WEBVTT - Adam Savage

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<v Speaker 1>The Craig Ferguson Pants on Fire Tour is on sale now.

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<v Speaker 1>It's a new show, it's new material, but I'm afraid

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<v Speaker 1>it's still only me, Craig Ferguson on my own, standing

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<v Speaker 1>on a stage telling comedy words. Come and see me,

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<v Speaker 1>buy tickets, bring your loved ones, or don't come and

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<v Speaker 1>see me. Don't buy tickets and don't bring your loved ones.

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<v Speaker 1>I'm not your dad. You come or don't come, but

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<v Speaker 1>you should at least know what's happening, and it is.

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<v Speaker 1>The tour kicks off late September and goes through the

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<v Speaker 1>end of the year and beyond. Tickets are available at

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<v Speaker 1>the Craig Ferguson Show dot Com slash tour. They are

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<v Speaker 1>available at the Craig Ferguson Show dot com slash tour

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<v Speaker 1>or at your local outlet in your region. My name

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<v Speaker 1>is Craig Ferguson. The name of this podcast is Joy.

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<v Speaker 1>I talk to interest in people about what brings them happiness.

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<v Speaker 1>On the podcast today we have a show business slash

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<v Speaker 1>science member of the royal family. Now that's not fair

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<v Speaker 1>because he's much smarter than any member of the royal family.

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<v Speaker 1>It's a very old friend of mine. He used to

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<v Speaker 1>be a ginger, but he's all right now. Please welcome

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<v Speaker 1>the fantastic Adam Savage. Adam Savage, look at you. You

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<v Speaker 1>look exactly the same, if anything, a little younger.

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<v Speaker 2>The guy said, you look.

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<v Speaker 1>Have you been moisturizing?

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<v Speaker 2>What's happening?

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<v Speaker 3>It's all turned gray? But yeah, no, the clean living

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<v Speaker 3>is the secret to my face.

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<v Speaker 2>Well, you know, here's the thing.

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<v Speaker 1>Though you wear a ginger, at one point, gingers do

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<v Speaker 1>go gray.

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<v Speaker 3>We go white, we go like sheet white.

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<v Speaker 2>Yeah, I know, it's kind of impressive.

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<v Speaker 1>It's I think it's the compensation for having been a

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<v Speaker 1>ginger that you then go completely white. I've seemed to

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<v Speaker 1>be developing some kind of weird, kind of fluffy thing

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<v Speaker 1>that's going on. It's very bad. I've noticed that my

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<v Speaker 1>hair has dried out completely. If you're just joining us,

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<v Speaker 1>by the way, this is the Haircare Podcast with Adam

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<v Speaker 1>Savage and Craig ferguson what what isn't? It?

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<v Speaker 2>Isn't French? Your name is it somebody that was French?

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<v Speaker 3>I was just going to say that's the correct pronunciation.

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<v Speaker 4>But we came over to Scotland around the fourteenth century,

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<v Speaker 4>right and from what I understand the savages or the

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<v Speaker 4>savages were mercenaries settling near the Antwerm peninsula.

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<v Speaker 1>Around the fourth that's been near Ireland then right, I.

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<v Speaker 3>Think there are a bunch of savages in Ireland as well.

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<v Speaker 2>There certainly are.

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<v Speaker 1>I I wonder if if it was your family that

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<v Speaker 1>brought the ginger to Scotland, or if the ginger was

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<v Speaker 1>already there's It is a good question, and I know

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<v Speaker 1>no one.

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<v Speaker 2>I think you know it would be an excellent.

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<v Speaker 1>MythBusters Red Hair was bought to Scotland or it was

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<v Speaker 1>already there?

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<v Speaker 2>What's going on with that franchise?

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<v Speaker 1>Now? Are you guys making MythBusters Junior or.

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<v Speaker 3>No, dude, I haven't made television in years. I'm a

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<v Speaker 3>YouTuber guy.

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<v Speaker 1>It's it's definitely the way to go. Yeah, are you

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<v Speaker 1>back at building? Are you back in your your your

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<v Speaker 1>day job? No?

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<v Speaker 3>I over covid. I we leaned in one hundred percent

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<v Speaker 3>of my YouTube channel. We have almost seven million subscribers, now.

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<v Speaker 2>Shut the fuck up. Seven million.

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<v Speaker 3>We put up a video almost every day. We put

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<v Speaker 3>up a video.

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<v Speaker 1>Oh my god, do you you must be an influencer?

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<v Speaker 1>Are you going to fight Mike Tyson or something that's happened.

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<v Speaker 4>You know, the secret to having a YouTube channel is

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<v Speaker 4>that you basically have to be your own ad agency, and.

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<v Speaker 2>That is what we do know, right, That's that's a

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<v Speaker 2>lot though. I like, I think I've got a YouTube channel.

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<v Speaker 1>I know that Tomas messes around with something, and I

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<v Speaker 1>know these podcasts go up, but I think I've got

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<v Speaker 1>like one.

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<v Speaker 2>Hundred subscribers or something.

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<v Speaker 1>It's no, it's not anything that anyone's gonna be excited about,

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<v Speaker 1>but it's definitely the way to go for sure. Is it?

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<v Speaker 1>Does it feel more comfortable being your own kind of executive?

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<v Speaker 3>Can I tell you it's so nice?

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<v Speaker 4>Because you know the TV executives they ride you so

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<v Speaker 4>hard on a pitch.

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<v Speaker 3>They want everything button down into the moment they award

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<v Speaker 3>the show. They don't care about the show at all.

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<v Speaker 4>They just want to know that the last five minutes

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<v Speaker 4>will bring all of the world to watching what you're making.

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<v Speaker 1>Yeah, and also the television executives, God bless them. I

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<v Speaker 1>used to hate them, but now I feel bad for

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<v Speaker 1>them because there's no work for those guys.

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<v Speaker 5>No.

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<v Speaker 4>Can I tell you When I pitched a book in

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<v Speaker 4>twenty sixteen in New York, I spent a whole day

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<v Speaker 4>pitching all the publishers, and it was remarkable because I

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<v Speaker 4>realized halfway through the day, I'm repeatedly in rooms pitching

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<v Speaker 4>to people who love what I'm pitching. They love the

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<v Speaker 4>industry that they're in, they love books, And that's not

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<v Speaker 4>what I experience in television. I don't experience television executives

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<v Speaker 4>being like, I love television, I'm a television person.

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<v Speaker 1>No, it's a very rare thing. I mean, one or

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<v Speaker 1>two of them, but most of them are are just awful.

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<v Speaker 2>They're just.

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<v Speaker 1>I think for many of them, it's kind of a

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<v Speaker 1>realtor job. You know, it's like, well, let's know what

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<v Speaker 1>I wanted, but you know it's decent money, and you

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<v Speaker 1>know I'll do it for now.

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<v Speaker 3>Well that works nickel and dime them until they have

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<v Speaker 3>no compunction left.

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<v Speaker 1>I know. But it's quite interesting though, because I know

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<v Speaker 1>that I'm hurtling into my dotage.

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<v Speaker 2>Whenever I talk to them, I'm like, what do you want?

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<v Speaker 1>Son?

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<v Speaker 2>That's exactly that, Like, what the fuck you want?

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<v Speaker 1>Like, well, we're very excited about are you really excited?

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<v Speaker 2>Fuck you you're not excited about it? Shut out exactly that.

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<v Speaker 1>But I do people have to pitch you for your

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<v Speaker 1>YouTube channel now that do they have to like say, well,

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<v Speaker 1>we have this idea we'd like to blow up a hat.

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<v Speaker 2>You know.

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<v Speaker 3>That does happen from time to time.

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<v Speaker 4>I just had a company ask me, could you send

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<v Speaker 4>our product to space experimentally?

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<v Speaker 3>And I came back with a totally different idea.

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<v Speaker 4>Yeah, I am unwilling to do testing on behalf of

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<v Speaker 4>people's products.

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<v Speaker 3>I never was willing and I still don't want to

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<v Speaker 3>do it.

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<v Speaker 1>Well, I mean, doesn't it that would leave you home

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<v Speaker 1>to some kind of legal ramifications. Wouldn't as well? If

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<v Speaker 1>you test something and then somebody hurts themselves or something completely.

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<v Speaker 4>But also it's like the first time I make a

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<v Speaker 4>test and adjudicate someone's product as being one way or

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<v Speaker 4>the other, no one will trust me.

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<v Speaker 3>Ever. Again, that's the way I feel.

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<v Speaker 1>That's right, that's right now.

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<v Speaker 2>So what do you do in your YouTube channel?

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<v Speaker 1>Because of course, obviously I subscribe to it, But for

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<v Speaker 1>the people that don't know about that.

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<v Speaker 3>It is it's a fever dream of making.

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<v Speaker 4>And so I'm in here five days a week, forty

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<v Speaker 4>hours a week in general kind of making whatever I'm

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<v Speaker 4>interested in. Right now, I'm currently working on. This is

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<v Speaker 4>sitting on my bench here. This is part of an

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<v Speaker 4>elevator panel I'm working on because there's a scene in

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<v Speaker 4>the movie Elf where Will Ferrell walks into an elevator

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<v Speaker 4>and he hits a button that's really pretty, and so

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<v Speaker 4>he hits all the buttons at once. So I'm making

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<v Speaker 4>that a Christmas decoration in my house this year.

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<v Speaker 1>Oh, that's a lovely idea. And then as you make that,

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<v Speaker 1>you will film yourself making it. We'll go on the

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<v Speaker 1>YouTube and then hey, Presto Cash, absolutely yeah, and so

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<v Speaker 1>we do that, and then we also like I made

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<v Speaker 1>a raptor costume, a Utah raptor costume sixteen feet long

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<v Speaker 1>a few years ago, and just a few weeks ago,

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<v Speaker 1>I brought in a couple of friends and we spend

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<v Speaker 1>a week painting it and just a magnificent collaboration of

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<v Speaker 1>three dudes walking around this dinosaur for three full days

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<v Speaker 1>just adding and subtracting color and turning it into a

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<v Speaker 1>real character. That's really interesting. So you kind of like

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<v Speaker 1>you freed yourself. You've become like you're doing exactly what

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<v Speaker 1>you want, exactly on your own terms, and becoming a

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<v Speaker 1>petrillionaire at the same.

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<v Speaker 4>Time, A thousand there fit there it is. It's so

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<v Speaker 4>like the team is really small. It's just six of

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<v Speaker 4>us making this YouTube channel. Everyone's having a really good

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<v Speaker 4>time and we don't have to answer it anyone.

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<v Speaker 3>I bought out all my business partners a couple of

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<v Speaker 3>years ago.

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<v Speaker 1>That's really interesting because that's kind of I kind of

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<v Speaker 1>did the same thing when when television started to turn

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<v Speaker 1>into this weird, kind of corporate, homogenized fucking shit show

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<v Speaker 1>where you know, you say one thing wrong and suddenly

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<v Speaker 1>you know, there's lawyers saying we don't encourage Greig Ferguson

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<v Speaker 1>and all that kind of stuff that I thought, No,

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<v Speaker 1>I got to strip this down to analog, right back

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<v Speaker 1>down to me speaking into a microphone in a dark

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<v Speaker 1>room with a bunch of people pointed in my direction.

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<v Speaker 1>That's it, you know, just like doing stand up. And

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<v Speaker 1>it was only recently, like in the last I don't know,

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<v Speaker 1>I don't know how, but long I've been doing this podcast,

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<v Speaker 1>like eighteen months or something, and you know, the iHeart

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<v Speaker 1>people who run. I'm like, God, these guys are just

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<v Speaker 1>the same fucking assholes as everybody else, So so I'll

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<v Speaker 1>probably won't keep doing it, but but maybe I should buy.

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<v Speaker 2>Buy them out.

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<v Speaker 4>And well, you know, one of the things that people

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<v Speaker 4>who watch the channel tell me that they do is

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<v Speaker 4>they take my videos and some of them might be

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<v Speaker 4>eight minutes long, and some of them might be eighty

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<v Speaker 4>minutes of me like wiring something up, and they put

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<v Speaker 4>their laptop on their workbench with me working, and then

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<v Speaker 4>they work alongside.

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<v Speaker 3>They do their own project while I'm working on mine.

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<v Speaker 2>I think that's that's very good.

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<v Speaker 1>And I think that the myth Bursters is quite an

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<v Speaker 1>interesting thing.

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<v Speaker 2>I think MythBusters was kind of like doing it.

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<v Speaker 1>The equivalent is if you do a vampire movie, like,

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<v Speaker 1>no matter what you do in your career, from that

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<v Speaker 1>point on, the vampire crowd will always consider you one

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<v Speaker 1>of their people. And I think myth Bursters has like

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<v Speaker 1>because I'm that, I'm like myth Bursters is such a thing.

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<v Speaker 1>Like I still see Carrie quite often. I haven't seen

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<v Speaker 1>you in ages, but you've been over in Scotland a

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<v Speaker 1>couple of times. And I mean I haven't seen you

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<v Speaker 1>over in a while unless you've been there and you

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<v Speaker 1>haven't told me.

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<v Speaker 4>I have not been there and haven't told you.

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<v Speaker 1>All right, good because during the lockdown. We were stuck

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<v Speaker 1>in Scotland all the time. We moved back to America though,

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<v Speaker 1>we're in New England.

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<v Speaker 3>Oh wow, okay, yeah, East Coast.

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<v Speaker 1>Yeah, well, you know that's where Meghan's people are from,

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<v Speaker 1>those icy blue blood Yankees who you know that Meghan

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<v Speaker 1>can trace her ancestry back to the Mayflower.

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<v Speaker 4>Oh so can I Actually we have some relatives that

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<v Speaker 4>were on that boat together.

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<v Speaker 3>Oh my god.

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<v Speaker 1>Because my theory is that only the crazy people made

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<v Speaker 1>it through that first winter. Only the angry crazy that

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<v Speaker 1>genetic code through that first winter. It was like your

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<v Speaker 1>Law and Megan Law. I wonder if you relate it

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<v Speaker 1>to Megan.

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<v Speaker 4>I didn't get COVID for the longest time, for the

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<v Speaker 4>first two and a half almost three years, and there

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<v Speaker 4>was this period of time I thought I was immune

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<v Speaker 4>because my grandmother, who can trate my who was a Monroe,

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<v Speaker 4>who can trace her, who could trace her ancestry back

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<v Speaker 4>to the Mayflower, had survived the nineteen seventeen influenza.

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<v Speaker 1>Oh wow, So I.

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<v Speaker 4>Was thinking, like, I'm an x man, I got that

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<v Speaker 4>in my blood. But then I caught COVID and it's

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<v Speaker 4>still well.

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<v Speaker 1>COVID's kind of I don't know. Look, I'm not a scientist,

0:11:49.679 --> 0:11:51.920
<v Speaker 1>but I feel like it's new. I feel like it's

0:11:51.960 --> 0:11:55.920
<v Speaker 1>a slightly newer thing. And I didn't get it for

0:11:55.960 --> 0:11:57.840
<v Speaker 1>a while. I didn't get it at all. We had

0:11:57.880 --> 0:12:00.840
<v Speaker 1>a party of our house afterwards. Bill didn't get it.

0:12:00.920 --> 0:12:02.960
<v Speaker 1>You were invited to that party? You didn't, I was.

0:12:03.040 --> 0:12:05.800
<v Speaker 1>I couldn't make it outright. Carrie was at Carrie Byron

0:12:05.920 --> 0:12:08.080
<v Speaker 1>was at the party. I think I was so jealous.

0:12:08.800 --> 0:12:11.559
<v Speaker 1>I think she got COVID. Had like fifty people got

0:12:11.600 --> 0:12:15.920
<v Speaker 1>COVID at that party, but I didn't. And then Meghan

0:12:17.040 --> 0:12:20.520
<v Speaker 1>we went to I was doing name that celebrity, named

0:12:20.520 --> 0:12:27.080
<v Speaker 1>that tune in Dublin for some reason, and uh, and

0:12:27.120 --> 0:12:29.680
<v Speaker 1>Megan came with me and she made me go and

0:12:29.720 --> 0:12:34.240
<v Speaker 1>see the Book of Kels, which I was. I couldn't

0:12:34.280 --> 0:12:38.040
<v Speaker 1>give a shit about the Book of Kels. And while

0:12:38.080 --> 0:12:39.679
<v Speaker 1>I was in there, it was all American tourists and

0:12:39.720 --> 0:12:42.319
<v Speaker 1>I got the Irish lepro COVID I got. That's when

0:12:42.320 --> 0:12:44.679
<v Speaker 1>I got it. From the Book of Kels. I got

0:12:44.679 --> 0:12:49.719
<v Speaker 1>the original ancient Irish the OHI Diddley COVID, you get

0:12:49.760 --> 0:12:54.000
<v Speaker 1>a which yeah, yeah, I wish that I hadn't gone

0:12:54.040 --> 0:12:56.040
<v Speaker 1>to see the fucking Book of kels Is when I went.

0:12:57.120 --> 0:13:00.479
<v Speaker 2>So listen, talk to me about about.

0:13:00.120 --> 0:13:02.600
<v Speaker 1>Your origins, because I haven't really talked to you ever

0:13:02.679 --> 0:13:06.320
<v Speaker 1>really about that. You're from Sleepy Hollow, right, is that

0:13:06.320 --> 0:13:06.960
<v Speaker 1>where you're from?

0:13:07.240 --> 0:13:10.439
<v Speaker 3>I was born Crane Country, born in Manhattan.

0:13:10.520 --> 0:13:15.200
<v Speaker 4>My parents were lovely bohemians in the West Village in

0:13:15.240 --> 0:13:16.160
<v Speaker 4>the late sixties.

0:13:16.840 --> 0:13:18.760
<v Speaker 1>Wow, that sounds like a lot of body hair.

0:13:19.920 --> 0:13:22.520
<v Speaker 4>Was They had a two They had a ten room

0:13:22.640 --> 0:13:25.360
<v Speaker 4>duplex on Eighth Street and McDougall Street.

0:13:25.960 --> 0:13:28.640
<v Speaker 1>That'd be worth like a billion dollars now.

0:13:28.760 --> 0:13:34.200
<v Speaker 4>They sold it to the Robert Jeoffrey Foundation in nineteen seventy. Wow,

0:13:34.400 --> 0:13:37.680
<v Speaker 4>to move their family up to Terrytown, to Sleepy Hollow,

0:13:37.760 --> 0:13:41.040
<v Speaker 4>New York, and where I grew up. That's where I

0:13:41.040 --> 0:13:43.360
<v Speaker 4>spent my whole childhood, about a block from the Hudson.

0:13:45.040 --> 0:13:47.560
<v Speaker 2>That's a lovely part of the world. Is gorgeous there.

0:13:47.760 --> 0:13:50.440
<v Speaker 1>But isn't it like there's a lot of ghost stories

0:13:50.440 --> 0:13:52.439
<v Speaker 1>and creepy stuff and all there. And I always think

0:13:52.480 --> 0:13:55.040
<v Speaker 1>of you as being someone who debunks all of that

0:13:55.160 --> 0:13:58.080
<v Speaker 1>kind of stuff. That is do you think that's what

0:13:58.200 --> 0:14:01.080
<v Speaker 1>started there? Was it to protect yourself from scary stories.

0:14:01.400 --> 0:14:03.280
<v Speaker 2>No, I I think it was.

0:14:03.400 --> 0:14:06.360
<v Speaker 3>I think I believed you're reminding me that.

0:14:06.440 --> 0:14:10.520
<v Speaker 4>There's this one moment in MythBusters when Guermo Del Toro

0:14:10.679 --> 0:14:13.439
<v Speaker 4>called us up and he was like, why don't we

0:14:13.480 --> 0:14:16.480
<v Speaker 4>go spend three days in the most haunted place in

0:14:16.520 --> 0:14:20.600
<v Speaker 4>the United States, an insane asylum in the Carolinas.

0:14:22.800 --> 0:14:24.760
<v Speaker 3>And Jamie was like, why would we do this?

0:14:24.840 --> 0:14:28.080
<v Speaker 4>And I was like, we would do this because it's Guermo,

0:14:28.240 --> 0:14:29.920
<v Speaker 4>got Giermo cal you gotta go.

0:14:30.240 --> 0:14:30.720
<v Speaker 2>You got it.

0:14:31.720 --> 0:14:35.000
<v Speaker 1>I haven't been in his crazy house of mad things.

0:14:35.000 --> 0:14:35.720
<v Speaker 1>Have you been in it?

0:14:35.920 --> 0:14:38.080
<v Speaker 4>I've been to I've been to Bleak House and now

0:14:38.240 --> 0:14:40.240
<v Speaker 4>apparently there's a second bleak House.

0:14:40.280 --> 0:14:41.360
<v Speaker 1>But yeah, he's good.

0:14:41.760 --> 0:14:45.080
<v Speaker 4>No, it's an amazing collection. It's a pathology kind of.

0:14:45.120 --> 0:14:48.320
<v Speaker 4>I mean, look at what are we if not a

0:14:48.360 --> 0:14:49.760
<v Speaker 4>collection of pathologies.

0:14:50.240 --> 0:14:51.040
<v Speaker 1>I've gone.

0:14:52.480 --> 0:14:54.600
<v Speaker 2>I was going to say, you're kind of you're kind

0:14:54.600 --> 0:14:56.680
<v Speaker 2>of a bit of a hoarder, uh.

0:14:56.960 --> 0:14:58.000
<v Speaker 3>High functioning hoarder.

0:14:58.040 --> 0:15:00.640
<v Speaker 2>But yes, high functioning horder. I think kids did it.

0:15:00.840 --> 0:15:03.680
<v Speaker 1>But it's but the kind of the whole ethos of

0:15:04.000 --> 0:15:07.480
<v Speaker 1>like MythBusters and you personally as well, even right down

0:15:07.520 --> 0:15:09.920
<v Speaker 1>to the I don't know if you're still an atheist,

0:15:09.960 --> 0:15:13.520
<v Speaker 1>but but like you're a you're a kind of you

0:15:13.640 --> 0:15:16.160
<v Speaker 1>really do like to get to the science of just

0:15:16.240 --> 0:15:17.600
<v Speaker 1>about everything, right.

0:15:17.520 --> 0:15:19.160
<v Speaker 3>I do like to get to the science of just

0:15:19.200 --> 0:15:19.800
<v Speaker 3>about everything.

0:15:19.800 --> 0:15:21.960
<v Speaker 4>But it's funny that you say, Uh, I wonder if

0:15:21.960 --> 0:15:26.040
<v Speaker 4>you're still an atheist because I stopped saying that and

0:15:26.080 --> 0:15:28.560
<v Speaker 4>it happened in your kitchen in in Durban.

0:15:29.280 --> 0:15:31.520
<v Speaker 3>Oh really, because we had come.

0:15:31.360 --> 0:15:33.760
<v Speaker 4>Back from a thing back when we were hanging back

0:15:33.800 --> 0:15:37.000
<v Speaker 4>when I was visiting you there, and you said, it's

0:15:37.160 --> 0:15:43.440
<v Speaker 4>it's pretty Uh. You said, it's pretty fundamentalist to say atheist,

0:15:43.680 --> 0:15:47.080
<v Speaker 4>because I still believe that. Yeah, yeah, And I couldn't

0:15:47.160 --> 0:15:49.960
<v Speaker 4>I couldn't disagree with that, and so I now call

0:15:50.080 --> 0:15:53.640
<v Speaker 4>myself a New Testament agnostic. I can't know, I can't

0:15:53.640 --> 0:15:55.680
<v Speaker 4>know who tipped the first domino, but I agree with

0:15:55.720 --> 0:15:56.840
<v Speaker 4>everything Jesus said.

0:15:57.280 --> 0:16:09.200
<v Speaker 1>Yeah, it's very interesting because I wrestled with it over

0:16:09.280 --> 0:16:12.520
<v Speaker 1>and over and over again. It's it's like a constant

0:16:13.520 --> 0:16:16.120
<v Speaker 1>refrain from me. I always kind of go back to

0:16:16.800 --> 0:16:19.520
<v Speaker 1>I don't want to not believe things, but I can't

0:16:19.520 --> 0:16:21.960
<v Speaker 1>believe in a kind of angry man on a cloud

0:16:22.080 --> 0:16:24.360
<v Speaker 1>with a thunderbolts and stuff.

0:16:24.400 --> 0:16:25.320
<v Speaker 2>I can't believe in that.

0:16:25.400 --> 0:16:30.040
<v Speaker 1>But then I'm interested in mystics that have become fascinated.

0:16:29.680 --> 0:16:35.160
<v Speaker 2>Recently by Gorvi Dal. Have you read gorfy Daals?

0:16:35.280 --> 0:16:37.360
<v Speaker 4>I have read a bunch of Gorvidale. He's the only

0:16:37.560 --> 0:16:39.960
<v Speaker 4>historical fiction writer who I like to read.

0:16:40.160 --> 0:16:43.120
<v Speaker 1>Oh my god, it's great. So right now I'm in

0:16:43.160 --> 0:16:44.280
<v Speaker 1>the middle of creation.

0:16:45.320 --> 0:16:45.440
<v Speaker 2>Uh.

0:16:46.160 --> 0:16:50.160
<v Speaker 1>When he's got that guy from Persia who meets Buddha

0:16:50.280 --> 0:16:54.280
<v Speaker 1>and confuses and so cars, it's it's I'm like, wow, man,

0:16:54.360 --> 0:16:57.640
<v Speaker 1>this is fucking pot boiler is fabulous.

0:16:58.080 --> 0:16:59.840
<v Speaker 3>I always kneel. I always felt with him.

0:16:59.880 --> 0:17:02.720
<v Speaker 4>The one I read and loved the most was Burr,

0:17:03.720 --> 0:17:08.359
<v Speaker 4>which is a fever dream. And also with Vidal, like,

0:17:08.600 --> 0:17:10.840
<v Speaker 4>I feel like I'm absolutely getting a whole bunch of

0:17:11.000 --> 0:17:15.159
<v Speaker 4>editorializing an opinion, but it's informed by the point of

0:17:15.240 --> 0:17:17.640
<v Speaker 4>view he got in his research, not by a bias.

0:17:18.359 --> 0:17:22.120
<v Speaker 1>Yeah, I feel it's quite What's quite interesting about Gourvidal

0:17:22.160 --> 0:17:27.000
<v Speaker 1>as well is that I don't really know where he

0:17:27.280 --> 0:17:32.560
<v Speaker 1>stands in in the in the belief system, I really

0:17:32.600 --> 0:17:35.560
<v Speaker 1>and I've read extensively, and I think what it is

0:17:35.560 --> 0:17:39.280
<v Speaker 1>is I think he bounces around, you know, I think

0:17:39.320 --> 0:17:41.360
<v Speaker 1>he but I think.

0:17:41.200 --> 0:17:44.320
<v Speaker 4>It is almost that that is almost a defining feature

0:17:44.400 --> 0:17:47.439
<v Speaker 4>of real faith. Martin Luther King absolutely grappled with it

0:17:47.440 --> 0:17:51.200
<v Speaker 4>in his personal diaries. I mean, John Dunn hell Spells,

0:17:51.280 --> 0:17:54.920
<v Speaker 4>you know, was totally grappling with this the whole time.

0:17:55.520 --> 0:17:56.280
<v Speaker 2>Yeah, I think it.

0:17:56.680 --> 0:18:00.879
<v Speaker 1>I think it is an essential component of faith that

0:18:00.960 --> 0:18:03.600
<v Speaker 1>it has to have doubt. If it doesn't have doubt,

0:18:03.760 --> 0:18:06.399
<v Speaker 1>it's not really faith. It's kind of it's certainty, and

0:18:06.440 --> 0:18:09.679
<v Speaker 1>certainty is a very different thing. But there's a weird

0:18:09.760 --> 0:18:12.400
<v Speaker 1>interview with Carl Young. I don't know if you've ever

0:18:12.440 --> 0:18:15.879
<v Speaker 1>seen it, or somebody asked him if he it's a

0:18:15.920 --> 0:18:18.560
<v Speaker 1>televised thing. I can't remember where it was, but towards

0:18:18.560 --> 0:18:22.560
<v Speaker 1>the end of his life where someone said do you

0:18:23.240 --> 0:18:25.320
<v Speaker 1>do you believe in God? And he said, it's different

0:18:25.320 --> 0:18:28.840
<v Speaker 1>for me now I know, I know there's a God.

0:18:29.440 --> 0:18:31.359
<v Speaker 1>I was like, oh man, Young freaks me out. I

0:18:31.400 --> 0:18:35.480
<v Speaker 1>think he's so amazing. But but I always I think

0:18:35.520 --> 0:18:38.360
<v Speaker 1>of you. It's interesting to hear you say that because

0:18:38.400 --> 0:18:40.840
<v Speaker 1>I didn't know you were into those videal historical novels,

0:18:40.920 --> 0:18:45.119
<v Speaker 1>because they they seem quite mystical to me, and I

0:18:45.160 --> 0:18:48.960
<v Speaker 1>feel that you are aren't that I guess you are.

0:18:49.000 --> 0:18:49.520
<v Speaker 2>I mean the.

0:18:50.000 --> 0:18:52.439
<v Speaker 1>Science thing is a search for truth, isn't it. It

0:18:52.520 --> 0:18:57.080
<v Speaker 1>is a It isn't it in its way a spiritual hunger?

0:18:57.240 --> 0:19:01.320
<v Speaker 4>I think science, it's absolutely and we're grappling with the

0:19:01.359 --> 0:19:02.359
<v Speaker 4>same questions.

0:19:02.440 --> 0:19:02.840
<v Speaker 3>I had.

0:19:03.600 --> 0:19:06.720
<v Speaker 4>This seems Germaine to this. I had this epiphany about

0:19:07.119 --> 0:19:11.159
<v Speaker 4>four years ago. I was researching measuring things. I was

0:19:11.200 --> 0:19:14.879
<v Speaker 4>research which is the field of metrology, and within the

0:19:14.920 --> 0:19:18.240
<v Speaker 4>field of metrology, actually I happened to I did not

0:19:18.440 --> 0:19:21.600
<v Speaker 4>plan this prop but I have this right here. Within

0:19:21.640 --> 0:19:24.119
<v Speaker 4>the field of metrology. If you want to measure something,

0:19:24.200 --> 0:19:26.719
<v Speaker 4>you pass a certain point, you don't measure it, You

0:19:26.760 --> 0:19:29.720
<v Speaker 4>actually compare it to something. And this is called a

0:19:29.800 --> 0:19:33.840
<v Speaker 4>gauge block. And this is the most accurate comparison system

0:19:33.920 --> 0:19:36.520
<v Speaker 4>there is. This is a one inch block, and I

0:19:36.560 --> 0:19:38.760
<v Speaker 4>can tell you that this block is one inch to

0:19:38.880 --> 0:19:41.040
<v Speaker 4>within you know, a few nanometers.

0:19:41.160 --> 0:19:42.840
<v Speaker 3>That's how accurate this block is.

0:19:43.400 --> 0:19:46.040
<v Speaker 4>And I was showing my I was doing a video

0:19:46.080 --> 0:19:48.679
<v Speaker 4>about how to measure gauge blocks and how accurate they are,

0:19:48.720 --> 0:19:50.639
<v Speaker 4>and then I had this idea, and I put the

0:19:50.680 --> 0:19:53.240
<v Speaker 4>gauge block in my hand and held it for twelve

0:19:53.320 --> 0:19:56.720
<v Speaker 4>seconds and put it back under my measuring device, and

0:19:56.760 --> 0:19:58.719
<v Speaker 4>I was able to show that in twelve seconds, the

0:19:58.760 --> 0:20:03.520
<v Speaker 4>heat from my body had man the gauge block one micron.

0:20:03.480 --> 0:20:05.919
<v Speaker 3>Thicker because of heat expansion.

0:20:06.600 --> 0:20:08.879
<v Speaker 4>And when I realized that, and I was looking at

0:20:08.880 --> 0:20:11.159
<v Speaker 4>the spec sat for these, which is every one of

0:20:11.200 --> 0:20:15.199
<v Speaker 4>these has been measured and certified, I realized that at

0:20:15.240 --> 0:20:17.200
<v Speaker 4>the bottom of the certification it says this is only

0:20:17.200 --> 0:20:21.440
<v Speaker 4>accurate at sixty eight degrees fahrenheit. That's amazing, which told

0:20:21.480 --> 0:20:25.440
<v Speaker 4>me that measurement is the faith I get in numbers

0:20:25.600 --> 0:20:29.280
<v Speaker 4>is misplaced because they aren't real that the measurement of

0:20:29.320 --> 0:20:33.040
<v Speaker 4>these blocks only exists under circumstances that we agree upon,

0:20:33.359 --> 0:20:36.720
<v Speaker 4>which means just like politics, just like culture, just like society,

0:20:36.960 --> 0:20:39.040
<v Speaker 4>it's all based on us being polite and trying to

0:20:39.040 --> 0:20:39.639
<v Speaker 4>work together.

0:20:39.720 --> 0:20:40.840
<v Speaker 3>That's how it works.

0:20:41.119 --> 0:20:42.680
<v Speaker 2>Yeah, it's it's funny.

0:20:42.760 --> 0:20:46.159
<v Speaker 1>I had a similar experience when I was getting my

0:20:46.240 --> 0:20:48.720
<v Speaker 1>pilot's license, when I was learning to fly, because I

0:20:48.800 --> 0:20:54.000
<v Speaker 1>kept asking people about air speeds and altitudes, and air

0:20:54.040 --> 0:20:57.639
<v Speaker 1>speeds and altitudes, which are extremely important if your flying

0:20:57.680 --> 0:21:01.920
<v Speaker 1>a freaking airplane. Well, altitude there's kind of like five

0:21:02.000 --> 0:21:04.800
<v Speaker 1>different types because there's there's altitude above the ground, but

0:21:04.840 --> 0:21:07.320
<v Speaker 1>there's also sea level altitude, which we all kind.

0:21:07.160 --> 0:21:07.719
<v Speaker 2>Of agree on.

0:21:07.920 --> 0:21:10.840
<v Speaker 1>Then there's density altitude because that's how the plane's going

0:21:10.920 --> 0:21:18.159
<v Speaker 1>to perform at certain temperatures and uh, moisture in the atmosphere.

0:21:18.560 --> 0:21:24.080
<v Speaker 1>So it's like like radar altitude as well, I mean it.

0:21:24.240 --> 0:21:26.200
<v Speaker 2>So it's like, no, we need to have one altitude.

0:21:26.240 --> 0:21:29.399
<v Speaker 1>But there's not the same thing about the speed of sound,

0:21:29.840 --> 0:21:32.560
<v Speaker 1>Like how fast the sound, Well, it depends on the

0:21:32.600 --> 0:21:35.000
<v Speaker 1>temperature and it depends on the thickness of the air.

0:21:35.119 --> 0:21:39.240
<v Speaker 1>And it's so fascinating to me, and I think you're right.

0:21:39.280 --> 0:21:43.600
<v Speaker 1>I think I think that it is. It is very

0:21:44.440 --> 0:21:48.119
<v Speaker 1>very confusing to try and agree on one thing to

0:21:48.160 --> 0:21:50.639
<v Speaker 1>make things black and white. That's why I'm I'm against

0:21:50.680 --> 0:21:52.840
<v Speaker 1>fundamentalism of all kinds.

0:21:53.280 --> 0:21:55.320
<v Speaker 3>And that's that's where you turn me around in your

0:21:55.400 --> 0:21:56.080
<v Speaker 3>kitchen table.

0:21:56.280 --> 0:22:00.280
<v Speaker 4>Was I realized, Yeah, no, I can't know, So all

0:22:00.320 --> 0:22:03.359
<v Speaker 4>I can do is keep gathering data. And I feel

0:22:03.400 --> 0:22:06.600
<v Speaker 4>like performers like because we both spend a lot of

0:22:06.600 --> 0:22:07.920
<v Speaker 4>time in front of audiences.

0:22:08.480 --> 0:22:10.440
<v Speaker 3>We know that audiences can take on.

0:22:10.480 --> 0:22:12.920
<v Speaker 4>A character that is different than the people that compose

0:22:13.000 --> 0:22:13.640
<v Speaker 4>that audience.

0:22:14.240 --> 0:22:18.359
<v Speaker 1>Unbelievable, unbelievable. I mean right to the extent of the

0:22:18.440 --> 0:22:20.320
<v Speaker 1>one night. And you'll know this because you did those

0:22:20.359 --> 0:22:22.760
<v Speaker 1>live shows, and you've done so many live shows. You

0:22:22.800 --> 0:22:25.560
<v Speaker 1>can go out in front of an audience and roughly

0:22:25.600 --> 0:22:29.040
<v Speaker 1>the same sized theater, at the same room temperature, at

0:22:29.080 --> 0:22:32.040
<v Speaker 1>the same time of day, in a town that's a

0:22:32.119 --> 0:22:35.760
<v Speaker 1>similar demographic makeup, and do exactly the same thing and

0:22:35.840 --> 0:22:42.879
<v Speaker 1>have a wildly different experience. And that's people's collective personalities.

0:22:43.119 --> 0:22:44.560
<v Speaker 2>I'm like, what is it.

0:22:44.880 --> 0:22:48.199
<v Speaker 1>It's it's that Youngian thing, isn't it. The collective, the

0:22:48.240 --> 0:22:51.520
<v Speaker 1>collective unconscious? Right, the collective unconscious?

0:22:51.760 --> 0:22:52.960
<v Speaker 2>I do you know.

0:22:53.240 --> 0:22:56.000
<v Speaker 1>I once had interviewed with Stephen King on the Late

0:22:56.119 --> 0:22:59.280
<v Speaker 1>Night Show and I said, have you He was talking

0:22:59.280 --> 0:23:02.640
<v Speaker 1>about bringing stories down. He said, I bring the stories

0:23:02.680 --> 0:23:06.080
<v Speaker 1>down from somewhere. I was like, oh, that's fascinating. And

0:23:06.520 --> 0:23:09.399
<v Speaker 1>I said to him, so about the it's kind of

0:23:09.440 --> 0:23:11.960
<v Speaker 1>like the young the collective unconscious.

0:23:12.000 --> 0:23:13.360
<v Speaker 2>And he said, what is that?

0:23:13.880 --> 0:23:17.560
<v Speaker 1>And he didn't know what I was talking about.

0:23:17.640 --> 0:23:18.720
<v Speaker 3>Oh so great?

0:23:19.320 --> 0:23:21.800
<v Speaker 2>I was like, what I mean, you might.

0:23:21.720 --> 0:23:24.080
<v Speaker 1>Have been working with me, Stephen King, but it was

0:23:24.160 --> 0:23:25.960
<v Speaker 1>still listening.

0:23:26.320 --> 0:23:29.600
<v Speaker 4>But there is also that Arlott Guthrie. I saw him

0:23:29.600 --> 0:23:31.840
<v Speaker 4>perform once and he said, I don't write songs. I

0:23:31.880 --> 0:23:33.760
<v Speaker 4>stand at the side of a river and I wait

0:23:33.800 --> 0:23:35.000
<v Speaker 4>for one to come by and I.

0:23:34.960 --> 0:23:37.159
<v Speaker 3>Scoop it out. Yeah.

0:23:37.200 --> 0:23:39.919
<v Speaker 4>And then he said, he said, I don't think anyone

0:23:39.960 --> 0:23:42.960
<v Speaker 4>downstream of Bob Dylan has ever even seen a song.

0:23:47.000 --> 0:23:50.920
<v Speaker 1>But I think that was kind of interesting, as though

0:23:50.960 --> 0:23:54.640
<v Speaker 1>that that's a kind of that's a kind of weird,

0:23:55.119 --> 0:23:57.080
<v Speaker 1>unmeasurable thing.

0:23:58.040 --> 0:24:00.879
<v Speaker 4>But you've been in front of an audience where something

0:24:00.920 --> 0:24:04.959
<v Speaker 4>came out of the ether into your head, yes, and

0:24:05.160 --> 0:24:07.399
<v Speaker 4>dropped like a bomb in the room.

0:24:07.720 --> 0:24:09.240
<v Speaker 2>Yes, And it happened last night.

0:24:09.200 --> 0:24:10.639
<v Speaker 1>I actually I was doing a show last night and

0:24:10.800 --> 0:24:13.200
<v Speaker 1>oh Chicago, and that's why I'm in the hotel in

0:24:13.280 --> 0:24:16.240
<v Speaker 1>Chicago now. And about halfway through the show, I had

0:24:16.240 --> 0:24:18.480
<v Speaker 1>this idea and I went with it, and I was

0:24:18.520 --> 0:24:21.000
<v Speaker 1>making myself laugh at the audience seemed to be enjoyed too,

0:24:21.040 --> 0:24:22.720
<v Speaker 1>but I was having a great time with it.

0:24:22.920 --> 0:24:27.360
<v Speaker 4>I view that as that's that's the other to me, right,

0:24:27.520 --> 0:24:30.760
<v Speaker 4>that creative thing that happens late when you do all

0:24:30.800 --> 0:24:32.720
<v Speaker 4>the practice and you do all the rigor that you

0:24:32.800 --> 0:24:35.760
<v Speaker 4>do to get yourself to this point, and then you

0:24:35.800 --> 0:24:38.800
<v Speaker 4>open yourself up and some creative thing comes in. You

0:24:38.840 --> 0:24:41.240
<v Speaker 4>don't know where it came from, but it informs the

0:24:41.280 --> 0:24:42.320
<v Speaker 4>whole thing you're building.

0:24:43.200 --> 0:24:47.040
<v Speaker 1>Yeah, it's it's very interesting because it it leads me

0:24:47.240 --> 0:24:50.080
<v Speaker 1>as I you know, again, as I get older, I

0:24:50.160 --> 0:24:54.360
<v Speaker 1>start thinking about the inevitability of the you know, corporeal

0:24:54.480 --> 0:24:58.320
<v Speaker 1>decline and you know, and immortality and all that. And

0:24:58.359 --> 0:25:04.560
<v Speaker 1>I can't get my head to a place where I

0:25:04.640 --> 0:25:10.960
<v Speaker 1>can endorse the idea of the continuation of consciousness. I'm

0:25:11.040 --> 0:25:14.800
<v Speaker 1>quite happy to remain open to the idea of a god,

0:25:15.840 --> 0:25:21.160
<v Speaker 1>a primover, or an unexplainable deity, but I can't get

0:25:21.200 --> 0:25:23.920
<v Speaker 1>my head around the idea that it keeps going.

0:25:24.320 --> 0:25:25.800
<v Speaker 2>I just don't see that.

0:25:26.400 --> 0:25:29.879
<v Speaker 4>Here's one that I'm always thinking about when this conversation

0:25:30.040 --> 0:25:34.560
<v Speaker 4>comes around is in Africa, they took some termite mounds

0:25:35.119 --> 0:25:41.840
<v Speaker 4>and poured concrete into them and then excavated to see

0:25:41.920 --> 0:25:44.840
<v Speaker 4>the shape of a termite city.

0:25:45.640 --> 0:25:47.760
<v Speaker 3>And when they do this, the cities.

0:25:47.440 --> 0:25:51.720
<v Speaker 4>Are fifteen feet tall and twenty feet wide, and they

0:25:51.760 --> 0:25:56.359
<v Speaker 4>include waste management, and they include air conditioning and convection

0:25:57.080 --> 0:26:02.119
<v Speaker 4>breatheable air. They include temperature control. And I couple that

0:26:02.160 --> 0:26:04.240
<v Speaker 4>with the fact that ninety nine percent of the cells

0:26:04.240 --> 0:26:07.400
<v Speaker 4>in my body right now are non human in origin, right,

0:26:07.480 --> 0:26:11.280
<v Speaker 4>I'm mostly a colony of other bacterium and other types

0:26:11.359 --> 0:26:16.120
<v Speaker 4>of organisms. So I find myself wondering if consciousness isn't

0:26:16.160 --> 0:26:20.399
<v Speaker 4>just a level set for different groups of organisms, and

0:26:20.440 --> 0:26:24.200
<v Speaker 4>that maybe it's not that our consciousness continues, but we're

0:26:24.240 --> 0:26:26.760
<v Speaker 4>just brought back into the continuum.

0:26:27.480 --> 0:26:30.880
<v Speaker 1>That's fascinating the idea. I think also, if you get

0:26:30.920 --> 0:26:36.760
<v Speaker 1>the idea of infinity, of infinite time, infinite space, then

0:26:37.119 --> 0:26:40.240
<v Speaker 1>it would seem to me that anything that can happen

0:26:41.320 --> 0:26:45.880
<v Speaker 1>will happen, and so anything that you can think of

0:26:46.760 --> 0:26:50.880
<v Speaker 1>can If I'm days going on, I wonder if that's

0:26:50.920 --> 0:26:54.040
<v Speaker 1>even plausible, But it's it's this is one of the

0:26:54.080 --> 0:26:58.879
<v Speaker 1>reasons why I don't take marijuana. I feel like I

0:26:58.880 --> 0:27:01.840
<v Speaker 1>feel like it would be bad. Do you take recreational drugs?

0:27:01.840 --> 0:27:03.359
<v Speaker 1>I wonder if that's the thing for you.

0:27:03.960 --> 0:27:09.840
<v Speaker 4>I did do a lot of psychedelics back in my twenties, really, yeah, absolutely,

0:27:09.960 --> 0:27:12.280
<v Speaker 4>and it was a couple of mushroom It was a

0:27:12.280 --> 0:27:16.560
<v Speaker 4>couple of mushroom trips during which I really absolutely connected

0:27:16.600 --> 0:27:21.320
<v Speaker 4>and still firmly believe that our consciousness is eternal and

0:27:21.520 --> 0:27:25.960
<v Speaker 4>that we don't that this is not a deterministic universe.

0:27:26.040 --> 0:27:29.000
<v Speaker 4>That is, we have free will here, but I'm not

0:27:29.320 --> 0:27:33.760
<v Speaker 4>sure where we come from that we do. And so

0:27:33.920 --> 0:27:37.439
<v Speaker 4>I make this leap that we come here onto this

0:27:37.560 --> 0:27:41.640
<v Speaker 4>corporal plane because eternity is exhausting, and we come here

0:27:41.680 --> 0:27:44.840
<v Speaker 4>to enjoy some beginnings and endings, beginnings and endings, beginnings

0:27:44.880 --> 0:27:45.160
<v Speaker 4>and ends.

0:27:45.200 --> 0:27:48.040
<v Speaker 1>Oh, that's a lovely idea. I think you might be

0:27:48.160 --> 0:27:50.600
<v Speaker 1>on the edge of a new religion as there could be.

0:27:52.640 --> 0:27:55.960
<v Speaker 1>I think I could get behind that as an idea.

0:27:56.080 --> 0:28:01.720
<v Speaker 1>That that's fascinating. I think the the idea though for

0:28:01.880 --> 0:28:08.439
<v Speaker 1>me that the struggle I have with spiritual hunger or

0:28:08.480 --> 0:28:13.879
<v Speaker 1>spiritual searching is it's so littered with organized religion, which

0:28:14.000 --> 0:28:19.480
<v Speaker 1>is not for me. You know, I kind of make

0:28:19.480 --> 0:28:23.800
<v Speaker 1>it work. You have you got any organizational structure for

0:28:23.840 --> 0:28:24.520
<v Speaker 1>that for yourself?

0:28:25.320 --> 0:28:27.480
<v Speaker 3>Only that it seems to me that the that the

0:28:27.520 --> 0:28:28.760
<v Speaker 3>Buddhists have been right.

0:28:28.640 --> 0:28:31.760
<v Speaker 1>All along, maybe maybe.

0:28:31.359 --> 0:28:35.679
<v Speaker 4>That consciousnes Look, you know, at this age too, what

0:28:35.800 --> 0:28:38.040
<v Speaker 4>turns out to be most important to me is the

0:28:38.080 --> 0:28:41.880
<v Speaker 4>collaborations I get to do with people that I love. Yeah,

0:28:41.920 --> 0:28:44.600
<v Speaker 4>it's that taking a couple of minds and intersecting them

0:28:44.600 --> 0:28:47.640
<v Speaker 4>on the same problem and enjoying doing that and learning

0:28:47.640 --> 0:28:52.120
<v Speaker 4>from other point people's point of view. The more curious

0:28:52.160 --> 0:28:56.080
<v Speaker 4>I get about other people and their process, the more

0:28:56.320 --> 0:28:59.960
<v Speaker 4>I get a reward from that that interaction that's interesting.

0:29:00.120 --> 0:29:04.680
<v Speaker 1>So you become fascinated by the way other people approach

0:29:04.720 --> 0:29:10.000
<v Speaker 1>a problem which either you have looked at yourself or

0:29:10.160 --> 0:29:13.760
<v Speaker 1>are trying to or invest the gain.

0:29:13.960 --> 0:29:16.520
<v Speaker 4>Yeah, one of the primary things we do on the

0:29:16.600 --> 0:29:19.520
<v Speaker 4>channels we go to movie sets, and on movie sets

0:29:19.600 --> 0:29:21.840
<v Speaker 4>the main thing that we do at a level that

0:29:21.880 --> 0:29:24.160
<v Speaker 4>most people don't do it is we'll talk to all

0:29:24.200 --> 0:29:26.480
<v Speaker 4>of the artisans about how we look.

0:29:26.880 --> 0:29:30.200
<v Speaker 3>A movie crew is nothing but an army of storytellers

0:29:30.240 --> 0:29:30.920
<v Speaker 3>all the way down.

0:29:31.680 --> 0:29:34.280
<v Speaker 4>And when you're talking to the pain or painting the problem,

0:29:34.440 --> 0:29:37.800
<v Speaker 4>he's thinking that, she's thinking about the narrative of that piece.

0:29:38.200 --> 0:29:42.120
<v Speaker 4>And I love talking about that problem. You get this thing,

0:29:42.200 --> 0:29:44.480
<v Speaker 4>how do you make it fit within that narrative? Go

0:29:45.840 --> 0:29:49.040
<v Speaker 4>And that's one of the great challenges of my creative

0:29:49.080 --> 0:29:51.120
<v Speaker 4>life is making things to do that, and I love

0:29:51.160 --> 0:29:53.320
<v Speaker 4>talking to other people about how they do it.

0:29:53.320 --> 0:29:55.200
<v Speaker 1>It's funny, as you mentioned that that when we were

0:29:55.200 --> 0:30:00.360
<v Speaker 1>in Scotland, we wanted to paint an old part of

0:30:00.360 --> 0:30:02.440
<v Speaker 1>the house, and we didn't know how to do it.

0:30:02.440 --> 0:30:03.480
<v Speaker 1>And we didn't know how to do it. And then

0:30:03.520 --> 0:30:06.120
<v Speaker 1>I thought, you know what, let's call I had a

0:30:06.160 --> 0:30:09.920
<v Speaker 1>buddy who was a set painter on movies. Yes, I said,

0:30:10.400 --> 0:30:12.160
<v Speaker 1>let's have him come and look at it. And he

0:30:12.200 --> 0:30:13.800
<v Speaker 1>looked at it, and I said, I wanted to look

0:30:13.880 --> 0:30:17.920
<v Speaker 1>like it was painted three hundred years ago. But it's

0:30:17.960 --> 0:30:21.120
<v Speaker 1>got damp. But then it got dry again and it's okay.

0:30:21.200 --> 0:30:24.120
<v Speaker 1>Now it had woodworm, but it doesn't have woodworm anymore.

0:30:24.200 --> 0:30:26.480
<v Speaker 1>He's like, got it. And he did it in two days.

0:30:27.080 --> 0:30:29.280
<v Speaker 3>Right, because he's a Sunday Yeah.

0:30:29.440 --> 0:30:31.480
<v Speaker 2>Right, He's like, I got I know what you're doing. Yeah.

0:30:31.480 --> 0:30:33.920
<v Speaker 4>I probably bought a bunch of Hudson sprayers to add

0:30:34.080 --> 0:30:35.640
<v Speaker 4>some dirt coming down the walls.

0:30:35.720 --> 0:30:35.880
<v Speaker 1>Right.

0:30:36.080 --> 0:30:39.120
<v Speaker 2>It was amazing though, I mean the idea of it.

0:30:39.520 --> 0:30:44.080
<v Speaker 1>I'm fascinated by the idea that that. And you're right,

0:30:44.480 --> 0:30:48.680
<v Speaker 1>everybody is a storyteller, and like I was always interested.

0:30:48.880 --> 0:30:52.920
<v Speaker 1>I haven't made a movie in forever, but the wardrobe

0:30:52.960 --> 0:30:56.280
<v Speaker 1>people always fascinated me because the investigation that they do

0:30:56.400 --> 0:30:59.320
<v Speaker 1>and the work that they do is amazing.

0:30:59.000 --> 0:31:01.640
<v Speaker 4>And the stuff they don't even tell you, Like I

0:31:01.720 --> 0:31:05.680
<v Speaker 4>was talking to Danny Glicker, who's Jason Rightman's costumer, and

0:31:05.720 --> 0:31:07.520
<v Speaker 4>he was like, the thing you don't realize is all

0:31:07.560 --> 0:31:10.800
<v Speaker 4>old clothes have shoulder burned because they've been sitting on

0:31:10.840 --> 0:31:14.000
<v Speaker 4>a hangar for decades. They're always a little lighter right

0:31:14.080 --> 0:31:16.080
<v Speaker 4>here on this line. And if you don't do that,

0:31:16.360 --> 0:31:21.000
<v Speaker 4>you'll know that it's not quite old. That's amazing, amazing.

0:31:21.080 --> 0:31:24.600
<v Speaker 1>It's a big detective thing almost you ever drawn to

0:31:24.680 --> 0:31:28.320
<v Speaker 1>that you ever drun to, like forensics or police work.

0:31:28.840 --> 0:31:33.000
<v Speaker 4>Absolutely, I love knowing how things work, so I love

0:31:33.080 --> 0:31:36.720
<v Speaker 4>peeling behind the curtain and having you know, MythBusters is

0:31:36.760 --> 0:31:39.400
<v Speaker 4>just put me in contact with tons and tons of

0:31:39.440 --> 0:31:41.200
<v Speaker 4>cops all over the world.

0:31:42.120 --> 0:31:45.440
<v Speaker 3>And I mean, I could not do that job.

0:31:45.880 --> 0:31:49.360
<v Speaker 4>It is a view on humanity that is really intense

0:31:49.400 --> 0:31:53.760
<v Speaker 4>and difficult and a and look, I have huge problems

0:31:53.800 --> 0:31:56.200
<v Speaker 4>with the with the American police, but that's not what

0:31:56.240 --> 0:31:58.200
<v Speaker 4>I'm talking about here. I'm just talking about the general

0:31:58.320 --> 0:32:02.720
<v Speaker 4>job of being a police person and sounds both completely

0:32:02.760 --> 0:32:05.400
<v Speaker 4>intriguing and I could never do it.

0:32:05.400 --> 0:32:08.479
<v Speaker 1>It's funny. I got I got a tattoo once in

0:32:09.080 --> 0:32:12.600
<v Speaker 1>New Orleans and it was late at night, as often

0:32:12.680 --> 0:32:17.560
<v Speaker 1>tattoos are and the guy was doing it. You know,

0:32:17.600 --> 0:32:19.840
<v Speaker 1>you get to talk and he's working away and we

0:32:19.840 --> 0:32:23.120
<v Speaker 1>were talking and he told me that he had been

0:32:23.160 --> 0:32:23.560
<v Speaker 1>a cop.

0:32:23.640 --> 0:32:24.880
<v Speaker 2>He had been a homicide cop.

0:32:27.120 --> 0:32:32.200
<v Speaker 1>And then during Katrina he was looking at three unsolved

0:32:32.440 --> 0:32:36.680
<v Speaker 1>you know, deaths a day, and he said, I couldn't

0:32:36.680 --> 0:32:38.920
<v Speaker 1>do it anymore. I couldn't do it anymore. It was

0:32:39.040 --> 0:32:40.800
<v Speaker 1>I had to go and do what I really wanted

0:32:40.840 --> 0:32:44.080
<v Speaker 1>to do. I couldn't. I couldn't do that. I always

0:32:44.080 --> 0:32:46.440
<v Speaker 1>wanted to do, you know, to be a tattoo artist.

0:32:46.440 --> 0:32:48.400
<v Speaker 1>And now I'm going to do that. And he's good

0:32:48.440 --> 0:32:51.520
<v Speaker 1>and I've got some good ink from him, and it

0:32:51.640 --> 0:32:56.200
<v Speaker 1>was it's a fascinating story. He said that weird thing.

0:32:56.240 --> 0:33:01.280
<v Speaker 1>He said, civilization and it was a quote from some

0:33:01.320 --> 0:33:03.800
<v Speaker 1>fancy French writer. I don't know. It was civilization is

0:33:04.240 --> 0:33:06.200
<v Speaker 1>three meals away from chaos.

0:33:07.360 --> 0:33:11.040
<v Speaker 3>That's beautiful. Wow, that's completely true.

0:33:11.760 --> 0:33:15.680
<v Speaker 1>Yeah, I think so. I mean it's like I always think,

0:33:15.720 --> 0:33:18.200
<v Speaker 1>as well, you know, when when people are saying, you know,

0:33:18.320 --> 0:33:21.640
<v Speaker 1>they're there, there might be riots, and now, well, what's

0:33:21.640 --> 0:33:25.520
<v Speaker 1>the weather like? Because people never riot in the snow.

0:33:27.680 --> 0:33:32.240
<v Speaker 1>It's temperature based. It's effect. It affects the amount of rioting,

0:33:32.320 --> 0:33:33.760
<v Speaker 1>you're going to get totally right.

0:33:33.800 --> 0:33:35.600
<v Speaker 3>And I was thinking, whoever said that quote?

0:33:35.640 --> 0:33:37.720
<v Speaker 4>I feel like they had to be French, because the

0:33:37.760 --> 0:33:40.200
<v Speaker 4>French Revolution is where you learned that lesson.

0:33:40.680 --> 0:33:41.960
<v Speaker 2>Yeah, I think it probably was.

0:33:42.200 --> 0:33:45.120
<v Speaker 1>It was probably with some you know, somebody that was

0:33:45.200 --> 0:33:46.840
<v Speaker 1>up to no good during all that. Do you know

0:33:46.840 --> 0:33:51.160
<v Speaker 1>what apparently during the French Revolution as well, that the

0:33:51.200 --> 0:33:58.560
<v Speaker 1>revolutionary pamphlets were all hidden inside pornography because because the

0:33:59.120 --> 0:34:04.480
<v Speaker 1>fancy pant aristocracy wouldn't look at the the pornography because

0:34:04.480 --> 0:34:07.600
<v Speaker 1>it was for poor people. Yeah, and all the people

0:34:07.600 --> 0:34:11.200
<v Speaker 1>would look at the And I'm like, oh yeah, and

0:34:11.320 --> 0:34:14.359
<v Speaker 1>apparently that I feel like I might be making this up,

0:34:14.400 --> 0:34:16.680
<v Speaker 1>but I think there's some truth in it that the

0:34:16.760 --> 0:34:17.600
<v Speaker 1>marquis decide.

0:34:17.719 --> 0:34:21.839
<v Speaker 2>That's why he was so involved in all He was writing.

0:34:21.520 --> 0:34:25.160
<v Speaker 1>These crazy pornographic stories, but also he was in revolutionary

0:34:25.160 --> 0:34:25.680
<v Speaker 1>as well.

0:34:26.560 --> 0:34:30.120
<v Speaker 4>There's a Doris Lessing has a group of books that

0:34:30.200 --> 0:34:33.520
<v Speaker 4>are field reports on planets around the universe and science fiction,

0:34:34.239 --> 0:34:36.320
<v Speaker 4>and the first one is a field report on Earth

0:34:36.400 --> 0:34:40.640
<v Speaker 4>from about twenty thousand BC to three hundred years in

0:34:40.640 --> 0:34:42.719
<v Speaker 4>the future, when the world holds the White Man on

0:34:42.800 --> 0:34:46.440
<v Speaker 4>trial for crimes against humanity, okay, And in this arc,

0:34:46.760 --> 0:34:50.359
<v Speaker 4>at one point, one of the benevolent aliens that sort

0:34:50.360 --> 0:34:55.400
<v Speaker 4>of oversees the universe falls. He falls into the sickness

0:34:55.440 --> 0:34:59.279
<v Speaker 4>of rhetoric, all right, and to cure him of his

0:35:00.000 --> 0:35:03.240
<v Speaker 4>addiction to rhetoric, they send him to live a short,

0:35:03.320 --> 0:35:05.920
<v Speaker 4>brutal life as a peasant during the French Revolution.

0:35:06.320 --> 0:35:13.359
<v Speaker 1>Oh man, I mean, it's kind of an interesting thing.

0:35:13.440 --> 0:35:16.120
<v Speaker 2>I mean, you're still in San Francisco, right, yeah.

0:35:16.360 --> 0:35:23.000
<v Speaker 1>San Francisco is I've always found a very complicated rhetorical

0:35:23.120 --> 0:35:28.000
<v Speaker 1>environment because on the one hand, there's this very liberal idea,

0:35:28.120 --> 0:35:33.960
<v Speaker 1>but we are very didactic and very hardline liberal idea

0:35:34.000 --> 0:35:38.200
<v Speaker 1>of life, which is hard to navigate. I find it

0:35:38.239 --> 0:35:40.239
<v Speaker 1>hard to navigate if I'm talking a law there, do

0:35:40.239 --> 0:35:40.759
<v Speaker 1>you know what I mean?

0:35:41.040 --> 0:35:42.399
<v Speaker 2>Yea, I feel like it's.

0:35:42.160 --> 0:35:46.719
<v Speaker 1>Quite easy to annoy people and audiences.

0:35:46.800 --> 0:35:49.840
<v Speaker 6>I mean, you know, San Francisco exists in this tension

0:35:49.920 --> 0:35:54.720
<v Speaker 6>between that very open open end in philosophy that everyone

0:35:54.760 --> 0:35:57.439
<v Speaker 6>should try what they want and let their freak flag fly,

0:35:57.600 --> 0:35:58.839
<v Speaker 6>and we're all cool with it.

0:35:59.280 --> 0:36:01.840
<v Speaker 4>But it's also one of the most beautiful physical places

0:36:01.880 --> 0:36:05.520
<v Speaker 4>on Earth, which means there's a tremendous amount of money here,

0:36:05.560 --> 0:36:09.920
<v Speaker 4>and the tension between the money and that hippie philosophy

0:36:10.160 --> 0:36:12.200
<v Speaker 4>is I think one of the things that defines se

0:36:12.239 --> 0:36:13.160
<v Speaker 4>Francisco well.

0:36:13.200 --> 0:36:15.799
<v Speaker 1>And also then you get into that weird hypocrisy of

0:36:15.840 --> 0:36:19.880
<v Speaker 1>Silicon Valley where they pretend to be flying her freak flag,

0:36:19.960 --> 0:36:24.280
<v Speaker 1>but they are like Andrew Carnegie or.

0:36:25.560 --> 0:36:26.920
<v Speaker 3>The Trump one.

0:36:27.000 --> 0:36:31.840
<v Speaker 1>Yeah, the the I always think that it fascinates me.

0:36:32.280 --> 0:36:35.840
<v Speaker 2>Did you read the Vidal book?

0:36:36.400 --> 0:36:39.480
<v Speaker 1>I think it was Hollywood the maybe Hollywood, or it

0:36:39.560 --> 0:36:41.960
<v Speaker 1>may be the one before that. It's a historical novel,

0:36:42.360 --> 0:36:48.520
<v Speaker 1>but he talks about the the feud between William Randolph

0:36:48.560 --> 0:36:54.239
<v Speaker 1>Hurst and Teddy Roosevelt, and and Hurst comes off like

0:36:54.960 --> 0:37:00.800
<v Speaker 1>proto Elon Muskets. It's very interesting. I was like, wow,

0:37:00.840 --> 0:37:04.719
<v Speaker 1>that's a fascinating idea. And you know, Teddy Roosevelt doesn't

0:37:04.719 --> 0:37:11.480
<v Speaker 1>come out but too great either slashes everybody trashes them all.

0:37:12.040 --> 0:37:15.960
<v Speaker 4>I mean, at that level, it's all life among the narcissists, right.

0:37:16.040 --> 0:37:16.839
<v Speaker 1>Yeah, Right.

0:37:24.040 --> 0:37:26.560
<v Speaker 2>When's the first time you went did that tour of Washington?

0:37:26.600 --> 0:37:29.960
<v Speaker 1>Have you done that? Like you go to the Senate

0:37:30.040 --> 0:37:32.160
<v Speaker 1>and somebody takes you around the Capitol building.

0:37:33.000 --> 0:37:34.000
<v Speaker 3>I have never done that.

0:37:34.480 --> 0:37:35.040
<v Speaker 1>Oh man.

0:37:35.440 --> 0:37:37.600
<v Speaker 2>They used to what I was doing late night.

0:37:37.640 --> 0:37:39.799
<v Speaker 1>I thought it was a thing that everybody on TV

0:37:39.960 --> 0:37:42.240
<v Speaker 1>did at some point, that they would take you around.

0:37:42.520 --> 0:37:43.560
<v Speaker 2>And I got.

0:37:43.360 --> 0:37:46.440
<v Speaker 1>Introduced to all these different people at the Senate, the

0:37:46.560 --> 0:37:50.120
<v Speaker 1>Senate and Congress and all these different offices. And it

0:37:50.200 --> 0:37:53.120
<v Speaker 1>was a whole day of just like you know, shaking

0:37:53.200 --> 0:37:57.520
<v Speaker 1>hands and schmoozing people. And at the end of the day,

0:37:57.560 --> 0:38:00.759
<v Speaker 1>I was with Megan and I we were sitting at

0:38:00.760 --> 0:38:02.960
<v Speaker 1>the end to day, I thought, Jesus Christ, you know

0:38:03.000 --> 0:38:07.279
<v Speaker 1>what really surprised me. It's fucking stupid. Most of these

0:38:07.400 --> 0:38:14.240
<v Speaker 1>people are there. They're they're like, not that smart, they're

0:38:14.280 --> 0:38:18.440
<v Speaker 1>just like they just kind of honk. They're like geese.

0:38:24.120 --> 0:38:27.239
<v Speaker 2>Believable. But it's it's annoying thing.

0:38:27.320 --> 0:38:30.000
<v Speaker 1>But they've got a very nice museum there, well, a

0:38:30.040 --> 0:38:32.600
<v Speaker 1>couple of nice museums there, but that year in space Museum,

0:38:33.200 --> 0:38:34.919
<v Speaker 1>the Smithsonian in it.

0:38:35.160 --> 0:38:38.600
<v Speaker 4>Oh God, I sit on the board. Actually stop, of

0:38:38.640 --> 0:38:42.000
<v Speaker 4>course you do. And right now, actually over at the

0:38:42.000 --> 0:38:47.760
<v Speaker 4>airport at the Udvar Hazy Center, John Glenn's Friendship seven capsule,

0:38:48.520 --> 0:38:52.760
<v Speaker 4>the first American in space, Yes, is sitting about thirty

0:38:52.920 --> 0:38:54.640
<v Speaker 4>feet from a space shuttle.

0:38:56.080 --> 0:38:56.560
<v Speaker 1>Wow.

0:38:56.800 --> 0:39:00.520
<v Speaker 3>To see these two things this like one.

0:39:00.200 --> 0:39:07.000
<v Speaker 5>Millimeter thick aluminum container, I know, versus this, you know,

0:39:07.080 --> 0:39:12.759
<v Speaker 5>one hundred and twenty foot long thing, and that that compression.

0:39:12.120 --> 0:39:15.160
<v Speaker 4>Of human ingenuity is a really beautiful thing to stand

0:39:15.280 --> 0:39:15.880
<v Speaker 4>in the middle of.

0:39:16.440 --> 0:39:18.640
<v Speaker 1>Yeah, but it's fair. I mean, that was the thing

0:39:18.680 --> 0:39:22.920
<v Speaker 1>that first fascinated me about America when I was I

0:39:22.960 --> 0:39:25.640
<v Speaker 1>think I was seven years old, yeah, seven when the

0:39:25.640 --> 0:39:30.040
<v Speaker 1>moon landing happened, and I remember seeing it. I was

0:39:30.040 --> 0:39:33.360
<v Speaker 1>allowed to stay up more on television and that's when I, like,

0:39:33.400 --> 0:39:36.000
<v Speaker 1>you start seeing all that American stuff and I was like, well,

0:39:36.239 --> 0:39:37.960
<v Speaker 1>I'd like to hang out with those guys.

0:39:38.000 --> 0:39:38.560
<v Speaker 2>What did they do?

0:39:38.960 --> 0:39:41.799
<v Speaker 1>I want to go there because there wasn't any I

0:39:41.800 --> 0:39:43.759
<v Speaker 1>didn't see any Scottish people doing it, But I thought,

0:39:44.320 --> 0:39:47.360
<v Speaker 1>what's going on here? What are these people love to

0:39:47.600 --> 0:39:49.719
<v Speaker 1>I find out later it's ald Scottish people coming over

0:39:49.760 --> 0:39:53.560
<v Speaker 1>to America. And you know, but it's a fascinating thing

0:39:53.600 --> 0:39:58.759
<v Speaker 1>because I think the science is part of America's not

0:39:58.880 --> 0:40:02.719
<v Speaker 1>only just the rise of America as as as this

0:40:02.840 --> 0:40:09.520
<v Speaker 1>global so omnipresent superpower, but the kind of spiritual soul

0:40:09.600 --> 0:40:13.200
<v Speaker 1>of America is that technology and that strive and that

0:40:13.719 --> 0:40:17.040
<v Speaker 1>you know, it's It's kind of like when I hear

0:40:17.080 --> 0:40:20.759
<v Speaker 1>people talk about global warming, which is kind of like

0:40:21.120 --> 0:40:24.640
<v Speaker 1>it is the number one issue, I guess, or climate change,

0:40:25.200 --> 0:40:27.279
<v Speaker 1>And I tend to think I would be interested to

0:40:27.320 --> 0:40:29.680
<v Speaker 1>hear your take on it, because I tend to think

0:40:29.719 --> 0:40:32.800
<v Speaker 1>at this point, we've gone so far it's no longer

0:40:32.880 --> 0:40:35.560
<v Speaker 1>an emotive problem. It's an engineering problem. We got to

0:40:35.600 --> 0:40:37.480
<v Speaker 1>we've got to fix a different way. It can't be

0:40:37.800 --> 0:40:41.319
<v Speaker 1>we have to stop Grandma putting her you know, hot

0:40:41.440 --> 0:40:44.560
<v Speaker 1>pocket thing in the correct ben that's not going to

0:40:44.640 --> 0:40:48.120
<v Speaker 1>do anything anymore. It has to be and have you

0:40:48.160 --> 0:40:50.280
<v Speaker 1>been keeping track of anything with that stuff?

0:40:50.280 --> 0:40:50.440
<v Speaker 5>Are you?

0:40:50.680 --> 0:40:51.120
<v Speaker 1>Are you?

0:40:51.560 --> 0:40:52.880
<v Speaker 3>It's that I agree with you.

0:40:52.960 --> 0:40:57.200
<v Speaker 4>It's it's clear now that it's not a behavioral solution.

0:40:57.200 --> 0:40:59.600
<v Speaker 3>There's not a behavioral solution to this problem.

0:40:59.760 --> 0:40:59.960
<v Speaker 1>Right.

0:41:00.440 --> 0:41:02.640
<v Speaker 4>Humans have been given the chance, we have the knowledge,

0:41:02.680 --> 0:41:06.440
<v Speaker 4>we have the data, uh, and we aren't willing to

0:41:06.520 --> 0:41:11.200
<v Speaker 4>make the sacrifices, and so the response is will have

0:41:11.239 --> 0:41:15.440
<v Speaker 4>to be reactionary. It'll be, you know, at each stage

0:41:15.520 --> 0:41:18.440
<v Speaker 4>that things get more difficult, what do we do to

0:41:18.480 --> 0:41:20.960
<v Speaker 4>deal with that difficulty? And it's not a great plan.

0:41:21.200 --> 0:41:23.439
<v Speaker 4>It's a terrible way to attack a problem.

0:41:23.719 --> 0:41:26.080
<v Speaker 1>Yeah, But I mean, I feel like it's the only one.

0:41:26.120 --> 0:41:30.640
<v Speaker 1>I mean that the idea of you know, you know

0:41:30.719 --> 0:41:33.880
<v Speaker 1>this is I live in hope that someone develops a

0:41:33.960 --> 0:41:38.040
<v Speaker 1>bacteria that eats plastic in the ocean and shits out

0:41:38.280 --> 0:41:41.640
<v Speaker 1>tiny little you know, sea creatures or you know, these

0:41:41.640 --> 0:41:44.600
<v Speaker 1>seed the clouds that bring the temperature down or even

0:41:45.200 --> 0:41:48.640
<v Speaker 1>or and there is talk about all of these different things, right.

0:41:48.800 --> 0:41:53.080
<v Speaker 4>Yeah, I feel like philosophically, to me, the problem is

0:41:53.200 --> 0:41:57.000
<v Speaker 4>around the framing, weirdly of late stage capitalism, which is

0:41:57.600 --> 0:42:01.040
<v Speaker 4>which is that like late stage capitalism posits that life

0:42:01.080 --> 0:42:04.800
<v Speaker 4>is a zero sum game that my my, if I gain,

0:42:04.920 --> 0:42:08.200
<v Speaker 4>if you gain, it's because I lose. And I think

0:42:08.280 --> 0:42:12.240
<v Speaker 4>that's why global warming or behavioral solutions to climate change

0:42:12.320 --> 0:42:15.279
<v Speaker 4>aren't going to work, because everyone has this frame of like, well,

0:42:15.320 --> 0:42:17.160
<v Speaker 4>if I'm going to suffer, who's benefiting?

0:42:17.960 --> 0:42:21.080
<v Speaker 3>Right, instead of what can we do to benefit all

0:42:21.120 --> 0:42:21.480
<v Speaker 3>of us?

0:42:22.320 --> 0:42:26.560
<v Speaker 1>Right? Yeah? That sounds that does no sense politically attractive

0:42:26.600 --> 0:42:27.879
<v Speaker 1>to a lot of people right now.

0:42:28.160 --> 0:42:31.799
<v Speaker 4>Yes, I know, And honestly, the most amazing things that

0:42:31.840 --> 0:42:33.760
<v Speaker 4>have ever happened to me in my life are because

0:42:33.800 --> 0:42:36.200
<v Speaker 4>of collective action of me and a group of people.

0:42:36.719 --> 0:42:39.120
<v Speaker 1>Well, I think that also that I mean, we are

0:42:39.160 --> 0:42:40.960
<v Speaker 1>the sum of the people that came before us. We

0:42:41.000 --> 0:42:44.000
<v Speaker 1>all are. And it's funny. I'm in Chicago right now,

0:42:44.040 --> 0:42:47.200
<v Speaker 1>and Chicago always makes me feel like this because it's

0:42:47.239 --> 0:42:49.800
<v Speaker 1>a time that I always associate I don't know why,

0:42:49.960 --> 0:42:53.640
<v Speaker 1>with the nineteenth century and early twentieth century. I guess

0:42:53.719 --> 0:42:57.720
<v Speaker 1>like Prohibition and al Capone and you know, and the World's.

0:42:57.280 --> 0:43:01.160
<v Speaker 4>Fair eighteen ninety seven or the Column ex Position in

0:43:01.200 --> 0:43:02.399
<v Speaker 4>eight ninety five.

0:43:02.560 --> 0:43:05.480
<v Speaker 1>Yeah, right, And so I think of all of that

0:43:05.600 --> 0:43:07.880
<v Speaker 1>when I would walk down on the lake today and

0:43:07.920 --> 0:43:10.400
<v Speaker 1>I look at it and just looking at the buildings,

0:43:10.440 --> 0:43:13.799
<v Speaker 1>and you know, I'm sixty two am you know, and

0:43:13.840 --> 0:43:17.040
<v Speaker 1>I'm thinking it's you're a fucking may fly, man, You're

0:43:17.080 --> 0:43:18.240
<v Speaker 1>a fucking mayfly.

0:43:18.760 --> 0:43:19.520
<v Speaker 2>Yeah.

0:43:19.040 --> 0:43:22.760
<v Speaker 1>And but all of these buildings, all of this stuff,

0:43:22.800 --> 0:43:27.279
<v Speaker 1>all of this this temple of mammon that is Chicago,

0:43:28.040 --> 0:43:30.520
<v Speaker 1>and it's all built by people who have gone.

0:43:30.680 --> 0:43:34.000
<v Speaker 3>Yeah, have you? Chicago has this one. I love Chicago.

0:43:34.040 --> 0:43:35.440
<v Speaker 2>It's one of my favorite grit city.

0:43:36.040 --> 0:43:40.120
<v Speaker 4>And Chicago has an architectural boat tour up the river

0:43:40.600 --> 0:43:43.840
<v Speaker 4>that is one of the great three hour tourist trips.

0:43:43.880 --> 0:43:47.560
<v Speaker 7>To do a three hour tour a three hour tour

0:43:47.719 --> 0:43:52.240
<v Speaker 7>on a bound of Chicago's architecture, everything from why there's

0:43:52.360 --> 0:43:55.280
<v Speaker 7>little buildings on the sides of every bridge to talking

0:43:55.360 --> 0:43:56.560
<v Speaker 7>about the Sears Tower.

0:43:56.680 --> 0:43:58.279
<v Speaker 3>It's a really, really fun that.

0:43:58.600 --> 0:44:01.160
<v Speaker 2>Sounds like I've got the day off today. Actually I

0:44:01.239 --> 0:44:02.799
<v Speaker 2>might try to figure that out.

0:44:02.960 --> 0:44:04.799
<v Speaker 3>Oh, it's a good one. That's a really good one.

0:44:05.360 --> 0:44:09.600
<v Speaker 1>I don't have a three hours to spare, but maybe,

0:44:10.120 --> 0:44:12.279
<v Speaker 1>but maybe I do. Maybe I do have three hours

0:44:12.320 --> 0:44:14.479
<v Speaker 1>to spare. I noticed that I don't know if.

0:44:14.400 --> 0:44:14.719
<v Speaker 2>You have this?

0:44:14.880 --> 0:44:18.120
<v Speaker 1>Are you How are you with your phone addiction? Everyone's

0:44:18.120 --> 0:44:20.440
<v Speaker 1>addicted to their phone. I think, do you have a

0:44:20.440 --> 0:44:21.520
<v Speaker 1>Are you okay with it?

0:44:21.719 --> 0:44:21.919
<v Speaker 7>Yeah?

0:44:21.960 --> 0:44:23.560
<v Speaker 2>Are you strict with yourself?

0:44:24.239 --> 0:44:24.439
<v Speaker 1>No?

0:44:24.840 --> 0:44:26.480
<v Speaker 3>I go easy on myself about it.

0:44:27.160 --> 0:44:29.239
<v Speaker 1>Oh. I have a funny.

0:44:29.040 --> 0:44:31.160
<v Speaker 4>Thing here in the shop, which is that I can't

0:44:31.680 --> 0:44:33.520
<v Speaker 4>I can't pick up my phone and look at web

0:44:33.520 --> 0:44:35.600
<v Speaker 4>pages while I'm standing in my shop.

0:44:36.280 --> 0:44:40.480
<v Speaker 3>Okay, the ethos of this place. That doesn't feel good.

0:44:40.480 --> 0:44:42.560
<v Speaker 4>I have to sit in my shop chair, which is

0:44:42.560 --> 0:44:46.120
<v Speaker 4>in the corner if I want to pause and serve

0:44:46.160 --> 0:44:49.040
<v Speaker 4>a couple of websites. So I almost never look at

0:44:49.080 --> 0:44:51.799
<v Speaker 4>my phone while I'm working here in the cave. But

0:44:51.920 --> 0:44:55.440
<v Speaker 4>at home, Yeah, it's it's it's fucked up my reading.

0:44:55.560 --> 0:44:58.160
<v Speaker 4>My reading is terrible. I used to read all the time,

0:44:58.440 --> 0:45:00.400
<v Speaker 4>and now I have to really push my self to

0:45:00.920 --> 0:45:03.359
<v Speaker 4>put books through my brain because I am a better

0:45:03.440 --> 0:45:04.560
<v Speaker 4>person when I am reading.

0:45:05.080 --> 0:45:09.000
<v Speaker 1>I feel like my my feeling now is that I

0:45:09.520 --> 0:45:14.920
<v Speaker 1>push myself hard into analog experiences. So I don't like

0:45:15.040 --> 0:45:17.480
<v Speaker 1>driving cars that have a lot of tech in them.

0:45:17.520 --> 0:45:21.719
<v Speaker 1>I don't like, you know, I don't like. I like

0:45:21.760 --> 0:45:24.520
<v Speaker 1>to go to a theater and talk to an audience

0:45:24.560 --> 0:45:27.000
<v Speaker 1>who don't have their phones with them. You know, they're

0:45:27.640 --> 0:45:30.920
<v Speaker 1>or they're they're not allowed to use them. And or

0:45:30.960 --> 0:45:34.759
<v Speaker 1>a comedy club or a or a or watch a

0:45:34.840 --> 0:45:36.080
<v Speaker 1>theater show and it.

0:45:36.440 --> 0:45:39.040
<v Speaker 2>But it's hard because those I don't.

0:45:39.320 --> 0:45:41.839
<v Speaker 1>I used to think it was my addictive personality, because

0:45:41.840 --> 0:45:44.919
<v Speaker 1>I clearly have one, but I don't think. I think

0:45:44.960 --> 0:45:47.759
<v Speaker 1>everyone has a fuck I look at everyone seems to

0:45:47.800 --> 0:45:50.920
<v Speaker 1>be kind of drawn into this mess. It's weird.

0:45:51.800 --> 0:45:54.120
<v Speaker 4>Neil Stevenson wrote a book a few years ago called

0:45:54.200 --> 0:45:57.120
<v Speaker 4>Seven Eves and I'm gonna spoil it right now, but

0:45:57.200 --> 0:45:58.960
<v Speaker 4>it's been out for years, so I don't think that's

0:45:58.960 --> 0:46:02.600
<v Speaker 4>go And in it, the moon blows up and starts

0:46:02.600 --> 0:46:05.840
<v Speaker 4>to break into chunks that are going to make Earth uninhabitable,

0:46:06.640 --> 0:46:10.239
<v Speaker 4>and the book spans people leaving the Earth in order

0:46:10.280 --> 0:46:13.480
<v Speaker 4>to survive and then going back to it several thousand

0:46:13.560 --> 0:46:14.080
<v Speaker 4>years later.

0:46:14.880 --> 0:46:15.360
<v Speaker 1>Wow.

0:46:15.480 --> 0:46:18.280
<v Speaker 4>And when they go back to it, they have access

0:46:18.280 --> 0:46:21.239
<v Speaker 4>to all the technology that existed on Earth, and one

0:46:21.239 --> 0:46:22.719
<v Speaker 4>of the things they do is, yeah, we're not going

0:46:22.800 --> 0:46:24.120
<v Speaker 4>to do smartphones this time.

0:46:24.239 --> 0:46:25.719
<v Speaker 3>That didn't work out for everybody.

0:46:26.239 --> 0:46:26.920
<v Speaker 2>That's great.

0:46:27.480 --> 0:46:30.160
<v Speaker 3>Isn't that that beautiful? Yeah?

0:46:30.320 --> 0:46:33.920
<v Speaker 2>There's a book by I think I can't remember the

0:46:34.000 --> 0:46:34.560
<v Speaker 2>author's name.

0:46:34.560 --> 0:46:35.040
<v Speaker 1>He is great.

0:46:35.360 --> 0:46:37.600
<v Speaker 2>I've read Evan, he's done Richard Harris.

0:46:37.640 --> 0:46:42.719
<v Speaker 1>Maybe is that a guy who wrote the trilogy about Ciceroule.

0:46:43.719 --> 0:46:44.319
<v Speaker 3>I don't know it.

0:46:44.760 --> 0:46:47.320
<v Speaker 1>Oh, he's great, but he wrote He wrote a book

0:46:47.880 --> 0:46:51.840
<v Speaker 1>called Second Sleep, which is set in.

0:46:52.120 --> 0:46:53.800
<v Speaker 2>Fourteen eighty three.

0:46:55.680 --> 0:46:59.839
<v Speaker 1>After the so the second Middle Ages, after the apocalypse,

0:47:00.840 --> 0:47:05.360
<v Speaker 1>and as a guy starts finding old technology and starts

0:47:05.400 --> 0:47:08.640
<v Speaker 1>to realize what happened, because you know, it's exactly like

0:47:08.719 --> 0:47:11.560
<v Speaker 1>the Middle Ages, where in fact you're you're a couple

0:47:11.560 --> 0:47:13.799
<v Speaker 1>of chapters in the book before you know, he picks

0:47:13.880 --> 0:47:16.759
<v Speaker 1>up something and he sees the little Apple logo on it,

0:47:16.800 --> 0:47:19.960
<v Speaker 1>and you go, what the fuck? It because you think

0:47:20.000 --> 0:47:22.640
<v Speaker 1>you're in the Middle Ages and then suddenly you're not.

0:47:22.960 --> 0:47:27.600
<v Speaker 1>You're in the Middle Ages again. It's a fascinating, fascinating book.

0:47:27.920 --> 0:47:30.960
<v Speaker 4>I was just reading a thought experiment from some researchers

0:47:31.000 --> 0:47:31.560
<v Speaker 4>that were like.

0:47:31.680 --> 0:47:33.080
<v Speaker 3>Okay, if.

0:47:34.480 --> 0:47:37.319
<v Speaker 4>If there, if it's possible that there was an intelligent

0:47:37.440 --> 0:47:41.480
<v Speaker 4>civilization of some kind of creature before human beings on

0:47:41.520 --> 0:47:45.840
<v Speaker 4>Earth that existed, you know, pre Pangaea, because there's actually

0:47:45.920 --> 0:47:49.800
<v Speaker 4>been there's another Pangaea that predates Pangaea. And so all

0:47:49.840 --> 0:47:52.719
<v Speaker 4>of the surfaces of all the land masses on Earth

0:47:52.760 --> 0:47:56.440
<v Speaker 4>have turned over, and you know, sedimentary layers have built up.

0:47:57.239 --> 0:48:01.080
<v Speaker 4>What when you look for to look for a civilization

0:48:01.200 --> 0:48:04.959
<v Speaker 4>that existed that long ago, what sort of non random

0:48:05.520 --> 0:48:10.680
<v Speaker 4>things would give you a hint that intelligence had yielded

0:48:10.840 --> 0:48:13.279
<v Speaker 4>some sort of effect on Earth's.

0:48:12.960 --> 0:48:16.600
<v Speaker 3>Atmosphere, on its land masses, and we would you look for?

0:48:16.920 --> 0:48:21.600
<v Speaker 4>Well, this is the thing they were just opening up

0:48:21.640 --> 0:48:26.719
<v Speaker 4>the thought experiment. But there's a lovely guy, Lee Cronin.

0:48:27.160 --> 0:48:31.360
<v Speaker 4>He's over in Scotland or Ireland, and he's we were

0:48:31.400 --> 0:48:34.360
<v Speaker 4>at a dinner party talking about what is a reasonable

0:48:34.360 --> 0:48:36.279
<v Speaker 4>definition of life? And he said, I got it. I've

0:48:36.280 --> 0:48:39.479
<v Speaker 4>got the simplest definition of life. Life, he said, makes

0:48:39.640 --> 0:48:46.839
<v Speaker 4>non random shit at scale. Yeah, all right, that's pretty good,

0:48:47.440 --> 0:48:48.320
<v Speaker 4>isn't that unimal?

0:48:48.880 --> 0:48:53.040
<v Speaker 1>Yeah? I read something recently about you know, the I

0:48:53.040 --> 0:48:56.480
<v Speaker 1>can't remember the name of it. It's passed the doortage,

0:48:56.480 --> 0:49:01.080
<v Speaker 1>but it was about the idea of the more successful

0:49:01.320 --> 0:49:04.200
<v Speaker 1>forms of life on Earth, and that was postulating the

0:49:04.239 --> 0:49:08.360
<v Speaker 1>idea that wheaked is the most successful form of like

0:49:08.400 --> 0:49:11.200
<v Speaker 1>on Earth because you know, it takes up the most

0:49:11.239 --> 0:49:15.080
<v Speaker 1>grounded everybody needs it. It's you know, it's now I

0:49:15.120 --> 0:49:17.840
<v Speaker 1>was thinking, I also try that with Louis c. K

0:49:18.120 --> 0:49:20.759
<v Speaker 1>had a bet which I loved about humans are the

0:49:20.760 --> 0:49:23.800
<v Speaker 1>most successful because we're not in the food chain anymore

0:49:25.239 --> 0:49:30.400
<v Speaker 1>and tweak most certainly fucking as And I think because

0:49:30.520 --> 0:49:33.640
<v Speaker 1>just it's a different perspective on this, the same thing.

0:49:34.400 --> 0:49:37.320
<v Speaker 4>I once saw biologists give a talk from the frame

0:49:37.560 --> 0:49:41.680
<v Speaker 4>of sheep and cows were really smart when they traded

0:49:41.760 --> 0:49:44.120
<v Speaker 4>sexual selection for protection from humans.

0:49:44.840 --> 0:49:46.120
<v Speaker 3>Oh, but.

0:49:51.000 --> 0:49:54.440
<v Speaker 4>Just I love an alternate frame of Yeah, well, I

0:49:54.560 --> 0:49:55.080
<v Speaker 4>think the mover.

0:49:56.239 --> 0:50:00.920
<v Speaker 1>I think that ultimately, where I come back to, or

0:50:00.960 --> 0:50:03.600
<v Speaker 1>where I am at the moment anyway, is that I

0:50:03.680 --> 0:50:07.080
<v Speaker 1>kind of feel like I'm with the stoics, which is

0:50:07.680 --> 0:50:11.640
<v Speaker 1>the only thing you really can control is your attitude

0:50:12.120 --> 0:50:15.319
<v Speaker 1>to what's happening. Everything else is outside your control. You

0:50:15.320 --> 0:50:16.680
<v Speaker 1>can look at it, you can see it, you can

0:50:16.680 --> 0:50:19.480
<v Speaker 1>absorb it a bit, but so few things can actually

0:50:19.520 --> 0:50:24.080
<v Speaker 1>be altered by anything other than the way you think

0:50:24.160 --> 0:50:24.520
<v Speaker 1>about it.

0:50:24.840 --> 0:50:27.680
<v Speaker 3>Well, this is like, this is one of my favorite

0:50:27.960 --> 0:50:33.520
<v Speaker 3>Buddhist prayers actually, or slogans is and it's actually it's

0:50:33.680 --> 0:50:37.120
<v Speaker 3>important enough that Julia, my wife, wrote this down for

0:50:37.200 --> 0:50:39.920
<v Speaker 3>me and put it in my wallet. And it's germane

0:50:39.920 --> 0:50:41.040
<v Speaker 3>to what you've just said.

0:50:41.080 --> 0:50:43.959
<v Speaker 4>And it's about the fact that you know, we come here,

0:50:44.000 --> 0:50:46.560
<v Speaker 4>and we leave here, and we're not here for very long,

0:50:46.600 --> 0:50:48.560
<v Speaker 4>and we don't have much that we can get done

0:50:48.600 --> 0:50:51.160
<v Speaker 4>in the time we're here. But the last part of

0:50:51.200 --> 0:50:55.960
<v Speaker 4>this is, my actions are my only true belongings. I

0:50:56.000 --> 0:51:00.200
<v Speaker 4>cannot escape the consequences of my actions. My actions are

0:51:00.200 --> 0:51:01.480
<v Speaker 4>the ground on which I stand.

0:51:02.719 --> 0:51:05.120
<v Speaker 1>That seems like a great place to tie it all up.

0:51:05.239 --> 0:51:10.560
<v Speaker 1>Well done, it's lovely, it's lovely to catch up with

0:51:10.600 --> 0:51:12.560
<v Speaker 1>you atam. It's been way too long. I'll be in

0:51:12.600 --> 0:51:15.600
<v Speaker 1>San Francisco. I've got to be there soon. I'm on tour.

0:51:15.680 --> 0:51:18.840
<v Speaker 1>It's got to be in the future, will can you

0:51:18.920 --> 0:51:22.640
<v Speaker 1>and Julian and I please have been please? Yes, it's

0:51:22.680 --> 0:51:24.680
<v Speaker 1>been way too long, She sends her love.

0:51:24.719 --> 0:51:25.839
<v Speaker 3>I told her I was doing this.

0:51:26.520 --> 0:51:28.960
<v Speaker 1>In fact, Megan's saying turns to you, add to her.

0:51:29.080 --> 0:51:31.360
<v Speaker 1>So it's all good. We're back, we're back in the game.

0:51:31.400 --> 0:51:32.200
<v Speaker 1>But I love it.

0:51:32.280 --> 0:51:34.200
<v Speaker 3>I love you, my friend. It's good to see.

0:51:34.040 --> 0:51:34.959
<v Speaker 1>You, all right.

0:51:35.320 --> 0:51:38.000
<v Speaker 2>Think it easy.