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Speaker 1: All right, big Body, Brand New I Am Rappaport Stereo Podcast.

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Speaker 1: On today's podcast, the Los Angeles Lakers, led by Lebron

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Speaker 1: James are not making the playoffs. Is the Big Baller

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Speaker 1: Brand done? We break down what has happened with Alonzo

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Speaker 1: and the Big Bowl of Brand in the last seventy

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Speaker 1: two hours plus Kodak Whack I'm sorry, I mean Kodak

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Speaker 1: Black tried to come for me, the Gringo man Dingo,

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Speaker 1: and so much more. Plus I got the Young Shooter.

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Speaker 1: We're talking about us, the Jordan Peel movie, The Act,

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Speaker 1: the Hulu show that I'm obsessed with with Patrici art

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Speaker 1: on a long talking, hardcore hard body karate brand New

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Speaker 1: I Am Rappaport Stereo Podcast. Miles Jordan's give me something

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Speaker 1: real nice, something real proper, but most importantly, yes, you

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Speaker 1: know what it is, some real funky Let's go all right,

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Speaker 1: all right, this is the I Am Rappaport Stereo Podcast.

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Speaker 1: My name is Michael Rappaport a k A. The Gringo

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Speaker 1: man Dingo, a k A. Mr. New York a k

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Speaker 1: MR two one to a k A. The Jake La

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Speaker 1: Matta of podcasting, and we are truly going to take

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Speaker 1: you into the deep Ward's fifth teen round Big Body

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Speaker 1: Podcasting Today soul so much to talk about. I mean, man,

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Speaker 1: oh man, oh man, they're is there is a lot

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Speaker 1: to talk about. I'll start with this Friday night, the

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Speaker 1: Lakers got eliminated officially from the two thousand nineteen playoffs,

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Speaker 1: and my intention was to do an emergency podcast, but

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Speaker 1: the sound engineer of the Iron Rapports stereo podcast, Miles Davis,

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Speaker 1: was away with his father celebrating I believe it was

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Speaker 1: his seventieth birthday. We cannot interrupt family time. Even though

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Speaker 1: the instinct was to go live and direct with an

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Speaker 1: emergency podcast, we just couldn't do it. So we had

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Speaker 1: to wait a couple of days, and here we fucking are,

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Speaker 1: and there's so much to discuss and break down with

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Speaker 1: Lebron James and his Lakers not making the fucking playoffs.

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Speaker 1: Now I am on record on this here, I am

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Speaker 1: rapp Reports, Stereo podcast, and various sports shows, including Fox

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Speaker 1: Sports one undisputed saying that I thought the Lakers were

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Speaker 1: going to make the Western Conference finals. I thought that, okay,

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Speaker 1: but it quickly turned into a ship show in Los Angeles.

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Speaker 1: It quickly turned into a fucking disaster. You know the history.

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Speaker 1: I don't need to break down the details, but I

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Speaker 1: will say this, Um, I blame Lebron James completely. He

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Speaker 1: thought he tried to pull another coupe the guy. The

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Speaker 1: guy is trying to manipulate every situation he is in,

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Speaker 1: and he pulled some real bullshit this weekend. But we

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Speaker 1: all know that he thought he was gonna trade get

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Speaker 1: the Lakers to trade for Anthony the Disruptor Davis. That's right,

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Speaker 1: Anthony Davis. Everybody loves Anthony Davis, Everybody loves the unibrow.

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Speaker 1: But he has now become a disruption and that is

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Speaker 1: because of Lebron James. Lebron James gave him the playbook.

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Speaker 1: Lebron James and his agent, Rich Paul, this is his

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Speaker 1: best friend. You might as well say, Lebron James, Anthony

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Speaker 1: Davis's agent. Straight the funk up. This isn't anything I'm

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Speaker 1: making up. This is how it works. Lebron james best

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Speaker 1: friend is his agent. Okay, we know what happened. Anthony

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Speaker 1: Davis thought he was gonna get a trade. He thought

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Speaker 1: it would happen. He winded with the Lakers that decimate

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Speaker 1: the entire roster, but Lebron would figure it out. He'd

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Speaker 1: pulled in this one at J R. Smith and Carmelo

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Speaker 1: and he'd fucking he'd gooned his way into the finals.

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Speaker 1: It didn't work out. Motherfucker's are onto you. The New

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Speaker 1: Orleans Pelicans are onto you, Lebron James. You didn't get

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Speaker 1: Anthony Davis. Anthony Davis is now no longer the UNI brow.

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Speaker 1: He's called Anthony the Disruption Davis. Okay, you had your

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Speaker 1: little injury and this weekend, for some reason, out of nowhere,

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Speaker 1: out of completely, out of thin air, Lebron James personal

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Speaker 1: physical therapist, put out a tweet saying, and I quote,

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Speaker 1: and you know I hate making quotes on the Iron

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Speaker 1: Rapports Stereo podcast. Why Why do I hate making quotes?

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Speaker 1: Because this is a non fact checking entity. If you

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Speaker 1: never listen to the Iron Rapports Tereo podcast. And I

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Speaker 1: know there are a bunch of people that are listening

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Speaker 1: to this episode because you know I'm gonna discuss Kodak Whack.

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Speaker 1: I'm sorry, I mean Kodak Black. So you're creeping around, Okay.

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Speaker 1: A bunch of hip hop bloggers, a bunch of hip

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Speaker 1: hop writers, hip hop experts sniffing around. Welcome. I'm glad

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Speaker 1: to have you. I'm glad to fucking have you. I'm

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Speaker 1: gonna break that ship down right after this. Okay, I'm

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Speaker 1: gonna do Lebron that we're gonna do big ball or bullshit.

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Speaker 1: Then I'm gonna do Code Act Black. So just just

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Speaker 1: bear with me for a second. I know that's what

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Speaker 1: a few new listeners want to hear. Trust me, trust me,

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Speaker 1: he's going to get it. Now. Where was I? Oh? Yes,

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Speaker 1: so yeah, Lebron james personal physical therapist put out a

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Speaker 1: tweet saying this, and I quote she said, her name

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Speaker 1: is Dr Karen Joebert, and I'm sure she's probably the

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Speaker 1: best in the business. For some reason, out of nowhere,

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Speaker 1: she just and you know this wasn't on her own.

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Speaker 1: You know that either Lebron himself or one of his flunkeys,

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Speaker 1: one of his cronies, one of his people, said, yeah,

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Speaker 1: you could talk about Lebron, talk about what you've been

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Speaker 1: dealing with with Lebron, because trust me, she's signed a

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Speaker 1: nondisclosure and n d A a nondisclosure agreeming. So she's

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Speaker 1: tweeting about Lebron James rest Ashore and this is why

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Speaker 1: I can't stand this fucking guy's bullshit. Rest ashore. She

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Speaker 1: got the green light. So this woman put out a

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Speaker 1: tweet on Saturday. As a physical therapist for twenty seven years,

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Speaker 1: I've had the good fortune to work with some of

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Speaker 1: the top athletes in the world. Dot dot dot. Then

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Speaker 1: came Lebron. I want you old to know how bad

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Speaker 1: his injury was and is, and the pain he endured

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Speaker 1: along with his amazing trainer, Mike man SIUs. He was

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Speaker 1: on the court in six weeks, it should have been

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Speaker 1: six months. Unselfishly, he endured pain, pain, pain. She says

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Speaker 1: that unselfishly he endured pain, pain, pain. He did not

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Speaker 1: want to let the Lakers down and the fans down,

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Speaker 1: but I want you to know what he went through.

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Speaker 1: I learned a lot about the termination and the will

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Speaker 1: to win and how to get the job done. He

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Speaker 1: is a force to be reckoned with. At King James.

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Speaker 1: This is what you call propaganda. This is what you

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Speaker 1: call manipulating the fucking media. Of course, you had a

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Speaker 1: little pain. That's happens when you're a high level athlete

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Speaker 1: and you get injured. It's a little pain. Oh but

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Speaker 1: if she's so super committed more than anyone else that

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Speaker 1: an injury that should have taken six months only took

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Speaker 1: Lebron James six fucking weeks. Really, what did you do

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Speaker 1: to him? What did you shoot him up with? Can

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Speaker 1: you give the rest of the world some insight, Dr

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Speaker 1: Karen Joe Bear, how you got him from six months

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Speaker 1: to six weeks? Maybe share with the rest of the NBA.

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Speaker 1: And why didn't Paul George whose leg literally broken fucking half.

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Speaker 1: The motherfucker's leg broke in half. Remember when Paul George's

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Speaker 1: leg broke in half. Remember when Gordon with the good

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Speaker 1: hair Haywards leg broke in half last year? Remember that?

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Speaker 1: Remember when Isaiah Thomas had some kind of gruesome hip

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Speaker 1: injury had to get hip surgery. Remember all the injuries

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Speaker 1: that Derrick Rose has had throughout his career, knee injury

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Speaker 1: after knee injury after knee injury. None of their physical

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Speaker 1: therapists ever had to co sign what they had to endure.

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Speaker 1: You don't think breaking your fucking leg in half like

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Speaker 1: Paul George and Gordon Hayward did, took a lot of

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Speaker 1: commitment and dedication. You don't think Isaiah Thomas getting a

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Speaker 1: fucking hip like damn near hip. Replacing took a lot

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Speaker 1: of determination and dedication. Derrick Rose has been decimated with injuries.

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Speaker 1: We never heard from their physical therapist, not fucking once.

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Speaker 1: This is all the bullshit, This is all that Lebron James. Bullshit.

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Speaker 1: You didn't make the playoffs. Okay, you got injured. You

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Speaker 1: are human, unless unless this injury really was supposed to

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Speaker 1: be ten months six months out, then maybe you're not human.

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Speaker 1: Maybe this physical therapist and Lebron James should share with

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Speaker 1: the rest of us what he did besides his determination

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Speaker 1: and dedication, because I bet you Paul George and Gordon

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Speaker 1: Hayward put a lot of determination and dedication into their

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Speaker 1: recovery when they're fucking legs broken half. This guy had

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Speaker 1: a regular comment groin injury. It happens all the time,

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Speaker 1: football players, basketball players, baseball players. I've heard my growing Okay,

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Speaker 1: six weeks should have been six months. Bullshit, bullshit. This

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Speaker 1: tweet was co signed, it was organized, and it was manipulated.

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Speaker 1: You didn't make the playoffs because you thought you were

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Speaker 1: gonna get Anthony Davis. You were gonna do it by

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Speaker 1: any means necessary. Okay, Lebron James didn't care about any

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Speaker 1: of the fucking like. We're gonna get rid of all

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Speaker 1: these fucking guys. I'm gonna get Carmelo, I'm gonna bring

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Speaker 1: in j. R. Smith, We're gonna fire Luke Walton, and

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Speaker 1: we're gonna go to the Western Conference finals. Those fucking

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Speaker 1: days are over. You can't play offense and defense anymore

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Speaker 1: at a high level. Lebron, those fucking days of gooning

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Speaker 1: your way through the Eastern Conference, they're done, They're finished.

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Speaker 1: Craig said, yes, yes, I was dancing in the streets.

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Speaker 1: I was dancing in my house when D'Angelo Russell and

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Speaker 1: the had the irony, the beautiful NBA irony that D'Angelo

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Speaker 1: Russell and the Brooklyn That's a scrappy team that loves

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Speaker 1: each other. They're not faking it, they're not forcing it.

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Speaker 1: D'Angel Russell is the biggest star on that team. They're tough,

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Speaker 1: they play together, there's their their bench is excited when

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Speaker 1: one of them does well. It's not faked, it's not forced.

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Speaker 1: So I ironic D'Angelo Russell was left for dead so

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Speaker 1: that the Lakers could pick up a Lonzo fucking ball.

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Speaker 1: What a mess he's been two seasons in the NBA.

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Speaker 1: What a mess, what a ship show. Okay, Lebron, it's

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Speaker 1: over now, have plenty of time to get your hair

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Speaker 1: fixed up in the off season. Okay, maybe you go

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Speaker 1: to Germany, you continue with your physical therapy. I don't

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Speaker 1: know what happens in Germany. You know what they say,

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Speaker 1: what happens in Germany stays in Germany. Oh yeah, when

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Speaker 1: it comes to physical therapy, blood transfusion, blood spinning, that's

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Speaker 1: what they say about Germany. What happens in Germany stays

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Speaker 1: in Germany. This was a little tweak, okay, a little

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Speaker 1: tweak to the growing Okay, everybody has if every single

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Speaker 1: athlete in the league has endured it, no one had

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Speaker 1: their physical therapist send out an Instagram message. Oh he's

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Speaker 1: the determination. He should be determination. He's Lebron James. He's

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Speaker 1: getting paid thirty five million dollars a year, he's a

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Speaker 1: self proclaimed goat. Of course he's got some determination. But

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Speaker 1: maybe the determination isn't focused. Maybe it's a self fulfilling

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Speaker 1: to see. I don't know. I'm just saying, okay, but yes,

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Speaker 1: the fucking Lakers are not in the playoffs. Miles Miles, Davis,

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Speaker 1: Jordan Winter give me some celebration music real quick to

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Speaker 1: celebrate except the Los Angeles Lakers led by Lebron Jicks,

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Speaker 1: who I said would make to the Western Conference final.

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Speaker 1: Fool me one for shame on me. I'm the one

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Speaker 1: who feels shaped. Shame on me. Fool me wants shame

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Speaker 1: on Just me give me something real quick, Miles Jordan,

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Speaker 1: some celebratory Los Angeles Laker not going to the playoff,

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Speaker 1: using everybody who's happy about it stand up and dance. Yes, yes,

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Speaker 1: it's a party. It's a fucking I am wrapping Forards

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Speaker 1: Stereo podcast party. So yeah. I have been one of

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Speaker 1: the hardest critics on Alonzo Ball, LaVar Ball, and the

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Speaker 1: big Baller brand bullshit from day one. Okay, it wasn't hard.

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Speaker 1: I wasn't the only one. You could smell. You can

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Speaker 1: feel bullshit. You can feel a con you can feel

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Speaker 1: a hustle when you see one, when someone is coming

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Speaker 1: in talking. It's just yo. This is just like the

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Speaker 1: fucking fire Festival situation. This is just like the fucking

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Speaker 1: uh the Inventor documentary that I talked about last week.

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Speaker 1: LaVar Ball, Alonzo Ball, the whole Ball family that came

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Speaker 1: in were changing the game. We're changing the world. We're

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Speaker 1: making our own sneaker. My son's better than Steph Curry.

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Speaker 1: My son's this. My son that talk talk talk, fake

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Speaker 1: it until you make it, putting out the three four

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Speaker 1: the two dollar bullshit. Sneakers. Sneakers look like the kind

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Speaker 1: of sneakers that you could pick up in a gas

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Speaker 1: station on your way to Tucson, Arizona. You know, when

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Speaker 1: you stop and one of those like desolate gas stations

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Speaker 1: when you're driving somewhere four or five six hour drive.

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Speaker 1: Maybe some people drive eighteen hours. There's some truck drivers.

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Speaker 1: I listened to the iron Rappors stereo pockets. I'm not

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Speaker 1: talking about your corner gas station in your big city.

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Speaker 1: I'm talking about the gas station when there's nothing else

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Speaker 1: around except for the gas station, and they sell everything

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Speaker 1: in there. They got everything you need. They got sunglasses,

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Speaker 1: you could get a pair of jeans, a jean jacket,

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Speaker 1: they got flip flops, and they got sneakers. Them ships

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Speaker 1: look like the kind of sneakers they sell at the

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Speaker 1: desolate gas station anywhere in this country. Shout out to him,

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Speaker 1: me and a run Chicago. He was texting me about

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Speaker 1: that long, long, long time I am wrap pors Stereo

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Speaker 1: podcast listener. Listen. We knew this was nonsense. Okay, we

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Speaker 1: knew this guy was talking way out of pocket, selling

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Speaker 1: Big Bowler bullshit, selling Big Bowler pipe dreams. People were

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Speaker 1: complaining about the fact that the sneakers weren't coming. There

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Speaker 1: was one problem after another, problem after another problem after

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Speaker 1: another fucking problem. One of the owners, one of LaVar

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Speaker 1: balls close friends, one of the organizers of the Big

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Speaker 1: Baller bullshit brand, has stolen allegedly. Allegedly, he has taken

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Speaker 1: allegedly one point five million dollars from Alonzo Ball. It's over.

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Speaker 1: Remember when a Lonzo Ball was drafted into the NBA,

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Speaker 1: he could have had a dope shoe deal, which wouldn't

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Speaker 1: have made him any more of a player. Because, yes,

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Speaker 1: he's a good player. I don't know why we have

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Speaker 1: to keep talking. He's a good player. He's not Donovan Mitchell,

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Speaker 1: He's not Kyle Kuzm. I'd rather have Kyle kuz on

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Speaker 1: my team than a Lonzo Ball. These guys were were

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Speaker 1: drafted after him. He's a good player if he could

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Speaker 1: stay healthy. If his injuries uh to his ankles, which

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Speaker 1: may have something to do with his fucking sneaker choice

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Speaker 1: ever recover You never know. But he had offers from

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Speaker 1: all the sneaker companies. All the sneaker companies were coming

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Speaker 1: after him. Under armor, Nike adied his big money would

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Speaker 1: have his own sneaker. Oh, you didn't want to do that.

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Speaker 1: You're gonna change the world. You're gonna You're gonna change this,

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Speaker 1: You're gonna change that. Lavarble, you come in there talking

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Speaker 1: that don king bullshit, winging a prayer bullshit. Now, I

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Speaker 1: would guess, I would bet that LaVar Ball had nothing

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Speaker 1: to do with swindling his son, his son's money. I'm

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Speaker 1: sure he was surprised, as Alonzo Ball when he found

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Speaker 1: out that somebody who is his close friend and confidante

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Speaker 1: was swindling his fucking son's money. But LaVar Ball, you

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Speaker 1: speak things into existence. You got it all figured out.

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Speaker 1: You throw Magic Johnson under the But listen, you're done

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Speaker 1: with the Lakers. Alonzo Ball is done with the Lakers,

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Speaker 1: And if he knows what's good for him, he will

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Speaker 1: go back on his hands and knees to all these

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Speaker 1: sneaker companies and say, listen, can you at least hook

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Speaker 1: me up with a deal where I get some free product.

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Speaker 1: Can you give me the respect and dignity of giving

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Speaker 1: me a Nike deal where I get some free sneakers.

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Speaker 1: I'll do that for a year, and then I'll play

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Speaker 1: my way, maybe into a contract. You're never getting your

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Speaker 1: own shoe, Alonzo Ball. Listen to me closely. You're never

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Speaker 1: getting your own shoe. Those fucking sneaker companies like this

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Speaker 1: fucking guy, and they're gonna say, listen, we're not dealing

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Speaker 1: with your father, we're not dealing with anybody in your family.

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Speaker 1: Will deal with you and you only. That's it. Okay,

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Speaker 1: So maybe yes, we'll send you some under arm or kicks,

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Speaker 1: and maybe we'll give you a twenty five dollar contract,

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Speaker 1: and we'll give you all the sneakers you want, not exclusives.

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Speaker 1: You're not gonna get any special off color. Jordan's will

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Speaker 1: give you the basics. Okay, we'll give you the fucking basics.

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Speaker 1: But one of the contingencies to the contract, Lonzo Ball,

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Speaker 1: is that we're not dealing with your pops at all.

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Speaker 1: Don't give him our phone number, don't give him our email.

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Speaker 1: We don't want to meet him, we don't want to

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Speaker 1: greet him. You got that, Okay, we'll give you ten

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Speaker 1: pairs of sneakers a month. You do with them what

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Speaker 1: you want see. Not everybody listen their steps to this ship.

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Speaker 1: You're not fucking jay z man. Jay z is a

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Speaker 1: fucking genius. Steve Jobs is a genius. These people are

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Speaker 1: geniuses out there doing this ship, and they're check. These

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Speaker 1: are geniuses. These are lightning bolts, these are these are meteors.

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Speaker 1: Not everybody is there. Everybody's worried about their brand and

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Speaker 1: all that ship. You put on a brand of sneakers,

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Speaker 1: and the irony is that you kept hurting your ankles

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Speaker 1: in those sneakers. Okay, it's done. The fucking company should fold.

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Speaker 1: I'm sure they're gonna be lawsuit after lawsuit after lawsuit

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Speaker 1: after lawsuit with this big Baller brand, bullshit big Baller

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Speaker 1: Business Bureau, Big Baller Better Business Bureau. Okay, you can't

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Speaker 1: hustle your way and bullshit your way and speaking into

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Speaker 1: existence and all this fucking nonsense that lar Ball was

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Speaker 1: talking about. Now you got one more shot, this kid,

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Speaker 1: LaMelo Ball. Yeah, it looks good out there playing these

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Speaker 1: high school kids. Listen, don't be fooled by these Instagram

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Speaker 1: clips of the more talented kids playing against other less

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Speaker 1: talented high school kids. Don't be fooled by that bullshit. Okay,

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Speaker 1: trust me, trust me. We don't know what the fun

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Speaker 1: LaMelo Ball is gonna be as a high level player.

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Speaker 1: I don't care what he does in high school. He

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Speaker 1: and Kenny Anderson. Okay, big ball of brand bullshit, it's done,

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Speaker 1: it's finished. This is the same guy who said NAS

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Speaker 1: is irrelevant. Okay. Now, if you remember, and you and

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Speaker 1: you follow me closely, that's when I really really got

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Speaker 1: upset with Lonzo Ball. Listen, goofy, funny looking, fucked up

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Speaker 1: sneaker wearing Duke Listen, that's on you. But then you

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Speaker 1: start talking out this this guy a Lonzo Ball puts

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Speaker 1: out rap music. This is what the funk I'm talking about.

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Speaker 1: Not everybody is Shakilo fucking Neil. Everybody thinks they could

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Speaker 1: do everything. My man, you're not a good rapper. You

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Speaker 1: haven't even proven yourself as a legitimate NBA player. And

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Speaker 1: then you got the fucking big baller, the big ball

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Speaker 1: of balls, to say that NAS is irrelevant. Remember he

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Speaker 1: said that ship and I blasted his fucking ass. Oh yeah,

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Speaker 1: I blasted his fucking ass. Okay, which brings me to

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Speaker 1: Kodak Black. This fucking guy, he said in the last cup.

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Speaker 1: First of all, Kodak Black, Listen, I get the hustle,

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Speaker 1: do your thing, make you went. This is not personal.

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Speaker 1: I'm sure he's a nice fucking kid. People get because

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Speaker 1: I'm so good. I'm gonna be honest listen, because I'm

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Speaker 1: so good at talking ship and listen. I have an advantage.

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Speaker 1: I'm a trained professional. Okay, I'm a high level actor

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Speaker 1: who also is a high level ship talker. So when

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Speaker 1: you combine the two things, it gets miss. I get.

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Speaker 1: People get in their feelings. They truly get in their

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Speaker 1: emotional in their emotional space. When I talk my ship,

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Speaker 1: I understand it. I'm very good. Did you ever read

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Speaker 1: my book? The name of the book is this book

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00:23:20,160 --> 00:23:23,719
Speaker 1: has Balls Sports Rants from the m v P of

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Speaker 1: Talking Trash. It was put out on Simon and Schuster.

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Speaker 1: You can get the book, okay at this book has

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Speaker 1: Balls dot Com. You can get it at Amazon, you

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Speaker 1: get at your local bookstore. You think Simon and Shoots

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00:23:36,760 --> 00:23:39,000
Speaker 1: to Simon and Shoots is like the Coca Cola, the

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Speaker 1: Nike of book publishing. You think they're gonna put out

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Speaker 1: a book that's called this book has balls sports rants

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Speaker 1: from the m v P of talking trash. If the

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Speaker 1: guy talking the trash isn't a legitimate trash talker, Hey,

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Speaker 1: this is what I do. This is what the funk

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Speaker 1: I do. Yes, there's amateurs out there, rache in the

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Speaker 1: streets of all ethnicities. There's people that talk great ship.

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Speaker 1: That's how I learned. Before I was thinking about becoming

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Speaker 1: an actor, before I was even thinking about trying to

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Speaker 1: become an NBA player. That's right, and nine years old.

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Speaker 1: I planned to become an NBA player before that, and

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Speaker 1: during my time wanting to become an NBA player, all

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Speaker 1: I did every day it's talk shit. I'm very good.

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Speaker 1: I hate to brag and I hate to pat myself

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Speaker 1: on my back, but when it comes to this ship talking,

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Speaker 1: I'm fantastic. When it comes to the disruptive behavior, I'm

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Speaker 1: one of the best, one of the best ever. They

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Speaker 1: call me the Great Disruptor. It's the Iron Rapports Stereo podcast,

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Speaker 1: the home of all disruptive behavior. So when I get

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Speaker 1: on your ass, no bruno about something I expect. Now,

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Speaker 1: I don't think about it when I'm doing it, because

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Speaker 1: I never expect people to hear it. I never expected

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Speaker 1: to govern. I do it from the gut. I do

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Speaker 1: it from the gut. Now, this fucking Kodak Black, he

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Speaker 1: said last week some fucked up shit about young m who.

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Speaker 1: I love that girl. I love her as a rapper.

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Speaker 1: I love her as a personality. She's been on the pocket.

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Speaker 1: Her story is great, she's honest, she's true to herself.

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Speaker 1: Her music is dope. It's witty, it's smart. She talks shit,

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Speaker 1: she's humble, but she gets it. He said some shit

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Speaker 1: about her, some foul shit about her. He wanted to

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Speaker 1: fuck her something, some bullshit, okay. He He's also said

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Speaker 1: remarks in the past that he doesn't like black women,

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Speaker 1: that doesn't like dark skinned women. Thinks that it's guy.

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Speaker 1: He's a young kid. I don't care about any of that.

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Speaker 1: You talk to you, but I have nothing to do

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Speaker 1: with Kodak Black. His music to me is do do, okay,

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Speaker 1: because since this and I listened to us, and maybe

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Speaker 1: I'm missing something. That's it is, yo. Let me stay

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Speaker 1: on topic here. Let me fucking stay on topic. And

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Speaker 1: all you new listeners welcome, all you hip hop bloggers,

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00:26:09,080 --> 00:26:12,720
Speaker 1: all you sound bite fox that are listening. Yeah, get

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00:26:12,800 --> 00:26:18,320
Speaker 1: your fucking pen out. Quote me, verbatim, Quote me verbatim

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00:26:18,359 --> 00:26:24,800
Speaker 1: on all in anything you want. So last week, quote

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00:26:24,840 --> 00:26:28,360
Speaker 1: at Black said he should be looked out. And I'm

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00:26:28,400 --> 00:26:31,280
Speaker 1: not even quoting him directly. I'm not breaking rule number

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Speaker 1: one of the Iron Rapper Stereo podcast for this fucking guy,

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00:26:34,520 --> 00:26:37,840
Speaker 1: but he said something in the world of I should

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Speaker 1: be looked at in the same category with the same

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Speaker 1: respect as a rapper as Nas, Tupac and Biggie Duke.

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Speaker 1: You yo, you're not even in this. What you do

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Speaker 1: isn't even the same genre of music as those three guys.

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Speaker 1: Those three guys features, those three guys guest spots on

395
00:27:01,760 --> 00:27:05,200
Speaker 1: other people's music verse or versus is better than your

396
00:27:05,200 --> 00:27:11,040
Speaker 1: whole ship. What you do. It's literally like a motherfucker

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00:27:11,440 --> 00:27:16,479
Speaker 1: who is ice skating on a lake comparing himself to

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Speaker 1: the great Olympic figure skater Darthy Hamilt. You ain't Darthy Hamil, Duke,

399
00:27:21,200 --> 00:27:23,840
Speaker 1: You ice skating on a lake. You're not in the

400
00:27:23,920 --> 00:27:30,720
Speaker 1: same world. And then he said Biggie and Tupac only

401
00:27:30,760 --> 00:27:35,400
Speaker 1: became icons, only became legends after they died. Oh man,

402
00:27:35,760 --> 00:27:39,960
Speaker 1: the fucking ignorance. These dudes were revered while they were

403
00:27:40,000 --> 00:27:45,760
Speaker 1: living you you don't understand the man. Check this out. Listen.

404
00:27:45,880 --> 00:27:49,959
Speaker 1: People get so caught up in their motherfucking feelings. So

405
00:27:50,080 --> 00:27:52,919
Speaker 1: I heard this and I was discussing. And let's be

406
00:27:52,960 --> 00:27:56,119
Speaker 1: clear on one thing. When it comes to my Instagram

407
00:27:56,160 --> 00:27:59,520
Speaker 1: ship talking videos, there is no money to be made

408
00:28:01,400 --> 00:28:03,760
Speaker 1: when I get on Instagram and I talk ship and

409
00:28:03,800 --> 00:28:06,320
Speaker 1: I cursed, and I talked about this rapper and I

410
00:28:06,359 --> 00:28:09,120
Speaker 1: talk about lebron and there's no money to be made.

411
00:28:09,200 --> 00:28:11,520
Speaker 1: I'm doing it for the love of the ship talk.

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Speaker 1: I was disgusted when this dude said that I am

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Speaker 1: just a fan. I'm not a rapper. I'm a rapperport

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Speaker 1: but I was like, no one's saying anything. No other

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00:28:24,119 --> 00:28:28,120
Speaker 1: rappers are saying anything. None of these bloggers are saying anything.

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00:28:28,359 --> 00:28:31,399
Speaker 1: They'll they'll put it out their Kodak. Black said, what

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Speaker 1: do you think? No, what do you think blogger? What

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00:28:34,680 --> 00:28:37,359
Speaker 1: do you think? Hip hop writer? What's your opinion? You

419
00:28:37,440 --> 00:28:40,520
Speaker 1: pussy as scared motherfucker? What is your You think the

420
00:28:40,560 --> 00:28:43,080
Speaker 1: exact same I think, But I got the fucking ship

421
00:28:43,240 --> 00:28:48,200
Speaker 1: talking bulls, these big fucking ship talking bulls to say

422
00:28:48,240 --> 00:28:52,960
Speaker 1: exactly what you think. I'm not asking other people do

423
00:28:53,000 --> 00:28:55,640
Speaker 1: they agree with me? I'm not asking anyone else to

424
00:28:55,760 --> 00:29:00,640
Speaker 1: co sign with me. Money Grip is not a dope rapper.

425
00:29:00,920 --> 00:29:05,280
Speaker 1: Money Grip doesn't have a good flow. Money Grip has

426
00:29:05,280 --> 00:29:08,480
Speaker 1: no hip hop styles as an MC. Money Grip isn't

427
00:29:08,560 --> 00:29:12,360
Speaker 1: changing the game. Money Grip's voice isn't commanding. Money Grip

428
00:29:12,400 --> 00:29:15,840
Speaker 1: isn't kicking any knowledge talking about you're in the same

429
00:29:15,960 --> 00:29:19,320
Speaker 1: league as Nas Tupac, motherfucker, you better start at the

430
00:29:19,360 --> 00:29:23,800
Speaker 1: bottom of the list. Start at the bottom of the list,

431
00:29:23,800 --> 00:29:26,080
Speaker 1: because you're starting at the top of the list. You're

432
00:29:26,120 --> 00:29:29,600
Speaker 1: not in the same category. Duke. That's like a little

433
00:29:29,640 --> 00:29:35,760
Speaker 1: motherfucker being in the crib doing somersaults comparing himself to

434
00:29:35,840 --> 00:29:38,960
Speaker 1: Olympic champion Mary lou Retton you're not Mary lou rett

435
00:29:39,000 --> 00:29:45,400
Speaker 1: and Kodak black Funk. Is you talking about Tupac, Biggie

436
00:29:45,640 --> 00:29:50,720
Speaker 1: or Naas. Your whole catalog isn't as good as this

437
00:29:50,840 --> 00:29:53,920
Speaker 1: first miles. Play that Biggie verse when he's out on

438
00:29:53,960 --> 00:29:56,160
Speaker 1: the street before he was signed, when he was just

439
00:29:56,200 --> 00:29:58,840
Speaker 1: a dude rhyme and play that ship right now. Your

440
00:29:59,080 --> 00:30:06,600
Speaker 1: entire catalog isn't as good as this. Competition for episode thirty,

441
00:30:07,080 --> 00:30:12,160
Speaker 1: He's a steal us to my father. Donat streak, make

442
00:30:12,240 --> 00:30:17,360
Speaker 1: your knocking the backlock after microphone a perfect and no

443
00:30:17,600 --> 00:30:20,920
Speaker 1: left the coach. Later to second Tommy when you took

444
00:30:21,000 --> 00:30:29,720
Speaker 1: the poll. Touch but you the girl under couple person

445
00:30:29,880 --> 00:30:37,080
Speaker 1: as the po and I'll leave you quickness kick to

446
00:30:37,200 --> 00:30:42,360
Speaker 1: the bore two women, I s steak up. I'm just

447
00:30:42,760 --> 00:30:46,400
Speaker 1: gonna get coaster steak up in the booster. Got to

448
00:30:46,440 --> 00:30:58,920
Speaker 1: say to wear horn, he says, left, come on something

449
00:30:59,080 --> 00:31:07,080
Speaker 1: about to the out take a little straight up and down.

450
00:31:09,440 --> 00:31:13,960
Speaker 1: Your entire catalog is not as good as that ship

451
00:31:16,160 --> 00:31:22,080
Speaker 1: fucking Tupac Biggie or nas. Now, if you haven't heard

452
00:31:22,120 --> 00:31:24,800
Speaker 1: exactly what I said, let me just preface it by

453
00:31:24,840 --> 00:31:28,400
Speaker 1: saying this. I did put out a A an Instagram

454
00:31:28,440 --> 00:31:30,080
Speaker 1: and Twitter for post, And if you don't follow me

455
00:31:30,160 --> 00:31:32,480
Speaker 1: on Instagram and Twitter, you can follow me at Michael

456
00:31:32,560 --> 00:31:37,000
Speaker 1: Rappaport and you could follow this podcast at I Am

457
00:31:37,680 --> 00:31:41,440
Speaker 1: rapp Report r A p A p RT. I said,

458
00:31:42,520 --> 00:31:45,200
Speaker 1: should I rant on this guy? I put that out there.

459
00:31:45,240 --> 00:31:46,520
Speaker 1: I put it out on Twitter, and I put it

460
00:31:46,560 --> 00:31:50,120
Speaker 1: out on Instagram, and I got a unanimous yes. Some

461
00:31:50,200 --> 00:31:51,920
Speaker 1: people like don't even give him the time of day,

462
00:31:51,920 --> 00:31:53,920
Speaker 1: and I but see, it's not it's not about me

463
00:31:54,080 --> 00:31:56,240
Speaker 1: giving him the time or day, and it's not about me,

464
00:31:57,160 --> 00:31:59,960
Speaker 1: Honest to God, I say this sincerely. It's not about

465
00:32:00,000 --> 00:32:02,600
Speaker 1: on me. I am a fan I respect. Don't be

466
00:32:02,800 --> 00:32:05,800
Speaker 1: mad at me, the gringo man dingle, because I have

467
00:32:06,280 --> 00:32:12,920
Speaker 1: fantastic taste. I have great fucking taste. I have great taste.

468
00:32:13,080 --> 00:32:17,400
Speaker 1: My taste is impeccable, My choices are impregnable, and you

469
00:32:17,480 --> 00:32:20,080
Speaker 1: want to be mad at me. I love great food

470
00:32:21,680 --> 00:32:26,680
Speaker 1: if I read a book, I love great literature. Most

471
00:32:26,720 --> 00:32:30,200
Speaker 1: of the time, I watch good TV. Now, don't get

472
00:32:30,240 --> 00:32:34,040
Speaker 1: me sidetracked and sidebar on defending how great Bravo is.

473
00:32:35,040 --> 00:32:42,120
Speaker 1: I love great cinema. I love great films. Okay, I

474
00:32:42,200 --> 00:32:44,840
Speaker 1: don't have great style, but the little pieces of clothes

475
00:32:44,920 --> 00:32:48,560
Speaker 1: I have are well put together, and I buy the best.

476
00:32:49,760 --> 00:32:55,360
Speaker 1: My cashmere game is insane. I have great taste. But

477
00:32:55,480 --> 00:32:58,800
Speaker 1: more than any of those things, maybe film, I have

478
00:32:59,680 --> 00:33:06,160
Speaker 1: fantastic taste in music, whether it's jazz, whether it's soul,

479
00:33:06,680 --> 00:33:12,600
Speaker 1: whether it's funk, whether it's reggae or more importantly, and

480
00:33:12,720 --> 00:33:16,040
Speaker 1: what we're talking about right here, hip hop. You are

481
00:33:16,160 --> 00:33:22,760
Speaker 1: not going to sway me into thinking this dude is dope.

482
00:33:23,080 --> 00:33:28,360
Speaker 1: He ain't dope. Don't be mad at me because I

483
00:33:28,560 --> 00:33:31,680
Speaker 1: have great taste. Don't be mad at me because my

484
00:33:31,840 --> 00:33:37,040
Speaker 1: opinions are formed on Caress One, Grandmaster Flashing, the Furious Five,

485
00:33:38,000 --> 00:33:42,320
Speaker 1: the sugar Hill Gang, Curtis Blow, Eric Being Rock, Kim

486
00:33:42,480 --> 00:33:46,520
Speaker 1: k Arrest One, Big Daddy, came Brand, Nubians, Tripe Call,

487
00:33:46,680 --> 00:33:50,640
Speaker 1: Quest Day, Last Sould Gang Star, and so on and

488
00:33:50,760 --> 00:33:53,320
Speaker 1: so on and so on that when I listen to music,

489
00:33:53,440 --> 00:33:59,560
Speaker 1: the beats my my frame of reference are the Jungle Brothers, Okay,

490
00:34:01,080 --> 00:34:05,880
Speaker 1: DJ Premier, Large Professor, the Beating Nuts. That's my frame

491
00:34:05,960 --> 00:34:11,120
Speaker 1: of reference. You give this fucking kids some James Brown ship,

492
00:34:11,200 --> 00:34:14,040
Speaker 1: he won't know what to do. Yo. You give Kodak

493
00:34:14,120 --> 00:34:17,920
Speaker 1: black James brownbeat, he won't have a fucking clue what

494
00:34:18,160 --> 00:34:20,759
Speaker 1: to do, where to start, where to end, where to

495
00:34:20,840 --> 00:34:26,040
Speaker 1: get on the beat, where to start rocking? He won't

496
00:34:26,080 --> 00:34:29,640
Speaker 1: have a clue. You can't rhyme to James Brown, Yo.

497
00:34:30,640 --> 00:34:32,920
Speaker 1: That's like not being able to make a layup. I

498
00:34:32,960 --> 00:34:39,680
Speaker 1: don't want to hear it. Your voice is not commanding. Okay,

499
00:34:41,480 --> 00:34:45,040
Speaker 1: don't be mad at me because I have fantastic taste. Now, now, Miles,

500
00:34:45,320 --> 00:34:50,120
Speaker 1: Jordan's producers of the Iron Rapper Stereo podcast play my

501
00:34:50,600 --> 00:34:55,640
Speaker 1: rant Kodak Whack I mean Kodak Black. The non rapping

502
00:34:56,160 --> 00:34:59,120
Speaker 1: rapper said that he should be looked at in the

503
00:34:59,239 --> 00:35:03,839
Speaker 1: same category glory as Nas, Tupac and Biggie. He also

504
00:35:03,960 --> 00:35:08,959
Speaker 1: said that Tupac and Biggie only became legends because they died. Duke,

505
00:35:09,880 --> 00:35:13,160
Speaker 1: You're not dope. You're not a dope rapper. You have

506
00:35:13,360 --> 00:35:17,360
Speaker 1: no skill set, you have no flow, you have no vernacular.

507
00:35:17,640 --> 00:35:20,840
Speaker 1: Without the face tats, the wild hair do and the

508
00:35:20,960 --> 00:35:24,759
Speaker 1: short stint in prison, you'd be working at UPS. You know,

509
00:35:24,920 --> 00:35:27,840
Speaker 1: like Biggie said, don't be mad, UPS is hiring. That

510
00:35:27,880 --> 00:35:32,480
Speaker 1: would be you. No disrespect to UPS. Comparing yourself to

511
00:35:32,640 --> 00:35:36,719
Speaker 1: those dudes. Is a guy playing basketball in his backyard

512
00:35:36,800 --> 00:35:41,480
Speaker 1: shooting air balls. Comparing himself to an NBA player. You're

513
00:35:41,520 --> 00:35:45,400
Speaker 1: not even a top ten mumble rapper. The funk outta

514
00:35:45,440 --> 00:35:51,279
Speaker 1: here with that crazy shit. See that sixty seconds these

515
00:35:51,360 --> 00:35:54,200
Speaker 1: Instagram videos they give you sixty seconds. You could do

516
00:35:54,320 --> 00:35:56,359
Speaker 1: the Instagram TV. You could talk for as long as

517
00:35:56,360 --> 00:36:02,640
Speaker 1: you want. I don't do that sixty seconds, sixty fucking seconds,

518
00:36:02,640 --> 00:36:04,719
Speaker 1: and I get you all fucked up. In the game.

519
00:36:04,880 --> 00:36:07,879
Speaker 1: That's what happens if you're a great, a professional, high

520
00:36:08,000 --> 00:36:12,480
Speaker 1: level ship talker. Sixty fucking seconds of good love, and

521
00:36:12,560 --> 00:36:17,360
Speaker 1: that's what I gave it. Of course, when I'm saying

522
00:36:17,440 --> 00:36:21,320
Speaker 1: something negative about anything in hip hop, it goes viral.

523
00:36:21,840 --> 00:36:23,919
Speaker 1: Now we all know, if you listen to this show,

524
00:36:24,400 --> 00:36:27,439
Speaker 1: if you follow me on social media, I give love

525
00:36:27,560 --> 00:36:32,640
Speaker 1: almost every day, random love, two different songs, different artists,

526
00:36:32,840 --> 00:36:36,440
Speaker 1: different mc s, different producers. Because I fucking I'm a fan.

527
00:36:36,480 --> 00:36:41,120
Speaker 1: I'm just a fan. I'm just a fan. But Duke

528
00:36:41,280 --> 00:36:45,480
Speaker 1: is talking out of You need to have respect. You

529
00:36:45,560 --> 00:36:49,040
Speaker 1: need to have understanding of what you're making a fortune

530
00:36:49,080 --> 00:36:52,600
Speaker 1: off of. God bless his kid, God bless any of

531
00:36:52,680 --> 00:36:57,120
Speaker 1: these artists out there that are making money doing something

532
00:36:57,200 --> 00:36:59,320
Speaker 1: they love off of music and all that. I have

533
00:36:59,480 --> 00:37:01,000
Speaker 1: no problem with all that ship, But do we just

534
00:37:01,040 --> 00:37:03,640
Speaker 1: start talking out of pocket. You need to get respect. Now,

535
00:37:03,680 --> 00:37:07,640
Speaker 1: there's no other m c s, there's no other rappers

536
00:37:07,680 --> 00:37:11,680
Speaker 1: and no other rap groups that are saying anything about it.

537
00:37:12,400 --> 00:37:16,680
Speaker 1: These fucking clown ass bloggers, these clown ass hip hop

538
00:37:17,200 --> 00:37:21,399
Speaker 1: people from all these sites, all these websites, music, this music.

539
00:37:21,680 --> 00:37:25,360
Speaker 1: They'll just say, Kodak Black, what do you think. No,

540
00:37:25,800 --> 00:37:28,320
Speaker 1: what do you think I had to say and share

541
00:37:28,360 --> 00:37:33,239
Speaker 1: what I thought? There? It is goes viral. Then, of

542
00:37:33,360 --> 00:37:36,640
Speaker 1: course the the little the little fox that come up.

543
00:37:37,239 --> 00:37:40,839
Speaker 1: Who are you to speak on our culture? You white boy?

544
00:37:41,480 --> 00:37:43,880
Speaker 1: White boy? Why are you talking about hip hop? Because

545
00:37:44,040 --> 00:37:47,320
Speaker 1: I know this ship inside and out? Do I know

546
00:37:47,640 --> 00:37:50,759
Speaker 1: the most out of everybody? No? But I know what

547
00:37:50,920 --> 00:37:54,760
Speaker 1: I know, and as I said before, I have great taste.

548
00:37:54,800 --> 00:37:57,719
Speaker 1: My taste is impeccable. My choices are impregnable when it

549
00:37:57,800 --> 00:38:00,880
Speaker 1: comes to this hip hop ship. So I'm gonna continue

550
00:38:00,960 --> 00:38:04,000
Speaker 1: to talk shit. What kind of low hanging fruit? Yo?

551
00:38:04,120 --> 00:38:06,520
Speaker 1: You're a white boy. Why are you talking about hip hop?

552
00:38:06,640 --> 00:38:11,560
Speaker 1: Suck my deck? You're just mad because I'm right, your

553
00:38:11,640 --> 00:38:16,040
Speaker 1: man is not all that. Your man is not all that. Yeah, yes,

554
00:38:16,120 --> 00:38:19,839
Speaker 1: it's a kid's sport. I understand music and hip hop

555
00:38:19,920 --> 00:38:23,880
Speaker 1: specifically as a kid's sport. But when you start bringing

556
00:38:23,920 --> 00:38:28,000
Speaker 1: in the adults, the late Great Biggie, the late break

557
00:38:28,080 --> 00:38:33,040
Speaker 1: Tupac and nas esk Bar shout out to nas escar

558
00:38:33,080 --> 00:38:37,040
Speaker 1: bar see, then another adult has to speak on it.

559
00:38:37,719 --> 00:38:39,440
Speaker 1: Why am I? The thing that I don't get is

560
00:38:39,560 --> 00:38:44,000
Speaker 1: why am I the only one saying something? Why are

561
00:38:44,040 --> 00:38:48,879
Speaker 1: there not disrecords coming out and droves burying this fucking guy.

562
00:38:49,800 --> 00:38:53,920
Speaker 1: Now Sticky Fingers from Onyx shout out to Onyx, he

563
00:38:54,040 --> 00:38:57,320
Speaker 1: had said some wild shit about Sticky Fingers, and on

564
00:38:57,480 --> 00:38:59,560
Speaker 1: that same day that I put it out. Coincidentally, I

565
00:38:59,640 --> 00:39:04,120
Speaker 1: didn't know O Sticky is my man. Sticky put out

566
00:39:04,160 --> 00:39:06,239
Speaker 1: a track banging on this dude because he said he

567
00:39:06,320 --> 00:39:08,520
Speaker 1: punched Sticky Fingers in the face and all this ship

568
00:39:09,080 --> 00:39:11,680
Speaker 1: Sticky Fingers like you, you never punched me in my face.

569
00:39:11,920 --> 00:39:14,920
Speaker 1: He put out a track on him. Hit him with

570
00:39:15,000 --> 00:39:18,640
Speaker 1: that good ship. But in general, why am I the only? Why?

571
00:39:18,800 --> 00:39:23,960
Speaker 1: Why does it take Michael Rappaport a non hip hopper?

572
00:39:25,280 --> 00:39:26,920
Speaker 1: Why is it me? Why am I the Why am

573
00:39:26,960 --> 00:39:29,080
Speaker 1: I a fucking a man on fire? Why am I

574
00:39:29,200 --> 00:39:31,960
Speaker 1: Denzel and a man on fire all by myself shooting

575
00:39:32,000 --> 00:39:34,920
Speaker 1: down everybody by myself? Why isn't anyone else saying, my man,

576
00:39:35,000 --> 00:39:36,799
Speaker 1: what the fund are you talking about? You're not You're

577
00:39:36,800 --> 00:39:40,040
Speaker 1: not in the same categories nas, Tupaca, bigg shut the

578
00:39:40,120 --> 00:39:43,800
Speaker 1: funk up. Be appreciative of where you're at in your career,

579
00:39:43,840 --> 00:39:46,920
Speaker 1: that you're making money off this ship. I don't get it.

580
00:39:47,200 --> 00:39:50,960
Speaker 1: So anyway, this fucking guy. I guess he got wind.

581
00:39:52,200 --> 00:39:55,759
Speaker 1: Oh yeah, they always get wind. He got wind of

582
00:39:55,800 --> 00:39:58,959
Speaker 1: what I said because it went viral and at his show.

583
00:40:00,120 --> 00:40:03,319
Speaker 1: I don't know where it was. He spoke my name.

584
00:40:04,600 --> 00:40:07,160
Speaker 1: And listen to this. Listen to this gargo mouth motherfucker

585
00:40:07,239 --> 00:40:10,160
Speaker 1: talking ship Cracker. It is Cracker's dad. I love my Crackers.

586
00:40:10,400 --> 00:40:12,080
Speaker 1: He's sitting in front of a bunch of white people

587
00:40:12,120 --> 00:40:16,800
Speaker 1: saying crackers. This. No one mentions that. No one mentions that.

588
00:40:16,880 --> 00:40:19,680
Speaker 1: But when I say Cracker on Twitter, I've gotten my

589
00:40:19,840 --> 00:40:22,960
Speaker 1: asses spending for saying Cracker. When I say Cracker on Facebook,

590
00:40:23,080 --> 00:40:26,440
Speaker 1: I've got my ass suspending, no block. This is just this.

591
00:40:26,960 --> 00:40:28,480
Speaker 1: I don't even want to get into some racial ship

592
00:40:28,520 --> 00:40:31,960
Speaker 1: because I I don't give a fuck. I don't give up.

593
00:40:32,440 --> 00:40:34,919
Speaker 1: Obviously you're not educated in this hip hop ship, because

594
00:40:34,920 --> 00:40:37,400
Speaker 1: you wouldn't be saying anything about Na's Tupac and Biggie.

595
00:40:37,560 --> 00:40:39,839
Speaker 1: You must not know my my hip hop pedigree. Doke.

596
00:40:41,600 --> 00:40:44,279
Speaker 1: You obviously do not know my hip hop pedigree. Play

597
00:40:44,400 --> 00:40:48,920
Speaker 1: Kodak Black's clip from his show trying to talk out

598
00:40:48,960 --> 00:40:51,399
Speaker 1: of pocket about me, the Grenko man dingle talking about

599
00:40:51,440 --> 00:40:53,240
Speaker 1: me when you're on stage, Why are you worrying about

600
00:40:53,280 --> 00:40:59,560
Speaker 1: me when you're on stage. Why I don't I don't understand.

601
00:40:59,640 --> 00:41:01,920
Speaker 1: Why are you worried about me when you were on

602
00:41:02,360 --> 00:41:09,560
Speaker 1: stage with your motherfucking fur coat? Why don't worry about me?

603
00:41:09,760 --> 00:41:12,560
Speaker 1: If I'm wrong, it shouldn't get you all up in

604
00:41:12,640 --> 00:41:14,520
Speaker 1: your fields. If I don't know what I'm talking about,

605
00:41:14,840 --> 00:41:18,560
Speaker 1: it shouldn't get you and your fans all up in

606
00:41:18,680 --> 00:41:22,880
Speaker 1: your feelings. But I'm not wrong. Play the clip, moms, No,

607
00:41:25,280 --> 00:41:31,040
Speaker 1: what is like? Dumb as crime? Stops me? Man? Then

608
00:41:31,160 --> 00:41:34,640
Speaker 1: tell us they for what? Damn? Tell I'm gonna listen

609
00:41:34,719 --> 00:41:37,000
Speaker 1: to my album? Then now they listen to my album?

610
00:41:37,040 --> 00:41:40,359
Speaker 1: Tell us cycle pa d how about you're ready? As

611
00:41:40,400 --> 00:41:46,440
Speaker 1: shodn't go the port? I'll say it. I mean, what

612
00:41:46,600 --> 00:41:48,759
Speaker 1: more can I say? I said what I said. I'm

613
00:41:48,800 --> 00:41:52,719
Speaker 1: gonna continue saying what I say, all right. And apparently

614
00:41:53,719 --> 00:41:58,960
Speaker 1: since this incident went down, Kodak whack I'm sorry, Kodak

615
00:41:59,040 --> 00:42:05,440
Speaker 1: Black has d activated his Instagram account. Also also let

616
00:42:05,520 --> 00:42:11,279
Speaker 1: it be known that in April, Kodak Black is going

617
00:42:11,360 --> 00:42:14,879
Speaker 1: back to court for a sexual assault situation. I wish

618
00:42:14,960 --> 00:42:16,960
Speaker 1: him all the luck with that ship. Since this is

619
00:42:16,960 --> 00:42:19,799
Speaker 1: a person I'm just talking about. The music be I'm

620
00:42:19,920 --> 00:42:23,719
Speaker 1: just talking about the music. Make all the money you can.

621
00:42:23,840 --> 00:42:25,920
Speaker 1: None of this ship is personally, I'm just shipped talking.

622
00:42:26,320 --> 00:42:29,279
Speaker 1: I'm talking ship for the love of the craft of

623
00:42:29,840 --> 00:42:45,080
Speaker 1: talking shit podcast. I told you we were going deep

624
00:42:45,520 --> 00:42:53,960
Speaker 1: into the deepest borders of podcasting today. Just getting started. Shit. Um,

625
00:42:55,120 --> 00:43:02,480
Speaker 1: so fucking Mueller, Trump, this whole funk thing, it's over.

626
00:43:03,760 --> 00:43:08,680
Speaker 1: The released the Mula report. They released enough. Okay, they

627
00:43:08,760 --> 00:43:11,080
Speaker 1: can't find anything on the fucking guy to get him

628
00:43:11,080 --> 00:43:13,600
Speaker 1: on collusion. Move forward, you fun. See this is why

629
00:43:13,680 --> 00:43:17,560
Speaker 1: the fucking Democrats and the fucking snowflakes get called snow flakes.

630
00:43:20,320 --> 00:43:22,600
Speaker 1: The fucking guy they're not. There's nothing on the collusion.

631
00:43:22,800 --> 00:43:25,200
Speaker 1: I wanted it just as much as the next man.

632
00:43:25,280 --> 00:43:26,840
Speaker 1: But at a certain point you gotta say, all right,

633
00:43:26,840 --> 00:43:32,120
Speaker 1: you gotta sucking dust yourself off, okay and take your losses. Yes,

634
00:43:32,200 --> 00:43:34,400
Speaker 1: he did this that in the third, but they didn't

635
00:43:34,640 --> 00:43:38,880
Speaker 1: have any collusion on him. He can do this that

636
00:43:38,960 --> 00:43:40,840
Speaker 1: in the third all he wants. But if they have

637
00:43:41,480 --> 00:43:46,040
Speaker 1: no collusion, they have no collusion. Move the fuck on.

638
00:43:48,120 --> 00:43:51,160
Speaker 1: Corey Booker and fucking Kamela Harris and all these fucking

639
00:43:51,560 --> 00:43:56,680
Speaker 1: example Alexandra fucking Acasio Cortez. They're all like, released the

640
00:43:56,760 --> 00:43:59,360
Speaker 1: Mule report. They're gonna release the fucking report they gave you.

641
00:43:59,480 --> 00:44:01,960
Speaker 1: Listen you, if you have any dignity, pride, and fucking

642
00:44:02,000 --> 00:44:05,040
Speaker 1: sense about you, you just go all right, Okay, this

643
00:44:05,280 --> 00:44:07,880
Speaker 1: fuck didn't do anything that they you know, he did something,

644
00:44:08,719 --> 00:44:10,759
Speaker 1: but you can do a crime, and it's a whole

645
00:44:10,760 --> 00:44:15,319
Speaker 1: other thing to be committed of a crime. They can't

646
00:44:15,360 --> 00:44:17,879
Speaker 1: get him on anything. You gotta fucking move forward. Now,

647
00:44:18,280 --> 00:44:22,480
Speaker 1: you gotta fucking move forward. Now. This is why the snowflakes.

648
00:44:22,520 --> 00:44:24,160
Speaker 1: And there's gonna be a guarantee it will be some

649
00:44:24,280 --> 00:44:28,600
Speaker 1: sort of protest that some march another fucking protesting marching people.

650
00:44:28,600 --> 00:44:34,080
Speaker 1: He's screaming and yelling, vote, motherfucker. Don't protest, don't march,

651
00:44:34,440 --> 00:44:38,960
Speaker 1: vote mother fucker. Okay, and collectively get rid of some

652
00:44:39,040 --> 00:44:45,239
Speaker 1: of these fucking candidates crying, Corey Book, Camerly Harris, get

653
00:44:45,360 --> 00:44:48,400
Speaker 1: rid of them. They're just gonna white Howard fucking Schultz

654
00:44:48,480 --> 00:44:50,719
Speaker 1: and your bullshit. You keep the funk out of here, man.

655
00:44:51,080 --> 00:44:54,279
Speaker 1: Pick one guy, I don't know who it is, and

656
00:44:54,400 --> 00:44:59,080
Speaker 1: everybody vote. Enough with the protests and all this bullshit. Okay,

657
00:44:59,560 --> 00:45:04,960
Speaker 1: this fun guy, Donald Dick Stain Trump Jr. He's going hey, tweeted,

658
00:45:05,000 --> 00:45:08,680
Speaker 1: I I don't know why people would be so upset

659
00:45:08,800 --> 00:45:12,760
Speaker 1: that a standing president of the United States was found

660
00:45:12,840 --> 00:45:16,399
Speaker 1: not guilty of something. I don't understand it. The reason

661
00:45:16,480 --> 00:45:18,320
Speaker 1: why they don't want they wanted to get your father,

662
00:45:18,600 --> 00:45:21,040
Speaker 1: Dick Stain Donald Trump Jr. Is because your father is

663
00:45:21,120 --> 00:45:27,839
Speaker 1: not likable. He's an antagonistic president. He's a ship talking president. Well,

664
00:45:28,239 --> 00:45:30,760
Speaker 1: Michael Rappaport, you just have been going on for forty

665
00:45:30,800 --> 00:45:33,359
Speaker 1: minutes about the greatness of your ship talking. I am

666
00:45:33,440 --> 00:45:37,480
Speaker 1: a podcaster. I'm not the president of the United States.

667
00:45:37,680 --> 00:45:41,640
Speaker 1: I'm not the president of a bank. Okay, I'm in

668
00:45:41,719 --> 00:45:44,400
Speaker 1: the Michael Rappaport business. I'm in the I am Rapports

669
00:45:44,440 --> 00:45:47,520
Speaker 1: stereo podcast business. I'm not the fucking president. I want

670
00:45:47,600 --> 00:45:50,120
Speaker 1: the president to be better than me. I want the

671
00:45:50,160 --> 00:45:55,640
Speaker 1: president to be a more patient, more dignified than me

672
00:45:57,920 --> 00:46:01,160
Speaker 1: than me. The president should be way more dignified, way

673
00:46:01,239 --> 00:46:07,200
Speaker 1: more emotionally in control than me. Okay. So yes, I

674
00:46:07,320 --> 00:46:10,600
Speaker 1: recognize certain things about my personality that I see in

675
00:46:10,680 --> 00:46:14,120
Speaker 1: Dick Stain Donald Trump, But I ain't the fucking president.

676
00:46:14,800 --> 00:46:17,319
Speaker 1: If this piece of ship wasn't the president, it would

677
00:46:17,320 --> 00:46:20,319
Speaker 1: all be hunky dory to have hit shows and all that. Now,

678
00:46:20,440 --> 00:46:22,759
Speaker 1: when you die, Dick Stain, Donald Trump, people, where what

679
00:46:22,760 --> 00:46:26,439
Speaker 1: do you mean die? When you pass away, the car

680
00:46:26,600 --> 00:46:28,879
Speaker 1: that is carrying your body will be AIPD. That's what's

681
00:46:28,920 --> 00:46:32,480
Speaker 1: gonna happen. You're not likable, Dick Stain, Donald Trump Jr.

682
00:46:34,320 --> 00:46:41,040
Speaker 1: Why don't you walk around Manhattan one sunny afternoon, bring security,

683
00:46:42,560 --> 00:46:46,960
Speaker 1: bring your security, but walk around New York City, Go

684
00:46:47,160 --> 00:46:49,640
Speaker 1: go through all the five boroughs where there's the most people,

685
00:46:49,800 --> 00:46:52,919
Speaker 1: and you see how people respond to you. You don't

686
00:46:53,040 --> 00:46:57,080
Speaker 1: understand why people are so disappointed that, Dick Stain, Donald Trump,

687
00:46:57,480 --> 00:47:01,120
Speaker 1: your father wasn't found guilty, No, and likes this fuck.

688
00:47:01,600 --> 00:47:08,839
Speaker 1: He's an antagonistic, disrespectful fuck. Okay. And then today another guy,

689
00:47:08,920 --> 00:47:12,279
Speaker 1: remember a couple of like six months ago, Michael Lavinati,

690
00:47:12,320 --> 00:47:17,200
Speaker 1: he's gonna run for president. Michael Avinanti, he's he's teasing

691
00:47:17,280 --> 00:47:19,360
Speaker 1: that he might run for president. This fucking guy was

692
00:47:19,400 --> 00:47:24,360
Speaker 1: representing a porn store, he was had alleged abuse against

693
00:47:24,400 --> 00:47:28,000
Speaker 1: his wife. And this this fucking clown, I don't know

694
00:47:28,080 --> 00:47:32,319
Speaker 1: why and I should run for president? Why the funk

695
00:47:32,360 --> 00:47:34,720
Speaker 1: were they saying Michael Lavenant he should run for president.

696
00:47:34,760 --> 00:47:37,880
Speaker 1: He'd be a great candidate because he's sort of handsome.

697
00:47:38,080 --> 00:47:40,799
Speaker 1: I'm sort of fucking handsome. No one's ever said Mike

698
00:47:40,920 --> 00:47:45,560
Speaker 1: rap should run for fucking president. There's another kind man.

699
00:47:46,480 --> 00:47:48,440
Speaker 1: You could just smell it, you could feel that, you

700
00:47:48,480 --> 00:47:51,840
Speaker 1: could taste it. If you have any instincts, any any gut,

701
00:47:52,719 --> 00:47:55,680
Speaker 1: you just this. What's this guy talking about? He's seeing

702
00:47:55,760 --> 00:47:58,120
Speaker 1: things on a different plane. You ain't Tom Brady, Duke,

703
00:47:59,160 --> 00:48:01,000
Speaker 1: You ain't Aaron rod Just you ain't seeing things on

704
00:48:01,080 --> 00:48:05,840
Speaker 1: a different plane. You're talking bullshit, representing Stormy Daniels, representing

705
00:48:05,880 --> 00:48:09,719
Speaker 1: a former porn star. No disrespect the porn stars. This

706
00:48:09,880 --> 00:48:15,400
Speaker 1: fucking clown was arrested a few hours ago for trying

707
00:48:15,800 --> 00:48:21,719
Speaker 1: to extort Nike. You dummy, you fucking dummy. You you

708
00:48:21,800 --> 00:48:25,719
Speaker 1: were trying you, you fucking con man, You were trying

709
00:48:25,800 --> 00:48:28,600
Speaker 1: to extort Nike. You think you're gonna get over on Nike.

710
00:48:29,960 --> 00:48:33,520
Speaker 1: You ain't Nike. You think you're the first asshole that

711
00:48:33,600 --> 00:48:36,520
Speaker 1: tried to extort them. Apparently he was trying to He

712
00:48:36,640 --> 00:48:39,320
Speaker 1: threatened them to do a press conference about some n

713
00:48:39,400 --> 00:48:43,399
Speaker 1: c a A violations. Duke, Now you know you're going

714
00:48:43,520 --> 00:48:48,040
Speaker 1: to prison. Okay, you try to extort Nike for twenty

715
00:48:48,160 --> 00:48:50,839
Speaker 1: five twenty million dollars allegedly. I don't want no more

716
00:48:50,920 --> 00:48:56,000
Speaker 1: lawsuits allegedly, and you got busted, asshole, And they were

717
00:48:56,000 --> 00:48:58,160
Speaker 1: talking about this guy should run for president. Get the

718
00:48:58,320 --> 00:49:01,400
Speaker 1: funk out of here with that nonsense. Speaking of lawsuits,

719
00:49:01,640 --> 00:49:04,839
Speaker 1: shout out to Cardi B, who's also a way better

720
00:49:04,960 --> 00:49:11,640
Speaker 1: rapper than Kodak Black, way better puns, sense of humor, punchlines,

721
00:49:12,120 --> 00:49:18,400
Speaker 1: not even close, way fucking better. Support her a great story.

722
00:49:18,960 --> 00:49:24,520
Speaker 1: She's suing some bloggers, uh and more of these fucking

723
00:49:24,640 --> 00:49:28,279
Speaker 1: experts and some hit the hip hop bloggers that accused

724
00:49:28,280 --> 00:49:31,360
Speaker 1: her of a few different things, one of which is

725
00:49:31,440 --> 00:49:34,960
Speaker 1: that she had STD specifically hurtpies. Good luck, Cardi B.

726
00:49:35,120 --> 00:49:38,160
Speaker 1: I got your fucking back, pseudos, fucking assholes. These people

727
00:49:38,239 --> 00:49:41,080
Speaker 1: think they could say anything about you and not get

728
00:49:41,160 --> 00:49:44,520
Speaker 1: a lawsuit. Cardi B's at the top of her game.

729
00:49:44,600 --> 00:49:47,319
Speaker 1: She's lawyered up. I wish you are all the luck

730
00:49:47,400 --> 00:49:50,800
Speaker 1: with her lawsuit. You're going around saying Queen Cardi B

731
00:49:52,200 --> 00:49:55,799
Speaker 1: has STDs, that she has herpes. Sue these fox shoe

732
00:49:55,880 --> 00:49:58,960
Speaker 1: the ship out of these fox CARDI B I got

733
00:49:59,040 --> 00:50:04,719
Speaker 1: your back, you got my support, top to bottom. All Right,

734
00:50:04,760 --> 00:50:09,400
Speaker 1: I've been rocking and rolling here going solo on that

735
00:50:09,520 --> 00:50:18,560
Speaker 1: answer fucking fifty minutes, fifty five minutes. Uh, I told

736
00:50:18,600 --> 00:50:20,560
Speaker 1: you I was gonna bring in the Young Shooter Dean Collins.

737
00:50:21,120 --> 00:50:25,279
Speaker 1: We're gonna talk about the Act, which is a show

738
00:50:25,360 --> 00:50:28,759
Speaker 1: that I'm obsessed with on Hulu. My review of US,

739
00:50:29,520 --> 00:50:31,600
Speaker 1: the Jordan Peel movie, which, like I said, I went

740
00:50:31,680 --> 00:50:33,360
Speaker 1: to go see. I didn't go first screening, but I

741
00:50:33,400 --> 00:50:36,800
Speaker 1: went day one, okay, to the Arc Light in l A.

742
00:50:37,160 --> 00:50:40,000
Speaker 1: I have to say I was disappointed. I was very

743
00:50:40,400 --> 00:50:43,800
Speaker 1: fucking disappointed. We're gonna talk about the Act, show that

744
00:50:43,840 --> 00:50:46,400
Speaker 1: I'm obsessed with on Hulu. Uh, this is US and

745
00:50:46,520 --> 00:50:50,440
Speaker 1: so much more coming up next with my man Dean Collins,

746
00:50:50,560 --> 00:50:59,640
Speaker 1: a k A D Young Shooter WHOA all right. As

747
00:50:59,680 --> 00:51:02,640
Speaker 1: I said, it's been a while since he's been on,

748
00:51:02,800 --> 00:51:06,840
Speaker 1: he's been reminding me constantly. Uh, the Young Shooter, Dean Collins,

749
00:51:06,960 --> 00:51:09,800
Speaker 1: Welcome to the Iron Rapp Reports Stereo podcast. Trust me

750
00:51:10,200 --> 00:51:13,640
Speaker 1: when I say this, Shooter, there's a lot of new

751
00:51:14,080 --> 00:51:17,720
Speaker 1: listeners today, awesome, trust me on that. So they probably

752
00:51:17,760 --> 00:51:20,640
Speaker 1: have no idea who I am because it's probably been

753
00:51:20,719 --> 00:51:23,120
Speaker 1: what six six months? Yeah, well you know what, Dean,

754
00:51:23,360 --> 00:51:26,239
Speaker 1: I try to invite you to know that's most know,

755
00:51:26,400 --> 00:51:29,400
Speaker 1: you're a pain in the ass. You're you're like the

756
00:51:29,560 --> 00:51:32,440
Speaker 1: fake Ferrest Bueller. Do do you know why I say

757
00:51:32,520 --> 00:51:34,440
Speaker 1: the fake Forrest Buler because like you know, first, like

758
00:51:34,840 --> 00:51:36,920
Speaker 1: you know, time was not of the time, was of

759
00:51:36,960 --> 00:51:40,480
Speaker 1: the essence of him. Like yeah, but like first, like

760
00:51:40,520 --> 00:51:42,280
Speaker 1: he kind of walked to his own beat. He showed

761
00:51:42,320 --> 00:51:44,719
Speaker 1: up when he wanted. You're the fake Ferrest Bueller because

762
00:51:44,719 --> 00:51:45,920
Speaker 1: you try to do that ship to me and I

763
00:51:46,000 --> 00:51:49,960
Speaker 1: go recording, recording, then you don't show up. Never never happened,

764
00:51:50,000 --> 00:51:51,680
Speaker 1: just to the just to the listeners and to the

765
00:51:51,760 --> 00:51:54,920
Speaker 1: o G listeners that were there from day one years ago.

766
00:51:55,040 --> 00:51:57,320
Speaker 1: You know that I was on the first episode I

767
00:51:57,400 --> 00:51:59,880
Speaker 1: think of the podcast. Um, and I just want to

768
00:52:00,040 --> 00:52:04,320
Speaker 1: say that, Uh, Michael just stopped calling. That's just bottom line.

769
00:52:04,560 --> 00:52:08,320
Speaker 1: Everyone knows I'm available, I'm not true, I'm here. You

770
00:52:08,400 --> 00:52:11,839
Speaker 1: can count on the phone stop ringing. And even when

771
00:52:11,880 --> 00:52:14,000
Speaker 1: the when the fans d m me saying why aren't

772
00:52:14,000 --> 00:52:15,480
Speaker 1: you on the pod? I could just say, yo, ask

773
00:52:15,560 --> 00:52:18,200
Speaker 1: Michael man. I don't know what it's just me. I'm

774
00:52:18,239 --> 00:52:22,240
Speaker 1: just I'm just stop over here. I'm on the fucking

775
00:52:22,280 --> 00:52:24,440
Speaker 1: on the podcast can stop all. I'm just like, I

776
00:52:24,440 --> 00:52:26,600
Speaker 1: don't know what it is. You'd think you'd want to

777
00:52:26,640 --> 00:52:28,920
Speaker 1: talk less. You have more more guests and people to

778
00:52:29,080 --> 00:52:30,600
Speaker 1: help you out over here. But you know what water

779
00:52:30,680 --> 00:52:33,399
Speaker 1: under the bridge? Um, I'm happy to be back, dude,

780
00:52:33,400 --> 00:52:35,360
Speaker 1: there's just's no there's no bridge, there's no water. Like

781
00:52:35,480 --> 00:52:37,319
Speaker 1: my man I said, you could come on whenever you want,

782
00:52:37,440 --> 00:52:41,520
Speaker 1: thank you, But but the podcast stops for nobody. Dope. Like,

783
00:52:41,640 --> 00:52:44,200
Speaker 1: when it's time to record, it's time to record. When

784
00:52:44,239 --> 00:52:46,040
Speaker 1: it's time to put that fire out, it's time to

785
00:52:46,120 --> 00:52:48,920
Speaker 1: put that fire out. And right now the fire is

786
00:52:49,000 --> 00:52:51,160
Speaker 1: being put out. I just want to feel like a guest, bro.

787
00:52:51,320 --> 00:52:53,719
Speaker 1: I just want to feel like you see company, have

788
00:52:53,800 --> 00:52:55,920
Speaker 1: your new apartment. I can't even get a couple of wards.

789
00:52:55,920 --> 00:52:57,960
Speaker 1: I got you water. You put your shoes all over

790
00:52:58,040 --> 00:53:00,799
Speaker 1: the couch. You fucking I mean I had to. Okay,

791
00:53:00,840 --> 00:53:05,279
Speaker 1: let's just ask this just you. You you just moved

792
00:53:05,280 --> 00:53:07,759
Speaker 1: into a new place. A question number one that all

793
00:53:07,800 --> 00:53:09,160
Speaker 1: the fans are gonna want to know. So the young

794
00:53:09,200 --> 00:53:12,360
Speaker 1: shooters just moved into a new place. Really nice. This

795
00:53:12,520 --> 00:53:16,080
Speaker 1: is question number one. Um, did you break out that

796
00:53:16,200 --> 00:53:19,160
Speaker 1: spacelight yet? I knew you were gonna ask me something

797
00:53:19,200 --> 00:53:23,040
Speaker 1: along those lines. The spacelight has been broken out. Um, oh,

798
00:53:23,120 --> 00:53:25,960
Speaker 1: so you've been freaking off. It's not necessarily been freaking off.

799
00:53:26,280 --> 00:53:31,080
Speaker 1: I've been just preparing. You've been skating. Yeah, I've been skeeting,

800
00:53:31,160 --> 00:53:32,839
Speaker 1: but I don't know. I'm not gonna I'm not here

801
00:53:32,880 --> 00:53:35,279
Speaker 1: to tell any stories about the skeeting. I'm just very

802
00:53:35,280 --> 00:53:37,560
Speaker 1: happy to be so you haven't been skiing, because usually

803
00:53:37,600 --> 00:53:39,080
Speaker 1: when you when you know I'm not I didn't say that.

804
00:53:39,280 --> 00:53:40,920
Speaker 1: Usually when you when you come on the podcast, I

805
00:53:40,960 --> 00:53:42,600
Speaker 1: tell stories about it. But I'm not gonna tell that

806
00:53:42,760 --> 00:53:44,800
Speaker 1: you're not doing skeeting today. I'm not talking about that

807
00:53:44,880 --> 00:53:48,440
Speaker 1: story today. Okay, it has happened. I'm three months in.

808
00:53:48,520 --> 00:53:51,160
Speaker 1: I'm in a one bedroom apartment. It's just me. I

809
00:53:51,320 --> 00:53:53,640
Speaker 1: no longer have a roommate. You've seen it, right, It's

810
00:53:53,680 --> 00:53:56,480
Speaker 1: it's definitely spaceline material. I just asked you a simple question.

811
00:53:56,480 --> 00:53:58,040
Speaker 1: I don't I'm not trying to get into a long

812
00:53:58,280 --> 00:54:01,919
Speaker 1: winded thing about your like my floating desk, by the way,

813
00:54:02,040 --> 00:54:08,480
Speaker 1: like it's mature. Yeah, alright, man, is cool. Well we're

814
00:54:08,520 --> 00:54:10,000
Speaker 1: off to a good start. What else did you want

815
00:54:10,000 --> 00:54:11,440
Speaker 1: to talk about? Well? I wanted to talk about a

816
00:54:11,440 --> 00:54:14,239
Speaker 1: couple of things. Uh. I want to talk about The Act,

817
00:54:14,360 --> 00:54:16,879
Speaker 1: which is on Hulu, which you and Toby Moore's friend

818
00:54:16,920 --> 00:54:20,360
Speaker 1: of the Iron Wrap both. He's into it too, Okay,

819
00:54:20,760 --> 00:54:24,839
Speaker 1: who's also got a podcast? He's all over the act.

820
00:54:24,960 --> 00:54:26,359
Speaker 1: Love that dude, and I got to talk to him

821
00:54:26,360 --> 00:54:28,600
Speaker 1: about the Act because I'm I'm a fan. I brought

822
00:54:28,640 --> 00:54:30,400
Speaker 1: it to your attention. We need to get a forum

823
00:54:30,520 --> 00:54:32,680
Speaker 1: for this. We should. I feel like no one's talking.

824
00:54:33,080 --> 00:54:35,839
Speaker 1: Let's get into the act and then we'll get into us. Okay,

825
00:54:35,880 --> 00:54:37,920
Speaker 1: but can we can we talk about just to preface

826
00:54:38,040 --> 00:54:40,239
Speaker 1: the act, we talk about the backstory of the whole

827
00:54:40,320 --> 00:54:43,360
Speaker 1: thing'll get you. I think a long time ago. I

828
00:54:43,440 --> 00:54:46,320
Speaker 1: just want to say, I think a while ago, we

829
00:54:46,440 --> 00:54:48,880
Speaker 1: talked about Mommy Dead and Dearest. I don't know if

830
00:54:48,920 --> 00:54:51,120
Speaker 1: you talked about it, but I know you hip you.

831
00:54:51,239 --> 00:54:53,279
Speaker 1: We talked about it on the podcast I Got you

832
00:54:53,480 --> 00:54:55,879
Speaker 1: onto that, and then we definitely had a full length

833
00:54:55,960 --> 00:54:58,759
Speaker 1: podcast about that document. What's the name is? So it's

834
00:54:58,760 --> 00:55:01,000
Speaker 1: called Mommy Dead and d And I will just say this.

835
00:55:01,120 --> 00:55:04,719
Speaker 1: You can find it on YouTube. And I'll just say this,

836
00:55:05,920 --> 00:55:08,000
Speaker 1: I don't know how we didn't put it as a

837
00:55:08,040 --> 00:55:11,560
Speaker 1: sick Funk of the Week documentary, but it says as

838
00:55:11,680 --> 00:55:15,080
Speaker 1: out there as anything you're ever gonna see. It's called

839
00:55:15,160 --> 00:55:18,719
Speaker 1: Mommy Dead endears. It's up there with abductive in plain sight.

840
00:55:18,920 --> 00:55:21,919
Speaker 1: It's way the funk you have. You have to see

841
00:55:21,960 --> 00:55:29,960
Speaker 1: it clearly, Okay. So basically it's about a mother and

842
00:55:30,160 --> 00:55:33,080
Speaker 1: a daughter, and the daughter is sick, and she has

843
00:55:33,120 --> 00:55:35,719
Speaker 1: all these illnesses and she's wheelchair bound, and her mother

844
00:55:35,840 --> 00:55:38,440
Speaker 1: is like, she's one of chemia. She's you know, she's

845
00:55:38,520 --> 00:55:42,600
Speaker 1: kind of a Make a Wish kid for chemo. All

846
00:55:42,680 --> 00:55:46,800
Speaker 1: this kind of donations, donations, and so the mother is

847
00:55:47,000 --> 00:55:50,719
Speaker 1: making money off of all these donations and and tricking

848
00:55:51,160 --> 00:55:54,200
Speaker 1: everybody into thinking that her child is sick, which is

849
00:55:54,320 --> 00:55:58,719
Speaker 1: called Munchausen by proxy, which is an actual thing where

850
00:55:58,880 --> 00:56:02,920
Speaker 1: the mother's make their daughter sick or their child sick

851
00:56:03,120 --> 00:56:06,440
Speaker 1: so that they can have the attention for themselves and

852
00:56:06,560 --> 00:56:09,640
Speaker 1: have them closer to them. And so it's so it's

853
00:56:09,719 --> 00:56:13,319
Speaker 1: so severe that this girl, her name is Gypsy, the daughter.

854
00:56:13,520 --> 00:56:17,920
Speaker 1: Gypsy's the daughter. The daughter's name is Gypsy. She is

855
00:56:18,040 --> 00:56:21,200
Speaker 1: rolled around on a wheelchair for years thinking that she

856
00:56:21,400 --> 00:56:24,960
Speaker 1: can't walk. No, she knew she can walk. She knew

857
00:56:25,040 --> 00:56:27,839
Speaker 1: she can walk. But everybody in her world, in her life,

858
00:56:27,880 --> 00:56:31,200
Speaker 1: whenever they make public appearances, you would think it was

859
00:56:31,280 --> 00:56:34,040
Speaker 1: a crippled kid. But they're saying, oh, she's addicted to sugar,

860
00:56:34,120 --> 00:56:38,080
Speaker 1: you can't have that cupcake. Gypsy mother diabetes and she

861
00:56:38,239 --> 00:56:40,919
Speaker 1: she has a feeing to put in her, the mother.

862
00:56:41,440 --> 00:56:46,360
Speaker 1: But we have to just prefaces. The mother has tricked hospitals, doctors,

863
00:56:46,680 --> 00:56:51,560
Speaker 1: manipulated charities. Uh they apparently you don't know if anything's true.

864
00:56:52,080 --> 00:56:54,279
Speaker 1: They lost their home or what she said, she lost

865
00:56:54,880 --> 00:56:58,160
Speaker 1: Hurricane Katrina. They moved to Missouri, have a house built

866
00:56:58,200 --> 00:57:02,880
Speaker 1: for them, customized for a wheelchair bound kid by Habitat

867
00:57:02,960 --> 00:57:06,640
Speaker 1: for Humanity. So they're they're running this con for fifteen

868
00:57:06,719 --> 00:57:11,080
Speaker 1: sixteen years, long time and and long come a long time.

869
00:57:11,160 --> 00:57:14,800
Speaker 1: But I don't think um Gypsy knew. You know, she

870
00:57:14,840 --> 00:57:17,560
Speaker 1: started getting older and she started realizing what her mother

871
00:57:17,760 --> 00:57:21,040
Speaker 1: was doing, and so and this is all in the

872
00:57:21,160 --> 00:57:24,640
Speaker 1: doctor Mommy dead and DearS. And when I tell you,

873
00:57:24,800 --> 00:57:27,600
Speaker 1: you're like, what the fund is going to crazy ending?

874
00:57:28,080 --> 00:57:30,040
Speaker 1: It gets fucking while we're not gonna ruin it here,

875
00:57:30,160 --> 00:57:33,520
Speaker 1: but it's it's a must watch. And if you're into

876
00:57:33,600 --> 00:57:36,360
Speaker 1: sick Fox, and you're even just sick fun documentaries interfere

877
00:57:36,440 --> 00:57:40,000
Speaker 1: into like murder docs and chill, that's that's the one.

878
00:57:40,440 --> 00:57:42,200
Speaker 1: It's way the funk out there. And like I said,

879
00:57:42,200 --> 00:57:44,560
Speaker 1: I know it's on HBO on demand because I rewatched it,

880
00:57:44,720 --> 00:57:46,600
Speaker 1: and I know it's on YouTube. The full thing is

881
00:57:46,680 --> 00:57:48,920
Speaker 1: on YouTube now. But listen, do your homework. You know

882
00:57:49,040 --> 00:57:51,640
Speaker 1: the name. It's called Mommy Dead and dearest. Find it

883
00:57:51,960 --> 00:57:55,720
Speaker 1: illegally downloaded, whatever you gotta do or don't. And so

884
00:57:56,000 --> 00:57:58,880
Speaker 1: obviously it's so fucking sick that they made a show

885
00:57:58,960 --> 00:58:01,520
Speaker 1: off of it. And it's called The Act on Hulu

886
00:58:02,200 --> 00:58:06,040
Speaker 1: about this act, you know, the pretend of the whole act,

887
00:58:06,120 --> 00:58:08,240
Speaker 1: the whole act. And so it's the mother and the

888
00:58:08,400 --> 00:58:11,800
Speaker 1: daughter and Patricia Arkatt plays the mother and sharkt just

889
00:58:12,000 --> 00:58:16,200
Speaker 1: off off from Dana Moore, Who's Who's I Love Patrici

890
00:58:16,320 --> 00:58:18,760
Speaker 1: ark Hat. I'm a song about her career change. Patri

891
00:58:18,840 --> 00:58:21,680
Speaker 1: Shark was most famous for true romance, where she was

892
00:58:22,120 --> 00:58:25,080
Speaker 1: she was a hot she was shout out to you,

893
00:58:25,280 --> 00:58:28,120
Speaker 1: you were in worldly and just the case and exy

894
00:58:28,240 --> 00:58:31,400
Speaker 1: and is appealing, and it's beautiful and as alluring as

895
00:58:31,520 --> 00:58:35,440
Speaker 1: any screen character. And just in case anyone listening doesn't know, um,

896
00:58:35,600 --> 00:58:37,920
Speaker 1: Michael was in the movie True Roman. May they know

897
00:58:38,120 --> 00:58:40,520
Speaker 1: if you saw True Romance and you'll listen to this podcast.

898
00:58:41,200 --> 00:58:43,720
Speaker 1: You just can never assume, right, that's true. I wasn't

899
00:58:43,720 --> 00:58:46,160
Speaker 1: True Roman. You were in that movie? Did we talk about?

900
00:58:46,160 --> 00:58:47,760
Speaker 1: You know, this is a legendary movie, but you have

901
00:58:47,840 --> 00:58:50,680
Speaker 1: to forget like you were legendary acting in that Thank you,

902
00:58:51,000 --> 00:58:53,600
Speaker 1: Thank you. But the thing that I wanted to point

903
00:58:53,640 --> 00:58:55,320
Speaker 1: out before we go into the act is Patrick Shark

904
00:58:55,400 --> 00:58:58,880
Speaker 1: Kitt started out as a starlet. She was a starlet.

905
00:58:58,960 --> 00:59:02,440
Speaker 1: She was very good actress, but like she was beautiful, sexual,

906
00:59:02,960 --> 00:59:05,880
Speaker 1: very sort of open with her sexuality in roles, not

907
00:59:06,040 --> 00:59:08,919
Speaker 1: in your different teeth than everyone, which was super cool too, yes,

908
00:59:09,080 --> 00:59:11,520
Speaker 1: and but in her roles not in real life. So

909
00:59:12,520 --> 00:59:15,320
Speaker 1: as she's gotten older, you know a lot of times women,

910
00:59:15,480 --> 00:59:19,120
Speaker 1: especially ones that are known for their beauty, they'll phase out.

911
00:59:20,280 --> 00:59:24,400
Speaker 1: Patricia Kent has made a second act of her second

912
00:59:24,440 --> 00:59:28,720
Speaker 1: act of her career, like very few actresses do. Going back,

913
00:59:28,760 --> 00:59:31,480
Speaker 1: What's the movie she won the Oscar for boyhood. Boyhood

914
00:59:31,600 --> 00:59:34,680
Speaker 1: was the start of it. She escaped from Dan Moore,

915
00:59:34,760 --> 00:59:36,960
Speaker 1: which was just our showtime with Benicio del Toro and

916
00:59:37,040 --> 00:59:40,120
Speaker 1: Paul Dana, which she lets let's be real, she lets

917
00:59:40,160 --> 00:59:43,160
Speaker 1: it hang. You know how Christian bail, he loses weight,

918
00:59:43,240 --> 00:59:46,680
Speaker 1: he fluctuates, he gains weight for rules. Patricia is about

919
00:59:46,760 --> 00:59:51,600
Speaker 1: that life. She's flying. Fuck, she's about it. She does this,

920
00:59:52,120 --> 00:59:56,160
Speaker 1: about that Duncan donuts. She's all about it. Embrace it.

921
00:59:56,240 --> 00:59:58,680
Speaker 1: And you have to do that as an actress, especially

922
00:59:58,840 --> 01:00:01,960
Speaker 1: when you get to that s an age point, because otherwise,

923
01:00:02,160 --> 01:00:04,120
Speaker 1: like she she wasn't known as a great actress. But

924
01:00:04,240 --> 01:00:07,280
Speaker 1: she's now being her the second act of her career,

925
01:00:07,400 --> 01:00:10,919
Speaker 1: she's carving out a real niat. Yes she is as

926
01:00:10,960 --> 01:00:13,520
Speaker 1: a character actor. And I just want to also shout

927
01:00:13,560 --> 01:00:14,960
Speaker 1: out and we'll move on, but I just want to

928
01:00:14,960 --> 01:00:17,600
Speaker 1: shout out that Jennifer Aniston did a movie years ago

929
01:00:17,640 --> 01:00:19,280
Speaker 1: where they said, oh, I think it was called Cake,

930
01:00:19,560 --> 01:00:21,400
Speaker 1: If I'm not mistaken, I think it was called that

931
01:00:21,600 --> 01:00:24,320
Speaker 1: where she didn't have any makeup on, and that was like,

932
01:00:24,680 --> 01:00:30,080
Speaker 1: oh my god, Jennifer and Patricia Arquette. When you watch

933
01:00:30,200 --> 01:00:32,960
Speaker 1: Dan Mora and you see her and she really about

934
01:00:33,040 --> 01:00:35,800
Speaker 1: that no makeup. I mean you talk about she trumps

935
01:00:35,920 --> 01:00:38,600
Speaker 1: them all, she's getting on her. I mean I'm not

936
01:00:38,840 --> 01:00:40,800
Speaker 1: I'm not even going to go that graphic. And not

937
01:00:40,960 --> 01:00:44,280
Speaker 1: only that, what makes it even sloppier and dirtier is

938
01:00:44,360 --> 01:00:48,360
Speaker 1: these crazy accents that she's doing. She's going, gmc honey,

939
01:00:48,440 --> 01:00:51,440
Speaker 1: you got coming, Oliver. You know she's doing these crazy

940
01:00:51,800 --> 01:00:53,400
Speaker 1: and I will say this, as good as she is

941
01:00:53,520 --> 01:00:56,680
Speaker 1: in this film, the one criticism I will say, and

942
01:00:56,800 --> 01:01:00,760
Speaker 1: and accents are very overrated. Her accent chang juice and

943
01:01:01,600 --> 01:01:04,320
Speaker 1: scene for scene herr and and do you think her

944
01:01:04,360 --> 01:01:07,440
Speaker 1: accent her southern accent, it's not an easy accent. It's

945
01:01:07,440 --> 01:01:10,240
Speaker 1: a it's a cage in New Orleans accent. It changes

946
01:01:10,720 --> 01:01:13,480
Speaker 1: scene for scene. But you know what I care. I

947
01:01:13,680 --> 01:01:16,800
Speaker 1: like that because maybe she's doing it on purpose, because

948
01:01:16,840 --> 01:01:19,200
Speaker 1: it's all in act. She doesn't know where she's from.

949
01:01:19,280 --> 01:01:22,240
Speaker 1: She wasn't Katrina. But anyway, this is this podcast. She's

950
01:01:22,280 --> 01:01:25,080
Speaker 1: on a different level of brilliant because her she's flipping

951
01:01:25,120 --> 01:01:28,080
Speaker 1: the script of her acc I just wanted this car

952
01:01:28,360 --> 01:01:33,240
Speaker 1: seven years, also changes her accent, changes the scene for scene.

953
01:01:33,240 --> 01:01:36,680
Speaker 1: So I'll let all Patricia, she she can she can

954
01:01:36,800 --> 01:01:40,360
Speaker 1: let that one slide. Chloe Sevigne. I like Turn Zodiac.

955
01:01:40,600 --> 01:01:43,800
Speaker 1: I liked her in American Psycho. Other than that, she

956
01:01:43,960 --> 01:01:46,080
Speaker 1: was put on that show. That show, the HBO show

957
01:01:46,240 --> 01:01:49,640
Speaker 1: Um about the Sister when they were Bill Paxton the

958
01:01:50,520 --> 01:01:53,600
Speaker 1: name of the show, Big Love. She was a regular

959
01:01:53,640 --> 01:01:57,760
Speaker 1: on that any good that anyway, this has become all

960
01:01:57,760 --> 01:01:59,800
Speaker 1: about Petri Shark in the act. We just want to say,

961
01:01:59,840 --> 01:02:01,560
Speaker 1: go see it. There's a lot of great concents on

962
01:02:01,680 --> 01:02:05,600
Speaker 1: Hulu and it's about this story. And I want to

963
01:02:05,720 --> 01:02:08,640
Speaker 1: preface it by saying this as far out as the

964
01:02:08,760 --> 01:02:13,080
Speaker 1: documentary is the true story the TV show, I don't

965
01:02:13,080 --> 01:02:14,720
Speaker 1: know if it's it's it's gonna be like it's like

966
01:02:15,520 --> 01:02:18,440
Speaker 1: two episodes out. There's two episodes justice far out because

967
01:02:19,480 --> 01:02:22,120
Speaker 1: committed shout out. I just want to shout out to

968
01:02:22,200 --> 01:02:25,600
Speaker 1: Joey King, the girl, the little girl plays Gypsy. I've

969
01:02:25,680 --> 01:02:28,920
Speaker 1: met her before. She's a very talented actress. I remember

970
01:02:28,960 --> 01:02:30,760
Speaker 1: her when she was a little girl in The Conjuring

971
01:02:31,080 --> 01:02:34,600
Speaker 1: and she's right, No, she wasn't she she I met

972
01:02:34,640 --> 01:02:36,640
Speaker 1: her with with my friend Logan, but she was in

973
01:02:36,720 --> 01:02:39,040
Speaker 1: the movie The Conjuring. She's a great young and she's

974
01:02:39,080 --> 01:02:41,400
Speaker 1: a really good young actress. And then this ship she

975
01:02:41,640 --> 01:02:45,280
Speaker 1: is she she nails Gypsy Blanchard. I think her name

976
01:02:45,400 --> 01:02:47,680
Speaker 1: is to a t. And it's all this, you know,

977
01:02:48,000 --> 01:02:52,040
Speaker 1: it's out there. She's like baby Voices and anyway, check

978
01:02:52,120 --> 01:02:54,680
Speaker 1: that out. It's on Hulu. It's called The Act. And

979
01:02:54,840 --> 01:02:57,360
Speaker 1: before you watch it, I would I would suggest watching

980
01:02:57,880 --> 01:03:02,240
Speaker 1: Mommy Dead and Dear. Who I know my man John Coddling. Uh.

981
01:03:02,640 --> 01:03:04,680
Speaker 1: He's also a friend friend of the Iron Rap or

982
01:03:04,760 --> 01:03:07,200
Speaker 1: Stereo Pockets. I hipped him to it and he sent

983
01:03:07,320 --> 01:03:11,480
Speaker 1: me text going what the fuck quite a few times yes, um,

984
01:03:11,640 --> 01:03:13,520
Speaker 1: so that we're both hyped on that. I can't wait

985
01:03:13,560 --> 01:03:16,880
Speaker 1: to see how it unfolds now watching the HBO Sied

986
01:03:17,000 --> 01:03:19,640
Speaker 1: the Case against Ied, which was was based on the

987
01:03:19,720 --> 01:03:22,600
Speaker 1: podcast Cereal. Everyone's heard about it. We don't have to

988
01:03:22,640 --> 01:03:24,920
Speaker 1: go into the whole thing. Three episodes are up. Three

989
01:03:24,960 --> 01:03:27,360
Speaker 1: episodes are up. I think they have four. I'm just

990
01:03:27,400 --> 01:03:29,200
Speaker 1: gonna be the one to say it. First of all,

991
01:03:29,240 --> 01:03:30,960
Speaker 1: I didn't listen to Cereal, and I think I'm the

992
01:03:31,040 --> 01:03:34,240
Speaker 1: first one. Better the podcast better than the way they

993
01:03:34,320 --> 01:03:36,720
Speaker 1: presented this documentary. I don't like the way that they're

994
01:03:36,720 --> 01:03:42,000
Speaker 1: presenting the doctor doing every thing and the kitchen sink technique. Wise,

995
01:03:42,320 --> 01:03:45,280
Speaker 1: they had animation, they have flashbacks, they have this, they

996
01:03:45,360 --> 01:03:50,400
Speaker 1: have that, numbers, highlights, graphs. I mean, it's just listen.

997
01:03:50,560 --> 01:03:56,040
Speaker 1: It's it's good, it's it's kind of confusing. It's a

998
01:03:56,080 --> 01:03:59,000
Speaker 1: little confusing. And there just isn't the smoking gun where

999
01:03:59,040 --> 01:04:02,600
Speaker 1: I'm like that dude is innocent. Get him out. Um,

1000
01:04:03,320 --> 01:04:05,760
Speaker 1: so I just want to say he's guilty. I don't

1001
01:04:05,840 --> 01:04:07,919
Speaker 1: know where I'm at right now. I thought the third

1002
01:04:08,200 --> 01:04:10,400
Speaker 1: the first two I was like, my man, I don't

1003
01:04:10,440 --> 01:04:12,560
Speaker 1: think it is guilty. Third episode in I was like,

1004
01:04:13,160 --> 01:04:15,480
Speaker 1: you a percent had something to do with this ship

1005
01:04:15,720 --> 01:04:18,000
Speaker 1: and the way you're talking over the phone of and

1006
01:04:18,080 --> 01:04:21,520
Speaker 1: you know an interview this yourself too. Yeah, you're you're

1007
01:04:21,560 --> 01:04:25,120
Speaker 1: doing a little too much. You know, you know something,

1008
01:04:25,560 --> 01:04:28,600
Speaker 1: you know something, but you know what do you know?

1009
01:04:28,840 --> 01:04:30,480
Speaker 1: And if and I just want to say, if you

1010
01:04:30,600 --> 01:04:33,560
Speaker 1: are listening somehow from prison and you want to talk

1011
01:04:33,600 --> 01:04:36,000
Speaker 1: about it, maybe you can bring that to the Iron

1012
01:04:36,040 --> 01:04:39,040
Speaker 1: Wrap part podcast is a friendly, safe environment where if

1013
01:04:39,120 --> 01:04:41,640
Speaker 1: you did want to open up about things O J

1014
01:04:41,800 --> 01:04:44,760
Speaker 1: as well, if you're listening, we're here. So, um that

1015
01:04:44,880 --> 01:04:48,520
Speaker 1: goes to the gypsy No she she no, No, no,

1016
01:04:48,680 --> 01:04:51,280
Speaker 1: Gypsy Blancher dropped and owned to what she did. But

1017
01:04:52,080 --> 01:04:54,520
Speaker 1: but I would love to know, like since then, I'd

1018
01:04:54,600 --> 01:04:57,000
Speaker 1: love to sit down with Gypsy, like maybe go on

1019
01:04:57,080 --> 01:04:59,400
Speaker 1: like a mile run before we do it, just to

1020
01:04:59,600 --> 01:05:02,800
Speaker 1: be like is this crazy? You're running and ship like yeah,

1021
01:05:02,880 --> 01:05:05,560
Speaker 1: no one, you could walk where you were like a

1022
01:05:05,760 --> 01:05:08,480
Speaker 1: minute mile like you're fucking you're pretty fast and and Gypsy,

1023
01:05:08,520 --> 01:05:10,640
Speaker 1: if you are listening to this, I will have two

1024
01:05:10,800 --> 01:05:16,360
Speaker 1: dozen cupcakes with extra icing at just at the door

1025
01:05:16,440 --> 01:05:19,400
Speaker 1: when you come in to to the Iron Wrap Word Studios.

1026
01:05:19,960 --> 01:05:25,360
Speaker 1: Um now us the film that yes, so I can't

1027
01:05:25,400 --> 01:05:27,560
Speaker 1: see us, but STI a lot of mixed things about

1028
01:05:27,680 --> 01:05:30,720
Speaker 1: Jordan Peele movie follow up to Get Out, which I

1029
01:05:30,880 --> 01:05:33,439
Speaker 1: was very excited to see. I went to go see

1030
01:05:33,480 --> 01:05:35,680
Speaker 1: it at the one thirty show at the Arc Light

1031
01:05:35,880 --> 01:05:39,200
Speaker 1: in the Dome on Friday. Uh Me and my wife.

1032
01:05:39,600 --> 01:05:43,520
Speaker 1: We brought candy, we brought soda. Um it was a

1033
01:05:43,600 --> 01:05:46,880
Speaker 1: two hour film. I was extra hyped. And I have

1034
01:05:47,040 --> 01:05:51,400
Speaker 1: to say this, I was disappointed. It's not a bad movie,

1035
01:05:51,840 --> 01:05:56,000
Speaker 1: but it is a straight up horror film. Um. The acting,

1036
01:05:56,680 --> 01:06:00,200
Speaker 1: especially by Lupete and Nyone. She's a good fuck yo.

1037
01:06:01,440 --> 01:06:06,120
Speaker 1: She's really good. She ain't just a pretty face and uh,

1038
01:06:06,520 --> 01:06:10,480
Speaker 1: she is way out there in her part. And you know,

1039
01:06:11,000 --> 01:06:13,920
Speaker 1: Jordan Peel is a very good director. He knows how

1040
01:06:14,000 --> 01:06:16,040
Speaker 1: to set a mood and a tone. And when I

1041
01:06:16,120 --> 01:06:18,400
Speaker 1: say tone, he knows what he wants to make. He

1042
01:06:18,520 --> 01:06:20,360
Speaker 1: knows this is horror film. I want to make you

1043
01:06:20,440 --> 01:06:22,080
Speaker 1: nervous here, I want to make you scared here. I

1044
01:06:22,080 --> 01:06:24,840
Speaker 1: want to make you uncomfortable there. That being said, I

1045
01:06:24,920 --> 01:06:29,880
Speaker 1: don't fuck I'm I don't funk with horror films. And

1046
01:06:30,000 --> 01:06:33,120
Speaker 1: I think that the trailer was misleading because I think

1047
01:06:33,160 --> 01:06:34,800
Speaker 1: we thought it was gonna be horror, but I think

1048
01:06:34,920 --> 01:06:38,320
Speaker 1: he was gonna be horror with these messages and statements

1049
01:06:38,400 --> 01:06:41,080
Speaker 1: on culture, and a lot of the reviews are saying, well,

1050
01:06:41,360 --> 01:06:43,960
Speaker 1: after the movie, you should read up on this and

1051
01:06:44,120 --> 01:06:46,480
Speaker 1: read this blog. No, no, no, no. I went to

1052
01:06:46,640 --> 01:06:49,520
Speaker 1: the movie. I didn't love the movie. You're not doing homework.

1053
01:06:49,560 --> 01:06:52,160
Speaker 1: I'm not doing homework. I'm not doing a follow up quiz.

1054
01:06:52,400 --> 01:06:55,840
Speaker 1: I'm not reading an instruction manual. I'm not, uh, you know,

1055
01:06:55,960 --> 01:06:58,479
Speaker 1: going on YouTube. And I looked for all that because

1056
01:06:58,480 --> 01:07:00,720
Speaker 1: I knew that like, get out that kind of ship,

1057
01:07:01,040 --> 01:07:03,400
Speaker 1: because Paul told miss Anderson all of them could start saying,

1058
01:07:03,440 --> 01:07:05,320
Speaker 1: I'll go to this blog, go to that blog. You'll

1059
01:07:05,360 --> 01:07:08,720
Speaker 1: understand by I'm not how you either get it like

1060
01:07:08,920 --> 01:07:12,360
Speaker 1: it or not. Now again, it's not a not good movie.

1061
01:07:12,880 --> 01:07:16,320
Speaker 1: I just I don't get scared in the movie theater

1062
01:07:17,160 --> 01:07:20,600
Speaker 1: like Jason and Freddy Krueger and all that. Like this

1063
01:07:20,840 --> 01:07:23,480
Speaker 1: is it's not that in terms of it's not like

1064
01:07:23,600 --> 01:07:27,680
Speaker 1: Jason and Freddy Kruger's. It's more psychological. But it's definitely

1065
01:07:27,760 --> 01:07:30,720
Speaker 1: a horror film with murder scenes and blood and over

1066
01:07:30,800 --> 01:07:34,160
Speaker 1: the topness. And I'll say this, at a certain point,

1067
01:07:34,240 --> 01:07:36,400
Speaker 1: you knew certain people weren't gonna get killed, and I

1068
01:07:36,480 --> 01:07:38,960
Speaker 1: was like, why am I even nervous anymore? Like I

1069
01:07:39,000 --> 01:07:41,560
Speaker 1: I knew they were gonna all make it through the journey.

1070
01:07:41,640 --> 01:07:44,600
Speaker 1: I don't, fucking I haven't seen the damn movie. All right, Okay,

1071
01:07:44,760 --> 01:07:48,120
Speaker 1: everyone keeps saying all that plot twist. My truth cens

1072
01:07:48,200 --> 01:07:52,880
Speaker 1: is the movie made seventy million dollars in three days,

1073
01:07:53,360 --> 01:07:57,720
Speaker 1: so my two cents doesn't matter. I just was disappointed

1074
01:07:58,240 --> 01:08:00,400
Speaker 1: because I thought I was getting something else. I thought

1075
01:08:00,440 --> 01:08:04,120
Speaker 1: I was getting something that was about sociology and life.

1076
01:08:04,320 --> 01:08:06,520
Speaker 1: And you see I the way that you just pitched

1077
01:08:06,560 --> 01:08:09,040
Speaker 1: that makes me really want to go see it? Okay, well,

1078
01:08:09,160 --> 01:08:11,320
Speaker 1: because I'm like, I'm not looking for that. I'm not

1079
01:08:11,440 --> 01:08:15,160
Speaker 1: looking for cultural significance. Is I'm looking for that horror

1080
01:08:15,200 --> 01:08:18,760
Speaker 1: film I like, I don't know, like The Shining, I

1081
01:08:18,920 --> 01:08:22,439
Speaker 1: like fucking uh what? I like The Exorcist, I like

1082
01:08:22,520 --> 01:08:25,719
Speaker 1: all that ship. These are those are benchmark horror films.

1083
01:08:25,760 --> 01:08:28,439
Speaker 1: The Ring. You remember the Ring? That was a great

1084
01:08:28,479 --> 01:08:30,000
Speaker 1: What's the Ring? Oh? I love by the way, I

1085
01:08:30,200 --> 01:08:36,000
Speaker 1: loved Hereditary. What's that Tony Collette was in it? Man,

1086
01:08:36,160 --> 01:08:38,439
Speaker 1: you need to get your movie game up, bro. I

1087
01:08:38,520 --> 01:08:40,280
Speaker 1: think every listener knows what I'm talking about when I

1088
01:08:40,360 --> 01:08:43,080
Speaker 1: say Hereditary with Tony Collette, the horror film that came

1089
01:08:43,080 --> 01:08:45,040
Speaker 1: out I think last year. I heard that was really good.

1090
01:08:45,080 --> 01:08:47,040
Speaker 1: It was great, and so I'm down to see it.

1091
01:08:47,120 --> 01:08:49,560
Speaker 1: I haven't seen it, Um go see it. I just

1092
01:08:49,640 --> 01:08:52,040
Speaker 1: want to segue into something because I'm not here just

1093
01:08:52,080 --> 01:08:54,360
Speaker 1: talking about movies and be you know, the kind of

1094
01:08:54,400 --> 01:08:56,240
Speaker 1: sidekick guy of like, oh what do you see and

1095
01:08:56,320 --> 01:08:59,120
Speaker 1: what's good? And I didn't know. But I did have

1096
01:08:59,240 --> 01:09:01,519
Speaker 1: a story that I wanted to tell on the podcast

1097
01:09:01,600 --> 01:09:04,360
Speaker 1: when it happened, but I didn't get the call from you. Um,

1098
01:09:04,479 --> 01:09:06,640
Speaker 1: and so now we're a month later or whatever it is.

1099
01:09:06,680 --> 01:09:08,599
Speaker 1: But that's fine. But but but give all the context

1100
01:09:08,640 --> 01:09:13,720
Speaker 1: because this Michael calls me and says that he's going

1101
01:09:14,120 --> 01:09:18,280
Speaker 1: to do a Netflix special on Laughing. The show Laughing

1102
01:09:18,439 --> 01:09:21,080
Speaker 1: with Ruth Buzzy and all of them, the nineteen It

1103
01:09:21,160 --> 01:09:23,639
Speaker 1: was way ahead of its time. It was a comedy show.

1104
01:09:24,240 --> 01:09:27,240
Speaker 1: They talked about fake news and it was all the

1105
01:09:27,320 --> 01:09:29,320
Speaker 1: things sort of that they used to that they're talking

1106
01:09:29,360 --> 01:09:32,400
Speaker 1: about now. It was a comedy show. Ruth Buzzy, all

1107
01:09:32,520 --> 01:09:36,200
Speaker 1: the great comedians call Reiner, Rob Ryan, and Robin Williams,

1108
01:09:36,240 --> 01:09:39,200
Speaker 1: like everybody would come through this sort of comedy variety show.

1109
01:09:39,520 --> 01:09:42,320
Speaker 1: They were doing a reunion, I believe the fiftieth anniversary

1110
01:09:42,640 --> 01:09:46,360
Speaker 1: for Netflix. I got called in because they look at

1111
01:09:46,400 --> 01:09:48,439
Speaker 1: me as one of the great comedic voices of today.

1112
01:09:48,439 --> 01:09:50,600
Speaker 1: That's what they said, they I think they that's what

1113
01:09:50,720 --> 01:09:52,000
Speaker 1: they said. I didn't say. I don't know if I

1114
01:09:52,080 --> 01:09:53,720
Speaker 1: heard that out loud, but they said something along. I

1115
01:09:53,760 --> 01:09:56,080
Speaker 1: have the email, I'll post it. And they said, we

1116
01:09:56,160 --> 01:09:59,360
Speaker 1: want you to do something with Snoop And I say,

1117
01:09:59,479 --> 01:10:03,519
Speaker 1: to this side, get down where and when? Right? Because

1118
01:10:03,560 --> 01:10:07,320
Speaker 1: with Snoop was wearing when there is no other questions asked?

1119
01:10:07,360 --> 01:10:11,440
Speaker 1: So the where was the Dolby Theater where the oscars

1120
01:10:11,520 --> 01:10:13,960
Speaker 1: had just taken place? Where shout out to our boy

1121
01:10:14,080 --> 01:10:16,800
Speaker 1: Rommy Mallick who won Best Actor on that stage. So

1122
01:10:16,960 --> 01:10:19,960
Speaker 1: we're we are going. So we're at the Dolby Theater

1123
01:10:20,080 --> 01:10:24,960
Speaker 1: surrounded by so many A lists and I mean breakdown

1124
01:10:24,960 --> 01:10:28,120
Speaker 1: who's there? So there's everywhere you turn. There's Billy Crystal,

1125
01:10:28,240 --> 01:10:33,280
Speaker 1: Michael Douglas, j Leno, There's um Neil Patrick Harris, there,

1126
01:10:33,760 --> 01:10:36,760
Speaker 1: Kenyan Barres who created Black Yes, and so this just

1127
01:10:37,280 --> 01:10:40,200
Speaker 1: there's more. Let's tell more. Who were else? Tony Hale

1128
01:10:40,240 --> 01:10:44,320
Speaker 1: from Arrest of Development and vip Um, you had God there,

1129
01:10:44,479 --> 01:10:47,840
Speaker 1: John Lovett's there, every everyone in David Spade was there

1130
01:10:47,880 --> 01:10:52,280
Speaker 1: right with David Spade. Um, you had every Tiffany, you

1131
01:10:52,360 --> 01:10:56,799
Speaker 1: got it. There was a who's who have comedy ps?

1132
01:10:57,160 --> 01:11:00,240
Speaker 1: So we're there. Michael tells me he's doing a little

1133
01:11:00,280 --> 01:11:02,960
Speaker 1: bit with Snoop. I said the same thing that Michael said,

1134
01:11:03,240 --> 01:11:05,320
Speaker 1: When and where to you? I said, when and where

1135
01:11:05,520 --> 01:11:09,200
Speaker 1: Dolbe Theater? Seven o'clock. I'm picking you up here. We're rocking.

1136
01:11:09,400 --> 01:11:11,639
Speaker 1: I don't know anything about it. You always keep things

1137
01:11:11,760 --> 01:11:13,560
Speaker 1: very low key with me. I didn't know much. I

1138
01:11:13,680 --> 01:11:15,400
Speaker 1: know you didn't know much, but you but all you

1139
01:11:15,520 --> 01:11:18,519
Speaker 1: told me was that you're presenting with Snoop and you

1140
01:11:18,720 --> 01:11:21,200
Speaker 1: have like three pages of dialogue, like you're doing a

1141
01:11:21,280 --> 01:11:24,679
Speaker 1: sketch with him and Tiffany Hattish, and so I was like, oh, ship.

1142
01:11:25,000 --> 01:11:28,280
Speaker 1: So here we are being walked into the Dolby Theater.

1143
01:11:28,439 --> 01:11:30,360
Speaker 1: You know, it's like it's like almost famous. You know,

1144
01:11:30,479 --> 01:11:33,080
Speaker 1: we enter the V I P. Section of you know,

1145
01:11:33,120 --> 01:11:35,400
Speaker 1: where the band's load in and and you're, you know,

1146
01:11:35,479 --> 01:11:37,960
Speaker 1: everyone's on their walkie talkies and headsets, and you know

1147
01:11:38,320 --> 01:11:40,799
Speaker 1: Mr Rapports coming in this way, and oh, Michael Douglas

1148
01:11:40,880 --> 01:11:42,800
Speaker 1: is coming that way to the left, and blah blah

1149
01:11:42,840 --> 01:11:45,880
Speaker 1: blah blah blah. We're going down the hall, passing every

1150
01:11:45,960 --> 01:11:48,880
Speaker 1: famous person's dressing room. And we just saw that we

1151
01:11:49,000 --> 01:11:51,599
Speaker 1: just made just mentioned everybody passing them in their dressing

1152
01:11:51,960 --> 01:11:54,960
Speaker 1: and we come to find out for some reason, yes,

1153
01:11:55,120 --> 01:11:57,040
Speaker 1: they don't have a dressing room for me. I don't

1154
01:11:57,080 --> 01:11:58,960
Speaker 1: know why that. I don't know why that is. They

1155
01:11:58,960 --> 01:12:00,439
Speaker 1: don't really have to dress The must have been a

1156
01:12:00,439 --> 01:12:01,960
Speaker 1: fun up. But they had a green room, they had

1157
01:12:01,960 --> 01:12:04,320
Speaker 1: a green room. But the green room was stiffest bricks.

1158
01:12:04,720 --> 01:12:07,120
Speaker 1: It was. It was just a lot of people didn't

1159
01:12:07,120 --> 01:12:09,040
Speaker 1: have dressing rooms apparently because a lot of I think

1160
01:12:10,840 --> 01:12:12,880
Speaker 1: it wasn't just you, It wasn't just but you know,

1161
01:12:13,360 --> 01:12:15,759
Speaker 1: but but what was I was like for a second,

1162
01:12:16,680 --> 01:12:18,080
Speaker 1: for a second, was like, why is there not? They're

1163
01:12:18,120 --> 01:12:20,400
Speaker 1: like stand here. I'm like, na, I got two hours

1164
01:12:20,479 --> 01:12:22,360
Speaker 1: before I'm going up. And I think there were literally

1165
01:12:22,400 --> 01:12:26,120
Speaker 1: a hundred dressing rooms. There was like hundreds, and for

1166
01:12:26,240 --> 01:12:28,240
Speaker 1: some reason, I think they have they had you. They

1167
01:12:28,280 --> 01:12:29,920
Speaker 1: said that they had you in the basement, but we

1168
01:12:30,000 --> 01:12:31,240
Speaker 1: didn't want to get down. There was kind of an

1169
01:12:31,240 --> 01:12:34,040
Speaker 1: office space situation where you were kind of like the

1170
01:12:34,520 --> 01:12:37,439
Speaker 1: utility room or something. But anyway, what was cooler about

1171
01:12:37,520 --> 01:12:39,479
Speaker 1: that was that you ended up having to share a

1172
01:12:39,600 --> 01:12:42,720
Speaker 1: dressing room with Snoop Dogg like Snoop Do double g

1173
01:12:43,360 --> 01:12:46,680
Speaker 1: um and as we like to call him, Uncle Snoop Um.

1174
01:12:47,240 --> 01:12:50,800
Speaker 1: And so we're in this dressing room, okay, and it's

1175
01:12:50,920 --> 01:12:56,880
Speaker 1: me Michael Snoop and Snoop's videographer. That's it. That's it.

1176
01:12:57,280 --> 01:12:59,960
Speaker 1: And I'm not joking, like dressing room like bongs are there?

1177
01:13:00,160 --> 01:13:04,599
Speaker 1: Starburst skittles like like it's it's it's a private dressing

1178
01:13:04,680 --> 01:13:07,120
Speaker 1: room and it's just us and we're killing time. We're

1179
01:13:07,160 --> 01:13:08,840
Speaker 1: not in the green room. We're just hanging in nine.

1180
01:13:09,840 --> 01:13:12,679
Speaker 1: We're in here for for over an hour and we're

1181
01:13:12,720 --> 01:13:17,200
Speaker 1: just shooting the ship, smoking and blah blah blah blah blah.

1182
01:13:17,280 --> 01:13:20,040
Speaker 1: He's telling us white House stories and this and that,

1183
01:13:20,200 --> 01:13:23,639
Speaker 1: and we're all bonding and it's just a very surreal experience.

1184
01:13:23,720 --> 01:13:26,320
Speaker 1: And explain what really I was. I'm gonna correct you

1185
01:13:26,320 --> 01:13:27,880
Speaker 1: if you don't say it, But what did you say

1186
01:13:27,920 --> 01:13:30,200
Speaker 1: about like when we because we were like I've been

1187
01:13:30,240 --> 01:13:33,280
Speaker 1: around Snoop a lot, yes, but that was it was

1188
01:13:33,640 --> 01:13:36,519
Speaker 1: and I've met Snoop with you it was so different,

1189
01:13:36,800 --> 01:13:40,360
Speaker 1: so like that's who this person is. And you get

1190
01:13:40,400 --> 01:13:42,160
Speaker 1: a sense of like, this is who the person is.

1191
01:13:42,400 --> 01:13:44,200
Speaker 1: But what do you remember what you said about him

1192
01:13:44,240 --> 01:13:46,840
Speaker 1: that night when he was talking. You were like there's

1193
01:13:46,880 --> 01:13:49,240
Speaker 1: so much love in his face and his eyes when

1194
01:13:49,280 --> 01:13:53,800
Speaker 1: he's just such a nicee like like music aside and

1195
01:13:53,880 --> 01:13:55,640
Speaker 1: all that stuff. And I'm and I'm sitting here and

1196
01:13:55,680 --> 01:13:57,760
Speaker 1: I'm looking at him, I'm talking to him and we're

1197
01:13:57,840 --> 01:14:01,040
Speaker 1: smoking together. That aside of being like whoa I'm sitting

1198
01:14:01,080 --> 01:14:03,960
Speaker 1: and smoking with Snoop Dogg. After that kind of goes

1199
01:14:04,040 --> 01:14:07,519
Speaker 1: away after thirty minutes or whatever it is, you're just like, damn,

1200
01:14:07,560 --> 01:14:13,680
Speaker 1: this dude is just a cool guy, guy knows your name, personable.

1201
01:14:13,960 --> 01:14:17,840
Speaker 1: Speak on that again, because yeah, so, like, well, before

1202
01:14:17,880 --> 01:14:20,840
Speaker 1: we go into his dressing room, he's blazing up like

1203
01:14:20,920 --> 01:14:23,120
Speaker 1: he's got his own blonde or whatever, and they go, Snoop, Snoop,

1204
01:14:23,120 --> 01:14:25,000
Speaker 1: we want you to take a photo with Lily Tomlin

1205
01:14:25,080 --> 01:14:28,320
Speaker 1: and Billy Crystal and Michael Douglas. He's nice to everybody,

1206
01:14:28,439 --> 01:14:31,559
Speaker 1: so they're getting ready to He's got the best fucking stories.

1207
01:14:31,680 --> 01:14:34,599
Speaker 1: He's got the best. He remembers everything from his life,

1208
01:14:34,680 --> 01:14:37,280
Speaker 1: from his career, like moments and he'll just if you

1209
01:14:37,439 --> 01:14:40,160
Speaker 1: just within the conversation, he'll just tell you stories, and

1210
01:14:40,200 --> 01:14:42,640
Speaker 1: you're like, he's focused, He's not. Everyone asked that is

1211
01:14:42,680 --> 01:14:47,880
Speaker 1: he shot? Is he even? He told us about the

1212
01:14:47,960 --> 01:14:49,960
Speaker 1: first time he went to the White House with Obama

1213
01:14:50,000 --> 01:14:53,280
Speaker 1: and it's infamous that he smoked weed in the bathroom.

1214
01:14:53,400 --> 01:14:55,080
Speaker 1: He talks about it all the time. It's been and

1215
01:14:55,360 --> 01:14:57,160
Speaker 1: it's just the four of us, but he breaks down

1216
01:14:57,200 --> 01:14:59,880
Speaker 1: the story in such detail, like I don't remember anything.

1217
01:14:59,880 --> 01:15:02,639
Speaker 1: And I don't smoke. I don't smoke like this guy.

1218
01:15:02,720 --> 01:15:04,760
Speaker 1: So he's not fucking burnt at all. No, And and

1219
01:15:04,880 --> 01:15:06,799
Speaker 1: he's about to take this photo with all these comedy

1220
01:15:06,920 --> 01:15:09,000
Speaker 1: legends and all this stuff and they're all freaking out

1221
01:15:09,439 --> 01:15:11,240
Speaker 1: and there's freaking out. He looks at me and he goes,

1222
01:15:11,400 --> 01:15:13,439
Speaker 1: he goes, yo dein, he goes, can you hold this

1223
01:15:13,560 --> 01:15:16,120
Speaker 1: for me? And it's his blunt, his personal blunt. While

1224
01:15:16,160 --> 01:15:19,080
Speaker 1: he takes the photo and I'm holding he goes, yo, den,

1225
01:15:19,160 --> 01:15:20,360
Speaker 1: can you hold this for me? And I was reason

1226
01:15:20,360 --> 01:15:22,840
Speaker 1: why we're pointing that out is because he's he's being

1227
01:15:22,960 --> 01:15:26,439
Speaker 1: inundated by different people. Everybody wants to talk to and

1228
01:15:26,520 --> 01:15:30,200
Speaker 1: he remembers your name from twenty minutes ago. So now

1229
01:15:30,320 --> 01:15:31,960
Speaker 1: we get to the meat of the story, right. And

1230
01:15:32,040 --> 01:15:34,880
Speaker 1: so we finally get into Snoop's dressing room and it's

1231
01:15:35,000 --> 01:15:37,320
Speaker 1: again just the four of us, and it's very personal

1232
01:15:37,439 --> 01:15:41,160
Speaker 1: moment whatever, and so I've been personally, I want to

1233
01:15:41,240 --> 01:15:43,720
Speaker 1: know what Snoop is smoking. I want to know if

1234
01:15:43,760 --> 01:15:45,519
Speaker 1: it's an indoca strain. I want to know if it's

1235
01:15:45,560 --> 01:15:48,160
Speaker 1: a sativa strain, if it's some hidden ship that we

1236
01:15:48,240 --> 01:15:50,280
Speaker 1: can't get in at the stores. I want to know

1237
01:15:50,360 --> 01:15:52,360
Speaker 1: what it is, so I find my moment. But but

1238
01:15:52,479 --> 01:15:55,640
Speaker 1: this is in between stories about basketball the Lakers. What

1239
01:15:55,720 --> 01:15:58,160
Speaker 1: do you think about going out with Lebron? You know,

1240
01:15:58,200 --> 01:15:59,800
Speaker 1: what do you think is going on with Antonio Brown?

1241
01:15:59,800 --> 01:16:02,840
Speaker 1: Because he's infamously a big Pittsburgh Steels. We're talking, we're

1242
01:16:02,840 --> 01:16:05,439
Speaker 1: talking about Dukie Howser. Yeah, he was tripping off a

1243
01:16:05,479 --> 01:16:07,719
Speaker 1: meeting Dougie out right. We were talking about all sorts

1244
01:16:07,760 --> 01:16:09,640
Speaker 1: of ships. So we finally there's a pause in the

1245
01:16:09,840 --> 01:16:13,080
Speaker 1: in the conversation. I find my moment and I said, yo, snoop,

1246
01:16:13,360 --> 01:16:16,680
Speaker 1: I said, what's your go to strain? Like are you

1247
01:16:16,800 --> 01:16:18,760
Speaker 1: are you an Indica guy? Are you as at? And

1248
01:16:18,800 --> 01:16:21,240
Speaker 1: before I even could say CTV, He's like Indica, Indica

1249
01:16:21,320 --> 01:16:24,800
Speaker 1: all the way, Indica only fun with Indica. And I said, yeah,

1250
01:16:24,880 --> 01:16:26,600
Speaker 1: me too. I said. I was like, you know, and

1251
01:16:26,640 --> 01:16:28,759
Speaker 1: we're just shooting the ship. I'm not like fan bowing

1252
01:16:28,800 --> 01:16:30,640
Speaker 1: out like so I said, yeah me too, I'm just

1253
01:16:30,680 --> 01:16:33,680
Speaker 1: smoking Indican. I go, but what strain are you messing with?

1254
01:16:33,760 --> 01:16:35,439
Speaker 1: Because like I can't you know, I I rocked with

1255
01:16:35,520 --> 01:16:38,360
Speaker 1: this purple punch. I love the string called purple punched

1256
01:16:38,400 --> 01:16:42,120
Speaker 1: heavy Indica, what are you smoking? He looks at me, Michael,

1257
01:16:42,240 --> 01:16:45,080
Speaker 1: his videographer, they're all just quiet listening, and he looks

1258
01:16:45,080 --> 01:16:47,320
Speaker 1: at me and he goes, he goes, what am I smoking?

1259
01:16:47,400 --> 01:16:51,360
Speaker 1: He goes, you know what, Dean, because you asked, I'm

1260
01:16:51,360 --> 01:16:54,439
Speaker 1: gonna show you. And he has a Louis Vuitton purse,

1261
01:16:54,800 --> 01:16:57,679
Speaker 1: like personal sized purse. It's his. It's all these colors

1262
01:16:57,720 --> 01:17:00,720
Speaker 1: and a bag like a like a bag, yeah, like

1263
01:17:00,760 --> 01:17:04,120
Speaker 1: a travel back. He opens it. He takes out a

1264
01:17:04,360 --> 01:17:08,920
Speaker 1: personal blunt that has a glass filter. It's dipped in

1265
01:17:09,160 --> 01:17:13,000
Speaker 1: Keith and hash and it's it looks glorious. It's fat

1266
01:17:13,200 --> 01:17:16,000
Speaker 1: as fuck. It's not like a skinny blunt that you

1267
01:17:16,240 --> 01:17:18,960
Speaker 1: It's a blunt and it's glass. It's it's his his

1268
01:17:19,560 --> 01:17:22,439
Speaker 1: personal collection. So then let me just prefaces by this.

1269
01:17:23,120 --> 01:17:27,200
Speaker 1: He keeps other blunts in his pocket because everyone smoking

1270
01:17:27,280 --> 01:17:29,960
Speaker 1: and wants to smoke and ask and he'll he'll hit

1271
01:17:30,080 --> 01:17:33,240
Speaker 1: friends off. It's like he runs into somebody. He thought

1272
01:17:33,280 --> 01:17:35,360
Speaker 1: about it, because like when you asked about it, there

1273
01:17:35,479 --> 01:17:38,719
Speaker 1: was like he thought it was a side second pause.

1274
01:17:38,960 --> 01:17:43,559
Speaker 1: It was. It wasn't seconds. It felt like a lifetime, um,

1275
01:17:44,280 --> 01:17:46,519
Speaker 1: but it was. It was a long pause. And he's

1276
01:17:46,560 --> 01:17:48,080
Speaker 1: and he looked at me, and I like, I said,

1277
01:17:48,080 --> 01:17:50,479
Speaker 1: he sized you off, like he liked you or not.

1278
01:17:50,640 --> 01:17:52,559
Speaker 1: He wanted to use testing me if I was really

1279
01:17:52,640 --> 01:17:55,240
Speaker 1: about that smoke life. So he said, And just to

1280
01:17:55,320 --> 01:17:58,479
Speaker 1: say this, the past couple of times i've met Snoop,

1281
01:17:58,720 --> 01:18:01,439
Speaker 1: he's not I'm sure he's a sharer, but he's never

1282
01:18:01,600 --> 01:18:03,680
Speaker 1: passed me his own personal blood. I think it's a

1283
01:18:03,720 --> 01:18:06,720
Speaker 1: German thing. I don't. And also, and also why do

1284
01:18:06,800 --> 01:18:09,639
Speaker 1: you have to pass Why if you're snooping, you're always smoking.

1285
01:18:09,680 --> 01:18:12,759
Speaker 1: It's it's pretty much like he's that or he's smoking,

1286
01:18:13,080 --> 01:18:14,760
Speaker 1: you're not like, can I have your water? Like a

1287
01:18:14,840 --> 01:18:17,120
Speaker 1: glass of water? So I knew that coming in, so

1288
01:18:17,240 --> 01:18:20,040
Speaker 1: I brought my own weeds. Right, So I'm smoking my ship.

1289
01:18:20,120 --> 01:18:21,640
Speaker 1: He's smoking his ship and he looks at me and

1290
01:18:21,800 --> 01:18:23,479
Speaker 1: I said, what are you smoking? He goes, he goes,

1291
01:18:23,960 --> 01:18:27,800
Speaker 1: you know what, Dean, because he said, he said, you

1292
01:18:27,880 --> 01:18:31,439
Speaker 1: know what, Dean, beat because you asked, I'm gonna show you.

1293
01:18:31,880 --> 01:18:34,800
Speaker 1: He opens up his Louis Bitton travel kit, right, his

1294
01:18:34,960 --> 01:18:37,760
Speaker 1: personal kit. He whips out the thing that I told you,

1295
01:18:37,840 --> 01:18:40,840
Speaker 1: the blunt dipped and Keith the glass filter. It's gigantic.

1296
01:18:40,920 --> 01:18:43,160
Speaker 1: It's his person. He goes. He goes, I'm smoking. He goes,

1297
01:18:43,200 --> 01:18:45,800
Speaker 1: I'm smoking this ship called bubble gum. He goes. He goes,

1298
01:18:46,040 --> 01:18:48,439
Speaker 1: that's my he goes, that's my personal favorite bubble gum.

1299
01:18:48,520 --> 01:18:50,759
Speaker 1: He goes. So then they go, all of a sudden,

1300
01:18:50,960 --> 01:18:52,920
Speaker 1: the walkie talkie people come in, you know, the the

1301
01:18:53,040 --> 01:18:55,559
Speaker 1: p a's, and they go, Michael, Michael, report, we need

1302
01:18:55,600 --> 01:18:57,880
Speaker 1: you on set right now. You know, it's it's a

1303
01:18:57,920 --> 01:19:01,000
Speaker 1: whole production. You know, it's a big, live shown show

1304
01:19:01,120 --> 01:19:02,800
Speaker 1: with a lot of people, and like people are on

1305
01:19:02,920 --> 01:19:05,240
Speaker 1: time schedules exactly. So Michael, we need you right now,

1306
01:19:05,400 --> 01:19:07,639
Speaker 1: right they need me for something different. So Michael's getting

1307
01:19:07,680 --> 01:19:09,840
Speaker 1: up and Snoop starts going, oh shit. So he starts

1308
01:19:10,000 --> 01:19:12,560
Speaker 1: lighting the blunt and he goes, yo, I'm out of

1309
01:19:12,600 --> 01:19:14,240
Speaker 1: the room. At this point, he's out of the room.

1310
01:19:14,240 --> 01:19:16,519
Speaker 1: He goes, yo, Dean, he's lighting the blunt for me,

1311
01:19:16,960 --> 01:19:19,240
Speaker 1: and he goes. He goes, Dean, he goes, he goes,

1312
01:19:19,360 --> 01:19:21,640
Speaker 1: take this. He goes, bring this on stage with you

1313
01:19:22,200 --> 01:19:24,599
Speaker 1: and let me know how you like that. And I run,

1314
01:19:24,680 --> 01:19:27,000
Speaker 1: I go, thank you, I run. I take two hits

1315
01:19:27,040 --> 01:19:30,800
Speaker 1: of it. I'm walking up the stairwell up the up,

1316
01:19:30,840 --> 01:19:33,200
Speaker 1: the different tunnels and this and that, and I'm on

1317
01:19:33,320 --> 01:19:36,760
Speaker 1: the side of the joby theater. No bullshit on the

1318
01:19:37,000 --> 01:19:40,160
Speaker 1: side Jeffrey Ross is there, Jeffrey Ross. But I'm standing

1319
01:19:40,400 --> 01:19:45,080
Speaker 1: with a lit, fat as fuck blunt that's just smoking

1320
01:19:45,200 --> 01:19:48,719
Speaker 1: profusely with the audience is filled. And I'm not joking.

1321
01:19:48,760 --> 01:19:52,000
Speaker 1: I'm standing on the side holding this thing, and Lily Tomlin,

1322
01:19:52,080 --> 01:19:54,160
Speaker 1: Billy Crystal, all these people are giving me the dirtiest

1323
01:19:54,240 --> 01:19:57,280
Speaker 1: looks like who the fuck is this guy with a

1324
01:19:57,479 --> 01:20:00,560
Speaker 1: little blunt? No one else is smoking, and then I

1325
01:20:00,640 --> 01:20:02,960
Speaker 1: think they piece it together that it's Snoops. So anyway,

1326
01:20:03,000 --> 01:20:05,960
Speaker 1: long story short, it was one of the best things.

1327
01:20:06,120 --> 01:20:08,680
Speaker 1: You could see. The photo on my Instagram of me

1328
01:20:08,800 --> 01:20:12,080
Speaker 1: and Snoop Michael took a candid photopiece and it was

1329
01:20:12,200 --> 01:20:14,439
Speaker 1: just an epic thing. And so I took two hits

1330
01:20:14,479 --> 01:20:16,320
Speaker 1: of that blunt. I have it in a case and

1331
01:20:16,400 --> 01:20:19,240
Speaker 1: I'm going to get it framed in like a glass

1332
01:20:19,320 --> 01:20:22,960
Speaker 1: casing and put two little two rods so that it

1333
01:20:23,040 --> 01:20:25,599
Speaker 1: can it can lay on there. And now I'll say

1334
01:20:25,640 --> 01:20:27,800
Speaker 1: this about the young shooter, because I break I break

1335
01:20:27,880 --> 01:20:31,639
Speaker 1: your fucking balls. I break them, Shooter has been around

1336
01:20:31,640 --> 01:20:34,160
Speaker 1: a lot of famous people your whole life. You're used

1337
01:20:34,160 --> 01:20:36,760
Speaker 1: to it. You've met a lot of people, You've had

1338
01:20:36,800 --> 01:20:39,080
Speaker 1: experiences with with a lot of cool people. We broke

1339
01:20:39,160 --> 01:20:41,719
Speaker 1: it down on the mountaintop moments you fucking met didn't

1340
01:20:41,760 --> 01:20:43,760
Speaker 1: didn't Logan take you logan learnment, take you to meet

1341
01:20:43,800 --> 01:20:46,320
Speaker 1: the Five? Yeah, I met Barack and I bonded with

1342
01:20:46,360 --> 01:20:49,200
Speaker 1: Snoop over that, which was crazy, right, But at all

1343
01:20:49,280 --> 01:20:52,080
Speaker 1: the famous people you've been around, where do you put

1344
01:20:52,120 --> 01:20:54,439
Speaker 1: Snoop in terms of and you're you like rap and

1345
01:20:54,479 --> 01:20:57,800
Speaker 1: you like his music, but but as a person and

1346
01:20:57,920 --> 01:20:59,920
Speaker 1: as like a star, and as a person who like

1347
01:21:00,160 --> 01:21:01,840
Speaker 1: when he comes into a room, the mood of the

1348
01:21:01,920 --> 01:21:04,519
Speaker 1: room shifts. Oh, where do you rank him in terms

1349
01:21:04,600 --> 01:21:08,240
Speaker 1: of just coolness, in terms of niceness, as who's comfortable

1350
01:21:08,280 --> 01:21:10,760
Speaker 1: with the stardom that he has. I don't. I I

1351
01:21:10,960 --> 01:21:14,559
Speaker 1: can't think of anybody else that comes to my no bullshit,

1352
01:21:14,720 --> 01:21:17,719
Speaker 1: I really cannot think, and I of someone that's handled

1353
01:21:17,760 --> 01:21:21,280
Speaker 1: their fame so well where it's like this dude is

1354
01:21:21,280 --> 01:21:25,000
Speaker 1: bombarded more than fucking Leonardo DiCaprio and all these guys,

1355
01:21:25,040 --> 01:21:27,280
Speaker 1: because he's such an icon in so many different and

1356
01:21:27,320 --> 01:21:29,640
Speaker 1: when you see him, there's no there's no mistake that

1357
01:21:29,680 --> 01:21:32,160
Speaker 1: it's Snoop. No, there's no mistake. I mean, my grandmother

1358
01:21:32,360 --> 01:21:35,639
Speaker 1: loves Snoop, my mom loves Snoopy. This guy is beloved

1359
01:21:35,760 --> 01:21:39,479
Speaker 1: by every age range. And so the question you asked me,

1360
01:21:39,960 --> 01:21:42,160
Speaker 1: there's no one that that tops him. I've met Leonardo

1361
01:21:42,200 --> 01:21:44,800
Speaker 1: DiCaprio with you, I've hung out with Leonardo DiCaprio, with you,

1362
01:21:44,840 --> 01:21:49,920
Speaker 1: I've met everybody. Honestly, Snoop to me is like he's

1363
01:21:49,960 --> 01:21:52,200
Speaker 1: like a top two, Like I don't know anyone else

1364
01:21:52,280 --> 01:21:55,599
Speaker 1: that beats him. There's no hiding, there's no like when

1365
01:21:55,720 --> 01:21:59,040
Speaker 1: he's funny. He could never do music. He couldn't do

1366
01:21:59,280 --> 01:22:01,240
Speaker 1: he like if he brought that. Let me just say

1367
01:22:01,280 --> 01:22:04,240
Speaker 1: this the Netflix special it's coming out. It's the Laughing

1368
01:22:04,360 --> 01:22:07,759
Speaker 1: Fifties Anniversary. Me and Snoop walked out on the stage

1369
01:22:08,720 --> 01:22:10,680
Speaker 1: and it was packed. The Dolby Theater, this is where

1370
01:22:10,680 --> 01:22:13,000
Speaker 1: they did the Academy words. It was packed, and that

1371
01:22:13,160 --> 01:22:15,120
Speaker 1: fucking place. I have never been on that stage. I

1372
01:22:15,160 --> 01:22:19,040
Speaker 1: haven't been nominated for an Oscar. It was packed to

1373
01:22:19,200 --> 01:22:23,080
Speaker 1: the top and there's four levels. Well, we walked out there.

1374
01:22:23,120 --> 01:22:27,120
Speaker 1: They said up next, Michael rapport and Snoop Dogg. The

1375
01:22:27,360 --> 01:22:32,200
Speaker 1: place went ape shape ship they it went ape. And

1376
01:22:32,240 --> 01:22:33,760
Speaker 1: you know what he said, Do you remember what he said?

1377
01:22:33,760 --> 01:22:35,680
Speaker 1: He go, he goes. You know, they were tripping off

1378
01:22:35,720 --> 01:22:37,760
Speaker 1: for me, but they were tripping off for you and me.

1379
01:22:37,840 --> 01:22:40,080
Speaker 1: And I was like, Snoop, they were tripping off of you.

1380
01:22:40,800 --> 01:22:42,960
Speaker 1: He kept but he kept going, no, Mike, you're not

1381
01:22:43,120 --> 01:22:46,080
Speaker 1: listening to me. They were tripping off of both of us.

1382
01:22:46,160 --> 01:22:48,880
Speaker 1: Like he kept lifting you up. That's another thing with him.

1383
01:22:48,880 --> 01:22:51,800
Speaker 1: He lifts everybody up. It's always it's never about him.

1384
01:22:51,880 --> 01:22:54,040
Speaker 1: But that was a rock star ovation. When I came

1385
01:22:54,040 --> 01:22:56,280
Speaker 1: out that that was a rat on something you were

1386
01:22:56,320 --> 01:22:59,559
Speaker 1: on some you know, the place went crazy. It was Lincoln.

1387
01:22:59,680 --> 01:23:02,519
Speaker 1: It was like like Lincoln, like like John Wilkes booth

1388
01:23:02,640 --> 01:23:04,519
Speaker 1: up there, like like you don't know who's up there.

1389
01:23:04,800 --> 01:23:06,760
Speaker 1: It was. It was nuts. And we we did our

1390
01:23:06,800 --> 01:23:09,559
Speaker 1: bit and obviously you'll see it and Snoop we were

1391
01:23:09,640 --> 01:23:12,600
Speaker 1: riffing a little bit like we were improving. He's he

1392
01:23:12,720 --> 01:23:14,640
Speaker 1: got They said, it's the biggest laugh of us. That

1393
01:23:14,880 --> 01:23:17,680
Speaker 1: it was. It was. It just elevated everybody. And you know,

1394
01:23:17,800 --> 01:23:20,320
Speaker 1: this stiff ass green room that we went into before

1395
01:23:20,400 --> 01:23:22,559
Speaker 1: Snoop had arrived. It was all these we're not gonna

1396
01:23:22,640 --> 01:23:26,960
Speaker 1: name everybody. Everybody he goes he was up, but sweet,

1397
01:23:27,040 --> 01:23:30,400
Speaker 1: he breaks the ice. Everyone's like got their fucking egos

1398
01:23:30,439 --> 01:23:32,599
Speaker 1: and their manager and their makeup artists and their assistant

1399
01:23:32,600 --> 01:23:35,280
Speaker 1: blah blah ba. He just walks in, YO, what's up, guys,

1400
01:23:35,320 --> 01:23:38,639
Speaker 1: like a regular fucking person does two people. It was anyway,

1401
01:23:38,680 --> 01:23:42,200
Speaker 1: it was cool. He's just a fucking good dude. Um,

1402
01:23:43,040 --> 01:23:45,120
Speaker 1: before we go, I wanted to just say this. I've

1403
01:23:45,160 --> 01:23:49,200
Speaker 1: talked about this before. Um. I am on my prolong diet,

1404
01:23:50,280 --> 01:23:53,000
Speaker 1: which is the diet which my doctor sold me on

1405
01:23:53,160 --> 01:23:57,040
Speaker 1: by saying, um, it's a fasting diet and your body

1406
01:23:57,160 --> 01:24:00,400
Speaker 1: will be tricked into thinking it's dying. Oh that was

1407
01:24:00,439 --> 01:24:03,720
Speaker 1: the selling point. Sounds healthy, Yeah, you're and so, and

1408
01:24:03,840 --> 01:24:07,639
Speaker 1: it's it's not for um weight loss, it's for because

1409
01:24:07,680 --> 01:24:12,599
Speaker 1: of my various health things. The obviously infamous and iconic

1410
01:24:13,000 --> 01:24:15,360
Speaker 1: Michael rab pork cough. But as we all know, I

1411
01:24:15,439 --> 01:24:17,719
Speaker 1: talked about it openly. I suffered from all sort of colitis.

1412
01:24:18,000 --> 01:24:20,360
Speaker 1: So it helps. It helps break down the cells in

1413
01:24:20,439 --> 01:24:24,400
Speaker 1: your body, bad cells and rebuild hopefully new ones. And

1414
01:24:24,600 --> 01:24:29,160
Speaker 1: I have been on probably five to seven calorie a day.

1415
01:24:29,760 --> 01:24:32,320
Speaker 1: We're heading into the fourth day, and you've been around

1416
01:24:32,360 --> 01:24:35,600
Speaker 1: me every day since we've done that. Um, do you

1417
01:24:35,680 --> 01:24:38,759
Speaker 1: want to talk about what do you think of the diet?

1418
01:24:38,960 --> 01:24:41,240
Speaker 1: I think that the diet should be called the bad

1419
01:24:41,360 --> 01:24:44,760
Speaker 1: fucking mood diet because you've been a douche. And I

1420
01:24:44,840 --> 01:24:46,640
Speaker 1: don't mean to just be so blunt. And I know

1421
01:24:46,720 --> 01:24:48,479
Speaker 1: you're doing a great job and you you know, you're

1422
01:24:48,520 --> 01:24:50,920
Speaker 1: taking in your two indred calories and it's about five

1423
01:24:51,280 --> 01:24:54,760
Speaker 1: whatever the funk it is, but you have been so

1424
01:24:55,000 --> 01:24:59,040
Speaker 1: unpleasant to be around. Um. I think I think everybody

1425
01:24:59,120 --> 01:25:02,320
Speaker 1: collectively can agree that you've just been unpleasant. But that's

1426
01:25:02,400 --> 01:25:05,760
Speaker 1: fine because you're doing the death diet or whatever they

1427
01:25:05,840 --> 01:25:08,479
Speaker 1: call it that they had they had uh posed to

1428
01:25:08,520 --> 01:25:11,320
Speaker 1: you in the office, and and so I understand that.

1429
01:25:11,400 --> 01:25:13,519
Speaker 1: And I think that you have two more days. They

1430
01:25:13,640 --> 01:25:15,920
Speaker 1: said two more days. So I've tried my best to

1431
01:25:15,960 --> 01:25:18,120
Speaker 1: stay away from you for all. This can't do a week,

1432
01:25:18,280 --> 01:25:21,680
Speaker 1: can't do it. So I'm hearing surprisingly you seem like

1433
01:25:21,760 --> 01:25:24,720
Speaker 1: you're actually in a better mood then when you're not

1434
01:25:24,880 --> 01:25:27,800
Speaker 1: on the diet, which is really weird. I don't know

1435
01:25:27,920 --> 01:25:30,760
Speaker 1: what a lot and what it is. You're gonna come

1436
01:25:30,760 --> 01:25:34,200
Speaker 1: out with me to Irvine because this Thursday, March I'm

1437
01:25:34,240 --> 01:25:38,559
Speaker 1: doing stand up at the Irvine Improv. Tickets are still

1438
01:25:38,560 --> 01:25:41,880
Speaker 1: available there. There's a few left at improv dot com,

1439
01:25:42,000 --> 01:25:44,320
Speaker 1: but you'll probably be gone by tomorrow and they've been

1440
01:25:44,360 --> 01:25:48,200
Speaker 1: sold out. You you came to oxen Um. The shows

1441
01:25:48,240 --> 01:25:51,200
Speaker 1: have been dope and we've been rocket But you're coming

1442
01:25:51,240 --> 01:25:53,840
Speaker 1: to Irvine A percent. I hope that everyone out Irv.

1443
01:25:54,120 --> 01:25:56,880
Speaker 1: I'm definitely going to Irvine. I went to school, I

1444
01:25:56,920 --> 01:25:59,040
Speaker 1: got history out there. I went to school out there.

1445
01:25:59,080 --> 01:26:00,720
Speaker 1: I know a lot of ball out in Irvan. I've

1446
01:26:00,720 --> 01:26:02,800
Speaker 1: been to your people. Are your people coming to the show.

1447
01:26:02,840 --> 01:26:04,599
Speaker 1: I've been blasting and I'm telling people to come out.

1448
01:26:05,760 --> 01:26:07,920
Speaker 1: The truth is everybody that went to school with me

1449
01:26:08,000 --> 01:26:10,040
Speaker 1: and o C is now in l A. Well. They

1450
01:26:10,080 --> 01:26:12,120
Speaker 1: could take the drive too. But it's been great. You

1451
01:26:12,200 --> 01:26:14,719
Speaker 1: have been killing it. We've we've been we've been busting

1452
01:26:14,760 --> 01:26:16,720
Speaker 1: our asses and I will say the Shooter has been

1453
01:26:16,800 --> 01:26:20,240
Speaker 1: rocking with me. Forget just the big shows, the little shows,

1454
01:26:20,320 --> 01:26:23,200
Speaker 1: the ten people shows at the Improv Lab, the fucking

1455
01:26:23,560 --> 01:26:27,000
Speaker 1: Tuesday early shows, the Tuesday late shows at the Improv

1456
01:26:27,360 --> 01:26:29,240
Speaker 1: and all that stuff, and the Shooter has been there

1457
01:26:29,880 --> 01:26:32,920
Speaker 1: rocking with me holding my hand through all the good, bad,

1458
01:26:33,240 --> 01:26:36,240
Speaker 1: the weirdness, the comedian behavior. There's a lot of weird

1459
01:26:36,320 --> 01:26:39,040
Speaker 1: comedian the whole the world. We've been rocking for four

1460
01:26:39,080 --> 01:26:42,080
Speaker 1: months with comedy. We could put probably the entire comedy

1461
01:26:42,120 --> 01:26:44,600
Speaker 1: industry on blast four months. That's right. I was at

1462
01:26:44,640 --> 01:26:47,679
Speaker 1: your first show and we've been going like four months

1463
01:26:47,760 --> 01:26:49,760
Speaker 1: in and it's a whole of the world. But but

1464
01:26:49,880 --> 01:26:52,720
Speaker 1: but we've seen comed from comedians that we could be like,

1465
01:26:52,920 --> 01:26:56,040
Speaker 1: these guys have unusual behavior. Can we say that extremely

1466
01:26:56,120 --> 01:26:59,040
Speaker 1: unusual behavior? All right, that's it. So Thursday, Y will

1467
01:26:59,040 --> 01:27:02,559
Speaker 1: be in Irvine. Calm, bring everybody, bring your friends, dot

1468
01:27:02,640 --> 01:27:05,280
Speaker 1: com uh and and the Shooter listen. You have an

1469
01:27:05,280 --> 01:27:08,360
Speaker 1: open invitation. But the podcast won't stop for you. I

1470
01:27:08,439 --> 01:27:10,160
Speaker 1: didn't say it should stop for me, but it would

1471
01:27:10,200 --> 01:27:12,680
Speaker 1: be nice. Like how Scowl says where you're like, you know,

1472
01:27:12,960 --> 01:27:14,880
Speaker 1: let's hang out Scow and he's like, when I come

1473
01:27:14,920 --> 01:27:16,840
Speaker 1: to l A hit me up and be like yo,

1474
01:27:17,080 --> 01:27:19,640
Speaker 1: you know, like let's do Scalabrini. Yeah, Like Scow's got

1475
01:27:19,680 --> 01:27:22,280
Speaker 1: the same issue, you gotta the same issue. I'm easy

1476
01:27:22,320 --> 01:27:24,120
Speaker 1: to find that you don't reach out though. You want

1477
01:27:24,120 --> 01:27:25,439
Speaker 1: me to just knock on your door and be like,

1478
01:27:25,520 --> 01:27:28,240
Speaker 1: I'm here for the pod. Invite me bro. I love

1479
01:27:28,320 --> 01:27:30,479
Speaker 1: this podcast, and I love the fans of the podcast,

1480
01:27:30,600 --> 01:27:32,800
Speaker 1: and I miss being on here, and um, all right,

1481
01:27:32,800 --> 01:27:35,400
Speaker 1: well hopefully maybe we'll see maybe you'll be back. Maybe

1482
01:27:35,680 --> 01:27:38,400
Speaker 1: you're playing you're playing Magic Tricks and all these Disney

1483
01:27:38,479 --> 01:27:40,439
Speaker 1: games and weird ship. All right, so I am wrapped

1484
01:27:40,479 --> 01:27:43,360
Speaker 1: for Stereo podcast. I will say this, this is museum

1485
01:27:43,479 --> 01:27:49,120
Speaker 1: quality Ship Talking Extravaganza episode. Miles Jordan, take us out

1486
01:27:49,120 --> 01:27:51,360
Speaker 1: of here with something real nice, some real proper, but

1487
01:27:51,439 --> 01:28:06,719
Speaker 1: most importantly some real funky. We're done, Sank, Sank, Thank