WEBVTT - Mini Crush #72

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey Everybody, Welcome to Many Crushed, the shorter version of

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<v Speaker 1>the longer show that sometimes where I interview people about

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<v Speaker 1>their favorite film, but then other times I just sit

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<v Speaker 1>in here with Nolan, let me dick around. It's my

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<v Speaker 1>favorite time of the week, Chuck. It is. It always

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<v Speaker 1>sets a really nice tone because we do it first

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<v Speaker 1>thing behind the curd and we do it nine ish

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<v Speaker 1>in the morning. Uh, and it just really gives me

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<v Speaker 1>this kind of glow for the rest of the day. Yeah,

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<v Speaker 1>I agreed, my friend. It's impossible for us to leave

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<v Speaker 1>this room and anything less than like a great mood.

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<v Speaker 1>It's very true, right, I agree. And it's I don't know, man,

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<v Speaker 1>not to get all most year whatever. This is one

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<v Speaker 1>of the one of the I mean, I do a

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<v Speaker 1>lot of shows, and this is one of the shows

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<v Speaker 1>where it's easy in the best possible way. And what

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<v Speaker 1>I mean is like, it's just fun to talk about movies, Chuck.

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<v Speaker 1>I'm just a fan of movies. I just like movies,

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<v Speaker 1>is all you know. And you know who else I like, Chuck,

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<v Speaker 1>I like you, and I think we have a good

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<v Speaker 1>rapport when it comes to movies another thing. Sorry, I

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<v Speaker 1>wasn't listening. What It's fine. See Wow, I see what

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<v Speaker 1>you did there, Chuck, I see what you did there. Um,

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<v Speaker 1>I take it all back, all right. No, we were

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<v Speaker 1>going to start out with up with fuck, but I

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<v Speaker 1>may have deleted that. Oh no, and so is that

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<v Speaker 1>is that what we were? We were kind of I

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<v Speaker 1>heard you struggling before we started rolling, and that was

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<v Speaker 1>the struggle. Was the struggle? It was real. As it

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<v Speaker 1>turns out, the struggle was real. H. So we're gonna

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<v Speaker 1>change it on the fly here everyone, Thanks to all

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<v Speaker 1>the great posts we have on the movie Crush and

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<v Speaker 1>Movie Crusher's website. And by the way, everyone, there is

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<v Speaker 1>now a sub subgroup. Uh what is the name? It's

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<v Speaker 1>the movie uh Watching Club? Do you know? This news

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<v Speaker 1>to me? It's some it's some kind of I'll find

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<v Speaker 1>out the name and I need to join it. But

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<v Speaker 1>if some they have started a club where people pick

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<v Speaker 1>a movie and they all watch it and sort of

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<v Speaker 1>talk about it like a book club. That's an online

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<v Speaker 1>movie club. That's fun. And I just can't remember the

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<v Speaker 1>name of it. And I'm going to join it. Everyone

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<v Speaker 1>in uh when I can watch the movie? Uh? And

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<v Speaker 1>discuss things with folks. That sounds like fun. Count me alright, Noel,

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<v Speaker 1>So let's let's move on the fly to stump the chumps.

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<v Speaker 1>We'll just continue that because that's still up here. Remember

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<v Speaker 1>the segment and tribute to the Great car Talk with

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<v Speaker 1>their segments Stump the chumps. No, we asked for questions

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<v Speaker 1>about Game of Thrones for you and Raiders of the

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<v Speaker 1>Lost Dark for me, and they're going to try and

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<v Speaker 1>stump us. Jonathan B. Williams says, for both Chuck and Nol,

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<v Speaker 1>what actor or actress is a Game of Thrones and

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<v Speaker 1>the Indiana Jones trilogy. I don't know this. Oh goodness,

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<v Speaker 1>gracious wow, like the in the trilogy, as in like

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<v Speaker 1>it would have to be someone who well, he did

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<v Speaker 1>not specify. I think he just left it vague. Um

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<v Speaker 1>because I asked for Raiders of Lost and this gentleman

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<v Speaker 1>made an appearance in the trilogy, not necessarily was. I

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<v Speaker 1>looked at the answer because I don't know anything about

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<v Speaker 1>Game of Thrones, but he was in the Last Crusade.

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<v Speaker 1>I'll give you a hit. I have no idea, all right,

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<v Speaker 1>I don't even know who this person is is Julian

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<v Speaker 1>Wyatt Glover. He played Walter Donovan in the Last Crusade,

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<v Speaker 1>and he played grand Maister pie Sealell Picell in Game

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<v Speaker 1>of Thrones. There you go, that makes sense. He's an

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<v Speaker 1>older cat, Jonathan. That's a good question. That's a very

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<v Speaker 1>good question. That was a good chump Stumper did not

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<v Speaker 1>know that there was any cross over there, Remember that

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<v Speaker 1>chumba bomba song, tub thumping. Oh, he drinks a whiskey drink.

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<v Speaker 1>He drinks the Voca drink. Yeah. He sings the songs

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<v Speaker 1>that remind him of the old times, the best times,

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<v Speaker 1>the best times, all all the good times. I gotta

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<v Speaker 1>say that song, for all its goofiness, is one of

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<v Speaker 1>the catchier takes great. Made no sense that it was

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<v Speaker 1>such a massive hit. It's such a weird song. Well,

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<v Speaker 1>it's that chorus. I love it. That's great. You know,

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<v Speaker 1>those guys are as I think we may have talked

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<v Speaker 1>about before. Those guys were like true anarchists. They were

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<v Speaker 1>like punk rock kind of like anarchists. Didn't know that

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<v Speaker 1>good knocked out. Yeah, I'm sorry everyone, because now you've

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<v Speaker 1>got that in your head for the rest of your life.

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<v Speaker 1>Josh Brennan has one for you. Nol What did Aria

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<v Speaker 1>say to Ned when he asked her if she knew

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<v Speaker 1>how to use needle? Well, stick him with the pointy end.

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<v Speaker 1>That's what. That's what. That's what John Snow told her

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<v Speaker 1>about how to use it. So she might have quoted

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<v Speaker 1>that back at Ned. Yeah, that's what I'm gonna go with,

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<v Speaker 1>but I don't really remember that. There might be a

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<v Speaker 1>different answer. That's that's the most iconic thing that she

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<v Speaker 1>would have said associated with that sticky stick him with

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<v Speaker 1>the pointy end. All right, we'll go with that. There's

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<v Speaker 1>no answer. Well, I remember we didn't answer answers. Okay,

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<v Speaker 1>which the question? Why am I doing this again? We'll

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<v Speaker 1>do better next time. Well, there was an answer for

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<v Speaker 1>the last one I know. Well, Jonathan was was he

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<v Speaker 1>had some fortnight? I thought I thought ahead. Yeah, Dirk

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<v Speaker 1>Russo has one for me. What caused or for you

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<v Speaker 1>if you know, no, what caused Indiana Jones to ask

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<v Speaker 1>to shoot the black clad swordsman rather than fight him? Oh? Well,

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<v Speaker 1>he left the answer a bad case of dysentery. It

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<v Speaker 1>wasn't feeling good in the tummy. Who wasn't here, Indiana Jones?

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<v Speaker 1>So he don't he didn't feel like putting up a fight.

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<v Speaker 1>That's the one where this guy swings the big sword

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<v Speaker 1>and then he just shoots him. I don't remember that

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<v Speaker 1>was necessarily the reason. I think he was just would

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<v Speaker 1>that have come up? Fighting and fighting and fighting and

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<v Speaker 1>fight anymore? He was as he was done. He's weary. Yeah,

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<v Speaker 1>maybe the poop said something to do with it could

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<v Speaker 1>be interesting. Uh, Noel, this is from Spencer Beery. What

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<v Speaker 1>are the Lanister house words? Atlanister always pays his debts,

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<v Speaker 1>of course. Yeah, Lisa Pott says, Dear Chuck, how did

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<v Speaker 1>Indiana make it on top of the submarine through its dive? Well, geez,

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<v Speaker 1>I don't think this is a question that can be answered.

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<v Speaker 1>It's just sort of suspension of disbeliefs. I mean, a

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<v Speaker 1>guy jumping off a boat, swimming over and climbing up

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<v Speaker 1>on a submarine probably not very easy. But it's Indiana Jones.

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<v Speaker 1>He's sort of superhuman, right, I mean that's sort of

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<v Speaker 1>the deal. Well, you know, he's definitely got some endurance skills,

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<v Speaker 1>let's put it that way. Rold pal Jeff Noel says

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<v Speaker 1>in Raiders, what well known character actor began his movie

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<v Speaker 1>career by saying poisonous fresh three days. This is sort

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<v Speaker 1>of in the last one out for Molina, like at

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<v Speaker 1>for Malina. Yeah, uh, let me see here. He's a

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<v Speaker 1>friend of the network. He's on the Bechtel cast a

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<v Speaker 1>lot in l A's I'm working on his pals with them. Yeah,

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<v Speaker 1>I'm working on it. Nice, uh, Rob Dickinson, Noel, what

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<v Speaker 1>was the name of ned Stark's sword? It was ice,

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<v Speaker 1>There was an old sharpie. No. I think it was ice,

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<v Speaker 1>stabby stabby stabby mcstabby face ice. I think it was ice, ice,

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<v Speaker 1>ice baby, and then he said bonus supernoal. What happened

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<v Speaker 1>to it after his spoiler spoiler his death? I think

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<v Speaker 1>it got melted down because it was a big old sword.

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<v Speaker 1>I think they because it was made of Valerian steel,

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<v Speaker 1>which is precious, and I'm pretty sure it got melted

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<v Speaker 1>down and made into two swords because it was so big.

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<v Speaker 1>One of them went to Jeoffrey and was called widows

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<v Speaker 1>Whale because he's a little shit um. And there was

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<v Speaker 1>another one too. They made an to another one. Ye, Yeah,

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<v Speaker 1>that's definitely what happened. You know, they're making those. They're

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<v Speaker 1>making chairs now with the Game of Thrones, Throne the

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<v Speaker 1>little swordy throne, the iron throne? Is that what it's called?

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<v Speaker 1>With the iron throne the embossed in the back of

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<v Speaker 1>the chair, you can get a whole dining set Game

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<v Speaker 1>of Thrones. Here's a bit much. Yeah, super nerdy. Probably

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<v Speaker 1>not cheap either. Ian Lyne says, hey, Chuck, what other

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<v Speaker 1>Spielberg masterpiece was written on the set of Raiders during

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<v Speaker 1>breaks when Ford's wife would come by to visit her husband.

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<v Speaker 1>That's got to be ET, because I know Harrison Ford's

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<v Speaker 1>wife co wrote or maybe even fully wrote ET. Was

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<v Speaker 1>his wife? Wasn't that her name was? Was she like, uh,

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<v Speaker 1>Spielberg's kind of right hand person? Well, I mean they

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<v Speaker 1>collaborated on ET together. Who am I thinking of? Though?

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<v Speaker 1>He had like a Ride or Die female producer companion

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<v Speaker 1>pal who was always like with him on everything that

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<v Speaker 1>he did. I don't know. I mean Melissa Matheson was

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<v Speaker 1>who wrote ET and she was married to Harrison Ford

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<v Speaker 1>for for a bit, got it um and had a

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<v Speaker 1>daughter named Georgia Ford. I don't think I knew Harrison

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<v Speaker 1>Ford had a daughter. She's quite lovely. Um. Yeah, I

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<v Speaker 1>don't know who you're thinking of, though, I'm trying to

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<v Speaker 1>figure it out it's not important. Well tell that to her. Well,

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<v Speaker 1>I'm gonna get there, but I'm not gonna hold us

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<v Speaker 1>up if I If I find it like I tend

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<v Speaker 1>to do, I'll just chime in. Very sadly, Melissa Matheson

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<v Speaker 1>r I P. She passed away uh in November two

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<v Speaker 1>thousand fift at from cancer at the age of sixty five.

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<v Speaker 1>Very sad. She wrote The b f G. That was

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<v Speaker 1>her final film. Yeah, I mean she must she must have. Yeah,

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<v Speaker 1>that's who. That's who we're talking about. Because b f

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<v Speaker 1>G was Spielberg. I think that's absolutely who. I'm not

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<v Speaker 1>who I'm thinking of. But she wrote The Black Staff Bullion.

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<v Speaker 1>She wrote a Condon, which I did not see the

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<v Speaker 1>Scorsese film. Dude, there's a great scene in one of

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<v Speaker 1>the early Sopranos episodes where Christopher Malta Santi and his

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<v Speaker 1>crew are like trying to get into this club and

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<v Speaker 1>the bouncers being a jerk and not letting them pass

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<v Speaker 1>the velvet rope, and Martin Scorsese comes and and and

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<v Speaker 1>Christophers like Marty, I liked Condon all that's the big

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<v Speaker 1>It's like it was kind of like, oh, that's good, alright, No,

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<v Speaker 1>we're gonna pass on from that because we still don't

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<v Speaker 1>have all the answers. We don't have all the answers. Hey,

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<v Speaker 1>we never said we did, Chuck, we never said we did.

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<v Speaker 1>But I have a question for you know. Sure, how

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<v Speaker 1>are your holes feeling today? Uh? A little bit creaky?

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<v Speaker 1>All right? You know what that means? Oh boy? Why

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<v Speaker 1>don't we have a theme song to this yet? We should?

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<v Speaker 1>It stands for just be like wishy sounds no getting

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<v Speaker 1>out my paper, knoll. Alright, I'm doing a column of

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<v Speaker 1>yes and no. As always, you will be faced with

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<v Speaker 1>twenty movies. NOL. You have either seen them or you

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<v Speaker 1>have not. If you have seen them, you get a

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<v Speaker 1>yes you've not seen them, you get to know and NOL.

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<v Speaker 1>Just to poke a little fun at you, this is

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<v Speaker 1>noles Holes Psychedelic Edition. Who boy, your favorite words? Love

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<v Speaker 1>that word. So these movies are either psychedelic or druggie

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<v Speaker 1>got it, trippy, drugged druggie pothead movies. Real right up

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<v Speaker 1>your alley? Okay, all right, thanks, Chuck in mine, Let's

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<v Speaker 1>be honest. Let's let's just let's get to it. Yeah,

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<v Speaker 1>let's see, let's see how you do here. It's sort

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<v Speaker 1>of a range. I know you've seen some of these,

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<v Speaker 1>but I always try to be fair. You always put

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<v Speaker 1>them in there, even if I know you've seen them. Uh. No.

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<v Speaker 1>Number one Scanner Darkly. I owned that on DVD. Well,

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<v Speaker 1>you don't get an answer, points rown it. That was

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<v Speaker 1>Phil k Dick adaptation of Richard link Ladder with the

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<v Speaker 1>whole Waking life kind of look, that's right. Number two

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<v Speaker 1>Naked Lunch, Yeah, of course, all right, WILLIAMSS Burrows that

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<v Speaker 1>what's his name, RoboCop, isn't it Peter Weller? That was

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<v Speaker 1>RoboCop as himself, give me the heroine. Yes, you shoot

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<v Speaker 1>it into my circuit system, Yes, exactly. Uh. Number three

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<v Speaker 1>nol the classic animated psychedelic masterpiece Yellow Submarine. Okay, mmm,

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<v Speaker 1>that's tough. That's one that I don't know if i've

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<v Speaker 1>seen all the way through in one sitting, but I

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<v Speaker 1>feel like I've seen enough of it to warrant saying yes,

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<v Speaker 1>I've seen it, sort of the way i've seen a

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<v Speaker 1>Christmas story. I'm not quite sure what to do. No,

0:12:55.040 --> 0:12:56.720
<v Speaker 1>I think I think it's up to you, Chuck, to

0:12:56.760 --> 0:12:59.960
<v Speaker 1>make an executive call. I'm being honest, I'm being honest.

0:13:00.000 --> 0:13:03.319
<v Speaker 1>I'm gonna say no, because the whole point of this

0:13:03.400 --> 0:13:05.880
<v Speaker 1>is not a scene parts like you need to sit

0:13:05.920 --> 0:13:07.800
<v Speaker 1>down and watch it. I remember there's the Blue Meanies,

0:13:09.280 --> 0:13:12.320
<v Speaker 1>all right, there's a yellow submarine of some some some sort,

0:13:13.559 --> 0:13:17.840
<v Speaker 1>all right. No this film, yes, it's called Pink Floyd's

0:13:17.880 --> 0:13:19.960
<v Speaker 1>The Wall. Yes, I own that as well, and I've

0:13:20.000 --> 0:13:23.320
<v Speaker 1>I've seen it many times. Very depressing, but really great

0:13:23.480 --> 0:13:25.760
<v Speaker 1>happy movie. Not happy, but I love all the Gerald

0:13:25.800 --> 0:13:30.440
<v Speaker 1>Scarf animation stuff. That's all very iconic and cool. Did

0:13:30.480 --> 0:13:34.640
<v Speaker 1>did did? Did you hear the Sleeping Ones? It's funny

0:13:35.120 --> 0:13:39.199
<v Speaker 1>Gerald Scarf and Steadman kind of you know, Steadman who

0:13:39.240 --> 0:13:41.199
<v Speaker 1>does like all the fear and loathing and all that stuff.

0:13:41.400 --> 0:13:44.200
<v Speaker 1>They kind of came from the same school of art,

0:13:44.240 --> 0:13:47.760
<v Speaker 1>and they get confused for each other a lot. Yeah,

0:13:48.840 --> 0:13:52.800
<v Speaker 1>very stead many And I believe that Steadman resented Scarf

0:13:53.080 --> 0:13:57.000
<v Speaker 1>because he rose to a little more prominence because of

0:13:57.040 --> 0:13:58.959
<v Speaker 1>The Wall, and he sort of felt like he maybe

0:13:58.960 --> 0:14:01.320
<v Speaker 1>bit his style a little bit. Because I went to

0:14:01.360 --> 0:14:04.280
<v Speaker 1>a Steadman retrospective at the Society of Illustrators in New

0:14:04.360 --> 0:14:06.800
<v Speaker 1>York and there was like a Steadman expert that was

0:14:06.840 --> 0:14:09.040
<v Speaker 1>doing a talk and talked about that very thing. That

0:14:09.080 --> 0:14:11.280
<v Speaker 1>apparently there was some bad blood between the two. Well

0:14:11.320 --> 0:14:13.520
<v Speaker 1>that's the old question which came first the steadman of

0:14:13.600 --> 0:14:18.200
<v Speaker 1>the scar exactly probably very approvable, is but is exactly approvable? Yes,

0:14:18.240 --> 0:14:24.720
<v Speaker 1>all right, we're going with the classic animated, truly psychedelic

0:14:24.880 --> 0:14:29.760
<v Speaker 1>Disney film Fantasia. Oh yeah, m hm, alright, as expected. No,

0:14:29.960 --> 0:14:32.040
<v Speaker 1>you're crushing it. That one is so cool because like

0:14:32.120 --> 0:14:33.920
<v Speaker 1>it was so hard for them to get the sound

0:14:34.000 --> 0:14:37.200
<v Speaker 1>synk just right, like for all these sound moments that

0:14:37.280 --> 0:14:41.400
<v Speaker 1>sync up perfectly with the visuals. Um we I went

0:14:41.440 --> 0:14:43.640
<v Speaker 1>to the Disney Family Museum and they showed how they

0:14:43.680 --> 0:14:46.240
<v Speaker 1>did it with these like little holes rocket holes that

0:14:46.240 --> 0:14:48.040
<v Speaker 1>were punched in the side of the film, and they

0:14:48.040 --> 0:14:50.680
<v Speaker 1>would line it up with like us the score and

0:14:50.840 --> 0:14:52.800
<v Speaker 1>they would kind of I don't know how to describe it,

0:14:52.800 --> 0:14:55.400
<v Speaker 1>but they would make it where the music would sink

0:14:55.480 --> 0:14:57.960
<v Speaker 1>up perfectly, so it hit all these beats, you know,

0:14:58.040 --> 0:15:00.440
<v Speaker 1>visual beats with the with the music very have you

0:15:00.680 --> 0:15:07.040
<v Speaker 1>seen the trailer for the Aretha Franklin uh Church concert documentary?

0:15:07.640 --> 0:15:09.240
<v Speaker 1>So the story here, Noel, and this is what made

0:15:09.280 --> 0:15:11.640
<v Speaker 1>me think of it was the sound sync. I believe

0:15:11.680 --> 0:15:14.200
<v Speaker 1>Sydney Pollock many years ago went and filmed Aretha Franklin

0:15:14.840 --> 0:15:18.280
<v Speaker 1>doing a performance in a church and like Mick Jagger

0:15:18.400 --> 0:15:20.720
<v Speaker 1>was there and it was like a big deal and

0:15:21.440 --> 0:15:25.040
<v Speaker 1>UM had to bail on it because they didn't sink

0:15:25.080 --> 0:15:29.720
<v Speaker 1>the sound right and it was just fucked, very sadly.

0:15:30.360 --> 0:15:32.400
<v Speaker 1>And all these years later they dug this film and

0:15:32.520 --> 0:15:34.000
<v Speaker 1>figured it out, and they figured out how to do

0:15:34.000 --> 0:15:37.520
<v Speaker 1>it Restonori technology and restored it and it's supposed to

0:15:37.560 --> 0:15:39.840
<v Speaker 1>be really really great and it looks good and the

0:15:39.840 --> 0:15:43.240
<v Speaker 1>trailer gives me chills. No one better than Aretha Franklin.

0:15:44.120 --> 0:15:46.800
<v Speaker 1>All right, nol, I know you've seen this, but I'm

0:15:46.800 --> 0:15:50.600
<v Speaker 1>including it anyway. Fear and Loathing in Las Vegas. That

0:15:50.680 --> 0:15:52.360
<v Speaker 1>was a big one for me. I have that one

0:15:52.360 --> 0:15:54.760
<v Speaker 1>on DVD as well. I had a Fear and Loathing

0:15:54.760 --> 0:15:57.760
<v Speaker 1>in Las Vegas experience once. I won't get too heavily

0:15:57.800 --> 0:16:00.920
<v Speaker 1>into what happened. Did you go to Circus Circus? Stated?

0:16:00.960 --> 0:16:05.520
<v Speaker 1>Circus Circus? No way, Yeah, that's incredible. I like those

0:16:05.520 --> 0:16:09.200
<v Speaker 1>old school casinos totally. I've never been to Vegas. Well,

0:16:09.680 --> 0:16:13.440
<v Speaker 1>here's my deal with Vegas. I kind of hate it.

0:16:13.480 --> 0:16:16.240
<v Speaker 1>But I've been a bunch um for work when I

0:16:16.240 --> 0:16:19.800
<v Speaker 1>lived in l A and just various reasons over the years,

0:16:19.920 --> 0:16:21.880
<v Speaker 1>and it just got to the point like I just

0:16:21.920 --> 0:16:26.400
<v Speaker 1>can't the duration that I could handle Vegas got shorter

0:16:26.400 --> 0:16:29.040
<v Speaker 1>and shorter. Person it's like three days is great. It

0:16:29.120 --> 0:16:30.880
<v Speaker 1>was like, you know, two days is about all can handle.

0:16:31.360 --> 0:16:33.160
<v Speaker 1>Then it was one day, and now it's no days.

0:16:33.240 --> 0:16:36.160
<v Speaker 1>We do the big I Heart Radio concert thing in

0:16:36.240 --> 0:16:38.760
<v Speaker 1>Vegas every year, and since I'm doing the music slate

0:16:38.880 --> 0:16:41.640
<v Speaker 1>of shows, I think I probably will end up getting

0:16:41.640 --> 0:16:44.640
<v Speaker 1>to go because some of my heart connects are like,

0:16:44.680 --> 0:16:46.320
<v Speaker 1>you've never been to Vegas. We've gotta fix that. So

0:16:46.360 --> 0:16:48.360
<v Speaker 1>I have a feeling they're probably gonna know. You will

0:16:48.800 --> 0:16:51.680
<v Speaker 1>have a great time in Vegas. But it's a lot

0:16:51.720 --> 0:16:54.280
<v Speaker 1>of fun to go for a while, and some people

0:16:54.320 --> 0:16:58.080
<v Speaker 1>love Vegas their whole life. But there's two things about Vegas, uh,

0:16:58.560 --> 0:17:02.600
<v Speaker 1>the constant barrage of sound when you're in a casino,

0:17:03.160 --> 0:17:06.640
<v Speaker 1>the ding ding ding ding group sirens and the slots.

0:17:06.680 --> 0:17:12.080
<v Speaker 1>It's just overwhelming. And also, you know, I hate to

0:17:12.119 --> 0:17:15.119
<v Speaker 1>be that guy, but like just the excesses of America,

0:17:15.400 --> 0:17:19.000
<v Speaker 1>and like being on an elevator with someone you know

0:17:19.160 --> 0:17:23.840
<v Speaker 1>has brought their life savings that they will lose it's

0:17:23.880 --> 0:17:29.119
<v Speaker 1>fucking depressing, dude. I watched like Vegas robs people. I

0:17:29.160 --> 0:17:31.919
<v Speaker 1>watched The Twilight's an old twilights An episode. You may

0:17:31.960 --> 0:17:33.320
<v Speaker 1>have seen this one. I hadn't seen it, but it

0:17:33.359 --> 0:17:35.840
<v Speaker 1>was really heavy, where it's this old couple that goes

0:17:35.880 --> 0:17:38.280
<v Speaker 1>to Vegas on a jolly, jolly get away for the

0:17:38.280 --> 0:17:40.520
<v Speaker 1>first time. They're getting to have a little vacation, and

0:17:40.600 --> 0:17:43.520
<v Speaker 1>the husband just gets obsessed with this slot machine and

0:17:43.560 --> 0:17:45.359
<v Speaker 1>just starts feeding it and feeding and feeding it to

0:17:45.400 --> 0:17:48.040
<v Speaker 1>the point where he he gets obsessed and like she

0:17:48.080 --> 0:17:50.399
<v Speaker 1>can't pull him away, and then, you know, because it

0:17:50.440 --> 0:17:52.640
<v Speaker 1>pays out once, I think, and then it never pays

0:17:52.680 --> 0:17:55.000
<v Speaker 1>out again, and he thinks it's like toying with him.

0:17:55.359 --> 0:17:58.320
<v Speaker 1>And then eventually like he's havings of the slot machine,

0:17:58.400 --> 0:18:00.320
<v Speaker 1>like coming after him and talking to him, and then

0:18:00.320 --> 0:18:02.879
<v Speaker 1>he ends up throwing himself out the window. And for

0:18:02.960 --> 0:18:06.440
<v Speaker 1>compulsive gambling, one of the darker Twilight Zone episodes I've

0:18:06.480 --> 0:18:09.080
<v Speaker 1>ever seen. Actually, yeah, you'll have a good time here.

0:18:09.280 --> 0:18:12.280
<v Speaker 1>Do you gamble at all? I've I've dabbled. I like

0:18:12.359 --> 0:18:15.600
<v Speaker 1>playing like, you know, cards with friends and doing a

0:18:15.600 --> 0:18:19.320
<v Speaker 1>little you know, here's advice on the gambling front. Is

0:18:19.640 --> 0:18:23.639
<v Speaker 1>pick out whatever amount of money you feel comfortable and

0:18:23.960 --> 0:18:27.440
<v Speaker 1>uh and just tell yourself, this is what it's gonna

0:18:27.480 --> 0:18:29.000
<v Speaker 1>cost me, just to kind of have fun and play

0:18:29.040 --> 0:18:32.560
<v Speaker 1>some games. If it's like three dollars, say I'm gonna

0:18:32.560 --> 0:18:35.200
<v Speaker 1>allot myself three hundred bucks. Make it last as long

0:18:35.240 --> 0:18:37.359
<v Speaker 1>as you can. That's my budget, and just have some

0:18:37.440 --> 0:18:41.400
<v Speaker 1>fun playing and when when you when you lose, um,

0:18:41.440 --> 0:18:46.520
<v Speaker 1>just stop and if you when some stop and then

0:18:46.560 --> 0:18:48.640
<v Speaker 1>you can say like, hey, I've made a hundred I've

0:18:48.680 --> 0:18:51.840
<v Speaker 1>left Vegas with a hundred extra dollars. Exactly, big victory,

0:18:51.920 --> 0:18:55.320
<v Speaker 1>exactly because as we know, the house always wins, you know,

0:18:55.640 --> 0:18:58.920
<v Speaker 1>and in one way or another, future guests, um that

0:18:59.040 --> 0:19:01.560
<v Speaker 1>Max vncan I'm gonnae Adam Pranica of Friendly Fire for

0:19:01.680 --> 0:19:04.399
<v Speaker 1>Zone episode and I watched his film last night and

0:19:04.480 --> 0:19:07.640
<v Speaker 1>all the great debut from P. T. Anderson Hard eight,

0:19:08.440 --> 0:19:10.800
<v Speaker 1>that is one that I have not seen. Man, it's

0:19:10.800 --> 0:19:13.960
<v Speaker 1>a whole it's great, and it's it's like I really

0:19:13.960 --> 0:19:16.800
<v Speaker 1>love watching the first films of great directors when they

0:19:16.840 --> 0:19:18.200
<v Speaker 1>didn't have a whole lot of money. Yet you can

0:19:18.200 --> 0:19:20.920
<v Speaker 1>just see the DNA of their future work. It's all there, man,

0:19:21.320 --> 0:19:25.399
<v Speaker 1>to check out hard eight speaking of depressing gambling. Alright. No,

0:19:25.640 --> 0:19:28.960
<v Speaker 1>we're going to continue on after our Vegas sidetrack with

0:19:29.640 --> 0:19:35.000
<v Speaker 1>the Dare I say, all time classic counterculture film of

0:19:35.040 --> 0:19:38.800
<v Speaker 1>the nineteen sixties, directed by the great Dennis Hopper. Easy writer,

0:19:38.960 --> 0:19:42.159
<v Speaker 1>easy writer, I have seen? Yes, all right, you're crushing

0:19:42.200 --> 0:19:45.800
<v Speaker 1>it all al right. Next, No, we're gonna move on

0:19:45.840 --> 0:19:47.880
<v Speaker 1>to something I think you've seen a little more obscure,

0:19:48.400 --> 0:19:53.240
<v Speaker 1>The Holy Mountain, Yeah, Traderowski all right. Yeah, that one's

0:19:53.280 --> 0:19:58.080
<v Speaker 1>just like a series of crazy psychedelic tableaus. Yeah, that's

0:19:58.119 --> 0:19:59.400
<v Speaker 1>one of my friend Ryan bought me that I still

0:19:59.440 --> 0:20:01.760
<v Speaker 1>haven't watched on DVD because I don't have a DVD player.

0:20:01.960 --> 0:20:04.440
<v Speaker 1>Oh man, you don't even have like a PlayStation. Yeah,

0:20:04.440 --> 0:20:05.919
<v Speaker 1>but it's all boxed up right now, I need to

0:20:05.960 --> 0:20:09.440
<v Speaker 1>unbox it. And by Dead Red Red Dead too, Red

0:20:09.480 --> 0:20:11.880
<v Speaker 1>Dead too. Yeah, it's very good. Alright. No, we're going

0:20:11.920 --> 0:20:17.040
<v Speaker 1>to Peken Russell classic from the nineteen eighties starring William

0:20:17.119 --> 0:20:22.240
<v Speaker 1>Hurt Altered States. I have not seen Altered States. Just

0:20:22.320 --> 0:20:25.119
<v Speaker 1>check it out. That's the one about sensory deprivation tanks,

0:20:25.240 --> 0:20:29.800
<v Speaker 1>right and like LSD experiments not LSD um Yeah, something

0:20:29.800 --> 0:20:32.280
<v Speaker 1>along those that's the movie, got it. I remember that

0:20:32.280 --> 0:20:33.320
<v Speaker 1>came out when I was a kid. It was a

0:20:33.320 --> 0:20:36.359
<v Speaker 1>big deal. Alright, No not. I don't know if I

0:20:36.400 --> 0:20:38.920
<v Speaker 1>would call the psychedelic, but it definitely falls under the

0:20:38.960 --> 0:20:43.760
<v Speaker 1>sort of trippy existential art film. The great, great Jim

0:20:43.840 --> 0:20:48.200
<v Speaker 1>Jarmish revisionist Western dead Man. Yeah, yeah, with a very

0:20:48.280 --> 0:20:51.480
<v Speaker 1>lovely Neil Young soundtrack. Oh god, it's good. Yeah, it's great.

0:20:51.800 --> 0:20:53.639
<v Speaker 1>By the way, there's a you know, I'm always touting

0:20:53.640 --> 0:20:57.280
<v Speaker 1>Amazon Prime in their music programming. They have a great,

0:20:57.320 --> 0:21:00.520
<v Speaker 1>great documentary on Crosby, Stills, Nash and Young that I

0:21:00.560 --> 0:21:04.320
<v Speaker 1>watched the other day, highly recommended. I did not realize

0:21:04.359 --> 0:21:06.680
<v Speaker 1>the song our House is a very very very fine

0:21:06.680 --> 0:21:09.000
<v Speaker 1>house was Crosby Stills Nation. You know, that's the song

0:21:09.040 --> 0:21:10.800
<v Speaker 1>that I've always knew. But I was like, I want

0:21:10.800 --> 0:21:12.159
<v Speaker 1>to hear that song, and then I realized it was

0:21:12.200 --> 0:21:16.080
<v Speaker 1>then and it's on that album Deja Vu, which is

0:21:16.160 --> 0:21:18.159
<v Speaker 1>like the one that I always hear, is like the

0:21:18.400 --> 0:21:20.560
<v Speaker 1>great one. So I'm gonna like dig into their cattle.

0:21:20.680 --> 0:21:25.200
<v Speaker 1>I thought Fleetwood Mac was dysfunctional. Crosby maybe the most

0:21:25.240 --> 0:21:29.439
<v Speaker 1>dysfunctional bandits right. Oh dude, it's off the hook. I

0:21:29.800 --> 0:21:31.800
<v Speaker 1>just I need to chat with you off off off

0:21:31.880 --> 0:21:36.639
<v Speaker 1>the air about a music podcast idea that it's about rivalries,

0:21:37.240 --> 0:21:41.119
<v Speaker 1>and I'd love to get you. I thought, um, no,

0:21:41.320 --> 0:21:43.159
<v Speaker 1>you were crushing it. Man. The score right now is

0:21:43.200 --> 0:21:47.320
<v Speaker 1>eight to two at the halfway point. There's no way

0:21:47.440 --> 0:21:51.520
<v Speaker 1>that you're not gonna pull out. Alright, No, the next

0:21:51.520 --> 0:21:57.760
<v Speaker 1>film the gaspar no a film Into the Void. I

0:21:57.800 --> 0:22:01.000
<v Speaker 1>didn't finish it. Okay, I didn't finish His films are tough.

0:22:01.240 --> 0:22:06.160
<v Speaker 1>That one has a really psychedelic opening title sequence where

0:22:06.160 --> 0:22:08.960
<v Speaker 1>it just it's like every font it changes to like

0:22:08.960 --> 0:22:11.399
<v Speaker 1>like it would give you like epileptic seizures if you

0:22:11.400 --> 0:22:15.000
<v Speaker 1>were if you were subseptible pre yeah, pre predisposed to such.

0:22:15.160 --> 0:22:19.080
<v Speaker 1>It's very very very fast changing light kind of you know,

0:22:19.240 --> 0:22:21.639
<v Speaker 1>flickering stuff. It's it's it's it's interesting. And by the way,

0:22:21.680 --> 0:22:24.959
<v Speaker 1>I accidentally just said subcestible instead of susceptible. So just

0:22:25.240 --> 0:22:29.280
<v Speaker 1>I was struggling. I was struggling as well. Alright. No,

0:22:29.480 --> 0:22:31.680
<v Speaker 1>I have not seen this film yet. I really really

0:22:31.680 --> 0:22:35.360
<v Speaker 1>want to, but I still I can't found it online yet. Uh.

0:22:35.400 --> 0:22:37.080
<v Speaker 1>This is a film out a few years ago called

0:22:37.119 --> 0:22:40.119
<v Speaker 1>A Field in England. Never even heard of him. All right.

0:22:40.200 --> 0:22:43.399
<v Speaker 1>It's a period piece, I believe, from the colonial times

0:22:43.400 --> 0:22:48.480
<v Speaker 1>when these English very are basically taking mushrooms. Okay, it

0:22:48.480 --> 0:22:50.560
<v Speaker 1>sounds kind of psychedelic to me. It is supposed to

0:22:50.640 --> 0:22:54.840
<v Speaker 1>be really really psycho we should I would love that,

0:22:54.880 --> 0:22:56.720
<v Speaker 1>if you know what I mean. I I do A

0:22:56.840 --> 0:22:59.879
<v Speaker 1>field in England. That's pretty cool. And I'm assuming that's

0:23:00.160 --> 0:23:03.200
<v Speaker 1>much a cow field. Yeah, black and white and uh

0:23:03.240 --> 0:23:06.120
<v Speaker 1>it gets really weird supposedly. I'm into it. I believe

0:23:06.119 --> 0:23:10.000
<v Speaker 1>I haven't heard of this, ah nol. The next film.

0:23:10.000 --> 0:23:12.440
<v Speaker 1>I believe you have seen also Waking Life since you

0:23:12.520 --> 0:23:16.480
<v Speaker 1>mentioned it earlier. Waking Life. Yes, yeah, yeah, I've seen

0:23:16.680 --> 0:23:19.760
<v Speaker 1>Waking Life. Oh my gosh, I'm sorry. I'm obsessed with

0:23:19.800 --> 0:23:23.159
<v Speaker 1>It's a field in England. The poster looks kind of

0:23:23.200 --> 0:23:25.280
<v Speaker 1>like a Jodorowski thing. I look, it almost has like

0:23:25.320 --> 0:23:27.679
<v Speaker 1>a Holy Mountain kind of vibe to it. Yeah, I

0:23:27.680 --> 0:23:33.160
<v Speaker 1>think that for sure is the one of the inspirations. Um,

0:23:33.359 --> 0:23:37.840
<v Speaker 1>it's awesome. Yeah right, well, look it's on Amazon Prime

0:23:37.920 --> 0:23:41.680
<v Speaker 1>for I'm totally in. I just need to watch this.

0:23:43.080 --> 0:23:44.399
<v Speaker 1>And here's the thing with a movie like this and

0:23:44.440 --> 0:23:46.679
<v Speaker 1>all I think it was a very like you can

0:23:46.680 --> 0:23:49.280
<v Speaker 1>do a period piece. When you've got three or four characters,

0:23:49.440 --> 0:23:52.320
<v Speaker 1>five characters in a field in a field, all they

0:23:52.359 --> 0:23:55.000
<v Speaker 1>have to do is have like costumes, costumes, gets some

0:23:55.040 --> 0:23:59.000
<v Speaker 1>old tents. Let him go at it. Critical consensus on

0:23:59.080 --> 0:24:03.919
<v Speaker 1>Rotten Tomatoes is recklessly assembled and occasionally compelling in spite

0:24:03.920 --> 0:24:08.240
<v Speaker 1>of itself. A Field in England showcases a singularly brilliant

0:24:08.320 --> 0:24:13.640
<v Speaker 1>voice in British cinema, that voice belonging to Ben Wheatley. Yeah,

0:24:15.119 --> 0:24:16.480
<v Speaker 1>I think we should watch oh with got to It?

0:24:16.520 --> 0:24:19.439
<v Speaker 1>What else has he done? If I'm not mistaken? That

0:24:19.520 --> 0:24:21.640
<v Speaker 1>was his first film? Yeah, he did another one called

0:24:21.680 --> 0:24:24.200
<v Speaker 1>The Duke of Burgundy that I have not heard of either,

0:24:24.280 --> 0:24:26.280
<v Speaker 1>but also looks really cool. Though. He did Kill List

0:24:27.480 --> 0:24:31.160
<v Speaker 1>the TV show No No Kills, the movie I see,

0:24:32.200 --> 0:24:37.120
<v Speaker 1>which is great. Have you seen killed Oh no, my god,

0:24:37.160 --> 0:24:41.359
<v Speaker 1>I didn't know he did that. That was yeah, okay,

0:24:41.520 --> 0:24:43.920
<v Speaker 1>check out you guys got the goods. This is awesome.

0:24:44.200 --> 0:24:50.639
<v Speaker 1>All right, nol moving one, Let's do it two a duo? Well, no,

0:24:50.920 --> 0:24:55.680
<v Speaker 1>I'm actually take that back the Fountain. Yeah I saw

0:24:55.720 --> 0:24:58.199
<v Speaker 1>that one. I didn't see it. Yeah it was. It

0:24:58.240 --> 0:25:00.040
<v Speaker 1>wasn't a huge fan that it was kind of I

0:25:00.080 --> 0:25:03.399
<v Speaker 1>heard such mixed things. I just really cool soundtrack, really

0:25:03.720 --> 0:25:07.439
<v Speaker 1>striking visuals, very very psychedelic, you know. But it was

0:25:07.520 --> 0:25:10.359
<v Speaker 1>just it didn't it felt like it was too self

0:25:10.400 --> 0:25:12.880
<v Speaker 1>serious kind of it took itself way too seriously. Story

0:25:12.880 --> 0:25:15.639
<v Speaker 1>didn't mark It's what's his face? Aeronofski, who has hit

0:25:15.720 --> 0:25:18.560
<v Speaker 1>or miss sometimes, you know. I mean he's a little

0:25:18.560 --> 0:25:20.959
<v Speaker 1>bit Aeronofski because he goes for it. He really does.

0:25:21.000 --> 0:25:24.480
<v Speaker 1>Didn't always hit it on the head. But I'm always interested.

0:25:24.520 --> 0:25:27.560
<v Speaker 1>I still haven't seen The Mother. No. I enjoyed it.

0:25:28.000 --> 0:25:29.840
<v Speaker 1>People hated it, but I really liked it. I need

0:25:29.880 --> 0:25:38.879
<v Speaker 1>to see it, all right. No, Now the duo of

0:25:38.960 --> 0:25:42.200
<v Speaker 1>films I was jumping ahead a second ago, The Cell

0:25:43.040 --> 0:25:48.240
<v Speaker 1>Yes and The Fall. Yes. That is Tar sim Singh

0:25:48.400 --> 0:25:52.320
<v Speaker 1>that's right, who also famously, or maybe slightly less famously

0:25:52.440 --> 0:25:57.040
<v Speaker 1>directed Losing My Religion. That's right, rim Video. He has

0:25:57.040 --> 0:25:58.960
<v Speaker 1>a style. He very much has a style. I feel

0:25:58.960 --> 0:26:01.399
<v Speaker 1>like he slowed down his pace. He hasn't done anything

0:26:01.400 --> 0:26:03.080
<v Speaker 1>in a long time. Yeah, he did a movie a

0:26:03.119 --> 0:26:05.159
<v Speaker 1>couple a few years ago that I looked up and

0:26:05.160 --> 0:26:09.200
<v Speaker 1>saw yesterday, but is very much more sporadic in his filmmaking.

0:26:09.200 --> 0:26:12.280
<v Speaker 1>I'm curious why. I wonder if he does commercials or something,

0:26:12.359 --> 0:26:15.359
<v Speaker 1>or if he does like maybe which is it's a

0:26:15.359 --> 0:26:17.480
<v Speaker 1>great way to make a living. It is in and out. Yeah,

0:26:17.600 --> 0:26:21.399
<v Speaker 1>absolutely tons of money. Uh, Noel, we are going with

0:26:21.440 --> 0:26:28.440
<v Speaker 1>the Waikowski's psychedelic speed Racer. Didn't see him. I didn't either.

0:26:29.920 --> 0:26:35.360
<v Speaker 1>Weird Tarsam Singh did a Disney movie called Mirror Mirror, uh,

0:26:35.400 --> 0:26:39.280
<v Speaker 1>where Julia and Julia Roberts plays like the evil Queen.

0:26:39.440 --> 0:26:42.240
<v Speaker 1>I guess I think I've heard of that. Is it

0:26:42.320 --> 0:26:45.960
<v Speaker 1>Disney with Melissa Wallack? And what's gotta be if it's Yeah,

0:26:45.960 --> 0:26:47.560
<v Speaker 1>I don't know. It looks like it has to be

0:26:47.600 --> 0:26:50.520
<v Speaker 1>a Disney because it's got the rights to you know.

0:26:50.640 --> 0:26:52.960
<v Speaker 1>That's I don't know, it's if it's anyone can do

0:26:53.000 --> 0:26:55.400
<v Speaker 1>a snow White story. Doesn't doesn't own snow White? Sure

0:26:55.440 --> 0:26:59.560
<v Speaker 1>they do? No? Yes? Are you sure? Yes? Really? Yeah,

0:26:59.640 --> 0:27:02.440
<v Speaker 1>they got to own it. There's no way Disney doesn't

0:27:02.440 --> 0:27:05.040
<v Speaker 1>own snow White. I feel like it's just like such

0:27:05.080 --> 0:27:07.320
<v Speaker 1>an old public domain kind of story. Though, well, no,

0:27:07.440 --> 0:27:10.760
<v Speaker 1>they created it, wal Disney created it, right. No, No, No,

0:27:10.920 --> 0:27:14.440
<v Speaker 1>it's a fairy tale. It's a grim it's a grim story. No, yes,

0:27:14.920 --> 0:27:18.200
<v Speaker 1>is it. I'm pretty sure. All right, now we're about

0:27:18.200 --> 0:27:22.200
<v Speaker 1>to get into it. Okay. Uh. Snow White N seven

0:27:22.240 --> 0:27:27.080
<v Speaker 1>animated musical fantasy produced by Walt Disney Productions. Yeah, No,

0:27:29.080 --> 0:27:35.600
<v Speaker 1>wasn't a Grim fairy tale. You show me, let's see

0:27:35.640 --> 0:27:40.119
<v Speaker 1>so if I go too, it ain't no Grim. It

0:27:40.119 --> 0:27:44.040
<v Speaker 1>ain't no Grim fairy It's super Grim. You know. Grim's

0:27:44.040 --> 0:27:46.080
<v Speaker 1>a name, it's not a descriptor. No, I know that's

0:27:46.119 --> 0:27:49.000
<v Speaker 1>double M, double M. Let's see snow White if you

0:27:49.080 --> 0:27:52.560
<v Speaker 1>just look up. It's a nineteenth century German fairy tale

0:27:52.640 --> 0:27:57.000
<v Speaker 1>which is widely which is known widely across the Western world.

0:27:57.280 --> 0:27:59.879
<v Speaker 1>The brothers grim published it in eighteen twelve. Was it

0:28:00.200 --> 0:28:02.640
<v Speaker 1>snow White? It was in the first edition of their

0:28:02.640 --> 0:28:07.719
<v Speaker 1>collection Grimm's fairy Tales. Uh. The name snee Vitchen was

0:28:07.920 --> 0:28:10.440
<v Speaker 1>a Low German and the first version it was translated

0:28:10.520 --> 0:28:14.239
<v Speaker 1>with schne Weiss in the Germ. The Grimms completed their

0:28:14.240 --> 0:28:17.760
<v Speaker 1>final revision of the story in and they ripped all

0:28:17.760 --> 0:28:20.360
<v Speaker 1>these stories off from just like you know, oral tradition, folklore.

0:28:20.480 --> 0:28:25.800
<v Speaker 1>So well, no, uh, I take it all back. I

0:28:25.920 --> 0:28:29.520
<v Speaker 1>take it all back. Yeah, I mean I did a

0:28:29.680 --> 0:28:31.960
<v Speaker 1>duo a podcast on stuff you should know on The

0:28:32.000 --> 0:28:35.440
<v Speaker 1>Grim Brothers and on fairy Tales. Yeah, yeah, he should.

0:28:35.480 --> 0:28:38.440
<v Speaker 1>You should know. That's that's stuff you should know, Chuck, you,

0:28:38.560 --> 0:28:41.440
<v Speaker 1>especially you, of all people. I think the first original

0:28:41.480 --> 0:28:44.560
<v Speaker 1>Disney screenplay was like Bambi, because that wasn't that was

0:28:44.600 --> 0:28:49.400
<v Speaker 1>just like an original story. Cinderello's obviously, you know, and

0:28:49.480 --> 0:28:50.880
<v Speaker 1>he real like, I should quit this. You No, don't

0:28:50.920 --> 0:28:52.760
<v Speaker 1>quit the show. Let's keep going. Let's keep plowing through

0:28:52.800 --> 0:28:57.480
<v Speaker 1>my holes. Oh god, alright, now we've got three more

0:28:57.520 --> 0:29:00.920
<v Speaker 1>here you were. There's no you can lose, so just relax,

0:29:01.000 --> 0:29:04.160
<v Speaker 1>all right, for God's sake. Uh. No, I don't think

0:29:04.160 --> 0:29:08.520
<v Speaker 1>you've seen this film, the classic classic psychedelic film from

0:29:08.600 --> 0:29:11.720
<v Speaker 1>The Monkey's Head. I've not seen Head. I've always heard

0:29:11.760 --> 0:29:13.120
<v Speaker 1>that it's great and I would love to see it,

0:29:13.200 --> 0:29:16.400
<v Speaker 1>but I have not seen it. No, we're going with

0:29:16.440 --> 0:29:21.240
<v Speaker 1>a film from a few years ago called Holy Motors.

0:29:21.560 --> 0:29:25.600
<v Speaker 1>I love Holy Motors. Okay, look at you. What's that

0:29:25.640 --> 0:29:27.840
<v Speaker 1>director's name. He's got kind of a funny made up name,

0:29:28.160 --> 0:29:31.560
<v Speaker 1>leos karak leos carrox, which stands it's like an acronym

0:29:31.640 --> 0:29:38.240
<v Speaker 1>for like, and the oscar goes to really uh huh. Yeah, man,

0:29:38.280 --> 0:29:41.280
<v Speaker 1>there's a lot of a lot of looking stuff up today. Yeah,

0:29:41.320 --> 0:29:46.240
<v Speaker 1>well this is this is interesting, actual leos corox Um.

0:29:46.320 --> 0:29:49.160
<v Speaker 1>Yeah and holy his professional name is an anagram of

0:29:49.240 --> 0:29:54.280
<v Speaker 1>his real name, Alex and Oscar. So it has nothing

0:29:54.320 --> 0:29:56.120
<v Speaker 1>to do with the oscars. Well no, I he he

0:29:56.240 --> 0:29:58.680
<v Speaker 1>claims that the Oscar part in there is is you know,

0:29:58.800 --> 0:30:00.640
<v Speaker 1>meant to be like a not to like you know,

0:30:00.720 --> 0:30:04.560
<v Speaker 1>just give me an Oscar, all right. No. Finally, the

0:30:04.560 --> 0:30:07.920
<v Speaker 1>great great David Lynch surrealist film eraser head of course. Yeah,

0:30:07.960 --> 0:30:12.280
<v Speaker 1>the Lady and the Radiator. All right, everything is fine.

0:30:11.840 --> 0:30:19.280
<v Speaker 1>Four to six, you know you're drug movie. Congratulations, And

0:30:19.520 --> 0:30:22.200
<v Speaker 1>that is all the time we have today. Because we

0:30:22.320 --> 0:30:24.560
<v Speaker 1>spent this show might as well will have been called

0:30:24.640 --> 0:30:28.520
<v Speaker 1>chucking Nold Google stuff. We would We did it respectfully,

0:30:28.840 --> 0:30:32.920
<v Speaker 1>respectful Google, respectful Googling. Uh So, thanks everyone for listening

0:30:33.040 --> 0:30:49.600
<v Speaker 1>and we'll see you next week. Goodbye. For more podcasts

0:30:49.600 --> 0:30:51.880
<v Speaker 1>for my Heart Radio, visit the I Heart Radio app,

0:30:51.920 --> 0:30:54.680
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.