WEBVTT - Steve McQueen

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<v Speaker 1>Welcome to River Cafe, Table four, a production of iHeartRadio

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<v Speaker 1>and Adami Studios.

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<v Speaker 2>Sitting here in the River Cafe on a Sunday Monday morning,

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<v Speaker 2>with chefs in the kitchen making ravioli, with hiroles and

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<v Speaker 2>waiters laying tables in the garden, the uncertain world we

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<v Speaker 2>live in feels miles away. The artist and filmmaker Steve

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<v Speaker 2>McQueen does not separate the world of beauty and the

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<v Speaker 2>world of suffering in any of his work political oppression, slavery,

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<v Speaker 2>sexual inequality. Step and I met in nineteen ninety nine

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<v Speaker 2>when he won the Turner Prize for his radical video art,

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<v Speaker 2>and we once had dinner together with President Obama. It

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<v Speaker 2>was clear that the only person President Obama was interested

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<v Speaker 2>in talking to with Steve McQueen, and he didn't want

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<v Speaker 2>to share him with anyone else else. Now, a few

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<v Speaker 2>years later, I finally have Steve McQueen all to myself,

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<v Speaker 2>and being a generous person, we'll share him with you.

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<v Speaker 2>Steve and I share a hero in Paul Robeson. We

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<v Speaker 2>share the same concerns for equality and justice and food,

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<v Speaker 2>and today we're going to talk all about that and more.

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<v Speaker 2>Thank you, Steve, Thank you for inviting me. Tell me

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<v Speaker 2>about growing up in London. You lived with your parents

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<v Speaker 2>in West London and what did you eat?

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<v Speaker 3>Yeah, we grew up. I grew up in the first

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<v Speaker 3>leship of Bush, West London. My relationship with food really

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<v Speaker 3>starts with the market. I was the kid who was

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<v Speaker 3>carrying the bags behind their mother, you know, because basically

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<v Speaker 3>I would have to go with her, because you know,

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<v Speaker 3>I was the sort of vext to bad hands.

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<v Speaker 4>A shopping back home.

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<v Speaker 3>Food was a way of actually getting to know London

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<v Speaker 3>because if someone in I said to my mother this,

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<v Speaker 3>you know, you could get so and so sea based

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<v Speaker 3>in this market for this amount of money, she will

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<v Speaker 3>be there. So people used to talk about where can

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<v Speaker 3>they get particular kind of food and fresh produce yew.

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<v Speaker 2>Where was your mother born?

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<v Speaker 4>My mother was.

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<v Speaker 3>Born in Trinidad, but she grew up in in Grenada,

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<v Speaker 3>and my father was born in Grenada.

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<v Speaker 2>How old were they when they came to London.

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<v Speaker 3>My mother was about fourteen fifteen, I think you're about

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<v Speaker 3>fifteen when she came to London. I think in the

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<v Speaker 3>early sixties, and my father was a little bit older.

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<v Speaker 3>I think maybe it was about twenty one.

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<v Speaker 4>I don't know. When I think he came early sixties too,

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<v Speaker 4>but not not at the same time.

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<v Speaker 2>And so do you think her mother had taken her

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<v Speaker 2>to the market. As you say, the market does introduce

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<v Speaker 2>us to a culture, that introduces us to a city.

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<v Speaker 2>It's the first place I always go when I go

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<v Speaker 2>to any town in any city in any country. But

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<v Speaker 2>tell me more about the smells of the market and

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<v Speaker 2>what it looked like for you and your mother's experience

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<v Speaker 2>of the market.

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<v Speaker 3>Well, in fact, what happened was that a lot of

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<v Speaker 3>joity of people for coming from west in this headline,

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<v Speaker 3>and they grew their own food, you know, and look

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<v Speaker 3>after you know, the animals and so forth and whatnot.

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<v Speaker 3>And fishing was a big part of the culture too,

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<v Speaker 3>because obviously my mother lived on on the coast in

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<v Speaker 3>a place called Stears and was a very big fishing

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<v Speaker 3>spot there, you know, it's called a fishing village. Food

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<v Speaker 3>was very much directly sort of to do with who

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<v Speaker 3>they were. So when they came to London, of course

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<v Speaker 3>looking for good food was very important. And you know,

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<v Speaker 3>we used to go to all kinds of bloody markets

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<v Speaker 3>all over London.

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<v Speaker 4>I so, I said, I met up with it.

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<v Speaker 3>I said, missed my football focus on a sacle because

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<v Speaker 3>I had to go to the market with my mum.

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<v Speaker 4>It was something which I remember.

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<v Speaker 3>There was all different cultures, you know it was didn't

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<v Speaker 3>You had the sort of you know, the Londoners and

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<v Speaker 3>the white Londoners and the Indian, you're the Jewish. You

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<v Speaker 3>had all kinds of people. It was fabulous. It was

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<v Speaker 3>really kind of cool tone.

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<v Speaker 2>When you would come home from the market. What would

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<v Speaker 2>you eat? What would they cook from the market?

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<v Speaker 3>Oh, if you get dashing, you know, spinage? You know again,

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<v Speaker 3>you know you cook? I mean my my my favorite

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<v Speaker 3>was like a nice stewed chicken. I'm not a special thing,

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<v Speaker 3>I'm roty, just you know, Oh my god, what was it?

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<v Speaker 3>A beautiful It's like a nice stew fish. And I

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<v Speaker 3>just to love.

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<v Speaker 4>What was this? This one thing I used to not

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<v Speaker 4>very much was a vegetable? What was it? It was?

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<v Speaker 4>I love? I love?

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<v Speaker 3>It was all kinds of exotic stuff. I mean I

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<v Speaker 3>say exotic because it was familiar to me. But my friends,

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<v Speaker 3>my white first and what was that was this?

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<v Speaker 4>Was this? Yeah?

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<v Speaker 2>Who cooked in the house.

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<v Speaker 4>My mother cooked, my father cooked. My father was a

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<v Speaker 4>good cook too.

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<v Speaker 3>He took pride in the Christmas ham.

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<v Speaker 4>That was his job.

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<v Speaker 3>There was a particular way of cooking that came from

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<v Speaker 3>because his uncle was a butcher in the West Indies,

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<v Speaker 3>So there was a particular way of cooking the ham.

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<v Speaker 3>I can't even prescribe it now, but it's close, all

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<v Speaker 3>into indented in all everywhere.

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<v Speaker 4>It was almost like sort of a ror movie marblous. Yeah,

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<v Speaker 4>great cooks, great cooks.

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<v Speaker 2>Did you cook with them? Was it a family affair?

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<v Speaker 2>Would you all cook together?

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<v Speaker 3>I mean I loved being with my mother in the

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<v Speaker 3>kitchen because somehow I love to help out. I love

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<v Speaker 3>to sort of be I don't know, I love to

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<v Speaker 3>love that. So I can't say that I'm a great cook,

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<v Speaker 3>but I was a very good shoe chef, a bit

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<v Speaker 3>of a neat and tidy person.

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<v Speaker 2>Would they entertain? Would friends come over? Did was there

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<v Speaker 2>that feeling.

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<v Speaker 4>When people did come over? It was?

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<v Speaker 3>It was a lot of family and and what I

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<v Speaker 3>think most of the things I used to do when

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<v Speaker 3>the people's come up with them would just listen because

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<v Speaker 3>there was always boys that would come out that my

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<v Speaker 3>parents will never talk to us about, of course, but

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<v Speaker 3>always because adults will talk to adults, So therefore and

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<v Speaker 3>find out about sort of how what was going on

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<v Speaker 3>or when.

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<v Speaker 2>You left this very comforting family meals where you were

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<v Speaker 2>cooked for and you ate together. What was that like

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<v Speaker 2>when you left home? Where did you live?

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<v Speaker 3>I was actually nearing you, guys. Actually I was in Fulham.

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<v Speaker 3>I was just around the corner from me. I was

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<v Speaker 3>with his girlfriend and she was great. She was a

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<v Speaker 3>very important girlfriend of mine.

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<v Speaker 4>Your name was a Nuke.

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<v Speaker 3>She was a Swiss. And then she had discovered this restaurant,

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<v Speaker 3>this place called Malati, the Indonesian place and so, which

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<v Speaker 3>was delicious. It was gorgeous. And that was my first

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<v Speaker 3>restaurant and.

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<v Speaker 2>She that was your first restaurant.

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<v Speaker 4>I think that was one of my first restaurants. Yeah,

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<v Speaker 4>I was. I think I was about nineteen years old.

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<v Speaker 2>And after that the restaurants become part of your social life.

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<v Speaker 2>Did you love restaurants?

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<v Speaker 4>Absolutely?

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<v Speaker 3>I mean, what's great about I mean now, I suppose

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<v Speaker 3>in London it wasn't so when when I was growing up,

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<v Speaker 3>we didn't have that was the world, I think. And

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<v Speaker 3>to be introduced to the world through food and of

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<v Speaker 3>course good company, that's always the main ingredient for going

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<v Speaker 3>to a restaurant. So that was wonderful and then we

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<v Speaker 3>got to know. So we've got a lot of restaurants

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<v Speaker 3>and so we got to know I remember during that time,

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<v Speaker 3>miss early nineties, early early nineties.

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<v Speaker 4>Yeah, and also in the East then too.

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<v Speaker 2>Yeah, what about an arts school? Was that revelation?

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<v Speaker 4>Yeah? I mean, you know, Canon Bitter Cheese, Ladiel and Baget.

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<v Speaker 3>I mean that was that was kind of like interesting

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<v Speaker 3>because again there was an addition to waste in this cheese.

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<v Speaker 4>I mean no cheese. I was crappy cheese.

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<v Speaker 3>You know, can imagine a sort of a big block

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<v Speaker 3>of something which they called cheese. But getting to them

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<v Speaker 3>cheese was interesting during my time at Foundation at Chelsea.

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<v Speaker 2>I mean, it's a kind of interesting life change, isn't

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<v Speaker 2>it between this going to the market with your mother

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<v Speaker 2>and carrying the bag and coming home and cooking and

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<v Speaker 2>then sitting and down and eating and then having independence

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<v Speaker 2>and having to fend for yourself and discover life out there.

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<v Speaker 2>Did you go home? Would you return home for the

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<v Speaker 2>home cooked meal?

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<v Speaker 4>Yes? I used to love going home for food.

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<v Speaker 3>My goodness, I said, oh, oh, my goodness, I used

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<v Speaker 3>to love it. It's just it's just a sort of yeah,

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<v Speaker 3>it was difficult because at first it was how do

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<v Speaker 3>I cook?

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<v Speaker 4>What do I cook? I was on the phone to

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<v Speaker 4>my mom, Mom, how do I do this? Mom? I

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<v Speaker 4>do this? My Mom, I do that.

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<v Speaker 3>So a lot of calls about me and sort of

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<v Speaker 3>soups and things like that, and how do I season

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<v Speaker 3>them because I can't. For granted, I said to be

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<v Speaker 3>the shoe chep, but I wasn't really looking. It wasn't

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<v Speaker 3>really studying. Yeah, so a lot of phone calls.

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<v Speaker 5>Basically back round, Welcome back to River Cafe, Table four.

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<v Speaker 2>In each episode, my guest reads a recipe they have

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<v Speaker 2>chosen from one of our cookbooks. We chose spinach and peas,

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<v Speaker 2>So would you like to go for it and tell

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<v Speaker 2>the world how to make it?

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<v Speaker 3>One kilogram fresh peas in their pods, extra virgin olive oil,

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<v Speaker 3>one garlic cloth peel and diced, one dried red chili crumbled,

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<v Speaker 3>one canogram of spinach, washed tough stalks, Removed.

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<v Speaker 2>The piece and blanche them in plenty of boiling water.

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<v Speaker 2>In Italy, no one ever cooks vegetables.

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<v Speaker 4>Absolutely only past it.

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<v Speaker 3>So rather than blanching these peas, boil them so that

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<v Speaker 3>they almost melt together with spinach and the olive oil.

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<v Speaker 2>Gorgeous. So now Steve, here we are and we're going

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<v Speaker 2>to talk about the series that has just been on

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<v Speaker 2>television that we've all watched and been so moved by.

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<v Speaker 2>Small acts. You tell the story of a local restaurant

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<v Speaker 2>constantly harassed by the police. Is that a memory or

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<v Speaker 2>is that? Can you tell me about the restaurant, the

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<v Speaker 2>politics and the series.

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<v Speaker 4>Sure?

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<v Speaker 3>Well, the Mangrove Restaurant was a restaurant run by Frank

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<v Speaker 3>Krischlow in Lambergrove on All Saints Road, and he opened

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<v Speaker 3>a restaurant in nineteen sixty eight and it was a

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<v Speaker 3>sort of home away from home restaurant. You can imagine,

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<v Speaker 3>as I said before, other people on the sort of

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<v Speaker 3>the taste of home and had a vibrancy of having

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<v Speaker 3>sort of like many people wanted to sort of come

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<v Speaker 3>to a place to eat and to sort of commune

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<v Speaker 3>with each other. So it was a place of refuge

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<v Speaker 3>in it in a way. You know, the vibe, the

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<v Speaker 3>vibes that came out of there, and it was just

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<v Speaker 3>one of those places which became very infectious if people

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<v Speaker 3>wanted to go. It was it was it was something

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<v Speaker 3>which was which was which was on the scene and

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<v Speaker 3>unfortunately the police and the authorities that be obviously didn't

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<v Speaker 3>like what was happening at this place because again it

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<v Speaker 3>was you know, it was people from the Western Ears,

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<v Speaker 3>it was working class people, it was the thinkers, it

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<v Speaker 3>was sort of activists were coming there and also the

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<v Speaker 3>whole eploy.

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<v Speaker 4>So all these people.

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<v Speaker 3>Coming to this spot and talking over food, having ideas,

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<v Speaker 3>and obviously that was something which the authorities didn't like,

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<v Speaker 3>and therefore they tried to disrupt disrupted as much as

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<v Speaker 3>they could. You know, it was a case of the

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<v Speaker 3>people not wanting certain ideas having a foothold in UK,

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<v Speaker 3>and they thought that the Mangrove was a place where

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<v Speaker 3>those ideas could sort of take root.

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<v Speaker 2>There's something about doing that kind of discussion as well

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<v Speaker 2>over food. And one of the things that I see

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<v Speaker 2>in the restaurant is that somehow being out of your house,

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<v Speaker 2>being away from your domestic life, being looked after, gives

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<v Speaker 2>you the chance to really focus on a conversation. Do

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<v Speaker 2>you find that in a restaurant.

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<v Speaker 3>Absolutely absolutely, And there's a sense of, I don't know

0:11:28.920 --> 0:11:33.480
<v Speaker 3>what is it purpose, you're there, you're present, there's another

0:11:33.520 --> 0:11:36.960
<v Speaker 3>person there and present, but also actually just a listen.

0:11:37.679 --> 0:11:38.640
<v Speaker 4>It's just a case.

0:11:38.440 --> 0:11:42.679
<v Speaker 3>Of being in an environment where you are you know,

0:11:42.840 --> 0:11:46.120
<v Speaker 3>you feel comfortable in order to say things and listen.

0:11:46.720 --> 0:11:50.560
<v Speaker 2>And also I've talked to various people in business and

0:11:50.600 --> 0:11:54.400
<v Speaker 2>in film and creating movies or making deals. I mean

0:11:54.440 --> 0:11:57.240
<v Speaker 2>when I always quote is Michael Caine who said that

0:11:57.280 --> 0:11:59.720
<v Speaker 2>he never did a deal for a movie in America

0:11:59.800 --> 0:12:03.280
<v Speaker 2>that didn't take place in a restaurant. And he said

0:12:03.520 --> 0:12:06.360
<v Speaker 2>that was very Hollywood. Do you work in restaurants? Do

0:12:06.400 --> 0:12:08.400
<v Speaker 2>you'd like to meet people that you're going to work

0:12:08.440 --> 0:12:09.720
<v Speaker 2>with in a restaurant?

0:12:09.800 --> 0:12:12.600
<v Speaker 4>First, I love it. That doesn't happen often.

0:12:13.800 --> 0:12:16.520
<v Speaker 3>I mean, I think it's sort of it's a classy

0:12:16.559 --> 0:12:18.560
<v Speaker 3>way to do anything, isn't it. And also I love

0:12:18.559 --> 0:12:21.120
<v Speaker 3>it because growing up in the art world. What was

0:12:21.320 --> 0:12:23.319
<v Speaker 3>wonderful about growing up in the art world is that

0:12:23.760 --> 0:12:27.599
<v Speaker 3>artists never paid for dinners, never because.

0:12:27.320 --> 0:12:29.400
<v Speaker 4>You're the artist. And it was amazing.

0:12:29.720 --> 0:12:32.199
<v Speaker 3>In fact, I think that's how I grew up in

0:12:32.559 --> 0:12:36.000
<v Speaker 3>food in an interesting way. It was through the art world.

0:12:36.240 --> 0:12:38.520
<v Speaker 3>It's completely different to the film world. I mean, you

0:12:38.520 --> 0:12:40.600
<v Speaker 3>know the fact that you you know, you might get

0:12:40.679 --> 0:12:42.280
<v Speaker 3>crappy sang which you're you're you're lucky.

0:12:42.880 --> 0:12:44.960
<v Speaker 4>But in the art world, it was always the best wines.

0:12:45.000 --> 0:12:46.160
<v Speaker 4>It was always the best.

0:12:45.880 --> 0:12:48.200
<v Speaker 3>Food, you know, if it was an opening or even

0:12:48.280 --> 0:12:50.199
<v Speaker 3>a meeting, it was always the best restaurant.

0:12:50.280 --> 0:12:52.320
<v Speaker 4>And that was a huge education. Absolutely.

0:12:52.600 --> 0:12:56.400
<v Speaker 2>I was thinking about making movies and the movies you've made,

0:12:56.400 --> 0:12:59.640
<v Speaker 2>and of course here we are talking about food and

0:12:59.720 --> 0:13:04.000
<v Speaker 2>eat and the joy of being taken care of through food.

0:13:04.480 --> 0:13:07.280
<v Speaker 2>And then I think of the movie that you know,

0:13:07.480 --> 0:13:10.600
<v Speaker 2>was so earth shattering, which was Hunger, And so we're

0:13:10.600 --> 0:13:13.640
<v Speaker 2>talking about a movie called Hunger and the state of

0:13:13.720 --> 0:13:18.920
<v Speaker 2>hunger and somebody put their principles and politics above comfort

0:13:19.040 --> 0:13:23.199
<v Speaker 2>and as a political act actually starved themselves. So what

0:13:23.280 --> 0:13:26.240
<v Speaker 2>was it like making a movie that was the absence

0:13:26.280 --> 0:13:28.120
<v Speaker 2>of food as a political statement?

0:13:28.640 --> 0:13:34.160
<v Speaker 4>He I mean, for me, it was again its food

0:13:34.200 --> 0:13:34.720
<v Speaker 4>is interesting thing.

0:13:36.640 --> 0:13:39.040
<v Speaker 3>I related to that in a way, that of being

0:13:39.040 --> 0:13:42.280
<v Speaker 3>a child in the way that you know, the often

0:13:42.360 --> 0:13:46.400
<v Speaker 3>don'tly power a child has is frailing to eat his

0:13:46.720 --> 0:13:51.679
<v Speaker 3>or her mother saying you're not leaving the table until

0:13:51.679 --> 0:13:54.800
<v Speaker 3>you finish that plate, and the child sort of you know,

0:13:54.880 --> 0:13:59.360
<v Speaker 3>refusing to eat, and then you're sent off the bed,

0:13:59.760 --> 0:14:02.640
<v Speaker 3>you know. And it's interesting because you know what the

0:14:02.679 --> 0:14:04.679
<v Speaker 3>clothes you wear that as a as a child of

0:14:04.720 --> 0:14:06.440
<v Speaker 3>a certain age, what time you go to bed, what

0:14:06.480 --> 0:14:08.959
<v Speaker 3>food you eat is chosen by your parents, and the

0:14:08.960 --> 0:14:11.800
<v Speaker 3>whole idea that this child, the power this child has

0:14:12.160 --> 0:14:14.960
<v Speaker 3>is to refrain to eat. That was my relationship in

0:14:15.000 --> 0:14:17.920
<v Speaker 3>some ways to Bobby Sands and hunger strike, that the

0:14:17.920 --> 0:14:20.000
<v Speaker 3>power that person had was to refrain to eat.

0:14:20.280 --> 0:14:21.160
<v Speaker 4>Ever since it was a child.

0:14:21.160 --> 0:14:23.320
<v Speaker 3>I remembered asking my mom when I saw this image

0:14:23.320 --> 0:14:25.480
<v Speaker 3>of Bobby's Sands on on television with a number benderneath

0:14:25.600 --> 0:14:28.400
<v Speaker 3>his image, and asking my mother, what's what's what is that?

0:14:28.400 --> 0:14:29.880
<v Speaker 3>How old this person is? Because no, that how many

0:14:29.920 --> 0:14:32.040
<v Speaker 3>days this person has been a hunger strike. So there

0:14:32.080 --> 0:14:35.360
<v Speaker 3>was an immediate relationship with the story and it was yeah,

0:14:35.520 --> 0:14:38.000
<v Speaker 3>it was It was difficult, but I think Michael Fans

0:14:38.040 --> 0:14:40.360
<v Speaker 3>been there, you know why cass as Bobby Sands was

0:14:40.400 --> 0:14:42.120
<v Speaker 3>tremendous and that was a bond up you know we

0:14:42.200 --> 0:14:44.880
<v Speaker 3>have to this day. It was a real kind of

0:14:45.560 --> 0:14:47.600
<v Speaker 3>a labor of love and not what.

0:14:47.640 --> 0:14:50.520
<v Speaker 2>Other food scenes in your movies In twelve Years a Slave,

0:14:50.640 --> 0:14:52.760
<v Speaker 2>there's a scene, isn't there at the dinner table.

0:14:53.400 --> 0:14:55.440
<v Speaker 4>I seem to remember, Yeah, there's lots of I think

0:14:55.440 --> 0:14:56.680
<v Speaker 4>there's lots of food in my films.

0:14:56.680 --> 0:14:58.400
<v Speaker 3>I mean you can see after that is shame the

0:14:58.440 --> 0:15:01.640
<v Speaker 3>two characters Brandon any sort of a possible girlfriend or

0:15:01.640 --> 0:15:04.160
<v Speaker 3>at this dinner table, and this waiter annoying way to

0:15:04.360 --> 0:15:07.280
<v Speaker 3>comes in every five seconds to interrupt them. I remember

0:15:07.360 --> 0:15:09.360
<v Speaker 3>that from having lots of dinners in New York and

0:15:09.640 --> 0:15:11.720
<v Speaker 3>every five seconds and what becomes in the middle of

0:15:11.720 --> 0:15:12.840
<v Speaker 3>something was getting bigger.

0:15:13.120 --> 0:15:15.400
<v Speaker 4>You know how conversations are. They had to get to

0:15:15.440 --> 0:15:15.920
<v Speaker 4>that point.

0:15:16.440 --> 0:15:18.480
<v Speaker 3>You know, it's always it was commercial buddy breaks every

0:15:18.480 --> 0:15:20.520
<v Speaker 3>five seconds. You have to start from scratch every five minutes.

0:15:20.560 --> 0:15:23.400
<v Speaker 3>So it didn't make for a good eating experience. So

0:15:24.000 --> 0:15:25.560
<v Speaker 3>I put that in the movie.

0:15:25.360 --> 0:15:26.480
<v Speaker 2>What do you eat on a film?

0:15:26.520 --> 0:15:26.560
<v Speaker 4>So?

0:15:27.080 --> 0:15:29.640
<v Speaker 2>Do you hate stopping for lunch when you're filming?

0:15:30.040 --> 0:15:30.120
<v Speaker 4>No?

0:15:30.200 --> 0:15:32.640
<v Speaker 3>I think it's fantastic. I mean, what was so wonderful

0:15:32.840 --> 0:15:36.800
<v Speaker 3>when I started filmmaking and Hunger and Sharing twelve is

0:15:37.040 --> 0:15:39.000
<v Speaker 3>it's like all the actors and all the crew will

0:15:39.000 --> 0:15:42.200
<v Speaker 3>eat together. We the people in their body trailers in

0:15:42.320 --> 0:15:46.600
<v Speaker 3>that crap, everyone lead together. There's something about communal eating

0:15:46.640 --> 0:15:54.080
<v Speaker 3>and it's about weed. It's such a unifying thing to see,

0:15:54.520 --> 0:15:57.960
<v Speaker 3>you know, the hear and makeup and the camera department,

0:15:58.080 --> 0:16:00.000
<v Speaker 3>and tubing up for food and sitting at the table

0:16:00.120 --> 0:16:02.600
<v Speaker 3>together and talking about the film or talking about things.

0:16:03.200 --> 0:16:04.280
<v Speaker 4>There's a camaraderie.

0:16:06.200 --> 0:16:08.800
<v Speaker 3>It's only time often when you're sort of on set

0:16:08.840 --> 0:16:11.960
<v Speaker 3>together that you had that sort of times, you know,

0:16:12.760 --> 0:16:16.080
<v Speaker 3>when you're sitting together eating and it's fun.

0:16:16.480 --> 0:16:18.640
<v Speaker 4>It's fun. I love it.

0:16:23.640 --> 0:16:27.520
<v Speaker 2>Year three is an exhibition that was at the Tate

0:16:28.320 --> 0:16:30.840
<v Speaker 2>and I went to see it three times because every

0:16:30.880 --> 0:16:34.400
<v Speaker 2>time I went back, I saw something, something different in

0:16:34.480 --> 0:16:37.880
<v Speaker 2>the expression of a child of a teacher. It really

0:16:37.960 --> 0:16:40.880
<v Speaker 2>told the story of the world we live in through

0:16:40.920 --> 0:16:43.560
<v Speaker 2>these photographs. And one of the issues that I think

0:16:43.680 --> 0:16:48.200
<v Speaker 2>is very important is that when we had the lockdown

0:16:48.240 --> 0:16:50.840
<v Speaker 2>a year ago, one of the things we learned that

0:16:50.880 --> 0:16:54.800
<v Speaker 2>when children were denied school, they were also denied food,

0:16:55.360 --> 0:16:58.280
<v Speaker 2>and they were denied food at lunchtime, which might have

0:16:58.360 --> 0:17:03.000
<v Speaker 2>been their only of the day. And the idea that

0:17:03.000 --> 0:17:06.880
<v Speaker 2>we have a society that children depend on having their

0:17:06.880 --> 0:17:09.320
<v Speaker 2>food away from the home because of the poverty in

0:17:09.359 --> 0:17:13.680
<v Speaker 2>the home is appalling and shocking and distressing everything else.

0:17:14.000 --> 0:17:16.520
<v Speaker 3>Yes, absolutely, I mean I had school, did this, which

0:17:16.520 --> 0:17:19.520
<v Speaker 3>I paid for by my mother. That's why even today.

0:17:19.560 --> 0:17:24.240
<v Speaker 3>I like hot meals, love hot lunches, I mean, and

0:17:24.280 --> 0:17:25.000
<v Speaker 3>they were vital.

0:17:25.320 --> 0:17:26.560
<v Speaker 4>They were vital there were children.

0:17:26.680 --> 0:17:29.880
<v Speaker 3>I know for a fact that that was the main

0:17:30.000 --> 0:17:32.840
<v Speaker 3>meal of the day, if not the only meal of

0:17:32.880 --> 0:17:35.359
<v Speaker 3>the day. And this is with our bottle of milk

0:17:35.359 --> 0:17:37.560
<v Speaker 3>in the morning before missus snatcher took it away from us.

0:17:37.960 --> 0:17:40.639
<v Speaker 4>Yeah. Yeah, I love school meals in that way. Also,

0:17:40.800 --> 0:17:44.280
<v Speaker 4>just because we are such a good laugh in the canteen,

0:17:44.440 --> 0:17:48.199
<v Speaker 4>you know, I associate food in school with good times

0:17:48.240 --> 0:17:50.760
<v Speaker 4>and I can even remember the smell of it, the

0:17:50.800 --> 0:17:55.639
<v Speaker 4>canteen and the noise and the cutlery banging together, and

0:17:55.680 --> 0:17:58.600
<v Speaker 4>it's so important. You know. Also people have to sort

0:17:58.640 --> 0:17:59.960
<v Speaker 4>of really tip.

0:18:00.040 --> 0:18:02.439
<v Speaker 3>They had to Marcus Rashford and what he did in

0:18:02.480 --> 0:18:04.320
<v Speaker 3>the sense of, you know, getting the government to sort

0:18:04.359 --> 0:18:08.119
<v Speaker 3>of stand down twice about the school mill because you

0:18:08.119 --> 0:18:09.920
<v Speaker 3>know it can This is, you know, if we can't

0:18:09.920 --> 0:18:12.439
<v Speaker 3>look after people we can't afford to eat, then I

0:18:12.440 --> 0:18:14.840
<v Speaker 3>don't know who we are as human beings. That it

0:18:14.920 --> 0:18:16.800
<v Speaker 3>took a footballer to do that is kind of a bit,

0:18:16.960 --> 0:18:19.040
<v Speaker 3>you know. There you go, Everyone has got to step

0:18:19.119 --> 0:18:20.800
<v Speaker 3>up in your own way. I suppose if people aren't

0:18:20.840 --> 0:18:23.400
<v Speaker 3>doing their job properly, that meaning the government. And also

0:18:23.400 --> 0:18:25.640
<v Speaker 3>don't forget this again. It's just one of those things

0:18:25.680 --> 0:18:28.000
<v Speaker 3>I feel that you know, everyone is unfortunately not brought

0:18:28.000 --> 0:18:31.600
<v Speaker 3>into this world equally. But if you just give someone

0:18:31.640 --> 0:18:34.240
<v Speaker 3>the possibility a little bit of a shaft of life,

0:18:34.640 --> 0:18:37.120
<v Speaker 3>one doesn't know where that might lead them to. So, yeah,

0:18:37.280 --> 0:18:39.280
<v Speaker 3>the fact that people actually have a meal in the stomach,

0:18:39.920 --> 0:18:45.200
<v Speaker 3>you know in Britain, Yeah, it's more than important. One

0:18:45.200 --> 0:18:47.280
<v Speaker 3>thing I was very shocked by when I was shooting

0:18:47.320 --> 0:18:50.840
<v Speaker 3>in Chicago, shooting widows was how I didn't see a

0:18:50.880 --> 0:18:55.280
<v Speaker 3>grocery store in a black neighborhood. I didn't see any

0:18:55.440 --> 0:18:58.800
<v Speaker 3>greens in a black neighbor you know, there wasn't a

0:18:58.880 --> 0:19:01.720
<v Speaker 3>green grocer's, but there was always some sort of fast

0:19:01.720 --> 0:19:03.000
<v Speaker 3>food place where people eat.

0:19:03.040 --> 0:19:05.919
<v Speaker 4>So people are losing this sort of heritage of food.

0:19:06.280 --> 0:19:09.600
<v Speaker 3>People are not aware of food and nourishment and possibilities

0:19:09.600 --> 0:19:10.160
<v Speaker 3>within food.

0:19:10.200 --> 0:19:12.840
<v Speaker 4>And food is politics in a way.

0:19:12.920 --> 0:19:16.800
<v Speaker 3>It reverts back to what we were talking about right

0:19:16.840 --> 0:19:20.280
<v Speaker 3>at the beginning of our conversation. It starts with like

0:19:20.960 --> 0:19:23.919
<v Speaker 3>in a way markets because markets, a lot of markets

0:19:23.920 --> 0:19:25.840
<v Speaker 3>are on the threat, a lot of markets have closed.

0:19:26.640 --> 0:19:29.680
<v Speaker 3>So this sense of community, sense of promarderate, a sense

0:19:29.720 --> 0:19:33.520
<v Speaker 3>of sort of love of food and love of each

0:19:33.560 --> 0:19:36.480
<v Speaker 3>other is being sort of erased in the sort of

0:19:37.280 --> 0:19:40.200
<v Speaker 3>you know, working class areas. I mean, you get these markets,

0:19:40.240 --> 0:19:43.080
<v Speaker 3>but they're so they're kind of like posh markets, aren't they.

0:19:43.119 --> 0:19:45.000
<v Speaker 4>They're sort of farmers' markets, they call them.

0:19:44.920 --> 0:19:48.639
<v Speaker 3>And you know, the food is so expensive, so and

0:19:48.680 --> 0:19:51.960
<v Speaker 3>I can I feel that they're becoming kind of food

0:19:52.000 --> 0:19:54.359
<v Speaker 3>deserts in a way where kids are growing up on

0:19:54.800 --> 0:19:57.680
<v Speaker 3>fast food and not being introduced to sort of love

0:19:57.760 --> 0:20:00.800
<v Speaker 3>food in a way. So that's the which I'm a

0:20:00.840 --> 0:20:02.280
<v Speaker 3>bit sort of concerned about.

0:20:03.080 --> 0:20:06.960
<v Speaker 2>Yeah, food is a connection, and food is a memory,

0:20:07.720 --> 0:20:10.959
<v Speaker 2>and food is giving and sharing, and food is political

0:20:11.040 --> 0:20:15.399
<v Speaker 2>and social, and it's also comfort. It's something that we

0:20:15.480 --> 0:20:18.600
<v Speaker 2>go to and we need comfort. And so I suppose

0:20:18.640 --> 0:20:22.720
<v Speaker 2>Steve McQueen, what would you say is the food you

0:20:22.760 --> 0:20:24.920
<v Speaker 2>would go to if you needed comfort?

0:20:25.320 --> 0:20:28.320
<v Speaker 3>For me, the comfort food that I very much love

0:20:28.359 --> 0:20:32.239
<v Speaker 3>and I appreciate is often the cold day, you know,

0:20:32.320 --> 0:20:35.000
<v Speaker 3>and you come in and it's my mum's chicken soups

0:20:35.080 --> 0:20:37.399
<v Speaker 3>West Indian chicken soup, which has the bones in it

0:20:37.440 --> 0:20:39.720
<v Speaker 3>and stuff, you know, you suck on the bones and

0:20:39.880 --> 0:20:42.480
<v Speaker 3>it's the sort of you know, it's the time, it's

0:20:42.520 --> 0:20:45.000
<v Speaker 3>the garlic. It's all kinds of stuff, you know, the

0:20:45.080 --> 0:20:46.920
<v Speaker 3>sugaret ingredient which you want, you still want, a toom,

0:20:47.240 --> 0:20:49.840
<v Speaker 3>the dumplings, a bit of potatoes, a bit of peas.

0:20:49.880 --> 0:20:50.600
<v Speaker 4>It's wonderful.

0:20:50.640 --> 0:20:53.320
<v Speaker 3>So those are the kind of things I really love. Yeah,

0:20:53.520 --> 0:21:00.960
<v Speaker 3>And I could hear my dad sucking the bones right now. Wonderful,

0:21:01.119 --> 0:21:04.960
<v Speaker 3>you know, having those dinners together on those cold days.

0:21:05.240 --> 0:21:07.560
<v Speaker 3>I remember it was. It was beautiful. It was beautiful,

0:21:07.640 --> 0:21:09.760
<v Speaker 3>and lots of great memories. My dad's not anymore. So

0:21:10.320 --> 0:21:13.160
<v Speaker 3>when I often do think about him, I do think

0:21:13.160 --> 0:21:15.120
<v Speaker 3>about him, and that soup. I do think about him.

0:21:15.400 --> 0:21:19.919
<v Speaker 3>Christmas and the ham, of course, and Christmas. Christmas breakfast

0:21:20.040 --> 0:21:22.200
<v Speaker 3>was a big thing. Hot cocoa.

0:21:22.840 --> 0:21:24.760
<v Speaker 4>My dad would make a bake. A bake is a.

0:21:24.800 --> 0:21:27.359
<v Speaker 3>Kind of a flat bread West Indian flat bread in

0:21:27.400 --> 0:21:28.520
<v Speaker 3>the morning, and oh.

0:21:28.400 --> 0:21:31.040
<v Speaker 4>My god, how can I how can I not say this?

0:21:32.800 --> 0:21:35.160
<v Speaker 4>Fish cakes, my mother's fish cakes.

0:21:35.800 --> 0:21:38.719
<v Speaker 3>Oh my god, my mother's fish cakes on the Christmas morning,

0:21:39.119 --> 0:21:41.240
<v Speaker 3>and she's waiting these little bakes.

0:21:40.960 --> 0:21:44.000
<v Speaker 4>Which was sort of like a like a bread you'll

0:21:44.080 --> 0:21:45.919
<v Speaker 4>fry in oil. Oh my god.

0:21:46.400 --> 0:21:50.000
<v Speaker 3>And even my daughterly when my mom comes up as yours,

0:21:50.040 --> 0:21:52.760
<v Speaker 3>ask Granny please make fish cakes for me because it's

0:21:52.760 --> 0:21:55.119
<v Speaker 3>a West Indian fishcakes such as it's gorgeous and of

0:21:55.119 --> 0:21:57.040
<v Speaker 3>course you know that there's never anything left for me

0:21:57.080 --> 0:21:59.879
<v Speaker 3>when I get home. But you know it's just a

0:22:00.000 --> 0:22:02.520
<v Speaker 3>I think, really, what you've done actually is actually given me.

0:22:03.160 --> 0:22:05.719
<v Speaker 3>I mean facts, what love is rock, not even love

0:22:05.800 --> 0:22:09.320
<v Speaker 3>is rock. That's what the whole of Small Acts was

0:22:09.359 --> 0:22:12.359
<v Speaker 3>based on. The foundation of all of that was based

0:22:12.359 --> 0:22:15.919
<v Speaker 3>on food and memory. Because it's what's so fascinating. I'm

0:22:16.000 --> 0:22:19.600
<v Speaker 3>rambling on it again myself. But the smell is the

0:22:19.600 --> 0:22:25.159
<v Speaker 3>most antaste is the most potent sources of memory, not

0:22:25.200 --> 0:22:28.320
<v Speaker 3>the photographs. Photographs is only tell you so much because

0:22:28.560 --> 0:22:31.240
<v Speaker 3>you know it cuts out what's beyond. The frame is

0:22:31.280 --> 0:22:35.880
<v Speaker 3>not present, it's not visible. When going on wrapping, I'll

0:22:35.920 --> 0:22:36.520
<v Speaker 3>stop myself.

0:22:37.160 --> 0:22:40.439
<v Speaker 2>No doubt it's beautiful, but it is what it does.

0:22:40.760 --> 0:22:43.639
<v Speaker 2>There are people who say I never remembered that until

0:22:43.680 --> 0:22:46.520
<v Speaker 2>we started talking about the food, and that brought back

0:22:46.600 --> 0:22:49.760
<v Speaker 2>the memory. I had somebody whose father had left home

0:22:49.840 --> 0:22:52.760
<v Speaker 2>and he would when he saw his children on the weekends,

0:22:52.800 --> 0:22:56.600
<v Speaker 2>he would suddenly start cooking for them. And he said, oh,

0:22:56.600 --> 0:22:58.960
<v Speaker 2>I don't know. I don't think I've ever told anybody

0:22:59.080 --> 0:23:02.159
<v Speaker 2>that story. But now I remember my father actually is

0:23:02.160 --> 0:23:05.800
<v Speaker 2>a way of his guilt or his love just started cooking,

0:23:05.960 --> 0:23:08.280
<v Speaker 2>you know. And I think what you just when you

0:23:08.359 --> 0:23:11.800
<v Speaker 2>choose your comfort food, you start thinking about your father

0:23:11.960 --> 0:23:14.119
<v Speaker 2>and your mother, and you think about the memories and

0:23:14.160 --> 0:23:18.520
<v Speaker 2>that it's so potent, isn't it. I thought it would

0:23:18.560 --> 0:23:21.080
<v Speaker 2>be interesting, but what it really brings home over and

0:23:21.080 --> 0:23:23.640
<v Speaker 2>over again is the connection that food has for us

0:23:23.720 --> 0:23:24.400
<v Speaker 2>for memories.

0:23:24.640 --> 0:23:30.720
<v Speaker 4>Yeah, forget about this. I'm telling you, Doug, you've done it, mate,

0:23:30.840 --> 0:23:32.000
<v Speaker 4>smell until you've done it.

0:23:33.359 --> 0:23:35.679
<v Speaker 2>Well, thank you, you've done it. It's all to do

0:23:35.760 --> 0:23:42.200
<v Speaker 2>with you. To visit the online shop of The River Cafe,

0:23:42.800 --> 0:23:49.400
<v Speaker 2>go to shop the Rivercafe dot co dot uk.

0:23:51.920 --> 0:23:54.800
<v Speaker 1>River Cafe Table four is a production of iHeartRadio and

0:23:54.800 --> 0:24:00.000
<v Speaker 1>Adami Studios. For more podcasts from iHeartRadio, visit the iHeartRadio app,

0:24:00.160 --> 0:24:03.119
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.