1 00:00:00,040 --> 00:00:02,080 Speaker 1: And now please welcome to the stage live at the 2 00:00:02,080 --> 00:00:05,559 Speaker 1: west Comedy Theater in Santa Monica, California, the Alchemy This Podcast. 3 00:00:17,840 --> 00:00:26,280 Speaker 1: Thank you, please be seated. A welcome back to another 4 00:00:26,320 --> 00:00:30,920 Speaker 1: episode of Alchemy This. I'm your host, Kevin Pollock. What's that? Yes, 5 00:00:31,520 --> 00:00:40,600 Speaker 1: that's Kevin Pollock. Almost enough time to get my glasses on. Um. 6 00:00:40,680 --> 00:00:43,600 Speaker 1: This is a very special live on stage episode of 7 00:00:43,720 --> 00:00:46,600 Speaker 1: from the West Side Comedy Theater in the gorgeous alley 8 00:00:46,600 --> 00:00:55,040 Speaker 1: behind the Third Street Promenade in Santa Monica, California. What's that? Well, 9 00:00:55,080 --> 00:00:58,160 Speaker 1: I don't know which film or TV thing you saw me? 10 00:00:58,200 --> 00:01:01,200 Speaker 1: And so I come on, friend, you've you've got to 11 00:01:01,240 --> 00:01:04,600 Speaker 1: do some of the lifting here. I can't go down 12 00:01:04,600 --> 00:01:07,560 Speaker 1: the complete list of Oh man, they just announced my flight, 13 00:01:07,640 --> 00:01:11,800 Speaker 1: so do what do I really need? Seriously? I mean, 14 00:01:12,160 --> 00:01:15,160 Speaker 1: can we just take a photo? And how do you 15 00:01:15,240 --> 00:01:17,680 Speaker 1: not have a phone? Dude? I'm gonna miss but oh 16 00:01:17,680 --> 00:01:20,640 Speaker 1: this is your wife. Hi, nice to meet you. You do, 17 00:01:21,440 --> 00:01:24,400 Speaker 1: thank you? Yes, we're shooting season three right now, which 18 00:01:24,440 --> 00:01:26,959 Speaker 1: is why I've really got to get on that flight. Sure, sure, 19 00:01:27,040 --> 00:01:29,039 Speaker 1: let's take a photo. Great, could you hold a little 20 00:01:29,080 --> 00:01:32,800 Speaker 1: higher so I have a chin? Thanks? Okay, nice to 21 00:01:32,840 --> 00:01:36,440 Speaker 1: meeting you too, but I digress. Let's meet our alchemists 22 00:01:36,600 --> 00:01:39,200 Speaker 1: in no particular order to say hello to Mark Gagliano, 23 00:01:44,240 --> 00:01:47,680 Speaker 1: marky g. Since it's been said that everyone has their price, 24 00:01:48,000 --> 00:01:49,960 Speaker 1: how much would it take, honestly, if you just stop 25 00:01:49,960 --> 00:01:52,920 Speaker 1: your excellent work on the CBS hit series Blood and 26 00:01:52,960 --> 00:01:56,520 Speaker 1: Treasure in order to do six more years as the 27 00:01:56,560 --> 00:02:00,080 Speaker 1: genie in the Disneyland production of a Laddin. Uh, it 28 00:02:00,080 --> 00:02:04,639 Speaker 1: would take exactly. Wow, we could definitely do a collection 29 00:02:04,720 --> 00:02:10,480 Speaker 1: here tonight. It's on. Stop the president. It's Craig Kakowski. Kakao. 30 00:02:14,440 --> 00:02:17,680 Speaker 1: What was the last real job that you held before 31 00:02:17,720 --> 00:02:22,760 Speaker 1: collecting those surefire paychecks of show business? Full time? I 32 00:02:22,840 --> 00:02:29,320 Speaker 1: sold cookbooks door to door? Well, yeah you did, would 33 00:02:29,320 --> 00:02:35,120 Speaker 1: you like? Yes? Please exactly close the barn doors. Jerry 34 00:02:35,280 --> 00:02:42,600 Speaker 1: Greers here, that's me, that's me Greer. As the day 35 00:02:42,680 --> 00:02:45,280 Speaker 1: is long, let's match game it up, shall we? Okay? 36 00:02:45,400 --> 00:02:47,600 Speaker 1: When the doctor slapped your assi at birth instead of 37 00:02:47,680 --> 00:02:52,480 Speaker 1: crying you blank being brought into this wonderful world, the 38 00:02:52,520 --> 00:02:56,080 Speaker 1: doctor slapped your bottom instead of crying you there it is. 39 00:02:57,120 --> 00:03:02,600 Speaker 1: I sang a song and I still remember it. Okay, Well, 40 00:03:02,760 --> 00:03:06,400 Speaker 1: we'd love to hear it sometimes. All right, let's go on, 41 00:03:09,440 --> 00:03:11,880 Speaker 1: Hi ho, say hey to Carl like a cows gig, 42 00:03:17,320 --> 00:03:21,480 Speaker 1: Mrs c for your first furries meet up. What's your 43 00:03:21,520 --> 00:03:26,680 Speaker 1: outfit of choice? And why my my animals outfit? My 44 00:03:26,760 --> 00:03:37,640 Speaker 1: outfit a gosh banana? All right, we've got some fa Yeah, yeah, 45 00:03:37,680 --> 00:03:40,400 Speaker 1: of course, why not? Why wouldn't? And last, but I 46 00:03:40,440 --> 00:03:43,960 Speaker 1: will strike down upon thee with great vengeance and furious anger. 47 00:03:44,200 --> 00:03:53,200 Speaker 1: If you think him least, it's James, he need thank you, James, 48 00:03:53,280 --> 00:03:55,680 Speaker 1: Jules and Vincent. Give me any two sentences from a 49 00:03:55,720 --> 00:03:59,920 Speaker 1: Quentin Tarantino film. Please, Oh how about you give my 50 00:04:00,040 --> 00:04:03,480 Speaker 1: wife a massage on the foot. Uh, that's too intimate 51 00:04:03,520 --> 00:04:10,520 Speaker 1: for me just to just to thank you. You can 52 00:04:10,600 --> 00:04:12,960 Speaker 1: do the whole film. Thank you very much. All right, 53 00:04:13,000 --> 00:04:15,840 Speaker 1: let's get to our first scene. All of today tonight's 54 00:04:15,840 --> 00:04:19,560 Speaker 1: scene suggestions were gathered from our listener emails. If you'd 55 00:04:19,560 --> 00:04:21,600 Speaker 1: like to submit yours, please right to the podcast at 56 00:04:21,640 --> 00:04:24,040 Speaker 1: your name here at alchemy this dot com. That's your 57 00:04:24,160 --> 00:04:26,880 Speaker 1: name here at alchemy this dot com. Our first scene 58 00:04:26,920 --> 00:04:30,160 Speaker 1: comes from Gabby, who wrote, hello, I went to high 59 00:04:30,200 --> 00:04:35,200 Speaker 1: school with Joey Greer. I went to an all boys 60 00:04:35,240 --> 00:04:40,320 Speaker 1: high and one of the funniest things I ever watched 61 00:04:40,360 --> 00:04:43,680 Speaker 1: him do was a prank call uh to a mutual 62 00:04:43,720 --> 00:04:48,080 Speaker 1: friend named Alex Valdes or Valdez, who was the president 63 00:04:48,200 --> 00:04:50,800 Speaker 1: or something high up at a local fraternity, and he 64 00:04:50,839 --> 00:04:54,240 Speaker 1: convinced Alex that he was a fellow fat brother flying 65 00:04:54,279 --> 00:04:56,480 Speaker 1: in from out of town who needed to stay at 66 00:04:56,480 --> 00:05:01,840 Speaker 1: the frat house. But it was a never nude who 67 00:05:01,839 --> 00:05:05,359 Speaker 1: would need any shower in the communal frat showers in 68 00:05:05,440 --> 00:05:07,839 Speaker 1: a bathing suit. It was bringing also bringing along his 69 00:05:07,880 --> 00:05:11,680 Speaker 1: girlfriend and her little brother. I would love to hear 70 00:05:11,760 --> 00:05:15,440 Speaker 1: seeing inspired by this, just started listening to the podcast 71 00:05:15,480 --> 00:05:22,600 Speaker 1: and love it. Gabby Fernandez, Are you're gonna get that? Uh? 72 00:05:23,360 --> 00:05:27,000 Speaker 1: Who don't actually answer the phone at the frat? Dude? 73 00:05:27,040 --> 00:05:30,960 Speaker 1: Please just get let the machine get it just rings NonStop. Man, 74 00:05:31,120 --> 00:05:34,479 Speaker 1: Just get the phone. We'll get one of the get 75 00:05:34,480 --> 00:05:36,800 Speaker 1: one of the what do they call interns or not? 76 00:05:37,640 --> 00:05:40,280 Speaker 1: What do they call? Would you like me to get 77 00:05:40,320 --> 00:05:51,640 Speaker 1: the phone? Yeah? Okay, hello, I don't think that that 78 00:05:51,680 --> 00:05:58,520 Speaker 1: sounds appropriate. We are hold on one second. Please, this 79 00:05:58,560 --> 00:06:00,440 Speaker 1: seems pretty important, do you one of you guys? I 80 00:06:00,640 --> 00:06:04,560 Speaker 1: don't pay bills here, I don't It's really look intern 81 00:06:04,600 --> 00:06:06,120 Speaker 1: and you can't hand there's not gonna be able to 82 00:06:06,120 --> 00:06:08,599 Speaker 1: be a part of the I mean it's this person 83 00:06:08,720 --> 00:06:14,200 Speaker 1: is clearly using adult language, and yeah, we're doing you 84 00:06:14,240 --> 00:06:16,600 Speaker 1: a solid bite instead of calling you a pledge, calling 85 00:06:16,640 --> 00:06:20,760 Speaker 1: you an intern. So how about appreciating that for a second. Okay, Okay, 86 00:06:20,800 --> 00:06:22,640 Speaker 1: I'll do my best and see if I can answer 87 00:06:22,720 --> 00:06:30,120 Speaker 1: along represent the frat. Okay, I'm going to hold on. 88 00:06:30,200 --> 00:06:38,800 Speaker 1: There's a there's a call online to hold on. Hi, Hi, 89 00:06:38,920 --> 00:06:43,679 Speaker 1: I'm looking fitted Oh, Derek, Derek's here, but I've actually 90 00:06:43,720 --> 00:06:48,359 Speaker 1: got somebody under the Derek is man. Talk to Dick 91 00:06:48,760 --> 00:06:54,040 Speaker 1: that he is sick, he's really hung over. Just give 92 00:06:54,080 --> 00:06:57,760 Speaker 1: me one second, okay, like what kind of thing hung over? Sick? 93 00:06:57,880 --> 00:07:02,599 Speaker 1: Like throwing up? Like why well from alcohol? Like how 94 00:07:02,839 --> 00:07:06,560 Speaker 1: out of his mouth? Just hold on one second. I've 95 00:07:06,560 --> 00:07:09,640 Speaker 1: got an adult on the other line, and turn about 96 00:07:09,640 --> 00:07:12,400 Speaker 1: giving less information out about the members of the front. 97 00:07:12,480 --> 00:07:15,840 Speaker 1: I don't know. I thought I was like, who is 98 00:07:15,920 --> 00:07:18,000 Speaker 1: this who loves that that you were just giving information 99 00:07:18,000 --> 00:07:21,800 Speaker 1: to about the fellow brothers. It sounds like a woman's 100 00:07:21,800 --> 00:07:26,520 Speaker 1: still on the line. It's a woman. Into that's a lady. Okay, Okay, 101 00:07:26,720 --> 00:07:29,080 Speaker 1: hold on one second. I've got someone on the other line. No, 102 00:07:29,240 --> 00:07:32,080 Speaker 1: don't hold on, I have to. I'm sorry. I don't 103 00:07:32,080 --> 00:07:34,200 Speaker 1: want to hold on, but this other person's been holding 104 00:07:34,240 --> 00:07:40,360 Speaker 1: for a long time. Just a pledge. It's fine. Look, 105 00:07:40,400 --> 00:07:43,040 Speaker 1: if dad's not around, I got all day. Okay, hold 106 00:07:43,080 --> 00:07:45,000 Speaker 1: on one second. I'm just gonna take this call into 107 00:07:45,040 --> 00:07:46,960 Speaker 1: the other room. Is that all right? It's a cord, 108 00:07:47,000 --> 00:07:50,360 Speaker 1: So just I'm gonna try to shut this door most 109 00:07:50,360 --> 00:07:54,200 Speaker 1: of the way. I think we're alone. I don't think 110 00:07:54,200 --> 00:07:57,040 Speaker 1: the doors really should. It's shut as much as I 111 00:07:57,080 --> 00:08:00,920 Speaker 1: can with a cord in it. So now we're a loan. Yeah, 112 00:08:00,960 --> 00:08:09,600 Speaker 1: now we're alone. So how old are you? I? Oh, oh, 113 00:08:09,640 --> 00:08:12,160 Speaker 1: how do you do terrif? Are you as grandmother? Well 114 00:08:12,240 --> 00:08:16,880 Speaker 1: we met at this place. Wasn't his mom's house. It 115 00:08:17,000 --> 00:08:23,000 Speaker 1: was across the street from where anywhere. Look, dude, I 116 00:08:23,160 --> 00:08:27,960 Speaker 1: have the hottest home with the hottest women. Okay, anything 117 00:08:28,040 --> 00:08:30,760 Speaker 1: you want to do. I mean, they go to be women. Yeah, 118 00:08:30,760 --> 00:08:35,199 Speaker 1: it's a hot woman home. Yeah. They to bro you 119 00:08:35,320 --> 00:08:38,520 Speaker 1: on this man, all right. They go to bed because 120 00:08:38,520 --> 00:08:42,120 Speaker 1: you have left me in the past, I'm not gonna do. 121 00:08:43,679 --> 00:08:46,720 Speaker 1: They go to bed around six. They like their food 122 00:08:46,800 --> 00:08:50,840 Speaker 1: to be liquid. They're hot, all right, So you guys 123 00:08:50,920 --> 00:08:52,960 Speaker 1: down to go in there. Of course you're not gonna 124 00:08:53,000 --> 00:08:55,240 Speaker 1: have us right, No, not gonna look. Are you guys 125 00:08:55,240 --> 00:08:59,480 Speaker 1: down to slime or not? I'm down to slime. You 126 00:08:59,480 --> 00:09:01,000 Speaker 1: guys down to line. I gotta see your I d 127 00:09:01,120 --> 00:09:08,800 Speaker 1: s uh. We all have the same ideas. Man, You 128 00:09:08,880 --> 00:09:11,360 Speaker 1: college kids keep coming here. I keep telling you you 129 00:09:11,400 --> 00:09:13,560 Speaker 1: can't get in. You can't get slimed unless you're all 130 00:09:13,600 --> 00:09:18,960 Speaker 1: twenty one? Bro, you have twenty one? Did not see 131 00:09:18,960 --> 00:09:23,000 Speaker 1: the white in my beard? Well, now that you mentioned it, 132 00:09:23,000 --> 00:09:25,840 Speaker 1: it's very distinguished, sir. You know what's your idea? Can 133 00:09:26,120 --> 00:09:29,079 Speaker 1: guys inside? What's your idea? Man? Huh, my idea? Don't 134 00:09:29,120 --> 00:09:30,760 Speaker 1: try to turn this around on me. You want to 135 00:09:30,760 --> 00:09:32,640 Speaker 1: see my idea. There's a badge that's not even a 136 00:09:32,640 --> 00:09:36,880 Speaker 1: police batch, that's a security badge. He's got a security 137 00:09:36,920 --> 00:09:39,320 Speaker 1: bag exactly. So you show me your ideas, and they 138 00:09:39,440 --> 00:09:41,640 Speaker 1: better be two very different ideas or you are not 139 00:09:41,679 --> 00:09:47,160 Speaker 1: getting in to see these octogenarian honeys. All right, Oh man, 140 00:09:47,280 --> 00:09:56,840 Speaker 1: they're eight sided ships, wild f all eight sides. Come on, 141 00:09:57,000 --> 00:10:01,040 Speaker 1: let's know, way you can all ag man, my Derek 142 00:10:01,120 --> 00:10:05,640 Speaker 1: or my Derek direk man, you the man Man, Nobody's ever, 143 00:10:06,000 --> 00:10:09,480 Speaker 1: Nobody's ever after all eight sides before. Come on in, Derek, 144 00:10:10,080 --> 00:10:13,000 Speaker 1: but your friends stays out here. Let me just give 145 00:10:13,080 --> 00:10:19,080 Speaker 1: my I d first. Thank great, and Derek think of me. Hey, 146 00:10:19,120 --> 00:10:23,840 Speaker 1: what's so? What's going on? What's why? I'm just eating 147 00:10:23,920 --> 00:10:32,560 Speaker 1: this liquid broccoli? Interested Oh yeah, I love liquid broccoli. 148 00:10:34,280 --> 00:10:37,080 Speaker 1: Come sit down next to me, to this one side 149 00:10:37,080 --> 00:10:42,000 Speaker 1: of me, this one right here. Come sit say. Oh, 150 00:10:42,040 --> 00:10:43,559 Speaker 1: there's so many sides of you, but I don't know 151 00:10:43,600 --> 00:10:51,520 Speaker 1: where to be. I prefer my left side, my shoulder. Look, 152 00:10:52,080 --> 00:10:55,160 Speaker 1: my name is Derek. Okay, my friends call me d 153 00:10:55,280 --> 00:11:02,480 Speaker 1: Man or d Dog or dog Man or man Dog. 154 00:11:03,520 --> 00:11:08,199 Speaker 1: That's a lot. But if you want to call me, 155 00:11:09,160 --> 00:11:11,920 Speaker 1: is the number of the frat all right? Okay, Well 156 00:11:11,960 --> 00:11:14,400 Speaker 1: it sounds like a really romantic story. I don't think 157 00:11:14,440 --> 00:11:16,240 Speaker 1: I could take it. I don't think I could take 158 00:11:16,280 --> 00:11:20,480 Speaker 1: the Demon's girl though. Well, I don't know. It didn't 159 00:11:20,559 --> 00:11:23,640 Speaker 1: last that long for me. I don't know if I'll 160 00:11:23,679 --> 00:11:26,760 Speaker 1: last much longer, honestly, but but I'd like to shoo it. 161 00:11:27,000 --> 00:11:29,800 Speaker 1: Give it a shot. You sound really kind. I've got 162 00:11:29,840 --> 00:11:32,400 Speaker 1: a kind soul, and people say I got kind eyes. 163 00:11:32,520 --> 00:11:36,280 Speaker 1: He's sound really generous. I'm very generous. I need to 164 00:11:36,320 --> 00:11:43,080 Speaker 1: borrow some money. I probably feel about that. I mean, 165 00:11:43,320 --> 00:11:47,959 Speaker 1: I'll give you what I can. Pitch, pleitch, keep it down, man. 166 00:11:48,160 --> 00:11:50,720 Speaker 1: I'm sorry, Derek, I'm sorry. It's like you're inside my 167 00:11:50,800 --> 00:11:55,000 Speaker 1: head right now. I'm not fluing. Well. I know I 168 00:11:55,000 --> 00:11:57,560 Speaker 1: can tell you by the bucket next to you. I 169 00:11:57,679 --> 00:11:59,640 Speaker 1: told you to close the door all the way. I 170 00:11:59,679 --> 00:12:04,560 Speaker 1: can't close it all the way. It's got there's a cord. Listen. 171 00:12:04,640 --> 00:12:06,520 Speaker 1: I gotta keep it kind of quiet. Where do you 172 00:12:06,520 --> 00:12:09,000 Speaker 1: want me to meet you? I want you to meet 173 00:12:09,000 --> 00:12:12,360 Speaker 1: me at my place. You gotta get dirts, some chicken, 174 00:12:12,400 --> 00:12:15,040 Speaker 1: little soup, and another case of beer for us. Okay, 175 00:12:15,160 --> 00:12:18,800 Speaker 1: I'll get it really quick, and saltines. Of course, I 176 00:12:18,840 --> 00:12:21,560 Speaker 1: would not make that mistake again. Why does everybody yell 177 00:12:21,640 --> 00:12:24,400 Speaker 1: at you? It's because I'm kind of like the boss 178 00:12:24,440 --> 00:12:26,520 Speaker 1: and they know I can take a lot around here, 179 00:12:26,559 --> 00:12:31,640 Speaker 1: so they give me a lot. Like great. I like 180 00:12:31,760 --> 00:12:34,560 Speaker 1: the boss man around here too. That doesn't surprise me 181 00:12:34,600 --> 00:12:36,560 Speaker 1: in the least bit. Give me an address quick, because 182 00:12:36,559 --> 00:12:38,840 Speaker 1: I gotta get off. Okay. I'll give you an address quick, 183 00:12:39,600 --> 00:12:44,720 Speaker 1: nine Street, okay, And that's in the city proper, right, Okay, 184 00:12:44,760 --> 00:12:51,520 Speaker 1: bye bye, Bledge what get the phone? I've got actually 185 00:12:51,559 --> 00:12:59,720 Speaker 1: some stuff I've got to do I can't okay. Hello, alright, alright, 186 00:12:59,760 --> 00:13:04,280 Speaker 1: I know this is important guys. It's the adult. It's 187 00:13:04,280 --> 00:13:09,160 Speaker 1: like the real adult, not college. What are those peanuts adults? Yes, 188 00:13:09,240 --> 00:13:14,200 Speaker 1: I believe it is, Derek. Do you think you could 189 00:13:14,200 --> 00:13:17,120 Speaker 1: take a call? Are you too sick? This call is 190 00:13:17,160 --> 00:13:19,840 Speaker 1: for Derek. Also, I don't know who it's for. Honestly, 191 00:13:19,920 --> 00:13:27,480 Speaker 1: let me see if I let me try what what what? What? What? What? Derek? 192 00:13:28,080 --> 00:13:30,440 Speaker 1: And it's definitely for Derek. I think I came across 193 00:13:30,480 --> 00:13:35,000 Speaker 1: offensive trying to use this language. Derek, I think you 194 00:13:35,080 --> 00:13:37,719 Speaker 1: might be in trouble. This person sounds pretty serious. It 195 00:13:37,800 --> 00:13:42,280 Speaker 1: sounds like it's my former elementary school teacher. But not 196 00:13:42,400 --> 00:13:56,720 Speaker 1: speaking Derek. Alright, uh, put you on speaker. Yeah, I know. Raw. Well, 197 00:13:57,040 --> 00:14:01,480 Speaker 1: I just had a few drinks last I'm in college. 198 00:14:01,520 --> 00:14:07,240 Speaker 1: I'm trying to celebrate all right. Wa wa No, I 199 00:14:07,280 --> 00:14:15,360 Speaker 1: mean I'm taking geography. I'm doing well that Yes I am. 200 00:14:15,360 --> 00:14:27,600 Speaker 1: Wahwa rwanda? Was that right? Okay? Yeah, look, I appreciate 201 00:14:27,640 --> 00:14:29,800 Speaker 1: you checking up on me. Okay, but I'm gonna be 202 00:14:29,840 --> 00:14:40,800 Speaker 1: all right. Wa Wong Wong Wong. I love you too. 203 00:14:44,880 --> 00:14:46,720 Speaker 1: I'm just I'm gonna I'm just gonna go get some 204 00:14:47,240 --> 00:14:49,480 Speaker 1: We only have oyster crackers, so I gotta take your cars. 205 00:14:51,600 --> 00:14:53,320 Speaker 1: I know, I know. That's why I gotta take your car. 206 00:14:53,360 --> 00:14:54,840 Speaker 1: It's gonna be a real quick trip. I'll be back 207 00:14:54,840 --> 00:14:56,600 Speaker 1: in a couple of hours. Okay, we gotta get this 208 00:14:56,640 --> 00:14:58,640 Speaker 1: guy when he comes back. And I'm not working around 209 00:14:59,200 --> 00:15:04,480 Speaker 1: why we kill him? Perfect? How should we do it? 210 00:15:04,480 --> 00:15:07,840 Speaker 1: It's kind of like an accident. Man. I'm so I'm 211 00:15:07,960 --> 00:15:09,920 Speaker 1: you know, I'm always down to kill interns. But like 212 00:15:10,040 --> 00:15:14,520 Speaker 1: hearing that elementary speaker talked to Derek, and it's just like, man, 213 00:15:14,600 --> 00:15:17,840 Speaker 1: that was emotional. Man, it was like he got you 214 00:15:17,880 --> 00:15:20,080 Speaker 1: at such a young age and just want to check up. 215 00:15:20,120 --> 00:15:22,480 Speaker 1: What you sure you're still doing? You don't you have 216 00:15:22,520 --> 00:15:26,160 Speaker 1: somebody cares about you that way? Oh? Man? No? Man 217 00:15:26,280 --> 00:15:31,640 Speaker 1: burned bridges, man, Oh, I'm so distant. How did your brand? 218 00:15:31,680 --> 00:15:43,640 Speaker 1: Those bridges metaphorical match and that gasoline? That was my ego? Man? Yeah, 219 00:15:44,080 --> 00:15:49,120 Speaker 1: And I was violent, right and I cursed, you know, 220 00:15:50,400 --> 00:15:54,120 Speaker 1: I started real fires. You know. It just sucks, man, 221 00:15:54,840 --> 00:15:57,800 Speaker 1: It just sucks. What were the last three fives? You started? Well, 222 00:15:59,040 --> 00:16:02,840 Speaker 1: there's a promota fire, right, that was you? That was me, 223 00:16:03,920 --> 00:16:08,080 Speaker 1: That was me the pomonified. Yeah, I got that whole 224 00:16:08,320 --> 00:16:17,040 Speaker 1: new housing developed up. That was me. You were really hurt, right, 225 00:16:17,160 --> 00:16:19,440 Speaker 1: And then when I went over to the aquarium, I 226 00:16:19,480 --> 00:16:23,600 Speaker 1: let that on fire. It was so hard. It's hard 227 00:16:23,640 --> 00:16:27,040 Speaker 1: to send. Why would you give yourself such a hard 228 00:16:27,320 --> 00:16:29,920 Speaker 1: because I could do it right, Okay, because if I 229 00:16:29,960 --> 00:16:32,480 Speaker 1: don't send those standards for myself, who's gonna do that? 230 00:16:36,840 --> 00:16:40,480 Speaker 1: And then the third one, of course, was with my family. Right. 231 00:16:42,480 --> 00:16:44,760 Speaker 1: I was given this address to pick up a woman 232 00:16:44,880 --> 00:16:47,960 Speaker 1: by the name of Jane. But this looks like a hospital. 233 00:16:48,880 --> 00:16:55,080 Speaker 1: Let me see you, I hear's my I d Derek. Huh, 234 00:16:55,520 --> 00:16:57,640 Speaker 1: you're the fourth Derek I've had try to walk into 235 00:16:57,640 --> 00:17:00,600 Speaker 1: this place this week. Yeah, old on, let me give 236 00:17:00,600 --> 00:17:04,680 Speaker 1: you a different idea. How's this one? Terribly sorry, Adam, 237 00:17:04,720 --> 00:17:17,000 Speaker 1: We'll come right in. Thank you and matas Scene one. 238 00:17:17,640 --> 00:17:21,000 Speaker 1: Scene two comes to us from Desiree, who wrote, Hello Altemus, 239 00:17:21,480 --> 00:17:24,879 Speaker 1: desiray here from Johannesburg, South Africa. I listened to your 240 00:17:24,960 --> 00:17:29,440 Speaker 1: shenanigans on my daily fight through Joe Bird traffic. And 241 00:17:29,520 --> 00:17:32,600 Speaker 1: a door. Every word you're robbin in his teeny tiny 242 00:17:32,680 --> 00:17:36,120 Speaker 1: hot pants as he perpetually sits waiting in the batmobile. 243 00:17:36,520 --> 00:17:41,840 Speaker 1: Is my spirit animal. South Africa is a pretty odd 244 00:17:41,840 --> 00:17:45,080 Speaker 1: place in that while we're known for things like conducting 245 00:17:45,119 --> 00:17:48,320 Speaker 1: the first ever heart transplant, inventing the cat scan, and 246 00:17:48,359 --> 00:17:51,280 Speaker 1: having the second city in the world to install electric 247 00:17:51,320 --> 00:17:56,400 Speaker 1: street lights, settle the fun down, Jesus, we get it. 248 00:17:57,720 --> 00:18:01,240 Speaker 1: A vast majority of South Africans believe even these supernatural 249 00:18:01,640 --> 00:18:06,560 Speaker 1: tocore Loshi is a dwarf like, mischievous and evil spirit 250 00:18:07,000 --> 00:18:12,000 Speaker 1: that comes out at night and causes general havoc. Many 251 00:18:12,160 --> 00:18:16,040 Speaker 1: people prompt out there beds up with bricks or paint 252 00:18:16,080 --> 00:18:20,400 Speaker 1: cans so the tocore Loshi can't reach them at night. 253 00:18:21,640 --> 00:18:28,480 Speaker 1: He's also an excellent scapegoat well, of course, as you 254 00:18:28,480 --> 00:18:30,960 Speaker 1: can see from this newspaper article which I'm not going 255 00:18:31,000 --> 00:18:34,320 Speaker 1: to read, but a link was given. Well just read 256 00:18:34,359 --> 00:18:42,560 Speaker 1: the link r k l p Q two. That's a 257 00:18:42,600 --> 00:18:47,359 Speaker 1: short link step so it does ask. Please go ahead 258 00:18:47,359 --> 00:18:50,680 Speaker 1: and have fun with Mr Toko Loshi. I'm sure you'll 259 00:18:50,760 --> 00:18:53,000 Speaker 1: be able to come up with an odd adventure for 260 00:18:53,680 --> 00:18:58,480 Speaker 1: him or a couple of his African spirit mates. Cheers 261 00:18:58,480 --> 00:19:06,000 Speaker 1: you beautiful humans. Desiree sheer Linger. Papa, Mama, Papa, what 262 00:19:07,160 --> 00:19:11,439 Speaker 1: the tooker lushi was in my room? And again it was? 263 00:19:11,520 --> 00:19:14,440 Speaker 1: It was, it was there. It told me he has 264 00:19:14,440 --> 00:19:16,760 Speaker 1: a schedule of events. Why do you think he comes 265 00:19:16,840 --> 00:19:20,360 Speaker 1: to see you, sweetheart? Your father and I were busy, 266 00:19:21,240 --> 00:19:23,719 Speaker 1: very busy. I'm telling you the truth that took her 267 00:19:23,800 --> 00:19:26,800 Speaker 1: Lushi was there. You wanted to sleep into bed with us. 268 00:19:26,960 --> 00:19:33,040 Speaker 1: No you can't. You cannot, not again. No one can 269 00:19:33,160 --> 00:19:37,800 Speaker 1: fucking hear you but me, And no one can fucking 270 00:19:37,840 --> 00:19:42,160 Speaker 1: hear me but you. I'm coming after your kids. I'm 271 00:19:42,200 --> 00:19:48,679 Speaker 1: coming after you to build that bed. All right, When 272 00:19:48,760 --> 00:19:49,960 Speaker 1: you want to go back to your bed, come on, 273 00:19:50,040 --> 00:19:51,880 Speaker 1: let's go back. Let's go back to your bed. I'll 274 00:19:51,880 --> 00:19:55,120 Speaker 1: take you back to her. Just go back to your bed. 275 00:19:55,240 --> 00:19:59,040 Speaker 1: Your bed that's so low to the ground. You want 276 00:19:59,080 --> 00:20:04,000 Speaker 1: four more bed. Mommy has her sexy dress on right now, 277 00:20:04,200 --> 00:20:06,359 Speaker 1: So I really need you to go back to Please 278 00:20:06,440 --> 00:20:09,040 Speaker 1: let me sleep in the bed with you. No, that's 279 00:20:09,040 --> 00:20:13,639 Speaker 1: a horrible idea. Let's get those paint cans. You believe me, 280 00:20:13,680 --> 00:20:15,920 Speaker 1: don't you. Of course, I do take some more bed 281 00:20:15,960 --> 00:20:18,560 Speaker 1: and drill you go back to bed. There's too many. 282 00:20:18,880 --> 00:20:22,960 Speaker 1: I think just one more. No one believes you. Okay, 283 00:20:23,000 --> 00:20:26,560 Speaker 1: prop up the corner of the bed there with your head. Okay, 284 00:20:26,640 --> 00:20:30,920 Speaker 1: got the pint, all right? Now the other one a 285 00:20:31,119 --> 00:20:34,840 Speaker 1: really long time. I need you to be tough. Come on, 286 00:20:35,240 --> 00:20:41,000 Speaker 1: prop up that other corner with your head. Good, good, good, 287 00:20:41,040 --> 00:20:45,359 Speaker 1: all right? Just two more, buddy, Okay? And oh dad, 288 00:20:45,440 --> 00:20:54,280 Speaker 1: please please please okay with this angle, it's you can't 289 00:20:54,280 --> 00:20:56,840 Speaker 1: even say it. I'm right. I am coming for you, 290 00:20:57,000 --> 00:20:59,760 Speaker 1: just as sure as your parents are going through something, 291 00:21:00,080 --> 00:21:03,240 Speaker 1: now are you? Are you a mom going through Matt? Matt, 292 00:21:03,280 --> 00:21:05,600 Speaker 1: The more that you coddle him, the dumber he becomes. 293 00:21:05,640 --> 00:21:08,399 Speaker 1: So I need you to stop. Okay, Okay, I'm gonna 294 00:21:08,440 --> 00:21:11,719 Speaker 1: go talk to your mom. Now, is everything? Okay, we're 295 00:21:11,760 --> 00:21:14,040 Speaker 1: gonna talk. Now, we're gonna talk. How long we're gonna 296 00:21:14,080 --> 00:21:17,120 Speaker 1: talk for thinks I haven't been okay for a while, kid, 297 00:21:18,320 --> 00:21:20,720 Speaker 1: because I might be talked out. Okay, I just might 298 00:21:20,720 --> 00:21:22,479 Speaker 1: be talked by the time I get back. You might 299 00:21:22,520 --> 00:21:26,080 Speaker 1: be talking. I might be talked out right now, all right, 300 00:21:26,720 --> 00:21:33,320 Speaker 1: I'm gonna go. Your mom doesn't punch me, don't worry. 301 00:21:34,560 --> 00:21:38,119 Speaker 1: He's joking. You're take her out. He's gonna take me 302 00:21:38,119 --> 00:21:44,080 Speaker 1: out on a nice date. That's right, I'm gonna take alone. Okay, 303 00:21:46,280 --> 00:21:50,600 Speaker 1: one more time. Why do you think the Toko Lorshi 304 00:21:50,720 --> 00:21:53,200 Speaker 1: of all the children in all of South Africa's coming 305 00:21:53,200 --> 00:21:57,080 Speaker 1: after you? Why? Why are you the center of the 306 00:21:57,080 --> 00:22:01,159 Speaker 1: Toko Lorschi's universe? It has to be because so you 307 00:22:01,200 --> 00:22:05,399 Speaker 1: see why it's difficult for me to believe you. I 308 00:22:06,480 --> 00:22:09,520 Speaker 1: guess it's just I don't know. Ever since I picked 309 00:22:09,560 --> 00:22:13,480 Speaker 1: up those pebbles that Crescent Lake. You did not pick 310 00:22:13,520 --> 00:22:18,040 Speaker 1: up pebbles from Crescent Lake? Why? Because you wanted the tobols. 311 00:22:21,320 --> 00:22:23,960 Speaker 1: Give me the pebbles. Give me the pebbles. Do not 312 00:22:24,000 --> 00:22:26,760 Speaker 1: give him the pebbles. If you give him all the pebbles, 313 00:22:26,800 --> 00:22:33,040 Speaker 1: you'll never see me again the pebbles. Wait. Let take 314 00:22:33,080 --> 00:22:35,800 Speaker 1: this to your mom now, Okay, you you ring the 315 00:22:35,800 --> 00:22:38,000 Speaker 1: bell if there's any other trouble. Okay, you hear it 316 00:22:38,000 --> 00:22:41,040 Speaker 1: when you're up, That's what I'll do. I'll hear it. Okay, 317 00:22:41,560 --> 00:22:44,000 Speaker 1: I got the pebbles. What is that? I took these 318 00:22:44,000 --> 00:22:48,399 Speaker 1: from Crystal Lake? Okay, And that's so, so you know what. 319 00:22:48,520 --> 00:22:51,320 Speaker 1: The moment is past, Matt. I'm ready to go to bed. 320 00:22:51,359 --> 00:22:54,280 Speaker 1: Now I really think you should too, should be talking 321 00:22:54,320 --> 00:22:56,880 Speaker 1: more to one another. Sorry, you bring the pebbles in here? 322 00:22:56,880 --> 00:22:59,719 Speaker 1: Now I'm your problem with a second, what was that? 323 00:23:00,320 --> 00:23:03,080 Speaker 1: What was that noise? What are you doing? What are 324 00:23:03,080 --> 00:23:07,040 Speaker 1: you doing right now? Are you doing your noise? I'm 325 00:23:07,080 --> 00:23:11,959 Speaker 1: your problem right now? You got the pebbles literally here 326 00:23:12,000 --> 00:23:13,760 Speaker 1: in the room. I used to love it when you 327 00:23:13,760 --> 00:23:16,879 Speaker 1: would make funny voices like it really turned me on initially, 328 00:23:17,240 --> 00:23:21,200 Speaker 1: but recently I just want to connect with you. What 329 00:23:21,320 --> 00:23:23,520 Speaker 1: if I told you that the Tokoloshi was here as 330 00:23:23,560 --> 00:23:30,640 Speaker 1: Peter Falk, would you have a tendency to believe me? Then? Well, 331 00:23:30,680 --> 00:23:35,920 Speaker 1: I'm interested, I'm interested. Well here's your thing. I don't 332 00:23:35,920 --> 00:23:39,760 Speaker 1: mean to trouble you. I see you, what's your nightgown on? 333 00:23:39,840 --> 00:23:43,560 Speaker 1: And you're in bed. But there's a small, very dangerous 334 00:23:43,600 --> 00:23:46,600 Speaker 1: individual in the room when he's evil. All right, this 335 00:23:46,680 --> 00:23:51,840 Speaker 1: is working for me on ale, It really it really 336 00:23:52,160 --> 00:23:57,119 Speaker 1: goes there. Just give her one more thing, excuse me, 337 00:23:57,240 --> 00:24:01,600 Speaker 1: just one most thing please? Okay? Could it be? Can 338 00:24:01,640 --> 00:24:06,040 Speaker 1: I ask what you got your shoes? My wife she's 339 00:24:06,040 --> 00:24:12,280 Speaker 1: crazy about shoes. It seems like you two have got 340 00:24:12,280 --> 00:24:15,320 Speaker 1: this figured out now. Okay, thanks, I'm sorry, I can't 341 00:24:15,560 --> 00:24:18,000 Speaker 1: give you this table. It's reserved for a party of two. There, 342 00:24:18,119 --> 00:24:20,760 Speaker 1: they should be here any moment. Well, there's nobody's sitting 343 00:24:20,800 --> 00:24:24,960 Speaker 1: there now, I understand them. But the reservations for seven. Yeah, 344 00:24:25,280 --> 00:24:28,120 Speaker 1: but I'm sure someone else at this restaurant's gonna get 345 00:24:28,200 --> 00:24:30,480 Speaker 1: up and you can just give them that table. It 346 00:24:30,520 --> 00:24:34,119 Speaker 1: doesn't work like that. Okay, what's it gonna take for 347 00:24:34,200 --> 00:24:37,840 Speaker 1: us to get a table? We're we're celebrating the anniversary. Yeah, 348 00:24:38,200 --> 00:24:40,640 Speaker 1: you can get some pebbles at Crystal Lake? Are you joking? 349 00:24:42,680 --> 00:24:47,680 Speaker 1: Are you joking? I'm not going to Crystal Lake. Okay? 350 00:24:48,080 --> 00:24:51,919 Speaker 1: Are you familiar with dangerous Crystal Lake? Kiss? I know 351 00:24:51,960 --> 00:24:55,359 Speaker 1: the fairy tales. It's it's not a fairy tale. There's 352 00:24:55,400 --> 00:25:02,480 Speaker 1: a guy with a hockey mask and he kills people. Okay, right, 353 00:25:02,800 --> 00:25:06,280 Speaker 1: am I crazy? If I crazy? Crazy? Stand I want 354 00:25:06,320 --> 00:25:08,679 Speaker 1: to eat at this restaurant. I know, I know. It 355 00:25:08,760 --> 00:25:11,000 Speaker 1: sounds like if we have to get pebbles at Crystal 356 00:25:11,080 --> 00:25:13,760 Speaker 1: Lake to get a good table, then you have to 357 00:25:13,760 --> 00:25:17,159 Speaker 1: get pebbles. I'm telling you, camp Crystal Lake. There's a 358 00:25:17,359 --> 00:25:20,600 Speaker 1: murderer over there and he's chopping people up. You want 359 00:25:20,600 --> 00:25:23,320 Speaker 1: me to go get pebbles from Crystal Lake if you 360 00:25:23,359 --> 00:25:26,480 Speaker 1: want the table, I'm sorry, what do you think you're 361 00:25:26,480 --> 00:25:30,640 Speaker 1: gonna summon the Torcoloshi? The Torcoloshi? You know what? Actually 362 00:25:30,680 --> 00:25:33,199 Speaker 1: I happened to have some pebbles from Crystal Lake in 363 00:25:33,280 --> 00:25:35,479 Speaker 1: my car. Come what come up? Come with me, Come 364 00:25:35,520 --> 00:25:38,080 Speaker 1: with me, Come with me. Was there a problem stand 365 00:25:38,160 --> 00:25:40,520 Speaker 1: with that last couple? No, no, no no, we're just making 366 00:25:40,520 --> 00:25:42,600 Speaker 1: sure if they want the table they can have bringing 367 00:25:42,680 --> 00:25:46,080 Speaker 1: some pebbles from Crystal Lake. That's exactly right. How many 368 00:25:46,080 --> 00:25:48,639 Speaker 1: tables do we have opening up soon? Because soon we 369 00:25:48,680 --> 00:25:51,320 Speaker 1: get about six? And did you get my email about 370 00:25:51,640 --> 00:25:54,520 Speaker 1: here they are? Here's some pebbles. Open your hand up. 371 00:25:54,560 --> 00:25:56,080 Speaker 1: Why didn't you just say you had these in the 372 00:25:56,119 --> 00:25:59,720 Speaker 1: first place? I did. I forgot that I had my stone. 373 00:25:59,760 --> 00:26:03,639 Speaker 1: You had such a strange reaction to crystals. Want to 374 00:26:03,640 --> 00:26:06,000 Speaker 1: stay out of this. These are stones from out front. 375 00:26:06,000 --> 00:26:10,199 Speaker 1: I know not. I walked by them every day. My 376 00:26:10,280 --> 00:26:13,320 Speaker 1: husband says they're from Crystal Lake. Yes, And what's your 377 00:26:13,400 --> 00:26:18,920 Speaker 1: husband good for? What's your husband good for? I'm not 378 00:26:18,960 --> 00:26:22,480 Speaker 1: doing this in front of them. Stand these are pebbles 379 00:26:22,480 --> 00:26:25,200 Speaker 1: from Crystal Lake. I tell you my word is good, 380 00:26:25,600 --> 00:26:30,879 Speaker 1: right right? Whatever I mean? This is the worst aniverse 381 00:26:31,000 --> 00:26:33,000 Speaker 1: we have ever had. We've had a lot of bad ones. 382 00:26:33,119 --> 00:26:35,920 Speaker 1: This isn't their first anniversary. Okay, what were some of 383 00:26:35,960 --> 00:26:42,120 Speaker 1: the other bad ones? Well, our our our fifth year show. 384 00:26:42,280 --> 00:26:44,800 Speaker 1: Uh this is You can ride any of the animals, 385 00:26:45,119 --> 00:26:48,280 Speaker 1: but these animals look like they're for children to ride. 386 00:26:48,680 --> 00:26:52,280 Speaker 1: They are okay, Well we paint our douce. Honey, why 387 00:26:52,280 --> 00:26:55,480 Speaker 1: did you take me here? Stan? We wanted I dressed 388 00:26:55,520 --> 00:26:57,720 Speaker 1: for a nice evening out. I'm supposed to ride a goat. 389 00:26:58,680 --> 00:27:01,200 Speaker 1: Get on the goat. This is a gift for you. 390 00:27:01,560 --> 00:27:05,760 Speaker 1: Get on the coat, he says it. Compare your weight, 391 00:27:06,840 --> 00:27:09,400 Speaker 1: get on the goat. And the goat couldn't bear my weight. 392 00:27:09,520 --> 00:27:13,800 Speaker 1: It bit me, and I got a communicable disease and 393 00:27:13,960 --> 00:27:16,879 Speaker 1: I killed that coat. It pit my wife. It's not 394 00:27:17,040 --> 00:27:20,560 Speaker 1: a great anniversary happening. If I could say so, so, well, 395 00:27:20,600 --> 00:27:23,120 Speaker 1: it wasn't the worst, right, So tonight you're gonna top 396 00:27:23,200 --> 00:27:25,720 Speaker 1: that one by grabbing some pebbles, obviously from the front 397 00:27:25,760 --> 00:27:29,000 Speaker 1: of the restaurants. Those are from Crystal Lake. Okay, And 398 00:27:29,080 --> 00:27:31,159 Speaker 1: that's what you want your wife to know about you 399 00:27:31,560 --> 00:27:35,040 Speaker 1: on your anniversary. I don't exactly understand. I just want 400 00:27:35,040 --> 00:27:37,679 Speaker 1: a table, sir, I don't I don't know what I 401 00:27:37,720 --> 00:27:40,440 Speaker 1: had to get on the table with Chris with pebbles 402 00:27:40,440 --> 00:27:43,879 Speaker 1: from the front of the restaurant. That's that table is 403 00:27:43,880 --> 00:27:46,600 Speaker 1: still wide open. The sooner you drive to Crystal Lake, 404 00:27:46,840 --> 00:27:49,680 Speaker 1: get those fucking pebbles. The sooner we're gonna have a title. 405 00:27:49,840 --> 00:27:58,440 Speaker 1: Um hid excuse me to YouTube. Hey, it's my anniversary, 406 00:27:58,760 --> 00:28:02,320 Speaker 1: well our anniverse. We were wondering, like the three of us. Oh, 407 00:28:03,480 --> 00:28:06,120 Speaker 1: my wife over there, you can see her. That's Yesh. 408 00:28:06,240 --> 00:28:08,399 Speaker 1: I'm with him, despite the fact that he's standing twenty 409 00:28:08,440 --> 00:28:11,359 Speaker 1: ft away from me. I'm working a deal right now. Okay, 410 00:28:11,800 --> 00:28:17,120 Speaker 1: we want drugs, no, I I just it's really important 411 00:28:17,160 --> 00:28:20,400 Speaker 1: to me to get this table. If you guys don't 412 00:28:20,400 --> 00:28:23,040 Speaker 1: mind just waiting for whatever table opens up next. I 413 00:28:23,040 --> 00:28:26,840 Speaker 1: don't know. We really like to eat at seven. Yeah. 414 00:28:27,200 --> 00:28:32,400 Speaker 1: If I don't eat, get angry. It's gross. I am 415 00:28:32,680 --> 00:28:38,400 Speaker 1: this close. Yeah, far from your wife, you know that. 416 00:28:38,600 --> 00:28:40,440 Speaker 1: I just don't want her to hear. I told her 417 00:28:40,440 --> 00:28:45,520 Speaker 1: that we got a reservation. Okay, shouldn't have done that, liar, sir, 418 00:28:45,560 --> 00:28:49,560 Speaker 1: What was your name again? My name is Jerry, Jerry. 419 00:28:49,720 --> 00:28:54,280 Speaker 1: We have a reservation. Are lying to them listen. They've 420 00:28:54,320 --> 00:28:57,000 Speaker 1: already got her. Listen, stand Jerry, Can I ask you 421 00:28:57,080 --> 00:28:59,680 Speaker 1: a question? Yes, why don't you stand there? If you would? Please? 422 00:28:59,680 --> 00:29:01,160 Speaker 1: Would you? And if I take these two folks to 423 00:29:01,200 --> 00:29:03,520 Speaker 1: the table, what are you folks celebrating tonight? Anything? Oh? 424 00:29:03,600 --> 00:29:08,959 Speaker 1: Just being alive? Absolutely nothing at being alive table all 425 00:29:09,000 --> 00:29:11,560 Speaker 1: the time. So it's nothing too special. We're just hungry. 426 00:29:11,640 --> 00:29:15,360 Speaker 1: Tell me, Stan Jerry, please stay this, don't move. Don't move, 427 00:29:15,760 --> 00:29:18,720 Speaker 1: Stan Jerry, this sounds like security thing at this point. 428 00:29:18,760 --> 00:29:24,640 Speaker 1: Following just a little lady, stand by yourself. Please leave 429 00:29:24,640 --> 00:29:31,240 Speaker 1: me alone. You drink? Can we What are your names? 430 00:29:31,280 --> 00:29:35,600 Speaker 1: Here's our idea. As you can see, that's the colonel. 431 00:29:36,480 --> 00:29:41,320 Speaker 1: Oh wow. Collectively the two of you are in private hairs. Okay, 432 00:29:41,400 --> 00:29:45,880 Speaker 1: you're a colonel and a private colonel private hairs. Yeah. 433 00:29:45,920 --> 00:29:49,920 Speaker 1: What are you drinking tonight, miss um? Something fruity? Well, 434 00:29:50,080 --> 00:29:52,120 Speaker 1: I do like something fruity. Just a whole bunch of 435 00:29:52,120 --> 00:29:58,640 Speaker 1: mashed up strawberries and water. That sounds fantastic. We'll do 436 00:29:58,760 --> 00:30:03,719 Speaker 1: three of those. Dear Tokyo Looshi, if you can just 437 00:30:03,840 --> 00:30:07,760 Speaker 1: redeem this man, I sell my soul to thy. Okay, 438 00:30:07,800 --> 00:30:10,680 Speaker 1: but you're sure I am a hundred percent sure I 439 00:30:10,720 --> 00:30:13,400 Speaker 1: need a table from my wife and I to have dinner. 440 00:30:13,560 --> 00:30:16,040 Speaker 1: You said you sell your soul to thy you sell 441 00:30:16,040 --> 00:30:19,560 Speaker 1: your soul to my what to Tokyolshi? Just to me 442 00:30:19,600 --> 00:30:22,280 Speaker 1: in general? Like I own you if I get you 443 00:30:22,320 --> 00:30:25,800 Speaker 1: this table? About fucking lud? All right, here's five pebbles. 444 00:30:26,080 --> 00:30:29,920 Speaker 1: Thank you? Excuse me? Where's the where's the excuse me? 445 00:30:31,800 --> 00:30:38,040 Speaker 1: I got some motherfucking pebbles from Crystal San your pebbles before? No, 446 00:30:38,240 --> 00:30:41,360 Speaker 1: these are special pebbles. Okay, did they come from crystal? 447 00:30:41,640 --> 00:30:44,400 Speaker 1: They came from the Tokyoshi. Here you go. Sure of 448 00:30:44,400 --> 00:30:49,080 Speaker 1: course these came from crystal. Oh my god, alrightmoth, we 449 00:30:49,160 --> 00:30:53,000 Speaker 1: gotta give him soft rocks. Don't touch I can't help it. 450 00:30:54,240 --> 00:30:55,920 Speaker 1: I'm gonna put it in my mouth. Don't put that? 451 00:30:57,640 --> 00:31:03,920 Speaker 1: Oh no, oh no, oh oh? Should I when this happened? 452 00:31:05,760 --> 00:31:13,320 Speaker 1: Wait a second, describe me with your feeling. It's burned 453 00:31:13,640 --> 00:31:20,120 Speaker 1: everything everything. Don't want to get some water? No? Let 454 00:31:20,200 --> 00:31:26,120 Speaker 1: it rude? Can my wife and I have that table 455 00:31:26,800 --> 00:31:31,760 Speaker 1: just a second? Stand? Okay, it's a nice kind of 456 00:31:31,800 --> 00:31:37,880 Speaker 1: pen on the middle, But outside of it, what could 457 00:31:37,920 --> 00:31:43,120 Speaker 1: I do to just kiss me? Maybe maybe throw up 458 00:31:43,120 --> 00:31:46,920 Speaker 1: the stone instead? Kiss me? I just feel like I 459 00:31:46,960 --> 00:31:50,800 Speaker 1: did everything you asked. I really need a table. We 460 00:31:50,920 --> 00:31:54,720 Speaker 1: made a deal. Your soul belongs to me. Wait right now, 461 00:31:54,880 --> 00:31:58,160 Speaker 1: there's a little kid in Johannesburg. Go scare the ship 462 00:31:58,320 --> 00:32:00,240 Speaker 1: out of him. But I'm gonna get a rest. Did 463 00:32:03,080 --> 00:32:12,840 Speaker 1: we're busy? Finally? Oh sweetheart, get the door. Yes, hell, 464 00:32:13,120 --> 00:32:23,240 Speaker 1: do you have a little child? I know it's weird, 465 00:32:24,000 --> 00:32:26,600 Speaker 1: but do you just tell the truth? Now? Can I 466 00:32:26,640 --> 00:32:28,480 Speaker 1: ask who you are and why you're on the porch? 467 00:32:28,600 --> 00:32:34,080 Speaker 1: My name is stand Jerry right. Why are you asking 468 00:32:34,120 --> 00:32:37,479 Speaker 1: about our children? I've been sent to torture mentally, I 469 00:32:37,520 --> 00:32:43,640 Speaker 1: hold cross fingers your china. Mom, Hey, you thought you 470 00:32:43,680 --> 00:32:46,200 Speaker 1: would tell us that and then we'd let you in. 471 00:32:46,320 --> 00:32:48,960 Speaker 1: I don't have a choice, sir. I sold my soul 472 00:32:49,000 --> 00:32:51,520 Speaker 1: to the tokey Loshi. Oh right this way, Thank you. 473 00:32:55,560 --> 00:32:57,880 Speaker 1: I've got a special friend here. It needs to have 474 00:32:57,920 --> 00:32:59,640 Speaker 1: a few words with you. But here's the good news. 475 00:33:03,200 --> 00:33:07,440 Speaker 1: What this is good news. That means it's no longer 476 00:33:07,480 --> 00:33:10,200 Speaker 1: in your room. Come out of your room and talk 477 00:33:10,240 --> 00:33:12,640 Speaker 1: to this weirdo and we'll get rid of him. Would 478 00:33:12,720 --> 00:33:17,520 Speaker 1: you like something to drink? Really? I guess so. Actually 479 00:33:17,560 --> 00:33:19,440 Speaker 1: I haven't been told I can't have a drink? Do you? 480 00:33:19,480 --> 00:33:21,880 Speaker 1: What do you got? Why would someone tell you can't 481 00:33:21,920 --> 00:33:24,560 Speaker 1: have a drink? This is my first day is a 482 00:33:24,680 --> 00:33:27,080 Speaker 1: human being? No, I was a human being for a 483 00:33:27,120 --> 00:33:30,600 Speaker 1: long time and then I sold my soul and now 484 00:33:30,680 --> 00:33:36,720 Speaker 1: I'm here. That is complicated mythology. I couldn't agree more. 485 00:33:36,880 --> 00:33:39,920 Speaker 1: All right, well, here's a drink, thank you. Oh it's 486 00:33:40,000 --> 00:33:48,600 Speaker 1: just water. Okay, I thought you were offering a drink, Marjorie. Yes, 487 00:33:49,040 --> 00:33:51,960 Speaker 1: uh to me, it's not crazy about coming out of 488 00:33:51,960 --> 00:33:54,720 Speaker 1: his room, preppy. I could go in there. No no, no, no, no, 489 00:33:54,720 --> 00:33:59,680 Speaker 1: no no no. Oh, you're definitely not going in uh. Colonel. 490 00:34:00,280 --> 00:34:01,640 Speaker 1: I just want to say that this is the best 491 00:34:01,640 --> 00:34:07,760 Speaker 1: anniversary that I've ever had. We didn't know you celebrate. Well, 492 00:34:07,800 --> 00:34:13,440 Speaker 1: we're celebrating the end of my relationship with Stan. This 493 00:34:13,520 --> 00:34:15,319 Speaker 1: is the first anniversary I've had where a goat hasn't 494 00:34:15,360 --> 00:34:20,719 Speaker 1: been slaughtered in front of me. It's early sweet, Yes, 495 00:34:20,760 --> 00:34:28,360 Speaker 1: it is more strawberries and water. Maybe you like to 496 00:34:28,360 --> 00:34:30,080 Speaker 1: do some Indeed, I can get a table here if 497 00:34:30,120 --> 00:34:34,759 Speaker 1: you want. You can get a table, of course I can't. Well, 498 00:34:34,760 --> 00:34:36,120 Speaker 1: I'd like to see you talk to the maitre d 499 00:34:36,160 --> 00:34:40,840 Speaker 1: and get a table. Okay, we're happy to do that. Hey, yes, listen, 500 00:34:40,960 --> 00:34:42,759 Speaker 1: I got some pebbles from Crystal Lake and I have 501 00:34:42,800 --> 00:34:45,719 Speaker 1: be loved the table. Are the real pebbles? What did 502 00:34:45,760 --> 00:34:47,720 Speaker 1: I just what did I just say? Let me see you? 503 00:34:50,200 --> 00:34:54,200 Speaker 1: Oh my god, don't put one in your mouth. It's 504 00:34:54,239 --> 00:34:58,560 Speaker 1: so smooth. Don't in your mouth. Don't I'm gonna put 505 00:34:58,560 --> 00:35:07,160 Speaker 1: it in my mouth. Oh but it's good. It's good 506 00:35:07,160 --> 00:35:12,439 Speaker 1: in the middle though, right do you think you would 507 00:35:12,480 --> 00:35:16,080 Speaker 1: have learned ten minutes ago? And that has seen to 508 00:35:16,400 --> 00:35:22,160 Speaker 1: everybody see too. Oh the torque or low sheet I 509 00:35:22,239 --> 00:35:24,759 Speaker 1: made a lot of sense. Is a real thing. I 510 00:35:24,800 --> 00:35:27,359 Speaker 1: read the article. I'm gonna put it on the on 511 00:35:27,400 --> 00:35:29,759 Speaker 1: our Instagram feed because it really is something you all 512 00:35:29,840 --> 00:35:37,919 Speaker 1: need to see. It's tortured so many people. Our last 513 00:35:37,920 --> 00:35:40,960 Speaker 1: scene tonight comes from Aaron Oh all female scene suggestions 514 00:35:40,960 --> 00:35:43,320 Speaker 1: and I'd like that. Aaron Road in hers High Alchemists. 515 00:35:43,360 --> 00:35:45,040 Speaker 1: I want to start by thanking you for getting me 516 00:35:45,080 --> 00:35:48,520 Speaker 1: through hours of traffic after a particularly stressful day managing 517 00:35:48,520 --> 00:35:54,480 Speaker 1: the laboratory at a small biotech company. How small. My 518 00:35:54,560 --> 00:35:57,640 Speaker 1: husband and I often quote you on the regular, particularly 519 00:35:57,960 --> 00:36:02,200 Speaker 1: quote I am meat man. I think that's a favorite 520 00:36:02,200 --> 00:36:09,759 Speaker 1: around here too, and of course quote tickets tickets I 521 00:36:09,880 --> 00:36:12,640 Speaker 1: love they remember the specifics, and we of course don't 522 00:36:12,840 --> 00:36:16,799 Speaker 1: my scene suggestion. It's based not as loosely as I 523 00:36:16,920 --> 00:36:19,680 Speaker 1: prefer on my work experience. A group of brilliant scientists 524 00:36:19,680 --> 00:36:22,399 Speaker 1: who cannot perform basic day to day functions such as 525 00:36:22,600 --> 00:36:26,799 Speaker 1: changing a clock, the batteries that has lightbulbs, or going 526 00:36:26,840 --> 00:36:29,239 Speaker 1: a star room to find some supplies that we're out of. 527 00:36:29,600 --> 00:36:32,040 Speaker 1: Can't wait to fall down this rabbit hole with y'all. 528 00:36:32,080 --> 00:36:35,480 Speaker 1: Aaron from San Diego PS Craig, I too have a 529 00:36:35,600 --> 00:36:44,680 Speaker 1: fifteen plus year old Netflix DVD of Memento Yes you did, 530 00:36:45,320 --> 00:36:48,839 Speaker 1: which I too have never watched. Thank you, Aaron from 531 00:36:48,880 --> 00:36:54,760 Speaker 1: San Diego. I am. I just have to pour watch 532 00:36:54,840 --> 00:36:59,120 Speaker 1: from the beaker into a larger beaker and then I 533 00:36:59,160 --> 00:37:01,920 Speaker 1: can begin to The beakers are not the concern right now. 534 00:37:03,120 --> 00:37:05,120 Speaker 1: I know you can. You're always conserving. Can we can 535 00:37:05,160 --> 00:37:07,200 Speaker 1: someone please find the breaker and turn the power back 536 00:37:07,200 --> 00:37:10,040 Speaker 1: on in this building before you to deal with your beakers. 537 00:37:10,200 --> 00:37:12,759 Speaker 1: Are you saying that's something you can't do? I mean, 538 00:37:12,800 --> 00:37:15,600 Speaker 1: I guess I could do it, but I shouldn't have to. 539 00:37:15,600 --> 00:37:18,240 Speaker 1: I'm supposed to be supervising things. Not I'm doing things, 540 00:37:18,239 --> 00:37:20,719 Speaker 1: but I'm actually conducting an experiment. So perhaps if someone 541 00:37:20,760 --> 00:37:23,520 Speaker 1: else they could look for the breaker. But fine, I'll 542 00:37:23,560 --> 00:37:25,800 Speaker 1: go look for the breaker. You don't have to. We 543 00:37:25,840 --> 00:37:30,560 Speaker 1: could choose one of the others. But which Tim, Tim? 544 00:37:31,200 --> 00:37:34,239 Speaker 1: Tim can't find a breaker? Tim, if you had to 545 00:37:34,360 --> 00:37:36,440 Speaker 1: gundy your head, could you find a breaker? Yeah? I 546 00:37:36,480 --> 00:37:40,160 Speaker 1: guess you. Alright, Tim, go find the breaker. No, there 547 00:37:40,200 --> 00:37:48,319 Speaker 1: might be in this part of the world. Look, I 548 00:37:48,360 --> 00:37:50,480 Speaker 1: was as a kid. I had a whole experience and 549 00:37:50,880 --> 00:37:52,560 Speaker 1: I don't like bringing it up. But oh, you're that 550 00:37:52,680 --> 00:37:56,680 Speaker 1: Tim from the Mate for TV movie. Yes, how did 551 00:37:56,680 --> 00:37:58,520 Speaker 1: we never know? Did you really put paint cans under 552 00:37:58,560 --> 00:38:01,839 Speaker 1: a bit? Yeah? It was over exaggerate. I didn't use 553 00:38:01,840 --> 00:38:08,439 Speaker 1: my head, but yes, that is fantastic. I just gotta 554 00:38:08,480 --> 00:38:11,480 Speaker 1: get the contains of the smaller beacon into the lodger beacon. 555 00:38:11,920 --> 00:38:17,759 Speaker 1: And then did you want me to check into darkness here? Tim? 556 00:38:17,760 --> 00:38:25,080 Speaker 1: All right, all right, excuse me, Richard from Dow Industries. 557 00:38:25,640 --> 00:38:27,919 Speaker 1: You might notice that your power has been shut off. 558 00:38:29,280 --> 00:38:32,600 Speaker 1: We're closing shop here, But what does that mean? It's 559 00:38:33,160 --> 00:38:36,319 Speaker 1: our shop? Well it will technically you're underneath the Dow 560 00:38:36,400 --> 00:38:40,240 Speaker 1: Industries umbrella, and what you're working on is no longer important. 561 00:38:40,320 --> 00:38:43,040 Speaker 1: So we've shut the power off. You'll notice the phones 562 00:38:43,120 --> 00:38:46,080 Speaker 1: don't work, but you can take these glass jars and go. 563 00:38:46,680 --> 00:38:48,359 Speaker 1: So you had the decency to come all the way 564 00:38:48,360 --> 00:38:50,399 Speaker 1: down here to tell us that to our faces. I'm 565 00:38:50,880 --> 00:38:53,960 Speaker 1: showing this property to someone else soon soon, So we 566 00:38:54,000 --> 00:38:56,000 Speaker 1: would we were just part of the trip. Is that it? 567 00:38:56,080 --> 00:38:58,000 Speaker 1: You were making the trip down anyway? Kind of the 568 00:38:58,040 --> 00:39:02,160 Speaker 1: two birds one honest, you're you don't matter to me. 569 00:39:02,840 --> 00:39:06,520 Speaker 1: You I've done here. Hey wait a second, did Doug 570 00:39:06,680 --> 00:39:13,200 Speaker 1: sent We asked you, We asked you to crack the 571 00:39:13,360 --> 00:39:18,000 Speaker 1: genome and you did right. What more do we need 572 00:39:18,080 --> 00:39:21,080 Speaker 1: from you? I mean there's there's there's a lot of 573 00:39:21,120 --> 00:39:23,840 Speaker 1: chromosomes in you're asking to people who correct didn't know 574 00:39:24,000 --> 00:39:26,600 Speaker 1: what more we might know. I'm just saying we've used 575 00:39:26,640 --> 00:39:28,760 Speaker 1: your talents and now we're going to use this building 576 00:39:28,760 --> 00:39:33,719 Speaker 1: for something different, probably storage. Yeah, I'm telling you it 577 00:39:33,800 --> 00:39:36,320 Speaker 1: used to be a laboratory around here. They did crazy 578 00:39:36,320 --> 00:39:39,360 Speaker 1: stuff around here. What kind of crazy stuff did they do? Marchha, 579 00:39:39,400 --> 00:39:42,640 Speaker 1: I feel like had experiments on real living things. Get 580 00:39:42,680 --> 00:39:44,799 Speaker 1: the f out of here, You get the f out here. 581 00:39:45,000 --> 00:39:46,920 Speaker 1: I'm right here. I'm gonna get the f out here, 582 00:39:47,040 --> 00:39:50,120 Speaker 1: just kidding. Oh, what the hell's going on with your 583 00:39:50,200 --> 00:39:55,960 Speaker 1: kids running around? What are you doing? Your old creepy man? 584 00:39:58,400 --> 00:40:00,440 Speaker 1: And didn't there used to be a laboratory here, like 585 00:40:00,480 --> 00:40:02,200 Speaker 1: a really scary one where they did all these kind 586 00:40:02,200 --> 00:40:05,759 Speaker 1: of crazy experiments. That's where I was born. I was 587 00:40:05,800 --> 00:40:11,960 Speaker 1: born here. I told you what, you're clearly at least 588 00:40:12,000 --> 00:40:16,319 Speaker 1: seventy five years old. Why why do you look at 589 00:40:16,360 --> 00:40:21,239 Speaker 1: me when you said that I will know God, get 590 00:40:21,280 --> 00:40:26,640 Speaker 1: the funk out of here? I said, um, uh, doctor, 591 00:40:26,719 --> 00:40:30,520 Speaker 1: doctor dr Anderson. This this this genome that we crack, Um, 592 00:40:30,520 --> 00:40:37,640 Speaker 1: it's it. It seems to be turning into a person. Sure, No, 593 00:40:37,719 --> 00:40:40,120 Speaker 1: I mean like the lab the Petriot dishes, which a 594 00:40:40,200 --> 00:40:46,840 Speaker 1: person is growing from the Oh he's growing quickly. It 595 00:40:46,880 --> 00:40:50,080 Speaker 1: doesn't seem very happy. No, I what what are we 596 00:40:50,080 --> 00:40:56,200 Speaker 1: gonna do? Him or her? A name? Uh? Gwendolen Gwendolen 597 00:40:57,920 --> 00:40:59,800 Speaker 1: Sears told me that you were growing in a Patriots 598 00:40:59,920 --> 00:41:01,879 Speaker 1: or week ago and now you're seventy five year old 599 00:41:01,880 --> 00:41:09,640 Speaker 1: man named Gwendolyn Streets choice. I didn't make it. I 600 00:41:09,680 --> 00:41:12,160 Speaker 1: mean I was born and I was developed at an 601 00:41:12,160 --> 00:41:17,960 Speaker 1: accelerated rate. I could live to a hundred thousand years. 602 00:41:18,000 --> 00:41:22,319 Speaker 1: I don't know. You don't look great right now. Well, 603 00:41:22,320 --> 00:41:29,160 Speaker 1: I'm a smoker. I mean, his clothes are really tight 604 00:41:29,200 --> 00:41:31,160 Speaker 1: on him. It looks like he grew into and out 605 00:41:31,160 --> 00:41:33,719 Speaker 1: of them a little bit. You know what happened to 606 00:41:33,719 --> 00:41:38,400 Speaker 1: the scientists who built you? Your mama and your papa. 607 00:41:39,200 --> 00:41:45,640 Speaker 1: I had two dads. That's cool to doctor. Dad's all right. 608 00:41:45,680 --> 00:41:48,279 Speaker 1: So I'm gonna be relocreating you to be working on 609 00:41:48,400 --> 00:41:53,880 Speaker 1: the Beyond Burger. You're gonna be located in Nebraska and 610 00:41:54,239 --> 00:41:57,640 Speaker 1: much further beyond the Burger. Are we expected to get well? 611 00:41:57,680 --> 00:42:01,560 Speaker 1: We really really, it's just at this point mass producing 612 00:42:01,560 --> 00:42:06,080 Speaker 1: its making more from cracking the Japs into mass producing 613 00:42:06,960 --> 00:42:13,360 Speaker 1: genetically modified food. I don't hold on mysell phone. Hello, 614 00:42:13,840 --> 00:42:19,560 Speaker 1: how I'm looking for dork. I'm so sorry this is 615 00:42:19,680 --> 00:42:22,920 Speaker 1: You've got the wrong number. I'm from Dow Industry. Is 616 00:42:22,920 --> 00:42:26,880 Speaker 1: a pretty important guy. Hug you anything I can help you? 617 00:42:26,960 --> 00:42:34,279 Speaker 1: From from with from with, from O came by. It 618 00:42:34,400 --> 00:42:36,600 Speaker 1: was just a hot chick. Hold on, so and we've 619 00:42:36,600 --> 00:42:39,240 Speaker 1: got you located. You're just gonna be working on bleach 620 00:42:39,920 --> 00:42:43,880 Speaker 1: uh so, beyond Burger and bleach. You're you're you're you're 621 00:42:43,920 --> 00:42:46,239 Speaker 1: splitting the whole family up. We're not both do we guys? 622 00:42:46,280 --> 00:42:48,680 Speaker 1: Aren't a family? Are a family? Look? That is our 623 00:42:48,760 --> 00:42:51,000 Speaker 1: teenage son, that is now our twenty year old son. 624 00:42:51,000 --> 00:42:57,200 Speaker 1: Oh my god, what's wrong with that? This? Everything sucks? Son. 625 00:42:57,239 --> 00:43:01,040 Speaker 1: I'm I'm sorry. We we apparently have to go. Good leave. 626 00:43:01,400 --> 00:43:04,480 Speaker 1: We want you to stay here though, don't leave, find 627 00:43:04,480 --> 00:43:07,640 Speaker 1: a place to hide. Okay, okay, everything all right? Just 628 00:43:07,680 --> 00:43:10,000 Speaker 1: remember us? Well, is everything okay? Between you two? You'll 629 00:43:10,040 --> 00:43:12,640 Speaker 1: find something written on a brick eventually, just keep looking 630 00:43:12,680 --> 00:43:18,480 Speaker 1: for it. Remember us, well, So you're supposed to be 631 00:43:18,520 --> 00:43:21,000 Speaker 1: looking for something on a brick. There's so many bricks 632 00:43:21,000 --> 00:43:25,120 Speaker 1: around here, you're never gonna find that Brickwindling. Oh wait, 633 00:43:25,120 --> 00:43:27,160 Speaker 1: look here's a brick with something written on it. Right here. 634 00:43:27,520 --> 00:43:32,760 Speaker 1: Look at that brick. Care you go. It's smooth and soft. 635 00:43:34,239 --> 00:43:37,520 Speaker 1: It's not like a brick at all. No, it's what's 636 00:43:37,520 --> 00:43:44,120 Speaker 1: written on it. It's a symbol. It's a heart. It's love. 637 00:43:46,560 --> 00:43:48,320 Speaker 1: That's what it was. The brick was love. It was 638 00:43:48,360 --> 00:43:51,479 Speaker 1: a building block to relationship, sort of tearing things down. 639 00:43:51,520 --> 00:43:57,200 Speaker 1: It was a piece to connect pizza to bridge. What 640 00:43:57,239 --> 00:43:59,239 Speaker 1: should we put on the brick. If we have only 641 00:43:59,239 --> 00:44:01,600 Speaker 1: one choice to put on, I mean, I think a 642 00:44:01,640 --> 00:44:09,400 Speaker 1: lot of pressure the Declaration of Independence. Honey. Well, we're 643 00:44:09,440 --> 00:44:12,200 Speaker 1: having a conversation. Okay, honey, it's Tammy. Where do I 644 00:44:12,320 --> 00:44:16,799 Speaker 1: got looking for the breaker? It's so dark. Oh, that's 645 00:44:16,840 --> 00:44:20,640 Speaker 1: why we need you to find it. Maybe an etching 646 00:44:20,719 --> 00:44:22,719 Speaker 1: of us, like a photo, like a picture of that 647 00:44:24,200 --> 00:44:26,920 Speaker 1: would be lovely to do for him. But do you 648 00:44:27,000 --> 00:44:31,120 Speaker 1: know how to draw? No? I mean I can draw 649 00:44:31,160 --> 00:44:34,440 Speaker 1: a heart, just a heart. Let's put a heart on that. 650 00:44:34,520 --> 00:44:39,240 Speaker 1: It will send that correct message. I loved Gwendoline, we loved. 651 00:44:39,960 --> 00:44:41,640 Speaker 1: Why Why do you think they just didn't tell you 652 00:44:41,680 --> 00:44:49,600 Speaker 1: to your face? I don't know. I'm not sure. Stop smoking, 653 00:44:51,640 --> 00:44:53,840 Speaker 1: I can't help. Wait, let me try. I want to 654 00:44:53,840 --> 00:45:00,400 Speaker 1: try to smoke. Try to so good? Did you drinking? Sleeping? 655 00:45:01,920 --> 00:45:04,919 Speaker 1: I don't know how much time I got left? Well? 656 00:45:05,280 --> 00:45:07,160 Speaker 1: Is there some message you want us to relate to 657 00:45:07,200 --> 00:45:09,400 Speaker 1: your MoMA and your papa? Wait, you should draw it 658 00:45:09,480 --> 00:45:13,719 Speaker 1: on the other side of this brick. All right, I'll 659 00:45:13,800 --> 00:45:32,200 Speaker 1: use my blood. It's a balloon, it's it's it's words. Look, 660 00:45:32,520 --> 00:45:35,120 Speaker 1: if you carve a balloon into the brick with your blood. 661 00:45:35,560 --> 00:45:43,040 Speaker 1: You're gonna summon the hokey pokey. Everybody knows that don't 662 00:45:43,080 --> 00:45:48,680 Speaker 1: do that, and that's it's too low. Everyone gets my 663 00:45:48,760 --> 00:45:52,919 Speaker 1: name wrong. Holy sh it, it's the Bama Duke. Oh 664 00:45:52,960 --> 00:45:56,960 Speaker 1: my god, God damn it. No one's ever gonna make 665 00:45:57,000 --> 00:46:01,400 Speaker 1: a movie about me. Okay, So you'll be reading today 666 00:46:01,400 --> 00:46:03,960 Speaker 1: for the part of tober Loshi. You gonna start on 667 00:46:04,000 --> 00:46:06,600 Speaker 1: page four. Whenever you're ready, please, right, did you have 668 00:46:06,640 --> 00:46:09,920 Speaker 1: any questions for us? I've got it. Whenever you're ready, 669 00:46:10,160 --> 00:46:12,239 Speaker 1: take your own cue. Remember you sold your sold to me, 670 00:46:12,280 --> 00:46:17,360 Speaker 1: made me look good. I'm trying. Sorry, I'm sorry. So 671 00:46:18,800 --> 00:46:24,600 Speaker 1: I'm here for Timmy, but Timmy's not here. Let me 672 00:46:24,640 --> 00:46:29,279 Speaker 1: into his bedroom and I'll decide. What will you do 673 00:46:29,360 --> 00:46:36,400 Speaker 1: inside Timmy's bedroom? Torture? Torture? Why would we let you 674 00:46:36,480 --> 00:46:40,080 Speaker 1: in when you're telling us you want to torture our son? Uh? 675 00:46:40,239 --> 00:46:45,959 Speaker 1: You're not very good parents? Right? You brought your child 676 00:46:46,080 --> 00:46:50,200 Speaker 1: to Crystal Egg, didn't you? Sure? Well? Wouldn't that be 677 00:46:50,280 --> 00:46:58,200 Speaker 1: bad enough? Can I stop you right there? Yeah? Okay, yeah, 678 00:46:58,239 --> 00:47:03,200 Speaker 1: I'm just wondering, like it. One little adjustment, tiny adjustment? Okay, 679 00:47:03,480 --> 00:47:08,800 Speaker 1: what's that voice you're affecting which turkey losh into my body. 680 00:47:08,840 --> 00:47:10,600 Speaker 1: And I'm just it's I don't know if it's a cheat, 681 00:47:10,680 --> 00:47:13,879 Speaker 1: but it's how I get into character. No, it's fine. 682 00:47:13,880 --> 00:47:16,319 Speaker 1: It just doesn't say in the script anything about a 683 00:47:16,360 --> 00:47:19,040 Speaker 1: strange voice. And oh, I'm sorry, can we try to 684 00:47:19,040 --> 00:47:21,959 Speaker 1: get in your voice? I just up to me. It's 685 00:47:22,000 --> 00:47:24,920 Speaker 1: not up to me. I'm sorry. I'll give it a shot, 686 00:47:25,000 --> 00:47:29,719 Speaker 1: but it's really up to the torquy loshe. You do 687 00:47:29,840 --> 00:47:33,840 Speaker 1: a good job. Okay, go ahead, So don't do the voice. No, no, 688 00:47:33,920 --> 00:47:37,640 Speaker 1: I said, make me look good. I'm trying. Okay, here 689 00:47:37,680 --> 00:47:46,600 Speaker 1: we go. Ready, I'm ready. Okay, So, oh ship it 690 00:47:46,680 --> 00:47:51,239 Speaker 1: happened again, didn't it? Oh? Can I please come into 691 00:47:51,280 --> 00:47:56,040 Speaker 1: your child's bedroom for torture? It would mean the world 692 00:47:56,080 --> 00:48:02,400 Speaker 1: to me. Hey, brouh, you gotta call on the phone 693 00:48:02,400 --> 00:48:04,719 Speaker 1: from your agent. I think you booked something. There's no 694 00:48:04,760 --> 00:48:13,960 Speaker 1: way in turn got something. Wow, you both job? What 695 00:48:14,040 --> 00:48:17,200 Speaker 1: did you write? I didn't write anything. I'm an accurity 696 00:48:17,480 --> 00:48:20,359 Speaker 1: know anything about your your pledges? No, we don't. Man, 697 00:48:20,719 --> 00:48:26,600 Speaker 1: I'm a thespian. We know that. I don't think you 698 00:48:26,680 --> 00:48:29,359 Speaker 1: know what a thespian is. Yeah, it's college and it's 699 00:48:29,360 --> 00:48:33,440 Speaker 1: all good. Now it's a time to Davil, right, I 700 00:48:33,480 --> 00:48:35,879 Speaker 1: guess so well, I'm gonna be playing. It's a it's 701 00:48:35,920 --> 00:48:40,279 Speaker 1: an independent film. Take the call there on the phone 702 00:48:40,360 --> 00:48:48,279 Speaker 1: right now. Oh my god, hello hello wa waw it 703 00:48:48,400 --> 00:48:54,560 Speaker 1: really is them? Hold on, I'm speaker. Okay, okay, here 704 00:48:54,600 --> 00:49:01,960 Speaker 1: it is Wah Derek. But he did an audition for 705 00:49:01,960 --> 00:49:06,719 Speaker 1: the role. Derek. Oh, Derek, you might have booked it. 706 00:49:06,880 --> 00:49:09,759 Speaker 1: I booked it the same to congrats, man, I did 707 00:49:09,800 --> 00:49:13,040 Speaker 1: all the work. I guess is as good as time 708 00:49:13,040 --> 00:49:15,680 Speaker 1: as they need to tell you that, uh, I'm not 709 00:49:15,760 --> 00:49:19,040 Speaker 1: really in this frat. I mean, I know that we've 710 00:49:19,040 --> 00:49:23,440 Speaker 1: been frat brothers for three years, but no, this I'm 711 00:49:23,480 --> 00:49:28,120 Speaker 1: an actor, I'm not I'm not a college what this 712 00:49:28,200 --> 00:49:29,920 Speaker 1: is a prank? Joey Greer put me up to a 713 00:49:30,000 --> 00:49:35,479 Speaker 1: prank three years ago. Greer, that Frank such a piece 714 00:49:35,520 --> 00:49:38,040 Speaker 1: of ship. It really is. It was supposed to last 715 00:49:38,080 --> 00:49:41,280 Speaker 1: for one day, but then three years. I just bonded 716 00:49:41,360 --> 00:49:43,919 Speaker 1: with you guys. We saw with their clothes on, man, 717 00:49:45,239 --> 00:49:49,120 Speaker 1: for you know, I know, we shout it with the man. 718 00:49:49,480 --> 00:49:52,120 Speaker 1: Look what the funk? What the man? I saw a 719 00:49:52,160 --> 00:49:55,960 Speaker 1: brick with a heart on it. Was about love? What 720 00:49:56,120 --> 00:50:03,560 Speaker 1: is this? Holy sh it? Man? It turned shut up, Sirkirk, 721 00:50:03,760 --> 00:50:07,640 Speaker 1: you are wait second waiting? What do I know you from? 722 00:50:08,000 --> 00:50:15,080 Speaker 1: See you in something? Right? Really? Enough time for this man? Yeah? 723 00:50:15,120 --> 00:50:17,480 Speaker 1: You were in that thing with the guy that goes 724 00:50:17,560 --> 00:50:19,880 Speaker 1: real fast. Yeah, I don't know what you know me from? 725 00:50:19,920 --> 00:50:23,320 Speaker 1: Like seventy one now boarding. Yeah, let's get a picture 726 00:50:23,360 --> 00:50:26,080 Speaker 1: with you real quick. No, who is this guy? Don't 727 00:50:26,480 --> 00:50:33,120 Speaker 1: know this? Yea thing. I gotta i gotta flight to Johannesburg. 728 00:50:33,160 --> 00:50:42,960 Speaker 1: I'm shooting Russiashimi the movie. And that's our sure very night. 729 00:50:47,280 --> 00:50:49,239 Speaker 1: I want to take the West Side Comedy Theater for 730 00:50:49,360 --> 00:50:53,680 Speaker 1: sharing their stage with us for this special podcast recording. 731 00:50:54,320 --> 00:50:56,839 Speaker 1: If you're in the Los Angele and area anytime soon, 732 00:50:56,920 --> 00:50:59,160 Speaker 1: you want to go to west Side Comedy dot com 733 00:50:59,200 --> 00:51:00,920 Speaker 1: to check their counter for a lot of great shows 734 00:51:00,920 --> 00:51:05,560 Speaker 1: of imprompt sketch and stand up. It's extraordinary location. Please 735 00:51:05,640 --> 00:51:07,840 Speaker 1: check it out asap. We also want to thank a 736 00:51:08,000 --> 00:51:15,560 Speaker 1: very special recording engineer, Doug Bay and our sound design 737 00:51:15,640 --> 00:51:25,560 Speaker 1: artists right fight Out, our producer Soviet Nurse. I heart media, huh. 738 00:51:26,400 --> 00:51:28,160 Speaker 1: I encourage all of you to check out the podcast 739 00:51:28,280 --> 00:51:30,160 Speaker 1: righte and review. Tell everyone you've ever met. To check 740 00:51:30,160 --> 00:51:32,600 Speaker 1: it out and right to us for your scene. Suggesting 741 00:51:32,680 --> 00:51:34,759 Speaker 1: your name here, Welcome to this dot com. That's your 742 00:51:34,840 --> 00:51:36,919 Speaker 1: name here at Alchemy this dot com. I'm your host, 743 00:51:36,960 --> 00:51:41,239 Speaker 1: Kevin Paul. Until next time, all right,