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Speaker 1: Fifty percent right special year fifty percent right. Ratchets to

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Speaker 1: sit down didn't come to the most prominent form wait

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Speaker 1: your ass up early in the morning, but they told

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Speaker 1: me it was y'all. I said, hell yeah, I'm getting

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Speaker 1: the jus morning ship free people's choice. Actually got m

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Speaker 1: mad people little. I can't believe you guys are the basket.

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Speaker 1: Look if we know this breakfast club pies. Good morning Usa,

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Speaker 1: joo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo Good morning angela ye lad, he's to the planet

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Speaker 1: is Tuesday, Yes, it's Tuesday. Good morning. Absolutely. I did

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Speaker 1: the dentists all day yesterday. I got me a nice

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Speaker 1: little feeling. There you go. I'm saying, what kind of

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Speaker 1: feeling had a cavity causing me a little bad breath?

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Speaker 1: You know what I mean? Feeling. Salute to everybody out

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Speaker 1: there who may need a feeling right now or a

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Speaker 1: root canal, but don't know it, and you wonder why

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Speaker 1: your mouths think you keep trying to put it in

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Speaker 1: gum and suck mints and all kinds of stuff, but

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Speaker 1: it ain't working all day long. You got morning breath,

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Speaker 1: morning breath in the mid afternoon. Well, you know, I'm

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Speaker 1: an expert at going to the dentist because your uncle's

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Speaker 1: a dentist. Yes, and my dad actually manages the office.

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Speaker 1: And I tell you this, when you have a toothache,

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Speaker 1: you should really be concerned when it stops hurting, because

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Speaker 1: that means a nervous Dad. That means that you need

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Speaker 1: a root canal. That's when you breathe bad. As soon

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Speaker 1: as your tooth is hurting, That's why you need to

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Speaker 1: go to the dentist and take care of it. That's

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Speaker 1: the difference between having a feeling from a cavity and

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Speaker 1: having to get a root ye bad. You should go

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Speaker 1: see the dentist twice year if you can. You ever

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Speaker 1: smell somebody's breath and be like, damn, somebody smell like something.

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Speaker 1: When your mouth and died, it did called a nerd

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Speaker 1: and shout to Uncle Yee and Papa Yee. Yes some

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Speaker 1: of the correct names. That's doctor Gary Yee in Westfield,

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Speaker 1: New Jersey. There you go. That help you out of

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Speaker 1: you now for Carteret, New Carteret, New Jersey. That help

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Speaker 1: you out if you need it now. It's not painful. Yeah,

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Speaker 1: whatever you need. Well, I got my feeling done, so

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Speaker 1: I'll be talking a lot more than usual, especially in

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Speaker 1: your face. There you go. You know, when you know

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Speaker 1: your breath don't smell too good, you try to stay

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Speaker 1: away from people. Talk down at the angle. Now I'm

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Speaker 1: straight at you, straight at you, that idea. What's happening? Well,

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Speaker 1: I had a long night yesterday, did you? Yes? Apparently?

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Speaker 1: Now this has been going on for two days now.

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Speaker 1: Somebody keeps calling and delivering food to my address. So

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Speaker 1: who was it? I don't know who it is that

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Speaker 1: somebody's trying to be funny. So first they called Papa

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Speaker 1: John's last night at like one in the morning. It's

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Speaker 1: a paid for all you got? Was not paid for it? Yeah?

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Speaker 1: I think about that shit. Did that when I was

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Speaker 1: a kid? That album? It seems like a kid doing it.

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Speaker 1: Did they know it's you? Yeah? Because it has my

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Speaker 1: name on it, but it has somebody else's phone number.

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Speaker 1: But it's like one of those voice I don't mind

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Speaker 1: people just having your address like that. I don't know

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Speaker 1: who it is, Charlottagne, there's some random person. Clearly, if

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Speaker 1: you live on my block, you know I lived there, right,

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Speaker 1: So then they did the same thing last night, but

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Speaker 1: they kept sending like I came home, I wasn't even

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Speaker 1: home and there was like two delivery people outside trying

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Speaker 1: to deliver stuff in. Another person came funny. Yeah, sounds

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Speaker 1: not funny. I was kind of dangerous that random people

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Speaker 1: know her address like that. I actually ended up having

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Speaker 1: to do a police report. So the police came last

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Speaker 1: night at hours. It was a whole long process, but

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Speaker 1: they're getting the information because the person left their phone number.

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Speaker 1: And then I had to call it graub Hub and

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Speaker 1: everything because they've been calling graub Hub and Papa John's

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Speaker 1: and doing this. So that edible deal don't coming. You

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Speaker 1: ain't got edible deal though it was on his way.

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Speaker 1: He just working his way up. He's been sending the advertiser,

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Speaker 1: but that main cause coming. Yeah, they said they have

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Speaker 1: the person's email address and IP address and all that.

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Speaker 1: I mean, it's so easy to get somebody's house addressed.

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Speaker 1: Now it's very difficult to keep it away from anybody.

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Speaker 1: It's really hard. Just google somebody and it's that simple

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Speaker 1: that you know, you can get all that stuff for race, right,

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Speaker 1: you can't, but they get still funny. You know, you

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Speaker 1: can get all that stuff for race, right, trust me,

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Speaker 1: people that live on your black noise adject I don't

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Speaker 1: live on a block. Okay, drop on a bump for me.

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Speaker 1: Damn it, you turn that off. I turned that bomb

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Speaker 1: up so they can hear this. I live with a

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Speaker 1: code of sack dam and drop on a clued bomber.

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Speaker 1: Let people know where you're sacking. Okay, lots of guys

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Speaker 1: they have no goodness, trust me on that one. All right. Well,

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Speaker 1: Houston was amazing, had a fun time, and Huston got

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Speaker 1: back last night. The only problem with Houston is the

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Speaker 1: food is too damn good. I stepped on the scale

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Speaker 1: last night and it was all bad. I got to reset.

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Speaker 1: It was bad, but let's reset. It was bad, like

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Speaker 1: for everybody. Shout to everybody. He went out of town

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Speaker 1: this weekend that it was time to reset, and then

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Speaker 1: gained seven, eight, nine, ten pounds. Okay, Houston doesn't to you.

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Speaker 1: Everything is fried, everything is good. Now. Let's reset. Now,

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Speaker 1: let's reset as a family. Everybody, let's reset. Let's got it.

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Speaker 1: Front page News. What we're doing. We all were gonna

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Speaker 1: talk about Donald Trump. You don't have to. Yeah, we

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Speaker 1: kind of do the kind of do because there's a

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Speaker 1: lot going on and there's no way we can't address

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Speaker 1: these things and not know about him. All right, we'll

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Speaker 1: get to that when we come back. Keeping lock this

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Speaker 1: to Breakfast Club, Good morning, his bad and boogie. You know,

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Speaker 1: so we really never hand on old one. Yeah, yeah,

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Speaker 1: y'all me goals bat and bougi morning. Everybody is DJ

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Speaker 1: Envy angela ye Charlemagne that God. We are the Breakfast

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Speaker 1: Club and good morning. We like to ask everybody to

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Speaker 1: call us up and tell us why you're blessed. Blessings

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Speaker 1: on blessings on blessings. We'd love to hear some positivity,

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Speaker 1: some positive news in your life, whatever you're going through

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Speaker 1: that's positive. Call us up now, we'll put you on

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Speaker 1: the eight hundred five eight five one oh five. Well,

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Speaker 1: it is a balance of ratchingness and rations because we

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Speaker 1: do to tell them why you're mad. Then we have

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Speaker 1: people who call up and see why they're blessed in

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Speaker 1: highly favorite we'll do about Yeah, we'll do that in

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Speaker 1: a little bit, but right now, just call us up

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Speaker 1: and tell us why you're blessed. All right, let's get

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Speaker 1: some front page news now, the sports, the Patriots. If

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Speaker 1: you're a Patriot fan. The parade will go down today

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Speaker 1: in Boston. No, Tom Brady actually posted on Instagram you said,

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Speaker 1: catch me at the parade. How about that? Trying to

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Speaker 1: sound like the little chick from Doctor Phil. But I

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Speaker 1: will say this, this is one thing that we didn't

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Speaker 1: take into consideration of the two And another record was

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Speaker 1: broken the other night on Sunday. But Tom Brady is

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Speaker 1: the first person to beat the Internet. You know, we

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Speaker 1: always say the Internet is undefeated. That's true. Tom Brady

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Speaker 1: beat the Internet on Sunday, right because the Internet had

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Speaker 1: him buried like we had him in the grave, putting

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Speaker 1: the dirt on him, and he roles from that casket

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Speaker 1: and defeated the Internet like Michael Jordan's face was almost

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Speaker 1: on here, and he beat it. So drop one a

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Speaker 1: clue bump for that white man beating Internet's one. He's

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Speaker 1: also one of the first place I ever seen didn't

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Speaker 1: take the jet back with his group with the team,

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Speaker 1: took his private jet with his white kids. Yeah, I

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Speaker 1: guess after the whole lot. All right, now, let's talk

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Speaker 1: about Trump. What're we talking about with Trump? Oh man?

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Speaker 1: So many different things. First of all, Donald Trump is

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Speaker 1: not welcome to address Parliament, the UK Speaker has said

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Speaker 1: that they're gonna block him from speaking. Speaker John Burkhouse

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Speaker 1: said he was strongly opposed to Donald Trump addressing Parliament

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Speaker 1: during an upcoming state visit to the UK because they

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Speaker 1: opposed racism and sexism and they support equality and an

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Speaker 1: independent judiciary. Here's what he had to say, as far

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Speaker 1: as this place is concerned, I feel very strongly that

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Speaker 1: our opposition to racism and to sexism, and i'll support

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Speaker 1: for equality before the law and an independent judiciary are

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Speaker 1: hugely important considerations. In the House of Commerce. Dropping a

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Speaker 1: clue bomb for the UK, I don't like I'm not

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Speaker 1: looking good for it. We should feel the same way, though,

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Speaker 1: like why are we embracing racism? Why are we embracing

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Speaker 1: discrimination in bigotry? After all? Right? Well, Donald Trump is

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Speaker 1: also saying that he feels like the White House, that

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Speaker 1: he feels like the media is not covering terrorist attacks

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Speaker 1: at all. Here's what he had to say. Radical Islamic

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Speaker 1: terrorists are determined to strike our homeland as they did

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Speaker 1: in nine to eleven, as they did from Boston to

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Speaker 1: Orlando to San Bernardino and all across Europe. You've seen

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Speaker 1: what happened in Paris and Nice. All over Europe. It's happening.

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Speaker 1: It's got to a point where it's not even being reported,

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Speaker 1: and in many cases the very very dishonest press doesn't

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Speaker 1: want to report it. They have their reasons, and you

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Speaker 1: understand that. Well, Donald Trump got to stop watching s

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Speaker 1: and Ellen still watching the news because we are very

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Speaker 1: aware of every single situation he just named. I thought

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Speaker 1: I see a lot of them on TV, but yeah,

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Speaker 1: he even listen. So let me tell you what they did.

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Speaker 1: The White House actually gave a list of seventy eight

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Speaker 1: attacks that they felt like, we're not widely reported. Among

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Speaker 1: those on the list, the Orlando nightclub shooting that was

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Speaker 1: on the list, Yes, no way, the San Bernardino shooting, Oh,

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Speaker 1: the Paris attacks. All of these were on the list,

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Speaker 1: and they were very widely reported, very extensively. Now here's

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Speaker 1: what Sean Spizer had to say. Look, I think the

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Speaker 1: president's comments were very clear at the time. He felt

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Speaker 1: so members of the media don't always cover some of

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Speaker 1: those events to the extent that other events might get covered.

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Speaker 1: In a protest will get blown out of the water,

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Speaker 1: and yet an attack or a foiled attack doesn't necessarily

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Speaker 1: get the same coverage. See, they're just trying to the

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Speaker 1: insulting all intelligence at this point. Come on, now, this

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Speaker 1: is the thing, right, the list of talk of the country.

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Speaker 1: This is what Iraq, Iran, Libya, Somalia, Sudan, Syria and Yemen.

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Speaker 1: None of the perpetrated perpetrators of the major US terrorists

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Speaker 1: at tax carried out in the name of Islam in

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Speaker 1: the past fifteen years have come from any of those countries.

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Speaker 1: Like all of those all those terrorists attacks he name

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Speaker 1: didn't come from none of the countries on the list, right,

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Speaker 1: So what's the problem? So financial thing? It seems like

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Speaker 1: it's personal for him. Now I want to talk about

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Speaker 1: the Women's March because they now that organizers from the

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Speaker 1: Women's March from last month have announced yesterday they want

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Speaker 1: to have a general strike at a date to be determined.

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Speaker 1: It's called general strike, a day without a woman, date

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Speaker 1: to be announced. So they're going to have a day where,

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Speaker 1: you know, just to show that how important we are

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Speaker 1: as women, drop on a clues bombs for them women.

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Speaker 1: Tamika Mallory, Linda Sausour, Carmen Perez. That's actually a great idea, right,

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Speaker 1: I thought African Americans should come together and do something

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Speaker 1: like that too, and call it a black out. All

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Speaker 1: the black people don't show up. They do nothing for

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Speaker 1: one day. Everybody stay home, everybody no work, no school,

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Speaker 1: don't nothing to show the world. But it would look like,

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Speaker 1: well America, what it would look like without black people?

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Speaker 1: Does just tell you, guys know things you matter. Now.

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Speaker 1: Another thing that happened after delete uber happened, Grab your

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Speaker 1: wallet boycott happened. Every store that has anything Trump related

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Speaker 1: people have been not spending money there. And because of

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Speaker 1: that name, and Marcus Nordstrom has dropped Ivanka Trump's line,

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Speaker 1: and now Macy's is feeling the pressure to do the

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Speaker 1: same thing. Okay, all right, well that's Front page News.

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Speaker 1: I tell them why you're mad eight hundred five eight

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Speaker 1: five one oh five one. If you're upset, you need

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Speaker 1: to vent, call us up right now. Maybe at a

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Speaker 1: bad night, maybe you're still upset, the Falcon's lost, whatever

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Speaker 1: it may be, call us up right now. Eight hundred

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Speaker 1: five eight five one oh five one. Tell them on

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Speaker 1: your Marrie and why club. John will be joining us,

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Speaker 1: John white Cliff will be joining us. It's the breakfast club.

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Speaker 1: Come on in the Breakfast club and in one side,

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Speaker 1: and I can't even lie to you. Hey, y'all, y'all, Hey, y'all,

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Speaker 1: good lord, it is the mad rap. I'nna tell you why,

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Speaker 1: Manna tell you why back man? Because I don't got

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Speaker 1: the club last night and there was so many good

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Speaker 1: girls in there, yo, for men. We don't need none

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Speaker 1: of your good girls at the club. We need Louise girls.

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Speaker 1: They drup gummedy sloppy girls. We didn't girls. That's gonna

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Speaker 1: call away. We don't need none of your guys. Goes

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Speaker 1: the go, go away, talk about it and tell me

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Speaker 1: why are you mad? Breakfast club? For real? Hello? Who's

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Speaker 1: this short man from Milana? What up? Trey? How you?

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Speaker 1: I'm man? I'm still hurting man found man. They still

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Speaker 1: got me hurt man. Yep, that's how it goes. It's

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Speaker 1: maybe next year't hey, it's gonna be hard. It's gonna

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Speaker 1: be all right. Hello. Who's this? Hey? It's Carmen. Hey,

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Speaker 1: calm and tell him? Are you mad? Harmon? Carma, Carmen, Carmen,

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Speaker 1: Why are you mad? Mama? I'm doing this little guy.

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Speaker 1: He's nice and you know he's fund it like a

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Speaker 1: time in text and she just he's too quick for

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Speaker 1: me and he's a life guy, but I just can't

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Speaker 1: What do you mean he's too quick? He busts off

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Speaker 1: as damn But you know what that's because you're your

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Speaker 1: poom froom so good bull? Well is he able to

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Speaker 1: go again? After he he can't? Coming quick? Happy? That

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Speaker 1: should be good, That should be a good thing. I'm

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Speaker 1: not happy if she's not getting hurts though, because once

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Speaker 1: I go, he got satisfied. You need to tell him

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Speaker 1: to do a lot more for a play for you. Then. Yeah,

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Speaker 1: he got a mouth, right mom. Yeah, I grabbed him

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Speaker 1: by his lips and say what that jaw do? Sir?

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Speaker 1: That's so? And as soon as he tells you I'm

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Speaker 1: about then you gotta stop. They didn't stop. Yeah, you know,

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Speaker 1: when you're about the bus, just stop. You gotta learn

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Speaker 1: how to control himself and get his rhythm right right,

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Speaker 1: I'm gonna because right now, I just you know, I

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Speaker 1: don't want to cheat him. Go out of here, Lord,

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Speaker 1: have mercy. Hello, who's in? Hello? This is James John Jane.

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Speaker 1: Tell him why you mad man? I had a timp job.

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Speaker 1: Then here Charlotte had a timp job. They closed down

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Speaker 1: Tip out of nowhere on the second day worked, but

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Speaker 1: I a lot of tim The timp place used to

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Speaker 1: keep a brother alive back in the day, bro then

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Speaker 1: no drug test Me and my cousin that got on

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Speaker 1: there for gods, and it was a guy shing man.

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Speaker 1: I'm thinking, we're gonna get paid. Man ahead twelve o'clock

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Speaker 1: they come to is that they close it. We gotta

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Speaker 1: sign with another tim agency whatever. We were still gonna

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Speaker 1: get paid all living dollars our twelve hour shift. I'm good.

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Speaker 1: We gotta get hi. We gotta go through the whole

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Speaker 1: hiring process again. Services back in the day used to

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Speaker 1: be like a choose your own adventure book. You never

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Speaker 1: knew where you had to go for that day, for

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Speaker 1: the week. Yeah, I was good with that. They're talking

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Speaker 1: about can you work a day off. I can come

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Speaker 1: in and work a day Damn, I'm gonna come get

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Speaker 1: that thirty for all or whatever it is time job.

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Speaker 1: Do you want it? Yes? But to see the whole

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Speaker 1: thing is, I can't. I can't even continue to work

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Speaker 1: at the at the Sards Berries because the tim AC

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Speaker 1: won't hire it. Our tim AC spread us out to

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Speaker 1: be high by the other tim acis that was working

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Speaker 1: at the company, and we got to be hired all

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Speaker 1: over and they gotta do tests. I can't. I love

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Speaker 1: Sherry's berries, man, Yeah, shared bears was sweet. That was sweets.

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Speaker 1: That was easy, all right, man, I have a good one. Man,

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Speaker 1: keep going up. Brother. I used to work at the

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Speaker 1: tempt service man. Tell them eight hundred five eight five

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Speaker 1: on five. What was the craziest job you have, Charlomagne,

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Speaker 1: craziest job I ever had? I worked at a flower garden.

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Speaker 1: I worked at a flower garden on Highway fifty two

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Speaker 1: and monks going to South Carolina. He was a botanist.

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Speaker 1: I used to be the only all immigrants out there.

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Speaker 1: Everybody that Donald Trump wants to keep out the country.

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Speaker 1: It used to be nothing but Mexicans out there. And

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Speaker 1: I was like the only black dude. And um I

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Speaker 1: only worked there for like a week and a half,

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Speaker 1: two weeks. I couldn't take it. It was too We'd

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Speaker 1: be out there in the hot hundred and ten degrees

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Speaker 1: South Carolina. Why why couldn't you take it there? It

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Speaker 1: was too much. Man. I was young. And then one

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Speaker 1: day to bus to school, bus came by and all

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Speaker 1: the kids saw me and laughed at me, and I

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Speaker 1: was like, oh, after, I'm gonna sell crack and go

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Speaker 1: back to selling this school. Great story, great, all right.

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Speaker 1: It's in my book Black Privilege, Opportunity Comes to Those

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Speaker 1: Who Created, which is in bookstores April eighteen, if you

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Speaker 1: can pre order now at Amazon, Bonds, and Nobles. See

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Speaker 1: the book dot com. St when we come back. Blessings on,

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Speaker 1: Blessings on blessings, No more negativity. Tell them why you're blessed?

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Speaker 1: Call us up right now. Something's positive going on in

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Speaker 1: your life. Would love to hear from your eight hundred

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Speaker 1: five eighty five one oh five one, And don't forget

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Speaker 1: why club is jan I'll be joining us next hour.

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Speaker 1: It's the Breakfast loual morning, the Breakfast Club. Are you blessing?

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Speaker 1: Highly favorite? I feel blessed. Tell the congregation at eight

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Speaker 1: hundred five eighty five one five one, it's the Breakfast Club. Hello.

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Speaker 1: Who's this? Yeah? This isn't I Tony? I'm great from

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Speaker 1: bay Town? Takes how y'all doing this morning? Man? What's up? Tune?

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Speaker 1: Why are you so grateful this morning? Bro? Oh man,

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Speaker 1: I'm blessed man because you know, before I thought I

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Speaker 1: was a guard man. When I heard it all. Then

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Speaker 1: I lost it all, you know what I mean. And

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Speaker 1: then I realized that I wanted to guard it all.

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Speaker 1: You know what I'm saying. I was then manipulated, you

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Speaker 1: know what I'm saying. But the materialist things of this

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Speaker 1: world and doing our found guard. Oh man, this isn't

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Speaker 1: it so great? First of all material material things gonna

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Speaker 1: make you a god? You're a god with it without

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Speaker 1: material thing? Sir? There you go. But he found God,

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Speaker 1: and ain't that a great fad? Ain't lost? I say

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Speaker 1: they found God. God ain't never been lost. He hadn't

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Speaker 1: had no idea of God if he Yeah, you ain't exactly.

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Speaker 1: Butte when they say that I found God, God right

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Speaker 1: here go all around us? He discovered God. Yeah, he

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Speaker 1: discovered He finally went to God. Here you go. How

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Speaker 1: about that? Hello? Hello? Hey, who's this jury? What's up? Man?

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Speaker 1: You're feeling blessed today? Bro? You want the lottery? Yes, sir, No,

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Speaker 1: I didn't want the lottery. I'm just blessed that I

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Speaker 1: was an Addican. Now, please? What you was adding for?

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Speaker 1: I was hero? That's a hard one. The kick you

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Speaker 1: ever suck penis for heroin stopping up Chalomagne he's blessed years. Well,

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Speaker 1: I'm really happy to hear that. Fifteen years. You are

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Speaker 1: good and clean. Now, how's your family beautiful? And what's

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Speaker 1: the craziest thing you ever different? Heroin bro bro in

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Speaker 1: your mouth? You mad at me because you used to

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Speaker 1: be a herold musn't been talking about it? Blessed okay,

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Speaker 1: nothing because you used to be a hero a come one,

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Speaker 1: now say we were glad he's off hero Listen, you

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Speaker 1: need to tell those stories. Why would you ask? Because

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Speaker 1: you need to tell those stories because those type of

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Speaker 1: stories keep people from using heroin. If you're a heroin

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Speaker 1: attic and you told me, man, one time I had

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Speaker 1: to give I had to suck three minutes ten sit

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Speaker 1: for a hit. That will scare me and be like whoa,

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Speaker 1: I gotta stay might make you want to do it.

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Speaker 1: There you go? What do you tell them? I let

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Speaker 1: him know that that ain't your way to go, and

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Speaker 1: you give him examples. I'll stop it, man, you do.

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Speaker 1: We're focusing on his blessed. Yeah, we're bless always. The

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Speaker 1: people who ain't up that always telling you to take

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Speaker 1: it that I have a blessed day, A good morning sun.

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Speaker 1: All right, all right, tell him, Why you blessed? We

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Speaker 1: do that every morning, blessings on, blessings on, blessings to

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Speaker 1: give a personal opportunity, just to tell us why we

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Speaker 1: would blessing positivity, some good vibes, right, who else is blessed?

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Speaker 1: Vince Card is blessed. We need to check Vince Card

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Speaker 1: for performance and hands and you still getting this card

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Speaker 1: for forty years old? Still dunking backwards him game. I'm

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Speaker 1: watching him right now? Really, yes, duck backward in the

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Speaker 1: game last night one handed. All right, well we got

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Speaker 1: rumors on the way, yes, but we got well, yes,

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Speaker 1: we know y'all all love the new edition movie? Right, well,

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Speaker 1: guess who's coming out with the movie next Also, all

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Speaker 1: you fans of power will tell you who's joining the cast. Okay,

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Speaker 1: all and more, keep it locked. Just to Breakfast Club.

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Speaker 1: Good morning, the Breakfast Club. But Love Morning. Everybody is

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Speaker 1: DJ Envy, Angela, Ye, Charlomagne and God we are the

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Speaker 1: Breakfast Club. Love and Valentine's Days next week, Let's not

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Speaker 1: forget that's right. Valentine's Day is next week. And shout

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Speaker 1: everybody that's coming out to my live taping of my podcast.

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Speaker 1: We're doing it Monday, February thirteenth. It's kind of like

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Speaker 1: a date night. The first show sold out, the second

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Speaker 1: show is almost there. We're gonna have a lot of

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Speaker 1: fun and that we've got some comedians. We're gonna talk everything, relationship.

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Speaker 1: It's gonna be a good, good, good good show. So

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Speaker 1: if you're around town, you're around New York City, you're

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Speaker 1: coming up, come to the show. It's a perfect date night, fellas,

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Speaker 1: and to help you out, ladies, you'll be good all right,

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Speaker 1: But let's get to the rooms to talk. A new

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Speaker 1: biopic it's about, is the rumor report Angela Yee found

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Speaker 1: the breakfast club. Well, mister Dalvin from Joe to See

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Speaker 1: posted on Instagram. Me and Jojo up in the Bay Area.

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Speaker 1: Yes to Joe to See. Biopick is coming. For all

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Speaker 1: the casting inquiries, they will be announced soon. Thanks for

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00:19:14,200 --> 00:19:17,960
Speaker 1: the love and support. Here he is on Instagram. Oh well,

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00:19:18,080 --> 00:19:21,520
Speaker 1: they actually went. They started the process last September. You'll

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Speaker 1: just finish the script go into production next month. So

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Speaker 1: we're looking at a product like the end of the

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Speaker 1: year release. You know what what channel? We We're just

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Speaker 1: gonna film it first on the right. So far, you

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Speaker 1: can't do a Joda See Bio pick without doing Uptime

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Speaker 1: Records first. Vach One should do a story of Uptown

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Speaker 1: Records first. That'll couple how Andre Horrel discovered Joda See

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Speaker 1: and Mary J. Blige and Heavy D. Then you branch

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Speaker 1: out into the individual movies. Treat it like a Marvel movie.

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Speaker 1: Take your time. Give us Uptown Records first, then give

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Speaker 1: us the individual superhero movies. That would be the smart

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Speaker 1: thing to do. I'm not mad at that, you know,

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Speaker 1: they understand. I feel like they can't stand alone. Yeah,

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Speaker 1: but why when you got you got this historic label,

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Speaker 1: Uptown Records. It could be like the new Cadillac Records.

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Speaker 1: You give us Uptown first, didn't give us the individual stories.

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Speaker 1: Eat for a year? Why I eat once? When you

420
00:20:02,200 --> 00:20:05,520
Speaker 1: can eat something order? No, no, no, I agree, if

421
00:20:05,520 --> 00:20:07,720
Speaker 1: you really think about it, Jody See, is is really

422
00:20:08,320 --> 00:20:11,720
Speaker 1: an African American group? New edition was kind of crossing?

423
00:20:11,720 --> 00:20:14,159
Speaker 1: The edition was broad. Ye. Absolutely, if you start with

424
00:20:14,320 --> 00:20:17,840
Speaker 1: Uptown and then you get into everything that Uptown side. Absolutely,

425
00:20:19,000 --> 00:20:20,320
Speaker 1: they signed the deal and they want to get their

426
00:20:20,320 --> 00:20:22,680
Speaker 1: money now. Maybe bach One needs to sit down and

427
00:20:22,720 --> 00:20:26,960
Speaker 1: Andrew Horrow first. Yeah, the movie, yes, they already is

428
00:20:27,240 --> 00:20:29,959
Speaker 1: getting ready underway. Started. I'm telling you how this went down.

429
00:20:30,040 --> 00:20:32,359
Speaker 1: It was in the corporate boarder room tail c movie

430
00:20:32,440 --> 00:20:35,520
Speaker 1: worked like who can we do next? Voice the men?

431
00:20:35,640 --> 00:20:37,160
Speaker 1: Jody see they took a vote to my price. Sad

432
00:20:37,200 --> 00:20:38,800
Speaker 1: joke because who was on Uptown? You got Mary was

433
00:20:38,840 --> 00:20:41,520
Speaker 1: on the Mary J. Blige heavy d I'll be sure

434
00:20:41,920 --> 00:20:50,920
Speaker 1: Christopher Horace Grant Grant Horace Brown story you could bring

435
00:20:50,960 --> 00:20:53,200
Speaker 1: in the past. And I'm saying with the intern it

436
00:20:53,320 --> 00:20:55,760
Speaker 1: Uptown Records, Andrew Horrow gave all those dudes they start.

437
00:20:55,800 --> 00:20:58,040
Speaker 1: You gotta start with Uptown first, then branch out into

438
00:20:58,040 --> 00:20:59,600
Speaker 1: the individual. I don't usually agree with you, but yeah,

439
00:20:59,600 --> 00:21:00,840
Speaker 1: I agree with you. Need to start agree with me.

440
00:21:00,880 --> 00:21:03,320
Speaker 1: I'm gonna want to send keep treating me like I'm

441
00:21:03,400 --> 00:21:06,639
Speaker 1: refuting excited for a Joe to See movie. Period. It's

442
00:21:06,640 --> 00:21:08,119
Speaker 1: gonna be good. It could be better, it could be

443
00:21:08,200 --> 00:21:12,000
Speaker 1: more broad, Yeah, it could be bigger. Power has added

444
00:21:12,080 --> 00:21:14,920
Speaker 1: Lorenz Take to the cast, so that's pretty exciting. He's

445
00:21:14,920 --> 00:21:18,560
Speaker 1: gonna have a recurring role on the new season. They

446
00:21:18,600 --> 00:21:20,960
Speaker 1: said he's going to join as councilman or a Shad Tate,

447
00:21:21,000 --> 00:21:23,240
Speaker 1: who's a city councilman from Jamaica. Queen who is that

448
00:21:23,400 --> 00:21:25,800
Speaker 1: now Lorenz Tate Lorenze dropped one of clues bombs of

449
00:21:25,840 --> 00:21:29,960
Speaker 1: Lorenz take forty eight years old, still looking nineteen, look

450
00:21:30,000 --> 00:21:31,440
Speaker 1: like he ain't never had a piece of red meat

451
00:21:31,480 --> 00:21:34,240
Speaker 1: in his life. Don't do number, Drink water and vegetables.

452
00:21:34,359 --> 00:21:37,560
Speaker 1: Now back to the Super Bowl. Lady Gaga, her halftime

453
00:21:37,640 --> 00:21:41,200
Speaker 1: show was the second most watch halftime show in history.

454
00:21:41,280 --> 00:21:45,119
Speaker 1: It was number one number one. Is Katy Perry really?

455
00:21:46,320 --> 00:21:49,719
Speaker 1: He said, like he knew who number? Why the way?

456
00:21:49,720 --> 00:21:51,280
Speaker 1: I love here? Y'all know I love me some Katie

457
00:21:51,280 --> 00:21:55,479
Speaker 1: Perry now, but for real, that's right. She used number one,

458
00:21:55,520 --> 00:21:58,359
Speaker 1: and Lady Gaga is now number two. Where's Beyonce on

459
00:21:58,400 --> 00:22:00,800
Speaker 1: that list? It's curious, you know, Um, I don't know.

460
00:22:00,840 --> 00:22:02,920
Speaker 1: I think it isn't the top five though, okay, because

461
00:22:02,920 --> 00:22:04,320
Speaker 1: I remember they had a whole list of the most

462
00:22:04,359 --> 00:22:06,240
Speaker 1: watch ones. I know Janet Jackson was up there. What

463
00:22:06,320 --> 00:22:08,040
Speaker 1: about Michael when Michael did it? Yeah, he was up

464
00:22:08,080 --> 00:22:11,399
Speaker 1: in the top ten also, all right, So in addition

465
00:22:11,480 --> 00:22:14,040
Speaker 1: to that, she actually ended up selling one hundred and

466
00:22:14,119 --> 00:22:17,160
Speaker 1: fifty thousand digital albums and songs in the United States.

467
00:22:17,400 --> 00:22:19,040
Speaker 1: But you know, the Super Bowl does get bigger and

468
00:22:19,160 --> 00:22:21,840
Speaker 1: bigger every year though, so I guess it does. That's

469
00:22:21,920 --> 00:22:25,320
Speaker 1: why right still surrorays number one though, well, she is

470
00:22:25,800 --> 00:22:28,119
Speaker 1: all right. And Tom Brady in the meantime, his jersey

471
00:22:28,200 --> 00:22:31,840
Speaker 1: got stolen after the game. Now, according to reports, they

472
00:22:31,880 --> 00:22:35,040
Speaker 1: said a Patriots equipment manager actually took the church jersey

473
00:22:35,080 --> 00:22:37,080
Speaker 1: and put it in a safe place for Tom Brady.

474
00:22:37,119 --> 00:22:40,000
Speaker 1: They said it wasn't stolen, but Tom Brady spoke at

475
00:22:40,040 --> 00:22:42,399
Speaker 1: a news conference and said the jersey is still missing,

476
00:22:42,480 --> 00:22:44,719
Speaker 1: and he's concerned that it's going to end up on eBay.

477
00:22:45,520 --> 00:22:47,119
Speaker 1: But if you put it up on eBay, won't it

478
00:22:47,520 --> 00:22:51,120
Speaker 1: come right back to you? Trouble. He's looking out for it. Yes, number,

479
00:22:51,119 --> 00:22:52,280
Speaker 1: But they said I thought they said they had I

480
00:22:52,320 --> 00:22:54,320
Speaker 1: thought they Quy had it. Yeah, the Quomen guy said

481
00:22:54,320 --> 00:22:56,040
Speaker 1: he has it, but Tom Brady says he still hasn't

482
00:22:56,080 --> 00:22:59,359
Speaker 1: received it. Yeah they got that. That ain't going anywhere,

483
00:23:00,080 --> 00:23:02,960
Speaker 1: all right. I'm angela ye, and that's your rumor reports. Okay,

484
00:23:03,320 --> 00:23:05,000
Speaker 1: how you can even prove that's the jersey he played

485
00:23:05,040 --> 00:23:07,320
Speaker 1: in for the game. I think they numbered the old number. Oh,

486
00:23:07,440 --> 00:23:09,480
Speaker 1: got you? The old number? Like the balls, the footballs

487
00:23:09,480 --> 00:23:11,080
Speaker 1: and the baseballs are all numbers. So when they kid

488
00:23:11,119 --> 00:23:12,840
Speaker 1: at home. Money knew exactly what ball it was and

489
00:23:12,920 --> 00:23:15,720
Speaker 1: everything got you all right. Well, when we come back,

490
00:23:15,760 --> 00:23:18,439
Speaker 1: a white Cleff Jan the Obi joining us, we'll kick

491
00:23:18,440 --> 00:23:20,159
Speaker 1: it with wild Cleff of course from the Fuji. So

492
00:23:20,160 --> 00:23:24,920
Speaker 1: don't go anywhere. It's the breakfast club, Go Morning. Another

493
00:23:25,000 --> 00:23:28,240
Speaker 1: one that was d J Kalin for free Morning. Everybody

494
00:23:28,359 --> 00:23:31,080
Speaker 1: is DJ N v Angela Yee, Charlomagne the guy. We

495
00:23:31,160 --> 00:23:35,000
Speaker 1: are the breakfast club or we got the legendary families.

496
00:23:35,560 --> 00:23:38,119
Speaker 1: White Clef Sean is in the building. Family, just put

497
00:23:38,160 --> 00:23:43,480
Speaker 1: out the EPs. You hurt. You don't have to be hasten.

498
00:23:43,560 --> 00:23:47,080
Speaker 1: It's Caribbean for the Caribbean. It's straight up the night

499
00:23:47,200 --> 00:23:50,080
Speaker 1: before the carnival and Brooklyn baby, and it's all right,

500
00:23:50,720 --> 00:23:52,680
Speaker 1: leave it up to me to come up with a word.

501
00:23:52,800 --> 00:23:56,680
Speaker 1: Make it hard to pronounces, like, first of all, so

502
00:23:56,840 --> 00:23:59,399
Speaker 1: much fun because I'm from Brooklyn too, so fubs like

503
00:23:59,400 --> 00:24:01,240
Speaker 1: a big deal. But they also tell you when you're

504
00:24:01,280 --> 00:24:06,480
Speaker 1: young not to go yeah night, yeah yeah, it's part

505
00:24:06,560 --> 00:24:08,879
Speaker 1: of the carnival. You can't get shot. You gotta be careful.

506
00:24:08,960 --> 00:24:11,840
Speaker 1: Brooklyn's a tricky place. They stay out all night. What

507
00:24:12,280 --> 00:24:15,840
Speaker 1: exactly because I've always juve is sort of like it's

508
00:24:15,920 --> 00:24:18,560
Speaker 1: the turn up before the turn up, so we figure,

509
00:24:18,600 --> 00:24:20,280
Speaker 1: like you know, we're gonna be on that parkway that

510
00:24:20,400 --> 00:24:23,920
Speaker 1: whole day, so that whole night before you're drinking, you

511
00:24:24,080 --> 00:24:26,520
Speaker 1: party and you're having a great time. You know, you're

512
00:24:26,560 --> 00:24:28,720
Speaker 1: just watching out for danger. It's sort of like a

513
00:24:28,880 --> 00:24:32,520
Speaker 1: big tradition like within Carnival, like because the idea like

514
00:24:32,960 --> 00:24:35,320
Speaker 1: like Haitian Carnival is like literally you party like three

515
00:24:35,440 --> 00:24:37,960
Speaker 1: days or Trinidad, it's the same vibe. Could you please

516
00:24:38,000 --> 00:24:41,040
Speaker 1: tell you want? Nobody makes CD even no Mortal that's

517
00:24:41,040 --> 00:24:44,880
Speaker 1: why come on, but listen to this right right, watch

518
00:24:44,960 --> 00:24:47,480
Speaker 1: this you ready for this? Just look at the charts

519
00:24:47,640 --> 00:24:50,720
Speaker 1: right around the world. Maybe here that don't make CDs,

520
00:24:50,800 --> 00:24:53,240
Speaker 1: but this right here is already top five in Canada

521
00:24:53,640 --> 00:24:56,520
Speaker 1: and then Quebec they buy CDs. So you still got

522
00:24:56,640 --> 00:24:59,399
Speaker 1: to make the physicality of certain places. So even though

523
00:24:59,440 --> 00:25:01,960
Speaker 1: in the state, like my daughter and Vino CD, she

524
00:25:02,080 --> 00:25:05,240
Speaker 1: just hit that she turned on that smart phone. But

525
00:25:05,800 --> 00:25:08,640
Speaker 1: what happens is like they're still like so when when

526
00:25:08,720 --> 00:25:11,840
Speaker 1: you still because we still have fans that are our

527
00:25:11,920 --> 00:25:15,680
Speaker 1: Asian has Carnival and different people and those people are

528
00:25:15,720 --> 00:25:19,560
Speaker 1: still like CD cover like in certain countries, but here

529
00:25:19,640 --> 00:25:21,520
Speaker 1: in the States they definitely don't make them. I know

530
00:25:21,600 --> 00:25:23,320
Speaker 1: you you don't got a CD FLA, No, I don't know.

531
00:25:24,600 --> 00:25:26,679
Speaker 1: I always topp in. I always actually listened to CDs

532
00:25:26,680 --> 00:25:29,560
Speaker 1: in the car. Okay, but y'all got the smartphone and

533
00:25:29,600 --> 00:25:30,879
Speaker 1: I could say and I could save it into the

534
00:25:30,920 --> 00:25:33,040
Speaker 1: hard drive in the car. But I still prefer digital,

535
00:25:33,119 --> 00:25:35,159
Speaker 1: just because you know, many copies are only built for

536
00:25:35,240 --> 00:25:37,440
Speaker 1: Cuban links. I had to buy how many copies that'll

537
00:25:37,520 --> 00:25:40,359
Speaker 1: matter guy to buy? Well, digital just makes everything like

538
00:25:40,560 --> 00:25:44,160
Speaker 1: just easier absolutely. I mean I heard an interesting story

539
00:25:44,200 --> 00:25:46,879
Speaker 1: on the Combat Jack show Fat Joe was on, and

540
00:25:47,080 --> 00:25:49,040
Speaker 1: I just thought it was interesting. Actually was to it yesterday.

541
00:25:49,040 --> 00:25:50,959
Speaker 1: He said that you walked in the big Punished trineral

542
00:25:51,640 --> 00:25:53,399
Speaker 1: playing a guitar. So you bought a speaker and a

543
00:25:53,480 --> 00:25:55,879
Speaker 1: guitar and you walked in playing and and and and

544
00:25:56,040 --> 00:25:59,080
Speaker 1: and The thing was, it's supposed to be disrespectful to

545
00:25:59,160 --> 00:26:01,960
Speaker 1: play music when the Spanish person dies, so when they

546
00:26:02,040 --> 00:26:03,800
Speaker 1: when you walked there, everybody thought you was tripping, but

547
00:26:03,880 --> 00:26:06,520
Speaker 1: you just wanted the crowd over. Had everybody crying. Well,

548
00:26:06,560 --> 00:26:08,680
Speaker 1: I mean, there's two things. It's it's if you come

549
00:26:08,800 --> 00:26:11,480
Speaker 1: pure and you come with your heart and you come wrong.

550
00:26:11,960 --> 00:26:14,680
Speaker 1: So at the end of the day, my connection with

551
00:26:14,920 --> 00:26:18,680
Speaker 1: pun was I just remember us in the Islands and

552
00:26:18,840 --> 00:26:22,240
Speaker 1: I was basically on piano and he was freestyling. He

553
00:26:22,320 --> 00:26:24,879
Speaker 1: was like, go ahead, Twin, play that piano. So it

554
00:26:25,040 --> 00:26:27,080
Speaker 1: was like, at the end of the day, I felt

555
00:26:27,119 --> 00:26:30,280
Speaker 1: like if there was anything that I could do would

556
00:26:30,320 --> 00:26:32,399
Speaker 1: be just to really just show up with a guitar.

557
00:26:32,560 --> 00:26:35,400
Speaker 1: And I knew like if I was pure that because

558
00:26:35,440 --> 00:26:37,600
Speaker 1: I didn't go to really win the cloud over, I

559
00:26:37,760 --> 00:26:41,920
Speaker 1: went to like really just paid tribute. But once again,

560
00:26:42,000 --> 00:26:45,560
Speaker 1: everyone has their tradition and you know, literally like probably

561
00:26:45,680 --> 00:26:49,879
Speaker 1: like a minute, and it was sort of like because

562
00:26:49,880 --> 00:26:52,480
Speaker 1: you're just trying to touch that spirit, it's emotional time.

563
00:26:52,920 --> 00:26:58,640
Speaker 1: And definitely the crowd was like even like Fat Joe,

564
00:26:58,720 --> 00:27:01,760
Speaker 1: I just remember everybody just being in tears. But for me,

565
00:27:01,880 --> 00:27:04,879
Speaker 1: I just felt like that's what I could do, just

566
00:27:05,520 --> 00:27:08,080
Speaker 1: you know, like knowing him and like my short time

567
00:27:08,160 --> 00:27:10,560
Speaker 1: spent with him, I was like he would probably want

568
00:27:10,640 --> 00:27:13,240
Speaker 1: me to show up and be like yo, twins, play

569
00:27:13,320 --> 00:27:18,240
Speaker 1: that guitar, sing something, you know, and it was Maria, Maria,

570
00:27:18,280 --> 00:27:20,639
Speaker 1: I'm like, I don't sound like a funeral song. Yeah, no,

571
00:27:20,880 --> 00:27:24,080
Speaker 1: it was like a mixture of just like the you know,

572
00:27:24,119 --> 00:27:26,000
Speaker 1: I was. I had a song that I had wrote

573
00:27:26,280 --> 00:27:28,600
Speaker 1: and an inside of it still like with within like

574
00:27:28,720 --> 00:27:30,760
Speaker 1: the Maria Maria, You're not just gonna be like myde

575
00:27:30,960 --> 00:27:34,280
Speaker 1: I'm like, you know, it was it was just to say, like,

576
00:27:34,400 --> 00:27:36,760
Speaker 1: but the story of Maria is still a deep one

577
00:27:36,800 --> 00:27:39,200
Speaker 1: because it's like that whole West Side story, you know,

578
00:27:39,400 --> 00:27:42,440
Speaker 1: gang story, this gang versus that gang, so um. But

579
00:27:42,560 --> 00:27:44,920
Speaker 1: it was just more an emotional moment of time and

580
00:27:45,040 --> 00:27:47,600
Speaker 1: just wanted to capture something because you know, for me,

581
00:27:48,080 --> 00:27:51,880
Speaker 1: it's like if I get called to sing at a JFK.

582
00:27:52,160 --> 00:27:55,000
Speaker 1: Sun funeral, you know, and I only two black people,

583
00:27:55,040 --> 00:27:59,119
Speaker 1: There's me and Muhammad Ali and then Big Pun. It's like,

584
00:27:59,200 --> 00:28:01,199
Speaker 1: at the end of the day, it's the same respect

585
00:28:01,280 --> 00:28:03,719
Speaker 1: for me because it's like I'm from that hip hop culture,

586
00:28:04,040 --> 00:28:06,760
Speaker 1: so it's like it's no difference to me. So I

587
00:28:06,960 --> 00:28:08,960
Speaker 1: honor that. I would have to honor that the same

588
00:28:09,000 --> 00:28:11,760
Speaker 1: way I honor the Kennedy thing. And I figured the

589
00:28:11,920 --> 00:28:15,320
Speaker 1: family and the culture with respect that if you just

590
00:28:15,440 --> 00:28:17,960
Speaker 1: come pure, because they don't come pure, you know, it

591
00:28:18,000 --> 00:28:21,280
Speaker 1: would have been a different story in there now Why

592
00:28:21,359 --> 00:28:23,399
Speaker 1: is this an EP because there's ten songs on it?

593
00:28:23,480 --> 00:28:25,920
Speaker 1: I know there's thirteen on a deluxe edition. Isn't it

594
00:28:26,040 --> 00:28:28,800
Speaker 1: a full album? No, it's an EP because half of

595
00:28:28,880 --> 00:28:32,159
Speaker 1: it is an acoustic form, so you have remixes of

596
00:28:32,320 --> 00:28:37,400
Speaker 1: similar songs. And it's crazy because literally, like in seven years,

597
00:28:37,440 --> 00:28:40,880
Speaker 1: I haven't been in this commercial space. So it's nuts.

598
00:28:40,960 --> 00:28:44,320
Speaker 1: We're talking about streaming in digital. The song Hendrix is

599
00:28:44,320 --> 00:28:48,360
Speaker 1: already a ten million in streams M. So the analytics

600
00:28:48,400 --> 00:28:51,240
Speaker 1: of the kids are just so real right now. So

601
00:28:51,360 --> 00:28:53,720
Speaker 1: it's almost like, um, I remember I was having a

602
00:28:53,760 --> 00:28:57,040
Speaker 1: conversation with Envy you and then the idea. It was

603
00:28:57,040 --> 00:28:59,560
Speaker 1: like I remember when Envy Canci was like, no matter what,

604
00:28:59,720 --> 00:29:01,920
Speaker 1: just don't stop putting out music because the way that

605
00:29:01,960 --> 00:29:04,200
Speaker 1: it works right now, you literally have to have something

606
00:29:04,280 --> 00:29:06,880
Speaker 1: out every couple of weeks, you know. So when taking

607
00:29:06,960 --> 00:29:10,239
Speaker 1: that advice, I mean, really we're really back, Like right now,

608
00:29:10,320 --> 00:29:15,640
Speaker 1: we're on sixteen different charts around the world, like top fifty's,

609
00:29:15,720 --> 00:29:18,400
Speaker 1: and this is just an EP. It's different with guys

610
00:29:18,440 --> 00:29:19,800
Speaker 1: like you know, because it's not like you still trying

611
00:29:19,840 --> 00:29:22,640
Speaker 1: to be relevant. You're a legendary. Yeah, But you know,

612
00:29:22,840 --> 00:29:26,680
Speaker 1: I was having that conversation because so I go in

613
00:29:26,720 --> 00:29:30,800
Speaker 1: the studio, we're young Thug, and I was telling people

614
00:29:30,840 --> 00:29:33,800
Speaker 1: what happens is when the kids bring you in, like

615
00:29:33,920 --> 00:29:36,800
Speaker 1: whether if it's Drake or whatever. You like, you were saying,

616
00:29:36,880 --> 00:29:39,040
Speaker 1: at the end of the day, you still just have

617
00:29:39,240 --> 00:29:41,920
Speaker 1: to be you. I think the trick starts to be

618
00:29:42,480 --> 00:29:44,920
Speaker 1: when you try to adapt to what the kids are.

619
00:29:45,640 --> 00:29:47,320
Speaker 1: And I think the reason why they come in to

620
00:29:47,360 --> 00:29:49,000
Speaker 1: get you is because they heard the score, they heard

621
00:29:49,040 --> 00:29:51,440
Speaker 1: the carnival. They're like where that is? And I think

622
00:29:51,520 --> 00:29:54,320
Speaker 1: sometimes a lot of us sometimes we lose ourselves, you

623
00:29:54,400 --> 00:29:56,040
Speaker 1: know what I mean in that because you still want

624
00:29:56,080 --> 00:29:59,000
Speaker 1: to stay irrelevant. But these kids really are looking up

625
00:29:59,040 --> 00:30:01,520
Speaker 1: to you because of these albums that you've had, and

626
00:30:01,600 --> 00:30:03,200
Speaker 1: Young Doug have to reach out to you right to

627
00:30:03,360 --> 00:30:05,680
Speaker 1: clear Yeah, so you can't just call a song a

628
00:30:05,720 --> 00:30:08,560
Speaker 1: white Cleft Jean without clearing it. No, you can't. You can't,

629
00:30:08,920 --> 00:30:12,200
Speaker 1: and you know because it's my name. So so basically

630
00:30:12,560 --> 00:30:14,000
Speaker 1: it was all to be about something you don't want

631
00:30:14,000 --> 00:30:16,320
Speaker 1: to represent. Yeah, But it was crazy because I get

632
00:30:16,360 --> 00:30:18,960
Speaker 1: the call and um Lee All was tracking me down

633
00:30:19,160 --> 00:30:20,960
Speaker 1: like yo, young Thug is looking for you, you know,

634
00:30:21,400 --> 00:30:24,920
Speaker 1: And and I get to Atlanta, and you know it's like, Yo,

635
00:30:25,040 --> 00:30:30,360
Speaker 1: you see bloody my shirt, Haiti, my daughter, Haiti, my project,

636
00:30:30,440 --> 00:30:32,720
Speaker 1: Haiti man I wish I was from Haiti. Right, So

637
00:30:33,360 --> 00:30:36,080
Speaker 1: it's like the side of history that he chose to know.

638
00:30:36,480 --> 00:30:39,880
Speaker 1: It's almost like you got kids studying you without you

639
00:30:39,960 --> 00:30:42,600
Speaker 1: even knowing, and then in the next couple of years

640
00:30:42,960 --> 00:30:45,320
Speaker 1: there'll be a kid who's doing what you're doing, and

641
00:30:45,400 --> 00:30:48,120
Speaker 1: then he'll tell you stories about you that you can't remember.

642
00:30:48,600 --> 00:30:51,880
Speaker 1: And I think that's the impact that we have. And

643
00:30:52,000 --> 00:30:55,640
Speaker 1: then we understand like our responsibilities because we we street people,

644
00:30:56,560 --> 00:30:59,040
Speaker 1: hard street people, but we never talk about it and

645
00:30:59,160 --> 00:31:01,160
Speaker 1: we never glorify, all right. We more like say, look,

646
00:31:01,480 --> 00:31:02,959
Speaker 1: at the end of the day, y'all could get up

647
00:31:02,960 --> 00:31:05,200
Speaker 1: from the streets and do something positive, all right. That

648
00:31:05,360 --> 00:31:07,120
Speaker 1: was why Cleff we got more with him in minutes

649
00:31:07,200 --> 00:31:10,600
Speaker 1: keeping locks. It's the breakfast Club, Good Morning, the breakfast

650
00:31:10,680 --> 00:31:17,800
Speaker 1: club that was notorious big with Big Papa Morning. Everybody

651
00:31:17,920 --> 00:31:20,720
Speaker 1: is DJ n VI angela Ye, Charlemagne, the guy we

652
00:31:20,800 --> 00:31:24,640
Speaker 1: are the breakfast Club. Why Clef Jean is in the building, Charlemagne.

653
00:31:24,840 --> 00:31:26,560
Speaker 1: Why the hell does young Thug remind you of a

654
00:31:26,600 --> 00:31:30,840
Speaker 1: modern day Tupac well, you know the internet switch bait people. Okay,

655
00:31:31,040 --> 00:31:33,320
Speaker 1: so what did you really read the whole article? Yeah,

656
00:31:33,360 --> 00:31:34,880
Speaker 1: but I did say that, but of course you have

657
00:31:34,960 --> 00:31:37,960
Speaker 1: to say that because of the viewers. Yeah, of course,

658
00:31:38,040 --> 00:31:41,320
Speaker 1: and then it's so passed the switch bait. Which whatever

659
00:31:41,480 --> 00:31:43,440
Speaker 1: article did that I hope they got. They hits him,

660
00:31:43,480 --> 00:31:48,080
Speaker 1: hate their money and meeting Tupac in Europe. The combination

661
00:31:48,200 --> 00:31:51,320
Speaker 1: of the thug life, the Haiti tat and the part

662
00:31:51,400 --> 00:31:54,760
Speaker 1: of history that he chose to know, but people would

663
00:31:54,760 --> 00:31:56,920
Speaker 1: consider him a band aid because he don't choose to

664
00:31:57,040 --> 00:31:59,560
Speaker 1: know the other part of history. So I was amazed

665
00:31:59,600 --> 00:32:04,360
Speaker 1: by Thugga's love for Haiti in an eighteen oh four

666
00:32:04,760 --> 00:32:08,320
Speaker 1: that revolution, I'm not expecting him to even have that,

667
00:32:08,920 --> 00:32:11,680
Speaker 1: like out of everything, I'm expecting him to know. It's

668
00:32:11,760 --> 00:32:14,960
Speaker 1: not that part of because that they don't even teach

669
00:32:14,960 --> 00:32:18,800
Speaker 1: you that in school. And then with Pop the Black Panther,

670
00:32:19,080 --> 00:32:21,280
Speaker 1: that side of it, because you know, you gotta side

671
00:32:21,320 --> 00:32:24,280
Speaker 1: where you fight in the street, and then that revolution side.

672
00:32:24,480 --> 00:32:28,000
Speaker 1: So in context, it was in a music conversation, and

673
00:32:28,080 --> 00:32:30,520
Speaker 1: then the work ethics that every time I land, I

674
00:32:30,640 --> 00:32:32,719
Speaker 1: gotta be in the studio. I gotta find a studio

675
00:32:33,360 --> 00:32:36,560
Speaker 1: and going in with Thugga. He was like, look, I

676
00:32:36,720 --> 00:32:38,920
Speaker 1: just learned how to do trap music. Left, let me

677
00:32:39,000 --> 00:32:40,840
Speaker 1: show you what I do. That's how I knew I

678
00:32:40,840 --> 00:32:43,320
Speaker 1: could have put him on. I swear man, dude, play

679
00:32:43,400 --> 00:32:45,760
Speaker 1: like forty records that got nothing to do with nothing,

680
00:32:46,160 --> 00:32:48,840
Speaker 1: and it's that work ethics that was the context and

681
00:32:48,920 --> 00:32:52,720
Speaker 1: then doing music at all. I mean, it's definitely two

682
00:32:53,040 --> 00:32:55,840
Speaker 1: different generations of music, you know what I mean, Like

683
00:32:55,960 --> 00:32:59,120
Speaker 1: we're from the POC generation, but because people are so

684
00:32:59,360 --> 00:33:02,640
Speaker 1: sensitive when it comes to park, when it comes to Biggie,

685
00:33:03,000 --> 00:33:05,560
Speaker 1: so it's like when you say something, you have to

686
00:33:05,600 --> 00:33:08,160
Speaker 1: put it in context. That's like the other day the

687
00:33:08,320 --> 00:33:11,240
Speaker 1: Martin Luther King, Martin Luther King comes, you know, it's

688
00:33:11,280 --> 00:33:13,960
Speaker 1: his birthday, and I'm like, all lives matter? Oh man,

689
00:33:14,080 --> 00:33:16,120
Speaker 1: Oh yeah, that was it for you, Yo. When I

690
00:33:16,240 --> 00:33:19,880
Speaker 1: tell you, when I tell you, it went, it went.

691
00:33:19,960 --> 00:33:22,840
Speaker 1: And then I don't really, I don't delete nothing. The

692
00:33:22,960 --> 00:33:25,400
Speaker 1: reason why I delete that is because first of all,

693
00:33:25,480 --> 00:33:26,960
Speaker 1: if you're gonna put it out there, you gotta be

694
00:33:27,040 --> 00:33:29,720
Speaker 1: willing to deal with it. Right. Our country was so

695
00:33:29,920 --> 00:33:32,080
Speaker 1: divided and I was like, I ain't about to go

696
00:33:32,200 --> 00:33:34,520
Speaker 1: into no Twitter ward, that's not what I do. I

697
00:33:34,800 --> 00:33:38,280
Speaker 1: deleted it, right, but I didn't stop. I deleted it

698
00:33:38,360 --> 00:33:40,920
Speaker 1: so I could take the kids or the people at

699
00:33:40,960 --> 00:33:42,760
Speaker 1: the time that was so sensitive. I was like, look,

700
00:33:43,120 --> 00:33:45,160
Speaker 1: here's an interview like a year and a half ago.

701
00:33:45,600 --> 00:33:48,320
Speaker 1: Look at this. What am I talking about? Yes, black

702
00:33:48,440 --> 00:33:51,200
Speaker 1: lives matter? That's what are you doing for me right now?

703
00:33:51,320 --> 00:33:53,760
Speaker 1: Type of game? Because they don't you understand why people

704
00:33:53,760 --> 00:33:56,960
Speaker 1: are sensitive about that. Yeah, but what happens is sensitivity

705
00:33:57,120 --> 00:34:00,680
Speaker 1: is good, but past sensitive, past the emotions about policy

706
00:34:00,720 --> 00:34:03,000
Speaker 1: and legislation. So at the end of the day, my

707
00:34:03,160 --> 00:34:05,760
Speaker 1: remarks was based on Martin Luther King, And for Martin

708
00:34:05,840 --> 00:34:08,120
Speaker 1: Luther King to get what he had to get to

709
00:34:08,600 --> 00:34:10,800
Speaker 1: even within his speech, he had to unite every he

710
00:34:10,840 --> 00:34:13,400
Speaker 1: was an engager. Yeah. Absolutely. Now it's been twenty three,

711
00:34:13,520 --> 00:34:15,160
Speaker 1: I think twenty three years they said since blunt in

712
00:34:15,200 --> 00:34:18,160
Speaker 1: a reality. Yeah. So so this is the twentieth year

713
00:34:18,160 --> 00:34:20,600
Speaker 1: anniversary of the carnival, right last yea was yet to

714
00:34:20,680 --> 00:34:24,040
Speaker 1: your point year twenty three Blunted score was ninety six. Okay,

715
00:34:24,120 --> 00:34:27,000
Speaker 1: so like what two years? Yeah, you got any any

716
00:34:27,080 --> 00:34:30,719
Speaker 1: favorite memories from those times? So I remember, man, we

717
00:34:30,800 --> 00:34:35,120
Speaker 1: had a big show uptown Harlem Man with Wu Tang Clan,

718
00:34:35,440 --> 00:34:39,640
Speaker 1: Jesus and Smith and Wesson, and then they put the

719
00:34:39,680 --> 00:34:41,960
Speaker 1: Fuji's on the bill. You feel understanding to you, so

720
00:34:42,160 --> 00:34:45,279
Speaker 1: I'll never forget that. Man. So we get there and

721
00:34:46,600 --> 00:34:49,280
Speaker 1: could you imagine like that kind of show you could imagine,

722
00:34:49,360 --> 00:34:51,960
Speaker 1: and we're showing up with like drums set yea. I

723
00:34:51,960 --> 00:34:54,719
Speaker 1: already pre warm my crew as like look, man, set

724
00:34:54,840 --> 00:34:57,040
Speaker 1: everything up, but leave it close to the exit. So

725
00:34:57,160 --> 00:35:00,359
Speaker 1: it's literally like the drumming in the middle. We make

726
00:35:00,400 --> 00:35:02,479
Speaker 1: sure that the drum is fun because if something's gonna happen,

727
00:35:02,800 --> 00:35:05,040
Speaker 1: you gotta be ready to take your instruments and moved.

728
00:35:06,280 --> 00:35:08,960
Speaker 1: Get booed. No, no, I knew that there would be

729
00:35:09,640 --> 00:35:12,440
Speaker 1: It was someone's gonna break out that night between Wools

730
00:35:12,560 --> 00:35:15,560
Speaker 1: Smith thing like Fuji's. It was just the mix was

731
00:35:15,640 --> 00:35:18,239
Speaker 1: like block the block, Something's gonna happen, and yes, it's

732
00:35:18,239 --> 00:35:22,200
Speaker 1: surely there happened. Um All, I just remember, man if

733
00:35:22,320 --> 00:35:24,680
Speaker 1: method man could remember this, and I just remember that

734
00:35:24,840 --> 00:35:27,960
Speaker 1: it was a crazy show. But a fight broke out.

735
00:35:28,000 --> 00:35:32,000
Speaker 1: It was almost like Israel lights Wu Tang Clan. You know,

736
00:35:32,080 --> 00:35:34,800
Speaker 1: we in the middle of this, you know. Um I

737
00:35:34,920 --> 00:35:37,800
Speaker 1: told my manager, my tour manager at the time Hassan

738
00:35:37,880 --> 00:35:40,279
Speaker 1: Sharif was some brother. I was like, look, man, just

739
00:35:40,480 --> 00:35:42,560
Speaker 1: go get the money before we even start the show.

740
00:35:45,040 --> 00:35:47,480
Speaker 1: I remember that and uh. And then we get outside

741
00:35:47,520 --> 00:35:50,560
Speaker 1: and then I remember oldb and because now it's a

742
00:35:50,600 --> 00:35:53,239
Speaker 1: big fight outside o dB was like, man, I love

743
00:35:53,320 --> 00:35:56,400
Speaker 1: of Fuji's, but I'm gonna whip somebody's ass. Man. It

744
00:35:56,600 --> 00:35:59,360
Speaker 1: was almost like yeah, because it was like it looked

745
00:35:59,360 --> 00:36:03,000
Speaker 1: like and then Prize was on the side, Prize had

746
00:36:03,040 --> 00:36:05,600
Speaker 1: a bottle in his hand. Prize cracked the bottle. Pos

747
00:36:05,840 --> 00:36:07,560
Speaker 1: you know, did the whole movie thing, you know, the

748
00:36:07,600 --> 00:36:12,680
Speaker 1: whole whole shot to State and so y'all was fighting

749
00:36:12,760 --> 00:36:15,040
Speaker 1: who y'alla was just there? No, it was It was

750
00:36:15,200 --> 00:36:18,080
Speaker 1: because of the tension everybody. It was almost like a

751
00:36:18,160 --> 00:36:22,000
Speaker 1: Mexican standoff. Um. And I think at the end of

752
00:36:22,040 --> 00:36:24,480
Speaker 1: the day, the tension was because the fight broke out

753
00:36:24,560 --> 00:36:26,520
Speaker 1: and a lot of I don't think people got paid that,

754
00:36:27,360 --> 00:36:30,080
Speaker 1: but we definitely took our money. Early. I went in

755
00:36:30,160 --> 00:36:32,560
Speaker 1: the venue earlier, I scoped the place out. I did

756
00:36:32,640 --> 00:36:35,279
Speaker 1: that early intel like Yo, this, this don't look good

757
00:36:35,400 --> 00:36:38,520
Speaker 1: right here, you know. So that was incredible because years later,

758
00:36:38,680 --> 00:36:41,719
Speaker 1: now I'm in the studio with ODB and I'm trying

759
00:36:41,760 --> 00:36:44,479
Speaker 1: to get him to remember that story. And and people

760
00:36:44,520 --> 00:36:46,800
Speaker 1: said it's gonna be difficult working with him, like you

761
00:36:46,840 --> 00:36:48,320
Speaker 1: ain't gonna be able to get a verse out of

762
00:36:48,400 --> 00:36:50,520
Speaker 1: him when he risk could get it. And he comes

763
00:36:50,520 --> 00:36:52,880
Speaker 1: in the studio when I was doing that Ghetto Superstar

764
00:36:53,000 --> 00:36:56,880
Speaker 1: for prize. He literally goes in the booth and you know,

765
00:36:56,920 --> 00:36:59,000
Speaker 1: I'm a little nervous because dude's like, Yo, you can't

766
00:36:59,040 --> 00:37:00,640
Speaker 1: get a verse out of him. You might be good,

767
00:37:00,680 --> 00:37:03,279
Speaker 1: but you're not that good man. Literally, man, the dude

768
00:37:03,320 --> 00:37:09,239
Speaker 1: gets in the vocal wolf and he's like, so I

769
00:37:09,400 --> 00:37:12,320
Speaker 1: have to hear this dolphin frequency for three minutes. But

770
00:37:12,440 --> 00:37:14,800
Speaker 1: I'm acting like nothing wrong. You feel me. I'm acting normal.

771
00:37:14,840 --> 00:37:17,279
Speaker 1: I got the game normal, I got that Super Bowl

772
00:37:17,360 --> 00:37:22,640
Speaker 1: face game fing yo, And then that's hot. I'm just

773
00:37:22,840 --> 00:37:24,719
Speaker 1: listening because I got to see where it's going because

774
00:37:24,760 --> 00:37:26,799
Speaker 1: if it's whack, I'm gonna have to say something. Man,

775
00:37:26,920 --> 00:37:29,960
Speaker 1: three minutes in, this dude just start to spit out

776
00:37:29,960 --> 00:37:34,080
Speaker 1: of nowhere. And that's when rizards talking about his genius.

777
00:37:34,560 --> 00:37:37,320
Speaker 1: That sort of like how his genius was so for me,

778
00:37:37,440 --> 00:37:39,440
Speaker 1: that was one of the most memorable things I can

779
00:37:39,520 --> 00:37:42,120
Speaker 1: remember I remember seeing the Fuji's before I'm with Outcasts.

780
00:37:42,520 --> 00:37:46,520
Speaker 1: Oh that was an incredible show. It was like Goodie

781
00:37:46,560 --> 00:37:51,879
Speaker 1: Mob Foojis and Outcasts that sound classic. It was just nuts. Yeah,

782
00:37:51,960 --> 00:37:53,680
Speaker 1: that was a that was an incredible show. I was like,

783
00:37:53,680 --> 00:37:56,320
Speaker 1: we're not missing that one. Now with Lauren Hill chronically

784
00:37:56,360 --> 00:38:00,360
Speaker 1: l the Fuji shows like that, she is now no no, no, no, nobody,

785
00:38:00,480 --> 00:38:03,640
Speaker 1: nobody could be late to no Fuji show. You gotta

786
00:38:03,680 --> 00:38:05,880
Speaker 1: be on time. I'm just saying, like back in you know,

787
00:38:06,400 --> 00:38:09,960
Speaker 1: it's different back in the days, like you know, um,

788
00:38:10,280 --> 00:38:13,680
Speaker 1: because you're promoting, right, Um, you have to be focused

789
00:38:14,360 --> 00:38:17,040
Speaker 1: when it came to that, So everybody was basically on time.

790
00:38:17,480 --> 00:38:21,040
Speaker 1: But of course this is years later. You know what,

791
00:38:21,160 --> 00:38:24,520
Speaker 1: do you think Lauren ranks as far as greatest of

792
00:38:24,600 --> 00:38:26,640
Speaker 1: all time? Because it comes a point for me where

793
00:38:26,680 --> 00:38:28,360
Speaker 1: I'm like, look, man, the Miss Education Lauren Hill is

794
00:38:28,360 --> 00:38:32,320
Speaker 1: a phenomenal album, classic album, but we might be overrating it,

795
00:38:32,719 --> 00:38:35,680
Speaker 1: overrating that album, not the album, but overrating where we

796
00:38:35,800 --> 00:38:39,040
Speaker 1: put her in the greatest of all time with that

797
00:38:39,120 --> 00:38:42,920
Speaker 1: one body of work. Um, well, no, I disagree. I

798
00:38:43,040 --> 00:38:45,600
Speaker 1: think she's one of the greatest, and I think that

799
00:38:45,760 --> 00:38:49,920
Speaker 1: what happens the Fuji's albums. Also, you can't forget all

800
00:38:49,920 --> 00:38:53,719
Speaker 1: that work too. This is why I rate her top

801
00:38:53,840 --> 00:38:57,120
Speaker 1: five female within our generation because I was in the

802
00:38:57,200 --> 00:39:00,640
Speaker 1: studio with Whitney Houston, I recorded Whitney, and I was

803
00:39:00,680 --> 00:39:02,880
Speaker 1: in the studio with Lauryn. I was in the studio

804
00:39:02,960 --> 00:39:05,040
Speaker 1: with Beyonce, so all of this, I was in the

805
00:39:05,080 --> 00:39:08,640
Speaker 1: studio with Shakira. There's just something about her that it's

806
00:39:08,719 --> 00:39:10,920
Speaker 1: just a its fact. As far as like me being

807
00:39:10,960 --> 00:39:14,320
Speaker 1: a PK and when someone sings you could fail out annointment.

808
00:39:14,440 --> 00:39:17,080
Speaker 1: She had that. We got more with wild Cliff when

809
00:39:17,080 --> 00:39:18,759
Speaker 1: we come back, keep a lot. This the breakfast club,

810
00:39:18,800 --> 00:39:24,880
Speaker 1: Good Morning, you know that was rere with Sex with

811
00:39:25,040 --> 00:39:28,800
Speaker 1: Me Morning. Everybody is DJ N v Angela, Ye, Charlomagne

812
00:39:28,800 --> 00:39:31,360
Speaker 1: the guy. We are the breakfast club. We got wild clubs.

813
00:39:31,440 --> 00:39:33,520
Speaker 1: Join in the building there, ye. Can we introduce your

814
00:39:33,520 --> 00:39:35,040
Speaker 1: protty by the way, because I don't want people to

815
00:39:35,040 --> 00:39:38,120
Speaker 1: be like, oh oh oh yeah yeah. So so Jazzy

816
00:39:38,160 --> 00:39:40,480
Speaker 1: who's from the Bronx. She's not here yet. She got lost,

817
00:39:41,440 --> 00:39:44,360
Speaker 1: she went to the wrong location. And this is Alison

818
00:39:44,520 --> 00:39:48,879
Speaker 1: Alison m Church girl. Um similar to Whitney, like Church.

819
00:39:49,040 --> 00:39:51,640
Speaker 1: That's the whole vibe. I'm a PK and um and

820
00:39:51,760 --> 00:39:56,000
Speaker 1: she's here. Sorry, I forgot my guitar. Alison, do you

821
00:39:56,040 --> 00:39:59,279
Speaker 1: feel pressure because you just heard three of the most

822
00:39:59,320 --> 00:40:02,799
Speaker 1: phenomenal women in the game ever that wild Cleff has

823
00:40:02,840 --> 00:40:07,640
Speaker 1: worked with Lauren Hill, Beyonce, he carry worked with Mary J. Blige.

824
00:40:07,920 --> 00:40:10,680
Speaker 1: Do you feel that kind of pressure at first? Yeah?

825
00:40:11,400 --> 00:40:14,840
Speaker 1: I did, but right now I just feel honored, like

826
00:40:15,040 --> 00:40:18,040
Speaker 1: it's an honor. So tell us about your situation, how

827
00:40:18,120 --> 00:40:22,960
Speaker 1: you guys, Yeah, it's crazy, Okay. So I actually worked

828
00:40:23,160 --> 00:40:27,759
Speaker 1: for Head's music. Um, I was in an administration. They

829
00:40:27,880 --> 00:40:30,359
Speaker 1: had asked me to go to the studio to demo

830
00:40:30,400 --> 00:40:33,839
Speaker 1: a song. So you worked in administration and they asked

831
00:40:33,840 --> 00:40:36,279
Speaker 1: you to go demo a song. They knew that I

832
00:40:36,320 --> 00:40:39,600
Speaker 1: can sing, but they never heard me sing like at all. Um,

833
00:40:39,880 --> 00:40:42,440
Speaker 1: so hold up, yeah, and demo that I wanted her

834
00:40:42,480 --> 00:40:44,600
Speaker 1: to do because I was at the World Cup with

835
00:40:44,760 --> 00:40:46,960
Speaker 1: Rihanna and then she was like, Oh, I'm glad you

836
00:40:47,080 --> 00:40:49,200
Speaker 1: back into music. You know we're gonna catch a vibe.

837
00:40:49,280 --> 00:40:53,759
Speaker 1: So no, no, this was Rihanna when was at the

838
00:40:53,800 --> 00:40:55,919
Speaker 1: World Cup. She's like, I'm glad you back into music.

839
00:40:56,000 --> 00:40:58,520
Speaker 1: She can't adjusting room and anything and so I was like,

840
00:40:58,719 --> 00:41:01,080
Speaker 1: I have a vibe. This be good for Rihanna, So

841
00:41:01,160 --> 00:41:03,279
Speaker 1: I'm going demo this and send it to her. You

842
00:41:03,360 --> 00:41:05,400
Speaker 1: could go on, I just want to. I didn't know

843
00:41:05,440 --> 00:41:07,359
Speaker 1: any of that, and so you told everybody you could

844
00:41:07,360 --> 00:41:09,480
Speaker 1: sing though you would, Yeah, so everybody knew. I knew

845
00:41:09,520 --> 00:41:11,279
Speaker 1: that that was my passion, Like that's what I wanted

846
00:41:11,320 --> 00:41:15,080
Speaker 1: to do. So the CEO of head Music, Madeline Nelson,

847
00:41:15,480 --> 00:41:18,239
Speaker 1: took me to the studio and I demoed the song

848
00:41:18,360 --> 00:41:22,160
Speaker 1: for them and like that was that and I'm actually, yeah,

849
00:41:22,200 --> 00:41:24,959
Speaker 1: I'm actually on the EP on track number five little Things.

850
00:41:25,480 --> 00:41:28,080
Speaker 1: So yeah, that's it was God like honestly, So you

851
00:41:28,120 --> 00:41:30,279
Speaker 1: would have never stepped up and been like, hey, why left?

852
00:41:30,320 --> 00:41:31,560
Speaker 1: You know, I would love to get in the studio

853
00:41:31,640 --> 00:41:33,800
Speaker 1: and work with you. I mean I've I like mentioned that,

854
00:41:33,960 --> 00:41:36,839
Speaker 1: but yeah, I'm not like that type of pushy. Yeah.

855
00:41:36,880 --> 00:41:39,160
Speaker 1: I was like, you know, I have a strong foundation

856
00:41:39,239 --> 00:41:42,440
Speaker 1: of spirituality and you know, just believing that, you know,

857
00:41:42,560 --> 00:41:44,360
Speaker 1: if if it was meant that God was going to

858
00:41:44,480 --> 00:41:46,759
Speaker 1: just open the door and make a way in a

859
00:41:46,800 --> 00:41:49,640
Speaker 1: lot of pressure though, because you could either be Lauren

860
00:41:49,719 --> 00:41:55,040
Speaker 1: Hilla Claudet Ortiz right right, Wow, exactly. She had a

861
00:41:55,080 --> 00:41:59,480
Speaker 1: little moment. What did you know? It was very fleeting. Wow,

862
00:42:00,360 --> 00:42:02,759
Speaker 1: how do you feel about call that? Did you rank her?

863
00:42:03,840 --> 00:42:08,759
Speaker 1: I tell you, man, you always catch me man. So so,

864
00:42:09,040 --> 00:42:13,120
Speaker 1: so what happens right with City High? I felt like

865
00:42:13,200 --> 00:42:15,759
Speaker 1: a lot of times they didn't get their break they

866
00:42:15,800 --> 00:42:17,880
Speaker 1: were supposed to because it's sort of like you know

867
00:42:17,920 --> 00:42:20,480
Speaker 1: how people was attached to the Fuji so much, and

868
00:42:20,560 --> 00:42:23,160
Speaker 1: it was like, oh, man, they go Cleff, Cleff got

869
00:42:23,280 --> 00:42:27,239
Speaker 1: a scheme. He's trying to create another Fuji's. We ain't

870
00:42:27,280 --> 00:42:29,439
Speaker 1: gonna go for that because we love the Fuji's. It's

871
00:42:29,480 --> 00:42:32,680
Speaker 1: almost like when you trying to create something. It was hard.

872
00:42:32,760 --> 00:42:35,520
Speaker 1: And guess what. We went through that curse too, because

873
00:42:35,560 --> 00:42:37,239
Speaker 1: when we was trying to come out there, I was like, oh,

874
00:42:38,520 --> 00:42:41,680
Speaker 1: they're trying to be like even before they even hear

875
00:42:41,760 --> 00:42:44,879
Speaker 1: the music, so I felt so my thing was like, okay,

876
00:42:44,960 --> 00:42:47,520
Speaker 1: you know what I could felt because they had some

877
00:42:47,680 --> 00:42:50,480
Speaker 1: great records. They had a huge record that's right. So

878
00:42:50,600 --> 00:42:52,759
Speaker 1: then I was like, you know what, let me do

879
00:42:53,440 --> 00:42:56,560
Speaker 1: what I did with Lauren musically and let me put

880
00:42:56,640 --> 00:43:00,719
Speaker 1: her on the record two wrongs because they said too right,

881
00:43:01,000 --> 00:43:03,080
Speaker 1: Because I was like, okay, let me start splitting up

882
00:43:03,120 --> 00:43:05,359
Speaker 1: this thing so they could be like, okay, she has

883
00:43:05,440 --> 00:43:08,279
Speaker 1: that thing, you know what I mean. And then past that,

884
00:43:09,120 --> 00:43:12,480
Speaker 1: you know there's once again there's multiple disciplines in this business.

885
00:43:12,960 --> 00:43:16,239
Speaker 1: And you have to trust me one hundred percent. If

886
00:43:16,320 --> 00:43:19,319
Speaker 1: you don't trust me one hundred percent and you let

887
00:43:19,400 --> 00:43:24,759
Speaker 1: your guard down, something's gonna happen. Lauren, trust me three

888
00:43:24,880 --> 00:43:30,200
Speaker 1: trillion percent. Whitney, three trillion percent. Shakira to Beyonce when

889
00:43:30,239 --> 00:43:33,440
Speaker 1: I was like, this is how it's gonna go, like

890
00:43:33,480 --> 00:43:35,520
Speaker 1: six year, Okay, this is how it's gonna go. So

891
00:43:35,719 --> 00:43:38,680
Speaker 1: I think with the city high, there was so many people.

892
00:43:39,320 --> 00:43:42,239
Speaker 1: After I was like, the group has to be these

893
00:43:42,320 --> 00:43:45,400
Speaker 1: two guys, and she was on the side like her quiet,

894
00:43:45,719 --> 00:43:48,759
Speaker 1: and I was like what she does? Is it she sing?

895
00:43:49,080 --> 00:43:51,800
Speaker 1: I was like, yeah, sing something. I said, oh, we

896
00:43:51,960 --> 00:43:55,440
Speaker 1: got a star here. So after I created that formula,

897
00:43:55,960 --> 00:43:59,160
Speaker 1: everyone was like pulling and touching, and I think that's

898
00:43:59,200 --> 00:44:02,040
Speaker 1: sort of like what But once again, I still rate

899
00:44:02,160 --> 00:44:04,520
Speaker 1: that as far as like one of those talented groups.

900
00:44:04,960 --> 00:44:08,200
Speaker 1: You know, that's not part of them that top five

901
00:44:08,280 --> 00:44:09,880
Speaker 1: legacy to be talking about. So she didn't trust you

902
00:44:09,960 --> 00:44:14,240
Speaker 1: three percent? No, No, I wouldn't say that she trusts

903
00:44:14,280 --> 00:44:18,560
Speaker 1: me three hundred percent, because whichever female put their hands

904
00:44:18,719 --> 00:44:21,279
Speaker 1: in my career, like say, you know what we're gonna

905
00:44:21,320 --> 00:44:22,840
Speaker 1: go like I'm telling you, like when I go on

906
00:44:22,920 --> 00:44:25,960
Speaker 1: with Whitney, I'm shaking man, Like this man, She's like,

907
00:44:26,040 --> 00:44:28,879
Speaker 1: come on, baby, just tell me what to do. Man.

908
00:44:29,120 --> 00:44:30,960
Speaker 1: So this is the realm with the artists having input.

909
00:44:31,000 --> 00:44:33,040
Speaker 1: If they don't agree either, yeah, but I don't want

910
00:44:33,040 --> 00:44:34,839
Speaker 1: to hear from Claudette or to you. If Whitney listening

911
00:44:34,880 --> 00:44:36,279
Speaker 1: to me and be honestly listening to me, if all

912
00:44:36,320 --> 00:44:38,040
Speaker 1: these greats listening to me and then you buck up,

913
00:44:38,239 --> 00:44:39,839
Speaker 1: like wait a minute, young, because is there a question

914
00:44:39,920 --> 00:44:43,640
Speaker 1: of like, well, you know you're you're young, and maybe

915
00:44:43,680 --> 00:44:45,520
Speaker 1: you hear like different things and you might be like, well,

916
00:44:45,560 --> 00:44:47,919
Speaker 1: maybe I could try it like this, like some type

917
00:44:47,920 --> 00:44:50,480
Speaker 1: of input. Now, once again, when the plane is taken off,

918
00:44:50,840 --> 00:44:53,239
Speaker 1: you have to trust the pilot. You can have your opinions.

919
00:44:53,640 --> 00:44:57,000
Speaker 1: I respect the talent of Claudette. I was just like,

920
00:44:57,040 --> 00:44:59,520
Speaker 1: I respect the talent, but at the end of the day,

921
00:45:00,040 --> 00:45:02,600
Speaker 1: they gotta be Okay, this is how we're gonna do it.

922
00:45:02,920 --> 00:45:06,960
Speaker 1: So you don't think like Lauren, come on vocally, she's like, look,

923
00:45:07,360 --> 00:45:09,400
Speaker 1: I'm in like a thousand voices in my head for

924
00:45:09,520 --> 00:45:13,920
Speaker 1: killing me softly. This is what's incredible. Let Lebron be Lebron.

925
00:45:14,040 --> 00:45:16,399
Speaker 1: You be the genius. I'm not trying to take away

926
00:45:16,440 --> 00:45:19,520
Speaker 1: from your genius as a coach though, I'm just like, Okay,

927
00:45:20,000 --> 00:45:22,640
Speaker 1: we got to win the championship and that's why I

928
00:45:22,760 --> 00:45:25,040
Speaker 1: come in and guide you. And so in that sense,

929
00:45:25,320 --> 00:45:27,759
Speaker 1: I felt like the Fuji's trust me a one hundred

930
00:45:27,800 --> 00:45:31,120
Speaker 1: percent and we got to where we had to get to. Now,

931
00:45:31,200 --> 00:45:32,920
Speaker 1: when you found out Claude that was having sex with

932
00:45:33,000 --> 00:45:34,880
Speaker 1: both members to city, how did you ever think to yourself, Well,

933
00:45:34,880 --> 00:45:36,560
Speaker 1: why she didn't give me none? I'm the guy that's

934
00:45:36,600 --> 00:45:41,200
Speaker 1: putting us all again. No, because, as you know, as

935
00:45:41,239 --> 00:45:44,840
Speaker 1: an old g I don't have those problems, right because

936
00:45:45,000 --> 00:45:48,080
Speaker 1: of the prior mistakes that I made. There was no

937
00:45:48,280 --> 00:45:51,520
Speaker 1: way that I was gonna embark in that situation again.

938
00:45:51,880 --> 00:45:54,680
Speaker 1: Right because now I was older, I was wiser, you

939
00:45:54,719 --> 00:45:56,440
Speaker 1: know what I'm saying to you. But if I knew

940
00:45:57,040 --> 00:45:59,920
Speaker 1: that it was gonna lurk within the situation, maybe I

941
00:46:00,080 --> 00:46:03,440
Speaker 1: couldn't intervened and had a conversation. But as everything was

942
00:46:03,480 --> 00:46:06,920
Speaker 1: going on, it all just all felt natural until that

943
00:46:07,120 --> 00:46:09,959
Speaker 1: success coming. They all started getting pulled in different places.

944
00:46:10,440 --> 00:46:13,200
Speaker 1: Club jan Ju is out right now. Thank you for coming,

945
00:46:13,239 --> 00:46:17,960
Speaker 1: my brother, Thank you family for joining us. A lot

946
00:46:18,000 --> 00:46:20,920
Speaker 1: of pressure, a lot of pressure, Alison. We need, we

947
00:46:21,040 --> 00:46:24,160
Speaker 1: need to know if you can really sing? All right? Yeah?

948
00:46:24,200 --> 00:46:26,200
Speaker 1: In order to do that, we ain't gonna put no beat,

949
00:46:26,280 --> 00:46:29,360
Speaker 1: no nothing. I'm an dude like you. Like I told

950
00:46:29,560 --> 00:46:33,000
Speaker 1: Beyonce for girls in the hotel, I was like, sing

951
00:46:33,120 --> 00:46:35,279
Speaker 1: me a church song. You sure you don't want to

952
00:46:35,320 --> 00:46:39,239
Speaker 1: stand up now? Because think about it. Beyonce, Laura, Mary

953
00:46:39,320 --> 00:46:46,520
Speaker 1: j Blide a little gospel for you guys. Okay, the mic,

954
00:46:46,600 --> 00:46:48,759
Speaker 1: let's do this, put yours on the mic. That's how

955
00:46:48,760 --> 00:47:00,160
Speaker 1: you become a star in this business. All right? Hi,

956
00:47:01,960 --> 00:47:12,719
Speaker 1: No I've been changed? Who No, I've been shang hey,

957
00:47:15,000 --> 00:47:25,120
Speaker 1: oh why why? I know what? Then Shane the Angels

958
00:47:25,280 --> 00:47:38,880
Speaker 1: and haven't done sign my name? Wow? Okay? I was like,

959
00:47:38,960 --> 00:47:42,200
Speaker 1: who is that singing? Okay? So I know. Wait and

960
00:47:42,320 --> 00:47:45,520
Speaker 1: directly you can thank Rihanna too for making all that's

961
00:47:45,560 --> 00:47:52,360
Speaker 1: happening the way you did. Thank you, Rihanna. Just a

962
00:47:52,400 --> 00:47:59,839
Speaker 1: breakfast club stood up Drake Love Morning. Everybody is DJ

963
00:48:00,280 --> 00:48:03,319
Speaker 1: Envy angela Ye, Charlemagne and God. We all the breakfast club.

964
00:48:03,400 --> 00:48:12,759
Speaker 1: Let's get to the rumors. Let's talk Kanye Wests. It's

965
00:48:13,719 --> 00:48:17,560
Speaker 1: breakfast club. But appears that Kanye is no longer a

966
00:48:17,640 --> 00:48:20,080
Speaker 1: fan of Donald Trump. He has gotten rid of everything

967
00:48:20,239 --> 00:48:24,880
Speaker 1: on his Twitter account referencing his support for Donald Trump now.

968
00:48:24,920 --> 00:48:29,239
Speaker 1: According to sources, it says that basically the Muslim band

969
00:48:29,360 --> 00:48:31,960
Speaker 1: and other actions were a catalyst for his decision. He

970
00:48:32,000 --> 00:48:33,879
Speaker 1: doesn't agree with a lot of things that Donald Trump

971
00:48:34,000 --> 00:48:36,520
Speaker 1: has done since he has taken office, even when we

972
00:48:36,600 --> 00:48:38,680
Speaker 1: went to go meet with him and has said he

973
00:48:38,719 --> 00:48:41,160
Speaker 1: would have voted for him. Now he's I guess having

974
00:48:41,200 --> 00:48:43,960
Speaker 1: a change of hearts. You know, the irony that situation.

975
00:48:44,040 --> 00:48:47,000
Speaker 1: That's exactly how I feel about Kanye. Sometimes you like him,

976
00:48:47,160 --> 00:48:50,480
Speaker 1: sometimes sometimes you don't. You know. In the meantime, I've

977
00:48:50,600 --> 00:48:52,680
Speaker 1: changed the hearts about that guy all the time. Kim

978
00:48:52,800 --> 00:48:56,279
Speaker 1: Kardashian West is actually retweeting people that want Kanye to

979
00:48:56,360 --> 00:49:00,799
Speaker 1: perform next year at Super BOWLS halftime show. O cool,

980
00:49:00,920 --> 00:49:02,359
Speaker 1: What do you guys think? Would that be a good

981
00:49:02,400 --> 00:49:04,880
Speaker 1: halftime He got enough hits? Yeah, that'd me dope. At

982
00:49:04,920 --> 00:49:07,640
Speaker 1: this moment, I don't care to be honest with you,

983
00:49:07,719 --> 00:49:09,400
Speaker 1: that would be good. I mean I'd like to see Kanye,

984
00:49:09,480 --> 00:49:11,799
Speaker 1: Arihanna or even Drake. I feel like all of them

985
00:49:11,880 --> 00:49:14,439
Speaker 1: have the status to perform the super Bowl halftime show.

986
00:49:15,120 --> 00:49:17,960
Speaker 1: You know, all right, Remy Ma and Pep Hoose they

987
00:49:18,040 --> 00:49:21,000
Speaker 1: were on the rail and we already told you guys

988
00:49:21,080 --> 00:49:24,680
Speaker 1: about the unfortunate situation with Remy My suffering from a

989
00:49:24,880 --> 00:49:28,840
Speaker 1: miscarriage and then having to undergo emergency surgery to have

990
00:49:28,960 --> 00:49:31,680
Speaker 1: her fallopian tube and remove. Here is Remmy on the

991
00:49:31,800 --> 00:49:34,319
Speaker 1: rail talking about it. This happens to me before. When

992
00:49:34,360 --> 00:49:36,200
Speaker 1: I was a kid with like I was a seen ager.

993
00:49:36,239 --> 00:49:38,680
Speaker 1: The first time I got pregnant, I had a topic pregnacy.

994
00:49:38,760 --> 00:49:41,120
Speaker 1: Then I literally passed out. I went to the hospital,

995
00:49:41,200 --> 00:49:42,960
Speaker 1: They did a sonogram and it was black. I literally

996
00:49:43,040 --> 00:49:45,480
Speaker 1: was bleeding and turning. They rushed me into surgery. As

997
00:49:45,520 --> 00:49:47,600
Speaker 1: a female, you have two fallopian tubes. This is where

998
00:49:47,640 --> 00:49:50,600
Speaker 1: the egg that gets you pregnant comes from. It comes

999
00:49:50,640 --> 00:49:53,200
Speaker 1: down the fallopian tube, plants and the uterus to grow.

1000
00:49:53,520 --> 00:49:56,680
Speaker 1: But it's an a topic pregnancy. When the egg connects

1001
00:49:56,719 --> 00:49:59,520
Speaker 1: with you know, it starts to fertilize in the two

1002
00:50:00,080 --> 00:50:03,160
Speaker 1: got your too, It expands until the point that it

1003
00:50:03,239 --> 00:50:05,720
Speaker 1: can't expand anymore, and then that's when the internal bleeding

1004
00:50:05,800 --> 00:50:10,680
Speaker 1: and things like that first. Yeah, so sad and Pappoos

1005
00:50:10,719 --> 00:50:13,600
Speaker 1: actually spoke out as well about how he was feeling

1006
00:50:13,719 --> 00:50:16,160
Speaker 1: during his whole time. I mean, that was the saddest

1007
00:50:16,200 --> 00:50:18,840
Speaker 1: day of my life. Um. When she told me the news,

1008
00:50:19,080 --> 00:50:22,840
Speaker 1: I was extremely happy. He was thinking of names. I

1009
00:50:22,880 --> 00:50:24,319
Speaker 1: mean I would wake up in the morning the first

1010
00:50:24,320 --> 00:50:26,800
Speaker 1: thing I would see is my future child, you know,

1011
00:50:27,440 --> 00:50:30,080
Speaker 1: And for to take a turn like that, it was

1012
00:50:30,120 --> 00:50:33,200
Speaker 1: just like a roller coaster and it went down. But honestly,

1013
00:50:33,280 --> 00:50:35,000
Speaker 1: when I got the news, she had to go into

1014
00:50:35,040 --> 00:50:38,480
Speaker 1: emergency surgery. So I was devastating about my child. But

1015
00:50:38,560 --> 00:50:40,239
Speaker 1: I was just like praying, like you gonna hope my

1016
00:50:40,280 --> 00:50:45,640
Speaker 1: wife is going to be okay. He's great, such a

1017
00:50:45,680 --> 00:50:48,719
Speaker 1: great couple. Every every woman won Pappoos to be their

1018
00:50:48,840 --> 00:50:52,000
Speaker 1: Valentine next week. Why can't you people like Pat Hoops

1019
00:50:52,400 --> 00:50:54,880
Speaker 1: all right now? Ji Smith has also given an update

1020
00:50:54,920 --> 00:50:58,880
Speaker 1: on his daughter, Dakota. She was born prematurely and he

1021
00:50:59,040 --> 00:51:02,320
Speaker 1: and his wife welcome their daughter in October. She was

1022
00:51:02,400 --> 00:51:05,560
Speaker 1: born five months early at just one pound, so he

1023
00:51:05,680 --> 00:51:08,360
Speaker 1: has been keeping his fans updated on her progress. And

1024
00:51:08,480 --> 00:51:12,000
Speaker 1: he actually posted a picture holding his daughter on his chest.

1025
00:51:12,040 --> 00:51:13,600
Speaker 1: He said, today is one of the greatest days in

1026
00:51:13,680 --> 00:51:15,880
Speaker 1: my life. Today I get to hold my youngest for

1027
00:51:15,960 --> 00:51:19,320
Speaker 1: the first time. God is great hashtag Dacota is strong. No,

1028
00:51:19,560 --> 00:51:22,239
Speaker 1: God bless Jos Smith and his Famolutely you want to

1029
00:51:22,280 --> 00:51:25,560
Speaker 1: continue to depress us, ANGELI do you have anything that's

1030
00:51:25,560 --> 00:51:29,080
Speaker 1: a good story? The baby's baby's still alive and this

1031
00:51:29,200 --> 00:51:34,960
Speaker 1: baby for the first time, that's positive. That's a miracle.

1032
00:51:35,640 --> 00:51:37,160
Speaker 1: If you ever vote, you can see a picture of

1033
00:51:37,239 --> 00:51:40,040
Speaker 1: him holding his little back. I saw that. I did.

1034
00:51:40,239 --> 00:51:43,520
Speaker 1: Actually all right. Now, Billboard dot Com is actually gonna

1035
00:51:43,520 --> 00:51:46,640
Speaker 1: be launching Billboard hip Hop now, and in celebration of that,

1036
00:51:46,800 --> 00:51:49,440
Speaker 1: they did a whole list. Yeah, they're doing like their

1037
00:51:49,480 --> 00:51:51,680
Speaker 1: whole own Billboard hip Hop, not just Billboard dot Com,

1038
00:51:51,800 --> 00:51:53,560
Speaker 1: but now a Billboard hip Hop site. Why did they

1039
00:51:53,640 --> 00:51:55,960
Speaker 1: keep treating hip hop like it's some niche genre. Hip

1040
00:51:56,000 --> 00:51:59,600
Speaker 1: hop is pop coaching now, you idiots. Well, in celebration

1041
00:51:59,680 --> 00:52:01,080
Speaker 1: of that, I guess they feel like there's so much

1042
00:52:01,080 --> 00:52:03,120
Speaker 1: going on it needs its whole own more information. I

1043
00:52:03,160 --> 00:52:05,839
Speaker 1: think it's not a bad It's called music, it's called

1044
00:52:06,400 --> 00:52:08,640
Speaker 1: the industry of music. Is hip hop sir, just so

1045
00:52:08,800 --> 00:52:12,000
Speaker 1: much going on. So they actually put together a string

1046
00:52:12,080 --> 00:52:14,719
Speaker 1: of milestones and rap chart facts. I want to see

1047
00:52:14,760 --> 00:52:16,759
Speaker 1: what you guys know about this. Okay, you're ready to

1048
00:52:16,800 --> 00:52:20,600
Speaker 1: test yourself? Sure? Alright? Rapper with the most hot one

1049
00:52:20,680 --> 00:52:25,240
Speaker 1: hundred number ones, most number ones, ludicrous Drake, it's actually

1050
00:52:25,280 --> 00:52:27,680
Speaker 1: a three way tie. Ludacris is on that list. Okay,

1051
00:52:28,080 --> 00:52:31,719
Speaker 1: he has five. Puff Daddy's also on that list, and

1052
00:52:31,920 --> 00:52:34,960
Speaker 1: Eminem of course is on that list. But Eminem is

1053
00:52:35,000 --> 00:52:36,640
Speaker 1: the only one who's a lead act on all five

1054
00:52:36,719 --> 00:52:39,200
Speaker 1: of his Puff Daddy's a lead act on four. Ludacrius

1055
00:52:39,280 --> 00:52:41,040
Speaker 1: is a lead act on two. Give me Another one,

1056
00:52:41,600 --> 00:52:45,200
Speaker 1: all right, longest running number one rap song, Those are

1057
00:52:45,280 --> 00:52:50,640
Speaker 1: three way tiety Fat Joe Lean back Um, You guys

1058
00:52:50,680 --> 00:52:55,000
Speaker 1: are both wrong, number one, number one, longest running number

1059
00:52:55,000 --> 00:52:57,680
Speaker 1: one rap song, twelve weeks on the charts. Three way tie.

1060
00:52:58,480 --> 00:53:00,520
Speaker 1: Wasn't Ditty with that album issue? I don't know? Give

1061
00:53:00,560 --> 00:53:05,600
Speaker 1: him Khalifa, see you again? The Black Eyed Peas Boom boom,

1062
00:53:05,600 --> 00:53:12,600
Speaker 1: pal that don't count and lose yourself, Eminem twelve bakes,

1063
00:53:12,600 --> 00:53:15,000
Speaker 1: all right, highest selling rap album. There's only one person

1064
00:53:16,800 --> 00:53:21,400
Speaker 1: highest selling rap. Um gotta be the Eminem, mis eminem,

1065
00:53:21,520 --> 00:53:23,840
Speaker 1: something eminem and Marshall Man is Healthy and the last one,

1066
00:53:23,880 --> 00:53:26,360
Speaker 1: I'm gonna give you guys longest running number one a

1067
00:53:26,440 --> 00:53:30,600
Speaker 1: rap song number one. The song was number one for

1068
00:53:31,400 --> 00:53:35,719
Speaker 1: UM twenty one weeks back in nineteen ninety. Back in

1069
00:53:35,840 --> 00:53:40,000
Speaker 1: nineteen ninety Vanilla Fight Baby, mc hammer, you can't touch this?

1070
00:53:40,320 --> 00:53:44,839
Speaker 1: Which one thanks it was rap album was Please Hammer,

1071
00:53:44,920 --> 00:53:49,040
Speaker 1: Don't hurt Please mc hammer. Damn, it's twenty one weeks

1072
00:53:49,040 --> 00:53:52,120
Speaker 1: at number one. Al Right. I met mc hammer once.

1073
00:53:52,600 --> 00:53:56,000
Speaker 1: I'm there you guys. It was when the hurricane Sandy

1074
00:53:56,040 --> 00:53:58,640
Speaker 1: and hit. Yeah, we were all staying at the same

1075
00:53:58,719 --> 00:54:00,799
Speaker 1: hotel and he was at the bar. Looked at little Hammer.

1076
00:54:01,040 --> 00:54:02,920
Speaker 1: I'm like, oh, I said, and then I said, you

1077
00:54:02,960 --> 00:54:05,120
Speaker 1: guys take a picture together, because I'm good for that.

1078
00:54:05,520 --> 00:54:07,239
Speaker 1: I had to go chopping over he is that hamm

1079
00:54:07,280 --> 00:54:11,480
Speaker 1: on had to grab my heart you can't touch I

1080
00:54:11,560 --> 00:54:13,640
Speaker 1: interviewed him one time, and yeah, I did too. I

1081
00:54:13,680 --> 00:54:15,800
Speaker 1: think he told me he said, if you what do

1082
00:54:15,800 --> 00:54:17,279
Speaker 1: you say? Says? I came up here to test the

1083
00:54:17,320 --> 00:54:20,759
Speaker 1: coward's heart. All that you can hammer won't whip your

1084
00:54:20,760 --> 00:54:23,960
Speaker 1: ass and didn't do the typewriter dance While he was

1085
00:54:23,960 --> 00:54:25,239
Speaker 1: making front of him all the way up there and

1086
00:54:26,080 --> 00:54:28,879
Speaker 1: New York stuff, trying to cloy Hamma, whip your ass.

1087
00:54:28,920 --> 00:54:30,600
Speaker 1: I love him and now he what he threatned me

1088
00:54:30,680 --> 00:54:32,360
Speaker 1: so crazy. I'm making a lot of money in the

1089
00:54:32,400 --> 00:54:35,400
Speaker 1: tech industry. That's what we talked about that mate. Uh.

1090
00:54:35,800 --> 00:54:38,920
Speaker 1: If Hammer wouldn't be as that would have been hilarious.

1091
00:54:39,400 --> 00:54:45,960
Speaker 1: It's military. He would have been a great story. Came

1092
00:54:46,040 --> 00:54:48,080
Speaker 1: up there too, that was gonna skate. Ain't Why do

1093
00:54:48,080 --> 00:54:49,560
Speaker 1: you think they why do you think they named the album?

1094
00:54:49,600 --> 00:54:52,040
Speaker 1: Please Hammer don't hurt them? That's right, Please Hammer, don't

1095
00:54:52,120 --> 00:54:55,400
Speaker 1: hurt them. I was doing all that I said. Hammon's

1096
00:54:55,400 --> 00:54:58,399
Speaker 1: coming that bad up, prey. I how can this black

1097
00:54:58,440 --> 00:55:00,200
Speaker 1: his dream up? And y'all don't pay no? How the

1098
00:55:00,239 --> 00:55:02,239
Speaker 1: Hammer right? When the last time you played some Hamm

1099
00:55:02,320 --> 00:55:05,160
Speaker 1: in your mix show envy? This is disrespectful. You don't

1100
00:55:05,200 --> 00:55:07,360
Speaker 1: shot him. I don't want his birthday? That's not nothing,

1101
00:55:07,719 --> 00:55:09,960
Speaker 1: do you? Hamma got the high? No, but that ain't

1102
00:55:10,040 --> 00:55:12,680
Speaker 1: the point. Hamma got the highest selling album of all time.

1103
00:55:12,840 --> 00:55:15,160
Speaker 1: You don't give him no respect? Your number one? When

1104
00:55:15,320 --> 00:55:17,359
Speaker 1: Hammer birthday? Am? I gonna get some respect? Definite gonna

1105
00:55:17,360 --> 00:55:19,680
Speaker 1: get some respect, all right? I manage ye, and that's

1106
00:55:19,680 --> 00:55:22,360
Speaker 1: your room of report. Let me look this up. I

1107
00:55:22,400 --> 00:55:25,520
Speaker 1: don't know. I don't believe y'all don't pay how much

1108
00:55:25,560 --> 00:55:28,919
Speaker 1: the hammer marks thirty? Oh, next month, y'all better show

1109
00:55:29,000 --> 00:55:31,560
Speaker 1: hammer some damn you back on March third. Damn right,

1110
00:55:31,800 --> 00:55:33,799
Speaker 1: you hear me. I want to hit two legit the quid.

1111
00:55:33,840 --> 00:55:36,120
Speaker 1: I want to hear pumps in the bumps. I want

1112
00:55:36,120 --> 00:55:40,200
Speaker 1: to hear prey. Okay, you better show him some respect,

1113
00:55:40,280 --> 00:55:44,040
Speaker 1: you got it? Shout them all right? What even that?

1114
00:55:44,200 --> 00:55:47,160
Speaker 1: Don uh? Listen, man, this is a classic story of

1115
00:55:47,239 --> 00:55:53,640
Speaker 1: how nig's going nick all right, nigs called nig niggs

1116
00:55:53,680 --> 00:55:55,759
Speaker 1: of all colors too. Ni. I keep telling y'all ain't

1117
00:55:55,880 --> 00:55:57,200
Speaker 1: nothing to do with being black. I got to do

1118
00:55:57,280 --> 00:56:00,480
Speaker 1: with the mindset. Okay, this nick stuff, I heard of it.

1119
00:56:01,280 --> 00:56:02,839
Speaker 1: All right, we'll get into that next. Keep it locks.

1120
00:56:02,840 --> 00:56:08,040
Speaker 1: Just to Breakfast Club, Good morning, Charlot Maine, say that gang.

1121
00:56:08,200 --> 00:56:16,080
Speaker 1: Don't get out the shape man you are? You donkey today,

1122
00:56:16,160 --> 00:56:18,719
Speaker 1: Just not discriminate. I might not have the song of today,

1123
00:56:18,760 --> 00:56:20,960
Speaker 1: but I got to donkey that if you ever feel

1124
00:56:21,000 --> 00:56:25,200
Speaker 1: I need to be a donkey man with the Breakfast

1125
00:56:25,239 --> 00:56:28,680
Speaker 1: Club bitches. They just don't give today today, Yes, donkey

1126
00:56:28,760 --> 00:56:32,600
Speaker 1: Today for Tuesday, February seventh goes to Robert Martinez guil Now.

1127
00:56:32,680 --> 00:56:35,520
Speaker 1: Back in the nineties, oh Robert was convicted on drug

1128
00:56:35,600 --> 00:56:38,239
Speaker 1: trafficking charges. He was given a life sentence for conspiracy

1129
00:56:38,280 --> 00:56:41,520
Speaker 1: to possess with intent to distribute cocaine and harn But

1130
00:56:41,680 --> 00:56:44,560
Speaker 1: back in twenty fifteen, he was commuted my former President

1131
00:56:44,640 --> 00:56:46,680
Speaker 1: Barack Obama. Now, let me give you a little backstory

1132
00:56:46,719 --> 00:56:48,879
Speaker 1: on Robert M. Gil He's sixty eight years old. He's

1133
00:56:48,920 --> 00:56:51,720
Speaker 1: been in prison since nineteen ninety Okay, but President Obama

1134
00:56:51,800 --> 00:56:55,320
Speaker 1: set him free along with other non violent federal animates

1135
00:56:55,400 --> 00:56:58,440
Speaker 1: in twenty fifteen. President Obama said, I'm signing his release

1136
00:56:58,480 --> 00:57:01,560
Speaker 1: because Robert has demonstrated the potential to turn his life around.

1137
00:57:01,760 --> 00:57:03,399
Speaker 1: Now it is up to him to make the most

1138
00:57:03,640 --> 00:57:08,160
Speaker 1: of this opportunat That is the keyword, kids, opportunity, all right.

1139
00:57:08,280 --> 00:57:11,120
Speaker 1: Roberts prison ward also stood up for him, saying Robert

1140
00:57:11,200 --> 00:57:14,680
Speaker 1: has reformed and rehabilitated himself and poses no threat to

1141
00:57:14,760 --> 00:57:17,600
Speaker 1: the outside world. End quote. You would think everything the

1142
00:57:17,680 --> 00:57:20,760
Speaker 1: prison warden and President Obama said would be true, especially

1143
00:57:20,840 --> 00:57:22,680
Speaker 1: for a sixty eight year old man who has been

1144
00:57:22,760 --> 00:57:25,320
Speaker 1: in prison for twenty five years. If you had a

1145
00:57:25,360 --> 00:57:28,440
Speaker 1: life sentence, every day of your life, you'd be in

1146
00:57:28,520 --> 00:57:32,520
Speaker 1: there praying, wishing on a star. You got a rabbit's foot,

1147
00:57:32,800 --> 00:57:35,840
Speaker 1: green clover's, yellow moons, yellow and ron stars, paint cards,

1148
00:57:35,880 --> 00:57:37,960
Speaker 1: all the lucky charms in the world. You're asking God,

1149
00:57:38,040 --> 00:57:41,200
Speaker 1: please give me another chance, Please don't let my life

1150
00:57:41,240 --> 00:57:43,080
Speaker 1: in this way. And then one day you get that

1151
00:57:43,200 --> 00:57:46,800
Speaker 1: golden ticket. You get that news that President Obama is

1152
00:57:46,800 --> 00:57:49,360
Speaker 1: going to pardon you. You get the news that Ray

1153
00:57:49,480 --> 00:57:52,320
Speaker 1: and Claude wanted to get throughout the whole movie Life.

1154
00:57:52,560 --> 00:57:56,080
Speaker 1: You get that blessing to be pardoned. And what do

1155
00:57:56,120 --> 00:57:58,160
Speaker 1: you do with it? Well, I'll let you know what

1156
00:57:58,320 --> 00:58:00,600
Speaker 1: Robert Martinez guil did with his Go to ko E

1157
00:58:00,760 --> 00:58:03,360
Speaker 1: n TV for the report. Police sixty eight year old

1158
00:58:03,440 --> 00:58:06,320
Speaker 1: San Antonio man whose life sentence was commuted by President

1159
00:58:06,360 --> 00:58:09,400
Speaker 1: Barack Obama, is back in jailed. Police say he crashed

1160
00:58:09,440 --> 00:58:12,160
Speaker 1: his car into another vehicle while fleeing officers after a

1161
00:58:12,240 --> 00:58:14,800
Speaker 1: drug deal on Thursday. He had already been serving a

1162
00:58:14,920 --> 00:58:17,560
Speaker 1: life sentence for dealing drugs when President Obama freed him

1163
00:58:17,560 --> 00:58:21,360
Speaker 1: in twenty fifteen, but now he's back behind bars. Nigga's

1164
00:58:21,360 --> 00:58:26,200
Speaker 1: gone nigg. Bro Nig's gone nig. Don't matter the color

1165
00:58:26,680 --> 00:58:29,760
Speaker 1: some mindset, Okay. Robert Martinez went and met with his

1166
00:58:29,840 --> 00:58:33,840
Speaker 1: probation officers and then, immediately after leaving his po went

1167
00:58:33,920 --> 00:58:36,160
Speaker 1: to a parking lot of a food market to buy

1168
00:58:36,320 --> 00:58:39,280
Speaker 1: more than two pounds of cocaine. Noway, okay. When the

1169
00:58:39,360 --> 00:58:41,360
Speaker 1: police caught him, he admitted he was going to sell

1170
00:58:41,480 --> 00:58:43,960
Speaker 1: cocaine to make money, and we'll be paying a female

1171
00:58:44,080 --> 00:58:46,520
Speaker 1: twenty six grand for the cocaine. I can't stand to

1172
00:58:46,600 --> 00:58:50,840
Speaker 1: see someone waste an opportunat. Someone else would have made

1173
00:58:50,880 --> 00:58:52,320
Speaker 1: the most of Okay, that pardon could have been for

1174
00:58:52,400 --> 00:58:54,920
Speaker 1: Big Beach. I could have been for some political prisoners,

1175
00:58:54,960 --> 00:58:57,240
Speaker 1: like a set of Chico. I'm a Tula Chicoor. What

1176
00:58:57,280 --> 00:59:01,120
Speaker 1: about Edward Snowden played a clip Fromkalyn TV again. Please

1177
00:59:02,240 --> 00:59:06,360
Speaker 1: put it? Get that clip walks up. Sixty eight year

1178
00:59:06,400 --> 00:59:09,120
Speaker 1: old San Antonio man whose life sentence was commuted by

1179
00:59:09,200 --> 00:59:12,120
Speaker 1: President Barack Obama is back in jailed. Please say he

1180
00:59:12,240 --> 00:59:15,240
Speaker 1: crashed his car into another vehicle while fleeing officers after

1181
00:59:15,320 --> 00:59:17,840
Speaker 1: a drug deal on Thursday. He had already been serving

1182
00:59:17,960 --> 00:59:20,600
Speaker 1: a life sentence for dealing drugs when President Obama freed

1183
00:59:20,640 --> 00:59:23,520
Speaker 1: him in twenty fifteen, but now he's back behind bars.

1184
00:59:23,760 --> 00:59:25,920
Speaker 1: Now if insanity is doing the same thing over and

1185
00:59:26,000 --> 00:59:28,000
Speaker 1: over and expecting different results, and I don't know what

1186
00:59:28,120 --> 00:59:30,640
Speaker 1: getting the life sentence, going to jail for twenty five years,

1187
00:59:30,800 --> 00:59:33,360
Speaker 1: getting a miraculous pardon, and coming home to start selling

1188
00:59:33,440 --> 00:59:35,440
Speaker 1: bricks again is called. Okay, they don't need to send

1189
00:59:35,520 --> 00:59:37,640
Speaker 1: him back to jail. They need to put Robert Martinez

1190
00:59:37,720 --> 00:59:40,200
Speaker 1: Guilt in a psych ward, put him in a screate jacket,

1191
00:59:40,240 --> 00:59:42,240
Speaker 1: and feed him pills for the rest of his life. Okay,

1192
00:59:42,280 --> 00:59:44,040
Speaker 1: when you let him out, that's create jacket. Just let

1193
00:59:44,080 --> 00:59:45,840
Speaker 1: him sit around and try to lick his elbow, because

1194
00:59:45,840 --> 00:59:47,840
Speaker 1: something is clearly wrong with this man. Okay. The last

1195
00:59:47,880 --> 00:59:50,600
Speaker 1: time I saw somebody blow an opportunity like this, it

1196
00:59:50,760 --> 00:59:53,360
Speaker 1: was this team called the Atlanta Falcons Sunday night in

1197
00:59:53,400 --> 00:59:57,520
Speaker 1: the Super Bowl. Okay, kids, listen. Failure is simply the

1198
00:59:57,640 --> 01:00:03,360
Speaker 1: opportunity to begin again, this time more intelligently. Robert Martinez

1199
01:00:03,440 --> 01:00:07,000
Speaker 1: guil got his opportunity after failing, but he didn't handle

1200
01:00:07,040 --> 01:00:10,520
Speaker 1: it intelligently this time. He blew it. Why, Because it

1201
01:00:10,600 --> 01:00:13,880
Speaker 1: doesn't matter what race you are nigging? Is an attitude,

1202
01:00:14,280 --> 01:00:17,000
Speaker 1: and it's two things you need to know. Some donkeys

1203
01:00:17,080 --> 01:00:21,080
Speaker 1: just sell themselves and Nigga's gonna nick. Please get Robert

1204
01:00:21,120 --> 01:00:26,480
Speaker 1: Martinez guil the biggest. He hard, please said, sixty eight

1205
01:00:26,640 --> 01:00:29,560
Speaker 1: years old, sixty eight. I actually meant to give him

1206
01:00:29,560 --> 01:00:31,360
Speaker 1: some sweet signs and the Hamletones. But you know what,

1207
01:00:31,440 --> 01:00:34,600
Speaker 1: he needed a hard he had this morning, sixty eight,

1208
01:00:34,800 --> 01:00:36,280
Speaker 1: sixty eight years old. You had to be been in

1209
01:00:36,360 --> 01:00:39,440
Speaker 1: jail since nineteen ninety. He wanted to go back. He

1210
01:00:40,320 --> 01:00:45,040
Speaker 1: had a boyfriend, had a bad He had a babe. Man, Yeah,

1211
01:00:45,080 --> 01:00:46,840
Speaker 1: he had a bab He's sixty eight years old. Man,

1212
01:00:46,880 --> 01:00:48,240
Speaker 1: don't no woman know how to make him get it

1213
01:00:48,320 --> 01:00:51,560
Speaker 1: up no more? He need that iron jaw behind them walls.

1214
01:00:52,320 --> 01:00:55,600
Speaker 1: My goodness. All right, all right, well, thank you for

1215
01:00:55,680 --> 01:00:59,120
Speaker 1: that donkey today. Now what are we doing next? I

1216
01:00:59,200 --> 01:01:01,240
Speaker 1: have no idea, y'all didn't playing this part of the show.

1217
01:01:01,440 --> 01:01:03,600
Speaker 1: Yes we did. We were talking about what we discussed

1218
01:01:03,720 --> 01:01:06,000
Speaker 1: yesterday with Mariah Carry and a two hundred and fifty

1219
01:01:06,040 --> 01:01:10,120
Speaker 1: thousand dollars wedding dress and we're designed by Valentino. What

1220
01:01:10,320 --> 01:01:14,240
Speaker 1: was that? So her video with YG where she talks

1221
01:01:14,280 --> 01:01:17,120
Speaker 1: about her breakup Mariah Berry Okay, yes, Maria carry and

1222
01:01:17,200 --> 01:01:19,800
Speaker 1: in that video she burned her dress. That dress was

1223
01:01:19,840 --> 01:01:22,200
Speaker 1: a Valentino two hundred and fifty thousand dollars dress. You

1224
01:01:22,240 --> 01:01:24,520
Speaker 1: could see it featured on the show Mariah's World. Okay,

1225
01:01:24,760 --> 01:01:27,720
Speaker 1: and we're asking when you break up with somebody, what

1226
01:01:27,920 --> 01:01:29,480
Speaker 1: are the things that you do? Do you get rid

1227
01:01:29,520 --> 01:01:31,400
Speaker 1: of the items that person gave you. Some people tell

1228
01:01:31,400 --> 01:01:32,880
Speaker 1: you should put it in a box and put it away.

1229
01:01:32,920 --> 01:01:35,680
Speaker 1: Some people give this stuff back, some people donated to charity.

1230
01:01:35,800 --> 01:01:38,760
Speaker 1: Depends on it depends what it is. It depends what

1231
01:01:38,880 --> 01:01:41,240
Speaker 1: it is, really, that's all it sais. Depends what it is.

1232
01:01:41,720 --> 01:01:43,960
Speaker 1: Like if somebody buys you something expensively, Let's say they

1233
01:01:44,040 --> 01:01:46,560
Speaker 1: buy you a car, right, you're gonna get rid of

1234
01:01:46,600 --> 01:01:48,320
Speaker 1: the car. You could trade it in and get something else.

1235
01:01:48,400 --> 01:01:50,240
Speaker 1: Depends what kind of car, because some people don't even

1236
01:01:50,280 --> 01:01:52,800
Speaker 1: want to have that item anymore. Like I had to

1237
01:01:52,840 --> 01:01:55,959
Speaker 1: grow up, Like if somebody got to a nice Cardier watch,

1238
01:01:56,320 --> 01:01:57,960
Speaker 1: who could trade it in and get something else? So

1239
01:01:58,040 --> 01:02:00,560
Speaker 1: it's not the same exact one. That's why I had

1240
01:02:00,600 --> 01:02:02,840
Speaker 1: an ex boyfriend who asked for his stuff back when

1241
01:02:02,880 --> 01:02:05,920
Speaker 1: we broke up. If y'all not married and you're just

1242
01:02:06,120 --> 01:02:08,360
Speaker 1: dating a woman. That's why you always keep the receipts,

1243
01:02:08,760 --> 01:02:10,600
Speaker 1: because when y'all break up, you can always say she

1244
01:02:10,720 --> 01:02:14,440
Speaker 1: stole it from you. All right, well, one oh five one?

1245
01:02:14,600 --> 01:02:17,320
Speaker 1: How do you deal with an excess items after a breakup?

1246
01:02:17,360 --> 01:02:19,920
Speaker 1: All right? The question again, eight hundred five eight five,

1247
01:02:19,960 --> 01:02:21,520
Speaker 1: one oh five one, and how do you deal with

1248
01:02:21,600 --> 01:02:23,920
Speaker 1: an excess item after a breakup? Call us up? Now?

1249
01:02:24,040 --> 01:02:29,440
Speaker 1: Was the breakfast club? Good morning? The breakfast club is

1250
01:02:29,520 --> 01:02:32,520
Speaker 1: DJ envy Angela, Ye, Charlomagne the god. We are the

1251
01:02:32,600 --> 01:02:35,960
Speaker 1: breakfast club. So we're asking eight hundred five eight five,

1252
01:02:36,040 --> 01:02:38,200
Speaker 1: one oh five one, how do you deal with an

1253
01:02:38,280 --> 01:02:42,680
Speaker 1: excess items after a breakup? Now, Charlomagne. I'm sure Charlomagne

1254
01:02:42,720 --> 01:02:46,680
Speaker 1: can't remember his last date or last girlfriend for his wife,

1255
01:02:46,760 --> 01:02:49,720
Speaker 1: so we'll ask Angela. Ye. Um, I think it depends

1256
01:02:49,760 --> 01:02:51,240
Speaker 1: on how you broke up, and it depends on what

1257
01:02:51,360 --> 01:02:54,120
Speaker 1: it is. I am a firm believer that in order

1258
01:02:54,160 --> 01:02:56,320
Speaker 1: for you to have a nice, good clean breakup, at

1259
01:02:56,360 --> 01:02:57,800
Speaker 1: least just get at those things out the way so

1260
01:02:57,880 --> 01:03:00,160
Speaker 1: you don't keep reminiscing about stuff. Oh, I remember when

1261
01:03:00,200 --> 01:03:02,120
Speaker 1: he brought me this, and that we're about a something.

1262
01:03:02,440 --> 01:03:04,320
Speaker 1: Let's say you bought your bag. That's limited edition. You

1263
01:03:04,360 --> 01:03:06,240
Speaker 1: can't get anywhere else. I probably just won't use it

1264
01:03:06,240 --> 01:03:08,120
Speaker 1: for a while until I'm over it. You just put

1265
01:03:08,160 --> 01:03:10,400
Speaker 1: it up, put it away, put it in closet, put

1266
01:03:10,440 --> 01:03:12,439
Speaker 1: it somewhere out of sight, out of sight, out of mind,

1267
01:03:12,480 --> 01:03:14,360
Speaker 1: just don't think about it, and then later on when

1268
01:03:14,400 --> 01:03:15,800
Speaker 1: you get over it, you can use it. Yeah. I

1269
01:03:15,840 --> 01:03:17,600
Speaker 1: think it's different when you're married as opposed to just

1270
01:03:17,680 --> 01:03:20,280
Speaker 1: being in a relationship with like a boyfriend or a girlfriend.

1271
01:03:20,320 --> 01:03:22,440
Speaker 1: Because when you're married, nine times out of ten, if

1272
01:03:22,440 --> 01:03:24,000
Speaker 1: you and your wife get a divorce, it's something that

1273
01:03:24,120 --> 01:03:26,640
Speaker 1: you did. So anything that you got her anyway, she

1274
01:03:26,800 --> 01:03:29,040
Speaker 1: deserves true, you know what I'm saying, So she can

1275
01:03:29,160 --> 01:03:30,920
Speaker 1: have at right, you know what I mean. But if

1276
01:03:30,960 --> 01:03:33,120
Speaker 1: you're just dating, you think, if you're just dating, keep

1277
01:03:33,160 --> 01:03:35,400
Speaker 1: the receipts at all times. But you want it back,

1278
01:03:35,440 --> 01:03:37,600
Speaker 1: if you're absolutely you think mik Mill don't want everything

1279
01:03:37,600 --> 01:03:39,560
Speaker 1: he bought NICKI Minage back right now. That's why he

1280
01:03:39,640 --> 01:03:41,720
Speaker 1: ran up in that house allegedly alleged he did not.

1281
01:03:44,840 --> 01:03:47,000
Speaker 1: I mean, you wanted to have that over keep it honest.

1282
01:03:47,040 --> 01:03:50,120
Speaker 1: But sometimes when a breakup, people are petty and they'll

1283
01:03:50,160 --> 01:03:52,960
Speaker 1: ask the stuff back because if they brought you something expensive,

1284
01:03:53,400 --> 01:03:55,560
Speaker 1: they might be like, my ex boyfriend did this, Oh

1285
01:03:55,640 --> 01:03:58,200
Speaker 1: let me get back that chain, that jewelry I brought you.

1286
01:03:58,360 --> 01:04:00,000
Speaker 1: And sometimes they do that just to try to keep

1287
01:04:00,160 --> 01:04:02,080
Speaker 1: in contact. Yeah, but if you have a bad breakup, man,

1288
01:04:02,160 --> 01:04:05,000
Speaker 1: sometimes you realize that girl didn't deserve what you gave her.

1289
01:04:05,240 --> 01:04:06,520
Speaker 1: You know what I'm saying, Like if you, like, if

1290
01:04:06,560 --> 01:04:08,720
Speaker 1: you were a woman and you know she does some

1291
01:04:08,880 --> 01:04:10,880
Speaker 1: dirt to you when y'all fall out in your mind,

1292
01:04:10,960 --> 01:04:12,960
Speaker 1: you're like, you know what, you didn't deserve nothing I

1293
01:04:13,040 --> 01:04:16,120
Speaker 1: gave you except for her peace. You just got to

1294
01:04:16,160 --> 01:04:19,320
Speaker 1: chalk it up as a couple guys breakup because I

1295
01:04:19,400 --> 01:04:21,440
Speaker 1: would hope as a woman you got him some stuff too.

1296
01:04:21,640 --> 01:04:23,440
Speaker 1: But if you did something to me and you hurt

1297
01:04:23,560 --> 01:04:25,240
Speaker 1: me and I put out more in this relationship on

1298
01:04:25,320 --> 01:04:28,800
Speaker 1: my stuff, stuff stuff, let me show you something. He

1299
01:04:28,880 --> 01:04:30,880
Speaker 1: said he wanted his stuff back. He ken't bother me.

1300
01:04:30,920 --> 01:04:32,360
Speaker 1: I took all that stuff, through it out the window.

1301
01:04:32,360 --> 01:04:34,080
Speaker 1: I said this outside, come get it? Can he come

1302
01:04:34,120 --> 01:04:38,960
Speaker 1: get it? Yet? No consolation? You do me dirty? All

1303
01:04:39,120 --> 01:04:43,120
Speaker 1: was you doing? Now? How do you deal with the

1304
01:04:43,200 --> 01:04:46,160
Speaker 1: ex's items after a break up, man, I'm keeping it

1305
01:04:46,440 --> 01:04:48,800
Speaker 1: all the stuff I'm keeping man. The one the guy

1306
01:04:48,800 --> 01:04:50,960
Speaker 1: ever got rid of was when I got divorced and

1307
01:04:51,440 --> 01:04:53,560
Speaker 1: I found out some found stuff, you know, and he

1308
01:04:53,640 --> 01:04:55,280
Speaker 1: got me real tight. So I went straight to the

1309
01:04:55,320 --> 01:04:57,600
Speaker 1: pawn shop and pulled in the ring. I ain't kidding

1310
01:04:57,600 --> 01:04:58,880
Speaker 1: what I got for it. I just palled in the

1311
01:04:58,920 --> 01:05:01,680
Speaker 1: medical ring. Tell me back, fo I'm with you, bro.

1312
01:05:01,800 --> 01:05:03,760
Speaker 1: If your girl do you wrong, you gotta get everything back.

1313
01:05:03,800 --> 01:05:06,200
Speaker 1: You don't get nothing, no ribs, no rice, no champagne.

1314
01:05:06,200 --> 01:05:07,800
Speaker 1: You don't get what if you did her wrong? And

1315
01:05:07,880 --> 01:05:09,520
Speaker 1: then she breaks up with you, she gets she can

1316
01:05:09,600 --> 01:05:11,200
Speaker 1: have everything, she can have all, she can have it

1317
01:05:11,240 --> 01:05:15,240
Speaker 1: all she deserves it. Then, hello, who's this? How do

1318
01:05:15,360 --> 01:05:17,600
Speaker 1: you deal with an excess items after a break up?

1319
01:05:17,840 --> 01:05:21,360
Speaker 1: What you mean is mine? But I want to make

1320
01:05:21,400 --> 01:05:22,920
Speaker 1: you a little sad when you look at it and

1321
01:05:23,000 --> 01:05:24,600
Speaker 1: you remember when she gave you this, and then you

1322
01:05:24,680 --> 01:05:28,400
Speaker 1: get memories. It depends on the something where like say

1323
01:05:28,440 --> 01:05:30,840
Speaker 1: she gave you a nice neck piece, Yeah I got

1324
01:05:30,920 --> 01:05:34,320
Speaker 1: that chick off. The next piece she gave you problem

1325
01:05:37,480 --> 01:05:41,280
Speaker 1: fake to fake tough? Hello, who's this? From hamp and

1326
01:05:41,480 --> 01:05:43,480
Speaker 1: from hafter seven five seven? Now what do you do

1327
01:05:43,680 --> 01:05:46,040
Speaker 1: with an exus items after a break up? See what

1328
01:05:46,160 --> 01:05:48,160
Speaker 1: I do. If I'm with the female and I want

1329
01:05:48,200 --> 01:05:50,480
Speaker 1: my stuff that I'm gonna take my stuff back. You

1330
01:05:50,600 --> 01:05:52,760
Speaker 1: take it everything back to I'm gonna take it back,

1331
01:05:52,960 --> 01:05:55,439
Speaker 1: and if it's do a good condition, I'm gonna sell

1332
01:05:55,520 --> 01:05:57,600
Speaker 1: it or I'm gonna give it to the next Now,

1333
01:05:57,880 --> 01:05:59,800
Speaker 1: what are you gonna do with the stuff that she

1334
01:06:00,120 --> 01:06:05,000
Speaker 1: gave you? Are you gonna give your stuff back to No? Okay, Okay,

1335
01:06:05,360 --> 01:06:07,640
Speaker 1: I don't really did that. I really do think it's

1336
01:06:07,680 --> 01:06:10,520
Speaker 1: all based on who does who wrong in the situation.

1337
01:06:10,840 --> 01:06:13,560
Speaker 1: If if the woman does you wrong, get your stuff back.

1338
01:06:13,760 --> 01:06:15,440
Speaker 1: If you do the woman wrong, let her keep what

1339
01:06:15,480 --> 01:06:17,400
Speaker 1: you got. But let's be clear, she ain't gotta give

1340
01:06:17,560 --> 01:06:22,080
Speaker 1: nothing back. I guess not if I got receipts. If

1341
01:06:22,080 --> 01:06:26,000
Speaker 1: I got receipts and you a thief, no, if you guest,

1342
01:06:26,200 --> 01:06:28,800
Speaker 1: she won't bring me my stuff back in the boat? Sir,

1343
01:06:28,960 --> 01:06:31,440
Speaker 1: eight hundred five eight five one oh five one, How

1344
01:06:31,480 --> 01:06:34,200
Speaker 1: do you deal with an exus items after breakup? Call us? Now?

1345
01:06:34,200 --> 01:06:37,280
Speaker 1: It was the breakfast club the morning that was Rihanna?

1346
01:06:37,320 --> 01:06:40,520
Speaker 1: Who needed me morning? Everybody is dj en Vy, Angela

1347
01:06:40,640 --> 01:06:43,120
Speaker 1: Yee Charlemagne the guy. We are the breakfast club. Now

1348
01:06:43,160 --> 01:06:45,720
Speaker 1: we're asking eight hundred five eighty five, one oh five one,

1349
01:06:46,040 --> 01:06:48,840
Speaker 1: how do you deal with an exus items after a breakup? See,

1350
01:06:48,880 --> 01:06:51,240
Speaker 1: if you did me dirty, I'm gonna need my stuff back.

1351
01:06:51,320 --> 01:06:53,440
Speaker 1: It's just that simple. It's just that simple. If a

1352
01:06:53,520 --> 01:06:55,800
Speaker 1: woman does you dirty, you get your stuff back. If

1353
01:06:55,880 --> 01:06:58,000
Speaker 1: you do the woman dirty, you let her keep what

1354
01:06:58,200 --> 01:07:00,760
Speaker 1: you got her. Simple. That's not how I look at it.

1355
01:07:00,840 --> 01:07:02,640
Speaker 1: I look at it is we broke up, whatever happened

1356
01:07:02,720 --> 01:07:05,080
Speaker 1: during the relationship. That's just the l You go ahead

1357
01:07:05,120 --> 01:07:08,400
Speaker 1: and keep that clean slate. Move on, peace men, keep

1358
01:07:08,480 --> 01:07:10,520
Speaker 1: your receipts always, because when she don't want to give

1359
01:07:10,520 --> 01:07:12,120
Speaker 1: that stuff back, you just go to the police and

1360
01:07:12,160 --> 01:07:14,280
Speaker 1: say that this young lady stole from you. I can't

1361
01:07:14,280 --> 01:07:16,360
Speaker 1: do that. Hello, who's this? Hey, what's up? Man? This

1362
01:07:16,480 --> 01:07:18,920
Speaker 1: is Christma Jersey. Hey, Chris. Now we're asking how do

1363
01:07:18,960 --> 01:07:21,400
Speaker 1: you deal with an exus items after break up? All right?

1364
01:07:21,400 --> 01:07:23,960
Speaker 1: So check this out. Honestly, it depends on the nationality.

1365
01:07:24,400 --> 01:07:27,000
Speaker 1: Why break it down for me? I love when everything

1366
01:07:28,160 --> 01:07:30,760
Speaker 1: break it down? Yeah, bro, I got too high. So

1367
01:07:31,360 --> 01:07:33,880
Speaker 1: check if they're Spanish or they black, They're gonna ask

1368
01:07:33,920 --> 01:07:36,480
Speaker 1: you for whatever it was back before, like before y'all

1369
01:07:36,520 --> 01:07:39,280
Speaker 1: even split, okay, like if it's trouble, so they don't

1370
01:07:39,280 --> 01:07:42,320
Speaker 1: already know that they want that back, okay, the only one,

1371
01:07:42,680 --> 01:07:45,400
Speaker 1: the only not raid for a nationality. You could say

1372
01:07:45,680 --> 01:07:48,240
Speaker 1: that you could sell it back as white woman was

1373
01:07:48,640 --> 01:07:50,960
Speaker 1: sell it back. Yeah, you could, you can sell I

1374
01:07:51,000 --> 01:07:52,920
Speaker 1: mean you could, you could sell whatever white woman give

1375
01:07:52,960 --> 01:07:54,959
Speaker 1: you because they're gonna, honestly, when let's get your stuff.

1376
01:07:55,160 --> 01:07:58,320
Speaker 1: It's worth money. So you're saying that black and Hispanic

1377
01:07:58,400 --> 01:08:00,160
Speaker 1: women don't get you things that are worth money, but

1378
01:08:00,200 --> 01:08:03,320
Speaker 1: white women do. Let me tell you, white woman got okay,

1379
01:08:04,640 --> 01:08:09,760
Speaker 1: a terrible stereotype, the terrible stereotype. The only I'm gonna

1380
01:08:09,760 --> 01:08:11,600
Speaker 1: be honest with you, man, you can't. You can't get

1381
01:08:11,640 --> 01:08:13,400
Speaker 1: back that help Titus that white woman gonna give you

1382
01:08:13,400 --> 01:08:15,440
Speaker 1: when you kiss him. Oh you know what, that's true?

1383
01:08:15,520 --> 01:08:19,720
Speaker 1: Yet that sounds so stupid. Hello, who's this? Yeah, this

1384
01:08:19,920 --> 01:08:28,559
Speaker 1: butterfly from basically butterfly from bas from our working doing

1385
01:08:28,640 --> 01:08:34,479
Speaker 1: what I gotta do. It must have been locked up.

1386
01:08:34,520 --> 01:08:40,320
Speaker 1: Butterfly said again, what would you do with the stuff

1387
01:08:40,520 --> 01:08:42,200
Speaker 1: after you guys broke up? What do you do with

1388
01:08:42,240 --> 01:08:45,800
Speaker 1: the stuff that you old people. I'm going with Charlottagne

1389
01:08:45,880 --> 01:08:47,800
Speaker 1: like you said. They might say you don't recist. I'm

1390
01:08:47,880 --> 01:08:51,679
Speaker 1: giving it right back and sending I'm on his weight.

1391
01:08:52,080 --> 01:08:54,599
Speaker 1: I don't want to be bothered. After that. I got

1392
01:08:54,680 --> 01:08:57,519
Speaker 1: something to tell him too when he when he wanted

1393
01:08:57,560 --> 01:09:01,000
Speaker 1: stuff back, I'm gonna have it that form and let

1394
01:09:01,120 --> 01:09:05,400
Speaker 1: him know you gonna whack anyway. But you know that's

1395
01:09:05,439 --> 01:09:07,320
Speaker 1: when you know you don't want to be bothered. Way

1396
01:09:07,360 --> 01:09:11,160
Speaker 1: to do, Oh, you gotta attitude and even anyway little

1397
01:09:11,479 --> 01:09:17,240
Speaker 1: I like little It was like you like little pips butterflies.

1398
01:09:17,520 --> 01:09:23,880
Speaker 1: Oh yeah, ball, I don't start my mouth. Listen to me. Okay,

1399
01:09:24,120 --> 01:09:26,960
Speaker 1: Simon about his way on his way, because you don't

1400
01:09:27,000 --> 01:09:29,160
Speaker 1: want to be up in the judge phase looking at

1401
01:09:29,200 --> 01:09:31,360
Speaker 1: the white boy he talked about. You know what case

1402
01:09:31,479 --> 01:09:34,200
Speaker 1: is Smith? This got personally, y'all figure it out. What

1403
01:09:34,400 --> 01:09:37,360
Speaker 1: got you? I feel? You say is no, I don't

1404
01:09:37,360 --> 01:09:38,920
Speaker 1: want to be up in court talking about, oh she

1405
01:09:39,080 --> 01:09:44,640
Speaker 1: took my stuff and anyway. Look, I've been shooting the

1406
01:09:44,720 --> 01:09:47,479
Speaker 1: film it's called A Fatherless Son. I wanted to give

1407
01:09:47,479 --> 01:09:49,479
Speaker 1: a shout out to my little cousin Red because he's

1408
01:09:49,520 --> 01:09:52,759
Speaker 1: shooting the film Fatherless Son is based on the true story.

1409
01:09:53,040 --> 01:09:57,040
Speaker 1: It was my mother. I played the little boy's mother

1410
01:09:57,160 --> 01:09:59,639
Speaker 1: in the film. And I can't tell you too much,

1411
01:09:59,720 --> 01:10:01,880
Speaker 1: but it is really really good. You sound like you

1412
01:10:02,000 --> 01:10:09,679
Speaker 1: was typecasted. We appreciate. We go way back. I remember

1413
01:10:09,680 --> 01:10:13,280
Speaker 1: when you were just a caterpillar. Hello, you gotta love butterfly. Hello,

1414
01:10:13,800 --> 01:10:16,400
Speaker 1: good morning, good morning. Now, how do you handle your

1415
01:10:16,439 --> 01:10:20,519
Speaker 1: items with the next anything of value? You do not destroy,

1416
01:10:20,720 --> 01:10:23,160
Speaker 1: You do not get fat. You keep it all because

1417
01:10:23,200 --> 01:10:24,960
Speaker 1: you don't know when you're gonna be down and out

1418
01:10:24,960 --> 01:10:28,160
Speaker 1: and gonna need to sell those things back if they're resellable.

1419
01:10:28,479 --> 01:10:34,479
Speaker 1: I would keep the engagement ring for Wow, you got houses,

1420
01:10:35,360 --> 01:10:37,680
Speaker 1: Mariah carry, she got she got some money to get

1421
01:10:37,760 --> 01:10:39,920
Speaker 1: rid of that dress. Any regular they're go ahead. They

1422
01:10:40,040 --> 01:10:42,800
Speaker 1: need to keep that thirst. And you tell it, okay,

1423
01:10:42,840 --> 01:10:45,040
Speaker 1: So don't act to rashly and give it back, don't

1424
01:10:45,080 --> 01:10:52,800
Speaker 1: destroy it, don't destroy it. All right, Thank you, guys,

1425
01:10:53,000 --> 01:10:54,800
Speaker 1: thank you mama. All right. Well, I'm gonna say this.

1426
01:10:55,520 --> 01:10:57,920
Speaker 1: If we break up, and you know, when y'all break up,

1427
01:10:58,000 --> 01:11:00,600
Speaker 1: y'all always try to come back right right. If you

1428
01:11:00,680 --> 01:11:02,800
Speaker 1: don't ask for your stuff back, don't even bother trying

1429
01:11:02,840 --> 01:11:05,519
Speaker 1: to come back. It's over forever. That's a wrap, it's

1430
01:11:05,560 --> 01:11:08,599
Speaker 1: a rap. You're not getting back. You're disgusting. I'm glad

1431
01:11:08,640 --> 01:11:10,920
Speaker 1: it didn't work out, Glad to know what type of

1432
01:11:10,960 --> 01:11:12,920
Speaker 1: person you are. And if we break up and I

1433
01:11:13,040 --> 01:11:15,160
Speaker 1: got you stuff and I'm really great at giving gifts,

1434
01:11:15,360 --> 01:11:18,160
Speaker 1: keep it. I'm not saying Angelie is wrong. All I'm

1435
01:11:18,160 --> 01:11:20,240
Speaker 1: saying is to me, it's all based on who did what.

1436
01:11:20,680 --> 01:11:22,760
Speaker 1: Simple as that, you do your girl wrong. You let

1437
01:11:22,800 --> 01:11:25,160
Speaker 1: her keep all those Constellation prizes you got her, your

1438
01:11:25,200 --> 01:11:27,120
Speaker 1: girl do you wrong. Keep the receipts and you can

1439
01:11:27,160 --> 01:11:29,120
Speaker 1: take everything back if she don't want to give it back.

1440
01:11:29,240 --> 01:11:31,280
Speaker 1: She stole it, all right? What we got rumors on

1441
01:11:31,320 --> 01:11:33,599
Speaker 1: the way, He asked me, all gonna talk about Big Sean?

1442
01:11:33,720 --> 01:11:36,280
Speaker 1: What made him so mad while he was performing? Tell

1443
01:11:36,320 --> 01:11:40,840
Speaker 1: me if this would make in the front row j

1444
01:11:41,400 --> 01:11:44,559
Speaker 1: It's black, okay, stupid? All right, we'll get into rumors

1445
01:11:44,600 --> 01:11:51,679
Speaker 1: when we come back. It's the breakfast Lologal Morning Morning.

1446
01:11:51,720 --> 01:11:55,000
Speaker 1: Everybody is DJ mvy Angela Yee, Charlemagne, that God, we

1447
01:11:55,080 --> 01:11:57,240
Speaker 1: all the Breakfast Club. Let's get to the rumors. It's

1448
01:11:57,280 --> 01:12:08,800
Speaker 1: all Big Sean. This is the Ruble Rapport with Angela. Well.

1449
01:12:08,880 --> 01:12:11,439
Speaker 1: Big Sean was performing in Vegas and somebody did something

1450
01:12:11,479 --> 01:12:13,080
Speaker 1: that made him really mad. He was in the middle

1451
01:12:13,080 --> 01:12:16,040
Speaker 1: of performing I don't f with you, and somebody started

1452
01:12:16,080 --> 01:12:18,880
Speaker 1: throwing money at people. Is that a really disrespectful thing

1453
01:12:18,920 --> 01:12:22,080
Speaker 1: to do while someone's performing money? I think so. I

1454
01:12:22,160 --> 01:12:24,479
Speaker 1: think it depends what happens all the time because it's

1455
01:12:24,520 --> 01:12:26,479
Speaker 1: coming from a place of arrogance. When you're throwing money

1456
01:12:26,560 --> 01:12:27,960
Speaker 1: like that, it's like, oh, I got money, I got

1457
01:12:28,000 --> 01:12:29,880
Speaker 1: money to burn, I got money to waste. Look throwing

1458
01:12:29,880 --> 01:12:31,960
Speaker 1: it all over your peasants. And it's in Vegas. So

1459
01:12:32,120 --> 01:12:35,120
Speaker 1: Big Sean thought it was very disrespectful, scripple. He told

1460
01:12:35,160 --> 01:12:36,559
Speaker 1: them to stop f and throw the money. He said,

1461
01:12:36,560 --> 01:12:39,120
Speaker 1: I'm not a stupid no, but he did say stop

1462
01:12:39,439 --> 01:12:43,040
Speaker 1: and throwing all that money. You know, some people don't

1463
01:12:43,120 --> 01:12:45,439
Speaker 1: just don't know better. I think I feel like some people,

1464
01:12:45,520 --> 01:12:47,720
Speaker 1: especially you go someplace like Vegas, it's people from all over.

1465
01:12:48,240 --> 01:12:50,559
Speaker 1: They see people throwing money and it's stupid. I hated,

1466
01:12:50,600 --> 01:12:53,479
Speaker 1: you know, I don't know that it's necessarily always. Sometimes

1467
01:12:53,520 --> 01:12:55,160
Speaker 1: when I DJ, they do it to me like I'm

1468
01:12:55,200 --> 01:12:58,160
Speaker 1: spending singles at me, and I'm like, you gotta stop

1469
01:12:58,240 --> 01:13:00,559
Speaker 1: pulling your pants. And I'm like, you gotta pull your pants.

1470
01:13:01,200 --> 01:13:03,960
Speaker 1: I mean because they like the money at you. Yeah,

1471
01:13:03,960 --> 01:13:06,880
Speaker 1: because you're rocket so they rock the body rockets stop

1472
01:13:07,560 --> 01:13:09,200
Speaker 1: on you and you can't pick it up. Stop giving

1473
01:13:09,200 --> 01:13:11,200
Speaker 1: me a little scriptase you got your pants sagging, You

1474
01:13:11,240 --> 01:13:13,479
Speaker 1: got your little red bull. If somebody doing some hunets,

1475
01:13:14,960 --> 01:13:16,840
Speaker 1: we're picking that up. They tipping you because you're showing

1476
01:13:16,920 --> 01:13:20,200
Speaker 1: that ass. You got your sagging. But you don't think

1477
01:13:20,240 --> 01:13:22,080
Speaker 1: they're doing your disrespect that. I don't think they do.

1478
01:13:22,400 --> 01:13:24,040
Speaker 1: What's that club? What's that script? Club? You do? Oldell

1479
01:13:24,080 --> 01:13:26,040
Speaker 1: come to you all the time. I'm not telling you

1480
01:13:26,160 --> 01:13:27,880
Speaker 1: what oh because I get I thought money at y'all.

1481
01:13:27,880 --> 01:13:29,880
Speaker 1: If y'all was in the DJ boof O'Dell dancing, you

1482
01:13:29,960 --> 01:13:32,679
Speaker 1: got your pants sag and some money had the bad

1483
01:13:32,720 --> 01:13:36,439
Speaker 1: bitches over there, Jo, stop talking about Odell? Shut up

1484
01:13:37,880 --> 01:13:41,439
Speaker 1: all right? And Sports Illustrated the swimsuit issue is getting

1485
01:13:41,479 --> 01:13:43,760
Speaker 1: ready to come out, So everybody's speculating on who's going

1486
01:13:43,800 --> 01:13:45,720
Speaker 1: to be on a cover, and they're actually gonna do

1487
01:13:45,960 --> 01:13:47,880
Speaker 1: three covers. They said it's very likely there's going to

1488
01:13:47,920 --> 01:13:50,400
Speaker 1: be three different covers and it's going to be starring

1489
01:13:50,600 --> 01:13:54,800
Speaker 1: Serena Williams, Chrissy Brinkley, and possibly Kate Upton. The only

1490
01:13:54,880 --> 01:13:57,400
Speaker 1: problem is that Kate Upton has been acting like a

1491
01:13:57,520 --> 01:14:00,360
Speaker 1: diva and making all kinds of demands, saying that if

1492
01:14:00,400 --> 01:14:01,920
Speaker 1: she does the shoe, she has to get the cover.

1493
01:14:02,320 --> 01:14:04,200
Speaker 1: She also has a list of photographers in here and

1494
01:14:04,280 --> 01:14:06,800
Speaker 1: make up people that she'll only work with them. And

1495
01:14:07,080 --> 01:14:09,120
Speaker 1: they said, she just thinks she's better than everybody now

1496
01:14:09,200 --> 01:14:11,880
Speaker 1: because she is an actress. Now, Sports Illustrated is saying

1497
01:14:11,960 --> 01:14:14,160
Speaker 1: that it's that time of the year again. Who is in,

1498
01:14:14,240 --> 01:14:16,000
Speaker 1: who's on the cover, what will they do next? Everybody

1499
01:14:16,040 --> 01:14:17,640
Speaker 1: has a guest and that's all this is, correct me

1500
01:14:17,640 --> 01:14:24,040
Speaker 1: if I'm wrong, But ain't Christine Brinkley like yeah, I mean,

1501
01:14:24,640 --> 01:14:29,000
Speaker 1: you know, still doing the damn thing, all right. Look

1502
01:14:29,080 --> 01:14:32,360
Speaker 1: like Wendy Williams, she's talking about Nicki Minajs. We gave

1503
01:14:32,360 --> 01:14:34,320
Speaker 1: you this story the other day. Nicki Minaj is upset.

1504
01:14:34,439 --> 01:14:37,240
Speaker 1: Seppi Senati has named all these shoes after her the

1505
01:14:37,400 --> 01:14:40,479
Speaker 1: Nicki shoe and refuses to take her cause he's also

1506
01:14:40,520 --> 01:14:43,519
Speaker 1: done capsule collections with j Lowe. And here is what

1507
01:14:43,680 --> 01:14:46,880
Speaker 1: Wendy Williams speculates is the issue. Maybe this is an

1508
01:14:46,920 --> 01:14:49,840
Speaker 1: actue thing. Nikki. You have a reputation for being very

1509
01:14:49,880 --> 01:14:52,599
Speaker 1: difficult to work with. Maybe the headachs that you give

1510
01:14:52,680 --> 01:14:55,840
Speaker 1: people are not worth working with you. I know that

1511
01:14:55,960 --> 01:14:59,560
Speaker 1: he's collaborated with Jennifer Lopez and don Sneakers, and you

1512
01:14:59,640 --> 01:15:02,960
Speaker 1: know she some things like that. But there's something about

1513
01:15:03,080 --> 01:15:07,320
Speaker 1: your reputation, Nikki, that has followed you almost since your

1514
01:15:07,360 --> 01:15:09,800
Speaker 1: career got started. It doesn't seem to be getting any better,

1515
01:15:10,200 --> 01:15:13,559
Speaker 1: and that maybe is why you're not in the New

1516
01:15:13,600 --> 01:15:17,240
Speaker 1: Ocean's eighth movie. All right, I will say this though,

1517
01:15:17,560 --> 01:15:20,519
Speaker 1: if he felt like that, he probably wouldn't have names

1518
01:15:20,520 --> 01:15:23,160
Speaker 1: of shoes after her. Yeah, it just doesn't really make

1519
01:15:23,200 --> 01:15:25,439
Speaker 1: I don't understand the problem with Nikki standing up for

1520
01:15:25,520 --> 01:15:27,479
Speaker 1: herself though, Like, what's the problem with her standing up

1521
01:15:27,479 --> 01:15:29,160
Speaker 1: for herself and telling these people not to use her

1522
01:15:29,240 --> 01:15:30,800
Speaker 1: like this without cutting her a check? Like, I don't

1523
01:15:30,840 --> 01:15:32,479
Speaker 1: understand why that makes her difficult to work with. It

1524
01:15:32,479 --> 01:15:34,800
Speaker 1: an't nothing wrong with that. I'm lost here. He named

1525
01:15:34,840 --> 01:15:39,240
Speaker 1: thirty pairs of shoes after me, felt like you were

1526
01:15:39,560 --> 01:15:41,040
Speaker 1: not a person you would want to work with. I

1527
01:15:41,080 --> 01:15:42,479
Speaker 1: didn't ask for a check. I just said, hey, I

1528
01:15:42,520 --> 01:15:43,680
Speaker 1: want to talk to you about something you don't know

1529
01:15:43,720 --> 01:15:45,280
Speaker 1: what she was trying supposed to be nice and polite

1530
01:15:45,320 --> 01:15:47,280
Speaker 1: and just have my managers reach out behind the scenes.

1531
01:15:47,280 --> 01:15:49,200
Speaker 1: If my managers are reaching out and y'all not replying,

1532
01:15:49,560 --> 01:15:52,120
Speaker 1: take it to social media. They took them shoes down

1533
01:15:52,160 --> 01:15:54,040
Speaker 1: soon as she did that, right, Yeah, shoes are no

1534
01:15:54,120 --> 01:15:56,040
Speaker 1: longer on their website. I don't like that logic that

1535
01:15:56,120 --> 01:15:58,320
Speaker 1: the person is just difficult to work with just because

1536
01:15:58,360 --> 01:16:01,040
Speaker 1: they're demanding more for this. You know they're worth in

1537
01:16:01,080 --> 01:16:02,880
Speaker 1: their value. That's what everybody says as soon as you

1538
01:16:02,920 --> 01:16:04,320
Speaker 1: stand up for yourself to be like, oh, he's hard

1539
01:16:04,360 --> 01:16:06,400
Speaker 1: to work with. No, give them what they're worth, especially

1540
01:16:06,400 --> 01:16:07,720
Speaker 1: when you're a woman. That's why it's weird to hear

1541
01:16:07,840 --> 01:16:10,679
Speaker 1: another woman coming out another woman about that, like Wendy

1542
01:16:10,720 --> 01:16:13,000
Speaker 1: should know how it is? Right? All right? And Tom

1543
01:16:13,080 --> 01:16:16,439
Speaker 1: Brady's Super Bowl jersey is still missing, and according to

1544
01:16:16,600 --> 01:16:19,360
Speaker 1: one sports memorabilia expert, he's saying that it could be

1545
01:16:19,439 --> 01:16:22,519
Speaker 1: worth a million dollars at this point. Now. Josh Evans

1546
01:16:22,600 --> 01:16:24,360
Speaker 1: owns lelands dot com and he said if he got

1547
01:16:24,400 --> 01:16:27,360
Speaker 1: that jersey, he could probably sell it for at least

1548
01:16:27,400 --> 01:16:29,880
Speaker 1: a million dollars because of all the viola around it.

1549
01:16:29,960 --> 01:16:32,880
Speaker 1: But let's just say the value of the jersey before,

1550
01:16:33,240 --> 01:16:36,040
Speaker 1: before all of the missingness, it would be valued about

1551
01:16:36,080 --> 01:16:38,240
Speaker 1: two hundred and fifty thousand dollars. But he said, now

1552
01:16:38,280 --> 01:16:40,360
Speaker 1: because of all this drama around it, it'll be worth

1553
01:16:40,400 --> 01:16:42,679
Speaker 1: a lot more. But if it is stolen, he said,

1554
01:16:42,720 --> 01:16:44,519
Speaker 1: it would be worthless to him, because how can you

1555
01:16:44,560 --> 01:16:47,240
Speaker 1: sell something like that right if it's stolen merchandise, still

1556
01:16:47,280 --> 01:16:49,240
Speaker 1: have to figure out a way to unload it. Because

1557
01:16:49,360 --> 01:16:51,720
Speaker 1: such a huge story right now. And I would think

1558
01:16:51,760 --> 01:16:53,479
Speaker 1: Brady would want that, give it the Bradys that they

1559
01:16:53,479 --> 01:16:55,200
Speaker 1: can put it in the Hall of Fame somewhere. Of

1560
01:16:55,240 --> 01:16:58,160
Speaker 1: course he wants it, and they can't find it in

1561
01:16:58,240 --> 01:17:01,120
Speaker 1: the canton. That's what it's called, right canton. I thought

1562
01:17:01,160 --> 01:17:02,439
Speaker 1: I'd just say, can't coon. I'm like, I know, the

1563
01:17:02,520 --> 01:17:04,920
Speaker 1: Hall of Famer Hall of Famer, and they can't coon.

1564
01:17:05,920 --> 01:17:08,280
Speaker 1: And you know, they also stole some of Kobe Bryant's

1565
01:17:08,280 --> 01:17:12,040
Speaker 1: memorabilia just recently from Lower Merion High School, So they

1566
01:17:12,080 --> 01:17:14,880
Speaker 1: had some of his memorabilia there and that's gone missing

1567
01:17:14,920 --> 01:17:16,920
Speaker 1: too somehow. How much is the shirt that he wore

1568
01:17:16,960 --> 01:17:20,280
Speaker 1: when he soldimized that white woman in Denver and I'm Angela. Yeah,

1569
01:17:20,320 --> 01:17:22,080
Speaker 1: and that's your idy. Didn't take your shirt off? How

1570
01:17:22,160 --> 01:17:22,960
Speaker 1: much is that shirt wore