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Speaker 1: Now it's time for Cannabis Talk one on one with Blue,

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Speaker 1: Joe Grande and Mark and Craig Wasserman, the Pot Brothers

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Speaker 1: in Law with special guest comedian actorate podcast host Aery Spears.

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Speaker 1: He has us all in tears with his impersonations. Hello,

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Speaker 1: and welcome to Cannabis Talk one on woman. He's Blue

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Speaker 1: alongside of me of the world famous Pot Brothers a Law,

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Speaker 1: Mr Mark and Craig Wasserman. Yes, sir, we're here. Hey, hey,

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Speaker 1: and to my right over here's Mr Joe Grande and

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Speaker 1: to my left is Mr Blue Christopher Ryan. What's up,

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Speaker 1: party people, it's going down. We have an amazing show

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Speaker 1: for you guys today and we want to thank you

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Speaker 1: all for joining Cannabis Talk one on one. Joe let

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Speaker 1: us go. Well, Thank you guys all for listening to

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Speaker 1: the podcast Cannabis Talk one on one. All around this

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Speaker 1: wonderful globe, eighty six different countries are checking in and

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Speaker 1: we appreciate each and every one of you. If you

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Speaker 1: ever want to be a part of the show, eight

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Speaker 1: hundred is the number of call, eight hundred eighty Mark.

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Speaker 1: You got it in Hebrew for us, I knew it

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Speaker 1: is schmoney fist. I don't think you're Mike's plugged in right,

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Speaker 1: But you know what, we'll just run with it for

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Speaker 1: a little bit where it's working. You're still there in

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Speaker 1: the background. Follow us on Instagram at Cannabis Talk one

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Speaker 1: oh one at Pot Underscore, Brothers Underscore at Underscore, law

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Speaker 1: Marks at wast Law, Craigs at wast Law, Dog Blue one,

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Speaker 1: Christopher Rice and I am at Joke Brandift two, and

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Speaker 1: our guest is at airy Spears. You can go to

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Speaker 1: the website airy spears dot com. He's a comedian, he's

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Speaker 1: an actor, he's got his podcast Spears in Steinberg and

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Speaker 1: everything else about you. I've loved you from jump Dog.

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Speaker 1: It's always great to you know, catch back up from

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Speaker 1: many moons. I had to remind you, but whatever, I'm

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Speaker 1: not gonna hold that against you. You know you don't

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Speaker 1: remember cats, but fuck you anyways, getting there, I was

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Speaker 1: liked a long time ago to I finally look familiar.

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Speaker 1: But you know what, put the head you be a ballheaded.

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Speaker 1: Maybe I'm here now, but we've got the man, the

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Speaker 1: mid the legend. He's a great comedian. He's on tour everywhere.

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Speaker 1: If you want to find his locations, go to his

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Speaker 1: website once again, every Spears dot com. But just a

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Speaker 1: real quick though out there and as we'll throw him

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Speaker 1: out later again. At the beginning of the show October

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Speaker 1: one to the fourth, Tommy ts in pleasant ten, sixteenth

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Speaker 1: to the seventeenth, Tappa Improvin, Florida, the twenty four, Wise

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Speaker 1: guys in Salt Lake City, you talk October twenty nine

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Speaker 1: through the first Ontario Improvin Ontario, California, Brea improv and

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Speaker 1: Brea do you are Ja? November November Orlando, I Provin, Florida.

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Speaker 1: Then he goes to Portland, Oregon November seven to the

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Speaker 1: twenty nine. This cat is no joke. I'm going to December.

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Speaker 1: You want to have some fun in December Arlington, Texas

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Speaker 1: the tenth through the thirteenth, and he's going to p

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Speaker 1: A Folks the seventeenth December and the twenty five seven,

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Speaker 1: spend your Christmas in Florida Palm Beach with my man

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Speaker 1: Airy Spears. And then on the thirty one to January

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Speaker 1: three and nothing like bringing in the new year in

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Speaker 1: good old North Carolina. Yes, sir, so we need to

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Speaker 1: we need to have a Cannabis talk one on one

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Speaker 1: show up November six. I'm gonna need some tickets to

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Speaker 1: that one on the Uh? What is the eighth? Are

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Speaker 1: they are? They are they limiting capacity on those? They are? Uh?

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Speaker 1: And you know most of the clubs I do, it's

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Speaker 1: at percent capacity. I really wish I had done this

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Speaker 1: show before this past weekend because I was in one

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Speaker 1: of my favorite spots of all time, which they do

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Speaker 1: fifty percent capacity. But I was in Miami at the Improv.

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Speaker 1: And you know, I got two baby mothers, Black and

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Speaker 1: Puerto Rican, and I gotta sweet to for them Latin chicks. Man.

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Speaker 1: So when I go to Miami, I call it me

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Speaker 1: Mommi Florida. Man. I loved it, Man, I loved it. Man.

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Speaker 1: I'm I'm a fan of Florida myself. Getting girls dressed

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Speaker 1: like they don't like their fathers. Man, the humanity they don't.

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Speaker 1: They dress scandalous, isn't it great? It's almost like, wow,

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Speaker 1: what are you wearing? Girl? Can Can you pick up

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Speaker 1: my wallet? I'm the dirty guy that dropped like, oh, man,

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Speaker 1: can you grab that for me? Man? I tell people

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Speaker 1: it's crazy. I've been doing this thirty years and always

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Speaker 1: tell people I'm spoiled because I'm from New York. I

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Speaker 1: live in l A. And I've been to Miami, and

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Speaker 1: I'm not a big fan of Middle of America because

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Speaker 1: I'm I have an appetite for pussy. Uh. And when

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Speaker 1: you're from them three places and you want to stay alive,

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Speaker 1: that too, the Middle of America volume gets turned way down.

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Speaker 1: You know, Dakota's Iowa, Omaha. And I always tell people

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Speaker 1: Middle of America pussy is like the bread ends on

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Speaker 1: a loaf of bread. You only funk with that when

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Speaker 1: you got no more options. I mean, that is great?

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Speaker 1: Is that? Any times I get to go to Miami,

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Speaker 1: I'm loving it. The cannabis isn't good in the Midwest either, No, No,

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Speaker 1: cannabis is great like l A. Because here, you know,

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Speaker 1: Snoop doggs pictures on my bag, you know, my weed.

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Speaker 1: Its pictures on there like Washington on the dollar bill

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Speaker 1: and that when you know it's just look at the

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Speaker 1: picture and be like, damn, why Snoop on my bag

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Speaker 1: of weed? Right here? The best baby I got all

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Speaker 1: this weed and this is Snoop. Ever, before we started

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Speaker 1: the show, we were actually talking about the script a

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Speaker 1: little bit, and I want people to understand. Of course,

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Speaker 1: Mark and Craig Washerman, have the script down. If you

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Speaker 1: don't know what the script is real quick, Mark and

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Speaker 1: Craig go over the script. One time, little brother started, alright,

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Speaker 1: big brother, what do you say when the cops first

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Speaker 1: pull you over? Why did you pull me over? And

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Speaker 1: when they started asking questions, not discussing my day or evening, sir,

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Speaker 1: keep asking questions, getting your face? Am I being detained?

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Speaker 1: Am I free to go? And if detained, what do

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Speaker 1: you say? I'm invoking my fifth and what do you do?

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Speaker 1: I shut the funk up? Now what we hit? We

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Speaker 1: we we did this with Ari and at theirry too.

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Speaker 1: Is Sis his name? But I even asked, I'm so, so,

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Speaker 1: why don't you tell my brother what your response is?

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Speaker 1: When I said, because I want to clarify something for

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Speaker 1: you and it should help you want a lot of

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Speaker 1: people when we clarify the But what did you say?

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Speaker 1: And when I said, what do you do? Instead of

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Speaker 1: saying s tfu, what do you say? I said, if

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Speaker 1: you're a nigga, you don't do none of that. You

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Speaker 1: shut then up and do what you're told? Get shot.

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Speaker 1: Those are white boy rooms, all right, So Tom, you

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Speaker 1: invoke your fifth Amendment? They didn't put five slugs in

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Speaker 1: your heads. So funny, doc is, when I first met

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Speaker 1: these guys, right, I would sit there and I fucking

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Speaker 1: chest up, like you know what this is for you guys,

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Speaker 1: you too, it works perfect for like meat. No, this

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Speaker 1: is what the hair. When I was ball headed in

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Speaker 1: three pounds, it never worked. I'm saying. They said, they

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Speaker 1: see the last name and they go Okay, No, sir Grande,

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Speaker 1: take your chances for I take mine. Well, don't get

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Speaker 1: me wrong, I take those dice rooles too. Don't get

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Speaker 1: it twisted. When you're black, it's still a little different

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Speaker 1: day every day. I'm not gonna take that away. And

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Speaker 1: I'll take my privilege to say you're right. But I

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Speaker 1: felt the same way. And Mark and Craig educate what

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Speaker 1: you guys have explained to many minorities. So the difference

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Speaker 1: in what you're saying, it doesn't the script isn't what

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Speaker 1: gets your ass beat. What gets your ass beat is

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Speaker 1: bad fucking cops are gonna beat your ass no matter

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Speaker 1: what you do. That's gonna happen, right, no matter what

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Speaker 1: you do. So the difference is what you're saying is

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Speaker 1: partially correct because it's it's comply with what they're asking

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Speaker 1: you to do, get out of the car, put your

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Speaker 1: hands behind your back, whatever they're gonna do, whether it's

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Speaker 1: right or wrong, if you want to live through that

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Speaker 1: ship unfortunately, we recommend you comply and complain later. But

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Speaker 1: the script is there to help you preserve your rights,

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Speaker 1: your defenses in case you are arrested. We haven't had

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Speaker 1: one person call us up and say I did the

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Speaker 1: script and I got my ass beat. We get more

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Speaker 1: d m s from a cost across the country from

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Speaker 1: people of color, black, brown, Asian who say, thank you,

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Speaker 1: I invoked the fifth and a lot of times the

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Speaker 1: cops don't know what to do because you know you're right,

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Speaker 1: so it's different than you know, like like the what

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Speaker 1: what the cops do is so wrong, it's so wrong,

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Speaker 1: and they do illegal orders all the time. But if

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Speaker 1: you want to survive and it's really messed up that

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Speaker 1: this has to be the way is you comply they say,

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Speaker 1: get out of the car, don't sit there and argue

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Speaker 1: with them why they're supposed to tell you why they're

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Speaker 1: supposed to, but they don't. And if they don't, there

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Speaker 1: was that one going around where the guy they smashed

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Speaker 1: the window dragged him out of the window. I don't

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Speaker 1: think the guy did ship, but he should have just

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Speaker 1: got out of the car. I mean, unfortunately, even though

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Speaker 1: it's in illegal order and it shouldn't have happened, he

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Speaker 1: should have probably just gotten out of the car. And

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Speaker 1: you know, if they put your hands behind your back,

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Speaker 1: you you listen. You comply with their physical requests, but

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Speaker 1: don't fuck yourself by tattling on yourself in any way,

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Speaker 1: shape or form. And it's not their business to discuss

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Speaker 1: your day with them. So there's a difference between complying

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Speaker 1: with what they're asking you to do and incriminating yourself.

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Speaker 1: And I've seen the footage on social media where guys

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Speaker 1: who know their rights, I'm telling cops their rights, and yeah,

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Speaker 1: the cops look befuddled. But I think that deaf needs

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Speaker 1: to be a balance between the two. Yes, it's okay

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Speaker 1: to know your rights, absolutely shut the funk up. But

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Speaker 1: I also think you don't gain anything from being super

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Speaker 1: nigked and trying to you know, out talk them, be

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Speaker 1: too cocky and be a dick. You should absolutely comply.

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Speaker 1: And if they and if they still gonna sunk you up,

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Speaker 1: they're gonna suck you up because they racist and that's

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Speaker 1: their intent. But why throw fuel on the fire. You

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Speaker 1: know what, you make a but you make a point

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Speaker 1: that you make a great point, which is what we

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Speaker 1: tell people all the time is and whether no matter

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Speaker 1: what color you are the traffic stop, that point in

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Speaker 1: time is not the time to argue your case. You

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Speaker 1: argue it later, get out, you shut up, You don't

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Speaker 1: say anything that can be used against you, but you comply.

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Speaker 1: If they want to arrest you, then they're gonna arrest you,

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Speaker 1: and then you later complain and we fight it. And

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Speaker 1: nine times out of ten, if you listen to us,

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Speaker 1: we're gonna get the case dismissed. Or if they go

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Speaker 1: at you from just doing what we tell you to

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Speaker 1: but complying with their demands just because you said, you know,

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Speaker 1: I'm invoking my fifth and they want to throw you

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Speaker 1: a beating, we're gonna have a great ass civil case.

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Speaker 1: Every other time somebody they want to argue with the cop,

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Speaker 1: and the cops not righting the coup probably isn't right

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Speaker 1: when I when I when I've been pulled over, and

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Speaker 1: I want to be clear about this. Obviously we know

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Speaker 1: there are bad cops out there that fuck brothers up

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Speaker 1: and kill them and do all that. But and just

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Speaker 1: because I've never experienced it personally, would be ridiculous for

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Speaker 1: me to say it doesn't exist. But I know every

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Speaker 1: experience I've ever had when a cop pulls me over,

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Speaker 1: I'm mr. Yes, ma'am, no, ma'am, absolutely sir. And listen, man,

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Speaker 1: I know the streets. I would like love to say, Man,

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Speaker 1: you're a bitch, don't be no bid. It ain't about

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Speaker 1: being a bitch. It's about staying alive. Right, So it's like,

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Speaker 1: you know, you do what you gotta do to to

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Speaker 1: to make sure that the situation doesn't escalate. And knowing

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Speaker 1: what you know, knowing what you guys say, you had

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Speaker 1: that AMMO to use in a later time. So I'm

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Speaker 1: just like, again, there's no there's no reward and being

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Speaker 1: a tough guy. No, just just get through it. And

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Speaker 1: and you know, I watched enough and YPD Blue and

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Speaker 1: long in order to know shut the funk up. That

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Speaker 1: wasn't a news flash. Yeah, no, Craig and filming, I

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Speaker 1: think one of the things that that you know areas

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Speaker 1: to say to go back in and I I I

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Speaker 1: completely understand the script now, you know, But for me,

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Speaker 1: has grown up while I was bald and running up

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Speaker 1: like with sub homes, you know, and I know my

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Speaker 1: little lingo and I didn't know how to talk to

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Speaker 1: cors first of all, in any man, I didn't even

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Speaker 1: know how to talk to a normal Yeah. No, there

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Speaker 1: was no conversation. There was no adult conversation period. But

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Speaker 1: you know one of the things you ever been, You've

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Speaker 1: been rolled up? Yeah, yeah, what happened. I got pulled

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Speaker 1: over and I got taken out of the car. No,

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Speaker 1: I'm talking about rolled up like where they pulled you

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Speaker 1: out of the car and beat the dark shit out

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Speaker 1: of you and then spread you with Mason told you times. Yeah, definitely.

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Speaker 1: When I got kicked out of Hebrew class, they called

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Speaker 1: the cops on me. You get your So my point

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Speaker 1: to that, though, is that is what I'm saying, is

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Speaker 1: in the in where I grew up on a perid

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Speaker 1: highway in Los Angeles, and they this is younger days now.

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Speaker 1: You know, I'm not in the in the streets like that,

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Speaker 1: but there are a lot of kids that are and

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Speaker 1: they get out there and they start trying to, you know,

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Speaker 1: talk to their rights and whatnot, and it's just that

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Speaker 1: it's they're getting rolled up, you know, and there's no

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Speaker 1: shut the funk up, turn around, throw them in the

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Speaker 1: back of a car, and we'll deal with your ask later.

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Speaker 1: But you're all missing the point. They're all missing the point.

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Speaker 1: I get the point, but you are. You're missing the

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Speaker 1: point that the script, the script isn't fair to present

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Speaker 1: you from getting arrested. That's not what it's for. Listen,

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Speaker 1: we know what the script is for. What I'm saying

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Speaker 1: is some teething. With all of that script, you can

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Speaker 1: enhance the chances of getting as kick even though we

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Speaker 1: know the cops in the wrong. You don't give funk

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Speaker 1: about that script if you don't give a funk about me,

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Speaker 1: which makes you think you give a funk about words

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Speaker 1: your rights. As I was saying, we get calls and

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Speaker 1: we're gonna go over some of those calls we get

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Speaker 1: from minorities across the country regarding using in our script

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Speaker 1: after we come back from this break, Welcome back to

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Speaker 1: Cannabis Talk at one one here on I Heart Radio.

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Speaker 1: So the stories we get all the time, and and

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Speaker 1: it's quite quite a bit from minorities, black people, brown people,

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Speaker 1: Asian people, and this is from mid deep deep South

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Speaker 1: that they use the script. We tell people to use

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Speaker 1: it politely, and they got And we have people who

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Speaker 1: d m us that God we hadn't man, we had

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Speaker 1: weight in the trunk, but we didn't talk. We politely,

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Speaker 1: We politely the script and the cop either gives you

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Speaker 1: the ticket or sometimes they're so be fuddled that they'll

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Speaker 1: let you go and not even give you the ticket

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Speaker 1: because you were polite in what you're saying. And like

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Speaker 1: we said, if it happens all the time that we're

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Speaker 1: getting d m s on I g from people saying

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Speaker 1: it works, it works. It works as far as not

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Speaker 1: incriminated themselves. And we've had no one call us up yet.

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Speaker 1: Not that it won't happen. Not that I disagree with

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Speaker 1: you one bit about what some racist cops will do

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Speaker 1: if you invoke your rights. But but they're gonna beat

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Speaker 1: your ass most likely anyway. Sometimes sometimes what can I

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Speaker 1: tell you? Let me go on on a limb, and

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Speaker 1: a lot of people are gonna probably hate me for

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Speaker 1: saying that I hate you. I don't even think it's

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Speaker 1: it's sometimes it's not even about race. I think it's

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Speaker 1: about power, Like, oh, there you know what I'm saying.

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Speaker 1: Sometimes sometimes I'm saying there says sometimes it'll be It'll

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Speaker 1: be you have to let me finish that conversation because

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Speaker 1: if I don't, I could get slammed real funked up

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Speaker 1: over this. I'm just saying, you know, I've had hispanic

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Speaker 1: you know, cops you know, brush up on you and

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Speaker 1: and take this whole it's a it's a police officer

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Speaker 1: power trip. You know what I mean on you, because

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Speaker 1: I've seen black on black officers beast up and power

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Speaker 1: trip on on other black assessment. Do you know what

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Speaker 1: I'm saying. That's why I get it, because because it's

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Speaker 1: a it's about I mean, anyone saying that it's a

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Speaker 1: it's a power I don't big power trip, you know,

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Speaker 1: and and and and it's like when you pull over,

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Speaker 1: there has to be a boss. You know what I'm saying.

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Speaker 1: It's it's like when there's there in your home that's

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Speaker 1: got and so you have to be able to work

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Speaker 1: with the other bosses. But you know, you're trying to

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00:15:33,440 --> 00:15:35,200
Speaker 1: step to that boss and he's like, man, funk you.

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Speaker 1: This is my street. You know what I mean? Right now,

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Speaker 1: you're you're in my block, you know, And no, no,

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Speaker 1: this is my block. And that's where the and this

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Speaker 1: guy's like, I'm a community leader, I live here, I'm

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Speaker 1: a good person, and this guy's like, shut the funk up,

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Speaker 1: I'm in charge. And that's where that power trip starts

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Speaker 1: to happen. And then there's explosion because you know, there's

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Speaker 1: got to be a boss. And we're starting to learn

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Speaker 1: that we do not have to live it under that

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Speaker 1: that thumb of being under their power trip, which is

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Speaker 1: a a full place for us to live because we

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Speaker 1: don't need that. We don't need that in our our lives.

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Speaker 1: We just remember the script. Let me let me say

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Speaker 1: that there's a problem. The problem that exists, and we've

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00:16:11,360 --> 00:16:16,360
Speaker 1: talked about this before, are those archaic case laws that

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Speaker 1: are still on the books that give those cops the

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Speaker 1: ability to put in their report, oh I thought I

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Speaker 1: saw a weapon in there, and I had to remove

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Speaker 1: them from the car for my safety. So that's why

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00:16:29,960 --> 00:16:32,760
Speaker 1: they're always able to get away with that, and which

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Speaker 1: is why we tell people to comply and get out

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Speaker 1: of the car and laws. Let me let me ask

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Speaker 1: you this, but okay, so how did you get into

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Speaker 1: to comedian work though? Man, Let's let's let's jump into that. Man,

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00:16:44,480 --> 00:16:46,440
Speaker 1: how how how did you you know, start off? I

329
00:16:46,480 --> 00:16:49,040
Speaker 1: mean we're we're let's talk about like your passions and

330
00:16:49,240 --> 00:16:51,280
Speaker 1: how this ended up, you know, getting you here. Yeah, man,

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Speaker 1: I was born in seventy five, so on my eighties baby,

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Speaker 1: But of course I grew up through my father's you know,

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Speaker 1: library of films and and and you know comedy stuff,

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Speaker 1: you know, listening to Richard Pryor and George Carlin and

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Speaker 1: twitching the old black and white movies would pick Meet

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Speaker 1: Markham and uh step and Fetch It and Moms mably

337
00:17:09,480 --> 00:17:11,920
Speaker 1: in Red Fox. But really my guy in my era

338
00:17:12,359 --> 00:17:14,960
Speaker 1: was the eighties, so watching Eddie Murphy on that s

339
00:17:15,000 --> 00:17:20,720
Speaker 1: and now was a huge influence to me. I think

340
00:17:20,960 --> 00:17:23,040
Speaker 1: on the Mount Olympus, you know, you have to have

341
00:17:23,240 --> 00:17:27,880
Speaker 1: Eddie Murphy, Richard Pryor, George Carlin and Red Fox. Um.

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00:17:28,400 --> 00:17:30,880
Speaker 1: But yeah, man, I just you know, and then studying

343
00:17:30,960 --> 00:17:32,840
Speaker 1: up on Eddie and it was like he got here

344
00:17:32,840 --> 00:17:36,280
Speaker 1: and I had the same birthday from New York. So

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Speaker 1: I just took all it at his motivation and go, man,

346
00:17:38,760 --> 00:17:42,119
Speaker 1: I need to start trying to do. Yeah. Man. We

347
00:17:42,240 --> 00:17:43,960
Speaker 1: met a couple of times. Man. At each time I

348
00:17:44,040 --> 00:17:48,240
Speaker 1: turned into a bit uh just like you know, you're

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00:17:48,359 --> 00:17:51,159
Speaker 1: just like, do his character because you've you've done him

350
00:17:51,160 --> 00:17:54,000
Speaker 1: many times. You know, it's weird. Man. The first time

351
00:17:54,080 --> 00:17:56,119
Speaker 1: I met Eddie was at the Back Then it was

352
00:17:56,200 --> 00:17:59,879
Speaker 1: called the Roxbury and it was the hot spot that

353
00:18:00,040 --> 00:18:02,480
Speaker 1: hang out at in l A. And I remember I

354
00:18:02,600 --> 00:18:04,840
Speaker 1: went in there, uh, and Eddie walked in with a

355
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Speaker 1: couple of bodyguards and I just we made eye contacted.

356
00:18:08,920 --> 00:18:10,320
Speaker 1: I went over and I said, yo, Eddie, I just

357
00:18:10,440 --> 00:18:12,280
Speaker 1: want to and he was like, you're the brother Deaf

358
00:18:12,320 --> 00:18:15,159
Speaker 1: Commy Jam. You know im president Ship. I've seen you

359
00:18:16,280 --> 00:18:20,399
Speaker 1: you getting fattening, you've been stating. So it was like

360
00:18:20,600 --> 00:18:23,560
Speaker 1: it was such a surreal moment um. But yeah, Eddie

361
00:18:23,640 --> 00:18:25,840
Speaker 1: knows who I am and and all that, and uh,

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00:18:26,200 --> 00:18:27,600
Speaker 1: you know, I've just been I've been at the game

363
00:18:27,680 --> 00:18:30,159
Speaker 1: since I was fourteen years old. I did Deaf Comedy

364
00:18:30,240 --> 00:18:32,879
Speaker 1: Jam when I was sixteen with Martin Lawrence, youngest and

365
00:18:32,960 --> 00:18:35,159
Speaker 1: only person ever do it. I did Show Tim at

366
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Speaker 1: the Apollo when I was seventeen with Sitting Bad and

367
00:18:37,760 --> 00:18:40,159
Speaker 1: then I've just been rolling ever since. Man, it's just

368
00:18:40,280 --> 00:18:42,240
Speaker 1: great to think of all those characters that you do,

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Speaker 1: what's the one that you get asked overall like this one,

370
00:18:45,680 --> 00:18:47,720
Speaker 1: I get hit up the most on you know, it

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Speaker 1: really varies, man. I hate to make it sound so

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00:18:50,520 --> 00:18:52,440
Speaker 1: you know like that, but I mean it depends where

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00:18:52,440 --> 00:18:54,879
Speaker 1: I'm at. Some people are yell out Yo shack or

374
00:18:55,359 --> 00:18:59,280
Speaker 1: d MX or everybody has like their favorite. I'm always

375
00:18:59,320 --> 00:19:01,520
Speaker 1: a fan of when I come up on something new.

376
00:19:01,880 --> 00:19:04,800
Speaker 1: So I've been working on my Tony Soprano. Uh so

377
00:19:05,200 --> 00:19:08,240
Speaker 1: here it is. Uh, meado, your mother didn't think I

378
00:19:08,359 --> 00:19:10,639
Speaker 1: love you enough. I just gotta beat there for my kids.

379
00:19:10,720 --> 00:19:12,360
Speaker 1: After that, they could do whatever the funk they want

380
00:19:12,400 --> 00:19:15,080
Speaker 1: to do with me, meadow a J. I gotta spend

381
00:19:15,080 --> 00:19:17,960
Speaker 1: one time with Uncle Johne. This is a cache business.

382
00:19:18,200 --> 00:19:20,440
Speaker 1: I don't want to sell a cocon those sucking garbage routs.

383
00:19:20,880 --> 00:19:23,200
Speaker 1: I saw his face the other day when I wanted

384
00:19:23,240 --> 00:19:24,680
Speaker 1: to take him shopping, but he wanted to go to

385
00:19:24,760 --> 00:19:28,320
Speaker 1: them all meado a J. You're doing a good job.

386
00:19:32,480 --> 00:19:35,199
Speaker 1: Tony Soprano comes to meet with the Pop brothers at

387
00:19:35,280 --> 00:19:38,600
Speaker 1: law for a consultation for something he did wrong and

388
00:19:38,680 --> 00:19:41,359
Speaker 1: he needs two lawyers. Here's your two lawyers. What is

389
00:19:41,400 --> 00:19:43,480
Speaker 1: he coming in for? I don't know what I'm coming

390
00:19:43,520 --> 00:19:45,199
Speaker 1: in for, but what then do I need to lawyers

391
00:19:45,280 --> 00:19:47,280
Speaker 1: for I'm already gotta pay up the air. So for

392
00:19:47,359 --> 00:19:49,200
Speaker 1: one I saw Uncle June is going with though, I

393
00:19:49,320 --> 00:19:54,440
Speaker 1: get a fort both of you guys for one deal

394
00:19:55,080 --> 00:19:57,840
Speaker 1: to fucking jewels. You guys charge so much, you thought

395
00:19:57,880 --> 00:20:01,240
Speaker 1: to fucking much. I got money coming out of my

396
00:20:01,320 --> 00:20:03,800
Speaker 1: ass fucking cocaine Rosso, Uncle jul and Jackie Joan you

397
00:20:03,920 --> 00:20:07,280
Speaker 1: it's crazy. So I can only imagine what we can

398
00:20:07,359 --> 00:20:09,160
Speaker 1: do and have some fun with if we had two

399
00:20:09,200 --> 00:20:11,399
Speaker 1: of your characters smoking weed with each other, and what

400
00:20:11,560 --> 00:20:15,119
Speaker 1: it would sound like. Say, for instance, if DMX started

401
00:20:15,200 --> 00:20:20,080
Speaker 1: smoking weed ship with Shack Okay DMX and Sha so

402
00:20:20,280 --> 00:20:22,560
Speaker 1: d MX is shocked, meet up and they're getting high

403
00:20:22,560 --> 00:20:25,760
Speaker 1: as a kite. What's that like? Damn much. I don't

404
00:20:25,760 --> 00:20:27,000
Speaker 1: know what you put in this weed, but it got

405
00:20:27,040 --> 00:20:29,760
Speaker 1: me seeing quadruple. Usually when I shoot free throws, I

406
00:20:29,840 --> 00:20:32,280
Speaker 1: see double. But now I'm seeing in quadruple. And I'm

407
00:20:32,320 --> 00:20:34,359
Speaker 1: gonna tell everybody, but everybody know I dominated I get

408
00:20:34,400 --> 00:20:37,600
Speaker 1: twenty those my numbers. Twenty, yo, dog, I put some

409
00:20:37,640 --> 00:20:39,480
Speaker 1: shit in the weed. I know that what you're putting

410
00:20:39,480 --> 00:20:43,439
Speaker 1: the weed cocaine. I mean a couple of brass. Uh

411
00:20:43,480 --> 00:20:47,960
Speaker 1: huh his powers and the last time I got arrested,

412
00:20:48,040 --> 00:20:49,639
Speaker 1: I was able to break the bracelets. It was the

413
00:20:49,720 --> 00:20:57,440
Speaker 1: Angel does uh huh, the O G Snoop Dog looks

414
00:20:57,520 --> 00:20:59,400
Speaker 1: up with jay Z. They go to the East Coast,

415
00:20:59,480 --> 00:21:01,480
Speaker 1: West Coast. Hope, I hope I can hold up. My

416
00:21:01,600 --> 00:21:03,959
Speaker 1: voice has been a little on the fritz. Lady, but hey,

417
00:21:04,040 --> 00:21:06,560
Speaker 1: what's head the nephew pass a weed NIKEA. I like

418
00:21:06,640 --> 00:21:10,080
Speaker 1: what you laced that ship with. LBC dog D l G. Compton,

419
00:21:10,160 --> 00:21:13,680
Speaker 1: Nik Hope in the building right now. It's crazy weed

420
00:21:13,760 --> 00:21:16,880
Speaker 1: by it. She boy, you're trazy for this one. Nick

421
00:21:18,840 --> 00:21:27,080
Speaker 1: you Yeah, that's awesome. We're gonna come back and talk

422
00:21:27,160 --> 00:21:30,000
Speaker 1: some more TV stuff, acting stuff. It's Cannabis Talk one

423
00:21:30,040 --> 00:21:31,840
Speaker 1: oh one with Arie Spears. You want to catch him

424
00:21:31,840 --> 00:21:34,600
Speaker 1: on tour, go to his website Arie Spears dot com.

425
00:21:34,680 --> 00:21:45,840
Speaker 1: It's Cannabis Talk one oh one. Welcome back to Cannabis

426
00:21:45,840 --> 00:21:49,080
Speaker 1: Talk one oh one. Marking Craig Pop Brothers at Law

427
00:21:49,280 --> 00:21:53,360
Speaker 1: with Joe and Blue and I want to think hit

428
00:21:54,280 --> 00:21:57,440
Speaker 1: he nuts Jennifer and Elvis for all the great work

429
00:21:57,520 --> 00:22:01,359
Speaker 1: that they do. We are here with air reas Median

430
00:22:01,520 --> 00:22:04,200
Speaker 1: the actor. Hey tell us about the very first time

431
00:22:04,280 --> 00:22:09,040
Speaker 1: you got on stage and tooked some jokes. Back then, Uh,

432
00:22:09,560 --> 00:22:11,560
Speaker 1: when you went down to the improv, you had a process.

433
00:22:11,640 --> 00:22:13,000
Speaker 1: You had to go and you had to put numbers

434
00:22:13,000 --> 00:22:14,640
Speaker 1: in a hat and they would draw your number out

435
00:22:15,000 --> 00:22:17,119
Speaker 1: and if your number got called, you got to do

436
00:22:17,240 --> 00:22:20,160
Speaker 1: stand up that night. Well, that day, Uh, my mother,

437
00:22:20,320 --> 00:22:23,240
Speaker 1: myself and my sister all went down to the improv.

438
00:22:23,600 --> 00:22:25,280
Speaker 1: We all put our numbers in a hat. None of

439
00:22:25,320 --> 00:22:29,040
Speaker 1: them got picked. I was deflated. And then this guy suggested, Hey,

440
00:22:29,119 --> 00:22:32,920
Speaker 1: there's the Uptown Comedy Cafe up in Harlem. So me

441
00:22:33,000 --> 00:22:35,280
Speaker 1: and my mother jumped on the train. We went to Harlem.

442
00:22:35,720 --> 00:22:37,679
Speaker 1: I got on stage for five minutes, and back then

443
00:22:37,720 --> 00:22:40,480
Speaker 1: I really didn't have material. I just did impressions. So

444
00:22:40,520 --> 00:22:44,280
Speaker 1: I remember I did uh Jack Nicholson, James Brown, and

445
00:22:44,320 --> 00:22:47,480
Speaker 1: I think Eddie Murphy doing a PEPSI commercial. Uh. It

446
00:22:47,680 --> 00:22:50,800
Speaker 1: killed and I was, I was, I was set. I was.

447
00:22:50,960 --> 00:22:52,800
Speaker 1: I've been doing it ever since. Man, can we hear

448
00:22:52,840 --> 00:22:54,520
Speaker 1: that I'll do it? I don't even remember that ship.

449
00:22:54,600 --> 00:22:58,320
Speaker 1: I'm like Franks, I can't remember my own songs. I

450
00:22:58,440 --> 00:23:01,639
Speaker 1: love it. You know, if if you know, let me

451
00:23:01,720 --> 00:23:04,280
Speaker 1: ask you this, man, I mean, you know, being being

452
00:23:04,320 --> 00:23:08,280
Speaker 1: an entertainer, and and you know you've been raising people.

453
00:23:08,359 --> 00:23:11,320
Speaker 1: I mean for for watching you get people raising. What

454
00:23:11,400 --> 00:23:13,200
Speaker 1: I mean by that is we sit there and watch

455
00:23:13,280 --> 00:23:15,520
Speaker 1: you man, and we're like, damn, how do we How

456
00:23:15,560 --> 00:23:17,639
Speaker 1: does he do that? Like come out the tongue, you know,

457
00:23:17,840 --> 00:23:20,280
Speaker 1: And you know what kind of advice would you give

458
00:23:20,320 --> 00:23:22,600
Speaker 1: for that youngster out there that's that's trying to come

459
00:23:22,680 --> 00:23:25,439
Speaker 1: up and and learn your craft? You know, so they

460
00:23:25,520 --> 00:23:27,960
Speaker 1: could fall in your footsteps, because I'm sure there's a

461
00:23:28,000 --> 00:23:31,000
Speaker 1: lot out there there trying to well. One um, if

462
00:23:31,000 --> 00:23:32,520
Speaker 1: you're really trying to get in a stand up I

463
00:23:32,560 --> 00:23:35,000
Speaker 1: say go to your local stand up comedy club on

464
00:23:35,160 --> 00:23:38,400
Speaker 1: open mic night, put together five minutes of material. Never

465
00:23:38,480 --> 00:23:41,280
Speaker 1: bring your friends in your family, because that's that's false love.

466
00:23:41,640 --> 00:23:43,639
Speaker 1: You know, they want to see you do well so

467
00:23:43,720 --> 00:23:46,080
Speaker 1: they may laugh with ship that they're really funny. So

468
00:23:46,480 --> 00:23:48,720
Speaker 1: ain't nothing like performing in front of strangers because they're

469
00:23:48,720 --> 00:23:51,000
Speaker 1: gonna tell you the truth. But even with an open

470
00:23:51,080 --> 00:23:54,280
Speaker 1: mic night, everybody there is basically comedians. So now you

471
00:23:54,480 --> 00:23:56,879
Speaker 1: you're going up against people into you know, competing for

472
00:23:56,960 --> 00:23:59,720
Speaker 1: your spot, so they ain't really gonna be truthful. So

473
00:23:59,800 --> 00:24:02,359
Speaker 1: it's a little tough in that regard. But once you

474
00:24:02,520 --> 00:24:04,920
Speaker 1: do get in it um and even if you don't

475
00:24:04,960 --> 00:24:08,040
Speaker 1: necessarily do well right away, you know, take a stab

476
00:24:08,080 --> 00:24:10,240
Speaker 1: at it three or four more times. If it's meant

477
00:24:10,320 --> 00:24:12,760
Speaker 1: for you, you will know the audience will tell you

478
00:24:12,840 --> 00:24:15,040
Speaker 1: the truth. If it's not meant for you, get the

479
00:24:15,359 --> 00:24:18,200
Speaker 1: funk out the line. You are holding up my entrance

480
00:24:18,240 --> 00:24:23,240
Speaker 1: in the studio fifty four Like move, motherfucker's it staying

481
00:24:23,280 --> 00:24:26,119
Speaker 1: this ship who don't have the skill set, but because

482
00:24:26,160 --> 00:24:28,439
Speaker 1: they just have a passion for it, they won't let

483
00:24:28,520 --> 00:24:30,480
Speaker 1: it go if it ain't for you. Get the funk

484
00:24:30,480 --> 00:24:32,840
Speaker 1: out of here. Let me ask you this, Uh, the

485
00:24:33,000 --> 00:24:37,200
Speaker 1: difference between impersonations and comedy is are you like like

486
00:24:37,440 --> 00:24:41,240
Speaker 1: born with that ability? That's something you really I couldn't go.

487
00:24:41,440 --> 00:24:43,400
Speaker 1: I wanna learn how to impersonate people. You can't really

488
00:24:43,480 --> 00:24:45,639
Speaker 1: learn that. Uh. You know. My my mother was a

489
00:24:45,720 --> 00:24:49,000
Speaker 1: jazz singer still is. Actually she sang for the late

490
00:24:49,040 --> 00:24:52,119
Speaker 1: great Lionel Hampton, who was a jazz legend. And she

491
00:24:52,200 --> 00:24:53,920
Speaker 1: actually had a picture of her at the White House

492
00:24:54,200 --> 00:24:56,840
Speaker 1: when they performed for Reagan. So she was the one

493
00:24:56,920 --> 00:24:59,119
Speaker 1: that really put me in it. But I think from

494
00:24:59,160 --> 00:25:02,920
Speaker 1: a hereditary dandpoint some of that, and because doing impressions

495
00:25:03,040 --> 00:25:06,200
Speaker 1: is like having an ear for music. Everybody's voices a tone,

496
00:25:06,240 --> 00:25:08,960
Speaker 1: it's an inflection, it's a note. So like with Shaq,

497
00:25:09,520 --> 00:25:12,360
Speaker 1: he's real, breathy, you know. And the talking about dominatory,

498
00:25:13,200 --> 00:25:15,240
Speaker 1: I'm a dominant. You know when I'm playing with Cobrey

499
00:25:15,240 --> 00:25:17,240
Speaker 1: and I'm play with the brown, a dominant, that's that,

500
00:25:17,520 --> 00:25:20,479
Speaker 1: you know, when I do Paul movie, all are real.

501
00:25:20,600 --> 00:25:22,159
Speaker 1: Let me tell you something on me. All of the

502
00:25:22,600 --> 00:25:24,960
Speaker 1: white folks, be careful, these cops will kill you, nigga.

503
00:25:25,240 --> 00:25:30,800
Speaker 1: It's real. So you know, um, I wish I could man,

504
00:25:31,840 --> 00:25:34,080
Speaker 1: and I felt crazy because it was like, damn, the

505
00:25:34,600 --> 00:25:37,760
Speaker 1: first black president and I can't see this moment. Like

506
00:25:37,840 --> 00:25:40,159
Speaker 1: there's two parts to an impression. There's the voice and

507
00:25:40,240 --> 00:25:43,960
Speaker 1: the cadence. I know Obama's cadence. Uh my daughter sas

508
00:25:45,400 --> 00:25:48,199
Speaker 1: what we do? You know? He and that right there

509
00:25:48,640 --> 00:25:52,639
Speaker 1: that was understand other people like you know, that's like

510
00:25:52,760 --> 00:25:55,680
Speaker 1: again with Tony Soprano, did you let them in the ouse?

511
00:25:56,160 --> 00:25:59,720
Speaker 1: W Rand? My Rand, He's just fucking crist He didn't

512
00:25:59,760 --> 00:26:03,440
Speaker 1: fucking polish everybody's note. You just gotta hit that note.

513
00:26:03,760 --> 00:26:06,520
Speaker 1: So so let let's ask this if Bill Cosby was

514
00:26:06,560 --> 00:26:11,800
Speaker 1: getting a hide with Michael Jackson. What would that sound, dude? Yeah,

515
00:26:11,840 --> 00:26:15,240
Speaker 1: y'all got some weird ones to put together. It makes

516
00:26:15,240 --> 00:26:17,840
Speaker 1: you think where you gotta go with it might be

517
00:26:17,920 --> 00:26:22,000
Speaker 1: a weird one smoking with Michael Jackson, Michael, I don't

518
00:26:22,000 --> 00:26:24,600
Speaker 1: want to do the classic and all that ship. Let's

519
00:26:24,600 --> 00:26:29,760
Speaker 1: say Arnold Swartzeneger, Arnold Schwartzenegger and Bill Cosby smoking weed together.

520
00:26:29,960 --> 00:26:33,320
Speaker 1: You know, I remember the last time smoked weed. I

521
00:26:33,480 --> 00:26:35,600
Speaker 1: was chilling with the I found the read in this

522
00:26:35,760 --> 00:26:38,640
Speaker 1: room with Ruddy and I said, I wanted to rolling

523
00:26:38,720 --> 00:26:41,800
Speaker 1: me Joant do I put it in the vating machine?

524
00:26:42,560 --> 00:26:45,520
Speaker 1: Or do I use the blood? Come on? You got

525
00:26:45,600 --> 00:26:48,879
Speaker 1: the rule it smoking? You smoke it? Come on just

526
00:26:49,000 --> 00:26:53,679
Speaker 1: like it on fire and either hi, all the fumes

527
00:26:53,720 --> 00:26:57,480
Speaker 1: come in your nose and to do the chopper killing

528
00:26:57,640 --> 00:27:03,879
Speaker 1: kill me. I'm here so at the clubs Red Dinner

529
00:27:03,960 --> 00:27:10,320
Speaker 1: smoking a bong together. Oh god, uh oh ship um, grandma,

530
00:27:10,400 --> 00:27:13,880
Speaker 1: goddamn that boy crazing a dog and up kept after

531
00:27:14,200 --> 00:27:16,719
Speaker 1: girl passed that we who kind of strain is that? Oh?

532
00:27:16,840 --> 00:27:20,480
Speaker 1: That's cuts? Cuts? Cuse that's cuse. I'm in a last

533
00:27:20,520 --> 00:27:23,800
Speaker 1: time I smoke was weed. I might put some pace

534
00:27:24,160 --> 00:27:27,040
Speaker 1: paying it. Next thing I know, my bloomers was around

535
00:27:27,119 --> 00:27:29,880
Speaker 1: my angles and I was giving Muhammad Ali head. Girl,

536
00:27:29,960 --> 00:27:40,440
Speaker 1: No nobody want to hear that. Oh my god, Oh dude,

537
00:27:40,480 --> 00:27:42,359
Speaker 1: doesn't ever get great? Do you ever just sit at

538
00:27:42,400 --> 00:27:43,960
Speaker 1: home and be on the shipter and just her coming

539
00:27:44,040 --> 00:27:47,080
Speaker 1: up with something just make yourself laugh. You know it's

540
00:27:47,119 --> 00:27:49,800
Speaker 1: because that right there, just the Muhammad Ali giving a man.

541
00:27:51,240 --> 00:27:54,800
Speaker 1: It's just weird times when you get inspired. Sometimes it

542
00:27:54,800 --> 00:27:56,639
Speaker 1: will be at three o'clock in the morning. I'm in

543
00:27:56,680 --> 00:27:59,600
Speaker 1: a hotel room in bed trying not to wake everybody up,

544
00:27:59,680 --> 00:28:01,560
Speaker 1: and you know the times I'm in my car. So

545
00:28:01,800 --> 00:28:04,000
Speaker 1: you just whenever it hits you, and as you're sitting

546
00:28:04,040 --> 00:28:06,000
Speaker 1: there doing your sketch and your comedy, when it hits you,

547
00:28:06,040 --> 00:28:07,440
Speaker 1: is that's something you go straight to the phone and

548
00:28:07,520 --> 00:28:09,919
Speaker 1: know it's just it's something you right down practice. How

549
00:28:09,960 --> 00:28:11,879
Speaker 1: does that come together? Yeah? I just I just make

550
00:28:11,920 --> 00:28:13,800
Speaker 1: a little cliff notes and and say, like if I

551
00:28:13,960 --> 00:28:15,480
Speaker 1: was to try to make that a bit, I just

552
00:28:15,600 --> 00:28:19,040
Speaker 1: go Grandma given Ali head and then taking on stage

553
00:28:19,040 --> 00:28:23,880
Speaker 1: and from there trying to organically see what I mean.

554
00:28:23,920 --> 00:28:27,959
Speaker 1: I I in in junior college and speech debate impromptu speaking,

555
00:28:28,040 --> 00:28:31,440
Speaker 1: and that's some hell of impromptu ship man. Yeah, man,

556
00:28:31,480 --> 00:28:33,760
Speaker 1: and pro I mean, you know, and and listen, when

557
00:28:33,800 --> 00:28:35,959
Speaker 1: you look at all the great comedians, I mean it's

558
00:28:36,000 --> 00:28:38,840
Speaker 1: almost like looking at Michael Jordan's there was no weaknesses

559
00:28:38,920 --> 00:28:40,880
Speaker 1: to his game. He could do it all. And so

560
00:28:41,000 --> 00:28:44,000
Speaker 1: many guys can do one thing better than another to

561
00:28:44,160 --> 00:28:48,440
Speaker 1: be able to improvise and dirty humor and clean humor,

562
00:28:48,560 --> 00:28:51,000
Speaker 1: and you know, I just I take pride in that.

563
00:28:51,160 --> 00:28:53,600
Speaker 1: So once upon a time ago my improv skills, I

564
00:28:53,720 --> 00:28:56,720
Speaker 1: was scared to leave the material that should playbook. I

565
00:28:56,840 --> 00:28:58,920
Speaker 1: was just scared to call an audible. But then I

566
00:28:59,320 --> 00:29:02,360
Speaker 1: kept studying certain dudes like d L. Hughley and Joe

567
00:29:02,400 --> 00:29:08,720
Speaker 1: Torrey and their ability to go into the crowd and annihilated. Yeah,

568
00:29:08,720 --> 00:29:11,760
Speaker 1: because if everybody can just sense you stick into a script,

569
00:29:12,280 --> 00:29:14,560
Speaker 1: if some dude decides to test you, what funk with you?

570
00:29:15,120 --> 00:29:17,320
Speaker 1: Then you're like a deer in headlights. You gotta try

571
00:29:17,320 --> 00:29:20,280
Speaker 1: to treated like prison. You gotta stab the toughest motherfucker

572
00:29:20,320 --> 00:29:23,640
Speaker 1: on the first day so they know you're speaking of that.

573
00:29:23,840 --> 00:29:26,120
Speaker 1: I heard of something that by my boy Peanut just

574
00:29:26,200 --> 00:29:28,280
Speaker 1: showed us that you were in was in Miami Florida.

575
00:29:28,320 --> 00:29:31,760
Speaker 1: What happened there? Peanut again, Oh that's an old story Indianapolis,

576
00:29:31,920 --> 00:29:34,280
Speaker 1: Yeah yeah, yeah, oh yeah, indian Yeah yeah yeah. So

577
00:29:34,440 --> 00:29:37,760
Speaker 1: what happened there? What's that scenario? Long story short? Um,

578
00:29:38,240 --> 00:29:40,480
Speaker 1: this this kind of thug dude was in there with

579
00:29:40,600 --> 00:29:44,640
Speaker 1: his girlfriend and his sister and her lady, and his

580
00:29:44,760 --> 00:29:47,360
Speaker 1: sister was gay. So I did some of my gay

581
00:29:47,400 --> 00:29:49,760
Speaker 1: material and this motherfucker from then on was looking at

582
00:29:49,800 --> 00:29:52,120
Speaker 1: me like he was contemplating do I kill you now

583
00:29:52,680 --> 00:29:55,280
Speaker 1: or after you get off stage? And he couldn't really

584
00:29:55,320 --> 00:29:58,160
Speaker 1: take a joke and listen. No matter how long you've

585
00:29:58,200 --> 00:30:01,280
Speaker 1: been doing this, you always have that one guy or

586
00:30:01,400 --> 00:30:05,160
Speaker 1: gal in They just and they sit their monkey asses

587
00:30:05,560 --> 00:30:08,000
Speaker 1: right up front, sitting the back. If you want to

588
00:30:08,040 --> 00:30:10,880
Speaker 1: be miserable, I always tell if you want to judge me,

589
00:30:11,000 --> 00:30:13,360
Speaker 1: judge me from the back. Dude. If you buy courtside teach,

590
00:30:13,360 --> 00:30:15,920
Speaker 1: you're gonna be part of the game. There's a So

591
00:30:16,200 --> 00:30:17,960
Speaker 1: you know if I funk with you, and this is

592
00:30:18,040 --> 00:30:20,120
Speaker 1: comedy at the end of the day, you know what

593
00:30:20,280 --> 00:30:23,040
Speaker 1: this is? How you coming to a comedy club and

594
00:30:23,160 --> 00:30:25,000
Speaker 1: have an issue with jokes. It's like going to a

595
00:30:25,040 --> 00:30:27,360
Speaker 1: strip club and you got problems with titties. This is

596
00:30:27,400 --> 00:30:34,680
Speaker 1: what this is. Yeah, yeah, yeah, yeah, man, that's what

597
00:30:34,800 --> 00:30:37,280
Speaker 1: it is. Yeah. It's like the guy flashed on you

598
00:30:37,280 --> 00:30:39,680
Speaker 1: a little bit. How did you go down? What exactly? Well,

599
00:30:39,720 --> 00:30:41,720
Speaker 1: you know, he just he just kept me mugging me

600
00:30:42,120 --> 00:30:43,640
Speaker 1: like you know, I mean, no matter what I said,

601
00:30:43,840 --> 00:30:45,800
Speaker 1: and no matter how hard I tried to make him laugh,

602
00:30:46,360 --> 00:30:48,000
Speaker 1: he just kept looking at me like he was about

603
00:30:48,040 --> 00:30:50,800
Speaker 1: to get go down. And um was he a little guy,

604
00:30:50,920 --> 00:30:56,280
Speaker 1: big big he was. He was like, don't play with me.

605
00:30:56,800 --> 00:30:58,960
Speaker 1: Well no. At one point, at one point I said

606
00:30:58,960 --> 00:31:00,680
Speaker 1: to almost like dog, what was what's wrong? He said

607
00:31:00,680 --> 00:31:03,040
Speaker 1: it wasn't funny. I said, no, it was very funny.

608
00:31:03,200 --> 00:31:05,960
Speaker 1: It wasn't funny to you. But that's why comedy is subjective.

609
00:31:06,320 --> 00:31:09,040
Speaker 1: And I could just this energy he was just giving off.

610
00:31:09,160 --> 00:31:11,720
Speaker 1: Was like I was really in my mind going all right,

611
00:31:11,760 --> 00:31:17,920
Speaker 1: how do I map this out? Or come get me afterwards?

612
00:31:17,920 --> 00:31:20,040
Speaker 1: And when the show was over, he walked past me,

613
00:31:20,320 --> 00:31:23,960
Speaker 1: didn't say nothing, but listen, this is not the first time.

614
00:31:24,240 --> 00:31:27,800
Speaker 1: I think I had eight instances. Two in Canada, of

615
00:31:27,960 --> 00:31:31,280
Speaker 1: all places, uh where, one girl through a picture of

616
00:31:31,360 --> 00:31:33,560
Speaker 1: beer at me, another girl tried to rush me, and

617
00:31:33,600 --> 00:31:36,120
Speaker 1: a boyfriend stopped the Yeah, I had a girl in

618
00:31:36,160 --> 00:31:38,080
Speaker 1: Connecticut at the heart and funny go to catch a

619
00:31:38,120 --> 00:31:44,160
Speaker 1: bottle in my face, to catch a bottle and why listen?

620
00:31:44,440 --> 00:31:47,920
Speaker 1: If I'm performing in a room of four people, I

621
00:31:47,920 --> 00:31:50,200
Speaker 1: don't give a funk. If I'm making three ninety nine laugh,

622
00:31:50,560 --> 00:31:52,720
Speaker 1: I'm focused on the one that's not because I'm going,

623
00:31:52,880 --> 00:31:56,720
Speaker 1: what is a problem? Why aren't you? So if I

624
00:31:56,840 --> 00:31:59,560
Speaker 1: see you and you're sticking out like a sore thumb,

625
00:31:59,640 --> 00:32:03,080
Speaker 1: I'm dress you and that and then you Now that

626
00:32:03,160 --> 00:32:05,240
Speaker 1: person is going. Now I'm being laughed at too, I'm

627
00:32:05,280 --> 00:32:07,920
Speaker 1: being mocked and all this other ship. So she got

628
00:32:08,000 --> 00:32:10,960
Speaker 1: mad and I didn't even see it coming. I'm looking right, Wow,

629
00:32:11,160 --> 00:32:13,640
Speaker 1: something hits me in the left. My face swelled up.

630
00:32:14,200 --> 00:32:18,400
Speaker 1: I still want it snatched me in the face like

631
00:32:18,520 --> 00:32:21,440
Speaker 1: hot dog. Right. It's like me. It's like I don't

632
00:32:21,520 --> 00:32:23,960
Speaker 1: like people that that do cocaine. I don't like the

633
00:32:24,040 --> 00:32:25,960
Speaker 1: way cocaine looks, but I love the way it smells.

634
00:32:26,080 --> 00:32:30,400
Speaker 1: And it's like, you know what, it's a good time

635
00:32:35,200 --> 00:32:39,200
Speaker 1: at the pleasant in California, And bro, I want to

636
00:32:39,240 --> 00:32:41,440
Speaker 1: go towards your movie career. You've had a lot of

637
00:32:41,520 --> 00:32:44,840
Speaker 1: movies early success. I mean, I just had a couple

638
00:32:44,840 --> 00:32:47,880
Speaker 1: of worth mentioning. Most of them made good weed plates

639
00:32:48,240 --> 00:32:50,320
Speaker 1: to break my weed upon. Well, that's always good, But

640
00:32:50,360 --> 00:32:52,680
Speaker 1: I mean one that stood out in my opinion was

641
00:32:52,880 --> 00:32:56,680
Speaker 1: the Tom Cruise movie. Jerry McGuire, you played the brother

642
00:32:56,800 --> 00:32:59,600
Speaker 1: to Cuba Gooding Jr. And that was at an early

643
00:32:59,640 --> 00:33:01,560
Speaker 1: age for you. That was a long time ago. I mean,

644
00:33:01,640 --> 00:33:03,880
Speaker 1: so to go back to that early age, you're sitting there,

645
00:33:04,440 --> 00:33:08,640
Speaker 1: you know, a younger Tom Cruise, a younger Cuba Gooding Junior,

646
00:33:09,080 --> 00:33:11,280
Speaker 1: which weren't as I mean, Tom Cruiser was as big

647
00:33:11,320 --> 00:33:13,840
Speaker 1: as he was already. Then how was that for you?

648
00:33:13,880 --> 00:33:16,720
Speaker 1: Weren't even with the well when I when I originally

649
00:33:16,720 --> 00:33:19,640
Speaker 1: auditioned for the part, I auditioned for Cuba's role. Uh,

650
00:33:19,800 --> 00:33:22,720
Speaker 1: And the director, Cameron Crow loved what I did so

651
00:33:22,960 --> 00:33:25,080
Speaker 1: much that he was like, look, I can't give you

652
00:33:25,200 --> 00:33:27,600
Speaker 1: that role because it's too big. I wanted to see you.

653
00:33:27,720 --> 00:33:29,800
Speaker 1: You did great, but we need to put a name in,

654
00:33:30,080 --> 00:33:31,720
Speaker 1: but I will give you the role of the brother.

655
00:33:32,120 --> 00:33:34,720
Speaker 1: So he didn't. I didn't even audition for that part.

656
00:33:34,760 --> 00:33:37,280
Speaker 1: He just gave it to me. Um. But here's what

657
00:33:37,400 --> 00:33:39,520
Speaker 1: he did do though, And I didn't know until I

658
00:33:39,600 --> 00:33:42,760
Speaker 1: saw the film, that whole scene with Roy Firestone at

659
00:33:42,800 --> 00:33:44,719
Speaker 1: the end when Cuba gets the good news and he's

660
00:33:44,720 --> 00:33:47,520
Speaker 1: gonna get the contracted once he goes off with his

661
00:33:47,680 --> 00:33:50,640
Speaker 1: tell all my brother, I love you, you militant da.

662
00:33:51,160 --> 00:33:53,400
Speaker 1: That was all my dialogue. That was all what I

663
00:33:53,520 --> 00:33:56,280
Speaker 1: made up in the audition. So he took took your

664
00:33:56,320 --> 00:34:00,040
Speaker 1: ship and put it in the movie. But holy what

665
00:34:00,240 --> 00:34:02,800
Speaker 1: does that a lot? Yeah? You go audition for ship

666
00:34:02,960 --> 00:34:05,760
Speaker 1: and make up and people go they love what you do,

667
00:34:06,160 --> 00:34:08,239
Speaker 1: and then you in the theater going. I said that

668
00:34:09,880 --> 00:34:12,920
Speaker 1: I could use too Jewish lawyers. Yeah, I know. If

669
00:34:13,000 --> 00:34:14,960
Speaker 1: I think you still can, I think you still can.

670
00:34:15,120 --> 00:34:16,880
Speaker 1: You know what I mean? Yeah, I know when's smoking

671
00:34:16,920 --> 00:34:21,560
Speaker 1: a joint right now? Mark, you deserve a writing credit.

672
00:34:21,760 --> 00:34:24,040
Speaker 1: There should be a writing credit. You should. But here's

673
00:34:24,160 --> 00:34:26,480
Speaker 1: here's the cold thing about this business. What you're gonna do?

674
00:34:26,600 --> 00:34:29,560
Speaker 1: Complaint right and put yourself in a position where they go, oh,

675
00:34:29,600 --> 00:34:33,640
Speaker 1: you're a troublemaker, You're never coming back ship, You're you're blacklisted. Yeah,

676
00:34:33,719 --> 00:34:35,520
Speaker 1: and I gotta have you, gotta take the you gotta

677
00:34:35,560 --> 00:34:37,600
Speaker 1: take the prison, right Yeah, yeah, yeah, I want to

678
00:34:37,680 --> 00:34:40,359
Speaker 1: jump on the fact something I heard on on your

679
00:34:40,400 --> 00:34:42,920
Speaker 1: podcast to it if you don't know about every Spears

680
00:34:43,080 --> 00:34:46,400
Speaker 1: podcast at Spears and Steinberg, and you talked about and

681
00:34:46,480 --> 00:34:51,480
Speaker 1: you gotta do with you, I gotta do, baby, do

682
00:34:53,360 --> 00:34:55,480
Speaker 1: forget you go? Sometimes they forget who brings them to

683
00:34:55,560 --> 00:34:59,560
Speaker 1: the dance, but don't forget you want to dance. Baby,

684
00:35:00,040 --> 00:35:03,200
Speaker 1: My goodness, it's always gas. I don't with black accountants

685
00:35:03,239 --> 00:35:08,480
Speaker 1: or black lawyers. I like my coffee with some birds

686
00:35:08,520 --> 00:35:12,080
Speaker 1: and Eisenhowers or whatever the fucking it. Yeah, exactly, the

687
00:35:12,200 --> 00:35:14,680
Speaker 1: washerman's or my guys. There you go, Here we go.

688
00:35:14,840 --> 00:35:17,759
Speaker 1: So you did a skit a little talk on Hispanics

689
00:35:17,840 --> 00:35:21,239
Speaker 1: for Trump. Talk about that one because it got in

690
00:35:21,280 --> 00:35:23,960
Speaker 1: your little heat as well from certain cats. But I

691
00:35:24,120 --> 00:35:27,640
Speaker 1: actually loved what you said, and it's just don't want

692
00:35:27,640 --> 00:35:30,279
Speaker 1: you to elaborate on it. Well first and foremost, And

693
00:35:30,320 --> 00:35:32,719
Speaker 1: I noticed sounds cliche. It's like a white person saying, well,

694
00:35:32,760 --> 00:35:36,080
Speaker 1: my best friend is black, but actually, uh my, my

695
00:35:36,160 --> 00:35:39,200
Speaker 1: Puerto Rican I have a Puerto Rican baby mother. Uh so,

696
00:35:39,320 --> 00:35:41,680
Speaker 1: I literally have love for the Latinos so much I

697
00:35:41,760 --> 00:35:43,120
Speaker 1: put in my dick in one. I have a Puerto

698
00:35:43,200 --> 00:35:47,800
Speaker 1: Rican child child. Yeah, yeah, there we go. So we

699
00:35:47,880 --> 00:35:50,400
Speaker 1: all know what that is like, um, so I got

700
00:35:50,480 --> 00:35:54,600
Speaker 1: I got a white white's Oh sorry, my bad, I

701
00:35:54,680 --> 00:35:59,160
Speaker 1: just got I got massive love for the Latino community.

702
00:35:59,560 --> 00:36:02,799
Speaker 1: But I just don't understand why there are Latinos out

703
00:36:02,840 --> 00:36:05,640
Speaker 1: there who go, I'm Latino for Trump when it's like

704
00:36:05,840 --> 00:36:09,040
Speaker 1: this man's got your kids in cages, this man's response

705
00:36:09,080 --> 00:36:14,520
Speaker 1: to Puerto Rico during the hurricane horrible throwing paper's house joke.

706
00:36:14,719 --> 00:36:17,160
Speaker 1: You know he you know, he's done everything he could

707
00:36:17,239 --> 00:36:20,160
Speaker 1: to display how racist he is. And I'm just going,

708
00:36:20,640 --> 00:36:23,960
Speaker 1: how do you as a Hispanic person except that that's

709
00:36:24,200 --> 00:36:27,640
Speaker 1: that's like blacks for Trump, like you know, Shiphole countries

710
00:36:27,719 --> 00:36:32,640
Speaker 1: and the Central Park five and housing discrimination lawsuits, like

711
00:36:32,760 --> 00:36:36,080
Speaker 1: how can you, as an ethnic person, uh, support someone

712
00:36:36,440 --> 00:36:39,520
Speaker 1: who does not like your ethnicity? So as much ship

713
00:36:39,680 --> 00:36:42,920
Speaker 1: as Biden? God for that statement that he made. You know,

714
00:36:43,120 --> 00:36:45,480
Speaker 1: if if, what do you say if you're for Trump

715
00:36:45,520 --> 00:36:47,480
Speaker 1: and you're black black? He said something like that, And

716
00:36:47,600 --> 00:36:49,880
Speaker 1: let me be honest, And I do love white folks too,

717
00:36:50,320 --> 00:36:53,440
Speaker 1: but I don't put nothing past white folks when it

718
00:36:53,520 --> 00:36:56,480
Speaker 1: comes to saying racist. Ship. At some point, not all

719
00:36:56,520 --> 00:36:58,480
Speaker 1: white people are racist, but as a as a race,

720
00:36:58,920 --> 00:37:01,040
Speaker 1: white people are known for ray says m so at

721
00:37:01,120 --> 00:37:03,759
Speaker 1: somebody packs anyone at this point, well, anyone, but let's

722
00:37:03,880 --> 00:37:06,279
Speaker 1: let's come on, let's be specific here. All the people

723
00:37:06,320 --> 00:37:09,920
Speaker 1: that we go not him, yes, him, mel Gibson. Uh,

724
00:37:10,080 --> 00:37:12,920
Speaker 1: he was a Dean Gion went hard. Dude, he's just

725
00:37:13,360 --> 00:37:18,319
Speaker 1: anti semi to it. We're in that club, a little

726
00:37:18,360 --> 00:37:20,120
Speaker 1: bit of club, right, but not that this is a surprise,

727
00:37:20,200 --> 00:37:23,279
Speaker 1: but dog to bounty hunter Hogan. You know it's just

728
00:37:23,520 --> 00:37:26,240
Speaker 1: and again I'm not saying all white people are racist,

729
00:37:26,480 --> 00:37:29,200
Speaker 1: but it's not a news flash when we hear somebody

730
00:37:29,239 --> 00:37:33,439
Speaker 1: white said somebody racist. That's a Tuesday name. Yeah, that's normal. Yeah, yeah, yeah,

731
00:37:33,960 --> 00:37:39,279
Speaker 1: welcome to tomorrow with Tomorrow hump Dave Man. You know,

732
00:37:39,480 --> 00:37:42,279
Speaker 1: I'll tell you one thing that that that that amazes me.

733
00:37:42,480 --> 00:37:45,640
Speaker 1: And I felt this way because I grew up you know,

734
00:37:46,080 --> 00:37:48,680
Speaker 1: eighties and nineties. You know, I'm pretty close to the

735
00:37:48,719 --> 00:37:50,520
Speaker 1: same as you. You're a little older than me. You

736
00:37:50,520 --> 00:37:54,440
Speaker 1: know what I'm saying. He looks like I should have

737
00:37:56,320 --> 00:37:59,799
Speaker 1: no forty three, Okaya he is. Yeah, we're really close,

738
00:38:00,000 --> 00:38:07,000
Speaker 1: says go ahead, tear me no that I'm forty eight.

739
00:38:07,040 --> 00:38:09,840
Speaker 1: Look how good I look? Though we all know we're

740
00:38:10,040 --> 00:38:12,560
Speaker 1: about the same age except for you know, I mean yeahs.

741
00:38:12,640 --> 00:38:15,520
Speaker 1: But but you know, I think the concept of that

742
00:38:15,719 --> 00:38:18,160
Speaker 1: is is our error of of of what we've been

743
00:38:18,239 --> 00:38:20,840
Speaker 1: through UM because it was such an urban lifestyle. The

744
00:38:20,840 --> 00:38:23,080
Speaker 1: streets were active as hell, and and we kind of

745
00:38:23,840 --> 00:38:26,160
Speaker 1: watched watched all of what what comes out of that.

746
00:38:26,320 --> 00:38:28,440
Speaker 1: We've seen our friends go to prison, We've seen our

747
00:38:28,480 --> 00:38:30,680
Speaker 1: friends die, we've seen that the drugs take over our

748
00:38:30,760 --> 00:38:34,600
Speaker 1: friends live. So we grew up as seeing all that happen.

749
00:38:34,719 --> 00:38:37,279
Speaker 1: And now we're like, uh, you know, we we we

750
00:38:37,480 --> 00:38:40,120
Speaker 1: start to learn and love and meet new people, and

751
00:38:40,239 --> 00:38:43,279
Speaker 1: so that that generation of clarity for me. This is

752
00:38:43,400 --> 00:38:45,799
Speaker 1: for me is I grew up in in in UM,

753
00:38:46,160 --> 00:38:49,520
Speaker 1: you know, urban neighborhoods, and and so now it's not

754
00:38:49,680 --> 00:38:51,359
Speaker 1: such a big deal to me as far as race.

755
00:38:51,520 --> 00:38:53,040
Speaker 1: You know, when I was young, it was it was

756
00:38:53,160 --> 00:38:55,800
Speaker 1: very racist. You know. Uh, you had you know, blacks

757
00:38:55,840 --> 00:38:58,520
Speaker 1: and essays going at it, whites and and and blacks

758
00:38:58,560 --> 00:39:00,800
Speaker 1: and and and so on to everywhere. It was just

759
00:39:01,160 --> 00:39:03,520
Speaker 1: everywhere in your face. Then all of a sudden it

760
00:39:03,560 --> 00:39:05,719
Speaker 1: seemed like it slowed down for me. And then right

761
00:39:05,800 --> 00:39:08,640
Speaker 1: before it slowed down, I'm watching it all develop again

762
00:39:09,080 --> 00:39:11,000
Speaker 1: right in front of my eyes. And so I think

763
00:39:11,040 --> 00:39:13,480
Speaker 1: it's that that generation of we're going in a certain way,

764
00:39:13,520 --> 00:39:15,840
Speaker 1: we're growing up a certain way, and we start to

765
00:39:15,880 --> 00:39:19,680
Speaker 1: get away from those those uh I guess, uh those

766
00:39:19,760 --> 00:39:22,080
Speaker 1: evil beans are or the fact that they're even out there,

767
00:39:22,440 --> 00:39:23,880
Speaker 1: and then all of a sudden it reminds us that

768
00:39:23,960 --> 00:39:25,920
Speaker 1: it's still fucking right here in our faces. And it

769
00:39:26,000 --> 00:39:28,480
Speaker 1: hasn't I think at all. I think the reality is

770
00:39:29,000 --> 00:39:31,879
Speaker 1: and sadly and unfortunately enough, it just is not going

771
00:39:31,960 --> 00:39:35,440
Speaker 1: anywhere ever, because this is America. It's ingrained to its fabric.

772
00:39:35,800 --> 00:39:38,520
Speaker 1: You know. Racism in America is just as common as

773
00:39:38,560 --> 00:39:41,200
Speaker 1: baseball and apple pies. Just what it is. So we

774
00:39:41,280 --> 00:39:43,040
Speaker 1: either have to try to work our ways through it,

775
00:39:43,360 --> 00:39:45,879
Speaker 1: around it or just deal with it. But to say

776
00:39:45,920 --> 00:39:48,759
Speaker 1: it'll ever go away completely as a Disney movie, and

777
00:39:48,840 --> 00:39:51,600
Speaker 1: not only that, I was literally just watching the Night

778
00:39:51,640 --> 00:39:54,120
Speaker 1: and they finally showed something about the American Indians and

779
00:39:54,239 --> 00:39:58,080
Speaker 1: they were the first to be bamboozled with, oh, excuse me,

780
00:39:58,239 --> 00:40:01,520
Speaker 1: but we're taking this absolutely. Mary's were brought here about

781
00:40:01,600 --> 00:40:03,600
Speaker 1: what you're saying. But it's like, let's just go back

782
00:40:03,680 --> 00:40:07,239
Speaker 1: to jump. When they came on these fucking boats Listen,

783
00:40:07,320 --> 00:40:14,120
Speaker 1: it said, did you take that I just heard Donald Trump? Uh?

784
00:40:14,200 --> 00:40:17,920
Speaker 1: In response to Brianna Taylor, he goes, I love the

785
00:40:18,000 --> 00:40:21,000
Speaker 1: black community. I've probably done more for the black community,

786
00:40:22,200 --> 00:40:25,359
Speaker 1: almost as much as Abraham Lincoln. So I just want

787
00:40:25,400 --> 00:40:29,760
Speaker 1: to dispel this other myth that exists. Just like Christopher

788
00:40:29,800 --> 00:40:35,280
Speaker 1: Columbus supposedly discovered America, Listen, Lincoln did not like black folks. Okay,

789
00:40:35,320 --> 00:40:37,600
Speaker 1: he freed slaves to save the Union, and he was

790
00:40:37,640 --> 00:40:40,200
Speaker 1: even quoted as saying he thought black people with second

791
00:40:40,239 --> 00:40:42,600
Speaker 1: class citizens, and if it were up to him, we

792
00:40:42,680 --> 00:40:46,160
Speaker 1: would still be slaves. So this myth that Abraham Lincoln

793
00:40:46,280 --> 00:40:49,160
Speaker 1: is this holy white man that niggas celebrate is a myth.

794
00:40:49,520 --> 00:40:53,800
Speaker 1: It's bullshit, just because I mean, do you feel the

795
00:40:53,840 --> 00:40:58,160
Speaker 1: same way as you mentioned for Latino. I mean when

796
00:40:58,200 --> 00:41:00,920
Speaker 1: you listen to Trump and everything of the says how

797
00:41:01,120 --> 00:41:04,000
Speaker 1: people of color, any of them can before him, I don't.

798
00:41:04,000 --> 00:41:05,759
Speaker 1: I don't get it. Yeah, we call them coons in

799
00:41:05,800 --> 00:41:11,399
Speaker 1: our neighborhood. Okay, I'll let you say that, baby jazz hands.

800
00:41:14,760 --> 00:41:16,600
Speaker 1: And that's why I bring it up with you, because

801
00:41:16,640 --> 00:41:18,120
Speaker 1: when I watch it and I listened to some of

802
00:41:18,160 --> 00:41:20,960
Speaker 1: your podcasts, I'm on the same block as you. Dog,

803
00:41:21,160 --> 00:41:23,279
Speaker 1: I'm hearing you, and I'm spending the same rhymes and

804
00:41:24,480 --> 00:41:26,160
Speaker 1: good time. So I'm like, this dude is. But what

805
00:41:26,280 --> 00:41:30,839
Speaker 1: happens is I'll get into arguments with Trump supporters who

806
00:41:30,960 --> 00:41:33,920
Speaker 1: defend these guys and the reason why they defend them

807
00:41:34,040 --> 00:41:37,400
Speaker 1: is because they allow them to not feel racist. How

808
00:41:37,480 --> 00:41:39,839
Speaker 1: could I be racist? If I like this black dude,

809
00:41:40,239 --> 00:41:42,319
Speaker 1: black dude, you like would be the one to tell

810
00:41:42,440 --> 00:41:45,640
Speaker 1: Massa I escaped, You know what I'm saying. And conism,

811
00:41:45,880 --> 00:41:48,880
Speaker 1: like racism is handed down. No one is born a racist.

812
00:41:49,160 --> 00:41:51,840
Speaker 1: Nobody's born a coon. That's taught to them by the

813
00:41:51,920 --> 00:41:54,600
Speaker 1: coons before them, So you know that that is what

814
00:41:54,760 --> 00:41:57,839
Speaker 1: it is. And it's a harsh reality for some cast

815
00:41:57,920 --> 00:41:59,959
Speaker 1: I understand because I get into these debates too, bron

816
00:42:00,040 --> 00:42:01,440
Speaker 1: cats I live with, and I'm like, how do you

817
00:42:01,520 --> 00:42:05,720
Speaker 1: guys not see it this way? Pastor Mark Burns, Candice Owens,

818
00:42:06,000 --> 00:42:12,080
Speaker 1: Sheriff Clark Diamond and Silk, Terrence Williams, Larry Elders just

819
00:42:12,200 --> 00:42:15,320
Speaker 1: to name a few hated within the black community because

820
00:42:15,360 --> 00:42:17,239
Speaker 1: it's like they go out of they wait to throw

821
00:42:17,320 --> 00:42:21,440
Speaker 1: us under the bus. Can't stand the motherfucker's and when

822
00:42:21,480 --> 00:42:23,400
Speaker 1: you see ship like that and when you're out there speaking,

823
00:42:23,440 --> 00:42:24,920
Speaker 1: I mean, if you want to hear more of its take,

824
00:42:24,960 --> 00:42:27,120
Speaker 1: you can go to airy Spears dot com and the

825
00:42:27,200 --> 00:42:30,560
Speaker 1: website you uh you know. The podcast is called again

826
00:42:30,640 --> 00:42:34,840
Speaker 1: Spears and Steinberg. It's available on all streaming platforms Amazon,

827
00:42:34,960 --> 00:42:39,640
Speaker 1: Google Play, Spotify, Apple or I always tell people hit

828
00:42:39,719 --> 00:42:41,959
Speaker 1: me up in my Instagram under my d ms airy

829
00:42:42,000 --> 00:42:44,600
Speaker 1: Spears and I'll personally send it to you. You guys

830
00:42:44,680 --> 00:42:47,160
Speaker 1: have like what two million whatever it is something like that.

831
00:42:47,640 --> 00:42:51,520
Speaker 1: Can I get half of you motherfucker's to show up? Goddamn?

832
00:42:52,000 --> 00:42:55,279
Speaker 1: Right now? Weird about eight thousand listeners. I would love

833
00:42:55,600 --> 00:43:01,680
Speaker 1: to do Rogan numbers yea, and that Jim million dollars. Yeah, man,

834
00:43:02,040 --> 00:43:04,000
Speaker 1: let me get five hundred thousand of you motherfucker's to

835
00:43:04,040 --> 00:43:06,520
Speaker 1: sign up to the podcast. Please quickly. What kind of

836
00:43:06,840 --> 00:43:08,880
Speaker 1: a flashback do you get though from that? From the

837
00:43:08,960 --> 00:43:10,960
Speaker 1: black community? Do you get any of those supporters who

838
00:43:10,960 --> 00:43:12,719
Speaker 1: are on the other side of what you're saying? Going yo,

839
00:43:12,880 --> 00:43:15,120
Speaker 1: every because I mean you and you know, of course,

840
00:43:15,160 --> 00:43:16,920
Speaker 1: there's a lot of people that are out there vocally

841
00:43:17,400 --> 00:43:20,600
Speaker 1: like that, like you, a d l LS very out there,

842
00:43:20,640 --> 00:43:22,880
Speaker 1: a lot free comedian God, I love, and I love

843
00:43:22,960 --> 00:43:25,520
Speaker 1: and I love following pl because like yesterday he went

844
00:43:25,560 --> 00:43:27,920
Speaker 1: on too a good kick and pointing out like and

845
00:43:28,000 --> 00:43:29,680
Speaker 1: I love when goes I don't know your heart, but

846
00:43:29,760 --> 00:43:31,279
Speaker 1: I know what you're doing, and I don't know he

847
00:43:31,320 --> 00:43:33,680
Speaker 1: don't speak on people's heart, which I like. And I

848
00:43:33,800 --> 00:43:35,920
Speaker 1: always like DLS takes and I've just been following your

849
00:43:35,920 --> 00:43:38,960
Speaker 1: podcast recently and I've been appreciating and agreeing with a

850
00:43:39,040 --> 00:43:41,040
Speaker 1: lot of your takes as well. But I know there's

851
00:43:41,040 --> 00:43:43,960
Speaker 1: a lot of cats out there that don't. Yeah, they

852
00:43:44,040 --> 00:43:46,160
Speaker 1: reached out to you and be like, yo, Well, the

853
00:43:46,280 --> 00:43:50,080
Speaker 1: ones that do are the ones that understand what it

854
00:43:50,200 --> 00:43:52,520
Speaker 1: is we're going through and what it is that they

855
00:43:52,600 --> 00:43:55,640
Speaker 1: we're talking about. The ones that don't, again, I hate

856
00:43:55,680 --> 00:43:57,239
Speaker 1: to keep saying the word, but it is what it is.

857
00:43:57,640 --> 00:43:59,480
Speaker 1: The coons, they don't hang out in the same juke

858
00:43:59,600 --> 00:44:02,480
Speaker 1: joints with us, so they what what I'm doing to

859
00:44:02,600 --> 00:44:06,640
Speaker 1: them is poisonous in their mind. So we don't congregate.

860
00:44:07,000 --> 00:44:09,000
Speaker 1: So yeah, we miss each other. But the ones that

861
00:44:09,080 --> 00:44:11,320
Speaker 1: do support it, they understand where I'm coming from, and

862
00:44:11,360 --> 00:44:14,040
Speaker 1: they understand how honest it is. And listen, I'm paying

863
00:44:14,120 --> 00:44:16,759
Speaker 1: for it. I mean my career is not where it

864
00:44:16,920 --> 00:44:19,000
Speaker 1: is not because I don't have the skill set, not

865
00:44:19,120 --> 00:44:21,000
Speaker 1: because I'm not as good as a Mike GPPs or

866
00:44:21,160 --> 00:44:23,440
Speaker 1: Kevin Hard. It's because I do this ship and I'm

867
00:44:23,520 --> 00:44:26,400
Speaker 1: vocal and I can't sleep at night looking at footage

868
00:44:26,600 --> 00:44:28,840
Speaker 1: of some of my people being shot and slaying in

869
00:44:28,880 --> 00:44:31,520
Speaker 1: the streets and I act like, oh, well, that's nothing.

870
00:44:31,560 --> 00:44:34,680
Speaker 1: I'm immune to that for what? Because I'm famous, that

871
00:44:34,800 --> 00:44:37,239
Speaker 1: the funk out of here, man, That bothers me. So,

872
00:44:37,600 --> 00:44:39,719
Speaker 1: you know, I get vocal about it, and and it's, uh,

873
00:44:40,120 --> 00:44:42,040
Speaker 1: it's fun with my career. Some of some of your

874
00:44:42,080 --> 00:44:44,640
Speaker 1: A listers are afraid to to speak out. And and

875
00:44:45,239 --> 00:44:47,920
Speaker 1: there was one good point that that brought to me,

876
00:44:48,160 --> 00:44:51,520
Speaker 1: you know, and it was Matt Barnes from you know,

877
00:44:52,040 --> 00:44:54,000
Speaker 1: Matt Barnes was you know, he was he was on

878
00:44:54,160 --> 00:44:56,560
Speaker 1: the show and he was like, look, man, you know,

879
00:44:56,800 --> 00:44:59,400
Speaker 1: just on cannabis. Forget you know, the race ship that's

880
00:44:59,440 --> 00:45:02,000
Speaker 1: going on right now. Just on the cannabis thing. If

881
00:45:02,040 --> 00:45:05,480
Speaker 1: you come out and you're talking about cannabis and you're saying,

882
00:45:06,000 --> 00:45:08,440
Speaker 1: um that you smoke it openly and you gotta deal

883
00:45:08,480 --> 00:45:11,440
Speaker 1: with Disney, You're gonna lose that fucking deal. Maybe you

884
00:45:11,760 --> 00:45:14,399
Speaker 1: may how famous you get depending well that's don't say

885
00:45:14,760 --> 00:45:16,800
Speaker 1: you know that A list or though you know that

886
00:45:16,920 --> 00:45:18,640
Speaker 1: Bars is a little worried about it. He's decent, but

887
00:45:18,800 --> 00:45:21,040
Speaker 1: you know he was like, well he has an ESPN deal.

888
00:45:21,239 --> 00:45:24,160
Speaker 1: You know what I'm saying. Disney, That just Disney. And

889
00:45:24,280 --> 00:45:26,120
Speaker 1: so it's like if you start talking about cannabis and

890
00:45:26,120 --> 00:45:28,200
Speaker 1: you're talking about smoking it and getting high, and then

891
00:45:28,360 --> 00:45:30,399
Speaker 1: you know you you you know, coming out and being

892
00:45:30,440 --> 00:45:33,480
Speaker 1: talking about you know, what your beliefs are. I see

893
00:45:33,480 --> 00:45:35,120
Speaker 1: a lot of these A listers that are afraid of

894
00:45:35,400 --> 00:45:37,839
Speaker 1: to talk about their beliefs clearly, because if not, they'd

895
00:45:37,880 --> 00:45:40,239
Speaker 1: be speaking on it all over the country and if

896
00:45:40,280 --> 00:45:43,239
Speaker 1: they voice their freaking opinion, then it would be recognized

897
00:45:43,280 --> 00:45:46,280
Speaker 1: by everybody. But they won't come out of that closet

898
00:45:46,320 --> 00:45:49,360
Speaker 1: and speak because, like you said, probably the greatest of

899
00:45:49,440 --> 00:45:53,240
Speaker 1: being they think about the popis. As a basketball diehard

900
00:45:53,280 --> 00:45:57,640
Speaker 1: fan and as a Michael Jordan's groupie, I absolutely love

901
00:45:57,760 --> 00:46:00,800
Speaker 1: the Last Dance because it gave us the chance to

902
00:46:00,920 --> 00:46:03,320
Speaker 1: see what a lot of us already knew, which was

903
00:46:03,960 --> 00:46:06,640
Speaker 1: up until that point, Michael Jordan, we got the brand.

904
00:46:07,000 --> 00:46:12,080
Speaker 1: Sometimes I dream cookie cutter, clean cut too. You missed

905
00:46:12,080 --> 00:46:15,320
Speaker 1: that player. You fed here, motherfucker Larry Bird, bitch, Hope

906
00:46:15,760 --> 00:46:19,759
Speaker 1: you want, bitch we you can't even make a jump shot,

907
00:46:19,880 --> 00:46:23,520
Speaker 1: NA shoot, motherfucker that I'm gonna make that freet though, Hope.

908
00:46:24,160 --> 00:46:25,800
Speaker 1: And I was like, that's the nick. I want to

909
00:46:25,840 --> 00:46:30,360
Speaker 1: hang out with the guards, smoking tequila, drinking, card playing,

910
00:46:30,480 --> 00:46:33,239
Speaker 1: gambling because we always knew that dude was there. He's

911
00:46:33,239 --> 00:46:38,000
Speaker 1: alpha male from from from from from North Carolina, technically

912
00:46:38,080 --> 00:46:42,480
Speaker 1: New York. Right, don't sell me on the Haynes, the McDonald's,

913
00:46:42,920 --> 00:46:46,400
Speaker 1: the gatorade. The kiddie said, give me that nitter. And

914
00:46:46,480 --> 00:46:48,000
Speaker 1: now he's got a NASCAR. You see, he got a

915
00:46:48,080 --> 00:46:51,040
Speaker 1: NASCAR again. But my boy is as any of his

916
00:46:51,120 --> 00:46:55,200
Speaker 1: commercials slowed down. Why because he's Michael Jordan's. He's he's

917
00:46:55,280 --> 00:46:59,839
Speaker 1: he's the creme de la creme of sports basketball. He's

918
00:47:00,000 --> 00:47:02,400
Speaker 1: he could get away with that. Now, granted he might

919
00:47:02,480 --> 00:47:04,000
Speaker 1: not have been able to do all that on the

920
00:47:04,120 --> 00:47:07,360
Speaker 1: come up, but now that his position is solidified. But

921
00:47:07,880 --> 00:47:09,879
Speaker 1: that a lot of these players, like Lebron, I take

922
00:47:09,960 --> 00:47:13,000
Speaker 1: my hat off to who's being very vocal, who's being

923
00:47:13,239 --> 00:47:15,680
Speaker 1: very outspoken, And you know, I don't even know if

924
00:47:15,719 --> 00:47:17,279
Speaker 1: he could do more. To be honest with you, I

925
00:47:17,400 --> 00:47:20,920
Speaker 1: think Lebron, who's arguably one of the best players actively

926
00:47:20,960 --> 00:47:23,520
Speaker 1: in the NBA right now, you know, it's just very

927
00:47:23,640 --> 00:47:25,680
Speaker 1: out there where and a lot of these other cats

928
00:47:25,760 --> 00:47:28,120
Speaker 1: that are on their way up and still doing very well.

929
00:47:28,400 --> 00:47:30,040
Speaker 1: And I feel like it's finally gotten to a point

930
00:47:30,080 --> 00:47:33,040
Speaker 1: where more players are coming out, but you won't see

931
00:47:33,600 --> 00:47:35,480
Speaker 1: the bigger ones like we've yet to hear. And I

932
00:47:35,520 --> 00:47:36,640
Speaker 1: hate to throw one of the bus because I love

933
00:47:36,719 --> 00:47:38,920
Speaker 1: him a lot, but but a shock shock cast have

934
00:47:38,960 --> 00:47:41,120
Speaker 1: been too vocal because he has too many endorsement deals,

935
00:47:41,400 --> 00:47:43,680
Speaker 1: he's too many fucking much money to be making. So

936
00:47:43,760 --> 00:47:45,959
Speaker 1: you haven't heard of Shack say something like this. Listen,

937
00:47:46,040 --> 00:47:48,160
Speaker 1: it's uh, it's the saying, you know, don't bite the

938
00:47:48,200 --> 00:47:50,759
Speaker 1: hand and feed you. You know, and whoever sign and

939
00:47:50,800 --> 00:47:54,120
Speaker 1: your checks. You know, if you if you're too vocal, Uh,

940
00:47:54,160 --> 00:47:56,719
Speaker 1: if you're too controversial, you're kind of biting the hand

941
00:47:56,800 --> 00:47:59,359
Speaker 1: to feed you. Uh. You know, my manager once had

942
00:47:59,360 --> 00:48:00,960
Speaker 1: a saying. Man, he was like, look, you want to

943
00:48:01,000 --> 00:48:03,080
Speaker 1: be rich or you want to be right. You know,

944
00:48:03,440 --> 00:48:06,360
Speaker 1: it's hard to be both. And I'm I'm in arias

945
00:48:06,400 --> 00:48:08,600
Speaker 1: I'm made third, I'm outha male, I'm from New York.

946
00:48:08,640 --> 00:48:12,799
Speaker 1: I'm aggressive. You know, I like being right, But god damn,

947
00:48:12,840 --> 00:48:14,239
Speaker 1: I'd love to know before I end up in a

948
00:48:14,280 --> 00:48:18,080
Speaker 1: pine box. I'm rich, I mean that arrogant money. You know.

949
00:48:18,160 --> 00:48:19,880
Speaker 1: I want to and I believe there's a way you

950
00:48:19,960 --> 00:48:23,239
Speaker 1: can taste both. It's a lot, it's a lot tougher path,

951
00:48:23,760 --> 00:48:25,799
Speaker 1: it's a lot more. It's like Indiana Jones. You gotta

952
00:48:25,960 --> 00:48:29,160
Speaker 1: avoid the arrows out the wall to rolling ball the flames.

953
00:48:29,719 --> 00:48:33,120
Speaker 1: But if you can get to it, that's a hell

954
00:48:33,160 --> 00:48:34,719
Speaker 1: of a way to be man. Areas you should have

955
00:48:34,800 --> 00:48:39,040
Speaker 1: affected your career. Can you pinpoint certain, Oh, your manager

956
00:48:39,120 --> 00:48:41,600
Speaker 1: told you that fucking agent. They're not working with you

957
00:48:41,719 --> 00:48:45,680
Speaker 1: because of their or do you just gut feeling a

958
00:48:45,800 --> 00:48:48,840
Speaker 1: little both. I remember when I first did uh the

959
00:48:48,960 --> 00:48:51,640
Speaker 1: improv in Miami. There was a radio show in Florida

960
00:48:51,719 --> 00:48:55,560
Speaker 1: called Ron and Ron and uh Ron and something um

961
00:48:56,360 --> 00:48:58,160
Speaker 1: and I was young man. I I went to the

962
00:48:58,239 --> 00:49:01,920
Speaker 1: station and listen, there's a report we build as as

963
00:49:02,000 --> 00:49:04,520
Speaker 1: me the comedian and you're the host. So if we

964
00:49:04,640 --> 00:49:07,279
Speaker 1: have a rapport and I feel like we're vibing and

965
00:49:07,360 --> 00:49:09,920
Speaker 1: the energy is right and you say to me, hey man,

966
00:49:10,320 --> 00:49:13,480
Speaker 1: can you do like you know Bill Cosby? And I'm

967
00:49:13,560 --> 00:49:18,000
Speaker 1: with it, But this dude run. He had such an

968
00:49:18,080 --> 00:49:20,759
Speaker 1: ego that he had a piece of paper with all

969
00:49:20,840 --> 00:49:22,880
Speaker 1: my impressions and he would just just so let me

970
00:49:22,920 --> 00:49:24,560
Speaker 1: get that paper from you dog. He would just do

971
00:49:24,640 --> 00:49:29,600
Speaker 1: ship like this. He would go, so you do Bill Cosby? Go?

972
00:49:31,200 --> 00:49:33,560
Speaker 1: And I did the first two or three, but then

973
00:49:33,680 --> 00:49:36,880
Speaker 1: by number four you do so and so let me

974
00:49:36,960 --> 00:49:39,520
Speaker 1: hear it. I'm like, hey man, I'm gonna save the

975
00:49:39,560 --> 00:49:41,480
Speaker 1: rest for the show, you know. So he goes, well,

976
00:49:41,600 --> 00:49:43,839
Speaker 1: if you're not gonna do anything, why are you here?

977
00:49:43,880 --> 00:49:46,440
Speaker 1: You can leave. So I left the studio, I'm in

978
00:49:46,520 --> 00:49:50,080
Speaker 1: the car and not two minutes later, he's trashing me

979
00:49:50,480 --> 00:49:52,920
Speaker 1: on the air. He ain't even funny, he's this, he's

980
00:49:53,000 --> 00:49:54,759
Speaker 1: that I told my man. I said, he gonna turn

981
00:49:54,800 --> 00:49:57,240
Speaker 1: the car round. So we go back into the station

982
00:49:57,719 --> 00:50:01,040
Speaker 1: and it gets heated. I'm like, motherfucker talking ship, say

983
00:50:01,120 --> 00:50:03,319
Speaker 1: that ship to my face, and he was like, I'll

984
00:50:03,400 --> 00:50:05,440
Speaker 1: sue your ass. I said, I bet your motherfucking fat

985
00:50:05,480 --> 00:50:09,520
Speaker 1: ass wood. So it just got nasty, and so that

986
00:50:10,239 --> 00:50:12,560
Speaker 1: tape made its way back to l A. It was

987
00:50:12,600 --> 00:50:15,239
Speaker 1: all over the news and ship, and you know that

988
00:50:15,400 --> 00:50:19,960
Speaker 1: was one of those where uh, my manager was just like, yeah,

989
00:50:20,080 --> 00:50:25,040
Speaker 1: studio heads, network heads heard that, and listen, even if

990
00:50:25,080 --> 00:50:28,759
Speaker 1: you're not black, if you whatever color you are, if

991
00:50:28,800 --> 00:50:32,120
Speaker 1: your ego is not checked, Hollywood will check you. But

992
00:50:32,239 --> 00:50:35,200
Speaker 1: to be black and have an ego is a big

993
00:50:35,320 --> 00:50:38,320
Speaker 1: no no. It's it's like, nigga, stay in your place.

994
00:50:38,960 --> 00:50:42,320
Speaker 1: So they heard that and the rumors, Oh, he's dangerous,

995
00:50:42,880 --> 00:50:46,680
Speaker 1: he's a diva, he's asshole, and all these things. I wasn't.

996
00:50:47,040 --> 00:50:50,200
Speaker 1: But again, I'm coming up in a time where I

997
00:50:50,280 --> 00:50:52,479
Speaker 1: didn't have anybody to pull on my coattail. I didn't

998
00:50:52,520 --> 00:50:54,480
Speaker 1: have nobody to check me and go, hey, man, you

999
00:50:54,520 --> 00:50:57,839
Speaker 1: don't do this in this situation. I'm learning this ship

1000
00:50:58,200 --> 00:51:01,960
Speaker 1: off the cuff, So I made mistakes. At looking back now,

1001
00:51:02,120 --> 00:51:04,839
Speaker 1: I go, damn, I should have just shut the funk up.

1002
00:51:05,719 --> 00:51:09,080
Speaker 1: Your ego, your ego, your ego is not But it

1003
00:51:09,160 --> 00:51:13,879
Speaker 1: wasn't about ego. It was just about me. I'm coming

1004
00:51:13,920 --> 00:51:16,439
Speaker 1: into my own on everything for the first time. I'm

1005
00:51:16,480 --> 00:51:19,080
Speaker 1: the most successful person in my family. I've made the

1006
00:51:19,160 --> 00:51:23,600
Speaker 1: most money. Nobody went to college. I was the only

1007
00:51:23,640 --> 00:51:26,000
Speaker 1: one to this day who owns his own home. So

1008
00:51:26,160 --> 00:51:30,240
Speaker 1: imagine being fourteen years old. By the time you're eighteen,

1009
00:51:30,800 --> 00:51:34,000
Speaker 1: you've made a million dollars in holding deals. This world

1010
00:51:34,160 --> 00:51:36,799
Speaker 1: is new to you. You're trying to discover your who

1011
00:51:36,880 --> 00:51:40,640
Speaker 1: you are as a man. I just didn't know what

1012
00:51:40,840 --> 00:51:44,120
Speaker 1: to do. So I was like, Mike Tyson, too much,

1013
00:51:44,200 --> 00:51:49,040
Speaker 1: too soon, had nobody to protect you and go. So

1014
00:51:49,160 --> 00:51:51,560
Speaker 1: I just I just you know, I made mistakes, man,

1015
00:51:51,960 --> 00:51:54,719
Speaker 1: and based on what I know about this industry now

1016
00:51:55,360 --> 00:51:58,960
Speaker 1: not saying I'm kissing ass or I'm selling out, but

1017
00:51:59,080 --> 00:52:02,040
Speaker 1: I would just be more strategic and my things like well,

1018
00:52:03,880 --> 00:52:11,799
Speaker 1: Evander Holyfield, Mike Tyson, get high, go you hispanic motherfucker's

1019
00:52:14,360 --> 00:52:17,040
Speaker 1: you know what's crazy? What do you said? I was like, damn,

1020
00:52:17,080 --> 00:52:18,719
Speaker 1: we were talking to like that, Like, dude, you could

1021
00:52:19,840 --> 00:52:23,280
Speaker 1: bullshit that. That's some bullshit. Looking looking up on YouTube,

1022
00:52:23,320 --> 00:52:25,719
Speaker 1: you can find on YouTube was great about it. Was

1023
00:52:26,640 --> 00:52:28,919
Speaker 1: one of my favorite comedians of all time. God rest

1024
00:52:29,000 --> 00:52:32,000
Speaker 1: his soul, Patrise O'Neil. We were actually on Opie and

1025
00:52:32,000 --> 00:52:34,719
Speaker 1: Anthony talking about it, and I have such love and

1026
00:52:34,760 --> 00:52:38,359
Speaker 1: respect for Patrise that that banta between us was Ron

1027
00:52:38,440 --> 00:52:40,960
Speaker 1: and Paul. It's called Ron and Paul. The Ron and

1028
00:52:41,040 --> 00:52:44,239
Speaker 1: Paul Show. Uh and yeah, man, it just it just

1029
00:52:44,400 --> 00:52:46,480
Speaker 1: it just gotta it got what it got. It's funny though,

1030
00:52:46,560 --> 00:52:49,680
Speaker 1: aries because when we've interviewed you before in Power Who

1031
00:52:49,760 --> 00:52:52,960
Speaker 1: six with Big Boys Neighborhood, I never heard this story before,

1032
00:52:53,000 --> 00:52:55,400
Speaker 1: and that was before you were there coming there. So

1033
00:52:55,719 --> 00:52:58,160
Speaker 1: my point is I was doing that FM radio for years,

1034
00:52:58,680 --> 00:53:01,200
Speaker 1: twenty seven years and never heard that. And I was

1035
00:53:01,239 --> 00:53:03,080
Speaker 1: a part of the show called the Doghouse up in

1036
00:53:03,160 --> 00:53:05,040
Speaker 1: the Bay Area. I know that show, yeah, and I

1037
00:53:05,200 --> 00:53:07,200
Speaker 1: was on there with we had you early on in

1038
00:53:07,280 --> 00:53:09,759
Speaker 1: your career as well. I never heard that story about

1039
00:53:09,800 --> 00:53:13,680
Speaker 1: you there either. This is the first time I can.

1040
00:53:13,800 --> 00:53:15,399
Speaker 1: But my point is a story like that, I would

1041
00:53:15,480 --> 00:53:19,720
Speaker 1: think that would come where. My point is to credit

1042
00:53:19,840 --> 00:53:22,480
Speaker 1: you and say what I told everybody when Peanut said

1043
00:53:22,480 --> 00:53:24,399
Speaker 1: we're gonna get in Blue thought of it to do that, Peanut,

1044
00:53:24,400 --> 00:53:26,520
Speaker 1: and I was like, Dude, this cat has been nothing

1045
00:53:26,600 --> 00:53:29,160
Speaker 1: but great every time I've fucking seen him. And he's

1046
00:53:29,200 --> 00:53:31,680
Speaker 1: funny and he's cool and he's nice and he's just

1047
00:53:31,960 --> 00:53:34,839
Speaker 1: like that's these guys will attest to it without hearing

1048
00:53:34,920 --> 00:53:37,200
Speaker 1: that story about your dog. It blows my mind. I

1049
00:53:37,320 --> 00:53:42,680
Speaker 1: am the most misunderstood person in show business because again

1050
00:53:43,200 --> 00:53:46,600
Speaker 1: the rumors, people's perception of me is that I'm a dick.

1051
00:53:47,080 --> 00:53:49,239
Speaker 1: I'm an asshole. First of all, I'm a loof, and

1052
00:53:49,320 --> 00:53:52,160
Speaker 1: a loof often gets translated to dick. And it's not

1053
00:53:52,280 --> 00:53:55,080
Speaker 1: like I'm separating myself from you because I think I'm Betty.

1054
00:53:55,120 --> 00:53:58,080
Speaker 1: I'm just the quiet dude when I'm not on so

1055
00:53:58,960 --> 00:54:02,080
Speaker 1: and I hear all these horror stories about celebrities that

1056
00:54:02,160 --> 00:54:04,440
Speaker 1: come to stand up in certain cities won't meet the

1057
00:54:04,560 --> 00:54:08,279
Speaker 1: people fucking shuns you, dude. We could sit at the bar,

1058
00:54:08,719 --> 00:54:12,279
Speaker 1: chop it up, throw a shot back. I'll slap hands

1059
00:54:12,360 --> 00:54:16,000
Speaker 1: with you, hug you. I'm the most down the earth,

1060
00:54:16,120 --> 00:54:20,239
Speaker 1: humble motherfucker. I just the Hollywood game. It makes me sick,

1061
00:54:20,680 --> 00:54:24,440
Speaker 1: so so looking at these guys looks like, you know

1062
00:54:24,480 --> 00:54:26,919
Speaker 1: what I'm saying. I'm just I'm just a regular Joe

1063
00:54:27,000 --> 00:54:30,080
Speaker 1: blow man and and and Hollywood thinks I'm one way

1064
00:54:30,160 --> 00:54:32,640
Speaker 1: when I'm really not. And I always say, like, put

1065
00:54:32,680 --> 00:54:35,359
Speaker 1: it in boxing terms, there's the people's chap and there's

1066
00:54:35,400 --> 00:54:38,359
Speaker 1: the paper chap. Some guys are one or the other.

1067
00:54:38,840 --> 00:54:42,200
Speaker 1: Some dudes are both. I'm the I'm the people's chap.

1068
00:54:42,520 --> 00:54:46,600
Speaker 1: The people love me. Industry is the paper. They can't

1069
00:54:46,640 --> 00:54:50,359
Speaker 1: stand me, man, they can't fucking stand me, so uh

1070
00:54:50,560 --> 00:54:52,920
Speaker 1: and I'm trying to figure out a way to get

1071
00:54:53,040 --> 00:54:55,359
Speaker 1: them to see I'm not what you think I am.

1072
00:54:55,760 --> 00:54:58,320
Speaker 1: I just have a little tolerance for bullshit. Well, you

1073
00:54:58,440 --> 00:55:00,520
Speaker 1: keep shilling out shows, and you keep doing what you're doing,

1074
00:55:00,600 --> 00:55:02,360
Speaker 1: and there's more people meet you, and you get a

1075
00:55:02,400 --> 00:55:04,719
Speaker 1: couple more washerman is behind you, that same man. This

1076
00:55:04,880 --> 00:55:06,560
Speaker 1: guy is good, you know what I mean. Well, that's

1077
00:55:06,760 --> 00:55:08,880
Speaker 1: that's how what's gonna have to happen. It's gonna have

1078
00:55:08,960 --> 00:55:11,200
Speaker 1: to take the upper echelon of people to go on

1079
00:55:11,440 --> 00:55:13,480
Speaker 1: to other people. You know, he ain't like that, yo,

1080
00:55:13,960 --> 00:55:15,879
Speaker 1: I got talked to him. I worked with him. Cool

1081
00:55:15,920 --> 00:55:17,960
Speaker 1: as a motherfucker. Yeah, he came down to our show.

1082
00:55:18,000 --> 00:55:20,320
Speaker 1: He's out here banking, but I wouldn't through traffic and

1083
00:55:20,400 --> 00:55:23,520
Speaker 1: this motherfucker. Yeah, it's going down and all that being said,

1084
00:55:23,560 --> 00:55:25,239
Speaker 1: you guys, I think it's now about time for the

1085
00:55:25,320 --> 00:55:28,960
Speaker 1: high five with Aery Spears. You're ready to this one?

1086
00:55:29,200 --> 00:55:33,399
Speaker 1: The high five? Don't don't show the question the question

1087
00:55:33,719 --> 00:55:36,399
Speaker 1: him question number one. I'm hoping before we get before

1088
00:55:36,440 --> 00:55:38,680
Speaker 1: I leave too, because I want to promote my my

1089
00:55:39,160 --> 00:55:41,719
Speaker 1: game app. But but I would love to. Let's have

1090
00:55:41,840 --> 00:55:44,480
Speaker 1: y'all play it right now where you ain't gotta download app.

1091
00:55:44,640 --> 00:55:46,160
Speaker 1: We can play it without the app. But I just

1092
00:55:46,200 --> 00:55:47,879
Speaker 1: want to give people a taste of what it is. Okay,

1093
00:55:48,000 --> 00:55:49,759
Speaker 1: let's do it after this high five? You're ready? How

1094
00:55:49,800 --> 00:55:51,440
Speaker 1: old are you the first time you smoked weed? And

1095
00:55:51,480 --> 00:56:00,520
Speaker 1: where'd you get it from? Damn ship? Uh? Maybe nineteen twenty?

1096
00:56:00,840 --> 00:56:02,560
Speaker 1: Okay where did I get it? Where you in New

1097
00:56:02,640 --> 00:56:04,240
Speaker 1: York at the time? Are you in l A already?

1098
00:56:04,440 --> 00:56:06,200
Speaker 1: I think it was out in l A already? Yeah,

1099
00:56:06,480 --> 00:56:09,680
Speaker 1: you don't remember who you got from? Eighteen nineteen in

1100
00:56:09,920 --> 00:56:11,600
Speaker 1: l A and no, but I will tell you a

1101
00:56:11,640 --> 00:56:16,439
Speaker 1: quick funny story, Yeah, exactly if it's good. Snoop Dogg

1102
00:56:16,520 --> 00:56:19,480
Speaker 1: does Mad TV and I'm so excited to meet him.

1103
00:56:19,520 --> 00:56:22,040
Speaker 1: At that time, I really didn't smoke. So I go

1104
00:56:22,120 --> 00:56:24,160
Speaker 1: in the trailer and it's him with a big round

1105
00:56:24,280 --> 00:56:28,120
Speaker 1: group and anybody smoking, passing, smoking, passing. It gets to

1106
00:56:28,239 --> 00:56:30,719
Speaker 1: me and I go, oh, Snoop Man a big fan,

1107
00:56:30,840 --> 00:56:33,279
Speaker 1: but I really don't smoke, dog, And I respect that

1108
00:56:33,600 --> 00:56:36,160
Speaker 1: this gets nice to keep it clean. I appreciate that,

1109
00:56:36,480 --> 00:56:40,000
Speaker 1: hey man, get that nigg out of my trailer. Shut up?

1110
00:56:41,600 --> 00:56:47,759
Speaker 1: Are you serious? Yes? Yes? Yes? Did you met You've

1111
00:56:47,800 --> 00:56:53,839
Speaker 1: met him since that? Yeah, that I started. I might

1112
00:56:53,880 --> 00:56:59,080
Speaker 1: have started smoking in Yeah, give me that cocaine too.

1113
00:57:00,000 --> 00:57:02,920
Speaker 1: What do you do all of it? All right? When

1114
00:57:02,960 --> 00:57:05,400
Speaker 1: you smoke? What is your favorite way to use cannabis?

1115
00:57:06,320 --> 00:57:08,800
Speaker 1: Use it means smoke it, drinking and drinking. Yeah, you

1116
00:57:08,800 --> 00:57:12,160
Speaker 1: can drink it and drinking drink. I smoke it. I'm

1117
00:57:12,200 --> 00:57:16,880
Speaker 1: real traditional. I try edible one time and never again. Yeah,

1118
00:57:16,960 --> 00:57:18,520
Speaker 1: I mean I didn't know. It was just it was

1119
00:57:18,640 --> 00:57:21,400
Speaker 1: more potent and smoking. Oh yeah, I'm in that boat.

1120
00:57:22,560 --> 00:57:25,120
Speaker 1: Question number three of the High five with Areas spears,

1121
00:57:25,760 --> 00:57:31,880
Speaker 1: craziest place you've ever used or smoked cannabis? It wasn't

1122
00:57:31,880 --> 00:57:35,920
Speaker 1: with Snoop Dogg in his trailer. You know all my

1123
00:57:36,040 --> 00:57:38,640
Speaker 1: weeds smoking really is pretty much taking place at home,

1124
00:57:38,880 --> 00:57:41,480
Speaker 1: because once upon a time ago I used to try

1125
00:57:41,520 --> 00:57:44,160
Speaker 1: to smoke outside the house, and I just don't like

1126
00:57:44,240 --> 00:57:47,479
Speaker 1: feeling paranoid. I don't feel like I don't want Yeah,

1127
00:57:47,600 --> 00:57:49,760
Speaker 1: I just I like to smoke weed be in my

1128
00:57:49,880 --> 00:57:56,000
Speaker 1: theater room and PlayStation out uh maddened two K, God

1129
00:57:56,080 --> 00:57:59,160
Speaker 1: of War, Spider Man, I play it all. I'm only

1130
00:57:59,200 --> 00:58:01,680
Speaker 1: a sports god to play Madden and Jo shows up

1131
00:58:01,680 --> 00:58:04,480
Speaker 1: in this Spider Man underwear all the time. The house

1132
00:58:04,520 --> 00:58:07,120
Speaker 1: that's where different party. You're not supposed to tell you

1133
00:58:07,160 --> 00:58:11,880
Speaker 1: what sorts out of the bag. Go ahead, mark, alright, alright.

1134
00:58:12,000 --> 00:58:14,720
Speaker 1: Question number four the cannabis talk one on one hive

1135
00:58:14,960 --> 00:58:22,720
Speaker 1: five with ears. What is your Hey wait Aris and

1136
00:58:23,120 --> 00:58:27,080
Speaker 1: uh Aris, I love it the juice to juice. Can't

1137
00:58:27,080 --> 00:58:32,800
Speaker 1: get my name right? What was the question? What is

1138
00:58:32,840 --> 00:58:38,840
Speaker 1: your go too much when you get Oh boy, wait, wait, wait,

1139
00:58:38,920 --> 00:58:41,600
Speaker 1: let me ask you. Let me just do this. Question

1140
00:58:41,720 --> 00:58:44,240
Speaker 1: number four? What is your favorite? What is your go

1141
00:58:44,440 --> 00:58:47,000
Speaker 1: too munchie when you get right? Yeah? Question number four,

1142
00:58:47,120 --> 00:58:49,760
Speaker 1: what is your go too much when you get high? Uh?

1143
00:58:50,240 --> 00:58:55,840
Speaker 1: Cheetos cheese popcorn with hot Tabasco sauce with tabascos. Downs

1144
00:58:55,920 --> 00:58:59,320
Speaker 1: that cheetos so that with the hot flaming hots. No,

1145
00:58:59,480 --> 00:59:06,880
Speaker 1: not to flaming g Puerto Rican women, Yeah, Poppy ship

1146
00:59:07,000 --> 00:59:09,800
Speaker 1: make you make bad decisions. He's like the first time,

1147
00:59:10,080 --> 00:59:12,280
Speaker 1: the first time my Puerto Rican baby mother from the back.

1148
00:59:12,320 --> 00:59:14,400
Speaker 1: She said, oh, Poppy pop asked, I'm about to take

1149
00:59:14,400 --> 00:59:17,400
Speaker 1: this rub off. If she got aids, we got as

1150
00:59:17,760 --> 00:59:21,560
Speaker 1: we do it together. We're going down together, down. Just

1151
00:59:21,720 --> 00:59:25,560
Speaker 1: keep calling question number five with the high five. If

1152
00:59:25,600 --> 00:59:29,520
Speaker 1: you could smoke with anyone dead are alive, who would

1153
00:59:29,560 --> 00:59:35,760
Speaker 1: it be and why? Uh? Probably Martin Luther King, just

1154
00:59:35,840 --> 00:59:38,840
Speaker 1: so I can get him to loosen up and tell

1155
00:59:38,880 --> 00:59:44,520
Speaker 1: me about some of that side Pussy he had. He said,

1156
00:59:44,720 --> 00:59:47,120
Speaker 1: all things that you can say about Martin Luther King,

1157
00:59:47,280 --> 00:59:53,080
Speaker 1: that is dreams, dreams. I was that side. Oh that

1158
00:59:53,560 --> 00:59:59,880
Speaker 1: was what that conversation go. That was a good credit, King,

1159
01:00:00,800 --> 01:00:03,040
Speaker 1: I know creed your only piece of ass. What was

1160
01:00:03,080 --> 01:00:05,240
Speaker 1: the best at pussy have had? Oh? It was a

1161
01:00:05,360 --> 01:00:08,640
Speaker 1: light skinning bit from Oklahoma. What I tell you that

1162
01:00:08,760 --> 01:00:12,600
Speaker 1: bussy was magnanimous, had me reaching for the sky from

1163
01:00:12,680 --> 01:00:15,640
Speaker 1: here the kingdom come. Just I just his story in

1164
01:00:15,720 --> 01:00:19,160
Speaker 1: that voice would be great. Man. I remember I hitting

1165
01:00:19,240 --> 01:00:22,720
Speaker 1: from the bag and then pantics slid down like the

1166
01:00:22,800 --> 01:00:30,400
Speaker 1: injustice of law ship. I love, so talk to us

1167
01:00:30,440 --> 01:00:33,640
Speaker 1: about your app, man, What else going on? I first

1168
01:00:33,680 --> 01:00:39,040
Speaker 1: talked about this on be Real's podcast Dr Green Real. Um.

1169
01:00:39,400 --> 01:00:42,360
Speaker 1: It's called Aery Spears movie Madness, and it's basically a

1170
01:00:42,400 --> 01:00:45,320
Speaker 1: game you can play anywhere with all you can use,

1171
01:00:45,600 --> 01:00:48,520
Speaker 1: and I suggest you use the phone. But even if

1172
01:00:48,560 --> 01:00:51,680
Speaker 1: you didn't have one. Uh, it's basically a movie trivia

1173
01:00:51,760 --> 01:00:55,280
Speaker 1: game or a clock with the time fox with your head,

1174
01:00:55,480 --> 01:00:57,320
Speaker 1: like let's say the four of us was playing and

1175
01:00:57,440 --> 01:01:02,200
Speaker 1: you Basically, it's uh process of elimination. Last man standing wins.

1176
01:01:02,520 --> 01:01:04,840
Speaker 1: If you don't name the certain amount of movies in

1177
01:01:04,880 --> 01:01:07,760
Speaker 1: a certain amount of time, you're eliminated. So if I

1178
01:01:07,800 --> 01:01:10,520
Speaker 1: would have say to you, without being timed, who's one

1179
01:01:10,560 --> 01:01:13,360
Speaker 1: of your favorite actors? Favorite? That words Jamie Fox? Okay,

1180
01:01:13,360 --> 01:01:17,320
Speaker 1: if I would have say to you, give me name

1181
01:01:17,640 --> 01:01:22,080
Speaker 1: fifteen Jamie Fox movies, don't name him, you probably could

1182
01:01:22,120 --> 01:01:24,240
Speaker 1: do that rather easily. But if I said to you,

1183
01:01:24,800 --> 01:01:28,200
Speaker 1: give me fifteen Jamie foxes in thirty seconds, you probably

1184
01:01:28,280 --> 01:01:31,400
Speaker 1: lock up. After five, your brain will lock us. So

1185
01:01:31,440 --> 01:01:33,800
Speaker 1: because when you had that that clock against you, it

1186
01:01:34,280 --> 01:01:40,320
Speaker 1: you and I got a timer. Let me know when

1187
01:01:40,360 --> 01:01:43,400
Speaker 1: you're ready. And I'm not gonna say Jamie because because

1188
01:01:43,440 --> 01:01:46,320
Speaker 1: I got to think about it. Let names somebody else popular.

1189
01:01:46,360 --> 01:01:48,720
Speaker 1: But I'm gonna name somebody else. I got to stop

1190
01:01:48,800 --> 01:01:51,280
Speaker 1: watch take the alarm, no, no time, stop, just tim

1191
01:01:51,600 --> 01:01:57,440
Speaker 1: I'm gonna tell him give me forty seconds, forty seconds,

1192
01:01:57,760 --> 01:02:02,680
Speaker 1: give me give me fifteen get okay, I got forty

1193
01:02:02,680 --> 01:02:06,640
Speaker 1: seconds in forty seconds, give me fifteen Sylvester Stallon's and

1194
01:02:06,840 --> 01:02:10,560
Speaker 1: nobody can help him. No, you can't help you. You're

1195
01:02:10,600 --> 01:02:14,080
Speaker 1: doing and if you help him, if anybody helps, you're eliminated. Yeah,

1196
01:02:14,400 --> 01:02:18,720
Speaker 1: you're automatically eliminated. You don't help him? Yeah, top? Uh

1197
01:02:19,320 --> 01:02:23,560
Speaker 1: what was it? Uh? Rocky one, two, three, four and five? Okay, Yeah,

1198
01:02:23,600 --> 01:02:26,400
Speaker 1: that's good, I'll say, uh we got what else was

1199
01:02:26,440 --> 01:02:30,880
Speaker 1: he in? Si? Was he in the Uh? Rambo one? Two,

1200
01:02:31,000 --> 01:02:35,520
Speaker 1: three and four? Okay? Uh? Six more to go? How

1201
01:02:35,640 --> 01:02:40,560
Speaker 1: much time? Seconds? Stan with? What was it? Uh? Ship man?

1202
01:02:41,640 --> 01:02:45,560
Speaker 1: Give any time? Rambo? Uh for the top? Five seconds?

1203
01:02:45,720 --> 01:02:47,880
Speaker 1: Over the top he did, stay over the top and

1204
01:02:48,880 --> 01:02:52,360
Speaker 1: to done. Shot. We got top with my mom will.

1205
01:02:52,720 --> 01:02:55,280
Speaker 1: But that's easy to do. That's easy to do when

1206
01:02:55,320 --> 01:02:58,640
Speaker 1: it's not you. That's the time right there. That's the alarm. Man.

1207
01:02:58,680 --> 01:03:01,640
Speaker 1: He took you stole two minutes from bro. So yeah, listen, man,

1208
01:03:01,960 --> 01:03:04,840
Speaker 1: Even if you're sitting around at a bar, at a

1209
01:03:05,000 --> 01:03:07,760
Speaker 1: at a tailgate at home, just chilling with your boys

1210
01:03:07,840 --> 01:03:10,920
Speaker 1: in an app already yeah yeah yeah, drinking, smoking, hanging out,

1211
01:03:11,160 --> 01:03:12,800
Speaker 1: it's just something to blow the time and it's fun.

1212
01:03:12,880 --> 01:03:15,720
Speaker 1: What's it call? Very spears? Movie madness. I want to

1213
01:03:15,760 --> 01:03:22,600
Speaker 1: I want to test him. Give me very h give

1214
01:03:22,680 --> 01:03:32,320
Speaker 1: me twelve Tom Cruises go, uh, we've got already was

1215
01:03:32,400 --> 01:03:35,160
Speaker 1: not He was not in that, but I didn't. I

1216
01:03:35,240 --> 01:03:38,240
Speaker 1: watched it three times Mission impossible one to three, four,

1217
01:03:38,480 --> 01:03:44,280
Speaker 1: five six, We've got the how much time my mother?

1218
01:03:44,320 --> 01:03:47,240
Speaker 1: Where he's sucking flying? Don't help him? Right, can't think

1219
01:03:47,280 --> 01:03:51,600
Speaker 1: of that one. Um, we've got Tom Cruise in. No,

1220
01:03:51,720 --> 01:03:59,080
Speaker 1: he was in some weird has movies to seconds Come on, gun, right,

1221
01:03:59,520 --> 01:04:04,000
Speaker 1: that's where top gun. We've got eyes wide open. That

1222
01:04:04,160 --> 01:04:12,560
Speaker 1: wasn't one of his boom that was close. So yeah,

1223
01:04:12,600 --> 01:04:17,240
Speaker 1: that's that's that's basically it. Man. And again he's really good.

1224
01:04:17,320 --> 01:04:20,640
Speaker 1: Mark's really good, Marks, Mark's good. Alright, Um, you gotta

1225
01:04:20,640 --> 01:04:22,680
Speaker 1: eliminated though you're cheating with everybody else, all right, So

1226
01:04:22,800 --> 01:04:27,880
Speaker 1: I'm gonna say, uh, let me get forty seconds seconds,

1227
01:04:28,400 --> 01:04:39,480
Speaker 1: give me fifteen. Denzel Washington's go remember the Titans Hurricane.

1228
01:04:41,040 --> 01:04:45,280
Speaker 1: He ain't gonna make it. Damn he struck the blue

1229
01:04:45,360 --> 01:04:54,640
Speaker 1: dress three? How much time? Exactly exactly. It's just so

1230
01:04:54,760 --> 01:04:56,960
Speaker 1: hard to do. I hate the training day, training day.

1231
01:04:57,040 --> 01:04:58,840
Speaker 1: There you go, Oh, he gave you one. You gave

1232
01:04:58,920 --> 01:05:02,840
Speaker 1: him one American. And again remember nobody is allowed to

1233
01:05:02,880 --> 01:05:06,080
Speaker 1: help you. If they do, they're eliminated. Q it's too late.

1234
01:05:06,200 --> 01:05:13,320
Speaker 1: Times up right seconds three Anna loser, Mr movie Man,

1235
01:05:13,520 --> 01:05:19,280
Speaker 1: Mr Murray, Yeah you already said that. Yeah, stuff, that's

1236
01:05:19,280 --> 01:05:22,960
Speaker 1: just great. Somebody, somebody, somebody thrown one in me. Okay,

1237
01:05:23,040 --> 01:05:26,880
Speaker 1: so um, before we get it going, and listen, here's

1238
01:05:26,920 --> 01:05:29,120
Speaker 1: the thing, and here's the thing to make it harder.

1239
01:05:29,560 --> 01:05:31,840
Speaker 1: You can decrease the time. You know what I'm saying.

1240
01:05:32,280 --> 01:05:34,720
Speaker 1: You change the time, change the amount of movie. I

1241
01:05:34,840 --> 01:05:36,600
Speaker 1: got it ready, I got it for him. You guys ready,

1242
01:05:36,960 --> 01:05:38,840
Speaker 1: I'm gonna go thirty seconds and I'm going to do

1243
01:05:38,960 --> 01:05:40,960
Speaker 1: five of them, five of them. Are you think you

1244
01:05:41,000 --> 01:05:42,640
Speaker 1: can do five of them? Depends on who the actor is,

1245
01:05:43,120 --> 01:05:45,320
Speaker 1: because if somebody would seek let me go, let me go.

1246
01:05:45,640 --> 01:05:47,680
Speaker 1: I got ten of them ready for this, ten of them.

1247
01:05:48,200 --> 01:05:50,800
Speaker 1: Spike Lee movies go oh, Spike ain't even got ted

1248
01:05:50,880 --> 01:05:53,479
Speaker 1: goddamn movies. Try to say for all right, alright, alright,

1249
01:05:53,600 --> 01:05:55,520
Speaker 1: let me let me, let me hold on go go

1250
01:05:56,040 --> 01:05:59,720
Speaker 1: time going seconds, shy Rack, do the right thing. Jungle

1251
01:05:59,800 --> 01:06:03,880
Speaker 1: fee either she's got to have it school days Malcolm

1252
01:06:04,160 --> 01:06:12,120
Speaker 1: X girl six he looking up right, now, but please,

1253
01:06:12,200 --> 01:06:15,720
Speaker 1: I know he's got thirty seven movies. Oh god, um

1254
01:06:16,240 --> 01:06:20,280
Speaker 1: three to Ship one. He wasn't his ship, but that's

1255
01:06:20,280 --> 01:06:25,120
Speaker 1: a good movie. He couldn't do it in game. How

1256
01:06:25,160 --> 01:06:27,400
Speaker 1: many spike Lean movies do you see? Their peanut real

1257
01:06:27,480 --> 01:06:29,800
Speaker 1: quick on the on the real I am he got eight?

1258
01:06:29,880 --> 01:06:35,040
Speaker 1: He got eight of them spike Lee movies. Well that

1259
01:06:35,200 --> 01:06:38,000
Speaker 1: he produced her that he was in the spike Lean movies.

1260
01:06:38,960 --> 01:06:41,360
Speaker 1: It was in Don't matter right, But most spikes movies,

1261
01:06:41,440 --> 01:06:43,840
Speaker 1: other than ones that name, they kind of fall off,

1262
01:06:45,480 --> 01:06:54,360
Speaker 1: like that McDonald's commercial game, what's your name? Brother? I'm

1263
01:06:54,400 --> 01:06:55,880
Speaker 1: gonna do one more because I gotta I gotta do

1264
01:06:55,960 --> 01:06:58,680
Speaker 1: the brother all right, Uh, forty seconds, let we go,

1265
01:06:58,920 --> 01:07:01,520
Speaker 1: hold on a second, forty seconds. What's the name of

1266
01:07:01,880 --> 01:07:06,520
Speaker 1: the Airy Spears movie? Madness? Read forty seconds on the clock. Alright,

1267
01:07:06,560 --> 01:07:12,640
Speaker 1: Pitt give me fifteen Eddie Murphy's Oh um Beverly Hills

1268
01:07:12,680 --> 01:07:19,280
Speaker 1: Cop one two and three, um um um um Nutty

1269
01:07:19,320 --> 01:07:28,200
Speaker 1: Professor one and two um um. He's sweating. Dr Doolittle,

1270
01:07:30,320 --> 01:07:37,640
Speaker 1: don't get how much time? Don't get a strick um norbity.

1271
01:07:38,120 --> 01:07:48,440
Speaker 1: You're killing it. Uh, come to America five. It's crazy.

1272
01:07:48,720 --> 01:07:51,200
Speaker 1: It's crazy. You said Dr Doolittle when you should have

1273
01:07:51,240 --> 01:07:56,840
Speaker 1: said Dr Dootle too. Yeah, forty eight hours, another forty

1274
01:07:56,880 --> 01:08:01,160
Speaker 1: eight hours. Yeah, well that ain't out yet, so not

1275
01:08:01,280 --> 01:08:05,040
Speaker 1: officially yea, but yeah, check that out. That app is

1276
01:08:05,080 --> 01:08:08,960
Speaker 1: available on my website aery spears dot com. Check that out, man,

1277
01:08:10,560 --> 01:08:12,560
Speaker 1: anything else you want to promote, because real quick, if

1278
01:08:12,600 --> 01:08:14,440
Speaker 1: you guys want to go see him out there. October

1279
01:08:14,520 --> 01:08:17,519
Speaker 1: one to the fourth. Tommy teas in Pleasant ten October.

1280
01:08:17,600 --> 01:08:19,760
Speaker 1: This is all in October sixteenth of the seventeenth in

1281
01:08:19,800 --> 01:08:25,920
Speaker 1: Florida in Salt Lake City, November one, uh, leading into

1282
01:08:25,960 --> 01:08:28,400
Speaker 1: that is from the twenty nine through the first. He's

1283
01:08:28,439 --> 01:08:30,720
Speaker 1: in Ontario, California. Is that the one we want to

1284
01:08:30,760 --> 01:08:35,879
Speaker 1: go to you guys? November November six the Brand Improv

1285
01:08:36,000 --> 01:08:38,040
Speaker 1: Cannabis Talk one oh one will be in the building

1286
01:08:38,479 --> 01:08:45,920
Speaker 1: hanging out with all We're gonna November fifteenth, he's in Orlando, Florida.

1287
01:08:46,000 --> 01:08:48,479
Speaker 1: The seven of the twenty nine is in Portland, Oregon,

1288
01:08:48,800 --> 01:08:51,840
Speaker 1: and the tenth to the thirteenth. In December, he heads

1289
01:08:51,880 --> 01:08:56,680
Speaker 1: out to Arlington, Texas. December seventeenth in Philadelphia. Well, the

1290
01:08:57,840 --> 01:09:01,160
Speaker 1: seven your whole Christmas time, go ahead and celebrated in

1291
01:09:01,240 --> 01:09:04,360
Speaker 1: good old West Palm Beach Improv and December thirty one

1292
01:09:04,520 --> 01:09:08,080
Speaker 1: to January three, he's in Riley that Riley Improv in

1293
01:09:08,160 --> 01:09:10,920
Speaker 1: North Carolina. Anything else you want to get out there, brother,

1294
01:09:10,920 --> 01:09:12,360
Speaker 1: because you're such a good dude to have on it.

1295
01:09:12,400 --> 01:09:14,439
Speaker 1: Thank you so much. Again, I don't want to sound

1296
01:09:14,479 --> 01:09:16,200
Speaker 1: like I'm beating a dead horse, but again I could

1297
01:09:16,240 --> 01:09:19,679
Speaker 1: really use the support. Spears and Steinberger is the podcast.

1298
01:09:19,800 --> 01:09:22,320
Speaker 1: Hit me up on my Instagram DM. I'll send you

1299
01:09:22,400 --> 01:09:27,400
Speaker 1: to the direct links available on all streaming platforms Google, Apple,

1300
01:09:27,479 --> 01:09:31,639
Speaker 1: Play Apple was a Google Play, Google Play Apple. Wherever

1301
01:09:31,720 --> 01:09:36,200
Speaker 1: you get your podcast all the label it's Heart Radio

1302
01:09:36,240 --> 01:09:38,800
Speaker 1: Apple podcast or where we get you down one Yeah, yeah,

1303
01:09:40,120 --> 01:09:42,400
Speaker 1: there it is. Guys, Cannabi's Talk one on one. Remember

1304
01:09:42,439 --> 01:09:46,000
Speaker 1: this if no one else loves you, Thanks for listening

1305
01:09:46,040 --> 01:09:48,600
Speaker 1: to another podcast of Cannabis Talk one on one, the

1306
01:09:48,720 --> 01:09:52,960
Speaker 1: world's number one source for everything cannabis, featuring comedian, actor

1307
01:09:53,040 --> 01:09:55,000
Speaker 1: and podcast host Ery Spears.