WEBVTT - Jay Leno

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<v Speaker 1>This is me, Craig Ferguson.

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<v Speaker 2>I'm inviting you to come and see my brand new

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<v Speaker 2>comedy hour. Well it's actually it's about an hour and

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<v Speaker 2>a half and I don't have an opener because these

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<v Speaker 2>guys cost money. But what I'm saying is I'll be

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<v Speaker 2>on stage for a while. Anyway, come and see me

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<v Speaker 2>live on the Pants on Fire Tour in your region.

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<v Speaker 2>Tickets our own sale now, and we'll be adding more

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<v Speaker 2>as the tour continues throughout twenty twenty five and beyond.

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<v Speaker 2>For a full list of dates. Go to the Craig

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<v Speaker 2>fergusonshow dot com. See you on the road, My DearS.

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<v Speaker 2>My name is Craig Ferguson. The name of this podcast

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<v Speaker 2>is joy. I talk to interesting people about what brings

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<v Speaker 2>them happiness. Here's my favorite car collector. I think he

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<v Speaker 2>had a late night show at some point I can't

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<v Speaker 2>remember here he is j Lena.

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<v Speaker 3>Up.

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<v Speaker 1>So here's the thing.

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<v Speaker 3>Oh so we're not no video.

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<v Speaker 4>No, Well, here's the thing about no video because this

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<v Speaker 4>is the reason why I don't do it, because people

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<v Speaker 4>like you, some performers want so much makeup and hair done.

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<v Speaker 4>Oh yeah, not me, No, No, So I tell you

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<v Speaker 4>what I'm doing right here, right right as I'm enjoying

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<v Speaker 4>a cup of coffee.

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<v Speaker 1>Now, I know that you don't drink coffee.

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<v Speaker 3>No, don't drink coffee. And those a couple of CoFe

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<v Speaker 3>Ever had of Seinfeld on comedians and cars getting coffee?

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<v Speaker 3>It was awful. You know, I don't like hot liquids.

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<v Speaker 1>Now, see this is but this is what what about soup?

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<v Speaker 3>Do soup come into the soup is just a way

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<v Speaker 3>to screw you out of a meal? Soup? Oh, here's

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<v Speaker 3>a ball, it's wet. Thanks, all right, so now waiting

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<v Speaker 3>out a wet ball? Yeah, something I can chew, Thank you.

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<v Speaker 1>But hold on a second. Is it because it's a

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<v Speaker 1>whole liquid or because it's just a liquid.

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<v Speaker 3>It's not a meal?

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<v Speaker 1>It does it have to be a meal? Yeah? But

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<v Speaker 1>do you but you won't have soup because it's a drink.

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<v Speaker 3>Well, Plus, I don't like hot liquid.

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<v Speaker 2>If you don't like, what about gaspacho or maybe a

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<v Speaker 2>cold borsch No?

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<v Speaker 3>Horrible?

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<v Speaker 2>So so really it's about liquid. And do you ever

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<v Speaker 2>drink any liquids at all?

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<v Speaker 3>Yeah? I drink a lot of water, a lot of

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<v Speaker 3>fruit juice.

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<v Speaker 1>You drink beer?

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<v Speaker 3>No, never had a beer. In my life, you.

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<v Speaker 1>Never had a beer, never a beer, you ever drink

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<v Speaker 1>any of the hoots at all.

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<v Speaker 3>No, no, no, I have nothing to guess that I

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<v Speaker 3>have no interest in it. I was always a designated driver.

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<v Speaker 3>I was always a car guy. So to me, it's

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<v Speaker 3>not true because you love the car. I'll drive you

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<v Speaker 3>dregs home and that's fine.

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<v Speaker 1>All right.

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<v Speaker 2>So you so very few liquids and no soup.

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<v Speaker 1>Well, I see, I'm worried that.

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<v Speaker 3>You know.

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<v Speaker 2>Look, none of us are getting younger, Jay, right, right,

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<v Speaker 2>So the certain point in life soup is kind of

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<v Speaker 2>gets attractive to the older gin.

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<v Speaker 1>That's all I'm saying.

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<v Speaker 3>Seventy three and I haven't been there yet.

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<v Speaker 1>Well, saying that you know that there was your souper years,

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<v Speaker 1>maybe coming.

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<v Speaker 3>Up and get used to it, let's hope not.

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<v Speaker 2>All right, So listen, your mother was Scottish. I and

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<v Speaker 2>my mother was Scottish. And my wife has a theory

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<v Speaker 2>about stand up comedians that their mothers have to be Scottish.

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<v Speaker 1>Or they have to be cold with bad boundaries.

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<v Speaker 3>So my mom was not cold. My parents are very

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<v Speaker 3>good that way.

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<v Speaker 1>She have good boundaries.

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<v Speaker 3>I don't know what you mean by boundaries.

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<v Speaker 1>Well, you know, and now do I But you know

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<v Speaker 1>a lot of people talk about it.

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<v Speaker 3>You know, how long are you in Hollywood? In an hour? Now?

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<v Speaker 3>And you've got boundaries?

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<v Speaker 1>Yeah, I mean, I'm just wondering that.

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<v Speaker 3>You see, I never heard any of it. You know,

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<v Speaker 3>It's so funny. Where I grew up, I was the

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<v Speaker 3>laziest person that anybody knew. I come here. Oh, Jay's

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<v Speaker 3>the hardest working guy. No, it's just where you grow up.

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<v Speaker 3>It's that, you know, you grew up in New England

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<v Speaker 3>with Silas Manor and Ethan Frome and all these depressing

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<v Speaker 3>books about freshet. You work hard that you die you

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<v Speaker 3>then you got Lulematoya.

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<v Speaker 1>After you get.

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<v Speaker 3>Then die whatever it is. Yeah, it's just all life

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<v Speaker 3>is awful. You know, Sonny, you comes to Hollywood and

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<v Speaker 3>all the lights of ride and it's sunny outside.

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<v Speaker 1>Wage were you when you came here?

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<v Speaker 3>I started coming here, I guess when I was nineteen

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<v Speaker 3>twenty something like that, not in nineteen twenty when you

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<v Speaker 3>were nineteen nineteen.

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<v Speaker 1>But here's the thing.

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<v Speaker 2>You came out here to do comedy because you're you're

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<v Speaker 2>Boston right right right right? So did you never do

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<v Speaker 2>stand up in Boston before you came out here.

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<v Speaker 3>Oh yeah, you know that was a great thing because

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<v Speaker 3>growing up in Boston I never met another stand up comedian. Occasionally,

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<v Speaker 3>comedians would come to like the Chateau ta Ville in Framingham.

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<v Speaker 3>It was one of those fancy well yeah, it's one

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<v Speaker 3>of those places like near a mall and it's got

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<v Speaker 3>like a fountain in front that I worked there with

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<v Speaker 3>Tom Jones, I worked there with Perry Como, I like

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<v Speaker 3>Dion Warwick, you know all those acts from that era. Yeah,

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<v Speaker 3>and that was and that was an opening act.

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<v Speaker 2>That was literally you wanted to be a stand up?

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<v Speaker 2>Dot Young at nineteen and twenty years old. Oh yeah,

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<v Speaker 2>you got to be fucked up in some way then,

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<v Speaker 2>because nobody wants to be a stand up.

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<v Speaker 1>Why wouldn't you want to be a stand Well back

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<v Speaker 1>in the day, nobody wants. I mean nowadays people want

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<v Speaker 1>to do interesting.

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<v Speaker 3>When I watched TV, yeah, all comedians were middle aged

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<v Speaker 3>Jewish men like Rodney, like Henny Youngman, all those guys,

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<v Speaker 3>all all the Catskill comics, and then all of a

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<v Speaker 3>sudden Robert Klein came along. Was a huge influence on me.

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<v Speaker 3>Robert was about ten years older than me. And he

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<v Speaker 3>was a middle class kid. Parents weren't wealthy, but he didn'

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<v Speaker 3>grow up doing a depression, just talking about the same

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<v Speaker 3>kind of things I talked about. And then Carlin at

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<v Speaker 3>that point had just about nineteen seventy early seventy to one,

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<v Speaker 3>released his Class Clown album. And I used to do

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<v Speaker 3>George's routines in my head, and I'm doing silent to myself,

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<v Speaker 3>and then I'd add my own jokes at the end.

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<v Speaker 3>So when I would go to audition to places, I

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<v Speaker 3>would stand backstage. I would get into it by doing

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<v Speaker 3>George's thing. And then when I walked, I say, you know,

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<v Speaker 3>when I'm in school, you know I didn't I didn't

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<v Speaker 3>do any George material, but I just get a rhythm

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<v Speaker 3>to it.

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<v Speaker 1>You know that's interesting. Yeah, and you and were you

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<v Speaker 1>friendly with George?

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<v Speaker 3>Yeah, it's very new judge from the very beginning. It's

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<v Speaker 3>always very nice to me. So was client. You know,

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<v Speaker 3>all comics are pretty nice. Steve Martin helped me get

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<v Speaker 3>this and IHO. Steve Martin told Johnny about me. I

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<v Speaker 3>chose Johnny about Ellen DeGeneres. I find comedians help other comedians.

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<v Speaker 3>I don't find it to be this. I mean there were

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<v Speaker 3>there obviously some cutthroat people around, and that's not unusual,

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<v Speaker 3>but it's not the norm. You know, as a comic,

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<v Speaker 3>you can't do every job. If I couldn't get something,

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<v Speaker 3>I go, oh, you should. Like, there's a gig I

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<v Speaker 3>do in Rhode Island. I at the Audrey Museum. It's

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<v Speaker 3>it's kind of like Pebble Beach East. It's like it's

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<v Speaker 3>a car show and I've hosted it for the last

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<v Speaker 3>four or five years. But I'm out of material at

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<v Speaker 3>this point. You know, I said, oh, I'm being Bill

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<v Speaker 3>Billy Gardellen, so I brought you know, Billy Gardell.

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<v Speaker 1>Billy's great guy.

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<v Speaker 3>Yeah, wonderful comment. Yeah yeah, And he did a great job.

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<v Speaker 3>He killed and I felt good that I helped him.

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<v Speaker 3>He felt good. They got to do a corporate day

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<v Speaker 3>that paid a lot of money and it was fun.

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<v Speaker 1>So I'm so, wait, hello, you and i'd be friends

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<v Speaker 1>for a while. You don't think of putting me up

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<v Speaker 1>for the fucking corporate No.

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<v Speaker 3>I never never thought that. What I actually want to

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<v Speaker 3>do it next year?

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<v Speaker 1>Yeah, I'll do it next year.

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<v Speaker 2>I'll get a fun yeah. Yeah, okay, because let me

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<v Speaker 2>just say it's on the East coast. I like the

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<v Speaker 2>idea cars and like cars gotta work. You gotta work

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<v Speaker 2>reasonably clean that super I could. I did gigs with you, right, Yeah,

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<v Speaker 2>let's do it.

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<v Speaker 1>I'll do it. Yeah.

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<v Speaker 2>I don't mind working clean. The older I get and fight,

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<v Speaker 2>the easier it gets to work clean.

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<v Speaker 1>I've noticed that.

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<v Speaker 3>Well, you know, I find when you're twenty five, Yeah,

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<v Speaker 3>and you say the word pussy girls go oh, well,

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<v Speaker 3>we said, oh my god, when you're sixty five, Oh

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<v Speaker 3>that old guys, and you know what, they got a point, Yeah, exactly,

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<v Speaker 3>it is. It's true.

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<v Speaker 1>It's true.

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<v Speaker 3>You know, it's fun to grow India. Yeah, because my

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<v Speaker 3>point of view is always from an adult observing things,

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<v Speaker 3>how stupid this is or whatever it is, you know,

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<v Speaker 3>and as a young person it didn't work quite as

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<v Speaker 3>well as it does now. Now you can be a

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<v Speaker 3>bit curmudgeonsly.

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<v Speaker 2>And I was struck by your stand up bike when

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<v Speaker 2>we were working in the Midwest this summer, Like you

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<v Speaker 2>threw a down manion. It's like a full solid hour

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<v Speaker 2>and you and like the material. It's fresh and well.

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<v Speaker 2>You try to have a joke every six to nine seconds.

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<v Speaker 2>That's that's I think, really, you.

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<v Speaker 3>Think because I don't think of it like that. I mean,

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<v Speaker 3>everybody's different, it's it's just different to me. It's like

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<v Speaker 3>a music show. You open with your heads boom boom boom, joke, joke, joke,

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<v Speaker 3>junk joke, and then in the middle you do the

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<v Speaker 3>comedic version of a ballot. You tell story, Oh, you know,

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<v Speaker 3>my ife and I would go to this place, and

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<v Speaker 3>there are little humorous jokes along the way as opposed.

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<v Speaker 2>To That's very interesting to me because I do think

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<v Speaker 2>of it in kind of musical terms. Yeah, as well,

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<v Speaker 2>it's a it's kind of a musical performance.

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<v Speaker 1>Are you a musicians? You play anthing?

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<v Speaker 3>I played trumpet, but then I realized I couldn't talk

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<v Speaker 3>and play trumpet at the same time.

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<v Speaker 2>That's a terrible instrument for you to play. You should

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<v Speaker 2>play like a guitar.

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<v Speaker 3>I was in fourth grade at the time, and.

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<v Speaker 1>Jay, I'm going to tell you something right now. You

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<v Speaker 1>know I adore you.

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<v Speaker 2>But because you played trumpet in fourth grade doesn't mean

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<v Speaker 2>you played the fucking trumpet rightly exactly.

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<v Speaker 3>That's why I quickly got rid of it.

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<v Speaker 2>But you do see, I think a lot of the

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<v Speaker 2>stand ups that I like are also the thinking musical

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<v Speaker 2>terms of what they do.

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<v Speaker 3>You know, the most musical comic I can think of

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<v Speaker 3>as Franklin a Ji. You know Franklin, I don't know.

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<v Speaker 3>African American comic very big in America. He had an

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<v Speaker 3>album out thirty forty years he moved to Australia.

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<v Speaker 1>Right.

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<v Speaker 3>He's a jazz comedian. He plays jazz and he does comedy.

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<v Speaker 3>He has one of my favorite bits. He talks about

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<v Speaker 3>the guy. Oh, there was an Olympic guy from some

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<v Speaker 3>country and he ran in the marathon and he came last.

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<v Speaker 3>He was dead last, and he just as he's running,

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<v Speaker 3>he's going on. I mean, I've been training, I've been

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<v Speaker 3>working a I could have sat on the couch and

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<v Speaker 3>watch TV. I'd still be last. I mean, it's still it.

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<v Speaker 3>There's a lot more to it than that. He does

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<v Speaker 3>a lot better, but it's just very funny and he

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<v Speaker 3>just thinks in jazz terms. You know, I was fortunate

0:10:16.880 --> 0:10:18.880
<v Speaker 3>I got to work with all the great jazz musicians.

0:10:19.280 --> 0:10:23.480
<v Speaker 3>Miles Davis stands against Mose Allison and Montremal Rousson, Rowland Kirk,

0:10:23.559 --> 0:10:27.800
<v Speaker 3>all these guys, and with jazz. There was a place

0:10:27.840 --> 0:10:30.600
<v Speaker 3>called Lenny's on the Turnpike in Boston, okay, and that

0:10:30.720 --> 0:10:34.080
<v Speaker 3>was a jazz club and real hard called Buddy Rich,

0:10:34.240 --> 0:10:36.840
<v Speaker 3>real hardcore jazz, real deal. You went to see that

0:10:37.679 --> 0:10:40.480
<v Speaker 3>and the first time because usually I used to play scriptuis,

0:10:41.280 --> 0:10:44.800
<v Speaker 3>but now you suck, you suck good. People just screamed,

0:10:44.840 --> 0:10:46.400
<v Speaker 3>so you really didn't know if you're any good or

0:10:46.440 --> 0:10:48.839
<v Speaker 3>not right. But with the jazz on its men and

0:10:48.920 --> 0:10:50.480
<v Speaker 3>walked on says silence.

0:10:51.240 --> 0:10:53.560
<v Speaker 1>Did they know it? And snap their fingers when you.

0:10:53.440 --> 0:10:55.800
<v Speaker 3>Know, not quite that much, but they would listen, you know,

0:10:56.120 --> 0:10:59.480
<v Speaker 3>like Miles's audience, any of those audiences. I went, oh,

0:10:59.520 --> 0:11:02.040
<v Speaker 3>this is really you know, Ross Sound Roland. I don't

0:11:02.040 --> 0:11:03.600
<v Speaker 3>know if you've ever heard of him. He might be

0:11:03.600 --> 0:11:04.480
<v Speaker 3>before your time.

0:11:04.600 --> 0:11:05.280
<v Speaker 1>He's possible.

0:11:05.440 --> 0:11:08.840
<v Speaker 3>Ross Sound Roland correct, African American guy, blind right, but

0:11:09.040 --> 0:11:12.840
<v Speaker 3>famous because he could hold a note indefinitely, and he

0:11:12.840 --> 0:11:14.679
<v Speaker 3>could play two instiments in the same time. He could

0:11:14.679 --> 0:11:17.440
<v Speaker 3>play the sax and the clarinet at the same time.

0:11:18.200 --> 0:11:20.600
<v Speaker 1>And that's crazy. How does that even pause?

0:11:20.640 --> 0:11:25.719
<v Speaker 3>Because he could breathe through his nose. Okay, but he

0:11:25.840 --> 0:11:30.200
<v Speaker 3>was blae so and we played primarily African American audists.

0:11:30.200 --> 0:11:32.840
<v Speaker 3>It places like the Sugar Shack in Boston and He

0:11:32.880 --> 0:11:34.800
<v Speaker 3>would go on stage and you go, I'm gonna bring

0:11:34.800 --> 0:11:37.600
<v Speaker 3>a young brother. My brother's gonna tell that it is,

0:11:37.840 --> 0:11:39.400
<v Speaker 3>you know. He gives the whole thing like I was

0:11:39.440 --> 0:11:42.400
<v Speaker 3>a blackad. Yeah, please welcome j leto you know, and

0:11:42.440 --> 0:11:48.280
<v Speaker 3>I come out and go sh He doesn't. And he

0:11:48.440 --> 0:11:51.440
<v Speaker 3>thought that was the funniest thing, right. He loved doing

0:11:51.480 --> 0:11:54.360
<v Speaker 3>that routine every night with people, bring on a young brother,

0:11:54.440 --> 0:11:57.720
<v Speaker 3>tell it leg it is? Yeah, who you know black audiences.

0:11:57.760 --> 0:11:59.080
<v Speaker 3>I get all worked up, you know, and then I

0:11:59.160 --> 0:12:03.520
<v Speaker 3>walk out, what's this? You know, here's.

0:12:03.360 --> 0:12:06.640
<v Speaker 2>The thing because you talk about that right now, like

0:12:06.720 --> 0:12:09.760
<v Speaker 2>you even telling that story to me right now, like

0:12:10.520 --> 0:12:12.760
<v Speaker 2>people are going to get bent out of shame because

0:12:12.800 --> 0:12:15.720
<v Speaker 2>of you know, you mentioned race of any kind and

0:12:15.760 --> 0:12:18.240
<v Speaker 2>just you know, different races of any kind. And people

0:12:18.280 --> 0:12:20.160
<v Speaker 2>are already on the balls of their feet looking for

0:12:20.200 --> 0:12:22.720
<v Speaker 2>a fight, which I kind of I'm getting a little

0:12:22.720 --> 0:12:25.200
<v Speaker 2>tired of it. I think everyone else is too, does it?

0:12:25.320 --> 0:12:25.480
<v Speaker 1>Well?

0:12:26.160 --> 0:12:29.000
<v Speaker 3>I had the best one happened a couple of months ago. Yeah,

0:12:29.280 --> 0:12:32.040
<v Speaker 3>my wife maybe in a little Chinese restaurant in Westwood.

0:12:32.559 --> 0:12:36.160
<v Speaker 3>It's got like fourteen tables if that many, and the

0:12:36.240 --> 0:12:38.480
<v Speaker 3>mother runs the cashier and takes the orders and the

0:12:38.559 --> 0:12:41.160
<v Speaker 3>dad's to cook and looks like the kids or cousins.

0:12:41.280 --> 0:12:44.240
<v Speaker 3>It looks like a family. So we got our food

0:12:44.360 --> 0:12:47.480
<v Speaker 3>sitting there, and you're kind of it's right next to UCLA.

0:12:47.559 --> 0:12:50.160
<v Speaker 3>In fact, it is UCLA right, and a lot of

0:12:50.160 --> 0:12:53.240
<v Speaker 3>students are on the table. I just said to my wife, God,

0:12:53.280 --> 0:12:57.280
<v Speaker 3>this woman's really working our ass off. And a girl

0:12:57.280 --> 0:12:59.280
<v Speaker 3>in the next table, or a young woman at the

0:12:59.320 --> 0:13:03.960
<v Speaker 3>next table, go, uh, she's a server. And I said,

0:13:05.000 --> 0:13:07.360
<v Speaker 3>I'm not mad here, but I do think before I speak.

0:13:07.400 --> 0:13:11.760
<v Speaker 3>I said to myself, is she a waitress, No, she's stewardess. No,

0:13:12.520 --> 0:13:14.600
<v Speaker 3>she's a woman. First, let me say this woman is

0:13:14.640 --> 0:13:17.160
<v Speaker 3>working her ass. Now, if I had said the server

0:13:17.280 --> 0:13:19.240
<v Speaker 3>is working her ass, you probably said she's a.

0:13:19.200 --> 0:13:21.960
<v Speaker 2>Woman, right, and she should have probably just said, hey,

0:13:22.320 --> 0:13:25.000
<v Speaker 2>you're doing a great job in that way.

0:13:25.240 --> 0:13:27.600
<v Speaker 3>But to me, because I don't really want to. I mean,

0:13:27.880 --> 0:13:30.160
<v Speaker 3>first of all, I get an annoyed because I think, oh,

0:13:30.160 --> 0:13:33.000
<v Speaker 3>do you really think I'm being sexist by saying that.

0:13:33.760 --> 0:13:36.360
<v Speaker 3>I would say this man. I didn't say girl, I

0:13:36.400 --> 0:13:39.960
<v Speaker 3>didn't say chick, I didn't say waitress. I said this woman,

0:13:40.520 --> 0:13:42.959
<v Speaker 3>I mean, what is wrong with her? And she had

0:13:42.960 --> 0:13:46.200
<v Speaker 3>to well, now you're if I had said server, isn't

0:13:46.200 --> 0:13:49.000
<v Speaker 3>that demeaning? I mean, that's all she is.

0:13:49.000 --> 0:13:52.120
<v Speaker 1>Isn't she a woman defining someone by their job?

0:13:52.360 --> 0:13:55.760
<v Speaker 3>Yeah, I said so, but she was so anxious to

0:13:55.920 --> 0:13:56.720
<v Speaker 3>jump on this.

0:13:57.200 --> 0:13:59.360
<v Speaker 2>Well, I think it's a it's a little kind of

0:13:59.720 --> 0:14:02.600
<v Speaker 2>fat that the young folks went through for a while

0:14:02.720 --> 0:14:03.800
<v Speaker 2>that they wanted.

0:14:03.960 --> 0:14:04.320
<v Speaker 3>Fine.

0:14:04.679 --> 0:14:06.920
<v Speaker 1>You know, well when I was, when I was their age,

0:14:06.960 --> 0:14:08.440
<v Speaker 1>I was a punk rocker. I was a pan of

0:14:08.480 --> 0:14:08.959
<v Speaker 1>the ass too.

0:14:09.040 --> 0:14:12.360
<v Speaker 3>Oh yeah, I know when you think about a stupid people.

0:14:12.480 --> 0:14:15.320
<v Speaker 3>Our generation was the burning down the Bank of America

0:14:15.360 --> 0:14:18.920
<v Speaker 3>building and oh my god, remember the SDS. To make

0:14:19.000 --> 0:14:22.640
<v Speaker 3>up for racial injustice, they should kill every third white

0:14:22.640 --> 0:14:25.920
<v Speaker 3>baby born. I remember something. I remember some SDS guy

0:14:26.000 --> 0:14:28.960
<v Speaker 3>saying that early on okay, you know, just crazy talk,

0:14:29.280 --> 0:14:33.280
<v Speaker 3>just crazy talk. So to me, a lot of his like,

0:14:33.360 --> 0:14:35.760
<v Speaker 3>I never use the word bitch on stage. I know

0:14:35.960 --> 0:14:37.760
<v Speaker 3>women don't like the words, so I don't use it.

0:14:38.360 --> 0:14:42.280
<v Speaker 3>And to me, you know, it's funny because I do

0:14:42.400 --> 0:14:45.560
<v Speaker 3>a joke where I see the women where I say

0:14:45.880 --> 0:14:50.080
<v Speaker 3>your Northwestern University did a study about the differences between

0:14:50.240 --> 0:14:54.320
<v Speaker 3>men's brains and women's brains. This is amazing listen to

0:14:54.320 --> 0:14:57.280
<v Speaker 3>this and you see the women go, you know, they

0:14:57.400 --> 0:15:01.400
<v Speaker 3>kind of like it seems women's brains are located in

0:15:01.440 --> 0:15:06.320
<v Speaker 3>their head. Who saw that coming? And then and they

0:15:06.400 --> 0:15:10.040
<v Speaker 3>laugh more than it is funny because I'm not it's

0:15:10.080 --> 0:15:11.760
<v Speaker 3>not an insult. It's not the usual.

0:15:11.880 --> 0:15:13.600
<v Speaker 1>Well I never understood anyone.

0:15:13.880 --> 0:15:16.560
<v Speaker 2>The look to me, an audience is it doesn't have

0:15:16.640 --> 0:15:18.240
<v Speaker 2>a race or a gender or anything like that.

0:15:18.320 --> 0:15:19.840
<v Speaker 1>It's an audience is an audience and you.

0:15:19.760 --> 0:15:22.920
<v Speaker 3>Don't know, but no, but an audience does have the

0:15:22.960 --> 0:15:27.600
<v Speaker 3>best audiences. It's a fully male, female, black, white, Asian

0:15:27.760 --> 0:15:31.080
<v Speaker 3>integrated audience where they all totally For example, you know,

0:15:31.160 --> 0:15:33.960
<v Speaker 3>if you have done a corporate event where it's all men, yes,

0:15:34.920 --> 0:15:38.200
<v Speaker 3>unless it's all football jokes or gun jokes or something,

0:15:38.960 --> 0:15:39.600
<v Speaker 3>it's terrible.

0:15:39.920 --> 0:15:42.880
<v Speaker 1>I did. I did a corporate events once. It will

0:15:42.920 --> 0:15:43.880
<v Speaker 1>be yeah.

0:15:43.960 --> 0:15:46.600
<v Speaker 2>And I used to do this bit about Tom Cruise.

0:15:46.720 --> 0:15:48.840
<v Speaker 2>This is a long time ago because I actually am

0:15:48.880 --> 0:15:50.640
<v Speaker 2>a big fan of Tom Cruise. But it wasn't the

0:15:50.640 --> 0:15:53.080
<v Speaker 2>most flattering really yeah. Yeah, it was a piece of

0:15:53.080 --> 0:15:55.240
<v Speaker 2>stand up right, And it was just after he jumped

0:15:55.280 --> 0:15:57.240
<v Speaker 2>an Oprah's couch and I was sticking around with that

0:15:57.360 --> 0:16:01.000
<v Speaker 2>and I was doing this piece of this piece. It

0:16:01.040 --> 0:16:02.640
<v Speaker 2>was a good it was a good bed and every

0:16:02.720 --> 0:16:05.200
<v Speaker 2>night it killed. I said, well, I'll do it this

0:16:05.240 --> 0:16:06.960
<v Speaker 2>corporate It was a clean bit. It was nothing like

0:16:07.040 --> 0:16:10.680
<v Speaker 2>bad in it. And at this corporate event, I did

0:16:10.720 --> 0:16:13.160
<v Speaker 2>this Tom Cruise thing died on his ass, like really

0:16:13.160 --> 0:16:18.680
<v Speaker 2>badly died nothing, sure, nothing crickets And I come up

0:16:18.720 --> 0:16:20.240
<v Speaker 2>with it. Wow, that was a rough ground, and went

0:16:20.280 --> 0:16:22.680
<v Speaker 2>somebody should probably tell you it's Tom Cruis law firm.

0:16:25.240 --> 0:16:26.120
<v Speaker 1>There was this lawyer.

0:16:26.480 --> 0:16:29.480
<v Speaker 2>Oh my god, it was because you do a lot

0:16:29.520 --> 0:16:31.840
<v Speaker 2>of corporate gigs and you work clean.

0:16:32.280 --> 0:16:33.440
<v Speaker 1>I've seen you don't work.

0:16:33.920 --> 0:16:38.240
<v Speaker 2>You don't work squeaky clean, no thirty right, so you

0:16:38.240 --> 0:16:40.080
<v Speaker 2>you work clean, you don't you drop the F bomb

0:16:40.120 --> 0:16:41.920
<v Speaker 2>and you don't do that kind of thing. But you

0:16:41.960 --> 0:16:45.360
<v Speaker 2>But it's kind of it's grown up, right, it's an

0:16:45.360 --> 0:16:46.040
<v Speaker 2>adult show.

0:16:46.080 --> 0:16:49.000
<v Speaker 1>But it's not an adult.

0:16:48.520 --> 0:16:49.640
<v Speaker 3>It's not balloon animals.

0:16:49.720 --> 0:16:49.920
<v Speaker 4>Right.

0:16:50.240 --> 0:16:53.520
<v Speaker 1>No, it's definitely not that you ever run into it with.

0:16:53.600 --> 0:16:55.480
<v Speaker 2>Because I've had people say to me at corporate gigs,

0:16:55.640 --> 0:16:56.760
<v Speaker 2>you gotta be really careful here.

0:16:57.760 --> 0:16:59.520
<v Speaker 1>They really do you ever they ever say that to you? Now,

0:17:00.000 --> 0:17:00.600
<v Speaker 1>nobody trusts.

0:17:00.640 --> 0:17:02.440
<v Speaker 3>I always ask, I go, is this like a born

0:17:02.480 --> 0:17:06.040
<v Speaker 3>again thing is the chairman, the born again guy or something?

0:17:06.119 --> 0:17:07.880
<v Speaker 1>Would you be able to cope with that? So if

0:17:07.880 --> 0:17:09.040
<v Speaker 1>he will, I can work.

0:17:09.119 --> 0:17:12.080
<v Speaker 3>You know something. I booked myself into Oral Robinson University

0:17:12.119 --> 0:17:14.280
<v Speaker 3>once just to see if I could play it, and

0:17:14.320 --> 0:17:17.160
<v Speaker 3>they said, look, we don't like sex jokes, we don't

0:17:17.200 --> 0:17:20.639
<v Speaker 3>like drug jokes, politics, everything else is fine, and they

0:17:20.640 --> 0:17:22.920
<v Speaker 3>were fine. They just didn't want any dick jokes.

0:17:22.960 --> 0:17:27.480
<v Speaker 2>Right, fine, so that's probably not one I should be doing. No, no, no,

0:17:27.600 --> 0:17:30.280
<v Speaker 2>I don't do it, none of those jokes. No, no, no.

0:17:30.280 --> 0:17:34.800
<v Speaker 3>But what I mean And to me, a guy is

0:17:34.800 --> 0:17:37.080
<v Speaker 3>paying me to do a job. I don't quite get

0:17:37.119 --> 0:17:38.879
<v Speaker 3>guys to go. So I told him to go shove

0:17:38.880 --> 0:17:39.520
<v Speaker 3>it and I did what.

0:17:40.040 --> 0:17:42.040
<v Speaker 2>Yeah, I don't get I got to agree with you.

0:17:42.119 --> 0:17:43.320
<v Speaker 2>I don't understand that.

0:17:43.840 --> 0:17:45.280
<v Speaker 3>What do you like? Then?

0:17:45.320 --> 0:17:46.200
<v Speaker 1>Don't take the gig?

0:17:46.400 --> 0:17:49.280
<v Speaker 3>Like to me, I know the you know, to me,

0:17:50.119 --> 0:17:53.040
<v Speaker 3>an audience is like an orchestra. You want to get

0:17:53.080 --> 0:17:56.920
<v Speaker 3>a nice rolling laugh going. I remember I had a joke.

0:17:57.240 --> 0:17:59.359
<v Speaker 3>I'm sorry I don't remember the joke, but it was

0:17:59.400 --> 0:18:02.439
<v Speaker 3>when Hillary Clinton was running for president, and also so

0:18:02.640 --> 0:18:05.639
<v Speaker 3>was Reggie Jackson and a bunch of other people and

0:18:05.680 --> 0:18:10.000
<v Speaker 3>I had a joke about each candidate, and the Reggie

0:18:10.040 --> 0:18:12.639
<v Speaker 3>Jackson joke was a political joke, wasn't about him being black.

0:18:12.720 --> 0:18:14.880
<v Speaker 3>It's just okay, that got a laugh. When they got

0:18:14.880 --> 0:18:17.280
<v Speaker 3>to the Hillary joke, I remember what I was going,

0:18:19.040 --> 0:18:21.920
<v Speaker 3>and I just hated the guttural laugh. I got on

0:18:22.040 --> 0:18:25.840
<v Speaker 3>here because I realized, oh, they think I'm they think

0:18:25.880 --> 0:18:28.440
<v Speaker 3>I'm making fun of her because she's a woman candidate

0:18:28.920 --> 0:18:31.800
<v Speaker 3>as supposed to just a candidate. So I just dropped

0:18:31.840 --> 0:18:34.040
<v Speaker 3>the joke. I took it out and it kept it

0:18:34.320 --> 0:18:36.440
<v Speaker 3>and the audience is much better because it just kept

0:18:36.760 --> 0:18:38.959
<v Speaker 3>a nice even you know, you got a nice rolling

0:18:39.000 --> 0:18:41.680
<v Speaker 3>boil going with the crowd and then you do something

0:18:41.680 --> 0:18:43.600
<v Speaker 3>that's overly sexist or overly whatever.

0:18:43.880 --> 0:18:44.479
<v Speaker 1>I know what you mean.

0:18:44.840 --> 0:18:47.119
<v Speaker 2>I felt it as well. There are gags that the

0:18:47.200 --> 0:18:49.760
<v Speaker 2>joke's not worth it. Yeah, yeah, l Sally, you still

0:18:49.760 --> 0:18:52.119
<v Speaker 2>always say that to me. Peter Sally was my boss

0:18:52.119 --> 0:18:54.560
<v Speaker 2>and late I know, you know, did the Tonight Show

0:18:54.560 --> 0:18:56.480
<v Speaker 2>for so long and whenever I did a joke that

0:18:56.480 --> 0:18:59.119
<v Speaker 2>I you know, it was like near the knuckle right,

0:18:59.320 --> 0:19:02.080
<v Speaker 2>and you E would say, is it worth it?

0:19:02.119 --> 0:19:04.199
<v Speaker 1>Is it really worth it? That joke? Isn't that good

0:19:04.560 --> 0:19:06.800
<v Speaker 1>because he would say, you know, joke's like a house

0:19:07.000 --> 0:19:08.440
<v Speaker 1>or a car, there's always another one.

0:19:08.480 --> 0:19:10.040
<v Speaker 3>You know, you can do another joke right right.

0:19:10.040 --> 0:19:13.600
<v Speaker 1>And when I first started, I was like, no, that

0:19:13.800 --> 0:19:14.680
<v Speaker 1>is worth it right.

0:19:15.000 --> 0:19:17.560
<v Speaker 2>Very quickly I was like, now you're right, fuck it,

0:19:17.560 --> 0:19:18.960
<v Speaker 2>We'll be here tomorrow night.

0:19:19.280 --> 0:19:22.119
<v Speaker 3>It's h yeah, yeah to me, you just sort of

0:19:22.200 --> 0:19:24.240
<v Speaker 3>learned to read your audience.

0:19:29.000 --> 0:19:32.680
<v Speaker 2>Hello, this is Greig Ferguson, and I want to let

0:19:32.680 --> 0:19:34.719
<v Speaker 2>you know I have a brand new stand up comedy

0:19:34.720 --> 0:19:38.640
<v Speaker 2>special out now on YouTube. It's called I'm So Happy,

0:19:39.119 --> 0:19:42.280
<v Speaker 2>and I would be so happy if you checked it out.

0:19:42.600 --> 0:19:44.760
<v Speaker 2>To watch the special, just go to my YouTube channel

0:19:45.160 --> 0:19:47.920
<v Speaker 2>at the Craig Ferguson Show and is this right there?

0:19:48.320 --> 0:19:51.000
<v Speaker 1>Just click it and play it and it's free. I

0:19:51.040 --> 0:19:51.520
<v Speaker 1>can't look.

0:19:51.520 --> 0:19:52.840
<v Speaker 2>I'm not going to come around your house and show

0:19:52.840 --> 0:19:54.199
<v Speaker 2>you how to do it. If you can't do it,

0:19:54.240 --> 0:19:55.760
<v Speaker 2>then you can't have it. But if you can figure

0:19:55.760 --> 0:20:00.800
<v Speaker 2>it out, it's yours.

0:20:01.600 --> 0:20:03.320
<v Speaker 1>Let's talk a little bit about Late Night though.

0:20:03.600 --> 0:20:06.640
<v Speaker 2>Bring that up because of Peter when you took over

0:20:07.240 --> 0:20:08.200
<v Speaker 2>on the Tonight Show.

0:20:08.880 --> 0:20:11.040
<v Speaker 1>So when was that early nineties ninety one?

0:20:11.400 --> 0:20:14.119
<v Speaker 3>I started guest hosting in eighty six eighty seven.

0:20:14.320 --> 0:20:16.960
<v Speaker 2>Right, how long would a guest host gig B would

0:20:17.000 --> 0:20:18.760
<v Speaker 2>be like a week? Would it be like a night?

0:20:18.840 --> 0:20:20.960
<v Speaker 3>No? Well you get one night?

0:20:21.400 --> 0:20:21.720
<v Speaker 1>Right?

0:20:22.280 --> 0:20:24.159
<v Speaker 2>And Johnny used to do that towards the end of

0:20:24.200 --> 0:20:25.919
<v Speaker 2>his run. Right, he would bring people in.

0:20:25.920 --> 0:20:30.240
<v Speaker 3>And yeah, and there were like, uh six or seven

0:20:30.320 --> 0:20:31.879
<v Speaker 3>guys that were being considered.

0:20:32.960 --> 0:20:35.159
<v Speaker 1>Did you ever have guest hosts when you were doing it?

0:20:35.840 --> 0:20:38.359
<v Speaker 3>No, I had to die once. I did it once

0:20:38.480 --> 0:20:42.280
<v Speaker 3>because Katie Couric wanted to switch seats. NBC thought it

0:20:42.280 --> 0:20:44.000
<v Speaker 3>would be a fun thing to so we did it

0:20:44.040 --> 0:20:44.520
<v Speaker 3>one day.

0:20:44.600 --> 0:20:47.360
<v Speaker 2>They did the same thing with Drew carreyh Yeah, right, Yeah,

0:20:47.680 --> 0:20:49.520
<v Speaker 2>I didn't quite get that, but no, I didn't know.

0:20:49.720 --> 0:20:52.480
<v Speaker 3>To me, when you have guest hosts, it just means

0:20:52.640 --> 0:20:55.960
<v Speaker 3>more work for the staff, right, because they may have

0:20:56.080 --> 0:20:58.960
<v Speaker 3>to put the monologue together instead of you. They have

0:20:59.080 --> 0:21:02.280
<v Speaker 3>to figure out can this guy talk to a guest

0:21:02.320 --> 0:21:04.040
<v Speaker 3>and go over every single note.

0:21:04.200 --> 0:21:04.680
<v Speaker 1>It's a job.

0:21:04.720 --> 0:21:06.159
<v Speaker 2>It's very hard to do for one night. It's a

0:21:06.160 --> 0:21:07.920
<v Speaker 2>little easier to do it for, you know, a couple

0:21:07.960 --> 0:21:08.320
<v Speaker 2>of years.

0:21:08.320 --> 0:21:12.040
<v Speaker 1>One night. I get that? Is that something? Because it's fun?

0:21:12.160 --> 0:21:14.200
<v Speaker 2>You grew up in an ear Correct me if I'm wrong,

0:21:14.240 --> 0:21:15.399
<v Speaker 2>But I think I'm right. You grew up in the

0:21:15.400 --> 0:21:18.160
<v Speaker 2>air when Johnny was the gold standard and obviously.

0:21:17.840 --> 0:21:18.480
<v Speaker 1>He was the king.

0:21:18.640 --> 0:21:23.160
<v Speaker 2>Yeah, so did you have aspirations to be the Tonight

0:21:23.240 --> 0:21:25.119
<v Speaker 2>Show holster? Was it just like because you were a

0:21:25.119 --> 0:21:27.760
<v Speaker 2>comic you kind of drifted into that direction.

0:21:27.840 --> 0:21:30.280
<v Speaker 3>You kind of went that way. Yeah. It was the

0:21:30.320 --> 0:21:33.479
<v Speaker 3>only job in show business that I liked, right, because

0:21:33.600 --> 0:21:36.720
<v Speaker 3>I like to be a round show business as opposed

0:21:36.760 --> 0:21:38.720
<v Speaker 3>to in it. You know. Yeah, I think I saw

0:21:38.720 --> 0:21:41.240
<v Speaker 3>a movie with you in it once, like years years.

0:21:41.240 --> 0:21:45.399
<v Speaker 3>That's been some terrimoryes so, but to me it was

0:21:45.440 --> 0:21:47.280
<v Speaker 3>a jungle movie. Did I see you in The Jobs

0:21:47.320 --> 0:21:50.240
<v Speaker 3>Bill Maher and the Job Jule? Yeah?

0:21:50.280 --> 0:21:53.000
<v Speaker 1>Yeah, I can't remember what the movie was. After some

0:21:53.040 --> 0:21:53.800
<v Speaker 1>real clunkers.

0:21:53.680 --> 0:21:57.080
<v Speaker 3>As I just like you because, like I say, I

0:21:57.080 --> 0:21:59.320
<v Speaker 3>don't want to be Charlie Sheen, but I boy, I

0:21:59.400 --> 0:22:03.160
<v Speaker 3>enjoyed being a round Tarlishon. I enjoy watching Charlie crash

0:22:03.240 --> 0:22:05.719
<v Speaker 3>and burn and and not in a mean way, just

0:22:05.760 --> 0:22:06.440
<v Speaker 3>in a funny way.

0:22:06.440 --> 0:22:08.040
<v Speaker 2>You want to be around the circus folk, but you

0:22:08.080 --> 0:22:09.720
<v Speaker 2>don't necessarily have that's right.

0:22:09.760 --> 0:22:12.680
<v Speaker 3>That's right, and I used to enjoy it. That's what's

0:22:12.720 --> 0:22:15.439
<v Speaker 3>great about being your host of it. I don't have

0:22:15.520 --> 0:22:17.480
<v Speaker 3>to go to the party. To me, it's really what

0:22:17.520 --> 0:22:19.480
<v Speaker 3>happened to the party. Oh my god, I can't believe

0:22:19.520 --> 0:22:21.280
<v Speaker 3>that you know and you hear the story or whatever

0:22:21.280 --> 0:22:21.679
<v Speaker 3>it might be.

0:22:22.080 --> 0:22:25.280
<v Speaker 1>So yeah, I felt that way about did you watch

0:22:25.320 --> 0:22:26.880
<v Speaker 1>the movies? When people were on the.

0:22:26.800 --> 0:22:27.840
<v Speaker 3>Show, always watch the movie?

0:22:27.880 --> 0:22:28.920
<v Speaker 1>See I never watched the movie.

0:22:29.040 --> 0:22:33.119
<v Speaker 2>I had a completely different What was your philosophy then,

0:22:33.119 --> 0:22:34.600
<v Speaker 2>that you wanted to know the movie?

0:22:34.600 --> 0:22:36.359
<v Speaker 1>It would be to be able to talk about it.

0:22:36.800 --> 0:22:39.080
<v Speaker 3>I think people like it. I know a lot of

0:22:39.119 --> 0:22:42.639
<v Speaker 3>guests if you made the effort to read their book

0:22:42.800 --> 0:22:45.960
<v Speaker 3>or whatever it is they had, Yeah, they would really

0:22:46.040 --> 0:22:48.400
<v Speaker 3>be impressed. I mean they would write you a note.

0:22:49.040 --> 0:22:50.520
<v Speaker 3>I can't believe you went to my movie.

0:22:51.000 --> 0:22:53.520
<v Speaker 1>No, I never I never did. I did the complete opposite.

0:22:53.600 --> 0:22:54.080
<v Speaker 3>That's funny.

0:22:54.200 --> 0:22:57.160
<v Speaker 2>No, just because well you were clearly much more successful

0:22:57.200 --> 0:23:00.080
<v Speaker 2>than I wasn't it. But what I felt about it

0:23:00.160 --> 0:23:03.000
<v Speaker 2>is if I knew about it, then the two of

0:23:03.080 --> 0:23:05.760
<v Speaker 2>us are talking about the movie we've both seen. If

0:23:06.160 --> 0:23:09.120
<v Speaker 2>you were on plugging a movie and I haven't seen

0:23:09.160 --> 0:23:10.639
<v Speaker 2>it and we're talking about it and you're telling me

0:23:10.680 --> 0:23:12.560
<v Speaker 2>about the movie, I'm like, Oh, this sounds like a

0:23:12.600 --> 0:23:14.800
<v Speaker 2>movie and I want to see And that was my philosophy.

0:23:14.800 --> 0:23:17.080
<v Speaker 2>And Pete used to fight me on a law. You're like, nah,

0:23:17.119 --> 0:23:18.720
<v Speaker 2>you just told me it's a big star. You got

0:23:18.720 --> 0:23:20.359
<v Speaker 2>to go see this movie. I'm like, but if I've

0:23:20.359 --> 0:23:21.600
<v Speaker 2>seen in the movie, then I'm going to talk to

0:23:21.680 --> 0:23:23.400
<v Speaker 2>him about the movie that ever we're both seen.

0:23:23.520 --> 0:23:25.800
<v Speaker 3>Yeah, but you talk about what you liked about it

0:23:25.920 --> 0:23:28.480
<v Speaker 3>or what the you know, the character delineation or whatever

0:23:28.520 --> 0:23:31.600
<v Speaker 3>it is they did. Come on, No, I enjoyed that

0:23:31.640 --> 0:23:34.560
<v Speaker 3>part of it. I would try watch a movie if

0:23:34.560 --> 0:23:36.600
<v Speaker 3>I got to a part of that was particularly challenging

0:23:36.640 --> 0:23:39.199
<v Speaker 3>for the actor. I remember that, and I bring it

0:23:39.280 --> 0:23:42.520
<v Speaker 3>up in the interview and oh, you know, because everybody

0:23:42.520 --> 0:23:45.200
<v Speaker 3>in show business is insecure. Oh sure if they think

0:23:45.320 --> 0:23:48.760
<v Speaker 3>I remember once. You know, publicity agents are my favorite

0:23:48.800 --> 0:23:51.000
<v Speaker 3>I wanted to see. I guess I say the guest

0:23:51.119 --> 0:23:53.600
<v Speaker 3>is but one of those subtle notes through I said,

0:23:53.760 --> 0:23:56.840
<v Speaker 3>hey man, pretty good job. Really enjoyed you in the movie,

0:23:57.320 --> 0:24:01.440
<v Speaker 3>and the president pretty good, pretty good? I go, well,

0:24:01.920 --> 0:24:04.720
<v Speaker 3>it was great. You didn't say great. No to me,

0:24:04.920 --> 0:24:08.200
<v Speaker 3>I meant really that means oh, I went like, whoa

0:24:08.240 --> 0:24:10.920
<v Speaker 3>pretty good man? Nice job? And I said nice job,

0:24:10.920 --> 0:24:13.800
<v Speaker 3>but I said I generally enjoyed it. Well, didn't sound

0:24:13.840 --> 0:24:16.280
<v Speaker 3>like okay, guys young at me, so shut up.

0:24:16.359 --> 0:24:18.080
<v Speaker 1>You know, I bet you I can tell who there's

0:24:18.119 --> 0:24:19.640
<v Speaker 1>like off the microphone. I bet you I can tell

0:24:19.640 --> 0:24:20.160
<v Speaker 1>you this is.

0:24:20.200 --> 0:24:23.200
<v Speaker 2>But the thing is, I think about it as well,

0:24:23.280 --> 0:24:25.400
<v Speaker 2>like the show business. Because you said everyone in show

0:24:25.400 --> 0:24:28.560
<v Speaker 2>business insecure. I think you're right, and I think that

0:24:28.920 --> 0:24:31.800
<v Speaker 2>a lot of people in show business they're crazy, damaged,

0:24:32.040 --> 0:24:34.080
<v Speaker 2>you know, unemployable in any other business.

0:24:34.760 --> 0:24:37.040
<v Speaker 1>That's true, and they're all a little little nuts.

0:24:37.080 --> 0:24:39.280
<v Speaker 2>And the question that I go asked, I don't know

0:24:39.280 --> 0:24:41.119
<v Speaker 2>if you guy asked this, but like if there was

0:24:41.160 --> 0:24:43.919
<v Speaker 2>somebody on who's like super famous, like Tom Hanks was

0:24:43.920 --> 0:24:46.920
<v Speaker 2>on or so, people will always say, well they nice?

0:24:47.400 --> 0:24:49.880
<v Speaker 2>Was he a nice guy? Was was she a nice woman?

0:24:50.000 --> 0:24:53.200
<v Speaker 2>Was Are they nice? And like, well they were nice

0:24:53.200 --> 0:24:55.480
<v Speaker 2>to me? But because they're doing a talk show and

0:24:55.480 --> 0:24:58.720
<v Speaker 2>they're professional. But the truth is, why is that important

0:24:58.720 --> 0:25:01.320
<v Speaker 2>to people like you know, like I don't know.

0:25:01.440 --> 0:25:05.639
<v Speaker 3>Well, I'll ask you a question. Did your opinion of

0:25:05.680 --> 0:25:08.680
<v Speaker 3>Woody Allen movies change after you heard all the.

0:25:08.640 --> 0:25:10.840
<v Speaker 1>Things, oh the stuff about Woody Allen?

0:25:11.000 --> 0:25:13.400
<v Speaker 3>Yeah, I mean, did a change or did you think.

0:25:13.520 --> 0:25:15.960
<v Speaker 2>Well, it's a it's a good question, but it's a

0:25:15.960 --> 0:25:20.240
<v Speaker 2>little tricky for me because I wasn't a huge fan anyway.

0:25:20.280 --> 0:25:23.199
<v Speaker 3>I wouldn't a huge anyway. But I like someone I

0:25:23.280 --> 0:25:27.239
<v Speaker 3>like to think like. To me, it's funny when I

0:25:27.280 --> 0:25:32.280
<v Speaker 3>hear someone tell an exaggerated version of a story where

0:25:32.280 --> 0:25:35.240
<v Speaker 3>they did something mean but didn't mean to But if

0:25:35.320 --> 0:25:38.720
<v Speaker 3>I know there really means oh no, that kind of

0:25:38.760 --> 0:25:41.560
<v Speaker 3>really did mean to hurt somebody. Yeah, you know, so

0:25:41.680 --> 0:25:44.359
<v Speaker 3>to me, yeah, I think it does matter. I always

0:25:44.600 --> 0:25:47.919
<v Speaker 3>equate kindness with intelligence. I've never met a kind person

0:25:48.240 --> 0:25:51.240
<v Speaker 3>who was not intelligent. And by intelligent, I don't mean

0:25:51.400 --> 0:25:54.639
<v Speaker 3>it's mathematically smart. I mean just the idea that a

0:25:54.760 --> 0:25:59.160
<v Speaker 3>kind person can read another person's face and realize where

0:25:59.160 --> 0:26:01.399
<v Speaker 3>to go, or that how to be sensitive, how to whatever.

0:26:01.600 --> 0:26:05.399
<v Speaker 3>To me, that's intelligence. To me, I find really cruel

0:26:05.440 --> 0:26:08.480
<v Speaker 3>people and mean people. They might be BookSmart, but they're

0:26:08.480 --> 0:26:10.040
<v Speaker 3>not intelligence. Does that make any sense to you.

0:26:10.080 --> 0:26:10.840
<v Speaker 1>Yeah, of course it does.

0:26:11.520 --> 0:26:13.399
<v Speaker 2>It's actually it's a very nice way of looking at it.

0:26:13.440 --> 0:26:16.639
<v Speaker 2>I think that that's true. But if I look at

0:26:16.680 --> 0:26:19.120
<v Speaker 2>someone like, here's someone I don't know, I know nothing

0:26:19.119 --> 0:26:21.080
<v Speaker 2>about them, but I'm a fan of his work.

0:26:21.119 --> 0:26:22.800
<v Speaker 1>Ousio was born right right.

0:26:22.680 --> 0:26:25.640
<v Speaker 2>Osio was born, is like, you know, he's a game

0:26:25.720 --> 0:26:29.440
<v Speaker 2>changer of a singer in a band hugely important. I

0:26:29.480 --> 0:26:31.600
<v Speaker 2>don't need him to be nice. Did he bite the

0:26:31.640 --> 0:26:33.320
<v Speaker 2>head off the bat? Or did he not buy the

0:26:33.320 --> 0:26:35.439
<v Speaker 2>head off the bat? I don't know if I was,

0:26:35.520 --> 0:26:37.240
<v Speaker 2>you know, like, if I was heavily involved in the

0:26:37.240 --> 0:26:38.560
<v Speaker 2>world the bats, maybe it would be.

0:26:38.800 --> 0:26:42.160
<v Speaker 3>Well, but let's go back. Did the wordy Allen stuff

0:26:42.280 --> 0:26:43.879
<v Speaker 3>change your opinion of his work?

0:26:45.080 --> 0:26:47.880
<v Speaker 2>You know, did it you know what it probably did?

0:26:47.880 --> 0:26:49.960
<v Speaker 2>If I'm honest, I probably yeah.

0:26:49.960 --> 0:26:50.440
<v Speaker 1>I mean, I think.

0:26:50.520 --> 0:26:52.640
<v Speaker 3>Fighting a bat is different than you know.

0:26:52.800 --> 0:26:57.000
<v Speaker 1>Yeah, well, you know, yea marrying your daughter?

0:26:57.200 --> 0:27:00.560
<v Speaker 3>Yeah, so what did you do? Did you bite head over?

0:27:00.720 --> 0:27:02.120
<v Speaker 3>But maybe right?

0:27:02.359 --> 0:27:03.640
<v Speaker 1>Did you actually.

0:27:03.359 --> 0:27:06.080
<v Speaker 2>Definitely marry your step dough exactly exactly?

0:27:06.160 --> 0:27:07.000
<v Speaker 1>I hear what you're saying.

0:27:07.560 --> 0:27:10.240
<v Speaker 2>These are extremes, all right, But what I think is

0:27:10.359 --> 0:27:12.679
<v Speaker 2>kind of weird to me is that maybe not the nice,

0:27:13.119 --> 0:27:14.720
<v Speaker 2>but the idea that everyone's.

0:27:14.359 --> 0:27:16.400
<v Speaker 1>Going to be like a Sunday school teacher.

0:27:16.640 --> 0:27:19.520
<v Speaker 3>While giving sample someone it's a way to get here.

0:27:20.200 --> 0:27:23.359
<v Speaker 3>I'm not a big road rage guy. One day I'm

0:27:23.400 --> 0:27:25.560
<v Speaker 3>here in La you know a guy behind b b BB,

0:27:25.920 --> 0:27:28.520
<v Speaker 3>you know, like, oh, he wants to go like me,

0:27:28.600 --> 0:27:30.680
<v Speaker 3>go me, It goes around me, gives me the finger,

0:27:30.760 --> 0:27:33.280
<v Speaker 3>yells you know, fuck you. So I come up to

0:27:33.280 --> 0:27:35.000
<v Speaker 3>the next light. I look at him. I go, let

0:27:35.000 --> 0:27:38.400
<v Speaker 3>me guess, what are your fifty five bald, fat? Divorce?

0:27:38.440 --> 0:27:40.920
<v Speaker 3>Your kids? Hate your job? What was your greatest day?

0:27:40.960 --> 0:27:43.719
<v Speaker 3>Was it in high school? And the guy starts crying,

0:27:43.960 --> 0:27:47.560
<v Speaker 3>Oh Jesus, and he goes, yes, you're right. I went,

0:27:47.640 --> 0:27:50.280
<v Speaker 3>oh yeah. I realized as a comic you have the

0:27:50.320 --> 0:27:53.440
<v Speaker 3>ability to size people up pretty quickly, and I'm hitting.

0:27:54.000 --> 0:27:57.480
<v Speaker 3>Everything I said was exactly. So I said, let's pull over.

0:27:57.480 --> 0:27:59.120
<v Speaker 3>So I got on mic, I get this guy go look,

0:27:59.280 --> 0:28:02.119
<v Speaker 3>I'm sorry because I got kids. They got two girls.

0:28:02.119 --> 0:28:04.480
<v Speaker 1>They don't speak to me. Oh my god, this is

0:28:04.520 --> 0:28:05.240
<v Speaker 1>a terrible.

0:28:05.320 --> 0:28:08.040
<v Speaker 3>So I said, they did. I like Taylor Swift. I said,

0:28:08.080 --> 0:28:10.080
<v Speaker 3>I tell you what. I got Taylor Swift on the

0:28:10.080 --> 0:28:13.320
<v Speaker 3>show on Wednesday. Okay, why don't you bring your two girls?

0:28:13.480 --> 0:28:15.879
<v Speaker 3>But they like to oh god, what did you? Okay,

0:28:15.960 --> 0:28:18.639
<v Speaker 3>So and Taylor Swift, I told her she couldn't have

0:28:18.640 --> 0:28:21.159
<v Speaker 3>been nicer, came out, gave the kids a couple of

0:28:21.200 --> 0:28:25.880
<v Speaker 3>albums signed. I mean, the sweetest person you could imagine. Yeah,

0:28:26.600 --> 0:28:29.720
<v Speaker 3>just a lovely, lovely person. She didn't have to do it.

0:28:29.840 --> 0:28:32.680
<v Speaker 3>I said, I had this guy and I cut him off,

0:28:32.920 --> 0:28:36.440
<v Speaker 3>and so many he's I mean the guy. The guy

0:28:36.560 --> 0:28:37.840
<v Speaker 3>literally had a breakdown.

0:28:37.880 --> 0:28:38.400
<v Speaker 1>Oh my god.

0:28:40.480 --> 0:28:42.440
<v Speaker 2>But you know what's interesting about that story, which I

0:28:42.840 --> 0:28:44.440
<v Speaker 2>like that story. I like it for you, I like

0:28:44.480 --> 0:28:46.600
<v Speaker 2>it for Taylor Swift. I like the fact that it happened.

0:28:47.480 --> 0:28:50.560
<v Speaker 2>I wonder if that guy, if that happened today, that

0:28:50.600 --> 0:28:54.400
<v Speaker 2>guy would have a phone in your face record you

0:28:55.280 --> 0:28:58.280
<v Speaker 2>slicing and dicing them and they posted it on the internet.

0:28:58.520 --> 0:29:02.000
<v Speaker 2>Maybe maybe not more than likely, you know, maybe No,

0:29:02.040 --> 0:29:03.320
<v Speaker 2>I got you know.

0:29:03.320 --> 0:29:05.280
<v Speaker 3>Something you can only live in the time you live in.

0:29:05.440 --> 0:29:09.440
<v Speaker 3>That's it's like could Muhammad Ali beat the Rocky Marciano?

0:29:10.120 --> 0:29:10.320
<v Speaker 3>You know?

0:29:10.360 --> 0:29:10.680
<v Speaker 2>All right?

0:29:10.720 --> 0:29:12.200
<v Speaker 1>You want to take that? No, all right?

0:29:13.440 --> 0:29:14.760
<v Speaker 3>You know that kind of thing.

0:29:15.000 --> 0:29:18.320
<v Speaker 1>So yeah, I know, but I mean, you're right.

0:29:18.400 --> 0:29:20.680
<v Speaker 2>I want to complain about it a little bit though,

0:29:20.720 --> 0:29:23.920
<v Speaker 2>because I feel like the filming of everything is like

0:29:24.000 --> 0:29:26.400
<v Speaker 2>we volunteered to be in Big Brother.

0:29:26.520 --> 0:29:28.920
<v Speaker 1>It's not even like someone each.

0:29:28.720 --> 0:29:32.200
<v Speaker 3>A funny thing about Big Brother, because people always say

0:29:33.080 --> 0:29:36.400
<v Speaker 3>Big Brother is watching Blood you know, to me, probably

0:29:36.440 --> 0:29:40.920
<v Speaker 3>the greatest day in media history was the Rodney King trial.

0:29:41.400 --> 0:29:45.280
<v Speaker 3>The Rodney King thing is Rodney King coming along. According

0:29:45.320 --> 0:29:47.960
<v Speaker 3>to the police, he had seven people in a Hyundai

0:29:48.080 --> 0:29:52.480
<v Speaker 3>going one hundred and seventeen miles an hour to all exaggerated. Okay,

0:29:52.520 --> 0:29:55.760
<v Speaker 3>that's what the news said at seven o'clock. I believe

0:29:55.920 --> 0:29:59.280
<v Speaker 3>that same evening the guy who shot that footage, who

0:29:59.360 --> 0:30:01.480
<v Speaker 3>chose not to give it to the news, who put

0:30:01.480 --> 0:30:04.200
<v Speaker 3>it out on the internet, right, and then suddenly people

0:30:04.280 --> 0:30:07.880
<v Speaker 3>saw raw unfiltered news and you saw this guy get

0:30:07.880 --> 0:30:09.640
<v Speaker 3>the crap beat out of me because it looks like

0:30:09.640 --> 0:30:12.600
<v Speaker 3>you did that terrible And then you realize, because what happened,

0:30:12.640 --> 0:30:14.080
<v Speaker 3>You give it to a news guy and they'll go

0:30:14.520 --> 0:30:17.160
<v Speaker 3>the editor will go, well, this is inflammatory people, this

0:30:17.160 --> 0:30:19.320
<v Speaker 3>is cause right, let's just say it's like when I

0:30:19.360 --> 0:30:22.120
<v Speaker 3>grew up in Boston, a woman was never raped, she

0:30:22.280 --> 0:30:25.080
<v Speaker 3>was accosted, right, you know, they never tell you what

0:30:25.120 --> 0:30:27.000
<v Speaker 3>I said. Now, you live in a world where you

0:30:27.080 --> 0:30:30.080
<v Speaker 3>get your news unfiltered, exactly as it happens.

0:30:30.680 --> 0:30:33.400
<v Speaker 1>Have you traveled the outside of the US, travel South?

0:30:33.560 --> 0:30:37.960
<v Speaker 3>Yeah, yeah, you just shows well like do England And no,

0:30:38.080 --> 0:30:40.560
<v Speaker 3>I don't really work it where I well, I've been

0:30:40.600 --> 0:30:43.320
<v Speaker 3>to Italy. I'm in a Saudi Arabia but a few places. Yeah,

0:30:44.160 --> 0:30:47.960
<v Speaker 3>I don't find it totally different. Everybody speaks English.

0:30:47.160 --> 0:30:49.520
<v Speaker 1>Well yeah to you, but I mean if you're doing

0:30:49.520 --> 0:30:51.000
<v Speaker 1>a corporate gig in Italy.

0:30:50.720 --> 0:30:51.760
<v Speaker 3>People will speak you know.

0:30:51.800 --> 0:30:53.400
<v Speaker 2>It's like I was talking to Tomas, right, you know

0:30:53.440 --> 0:30:54.840
<v Speaker 2>Tomas who works with me, right right?

0:30:54.920 --> 0:30:55.080
<v Speaker 3>Right?

0:30:55.560 --> 0:30:59.760
<v Speaker 2>So Tomas who you know produces this podcast. You also, I.

0:30:59.680 --> 0:31:01.720
<v Speaker 1>Love Italy, right, I love Italy?

0:31:01.880 --> 0:31:02.120
<v Speaker 3>Right?

0:31:02.480 --> 0:31:05.760
<v Speaker 2>And to my sister me, you love Italy, I said, yeah.

0:31:05.800 --> 0:31:09.000
<v Speaker 2>He says no, he Tamasa's has managed heavy mail bands.

0:31:09.040 --> 0:31:11.080
<v Speaker 2>He has to work in Italy, right, he said, if

0:31:11.120 --> 0:31:15.360
<v Speaker 2>you had to work, Oh my god, A very different idea.

0:31:16.320 --> 0:31:18.640
<v Speaker 1>Yeah, it's like because it is that kind of things

0:31:18.640 --> 0:31:20.440
<v Speaker 1>when people say, you know what the oh I love

0:31:20.520 --> 0:31:23.479
<v Speaker 1>Scotland so much. You Scottish people are so friendly.

0:31:23.520 --> 0:31:26.200
<v Speaker 2>I mean you tried being Scottish with a nother Scottish

0:31:26.200 --> 0:31:27.800
<v Speaker 2>person and see it fucking friendly?

0:31:28.040 --> 0:31:30.200
<v Speaker 3>Oh yeah, yeah, it's a saying.

0:31:30.200 --> 0:31:33.440
<v Speaker 1>So listen, let's talk a little bit about.

0:31:33.160 --> 0:31:35.080
<v Speaker 3>The cars, all right. What do you want to know?

0:31:35.240 --> 0:31:39.160
<v Speaker 1>Well, I want to know how it started. Was it

0:31:39.200 --> 0:31:40.440
<v Speaker 1>your dad? Was it was.

0:31:41.440 --> 0:31:43.440
<v Speaker 3>I grew up in a rural area, and they're always

0:31:43.440 --> 0:31:49.000
<v Speaker 3>broken snowmobiles and abandoned cars. Not so much now Now,

0:31:49.000 --> 0:31:52.400
<v Speaker 3>when you abandoned a car, it's software does work, Yeah,

0:31:52.400 --> 0:31:55.480
<v Speaker 3>it's got a computer. In the old days, people are

0:31:55.480 --> 0:31:58.640
<v Speaker 3>abandoned a car because distributor broke. All right, that's an

0:31:58.680 --> 0:32:00.760
<v Speaker 3>easy enough fix to somebody has a little bit of

0:32:00.800 --> 0:32:03.720
<v Speaker 3>mechanical knowledge or are things of that nature. You know,

0:32:03.800 --> 0:32:07.680
<v Speaker 3>a car from the teen's, twenties, thirties, forties, fifties, you

0:32:07.720 --> 0:32:10.520
<v Speaker 3>could leave for one hundred years and you probably get

0:32:10.560 --> 0:32:16.720
<v Speaker 3>us started pretty easy. Because mechanical things break, electrical things erode,

0:32:17.400 --> 0:32:19.719
<v Speaker 3>and you look at a relay box. It might be shiny,

0:32:19.760 --> 0:32:22.320
<v Speaker 3>but you can't tell what's going on inside it, you know.

0:32:22.600 --> 0:32:24.280
<v Speaker 3>But you can look at a fuel pump and go, oh, well,

0:32:24.360 --> 0:32:27.400
<v Speaker 3>here's the gear. The gear is broken or the keyway

0:32:27.480 --> 0:32:29.920
<v Speaker 3>is busted, you know. So they're easier to fix.

0:32:30.120 --> 0:32:32.080
<v Speaker 2>So that was what threw you in, was the mechanical

0:32:32.160 --> 0:32:34.080
<v Speaker 2>nature of the fact that you could fix them when they.

0:32:33.960 --> 0:32:36.880
<v Speaker 3>Were Anything that rolls explodes and makes no you know.

0:32:36.920 --> 0:32:40.280
<v Speaker 3>When I was I was like eleven, somebody abandoned a

0:32:40.320 --> 0:32:43.000
<v Speaker 3>Renault four CV, which is like the French version of

0:32:43.000 --> 0:32:46.280
<v Speaker 3>the Volkswider, And we had three acres behind our house

0:32:46.280 --> 0:32:48.200
<v Speaker 3>and my mother would watch us through the kitchen window

0:32:48.240 --> 0:32:50.320
<v Speaker 3>and we just drive around. And so of course now

0:32:50.480 --> 0:32:53.000
<v Speaker 3>the parents would be taken away, you'd be putting foster care,

0:32:53.040 --> 0:32:55.240
<v Speaker 3>and you know, it would be it's a whole difference. Yeah.

0:32:55.240 --> 0:32:59.000
<v Speaker 3>Well you just said it's beaar now yeah, well in

0:32:59.040 --> 0:33:00.520
<v Speaker 3>some ways, yeah, all right.

0:33:00.480 --> 0:33:03.680
<v Speaker 2>Yeah, so you started playing around to the but as

0:33:03.720 --> 0:33:06.760
<v Speaker 2>you go older, right, and you start like you.

0:33:06.440 --> 0:33:08.800
<v Speaker 3>Here's the thing, h here's the main facts of it.

0:33:09.160 --> 0:33:12.000
<v Speaker 3>We are in an objective business. Some people like you,

0:33:12.400 --> 0:33:14.400
<v Speaker 3>some people think you suck, some people think you are

0:33:14.440 --> 0:33:16.960
<v Speaker 3>better than me, some people better than you. But when

0:33:17.000 --> 0:33:20.280
<v Speaker 3>you have a car and it's broken and now it's running,

0:33:20.960 --> 0:33:23.960
<v Speaker 3>no one can say it's not running. You know, you

0:33:23.960 --> 0:33:25.960
<v Speaker 3>can say it's still not funny, even if other people

0:33:26.040 --> 0:33:27.840
<v Speaker 3>laughing and you're not right, No one can say the

0:33:27.880 --> 0:33:28.640
<v Speaker 3>car is not running.

0:33:28.800 --> 0:33:29.520
<v Speaker 1>You think that's why.

0:33:29.520 --> 0:33:31.680
<v Speaker 2>Old comedians, well, a lot of comedians that are in

0:33:31.720 --> 0:33:33.080
<v Speaker 2>the cars because of the same reason you.

0:33:33.320 --> 0:33:35.240
<v Speaker 3>Actually most comedians are not into cars.

0:33:35.800 --> 0:33:38.360
<v Speaker 2>A second, Jerry's in the cars. Yeah, I'm in the

0:33:38.400 --> 0:33:41.080
<v Speaker 2>cars a little bit. I know a million guy. I remember,

0:33:41.320 --> 0:33:45.000
<v Speaker 2>you know, rich Jenny called me one time. He goes, oh,

0:33:45.040 --> 0:33:48.240
<v Speaker 2>he was funny. He had the best gay marriage joke

0:33:48.320 --> 0:33:49.320
<v Speaker 2>back in the days.

0:33:49.080 --> 0:33:52.360
<v Speaker 3>When it was illegal. Yeah, he would go, gay guys

0:33:52.400 --> 0:33:55.360
<v Speaker 3>have the ideal life, Larry, I'd love to marry you,

0:33:55.680 --> 0:34:00.160
<v Speaker 3>but it's against the law. Imagine if you can say

0:34:00.200 --> 0:34:02.640
<v Speaker 3>that to a girl. Oh, I love to marry your honey,

0:34:02.680 --> 0:34:05.840
<v Speaker 3>but it's against the law. Oh. I used to love

0:34:05.880 --> 0:34:07.680
<v Speaker 3>that bad. And you know it wasn't offensive.

0:34:07.800 --> 0:34:09.800
<v Speaker 1>It was because that was It's just totally.

0:34:09.800 --> 0:34:12.960
<v Speaker 3>He wasn't enough anybody. He called me my time. He goes, hey,

0:34:12.960 --> 0:34:15.239
<v Speaker 3>what's the best car to get girls? I go, well,

0:34:15.560 --> 0:34:17.480
<v Speaker 3>I said, I I only have one girl and I've

0:34:17.520 --> 0:34:19.360
<v Speaker 3>had her for like twenty six years at this point,

0:34:19.560 --> 0:34:22.040
<v Speaker 3>so I couldn't tell you that. But what are you like, Well,

0:34:22.520 --> 0:34:26.160
<v Speaker 3>a Corvette? Could can you get girls with Corfette? Some

0:34:26.239 --> 0:34:29.200
<v Speaker 3>girls like Corvette? Some girls think, how old are you?

0:34:29.200 --> 0:34:31.360
<v Speaker 3>You have a Corvette? You know? I said, So he

0:34:31.400 --> 0:34:33.239
<v Speaker 3>gets a Corvette, you know, and of course he knows

0:34:33.239 --> 0:34:35.680
<v Speaker 3>nothing about what it's capable of whatever.

0:34:35.920 --> 0:34:36.239
<v Speaker 1>Just all this.

0:34:36.360 --> 0:34:38.799
<v Speaker 3>Maybe he just got it together. What's the best car

0:34:38.880 --> 0:34:40.839
<v Speaker 3>to get girls? This is just my favorite thing.

0:34:41.120 --> 0:34:44.239
<v Speaker 2>It's funny because I've never really understood that as a thing.

0:34:44.280 --> 0:34:46.400
<v Speaker 2>I guess maybe back in the day when you know,

0:34:46.600 --> 0:34:48.040
<v Speaker 2>hey baby, do you want to sit in the rumbles

0:34:48.040 --> 0:34:50.840
<v Speaker 2>sheet or something? But a rumble seat, Yeah, back in

0:34:50.920 --> 0:34:54.680
<v Speaker 2>the day, in the day, in the Yeah, it was

0:34:54.719 --> 0:34:58.960
<v Speaker 2>the nineteen twenties in Scotland, So it's funny. Richard Jenny

0:34:59.239 --> 0:35:01.880
<v Speaker 2>rich was one of the last gigs he had actually,

0:35:02.239 --> 0:35:03.799
<v Speaker 2>or one of the last things I remember him doing.

0:35:03.840 --> 0:35:07.279
<v Speaker 1>He was on my show. Yeah, yeah, and he it

0:35:07.400 --> 0:35:10.120
<v Speaker 1>wasn't long after that that he that he you know,

0:35:10.239 --> 0:35:11.080
<v Speaker 1>that he killed himself.

0:35:11.120 --> 0:35:12.759
<v Speaker 2>But I don't like it was anything to do with

0:35:12.760 --> 0:35:14.880
<v Speaker 2>my show, but I'm be sure.

0:35:15.080 --> 0:35:15.799
<v Speaker 3>Yeah.

0:35:16.040 --> 0:35:19.960
<v Speaker 2>I met him in Australia when I was starting out.

0:35:20.000 --> 0:35:22.600
<v Speaker 2>I was at the Melbourne Comedy Festival, right and he

0:35:22.680 --> 0:35:25.680
<v Speaker 2>turned up. He had these two very glamorous looking women

0:35:25.880 --> 0:35:28.400
<v Speaker 2>right in each arm and he walked into the and

0:35:28.480 --> 0:35:30.880
<v Speaker 2>I was like, does the guy do that? No, I

0:35:30.880 --> 0:35:33.640
<v Speaker 2>realized he must have had a Corvette, That's what it was.

0:35:33.760 --> 0:35:36.640
<v Speaker 2>But really funny, Oh yeah, super funny.

0:35:36.680 --> 0:35:40.840
<v Speaker 3>Oh. He had very fast, quick fast, very New York.

0:35:40.960 --> 0:35:43.239
<v Speaker 3>You know, he had that New York attitude. Yeah, yeah, No,

0:35:43.360 --> 0:35:46.719
<v Speaker 3>he's really just a great, great comic that was a sad,

0:35:46.840 --> 0:35:47.480
<v Speaker 3>sad story.

0:35:47.760 --> 0:35:50.759
<v Speaker 2>It's an interesting thing, and Rich is a good kind

0:35:50.760 --> 0:35:53.480
<v Speaker 2>of example of it is that the persona that he

0:35:53.600 --> 0:35:58.440
<v Speaker 2>had on stage was very different to who the guy

0:35:58.560 --> 0:36:00.839
<v Speaker 2>he was. Rickles was very like as well. People used

0:36:00.880 --> 0:36:03.480
<v Speaker 2>to think Rickles was like when he was on, he

0:36:03.560 --> 0:36:06.160
<v Speaker 2>was the inso guy. But you remember Don, he was, Okay,

0:36:06.200 --> 0:36:06.760
<v Speaker 2>he's a pussy.

0:36:06.960 --> 0:36:08.960
<v Speaker 3>Oh yeah, very nice guy. I love I love Don.

0:36:09.080 --> 0:36:11.680
<v Speaker 3>Don was great. Don was great, but even Don, you know,

0:36:11.760 --> 0:36:14.560
<v Speaker 3>the network would censor him and he would. I remember

0:36:14.600 --> 0:36:18.400
<v Speaker 3>one time he came on and you know Kevin and

0:36:18.520 --> 0:36:21.399
<v Speaker 3>Kevin eu Banks. He going, that's Kevin, ke Kevin's people

0:36:21.440 --> 0:36:22.880
<v Speaker 3>in the park a lot stem on hub caps and

0:36:22.960 --> 0:36:25.160
<v Speaker 3>I go no, I go down. I don't have hub

0:36:25.200 --> 0:36:29.080
<v Speaker 3>caps anymore. Yeah. You know what's interesting. I remember seeing

0:36:29.120 --> 0:36:32.600
<v Speaker 3>Rickles once and Rickles never swore, that's right, okay, But

0:36:32.680 --> 0:36:35.439
<v Speaker 3>when he did racial stuff, you know, and the Puerto

0:36:35.520 --> 0:36:37.000
<v Speaker 3>Rican guy is this, and the black guy is this,

0:36:37.640 --> 0:36:40.440
<v Speaker 3>and the younger audience is kind of like hmm, and

0:36:40.560 --> 0:36:43.719
<v Speaker 3>older people laugh hysterically. And then he had a joke

0:36:43.760 --> 0:36:46.160
<v Speaker 3>with a punchline with him saying shit you know, just

0:36:46.239 --> 0:36:48.560
<v Speaker 3>like that, And the young people laughed and the old

0:36:48.600 --> 0:36:52.280
<v Speaker 3>people went, oh yeah, So it was really two different audiences.

0:36:52.360 --> 0:36:54.920
<v Speaker 2>Yeah, it's funny. I never had him say do the

0:36:54.960 --> 0:36:55.520
<v Speaker 2>ship joke?

0:36:55.800 --> 0:36:57.759
<v Speaker 3>Well, it was one of those things where you know,

0:36:58.000 --> 0:37:00.359
<v Speaker 3>it leads up to it, and then he said, yeah,

0:37:00.360 --> 0:37:02.160
<v Speaker 3>I can't remember what the bit was.

0:37:02.719 --> 0:37:05.120
<v Speaker 2>When I first when I first met him, he Peter

0:37:05.280 --> 0:37:08.960
<v Speaker 2>Sally introduced me to Recles and and I said, we

0:37:08.960 --> 0:37:10.400
<v Speaker 2>we come on the show, mister Rickles.

0:37:10.480 --> 0:37:12.759
<v Speaker 1>He went, I gotta be honest, kid, I'm gonna wait

0:37:12.760 --> 0:37:13.560
<v Speaker 1>and see if you're ahead.

0:37:15.520 --> 0:37:17.479
<v Speaker 2>Okay, So when he came on the show, he said,

0:37:17.960 --> 0:37:19.920
<v Speaker 2>I said to him, I am I am I hit now

0:37:20.000 --> 0:37:22.080
<v Speaker 2>He went, no, but I felt sorry for her.

0:37:22.200 --> 0:37:24.160
<v Speaker 3>Yeah, yeah, it's funny.

0:37:24.200 --> 0:37:26.600
<v Speaker 1>He was a strange, strangely lovely.

0:37:27.040 --> 0:37:29.000
<v Speaker 3>He a lovely guy, and he grew up in the

0:37:29.040 --> 0:37:33.719
<v Speaker 3>era when the mob guys really controlled it. And till

0:37:33.719 --> 0:37:37.000
<v Speaker 3>the day he died, he would never tell a story

0:37:37.680 --> 0:37:39.439
<v Speaker 3>I go down, let me ask you about no, no, no,

0:37:39.719 --> 0:37:42.279
<v Speaker 3>I know, like I remember we went to Downtown's once

0:37:42.320 --> 0:37:44.319
<v Speaker 3>and I said, well, let's let's talk like the mob.

0:37:44.360 --> 0:37:47.759
<v Speaker 3>But yeah, yeah, I mean, he would just not even

0:37:47.840 --> 0:37:48.480
<v Speaker 3>joke about it.

0:37:48.960 --> 0:37:52.080
<v Speaker 1>He was as Larry King. You remember Larry was kind

0:37:52.080 --> 0:37:54.880
<v Speaker 1>of yeah, yeah he was. He was connected in Miami

0:37:54.960 --> 0:37:55.520
<v Speaker 1>at one point.

0:37:55.920 --> 0:37:58.440
<v Speaker 3>Yeah, that was Yeah, that was the old school. Guys.

0:37:58.640 --> 0:38:00.400
<v Speaker 1>Do you ever run into that Boston when you were

0:38:00.400 --> 0:38:00.719
<v Speaker 1>a kid.

0:38:01.360 --> 0:38:03.640
<v Speaker 3>Well, i'll tell you people there, I'll tell you a story.

0:38:04.800 --> 0:38:07.120
<v Speaker 3>One day I get a call from Sinatra had an

0:38:07.120 --> 0:38:11.440
<v Speaker 3>age named Jack Sularti. They go Jay Sinatra watching to

0:38:11.440 --> 0:38:15.720
<v Speaker 3>play this Italian thing. Some some benefited in a country

0:38:15.719 --> 0:38:21.319
<v Speaker 3>club in Chicago. It's Italian American thing. And you gotta

0:38:21.360 --> 0:38:23.399
<v Speaker 3>work clean, you instance, you gotta work clean. It's gonna

0:38:23.400 --> 0:38:25.239
<v Speaker 3>be a priest there, you know, I said you, okay,

0:38:25.239 --> 0:38:25.839
<v Speaker 3>I'll work clean.

0:38:25.880 --> 0:38:26.400
<v Speaker 1>Okay.

0:38:26.960 --> 0:38:28.640
<v Speaker 3>So I get there, I get up and I do

0:38:28.719 --> 0:38:31.279
<v Speaker 3>my little thing. I get some laughs and thank you

0:38:31.360 --> 0:38:35.560
<v Speaker 3>very much, and I sit down. So they introduced this guy.

0:38:35.800 --> 0:38:37.399
<v Speaker 3>I'm not going to say the name because his kids

0:38:37.400 --> 0:38:41.040
<v Speaker 3>are still alive. A real gangster, right, okay. And he

0:38:41.120 --> 0:38:43.880
<v Speaker 3>gets up there. You don't want everyboddy, Hey, what the

0:38:43.880 --> 0:38:46.520
<v Speaker 3>fuck's going on? You know? Like that? And the priest

0:38:46.560 --> 0:38:53.200
<v Speaker 3>goes like this, and the priest goes, but they fought shut.

0:38:57.120 --> 0:39:01.120
<v Speaker 3>He's just screaming, and I mean the veins are popping.

0:39:01.200 --> 0:39:02.520
<v Speaker 3>Is that when you see a psychopath?

0:39:02.719 --> 0:39:04.399
<v Speaker 1>Just lose it because you got your.

0:39:04.280 --> 0:39:08.480
<v Speaker 3>Ten grand of paper bag? Right fu shut just scrap.

0:39:08.560 --> 0:39:10.560
<v Speaker 3>And the priests is holding his bag with the ten

0:39:10.600 --> 0:39:12.440
<v Speaker 3>grand in it like this, you know, and he's just

0:39:12.680 --> 0:39:14.160
<v Speaker 3>and guys are holding him like.

0:39:14.800 --> 0:39:17.240
<v Speaker 1>Mother fuck, just go after the priet.

0:39:17.480 --> 0:39:20.600
<v Speaker 3>You're just screaming at the guy, you know. He said,

0:39:22.080 --> 0:39:24.279
<v Speaker 3>I'm like, oh jeezuz, and the crowd is like, oh

0:39:24.320 --> 0:39:25.239
<v Speaker 3>my god because this guy.

0:39:25.360 --> 0:39:26.840
<v Speaker 2>Yeah, that's the way to lose a crowd if you

0:39:26.880 --> 0:39:29.279
<v Speaker 2>if you go cycle on. Yeah, and it doesn't even

0:39:29.320 --> 0:39:30.480
<v Speaker 2>have to be the priest, just anybody.

0:39:30.520 --> 0:39:34.719
<v Speaker 3>If I remember the story they told, the heartwarming story,

0:39:35.480 --> 0:39:38.600
<v Speaker 3>some teenagers had broken into his house, yeah and still

0:39:38.920 --> 0:39:44.400
<v Speaker 3>stolen something. Okay, They found them two weeks later, and

0:39:44.440 --> 0:39:47.880
<v Speaker 3>they'd been skinned alive. Somebody somebody hung them by their wrists,

0:39:48.200 --> 0:39:52.120
<v Speaker 3>stripped them and run a straight razor from their arms

0:39:52.200 --> 0:39:55.919
<v Speaker 3>down to their toes and just peeled off, peeled off

0:39:55.960 --> 0:39:59.160
<v Speaker 3>a layer of skin until these guys slowly blended it.

0:39:59.200 --> 0:40:01.920
<v Speaker 3>And it was like, oh, okay, So so that was

0:40:01.960 --> 0:40:04.799
<v Speaker 3>like ho scary, you know. So so I'm sitting there

0:40:04.840 --> 0:40:06.920
<v Speaker 3>and just watching this whole thing play out and they

0:40:06.920 --> 0:40:09.560
<v Speaker 3>take him away. Right, So ladies said, he go, hey, hey,

0:40:09.560 --> 0:40:13.399
<v Speaker 3>comme here. Come here. He goes, he says, you play golf. Well,

0:40:13.440 --> 0:40:15.920
<v Speaker 3>come on, God, come come with you. So he and

0:40:15.960 --> 0:40:17.719
<v Speaker 3>I am the golf card. He goes, you know, we

0:40:17.719 --> 0:40:19.920
<v Speaker 3>we have stallone to come to this. You know what

0:40:19.920 --> 0:40:22.880
<v Speaker 3>he said? He said no, and I said, well, you know,

0:40:22.920 --> 0:40:29.480
<v Speaker 3>he started busy fucking explodes again, you know, and I

0:40:29.520 --> 0:40:30.440
<v Speaker 3>was like, I'm sitting.

0:40:30.239 --> 0:40:32.359
<v Speaker 1>I could never play golf with a guy who had

0:40:32.400 --> 0:40:33.320
<v Speaker 1>skinned people.

0:40:33.520 --> 0:40:35.640
<v Speaker 3>Exactly, and I'm not doing it again.

0:40:37.239 --> 0:40:38.080
<v Speaker 1>Do you play golf?

0:40:38.200 --> 0:40:41.239
<v Speaker 3>No, no, I don't think if you could play it

0:40:41.239 --> 0:40:43.440
<v Speaker 3>in twenty minutes, maybe, but also.

0:40:43.200 --> 0:40:45.520
<v Speaker 2>If you know, the carts are ship I mean, if

0:40:45.520 --> 0:40:47.000
<v Speaker 2>it was maybe if you got it, but maybe if

0:40:47.000 --> 0:40:48.480
<v Speaker 2>you had a Corvette.

0:40:48.000 --> 0:40:50.200
<v Speaker 3>Yeah, Corvette. But I mean but the point of this

0:40:50.440 --> 0:40:54.480
<v Speaker 3>was just most people think, you know, my favorite thing

0:40:55.440 --> 0:40:57.920
<v Speaker 3>and the French Connection was the best movie to whenever

0:40:57.920 --> 0:41:01.839
<v Speaker 3>you watch TV, the guy Bob put the gun down.

0:41:02.640 --> 0:41:05.480
<v Speaker 3>I know you don't want to shoot me, okay, And

0:41:05.520 --> 0:41:07.680
<v Speaker 3>the guy always puts the gun down and cannon or

0:41:07.719 --> 0:41:12.279
<v Speaker 3>magnum or whoever it is takes the gun away from.

0:41:11.400 --> 0:41:14.480
<v Speaker 1>That's pretty good. I believe right.

0:41:15.120 --> 0:41:19.799
<v Speaker 3>Remember that that was a French connection where the transit cop,

0:41:19.880 --> 0:41:22.960
<v Speaker 3>the French guy was running from Popeye Doyle. He's on

0:41:23.000 --> 0:41:24.960
<v Speaker 3>the train, he's got a gun and the guy goes, look,

0:41:25.680 --> 0:41:27.040
<v Speaker 3>I know, you don't want to shoot me. You don't

0:41:27.040 --> 0:41:30.120
<v Speaker 3>want to He just shoots him at four or five

0:41:30.200 --> 0:41:33.279
<v Speaker 3>just he's the guy away, go okay, thank you. That's

0:41:33.320 --> 0:41:35.680
<v Speaker 3>what really happens in real life. All these people think

0:41:35.680 --> 0:41:38.040
<v Speaker 3>they're going to be a hero because they know he's

0:41:38.080 --> 0:41:40.440
<v Speaker 3>really a good guy. No, there are evil people in

0:41:41.719 --> 0:41:43.520
<v Speaker 3>the world. There are bad guys out there, you know.

0:41:43.560 --> 0:41:46.000
<v Speaker 1>But I'm still I'm still happy about you bringing up Cannon.

0:41:46.080 --> 0:41:49.080
<v Speaker 1>Canon Cannon. I love Cannon, you know what.

0:41:49.400 --> 0:41:54.360
<v Speaker 2>Like he was like a three hundred pounds dective eight.

0:41:53.560 --> 0:41:56.320
<v Speaker 1>Right right, and he would run after teenagers don't know, no, no,

0:41:56.440 --> 0:41:56.880
<v Speaker 1>what it was.

0:41:56.920 --> 0:41:59.080
<v Speaker 3>Right. He would park in the alley at his big

0:41:59.120 --> 0:42:01.759
<v Speaker 3>Lincoln and the crook would run towards him and he

0:42:01.840 --> 0:42:04.919
<v Speaker 3>opened the door. The drivers don't bang, and that would

0:42:05.000 --> 0:42:07.960
<v Speaker 3>hit them, you know, and knock him out.

0:42:08.080 --> 0:42:10.880
<v Speaker 1>Yeah. Yeah, man, I think it's maybe time for a

0:42:10.960 --> 0:42:11.760
<v Speaker 1>Canon reboot.

0:42:12.200 --> 0:42:14.479
<v Speaker 2>I know, if Billy hadn't lost all that weight, it'd

0:42:14.520 --> 0:42:18.040
<v Speaker 2>be he'd be Yeah, but he's all finn and gorgeous.

0:42:18.120 --> 0:42:19.040
<v Speaker 1>Now that's the problem.

0:42:19.160 --> 0:42:21.160
<v Speaker 3>He does look great. He does look like one hundred

0:42:21.160 --> 0:42:24.680
<v Speaker 3>and seventy eight pounds. It's unbelieved. He lost the whole person.

0:42:24.520 --> 0:42:25.560
<v Speaker 1>Yeah that's crazy.

0:42:25.640 --> 0:42:27.360
<v Speaker 3>Yeah, yeah, but he looks he looks great. And you

0:42:27.360 --> 0:42:29.040
<v Speaker 3>know something, I was telling him this the other night.

0:42:29.680 --> 0:42:31.719
<v Speaker 3>A lot of guys that used to be fat aren't

0:42:31.760 --> 0:42:34.840
<v Speaker 3>really funny anymore because their whole persona was based on

0:42:35.000 --> 0:42:37.280
<v Speaker 3>being fat, being fat and being but you know something,

0:42:37.640 --> 0:42:39.319
<v Speaker 3>You look and now you're thinking, well, he's always been

0:42:39.320 --> 0:42:42.040
<v Speaker 3>a skinny guy, right, because he doesn't. It doesn't reflect

0:42:42.080 --> 0:42:45.239
<v Speaker 3>in anything that he does. I mean, he's really he was.

0:42:45.160 --> 0:42:47.080
<v Speaker 1>A graceful man. I mean we talked. It was funny.

0:42:47.120 --> 0:42:50.000
<v Speaker 2>We talked ages ago because he was a big final

0:42:50.040 --> 0:42:52.839
<v Speaker 2>Laurel and Hardy I was a yeah, I loved, Oh

0:42:52.840 --> 0:42:55.880
<v Speaker 2>my god. And one of the things about Babe Hardy

0:42:56.160 --> 0:42:59.680
<v Speaker 2>was that is his grace. Yeah, you know, the lightness

0:42:59.680 --> 0:43:03.120
<v Speaker 2>of his feet, that kind of it was funny.

0:43:03.160 --> 0:43:07.360
<v Speaker 3>You know, Louis Anderson the same thing. Louis had great

0:43:07.400 --> 0:43:10.319
<v Speaker 3>dignity about it. He was he moved his hands very

0:43:10.360 --> 0:43:13.280
<v Speaker 3>slowly and fold them in his lap. And and and

0:43:13.520 --> 0:43:16.600
<v Speaker 3>you never sawld sweating on stage, right, But he always

0:43:16.640 --> 0:43:19.040
<v Speaker 3>had those bits about his mom didn't like cats because

0:43:19.040 --> 0:43:20.920
<v Speaker 3>they liked the butter and all that kind of stuff.

0:43:20.960 --> 0:43:21.120
<v Speaker 3>You know.

0:43:30.560 --> 0:43:33.040
<v Speaker 2>You know the guys you're talking we're talking about, you know,

0:43:33.200 --> 0:43:36.360
<v Speaker 2>the like Louis was one, Gilbert was another one, Gilbert

0:43:36.400 --> 0:43:40.400
<v Speaker 2>Godfried was another one. Like real kind of idiosyncratic character

0:43:41.280 --> 0:43:43.840
<v Speaker 2>that I don't look, I don't pay a lot of

0:43:43.880 --> 0:43:45.799
<v Speaker 2>attention to the young comics right now.

0:43:46.120 --> 0:43:47.920
<v Speaker 1>I don't know if you do. I don't see a

0:43:47.960 --> 0:43:49.400
<v Speaker 1>ton of that. I see a lot of.

0:43:49.880 --> 0:43:52.400
<v Speaker 2>A lot of the same, like you know, you you know,

0:43:52.480 --> 0:43:57.000
<v Speaker 2>a lot of not as much eccentricity of performance. Maybe

0:43:57.000 --> 0:43:57.960
<v Speaker 2>there's some really good ones.

0:43:58.000 --> 0:44:00.320
<v Speaker 1>I mean I watched Michelle Wolf and Netflix.

0:44:00.440 --> 0:44:02.520
<v Speaker 3>You see her, you see her new special. Yeah, you

0:44:02.560 --> 0:44:04.240
<v Speaker 3>know something, I thought it was terrific.

0:44:04.280 --> 0:44:05.400
<v Speaker 1>Yeah, I mean I thought she was.

0:44:06.080 --> 0:44:08.440
<v Speaker 3>Because I thought, you know, when she done all the

0:44:08.440 --> 0:44:11.160
<v Speaker 3>White House stuff, it's like that's a terrible gig, you've

0:44:11.160 --> 0:44:14.600
<v Speaker 3>done it done. Yeah, well, but I mean it's all politics.

0:44:14.640 --> 0:44:17.400
<v Speaker 3>It's like it's how stinging can it be? And to

0:44:17.440 --> 0:44:20.320
<v Speaker 3>watch her latest one, Oh these are real jokes.

0:44:20.600 --> 0:44:21.200
<v Speaker 1>She's really good.

0:44:21.280 --> 0:44:24.719
<v Speaker 3>Yeah, And really. Yeah, she's really funny. Yeah, and yeah,

0:44:24.760 --> 0:44:27.040
<v Speaker 3>I really enjoyed it. And the one that's done in

0:44:27.120 --> 0:44:29.240
<v Speaker 3>three parts or four parts, that's what I'm talking about,

0:44:29.840 --> 0:44:32.919
<v Speaker 3>twenty minutes segment. And I watch it and I thought, boy,

0:44:33.000 --> 0:44:36.279
<v Speaker 3>she's really really good and it's a shame that she

0:44:36.360 --> 0:44:38.120
<v Speaker 3>got beat up so badly over.

0:44:38.760 --> 0:44:42.440
<v Speaker 1>Well, you know, it happens with the white like Colbert

0:44:42.480 --> 0:44:42.799
<v Speaker 1>w be.

0:44:42.920 --> 0:44:44.879
<v Speaker 2>Up pretty badly for what he did at the White

0:44:44.960 --> 0:44:48.520
<v Speaker 2>House as well, but ultimately it worked out for him.

0:44:48.560 --> 0:44:51.400
<v Speaker 2>And I think that it's one of those weird gigs

0:44:51.400 --> 0:44:53.400
<v Speaker 2>the way dinner. I remember when I did it. I

0:44:53.440 --> 0:44:55.760
<v Speaker 2>talked to you before I did it. You remember that, yeah,

0:44:55.960 --> 0:44:58.440
<v Speaker 2>because you remember you said to me, it's just not

0:44:58.520 --> 0:44:59.040
<v Speaker 2>about you.

0:44:59.239 --> 0:45:00.799
<v Speaker 1>Just remember it's not about it, right right.

0:45:02.400 --> 0:45:04.480
<v Speaker 2>And I talked to you, and I talked to Drew

0:45:04.520 --> 0:45:06.320
<v Speaker 2>Carey because Drew had done it as well.

0:45:06.719 --> 0:45:08.799
<v Speaker 1>But I thought it was a hard gig. It's like

0:45:08.880 --> 0:45:10.360
<v Speaker 1>a really tough corporate.

0:45:10.040 --> 0:45:12.960
<v Speaker 3>Well, it's an impossible gig, yeah, because everybody's you know,

0:45:13.000 --> 0:45:14.000
<v Speaker 3>looking in the mirror, you know.

0:45:14.160 --> 0:45:17.200
<v Speaker 1>Yeah, that's right. It's like, no, it's really no about it.

0:45:17.200 --> 0:45:18.840
<v Speaker 3>And when you have something about like Obama, who is

0:45:18.880 --> 0:45:22.280
<v Speaker 3>a really good comic up. Yeah, he goes on first,

0:45:22.600 --> 0:45:23.759
<v Speaker 3>and now you follow him.

0:45:24.040 --> 0:45:25.400
<v Speaker 1>I didn't. I didn't do it with it, but I

0:45:25.400 --> 0:45:26.640
<v Speaker 1>did it with George Booth.

0:45:26.760 --> 0:45:29.080
<v Speaker 3>I did it with Reagan. I'll tell you what I

0:45:28.520 --> 0:45:30.960
<v Speaker 3>did first time. I did it with the Reagan. So

0:45:31.160 --> 0:45:35.399
<v Speaker 3>I'm backstage and this general comes in. He goes, hey, hey, hey,

0:45:35.920 --> 0:45:38.640
<v Speaker 3>you're the comic. Yeah, yes, sir, I'm Jane Let He goes,

0:45:38.680 --> 0:45:41.520
<v Speaker 3>I'm selling. This is my committed to chief. You understand

0:45:41.520 --> 0:45:43.880
<v Speaker 3>that this is my boss. He is the leader of

0:45:43.960 --> 0:45:46.000
<v Speaker 3>the free. Will you don't assault him? You don't tell you.

0:45:46.040 --> 0:45:47.799
<v Speaker 3>He's just and he's poking me in the chest, you know.

0:45:48.360 --> 0:45:51.279
<v Speaker 3>And I said, well, okay, yes, you understand. Yeah, And

0:45:51.280 --> 0:45:54.400
<v Speaker 3>then he leaves. Okay, I'm thinking, oh man, I'm starting

0:45:54.400 --> 0:45:56.560
<v Speaker 3>to change jokes now. And then and then all of

0:45:56.600 --> 0:46:00.080
<v Speaker 3>a sudden, George Schultz comes in, remember him, Yeah, and

0:46:01.040 --> 0:46:04.160
<v Speaker 3>he's really drunk. He goes, but now come here, when

0:46:04.200 --> 0:46:06.799
<v Speaker 3>you get up there, you nail Ronnie's ass to the wall.

0:46:06.880 --> 0:46:09.919
<v Speaker 3>You understand me. I go, but that guy, tell me, Scar,

0:46:10.080 --> 0:46:12.960
<v Speaker 3>he works for me. I'm the t a minute, I'm

0:46:13.040 --> 0:46:15.480
<v Speaker 3>the defense guy. You make fun of that thing on

0:46:15.560 --> 0:46:17.600
<v Speaker 3>Reagan's you think got his hair color? You think got

0:46:17.680 --> 0:46:21.480
<v Speaker 3>his real hair color? And I go, I don't know, No,

0:46:21.680 --> 0:46:23.520
<v Speaker 3>you got I said, now, the what do I do?

0:46:23.520 --> 0:46:25.640
<v Speaker 3>I remember my opening joke was, I want to cry

0:46:25.680 --> 0:46:28.600
<v Speaker 3>to you, late Nancy Reagan. I'm winning the Humanitarian of

0:46:28.640 --> 0:46:31.400
<v Speaker 3>the Year award. I'm glad she beat out that conniving

0:46:31.440 --> 0:46:34.960
<v Speaker 3>little bitch mother Teresa. That's funny, Joe and Reagan fell

0:46:34.960 --> 0:46:37.799
<v Speaker 3>off the chair. I thought, well, then I knew I

0:46:37.920 --> 0:46:40.640
<v Speaker 3>was in Yeah, I knew it was okay. But but yeah,

0:46:40.680 --> 0:46:42.560
<v Speaker 3>but that way it is. It's an impossible game.

0:46:42.960 --> 0:46:45.400
<v Speaker 1>It's really hard. Is there any because I've got a

0:46:45.400 --> 0:46:46.200
<v Speaker 1>couple of jokes.

0:46:46.600 --> 0:46:48.320
<v Speaker 2>One of them was the white of course wonded the

0:46:48.360 --> 0:46:51.239
<v Speaker 2>dinner that I never told that I was going to

0:46:51.320 --> 0:46:53.719
<v Speaker 2>do the joke right to the last minute, and then

0:46:53.760 --> 0:46:56.080
<v Speaker 2>I did. And I have tuned my life that I've

0:46:56.120 --> 0:46:57.600
<v Speaker 2>never done. I'll tell you them in a minute. But

0:46:57.600 --> 0:47:00.200
<v Speaker 2>do you have any that you thought I was going

0:47:00.239 --> 0:47:00.680
<v Speaker 2>to do this joke?

0:47:00.719 --> 0:47:02.840
<v Speaker 3>You know, it's so funny. The only jokes I remember

0:47:02.880 --> 0:47:06.760
<v Speaker 3>are the ones that made an impression, because as a comic,

0:47:07.520 --> 0:47:09.840
<v Speaker 3>you have things that put a notch in your brain.

0:47:09.960 --> 0:47:13.640
<v Speaker 3>You just remember, like that first joke I told about

0:47:13.680 --> 0:47:15.239
<v Speaker 3>the you know, the robin Hood thing and all that.

0:47:15.360 --> 0:47:19.120
<v Speaker 3>I remember, so you remember everything. I remember being five

0:47:19.200 --> 0:47:22.600
<v Speaker 3>years old and my mother taking me to because we

0:47:22.880 --> 0:47:25.120
<v Speaker 3>didn't have babysitters then, so he just took me everywhere.

0:47:25.160 --> 0:47:27.120
<v Speaker 3>So we went to my aunt and Eddie, my aunt

0:47:27.239 --> 0:47:30.000
<v Speaker 3>Edia's house on the Italian side, and it's all women

0:47:30.080 --> 0:47:32.520
<v Speaker 3>drinking wine and I'm sitting on the floor and I

0:47:32.560 --> 0:47:34.280
<v Speaker 3>was looking at the women and I said, hey, Mom,

0:47:34.840 --> 0:47:41.719
<v Speaker 3>why do women have humps like camels? And they're they're

0:47:41.719 --> 0:47:43.520
<v Speaker 3>all drunk anyway, and they're all.

0:47:43.320 --> 0:47:47.080
<v Speaker 5>Screaming, and I'm thinking, what did I said somewhere about humps?

0:47:47.360 --> 0:47:49.920
<v Speaker 3>And I always remember that because it got it. So

0:47:50.120 --> 0:47:52.239
<v Speaker 3>is a comic. I think when you say something and

0:47:52.280 --> 0:47:55.520
<v Speaker 3>it gets a laugh, you just, for the most part

0:47:55.600 --> 0:47:58.960
<v Speaker 3>pretty much remember it because I'm told you the ones.

0:47:58.760 --> 0:48:00.920
<v Speaker 1>That you made a decision to tell the joke for

0:48:00.960 --> 0:48:01.520
<v Speaker 1>another reason.

0:48:01.560 --> 0:48:03.680
<v Speaker 3>Yeah, I can't remember the joke, so I can't remember what.

0:48:03.680 --> 0:48:04.879
<v Speaker 1>I have two I'm going to tell you them.

0:48:05.200 --> 0:48:08.239
<v Speaker 2>One was a White House correspondence to her where there

0:48:08.280 --> 0:48:10.840
<v Speaker 2>was a lot of trouble was the very last Bush

0:48:10.880 --> 0:48:13.759
<v Speaker 2>and Cheney and all those guys were up there Rumsfelders

0:48:13.760 --> 0:48:17.120
<v Speaker 2>around all that stuff, and I was going to say

0:48:17.120 --> 0:48:18.759
<v Speaker 2>at the start of it, it's great to be up here.

0:48:18.880 --> 0:48:20.640
<v Speaker 2>We want see all these guys together in one room

0:48:20.680 --> 0:48:23.279
<v Speaker 2>again until the trial. And I thought that was a

0:48:23.320 --> 0:48:25.120
<v Speaker 2>pretty good joke. And they said to me, probably a

0:48:25.160 --> 0:48:26.800
<v Speaker 2>good It wasn't the White House. It was one of

0:48:26.880 --> 0:48:28.800
<v Speaker 2>my own guys said, probably a good idea. If you

0:48:28.800 --> 0:48:31.719
<v Speaker 2>don't do that joke, people are still a little, you know,

0:48:32.120 --> 0:48:35.560
<v Speaker 2>uncomfortable as a pretty decent joke. And the other one,

0:48:35.760 --> 0:48:38.360
<v Speaker 2>I'm kind of still thinking that maybe I should have

0:48:38.400 --> 0:48:40.239
<v Speaker 2>done it, and maybe I shouldn't. And here's what it was.

0:48:40.320 --> 0:48:42.160
<v Speaker 2>I had a book come out, my own, a biography

0:48:42.160 --> 0:48:46.040
<v Speaker 2>come out, right, And it was the same week as

0:48:46.640 --> 0:48:51.080
<v Speaker 2>Ted Kennedy, his biography came out. He had just died

0:48:51.160 --> 0:48:55.680
<v Speaker 2>that week, right, And Mackenzie Phillips' book come out where

0:48:55.719 --> 0:48:59.839
<v Speaker 2>she talks about having sex with her dad, oh right,

0:49:00.840 --> 0:49:03.799
<v Speaker 2>And there were all three of us buying for the

0:49:03.960 --> 0:49:07.319
<v Speaker 2>number one spot in the New York Times bestseller list,

0:49:07.600 --> 0:49:09.520
<v Speaker 2>and I knew I wasn't going to get it because

0:49:09.560 --> 0:49:14.479
<v Speaker 2>Ted Kennedy had died and Mackenzie Phillips talks about having

0:49:14.520 --> 0:49:16.200
<v Speaker 2>sex with their dad, right, right.

0:49:16.280 --> 0:49:20.360
<v Speaker 1>So I was doing this event in Union Square, the

0:49:20.360 --> 0:49:20.879
<v Speaker 1>Barnes and.

0:49:20.840 --> 0:49:22.960
<v Speaker 2>Noble, and I wanted to do this joke and my

0:49:23.040 --> 0:49:25.640
<v Speaker 2>publicier says, that's a great joke, and I beg, you

0:49:25.680 --> 0:49:27.680
<v Speaker 2>don't do it. I went, okay, but the joke I

0:49:27.719 --> 0:49:30.360
<v Speaker 2>was going to come on stage and say in my book,

0:49:30.800 --> 0:49:32.800
<v Speaker 2>Mackenzie Phillips focks Ted Kennedy.

0:49:35.360 --> 0:49:36.880
<v Speaker 1>I didn't do it, and I kind of wish I

0:49:36.880 --> 0:49:38.480
<v Speaker 1>had done it, but I'm kind of glad I didn't.

0:49:38.600 --> 0:49:39.719
<v Speaker 3>No, No, that's a funny joke.

0:49:40.000 --> 0:49:40.520
<v Speaker 1>I think so.

0:49:40.719 --> 0:49:43.799
<v Speaker 2>But you know, the tempers were flaring at the time,

0:49:43.840 --> 0:49:44.640
<v Speaker 2>and it was probably ay.

0:49:44.800 --> 0:49:46.799
<v Speaker 3>I always did that because a those things you want

0:49:46.840 --> 0:49:48.279
<v Speaker 3>to say. I'm not going to say who it was,

0:49:48.960 --> 0:49:51.319
<v Speaker 3>but I had someone on who was very sensitive and

0:49:51.560 --> 0:49:54.720
<v Speaker 3>they just gotten glasses and they had a big nose,

0:49:55.840 --> 0:49:58.680
<v Speaker 3>and I said, and I wanted to say, oh, did

0:49:58.719 --> 0:50:03.120
<v Speaker 3>the notes come with the glasses, But I knew they'd

0:50:03.160 --> 0:50:04.319
<v Speaker 3>be ye, they'd be hard.

0:50:04.440 --> 0:50:06.359
<v Speaker 1>Yeah, yeah, you can.

0:50:06.680 --> 0:50:08.319
<v Speaker 2>You know, you don't want to hurt someone's feelings. We

0:50:08.320 --> 0:50:11.120
<v Speaker 2>were not in that game, you know what. I feel bad.

0:50:11.239 --> 0:50:13.040
<v Speaker 3>That was the thing about being a talk show. She

0:50:13.120 --> 0:50:15.520
<v Speaker 3>got to know when I was a comedian when I

0:50:15.560 --> 0:50:17.319
<v Speaker 3>did the monologue, and I was a host when I

0:50:17.400 --> 0:50:19.640
<v Speaker 3>did there because a lot of times, yeah, I totally

0:50:19.680 --> 0:50:22.040
<v Speaker 3>agree with the battle and you lose the war, you know,

0:50:22.160 --> 0:50:23.520
<v Speaker 3>totally totally.

0:50:23.800 --> 0:50:25.080
<v Speaker 1>I always felt as well.

0:50:25.160 --> 0:50:27.239
<v Speaker 2>And this is why I love doing your show is

0:50:27.320 --> 0:50:30.600
<v Speaker 2>because I felt like I was. You took the word

0:50:30.680 --> 0:50:35.040
<v Speaker 2>host like literally like I'm here to holdt I want

0:50:35.080 --> 0:50:36.480
<v Speaker 2>you to feel good when you having a good time.

0:50:36.520 --> 0:50:37.600
<v Speaker 1>I want you to enjoy yourself.

0:50:37.600 --> 0:50:40.400
<v Speaker 2>And that's how I took that from, you know, like

0:50:40.760 --> 0:50:41.760
<v Speaker 2>it was on your show.

0:50:42.520 --> 0:50:44.440
<v Speaker 1>I was like, no, that's how I want to be because.

0:50:44.360 --> 0:50:46.719
<v Speaker 2>I've done other shows where I felt I've got to

0:50:46.800 --> 0:50:48.799
<v Speaker 2>wash my ass here. You know, I'll put one foot

0:50:48.840 --> 0:50:50.319
<v Speaker 2>wrong and I'm going to be made a fool of.

0:50:50.800 --> 0:50:52.640
<v Speaker 2>And I never felt that when I was working with you,

0:50:52.760 --> 0:50:56.600
<v Speaker 2>and I hope that anyone who was on my wo

0:50:56.600 --> 0:50:57.319
<v Speaker 2>felt the same way.

0:50:57.600 --> 0:50:59.439
<v Speaker 1>It was like, you know, I'm not I don't know here.

0:50:59.600 --> 0:51:02.520
<v Speaker 2>And funny if I was talking to Kristin Ball the

0:51:02.520 --> 0:51:06.600
<v Speaker 2>other day, who was like my number one all time,

0:51:06.800 --> 0:51:09.080
<v Speaker 2>you know, she's like on the show every other week.

0:51:09.200 --> 0:51:10.880
<v Speaker 2>She was great, she was you know, everyone has a

0:51:10.920 --> 0:51:12.799
<v Speaker 2>guess like I sure you had him and I'm going

0:51:12.880 --> 0:51:13.279
<v Speaker 2>to ask you.

0:51:13.200 --> 0:51:14.000
<v Speaker 1>Who it was in a minute.

0:51:14.040 --> 0:51:16.520
<v Speaker 2>But but I was talking to her and she said, well,

0:51:16.560 --> 0:51:18.839
<v Speaker 2>it was weird for me because because I always thought

0:51:18.880 --> 0:51:21.239
<v Speaker 2>she was a great improviser. And she said, no, I

0:51:21.440 --> 0:51:24.440
<v Speaker 2>hate that. I always like knowing what I'm going to do.

0:51:24.920 --> 0:51:27.640
<v Speaker 1>I was like, that's weird. I always thought you loved.

0:51:27.400 --> 0:51:29.359
<v Speaker 2>Improvise, and then that's why you always did my show

0:51:29.680 --> 0:51:31.920
<v Speaker 2>and she went, no, I just trusted you, right, And

0:51:31.960 --> 0:51:34.440
<v Speaker 2>I was like, oh, that's great, it makes me feel good.

0:51:34.520 --> 0:51:36.879
<v Speaker 6>Yeah yeah, and so tell me who you were? Who

0:51:36.880 --> 0:51:39.120
<v Speaker 6>are your go tos? And like, you know, Terry Bradshaw

0:51:39.280 --> 0:51:41.680
<v Speaker 6>was pretty Yeah, he's very funny. Yeah, you know the

0:51:42.080 --> 0:51:45.080
<v Speaker 6>ever he hit a talk show. Yes, that's right, he's

0:51:45.120 --> 0:51:46.480
<v Speaker 6>a daytime talk show or something.

0:51:46.480 --> 0:51:48.920
<v Speaker 3>But you know, Terry was the best one ever. And

0:51:48.960 --> 0:51:51.200
<v Speaker 3>you could not have planned this. He comes out and

0:51:51.200 --> 0:51:53.880
<v Speaker 3>he goes JAYL I heard that monologue. That monologue sucked.

0:51:54.080 --> 0:51:57.080
<v Speaker 3>That was the worst jokes every He's just trash around me. Yeah,

0:51:57.120 --> 0:51:59.160
<v Speaker 3>And I said, I said, you know I can shut

0:51:59.160 --> 0:52:01.880
<v Speaker 3>you down with forward. No, No, you can't. I can't.

0:52:02.200 --> 0:52:05.560
<v Speaker 3>What I said, your fly is open and his pants

0:52:05.560 --> 0:52:07.680
<v Speaker 3>were wide over. Oh my god, and he looked down

0:52:07.840 --> 0:52:10.239
<v Speaker 3>and he fell off the cherry's laughing so right. He

0:52:10.400 --> 0:52:11.400
<v Speaker 3>just felt so stupid.

0:52:12.040 --> 0:52:12.640
<v Speaker 1>He was.

0:52:12.840 --> 0:52:13.799
<v Speaker 3>He was a great one.

0:52:13.880 --> 0:52:14.200
<v Speaker 1>I said.

0:52:14.239 --> 0:52:17.279
<v Speaker 3>I had him thirty maybe fifty four times. Yeah, and

0:52:17.280 --> 0:52:20.320
<v Speaker 3>the comics are always good. You were good, Jerry was good.

0:52:21.160 --> 0:52:22.640
<v Speaker 3>Robin Williams of course was good.

0:52:22.760 --> 0:52:25.000
<v Speaker 1>Yeah, Robin kind of took cover. I used to like that.

0:52:25.400 --> 0:52:26.520
<v Speaker 1>You just hand them the reins.

0:52:26.600 --> 0:52:28.480
<v Speaker 3>Yeah, right right, you just let him go. You can

0:52:28.560 --> 0:52:31.120
<v Speaker 3>really interact with him. But you know what my favorite

0:52:31.120 --> 0:52:34.320
<v Speaker 3>two was with Rodney because when I would watch Rodney

0:52:34.320 --> 0:52:37.600
<v Speaker 3>with Johnny, Johnny would beat the straight mane tough week, Rodney, Oh,

0:52:37.719 --> 0:52:39.680
<v Speaker 3>rod Johnny, I tell you this week is all right,

0:52:39.680 --> 0:52:42.919
<v Speaker 3>but last week it was cold. Really it was cold

0:52:42.960 --> 0:52:46.000
<v Speaker 3>out so oh Johnny was so cold. And yeah, I

0:52:46.040 --> 0:52:48.080
<v Speaker 3>know again when I would get Rodney, Oh, that was

0:52:48.120 --> 0:52:51.000
<v Speaker 3>my favorite thing to uh been a tough week, go

0:52:51.040 --> 0:52:52.759
<v Speaker 3>oh Jay, I'll tell you it's it's all right now.

0:52:52.760 --> 0:52:54.880
<v Speaker 3>But last week I got to tell you know, did

0:52:54.960 --> 0:52:57.320
<v Speaker 3>I tell my Rodney story about No, I'll tell you

0:52:57.480 --> 0:53:01.840
<v Speaker 3>Rodney story. I've told this, sorry, but no to me.

0:53:02.000 --> 0:53:02.879
<v Speaker 3>I had Rodney on.

0:53:02.840 --> 0:53:05.160
<v Speaker 1>The show, Okay, Rodney Dangerfield Rodney in.

0:53:05.200 --> 0:53:08.719
<v Speaker 3>Two thousand and four, and Rodney was a little older, yeah,

0:53:09.280 --> 0:53:11.960
<v Speaker 3>a little more frail. And he comes up and he's

0:53:11.960 --> 0:53:15.000
<v Speaker 3>doing the show. He's doing his stand up. I knowic

0:53:15.080 --> 0:53:18.400
<v Speaker 3>he's sweating more than you know. As someone who watches

0:53:18.520 --> 0:53:21.279
<v Speaker 3>comics and you know them personally, you can tell when

0:53:21.280 --> 0:53:23.319
<v Speaker 3>they're a little off. You know. I could tell what

0:53:23.440 --> 0:53:27.480
<v Speaker 3>Jerry's killing, but it's it's not his normal, super hard kill.

0:53:27.600 --> 0:53:30.640
<v Speaker 3>It's just a real And Rodney he would always touch

0:53:30.680 --> 0:53:33.640
<v Speaker 3>his tie. This time his hands were kind of He's

0:53:33.719 --> 0:53:37.680
<v Speaker 3>just a little you know. So I said to Debbie,

0:53:37.760 --> 0:53:40.960
<v Speaker 3>our producer, DeBie vickcause I said, I said, I think

0:53:41.040 --> 0:53:44.160
<v Speaker 3>Rodney's having a stroke. Call the cops, call it paramedics.

0:53:44.600 --> 0:53:47.080
<v Speaker 3>She goes, you think good, I think he is. Yeah. Okay,

0:53:47.080 --> 0:53:48.759
<v Speaker 3>so if he sits now, Jay, I will tell you

0:53:48.880 --> 0:53:50.799
<v Speaker 3>I'm all right now, Ja. But last week, you know,

0:53:50.840 --> 0:53:53.520
<v Speaker 3>and and he's got the handkerchief and he's really sweating.

0:53:53.560 --> 0:53:55.920
<v Speaker 3>But he gets through it and he does fine. Okay,

0:53:56.320 --> 0:53:59.399
<v Speaker 3>now the show ends. Just as the show ends, Rodney goes,

0:53:59.400 --> 0:54:03.040
<v Speaker 3>who's jess him? And the paramedics come in and I say,

0:54:03.239 --> 0:54:05.719
<v Speaker 3>so going and say, Rodney, it's the paramedics. I think

0:54:06.280 --> 0:54:07.839
<v Speaker 3>made stroke. I didn't have a stroke. Well he did

0:54:07.880 --> 0:54:08.360
<v Speaker 3>have a stroke.

0:54:08.719 --> 0:54:09.520
<v Speaker 1>You saw that.

0:54:09.880 --> 0:54:12.799
<v Speaker 3>Well, he was just off. He was just off. So

0:54:12.840 --> 0:54:15.480
<v Speaker 3>they took him away in an ambulance. He went to

0:54:15.520 --> 0:54:18.160
<v Speaker 3>the hospital. I didn't live much longer than that. And

0:54:18.160 --> 0:54:20.040
<v Speaker 3>then his wife Joan calls me. He says, you got

0:54:20.040 --> 0:54:23.400
<v Speaker 3>to come to the hospital. Rodney's in a coma. Okay.

0:54:23.400 --> 0:54:25.440
<v Speaker 3>I get there and Roddy's lion there. His eyes are open,

0:54:26.120 --> 0:54:29.680
<v Speaker 3>and she says Jay. The doctor says, Rodney can hear us,

0:54:29.800 --> 0:54:32.359
<v Speaker 3>but he can't respond to us, you know. So I'm

0:54:32.360 --> 0:54:33.959
<v Speaker 3>telling him how much we love him and how great

0:54:33.960 --> 0:54:35.640
<v Speaker 3>he was to all his comics, you know, letting us

0:54:35.640 --> 0:54:38.919
<v Speaker 3>work Rodney's Club and yeah Rodney Dangerfields and all blah

0:54:38.960 --> 0:54:44.799
<v Speaker 3>blah blah blah. So his wife John says, Rodney, she goes, Jay,

0:54:44.880 --> 0:54:47.239
<v Speaker 3>put your finger in Rodney's hand. She goes, Rodney, if

0:54:47.239 --> 0:54:49.680
<v Speaker 3>you know it's Jay, try and squeeze his finger.

0:54:50.040 --> 0:54:51.799
<v Speaker 5>So I put my finger in Rodney's hand like this,

0:54:52.480 --> 0:54:57.000
<v Speaker 5>And I went, Rodney, that's not my finger, okay.

0:54:57.560 --> 0:55:00.400
<v Speaker 3>And Rodney's shoulders go like this. They just move and

0:55:00.480 --> 0:55:03.520
<v Speaker 3>drug he moved, and the doctor comes, I mean, he

0:55:03.640 --> 0:55:06.480
<v Speaker 3>move me together and and he died right after that.

0:55:06.640 --> 0:55:09.320
<v Speaker 1>But but you got to laugh. Yeah, we got to

0:55:09.360 --> 0:55:09.839
<v Speaker 1>laugh out.

0:55:09.760 --> 0:55:12.359
<v Speaker 3>Of Runney, you know. And it was kind of I mean,

0:55:12.480 --> 0:55:14.880
<v Speaker 3>I don't say it to be mean or to be funny.

0:55:14.920 --> 0:55:17.839
<v Speaker 3>He just is a life well led you know. He

0:55:18.160 --> 0:55:20.200
<v Speaker 3>and he was a wonderful guy and he was a

0:55:20.200 --> 0:55:20.759
<v Speaker 3>smart guy.

0:55:20.760 --> 0:55:23.640
<v Speaker 1>I you know, you never met Rodney in the middle.

0:55:23.800 --> 0:55:26.480
<v Speaker 3>Well, you know the whole thing about being an aluminum

0:55:26.560 --> 0:55:30.000
<v Speaker 3>siding salesman. You know, if comedy doesn't make him, well

0:55:30.200 --> 0:55:32.680
<v Speaker 3>he did. He was a lumin siding salesman. But he

0:55:32.760 --> 0:55:33.920
<v Speaker 3>was a great lumini.

0:55:34.360 --> 0:55:34.640
<v Speaker 1>He was.

0:55:34.920 --> 0:55:37.319
<v Speaker 3>He was so successful he quit show business to sell

0:55:37.840 --> 0:55:41.839
<v Speaker 3>sign Then at age forty four, his face finally grew

0:55:41.880 --> 0:55:44.440
<v Speaker 3>into his act. He began to look like the sad

0:55:44.520 --> 0:55:48.520
<v Speaker 3>sack that he was. And that's when he really became famous.

0:55:48.680 --> 0:55:52.520
<v Speaker 3>Because see, I remember Rodney before he had no respect.

0:55:52.680 --> 0:55:55.240
<v Speaker 3>When he used to do bits right and he would

0:55:55.239 --> 0:55:57.320
<v Speaker 3>do bad. I remember one bit he had. I can't

0:55:57.320 --> 0:55:59.960
<v Speaker 3>recreate it, but this is the essence of it. He goes, well,

0:56:00.040 --> 0:56:03.840
<v Speaker 3>in the flight to sixty five with tw Airlines, he'd

0:56:03.880 --> 0:56:06.080
<v Speaker 3>be the pilot, you know, I go, we're flying over

0:56:06.560 --> 0:56:09.200
<v Speaker 3>right now, over Indiana. Rather a Desolate Park. If you

0:56:09.239 --> 0:56:11.840
<v Speaker 3>look down on the left side of the plane you

0:56:11.880 --> 0:56:14.560
<v Speaker 3>can see the remains of Flight four eighteen that crashed

0:56:14.600 --> 0:56:17.120
<v Speaker 3>right there in the ground. Bob, youer with me on

0:56:17.200 --> 0:56:20.920
<v Speaker 3>that one, weren't you. It was just like a just hilarious,

0:56:20.960 --> 0:56:23.759
<v Speaker 3>just like a funny almost like a very Bob Newhart. Yeah.

0:56:25.040 --> 0:56:25.360
<v Speaker 6>Yeah.

0:56:25.440 --> 0:56:27.799
<v Speaker 3>And then later he got into doing bits. Do you

0:56:27.800 --> 0:56:30.279
<v Speaker 3>ever see a movie called The Projectionist? It was done

0:56:30.320 --> 0:56:33.240
<v Speaker 3>I think in sixty nine. Rodney was in that place

0:56:33.239 --> 0:56:35.920
<v Speaker 3>that he was good. He was good and back to school.

0:56:36.000 --> 0:56:38.399
<v Speaker 3>One of the funniest Yeah, to me, that that thing

0:56:38.440 --> 0:56:40.839
<v Speaker 3>about in the Union, Yeah, with the guy goes I'm

0:56:40.840 --> 0:56:43.040
<v Speaker 3>gonna build an imaginary factory. Oh yeah, how are you

0:56:43.080 --> 0:56:44.960
<v Speaker 3>gonna pay off this guy? And pay off that guy?

0:56:45.160 --> 0:56:47.640
<v Speaker 3>You know? And are just so funny. Yeah, he was

0:56:47.719 --> 0:56:51.440
<v Speaker 3>really the funniest guy. And I knew Rodney forty years.

0:56:51.600 --> 0:56:53.680
<v Speaker 3>I have no idea if he's a Democrat, I have

0:56:53.719 --> 0:56:56.360
<v Speaker 3>no idea if he's a Republican. All we ever talked

0:56:56.360 --> 0:56:56.840
<v Speaker 3>about with.

0:56:57.000 --> 0:57:00.399
<v Speaker 2>Jokes, he that's true, with a lot of he had

0:57:00.440 --> 0:57:01.080
<v Speaker 2>the essence.

0:57:01.360 --> 0:57:04.000
<v Speaker 3>He had quick jokes. One of my favorite Rodney jokes

0:57:04.080 --> 0:57:06.280
<v Speaker 3>is I will pass the strip joint. He said, topless

0:57:06.280 --> 0:57:10.520
<v Speaker 3>and bottomless. I went in. There was nobody there. I mean,

0:57:10.520 --> 0:57:13.359
<v Speaker 3>it's a great topless there's nobody there.

0:57:13.440 --> 0:57:14.759
<v Speaker 1>Yeah, that's that's a great.

0:57:15.040 --> 0:57:17.400
<v Speaker 3>And the other joke he had, like my doctor said,

0:57:17.520 --> 0:57:19.840
<v Speaker 3>he a seamen sample and he's still sampling into your

0:57:19.840 --> 0:57:22.320
<v Speaker 3>own sample. So I gave my underpants. You know, just

0:57:22.360 --> 0:57:25.120
<v Speaker 3>those kinds just so stupid kind of jokes and just

0:57:25.120 --> 0:57:27.160
<v Speaker 3>just hilarious, just hilarious.

0:57:27.600 --> 0:57:30.320
<v Speaker 2>You ever intimidated by anyone that you ever you ever

0:57:30.360 --> 0:57:32.400
<v Speaker 2>have a guest, and you guys actually get nervous.

0:57:32.480 --> 0:57:34.480
<v Speaker 1>I had a couple, but you ever have anyone? You

0:57:34.480 --> 0:57:35.360
<v Speaker 1>think one day I.

0:57:35.360 --> 0:57:38.640
<v Speaker 3>Had Roger Moore on. So I'll tell you about Sean

0:57:38.680 --> 0:57:40.080
<v Speaker 3>Connery for Roger Moore.

0:57:40.240 --> 0:57:40.920
<v Speaker 1>And tell you.

0:57:41.800 --> 0:57:43.080
<v Speaker 3>I said, when do you go on vacation where you

0:57:43.160 --> 0:57:44.480
<v Speaker 3>go to India? Going to India?

0:57:44.920 --> 0:57:47.880
<v Speaker 5>Quite often go to India. Yeah that's quite a trip.

0:57:47.960 --> 0:57:51.080
<v Speaker 5>Oh not really, Well how often do you go? Oh well,

0:57:51.080 --> 0:57:56.600
<v Speaker 5>going every weekend, every weekend to India? Yes, yeah, I

0:57:56.640 --> 0:57:58.200
<v Speaker 5>mean that's it's.

0:57:58.200 --> 0:58:01.160
<v Speaker 3>Not a long flight. No, no, no, we drive, really

0:58:01.880 --> 0:58:07.920
<v Speaker 3>you drive to India from from England? No, no, from California.

0:58:08.520 --> 0:58:13.680
<v Speaker 3>He was trying to say, India Oh, it's just like

0:58:13.720 --> 0:58:14.920
<v Speaker 3>a whole wasted segment.

0:58:15.160 --> 0:58:17.360
<v Speaker 1>Yeah, you're trying to talk about.

0:58:17.560 --> 0:58:21.160
<v Speaker 3>Sean Connor is my favorite because Seawan Connor is the

0:58:21.200 --> 0:58:24.600
<v Speaker 3>only guy I have heard my mother referred to in

0:58:24.640 --> 0:58:25.600
<v Speaker 3>a sexual way.

0:58:25.760 --> 0:58:28.680
<v Speaker 1>That's a real man, Jamis, Oh, yeah, no, the women

0:58:28.680 --> 0:58:29.200
<v Speaker 1>were different.

0:58:29.920 --> 0:58:34.640
<v Speaker 2>I introduced my wife to Sean Connery and her breast

0:58:34.720 --> 0:58:37.480
<v Speaker 2>let up, and I didn't even know bress could do.

0:58:37.440 --> 0:58:37.920
<v Speaker 3>That, that's right.

0:58:38.040 --> 0:58:40.480
<v Speaker 2>Yeah, but Sean Connery probably went through life thinking that

0:58:40.480 --> 0:58:41.800
<v Speaker 2>women's breast let up all the time.

0:58:41.880 --> 0:58:42.280
<v Speaker 3>That's right.

0:58:42.400 --> 0:58:44.680
<v Speaker 2>But I've never that's the only time I've seen it happen.

0:58:44.960 --> 0:58:48.840
<v Speaker 2>I introduced her to and she went, oh, hello, San, nice.

0:58:48.640 --> 0:58:50.600
<v Speaker 1>To meet you. He's like, very nice to meet your

0:58:50.600 --> 0:58:53.800
<v Speaker 1>Megan Boom hello Push.

0:58:53.960 --> 0:58:57.880
<v Speaker 2>Well he didn't talk to our bottom department, he I

0:58:57.920 --> 0:58:59.040
<v Speaker 2>mean her, But it was.

0:58:59.000 --> 0:59:02.160
<v Speaker 3>Really I know, well, most people don't know he was

0:59:02.240 --> 0:59:05.640
<v Speaker 3>mister Universe third runner round. Yeah, that's right, nineteen fifty three.

0:59:05.840 --> 0:59:06.160
<v Speaker 1>He was.

0:59:06.280 --> 0:59:09.440
<v Speaker 3>He was a long shoreman and he was a tough

0:59:09.480 --> 0:59:10.320
<v Speaker 3>sound very tough.

0:59:10.360 --> 0:59:12.160
<v Speaker 1>You know the story about him and Johnny Stumpinato.

0:59:13.080 --> 0:59:14.440
<v Speaker 3>Oh no, you get the fight with Johnny.

0:59:14.760 --> 0:59:17.320
<v Speaker 2>Johnny Stumpinado brings a gun on at the set. I

0:59:17.400 --> 0:59:18.880
<v Speaker 2>can't remember the movie. He was doing a movie with

0:59:18.920 --> 0:59:23.080
<v Speaker 2>Lana Turner, Lana try right, Yeah, And the rumor was

0:59:23.160 --> 0:59:25.880
<v Speaker 2>that Big Tam as he's known in Scotland or Sean

0:59:25.920 --> 0:59:30.080
<v Speaker 2>Connery was having an affair with lannat Turner, which knowing

0:59:30.160 --> 0:59:32.600
<v Speaker 2>him and knowing about oday, it's probably it's a pretty

0:59:32.600 --> 0:59:36.840
<v Speaker 2>good even money bet. Stompnado, who's our gangster boyfriend? Turns up,

0:59:36.960 --> 0:59:40.880
<v Speaker 2>points a gun as showing points a handgun at Sewan corner. Right,

0:59:41.280 --> 0:59:45.520
<v Speaker 2>he takes the gun, he smacks he did ahead of

0:59:45.560 --> 0:59:47.960
<v Speaker 2>the gun, and she's got the fuck out. He bring

0:59:47.960 --> 0:59:51.960
<v Speaker 2>a gun onto a place of one. I mean, it's

0:59:52.040 --> 0:59:54.600
<v Speaker 2>like he was a tough guy. He was from a

0:59:54.680 --> 0:59:56.960
<v Speaker 2>very tough part of Edinburgh and he was very kind.

0:59:56.760 --> 0:59:59.920
<v Speaker 3>Of and he's the only guy, you know what to say.

1:00:00.040 --> 1:00:02.520
<v Speaker 3>I was here a jokes and knee slamper. Yeah, he's

1:00:02.560 --> 1:00:05.400
<v Speaker 3>the only guy I ever saw slap you gee gee,

1:00:05.640 --> 1:00:08.680
<v Speaker 3>what's the leadst filthy jewel going about? G you know?

1:00:12.280 --> 1:00:14.080
<v Speaker 3>I mean he would laugh like like he was a

1:00:14.120 --> 1:00:17.480
<v Speaker 3>pirate and he was the only guy that ever took

1:00:17.520 --> 1:00:19.720
<v Speaker 3>a shower in a tonight showed jesssing room because the

1:00:19.840 --> 1:00:22.040
<v Speaker 3>justsing room is a small ones I remember, just a

1:00:22.240 --> 1:00:25.880
<v Speaker 3>little Chinese shower, but nobody he's and he would sing.

1:00:27.440 --> 1:00:28.480
<v Speaker 1>Take the head and.

1:00:29.960 --> 1:00:32.560
<v Speaker 3>The news crew, news guys, news had to run down

1:00:32.560 --> 1:00:38.160
<v Speaker 3>with the headphones. Who's shouting down? I said, Sean Connery. Second,

1:00:40.960 --> 1:00:44.120
<v Speaker 3>Oh yeah, but oh yeah, you know it was it

1:00:44.200 --> 1:00:47.520
<v Speaker 3>was he. They took this rough thug. They put him

1:00:47.520 --> 1:00:49.840
<v Speaker 3>in a savile roast suit. They teld him a little

1:00:49.840 --> 1:00:53.160
<v Speaker 3>bit about wine, so he came across. He was the

1:00:53.200 --> 1:00:56.400
<v Speaker 3>only really dangerous Bond I never got. Roger More is

1:00:56.440 --> 1:00:58.720
<v Speaker 3>always a pill, very dope guy. He's kind of like

1:00:58.760 --> 1:01:03.240
<v Speaker 3>the comedy bone, you know. But him and and Daniel.

1:01:02.840 --> 1:01:04.760
<v Speaker 1>Craig, Yeah, I could believe Daniel Craig.

1:01:05.080 --> 1:01:09.200
<v Speaker 3>Daniel, but Sean Connery had the height, he had the weight, Yeah,

1:01:09.240 --> 1:01:10.000
<v Speaker 3>he had the.

1:01:09.840 --> 1:01:11.800
<v Speaker 1>Threat was pretty good for the nineteen eighties.

1:01:12.960 --> 1:01:17.440
<v Speaker 3>But but Sean Conny just had the physical presence. I mean,

1:01:17.480 --> 1:01:20.840
<v Speaker 3>the Bond films are funny, be goes gold Finger the Man,

1:01:20.920 --> 1:01:24.160
<v Speaker 3>but a big fat guy can barely speak English, slabbering

1:01:24.200 --> 1:01:29.040
<v Speaker 3>over himself. How was this guy in the song? But yeah,

1:01:29.080 --> 1:01:32.440
<v Speaker 3>in the in the in the song women, Oh he's

1:01:32.520 --> 1:01:34.280
<v Speaker 3>cold finger, you know, Oh please.

1:01:34.840 --> 1:01:37.280
<v Speaker 2>You know that Sean Connery. I think it's in the

1:01:37.320 --> 1:01:41.040
<v Speaker 2>movie Goldfinger. He wears a little toweling many like it's

1:01:41.120 --> 1:01:43.600
<v Speaker 2>like little shorty shorts. Oh yeah, the zip that goes

1:01:43.680 --> 1:01:45.120
<v Speaker 2>up the front and the little thing like that. It's

1:01:45.160 --> 1:01:47.240
<v Speaker 2>the most ridiculous looking out fit. Oh yeah, And I

1:01:47.560 --> 1:01:49.360
<v Speaker 2>remember we were watching it, like when one of my

1:01:49.400 --> 1:01:52.200
<v Speaker 2>boys was Lettle. We're watching introducing them to an know

1:01:52.280 --> 1:01:56.200
<v Speaker 2>bone movie. In my I said to Meghan, that's uh,

1:01:56.520 --> 1:01:57.440
<v Speaker 2>that's a stupid.

1:01:57.160 --> 1:01:59.760
<v Speaker 1>Looking at it that. She went, No, one shot Conery.

1:02:00.160 --> 1:02:01.360
<v Speaker 1>I did a preslet again.

1:02:01.480 --> 1:02:02.760
<v Speaker 3>Oh yeah, wow.

1:02:03.240 --> 1:02:04.200
<v Speaker 1>And he wasn't even there.

1:02:04.520 --> 1:02:07.760
<v Speaker 3>Yeah he was. He was quite a guy, he was.

1:02:07.960 --> 1:02:09.400
<v Speaker 1>He was a very impressive.

1:02:09.880 --> 1:02:12.959
<v Speaker 3>I mean he was a guy for his time. Because

1:02:13.000 --> 1:02:16.280
<v Speaker 3>you watch it now and it's so incredibly sexy.

1:02:16.280 --> 1:02:19.880
<v Speaker 1>It's shocking, but it was what it was.

1:02:19.960 --> 1:02:22.960
<v Speaker 2>Yeah, anybody, look, buddy, we're done for the recording.

1:02:23.080 --> 1:02:26.360
<v Speaker 1>You and I can talk anything. Yeah, we're done. But listen,

1:02:27.240 --> 1:02:28.120
<v Speaker 1>that went pretty quick.

1:02:28.280 --> 1:02:30.800
<v Speaker 2>Yeah, well, you know, we do talk a law, Yeah,

1:02:30.840 --> 1:02:34.240
<v Speaker 2>a lot more than I talked to any other former

1:02:34.240 --> 1:02:37.040
<v Speaker 2>host of the Tonight Show. You're the one I talked

1:02:37.040 --> 1:02:41.320
<v Speaker 2>to the well, and I think that you know, I

1:02:41.360 --> 1:02:43.440
<v Speaker 2>had such a good time when we were doing gigs

1:02:43.520 --> 1:02:45.080
<v Speaker 2>with our Senio this summer.

1:02:45.160 --> 1:02:45.880
<v Speaker 1>We should do it again.

1:02:46.000 --> 1:02:46.960
<v Speaker 3>Yeah, I love doing those.

1:02:47.040 --> 1:02:49.480
<v Speaker 1>He's a great guy to see you guys, is a

1:02:49.520 --> 1:02:49.960
<v Speaker 1>great guy.

1:02:50.360 --> 1:02:52.240
<v Speaker 3>I tell you a story about our Sceno. It was

1:02:52.280 --> 1:02:55.400
<v Speaker 3>so funny. I think I told you about with Berri manelog.

1:02:55.480 --> 1:02:58.200
<v Speaker 3>You know, I was saying, no, tell me, Well, he

1:02:58.360 --> 1:03:00.560
<v Speaker 3>was the only real threat. That was one Carson was

1:03:00.600 --> 1:03:04.520
<v Speaker 3>afraid of Arsenio. Well because it was hip, Yeah it was.

1:03:04.720 --> 1:03:08.120
<v Speaker 3>He was good black, it was young, it was everything

1:03:08.200 --> 1:03:11.480
<v Speaker 3>Johnny wasn't you know. And you know, like when Dana

1:03:11.560 --> 1:03:15.040
<v Speaker 3>Carvey did Carcinio, he did a comedy oppression of a

1:03:15.080 --> 1:03:20.320
<v Speaker 3>brilliant impression. Johnny just hated. Made him very nervous. Anyway,

1:03:20.400 --> 1:03:23.320
<v Speaker 3>So the first night of our Sinio show, he goes,

1:03:23.680 --> 1:03:26.160
<v Speaker 3>You're not going to see Barry Manilo's ass on this show.

1:03:26.280 --> 1:03:28.280
<v Speaker 3>This show is all about the funk. It's about to

1:03:28.360 --> 1:03:29.720
<v Speaker 3>mute hit it, you know, in the band place of

1:03:29.760 --> 1:03:30.000
<v Speaker 3>a game.

1:03:30.160 --> 1:03:30.280
<v Speaker 5>Right.

1:03:30.680 --> 1:03:33.800
<v Speaker 3>Okay, So I remember watching that shown. Now this is

1:03:33.800 --> 1:03:35.960
<v Speaker 3>the time when he and I were supposed to be fighting,

1:03:36.040 --> 1:03:38.200
<v Speaker 3>right you understanding, Well, he had I'm going to kick

1:03:38.240 --> 1:03:40.280
<v Speaker 3>Leno's ass and all this stuff going on.

1:03:40.360 --> 1:03:41.840
<v Speaker 1>You know, it's funny because I think of you two

1:03:41.920 --> 1:03:42.600
<v Speaker 1>is being very good.

1:03:43.000 --> 1:03:45.520
<v Speaker 3>We were very good and we still are and we

1:03:45.520 --> 1:03:48.840
<v Speaker 3>were even during that. So anyway, so I'm watching him

1:03:48.880 --> 1:03:50.880
<v Speaker 3>every night to make sure we don't do the same jokes,

1:03:51.080 --> 1:03:53.240
<v Speaker 3>because you need to do that, you know. And I

1:03:53.240 --> 1:03:55.480
<v Speaker 3>hear him say about December. Now, come on, I guess

1:03:55.520 --> 1:03:57.880
<v Speaker 3>in September. About December he goes, and next week on

1:03:57.920 --> 1:04:01.080
<v Speaker 3>the show, Barry Manilow. You know, I have to say sorry.

1:04:01.360 --> 1:04:01.600
<v Speaker 1>Sorry.

1:04:01.720 --> 1:04:03.960
<v Speaker 3>The next day I call like, oh, hi, can I

1:04:03.960 --> 1:04:05.640
<v Speaker 3>speak to you, Senor Hall, This is Jay Leonard. Just

1:04:05.680 --> 1:04:06.040
<v Speaker 3>a minute.

1:04:06.160 --> 1:04:07.880
<v Speaker 5>Oh, he doesn't want to speak to you. Just just

1:04:08.360 --> 1:04:09.920
<v Speaker 5>he doesn't want to speak to you. I said, no,

1:04:10.040 --> 1:04:11.640
<v Speaker 5>he needs to hear what I have to say.

1:04:11.840 --> 1:04:14.480
<v Speaker 3>You know. He goes, what do you want? What do

1:04:14.520 --> 1:04:14.840
<v Speaker 3>you want?

1:04:15.120 --> 1:04:15.360
<v Speaker 1>Oh?

1:04:15.680 --> 1:04:19.760
<v Speaker 3>Next week, very mentel and then he falls off the chair.

1:04:19.840 --> 1:04:20.320
<v Speaker 3>He's laughing.

1:04:20.360 --> 1:04:22.360
<v Speaker 1>So how I go, Oh, he wants to see his ass.

1:04:22.600 --> 1:04:24.560
<v Speaker 7>Because you realize when you do these shows, you need

1:04:24.720 --> 1:04:29.640
<v Speaker 7>everybody you gotta take. You can't every night you got

1:04:30.360 --> 1:04:32.720
<v Speaker 7>But and from that point now we both laughed.

1:04:32.480 --> 1:04:33.280
<v Speaker 1>At him, you know.

1:04:33.520 --> 1:04:35.600
<v Speaker 2>But when the news broke that I was going to

1:04:35.680 --> 1:04:38.919
<v Speaker 2>do the late night show. When I was taking it over,

1:04:39.920 --> 1:04:43.680
<v Speaker 2>I was a YouTube concert in Forum in Los Angeles,

1:04:43.720 --> 1:04:46.520
<v Speaker 2>and you know the little backstage area, some backstage there,

1:04:46.520 --> 1:04:48.640
<v Speaker 2>and Chris Rock is there and he comes over and

1:04:48.640 --> 1:04:50.360
<v Speaker 2>he goes, you're the guy taking over the show, and

1:04:50.360 --> 1:04:51.560
<v Speaker 2>I went yeah, and he goes, you guys do that

1:04:51.560 --> 1:04:55.200
<v Speaker 2>ship every fucking night and I went yeah, and he went, no, man,

1:04:55.680 --> 1:04:56.800
<v Speaker 2>every fucking night.

1:04:57.160 --> 1:05:00.360
<v Speaker 1>I went yeah. And then it kind of to me

1:05:00.360 --> 1:05:01.240
<v Speaker 1>it was like a movie.

1:05:01.400 --> 1:05:04.240
<v Speaker 3>But see, I found every night easier because if it

1:05:04.240 --> 1:05:07.680
<v Speaker 3>didn't go well, I got some I can't stop and dwell,

1:05:07.680 --> 1:05:07.920
<v Speaker 3>I got.

1:05:07.960 --> 1:05:10.680
<v Speaker 1>To move out. That is the glory of it. But

1:05:10.840 --> 1:05:13.920
<v Speaker 1>the truth is, but I tell you I was done.

1:05:13.960 --> 1:05:15.800
<v Speaker 2>I mean, what did you do twenty five years, twenty

1:05:15.800 --> 1:05:18.240
<v Speaker 2>two years, twenty three, Well, I mean twenty five kind

1:05:18.280 --> 1:05:20.160
<v Speaker 2>of guessing, you know, Yeah, I had a ten years

1:05:20.160 --> 1:05:21.960
<v Speaker 2>and that's yeah, that's there's a bit two more than

1:05:22.000 --> 1:05:22.440
<v Speaker 2>I really was.

1:05:22.560 --> 1:05:24.600
<v Speaker 1>Yeah. Yeah, it wasn't there appointment.

1:05:24.600 --> 1:05:27.880
<v Speaker 3>You're like, no, I'm pretty good at simple, repetitive fasts.

1:05:28.040 --> 1:05:31.840
<v Speaker 3>So yeah, well I enjoy you know, I enjoyed it.

1:05:31.880 --> 1:05:34.840
<v Speaker 3>I liked the discipline of writing, writing jokes every day.

1:05:35.200 --> 1:05:35.640
<v Speaker 1>Great at it.

1:05:35.680 --> 1:05:38.560
<v Speaker 3>I like that you got pencils down. I gotta go. Okay,

1:05:38.760 --> 1:05:40.680
<v Speaker 3>if it didn't, if the show wasn't any good, I

1:05:40.680 --> 1:05:43.720
<v Speaker 3>got another show tomorrow and three days later you forgot

1:05:43.720 --> 1:05:44.960
<v Speaker 3>about that show that wasn't very good.

1:05:45.120 --> 1:05:46.439
<v Speaker 1>Yeah, that's true.

1:05:46.800 --> 1:05:48.760
<v Speaker 2>It was as interesting now though, that all these shows

1:05:48.800 --> 1:05:51.840
<v Speaker 2>hang around and people pick apart from a show and

1:05:52.200 --> 1:05:53.200
<v Speaker 2>broadcasting like, I.

1:05:53.120 --> 1:05:55.600
<v Speaker 1>Don't even remember doing that, you know, I know, I know,

1:05:56.000 --> 1:05:56.800
<v Speaker 1>it's crazy.

1:05:57.120 --> 1:05:59.680
<v Speaker 3>You know, it's different. You know. The saddest thing about

1:05:59.720 --> 1:06:03.880
<v Speaker 3>late night is everybody doing it is really good. The

1:06:03.960 --> 1:06:08.040
<v Speaker 3>trouble is, you have these streaming services. You can watch

1:06:08.080 --> 1:06:10.840
<v Speaker 3>the Lord of the Wings trilogy without commercials. You can

1:06:10.840 --> 1:06:14.040
<v Speaker 3>watch all three Godfather movies. You know, every talk show

1:06:14.080 --> 1:06:17.880
<v Speaker 3>you watch now, because the viewing audience is smaller, there's

1:06:17.920 --> 1:06:21.560
<v Speaker 3>even more commercials. So you watch the monologue five and

1:06:21.600 --> 1:06:24.560
<v Speaker 3>a half minutes and seven minutes of commercials, then six

1:06:24.600 --> 1:06:27.080
<v Speaker 3>and a half minutes a show than nine minutes after

1:06:27.160 --> 1:06:30.120
<v Speaker 3>midnight of commercials, and it just makes it, you know,

1:06:30.200 --> 1:06:32.680
<v Speaker 3>And it's not the it's not the host fault. It's

1:06:32.760 --> 1:06:33.760
<v Speaker 3>just it's so much.

1:06:34.640 --> 1:06:37.040
<v Speaker 1>Yeah, exactly, Yeah, No, I'm glad I got out with it.

1:06:37.160 --> 1:06:38.400
<v Speaker 1>We got at the right time winning.

1:06:38.400 --> 1:06:41.040
<v Speaker 3>Oh we did. Yeah, nobody's making that kind of money anymore.

1:06:41.080 --> 1:06:43.160
<v Speaker 1>All right, well, let's get the fuck out here.

1:06:43.360 --> 1:06:44.439
<v Speaker 3>That's got to drive cars.

1:06:45.280 --> 1:06:45.920
<v Speaker 1>Yeah, anytime,