Speaker 1: Welcome to Movie Crush, a production of I Heart Radio.
Speaker 1: Hey Everybody, Welcome to Many Crushed, the shorter version of
Speaker 1: the longer show that sometimes where I interview people about
Speaker 1: their favorite film, but then other times I just sit
Speaker 1: in here with Nolan, let me dick around. It's my
Speaker 1: favorite time of the week, Chuck. It is. It always
Speaker 1: sets a really nice tone because we do it first
Speaker 1: thing behind the curd and we do it nine ish
Speaker 1: in the morning. Uh, and it just really gives me
Speaker 1: this kind of glow for the rest of the day. Yeah,
Speaker 1: I agreed, my friend. It's impossible for us to leave
Speaker 1: this room and anything less than like a great mood.
Speaker 1: It's very true, right, I agree. And it's I don't know, man,
Speaker 1: not to get all most year whatever. This is one
Speaker 1: of the one of the I mean, I do a
Speaker 1: lot of shows, and this is one of the shows
Speaker 1: where it's easy in the best possible way. And what
Speaker 1: I mean is like, it's just fun to talk about movies, Chuck.
Speaker 1: I'm just a fan of movies. I just like movies,
Speaker 1: is all you know. And you know who else I like, Chuck,
Speaker 1: I like you, and I think we have a good
Speaker 1: rapport when it comes to movies another thing. Sorry, I
Speaker 1: wasn't listening. What It's fine. See Wow, I see what
Speaker 1: you did there, Chuck, I see what you did there. Um,
Speaker 1: I take it all back, all right. No, we were
Speaker 1: going to start out with up with fuck, but I
Speaker 1: may have deleted that. Oh no, and so is that
Speaker 1: is that what we were? We were kind of I
Speaker 1: heard you struggling before we started rolling, and that was
Speaker 1: the struggle. Was the struggle? It was real. As it
Speaker 1: turns out, the struggle was real. H. So we're gonna
Speaker 1: change it on the fly here everyone, Thanks to all
Speaker 1: the great posts we have on the movie Crush and
Speaker 1: Movie Crusher's website. And by the way, everyone, there is
Speaker 1: now a sub subgroup. Uh what is the name? It's
Speaker 1: the movie uh Watching Club? Do you know? This news
Speaker 1: to me? It's some it's some kind of I'll find
Speaker 1: out the name and I need to join it. But
Speaker 1: if some they have started a club where people pick
Speaker 1: a movie and they all watch it and sort of
Speaker 1: talk about it like a book club. That's an online
Speaker 1: movie club. That's fun. And I just can't remember the
Speaker 1: name of it. And I'm going to join it. Everyone
Speaker 1: in uh when I can watch the movie? Uh? And
Speaker 1: discuss things with folks. That sounds like fun. Count me alright, Noel,
Speaker 1: So let's let's move on the fly to stump the chumps.
Speaker 1: We'll just continue that because that's still up here. Remember
Speaker 1: the segment and tribute to the Great car Talk with
Speaker 1: their segments Stump the chumps. No, we asked for questions
Speaker 1: about Game of Thrones for you and Raiders of the
Speaker 1: Lost Dark for me, and they're going to try and
Speaker 1: stump us. Jonathan B. Williams says, for both Chuck and Nol,
Speaker 1: what actor or actress is a Game of Thrones and
Speaker 1: the Indiana Jones trilogy. I don't know this. Oh goodness,
Speaker 1: gracious wow, like the in the trilogy, as in like
Speaker 1: it would have to be someone who well, he did
Speaker 1: not specify. I think he just left it vague. Um
Speaker 1: because I asked for Raiders of Lost and this gentleman
Speaker 1: made an appearance in the trilogy, not necessarily was. I
Speaker 1: looked at the answer because I don't know anything about
Speaker 1: Game of Thrones, but he was in the Last Crusade.
Speaker 1: I'll give you a hit. I have no idea, all right,
Speaker 1: I don't even know who this person is is Julian
Speaker 1: Wyatt Glover. He played Walter Donovan in the Last Crusade,
Speaker 1: and he played grand Maister pie Sealell Picell in Game
Speaker 1: of Thrones. There you go, that makes sense. He's an
Speaker 1: older cat, Jonathan. That's a good question. That's a very
Speaker 1: good question. That was a good chump Stumper did not
Speaker 1: know that there was any cross over there, Remember that
Speaker 1: chumba bomba song, tub thumping. Oh, he drinks a whiskey drink.
Speaker 1: He drinks the Voca drink. Yeah. He sings the songs
Speaker 1: that remind him of the old times, the best times,
Speaker 1: the best times, all all the good times. I gotta
Speaker 1: say that song, for all its goofiness, is one of
Speaker 1: the catchier takes great. Made no sense that it was
Speaker 1: such a massive hit. It's such a weird song. Well,
Speaker 1: it's that chorus. I love it. That's great. You know,
Speaker 1: those guys are as I think we may have talked
Speaker 1: about before. Those guys were like true anarchists. They were
Speaker 1: like punk rock kind of like anarchists. Didn't know that
Speaker 1: good knocked out. Yeah, I'm sorry everyone, because now you've
Speaker 1: got that in your head for the rest of your life.
Speaker 1: Josh Brennan has one for you. Nol What did Aria
Speaker 1: say to Ned when he asked her if she knew
Speaker 1: how to use needle? Well, stick him with the pointy end.
Speaker 1: That's what. That's what. That's what John Snow told her
Speaker 1: about how to use it. So she might have quoted
Speaker 1: that back at Ned. Yeah, that's what I'm gonna go with,
Speaker 1: but I don't really remember that. There might be a
Speaker 1: different answer. That's that's the most iconic thing that she
Speaker 1: would have said associated with that sticky stick him with
Speaker 1: the pointy end. All right, we'll go with that. There's
Speaker 1: no answer. Well, I remember we didn't answer answers. Okay,
Speaker 1: which the question? Why am I doing this again? We'll
Speaker 1: do better next time. Well, there was an answer for
Speaker 1: the last one I know. Well, Jonathan was was he
Speaker 1: had some fortnight? I thought I thought ahead. Yeah, Dirk
Speaker 1: Russo has one for me. What caused or for you
Speaker 1: if you know, no, what caused Indiana Jones to ask
Speaker 1: to shoot the black clad swordsman rather than fight him? Oh? Well,
Speaker 1: he left the answer a bad case of dysentery. It
Speaker 1: wasn't feeling good in the tummy. Who wasn't here, Indiana Jones?
Speaker 1: So he don't he didn't feel like putting up a fight.
Speaker 1: That's the one where this guy swings the big sword
Speaker 1: and then he just shoots him. I don't remember that
Speaker 1: was necessarily the reason. I think he was just would
Speaker 1: that have come up? Fighting and fighting and fighting and
Speaker 1: fight anymore? He was as he was done. He's weary. Yeah,
Speaker 1: maybe the poop said something to do with it could
Speaker 1: be interesting. Uh, Noel, this is from Spencer Beery. What
Speaker 1: are the Lanister house words? Atlanister always pays his debts,
Speaker 1: of course. Yeah, Lisa Pott says, Dear Chuck, how did
Speaker 1: Indiana make it on top of the submarine through its dive? Well, geez,
Speaker 1: I don't think this is a question that can be answered.
Speaker 1: It's just sort of suspension of disbeliefs. I mean, a
Speaker 1: guy jumping off a boat, swimming over and climbing up
Speaker 1: on a submarine probably not very easy. But it's Indiana Jones.
Speaker 1: He's sort of superhuman, right, I mean that's sort of
Speaker 1: the deal. Well, you know, he's definitely got some endurance skills,
Speaker 1: let's put it that way. Rold pal Jeff Noel says
Speaker 1: in Raiders, what well known character actor began his movie
Speaker 1: career by saying poisonous fresh three days. This is sort
Speaker 1: of in the last one out for Molina, like at
Speaker 1: for Malina. Yeah, uh, let me see here. He's a
Speaker 1: friend of the network. He's on the Bechtel cast a
Speaker 1: lot in l A's I'm working on his pals with them. Yeah,
Speaker 1: I'm working on it. Nice, uh, Rob Dickinson, Noel, what
Speaker 1: was the name of ned Stark's sword? It was ice,
Speaker 1: There was an old sharpie. No. I think it was ice,
Speaker 1: stabby stabby stabby mcstabby face ice. I think it was ice, ice,
Speaker 1: ice baby, and then he said bonus supernoal. What happened
Speaker 1: to it after his spoiler spoiler his death? I think
Speaker 1: it got melted down because it was a big old sword.
Speaker 1: I think they because it was made of Valerian steel,
Speaker 1: which is precious, and I'm pretty sure it got melted
Speaker 1: down and made into two swords because it was so big.
Speaker 1: One of them went to Jeoffrey and was called widows
Speaker 1: Whale because he's a little shit um. And there was
Speaker 1: another one too. They made an to another one. Ye, Yeah,
Speaker 1: that's definitely what happened. You know, they're making those. They're
Speaker 1: making chairs now with the Game of Thrones, Throne the
Speaker 1: little swordy throne, the iron throne? Is that what it's called?
Speaker 1: With the iron throne the embossed in the back of
Speaker 1: the chair, you can get a whole dining set Game
Speaker 1: of Thrones. Here's a bit much. Yeah, super nerdy. Probably
Speaker 1: not cheap either. Ian Lyne says, hey, Chuck, what other
Speaker 1: Spielberg masterpiece was written on the set of Raiders during
Speaker 1: breaks when Ford's wife would come by to visit her husband.
Speaker 1: That's got to be ET, because I know Harrison Ford's
Speaker 1: wife co wrote or maybe even fully wrote ET. Was
Speaker 1: his wife? Wasn't that her name was? Was she like, uh,
Speaker 1: Spielberg's kind of right hand person? Well, I mean they
Speaker 1: collaborated on ET together. Who am I thinking of? Though?
Speaker 1: He had like a Ride or Die female producer companion
Speaker 1: pal who was always like with him on everything that
Speaker 1: he did. I don't know. I mean Melissa Matheson was
Speaker 1: who wrote ET and she was married to Harrison Ford
Speaker 1: for for a bit, got it um and had a
Speaker 1: daughter named Georgia Ford. I don't think I knew Harrison
Speaker 1: Ford had a daughter. She's quite lovely. Um. Yeah, I
Speaker 1: don't know who you're thinking of, though, I'm trying to
Speaker 1: figure it out it's not important. Well tell that to her. Well,
Speaker 1: I'm gonna get there, but I'm not gonna hold us
Speaker 1: up if I If I find it like I tend
Speaker 1: to do, I'll just chime in. Very sadly, Melissa Matheson
Speaker 1: r I P. She passed away uh in November two
Speaker 1: thousand fift at from cancer at the age of sixty five.
Speaker 1: Very sad. She wrote The b f G. That was
Speaker 1: her final film. Yeah, I mean she must she must have. Yeah,
Speaker 1: that's who. That's who we're talking about. Because b f
Speaker 1: G was Spielberg. I think that's absolutely who. I'm not
Speaker 1: who I'm thinking of. But she wrote The Black Staff Bullion.
Speaker 1: She wrote a Condon, which I did not see the
Speaker 1: Scorsese film. Dude, there's a great scene in one of
Speaker 1: the early Sopranos episodes where Christopher Malta Santi and his
Speaker 1: crew are like trying to get into this club and
Speaker 1: the bouncers being a jerk and not letting them pass
Speaker 1: the velvet rope, and Martin Scorsese comes and and and
Speaker 1: Christophers like Marty, I liked Condon all that's the big
Speaker 1: It's like it was kind of like, oh, that's good, alright, No,
Speaker 1: we're gonna pass on from that because we still don't
Speaker 1: have all the answers. We don't have all the answers. Hey,
Speaker 1: we never said we did, Chuck, we never said we did.
Speaker 1: But I have a question for you know. Sure, how
Speaker 1: are your holes feeling today? Uh? A little bit creaky?
Speaker 1: All right? You know what that means? Oh boy? Why
Speaker 1: don't we have a theme song to this yet? We should?
Speaker 1: It stands for just be like wishy sounds no getting
Speaker 1: out my paper, knoll. Alright, I'm doing a column of
Speaker 1: yes and no. As always, you will be faced with
Speaker 1: twenty movies. NOL. You have either seen them or you
Speaker 1: have not. If you have seen them, you get a
Speaker 1: yes you've not seen them, you get to know and NOL.
Speaker 1: Just to poke a little fun at you, this is
Speaker 1: noles Holes Psychedelic Edition. Who boy, your favorite words? Love
Speaker 1: that word. So these movies are either psychedelic or druggie
Speaker 1: got it, trippy, drugged druggie pothead movies. Real right up
Speaker 1: your alley? Okay, all right, thanks, Chuck in mine, Let's
Speaker 1: be honest. Let's let's just let's get to it. Yeah,
Speaker 1: let's see, let's see how you do here. It's sort
Speaker 1: of a range. I know you've seen some of these,
Speaker 1: but I always try to be fair. You always put
Speaker 1: them in there, even if I know you've seen them. Uh. No.
Speaker 1: Number one Scanner Darkly. I owned that on DVD. Well,
Speaker 1: you don't get an answer, points rown it. That was
Speaker 1: Phil k Dick adaptation of Richard link Ladder with the
Speaker 1: whole Waking life kind of look, that's right. Number two
Speaker 1: Naked Lunch, Yeah, of course, all right, WILLIAMSS Burrows that
Speaker 1: what's his name, RoboCop, isn't it Peter Weller? That was
Speaker 1: RoboCop as himself, give me the heroine. Yes, you shoot
Speaker 1: it into my circuit system, Yes, exactly. Uh. Number three
Speaker 1: nol the classic animated psychedelic masterpiece Yellow Submarine. Okay, mmm,
Speaker 1: that's tough. That's one that I don't know if i've
Speaker 1: seen all the way through in one sitting, but I
Speaker 1: feel like I've seen enough of it to warrant saying yes,
Speaker 1: I've seen it, sort of the way i've seen a
Speaker 1: Christmas story. I'm not quite sure what to do. No,
Speaker 1: I think I think it's up to you, Chuck, to
Speaker 1: make an executive call. I'm being honest, I'm being honest.
Speaker 1: I'm gonna say no, because the whole point of this
Speaker 1: is not a scene parts like you need to sit
Speaker 1: down and watch it. I remember there's the Blue Meanies,
Speaker 1: all right, there's a yellow submarine of some some some sort,
Speaker 1: all right. No this film, yes, it's called Pink Floyd's
Speaker 1: The Wall. Yes, I own that as well, and I've
Speaker 1: I've seen it many times. Very depressing, but really great
Speaker 1: happy movie. Not happy, but I love all the Gerald
Speaker 1: Scarf animation stuff. That's all very iconic and cool. Did
Speaker 1: did did? Did you hear the Sleeping Ones? It's funny
Speaker 1: Gerald Scarf and Steadman kind of you know, Steadman who
Speaker 1: does like all the fear and loathing and all that stuff.
Speaker 1: They kind of came from the same school of art,
Speaker 1: and they get confused for each other a lot. Yeah,
Speaker 1: very stead many And I believe that Steadman resented Scarf
Speaker 1: because he rose to a little more prominence because of
Speaker 1: The Wall, and he sort of felt like he maybe
Speaker 1: bit his style a little bit. Because I went to
Speaker 1: a Steadman retrospective at the Society of Illustrators in New
Speaker 1: York and there was like a Steadman expert that was
Speaker 1: doing a talk and talked about that very thing. That
Speaker 1: apparently there was some bad blood between the two. Well
Speaker 1: that's the old question which came first the steadman of
Speaker 1: the scar exactly probably very approvable, is but is exactly approvable? Yes,
Speaker 1: all right, we're going with the classic animated, truly psychedelic
Speaker 1: Disney film Fantasia. Oh yeah, m hm, alright, as expected. No,
Speaker 1: you're crushing it. That one is so cool because like
Speaker 1: it was so hard for them to get the sound
Speaker 1: synk just right, like for all these sound moments that
Speaker 1: sync up perfectly with the visuals. Um we I went
Speaker 1: to the Disney Family Museum and they showed how they
Speaker 1: did it with these like little holes rocket holes that
Speaker 1: were punched in the side of the film, and they
Speaker 1: would line it up with like us the score and
Speaker 1: they would kind of I don't know how to describe it,
Speaker 1: but they would make it where the music would sink
Speaker 1: up perfectly, so it hit all these beats, you know,
Speaker 1: visual beats with the with the music very have you
Speaker 1: seen the trailer for the Aretha Franklin uh Church concert documentary?
Speaker 1: So the story here, Noel, and this is what made
Speaker 1: me think of it was the sound sync. I believe
Speaker 1: Sydney Pollock many years ago went and filmed Aretha Franklin
Speaker 1: doing a performance in a church and like Mick Jagger
Speaker 1: was there and it was like a big deal and
Speaker 1: UM had to bail on it because they didn't sink
Speaker 1: the sound right and it was just fucked, very sadly.
Speaker 1: And all these years later they dug this film and
Speaker 1: figured it out, and they figured out how to do
Speaker 1: it Restonori technology and restored it and it's supposed to
Speaker 1: be really really great and it looks good and the
Speaker 1: trailer gives me chills. No one better than Aretha Franklin.
Speaker 1: All right, nol, I know you've seen this, but I'm
Speaker 1: including it anyway. Fear and Loathing in Las Vegas. That
Speaker 1: was a big one for me. I have that one
Speaker 1: on DVD as well. I had a Fear and Loathing
Speaker 1: in Las Vegas experience once. I won't get too heavily
Speaker 1: into what happened. Did you go to Circus Circus? Stated?
Speaker 1: Circus Circus? No way, Yeah, that's incredible. I like those
Speaker 1: old school casinos totally. I've never been to Vegas. Well,
Speaker 1: here's my deal with Vegas. I kind of hate it.
Speaker 1: But I've been a bunch um for work when I
Speaker 1: lived in l A and just various reasons over the years,
Speaker 1: and it just got to the point like I just
Speaker 1: can't the duration that I could handle Vegas got shorter
Speaker 1: and shorter. Person it's like three days is great. It
Speaker 1: was like, you know, two days is about all can handle.
Speaker 1: Then it was one day, and now it's no days.
Speaker 1: We do the big I Heart Radio concert thing in
Speaker 1: Vegas every year, and since I'm doing the music slate
Speaker 1: of shows, I think I probably will end up getting
Speaker 1: to go because some of my heart connects are like,
Speaker 1: you've never been to Vegas. We've gotta fix that. So
Speaker 1: I have a feeling they're probably gonna know. You will
Speaker 1: have a great time in Vegas. But it's a lot
Speaker 1: of fun to go for a while, and some people
Speaker 1: love Vegas their whole life. But there's two things about Vegas, uh,
Speaker 1: the constant barrage of sound when you're in a casino,
Speaker 1: the ding ding ding ding group sirens and the slots.
Speaker 1: It's just overwhelming. And also, you know, I hate to
Speaker 1: be that guy, but like just the excesses of America,
Speaker 1: and like being on an elevator with someone you know
Speaker 1: has brought their life savings that they will lose it's
Speaker 1: fucking depressing, dude. I watched like Vegas robs people. I
Speaker 1: watched The Twilight's an old twilights An episode. You may
Speaker 1: have seen this one. I hadn't seen it, but it
Speaker 1: was really heavy, where it's this old couple that goes
Speaker 1: to Vegas on a jolly, jolly get away for the
Speaker 1: first time. They're getting to have a little vacation, and
Speaker 1: the husband just gets obsessed with this slot machine and
Speaker 1: just starts feeding it and feeding and feeding it to
Speaker 1: the point where he he gets obsessed and like she
Speaker 1: can't pull him away, and then, you know, because it
Speaker 1: pays out once, I think, and then it never pays
Speaker 1: out again, and he thinks it's like toying with him.
Speaker 1: And then eventually like he's havings of the slot machine,
Speaker 1: like coming after him and talking to him, and then
Speaker 1: he ends up throwing himself out the window. And for
Speaker 1: compulsive gambling, one of the darker Twilight Zone episodes I've
Speaker 1: ever seen. Actually, yeah, you'll have a good time here.
Speaker 1: Do you gamble at all? I've I've dabbled. I like
Speaker 1: playing like, you know, cards with friends and doing a
Speaker 1: little you know, here's advice on the gambling front. Is
Speaker 1: pick out whatever amount of money you feel comfortable and
Speaker 1: uh and just tell yourself, this is what it's gonna
Speaker 1: cost me, just to kind of have fun and play
Speaker 1: some games. If it's like three dollars, say I'm gonna
Speaker 1: allot myself three hundred bucks. Make it last as long
Speaker 1: as you can. That's my budget, and just have some
Speaker 1: fun playing and when when you when you lose, um,
Speaker 1: just stop and if you when some stop and then
Speaker 1: you can say like, hey, I've made a hundred I've
Speaker 1: left Vegas with a hundred extra dollars. Exactly, big victory,
Speaker 1: exactly because as we know, the house always wins, you know,
Speaker 1: and in one way or another, future guests, um that
Speaker 1: Max vncan I'm gonnae Adam Pranica of Friendly Fire for
Speaker 1: Zone episode and I watched his film last night and
Speaker 1: all the great debut from P. T. Anderson Hard eight,
Speaker 1: that is one that I have not seen. Man, it's
Speaker 1: a whole it's great, and it's it's like I really
Speaker 1: love watching the first films of great directors when they
Speaker 1: didn't have a whole lot of money. Yet you can
Speaker 1: just see the DNA of their future work. It's all there, man,
Speaker 1: to check out hard eight speaking of depressing gambling. Alright. No,
Speaker 1: we're going to continue on after our Vegas sidetrack with
Speaker 1: the Dare I say, all time classic counterculture film of
Speaker 1: the nineteen sixties, directed by the great Dennis Hopper. Easy writer,
Speaker 1: easy writer, I have seen? Yes, all right, you're crushing
Speaker 1: it all al right. Next, No, we're gonna move on
Speaker 1: to something I think you've seen a little more obscure,
Speaker 1: The Holy Mountain, Yeah, Traderowski all right. Yeah, that one's
Speaker 1: just like a series of crazy psychedelic tableaus. Yeah, that's
Speaker 1: one of my friend Ryan bought me that I still
Speaker 1: haven't watched on DVD because I don't have a DVD player.
Speaker 1: Oh man, you don't even have like a PlayStation. Yeah,
Speaker 1: but it's all boxed up right now, I need to
Speaker 1: unbox it. And by Dead Red Red Dead too, Red
Speaker 1: Dead too. Yeah, it's very good. Alright. No, we're going
Speaker 1: to Peken Russell classic from the nineteen eighties starring William
Speaker 1: Hurt Altered States. I have not seen Altered States. Just
Speaker 1: check it out. That's the one about sensory deprivation tanks,
Speaker 1: right and like LSD experiments not LSD um Yeah, something
Speaker 1: along those that's the movie, got it. I remember that
Speaker 1: came out when I was a kid. It was a
Speaker 1: big deal. Alright, No not. I don't know if I
Speaker 1: would call the psychedelic, but it definitely falls under the
Speaker 1: sort of trippy existential art film. The great, great Jim
Speaker 1: Jarmish revisionist Western dead Man. Yeah, yeah, with a very
Speaker 1: lovely Neil Young soundtrack. Oh god, it's good. Yeah, it's great.
Speaker 1: By the way, there's a you know, I'm always touting
Speaker 1: Amazon Prime in their music programming. They have a great,
Speaker 1: great documentary on Crosby, Stills, Nash and Young that I
Speaker 1: watched the other day, highly recommended. I did not realize
Speaker 1: the song our House is a very very very fine
Speaker 1: house was Crosby Stills Nation. You know, that's the song
Speaker 1: that I've always knew. But I was like, I want
Speaker 1: to hear that song, and then I realized it was
Speaker 1: then and it's on that album Deja Vu, which is
Speaker 1: like the one that I always hear, is like the
Speaker 1: great one. So I'm gonna like dig into their cattle.
Speaker 1: I thought Fleetwood Mac was dysfunctional. Crosby maybe the most
Speaker 1: dysfunctional bandits right. Oh dude, it's off the hook. I
Speaker 1: just I need to chat with you off off off
Speaker 1: the air about a music podcast idea that it's about rivalries,
Speaker 1: and I'd love to get you. I thought, um, no,
Speaker 1: you were crushing it. Man. The score right now is
Speaker 1: eight to two at the halfway point. There's no way
Speaker 1: that you're not gonna pull out. Alright, No, the next
Speaker 1: film the gaspar no a film Into the Void. I
Speaker 1: didn't finish it. Okay, I didn't finish His films are tough.
Speaker 1: That one has a really psychedelic opening title sequence where
Speaker 1: it just it's like every font it changes to like
Speaker 1: like it would give you like epileptic seizures if you
Speaker 1: were if you were subseptible pre yeah, pre predisposed to such.
Speaker 1: It's very very very fast changing light kind of you know,
Speaker 1: flickering stuff. It's it's it's it's interesting. And by the way,
Speaker 1: I accidentally just said subcestible instead of susceptible. So just
Speaker 1: I was struggling. I was struggling as well. Alright. No,
Speaker 1: I have not seen this film yet. I really really
Speaker 1: want to, but I still I can't found it online yet. Uh.
Speaker 1: This is a film out a few years ago called
Speaker 1: A Field in England. Never even heard of him. All right.
Speaker 1: It's a period piece, I believe, from the colonial times
Speaker 1: when these English very are basically taking mushrooms. Okay, it
Speaker 1: sounds kind of psychedelic to me. It is supposed to
Speaker 1: be really really psycho we should I would love that,
Speaker 1: if you know what I mean. I I do A
Speaker 1: field in England. That's pretty cool. And I'm assuming that's
Speaker 1: much a cow field. Yeah, black and white and uh
Speaker 1: it gets really weird supposedly. I'm into it. I believe
Speaker 1: I haven't heard of this, ah nol. The next film.
Speaker 1: I believe you have seen also Waking Life since you
Speaker 1: mentioned it earlier. Waking Life. Yes, yeah, yeah, I've seen
Speaker 1: Waking Life. Oh my gosh, I'm sorry. I'm obsessed with
Speaker 1: It's a field in England. The poster looks kind of
Speaker 1: like a Jodorowski thing. I look, it almost has like
Speaker 1: a Holy Mountain kind of vibe to it. Yeah, I
Speaker 1: think that for sure is the one of the inspirations. Um,
Speaker 1: it's awesome. Yeah right, well, look it's on Amazon Prime
Speaker 1: for I'm totally in. I just need to watch this.
Speaker 1: And here's the thing with a movie like this and
Speaker 1: all I think it was a very like you can
Speaker 1: do a period piece. When you've got three or four characters,
Speaker 1: five characters in a field in a field, all they
Speaker 1: have to do is have like costumes, costumes, gets some
Speaker 1: old tents. Let him go at it. Critical consensus on
Speaker 1: Rotten Tomatoes is recklessly assembled and occasionally compelling in spite
Speaker 1: of itself. A Field in England showcases a singularly brilliant
Speaker 1: voice in British cinema, that voice belonging to Ben Wheatley. Yeah,
Speaker 1: I think we should watch oh with got to It?
Speaker 1: What else has he done? If I'm not mistaken? That
Speaker 1: was his first film? Yeah, he did another one called
Speaker 1: The Duke of Burgundy that I have not heard of either,
Speaker 1: but also looks really cool. Though. He did Kill List
Speaker 1: the TV show No No Kills, the movie I see,
Speaker 1: which is great. Have you seen killed Oh no, my god,
Speaker 1: I didn't know he did that. That was yeah, okay,
Speaker 1: check out you guys got the goods. This is awesome.
Speaker 1: All right, nol moving one, Let's do it two a duo? Well, no,
Speaker 1: I'm actually take that back the Fountain. Yeah I saw
Speaker 1: that one. I didn't see it. Yeah it was. It
Speaker 1: wasn't a huge fan that it was kind of I
Speaker 1: heard such mixed things. I just really cool soundtrack, really
Speaker 1: striking visuals, very very psychedelic, you know. But it was
Speaker 1: just it didn't it felt like it was too self
Speaker 1: serious kind of it took itself way too seriously. Story
Speaker 1: didn't mark It's what's his face? Aeronofski, who has hit
Speaker 1: or miss sometimes, you know. I mean he's a little
Speaker 1: bit Aeronofski because he goes for it. He really does.
Speaker 1: Didn't always hit it on the head. But I'm always interested.
Speaker 1: I still haven't seen The Mother. No. I enjoyed it.
Speaker 1: People hated it, but I really liked it. I need
Speaker 1: to see it, all right. No, Now the duo of
Speaker 1: films I was jumping ahead a second ago, The Cell
Speaker 1: Yes and The Fall. Yes. That is Tar sim Singh
Speaker 1: that's right, who also famously, or maybe slightly less famously
Speaker 1: directed Losing My Religion. That's right, rim Video. He has
Speaker 1: a style. He very much has a style. I feel
Speaker 1: like he slowed down his pace. He hasn't done anything
Speaker 1: in a long time. Yeah, he did a movie a
Speaker 1: couple a few years ago that I looked up and
Speaker 1: saw yesterday, but is very much more sporadic in his filmmaking.
Speaker 1: I'm curious why. I wonder if he does commercials or something,
Speaker 1: or if he does like maybe which is it's a
Speaker 1: great way to make a living. It is in and out. Yeah,
Speaker 1: absolutely tons of money. Uh, Noel, we are going with
Speaker 1: the Waikowski's psychedelic speed Racer. Didn't see him. I didn't either.
Speaker 1: Weird Tarsam Singh did a Disney movie called Mirror Mirror, uh,
Speaker 1: where Julia and Julia Roberts plays like the evil Queen.
Speaker 1: I guess I think I've heard of that. Is it
Speaker 1: Disney with Melissa Wallack? And what's gotta be if it's Yeah,
Speaker 1: I don't know. It looks like it has to be
Speaker 1: a Disney because it's got the rights to you know.
Speaker 1: That's I don't know, it's if it's anyone can do
Speaker 1: a snow White story. Doesn't doesn't own snow White? Sure
Speaker 1: they do? No? Yes? Are you sure? Yes? Really? Yeah,
Speaker 1: they got to own it. There's no way Disney doesn't
Speaker 1: own snow White. I feel like it's just like such
Speaker 1: an old public domain kind of story. Though, well, no,
Speaker 1: they created it, wal Disney created it, right. No, No, No,
Speaker 1: it's a fairy tale. It's a grim it's a grim story. No, yes,
Speaker 1: is it. I'm pretty sure. All right, now we're about
Speaker 1: to get into it. Okay. Uh. Snow White N seven
Speaker 1: animated musical fantasy produced by Walt Disney Productions. Yeah, No,
Speaker 1: wasn't a Grim fairy tale. You show me, let's see
Speaker 1: so if I go too, it ain't no Grim. It
Speaker 1: ain't no Grim fairy It's super Grim. You know. Grim's
Speaker 1: a name, it's not a descriptor. No, I know that's
Speaker 1: double M, double M. Let's see snow White if you
Speaker 1: just look up. It's a nineteenth century German fairy tale
Speaker 1: which is widely which is known widely across the Western world.
Speaker 1: The brothers grim published it in eighteen twelve. Was it
Speaker 1: snow White? It was in the first edition of their
Speaker 1: collection Grimm's fairy Tales. Uh. The name snee Vitchen was
Speaker 1: a Low German and the first version it was translated
Speaker 1: with schne Weiss in the Germ. The Grimms completed their
Speaker 1: final revision of the story in and they ripped all
Speaker 1: these stories off from just like you know, oral tradition, folklore.
Speaker 1: So well, no, uh, I take it all back. I
Speaker 1: take it all back. Yeah, I mean I did a
Speaker 1: duo a podcast on stuff you should know on The
Speaker 1: Grim Brothers and on fairy Tales. Yeah, yeah, he should.
Speaker 1: You should know. That's that's stuff you should know, Chuck, you,
Speaker 1: especially you, of all people. I think the first original
Speaker 1: Disney screenplay was like Bambi, because that wasn't that was
Speaker 1: just like an original story. Cinderello's obviously, you know, and
Speaker 1: he real like, I should quit this. You No, don't
Speaker 1: quit the show. Let's keep going. Let's keep plowing through
Speaker 1: my holes. Oh god, alright, now we've got three more
Speaker 1: here you were. There's no you can lose, so just relax,
Speaker 1: all right, for God's sake. Uh. No, I don't think
Speaker 1: you've seen this film, the classic classic psychedelic film from
Speaker 1: The Monkey's Head. I've not seen Head. I've always heard
Speaker 1: that it's great and I would love to see it,
Speaker 1: but I have not seen it. No, we're going with
Speaker 1: a film from a few years ago called Holy Motors.
Speaker 1: I love Holy Motors. Okay, look at you. What's that
Speaker 1: director's name. He's got kind of a funny made up name,
Speaker 1: leos karak leos carrox, which stands it's like an acronym
Speaker 1: for like, and the oscar goes to really uh huh. Yeah, man,
Speaker 1: there's a lot of a lot of looking stuff up today. Yeah,
Speaker 1: well this is this is interesting, actual leos corox Um.
Speaker 1: Yeah and holy his professional name is an anagram of
Speaker 1: his real name, Alex and Oscar. So it has nothing
Speaker 1: to do with the oscars. Well no, I he he
Speaker 1: claims that the Oscar part in there is is you know,
Speaker 1: meant to be like a not to like you know,
Speaker 1: just give me an Oscar, all right. No. Finally, the
Speaker 1: great great David Lynch surrealist film eraser head of course. Yeah,
Speaker 1: the Lady and the Radiator. All right, everything is fine.
Speaker 1: Four to six, you know you're drug movie. Congratulations, And
Speaker 1: that is all the time we have today. Because we
Speaker 1: spent this show might as well will have been called
Speaker 1: chucking Nold Google stuff. We would We did it respectfully,
Speaker 1: respectful Google, respectful Googling. Uh So, thanks everyone for listening
Speaker 1: and we'll see you next week. Goodbye. For more podcasts
Speaker 1: for my Heart Radio, visit the I Heart Radio app,
Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.