WEBVTT - Episode 2 - The Interview

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<v Speaker 1>BBC Sudas. Hey, Hi'm Maggie. Just a quick heads up

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<v Speaker 1>before we start. The series does contain some descriptions of

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<v Speaker 1>violence and deals with adult themes. Jim and Sandy are

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<v Speaker 1>at their favorite restaurant, Los Cucos, their most love dishes

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<v Speaker 1>spread across the table. There's a fish cancun for Sandy

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<v Speaker 1>and agorace for Jim, which is something like a thick

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<v Speaker 1>corn tortilla topped with beans, meat and salsa. Jim's had

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<v Speaker 1>his hair freshly cut for the occasion, and the pictures

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<v Speaker 1>I've seen of him, he looks kind of like your

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<v Speaker 1>classic dad. He's got a buttoned down, collared shirt tucked

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<v Speaker 1>into khakis, his BlackBerry clip to his belt. Jim's petite

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<v Speaker 1>at only five seven, with a slim frame and wire glasses.

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<v Speaker 1>Sandy's just a bit shorter, with shoulder length blonde hair

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<v Speaker 1>and tight, square framed glasses. That night, she's of vision

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<v Speaker 1>and brown with brown slacks, sweater and boots. I can

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<v Speaker 1>imagine her laughing as she leans in her hand cupped

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<v Speaker 1>around a pina colada. It's December twenty second, twenty twelve,

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<v Speaker 1>and Jim and Sandy are celebrating their thirty second wedding anniversary,

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<v Speaker 1>an amazing achievement for any relationship. They finish their meal,

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<v Speaker 1>pay the bill, and head out into the cool Texas night,

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<v Speaker 1>stopping at CBS to pick up some mixers for drinks,

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<v Speaker 1>sprite and coke. They make their way back home, leaving

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<v Speaker 1>the suburban sprawl of shopping centers and chain restaurants to

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<v Speaker 1>the tree lined street of their cult de sac home

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<v Speaker 1>and pull into their garage. Sandy enters first, while Jim

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<v Speaker 1>follows behind, his hands full with the leftovers from dinner

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<v Speaker 1>and the drinks they purchased at CBS. Sandy heads to

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<v Speaker 1>the master bedroom and into the adjoining bathroom. She begins

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<v Speaker 1>filling up the corner jacuzzi definitely big enough for two.

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<v Speaker 1>You see where this is going. Grab some rum and vodka,

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<v Speaker 1>a bowl of strawberries, and a tub of whipped cream.

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<v Speaker 1>Jim follows behind. They and dress and get into the

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<v Speaker 1>chacuzi have sex talk. They somehow spend two hours in

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<v Speaker 1>the tub, but at some point the couple's four dogs

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<v Speaker 1>begin barking. A neighbor has complained before, and both Jim

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<v Speaker 1>and Sandy are conscious to not make it a big issue.

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<v Speaker 1>Jim jumps out of the tub, wraps a towel around

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<v Speaker 1>his waist and brings the dogs in. Sandy stays in

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<v Speaker 1>a little bit longer, lingering in the now lukewarm water,

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<v Speaker 1>but when Jim doesn't come back, she gets out the

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<v Speaker 1>jacuzzi jets. Still worrying. She puts on some underwear, a

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<v Speaker 1>red nightgown, black robe, and fluffy socks, then sits on

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<v Speaker 1>an ornate brown satin chair with curling white vines and

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<v Speaker 1>begins lotioning her legs. But after that, according to Sandy,

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<v Speaker 1>the world goes black. Around sixteen hours later, on December

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<v Speaker 1>twenty third, Sandy and Jim's family are gathered outside their house,

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<v Speaker 1>having just discovered his dead body and found Sandy tied

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<v Speaker 1>up and shut in a closet. They had come over

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<v Speaker 1>for dinner, but instead they now find themselves being interviewed

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<v Speaker 1>by the police, who were trying to piece together what's happened.

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<v Speaker 2>Where was your aunt located at?

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<v Speaker 3>I saw her in the restaurroom.

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<v Speaker 2>Which restaurant the.

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<v Speaker 3>Master bedroom, there's a restaurroom in there. How much of

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<v Speaker 3>her did you see? Her face? She looked very pale,

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<v Speaker 3>and she was crying a lot, and it looked like

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<v Speaker 3>she was going to pass out when she saw my uncle.

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<v Speaker 3>I went to a Garrea water.

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<v Speaker 4>And are you close with Jamie? Yeah, here's your ancle

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<v Speaker 4>And what do you know about his wife, Sandra Sandy?

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<v Speaker 3>Honestly, no, I talked more to my uncle.

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<v Speaker 2>What kind of person is she that you know of.

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<v Speaker 3>She's a nice person.

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<v Speaker 5>She's always outgoing, always eating out with my mom and.

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<v Speaker 3>My uncle's my other uncle's ex wife.

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<v Speaker 2>Let me ask you this.

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<v Speaker 4>You were sitting in that patrol car up there when

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<v Speaker 4>we brought her out there and photographed her, and she's

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<v Speaker 4>on a cane.

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<v Speaker 2>You ever see her walk with a came before.

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<v Speaker 3>I've never seen her on a came before.

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<v Speaker 2>Now I hadn't. The last time you saw her, she walked.

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<v Speaker 3>Okay, Yes, she was fine. She came to my house December.

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<v Speaker 3>I believe it was December eighth or December ninth. It

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<v Speaker 3>was on a Sunday.

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<v Speaker 4>We're trying to figure out what happened. Any problems between

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<v Speaker 4>the two of them lately that you know of.

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<v Speaker 3>No, they always look like a happy couple of them

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<v Speaker 3>to me.

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<v Speaker 1>They ask similar questions to the rest of the family.

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<v Speaker 4>You know, have you heard your other family members that

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<v Speaker 4>are related to them?

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<v Speaker 2>Have you heard them talk about any problems between them. No, no,

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<v Speaker 2>no problem at all. Everything was good, everything else. Did

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<v Speaker 2>you understand something's happened here? Yeah, I do understand.

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<v Speaker 4>And that's a total shock to you. It's a complete

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<v Speaker 4>sort You don't suspect.

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<v Speaker 2>Anything that happening, or you don't have any ideas of

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<v Speaker 2>your own A.

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<v Speaker 4>No, honey, I don't even know if I don't know

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<v Speaker 4>if somebody broke in the house, or you know, I

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<v Speaker 4>have no clue.

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<v Speaker 2>I don't know.

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<v Speaker 3>Okay.

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<v Speaker 1>I'm Maggie Robinson, cats And from BBC Studios and iHeart Podcasts.

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<v Speaker 1>This is Hands Tied, Episode two, the interview. It's now

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<v Speaker 1>nine two pm and Sandy Malgar finds herself in a

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<v Speaker 1>small white room in Harris County Police Station, Texas. She's

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<v Speaker 1>hunched over a purple chair with her head buried in

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<v Speaker 1>her hands, her long blonde hair covering her face. She's

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<v Speaker 1>still wearing the thin black robe, those fluffy socks, no shoes,

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<v Speaker 1>but she's managed to change into a pair of jeans.

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<v Speaker 1>Sandy has declined going to the hospital and getting checked out,

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<v Speaker 1>but agrees to an interview with the police. As the

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<v Speaker 1>door creaks open, Sandy sits up, lifting her face and

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<v Speaker 1>tucking her hair behind her ears. The dark circles around

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<v Speaker 1>her eyes stand out against her waxy, pale skin. A

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<v Speaker 1>wooden cane is hooked over the arm of her chair.

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<v Speaker 1>Two stocky detectives enter, wearing almost matching outfits, dark kaki chinos,

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<v Speaker 1>with one in a white shirt the other in a

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<v Speaker 1>soft baby blue. One of the cops places two small

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<v Speaker 1>cups on the square table next to Sandy. The room

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<v Speaker 1>is cramped, so they have to do an awkward side

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<v Speaker 1>step as they take their seats on either side of her.

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<v Speaker 6>Take a picture of titles.

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<v Speaker 1>That's Sandy. Her voice soft and weak. She points to

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<v Speaker 1>her feet, telling the detectives that they didn't take a

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<v Speaker 1>picture of her ankles. They were tied, as well as

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<v Speaker 1>her hands. The detectives assure her that they'll get to

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<v Speaker 1>that in a second.

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<v Speaker 7>I need to do a statement from you, okay, that's

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<v Speaker 7>why we're here, and I will record in an old

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<v Speaker 7>statement and give some questions from your answer me.

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<v Speaker 1>That's Detective Ruben Shawn Carousel, but everyone calls him Sean.

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<v Speaker 1>He's leading the murder investigation.

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<v Speaker 2>Case.

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<v Speaker 7>Number one two one seven six two sixty nine is Sunday,

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<v Speaker 7>December twenty third, twenty twelve. This is Sean Caronel Harris

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<v Speaker 7>kind of shafs off with homicide sixty Henry forty two.

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<v Speaker 1>He's bald, middle aged, A bit what I expect when

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<v Speaker 1>I hear both the words Texas and cop I can

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<v Speaker 1>imagine he'd be comfortable grilling both meats and witnesses also

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<v Speaker 1>with me.

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<v Speaker 8>It's Sargeant, do say.

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<v Speaker 1>Sergeant James Toussay is seated directly on Sandy's right. He's

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<v Speaker 1>also in his middle age, with a similar texas a Saqua.

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<v Speaker 8>Stargew saying, to identify yourself.

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<v Speaker 9>I'm sixty Henry thirty nine.

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<v Speaker 1>Okay, he's lucky to even be in the room. Just

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<v Speaker 1>two years ago, he was gored by a bull named

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<v Speaker 1>Peanut and survived, leaving him with scars and the ultimate

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<v Speaker 1>bar story. The two detectives go way back their childhood friends,

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<v Speaker 1>and both have come straight from the crime scene to

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<v Speaker 1>the Harris County Sheriff's office.

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<v Speaker 8>Okay, ma'am, can you identify yourself for me?

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<v Speaker 1>As the only survivor and a potential witness to her

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<v Speaker 1>husband's murder, the detectives need as much detail as they

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<v Speaker 1>can get from Sandy, and as quickly as possible.

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<v Speaker 10>We'll start from the morning.

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<v Speaker 9>When you woke up today?

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<v Speaker 6>Where are you at?

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<v Speaker 1>Yes, in my closet, Sandy's hard to hear, she says,

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<v Speaker 1>in my closet this morning?

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<v Speaker 8>Yes, Okay, what about yesterday?

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<v Speaker 9>Let's start yesterday?

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<v Speaker 6>Yesterday Saturday.

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<v Speaker 7>Uh.

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<v Speaker 6>We went up to.

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<v Speaker 8>Eat at.

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<v Speaker 6>Mexican restaurant. I think it was the products the roles were.

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<v Speaker 8>Yeah, what time was that?

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<v Speaker 4>I was?

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<v Speaker 6>Who was whucos? Whokos? Uh? I'm listening about eight. I mean,

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<v Speaker 6>I'm just guessing. I don't know.

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<v Speaker 4>M h.

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<v Speaker 1>Sandy sounds a little sketchy. She's slow to speak, vague

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<v Speaker 1>and unsure of details. But I can imagine she must

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<v Speaker 1>be exhausted and traumatized. Maybe no wonder she can't remember

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<v Speaker 1>certain things.

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<v Speaker 9>While what time did you get home?

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<v Speaker 6>Probably midnight? Okay, I'm just guessing that I don't know.

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<v Speaker 9>And when you got home? What did y'all do?

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<v Speaker 6>We made some drinks, We gotten a ninjakuti.

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<v Speaker 1>Where they had sex and talked.

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<v Speaker 9>Man, what were y'all talking about?

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<v Speaker 6>My daughter?

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<v Speaker 1>That's their daughter, Liz his job.

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<v Speaker 11>Oh, here's gonna be turned.

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<v Speaker 6>And couldn't come stop.

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<v Speaker 1>Her hand lightly rests on her face for a second,

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<v Speaker 1>as her voice catches, particularly the memory almost too much

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<v Speaker 1>to bear. Jim was going to retire next year, they

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<v Speaker 1>were going to travel. I go back and forward over

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<v Speaker 1>the interview, trying to figure out what the cops are

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<v Speaker 1>thinking and land on the moment. They zero in on

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<v Speaker 1>the events leading up to Jim's murderfly focusing on the

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<v Speaker 1>moment Jim got out of the chacuzzie to check on

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<v Speaker 1>their four barking dogs.

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<v Speaker 4>So the time when he got out to go check

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<v Speaker 4>on the dogs, to go move the dog?

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<v Speaker 6>What time was that, when I say one or two

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<v Speaker 6>in the morning.

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<v Speaker 4>And when he did that, what kind of noises did

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<v Speaker 4>you hear?

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<v Speaker 6>And I think the jacuzzie was still running even when

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<v Speaker 6>I got out. The jacuzzie was running.

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<v Speaker 4>Racze was making noise is pretty loud, and you couldn't hear.

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<v Speaker 9>Anything over that.

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<v Speaker 6>I didn't hear anything, hear anybody scream no.

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<v Speaker 9>But you could hear the dogs bark, yeah, because they were.

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<v Speaker 6>Right outside our window.

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<v Speaker 1>Sandy says Jim was taking a while with the dogs,

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<v Speaker 1>so she got out of the chacuzzie and went to

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<v Speaker 1>her closet to get dressed.

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<v Speaker 12>Several hours later, I woke up and realized I was

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<v Speaker 12>tied up and tried to flip over, and then I

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<v Speaker 12>kind of got stuck where I was for the rest

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<v Speaker 12>of the time.

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<v Speaker 6>That's all I remember. I mean, I would tell you

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<v Speaker 6>more if I remember.

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<v Speaker 4>Why, I just don't.

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<v Speaker 9>Do you have pain?

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<v Speaker 6>Do I have pain? If I have pain in my head?

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<v Speaker 1>Yeah, She touches the left side of her head, like,

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<v Speaker 1>what like I got hit.

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<v Speaker 6>On the head. I don't know if I fell or

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<v Speaker 6>was pushed or what, but just like all alongside this side.

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<v Speaker 12>And then I remember oke up and I thought I

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<v Speaker 12>had had seizure because my muscles hurt in my head

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<v Speaker 12>was just hurting or bad and usually.

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<v Speaker 6>That you have been having trouble with controlling my seizure.

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<v Speaker 1>So Sandy has a laundry list of health issues, something

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<v Speaker 1>she says she's been struggling with even more in recent months.

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<v Speaker 1>Alongside the seizures, Sandy has had both her hips replaced,

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<v Speaker 1>and she also suffers from lupus, which, for whatever reason,

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<v Speaker 1>she doesn't disclose to the cops. If you don't know,

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<v Speaker 1>lupas is a really serious autoimmune disease that causes extreme

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<v Speaker 1>fatigue and joint and muscle pain. Another possible reason why

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<v Speaker 1>She's foggy, not making sense, can't remember details. She's not well,

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<v Speaker 1>but the cops aren't sure.

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<v Speaker 6>I hurt all over and my head hurts.

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<v Speaker 9>How often do you have seizures like that?

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<v Speaker 6>I've been getting a more, lady, I'm not able to

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<v Speaker 6>drive anymore.

0:14:38.640 --> 0:14:39.640
<v Speaker 9>How frequent.

0:14:43.320 --> 0:14:45.920
<v Speaker 6>This once a month? Maybe the auras? I get them

0:14:45.960 --> 0:14:46.680
<v Speaker 6>all the time?

0:14:47.080 --> 0:14:48.960
<v Speaker 9>Do you take medication for that?

0:14:49.160 --> 0:14:49.560
<v Speaker 12>Okay?

0:14:50.480 --> 0:14:53.400
<v Speaker 9>And what was the last time he had one of

0:14:53.440 --> 0:14:56.200
<v Speaker 9>those before today?

0:14:59.560 --> 0:14:59.960
<v Speaker 6>About them?

0:15:00.200 --> 0:15:01.840
<v Speaker 8>Togo at home?

0:15:03.960 --> 0:15:07.600
<v Speaker 9>And what happens when you have those seizures? What's the symptoms? Well,

0:15:07.840 --> 0:15:09.480
<v Speaker 9>how do you feel when you have those?

0:15:10.760 --> 0:15:10.960
<v Speaker 8>Oh?

0:15:11.040 --> 0:15:14.680
<v Speaker 12>I have rash byds that tell me that I'm going

0:15:14.720 --> 0:15:21.400
<v Speaker 12>to have one, and it's like I'm very forgetful, more

0:15:21.440 --> 0:15:21.960
<v Speaker 12>than usual.

0:15:22.200 --> 0:15:23.400
<v Speaker 9>Did you have one of those today?

0:15:23.680 --> 0:15:23.840
<v Speaker 2>Yeah?

0:15:23.840 --> 0:15:26.520
<v Speaker 6>I've been having it one week actually all month?

0:15:27.120 --> 0:15:29.320
<v Speaker 9>So have you been forgetting things all month?

0:15:29.960 --> 0:15:30.120
<v Speaker 8>Mm?

0:15:30.160 --> 0:15:33.760
<v Speaker 6>Hmm? And right after sometimes I can't even tell you

0:15:33.800 --> 0:15:34.200
<v Speaker 6>my name?

0:15:34.920 --> 0:15:37.880
<v Speaker 9>Okay, And let me ask you this, And I asked

0:15:37.920 --> 0:15:39.840
<v Speaker 9>you before. You didn't answer my question.

0:15:40.920 --> 0:15:41.760
<v Speaker 10>Why are we here?

0:15:42.720 --> 0:15:45.880
<v Speaker 9>Do you know what has happened today?

0:15:46.520 --> 0:15:48.880
<v Speaker 8>My husband was murdered how.

0:15:51.760 --> 0:15:54.680
<v Speaker 6>I don't know. I don't think he was shot.

0:15:56.800 --> 0:15:59.920
<v Speaker 9>What do you under what do you understand has happened? Yeah?

0:16:00.080 --> 0:16:04.040
<v Speaker 9>Told you that he was part I saw him, he did.

0:16:04.360 --> 0:16:08.600
<v Speaker 12>Yes, When in tied me, I heard hysterical screaming and

0:16:08.640 --> 0:16:11.360
<v Speaker 12>I ran over there and I.

0:16:11.400 --> 0:16:15.280
<v Speaker 6>Checked this post to see if there's anything we could do.

0:16:15.480 --> 0:16:18.920
<v Speaker 9>Yeah, I saw him. Okay, I didn't know that.

0:16:21.080 --> 0:16:24.200
<v Speaker 6>I saw him.

0:16:24.280 --> 0:16:28.239
<v Speaker 1>As Sandy's voice breaks, she puts one hand across her forehead,

0:16:28.520 --> 0:16:32.000
<v Speaker 1>pushing up her blonde Bang's eyes cast downwards.

0:16:32.560 --> 0:16:35.640
<v Speaker 9>And he touched him, touched his wrist.

0:16:36.960 --> 0:16:37.760
<v Speaker 6>I guess she isn't it?

0:16:38.360 --> 0:16:38.680
<v Speaker 3>Okay?

0:16:40.240 --> 0:16:44.640
<v Speaker 12>It's freezing cold, and I shouldn't have touched him, and

0:16:44.920 --> 0:16:48.920
<v Speaker 12>I covered him.

0:16:47.760 --> 0:16:48.960
<v Speaker 6>And I should have done that.

0:16:49.200 --> 0:16:50.080
<v Speaker 2>What'd you go wrong with?

0:16:51.200 --> 0:16:51.360
<v Speaker 1>You know?

0:16:51.520 --> 0:16:52.800
<v Speaker 6>Something that was laying next to.

0:16:52.880 --> 0:17:04.280
<v Speaker 11>The jacket, Because Jack, he was very good.

0:17:04.800 --> 0:17:06.159
<v Speaker 6>It's really good care of me.

0:17:15.640 --> 0:17:20.760
<v Speaker 1>Sandy's sobbing, head down on her knees, her hair falling forward.

0:17:26.840 --> 0:17:28.200
<v Speaker 10>Until I got it.

0:17:30.560 --> 0:17:33.879
<v Speaker 1>I've got to tell my daughter, she says between her.

0:17:33.800 --> 0:17:40.159
<v Speaker 5>Sobs, Liz thousands of miles away, having no idea what

0:17:40.280 --> 0:17:46.280
<v Speaker 5>her mom is going through in this moment, Sandra.

0:17:47.640 --> 0:17:52.159
<v Speaker 7>Part of our job is we work hundreds and hundreds

0:17:52.160 --> 0:17:58.800
<v Speaker 7>of mrder Okay, and sometimes we were cold bloody killers.

0:17:59.320 --> 0:18:01.840
<v Speaker 7>They just don't want to street that would just kill

0:18:01.920 --> 0:18:02.679
<v Speaker 7>somebody for nothing.

0:18:03.359 --> 0:18:03.719
<v Speaker 8>Okay.

0:18:04.400 --> 0:18:12.800
<v Speaker 7>Then sometimes were murders that they're an argument and something happens. Okay,

0:18:12.920 --> 0:18:18.480
<v Speaker 7>there's two different types of people. Do understand, because if

0:18:18.480 --> 0:18:21.200
<v Speaker 7>you're arguing with somebody and you lose it in your

0:18:21.280 --> 0:18:24.159
<v Speaker 7>temper and the arguments what happened.

0:18:24.000 --> 0:18:24.920
<v Speaker 9>That's not what happened.

0:18:25.119 --> 0:18:28.560
<v Speaker 12>And I think I'm gonna stop talking because I think

0:18:28.600 --> 0:18:31.200
<v Speaker 12>I'm gonna need a lawyer because I know how this works.

0:18:35.040 --> 0:18:39.359
<v Speaker 9>Let me ask you something. It's all procedure for us

0:18:39.400 --> 0:18:39.960
<v Speaker 9>to talk to you.

0:18:40.359 --> 0:18:44.639
<v Speaker 4>Okay, we want to find out the answer to this.

0:18:46.359 --> 0:18:49.720
<v Speaker 9>As bad as you do. Okay, we do, we really do.

0:18:51.359 --> 0:18:53.400
<v Speaker 4>And we're not trying to cause you trouble, will cause

0:18:53.440 --> 0:18:57.560
<v Speaker 4>you pain, but we have a procedure.

0:18:58.040 --> 0:18:59.800
<v Speaker 9>Are you familiar with a polygraph exam?

0:19:00.080 --> 0:19:02.240
<v Speaker 1>M hmm, a lie detector test?

0:19:02.560 --> 0:19:04.480
<v Speaker 9>You should be willing to take a polygraphic examp?

0:19:05.080 --> 0:19:05.760
<v Speaker 2>He's probably her.

0:19:07.400 --> 0:19:10.320
<v Speaker 1>No, not now, she says.

0:19:10.480 --> 0:19:13.000
<v Speaker 6>I'm just the nervous wreck right now.

0:19:28.960 --> 0:19:32.200
<v Speaker 1>It's just after midnight now, and Sandy Melgar walks back

0:19:32.200 --> 0:19:35.520
<v Speaker 1>into the cramped interview room, leaning heavily on a cane.

0:19:36.359 --> 0:19:39.359
<v Speaker 1>She sits down and wrests the wooden stick against her chair.

0:19:41.600 --> 0:19:44.680
<v Speaker 1>Sergeant Dussea comes in and takes the seat nearest her.

0:19:45.359 --> 0:19:50.280
<v Speaker 9>How are you feeling, I've trying to drown the air down.

0:19:52.240 --> 0:19:54.840
<v Speaker 9>This building keeps us constant of them. Sure you know.

0:19:57.680 --> 0:19:59.880
<v Speaker 4>I'll be up rue honest with you, There's some things

0:20:00.119 --> 0:20:03.720
<v Speaker 4>don't add up in your story and what you're telling me.

0:20:04.200 --> 0:20:06.560
<v Speaker 9>Okay, maybe you could help me understand it.

0:20:08.560 --> 0:20:10.399
<v Speaker 4>Now. You said you've been married thirty two years and

0:20:10.480 --> 0:20:12.280
<v Speaker 4>you were supposed to celebrate that on.

0:20:12.320 --> 0:20:17.040
<v Speaker 1>The twelfth December twelfth is their actual anniversary, but they

0:20:17.119 --> 0:20:18.879
<v Speaker 1>were celebrating on the twenty second.

0:20:19.400 --> 0:20:21.040
<v Speaker 9>Well, what reason was it that you did?

0:20:22.600 --> 0:20:23.320
<v Speaker 6>I was it feeling?

0:20:23.400 --> 0:20:23.600
<v Speaker 12>Well?

0:20:23.920 --> 0:20:30.280
<v Speaker 10>Okay, I noticed you walked with a cane? Why is that?

0:20:31.400 --> 0:20:34.000
<v Speaker 6>I've had my hips replaced and I have a lot

0:20:34.080 --> 0:20:34.720
<v Speaker 6>of joint pain.

0:20:35.440 --> 0:20:39.400
<v Speaker 4>How long ago did you have the hips replaced?

0:20:39.480 --> 0:20:40.360
<v Speaker 6>My left one.

0:20:42.240 --> 0:20:47.280
<v Speaker 12>About ten years ago or eleven, and then the right

0:20:47.320 --> 0:20:48.879
<v Speaker 12>one about five years after that.

0:20:50.119 --> 0:20:52.800
<v Speaker 10>You've been walking with a cane ever since that? It's

0:20:52.880 --> 0:20:53.840
<v Speaker 10>just when'd you start?

0:20:56.080 --> 0:20:57.040
<v Speaker 3>It's on and off.

0:20:57.160 --> 0:21:00.240
<v Speaker 13>When it's colds, my joints hurt more, but late it's

0:21:00.280 --> 0:21:02.840
<v Speaker 13>been more often because so how.

0:21:02.760 --> 0:21:04.360
<v Speaker 10>Long you think you've been walking to the cane out?

0:21:07.240 --> 0:21:09.600
<v Speaker 6>A couple of weeks, but some when the days are warmer,

0:21:09.960 --> 0:21:10.920
<v Speaker 6>they don't really use it.

0:21:12.720 --> 0:21:16.399
<v Speaker 1>From the detective's point of view, Sandy's poor health doesn't

0:21:16.480 --> 0:21:21.000
<v Speaker 1>rule her out as a suspect. Quite the opposite. Maybe

0:21:21.040 --> 0:21:23.719
<v Speaker 1>she's playing it up using a cane she doesn't need

0:21:23.800 --> 0:21:24.840
<v Speaker 1>to elicit sympathy.

0:21:26.080 --> 0:21:28.760
<v Speaker 4>You know, something I want you to understand is that

0:21:30.160 --> 0:21:33.719
<v Speaker 4>we investigate something like this, Sandra.

0:21:33.760 --> 0:21:35.240
<v Speaker 10>I want you to understand that.

0:21:37.240 --> 0:21:41.960
<v Speaker 9>We go to all extremes. You know, we don't quit.

0:21:43.000 --> 0:21:45.359
<v Speaker 9>You're going to see a lot of me, You're going

0:21:45.440 --> 0:21:46.399
<v Speaker 9>to see a lot of my partner.

0:21:47.960 --> 0:21:48.199
<v Speaker 11>You are.

0:21:48.920 --> 0:21:51.359
<v Speaker 14>We're going to find out everything about you. We're going

0:21:51.400 --> 0:21:54.200
<v Speaker 14>to find out everything about your husband. We're going to

0:21:54.240 --> 0:21:56.480
<v Speaker 14>talk to everybody in your neighborhood. We're going to talk

0:21:56.560 --> 0:22:01.879
<v Speaker 14>to everybody that you're related to. We're going to learn everything.

0:22:04.520 --> 0:22:05.600
<v Speaker 6>Because it's not me.

0:22:06.280 --> 0:22:08.600
<v Speaker 4>It's just so important that you be honest with us.

0:22:09.359 --> 0:22:13.640
<v Speaker 4>You know, I told you it's protocol that we start close.

0:22:13.440 --> 0:22:19.119
<v Speaker 15>To that victim that's you, Okay, And you know we

0:22:19.200 --> 0:22:22.440
<v Speaker 15>didn't just walk into this ball game yesterday, and we

0:22:22.560 --> 0:22:23.760
<v Speaker 15>can tell a whole lot of stuff.

0:22:24.520 --> 0:22:26.879
<v Speaker 9>By the way, that when we start.

0:22:26.680 --> 0:22:29.560
<v Speaker 4>With people, the way they react, the way they act,

0:22:29.840 --> 0:22:33.439
<v Speaker 4>you need to understand that may I always show, may

0:22:33.520 --> 0:22:36.200
<v Speaker 4>not always let that be be known to you.

0:22:37.240 --> 0:22:41.080
<v Speaker 9>But we're no fools. You need to understand that too, okay.

0:22:43.000 --> 0:22:46.880
<v Speaker 4>And we've been doing this long enough where there's things

0:22:46.920 --> 0:22:47.679
<v Speaker 4>we recognize.

0:22:49.440 --> 0:22:52.680
<v Speaker 9>You got to understand that too, Okay.

0:22:54.520 --> 0:22:57.720
<v Speaker 10>We talk to people all the time. I never said

0:22:57.760 --> 0:23:03.560
<v Speaker 10>you did. I did ask you to take a polygraph test?

0:23:03.720 --> 0:23:07.800
<v Speaker 6>Yes, I did, and not shaking and freezing and.

0:23:07.920 --> 0:23:11.440
<v Speaker 4>What's your what's your explanation though, what's your excuse for

0:23:11.600 --> 0:23:12.320
<v Speaker 4>not taking one?

0:23:13.920 --> 0:23:16.480
<v Speaker 9>It's not holding water, Sandra. I'm just gonna be honest

0:23:16.520 --> 0:23:17.480
<v Speaker 9>with you. It's not.

0:23:17.840 --> 0:23:19.400
<v Speaker 6>I just don't want to take it. And then it's

0:23:19.520 --> 0:23:20.200
<v Speaker 6>used against me.

0:23:20.960 --> 0:23:22.920
<v Speaker 1>Now the gloves are off.

0:23:23.200 --> 0:23:26.640
<v Speaker 10>Are you covering something else? Why would you take a polygraph?

0:23:27.600 --> 0:23:31.480
<v Speaker 6>Because I'm so stress right now I can't even think straight.

0:23:32.200 --> 0:23:33.120
<v Speaker 9>It's not a good reason.

0:23:33.280 --> 0:23:37.200
<v Speaker 13>Well, I just don't want to use against me, that's

0:23:37.240 --> 0:23:41.240
<v Speaker 13>all I'll take it, But not just use against you

0:23:42.240 --> 0:23:47.199
<v Speaker 13>because I'm stressed, and I mean I just.

0:23:49.119 --> 0:23:49.920
<v Speaker 10>Beyond beyond that.

0:23:50.640 --> 0:23:51.840
<v Speaker 8>Does your husband ever hit you?

0:23:52.720 --> 0:23:52.760
<v Speaker 4>No?

0:23:53.560 --> 0:23:58.119
<v Speaker 15>No, piscopal No, never did your husband tell you something

0:23:58.280 --> 0:23:59.840
<v Speaker 15>that that made you black out.

0:24:00.440 --> 0:24:02.600
<v Speaker 10>No, doesn't work that way.

0:24:03.960 --> 0:24:07.320
<v Speaker 7>As your would your husband have a girlfriend signer, they'd

0:24:07.320 --> 0:24:08.640
<v Speaker 7>be a jealous boyfriend, would coat.

0:24:08.880 --> 0:24:11.840
<v Speaker 8>Yeah, as your husband of cosey, he was going to

0:24:11.960 --> 0:24:12.159
<v Speaker 8>leave you.

0:24:12.520 --> 0:24:16.080
<v Speaker 6>Yeah, they were taking plans. We were making plans. Who

0:24:16.600 --> 0:24:17.359
<v Speaker 6>would leave me?

0:24:17.840 --> 0:24:19.480
<v Speaker 8>Do you think he's ever caught one of his family

0:24:19.560 --> 0:24:20.680
<v Speaker 8>members that he was going to leave you?

0:24:22.080 --> 0:24:25.560
<v Speaker 1>To Sandy, that couldn't be further from the truth. They

0:24:25.600 --> 0:24:28.639
<v Speaker 1>were planning to go traveling together. They were sitting in

0:24:28.720 --> 0:24:32.560
<v Speaker 1>the jacuzzie talking about their plans for retirement, the trips

0:24:32.600 --> 0:24:33.520
<v Speaker 1>they were going to take.

0:24:34.960 --> 0:24:36.960
<v Speaker 2>You know what I saw there.

0:24:38.760 --> 0:24:43.280
<v Speaker 4>When I saw your husband's body, that's a pretty violent attack. Okay,

0:24:43.920 --> 0:24:48.840
<v Speaker 4>And if he encountered something that.

0:24:48.960 --> 0:24:53.720
<v Speaker 9>Would do what we see there, you're going to hear it.

0:24:54.280 --> 0:24:55.399
<v Speaker 10>You're going to hear something.

0:24:56.520 --> 0:25:00.520
<v Speaker 1>And Sandy reiterates that she left the jets running when

0:25:00.560 --> 0:25:03.399
<v Speaker 1>she went to get dressed. Well, Jim brought in the dogs.

0:25:04.440 --> 0:25:08.040
<v Speaker 1>The jets, according to Sandy, are why she couldn't hear

0:25:08.200 --> 0:25:08.879
<v Speaker 1>Jim's screen.

0:25:10.880 --> 0:25:14.080
<v Speaker 4>I don't care if you've got a tank cranked up

0:25:14.160 --> 0:25:17.840
<v Speaker 4>in that bathroom with you, you're gonna hear something. When

0:25:17.920 --> 0:25:23.359
<v Speaker 4>somebody encounters somebody that's stabashed, somebody that violently, that many

0:25:23.480 --> 0:25:25.639
<v Speaker 4>times you're gonna hear that.

0:25:27.640 --> 0:25:29.960
<v Speaker 6>You didn't hear anything. I wish I had heard something.

0:25:30.040 --> 0:25:30.800
<v Speaker 9>I didn't.

0:25:33.280 --> 0:25:33.600
<v Speaker 2>See that.

0:25:33.760 --> 0:25:36.639
<v Speaker 4>What we're seeing there, the physical evidence that's there, and

0:25:36.760 --> 0:25:37.640
<v Speaker 4>what you're telling us.

0:25:39.400 --> 0:25:40.600
<v Speaker 9>Just not adding up. Sandra.

0:25:41.840 --> 0:25:43.240
<v Speaker 4>I'm not wanting to call you a liar, but what

0:25:43.280 --> 0:25:47.359
<v Speaker 4>I'm saying to hear something. You're the only person that

0:25:47.480 --> 0:25:48.200
<v Speaker 4>was in that house.

0:25:49.560 --> 0:25:51.600
<v Speaker 2>You know we're here, we're going to try to.

0:25:51.600 --> 0:25:53.200
<v Speaker 4>Get to the bottom of this, but you're the only

0:25:53.240 --> 0:25:56.280
<v Speaker 4>one that was in that house. Well, it is ironic

0:25:56.480 --> 0:26:02.560
<v Speaker 4>that you could you black out exact time when he's

0:26:02.600 --> 0:26:06.960
<v Speaker 4>getting down and bludgeon I don't have an answer for

0:26:08.000 --> 0:26:12.680
<v Speaker 4>multiple times like that, dying screaming for help.

0:26:13.160 --> 0:26:16.720
<v Speaker 10>Oh my gosh, just I don't know. I don't understand that.

0:26:16.800 --> 0:26:17.680
<v Speaker 10>That's not right.

0:26:17.840 --> 0:26:19.520
<v Speaker 8>I mean, it's a lot of blood that he lost.

0:26:20.680 --> 0:26:24.320
<v Speaker 9>Could you hear him, No, I couldn't hear him.

0:26:24.440 --> 0:26:25.840
<v Speaker 8>Could you hear me all for help?

0:26:26.080 --> 0:26:26.119
<v Speaker 6>No?

0:26:27.240 --> 0:26:31.080
<v Speaker 8>Could you hear screaming? I didn't hear it.

0:26:31.240 --> 0:26:32.120
<v Speaker 2>I mean he was in pain.

0:26:32.920 --> 0:26:33.439
<v Speaker 9>We know that.

0:26:35.520 --> 0:26:36.400
<v Speaker 8>He suffered a lot.

0:26:39.000 --> 0:26:39.840
<v Speaker 9>I need you to help me.

0:26:41.359 --> 0:26:42.200
<v Speaker 10>I need you to help me.

0:26:44.480 --> 0:26:45.680
<v Speaker 8>I need you to help me on this.

0:26:47.600 --> 0:26:51.280
<v Speaker 1>It's as though Detective Carousel is channeling Jim in his

0:26:51.440 --> 0:26:52.320
<v Speaker 1>final moments.

0:26:53.960 --> 0:26:54.600
<v Speaker 8>Can you help me?

0:26:54.880 --> 0:26:55.760
<v Speaker 2>I need you to help me.

0:26:58.720 --> 0:26:59.840
<v Speaker 8>Andrew, can you help me?

0:27:00.000 --> 0:27:00.920
<v Speaker 6>I didn't hear anything.

0:27:02.040 --> 0:27:03.840
<v Speaker 8>Can you help me? I need you to help me.

0:27:08.040 --> 0:27:08.959
<v Speaker 6>Did you hear anything?

0:27:10.119 --> 0:27:10.760
<v Speaker 2>I need help?

0:27:13.119 --> 0:27:13.800
<v Speaker 8>Please help me?

0:27:16.119 --> 0:27:19.879
<v Speaker 7>Screaming after screaming, after screaming, even pain, I need help.

0:27:21.520 --> 0:27:24.320
<v Speaker 1>The bizarre incantation goes on and on.

0:27:25.119 --> 0:27:33.080
<v Speaker 8>Help me, help me, help me. Cousin's a nice guy.

0:27:34.200 --> 0:27:35.200
<v Speaker 8>He went through a lot of pain.

0:27:36.440 --> 0:27:40.080
<v Speaker 1>Help me until Sandy's finally had enough.

0:27:40.800 --> 0:27:45.120
<v Speaker 6>I didn't hear anything already. I need help.

0:27:48.960 --> 0:27:49.800
<v Speaker 8>I need help.

0:27:52.000 --> 0:27:52.320
<v Speaker 2>Help me.

0:27:53.600 --> 0:27:54.440
<v Speaker 6>That's it, that's it.

0:27:55.280 --> 0:27:56.040
<v Speaker 3>I need a lawyer.

0:27:56.320 --> 0:27:59.080
<v Speaker 6>I'm not talking anymore because you guys are just trying

0:27:59.119 --> 0:27:59.800
<v Speaker 6>to torture me.

0:28:00.080 --> 0:28:00.199
<v Speaker 7>Here.

0:28:00.880 --> 0:28:01.760
<v Speaker 9>I'm not torturing you.

0:28:02.240 --> 0:28:03.240
<v Speaker 8>I'm asking for help.

0:28:04.760 --> 0:28:05.840
<v Speaker 1>But they're not done yet.

0:28:07.400 --> 0:28:10.120
<v Speaker 6>She loved your husband, yes, I love my husband.

0:28:11.600 --> 0:28:18.240
<v Speaker 16>Yes, she wants to finally kill him. Of course, I

0:28:18.280 --> 0:28:22.520
<v Speaker 16>don't think you did. Did you stage that at your house?

0:28:22.640 --> 0:28:22.800
<v Speaker 4>Now?

0:28:23.640 --> 0:28:24.159
<v Speaker 6>Stage it?

0:28:24.520 --> 0:28:24.760
<v Speaker 9>Yeah?

0:28:25.200 --> 0:28:25.879
<v Speaker 10>Did you plan this?

0:28:27.040 --> 0:28:28.760
<v Speaker 4>No? No?

0:28:28.960 --> 0:28:29.280
<v Speaker 8>I did not.

0:28:30.119 --> 0:28:31.239
<v Speaker 9>Would you tell me if you did?

0:28:33.680 --> 0:28:35.520
<v Speaker 6>I wouln't even know where to start to stage it,

0:28:38.000 --> 0:28:40.320
<v Speaker 6>and how am I going to tie myself up like that?

0:28:40.680 --> 0:28:42.080
<v Speaker 6>And I ain't gonna be able to get out of it.

0:28:42.160 --> 0:28:46.240
<v Speaker 6>I mean, I really was trying to get out of it.

0:28:48.200 --> 0:28:49.200
<v Speaker 8>Did you kill your husband?

0:28:50.880 --> 0:28:50.920
<v Speaker 16>No?

0:28:51.200 --> 0:28:51.680
<v Speaker 9>I didn't.

0:28:58.760 --> 0:29:02.680
<v Speaker 1>It's one fourteen am on Christmas Eve, nine hours since

0:29:02.720 --> 0:29:05.920
<v Speaker 1>Sandy was found by her family, since they all learned

0:29:05.960 --> 0:29:11.360
<v Speaker 1>that Jim had been murdered. The interview's over and she's exhausted.

0:29:12.640 --> 0:29:17.080
<v Speaker 1>She's bewildered. To Sandy, she can't fathom how this nightmare

0:29:17.160 --> 0:29:22.240
<v Speaker 1>has happened. Her husband's dead and somehow she's being accused

0:29:22.360 --> 0:29:23.080
<v Speaker 1>for his murder.

0:29:25.000 --> 0:29:26.160
<v Speaker 3>I'm good an emergency.

0:29:26.280 --> 0:29:27.120
<v Speaker 1>I can stay calm.

0:29:27.200 --> 0:29:28.080
<v Speaker 3>I know what I need to do.

0:29:28.440 --> 0:29:41.080
<v Speaker 1>I can assess the situation. You've been listening to Hands Tied,

0:29:41.600 --> 0:29:45.000
<v Speaker 1>a new eight part true crime series from BBC Studios

0:29:45.080 --> 0:29:49.560
<v Speaker 1>and iHeart Podcasts. New episodes will be released weekly, so

0:29:49.800 --> 0:29:53.240
<v Speaker 1>subscribe or follow on the iHeartRadio app or wherever you

0:29:53.360 --> 0:29:57.400
<v Speaker 1>get your podcasts so you don't miss out. If you

0:29:57.560 --> 0:29:59.960
<v Speaker 1>like the show, please help us by spreading the word

0:30:00.280 --> 0:30:04.440
<v Speaker 1>or giving us a five star review. I'm Maggie Robinson

0:30:04.520 --> 0:30:09.120
<v Speaker 1>Katz and the producer is Maggie Latham. Sound design in

0:30:09.280 --> 0:30:13.200
<v Speaker 1>mix is by Tom Brignall. Our script consultant is Emma

0:30:13.240 --> 0:30:17.960
<v Speaker 1>Weatherall production support is from Dan Martini, Elena Boutang and

0:30:18.160 --> 0:30:23.080
<v Speaker 1>Mabel Finnegan Wright, and our production executive is Laura Jordan Raul.

0:30:23.920 --> 0:30:27.520
<v Speaker 1>The series was developed by Anya Saunders and Emma Shaw

0:30:28.520 --> 0:30:32.720
<v Speaker 1>at iHeart. The managing Executive producer is Christina Everett, and

0:30:32.880 --> 0:30:36.240
<v Speaker 1>for BBC Studios, the executive producer is Joe Kent,