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Speaker 1: What's up?

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Speaker 2: Its way up at Angela.

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Speaker 3: Ye, I'm here and Jasmine from the Jasmine brand dot

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Speaker 3: Com is here and we have for master your comedy.

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Speaker 2: Josh Johnson in the room. Hello, how are you?

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Speaker 1: I'm good? How about you?

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Speaker 2: I like you very calm demeanor. I'm good as well.

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Speaker 2: Thank you.

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Speaker 1: I try I try to be calm.

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Speaker 4: You are kind of call you came in kind of

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Speaker 4: calm too.

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Speaker 1: Yeah, I definitely. I can't tell what's calm and what's

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Speaker 1: like bumming people out, you know what I mean. Like

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Speaker 1: sometimes when I'm talking to people and I'm like this,

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Speaker 1: they start to drift. I'm like, all right, that's either

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Speaker 1: that's either good for them maybe they needed to calm

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Speaker 1: down for the day, or I am like really boring them.

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Speaker 2: You have a good radio voice.

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Speaker 4: Oh thanks, but the evening kind of voice, not the morning.

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Speaker 2: Yeah.

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Speaker 1: The morning, yeah, like the snow sounds the morning. You

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Speaker 1: would wreck your car, it would be terrible.

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Speaker 3: But let's talk about some of your history, Josh Johnson.

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Speaker 3: This is my first time actually sitting down with you,

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Speaker 3: so I'm excited for that. But just as a comedian,

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Speaker 3: let's talk about your background because you're from Luis.

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Speaker 1: Yeah, I grew up in Louisiana, okay, and then I

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Speaker 1: started comedy in Chicago, then moved to New York towards

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Speaker 1: the end of twenty fifteen.

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Speaker 3: A lot of legendary comics from Chicago, you know. So

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Speaker 3: what was that like for you? What about Chicago made

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Speaker 3: you get started in comedy?

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Speaker 1: I think Chicago made the most sense because it's one

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Speaker 1: of the I feel like it's the only secondary market

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Speaker 1: in the US where you can get really big in

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Speaker 1: Chicago but still be completely unknown. So it's like a

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Speaker 1: nice it's like a nice level of knowing how to

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Speaker 1: handle yourself once things start going well without the it's

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Speaker 1: like a real test run without you. If you pop

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Speaker 1: in New York, people from all over hearing about you,

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Speaker 1: seeing you and everything. Especially if you're really young or

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Speaker 1: if you're really early in whatever you're doing, you might

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Speaker 1: not be able to handle that pressure and okay, So

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Speaker 1: it just felt like the most natural progression before I

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Speaker 1: moved to one of the coasts or something.

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Speaker 2: That's an interesting take on it.

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Speaker 4: It is.

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Speaker 2: Who did you meet on a come up there?

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Speaker 4: Though?

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Speaker 2: Because there's some, like I said, some legendary comedians.

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Speaker 1: I mean, when I was starting, some of these people

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Speaker 1: had obviously already stored it because they've been doing longer

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Speaker 1: than me. But Chris Read was in Chicago while I

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Speaker 1: was in Chicago. I think this was like Hannibal was

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Speaker 1: like folklore. Hannibal wasn't like still trying to do it

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Speaker 1: like Handlebul was Hannibal already. But if he'd come back

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Speaker 1: and visit and it would always be such a big deal,

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Speaker 1: we'd be so excited to go see him.

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Speaker 3: I randomly sat next to him on a flight one day.

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Speaker 3: Really it was interesting, and then I think he fell

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Speaker 3: asleep at one point, but yeah, yeah, we had an

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Speaker 3: interesting conversation.

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Speaker 4: It was just fun.

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Speaker 3: Yeah, it was random. I'm like, I'm sitting on the

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Speaker 3: flight next to Hannibal burs.

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Speaker 1: Yeah. Yeah, it's also weird when you see some people

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Speaker 1: from flights. I'll feel bad, Like, you know, I've sat

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Speaker 1: in first class first class a couple times, and every

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Speaker 1: once a while you'll sit next to somebody who does

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Speaker 1: something that you should relatively know, and I feel like

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Speaker 1: I just keep to my own world. Somarch.

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Speaker 2: I didn't know what to do.

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Speaker 1: Yeah, and then I'm like, should I say something, because

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Speaker 1: now two hours into the flight, I've recognized though but

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Speaker 1: it's two hours too late.

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Speaker 3: I sat next to Will Packer, and we didn't say

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Speaker 3: anything to each other at first, but I didn't realize

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Speaker 3: because you know, you don't want to be like looking

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Speaker 3: like that. So I just kind of like look and

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Speaker 3: I said that might be, but I'm not sure. And

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Speaker 3: then it took a while and then it's like, oh, hey, yeah,

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Speaker 3: and then you're kind of stuck, like, you know, not

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Speaker 3: that I mean, I like Will Packer, but then now

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Speaker 3: once you open that, yeah, I don't want him to

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Speaker 3: feel obligated to talk to me, you know.

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Speaker 1: Yeah, And now you got to like try to watch

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Speaker 1: The Departed next to Will Packer. You got to be

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Speaker 1: like fiddle lit with your remote next to Will, like.

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Speaker 2: One of his movies.

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Speaker 1: Yeah, yeah, yeah, yeah. I can see that anything that

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Speaker 1: starts to go wrong is happening in front of him.

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Speaker 1: It's no longer an inconvenience for you on your flight,

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Speaker 1: Like if you open the pretzels too hard and spill

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Speaker 1: pretzels all over yourself, he's right there.

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Speaker 3: I sat next to t I once, yes and yeah,

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Speaker 3: he was jricking it up before we took off. And

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Speaker 3: and the last person I say French Montana I sat

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Speaker 3: next to him on a flight one time too.

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Speaker 2: It's just so it was good. He was he's pretty

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Speaker 2: much slept.

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Speaker 3: This is when he was dating Chloe Kardashian too, So

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Speaker 3: before we took off, he called Chloe like to let

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Speaker 3: him know I'm on the flight, I'm about to take off,

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Speaker 3: and then he fell asleep.

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Speaker 4: He know you Yeah.

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Speaker 2: Ok, yeah, we spoke.

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Speaker 1: Yeah.

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Speaker 2: So that's all my flight stories.

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Speaker 1: I feel like it's also funny that that your question

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Speaker 1: is also my question, which every time is like, how

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Speaker 1: was that? I said, flying next to French Montana? Is

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Speaker 1: the experience you paid Jet Blue for?

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Speaker 2: Yeah?

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Speaker 1: It yeah?

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Speaker 2: Yeah, no, first class?

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Speaker 3: It was no, it was no mint and so I

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Speaker 3: had actually I think I switched because somebody was in

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Speaker 3: the aisle seats. He was like yes to hear, because

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Speaker 3: you know, he probably would rather sit next to like

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Speaker 3: somebody small.

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Speaker 2: Yeah, and then he just fell asleep. The whole flight.

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Speaker 4: I've only sat in front. I sat behind Winnie Harlow,

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Speaker 4: the model. No you don't know?

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Speaker 2: Yeah, yeah, yeah, did you speak?

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Speaker 4: I did? And then are Lennox?

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Speaker 2: Oh was that you're singing?

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Speaker 4: And then Amanda seals New York?

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Speaker 1: I think yeah.

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Speaker 2: And one time t dig sat behind me on the flight,

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Speaker 2: but I didn't know him, So that is.

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Speaker 1: I feel like I don't really have any like like

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Speaker 1: no good flight stories like that. All my flight stories

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Speaker 1: are horrible. So all of my flight stories are like,

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Speaker 1: there was this one lady and on a flight one

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Speaker 1: time that was clearly she clearly had some issue with flying,

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Speaker 1: because you know, she was one of those nervous talkers.

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Speaker 1: And we're still boarding and everything. I sit down, she's

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Speaker 1: she's like in front of me. I guess, like, yeah,

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Speaker 1: I'm the aisle. So she's in front of me in

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Speaker 1: the middle seat. She talks to the person next to

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Speaker 1: her to the right, talks to the person next to

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Speaker 1: her to the left, quickly exhausts both of them, like

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Speaker 1: they're like they're trying to just like I one word answer,

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Speaker 1: I'm trying to sleep whatever. She looks back through the

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Speaker 1: crack at.

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Speaker 4: Me, Oh no.

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Speaker 1: And she's like, so what movie you gotta watch? I'm

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Speaker 1: a stare of like how is this happening? This is

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Speaker 1: so crazy? And then I feel like those are my

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Speaker 1: All of my flight stories are are horrible encounters with

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Speaker 1: very specific people. It's never like man, same as person

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Speaker 1: fell asleep next.

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Speaker 4: To me, when you're going through a weird experience, how

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Speaker 4: soon are you thinking I'm gonna turn this material?

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Speaker 1: Almost never something like I not only do I try

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Speaker 1: to be present in life, but also when something is

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Speaker 1: actively happening, it's so bad that you're that you are

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Speaker 1: in it. Like I never even talked about it on stage.

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Speaker 1: I talked about it to some friends and stuff and

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Speaker 1: on my podcast before. But there was one time I

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Speaker 1: was walking down the street and this lady in front

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Speaker 1: of me was on the phone, and she was like, like,

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Speaker 1: letting someone have it, right. I love that, But in

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Speaker 1: a in a in a true like you could tell

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Speaker 1: she was somebody's boss because she was. She was really

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Speaker 1: talking to them like a dog, right like it was

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Speaker 1: it was rough, she was going through a rough day,

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Speaker 1: and so she's let him have it. Let him have it.

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Speaker 1: We've got to be at least like maybe fifteen feet

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Speaker 1: apart or something like, we're we've got a distance between us.

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Speaker 1: But she's in heels and as she's walking, oh, she

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Speaker 1: steps on to the grate. Both heels get stuck in

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Speaker 1: the grate and she falls backwards. And she does this

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Speaker 1: because she fights it. She's like she puts those calves in,

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Speaker 1: and she's like trying to lock it in. It's like

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Speaker 1: fighting falls back, and I'm still walking up with this

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Speaker 1: is because I gotta go this way, and so I'm

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Speaker 1: still walking up to her as it's happening. And at

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Speaker 1: first she like tries to just she's so angry still

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Speaker 1: from what's on the phone, and now an angry like

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Speaker 1: you know, like just a truly angrifying thing is happened

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Speaker 1: in real life. So now she's she tries to will

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Speaker 1: herself up, like do you remember in the Matrix when

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Speaker 1: he knocked out mister Smith, and mister Smith would like

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Speaker 1: that I stood back up, And so she tried to

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Speaker 1: do that. That did work, because it also isn't physics.

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Speaker 1: And then she tried did you ever watch the Power

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Speaker 1: Rangers back in the day, Yeah, okay, so you know

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Speaker 1: how whenever any of them got kicked in the chest

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Speaker 1: and fell, they would do the little crab thing and

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Speaker 1: pop up. She tried to do one of those with

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Speaker 1: her feet still stuck. So then she just went up

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Speaker 1: like up backwards, you know what I mean, like a

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Speaker 1: little kid on the playground doing like the backwards crab walk.

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Speaker 1: So then she but still on the phone, it's still

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Speaker 1: like the phone is here on the grate right.

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Speaker 2: Imagine if it would have slid through the great it did.

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Speaker 1: That's that's the thing. So it's on the grate right.

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Speaker 1: And then I'm walking up and I get to her

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Speaker 1: and I'm like, do you need any help, ma'am? And

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Speaker 1: she looks at me, she's like no, New York. And

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Speaker 1: I was like, are you sure? And she was like yes,

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Speaker 1: and then and then she goes to like backwards hand

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Speaker 1: grab the phone and she pushed it through the grape.

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Speaker 1: So now she's like like like screaming, and so I

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Speaker 1: just start to walk away. I'm like, are you sure,

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Speaker 1: because like one more time? Yeah, that one more time?

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Speaker 1: Are you sure? Because I'm like, you can't get out.

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Speaker 2: You're so nice, I know you're nothing.

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Speaker 1: Okay, Yeah it was. It was. It was pretty bad.

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Speaker 1: But I said all that. I told that entire story

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Speaker 1: to say. At no point was I like, man, it's

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Speaker 1: gonna be a hot bit like in my in my life,

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Speaker 1: I was like, oh, this lady needs help. No, because

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Speaker 1: in my head I'm like this would I can only

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Speaker 1: think of ways that things could go poorly for me

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Speaker 1: if I feel things, because there's been things in my

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Speaker 1: life where I'm like, MAS should film this and nobody

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Speaker 1: will believe me. But then I've just seen people film

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Speaker 1: something that I could I can put myself in their shoes,

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Speaker 1: and then they're filming it earnestly. But then the whole

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Speaker 1: comt section is like, ma's messed up. Why would you

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Speaker 1: feel somebody? So I just leave my phone old at

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Speaker 1: my pocket.

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Speaker 2: Did you laugh at all after you walked away?

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Speaker 3: Or no?

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Speaker 1: I didn't laugh till the next day. Okay, yeah, because

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Speaker 1: initially I was like, man, she she really in trouble,

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Speaker 1: like like she's not gonna be able to get out.

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Speaker 2: Because I don't know.

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Speaker 3: I don't know if I would have asked, would i've

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Speaker 3: asked if she needed help or what I have minded

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Speaker 3: my business?

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Speaker 4: I don't know.

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Speaker 2: It sucks because that is like the frame of mind.

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Speaker 3: I was in Vegas and this woman was standing by

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Speaker 3: the elevator and she was like a little tipsy and

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Speaker 3: she just collapsed, like her feet slid. I think she

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Speaker 3: had on these heels that were very uncomfortable, and she

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Speaker 3: just honestly like sitting boom on the floor, like really

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Speaker 3: really loud.

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Speaker 2: And I just kept walking.

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Speaker 4: But what could I do help?

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Speaker 1: You couldn't. Yeah, you couldn't have caught her.

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Speaker 3: Sometimes feel like it's embarrassing and people would rather you

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Speaker 3: act like you didn't see it.

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Speaker 1: Yeah, yeah, everyone you know who I you know who?

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Speaker 1: I don't help.

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Speaker 2: First things looking around it like yes, yes.

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Speaker 1: When someone looks around. That's why I don't help, because

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Speaker 1: if I see somebody fall. Okay. So in college there

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Speaker 1: was a professor who who he had fallen like that,

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Speaker 1: but he had so this was my buddy, My buddy

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Speaker 1: Dotovid is the one that told me this story. And

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Speaker 1: he was walking and he saw the professor walking right

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Speaker 1: and there about to be at like a diangle, like

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Speaker 1: a diagonal angle to each other, right, and he the

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Speaker 1: professor slips and falls backwards. But the way he fell

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Speaker 1: was like unfair, the like he fell like he fell

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Speaker 1: like he fell out of the sky, like the man

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Speaker 1: literally just fell backwards. But he fell like he fell

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Speaker 1: out of a building. Because not only did he fall,

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Speaker 1: but then when his briefcase hit it unlocked at all.

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Speaker 1: The papers went everywhere, so the papers went higher than

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Speaker 1: they should have gone as well because there was wind,

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Speaker 1: So it just looked like he had fallen from a building.

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Speaker 1: And then he really landed on his back pretty hard

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Speaker 1: and then gets up as sat up, a paper still

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Speaker 1: landing on him as he's sitting up, And the way

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Speaker 1: he looked around, my buddy was like, yeah, I'm just

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Speaker 1: gonna not announce it at all because he looked around

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Speaker 1: like hopefully nobody saw that.

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Speaker 2: That's when I fall.

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Speaker 3: That's the first thing I do is I'm like, did

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Speaker 3: anybody see that? And then you kind of laugh at

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Speaker 3: yourself a little, So I kind of.

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Speaker 4: Feel like that when I don't fall as much. But I, oh, no,

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Speaker 4: I did fall and the sit I fell in the

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Speaker 4: shower because I was drunk.

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Speaker 3: You're falling a lot, Jasmine. I don't know what it

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Speaker 3: is one time. This is a funny fat that she did.

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Speaker 3: We're getting in an uber, okay, go ahead, Yeah, And

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Speaker 3: so you know, it's like a truck, and you know

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Speaker 3: how in the middle row sometimes there's three seats and

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Speaker 3: sometimes it's empty in the middle. So she thought it

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Speaker 3: was a three seater, so she goes and just plops

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Speaker 3: down in the empty spot, thinking it's a seat, and

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Speaker 3: she fell on that floor so hard, and everybody was like,

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Speaker 3: what are you doing.

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Speaker 2: Us in the car?

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Speaker 4: I thought it was a seat there and also I

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Speaker 4: felt and I was drunk and fell in the shower

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Speaker 4: and you were bruised. Dad.

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Speaker 2: She's very light and so she had black and blues.

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Speaker 1: That's the thing about bathrooms that no one can help you,

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Speaker 1: I know, not only can't make it. It's so upsetting

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Speaker 1: when something like that happens in the bathroom, because now

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Speaker 1: are you at your most vulnerable, very vulnerable, like truly vulnerable.

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Speaker 2: Right, they getting wet.

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Speaker 1: But also no, every bathroom is built like a death trap,

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Speaker 1: because every bathroom is like, let's make things as smooth

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Speaker 1: as possible.

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Speaker 4: There was it was in the shower. There was no

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Speaker 4: like grip things.

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Speaker 3: There was no grip if I hate those they feel

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Speaker 3: like they're just germs.

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Speaker 4: They are, but I would never have it.

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Speaker 2: I would never You know, you're.

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Speaker 3: In a not nice space if there's a grip mat

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Speaker 3: in the shower.

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Speaker 1: Here's the thing is what you do instead of a

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Speaker 1: grip map, what do you do? You go ahead and

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Speaker 1: you have the little raised these these you have to

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Speaker 1: get them built in the tub, little raised bumps in

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Speaker 1: the tub that will grip your feet. But it's still

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Speaker 1: the porcelain, so then it can be clean, just like

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Speaker 1: the rest of the time. I don't have money. I've

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Speaker 1: just seen money.

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Speaker 2: I have money.

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Speaker 1: I noticed that I noticed a thing that money did

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Speaker 1: differently because I've been able to go. I've had friends

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Speaker 1: who have had money and go to their house and stuff,

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Speaker 1: and the richest houses that I've been to, they almost

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Speaker 1: they're so they're so stead of the art. They seem haunted.

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Speaker 1: Do you know what I mean? Like when you go

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Speaker 1: to the bathroom. I went to my buddy's bathroom and

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Speaker 1: no warnings. He just told me where the bathroom was.

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Speaker 1: He didn't tell me like, hey, I got a different

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Speaker 1: setup then you're used to it. I walked in, seat

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Speaker 1: went up on its own, and I was like, I

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Speaker 1: don't like that. That's pretty presumptuous. You don't know why

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Speaker 1: I walked in, so I don't know why you would

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Speaker 1: do that. And then so it went up. Okay, yeah,

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Speaker 1: so anyway it went up, and then I used the bathroom,

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Speaker 1: and then as soon as I was done, it went down,

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Speaker 1: and I was like, wow, how did you? That was

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Speaker 1: also weird. That feels like somebody got a camera. I

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Speaker 1: was just I was upset.

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Speaker 2: Sitting in front of the camera. I think he's going in.

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Speaker 1: I think I think he's I think he's finished. I

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Speaker 1: think I was just on his phone.

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Speaker 3: Yeah, but I actually would love a toilet like that

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Speaker 3: one day.

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Speaker 1: I mean I would take one, don't get me wrong,

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Speaker 1: especially with the heat.

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Speaker 3: When I was in Vegas again, the seats were heated

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Speaker 3: on the toilet and then it had a bidet.

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Speaker 4: Also, I don't mind have a day, but I don't

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Speaker 4: like the heated seats.

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Speaker 2: I like all of that. I would love to have

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Speaker 2: that in real life.

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Speaker 1: The heated seat depends on what you're going through in life, though,

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Speaker 1: because if you're if you're in a bad way, Let's

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Speaker 1: say you had some like truly poorly cooked Mexican.

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Speaker 4: Found I was thinking of Mexican And now it's a heated.

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Speaker 1: Seat as well. Yeah, you already sweating. Why would you

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Speaker 1: need a heated seat.

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Speaker 3: I think it depends, like you said, if you're in

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Speaker 3: a good space and you're going to sit there.

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Speaker 4: If your bathroom is cold in middle of the night,

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Speaker 4: maybe you want a warm seat.

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Speaker 3: Yeah. What are some things you think with money are

363
00:16:07,280 --> 00:16:09,240
Speaker 3: most important in a home? If you were going to

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Speaker 3: invest in in something that's you know, maybe not the

365
00:16:12,960 --> 00:16:15,960
Speaker 3: most practical, but this is a signal to you like

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Speaker 3: I've made it.

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Speaker 1: I think a view is probably the biggest thing I

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Speaker 1: think of. A view determines your perspective from the time

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Speaker 1: that you're waking up to like when you take breaks,

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Speaker 1: when you are just off thinking to yourself. Of view

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Speaker 1: as a huge reason.

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Speaker 2: You like wetter? Are you like trees and nature and mountains?

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Speaker 1: I don't really have a preference. I do love trees,

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Speaker 1: but also if I have an over view of a city,

375
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Speaker 1: I think that that can really business. But also it

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Speaker 1: has it has to be the right city, because if

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Speaker 1: it's small, it's like, oh, then I'm not in a

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Speaker 1: good situation. Like, yeah, you're just reminded, like, oh, I

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Speaker 1: pay it a lot to see this small right, you know,

380
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Speaker 1: just looks like a battle.

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Speaker 4: See.

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Speaker 3: Views have never mattered to me much because I never

383
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Speaker 3: before lived in an apartment building. I've always lived in

384
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Speaker 3: like two family houses and things like that, so I've

385
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Speaker 3: never thought about that.

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Speaker 2: Yeah, and I'm from.

387
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Speaker 3: Brooklyn, I feel you. So what am I looking at?

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Speaker 1: What's your I guess, like if you were going to

389
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Speaker 1: blow money on something in a house.

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Speaker 3: A mattress, Okay, okay, because when you test mattresses, if

391
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Speaker 3: you have an amazing mattress. There's mattresses that like hurt

392
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Speaker 3: your back and you wake up and you're like, that

393
00:17:33,320 --> 00:17:35,040
Speaker 3: didn't feel good. But you know how when you go

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Speaker 3: to a luxurious hotel and you get in the bed

395
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Speaker 3: and you're like, whoa, this is amazing. Sleep is very

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Speaker 3: valuable to me, and I enjoy being in my bed.

397
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Speaker 3: So I think a mattress. There's this mattress company, and

398
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Speaker 3: when I was looking for a bed and they have

399
00:17:49,320 --> 00:17:52,800
Speaker 3: a mattress that's like one hundred and twenty thousand dollars. Wow, Yeah,

400
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Speaker 3: I would help it felt And it's hard because it's

401
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Speaker 3: hard to say because I feel like it might have

402
00:17:58,040 --> 00:17:59,760
Speaker 3: felt better because I knew it was one hundred and

403
00:17:59,720 --> 00:18:02,760
Speaker 3: twenty thousand dollars, you know, but I wouldn't do that,

404
00:18:02,840 --> 00:18:04,720
Speaker 3: But I just feel like it could be cool.

405
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Speaker 1: That's when you need like a double blind study to

406
00:18:07,600 --> 00:18:11,159
Speaker 1: buy that matter, because the idea, because if someone tells

407
00:18:11,200 --> 00:18:15,000
Speaker 1: you that something is super expensive, it just it starts

408
00:18:15,040 --> 00:18:18,160
Speaker 1: to shape exactly how you feel about everything. Run money

409
00:18:18,160 --> 00:18:20,959
Speaker 1: on it instead of the actual thing. It just it

410
00:18:21,040 --> 00:18:24,399
Speaker 1: just robs it of any of its own value.

411
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Speaker 3: Because people say you get what you pay for, and

412
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Speaker 3: sometimes you think that it's something's inexpensive.

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Speaker 2: It means it's not so good.

414
00:18:30,720 --> 00:18:33,480
Speaker 4: Yeah, sometimes it's not though, see.

415
00:18:33,680 --> 00:18:36,800
Speaker 1: Yeah, sometimes I mean sometimes it's bad. I've definitely, I

416
00:18:36,840 --> 00:18:42,439
Speaker 1: feel like in life I've had the I've had the

417
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Speaker 1: experiences of being broke or being you know, like okay,

418
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Speaker 1: to the point where I felt like I could tell

419
00:18:49,480 --> 00:18:52,440
Speaker 1: after a while this is good, this is bad. And

420
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Speaker 1: I think that when you are when you're just going

421
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Speaker 1: through something, it all feels normal. But especially as you

422
00:19:01,480 --> 00:19:04,640
Speaker 1: get older or when you have something to reference it from, right,

423
00:19:04,840 --> 00:19:07,679
Speaker 1: that's when you start to hopefully be able to have

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00:19:07,720 --> 00:19:10,399
Speaker 1: some sort of perspective for yourself that's that's not in

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00:19:10,440 --> 00:19:12,879
Speaker 1: any way to do with the cost or what people

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Speaker 1: say about it or anything. And so I think a

427
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Speaker 1: mattress is one of those things where I lay on

428
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Speaker 1: all of them. I'll go to a mattress farm and

429
00:19:20,560 --> 00:19:24,119
Speaker 1: I'm like, oh, I know that two of them are bad.

430
00:19:24,800 --> 00:19:28,360
Speaker 1: I'd like definitely laid on two bad ones, and then

431
00:19:28,640 --> 00:19:31,119
Speaker 1: most of them feel the same same, and maybe one

432
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Speaker 1: the one that you buy feels like this is like

433
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Speaker 1: ten percent better than everything else here.

434
00:19:35,800 --> 00:19:37,479
Speaker 2: But this means like horse here or something.

435
00:19:37,560 --> 00:19:40,159
Speaker 3: I gotta Yeah, I gotta show it to you in

436
00:19:40,160 --> 00:19:41,840
Speaker 3: the store because I still go there.

437
00:19:41,840 --> 00:19:44,320
Speaker 2: Sometimes I'd be like, can I try the mattresses again?

438
00:19:44,560 --> 00:19:46,480
Speaker 3: All right, So but let's talk about your career also

439
00:19:46,520 --> 00:19:49,320
Speaker 3: as a writer. So right now the writer strike is happening,

440
00:19:49,320 --> 00:19:50,360
Speaker 3: how is that affecting you?

441
00:19:51,240 --> 00:19:53,760
Speaker 1: I mean, I'm not working right now or anything because

442
00:19:53,760 --> 00:19:57,040
Speaker 1: we're striking, So it has a definite effect on my

443
00:19:57,600 --> 00:19:58,720
Speaker 1: you know, daily life.

444
00:19:58,720 --> 00:20:01,439
Speaker 2: And they're still making sure you get paid during the strike.

445
00:20:01,920 --> 00:20:04,000
Speaker 1: No, you don't get paid. You don't strike now.

446
00:20:04,040 --> 00:20:05,720
Speaker 3: Because I was reading in the news they were saying

447
00:20:05,720 --> 00:20:09,040
Speaker 3: some of the non writing staff, they're still getting paid,

448
00:20:09,160 --> 00:20:11,600
Speaker 3: you know, for coming in. But then they were talking about,

449
00:20:11,720 --> 00:20:14,160
Speaker 3: you know, stopping that and it tends to his whole

450
00:20:14,200 --> 00:20:16,680
Speaker 3: thing where some shows are still paying some of their

451
00:20:16,720 --> 00:20:18,639
Speaker 3: non writing staff and some shows aren't.

452
00:20:18,960 --> 00:20:23,920
Speaker 1: Yeah. Yeah, So it's it's tough because you know, the

453
00:20:24,960 --> 00:20:29,159
Speaker 1: entire point is to withdraw your work and everything. So

454
00:20:29,240 --> 00:20:31,439
Speaker 1: of course it's not going to be me getting paid.

455
00:20:31,720 --> 00:20:35,280
Speaker 1: But you know, obviously you worry about everyone that you

456
00:20:35,720 --> 00:20:38,480
Speaker 1: work with and everyone in the industry that you want

457
00:20:38,520 --> 00:20:42,240
Speaker 1: to be okay, because that's not who you have any issue.

458
00:20:41,880 --> 00:20:43,240
Speaker 2: With it, right, it's all of.

459
00:20:43,160 --> 00:20:47,400
Speaker 1: The the bigger networks and the higher ups that make

460
00:20:47,520 --> 00:20:50,199
Speaker 1: the decisions that are at the negotiating table and stuff.

461
00:20:50,240 --> 00:20:55,000
Speaker 1: So you know, you want to have as few people

462
00:20:55,760 --> 00:20:59,960
Speaker 1: in an ideal world as few people on the level

463
00:21:00,080 --> 00:21:03,680
Speaker 1: of the creation be affected as possible. But that's that's

464
00:21:03,680 --> 00:21:05,679
Speaker 1: not the reality that we live in, you know.

465
00:21:06,080 --> 00:21:08,560
Speaker 3: So for you, so right now, you're writing for the

466
00:21:08,640 --> 00:21:12,240
Speaker 3: Daily Show, Okay, yeah, all right, So everybody's gone from

467
00:21:12,240 --> 00:21:13,679
Speaker 3: there right now, as far.

468
00:21:13,560 --> 00:21:16,440
Speaker 1: As I don't, I don't know exactly what's happening over there.

469
00:21:16,480 --> 00:21:19,440
Speaker 1: I just know that I'm not you know, yeah, I

470
00:21:19,960 --> 00:21:21,199
Speaker 1: only know what I'm doing, and.

471
00:21:21,680 --> 00:21:22,800
Speaker 4: That's not right now.

472
00:21:22,880 --> 00:21:24,400
Speaker 1: Yeah, it's not writing right now because.

473
00:21:24,200 --> 00:21:26,760
Speaker 3: I know sometimes also people who are like the head

474
00:21:26,760 --> 00:21:29,080
Speaker 3: person on the show will make sure everybody gets paid still,

475
00:21:29,720 --> 00:21:30,760
Speaker 3: and yeah.

476
00:21:30,600 --> 00:21:34,560
Speaker 1: Yeah, it's hard to say since everyone since it's all

477
00:21:34,640 --> 00:21:40,399
Speaker 1: of Hollywood written across the spectrum, it's very hard to

478
00:21:40,440 --> 00:21:43,359
Speaker 1: say who's going to do what and write what people

479
00:21:43,720 --> 00:21:45,439
Speaker 1: will do or or should do, or is.

480
00:21:45,480 --> 00:21:47,360
Speaker 2: Everyone's paying attention to what everyone else is doing?

481
00:21:47,440 --> 00:21:48,520
Speaker 3: Right now?

482
00:21:48,560 --> 00:21:50,440
Speaker 2: What about AI? How do you feel about that?

483
00:21:50,480 --> 00:21:53,200
Speaker 3: Because I know that's one of the points they're trying

484
00:21:53,240 --> 00:21:55,240
Speaker 3: to predict and it's hard to predict what's going to

485
00:21:55,280 --> 00:21:57,720
Speaker 3: happen with AI and how that's going to affect people's jobs.

486
00:21:58,119 --> 00:21:59,880
Speaker 2: So can you break that part down for us?

487
00:22:00,160 --> 00:22:05,359
Speaker 1: I mean, I think AI is definitely a tool, and

488
00:22:05,400 --> 00:22:07,920
Speaker 1: it's something that I think is going to have its

489
00:22:08,320 --> 00:22:12,159
Speaker 1: place in creation that is unavoidable, and it's going to

490
00:22:12,200 --> 00:22:15,680
Speaker 1: have its place in learning that's unavoidable and will be

491
00:22:15,720 --> 00:22:19,280
Speaker 1: an innovation. I think it's a distinctly American thing to

492
00:22:20,280 --> 00:22:22,359
Speaker 1: use something that could be such a beautiful tool and

493
00:22:22,400 --> 00:22:25,720
Speaker 1: to immediately weaponize it against a workforce like that. That's

494
00:22:25,840 --> 00:22:33,320
Speaker 1: kind of what's so insane and infuriating about the industry's

495
00:22:33,359 --> 00:22:36,359
Speaker 1: approach to AI and a lot of other approaches to AI,

496
00:22:36,520 --> 00:22:40,679
Speaker 1: is that you could see AI as a helpful tool

497
00:22:40,840 --> 00:22:47,520
Speaker 1: to make the people that are working for you, not

498
00:22:47,560 --> 00:22:49,760
Speaker 1: even make them, but just to give them.

499
00:22:49,920 --> 00:22:52,000
Speaker 2: A additional tools.

500
00:22:51,720 --> 00:22:55,360
Speaker 1: And an addition that will be helpful to their artistic

501
00:22:55,440 --> 00:22:58,520
Speaker 1: endeavor as soon as they begin. Right. So, one thing

502
00:22:58,520 --> 00:23:00,760
Speaker 1: I've heard that AI is good for is if you're

503
00:23:00,760 --> 00:23:04,359
Speaker 1: having a writer's block and it can spring board a

504
00:23:04,359 --> 00:23:06,720
Speaker 1: bunch of ideas for you and everything based on your

505
00:23:06,760 --> 00:23:09,480
Speaker 1: prompt and stuff. There's nothing wrong with that. There's nothing

506
00:23:09,520 --> 00:23:12,320
Speaker 1: wrong with using it to learn better structure when it

507
00:23:12,359 --> 00:23:15,280
Speaker 1: comes to writing, because all of AI right now is

508
00:23:15,600 --> 00:23:20,359
Speaker 1: so structure based. There's no like, there's no real inspire,

509
00:23:20,480 --> 00:23:23,600
Speaker 1: creation or soul to it to what it makes, and

510
00:23:23,800 --> 00:23:26,919
Speaker 1: it can only learn from us right now. There's no

511
00:23:28,320 --> 00:23:33,080
Speaker 1: unique thought to AI right now. So if someone were

512
00:23:33,240 --> 00:23:35,000
Speaker 1: to come into an industry and be like, well, we

513
00:23:35,000 --> 00:23:38,320
Speaker 1: can just use AI to get rid of everybody, you know,

514
00:23:38,359 --> 00:23:40,439
Speaker 1: that may make your bottom line a bit cheaper, but

515
00:23:40,480 --> 00:23:44,159
Speaker 1: it will make the product worse, and it'll also be

516
00:23:44,320 --> 00:23:47,520
Speaker 1: something that I think in the end you'll probably regret

517
00:23:47,640 --> 00:23:51,040
Speaker 1: because it can only give you a variation of what's

518
00:23:51,080 --> 00:23:55,760
Speaker 1: already been created. And I don't think that's that's a

519
00:23:55,800 --> 00:23:58,720
Speaker 1: real way forward, you know, to try to replace writers

520
00:23:58,720 --> 00:24:01,760
Speaker 1: with AI, or to try to cut down on writers'

521
00:24:01,800 --> 00:24:06,199
Speaker 1: rooms with AI. I think that what people see, and

522
00:24:06,440 --> 00:24:09,800
Speaker 1: I cannot speak to these execs, minds or anything. I

523
00:24:09,800 --> 00:24:12,440
Speaker 1: don't know them, but what I think people see is

524
00:24:12,920 --> 00:24:15,080
Speaker 1: how impressive it is that you can type in a

525
00:24:15,119 --> 00:24:17,960
Speaker 1: prompt to an AI like a chat, GBT or something

526
00:24:18,000 --> 00:24:21,080
Speaker 1: like that, and then within a half hour it gives you,

527
00:24:21,080 --> 00:24:26,439
Speaker 1: you know, a whole pilot. But do you read that pilot.

528
00:24:26,640 --> 00:24:29,439
Speaker 1: Is it great? Is it even good? Does it make sense?

529
00:24:29,640 --> 00:24:29,800
Speaker 2: Is it?

530
00:24:30,480 --> 00:24:33,159
Speaker 1: Is it inspired? Is it different? It's like, you know,

531
00:24:33,520 --> 00:24:36,479
Speaker 1: it took it took everything that it knows within the

532
00:24:36,480 --> 00:24:39,080
Speaker 1: Internet to make this thing based off your prompt. But

533
00:24:39,200 --> 00:24:42,159
Speaker 1: is that still a true original work or now is

534
00:24:42,200 --> 00:24:44,000
Speaker 1: it a slight rip off of this thing?

535
00:24:44,240 --> 00:24:44,400
Speaker 4: Right?

536
00:24:44,600 --> 00:24:48,199
Speaker 1: And I think that real writers will always have a

537
00:24:48,280 --> 00:24:53,480
Speaker 1: place in creating good stories that I don't think even

538
00:24:53,520 --> 00:24:56,320
Speaker 1: if AI gets to the point of catching up to

539
00:24:56,359 --> 00:24:58,520
Speaker 1: what a writer can do, I don't think that it's

540
00:24:58,560 --> 00:25:02,480
Speaker 1: worth replacing a writer with And I think that a

541
00:25:02,520 --> 00:25:04,720
Speaker 1: lot of the moves being made right now with AI

542
00:25:04,800 --> 00:25:08,120
Speaker 1: are motivated by greed instead of buy innovation right.

543
00:25:08,520 --> 00:25:11,760
Speaker 3: And I also feel like, but we do understand wanting

544
00:25:11,800 --> 00:25:14,960
Speaker 3: to make sure that there's some type of like regulations

545
00:25:14,960 --> 00:25:18,160
Speaker 3: in place to ensure that, you know, like you said,

546
00:25:18,240 --> 00:25:20,119
Speaker 3: they may feel like, oh, we can take away or

547
00:25:20,160 --> 00:25:22,159
Speaker 3: maybe we need less writers because we can get the

548
00:25:22,200 --> 00:25:24,959
Speaker 3: structure down and then we can just have, you know,

549
00:25:25,040 --> 00:25:27,080
Speaker 3: a couple of people come in and it doesn't work

550
00:25:27,119 --> 00:25:27,480
Speaker 3: that way.

551
00:25:28,160 --> 00:25:31,680
Speaker 1: Yeah, I mean, I don't think that anything should work

552
00:25:31,680 --> 00:25:35,119
Speaker 1: that way when it comes to I'm trying to think

553
00:25:35,160 --> 00:25:37,919
Speaker 1: of the best example, like, there are a lot of

554
00:25:38,040 --> 00:25:45,400
Speaker 1: jobs right now that a business owner could be served

555
00:25:45,440 --> 00:25:49,280
Speaker 1: by innovating out of using people. So once we get

556
00:25:49,280 --> 00:25:52,119
Speaker 1: to this self driving era, you know, a lot of

557
00:25:52,160 --> 00:25:54,920
Speaker 1: truck drivers would lose their jobs, a lot of you know,

558
00:25:55,440 --> 00:25:58,119
Speaker 1: uber drivers would lose their jobs and everything. And I

559
00:25:58,160 --> 00:26:01,680
Speaker 1: think that if there is something in place of that

560
00:26:01,680 --> 00:26:05,000
Speaker 1: that a person can go to, then maybe it's okay

561
00:26:05,119 --> 00:26:07,600
Speaker 1: if that innovation comes, because.

562
00:26:07,359 --> 00:26:10,040
Speaker 3: It'd be other jobs created, other jobs to that innovation.

563
00:26:10,200 --> 00:26:11,280
Speaker 2: It'll just be a shift.

564
00:26:11,600 --> 00:26:13,920
Speaker 1: Yeah, people have to but you need a shift. You

565
00:26:14,280 --> 00:26:18,000
Speaker 1: can't just throw people out and then tell them we'll

566
00:26:18,040 --> 00:26:20,800
Speaker 1: go find something else. But we're also trying to get

567
00:26:20,880 --> 00:26:23,639
Speaker 1: rid of everything else. I think that people are running

568
00:26:23,640 --> 00:26:26,600
Speaker 1: away with the ideas that AI is going to replace

569
00:26:26,640 --> 00:26:29,880
Speaker 1: everything because I don't think it can and I don't

570
00:26:29,880 --> 00:26:32,359
Speaker 1: think that it should. And I think that when it

571
00:26:32,400 --> 00:26:36,120
Speaker 1: comes to writers, there's all the writer's demands are actually

572
00:26:36,400 --> 00:26:40,400
Speaker 1: really really reasonable. Yeah, and so it's it's frustrated ways.

573
00:26:40,480 --> 00:26:43,399
Speaker 3: And I think the problem is with streaming services not

574
00:26:43,480 --> 00:26:46,280
Speaker 3: being able to get those residuals from shows that you know,

575
00:26:46,520 --> 00:26:49,040
Speaker 3: things have changed so much, and then you see people

576
00:26:49,080 --> 00:26:53,200
Speaker 3: making so much money and these executives and these other services,

577
00:26:53,240 --> 00:26:56,480
Speaker 3: and it's not coming down to be distributed the way

578
00:26:56,480 --> 00:26:56,840
Speaker 3: it should.

579
00:26:57,160 --> 00:27:00,239
Speaker 1: Yeah, and I just don't I don't know. I mean,

580
00:27:00,240 --> 00:27:04,359
Speaker 1: it's probably why I'm not a multimillionaire. I don't see

581
00:27:04,400 --> 00:27:08,440
Speaker 1: the point of, uh, you know, cutting people out at

582
00:27:08,440 --> 00:27:13,080
Speaker 1: every cost, at every opportunity, every chance you get, even

583
00:27:13,240 --> 00:27:15,439
Speaker 1: sometimes when you've then made a mistake. I think that

584
00:27:16,240 --> 00:27:19,760
Speaker 1: we don't. There's not even saying regulation is the wrong

585
00:27:19,800 --> 00:27:21,520
Speaker 1: word for it. But I don't think people pay enough

586
00:27:21,560 --> 00:27:25,560
Speaker 1: attention to when something that is a bad idea, that

587
00:27:25,680 --> 00:27:32,359
Speaker 1: was that exact idea happens. They're never appropriately punished for it.

588
00:27:32,400 --> 00:27:34,680
Speaker 1: In a sense the artist is always punished.

589
00:27:34,320 --> 00:27:36,680
Speaker 2: For it later, if that makes sense, okay.

590
00:27:37,080 --> 00:27:39,960
Speaker 1: And I think that with a big AI endeavor, it's like,

591
00:27:40,240 --> 00:27:43,120
Speaker 1: all right, if that's just a horrible idea, who who

592
00:27:43,200 --> 00:27:44,960
Speaker 1: is that going to hurt? Is that going to hurt

593
00:27:45,000 --> 00:27:48,040
Speaker 1: the exec who has the idea and is like, let's

594
00:27:48,160 --> 00:27:51,520
Speaker 1: let's try to make six shows using AI and just

595
00:27:51,520 --> 00:27:53,760
Speaker 1: bring in one writer to punch it up and make

596
00:27:53,800 --> 00:27:58,200
Speaker 1: it not dumb, right, You know that that only hurts

597
00:27:58,240 --> 00:28:02,040
Speaker 1: writers benefits then, and then when it doesn't work, it's

598
00:28:02,080 --> 00:28:04,320
Speaker 1: not as if they'll actually carry the blame for that

599
00:28:04,400 --> 00:28:05,639
Speaker 1: thing for like.

600
00:28:05,600 --> 00:28:07,760
Speaker 2: The daily So how many writers are are there?

601
00:28:08,880 --> 00:28:11,199
Speaker 1: Believe at thirteen thirteen? Okay?

602
00:28:11,520 --> 00:28:13,800
Speaker 4: How is how is a writer's room? So you guys

603
00:28:13,800 --> 00:28:16,760
Speaker 4: come in, you're in a room together and you all

604
00:28:16,920 --> 00:28:18,960
Speaker 4: someone there's like a hey writer that talks about Hey,

605
00:28:19,440 --> 00:28:21,119
Speaker 4: pitch me your ideas or we want to go with

606
00:28:21,160 --> 00:28:25,000
Speaker 4: this sort of subject or how does that mean? Every

607
00:28:25,040 --> 00:28:25,919
Speaker 4: writing room is different?

608
00:28:26,000 --> 00:28:27,840
Speaker 1: Like every room is different. Like when I was even

609
00:28:27,880 --> 00:28:30,560
Speaker 1: at tonight show, it was it was very much like

610
00:28:30,600 --> 00:28:34,879
Speaker 1: you you write your jokes and have your jokes in initially,

611
00:28:35,320 --> 00:28:38,360
Speaker 1: and then you know, we sort of would sit together

612
00:28:38,440 --> 00:28:40,600
Speaker 1: and read through them and everything, and the ones that

613
00:28:40,680 --> 00:28:43,440
Speaker 1: got to laugh just initially got to laugh in the room.

614
00:28:43,560 --> 00:28:46,240
Speaker 1: We know like that's one to keep. That's one to keep.

615
00:28:46,320 --> 00:28:48,640
Speaker 1: That's one to keep. And then you know, you go

616
00:28:48,720 --> 00:28:51,640
Speaker 1: to rehearsal with it, and then you know, Jimmy would

617
00:28:51,680 --> 00:28:54,160
Speaker 1: rehearse it and.

618
00:28:52,960 --> 00:28:55,200
Speaker 4: You feed him the joke and then or he just

619
00:28:55,240 --> 00:28:56,120
Speaker 4: reads script.

620
00:28:56,760 --> 00:28:58,880
Speaker 1: It's like it's like a by the time we get

621
00:28:58,920 --> 00:29:01,480
Speaker 1: to rehearsal, it would have a script. He had yea

622
00:29:01,520 --> 00:29:04,120
Speaker 1: by then, so now he's just ready to perform and

623
00:29:04,120 --> 00:29:06,560
Speaker 1: do it and then based off what he likes and

624
00:29:06,600 --> 00:29:10,840
Speaker 1: what the rehearsal crowd resonated with them. That is usually

625
00:29:11,160 --> 00:29:12,800
Speaker 1: some form of what makes it on the show.

626
00:29:13,720 --> 00:29:15,000
Speaker 2: How's that for your ego too?

627
00:29:15,320 --> 00:29:18,120
Speaker 3: Like what if you know, sometimes you get writers black,

628
00:29:18,200 --> 00:29:19,520
Speaker 3: some of the jokes aren't landing.

629
00:29:19,840 --> 00:29:22,000
Speaker 1: Yeah, I mean the benefit is that in both of

630
00:29:22,040 --> 00:29:26,080
Speaker 1: these scenarios, I've had to do it every day, and

631
00:29:26,120 --> 00:29:28,240
Speaker 1: so then you quickly get used to it and you

632
00:29:28,360 --> 00:29:30,200
Speaker 1: quickly get out of any sort.

633
00:29:30,000 --> 00:29:32,320
Speaker 2: Of you don't have a choice, it's headspace.

634
00:29:32,480 --> 00:29:34,120
Speaker 1: Yeah, it's like it's like every day.

635
00:29:34,240 --> 00:29:35,719
Speaker 4: How long did it take you before one of your

636
00:29:35,800 --> 00:29:39,040
Speaker 4: jokes got you know, taken or accepted or whatever.

637
00:29:39,360 --> 00:29:44,600
Speaker 1: I mean, Luckily in both shows it started the first day,

638
00:29:44,800 --> 00:29:47,440
Speaker 1: like in both shows, like on day one, I got

639
00:29:47,800 --> 00:29:51,160
Speaker 1: something on you know, and like had good had good

640
00:29:51,200 --> 00:29:56,160
Speaker 1: first weeks at both shows, and had really great experiences

641
00:29:56,160 --> 00:29:59,440
Speaker 1: with people at both shows and everything. So I mean,

642
00:29:59,480 --> 00:30:01,640
Speaker 1: I've been a daily show much longer though, and and

643
00:30:02,120 --> 00:30:02,840
Speaker 1: I love it there.

644
00:30:02,920 --> 00:30:05,400
Speaker 3: And you and Noah had a great relationship with each

645
00:30:05,400 --> 00:30:05,800
Speaker 3: other too.

646
00:30:05,960 --> 00:30:06,960
Speaker 1: Yeah, so that's good.

647
00:30:07,200 --> 00:30:10,600
Speaker 3: Yeah, that's nice to work with people who you like, Yeah, absolutely,

648
00:30:10,640 --> 00:30:11,640
Speaker 3: which is a hard thing to do.

649
00:30:11,960 --> 00:30:16,040
Speaker 1: Yeah. Luckily, every job that I've ever had that's that's

650
00:30:16,080 --> 00:30:19,120
Speaker 1: been working for a crazy person had nothing to do

651
00:30:19,160 --> 00:30:22,280
Speaker 1: with entertainment. It would just be like an odd job

652
00:30:22,320 --> 00:30:26,240
Speaker 1: I was doing, like trying to make money, and then

653
00:30:26,320 --> 00:30:28,880
Speaker 1: someone's like a lunatic and I'm like, guys, we're picking

654
00:30:28,880 --> 00:30:31,760
Speaker 1: pecans like it should it shouldn't be that crazy.

655
00:30:31,920 --> 00:30:33,800
Speaker 2: You know you were not picking pecans for really?

656
00:30:33,920 --> 00:30:39,760
Speaker 1: Yeah. Yeah, I was in Louisiana and I was Yeah,

657
00:30:40,160 --> 00:30:41,840
Speaker 1: I was a kid too, and yeah, I was like

658
00:30:41,920 --> 00:30:44,080
Speaker 1: picking was that the Is that.

659
00:30:44,040 --> 00:30:46,160
Speaker 4: The weirdest job you ever had? Not weird, but like

660
00:30:46,240 --> 00:30:47,320
Speaker 4: the most unique job?

661
00:30:48,640 --> 00:30:53,080
Speaker 1: Unique? Let me see, I don't. I don't. I feel

662
00:30:53,080 --> 00:30:54,120
Speaker 1: like I've done so many.

663
00:30:53,960 --> 00:30:55,880
Speaker 2: How did you get that job? Anyway? With me?

664
00:30:56,400 --> 00:31:00,760
Speaker 1: I feel like everything just sort of like together.

665
00:31:01,160 --> 00:31:01,880
Speaker 2: Wat.

666
00:31:02,000 --> 00:31:04,560
Speaker 1: Yeah, it's like it's like nothing. All of these odd

667
00:31:04,640 --> 00:31:09,360
Speaker 1: jobs I had in maybe like high school and right

668
00:31:09,400 --> 00:31:13,080
Speaker 1: after college was when I did the most just random

669
00:31:13,120 --> 00:31:15,240
Speaker 1: stuff to make money. And it's like after college I

670
00:31:15,280 --> 00:31:18,520
Speaker 1: was trying to save money move Chicago, and in high

671
00:31:18,560 --> 00:31:21,200
Speaker 1: school I was just trying to have money. So then

672
00:31:21,480 --> 00:31:25,320
Speaker 1: it was like any anything. It was like yeah, yard

673
00:31:25,400 --> 00:31:29,160
Speaker 1: work and stuff like that. I worked for the shop

674
00:31:29,240 --> 00:31:33,360
Speaker 1: forman at my at my college, he had a bunch

675
00:31:33,400 --> 00:31:36,000
Speaker 1: of properties, and so I would work with him sometimes

676
00:31:36,000 --> 00:31:38,880
Speaker 1: in the summer for some extra money and stuff. So

677
00:31:39,240 --> 00:31:41,080
Speaker 1: I'm trying to think of the weirdest one.

678
00:31:41,720 --> 00:31:42,200
Speaker 2: I feel like.

679
00:31:43,800 --> 00:31:45,920
Speaker 1: Pecans is is pretty.

680
00:31:45,680 --> 00:31:46,840
Speaker 2: Odden you eat pecans?

681
00:31:47,000 --> 00:31:47,880
Speaker 1: I do?

682
00:31:48,240 --> 00:31:50,080
Speaker 2: Did you eat something as you picked or no?

683
00:31:50,080 --> 00:31:57,160
Speaker 1: No? Nah? I needed all the weight? Yeah, right, so

684
00:31:57,200 --> 00:32:01,160
Speaker 1: that if anything a couple of rocks fell in there,

685
00:32:01,200 --> 00:32:01,600
Speaker 1: I was like.

686
00:32:01,600 --> 00:32:04,560
Speaker 2: Oh, well, someone's gonna break it too.

687
00:32:05,640 --> 00:32:08,520
Speaker 3: Now I want to talk about something in your stand up,

688
00:32:09,160 --> 00:32:11,640
Speaker 3: all right, So three things that a woman should look

689
00:32:11,640 --> 00:32:15,760
Speaker 3: for in a man, and we discussed this, right, you

690
00:32:15,800 --> 00:32:17,920
Speaker 3: can only get two out of the three. Yeah, okay,

691
00:32:18,120 --> 00:32:21,200
Speaker 3: either good dick, good person, or got his shit together.

692
00:32:21,720 --> 00:32:22,800
Speaker 2: Those are the three things.

693
00:32:22,880 --> 00:32:25,240
Speaker 3: So we were discussing what's the most important out of

694
00:32:25,240 --> 00:32:28,320
Speaker 3: those three, Jasmine.

695
00:32:27,880 --> 00:32:31,880
Speaker 4: So I would like to start with good dick, although

696
00:32:31,920 --> 00:32:33,920
Speaker 4: I feel like that may not be the best thing,

697
00:32:34,280 --> 00:32:35,520
Speaker 4: So I go, good.

698
00:32:35,400 --> 00:32:36,360
Speaker 2: That's not negotiable.

699
00:32:36,400 --> 00:32:39,120
Speaker 4: It's yeah, it's not inegoorable. Good nick is a not negotiable,

700
00:32:39,120 --> 00:32:42,200
Speaker 4: and then got a shit together, but not a good

701
00:32:42,240 --> 00:32:46,760
Speaker 4: person because good person is like, it doesn't matter. Yeah,

702
00:32:46,840 --> 00:32:48,400
Speaker 4: it could be my friend. Like you said, good person

703
00:32:48,400 --> 00:32:49,640
Speaker 4: could be my friend and they could just be that

704
00:32:49,680 --> 00:32:53,240
Speaker 4: could be my homeboy or whatever. But I definitely need

705
00:32:53,280 --> 00:32:55,560
Speaker 4: good dick and then or maybe I can maybe I

706
00:32:55,600 --> 00:33:01,280
Speaker 4: can do good got shit together first and then good dick. Maybe. Okay, Angela,

707
00:33:01,360 --> 00:33:02,200
Speaker 4: what about you, I.

708
00:33:02,120 --> 00:33:06,240
Speaker 3: Would say a good person and good dick. Yes, nobody

709
00:33:06,320 --> 00:33:07,240
Speaker 3: really got their shit together.

710
00:33:08,400 --> 00:33:11,120
Speaker 4: No, that's not true. Some people have. There are levels

711
00:33:11,120 --> 00:33:12,080
Speaker 4: to having your shit together.

712
00:33:12,320 --> 00:33:14,600
Speaker 2: Yeah, but you're a good person. That's good enough.

713
00:33:14,720 --> 00:33:17,600
Speaker 4: Now people don't necessarily have their ship together though.

714
00:33:18,120 --> 00:33:19,840
Speaker 2: So now we got to ask you for a woman.

715
00:33:19,960 --> 00:33:22,160
Speaker 3: If a woman has a two out of those three,

716
00:33:22,240 --> 00:33:25,640
Speaker 3: what should it be good pussy, not good dick, good pussy,

717
00:33:25,800 --> 00:33:27,720
Speaker 3: got a good person or got her shit together?

718
00:33:27,760 --> 00:33:29,120
Speaker 2: Which two out of those three?

719
00:33:29,640 --> 00:33:34,080
Speaker 1: I mean? I feel like maybe maybe it's just because

720
00:33:34,360 --> 00:33:37,720
Speaker 1: of the of the structure of how things break down.

721
00:33:37,800 --> 00:33:43,400
Speaker 1: I feel like most dudes that I know only really

722
00:33:43,440 --> 00:33:48,320
Speaker 1: think about good pussy and good person. It kind of

723
00:33:48,320 --> 00:33:50,720
Speaker 1: got like got your shit together is like a very

724
00:33:51,040 --> 00:33:53,240
Speaker 1: just because when you think, when you think about how

725
00:33:53,320 --> 00:33:56,600
Speaker 1: things play out, right, Like I'm like a man who

726
00:33:57,080 --> 00:33:59,400
Speaker 1: has his shit together and like is making money, right,

727
00:33:59,680 --> 00:34:01,360
Speaker 1: he could fall in love with somebody that just works

728
00:34:01,360 --> 00:34:03,920
Speaker 1: at Denny's and she's cute, yeah, and she's like but

729
00:34:03,960 --> 00:34:06,960
Speaker 1: by all accounts, she might be twenty four, really doesn't

730
00:34:07,000 --> 00:34:09,520
Speaker 1: have anything together, really doesn't have her life, like like

731
00:34:09,600 --> 00:34:11,479
Speaker 1: if she was if she was a dude, you would

732
00:34:11,480 --> 00:34:13,400
Speaker 1: be like, this is a dusty dude, right, But she

733
00:34:13,640 --> 00:34:16,600
Speaker 1: but she but she's pretty and she's like a good person,

734
00:34:16,640 --> 00:34:19,440
Speaker 1: and so it's like, all right, that's really all I need. Yeah,

735
00:34:19,520 --> 00:34:22,440
Speaker 1: bus driver, that's kidding.

736
00:34:26,280 --> 00:34:28,399
Speaker 3: Sorry, I had to do that, all right, So all right,

737
00:34:28,440 --> 00:34:29,959
Speaker 3: so got to sit together. It doesn't matter.

738
00:34:30,680 --> 00:34:33,960
Speaker 1: I think. I think it matters for dudes less. I

739
00:34:34,000 --> 00:34:38,280
Speaker 1: think that because we prefer you don't. Yeah, I mean honestly,

740
00:34:38,360 --> 00:34:40,640
Speaker 1: that's that's why you'll see some of these dudes that

741
00:34:41,160 --> 00:34:44,960
Speaker 1: you know are older dating specifically dating younger women.

742
00:34:45,160 --> 00:34:45,359
Speaker 2: Right.

743
00:34:45,480 --> 00:34:48,080
Speaker 1: Is so that because a woman that has it together

744
00:34:49,040 --> 00:34:51,960
Speaker 1: is like, I imagine, let's say you're like forty five

745
00:34:52,560 --> 00:34:55,080
Speaker 1: and you've kind of got it together. A woman with

746
00:34:55,120 --> 00:34:56,880
Speaker 1: it together is not going to be impressed by you

747
00:34:56,920 --> 00:34:59,200
Speaker 1: at all. But a twenty two year old is going

748
00:34:59,239 --> 00:35:02,440
Speaker 1: to be like, you got you got a whole house

749
00:35:02,480 --> 00:35:06,120
Speaker 1: with a couch, wow, and now you're in it now

750
00:35:06,160 --> 00:35:09,279
Speaker 1: you're like, you're like off to the races. So I

751
00:35:09,320 --> 00:35:13,160
Speaker 1: think that I think actually potentially having it together is

752
00:35:13,239 --> 00:35:17,080
Speaker 1: like something a very specific type of man wants as

753
00:35:17,120 --> 00:35:19,000
Speaker 1: a as like a top two.

754
00:35:19,560 --> 00:35:22,480
Speaker 2: All right, fair enough, go ahead, Jasmine.

755
00:35:22,560 --> 00:35:23,680
Speaker 4: I just wanted to say, and I don't want to

756
00:35:23,680 --> 00:35:25,600
Speaker 4: get too far in this. I feel like having good

757
00:35:25,680 --> 00:35:28,359
Speaker 4: vagina and having good Dick is different because I feel

758
00:35:28,400 --> 00:35:32,600
Speaker 4: like good Dick. I mean, it has more variables. I

759
00:35:32,600 --> 00:35:34,160
Speaker 4: feel like, I think I feel like good vagina. I

760
00:35:34,160 --> 00:35:35,680
Speaker 4: feel if a guy is really into you, he thinks

761
00:35:35,760 --> 00:35:37,080
Speaker 4: he's gonna think things is good.

762
00:35:37,480 --> 00:35:40,480
Speaker 1: M Yeah, I think that's fair, right.

763
00:35:40,600 --> 00:35:42,520
Speaker 4: You know that that makes a lot of sense, Cause

764
00:35:42,520 --> 00:35:43,840
Speaker 4: if a guy's really into you, I think I'm like,

765
00:35:43,880 --> 00:35:44,879
Speaker 4: oh my gosh, you know.

766
00:35:44,880 --> 00:35:48,160
Speaker 2: He's not just because what is bad vagina? Anyway?

767
00:35:48,239 --> 00:35:51,320
Speaker 4: Right, That's what I'm saying. Unless it's like it's mostly

768
00:35:51,360 --> 00:35:52,239
Speaker 4: good good, I feel like it.

769
00:35:52,239 --> 00:35:56,560
Speaker 3: Could be like maybe she's not moving properly or something, yeah,

770
00:35:56,640 --> 00:35:59,719
Speaker 3: like the I mean the starfish or or like.

771
00:36:01,160 --> 00:36:04,120
Speaker 1: I guess also like if someone has a truly like

772
00:36:05,880 --> 00:36:10,600
Speaker 1: unsettling disposition in bed, you know what I mean. Yeah,

773
00:36:10,640 --> 00:36:13,600
Speaker 1: Like like every once in a while you just hear

774
00:36:13,680 --> 00:36:17,279
Speaker 1: stories of someone who's like, like, my friend summed it

775
00:36:17,400 --> 00:36:19,480
Speaker 1: up the best where she was she was like one

776
00:36:19,560 --> 00:36:23,239
Speaker 1: time I was in bed and something felt uncomfortable and

777
00:36:23,320 --> 00:36:25,680
Speaker 1: it was like she was trying to put herself in

778
00:36:25,760 --> 00:36:29,080
Speaker 1: that man's mind because they were hooking up and then

779
00:36:29,120 --> 00:36:31,719
Speaker 1: something felt uncomfortable and then she went out and then

780
00:36:31,760 --> 00:36:34,560
Speaker 1: he stopped and she was like what And it's like yeah,

781
00:36:34,640 --> 00:36:37,480
Speaker 1: that I no person can work with that, Like does

782
00:36:37,560 --> 00:36:38,160
Speaker 1: that make sense?

783
00:36:38,480 --> 00:36:39,040
Speaker 4: I don't get it.

784
00:36:39,120 --> 00:36:40,680
Speaker 1: She was kind of like she was kind of like ow.

785
00:36:40,880 --> 00:36:42,680
Speaker 1: And then he stopped and she said what as if

786
00:36:42,719 --> 00:36:45,279
Speaker 1: why did you stop? But she was kind of like

787
00:36:45,400 --> 00:36:49,359
Speaker 1: what And it's like it's like we're not having fun now. Yeah,

788
00:36:50,280 --> 00:36:51,120
Speaker 1: this is weird.

789
00:36:51,600 --> 00:36:54,760
Speaker 3: I mean some people think is a good thing.

790
00:36:56,719 --> 00:36:58,640
Speaker 1: It was an owl that made him stop, So it's

791
00:36:58,680 --> 00:37:01,359
Speaker 1: not a not a hot eye, you know what I mean.

792
00:37:01,640 --> 00:37:04,600
Speaker 1: There's there's there's like owls where you're like, wow, you're

793
00:37:04,600 --> 00:37:07,239
Speaker 1: a you're a real actress. You I mean, wow, you're

794
00:37:07,280 --> 00:37:11,799
Speaker 1: really putting it together. And then and then every once

795
00:37:11,800 --> 00:37:13,520
Speaker 1: in a while there'll be an hour where you're like,

796
00:37:14,000 --> 00:37:18,560
Speaker 1: didd poke your eye, Oh my gosh, what happened? You know?

797
00:37:19,120 --> 00:37:21,160
Speaker 1: So no, I think that's true. I think that there

798
00:37:21,160 --> 00:37:22,120
Speaker 1: are a lot of guys.

799
00:37:21,920 --> 00:37:26,680
Speaker 3: Out there that's the funniest things. Yeah, I feel like awkward.

800
00:37:26,719 --> 00:37:29,920
Speaker 3: And do you address it? Yeah, like if you fart

801
00:37:29,960 --> 00:37:32,799
Speaker 3: by accident, Yeah, do you ignore it or do you.

802
00:37:32,800 --> 00:37:33,960
Speaker 4: Depends on the part, like if you've been with a

803
00:37:34,000 --> 00:37:35,680
Speaker 4: person for a while, you got to acknowledge it.

804
00:37:36,320 --> 00:37:37,920
Speaker 1: I guess, So, I mean, I guess. I guess you

805
00:37:37,960 --> 00:37:42,080
Speaker 1: could try to power through. But like it's it's one

806
00:37:42,120 --> 00:37:47,160
Speaker 1: of those things where it's like what you know. My

807
00:37:47,160 --> 00:37:48,200
Speaker 1: my friend told me.

808
00:37:48,280 --> 00:37:50,560
Speaker 4: He was like, bar, it's a lot of your friends,

809
00:37:50,600 --> 00:37:52,560
Speaker 4: I feel like yourself.

810
00:37:53,160 --> 00:37:57,120
Speaker 1: Yeah, yeah for you. I genuinely when I say friend,

811
00:37:57,120 --> 00:37:59,080
Speaker 1: I genuinely mean friend because I tell people when it's me.

812
00:37:59,760 --> 00:38:03,319
Speaker 1: But yeah, but then, to be fair, I have said

813
00:38:03,360 --> 00:38:05,399
Speaker 1: my friend a lot over the course of the show,

814
00:38:05,480 --> 00:38:08,480
Speaker 1: So I get it. I try as hard as I

815
00:38:08,520 --> 00:38:13,279
Speaker 1: can to be affable and fun. But my friend said

816
00:38:13,320 --> 00:38:16,520
Speaker 1: his knee popped while he was like having sex and

817
00:38:16,560 --> 00:38:18,880
Speaker 1: it didn't pop it away. That hurt him. But he's like,

818
00:38:18,960 --> 00:38:21,239
Speaker 1: the pop was so loud, I might as well have

819
00:38:21,320 --> 00:38:25,560
Speaker 1: farted because the pop was like it was like it

820
00:38:25,600 --> 00:38:27,880
Speaker 1: was such a distraction and it was it was so

821
00:38:28,080 --> 00:38:32,120
Speaker 1: loud that she turned around to look behind the at

822
00:38:32,120 --> 00:38:34,880
Speaker 1: what she saw was him kind of like trying to

823
00:38:35,080 --> 00:38:38,080
Speaker 1: hit a position. She was like, are you okay? And

824
00:38:38,120 --> 00:38:40,600
Speaker 1: he was like, yeah, yeah, I'm good baby, and like

825
00:38:40,760 --> 00:38:43,680
Speaker 1: trying to still power through. But then every time they

826
00:38:43,680 --> 00:38:47,000
Speaker 1: switched positions, she said are you sure, And it's like,

827
00:38:47,200 --> 00:38:50,680
Speaker 1: that's it. I might as well have farted, but at

828
00:38:50,760 --> 00:38:52,719
Speaker 1: least a fart seems like it's only gonna happen once.

829
00:38:53,040 --> 00:38:55,200
Speaker 3: But would you say something if somebody fighted in bed

830
00:38:55,239 --> 00:38:58,279
Speaker 3: with you or would you just ignore it?

831
00:38:59,160 --> 00:39:01,799
Speaker 1: I think you gotta say something. I think you have to,

832
00:39:02,080 --> 00:39:04,440
Speaker 1: because because this is the thing, this is the thing.

833
00:39:04,520 --> 00:39:07,640
Speaker 1: If you don't say anything, they're at least thinking like,

834
00:39:07,719 --> 00:39:10,560
Speaker 1: all right, maybe it wasn't that loud, maybe maybe they

835
00:39:10,560 --> 00:39:13,120
Speaker 1: didn't hear it. It's like, no, no, I heard it.

836
00:39:13,200 --> 00:39:16,960
Speaker 1: I heard and I'm just going to quickly acknowledge it

837
00:39:17,040 --> 00:39:19,640
Speaker 1: so that we all know that it's okay to fart here.

838
00:39:19,960 --> 00:39:24,040
Speaker 1: There's a farting space. You know, it's truly all right.

839
00:39:24,480 --> 00:39:27,080
Speaker 2: It needs to be that damn tackle Tuesday.

840
00:39:27,480 --> 00:39:32,160
Speaker 1: Yeah yeah, I feel like I feel like people are

841
00:39:32,200 --> 00:39:35,759
Speaker 1: also weirder about it than they need to be, because

842
00:39:35,760 --> 00:39:37,440
Speaker 1: it's like you have a human body.

843
00:39:37,520 --> 00:39:39,440
Speaker 4: But it's embarrassing though.

844
00:39:40,920 --> 00:39:42,560
Speaker 2: Even I can also sound the same.

845
00:39:43,160 --> 00:39:46,919
Speaker 4: Yeah, but I thought you I feel like maybe you can.

846
00:39:47,040 --> 00:39:48,520
Speaker 4: The guy can make you feel you like.

847
00:39:48,440 --> 00:39:49,560
Speaker 2: But sometimes it happens after.

848
00:39:50,280 --> 00:39:53,640
Speaker 1: Yeah, it does happen after. And also a quef and

849
00:39:53,680 --> 00:39:58,440
Speaker 1: of fart have different lengths of time, because like a

850
00:39:58,520 --> 00:40:06,480
Speaker 1: fart can be forever, sometimes sometimes you can. Yeah, yeah

851
00:40:06,520 --> 00:40:09,120
Speaker 1: I farted. I farted for like quite a while before

852
00:40:09,200 --> 00:40:13,600
Speaker 1: to where I surprised myself, like like it didn't feel

853
00:40:13,760 --> 00:40:16,560
Speaker 1: like after a while it fell in. It felt like

854
00:40:16,600 --> 00:40:20,440
Speaker 1: I was talking to myself in the because it was

855
00:40:20,520 --> 00:40:24,359
Speaker 1: just for so long, whereas I've never heard a queaf

856
00:40:24,440 --> 00:40:28,759
Speaker 1: that was more than like it's pretty two seconds. Yeah, yeah,

857
00:40:29,160 --> 00:40:29,360
Speaker 1: you know.

858
00:40:29,560 --> 00:40:31,919
Speaker 2: And whenever you fart, you want to know does it smell?

859
00:40:32,000 --> 00:40:35,640
Speaker 4: So you try to smell to see going to smell bad?

860
00:40:35,680 --> 00:40:37,880
Speaker 1: I know, because you because you know what you ate.

861
00:40:38,239 --> 00:40:39,640
Speaker 4: Well, no, I know, because I feel like if it

862
00:40:39,640 --> 00:40:41,320
Speaker 4: doesn't make it sound like it's gonna smell.

863
00:40:41,560 --> 00:40:43,840
Speaker 2: Yeah, yeah, but deadly.

864
00:40:43,960 --> 00:40:45,680
Speaker 1: Yeah that's fair. I mean, my my.

865
00:40:45,800 --> 00:40:48,320
Speaker 4: Part louder they are, I feel like the less.

866
00:40:48,719 --> 00:40:52,799
Speaker 1: Yes, yes, like I've definitely had a couple of them

867
00:40:52,840 --> 00:40:55,960
Speaker 1: where I was like, that's unfair because I fared in public.

868
00:40:56,000 --> 00:40:58,080
Speaker 1: I was like, that was louder than it need to be.

869
00:40:58,160 --> 00:41:00,600
Speaker 1: And it doesn't even stink. So now I got I

870
00:41:00,600 --> 00:41:04,080
Speaker 1: got the full judgment of a fart in public. But

871
00:41:04,120 --> 00:41:08,279
Speaker 1: it's not even like I've I've affected anyone's day, you know,

872
00:41:09,080 --> 00:41:09,480
Speaker 1: or if you.

873
00:41:09,440 --> 00:41:12,399
Speaker 3: First it's quietly in public, and then you can act

874
00:41:12,440 --> 00:41:12,920
Speaker 3: like it's not you.

875
00:41:13,040 --> 00:41:15,439
Speaker 4: Yeah, but then you don't It smells though, yeah, because

876
00:41:15,440 --> 00:41:16,759
Speaker 4: the quiet ones I feel like, really do.

877
00:41:17,120 --> 00:41:20,759
Speaker 1: I've also been indignant with people like so I will

878
00:41:20,920 --> 00:41:23,640
Speaker 1: like have a soft fart and then and then people

879
00:41:23,680 --> 00:41:26,120
Speaker 1: start to smell it, and then I'm like the loudest one.

880
00:41:26,160 --> 00:41:29,839
Speaker 1: I'm like, I'm like, oh wow, y'all have been going

881
00:41:29,880 --> 00:41:34,520
Speaker 1: to church. This is crazy, y'all y'all live in foul.

882
00:41:34,920 --> 00:41:38,280
Speaker 1: That is oh wait crazy, that's terrible.

883
00:41:39,000 --> 00:41:39,239
Speaker 4: Man.

884
00:41:40,440 --> 00:41:43,560
Speaker 1: You know, I will get you know, that whole smelted

885
00:41:43,640 --> 00:41:46,920
Speaker 1: delta things like the truest. I won't be first who

886
00:41:47,520 --> 00:41:50,360
Speaker 1: supplied it. Yeah, I won't be first, right, and I

887
00:41:50,440 --> 00:41:51,680
Speaker 1: never one.

888
00:41:51,600 --> 00:41:53,759
Speaker 4: Might be the whoever's first, might be the one that

889
00:41:54,000 --> 00:41:54,440
Speaker 4: dealt it.

890
00:41:54,480 --> 00:41:57,239
Speaker 1: Right, yeah, yeah, yeah, So I always wait in the

891
00:41:57,280 --> 00:41:59,759
Speaker 1: proximity of I wait to see somebody notice, and then

892
00:41:59,800 --> 00:42:01,920
Speaker 1: I'm match their energy, like if they have a little

893
00:42:02,000 --> 00:42:04,719
Speaker 1: like like if they have like just a twitch, I

894
00:42:04,760 --> 00:42:07,320
Speaker 1: do a twitch. And then I'm like, but I will

895
00:42:07,480 --> 00:42:09,560
Speaker 1: say something right after somebody else says something.

896
00:42:09,680 --> 00:42:11,880
Speaker 3: The worst is if you act like you don't smell anything.

897
00:42:12,040 --> 00:42:16,520
Speaker 3: You know, yeah, I don't smell it. Yeah, like yeah

898
00:42:16,560 --> 00:42:17,000
Speaker 3: it was you.

899
00:42:17,280 --> 00:42:22,919
Speaker 1: Yeah, Especially to see what people what people's different tolerances are.

900
00:42:23,239 --> 00:42:26,760
Speaker 1: Because my buddy, which is him, go ahead, no, no,

901
00:42:26,800 --> 00:42:30,440
Speaker 1: this one really I laughed hard. This one really wasn't me,

902
00:42:30,840 --> 00:42:34,359
Speaker 1: but my buddy was. When he was in school, they

903
00:42:34,400 --> 00:42:37,560
Speaker 1: were shooting a film because his major was a film,

904
00:42:38,040 --> 00:42:40,360
Speaker 1: and him and his friend were going to a location.

905
00:42:40,880 --> 00:42:44,040
Speaker 1: They get out of the location and my first friend says,

906
00:42:44,040 --> 00:42:45,279
Speaker 1: as soon as I get out of the car, I

907
00:42:45,360 --> 00:42:49,440
Speaker 1: smell like it's like it's like straight up like sewage,

908
00:42:49,480 --> 00:42:52,200
Speaker 1: almost like it was like something bad happened, like some

909
00:42:52,360 --> 00:42:55,439
Speaker 1: some leak has happened or something. And then my other

910
00:42:55,520 --> 00:42:57,680
Speaker 1: frig out of the car and he walks up to

911
00:42:57,760 --> 00:42:59,680
Speaker 1: him as they're set up the camera. It's like, man,

912
00:42:59,719 --> 00:43:04,319
Speaker 1: do you pizza? And he was like, what the hell

913
00:43:04,400 --> 00:43:08,080
Speaker 1: is he talking about? It was like, yeah, He's like,

914
00:43:08,080 --> 00:43:10,480
Speaker 1: look on the pizza, and then after like five minutes

915
00:43:10,480 --> 00:43:13,000
Speaker 1: he goes, oh, oh, that is why pizza at all.

916
00:43:15,200 --> 00:43:17,719
Speaker 1: For you to even mistake it for pizza in the

917
00:43:17,760 --> 00:43:22,360
Speaker 1: first place, Now, that's great. Yeah, that's that's so insane.

918
00:43:23,280 --> 00:43:25,279
Speaker 3: But listen, So during this time, right, I know you've

919
00:43:25,320 --> 00:43:27,320
Speaker 3: been working on material for yourself.

920
00:43:28,200 --> 00:43:30,720
Speaker 2: We saw your Peacock special.

921
00:43:30,600 --> 00:43:31,640
Speaker 1: And thank you for watching.

922
00:43:31,840 --> 00:43:35,160
Speaker 2: Yeah, it was hilarious. It made me rethink a lot

923
00:43:35,200 --> 00:43:35,600
Speaker 2: of things.

924
00:43:35,680 --> 00:43:36,440
Speaker 1: Oh appreciate it.

925
00:43:36,480 --> 00:43:39,280
Speaker 3: Yeah, like you said, and I encourage everybody to watch

926
00:43:39,280 --> 00:43:42,160
Speaker 3: that too. I know you did your Comedy Central special also, right,

927
00:43:42,320 --> 00:43:43,759
Speaker 3: So what's next for you and what are you working

928
00:43:43,800 --> 00:43:45,760
Speaker 3: on because I know you're constantly working on material.

929
00:43:46,040 --> 00:43:49,480
Speaker 1: Yeah, I mean I'm working on the next special now,

930
00:43:50,840 --> 00:43:52,920
Speaker 1: not not shooting at it or anything, but just working

931
00:43:52,960 --> 00:43:55,240
Speaker 1: on what's going to be in the hour and stuff,

932
00:43:55,520 --> 00:44:01,640
Speaker 1: and then working on as much like writing in general

933
00:44:01,680 --> 00:44:06,719
Speaker 1: as I can, but trying to use this time to

934
00:44:06,760 --> 00:44:11,600
Speaker 1: sort of like plan for whatever things go back to

935
00:44:11,680 --> 00:44:14,600
Speaker 1: some form of normal, you know. So I have a

936
00:44:14,600 --> 00:44:17,040
Speaker 1: lot of stuff that I want to do, Like I'm

937
00:44:17,040 --> 00:44:21,880
Speaker 1: still doing my podcasts with my co host Logan, and

938
00:44:22,719 --> 00:44:25,560
Speaker 1: I'm doing as much writing as I can, even for

939
00:44:26,280 --> 00:44:30,000
Speaker 1: hopeful scripted stuff in the future and everything because I

940
00:44:30,040 --> 00:44:34,640
Speaker 1: want to develop more and everything wants things, you know,

941
00:44:35,120 --> 00:44:38,960
Speaker 1: come to some sort of resolution and everything, and those

942
00:44:39,000 --> 00:44:41,239
Speaker 1: are the main focuses right now. Is just you know,

943
00:44:41,280 --> 00:44:44,480
Speaker 1: I'm up just about every night. I'm at the cellar,

944
00:44:44,560 --> 00:44:48,319
Speaker 1: I'm at the Stand New York Comedy Club sometimes and

945
00:44:48,920 --> 00:44:51,520
Speaker 1: just trying to hone in on what the next hour

946
00:44:51,600 --> 00:44:54,080
Speaker 1: is going to be and then shoot as much of

947
00:44:54,120 --> 00:44:56,200
Speaker 1: it as I can. And I'm touring as well, so

948
00:44:56,600 --> 00:45:00,000
Speaker 1: then I'm trying to oh sweet sweet.

949
00:45:00,080 --> 00:45:04,240
Speaker 3: The Freshman Tour, which has already started, Okay, Houston, Texas,

950
00:45:04,280 --> 00:45:09,320
Speaker 3: May thirty, first Austin, Texas, and then Dallas and Dayton, Ohio.

951
00:45:09,680 --> 00:45:10,840
Speaker 2: We're going to be in that area.

952
00:45:12,040 --> 00:45:12,600
Speaker 4: Oh yeah, we are.

953
00:45:12,640 --> 00:45:14,040
Speaker 2: We're going to Yellow Springs.

954
00:45:13,719 --> 00:45:15,279
Speaker 1: Oh sweet, Yeah, we're going to be.

955
00:45:15,280 --> 00:45:19,120
Speaker 3: A Yellow Springs Chicago. You're going back to you know, oh, Brooklyn,

956
00:45:19,239 --> 00:45:20,960
Speaker 3: we can do that one. We could do Brooklyn, Yeah,

957
00:45:20,960 --> 00:45:23,359
Speaker 3: that's in November, and then Arlington.

958
00:45:23,040 --> 00:45:25,160
Speaker 4: Virginia, or you come to DC. We could do Arlington yep.

959
00:45:25,400 --> 00:45:28,480
Speaker 1: Okay, yeah, yeah, So I'm you know, taking in on

960
00:45:28,520 --> 00:45:30,359
Speaker 1: the road is one of the best ways to make

961
00:45:30,400 --> 00:45:33,560
Speaker 1: sure it's as universal as possible, that it's not just

962
00:45:33,680 --> 00:45:38,719
Speaker 1: so you know, metropolitan minded or city centric, that it

963
00:45:38,880 --> 00:45:43,359
Speaker 1: that people that don't live here or in Chicago or LA. Yeah,

964
00:45:43,400 --> 00:45:46,320
Speaker 1: they get everything and they it resonates with everyone.

965
00:45:46,800 --> 00:45:49,759
Speaker 3: And you're great at talking to the audience too, Oh

966
00:45:49,840 --> 00:45:51,640
Speaker 3: thank you, And that gives you a lot of like

967
00:45:51,760 --> 00:45:55,480
Speaker 3: I guess I'm improv type of material. Yeah, because real

968
00:45:55,520 --> 00:45:56,600
Speaker 3: life is the funniest thing.

969
00:45:56,760 --> 00:45:59,680
Speaker 1: Yeah. Yeah, especially when someone comes to a show and

970
00:45:59,800 --> 00:46:03,200
Speaker 1: is they don't know that they're a character. There's living

971
00:46:03,239 --> 00:46:05,960
Speaker 1: life is the best, you know. Because there was a

972
00:46:06,000 --> 00:46:10,120
Speaker 1: guy who came to the stand this is like last year,

973
00:46:10,480 --> 00:46:13,440
Speaker 1: came to the stand and was talking about those beds

974
00:46:13,880 --> 00:46:16,840
Speaker 1: that you were talking about, and he was a salesman

975
00:46:17,040 --> 00:46:19,520
Speaker 1: of those beds, and he's like, yeah, if I sell

976
00:46:19,640 --> 00:46:23,120
Speaker 1: Like he's like, yeah, if I sell ten beds a year,

977
00:46:23,200 --> 00:46:27,440
Speaker 1: I'm like good or whatever. Because because he also lives

978
00:46:27,960 --> 00:46:31,160
Speaker 1: like I guess, he just lives like within very specific

979
00:46:31,239 --> 00:46:34,279
Speaker 1: means that he's already established. So he's like he's like,

980
00:46:34,520 --> 00:46:37,359
Speaker 1: my whole year, I gotta sell ten beds. So I'm

981
00:46:37,400 --> 00:46:39,560
Speaker 1: just you know, I reach out to people. I try

982
00:46:39,600 --> 00:46:41,240
Speaker 1: to get people to come try him out and stuff

983
00:46:41,239 --> 00:46:44,280
Speaker 1: like that, but I'm just chilling. Yeah, and I was like, wow,

984
00:46:44,320 --> 00:46:47,239
Speaker 1: that's that's I was like, man, that's like beautiful.

985
00:46:48,160 --> 00:46:49,279
Speaker 3: And by the way, I'm just going to say it

986
00:46:49,280 --> 00:46:52,040
Speaker 3: because it's Savoire bed and I saw that Taman Hall

987
00:46:52,120 --> 00:46:54,600
Speaker 3: is doing something with them. But Jasmine, you're sleeping on

988
00:46:54,640 --> 00:46:55,960
Speaker 3: a Savoar bed in a guest room.

989
00:46:56,360 --> 00:46:57,279
Speaker 4: I really like that bed.

990
00:46:57,440 --> 00:46:59,800
Speaker 3: Yeah, but it's not the one hundred thousand dollars matches

991
00:47:00,120 --> 00:47:00,920
Speaker 3: want to put that out there.

992
00:47:00,960 --> 00:47:03,880
Speaker 1: I know it's because I feel.

993
00:47:05,440 --> 00:47:07,560
Speaker 3: Like it's a nice mattress though, but I will say

994
00:47:07,560 --> 00:47:09,799
Speaker 3: the actual bed and I love this. I am the

995
00:47:09,840 --> 00:47:12,440
Speaker 3: one that will buy a floor sample. So I went

996
00:47:12,480 --> 00:47:14,799
Speaker 3: in the store and they knew I liked the bed.

997
00:47:14,880 --> 00:47:17,319
Speaker 3: That salesman actually hit me up. He emailed me and

998
00:47:17,320 --> 00:47:18,799
Speaker 3: he was like, I know, you really like this bed

999
00:47:18,880 --> 00:47:21,480
Speaker 3: and we're selling the floor sample at this discount rate

1000
00:47:21,520 --> 00:47:23,560
Speaker 3: and I'm you're the first person I'm calling for it,

1001
00:47:23,800 --> 00:47:26,440
Speaker 3: which was so nice of him. Yeah, and so I

1002
00:47:26,480 --> 00:47:29,760
Speaker 3: got it and then they threw in the mattress. Wow,

1003
00:47:30,520 --> 00:47:34,600
Speaker 3: So you're a good life.

1004
00:47:34,880 --> 00:47:37,359
Speaker 4: I listened you know how you You're like, I can't

1005
00:47:37,400 --> 00:47:38,640
Speaker 4: wait to get home and get my bed. I'm always

1006
00:47:38,680 --> 00:47:40,239
Speaker 4: like I can't wait to get an ant's bed like this.

1007
00:47:41,480 --> 00:47:45,360
Speaker 4: I always yeah that joint and I like Burato myself.

1008
00:47:45,400 --> 00:47:46,880
Speaker 4: I like take the covers, yeah.

1009
00:47:47,040 --> 00:47:51,160
Speaker 1: Waddle, Yeah, I tried it. If anything, this is this

1010
00:47:51,239 --> 00:47:54,120
Speaker 1: is the move if you, especially if the temperature is

1011
00:47:54,200 --> 00:47:57,200
Speaker 1: right inside, you don't want to make yourself sweat, right.

1012
00:47:57,160 --> 00:47:58,319
Speaker 2: That's what I'm saying. You know it's got to be

1013
00:47:58,320 --> 00:47:59,160
Speaker 2: like ten degrees below.

1014
00:47:59,200 --> 00:48:01,480
Speaker 4: But you think I don't like that, but go ahead.

1015
00:48:01,480 --> 00:48:03,759
Speaker 1: I also don't like that. And I tried it for

1016
00:48:03,800 --> 00:48:06,359
Speaker 1: the first time, and people are right. It's like it's

1017
00:48:06,400 --> 00:48:07,839
Speaker 1: like it is. It is a bit better.

1018
00:48:07,880 --> 00:48:09,560
Speaker 4: I have to go to the bathroom where when I'm cold.

1019
00:48:09,719 --> 00:48:12,520
Speaker 2: But continue with what you now, that's insane.

1020
00:48:13,239 --> 00:48:13,799
Speaker 4: I go a lot.

1021
00:48:14,040 --> 00:48:17,240
Speaker 1: So you really gotta you really gotta fully like wrap

1022
00:48:17,320 --> 00:48:20,200
Speaker 1: yourself like a burrito. You gotta put one end over

1023
00:48:20,680 --> 00:48:23,919
Speaker 1: and almost tuck it to the side right, then put

1024
00:48:23,960 --> 00:48:30,799
Speaker 1: the other end over. Then look, look, you go ahead

1025
00:48:30,840 --> 00:48:33,719
Speaker 1: and unplug everything before you go to bed so that

1026
00:48:33,800 --> 00:48:37,239
Speaker 1: you are at the least risk burn it up. But

1027
00:48:37,719 --> 00:48:40,320
Speaker 1: then you this is this is the important thing, because

1028
00:48:40,600 --> 00:48:44,080
Speaker 1: your toes could also get cold kicking in the night.

1029
00:48:44,239 --> 00:48:47,040
Speaker 1: Getting to the edge, and now their toes are out right.

1030
00:48:47,160 --> 00:48:49,560
Speaker 1: So now you feel crazy because the whole body is

1031
00:48:49,640 --> 00:48:53,560
Speaker 1: warm and the feet. That's when you have to you

1032
00:48:53,560 --> 00:48:56,319
Speaker 1: have to sit up and and it's it's hard to

1033
00:48:56,320 --> 00:48:59,319
Speaker 1: do because you've already wrapped this so funny, but if

1034
00:48:59,320 --> 00:49:02,400
Speaker 1: you put if you flip this part over the bottom,

1035
00:49:02,600 --> 00:49:04,839
Speaker 1: flip it, flip it over, and then you put your

1036
00:49:04,920 --> 00:49:07,960
Speaker 1: arm back. Then you roll over one more time. Now

1037
00:49:08,040 --> 00:49:10,440
Speaker 1: it's now now you're like properly stuck.

1038
00:49:10,520 --> 00:49:13,080
Speaker 4: Can I just say that Ange and I we have

1039
00:49:13,120 --> 00:49:14,640
Speaker 4: a good time. We drink a lot. We got to

1040
00:49:14,680 --> 00:49:17,480
Speaker 4: do this after I'm not doing that. You're gonna show me,

1041
00:49:17,520 --> 00:49:18,200
Speaker 4: help me do it.

1042
00:49:18,640 --> 00:49:19,360
Speaker 2: I'll wrap you up.

1043
00:49:19,600 --> 00:49:19,759
Speaker 4: Wrap.

1044
00:49:20,239 --> 00:49:22,120
Speaker 3: I like to sleep where when I get out of

1045
00:49:22,160 --> 00:49:23,840
Speaker 3: the bed, I don't really have to make it. I

1046
00:49:23,880 --> 00:49:25,680
Speaker 3: just flip it back and I don't move much when

1047
00:49:25,680 --> 00:49:27,960
Speaker 3: I sleep. Oh, sound like to get in the bed,

1048
00:49:28,400 --> 00:49:30,400
Speaker 3: get under the cover, sleep in one little corner, and

1049
00:49:30,400 --> 00:49:31,880
Speaker 3: then when I get out, I just put the sheet back.

1050
00:49:31,920 --> 00:49:32,719
Speaker 4: I don't get under it.

1051
00:49:32,719 --> 00:49:33,719
Speaker 2: I don't get in the bed.

1052
00:49:34,040 --> 00:49:35,120
Speaker 1: Yeah, get out of the cover.

1053
00:49:35,200 --> 00:49:36,520
Speaker 2: Okay, you don't get under the cover.

1054
00:49:36,600 --> 00:49:37,760
Speaker 4: Now, I do not get under the covers.

1055
00:49:38,600 --> 00:49:39,240
Speaker 1: You put yourself.

1056
00:49:39,320 --> 00:49:41,800
Speaker 4: I pull it over me. I pull the over me

1057
00:49:42,080 --> 00:49:43,640
Speaker 4: like a burrito, but not all that tuck. And he's

1058
00:49:43,640 --> 00:49:45,120
Speaker 4: talking about doing I don't do that, but I pull

1059
00:49:45,200 --> 00:49:47,879
Speaker 4: the covers over me. Yeah, but see what he's talking about.

1060
00:49:47,960 --> 00:49:49,760
Speaker 4: I go to the bathroom like three or four times

1061
00:49:50,160 --> 00:49:52,120
Speaker 4: so I can, Yeah.

1062
00:49:51,880 --> 00:49:53,520
Speaker 1: And then you wake up to go.

1063
00:49:53,680 --> 00:49:56,080
Speaker 3: It's ridiculous. I'm gonna tell you. She has to go

1064
00:49:56,080 --> 00:49:57,719
Speaker 3: to the bathroom right now. I guarantee you I do.

1065
00:49:58,040 --> 00:50:00,839
Speaker 1: But are you hitting rim? Like? Are you no?

1066
00:50:00,920 --> 00:50:02,600
Speaker 4: It just if I feel like a little something and

1067
00:50:02,600 --> 00:50:05,799
Speaker 4: I gotta go, So I'm okay right now, I'm not no.

1068
00:50:05,920 --> 00:50:09,080
Speaker 1: No, I'm no. I mean, I mean Rim sleep? Are

1069
00:50:09,120 --> 00:50:11,960
Speaker 1: you sleep like?

1070
00:50:12,080 --> 00:50:12,880
Speaker 4: Am I the top? Oh?

1071
00:50:12,960 --> 00:50:13,120
Speaker 1: Yeah?

1072
00:50:13,600 --> 00:50:14,200
Speaker 4: I really got to go.

1073
00:50:14,640 --> 00:50:18,880
Speaker 2: Okay, yeah you you I don't know, okay.

1074
00:50:18,840 --> 00:50:21,600
Speaker 1: You you need sleep to live.

1075
00:50:22,040 --> 00:50:23,600
Speaker 4: I don't know I'm hitting that. I don't know. If

1076
00:50:23,600 --> 00:50:24,439
Speaker 4: I'm hitting rim.

1077
00:50:24,520 --> 00:50:26,640
Speaker 2: That means you're not getting in a deep enough I

1078
00:50:26,640 --> 00:50:27,839
Speaker 2: don't know quality.

1079
00:50:27,560 --> 00:50:29,239
Speaker 4: Rat listen, But we don't know. If I'm not, I

1080
00:50:29,239 --> 00:50:30,200
Speaker 4: don't know if I know what I do.

1081
00:50:30,280 --> 00:50:31,480
Speaker 2: If you're getting up, you're not?

1082
00:50:31,800 --> 00:50:35,759
Speaker 1: Yeah? If you because you get up three times? Are

1083
00:50:35,800 --> 00:50:37,440
Speaker 1: you sleeping eight hours?

1084
00:50:37,440 --> 00:50:40,080
Speaker 3: Like are you you need a sleep mind, so you

1085
00:50:40,160 --> 00:50:41,080
Speaker 3: know one of those rings?

1086
00:50:41,800 --> 00:50:42,000
Speaker 1: Yeah?

1087
00:50:42,080 --> 00:50:44,200
Speaker 2: Yeah, we actually we should get you one of those.

1088
00:50:44,680 --> 00:50:45,719
Speaker 2: Why am I saying we like.

1089
00:50:45,680 --> 00:50:47,239
Speaker 1: Me and you are going to get into the I

1090
00:50:47,280 --> 00:50:49,640
Speaker 1: mean I am concerned. Check back in.

1091
00:50:49,840 --> 00:50:52,280
Speaker 4: I'll give myself one. But I think I'm okay.

1092
00:50:52,360 --> 00:50:55,480
Speaker 1: Guys, I know, I know you may feel okay, but

1093
00:50:55,560 --> 00:50:57,600
Speaker 1: I'm telling you if you because this is the thing,

1094
00:50:57,800 --> 00:51:00,680
Speaker 1: you need four hours to hit rim and.

1095
00:51:00,640 --> 00:51:04,600
Speaker 3: If you're getting up every like three times, yeah, I get.

1096
00:51:04,560 --> 00:51:05,360
Speaker 4: Up at least twice.

1097
00:51:05,560 --> 00:51:08,520
Speaker 1: At least you're probably hitting rims most of the time.

1098
00:51:08,560 --> 00:51:11,000
Speaker 2: Then do you remember your dreams sometimes?

1099
00:51:11,560 --> 00:51:13,400
Speaker 4: But we also be drinking at nights? Do you know?

1100
00:51:14,760 --> 00:51:15,560
Speaker 1: I do I?

1101
00:51:15,600 --> 00:51:17,560
Speaker 2: Do you have any recurring ones?

1102
00:51:19,160 --> 00:51:21,440
Speaker 1: This one wasn't recurring, but it was the most recent.

1103
00:51:21,680 --> 00:51:25,520
Speaker 1: It was really no, no, this was me. This is

1104
00:51:25,880 --> 00:51:31,920
Speaker 1: uh so I was in a like facility but I

1105
00:51:31,960 --> 00:51:34,160
Speaker 1: don't know, Like I couldn't tell if it was school

1106
00:51:34,400 --> 00:51:37,919
Speaker 1: or like prison whatever, right, but it was just yeah,

1107
00:51:38,000 --> 00:51:40,840
Speaker 1: I mean it was it was just it felt like

1108
00:51:40,880 --> 00:51:43,480
Speaker 1: a place that I'm I'm like, I cannot tell what

1109
00:51:43,520 --> 00:51:45,200
Speaker 1: this place is, but I know I'm here and it

1110
00:51:45,200 --> 00:51:47,759
Speaker 1: feels like I can't leave, right, and then there was

1111
00:51:47,800 --> 00:51:51,719
Speaker 1: a guard and the guard passed by me and it

1112
00:51:51,840 --> 00:51:54,040
Speaker 1: didn't look like a prison guard or anything, but he

1113
00:51:54,120 --> 00:52:00,640
Speaker 1: was just like, do better, And I was like, what's

1114
00:52:00,719 --> 00:52:10,000
Speaker 1: not it? By sleep? Like yeah, yeah, better do better? Yeah,

1115
00:52:10,480 --> 00:52:13,120
Speaker 1: like by all my subtext is on the nose, like

1116
00:52:13,200 --> 00:52:16,840
Speaker 1: all of it is just like you are insecure.

1117
00:52:17,560 --> 00:52:20,080
Speaker 2: Dream dictionary, Yeah, do better?

1118
00:52:20,280 --> 00:52:22,600
Speaker 3: And then okay, well we'll end on that, but let

1119
00:52:22,680 --> 00:52:26,279
Speaker 3: me just find it do better dream dictionary.

1120
00:52:27,040 --> 00:52:29,759
Speaker 1: Because I wasn't doing anything, so this was just a

1121
00:52:29,800 --> 00:52:35,759
Speaker 1: general statement of, you know, of my life. It really

1122
00:52:35,760 --> 00:52:40,000
Speaker 1: stuck with was there a bird? I don't remember a bird?

1123
00:52:40,160 --> 00:52:42,480
Speaker 4: Yeah?

1124
00:52:41,560 --> 00:52:44,800
Speaker 2: Yeah, I'm trying to find it.

1125
00:52:45,320 --> 00:52:49,040
Speaker 3: Okay, you weren't being chased, falling, being naked, flying, teeth

1126
00:52:49,040 --> 00:52:49,440
Speaker 3: falling out.

1127
00:52:49,480 --> 00:52:50,359
Speaker 2: I used to have that a lot.

1128
00:52:50,600 --> 00:52:53,000
Speaker 4: I have teeth falling. I have them and I can't

1129
00:52:53,080 --> 00:52:53,920
Speaker 4: get it.

1130
00:52:54,040 --> 00:52:57,600
Speaker 1: I will pass out in my sleep if somebody loses teeth.

1131
00:52:57,320 --> 00:52:59,800
Speaker 4: And my dream it be me losing like sometimes my teeth.

1132
00:53:01,680 --> 00:53:03,719
Speaker 1: What does that mean that?

1133
00:53:04,120 --> 00:53:06,680
Speaker 4: I mean sometimes I can't get my I want to

1134
00:53:06,680 --> 00:53:07,919
Speaker 4: say something but it won't come out.

1135
00:53:08,080 --> 00:53:10,640
Speaker 1: Oh yeah, that that's happened to me before. Where I'm

1136
00:53:10,680 --> 00:53:13,120
Speaker 1: like getting ready to like really let somebody have it,

1137
00:53:13,200 --> 00:53:15,080
Speaker 1: and then I don't have a voice or something, and

1138
00:53:15,120 --> 00:53:17,200
Speaker 1: it'll be like right when they need to get their

1139
00:53:17,200 --> 00:53:19,279
Speaker 1: come up and two and I even know what I'm

1140
00:53:19,280 --> 00:53:21,320
Speaker 1: going to say, so it's like where you should be

1141
00:53:21,400 --> 00:53:27,120
Speaker 1: dropping the gauntlet down and I'm like and then they're

1142
00:53:27,200 --> 00:53:28,439
Speaker 1: like what what was that?

1143
00:53:28,520 --> 00:53:30,840
Speaker 4: But mine? Mine is often I'm chewing gum and I

1144
00:53:30,880 --> 00:53:35,439
Speaker 4: can't get if I'm trying to like speak, it's bad.

1145
00:53:35,800 --> 00:53:39,760
Speaker 1: Oh mine is just raspy. Mine is just I should

1146
00:53:39,800 --> 00:53:41,920
Speaker 1: have had water, you know, man.

1147
00:53:41,800 --> 00:53:43,480
Speaker 2: I can't find it. I got to get a real

1148
00:53:43,560 --> 00:53:44,280
Speaker 2: dream interpreter.

1149
00:53:44,600 --> 00:53:45,719
Speaker 4: All right, next time.

1150
00:53:45,760 --> 00:53:47,480
Speaker 2: All right, Well, I want to thank you so much

1151
00:53:47,520 --> 00:53:49,080
Speaker 2: for coming by. This took quite a time.

1152
00:53:49,360 --> 00:53:50,680
Speaker 1: Yeah, yeah, I want to thank you.

1153
00:53:51,320 --> 00:53:53,200
Speaker 4: This interview we've ever had Angela.

1154
00:53:53,320 --> 00:53:53,960
Speaker 1: Oh has it?

1155
00:53:54,360 --> 00:53:55,080
Speaker 4: Yeah for the show.

1156
00:53:55,280 --> 00:53:57,080
Speaker 1: Okay. I feel like I bring that out of people.

1157
00:53:57,200 --> 00:53:59,920
Speaker 1: I really hold people hostage and talk until they're like

1158
00:54:00,160 --> 00:54:01,279
Speaker 1: I actually have to go.

1159
00:54:01,719 --> 00:54:02,839
Speaker 2: I need to get back to work.

1160
00:54:03,160 --> 00:54:03,759
Speaker 1: I gotta do it.

1161
00:54:03,880 --> 00:54:04,719
Speaker 4: I gotta do better.

1162
00:54:05,000 --> 00:54:08,240
Speaker 1: Yeah, I have to do better in life.

1163
00:54:08,600 --> 00:54:10,680
Speaker 3: I'm going to find this out. But thank you so much.

1164
00:54:11,160 --> 00:54:13,239
Speaker 3: Where can people find you? Just because I know they're

1165
00:54:13,239 --> 00:54:15,080
Speaker 3: gonna win to if they don't already.

1166
00:54:15,239 --> 00:54:17,799
Speaker 1: Oh well, thank you. If you were looking to catch

1167
00:54:17,840 --> 00:54:20,120
Speaker 1: up with me on any social find me at Josh

1168
00:54:20,160 --> 00:54:23,960
Speaker 1: Jahnson Comedy on Instagram, TikTok, and YouTube. And you can

1169
00:54:24,000 --> 00:54:26,600
Speaker 1: also catch me every week on my podcast, The Josh

1170
00:54:26,680 --> 00:54:29,799
Speaker 1: Johnson Show that I do with Logan. We tell each

1171
00:54:29,840 --> 00:54:32,399
Speaker 1: other stories about our lives. Who've been friends for like

1172
00:54:32,800 --> 00:54:34,520
Speaker 1: about ten years, but they're still a lot we don't

1173
00:54:34,520 --> 00:54:37,080
Speaker 1: know about each other. So we share those experiences and

1174
00:54:37,120 --> 00:54:39,080
Speaker 1: then we go on the road together and talk about

1175
00:54:39,080 --> 00:54:40,600
Speaker 1: that and.

1176
00:54:40,760 --> 00:54:42,240
Speaker 2: They safe to say, that's your best friend.

1177
00:54:42,760 --> 00:54:46,920
Speaker 1: Yeah, yeah, I mean yeah, I have maybe three people

1178
00:54:46,960 --> 00:54:49,400
Speaker 1: in my life that I am as close with as

1179
00:54:49,560 --> 00:54:50,800
Speaker 1: as Logan.

1180
00:54:50,560 --> 00:54:52,480
Speaker 3: And I find that men don't say best friend. That's

1181
00:54:52,520 --> 00:54:54,400
Speaker 3: what I just wanted to see any want to say anythn.

1182
00:54:54,960 --> 00:54:56,719
Speaker 3: Men don't say like, that's my best friend.

1183
00:54:56,920 --> 00:54:59,719
Speaker 1: Yeah, yeah, we do it. Only it only comes out

1184
00:54:59,719 --> 00:55:02,719
Speaker 1: when you getting married, because that's when you finally need

1185
00:55:02,760 --> 00:55:05,280
Speaker 1: the best man and you gotta like get you gotta

1186
00:55:05,320 --> 00:55:06,439
Speaker 1: like get one of them.

1187
00:55:06,400 --> 00:55:08,520
Speaker 2: You know, I mean best man.

1188
00:55:09,440 --> 00:55:12,240
Speaker 1: I think it's it's a it's tough, it's in the running.

1189
00:55:12,400 --> 00:55:17,800
Speaker 1: So Jacob Jacob Manacci, who also directed the Peacock Special

1190
00:55:17,960 --> 00:55:20,319
Speaker 1: that you watch. You know, we've been friends since we

1191
00:55:20,320 --> 00:55:24,799
Speaker 1: were three and everything. Yeah, yeah, I mean based off time,

1192
00:55:24,920 --> 00:55:27,719
Speaker 1: I'm like, I'm mad, like I expect to be.

1193
00:55:29,239 --> 00:55:29,640
Speaker 2: He can't.

1194
00:55:29,760 --> 00:55:33,320
Speaker 4: No, he can't feel a waste.

1195
00:55:33,960 --> 00:55:38,080
Speaker 1: No, No, I think I think Logan also like has

1196
00:55:38,080 --> 00:55:40,040
Speaker 1: a similar thing for me where I feel like his

1197
00:55:40,520 --> 00:55:42,919
Speaker 1: his best friend in life is a friend from when

1198
00:55:42,960 --> 00:55:46,640
Speaker 1: he was younger, you know, but we are definitely each

1199
00:55:46,640 --> 00:55:50,160
Speaker 1: other's like best of the best, you know, comedy friends,

1200
00:55:50,200 --> 00:55:54,440
Speaker 1: like I I really have Logan and Dual, say Sloan

1201
00:55:54,480 --> 00:55:56,600
Speaker 1: when it comes to like people who I talk to

1202
00:55:56,640 --> 00:55:59,799
Speaker 1: about comedy, about life and stuff and like, no, I

1203
00:55:59,800 --> 00:56:01,640
Speaker 1: can hit up whenever and everything.

1204
00:56:02,000 --> 00:56:03,880
Speaker 2: Okay, yeah, well do better.

1205
00:56:04,000 --> 00:56:06,279
Speaker 1: I'm gonna do my best. Okay, Well we'll see, we'll

1206
00:56:06,320 --> 00:56:08,800
Speaker 1: see if it's good enough. I hope to be back

1207
00:56:08,880 --> 00:56:12,400
Speaker 1: and be genuinely like, wow, I've really done better, and

1208
00:56:12,440 --> 00:56:14,440
Speaker 1: hopefully I'm wearing it on my face, you know what

1209
00:56:14,440 --> 00:56:16,680
Speaker 1: I mean. Hopefully you see me and you're like, wow, Josh,

1210
00:56:16,760 --> 00:56:19,759
Speaker 1: you were on time this time, Like you've really done

1211
00:56:19,880 --> 00:56:20,359
Speaker 1: so well.

1212
00:56:20,480 --> 00:56:23,279
Speaker 3: I appreciate he was five minutes late, and honestly, like

1213
00:56:23,800 --> 00:56:25,080
Speaker 3: up here, that's not a big deal.

1214
00:56:25,160 --> 00:56:27,120
Speaker 2: But they were like, oh my god, he's fine. I'm like,

1215
00:56:27,160 --> 00:56:28,839
Speaker 2: it's fine, we're not even ready.

1216
00:56:29,280 --> 00:56:31,279
Speaker 1: Yeah, now I feel you, but I just felt bad.

1217
00:56:31,320 --> 00:56:32,399
Speaker 2: Okay, I'm the same way.

1218
00:56:32,520 --> 00:56:35,000
Speaker 1: Yeah, because this is my thing. I left. I left

1219
00:56:35,360 --> 00:56:38,439
Speaker 1: where I should have been here ten minutes early. Then,

1220
00:56:38,760 --> 00:56:41,360
Speaker 1: and I guess this is just if anybody ever wants

1221
00:56:41,400 --> 00:56:44,319
Speaker 1: to stop all of New York, all you gotta do

1222
00:56:44,480 --> 00:56:46,480
Speaker 1: is be a little sick on the trade and they

1223
00:56:46,520 --> 00:56:49,400
Speaker 1: will stop all the trades. Because then they snitched on

1224
00:56:49,480 --> 00:56:52,360
Speaker 1: the person to us, he wasn't even on my trade.

1225
00:56:52,760 --> 00:56:55,439
Speaker 1: The conductor comes on, it's like, hey, y'all, we got

1226
00:56:55,440 --> 00:56:58,440
Speaker 1: a sick passenger at West Forbes. So we so we

1227
00:56:58,640 --> 00:57:01,920
Speaker 1: stuck until you know, him on the train, Yeah, until

1228
00:57:01,920 --> 00:57:03,440
Speaker 1: we can get him off the train because nobody can

1229
00:57:03,480 --> 00:57:06,359
Speaker 1: touch anybody because they're all scared to be ensued. So

1230
00:57:06,400 --> 00:57:09,480
Speaker 1: then then they re routed my f train to the

1231
00:57:09,640 --> 00:57:12,600
Speaker 1: express lane. So then I passed west Forth and I

1232
00:57:12,680 --> 00:57:15,719
Speaker 1: see the train to get yeah, like, I see that

1233
00:57:15,800 --> 00:57:18,640
Speaker 1: tray and that one still stopped. And then the dude

1234
00:57:18,880 --> 00:57:23,200
Speaker 1: like conductor on that tray is just like like he's

1235
00:57:23,320 --> 00:57:26,440
Speaker 1: just like he's just having a day, right, And then

1236
00:57:26,560 --> 00:57:28,760
Speaker 1: and they it looked like I couldn't see anything, but

1237
00:57:28,840 --> 00:57:31,120
Speaker 1: it looked like he looking over the person that's like

1238
00:57:31,240 --> 00:57:34,560
Speaker 1: passed out, and it's just And then we went more

1239
00:57:34,600 --> 00:57:36,919
Speaker 1: express and I was like, well, that helps me get here,

1240
00:57:37,160 --> 00:57:40,720
Speaker 1: you know, like closer. But wow, to think that an

1241
00:57:40,880 --> 00:57:43,760
Speaker 1: entire city will come to its knees if.

1242
00:57:43,920 --> 00:57:47,200
Speaker 3: You just if somebody puts the emergency break on the train,

1243
00:57:47,280 --> 00:57:48,760
Speaker 3: that will stop everything too.

1244
00:57:49,120 --> 00:57:51,520
Speaker 1: I can't believe that we're able to do that. That

1245
00:57:51,520 --> 00:57:55,960
Speaker 1: that as for a city with no Batman's and three

1246
00:57:56,040 --> 00:57:59,720
Speaker 1: million jokers, like the idea that someone could just stop

1247
00:57:59,760 --> 00:58:03,160
Speaker 1: the train when they feel like is I never stopped

1248
00:58:03,200 --> 00:58:07,200
Speaker 1: thinking about it, like I've never because also it wouldn't help,

1249
00:58:07,720 --> 00:58:09,520
Speaker 1: you know what I mean, like like you'd be in

1250
00:58:09,600 --> 00:58:11,920
Speaker 1: a tunnel and now you're stuck. Because one time we

1251
00:58:12,000 --> 00:58:14,760
Speaker 1: got we got stuck and we were halfway stuck in

1252
00:58:15,040 --> 00:58:17,960
Speaker 1: and stuck out of the train. So we we see

1253
00:58:18,000 --> 00:58:23,080
Speaker 1: the we see the platform, right, and this guy with

1254
00:58:23,160 --> 00:58:25,200
Speaker 1: a briefcase. This is like this guy's like I have

1255
00:58:25,200 --> 00:58:27,320
Speaker 1: an eighty or something like he has a suit briefcase

1256
00:58:27,520 --> 00:58:30,160
Speaker 1: and he's like having he's like losing it because it's

1257
00:58:30,200 --> 00:58:32,200
Speaker 1: early morning. So I'm about to be late for everybody's

1258
00:58:32,200 --> 00:58:35,000
Speaker 1: about to be late for work, right, and he just screams.

1259
00:58:35,080 --> 00:58:39,120
Speaker 1: He's like, ah, we're stuck. We're stuck today of all days.

1260
00:58:39,240 --> 00:58:39,400
Speaker 4: Right.

1261
00:58:39,840 --> 00:58:43,920
Speaker 1: And then and then a wholes dude stands up and goes, nah,

1262
00:58:44,360 --> 00:58:47,760
Speaker 1: y'all are stuck. And then he climbed out of the

1263
00:58:47,960 --> 00:58:51,480
Speaker 1: you know that skinny window. He climbed out of that window,

1264
00:58:51,880 --> 00:58:54,800
Speaker 1: climbed on top of the train, and then jumped to

1265
00:58:54,840 --> 00:58:57,680
Speaker 1: the platform and walked off. And we all just watched

1266
00:58:57,760 --> 00:59:00,800
Speaker 1: him because our car was half in the tunneling half

1267
00:59:00,840 --> 00:59:03,480
Speaker 1: on the platform, and so we just watched them do it.

1268
00:59:03,680 --> 00:59:05,760
Speaker 1: I was like, that was like a metaphor for life,

1269
00:59:08,280 --> 00:59:09,480
Speaker 1: all the stuff.

1270
00:59:09,440 --> 00:59:12,280
Speaker 2: I have nowhere to be. Yeah, I love that.

1271
00:59:12,360 --> 00:59:14,360
Speaker 3: And the train stories are great for you because it's

1272
00:59:14,400 --> 00:59:16,560
Speaker 3: good content. That's why I said I'm going to take

1273
00:59:16,560 --> 00:59:19,000
Speaker 3: the train to work. We should remember I was saying

1274
00:59:19,000 --> 00:59:21,400
Speaker 3: that when I move into my new house, I live

1275
00:59:21,440 --> 00:59:23,280
Speaker 3: like right near the train, and I was like, driving

1276
00:59:23,320 --> 00:59:25,360
Speaker 3: to work is a hassle, and I think I'm going

1277
00:59:25,440 --> 00:59:26,400
Speaker 3: to start taking the train.

1278
00:59:26,520 --> 00:59:27,880
Speaker 2: And everyone's like, you can't take the train.

1279
00:59:27,760 --> 00:59:30,440
Speaker 4: And people want to stop you though it's great content,

1280
00:59:30,720 --> 00:59:31,440
Speaker 4: but everyone's going to.

1281
00:59:31,440 --> 00:59:33,560
Speaker 1: Stop you also if you were if you wear a mask,

1282
00:59:33,840 --> 00:59:35,840
Speaker 1: oh yeah, ude, I feel like people want don't talk.

1283
00:59:35,920 --> 00:59:35,960
Speaker 4: No.

1284
00:59:36,120 --> 00:59:37,800
Speaker 3: Actually I wore a mask on the train before and

1285
00:59:37,800 --> 00:59:39,400
Speaker 3: I was reading a book and a guy sat next

1286
00:59:39,440 --> 00:59:41,120
Speaker 3: to me and talk to me the whole entire you

1287
00:59:41,200 --> 00:59:43,520
Speaker 3: know you, yes, even with my mask.

1288
00:59:43,360 --> 00:59:45,919
Speaker 2: On for some reasons, will still come up sometimes still

1289
00:59:45,960 --> 00:59:46,400
Speaker 2: fair enough.

1290
00:59:46,680 --> 00:59:49,080
Speaker 1: That's how you know you're truly famous when somebody when

1291
00:59:49,120 --> 00:59:52,000
Speaker 1: somebody just need eyes and forehead and they're like, that's

1292
00:59:52,000 --> 00:59:54,640
Speaker 1: Brad Pitt. I'm gonna make my move, you know what

1293
00:59:54,680 --> 00:59:57,400
Speaker 1: I mean, Like I got I got my whole face

1294
00:59:57,440 --> 01:00:01,600
Speaker 1: out all the time, not as recognizable. I'm really just

1295
01:00:01,640 --> 01:00:03,479
Speaker 1: able to live my life really then and.

1296
01:00:03,360 --> 01:00:05,840
Speaker 3: People know I'm from there and where I got on

1297
01:00:05,880 --> 01:00:06,480
Speaker 3: the train.

1298
01:00:06,600 --> 01:00:12,560
Speaker 1: With you be humbled. Yeah, sure, but off your eyebrows alone.

1299
01:00:12,800 --> 01:00:15,919
Speaker 1: Somebody was like, oh my god.

1300
01:00:16,680 --> 01:00:19,200
Speaker 3: And because he has a bit about the kid on

1301
01:00:19,240 --> 01:00:21,280
Speaker 3: the train, and it's true, like we see so many

1302
01:00:21,320 --> 01:00:24,640
Speaker 3: things growing up on the train and nothing faces. As

1303
01:00:24,800 --> 01:00:26,400
Speaker 3: I remember, I was on the train once when I

1304
01:00:26,440 --> 01:00:28,400
Speaker 3: was young and there was a guy and he had

1305
01:00:28,400 --> 01:00:31,200
Speaker 3: his penis out. I promised you he was sitting zyad

1306
01:00:31,400 --> 01:00:32,680
Speaker 3: and it's two seats you know how they have the

1307
01:00:32,680 --> 01:00:33,680
Speaker 3: two seats on the side.

1308
01:00:34,200 --> 01:00:35,360
Speaker 2: He was over there and he was.

1309
01:00:35,320 --> 01:00:37,680
Speaker 3: Going at it on the train and I was sitting

1310
01:00:37,680 --> 01:00:40,360
Speaker 3: with my mom and I just was like, look the

1311
01:00:40,400 --> 01:00:43,680
Speaker 3: other way. It was disgusting, but it's what can you do?

1312
01:00:43,720 --> 01:00:44,800
Speaker 3: And no one got off the train.

1313
01:00:45,000 --> 01:00:45,200
Speaker 1: Yeah.

1314
01:00:46,120 --> 01:00:47,720
Speaker 3: Yeah, people still need to get where they need to get.

1315
01:00:47,760 --> 01:00:50,200
Speaker 3: There were seats there, and it doesn't matter if there's

1316
01:00:50,240 --> 01:00:52,400
Speaker 3: like it stinks if there's ship on the ground. If

1317
01:00:52,400 --> 01:00:54,640
Speaker 3: there's seats on that train, people will get on that

1318
01:00:54,760 --> 01:00:55,760
Speaker 3: car and.

1319
01:00:55,680 --> 01:00:59,800
Speaker 1: Sit unless empty. Yeah, and it was empty. Hey, you

1320
01:00:59,840 --> 01:01:03,880
Speaker 1: know that's that's a devil there. No, I'm ana pray

1321
01:01:03,920 --> 01:01:07,080
Speaker 1: of the next car. You're not gonna get me. Yeah.

1322
01:01:07,440 --> 01:01:10,200
Speaker 1: My favorite is the woman that yelled at that guy.

1323
01:01:10,480 --> 01:01:13,040
Speaker 1: Did you see that when viral like two three years ago?

1324
01:01:13,680 --> 01:01:17,200
Speaker 1: There was a guy who was clearly like trying to

1325
01:01:17,960 --> 01:01:20,520
Speaker 1: jerk it but behind his backpack or whatever. And then

1326
01:01:20,560 --> 01:01:23,560
Speaker 1: this one bit started started filling with him and it

1327
01:01:23,640 --> 01:01:26,080
Speaker 1: was like it was like what you doing with your

1328
01:01:26,440 --> 01:01:32,880
Speaker 1: dash with that freaky stuff? Young And then he like

1329
01:01:33,280 --> 01:01:35,280
Speaker 1: to say, he's the one with his ps My beast

1330
01:01:35,320 --> 01:01:37,320
Speaker 1: started clutching his pearls. It was like, I've never.

1331
01:01:37,400 --> 01:01:40,560
Speaker 2: Spoken to that you.

1332
01:01:40,240 --> 01:01:43,800
Speaker 1: Oh my god, and it's like I will want you

1333
01:01:44,400 --> 01:01:46,640
Speaker 1: because she was like letting him have I gotta find

1334
01:01:46,640 --> 01:01:48,240
Speaker 1: that clip. She was letting him have it.

1335
01:01:49,480 --> 01:01:51,880
Speaker 3: Well, we're taking the train, all right. Well, thank you

1336
01:01:51,920 --> 01:01:54,200
Speaker 3: so much again for joining us. We really appreciate you.

1337
01:01:54,280 --> 01:01:56,640
Speaker 2: I cannot wait when you come back and you're doing better.

1338
01:01:56,800 --> 01:02:06,400
Speaker 1: Yeah, I appreciate it. I'm gonna try one.