1>the lab, Julia and her son's body were subjected to

0:14:54.520 --> 0:14:58.320
<v Speaker 1>a top secret cocktail of embalming liquids. It was reported

0:14:58.360 --> 0:15:01.000
<v Speaker 1>that since the child's body was quite fresh, it was

0:15:01.440 --> 0:15:04.880
<v Speaker 1>easy to mummify. Julia, on the other hand, proved to

0:15:04.880 --> 0:15:07.640
<v Speaker 1>be more difficult. She had to be injected several times

0:15:07.720 --> 0:15:10.240
<v Speaker 1>over a long period in order to mask the smell

0:15:10.280 --> 0:15:14.040
<v Speaker 1>of decay. All the while, the professor took photographs and notes,

0:15:14.280 --> 0:15:17.840
<v Speaker 1>recording diligently as the human husks on his table changed

0:15:17.880 --> 0:15:21.600
<v Speaker 1>color and shape. After six months of work, it was

0:15:21.640 --> 0:15:24.880
<v Speaker 1>time for the postmortem debut at the University of Moscow's

0:15:24.880 --> 0:15:30.000
<v Speaker 1>Anatomy Museum. In life, just as in death, Julia Pastrana

0:15:30.080 --> 0:15:34.440
<v Speaker 1>became a sensation. The embalming process also had a curious

0:15:34.440 --> 0:15:37.840
<v Speaker 1>side effect. It seemed that her dissection had finally proven

0:15:37.920 --> 0:15:41.640
<v Speaker 1>her humanity. The papers were surprised to report that, after

0:15:41.720 --> 0:15:46.240
<v Speaker 1>a grueling internal examination, her body was indeed human. She

0:15:46.320 --> 0:15:50.160
<v Speaker 1>wasn't an ape after all. The widower, Theodore length, though,

0:15:50.360 --> 0:15:53.000
<v Speaker 1>stuck around it, said that he liked the mummies so

0:15:53.080 --> 0:15:56.840
<v Speaker 1>much and was so impressed by that Moscow University professor's

0:15:56.880 --> 0:15:59.360
<v Speaker 1>work that he bought back the bodies of his wife

0:15:59.400 --> 0:16:02.440
<v Speaker 1>and son for nearly twice what he'd sold them. And

0:16:02.520 --> 0:16:05.680
<v Speaker 1>like most showmen of that age, Theodore already had his

0:16:05.800 --> 0:16:09.920
<v Speaker 1>next destination in mind, Piccadilly Circus in London, home to

0:16:10.040 --> 0:16:14.120
<v Speaker 1>curious wonders from all over the world. In the early

0:16:14.160 --> 0:16:17.000
<v Speaker 1>months of eighteen sixty two, he set up shop, he

0:16:17.120 --> 0:16:20.200
<v Speaker 1>dressed his dead bride in a Russian dancing dress she

0:16:20.240 --> 0:16:23.280
<v Speaker 1>had made herself, and his son in a sailor suit.

0:16:23.720 --> 0:16:26.240
<v Speaker 1>Two years later, in eighteen sixty four, the bodies of

0:16:26.360 --> 0:16:29.920
<v Speaker 1>Julia and her baby were toured through Sweden. Meanwhile, Theodore

0:16:30.040 --> 0:16:33.160
<v Speaker 1>was off searching for another break, and in Bohemia he

0:16:33.240 --> 0:16:37.800
<v Speaker 1>found it well her He had learned about Marie Bartel,

0:16:38.000 --> 0:16:41.080
<v Speaker 1>another bearded woman. It has said that her family kept

0:16:41.160 --> 0:16:44.840
<v Speaker 1>her locked away, but somehow Theodore managed to ingratiate himself

0:16:44.880 --> 0:16:47.720
<v Speaker 1>with her family enough to seek her hand in marriage.

0:16:48.000 --> 0:16:51.400
<v Speaker 1>Her father obliged, but made Theodore promise that he wouldn't

0:16:51.400 --> 0:16:55.200
<v Speaker 1>show her for money, but unfortunately this was before Google

0:16:55.280 --> 0:16:59.080
<v Speaker 1>and background checks. Just a few days in Theodore stole

0:16:59.120 --> 0:17:02.040
<v Speaker 1>her shaving kits. He made grand plans to take her

0:17:02.080 --> 0:17:05.120
<v Speaker 1>through Europe and gave her a new name to match them,

0:17:05.400 --> 0:17:09.840
<v Speaker 1>Zenora Pastrana. Yes, Theodore had decided to style her as

0:17:09.960 --> 0:17:13.560
<v Speaker 1>Julia's long lost sister, and for a decade they toured

0:17:13.600 --> 0:17:17.920
<v Speaker 1>with Europe's best circuses and entertained royals. By the eighteen eighties,

0:17:18.000 --> 0:17:20.800
<v Speaker 1>interest in their act began to wane, so they decided

0:17:20.840 --> 0:17:23.360
<v Speaker 1>to put some roots down and open a wax museum

0:17:23.400 --> 0:17:27.560
<v Speaker 1>in St. Petersburg, Russia. Julia and her baby, though, had

0:17:27.560 --> 0:17:30.840
<v Speaker 1>been left behind on loan to a Viennese museum, with

0:17:30.920 --> 0:17:34.560
<v Speaker 1>Theodore being paid for the privilege. But the quiet, settled

0:17:34.600 --> 0:17:37.760
<v Speaker 1>life wouldn't last long for Theodore and his second wife.

0:17:38.080 --> 0:17:40.439
<v Speaker 1>It said that he began to lose his marbles and

0:17:40.520 --> 0:17:43.600
<v Speaker 1>was eventually installed in a Russian insane asylum, where he

0:17:43.640 --> 0:17:46.679
<v Speaker 1>would never be heard from again. It might sound like

0:17:46.720 --> 0:17:50.600
<v Speaker 1>a satisfying ending, but our story doesn't stop there. Free

0:17:50.640 --> 0:17:54.280
<v Speaker 1>from his gravitational pull, Marie now struck out on her own,

0:17:54.640 --> 0:17:57.080
<v Speaker 1>with the bodies of Julia and her baby in tow,

0:17:57.760 --> 0:18:00.920
<v Speaker 1>but the threesome would never be a permanent sideshow fixture.

0:18:01.320 --> 0:18:04.600
<v Speaker 1>The following year, Marie married a much younger man and

0:18:04.880 --> 0:18:07.920
<v Speaker 1>left show business, and when she did, she passed her

0:18:08.160 --> 0:18:13.040
<v Speaker 1>mummified partners onto a German showman. By the late eighteen nineties,

0:18:13.119 --> 0:18:15.480
<v Speaker 1>the pair was not longer of much interest to the

0:18:15.520 --> 0:18:18.960
<v Speaker 1>medical or scientific communities. We lose track of the two

0:18:19.000 --> 0:18:21.680
<v Speaker 1>for a while until they surface at an amusement park

0:18:21.720 --> 0:18:25.280
<v Speaker 1>in Oslo. Their home. There wasn't an anatomy museum, but

0:18:25.359 --> 0:18:29.719
<v Speaker 1>a chamber of horrors displayed alongside various body parts and

0:18:29.880 --> 0:18:34.760
<v Speaker 1>bottled sea monsters. Horrific I know, and this would be

0:18:34.880 --> 0:18:38.960
<v Speaker 1>Julia and Baby's story. For the intervening decades. They rotated

0:18:39.040 --> 0:18:42.840
<v Speaker 1>in and out of storage units, appearing at various installations

0:18:42.880 --> 0:18:46.600
<v Speaker 1>before being sent off to warehouses. Collectors came knocking over

0:18:46.640 --> 0:18:51.080
<v Speaker 1>the years, offering top dollar for the remains. Julia went

0:18:51.160 --> 0:18:54.280
<v Speaker 1>on one final tour, but it wouldn't last long. While

0:18:54.359 --> 0:18:57.400
<v Speaker 1>visiting a town in Sweden, local authorities used a law

0:18:57.480 --> 0:19:00.440
<v Speaker 1>from eighteen seventy five to threaten confess ation of the

0:19:00.520 --> 0:19:04.040
<v Speaker 1>mummies if they were put on display. After that, she

0:19:04.240 --> 0:19:06.520
<v Speaker 1>was sent to the winter headquarters of a fair ground

0:19:06.560 --> 0:19:09.600
<v Speaker 1>in Oslo, and it's there that she fell to pieces.

0:19:10.119 --> 0:19:13.600
<v Speaker 1>Vandals tore her dress, ripped her child's arm off, and

0:19:13.640 --> 0:19:17.240
<v Speaker 1>broke her jaw. It seems that Julia and her child

0:19:17.320 --> 0:19:20.440
<v Speaker 1>were treated in death exactly as she had been in life,

0:19:20.800 --> 0:19:24.760
<v Speaker 1>Displayed for entertainment, handled like a possession, and decorated with

0:19:24.800 --> 0:19:27.919
<v Speaker 1>whatever narrative sold the most tickets, And when they no

0:19:27.960 --> 0:19:31.440
<v Speaker 1>longer serve their purpose, they were locked away and left

0:19:31.440 --> 0:19:36.919
<v Speaker 1>a rot. Human beings seen as nothing more and sideshow prompts.

0:19:45.040 --> 0:19:47.439
<v Speaker 1>It's always alarming when you find body parts at the

0:19:47.480 --> 0:19:51.960
<v Speaker 1>town dump. It was nine in the suburbs of Oslo, Norway,

0:19:52.200 --> 0:19:54.560
<v Speaker 1>and some children who were playing in a garbage heap

0:19:54.600 --> 0:19:58.600
<v Speaker 1>found a severed, mummified arm. The owner wasn't immediately clear,

0:19:58.800 --> 0:20:02.240
<v Speaker 1>but she was soon found. Julia Pastrana stood quietly in

0:20:02.280 --> 0:20:07.280
<v Speaker 1>an abandoned caravan nearby, missing life and limb. Time hadn't

0:20:07.280 --> 0:20:10.000
<v Speaker 1>been kind to her, but neither had the world. She

0:20:10.119 --> 0:20:14.280
<v Speaker 1>was quite literally torn apart, stuffing exposed, and suittures popped.

0:20:14.640 --> 0:20:17.320
<v Speaker 1>Some of her skin and clothing were missing, and to

0:20:17.400 --> 0:20:21.960
<v Speaker 1>further compound the cruelty, so was her baby. She would

0:20:22.000 --> 0:20:24.919
<v Speaker 1>resurface ten years later in a janitor's closet in the

0:20:24.920 --> 0:20:28.719
<v Speaker 1>basement of the Forensic Institute of Oslo. It's clear that

0:20:28.760 --> 0:20:30.880
<v Speaker 1>no one still quite knew what to do with her,

0:20:31.280 --> 0:20:34.080
<v Speaker 1>and today we have to wonder what took so long

0:20:34.160 --> 0:20:37.560
<v Speaker 1>to figure it out. But by the ninety nineties, rumbles

0:20:37.560 --> 0:20:42.120
<v Speaker 1>could be heard through the hallowed academic halls of Oslo. Scholars, historians,

0:20:42.160 --> 0:20:46.040
<v Speaker 1>and activists began questioning the university's decision to keep her body,

0:20:46.480 --> 0:20:48.879
<v Speaker 1>and across the Pond in New York, a play was

0:20:48.920 --> 0:20:52.880
<v Speaker 1>being produced about her life. Its story shocked audiences rather

0:20:52.960 --> 0:20:55.639
<v Speaker 1>than entertained them, and it drummed up interest in a

0:20:55.680 --> 0:20:59.560
<v Speaker 1>petition to the Mexican embassy in Oslo to send Julia home.

0:21:00.680 --> 0:21:04.199
<v Speaker 1>But as was the case with Sarki Bartman's repatriation, Julia

0:21:04.320 --> 0:21:07.640
<v Speaker 1>and her supporters faced a long difficult battle with high

0:21:07.720 --> 0:21:11.199
<v Speaker 1>minded institutes that deemed themselves worthy to hold her captive

0:21:11.240 --> 0:21:14.760
<v Speaker 1>in the name of science. This claim was dubious at best,

0:21:15.160 --> 0:21:19.879
<v Speaker 1>and finally the institution relented in February of two thousand thirteen.

0:21:19.920 --> 0:21:22.920
<v Speaker 1>She was dressed in a traditional hupil garment and laid

0:21:22.960 --> 0:21:25.520
<v Speaker 1>in a coffin. The rods and bolts that were used

0:21:25.560 --> 0:21:28.919
<v Speaker 1>for exhibiting her body and death were removed and placed

0:21:28.960 --> 0:21:31.480
<v Speaker 1>at her feet, and with that she was flown home

0:21:31.520 --> 0:21:34.760
<v Speaker 1>to Sinaloa and greeted with the welcome fit for royalty.

0:21:35.320 --> 0:21:38.199
<v Speaker 1>There she would finally rest in a tomb, dressed in

0:21:38.200 --> 0:21:41.640
<v Speaker 1>a riot of flowers from well wishers from across the globe.

0:21:42.480 --> 0:21:45.119
<v Speaker 1>It had taken a century and a half, but the

0:21:45.160 --> 0:21:49.160
<v Speaker 1>world had finally seen her and loved her or who

0:21:49.240 --> 0:22:00.959
<v Speaker 1>she truly was. Everyone wants to be loved, but for

0:22:01.040 --> 0:22:03.960
<v Speaker 1>the right reasons, of course, So if there's someone out

0:22:04.000 --> 0:22:06.920
<v Speaker 1>there who you truly appreciate, if they bring a brightness

0:22:06.960 --> 0:22:09.600
<v Speaker 1>to your life, maybe some joy, or they just make

0:22:09.680 --> 0:22:12.800
<v Speaker 1>being here a little easier. Maybe now is a good

0:22:12.800 --> 0:22:15.680
<v Speaker 1>time to let them know. But we're not quite done

0:22:15.720 --> 0:22:18.080
<v Speaker 1>here just yet. And if you stick around through this

0:22:18.160 --> 0:22:21.399
<v Speaker 1>brief sponsor break, Robin will tell us one more tale

0:22:21.480 --> 0:22:23.840
<v Speaker 1>from the side show and help us see what happens

0:22:23.840 --> 0:22:40.360
<v Speaker 1>when the drama leaves the stage and heads to the courtroom.

0:22:40.400 --> 0:22:44.119
<v Speaker 1>On July two, eighty three, a crowd appeared at the

0:22:44.160 --> 0:22:47.560
<v Speaker 1>Halls of Justice in Manhattan, a formidable complex that housed

0:22:47.600 --> 0:22:50.200
<v Speaker 1>both the court and a detention center for New York City.

0:22:51.119 --> 0:22:53.840
<v Speaker 1>Curious onlookers had heard about one of the cases on

0:22:53.880 --> 0:22:56.399
<v Speaker 1>the docket that day, and they were looking for a

0:22:56.440 --> 0:23:00.679
<v Speaker 1>free show. William Char, you see, had a bone to

0:23:00.720 --> 0:23:04.800
<v Speaker 1>pick with P. T. Barnum. He had visited Barnum's American

0:23:04.920 --> 0:23:08.680
<v Speaker 1>Museum and was angry about it. Standing before the Justice,

0:23:09.040 --> 0:23:13.240
<v Speaker 1>Char recounted his experience from the previous day. After paying

0:23:13.280 --> 0:23:16.760
<v Speaker 1>his quarter for admission, he entered the museum of the

0:23:16.880 --> 0:23:20.960
<v Speaker 1>thousands of curiosities on display awaiting visitors. Char was there

0:23:21.000 --> 0:23:25.280
<v Speaker 1>to see a brand new feature, Madame Josephine Clofolia build

0:23:25.440 --> 0:23:29.359
<v Speaker 1>as the bearded Lady. Madame Clofolio was a hit in

0:23:29.440 --> 0:23:32.639
<v Speaker 1>part due to who she was behind the beard. She

0:23:32.760 --> 0:23:35.480
<v Speaker 1>was a fair skinned woman of Swiss descent, born to

0:23:35.560 --> 0:23:39.119
<v Speaker 1>a class, which gave her access to many refined social circles.

0:23:40.880 --> 0:23:44.520
<v Speaker 1>Mid nineteenth century America was a time of high gender anxiety.

0:23:45.160 --> 0:23:48.040
<v Speaker 1>Gender was conceived as a strict binary You were either

0:23:48.119 --> 0:23:51.399
<v Speaker 1>male or female. You performed one or the other, but

0:23:51.560 --> 0:23:56.000
<v Speaker 1>never neither, and certainly not both. But here she was

0:23:56.200 --> 0:24:00.879
<v Speaker 1>a strikingly beautiful woman, just you know, with a beard.

0:24:01.680 --> 0:24:05.200
<v Speaker 1>When Char was faced with this performance, he was incredulous.

0:24:05.760 --> 0:24:09.320
<v Speaker 1>He quickly deemed Madam Clofolia to be an impostor. She

0:24:09.560 --> 0:24:13.320
<v Speaker 1>had to be a man in disguise. Char, standing amongst

0:24:13.400 --> 0:24:17.960
<v Speaker 1>innumerable humbugs, decided that this gaff had gone too far.

0:24:18.800 --> 0:24:22.400
<v Speaker 1>He believed he had been cheated, so he took Barnum

0:24:22.440 --> 0:24:27.000
<v Speaker 1>and Clofulia to court, and there, at the place where

0:24:27.000 --> 0:24:31.159
<v Speaker 1>criminals and corruption rubbed elbows, Josephine Clofolia and her lovely

0:24:31.240 --> 0:24:37.600
<v Speaker 1>Victorian gown stood listening to a stranger challenging her womanhood character.

0:24:37.640 --> 0:24:42.840
<v Speaker 1>Witnesses were called upon to certified Josephine's legitimacy fortune Clofolia,

0:24:43.040 --> 0:24:45.960
<v Speaker 1>her husband of three years, brought up the two children

0:24:46.040 --> 0:24:49.240
<v Speaker 1>she had birthed, one of whom was still alive. Her

0:24:49.280 --> 0:24:54.840
<v Speaker 1>own father backed him up. Barnum spoke his piece too.

0:24:55.520 --> 0:24:57.840
<v Speaker 1>He claimed that he had paid her a large sum

0:24:57.920 --> 0:25:01.080
<v Speaker 1>for her exhibiting work, and for the best of his knowledge,

0:25:01.440 --> 0:25:04.920
<v Speaker 1>she was a woman. In fact, he said, he had

0:25:04.920 --> 0:25:08.600
<v Speaker 1>her examined by a few physicians, including one Dr Mott,

0:25:09.000 --> 0:25:12.480
<v Speaker 1>the same man who had called Julia Pastrana's basic humanity

0:25:12.600 --> 0:25:16.320
<v Speaker 1>into question. Even Dr Covill of New York City's Prison

0:25:16.400 --> 0:25:20.000
<v Speaker 1>chimed in. He had interviewed her, he reported, and was

0:25:20.119 --> 0:25:23.480
<v Speaker 1>perfectly convinced that, in spite of her beard, she was

0:25:23.520 --> 0:25:27.560
<v Speaker 1>indeed a lady. The magistrate was convinced, and the suit

0:25:27.760 --> 0:25:32.280
<v Speaker 1>was dismissed. Horace Greeley's New York Tribune reported the whole

0:25:32.320 --> 0:25:36.439
<v Speaker 1>story in great detail the very next day. His paper

0:25:36.520 --> 0:25:39.280
<v Speaker 1>had a circulation of about two hundred thousand throughout the

0:25:39.320 --> 0:25:42.480
<v Speaker 1>eighteen fifties, which made it one of the largest daily

0:25:42.520 --> 0:25:48.360
<v Speaker 1>papers in the United States. And imagine this. Horace Greeley

0:25:48.600 --> 0:25:54.280
<v Speaker 1>was also a good friend of P. T. Barnum. Almost immediately,

0:25:54.520 --> 0:25:57.960
<v Speaker 1>Barnum was suspected of arranging the whole ordeal with char

0:25:59.040 --> 0:26:03.919
<v Speaker 1>why Well, either because interest in Madame Cloudfulio wasn't as

0:26:04.040 --> 0:26:07.760
<v Speaker 1>enthusiastic as a showman had hoped, or to make sure

0:26:07.800 --> 0:26:11.320
<v Speaker 1>He's museum with a bona fide. Bearded Lady became a

0:26:11.359 --> 0:26:15.399
<v Speaker 1>top destination for visitors on the fourth of July, and

0:26:15.520 --> 0:26:19.719
<v Speaker 1>it worked for better for worse. The article that spread

0:26:19.760 --> 0:26:24.119
<v Speaker 1>throughout the nation's papers made the title Bearded Lady synonymous

0:26:24.119 --> 0:26:28.280
<v Speaker 1>with the name Madame Cloudfulia, at least for some time

0:26:29.440 --> 0:26:32.880
<v Speaker 1>in America. She continued to travel as a professional, covering

0:26:32.880 --> 0:26:35.360
<v Speaker 1>her beard so that passers by wouldn't get a free

0:26:35.400 --> 0:26:39.000
<v Speaker 1>show she was given. With Julia and so many other

0:26:39.080 --> 0:26:44.560
<v Speaker 1>hairsuit women of color were never afforded the label of respectability.

0:26:45.160 --> 0:26:48.920
<v Speaker 1>The papers sung her praises, championing her beauty and writing

0:26:48.960 --> 0:26:52.720
<v Speaker 1>that she had the finest set of whiskers that anyone

0:26:53.160 --> 0:26:57.480
<v Speaker 1>had ever seen. Side show was written by Robin Miniature,

0:26:57.680 --> 0:27:01.200
<v Speaker 1>with narration by me Aaron Mankey research for the series

0:27:01.280 --> 0:27:04.919
<v Speaker 1>was by Robin Minna, Taylor Haggerdorn, and Sam Alberty, with

0:27:05.000 --> 0:27:09.239
<v Speaker 1>production assistants from Josh Than Jesse funk Alex Williams and

0:27:09.280 --> 0:27:12.800
<v Speaker 1>Matt Frederick. Grim and Mile Presents was created in partnership

0:27:12.840 --> 0:27:15.199
<v Speaker 1>with I Heart Radio. You can learn more about this

0:27:15.240 --> 0:27:17.959
<v Speaker 1>show and everything else from Grim and mild Over at

0:27:18.000 --> 0:27:22.440
<v Speaker 1>grimm and mild dot com, and, as always, thanks for listening.