1 00:00:00,880 --> 00:00:02,960 Speaker 1: Coming up at the top of the hour, right about 2 00:00:02,960 --> 00:00:05,800 Speaker 1: four minutes after. It's my Strawberry letter for today, and 3 00:00:05,840 --> 00:00:08,640 Speaker 1: the subject is real men can cry, but there is 4 00:00:08,680 --> 00:00:09,160 Speaker 1: a limit. 5 00:00:09,560 --> 00:00:09,880 Speaker 2: All right. 6 00:00:10,000 --> 00:00:13,640 Speaker 1: We'll get into that also right after the prank, Nephew. 7 00:00:13,640 --> 00:00:15,480 Speaker 1: When you get into that, Steve's going to come back 8 00:00:15,520 --> 00:00:19,680 Speaker 1: with his women's mount Rushmore. We did the men yesterday, 9 00:00:19,920 --> 00:00:23,079 Speaker 1: He's going to do his female mount Rushmore of R 10 00:00:23,160 --> 00:00:26,960 Speaker 1: and B today. Okay, so all right, you're here right now. 11 00:00:27,000 --> 00:00:28,160 Speaker 1: What's the prank for today? 12 00:00:28,440 --> 00:00:31,480 Speaker 2: The title of the prank is I dropped your wife 13 00:00:32,240 --> 00:00:35,559 Speaker 2: dropped your he Hey, it happens sometimes, you understand, mean, 14 00:00:35,640 --> 00:00:36,280 Speaker 2: it happens sometimes. 15 00:00:38,720 --> 00:00:40,159 Speaker 3: Hello, I'm trying to reach Tony. 16 00:00:40,560 --> 00:00:41,840 Speaker 4: This is Tony, Tony. 17 00:00:41,880 --> 00:00:45,159 Speaker 3: How you doing this? Is nephew, Tommy, Nephew, Tommy. 18 00:00:46,400 --> 00:00:47,120 Speaker 4: I can't believe you. 19 00:00:50,240 --> 00:00:53,880 Speaker 5: Married eight years? Here, that's my heart. 20 00:00:54,120 --> 00:00:57,080 Speaker 3: Okay, let me ask you something. What makes your husband 21 00:00:57,240 --> 00:00:58,200 Speaker 3: just go off. 22 00:00:58,120 --> 00:01:00,000 Speaker 5: Anything that has to do with me? Let me tell 23 00:01:00,280 --> 00:01:03,520 Speaker 5: he is crazy about me. If anybody that's with me, 24 00:01:03,720 --> 00:01:06,240 Speaker 5: if anybody tries to go off on me, he will 25 00:01:06,319 --> 00:01:06,840 Speaker 5: lose it. 26 00:01:07,200 --> 00:01:09,080 Speaker 4: Okay, okay, oh, what are we gonna do? 27 00:01:09,120 --> 00:01:09,200 Speaker 3: What? 28 00:01:09,360 --> 00:01:10,200 Speaker 4: I'm so excited? 29 00:01:12,160 --> 00:01:14,200 Speaker 3: All right? Can you click over on a three way? 30 00:01:14,280 --> 00:01:15,880 Speaker 3: Can you call him? 31 00:01:16,000 --> 00:01:17,960 Speaker 5: Okay, I can call that from my phone, but you're 32 00:01:18,000 --> 00:01:19,400 Speaker 5: gonna be on the phone right Yeah. 33 00:01:19,440 --> 00:01:21,480 Speaker 3: I want I want him to think that I got 34 00:01:21,520 --> 00:01:24,640 Speaker 3: your phone. Okay, just click over so when you click back, 35 00:01:24,720 --> 00:01:26,600 Speaker 3: you can't say nothing else. You got to be quiet 36 00:01:26,840 --> 00:01:28,520 Speaker 3: because I'm gonna at the end, I'm gonna let you 37 00:01:28,520 --> 00:01:35,080 Speaker 3: talk to him. Okay, okay, hold on, how are you there? 38 00:01:35,360 --> 00:01:38,320 Speaker 3: I'm here? Okay, all right, you're hitting mute or something? 39 00:01:38,319 --> 00:01:40,600 Speaker 4: Okay, okay, Hey what's that? 40 00:01:41,520 --> 00:01:45,680 Speaker 3: Uh? No? This this? How you is? This? Is this? Darren? Yeah? 41 00:01:45,720 --> 00:01:46,160 Speaker 3: This Darren? 42 00:01:46,360 --> 00:01:46,520 Speaker 4: Was this? 43 00:01:46,800 --> 00:01:49,360 Speaker 3: Hey? We got a bit of a situation with with Tony. 44 00:01:49,440 --> 00:01:52,360 Speaker 4: Man, we got a situation for real, just my white phone? 45 00:01:52,360 --> 00:01:53,240 Speaker 4: Who is this? 46 00:01:53,240 --> 00:01:56,320 Speaker 3: This? Uh? Actually we are the one, bro? Who is this? 47 00:01:56,600 --> 00:01:59,360 Speaker 3: We're trying to get Tony actually twisted our ankle? Man, 48 00:01:59,440 --> 00:02:01,440 Speaker 3: we gotta get a to the emergency room and get 49 00:02:01,440 --> 00:02:01,960 Speaker 3: her checked out. 50 00:02:02,000 --> 00:02:03,480 Speaker 4: She twisted her ankle? How did she twist? 51 00:02:03,760 --> 00:02:03,920 Speaker 3: Wait? 52 00:02:03,920 --> 00:02:05,760 Speaker 4: Wait, wait, wait back up? Who did you say? 53 00:02:05,760 --> 00:02:06,280 Speaker 3: Who is this? 54 00:02:06,560 --> 00:02:07,840 Speaker 4: How did Tony twist her ankle? 55 00:02:08,080 --> 00:02:11,000 Speaker 3: Actually? She she she fell and. 56 00:02:11,120 --> 00:02:14,560 Speaker 4: Man, look look my wife is with her mom right now. 57 00:02:14,760 --> 00:02:16,040 Speaker 3: Who and who are you? 58 00:02:16,120 --> 00:02:18,040 Speaker 4: How do you twist her ankle? And why are you 59 00:02:18,040 --> 00:02:19,120 Speaker 4: calling me? Why isn't her mother? 60 00:02:19,240 --> 00:02:19,880 Speaker 3: Somebody called me? 61 00:02:19,880 --> 00:02:21,560 Speaker 4: Who is this? You never told me your name? 62 00:02:21,600 --> 00:02:24,200 Speaker 3: Bro? No, I'm a friend. Man, shit and fall. I 63 00:02:24,240 --> 00:02:25,120 Speaker 3: actually dropped her? 64 00:02:27,000 --> 00:02:27,480 Speaker 4: How you had it? 65 00:02:27,560 --> 00:02:28,040 Speaker 3: You drop her? 66 00:02:28,240 --> 00:02:29,200 Speaker 4: What do you mean you dropped her? 67 00:02:29,280 --> 00:02:31,639 Speaker 3: We had a couple of drinks at the hotel, man. 68 00:02:31,560 --> 00:02:34,680 Speaker 4: And she Hey wait wait wait hotel here? You mean 69 00:02:34,720 --> 00:02:36,640 Speaker 4: the hotel? My wife is supposed to be over her 70 00:02:36,760 --> 00:02:39,359 Speaker 4: mom's house. Now you called me from her phone talking 71 00:02:39,400 --> 00:02:42,160 Speaker 4: about you dropped her, y'all. Let some hotel? What why 72 00:02:42,200 --> 00:02:43,840 Speaker 4: y'all even at a hotel? What you? What the hell 73 00:02:43,840 --> 00:02:45,000 Speaker 4: are you talking about a hotel? 74 00:02:45,040 --> 00:02:45,160 Speaker 3: Bro? 75 00:02:45,480 --> 00:02:47,360 Speaker 4: Where is my wife? Where's Tony? 76 00:02:47,400 --> 00:02:47,720 Speaker 3: Why? Well? 77 00:02:47,720 --> 00:02:48,799 Speaker 4: Why ain't Tony on the phone? 78 00:02:48,800 --> 00:02:51,040 Speaker 3: Why you gotta go? You gotta calm down. 79 00:02:51,360 --> 00:02:55,560 Speaker 4: You called me from my wife phone telling I see hurt? 80 00:02:55,840 --> 00:02:57,679 Speaker 4: You dropped her? Y'all at the hotel she supposed to 81 00:02:58,080 --> 00:02:59,959 Speaker 4: mom's house. Bro, Where is my wife? 82 00:03:00,080 --> 00:03:00,280 Speaker 3: Man? 83 00:03:00,639 --> 00:03:00,959 Speaker 6: Sez it? 84 00:03:01,160 --> 00:03:02,440 Speaker 3: Tony, I got it, I got it. 85 00:03:02,560 --> 00:03:05,360 Speaker 4: Just hang on, Tony, I gotta put water on the phone. 86 00:03:05,400 --> 00:03:07,600 Speaker 3: Man. Hey, dude, just I need you to calm down. 87 00:03:07,639 --> 00:03:10,120 Speaker 4: Man, No, no, I need this man, No, no, no, 88 00:03:10,160 --> 00:03:12,119 Speaker 4: you talking about you'll about to go to an emergency room. 89 00:03:12,240 --> 00:03:14,720 Speaker 4: You dropped my wife, y'all at the hotel? Dog, keep 90 00:03:14,800 --> 00:03:17,079 Speaker 4: putting my for the phone, just for y'all be in 91 00:03:17,120 --> 00:03:17,919 Speaker 4: the emergency room. 92 00:03:18,240 --> 00:03:21,520 Speaker 3: Hey man, listen, you gotta calm down. Tony already embarrassed. 93 00:03:21,680 --> 00:03:22,480 Speaker 3: I don't even know. 94 00:03:22,440 --> 00:03:23,960 Speaker 4: Who the hell you are. You still ain't telling me 95 00:03:24,720 --> 00:03:26,040 Speaker 4: put Tony on the phone. 96 00:03:26,080 --> 00:03:28,240 Speaker 3: I'm gonna listen. Man, you gotta chill out. Man, I'm 97 00:03:28,280 --> 00:03:30,720 Speaker 3: just a friend, Okay, I'm for you. But there you are. 98 00:03:30,720 --> 00:03:32,480 Speaker 4: I'll tell you what in the emergency room. Tell me 99 00:03:32,520 --> 00:03:34,520 Speaker 4: where y'all at. I come to the hotel. I get 100 00:03:34,560 --> 00:03:36,760 Speaker 4: my own white and take it wherever she needs to do. 101 00:03:36,800 --> 00:03:39,640 Speaker 3: Tell me as soon as Tony get dressed. Man, I'm 102 00:03:39,640 --> 00:03:40,280 Speaker 3: gonna get her there. 103 00:03:40,280 --> 00:03:43,800 Speaker 4: Okay, as soon as she gets dressed for you a minute, 104 00:03:44,240 --> 00:03:46,440 Speaker 4: Hey man, real talk, dog, where y'all at? 105 00:03:46,440 --> 00:03:46,640 Speaker 3: Man? 106 00:03:46,800 --> 00:03:48,720 Speaker 4: Where you put Tony on the phone? 107 00:03:48,760 --> 00:03:51,400 Speaker 3: Man, I'm not putting Tony on you too? Il rate man? 108 00:03:51,520 --> 00:03:52,960 Speaker 3: Why are you screaming at Holland Dude? 109 00:03:53,000 --> 00:03:54,840 Speaker 4: I swear to God, I swear to God. If I 110 00:03:54,880 --> 00:03:56,640 Speaker 4: find out where y'all at, I'm gonna come up here. 111 00:03:56,680 --> 00:03:59,880 Speaker 4: It's gonna be one for you at Tony. Hey, Hey, man, 112 00:04:00,080 --> 00:04:00,720 Speaker 4: where y'all at? 113 00:04:00,720 --> 00:04:00,960 Speaker 3: Brush? 114 00:04:01,160 --> 00:04:02,200 Speaker 4: I'm cool? Where y'all at? 115 00:04:02,360 --> 00:04:04,960 Speaker 3: Sending? Where y'all are? No, No, I'll tell you what, man. 116 00:04:04,960 --> 00:04:07,920 Speaker 3: I'm gonna get Tony's ankle taken care of, and we'll 117 00:04:07,960 --> 00:04:09,839 Speaker 3: get somebody to drop a back off at the house. 118 00:04:09,840 --> 00:04:12,560 Speaker 4: Okay, I think I'll drop a off at the house. Man, 119 00:04:12,560 --> 00:04:14,320 Speaker 4: just chiding where y'all at? I want to come give 120 00:04:14,400 --> 00:04:15,640 Speaker 4: my wife. I want to make sure she gets the 121 00:04:15,640 --> 00:04:17,839 Speaker 4: treatment that you need. Bro Sidney, where y'all at, Don't 122 00:04:17,839 --> 00:04:19,440 Speaker 4: go nowhere? I want you to be there when I 123 00:04:19,440 --> 00:04:21,120 Speaker 4: come and get it. Don't go nowhere where y'all at. 124 00:04:21,160 --> 00:04:23,120 Speaker 3: I can't do it. I mean, we didn't put this 125 00:04:23,279 --> 00:04:24,960 Speaker 3: only on the phone and put my wife on the 126 00:04:25,120 --> 00:04:26,200 Speaker 3: I'm not listening to me. 127 00:04:26,279 --> 00:04:27,480 Speaker 4: Talk to my wife. 128 00:04:27,520 --> 00:04:29,960 Speaker 3: Bruh. Hey man, it's the reason why I'm calling. Man. 129 00:04:30,000 --> 00:04:31,640 Speaker 3: She embarrassed about all of this, and. 130 00:04:31,640 --> 00:04:33,919 Speaker 4: Now she's gonna be hold than embarrassed one eighth. Okay, 131 00:04:33,960 --> 00:04:35,240 Speaker 4: it's cool. Ain't to tell I ain't gonna need to 132 00:04:35,240 --> 00:04:36,800 Speaker 4: be embarrassed. I love her, man, that's my girl. 133 00:04:36,800 --> 00:04:36,960 Speaker 3: Man. 134 00:04:37,040 --> 00:04:38,440 Speaker 4: Let me let me holler at my wife. 135 00:04:38,200 --> 00:04:40,960 Speaker 3: Bro please, no, no, no, already no. 136 00:04:41,080 --> 00:04:42,480 Speaker 4: Wife or phone brouh. 137 00:04:42,640 --> 00:04:44,400 Speaker 3: Listen, dude, look real. 138 00:04:44,279 --> 00:04:46,440 Speaker 4: Telling you still ain't telling me what you want? John, 139 00:04:46,560 --> 00:04:48,360 Speaker 4: all I know is you colling me talking about you 140 00:04:48,440 --> 00:04:52,000 Speaker 4: or some hotel with my wife. Let me tell you something. 141 00:04:52,000 --> 00:04:54,080 Speaker 4: If you don't, don't let the lord that ankle with them. 142 00:04:54,240 --> 00:04:57,039 Speaker 4: You say it's wrong with my wife, get your whoops. Dog, 143 00:04:57,080 --> 00:04:58,640 Speaker 4: I'm telling you want to find out who you are. 144 00:04:58,800 --> 00:05:01,880 Speaker 4: I'm fun of saying put my wife on the phone. 145 00:05:01,920 --> 00:05:04,120 Speaker 4: And that's all because my last time to ask you, dog, 146 00:05:04,279 --> 00:05:04,919 Speaker 4: I promise this. 147 00:05:05,200 --> 00:05:06,880 Speaker 3: Hey, I ain't matter what but se man, you threw 148 00:05:06,920 --> 00:05:08,440 Speaker 3: out right, man, you do hard race. 149 00:05:08,520 --> 00:05:10,120 Speaker 4: I don't want my wife on the phone. Brother, That's 150 00:05:10,160 --> 00:05:12,719 Speaker 4: all what I'm saying. You gotta leave town, That's what 151 00:05:12,760 --> 00:05:14,839 Speaker 4: I'm You got to leave town, man. 152 00:05:14,760 --> 00:05:16,880 Speaker 3: You bettter leave you want to you want to talk? 153 00:05:17,400 --> 00:05:19,760 Speaker 3: Where you want to talk? Let Tony decide that she 154 00:05:19,839 --> 00:05:21,480 Speaker 3: want to talk to you or not. I'm right here. 155 00:05:21,640 --> 00:05:23,000 Speaker 4: Put here that decide. 156 00:05:23,040 --> 00:05:25,040 Speaker 3: Tony. Do you wanna do you wanna? Do you want 157 00:05:25,080 --> 00:05:25,880 Speaker 3: to talk on the tone? 158 00:05:26,120 --> 00:05:27,479 Speaker 4: Don't even ask a man you. 159 00:05:29,360 --> 00:05:31,560 Speaker 3: Want to know who'll see what Tony want to do? 160 00:05:31,839 --> 00:05:33,440 Speaker 4: Tony, keep you on the phone. 161 00:05:33,600 --> 00:05:36,800 Speaker 3: Hey, man, pull pull you don. 162 00:05:36,680 --> 00:05:38,360 Speaker 4: I don't even know you. Man. Put on the phone. 163 00:05:38,360 --> 00:05:39,440 Speaker 4: You you start to kill me? 164 00:05:39,480 --> 00:05:41,480 Speaker 3: Your name Tony? You want to talk to him? 165 00:05:41,600 --> 00:05:43,040 Speaker 4: Hey, yes, you want to talk to me? Man, I 166 00:05:43,040 --> 00:05:45,240 Speaker 4: don't even know why she's asking, nor jump question her 167 00:05:45,240 --> 00:05:45,840 Speaker 4: her the phones. 168 00:05:45,920 --> 00:05:49,240 Speaker 3: I tell the phone Tony Tony, she is man? 169 00:05:49,320 --> 00:05:52,440 Speaker 4: Yeah, baby, Hey, what you ask? 170 00:05:52,880 --> 00:05:53,159 Speaker 5: Heyby? 171 00:05:53,600 --> 00:05:55,120 Speaker 4: Who are you with? Tony? Ain't Tony? 172 00:05:55,160 --> 00:05:56,040 Speaker 3: Look, I ain't kill hid. 173 00:05:56,279 --> 00:05:58,400 Speaker 4: I don't have time for games where you ask who 174 00:05:58,440 --> 00:05:59,680 Speaker 4: you're with. That's all you gotta kill me? 175 00:05:59,800 --> 00:06:01,640 Speaker 5: Hey, it has calmed down. I got something to tell you. 176 00:06:03,279 --> 00:06:05,760 Speaker 5: Listen to me. Maybe you gotta listen to me. Are 177 00:06:05,800 --> 00:06:10,640 Speaker 5: you listening? Listen to me real carefully? Okay baby, are 178 00:06:10,640 --> 00:06:11,400 Speaker 5: you listening to me? 179 00:06:11,800 --> 00:06:12,719 Speaker 4: Yes, I'm listening. 180 00:06:13,440 --> 00:06:15,400 Speaker 5: Maybe you just got praik, but I net you're trying to. 181 00:06:21,400 --> 00:06:30,839 Speaker 4: I love you. Yeah, okay, you home. That's who you 182 00:06:30,920 --> 00:06:32,000 Speaker 4: got me? You got. 183 00:06:34,960 --> 00:06:38,479 Speaker 2: A right much picked her back up. Let's go big 184 00:06:38,520 --> 00:06:41,000 Speaker 2: GoF you already. You didn't set the playing field, you. 185 00:06:41,000 --> 00:06:44,120 Speaker 6: Know, man, I just I can't do it. I've just 186 00:06:44,160 --> 00:06:47,000 Speaker 6: come to the conclusion I can't come up with the 187 00:06:47,120 --> 00:06:51,599 Speaker 6: top four because it's just too they mean too much 188 00:06:51,680 --> 00:06:55,479 Speaker 6: to me. Let me say something to you. First of all, 189 00:06:55,520 --> 00:06:59,080 Speaker 6: in terms of hits, patt and the Bell don't have 190 00:06:59,240 --> 00:07:05,240 Speaker 6: the hits, But Patty Patty Lavelle is a voice that 191 00:07:05,720 --> 00:07:11,000 Speaker 6: resonates with us as a pla. Then you got gladys 192 00:07:11,080 --> 00:07:17,160 Speaker 6: out there, Lord hen mercy, and see, you don't really 193 00:07:17,240 --> 00:07:21,200 Speaker 6: know how this Mount Rushmo can go. Let me begin 194 00:07:21,360 --> 00:07:24,120 Speaker 6: with this one here. Drum roll, please day give me something, 195 00:07:24,440 --> 00:07:29,080 Speaker 6: give me some some Mount music or background. Whitney Houston, 196 00:07:29,640 --> 00:07:36,320 Speaker 6: your mount Way. The greatest voice ever lived belonged to 197 00:07:36,440 --> 00:07:40,640 Speaker 6: Whitney Houston. Next on the list my Mount Rushmo of 198 00:07:40,880 --> 00:07:47,080 Speaker 6: R and B women, the queen of soul or I 199 00:07:47,360 --> 00:07:50,640 Speaker 6: just don't know how we could do this list without her. 200 00:07:50,880 --> 00:07:53,400 Speaker 6: I will have a modern list after this one. 201 00:07:54,440 --> 00:07:59,480 Speaker 3: Third on the list for me, God for me. 202 00:08:03,720 --> 00:08:11,560 Speaker 6: Yeah, female on these vocalists, Man, that's my girl. I've 203 00:08:11,560 --> 00:08:15,560 Speaker 6: got more enjoyment for her music than anybody living. 204 00:08:16,760 --> 00:08:17,000 Speaker 1: That is. 205 00:08:17,640 --> 00:08:23,840 Speaker 6: See, that's why I'm told my last one is shaw 206 00:08:24,040 --> 00:08:31,360 Speaker 6: day A Shaka Khan. Yeah, yeah, damn, Shaka Khan got 207 00:08:31,360 --> 00:08:33,880 Speaker 6: a voice no matching it. 208 00:08:34,760 --> 00:08:36,679 Speaker 4: That's my list and. 209 00:08:36,720 --> 00:08:43,240 Speaker 6: I'm wrong for that because gladdys, Lord have mercy. 210 00:08:44,160 --> 00:08:45,040 Speaker 1: Yeah, Dephane. 211 00:08:45,679 --> 00:08:48,800 Speaker 2: All right, for sure. 212 00:08:50,120 --> 00:08:54,080 Speaker 1: Next summary letter subject real man can cry. But there 213 00:08:54,160 --> 00:08:57,760 Speaker 1: is a limit we'll get into that. Talk about Williams Lord. 214 00:09:00,080 --> 00:09:04,800 Speaker 1: We'll say you're listening to the Hardy Morning Show. 215 00:09:07,320 --> 00:09:07,600 Speaker 3: M hm