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Speaker 1: I am all in you.

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Speaker 2: I am all in with Scott Patterson an iHeartRadio podcast.

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Speaker 1: Everybody Scott Patterson, I am all in podcasts, all in productions.

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Speaker 1: iHeart radio, I heart media, iHeart what else. I heart

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Speaker 1: what I heart.

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Speaker 3: We're about to have a debate.

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Speaker 1: Oh we are, we are. I'm gonna be in Tupelo,

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Speaker 1: Mississippi like a good country song home of Elvis Presley

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Speaker 1: if you know who that is. He's just an obscure

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Speaker 1: country singer in the fifties and sixties and seventies and eighties,

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Speaker 1: March sixteenth through eighteen, Tupelo Comic Con, and then I'm

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Speaker 1: heading over to Nashville to write some songs.

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Speaker 3: Oh that's cool.

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Speaker 1: Yeah, so maybe I'll see everybody in Nashville. It sounds like,

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Speaker 1: you know, there's we're gonna throw down in the Who's Gal.

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Speaker 4: Yeah.

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Speaker 3: I don't know if I should just do it now

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Speaker 3: or if we should wait till we get to it.

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Speaker 3: But I'll wait.

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Speaker 1: Let's do the synopsis and then you can open up

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Speaker 1: the ball on us, okay, because I'm feeling feisty. I'm

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Speaker 1: ready to go at it. Yeah.

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Speaker 3: I don't know if you and I will agree or not.

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Speaker 1: I have a feeling we're not going to agree and

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Speaker 1: this is not a setup. Ladies and gentlemen anyway, Super

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Speaker 1: Cool Party People, Episode twenty. We're almost done, Season six,

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Speaker 1: gag Mine Travid cruse Is and French Danielle Romo, Taras

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Speaker 1: sued Amy Sugarman. Referee is Miles Lane. And here we

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Speaker 1: are at Caesar's Palace. Let's get.

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Speaker 3: I don't know if we're all going to agree or disagree.

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Speaker 3: I actually we don't know that ahead of time.

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Speaker 1: Yeah, no, we do not.

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Speaker 3: I just thought about this episode for days.

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Speaker 1: Everybody is so busy this Schedgele's so cramped. We don't

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Speaker 1: have the time to get together and debate this before.

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Speaker 3: Right, we don't do a pre debate.

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Speaker 1: We we don't know we do.

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Speaker 2: That's what makes this more exciting.

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Speaker 4: Egs, the raw, authentic emotions come out.

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Speaker 1: sEH, It's like it's like it's like professional wrestling with microphones.

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Speaker 1: Who's going to do the synopsisizations? I think it's Danielle, right, I.

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Speaker 4: Think I'll do it. Ka guys, all right, this is

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Speaker 4: season six, episode twenty, Super Cool Party People. Air date

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Speaker 4: April twenty fifth, two thousand and six. Rory rushes to

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Speaker 4: be with Logan at the hospital after he is seriously

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Speaker 4: injured during a stunt with a Life and Death brigade.

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Speaker 4: Lor Life finally gets some time with April when she

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Speaker 4: jumps in to save Luke from hosting a disastrous birthday party,

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Speaker 4: but not everyone is happy about it.

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Speaker 1: Mm well, I think.

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Speaker 3: Well is right? Okay, why doesn't everybody say how they

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Speaker 3: felt about the episode? And then I'll give my sort

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Speaker 3: of thing that's been bothering me for four days.

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Speaker 1: I thought this was a fantastic episode. Yeah, I thought this,

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Speaker 1: and it got me at the end. And I'm telling you,

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Speaker 1: I got emotional at the end. Uh, I don't know.

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Speaker 1: And I was searching my my data banks to figure

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Speaker 1: out why I was getting so emotional and interesting it

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Speaker 1: hit me right away. I know exactly why I loved

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Speaker 1: this episode so because it was parents caring about their

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Speaker 1: yeah and the way parents should care about their kids,

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Speaker 1: and it was people loving each other the right way.

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Speaker 1: And it really got me. It really really got me.

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Speaker 3: Anyway, this is gonna be a conversation. I think let's

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Speaker 3: just start with that.

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Speaker 1: Go Suzanne, hang on, I gotta go get my brass knuckles.

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Speaker 1: I'll be right back.

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Speaker 5: No, I So I was thinking about this during the

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Speaker 5: past week since we recorded the last episode, because when

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Speaker 5: I gave the last episode a seven point five, you

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Speaker 5: guys couldn't believe that I ranked it that low. I

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Speaker 5: don't think seven point five is that low out of ten,

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Speaker 5: but first but.

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Speaker 1: Really low, Like.

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Speaker 5: What constitutes a good episode? Like are we are we

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Speaker 5: ranking it based on the quality of the writing or

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Speaker 5: how funny it is or how it makes us feel?

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Speaker 3: Look, so I think that I think there will be above.

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Speaker 1: I think write all of the above, and how engaged

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Speaker 1: we are in the episode.

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Speaker 3: Yeah, okay, And.

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Speaker 5: So an episode like this, like I watch Gilmore Girls

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Speaker 5: because it's comforting and it's funny, and I watch an

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Speaker 5: episode like this and I come away feeling anxious and depress.

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Speaker 5: So to me, that wasn't that grave of an experience.

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Speaker 5: Even though there were some great lines and it was

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Speaker 5: well written, it didn't make me feel good.

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Speaker 3: So yeah, see, I don't watch it to feel good.

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Speaker 3: I watch it to feel Yeah, yeah, I am.

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Speaker 5: That's all I do is feel So I want to

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Speaker 5: watch Gilboard Girls and it's fat and and just have

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Speaker 5: a good experience instead of just trying to get through

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Speaker 5: the day.

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Speaker 2: But It's also different because we're watching like in the past,

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Speaker 2: when I'd watch and I just binge it. I feel

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Speaker 2: like I didn't feel that way because I just like

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Speaker 2: roll into the next Poe Who. But maybe it's because

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Speaker 2: you're like isolating the episodes too.

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Speaker 5: Yeah, that could be.

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Speaker 3: I don't know.

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Speaker 5: We'll get into it. But I'm mad at all of

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Speaker 5: them in this episode. I'm mad. We'll get mad at Anna.

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Speaker 5: I'm mad at Laura.

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Speaker 3: I like, I'm not at Anna Ish.

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Speaker 4: But I watched Friends, not at anybody. I'm not mad at.

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Speaker 1: I'm not mad at him. I'm less mad at Mitcham.

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Speaker 3: I'm not that mad at Mitcham. Either I watch Friends

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Speaker 3: or Seinfeld or something for a chuckle right modern family.

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Speaker 3: I watch this, I watch Sex and the City, I

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Speaker 3: watch The West Wing, I watch Walking Dead to feel something.

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Speaker 3: I don't go in having a requirement that it has

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Speaker 3: to make me feel unicorns and rainbows. It's it's I

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Speaker 3: want to feel.

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Speaker 1: I think. I think this demonstrates the This shows versatility,

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Speaker 1: its ability to do drama comedy all in one swoop.

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Speaker 1: It's breathtakingly difficult to do. Each episode has a unique

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Speaker 1: flavor to it, whether it's shaded more to the comedy

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Speaker 1: side more. And and here's the thing that I found unique.

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Speaker 1: And this is me being subjective, Okay, I cannot be

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Speaker 1: objective about this, because you know, Luke provided the comedy

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Speaker 1: in this episode. He was the funniest guy in the episode.

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Speaker 1: And I was really delighted by that because I forgot

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Speaker 1: all about this and everybody else was doing the drama

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Speaker 1: and he was sort of the same one of the

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Speaker 1: central figures in the Drumaself without Emily and Richard, showing

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Speaker 1: again how versatile this cast can be. The The the

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Speaker 1: Anna dynamic with Laurel and Luke and all that entails

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Speaker 1: was the thing that really got me watching parents care

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Speaker 1: about their kids and protecting their kids and and and

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Speaker 1: Rory protecting her boyfriend and yeah, meeting and and and

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Speaker 1: you know, everybody having that Shirley McClain moment, Uh, you

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Speaker 1: give the pills to my daughter now, and freaking you know,

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Speaker 1: this kind of thing that you're asked down here, and

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Speaker 1: you you see your son.

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Speaker 3: She was not playing, even though he was. The boys

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Speaker 3: were playing. At first, they they were very jokey, right,

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Speaker 3: and then it's much for Rory in this episode, because yeah,

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Speaker 3: she really loves him.

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Speaker 1: I think some of these characters took on a heroic

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Speaker 1: I've never loved Laurel I more and seen her as

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Speaker 1: this kind of you know, black belt in life. In

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Speaker 1: any situation, she can make it better and fuller and

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Speaker 1: full of joy. She was rather brilliant in this episode,

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Speaker 1: and I really think her leading this series is an

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Speaker 1: incredibly wise choice on Amy's part, and what an actress

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Speaker 1: that she got.

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Speaker 3: You really see that when you have Sherylyn Finn and

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Speaker 3: Lauren Graham in the same scene, you really see like, oh,

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Speaker 3: that was almost Laura Lai.

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Speaker 1: But I thought Shelon Finn could have pulled off fine.

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Speaker 3: I agree. I think it would have been a bit

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Speaker 3: of a different.

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Speaker 1: It would have been.

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Speaker 3: It just it's Eric Stoltson, Michael J. Fox and back

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Speaker 3: to the future. I don't know if you've ever seen

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Speaker 3: the scenes, we don't know that it would have been bad.

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Speaker 3: It just wasn't as funny. I think Lauren Graham brings

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Speaker 3: Michael J.

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Speaker 1: Fox, Yeah, the special, there's something extra special there.

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Speaker 3: Yeah.

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Speaker 1: So I just thought it was a really heroic, versatile, unexpected,

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Speaker 1: deeply emotional episode. For me, it was the deepest episode

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Speaker 1: in recent memory. And emotion.

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Speaker 3: Yeah, yeah, it's so. I watched it a few days ago,

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Speaker 3: almost like a week ago, and it stayed with me

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Speaker 3: multiple parts. If I, if I, if you'll indulge me

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Speaker 3: to just bring up those topics. Number One, Amma being

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Speaker 3: so angry at Luke because Laura I play on the birthday.

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Speaker 3: I have real conversations I want to have about that.

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Speaker 3: Number two, Anna's so Lorlai going to see Anna. I

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Speaker 3: want to see what you all think of that. Anna's response,

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Speaker 3: I'll give my quick opinion on it, valid in that

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Speaker 3: she wants to protect her daughter from a woman who's

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Speaker 3: gonna come and go from her life. But it's almost

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Speaker 3: like she's talking out of both sides of her mouth

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Speaker 3: because in this case, for me, Lauraai is engaged. They've

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Speaker 3: been friends and together forever, so judging by what Anna's saying,

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Speaker 3: Laurai checks all the boxes.

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Speaker 6: And now that the problem is she never met her,

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Speaker 6: she's a stranger.

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Speaker 1: It doesn't matter that. And when she said, nobody plays

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Speaker 1: fast and loose with my kid, and she's one hundred

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Speaker 1: percent right, I understand that. But as Anna said, Luke

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Speaker 1: is still in the audition phase.

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Speaker 5: Audition and get to take the moral high ground here

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Speaker 5: because she.

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Speaker 1: I think she doesn't get away from her.

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Speaker 3: That's what thank you. I really want to talk about

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Speaker 3: the fact that.

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Speaker 1: But hang on a second.

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Speaker 6: That's a good point, that's an excellent point, But it

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Speaker 6: doesn't negate the fact that Anna raised that child. It

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Speaker 6: doesn't negate the fact and she has got an ultimate

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Speaker 6: responsibility for that child's wellbeing.

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Speaker 4: We also have to realize Luke has not brought around

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Speaker 4: LAURAAI yet to me and have built a relationship with

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Speaker 4: with April. So from Anna's viewpoint, I personally think rightfully,

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Speaker 4: so she is a stranger. Whether she is engaged to

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Speaker 4: Luke or not, she is still a stranger. She has

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Speaker 4: never hung out with her daughter. She Anna has never

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Speaker 4: hung out with Laura. I has never even had a conversation.

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Speaker 4: So yeah, like anybody's valid.

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Speaker 3: Does anybody want Luke to say to Anna, you kept

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Speaker 3: my kid from me for twelve years and now you're

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Speaker 3: telling me what you want me to do. I've been

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Speaker 3: nothing but fair to you. I'll see you in court.

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Speaker 1: No, no, yourself, you.

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Speaker 3: Get my kid from me? Why though, Scott, why are

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Speaker 3: you not mad because took your kids?

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Speaker 1: Because we're twelve years now, we're past that. I don't

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Speaker 1: think we are because ship has sailed.

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Speaker 3: I was past it until this episode.

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Speaker 1: Do you know why that ship has sailed? Because he's

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Speaker 1: accepted the conditions and the terms that Anna said. I

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Speaker 1: get that to have quote unquote unofficial until this episode

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Speaker 1: at times custody of that child's court. Oh god, no, no, no,

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Speaker 1: you're the father, Scott, you are the father of the child.

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Speaker 1: But that's not the way you play it. It is

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Speaker 1: doesn't benefit the child.

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Speaker 3: It is now.

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Speaker 1: It doesn't benefit the child to do that, It doesn't

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Speaker 1: benefit you.

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Speaker 3: Luke has been nothing but good, right, kind, fair, and

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Speaker 3: I think although I understand what she's saying, she has

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Speaker 3: now crossed the line and flexed so hard with she

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Speaker 3: it's equally your child.

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Speaker 1: Like we don't know anything about their relationship.

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Speaker 3: We know that she did not tell you you have

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Speaker 3: a kid.

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Speaker 1: Okay, maybe there was a reason for that.

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Speaker 3: Name me a possible reason that.

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Speaker 1: Well, obviously she didn't want Luke back then a part

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Speaker 1: of her.

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Speaker 3: Or that's that's not her choice.

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Speaker 1: I understand that.

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Speaker 5: When he went over there, she told him that she

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Speaker 5: didn't tell him because she said he didn't like kids.

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Speaker 5: That was her reasoning, which I'm sorry that I agree.

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Speaker 3: I was cool with her until she just really pushed

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Speaker 3: it too hard.

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Speaker 5: Because keeping Anna from Luke, I mean, keeping April from

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Speaker 5: Luke hurts April too, Like her daughter didn't know her

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Speaker 5: father for twelve years hurts. That hurts April too. It's

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Speaker 5: not just about Luke, It's about April too.

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Speaker 3: And then flexing so much control. And look, we all

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Speaker 3: know I have been team Luke on this. I always

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Speaker 3: felt it was a Luke slash Anna decision, right, but

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Speaker 3: now Luke has made this decision to bring lor Light

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Speaker 3: in in a very like minor way, by the way,

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Speaker 3: that it's not. Anna doesn't get to come and scream

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Speaker 3: at Luke and then flex on Lorli. Lor Li has

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Speaker 3: been nothing but cool, followed everybody's quote rules, and it

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Speaker 3: was a birthday party.

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Speaker 4: Look, I think the issue here is uh for any

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Speaker 4: every situation that is absolutely correct. However, and I'm not

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Speaker 4: I'm not saying that this makes it right. But Luke

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Speaker 4: is very new to the picture, and so we have

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Speaker 4: to understand that Anna's not going to just be like, well,

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Speaker 4: you're her dad, so go with it. But he's new

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Speaker 4: to the picture because she lied, but she lies, I

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Speaker 4: understand that. I understand that, but you have to understand

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Speaker 4: where she's coming from. She's raised this daughter for the

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Speaker 4: last twelve years by herself. That right, she basically kidnapped.

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Speaker 4: However you want to look at it, kidnapped or raise

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Speaker 4: the daughter. She has been the one solely raising this kid,

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Speaker 4: whether it's right or wrong. Wrong, So okay, I agree,

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Speaker 4: so wrong however we want to see it. But you

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Speaker 4: now bring in a dad to the picture, right, and

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Speaker 4: she's trying to navigate that on top of now not

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Speaker 4: trying to navigate his fiance. I think we just have

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Speaker 4: to realize that she's had all this control for so

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Speaker 4: so long, and now she's kind of feels like she's

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Speaker 4: losing it a little bit.

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Speaker 3: You know, she should have handled it a different way.

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Speaker 3: My beef is with Anna. Look, Luke could have handled

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Speaker 3: it better, right, He could have called her and you know,

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Speaker 3: been a bit more communicative about Lorlai being there. But

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Speaker 3: let me put it to you guys this way. And

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Speaker 3: I again, I've been very on the side of supporting

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Speaker 3: Luke in his decision because I felt like it was

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Speaker 3: his and Anna's to make say that Luke and Anna

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Speaker 3: found out they were pregnant and they're in it together.

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Speaker 3: She's pregnant, and then she births the baby and decides

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Speaker 3: to take the baby and it goes off just like

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Speaker 3: she did for twelve years. That's kidnapping. Kidnapping, Okay, So

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Speaker 3: why are we so like, well, this is what Anna

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Speaker 3: wants and she's been raising the kid and it should

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Speaker 3: really be her rules. No, she took the kid away,

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Speaker 3: never gave Luke the opportunity to be a father. That

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Speaker 3: is not okay with me. It's weird, frankly, And I

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Speaker 3: don't think we have enough.

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Speaker 1: I don't think Wow, I.

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Speaker 3: Think it is criminal.

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Speaker 1: Frankly, I don't think we have enough information. You may

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Speaker 1: be right, I don't know, but I don't think we

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Speaker 1: have enough information about the nature of their relationship. I

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Speaker 1: think we can, we can speculate on it given the

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Speaker 1: very little information we have about it. But we pointed

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Speaker 1: out we don't know the nature of that relationship.

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Speaker 4: But there's so many circumstances. Obviously Luke is not a

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Speaker 4: bad person, we know that.

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Speaker 1: But it's not a black and white situation. Yeah, there's

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Speaker 1: a lot of gray. There's a lot of gray here.

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Speaker 5: Should we go to the top and go through because.

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Speaker 3: But does nobody else not see gray to me like

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Speaker 3: that she it just finally hit me this week, like

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Speaker 3: she took the kid.

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Speaker 4: Yeah, but we don't know, but why does Why are

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Speaker 4: many reasons why people do that? Whether again, you guys,

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Speaker 4: flip it right, flip it.

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Speaker 3: Say that a surrogate, so that say that Luke, no

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Speaker 3: you guys, yes.

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Speaker 4: You guys, it's not comparable taking the kid like it's.

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Speaker 3: No, no, no, no, no, no, I didn't. You didn't let

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Speaker 3: me finish because a man can't carry the child. So

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Speaker 3: say that there's Luke and Anna make a baby and

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Speaker 3: a surrogate carries it. The baby is born, and Luke

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Speaker 3: takes it away from the mother for twelve years and

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Speaker 3: then finally says, oh, my kid wants to do a

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Speaker 3: DNA test. How are you guys kidding me? Why are

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Speaker 3: we giving Anna so much leeway? She took his kid,

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Speaker 3: never told him about it. What is the reason that

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Speaker 3: that's okay? Just give it to me and I'll hear

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Speaker 3: you that.

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Speaker 1: We don't have an answer. We don't know. We don't know.

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Speaker 1: The surf.

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Speaker 2: I think that's where the gray area is is like

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Speaker 2: that's the gray.

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Speaker 3: Yeah, but what is what is a make up a reason,

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Speaker 3: make up a reason that makes it okay?

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Speaker 1: What I mean, it's already been pointed out. What if

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Speaker 1: after repeatedly telling Anna twelve thirteen, fourteen years ago, listen,

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Speaker 1: I have no interesting kids, I don't want to have it.

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Speaker 3: And he can say I don't want this kid.

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Speaker 1: Well, he might not have been aware of it. Maybe

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Speaker 1: they broke up when she was you know, before she

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Speaker 1: even knew she was pregnant.

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Speaker 4: But let's let's just say he's.

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Speaker 3: Totally it's his kid. It's not her kid, you guys,

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Speaker 3: just because she's carried the baby. It's his kid. And

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Speaker 3: this finally hit me this week. Why am I okay

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Speaker 3: that she took the kid for twelve years? So I'm

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Speaker 3: just finally telling you guys, I'm not okay with it.

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Speaker 3: It's not okay.

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Speaker 4: I know it is literally not okay.

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Speaker 1: Again, I think we're operating with very little information here.

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Speaker 4: I agree there's a guy, how long. There's so many,

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Speaker 4: so many reasons. There's so many reasons a woman can

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Speaker 4: move on without the father and not want the father

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Speaker 4: a part of the picture. There's many reasons.

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Speaker 3: Right, we don't know what they say. They're correct. If

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Speaker 3: he's abusive, a criminal, an alcoholic. He is none of

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Speaker 3: those things.

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Speaker 4: How do you know that.

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Speaker 3: I know Luke? What are you talking about?

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Speaker 4: How do you know that people change? I'm just saying

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Speaker 4: we don't. We don't. We don't know the nature of

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Speaker 4: Luke and Anna's relationship. We don't know that.

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Speaker 3: It doesn't I don't care about the nature of their relationship.

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Speaker 3: I care about knowing him and her. So please, you, guys,

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Speaker 3: I'm not trying to be an ass. Give me a

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Speaker 3: reason why it's okay that Anna took his kid away.

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Speaker 3: Give me a reason.

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Speaker 1: Maybe maybe they were having some really like verbally abusive arguments,

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Speaker 1: so then they.

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Speaker 3: Don't stay together. I mean, still again, why about she said? Why?

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Speaker 4: Why?

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Speaker 1: What did she say?

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Speaker 5: She told him because he didn't like kids.

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Speaker 1: Right, that's yeah, she didn't like that, That's what she said.

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Speaker 3: We know the reason, and that doesn't matter.

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Speaker 5: He's still he still deserves to have that information.

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Speaker 3: How can any of you guys say that that is

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Speaker 3: justifiable reason to not tell a person about their kid. Well,

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Speaker 3: it's not so what I'm.

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Speaker 1: Telling you, that's the only reason.

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Speaker 4: Yeah, you know Luke, you know him.

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Speaker 3: We all know him, you guys. We don't act like

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Speaker 3: we just met this guy.

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Speaker 2: We know him, but I think I think it is

381
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Speaker 2: happening for for that like I think that we know

382
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Speaker 2: as the audience, we know Luke, but maybe Anna didn't

383
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Speaker 2: know him in that same life.

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Speaker 3: She dated him for so long. What are you talking about?

385
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Speaker 3: You guys? You guys are making up things that we

386
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Speaker 3: know not to be true.

387
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Speaker 4: I think it's I don't think making up anything.

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Speaker 3: I remember when you mop in the diner. Whatever she said,

389
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Speaker 3: she fully knows. Anna sucks. She took the kid. It's

390
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Speaker 3: not okay, it's not okay. And then now.

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Speaker 1: Look, everybody in the audience is listening. The problem with

392
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Speaker 1: Amy is you can't tell how she feels about it.

393
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Speaker 4: Actually, she's pretty gray.

394
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Speaker 3: I'm so emotional about it because it's like I understand

395
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Speaker 3: that I appreciate you guys trying to defend amma. Why

396
00:22:24,520 --> 00:22:26,600
Speaker 3: the hell we're trying to defend her. I don't know.

397
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Speaker 3: She seems fine, right, she's she's a good mom, but

398
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Speaker 3: she took his kid, right, and I've been playing by

399
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Speaker 3: her rules and being very supportive of her. But never

400
00:22:38,119 --> 00:22:42,399
Speaker 3: until a few days ago, what what am I doing?

401
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Speaker 4: Like he'd I think you're also looking at it knowing

402
00:22:47,680 --> 00:22:50,080
Speaker 4: the other side of it, you know, based off of

403
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Speaker 4: what we've seen. We know Luke, we know Laura, we

404
00:22:52,960 --> 00:22:57,199
Speaker 4: know Rory, but she doesn't. It doesn't law to understand that.

405
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Speaker 3: No, I'm so sorry, and I know everyone's gonna be

406
00:22:59,640 --> 00:23:03,040
Speaker 3: like you up to Danielle. Okay, your piece, Danielle, but

407
00:23:03,160 --> 00:23:04,280
Speaker 3: give me a reason.

408
00:23:04,680 --> 00:23:04,960
Speaker 1: Okay.

409
00:23:05,080 --> 00:23:08,040
Speaker 3: It's okay that Anna took his kid away for twelve years.

410
00:23:08,119 --> 00:23:11,040
Speaker 1: Okay, so maybe, okay, So your argument is it's a

411
00:23:11,080 --> 00:23:15,240
Speaker 1: good one. It maybe it's not. Okay, Okay, I can

412
00:23:15,280 --> 00:23:19,840
Speaker 1: see where you're coming from, But at this point in time,

413
00:23:20,920 --> 00:23:24,520
Speaker 1: this is a completely different show. If he follows your

414
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Speaker 1: advice and says, you know, blank, Anna, I'm getting a

415
00:23:29,160 --> 00:23:32,800
Speaker 1: lawyer see in court. That's not Gilmore Girls. And that's

416
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Speaker 1: not that we don't get the entertainment value of the show,

417
00:23:37,080 --> 00:23:40,439
Speaker 1: fair right, Okay. So it's better to see people trying

418
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Speaker 1: to do their best under difficult circumstances and coming together

419
00:23:45,160 --> 00:23:49,359
Speaker 1: as a community for the sake of this child. Because

420
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Speaker 1: because if it gets because if it gets that contentious

421
00:23:53,040 --> 00:23:56,479
Speaker 1: with the courtrooms and legal and it's going to damage

422
00:23:56,520 --> 00:24:00,480
Speaker 1: the child. So I like seeing these people str to

423
00:24:00,560 --> 00:24:03,359
Speaker 1: do the right thing. By April, I love that.

424
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Speaker 3: I love what you're saying, totally love what you're saying.

425
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Speaker 3: And I feel like, up until this moment, everybody's been

426
00:24:10,000 --> 00:24:13,760
Speaker 3: doing that right. Laura Lai's been doing right by Luke

427
00:24:14,160 --> 00:24:16,720
Speaker 3: because this is what he wanted. We're all being very

428
00:24:16,760 --> 00:24:20,960
Speaker 3: respectful of Anna. Luke has been so respectful of everybody

429
00:24:21,880 --> 00:24:25,840
Speaker 3: until Anna came and screamed at Luke for having his

430
00:24:25,960 --> 00:24:29,080
Speaker 3: fiance help with a birthday party that was super lame

431
00:24:29,240 --> 00:24:32,360
Speaker 3: and needed to be better for the good of the child.

432
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Speaker 3: Then Loralai goes and tries to do the right thing by.

433
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Speaker 4: Saying one thing, Can I add one thing there? Of course,

434
00:24:38,920 --> 00:24:41,120
Speaker 4: it's not just that. The one thing that she kept

435
00:24:41,200 --> 00:24:44,280
Speaker 4: saying is that she had a sleepover and Lorlai was

436
00:24:44,280 --> 00:24:47,639
Speaker 4: in the room with the girls that I can sympathize with.

437
00:24:47,960 --> 00:24:49,800
Speaker 4: My kid is not going to be at a sleepover

438
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Speaker 4: with another adult I don't know.

439
00:24:51,960 --> 00:24:56,879
Speaker 3: So would it have been better sleep Absolutely?

440
00:24:57,359 --> 00:25:02,560
Speaker 4: No, Actually non with an adult. They don't know adult,

441
00:25:02,640 --> 00:25:06,160
Speaker 4: They don't know the girls.

442
00:25:06,440 --> 00:25:09,640
Speaker 5: All the girls, including April called their parents.

443
00:25:10,080 --> 00:25:10,920
Speaker 3: Yep, that's right.

444
00:25:11,000 --> 00:25:13,840
Speaker 5: So if a parent was not okay with it, they

445
00:25:13,840 --> 00:25:16,000
Speaker 5: could have told their kid, no, you need to come home.

446
00:25:16,240 --> 00:25:18,400
Speaker 3: Exactly. And also they could have said.

447
00:25:18,240 --> 00:25:20,119
Speaker 5: Hey, let me talk to the adult that's going to

448
00:25:20,200 --> 00:25:20,440
Speaker 5: be there.

449
00:25:21,359 --> 00:25:23,920
Speaker 1: You think about it, I'm going to Nobody called April.

450
00:25:24,840 --> 00:25:25,840
Speaker 1: I mean, I'm sorry.

451
00:25:25,560 --> 00:25:28,600
Speaker 5: Nobody April called her. They show her on the phone

452
00:25:28,600 --> 00:25:29,160
Speaker 5: with her.

453
00:25:31,040 --> 00:25:32,480
Speaker 1: Because she thought it was just Luke in the room,

454
00:25:32,520 --> 00:25:34,680
Speaker 1: And yeah, it's weirder.

455
00:25:34,359 --> 00:25:37,200
Speaker 3: If it's Luke number two. When your kids are thirteen,

456
00:25:37,560 --> 00:25:40,080
Speaker 3: I guarantee you they will go to slumber parties at

457
00:25:40,080 --> 00:25:42,960
Speaker 3: people's houses that you might know the mom and you

458
00:25:43,000 --> 00:25:45,159
Speaker 3: don't know the dad, or you've met the dad. Like

459
00:25:45,320 --> 00:25:47,919
Speaker 3: that is how the world works, like your kid makes

460
00:25:48,040 --> 00:25:48,280
Speaker 3: or not.

461
00:25:49,880 --> 00:25:54,080
Speaker 4: You sleepovers at people's houses that my parents didn't know

462
00:25:55,320 --> 00:25:55,879
Speaker 4: all the time.

463
00:25:56,000 --> 00:25:58,200
Speaker 5: Like you, you would have said, no, you can't sleep over,

464
00:25:58,320 --> 00:26:01,000
Speaker 5: you need to come home. The girls slept over had

465
00:26:01,000 --> 00:26:02,800
Speaker 5: permission from their parents exactly.

466
00:26:02,840 --> 00:26:06,600
Speaker 3: And I had sleepovers for sure at Christine Borkenhagen's and

467
00:26:06,640 --> 00:26:08,760
Speaker 3: I don't know that my mom was best friends with

468
00:26:08,800 --> 00:26:09,320
Speaker 3: her dad.

469
00:26:09,359 --> 00:26:12,400
Speaker 1: But yeah, but we came from a different amy. We're

470
00:26:12,400 --> 00:26:14,560
Speaker 1: a little older than these kids, and we came from

471
00:26:14,600 --> 00:26:18,200
Speaker 1: a different world where things weren't so unsafe.

472
00:26:18,240 --> 00:26:21,040
Speaker 3: Well, Findam's point makes the best.

473
00:26:21,000 --> 00:26:23,400
Speaker 1: My especially my planet. We did that all the time.

474
00:26:23,760 --> 00:26:27,200
Speaker 1: Everybody knew each other, everything was safe, doors were unlocked.

475
00:26:27,280 --> 00:26:27,399
Speaker 3: Right.

476
00:26:27,480 --> 00:26:28,679
Speaker 1: That is not the world we live in.

477
00:26:29,040 --> 00:26:34,239
Speaker 3: And Suzann Suzana makes a great point, which is they

478
00:26:34,240 --> 00:26:35,119
Speaker 3: all called their moms.

479
00:26:35,359 --> 00:26:38,800
Speaker 5: They call their parents. Like as if my kid called

480
00:26:38,840 --> 00:26:42,200
Speaker 5: me and said, can I spend the night, It's incumbent

481
00:26:42,240 --> 00:26:44,159
Speaker 5: on me as the parent to make sure that's a

482
00:26:44,160 --> 00:26:47,760
Speaker 5: safe situation for kids. So I wasn't comfortable with it.

483
00:26:47,840 --> 00:26:51,560
Speaker 5: I wouldn't let my kids stay. So presumably anyone that

484
00:26:51,600 --> 00:26:55,040
Speaker 5: spent the night that night was had their parents okay,

485
00:26:55,119 --> 00:26:56,000
Speaker 5: or they wouldn't.

486
00:26:55,640 --> 00:26:58,720
Speaker 4: Have spent the night. But Anna keeps Anna keeps saying

487
00:26:59,280 --> 00:27:02,360
Speaker 4: that she thought it was just Luke that so she

488
00:27:02,560 --> 00:27:06,080
Speaker 4: so she did she did give her consent for her

489
00:27:06,119 --> 00:27:09,959
Speaker 4: to sleep over at her dad's place. Yeah, yes, she

490
00:27:10,000 --> 00:27:10,800
Speaker 4: did give that consent.

491
00:27:11,520 --> 00:27:15,320
Speaker 3: Engaged, Like I understand I'm double talking because I have

492
00:27:15,359 --> 00:27:17,879
Speaker 3: been very supportive of when it was Luke's decision. But

493
00:27:17,960 --> 00:27:23,159
Speaker 3: like they're engaged. That would be like saying, Okay, you

494
00:27:23,200 --> 00:27:26,480
Speaker 3: can sleep at your dad's house, but his wife has

495
00:27:26,560 --> 00:27:28,760
Speaker 3: to leave, Like it's just totally no.

496
00:27:28,920 --> 00:27:31,960
Speaker 1: But she may is a distinction between married and engaging.

497
00:27:32,040 --> 00:27:34,920
Speaker 1: People get engaged all the time, and they don't doesn't

498
00:27:35,040 --> 00:27:37,320
Speaker 1: she said, she said, when you're married then you know,

499
00:27:37,400 --> 00:27:39,760
Speaker 1: then come talk to me. Why do you make that commitment?

500
00:27:39,920 --> 00:27:42,240
Speaker 2: I think the difference is like Lorala wasn't there when

501
00:27:42,280 --> 00:27:44,840
Speaker 2: the party started, where Anna could go meet her. I

502
00:27:44,880 --> 00:27:46,280
Speaker 2: think that also she just.

503
00:27:46,240 --> 00:27:47,119
Speaker 4: Hasn't met her at all.

504
00:27:47,200 --> 00:27:48,000
Speaker 2: She hasn't met her.

505
00:27:48,720 --> 00:27:51,680
Speaker 3: But like, let's she shouldn't have kidnapped kid for twelve years,

506
00:27:52,040 --> 00:27:53,280
Speaker 3: maybe she could have met everybody.

507
00:27:54,280 --> 00:27:56,399
Speaker 2: I do think that if like this would have been

508
00:27:56,440 --> 00:27:58,879
Speaker 2: a little different if like Lorala was at the diner,

509
00:27:59,359 --> 00:28:01,240
Speaker 2: maybe like she wasn't saying for the party, but she

510
00:28:01,280 --> 00:28:03,960
Speaker 2: happened to be there when it started, met Anna, And

511
00:28:04,000 --> 00:28:07,760
Speaker 2: if Anna had her own issues with it, she could.

512
00:28:07,600 --> 00:28:10,879
Speaker 3: Have confronted then and why isn't Anna at the party?

513
00:28:10,960 --> 00:28:13,840
Speaker 3: It's her kids? Where are you Anna?

514
00:28:14,080 --> 00:28:17,560
Speaker 5: They made some comment, Yeah, they explained why, something about

515
00:28:17,600 --> 00:28:19,920
Speaker 5: going to her grandmother's I can't remember, but they did

516
00:28:20,000 --> 00:28:22,280
Speaker 5: say that there was some reason Anna changed the date

517
00:28:22,320 --> 00:28:22,760
Speaker 5: of the party.

518
00:28:22,840 --> 00:28:25,240
Speaker 1: But I think I think I think it was maybe

519
00:28:25,240 --> 00:28:27,680
Speaker 1: it was Anna, Maybe they she did have a little

520
00:28:28,160 --> 00:28:32,840
Speaker 1: legit excuse, But it's a big responsibility, it's it's it's

521
00:28:33,040 --> 00:28:37,520
Speaker 1: deepening of the trust between Anna and Luke. Right, who

522
00:28:37,520 --> 00:28:43,280
Speaker 1: are forming another relationship that isn't you know, romantic, So

523
00:28:43,440 --> 00:28:46,680
Speaker 1: this is a friendship relationship. This is two people that

524
00:28:46,800 --> 00:28:48,200
Speaker 1: used to be together and used to be in love

525
00:28:48,240 --> 00:28:52,440
Speaker 1: and have a child together unbeknownst to Luke, and and

526
00:28:52,520 --> 00:28:57,479
Speaker 1: he didn't, in her estimation, make the right the right

527
00:28:57,560 --> 00:29:02,400
Speaker 1: steps to make trust. She's trusting Luke a lot. Now

528
00:29:02,520 --> 00:29:05,560
Speaker 1: this is like, this is like another level of trust.

529
00:29:05,680 --> 00:29:07,280
Speaker 1: You throw her the birthday party, all the girls are

530
00:29:07,280 --> 00:29:08,480
Speaker 1: going to be there. I trust you to do this.

531
00:29:08,840 --> 00:29:10,360
Speaker 1: It's a big step for Luke. Right.

532
00:29:11,560 --> 00:29:13,680
Speaker 3: So what if Rory or Lane were there helping with

533
00:29:13,760 --> 00:29:16,080
Speaker 3: the party and they decided to sleep over, No problem.

534
00:29:17,680 --> 00:29:19,560
Speaker 1: I think it's got to be cleared with Anna. She's

535
00:29:19,560 --> 00:29:20,720
Speaker 1: got to know who's at the party.

536
00:29:20,800 --> 00:29:23,720
Speaker 3: Now, Anna ditched her kid to go to the question

537
00:29:23,960 --> 00:29:27,840
Speaker 3: with especially teenagers, because teenagers can invite their boyfriends and

538
00:29:27,920 --> 00:29:30,360
Speaker 3: then their friends. And then if you're gonna let your

539
00:29:30,840 --> 00:29:36,560
Speaker 3: ex boyfriend the baby's father throw the birthday party, hey

540
00:29:36,640 --> 00:29:39,400
Speaker 3: for the party, plan the party, do the entire party,

541
00:29:39,480 --> 00:29:44,320
Speaker 3: and be responsible for these kids all day long. But

542
00:29:44,440 --> 00:29:47,640
Speaker 3: you're saying, but he's not responsible enough to then choose

543
00:29:48,840 --> 00:29:55,160
Speaker 3: who tends the sleepover portion, like, it doesn't make sense, you, guys,

544
00:29:55,280 --> 00:29:58,360
Speaker 3: It's totally idiotic that she's like, you're fine to go

545
00:29:58,480 --> 00:30:01,200
Speaker 3: on a ten day trip with him for her school,

546
00:30:01,840 --> 00:30:06,360
Speaker 3: but you're not then smart enough to decide that your

547
00:30:06,520 --> 00:30:09,800
Speaker 3: fiance can be a part of the sleepover. It's idiotic.

548
00:30:10,240 --> 00:30:12,600
Speaker 1: You're asking for a reason. Maybe if something in Anna's

549
00:30:12,680 --> 00:30:16,120
Speaker 1: past that almost got her killed or kidnapped or whatever,

550
00:30:16,960 --> 00:30:20,200
Speaker 1: her parents were looking the other way, didn't vet the

551
00:30:20,280 --> 00:30:22,840
Speaker 1: people closely enough, and she's just reacting to that. So

552
00:30:22,960 --> 00:30:25,480
Speaker 1: she promised herself if she ever had a kid, that

553
00:30:25,600 --> 00:30:27,680
Speaker 1: she's never going to take a chance. She's never gonna

554
00:30:27,720 --> 00:30:31,640
Speaker 1: let anybody play faster kid. It won't She's fine with Luke,

555
00:30:31,800 --> 00:30:33,760
Speaker 1: she has a side caution.

556
00:30:34,680 --> 00:30:37,560
Speaker 3: No problem with Luke, who she hasn't seen in twelve years,

557
00:30:37,640 --> 00:30:42,880
Speaker 3: really either. No problem with Luke staying with the ten, fifteen,

558
00:30:43,720 --> 00:30:47,680
Speaker 3: twelve year olds. It doesn't make sense. She's just talking

559
00:30:48,240 --> 00:30:50,760
Speaker 3: gibber jabber, nonsense out of both sides of her mouth.

560
00:30:51,200 --> 00:30:52,120
Speaker 3: I think nonsense.

561
00:30:52,720 --> 00:30:54,560
Speaker 2: What I also took from it was I think that

562
00:30:54,800 --> 00:30:59,080
Speaker 2: Anna also taking April for so long. I think she

563
00:30:59,400 --> 00:31:02,680
Speaker 2: likes the contry of her kid, and I think that

564
00:31:03,600 --> 00:31:06,280
Speaker 2: she has control that her kid was dropped off with Luke,

565
00:31:06,760 --> 00:31:09,600
Speaker 2: but she didn't have control that Laura l I was

566
00:31:09,600 --> 00:31:12,640
Speaker 2: also there. And I think that she feels like now

567
00:31:12,720 --> 00:31:14,320
Speaker 2: that the what about the clown?

568
00:31:14,400 --> 00:31:16,440
Speaker 3: What if there was a clown at the party or

569
00:31:16,840 --> 00:31:19,160
Speaker 3: a man of hearists? Like what are we talking about?

570
00:31:19,160 --> 00:31:19,520
Speaker 2: You guys?

571
00:31:20,040 --> 00:31:22,920
Speaker 3: She all kid and all the friends with Luke and

572
00:31:23,040 --> 00:31:27,000
Speaker 3: now she's having a cow. It just doesn't even make sense.

573
00:31:27,160 --> 00:31:31,280
Speaker 4: It's just like, come on, it was Tatara's point, like

574
00:31:31,480 --> 00:31:35,800
Speaker 4: she dropped off April at Luke's place to do just

575
00:31:36,000 --> 00:31:39,360
Speaker 4: a quick little party that then turned into a sleepover,

576
00:31:40,280 --> 00:31:44,120
Speaker 4: which then turned into Luke's fiance being at the sleepover

577
00:31:44,280 --> 00:31:46,840
Speaker 4: and sleeping in the same room as the girls at

578
00:31:46,880 --> 00:31:51,400
Speaker 4: the sleepover. I think there was just all these things

579
00:31:51,560 --> 00:31:55,920
Speaker 4: that weren't a part of the original plan, which, like

580
00:31:56,080 --> 00:31:58,480
Speaker 4: it's weird because I watched this episode and I'm not

581
00:31:58,720 --> 00:32:01,240
Speaker 4: mad at anybody. I'm not mad at Lorelai, I'm not

582
00:32:01,320 --> 00:32:03,120
Speaker 4: mad at Luke, I'm not mad at Anna, I'm not

583
00:32:03,280 --> 00:32:06,400
Speaker 4: mad at April. I'm not mad at anybody. I actually

584
00:32:06,520 --> 00:32:13,240
Speaker 4: see how everybody actually, like how they made their decisions

585
00:32:13,320 --> 00:32:18,240
Speaker 4: and how they felt in those decisions. Does that make sense, Like,

586
00:32:18,320 --> 00:32:20,760
Speaker 4: I'm not mad at anybody. I actually, totally.

587
00:32:20,840 --> 00:32:23,400
Speaker 1: I'm not mad at anybody either. I think everybody's just

588
00:32:23,480 --> 00:32:26,320
Speaker 1: doing the best they can. And so Anna has a

589
00:32:26,400 --> 00:32:30,320
Speaker 1: freak out because, as Daniel rightly points out, it was

590
00:32:30,320 --> 00:32:32,719
Speaker 1: supposed to be a little party couple hours and then

591
00:32:32,800 --> 00:32:36,440
Speaker 1: that's it. Anna gets April back and relief and it

592
00:32:36,520 --> 00:32:39,240
Speaker 1: all went well, great, I trust Luke enough to do

593
00:32:39,320 --> 00:32:41,400
Speaker 1: a little couple hour party during the day, and then

594
00:32:41,400 --> 00:32:44,120
Speaker 1: it turns into a slumber party, which was Laurelized idea,

595
00:32:44,280 --> 00:32:47,960
Speaker 1: not Luke's, which she said yes to, which okay, which

596
00:32:48,720 --> 00:32:51,080
Speaker 1: but still she doesn't want to be the party pooper

597
00:32:51,160 --> 00:32:53,240
Speaker 1: and she doesn't want to disappoint her kid. But this

598
00:32:53,440 --> 00:32:56,080
Speaker 1: wasn't in the plan, and now it makes her nervous

599
00:32:56,120 --> 00:32:58,520
Speaker 1: and she's having to deal with the stress all night.

600
00:32:58,600 --> 00:33:02,120
Speaker 1: She probab didn't sleep all night? No sure, sure sure,

601
00:33:03,120 --> 00:33:04,800
Speaker 1: because she was worried to death. Something's going to happen.

602
00:33:04,800 --> 00:33:07,960
Speaker 3: Why didn't she come? She could have just come to

603
00:33:08,040 --> 00:33:10,200
Speaker 3: the party. Hey, yeah, you're having a sleepover, kay, I'll

604
00:33:10,200 --> 00:33:10,520
Speaker 3: come join.

605
00:33:10,560 --> 00:33:13,000
Speaker 4: I think I think if you like, if you think

606
00:33:13,040 --> 00:33:17,760
Speaker 4: about it, April came home. April was had the best

607
00:33:17,800 --> 00:33:21,240
Speaker 4: time ever. Loved it. It was exciting and fun. She

608
00:33:21,360 --> 00:33:25,760
Speaker 4: tells her mom. We had a sleepover, Laura Lai put

609
00:33:25,840 --> 00:33:28,640
Speaker 4: face masks on, she curled our hair, she read his

610
00:33:28,720 --> 00:33:32,520
Speaker 4: book Whatever you Do at simp over parties. And she's

611
00:33:32,560 --> 00:33:36,560
Speaker 4: probably like, who's Laura? Like, oh, well, this is dad's fiance.

612
00:33:37,200 --> 00:33:39,440
Speaker 4: How come I haven't met her? Why is she with you?

613
00:33:39,600 --> 00:33:40,840
Speaker 4: If I haven't met her?

614
00:33:41,000 --> 00:33:44,240
Speaker 3: Like that is a very real thing, because I kidnapped

615
00:33:44,280 --> 00:33:45,800
Speaker 3: my kid for twelve Okay.

616
00:33:45,560 --> 00:33:46,520
Speaker 4: But you got to remove that.

617
00:33:46,760 --> 00:33:49,000
Speaker 3: You have to mad that. Why though, Tell me why

618
00:33:49,000 --> 00:33:49,880
Speaker 3: I have to remove.

619
00:33:49,680 --> 00:33:52,760
Speaker 4: It, Because even if Anna and Luke just broke up

620
00:33:52,800 --> 00:33:55,280
Speaker 4: the year before, I would still feel the same way.

621
00:33:55,400 --> 00:33:57,800
Speaker 3: I agree with you. If they broke up a year before.

622
00:33:58,360 --> 00:33:59,800
Speaker 4: Why does it make it different.

623
00:33:59,680 --> 00:34:02,200
Speaker 3: Because he would have been involved in the child's life

624
00:34:02,760 --> 00:34:04,440
Speaker 3: the whole time, and they would have been raising the

625
00:34:04,520 --> 00:34:09,000
Speaker 3: child together, and they would have had established the familial unit.

626
00:34:09,160 --> 00:34:13,920
Speaker 3: Being that and then the mother gets to have a conversation.

627
00:34:14,120 --> 00:34:16,839
Speaker 3: It goes both ways, right, Luke can say, Look, if

628
00:34:16,880 --> 00:34:19,359
Speaker 3: you're going to introduce your significant other to April, I'd

629
00:34:19,440 --> 00:34:22,719
Speaker 3: like to meet that person first. Vice versa. Right, And

630
00:34:23,840 --> 00:34:28,080
Speaker 3: when did Anna ever say to Luke she can't meet Loralai?

631
00:34:28,440 --> 00:34:29,560
Speaker 3: When did that ever happen?

632
00:34:38,800 --> 00:34:42,480
Speaker 1: Okay, So here's what I think is going on underneath

633
00:34:42,520 --> 00:34:48,680
Speaker 1: the surface here. I think Anna is jealous. Yeah, yeah,

634
00:34:49,040 --> 00:34:51,160
Speaker 1: I think she's having I think she flipped out on

635
00:34:51,320 --> 00:34:54,640
Speaker 1: Luke because she realizes that ship is sailed. And in

636
00:34:54,719 --> 00:34:59,080
Speaker 1: a prime previous scene when they were Anna and Luke

637
00:34:59,320 --> 00:35:02,360
Speaker 1: were in the day and talking about the party dropping

638
00:35:02,440 --> 00:35:05,640
Speaker 1: her off, and then there was something going on with

639
00:35:05,760 --> 00:35:07,680
Speaker 1: Anna towards Luke. There was a vibe.

640
00:35:08,120 --> 00:35:09,520
Speaker 4: There was definitely some flirty flirt.

641
00:35:09,640 --> 00:35:14,399
Speaker 1: The flirty flirt stuff too happening, Maybe not so much

642
00:35:14,440 --> 00:35:17,000
Speaker 1: from Luke, but it was definitely coming from Anna. So

643
00:35:17,120 --> 00:35:21,400
Speaker 1: I think Anna had some kind of scenario that maybe

644
00:35:22,120 --> 00:35:24,840
Speaker 1: this is a good feeling and maybe maybe we're getting

645
00:35:24,920 --> 00:35:25,480
Speaker 1: back together.

646
00:35:25,640 --> 00:35:27,200
Speaker 3: I get that vibe.

647
00:35:28,560 --> 00:35:28,759
Speaker 2: Going.

648
00:35:28,840 --> 00:35:31,040
Speaker 3: That's fair, That's totally fair. I have to rewatch it.

649
00:35:31,440 --> 00:35:34,080
Speaker 3: I think she's jealous because Loralai threw a dope ass

650
00:35:34,280 --> 00:35:35,760
Speaker 3: party and she didn't.

651
00:35:36,239 --> 00:35:40,560
Speaker 5: Well, yeah, I feel like she's jealous of the April

652
00:35:40,719 --> 00:35:42,120
Speaker 5: Laurelei connection, not.

653
00:35:42,960 --> 00:35:45,439
Speaker 3: Not the Luke thing, but I totally.

654
00:35:45,200 --> 00:35:47,480
Speaker 5: Felt like she went to the diner part why don't

655
00:35:47,520 --> 00:35:49,319
Speaker 5: she killed it Luke because she was trying to pick

656
00:35:49,360 --> 00:35:50,720
Speaker 5: a fight, because she was jealous.

657
00:35:51,520 --> 00:35:55,239
Speaker 4: I think it's all above, I think truly, Like, Yeah,

658
00:35:55,360 --> 00:35:59,120
Speaker 4: she's jealous, of course. Yeah, she's uncomfortable that her daughter

659
00:35:59,320 --> 00:36:01,560
Speaker 4: is there at a at a Slummer party with a

660
00:36:01,600 --> 00:36:04,600
Speaker 4: different adult that she's never met. Yeah, she's upset that

661
00:36:04,680 --> 00:36:06,799
Speaker 4: she's losing control. I think it's all these things.

662
00:36:06,880 --> 00:36:09,399
Speaker 1: I think it's all about too Yeah. Yeah, anyway, let's

663
00:36:09,440 --> 00:36:12,080
Speaker 1: move on. We've so much more in this episode. We

664
00:36:12,239 --> 00:36:15,440
Speaker 1: really haven't. Really, it's exhausted.

665
00:36:18,000 --> 00:36:18,840
Speaker 5: Opinions on all of it.

666
00:36:19,600 --> 00:36:24,640
Speaker 3: Great makeup on Matt Zukree because he looked really Scott,

667
00:36:24,719 --> 00:36:26,400
Speaker 3: you start leading us through the episode.

668
00:36:26,520 --> 00:36:33,080
Speaker 1: Thank you so much. I really appreciate that. Uh so, Laurela.

669
00:36:33,200 --> 00:36:35,880
Speaker 1: We start out the episode forty five minutes into our

670
00:36:35,920 --> 00:36:40,719
Speaker 1: podcast in the Dragonfly in kitchen, Laurel I has a

671
00:36:41,120 --> 00:36:49,760
Speaker 1: rip snorter of a hangover and Suki like weirdly refers

672
00:36:49,840 --> 00:36:55,680
Speaker 1: to Christopher as chivalrous the night in Shining Armor? Did

673
00:36:55,760 --> 00:36:58,440
Speaker 1: it did that jar anybody? I mean maybe in this

674
00:36:58,600 --> 00:37:03,239
Speaker 1: one circumstance, what else do Yeah, but it's weird.

675
00:37:03,360 --> 00:37:08,120
Speaker 3: She's so like, right now, all about Christopher right, right right.

676
00:37:08,280 --> 00:37:10,280
Speaker 3: Also weird that the one guy was banging the pots

677
00:37:10,400 --> 00:37:10,960
Speaker 3: so loud.

678
00:37:11,080 --> 00:37:14,759
Speaker 4: It's like, really, I know.

679
00:37:15,280 --> 00:37:17,880
Speaker 1: It was so utterly staged, Susanna.

680
00:37:18,280 --> 00:37:20,279
Speaker 5: The thing for me about that scene because at the

681
00:37:20,400 --> 00:37:23,200
Speaker 5: end of the last scene she does the insane toast

682
00:37:23,400 --> 00:37:26,759
Speaker 5: and then they hurry her off the stage. I thought

683
00:37:26,920 --> 00:37:29,000
Speaker 5: that they took her home at that point, but then

684
00:37:29,160 --> 00:37:31,759
Speaker 5: in this episode we find out that was just the

685
00:37:31,840 --> 00:37:33,279
Speaker 5: beginning of the Loreley Show.

686
00:37:33,680 --> 00:37:34,520
Speaker 3: She went on and try.

687
00:37:34,680 --> 00:37:37,640
Speaker 1: That's why I said in the podcast, I wish they'd

688
00:37:37,719 --> 00:37:40,839
Speaker 1: just let her talk keep talking, and they apparently they did,

689
00:37:40,920 --> 00:37:47,719
Speaker 1: and we missed it, all right, So that was that.

690
00:37:48,120 --> 00:37:51,319
Speaker 1: And now we're in the hospital and do we see

691
00:37:51,400 --> 00:37:54,919
Speaker 1: Logan yet? I don't think we don't see see Logan yet.

692
00:37:55,480 --> 00:37:58,120
Speaker 1: They just tell her that he's in serious but stable

693
00:37:58,880 --> 00:38:02,800
Speaker 1: can dish And then we get to Finn and Colin.

694
00:38:03,840 --> 00:38:08,480
Speaker 1: We're delightful and funny in this, I mean really really funny, but.

695
00:38:08,920 --> 00:38:11,720
Speaker 3: A little bit of callous, Like their friend is basically

696
00:38:11,840 --> 00:38:14,680
Speaker 3: half dead and they're like, yeah, they deserve the.

697
00:38:17,880 --> 00:38:18,120
Speaker 1: Rory.

698
00:38:18,560 --> 00:38:19,760
Speaker 2: I would have done the same thing.

699
00:38:20,480 --> 00:38:24,120
Speaker 1: Probably, But how did we feel about that, Susanne, how

700
00:38:24,120 --> 00:38:24,759
Speaker 1: did you feel about it?

701
00:38:24,800 --> 00:38:27,600
Speaker 5: I mean, at the same time, you don't really expect

702
00:38:27,680 --> 00:38:30,640
Speaker 5: anything more from them because just like.

703
00:38:32,600 --> 00:38:35,800
Speaker 3: You, I thought it was perfect.

704
00:38:35,880 --> 00:38:37,919
Speaker 5: Yeah, like that's how you expect them to act because

705
00:38:37,920 --> 00:38:41,080
Speaker 5: they're just they don't have a serious bone in their body.

706
00:38:41,160 --> 00:38:42,920
Speaker 5: Like everything is just a giant joke to them.

707
00:38:43,200 --> 00:38:46,440
Speaker 1: It's like, put them back together and let's party. Come on, right, Yeah, yeah,

708
00:38:46,520 --> 00:38:48,160
Speaker 1: get him back up on his feet and let's get

709
00:38:48,200 --> 00:38:59,239
Speaker 1: back to Costa Rica. But yeah, Rory's stepping up. You know,

710
00:38:59,360 --> 00:39:01,520
Speaker 1: she's really like, you know, she really didn't him. So

711
00:39:02,000 --> 00:39:05,480
Speaker 1: now we're with Now we're with Grant Lee Phillips, Grant

712
00:39:05,560 --> 00:39:10,120
Speaker 1: Lee Buffalo again making feel good.

713
00:39:10,560 --> 00:39:12,360
Speaker 3: That was so crazy though. I felt like there were

714
00:39:12,440 --> 00:39:17,600
Speaker 3: so many like background actors almost jumping into a girl.

715
00:39:17,480 --> 00:39:19,320
Speaker 1: That came up to him and she just stared and

716
00:39:19,440 --> 00:39:23,520
Speaker 1: started walking to him. I thought she was going to

717
00:39:23,600 --> 00:39:24,879
Speaker 1: hit on him or something. I asked.

718
00:39:24,920 --> 00:39:26,600
Speaker 3: Yeah, I was like, what's happening, you know?

719
00:39:26,920 --> 00:39:29,000
Speaker 1: But it was. It was super cool to see him.

720
00:39:31,320 --> 00:39:33,480
Speaker 1: So that's a nice pop. See. This is this is

721
00:39:33,520 --> 00:39:35,520
Speaker 1: why this show is so great. You get that stuff

722
00:39:35,920 --> 00:39:38,399
Speaker 1: you don't expect it, and then there he is there.

723
00:39:38,440 --> 00:39:41,040
Speaker 1: He is the great one. You know, he's on tour

724
00:39:41,760 --> 00:39:44,200
Speaker 1: the guy's on Toomas. I think he's going to be

725
00:39:44,280 --> 00:39:45,520
Speaker 1: in Nashville, and I'm there. I'm going to be in

726
00:39:45,640 --> 00:39:51,680
Speaker 1: Nashville after it. I'm going to Nashville. So now we're

727
00:39:51,719 --> 00:39:55,960
Speaker 1: at Lukes, and Caesar has been running the show over

728
00:39:56,040 --> 00:39:59,399
Speaker 1: at Lukes for ten days, and he's changed some menu

729
00:39:59,480 --> 00:40:03,120
Speaker 1: items and some traditions and customs over there, and now

730
00:40:03,160 --> 00:40:05,759
Speaker 1: he's clashing with Luke, who was back. And the cold

731
00:40:05,840 --> 00:40:10,160
Speaker 1: bananas are no more and the signs are no more. Uh,

732
00:40:11,040 --> 00:40:13,200
Speaker 1: let's let's talk about this. What did you guys think

733
00:40:13,280 --> 00:40:13,799
Speaker 1: of this scene?

734
00:40:14,560 --> 00:40:17,520
Speaker 2: I thought it was interesting that everyone wanted a cold banana,

735
00:40:17,719 --> 00:40:19,439
Speaker 2: like has come from.

736
00:40:19,880 --> 00:40:21,320
Speaker 3: I don't even think you're supposed to.

737
00:40:22,640 --> 00:40:25,520
Speaker 1: I don't put I refrigerate bananas. You do?

738
00:40:26,040 --> 00:40:28,400
Speaker 4: Actually, I thought it makes the brown.

739
00:40:29,000 --> 00:40:32,320
Speaker 1: Yeah, well I like a cold banana in my cereal.

740
00:40:33,000 --> 00:40:33,719
Speaker 2: Oh but does it?

741
00:40:34,239 --> 00:40:37,759
Speaker 1: But does it? Well? Of course you no, no, no,

742
00:40:38,239 --> 00:40:42,440
Speaker 1: peel it first, No way, I feel like that wreck. Yeah,

743
00:40:42,480 --> 00:40:44,200
Speaker 1: you don't peel them. And if you peel them, you

744
00:40:44,239 --> 00:40:46,560
Speaker 1: eat them. You know, That's what I tell my kid.

745
00:40:46,600 --> 00:40:48,080
Speaker 1: I said, you peel that thing, you eat it. But

746
00:40:49,680 --> 00:40:50,879
Speaker 1: like Charles Bronson.

747
00:40:51,280 --> 00:40:54,800
Speaker 3: Frozen banana though, yeah, like yeah, that's.

748
00:40:54,680 --> 00:40:56,799
Speaker 2: Different, or even like just if you're like I put

749
00:40:56,840 --> 00:40:59,600
Speaker 2: bananas in the freezers, then make smoothies like the next

750
00:40:59,680 --> 00:41:02,640
Speaker 2: day or is thing. But I never heard of just

751
00:41:02,760 --> 00:41:03,720
Speaker 2: bananas in the fridge.

752
00:41:04,400 --> 00:41:07,279
Speaker 1: Well, anyway, so you know, Lorela I comes in and

753
00:41:07,400 --> 00:41:10,480
Speaker 1: they discussed the party, and he tells her about the party,

754
00:41:10,560 --> 00:41:14,359
Speaker 1: and she offers her help and he rejects her. He says, now,

755
00:41:15,080 --> 00:41:17,520
Speaker 1: without telling her why, he just says, no, I got

756
00:41:17,560 --> 00:41:23,080
Speaker 1: this covered, and you know, and Luke Lurla I comes over.

757
00:41:23,360 --> 00:41:26,080
Speaker 1: I'm sorry. Miss Patty comes over and says, don't worry, honey.

758
00:41:26,880 --> 00:41:28,920
Speaker 1: You know, it may take a mule team to get

759
00:41:29,000 --> 00:41:30,920
Speaker 1: Luke to the altar, but he'll get there, you know,

760
00:41:31,000 --> 00:41:33,920
Speaker 1: this kind of thing. And she's looking a bit forlorn.

761
00:41:35,000 --> 00:41:38,319
Speaker 5: I wish Miss Patty because that was when she said

762
00:41:38,360 --> 00:41:41,560
Speaker 5: that she's the whole town is going with the endless

763
00:41:41,600 --> 00:41:44,920
Speaker 5: love story, that she's saying endless love, and that they

764
00:41:44,960 --> 00:41:47,800
Speaker 5: are covering up the whole thing about what she really

765
00:41:47,880 --> 00:41:51,719
Speaker 5: said when she was at the mic, And I I

766
00:41:51,840 --> 00:41:55,400
Speaker 5: wish Miss Patty hadn't done that, Like I wish that

767
00:41:56,239 --> 00:41:59,520
Speaker 5: the truth had just come out and that Luke found

768
00:41:59,560 --> 00:42:03,360
Speaker 5: out out what she was saying at the party, because

769
00:42:04,480 --> 00:42:08,160
Speaker 5: I need Lorelai to stand up for what she feels

770
00:42:08,400 --> 00:42:11,560
Speaker 5: and they need to have a conversation about this, and

771
00:42:11,640 --> 00:42:15,320
Speaker 5: that could have been the trigger that forced it to happen.

772
00:42:15,560 --> 00:42:19,320
Speaker 5: So I wasn't very happy with Miss Patty that she

773
00:42:19,560 --> 00:42:22,719
Speaker 5: was participating in the cover up because I wanted it

774
00:42:22,880 --> 00:42:24,600
Speaker 5: to come to a head and for the two of

775
00:42:24,680 --> 00:42:26,680
Speaker 5: them to have a conversation about what's.

776
00:42:26,520 --> 00:42:27,040
Speaker 3: Really going on.

777
00:42:27,200 --> 00:42:28,960
Speaker 1: Well, I have a feeling that conversation is going to

778
00:42:29,000 --> 00:42:33,879
Speaker 1: be a cliffhanger in season six, maybe it'll be two

779
00:42:33,960 --> 00:42:36,560
Speaker 1: episodes in the future. I don't want it.

780
00:42:36,680 --> 00:42:38,799
Speaker 2: I don't want to say no, no, I don't.

781
00:42:39,200 --> 00:42:44,160
Speaker 1: I just kind of have a feeling, all right. So

782
00:42:44,320 --> 00:42:48,640
Speaker 1: now we're with Paris and Rory. On the telefano, she

783
00:42:48,800 --> 00:42:53,560
Speaker 1: mentions the former president of Harvard, Larry Summers, Laurence Summers,

784
00:42:55,320 --> 00:43:00,600
Speaker 1: who is the Treasury secretary under Obama Clinton. Yeah he was.

785
00:43:00,840 --> 00:43:03,279
Speaker 3: I didn't even, oh sure get any of that.

786
00:43:03,760 --> 00:43:07,759
Speaker 1: Yeah, yeah, and these you know, they he announced that

787
00:43:07,880 --> 00:43:11,240
Speaker 1: the Harvard was now giving open book exams. In Paris

788
00:43:11,440 --> 00:43:14,440
Speaker 1: was railing against that. Why don't they just give us

789
00:43:14,480 --> 00:43:16,680
Speaker 1: the answers? What's the point of all this? Why are

790
00:43:16,719 --> 00:43:17,880
Speaker 1: they lowering their standards?

791
00:43:18,400 --> 00:43:18,600
Speaker 4: Yeah?

792
00:43:20,080 --> 00:43:24,960
Speaker 1: And and this is the uh, this is when Paris

793
00:43:25,080 --> 00:43:27,480
Speaker 1: finds out. Is this when Paris makes the phone call.

794
00:43:27,840 --> 00:43:29,520
Speaker 3: This is how Paris gets it done?

795
00:43:32,160 --> 00:43:32,359
Speaker 1: Lover.

796
00:43:33,719 --> 00:43:35,640
Speaker 4: It was fun you see the doctor all like?

797
00:43:36,280 --> 00:43:39,120
Speaker 1: All right, So Paris calls the hospital to get the

798
00:43:39,160 --> 00:43:42,240
Speaker 1: scoop because they won't give Rory since she's not family,

799
00:43:42,320 --> 00:43:44,680
Speaker 1: any of the information on his condition, on Logan's condition.

800
00:43:45,080 --> 00:43:47,759
Speaker 1: Paris gets the information very quickly, which was a cool

801
00:43:47,840 --> 00:43:52,359
Speaker 1: scene and it makes you like Paris even more. Right,

802
00:43:54,160 --> 00:43:56,080
Speaker 1: all right, so now we're now we're with Luke and

803
00:43:56,160 --> 00:43:57,799
Speaker 1: Laurel I shopping and it's more of.

804
00:43:59,280 --> 00:44:02,520
Speaker 2: It's like thing about the hospital bug anyone that she

805
00:44:02,600 --> 00:44:04,640
Speaker 2: was wearing the same coat that she gave the Doyle.

806
00:44:06,239 --> 00:44:07,959
Speaker 3: Oh, I thought she was wearing that same weird outfit

807
00:44:08,040 --> 00:44:08,800
Speaker 3: she wore to the wedding.

808
00:44:10,320 --> 00:44:11,919
Speaker 2: Was it the whole out of the coat? Just really?

809
00:44:12,120 --> 00:44:14,279
Speaker 3: I thought it wasn't the Doyle coat. It was that

810
00:44:14,440 --> 00:44:16,759
Speaker 3: weird outfit she wore at the wedding that everybody like

811
00:44:16,920 --> 00:44:19,560
Speaker 3: ripped on her fore and I'm like, oh, wear'st wadding.

812
00:44:20,000 --> 00:44:22,600
Speaker 5: It was both it was that crappy skirt, but it

813
00:44:22,840 --> 00:44:25,480
Speaker 5: was it was the Doyle jacket over it too.

814
00:44:26,280 --> 00:44:28,320
Speaker 3: I guess she just got it back from Doyle.

815
00:44:28,120 --> 00:44:31,359
Speaker 2: At some point, like through my life at that time,

816
00:44:31,520 --> 00:44:33,320
Speaker 2: I was like, is this the Doyle jacket?

817
00:44:33,400 --> 00:44:35,080
Speaker 3: I think she would have just figured out how to

818
00:44:35,120 --> 00:44:37,759
Speaker 3: throw some sweats on for the drive, but for the

819
00:44:37,800 --> 00:44:38,920
Speaker 3: hospital whatever.

820
00:44:39,760 --> 00:44:43,759
Speaker 2: Anyway, Sorry, Scott, all.

821
00:44:43,719 --> 00:44:46,360
Speaker 1: Right, So now Luke and Laurel are outdoors shopping. In

822
00:44:46,440 --> 00:44:51,000
Speaker 1: the background, you see the Warner Brothers Theater, which where

823
00:44:51,040 --> 00:44:56,240
Speaker 1: they have what was the retrospective they were doing. Gosh,

824
00:44:57,239 --> 00:45:02,400
Speaker 1: just Orson Wells. Yeah, so two big movies from Morrison Welles.

825
00:45:04,800 --> 00:45:09,360
Speaker 1: And you know this kind of continues to set us

826
00:45:09,440 --> 00:45:13,400
Speaker 1: up that Luke does not want Laurel I planning I

827
00:45:13,440 --> 00:45:18,719
Speaker 1: mean of herself to help plan this party. And he says,

828
00:45:18,800 --> 00:45:19,000
Speaker 1: do you.

829
00:45:19,080 --> 00:45:21,800
Speaker 3: Believe Did you believe him when he says, and I

830
00:45:21,840 --> 00:45:23,799
Speaker 3: can't remember if it's in this scene or shortly after,

831
00:45:24,440 --> 00:45:25,800
Speaker 3: she's just going to like you more than me.

832
00:45:26,000 --> 00:45:30,759
Speaker 1: Yes, this is this. I do believe him. He was

833
00:45:30,800 --> 00:45:31,600
Speaker 1: being honest with her. You.

834
00:45:31,760 --> 00:45:33,320
Speaker 5: I believed him, but I didn't think it was a

835
00:45:33,360 --> 00:45:41,480
Speaker 5: good reason because if his kid likes Laurel I, then

836
00:45:41,560 --> 00:45:44,040
Speaker 5: that's even more time that he's going to get to

837
00:45:44,080 --> 00:45:46,200
Speaker 5: spend with her. Like, if she's spending time with Laurela, I,

838
00:45:46,320 --> 00:45:47,359
Speaker 5: then he's going to be there too.

839
00:45:47,560 --> 00:45:52,440
Speaker 2: So I think that likes that he has like April's

840
00:45:52,560 --> 00:45:54,160
Speaker 2: his thing. I think he likes that.

841
00:45:55,160 --> 00:45:57,879
Speaker 3: That would have been better if he said, you're going

842
00:45:58,000 --> 00:46:00,480
Speaker 3: to meet her, You're going to spend time with her.

843
00:46:00,600 --> 00:46:02,759
Speaker 3: She's going to love you. She's gonna like you more

844
00:46:02,800 --> 00:46:05,600
Speaker 3: than me. But I need a little more time where

845
00:46:05,640 --> 00:46:08,319
Speaker 3: it's just us. I would have been a little bit more.

846
00:46:08,880 --> 00:46:11,640
Speaker 5: Yeah, like that's the whole conversation I'm waiting for them

847
00:46:11,680 --> 00:46:14,600
Speaker 5: to have. And so when he that whole shopping trip

848
00:46:14,680 --> 00:46:17,279
Speaker 5: he was to me, he was being so rude to her.

849
00:46:17,480 --> 00:46:19,800
Speaker 5: And then when he like, She's like, well, I'll just

850
00:46:19,880 --> 00:46:22,160
Speaker 5: wait here, I would have been like, hell no, I'm leaving.

851
00:46:22,280 --> 00:46:24,440
Speaker 5: I'll see you later. Like I would have been pissed.

852
00:46:26,960 --> 00:46:28,480
Speaker 5: I guess I'm just a mean person.

853
00:46:28,320 --> 00:46:32,640
Speaker 4: But I don't think I was in that scene.

854
00:46:32,680 --> 00:46:34,000
Speaker 3: I don't know if I would have been pissed. I

855
00:46:34,160 --> 00:46:36,680
Speaker 3: just I agree with you that there's so many conversations

856
00:46:36,719 --> 00:46:38,600
Speaker 3: to have. And I'm not a fan of the threes

857
00:46:38,680 --> 00:46:41,799
Speaker 3: Company episode. Do you know where it's like we all

858
00:46:41,880 --> 00:46:43,719
Speaker 3: know she said it, but he doesn't know, and it's

859
00:46:43,760 --> 00:46:45,440
Speaker 3: just like, oh God, like, can we just have these

860
00:46:45,440 --> 00:46:48,280
Speaker 3: people communicate a little bit more? Like at least Anna

861
00:46:48,360 --> 00:46:51,400
Speaker 3: and all her craziness doesn't like bottle it up. At

862
00:46:51,480 --> 00:46:55,239
Speaker 3: least she's just like letting everybody hear it from her.

863
00:46:56,880 --> 00:46:59,840
Speaker 1: I don't know. I just think let's just respect Luke's

864
00:47:00,320 --> 00:47:05,400
Speaker 1: here with his child. Yeah, you just got to respect

865
00:47:05,440 --> 00:47:08,520
Speaker 1: his wishes that he doesn't need to explain everything to everybody.

866
00:47:08,600 --> 00:47:09,120
Speaker 1: And it's like.

867
00:47:10,600 --> 00:47:16,560
Speaker 5: Luke from the whole time, and she's been abiding by

868
00:47:16,600 --> 00:47:19,800
Speaker 5: his wishes this whole time. I just want him to

869
00:47:19,880 --> 00:47:23,880
Speaker 5: have a conversation with her because he's completely shut her

870
00:47:24,000 --> 00:47:28,160
Speaker 5: out and he's not communicating with her even a little bit.

871
00:47:28,480 --> 00:47:30,800
Speaker 5: And I just want him to reassure her.

872
00:47:31,320 --> 00:47:34,279
Speaker 1: That he did communicate. What do you think he was

873
00:47:34,400 --> 00:47:35,040
Speaker 1: saying to her.

874
00:47:35,560 --> 00:47:37,200
Speaker 3: He was saying, you're not a part of this.

875
00:47:37,360 --> 00:47:42,120
Speaker 1: Go away. He was admitting something. And this is this

876
00:47:42,320 --> 00:47:45,239
Speaker 1: is Luke being vulnerable. This is how Luke gets vulnerable.

877
00:47:45,920 --> 00:47:52,720
Speaker 1: He admitted to her that he wanted to he didn't

878
00:47:52,840 --> 00:47:58,560
Speaker 1: want to get shoved aside by moralized spectacar personality, which

879
00:47:58,840 --> 00:48:01,800
Speaker 1: which came to Fru a single day of his life

880
00:48:01,880 --> 00:48:02,399
Speaker 1: and it came.

881
00:48:02,360 --> 00:48:05,919
Speaker 3: To fruition in this very episode because she did come

882
00:48:06,000 --> 00:48:08,880
Speaker 3: and make the party great. She did exactly what his

883
00:48:09,040 --> 00:48:11,760
Speaker 3: fear was. But he finally also put his kid first

884
00:48:11,800 --> 00:48:14,680
Speaker 3: and was like, I'm willing to do it because my

885
00:48:14,760 --> 00:48:16,759
Speaker 3: kid's party sucks, the big one.

886
00:48:16,960 --> 00:48:19,600
Speaker 1: He just needs some space and some time to form

887
00:48:19,719 --> 00:48:21,919
Speaker 1: his own relationship with his own kid.

888
00:48:22,719 --> 00:48:26,840
Speaker 3: Yeah, Luke the whole time on the I'm happy.

889
00:48:27,320 --> 00:48:30,040
Speaker 4: I'm happy that Laura I has had her moment to

890
00:48:30,120 --> 00:48:32,520
Speaker 4: shine with April, Like, I'm super happy about that, but

891
00:48:32,600 --> 00:48:35,640
Speaker 4: I'm also kind of like I wish it wasn't when

892
00:48:36,600 --> 00:48:38,680
Speaker 4: Luke was desperate, you.

893
00:48:38,760 --> 00:48:41,560
Speaker 3: Know, right, It's kind of sad, Like it made me

894
00:48:41,680 --> 00:48:44,480
Speaker 3: feel sad for Laura, Like he wouldn't let her near

895
00:48:44,600 --> 00:48:46,760
Speaker 3: her until he's desperate.

896
00:48:47,120 --> 00:48:49,799
Speaker 4: Yeah, and now he needs help and now he needs

897
00:48:49,880 --> 00:48:50,480
Speaker 4: to Well.

898
00:48:50,400 --> 00:48:52,520
Speaker 5: She's useful to him, and then he'll let her in.

899
00:48:52,960 --> 00:48:54,120
Speaker 3: That was a little bit of a bummer.

900
00:48:54,719 --> 00:48:55,840
Speaker 4: That was a big bummer.

901
00:48:57,160 --> 00:48:59,120
Speaker 5: And then she the party turned out great and he

902
00:48:59,239 --> 00:49:01,000
Speaker 5: even said it was great. And you could see he

903
00:49:01,239 --> 00:49:03,440
Speaker 5: was like when they were at the party and she

904
00:49:03,600 --> 00:49:07,439
Speaker 5: opened the gift that was from Luke, you can see

905
00:49:07,480 --> 00:49:09,800
Speaker 5: how excited he was, like it was turning out to

906
00:49:09,960 --> 00:49:10,919
Speaker 5: be a good thing.

907
00:49:11,239 --> 00:49:13,840
Speaker 1: And don't you have a little empathy for him? He

908
00:49:14,040 --> 00:49:16,080
Speaker 1: just wants to be good at life and he's not.

909
00:49:16,400 --> 00:49:18,759
Speaker 1: Hang on, let me finish. He's not good at life.

910
00:49:19,560 --> 00:49:25,560
Speaker 1: He needs other he's he he needs other people with bigger, sunnier,

911
00:49:25,719 --> 00:49:28,680
Speaker 1: more joyful personalities to get him to step up and

912
00:49:28,800 --> 00:49:31,799
Speaker 1: breathe some fresh air, you know, because he's so into

913
00:49:31,880 --> 00:49:34,640
Speaker 1: his own thing and his own whatever it is, right,

914
00:49:36,520 --> 00:49:39,160
Speaker 1: he wanted to figure out with his own daughter and

915
00:49:39,360 --> 00:49:41,759
Speaker 1: be good at this and be a good dad so

916
00:49:41,880 --> 00:49:44,839
Speaker 1: he could feel better about himself and have this relationship

917
00:49:44,880 --> 00:49:47,920
Speaker 1: with his daughter. He failed at it in this instant,

918
00:49:48,440 --> 00:49:50,360
Speaker 1: and he failed miserably because that was.

919
00:49:53,760 --> 00:49:56,480
Speaker 3: Just throwing a birthday party for but thatad's.

920
00:49:56,320 --> 00:49:58,480
Speaker 1: Failing as a dad and to the point where he

921
00:49:58,680 --> 00:50:02,399
Speaker 1: was so desperate to please his daughter to be the hero.

922
00:50:03,040 --> 00:50:06,120
Speaker 1: Like now, it's like, call Laurai because I know she's

923
00:50:06,200 --> 00:50:09,839
Speaker 1: great at this, and I just don't see it as

924
00:50:09,920 --> 00:50:12,719
Speaker 1: a weak moment for Luke. I see it as him

925
00:50:14,320 --> 00:50:16,200
Speaker 1: just wanting to be great at life.

926
00:50:16,400 --> 00:50:17,680
Speaker 3: I totally agree with you, and.

927
00:50:19,560 --> 00:50:21,520
Speaker 1: I felt bad for him, and that's I think one

928
00:50:21,520 --> 00:50:24,520
Speaker 1: of the reasons this episode moved me so much.

929
00:50:24,840 --> 00:50:27,799
Speaker 3: Yeah, I think he realizes. I think maybe he got

930
00:50:27,840 --> 00:50:29,839
Speaker 3: to a place where he's going. I am a good dad,

931
00:50:30,239 --> 00:50:31,960
Speaker 3: and one of the ways to be a good dad

932
00:50:32,360 --> 00:50:35,839
Speaker 3: is to have help at throwing a tween I can't.

933
00:50:35,960 --> 00:50:41,960
Speaker 3: Is she turning thirteen? Seems birthday party? Like very few dads.

934
00:50:42,360 --> 00:50:44,279
Speaker 3: There are dads out there that would be great at it,

935
00:50:44,400 --> 00:50:48,080
Speaker 3: but some would not be Luke in particular. So I

936
00:50:48,160 --> 00:50:51,719
Speaker 3: thought good that he called Loralai and they are a team, right.

937
00:50:51,840 --> 00:50:54,960
Speaker 3: There's also things that Luke is very good at that

938
00:50:55,160 --> 00:51:01,120
Speaker 3: Lorali isn't, So I see a real balance today. Yeah,

939
00:51:01,280 --> 00:51:03,440
Speaker 3: and like there's plenty of things that she needs from him,

940
00:51:04,000 --> 00:51:07,160
Speaker 3: and it's nice that he needs something from her. But

941
00:51:07,239 --> 00:51:09,479
Speaker 3: I also understand what everyone's saying is that it would

942
00:51:09,480 --> 00:51:13,600
Speaker 3: have been nice if he wanted her to meet April,

943
00:51:14,400 --> 00:51:18,240
Speaker 3: not in a desperate moment like okay, now it's time.

944
00:51:19,080 --> 00:51:21,719
Speaker 3: So you know, the other thing is kind of like

945
00:51:23,480 --> 00:51:26,080
Speaker 3: everything got thrown out the window, all his reasons for

946
00:51:26,280 --> 00:51:30,040
Speaker 3: not letting April and laurall I be together, all of

947
00:51:30,040 --> 00:51:31,880
Speaker 3: a sudden, they're just gone. So I thought that was

948
00:51:31,920 --> 00:51:34,680
Speaker 3: a little bit quick for me too. Poof now it's

949
00:51:34,760 --> 00:51:35,840
Speaker 3: just all fine, So.

950
00:51:36,040 --> 00:51:38,520
Speaker 1: This is the This is the writer's trick, right, the

951
00:51:38,600 --> 00:51:41,920
Speaker 1: writer's trick, and rought writers know, and what studios no,

952
00:51:42,600 --> 00:51:45,799
Speaker 1: what networks? Now, if you give the fans everything they

953
00:51:45,880 --> 00:51:50,040
Speaker 1: want when they want it, they get bored. So they're

954
00:51:50,080 --> 00:51:53,320
Speaker 1: just toying with us. Right, we're having this discussion because

955
00:51:53,360 --> 00:51:55,759
Speaker 1: the writing is so good because they're not given they're

956
00:51:55,800 --> 00:51:59,080
Speaker 1: making us wait, they're making us long for it. They're

957
00:51:59,239 --> 00:52:04,360
Speaker 1: creating contra versy. They are giving us characters with flaws.

958
00:52:05,960 --> 00:52:09,399
Speaker 1: So if we're sitting around watching perfect characters, nobody's gonna

959
00:52:09,400 --> 00:52:11,960
Speaker 1: watch that for long, right, People with no flaws are

960
00:52:12,000 --> 00:52:13,400
Speaker 1: really boring. How are you gonna watch that?

961
00:52:14,040 --> 00:52:14,160
Speaker 3: Right?

962
00:52:14,520 --> 00:52:17,240
Speaker 1: So this is just this is just really solid writing,

963
00:52:18,000 --> 00:52:24,600
Speaker 1: you know anyway? All right, So that's it. He's not

964
00:52:25,320 --> 00:52:30,080
Speaker 1: allowing her to throw the party. Uh, now we're with

965
00:52:31,120 --> 00:52:33,160
Speaker 1: Then the next scene is Luke and Anna at the

966
00:52:33,200 --> 00:52:37,000
Speaker 1: diner and Ana throwing Luke's and vibes. There were vibes

967
00:52:37,040 --> 00:52:39,000
Speaker 1: getting tossed. You could feel that he was getting it

968
00:52:39,080 --> 00:52:44,200
Speaker 1: all over them and he didn't. He kind of realized it,

969
00:52:44,360 --> 00:52:46,440
Speaker 1: and it made him wake up a little bit and

970
00:52:46,520 --> 00:52:48,160
Speaker 1: look at her a little different way. And it was

971
00:52:48,200 --> 00:52:52,080
Speaker 1: a very Smiley, very energetic scene, but there was energy

972
00:52:52,160 --> 00:52:54,880
Speaker 1: going yeah, I act there was. They were they were

973
00:52:54,960 --> 00:52:59,279
Speaker 1: connecting again and it was on multiple levels, and it

974
00:52:59,440 --> 00:53:02,880
Speaker 1: was like I written down here, Oh things are about

975
00:53:02,960 --> 00:53:03,760
Speaker 1: to get interested.

976
00:53:04,600 --> 00:53:06,920
Speaker 3: I noticed it just a tiny bit. I'd say, like

977
00:53:07,120 --> 00:53:11,920
Speaker 3: maybe like they were more just like getting along, but

978
00:53:12,040 --> 00:53:13,759
Speaker 3: you can interpret it however you want.

979
00:53:13,920 --> 00:53:18,360
Speaker 1: They were really they were really getting along. This was

980
00:53:18,480 --> 00:53:20,480
Speaker 1: like they were meeting for the first time and they

981
00:53:20,560 --> 00:53:23,919
Speaker 1: really liked each other, but you know, they couldn't show

982
00:53:24,000 --> 00:53:25,040
Speaker 1: it yet.

983
00:53:26,239 --> 00:53:30,279
Speaker 3: Yeah, I'm interested if that's what everyone else thinks, like.

984
00:53:30,880 --> 00:53:34,040
Speaker 1: This is the beginning, This is the beginning of a

985
00:53:34,120 --> 00:53:37,920
Speaker 1: second chance for the two of them, and Lorli getting

986
00:53:37,960 --> 00:53:42,120
Speaker 1: called into the rescue. Uh put a stop to that.

987
00:53:43,360 --> 00:53:45,799
Speaker 1: Good right now?

988
00:53:46,640 --> 00:53:49,880
Speaker 3: I don't I'm undecided on that. I'm interested what everyone

989
00:53:50,040 --> 00:53:51,920
Speaker 3: listening thinks on that, because.

990
00:53:52,040 --> 00:53:54,360
Speaker 1: I wasn't asking your opinion. I'm just stating fact.

991
00:53:54,480 --> 00:53:56,960
Speaker 3: No, no, no, I'm not giving my opinion. What I'm

992
00:53:57,040 --> 00:54:01,120
Speaker 3: saying is I am very curious though. I'm curious what

993
00:54:01,320 --> 00:54:05,120
Speaker 3: Pete if everyone else interpreted it the same, Because now

994
00:54:05,239 --> 00:54:05,840
Speaker 3: I'm torn.

995
00:54:05,960 --> 00:54:18,400
Speaker 1: I'm like, all right, now we're back at the Dragonfly,

996
00:54:18,680 --> 00:54:21,879
Speaker 1: and I think this doesn't track. This is the one

997
00:54:22,040 --> 00:54:27,640
Speaker 1: scene that didn't track for me is Michelle redesigning the

998
00:54:27,760 --> 00:54:32,279
Speaker 1: Dragonflying website the giant picture of his face with the

999
00:54:32,560 --> 00:54:36,480
Speaker 1: tackiest idea that would never come from Michelle.

1000
00:54:37,280 --> 00:54:39,359
Speaker 2: Okay, I feel like they just needed to give him

1001
00:54:39,480 --> 00:54:40,680
Speaker 2: something for the scene.

1002
00:54:40,880 --> 00:54:45,840
Speaker 1: But mister Good Taste of the World his world title

1003
00:54:45,920 --> 00:54:48,320
Speaker 1: of having the best taste of any human being in

1004
00:54:48,480 --> 00:54:54,560
Speaker 1: the world, and he makes this tacky the weird takeover

1005
00:54:54,960 --> 00:54:59,640
Speaker 1: of his giant face as the cover of the website,

1006
00:55:01,520 --> 00:55:03,520
Speaker 1: and you click his ear, you click his nose, you

1007
00:55:03,600 --> 00:55:07,080
Speaker 1: get the retivations, you click his tongue, you get something.

1008
00:55:07,040 --> 00:55:10,240
Speaker 3: That's like the weird Gilmore comedy that's sort of funny

1009
00:55:10,280 --> 00:55:10,799
Speaker 3: and sort of.

1010
00:55:10,920 --> 00:55:11,440
Speaker 1: Like what.

1011
00:55:13,760 --> 00:55:18,040
Speaker 5: Unnecessary. It didn't do anything for the plot. It just

1012
00:55:18,239 --> 00:55:20,880
Speaker 5: was like, oh, we need to get him into a scene,

1013
00:55:20,920 --> 00:55:22,080
Speaker 5: so let's just throw this one in.

1014
00:55:22,360 --> 00:55:24,759
Speaker 3: And no one's actually making a website like that with

1015
00:55:24,840 --> 00:55:25,319
Speaker 3: their face on.

1016
00:55:25,360 --> 00:55:27,919
Speaker 1: It, No they're not. And just get through the phone

1017
00:55:27,960 --> 00:55:28,239
Speaker 1: call with.

1018
00:55:28,360 --> 00:55:30,120
Speaker 2: R I was going to say, all you needed was

1019
00:55:30,160 --> 00:55:32,200
Speaker 2: the phone call. We could have skipped them a shell.

1020
00:55:32,080 --> 00:55:34,719
Speaker 1: Part, but you could have could But it's always good

1021
00:55:34,760 --> 00:55:40,120
Speaker 1: to see Michelle, but didn't track. For me. Uh. This

1022
00:55:40,280 --> 00:55:45,239
Speaker 1: is when Laurlai takes the call and uh Roy tells

1023
00:55:45,280 --> 00:55:47,880
Speaker 1: it Logan, it's been in an accident, and lurla I

1024
00:55:48,280 --> 00:55:50,840
Speaker 1: again steps up and she's super mom and can I

1025
00:55:50,960 --> 00:55:52,880
Speaker 1: send you or him a care package?

1026
00:55:53,120 --> 00:55:55,799
Speaker 4: You know what's weird? Why didn't she like, I feel

1027
00:55:55,840 --> 00:55:57,080
Speaker 4: like Lorlai would go.

1028
00:56:00,080 --> 00:56:01,280
Speaker 3: Or he's not her just Logan.

1029
00:56:01,760 --> 00:56:01,800
Speaker 1: No.

1030
00:56:02,000 --> 00:56:03,719
Speaker 2: But now that you say it, Danielle, I actually agree

1031
00:56:03,760 --> 00:56:05,000
Speaker 2: with you. I didn't think about it before.

1032
00:56:05,400 --> 00:56:05,640
Speaker 1: Yeah.

1033
00:56:05,840 --> 00:56:07,360
Speaker 3: I think she would have said do you need me

1034
00:56:07,440 --> 00:56:10,239
Speaker 3: to come help? And would have said right now, yeah?

1035
00:56:11,480 --> 00:56:15,359
Speaker 3: But can we talk about his injuries? A punctured lung,

1036
00:56:15,480 --> 00:56:20,200
Speaker 3: six broken ribs, internal bleeding, contusions and concussion and was

1037
00:56:20,280 --> 00:56:21,000
Speaker 3: in a coma.

1038
00:56:22,000 --> 00:56:28,839
Speaker 1: Wow. So what I have written here is, uh, does

1039
00:56:28,920 --> 00:56:33,640
Speaker 1: Logan have a death wish? I think he does. I

1040
00:56:33,719 --> 00:56:36,840
Speaker 1: think subconsciously he does. He's always jumping off of things

1041
00:56:37,880 --> 00:56:40,320
Speaker 1: and now he's jumped off the wrong thing with the

1042
00:56:40,400 --> 00:56:42,920
Speaker 1: wrong equipment, and he was drunk when he did it.

1043
00:56:43,320 --> 00:56:46,200
Speaker 2: Was it's like to escape his issues with his dad.

1044
00:56:46,719 --> 00:56:51,360
Speaker 1: This is a guy in serious crisis and he's masking

1045
00:56:51,440 --> 00:56:53,719
Speaker 1: it with all that charm and all that bravado and

1046
00:56:53,840 --> 00:56:56,160
Speaker 1: all the money and all the parties and all that stuff.

1047
00:56:56,200 --> 00:56:58,759
Speaker 1: He's in deep, deep pain. If you jump off of

1048
00:56:58,840 --> 00:57:03,200
Speaker 1: a cliff and you're drunk with a little throwaway parachute

1049
00:57:03,360 --> 00:57:07,279
Speaker 1: like that, you really are living on the edge. You

1050
00:57:07,360 --> 00:57:11,160
Speaker 1: don't really want to live. So what do you guys

1051
00:57:11,239 --> 00:57:11,600
Speaker 1: think of that?

1052
00:57:14,120 --> 00:57:16,960
Speaker 3: I think he's an idiot college kid doing daredevil crap

1053
00:57:17,080 --> 00:57:18,640
Speaker 3: and yeah, I mean backfire.

1054
00:57:19,200 --> 00:57:22,479
Speaker 5: He just he's still in that age group where people

1055
00:57:22,600 --> 00:57:25,080
Speaker 5: think they're indestructible and then nothing bad.

1056
00:57:24,960 --> 00:57:25,480
Speaker 4: Is going to happen.

1057
00:57:25,560 --> 00:57:27,320
Speaker 2: And his friends are all the same way too.

1058
00:57:28,000 --> 00:57:30,680
Speaker 5: Yeah, so idiotic the social circle.

1059
00:57:30,480 --> 00:57:33,280
Speaker 2: And yeah, it's like not. I mean, I think he

1060
00:57:33,400 --> 00:57:36,880
Speaker 2: tries to escape things like his dad and his relationship

1061
00:57:36,920 --> 00:57:38,880
Speaker 2: with Rory. That's why he like went on the trip.

1062
00:57:39,000 --> 00:57:41,800
Speaker 2: But I think everyone around him is encouraging it as well.

1063
00:57:42,000 --> 00:57:46,520
Speaker 2: So it's just like a part of the club, you know.

1064
00:57:48,120 --> 00:57:51,360
Speaker 5: Yeah, because after that Martha's Vineyard weekend when his dad

1065
00:57:51,600 --> 00:57:53,960
Speaker 5: was like, you know, you're graduating and you're going to London,

1066
00:57:54,080 --> 00:57:54,840
Speaker 5: So he's like trying to.

1067
00:57:54,800 --> 00:57:57,280
Speaker 3: Get all the last minute partying in the right.

1068
00:57:58,840 --> 00:58:02,440
Speaker 1: Control, right mm hmm, Poor little rich boy.

1069
00:58:02,840 --> 00:58:04,920
Speaker 3: She looked hurt though, I'm telling you, I know, I

1070
00:58:05,000 --> 00:58:07,920
Speaker 3: said it once already. They really made him look made

1071
00:58:08,200 --> 00:58:09,840
Speaker 3: that gash on his cheek was very.

1072
00:58:09,760 --> 00:58:11,680
Speaker 1: Realistic, really looked.

1073
00:58:11,880 --> 00:58:15,520
Speaker 3: It almost was like was he hurt? Like and then

1074
00:58:15,560 --> 00:58:17,040
Speaker 3: they just worked it in and I'm.

1075
00:58:16,920 --> 00:58:22,720
Speaker 1: Like, oh so anyway, Uh, now we're back at uh

1076
00:58:23,520 --> 00:58:28,920
Speaker 1: Luke's and uh he delivers the oh he.

1077
00:58:32,280 --> 00:58:32,640
Speaker 4: Speech.

1078
00:58:35,760 --> 00:58:41,320
Speaker 1: No he didn't give the now the parties it died,

1079
00:58:41,400 --> 00:58:43,640
Speaker 1: the birthday parties that did. These girls are sitting around

1080
00:58:43,680 --> 00:58:48,760
Speaker 1: playing cards. Uh so bad.

1081
00:58:49,120 --> 00:58:51,040
Speaker 4: I felt like I was watching like you know when

1082
00:58:51,040 --> 00:58:54,160
Speaker 4: you're on an airplane and they give you the safety instructions.

1083
00:58:54,240 --> 00:58:57,560
Speaker 4: It's like everybody, there are two exits on each.

1084
00:58:57,480 --> 00:59:02,560
Speaker 1: Side, right right. Yeah, I think I think Luke delivered

1085
00:59:02,760 --> 00:59:06,800
Speaker 1: a pretty funny speech there. I actually rewounded a couple

1086
00:59:06,840 --> 00:59:09,120
Speaker 1: of times and I was laughing. It was pretty good. Uh.

1087
00:59:11,560 --> 00:59:14,920
Speaker 1: But then now we're the party is a dud because

1088
00:59:14,920 --> 00:59:18,280
Speaker 1: everybody needs to use the bathroom and binds us out

1089
00:59:18,400 --> 00:59:20,040
Speaker 1: in the area.

1090
00:59:21,960 --> 00:59:23,800
Speaker 2: It's like, who needs to go to the bathroom and

1091
00:59:23,920 --> 00:59:24,600
Speaker 2: every girl.

1092
00:59:25,480 --> 00:59:28,840
Speaker 1: Up and then he calls Laurel I saying I'm in

1093
00:59:28,960 --> 00:59:31,640
Speaker 1: a panic. This is a dud. It's I'm blowing it.

1094
00:59:32,080 --> 00:59:34,600
Speaker 1: Help me, help me, help me, And he says, well,

1095
00:59:34,640 --> 00:59:36,520
Speaker 1: what are we they doing now? And he looks through

1096
00:59:36,640 --> 00:59:38,480
Speaker 1: people and she goes, well, how you seeing him? He's

1097
00:59:38,640 --> 00:59:40,520
Speaker 1: got a people in the wall, and she goes. And

1098
00:59:40,600 --> 00:59:43,400
Speaker 1: then he says and he delivers, and this is going

1099
00:59:43,480 --> 00:59:47,280
Speaker 1: to be my favorite line. I do not have time

1100
00:59:47,520 --> 00:59:49,240
Speaker 1: for any weird jokes.

1101
00:59:49,560 --> 00:59:53,480
Speaker 3: That was actually just so funny. That was so funny.

1102
00:59:56,800 --> 01:00:00,040
Speaker 1: So she says, get a radio from upstairs, turns in

1103
01:00:00,120 --> 01:00:03,160
Speaker 1: case he won a wan uh, and I'll be there

1104
01:00:03,160 --> 01:00:09,480
Speaker 1: in a minute. And so she and then does she

1105
01:00:09,600 --> 01:00:10,840
Speaker 1: show She does show up.

1106
01:00:11,200 --> 01:00:13,320
Speaker 3: Yeah, she shows up. But remember he's like, you didn't bring.

1107
01:00:13,240 --> 01:00:16,680
Speaker 1: Anything, didn't bring anything? No, I got this, And they're

1108
01:00:16,720 --> 01:00:20,040
Speaker 1: going back and forth. You Laurel I shows up, asked

1109
01:00:20,080 --> 01:00:23,040
Speaker 1: everybody to get in the line, hold hands, and then

1110
01:00:23,080 --> 01:00:24,400
Speaker 1: they go outside.

1111
01:00:24,360 --> 01:00:27,960
Speaker 4: And they just snakes the street.

1112
01:00:28,040 --> 01:00:29,880
Speaker 3: That must have been so funny to film.

1113
01:00:32,280 --> 01:00:34,480
Speaker 1: Yes, is this really wise?

1114
01:00:34,600 --> 01:00:35,440
Speaker 5: To serpentine?

1115
01:00:39,000 --> 01:00:41,160
Speaker 3: It's so funny and cute. And I like that she

1116
01:00:41,400 --> 01:00:43,439
Speaker 3: doesn't I told you so him?

1117
01:00:43,520 --> 01:00:44,120
Speaker 1: Do you know what I mean?

1118
01:00:44,240 --> 01:00:45,200
Speaker 2: She's like, you know what?

1119
01:00:45,400 --> 01:00:45,840
Speaker 3: You got it?

1120
01:00:46,400 --> 01:00:49,480
Speaker 4: And no questions asked either. Like honestly, if I was Lauraai,

1121
01:00:49,560 --> 01:00:51,480
Speaker 4: I would have been like, no, you said you could

1122
01:00:51,520 --> 01:00:53,720
Speaker 4: do this? Without me. You're doing it without me, and

1123
01:00:53,840 --> 01:00:55,960
Speaker 4: she she just showed up and.

1124
01:00:57,560 --> 01:00:59,160
Speaker 3: And she's stoked, like.

1125
01:00:59,240 --> 01:01:02,400
Speaker 2: It was great. It was cute that like once they

1126
01:01:02,440 --> 01:01:04,360
Speaker 2: got the store, everything was ready. So she's probably like

1127
01:01:04,440 --> 01:01:07,120
Speaker 2: stopped by it before or like called and yeah, she

1128
01:01:07,240 --> 01:01:08,880
Speaker 2: thought ahead. She was on her feet.

1129
01:01:09,320 --> 01:01:09,520
Speaker 1: Yeah.

1130
01:01:09,800 --> 01:01:13,560
Speaker 3: That Beauty Supply always makes me think of what's her name? Oh, Yane, Shane,

1131
01:01:13,760 --> 01:01:19,560
Speaker 3: Jane and Kirk there sometimes too. Beauty Supply gets a

1132
01:01:19,640 --> 01:01:22,680
Speaker 3: lot of action. Yeah, more than one would think, more

1133
01:01:22,760 --> 01:01:24,760
Speaker 3: than the bookstore, like the local Sephora.

1134
01:01:25,200 --> 01:01:31,480
Speaker 1: Yeah. Good, good, So really coming through being a hero.

1135
01:01:33,960 --> 01:01:38,040
Speaker 1: Then we're at the hospital again. Rory calls Mitcham Huntsburg.

1136
01:01:38,280 --> 01:01:39,800
Speaker 3: Yeah, I actually have.

1137
01:01:40,000 --> 01:01:43,200
Speaker 1: The finds out. Logan says, well, yeah, well she's talking

1138
01:01:43,320 --> 01:01:47,520
Speaker 1: to Logan's sister and they're flying in from his Stanbul

1139
01:01:47,640 --> 01:01:52,680
Speaker 1: or someplace. Yeah, yeah, yeah, waiting for a connection. And no, listen, Rory,

1140
01:01:52,880 --> 01:01:55,520
Speaker 1: you know, no, his dad is not going to go

1141
01:01:55,600 --> 01:01:58,280
Speaker 1: see him. He doesn't approve of the Life and Death Brigade.

1142
01:01:58,440 --> 01:02:01,840
Speaker 1: He thought Logan would grow out of it at this point.

1143
01:02:02,320 --> 01:02:04,600
Speaker 1: And no, he's not visiting his son.

1144
01:02:05,120 --> 01:02:08,800
Speaker 2: My thing with that is Mitcham was in the Life

1145
01:02:08,840 --> 01:02:11,440
Speaker 2: and Death brigade the whole time he was in college.

1146
01:02:11,520 --> 01:02:14,960
Speaker 2: And she says, and and he still is in college.

1147
01:02:15,040 --> 01:02:17,480
Speaker 2: So that was my flag of like, how would he

1148
01:02:17,520 --> 01:02:19,240
Speaker 2: grow out of it if like he's still in the

1149
01:02:20,000 --> 01:02:21,280
Speaker 2: in the mix of it all? Do you know what

1150
01:02:21,320 --> 01:02:21,640
Speaker 2: I mean?

1151
01:02:21,800 --> 01:02:21,840
Speaker 1: Like?

1152
01:02:22,080 --> 01:02:23,440
Speaker 3: Right, well, I think Mitcham just.

1153
01:02:23,880 --> 01:02:27,800
Speaker 1: Is just because because I think Mitcham didn't have a

1154
01:02:27,960 --> 01:02:31,920
Speaker 1: rich daddy to to step into a role of response

1155
01:02:32,120 --> 01:02:32,760
Speaker 1: because it was the.

1156
01:02:32,920 --> 01:02:36,040
Speaker 3: Other No, I thought the Huntsburgers have money also, yeah,

1157
01:02:37,560 --> 01:02:41,360
Speaker 3: a lot. It was her mother had, her father had

1158
01:02:41,440 --> 01:02:45,240
Speaker 3: money too, leanne she was like a cocktail waitress or something.

1159
01:02:45,400 --> 01:02:45,640
Speaker 2: Yeah.

1160
01:02:46,120 --> 01:02:48,240
Speaker 3: So then it was that old grandpa at the dinner.

1161
01:02:48,560 --> 01:02:51,720
Speaker 3: That's Mitch. Hunsburger had money.

1162
01:02:51,840 --> 01:02:52,040
Speaker 2: Yeah.

1163
01:02:52,120 --> 01:02:54,680
Speaker 1: Yeah. Did they have the newspaper empire at that Yeah?

1164
01:02:54,680 --> 01:02:57,439
Speaker 3: I think they had like hundreds of millions. Yeah, they're

1165
01:02:57,560 --> 01:02:59,880
Speaker 3: like old money. Yeah they got there, they're rich.

1166
01:03:00,040 --> 01:03:01,920
Speaker 1: All right, Well, I sit corrected.

1167
01:03:02,080 --> 01:03:03,960
Speaker 3: I thought we were calling Mitcham. I have that that

1168
01:03:04,120 --> 01:03:05,320
Speaker 3: line ready when we.

1169
01:03:05,400 --> 01:03:05,800
Speaker 2: Get to it.

1170
01:03:06,080 --> 01:03:10,200
Speaker 1: Well, yeah, I mean, what a great phone call. I

1171
01:03:10,320 --> 01:03:13,400
Speaker 1: mean Rory stepping up and being a hero and saying

1172
01:03:13,640 --> 01:03:16,320
Speaker 1: the words that every parent needs to hear.

1173
01:03:16,720 --> 01:03:21,000
Speaker 3: Here's what she says, mitcham Hunsberger. Yes, it's Rory Gilmour.

1174
01:03:21,400 --> 01:03:22,919
Speaker 3: I just thought i'd call and remind you that Logan

1175
01:03:23,000 --> 01:03:24,920
Speaker 3: is lying in a hospital bed with a partially collapse

1176
01:03:24,960 --> 01:03:27,760
Speaker 3: lung and a whole host of other potentially life threatening injuries.

1177
01:03:27,920 --> 01:03:30,000
Speaker 3: And I'm figuring a guy like you, surrounded by nothing

1178
01:03:30,040 --> 01:03:32,280
Speaker 3: but a bunch of terrified sycophants, might not have something,

1179
01:03:32,720 --> 01:03:34,320
Speaker 3: might not have someone in his life with the guts

1180
01:03:34,360 --> 01:03:37,360
Speaker 3: to tell him what an incredibly selfish, narcissistic ass he's being.

1181
01:03:37,600 --> 01:03:39,880
Speaker 3: So I thought I'd jump on in, swallow your pride,

1182
01:03:39,880 --> 01:03:41,919
Speaker 3: getting your car and come down here and see your son.

1183
01:03:42,160 --> 01:03:44,320
Speaker 1: Now, nice, beautiful.

1184
01:03:45,480 --> 01:03:47,520
Speaker 2: So many times I wanted Rory to stand up to people,

1185
01:03:47,560 --> 01:03:48,640
Speaker 2: and she finally.

1186
01:03:50,440 --> 01:03:56,920
Speaker 1: She got even you know, beautiful, beautiful scene. And for

1187
01:03:57,040 --> 01:04:00,280
Speaker 1: all you self obsessed narcissistic's parents out there, let this

1188
01:04:00,360 --> 01:04:05,160
Speaker 1: be a lesson. Okay, now we're back at Luke's and

1189
01:04:07,840 --> 01:04:11,120
Speaker 1: I just wrote down here, Laurel I is just she

1190
01:04:11,240 --> 01:04:14,560
Speaker 1: has a black belt in life. You know, she's really

1191
01:04:14,680 --> 01:04:17,520
Speaker 1: good at life, and she's really good with kids, and

1192
01:04:17,720 --> 01:04:22,960
Speaker 1: she's just a dream who shouted out bad idea hagrid.

1193
01:04:23,760 --> 01:04:27,080
Speaker 1: Oh yeah, they called it referred to luc As Hagrid.

1194
01:04:28,560 --> 01:04:30,040
Speaker 2: That was so good.

1195
01:04:30,360 --> 01:04:31,840
Speaker 4: I forgot about that until you.

1196
01:04:32,080 --> 01:04:35,040
Speaker 1: Just brought it up. What was Luke's idea? Luke had

1197
01:04:35,080 --> 01:04:39,080
Speaker 1: an idea to do something and somebody shouted out bad idea, Hagrid.

1198
01:04:40,880 --> 01:04:43,600
Speaker 5: She wait until the next day to open her presence.

1199
01:04:44,480 --> 01:04:46,919
Speaker 5: He thought she was going to open that weird bathroom set,

1200
01:04:48,000 --> 01:04:49,720
Speaker 5: not knowing that Laurrela I had switched out.

1201
01:04:50,240 --> 01:04:52,880
Speaker 1: He got heckled by the by the kids. It was

1202
01:04:53,000 --> 01:04:57,000
Speaker 1: really funny. So that's when.

1203
01:04:58,520 --> 01:05:01,880
Speaker 4: She was just saying that Anna was saying that they

1204
01:05:03,240 --> 01:05:07,280
Speaker 4: called him Hagrid. Yeah, because he was the least embarrassing

1205
01:05:07,360 --> 01:05:08,040
Speaker 4: parent on the trip.

1206
01:05:08,320 --> 01:05:11,040
Speaker 2: Right, oh yeah, yeah, yeah, right right right.

1207
01:05:13,000 --> 01:05:16,000
Speaker 1: So this is when Laura l I suggests a sleepover

1208
01:05:16,160 --> 01:05:19,040
Speaker 1: and a slumber party, and Luke says, yeah, but Joe

1209
01:05:19,120 --> 01:05:21,560
Speaker 1: have to call your parents and get approval, right, And

1210
01:05:21,640 --> 01:05:24,200
Speaker 1: then he goes behind the counter and he says, everybody

1211
01:05:24,400 --> 01:05:26,480
Speaker 1: line up. This is the We see them all get

1212
01:05:26,520 --> 01:05:29,040
Speaker 1: on their cell phones, stand up and walk in different directions,

1213
01:05:29,120 --> 01:05:30,520
Speaker 1: get on their cell phones to call their parents at

1214
01:05:30,560 --> 01:05:32,400
Speaker 1: the same time. And he's trying to get everybody cueue

1215
01:05:32,480 --> 01:05:33,840
Speaker 1: up behind the diner and he sees that.

1216
01:05:38,680 --> 01:05:41,240
Speaker 2: I just love that the sign is still there and

1217
01:05:41,320 --> 01:05:43,400
Speaker 2: the phone's right by the no cell phone sign and

1218
01:05:44,240 --> 01:05:45,840
Speaker 2: turns around and they're all their phones.

1219
01:05:46,200 --> 01:05:51,280
Speaker 1: Good good comedy stuff for Luke, I'll tell yeah, form

1220
01:05:51,320 --> 01:05:54,680
Speaker 1: a single file line. And then there's a nice little

1221
01:05:54,760 --> 01:05:58,920
Speaker 1: scene of the girls downstairs having fun and doing Harry

1222
01:05:59,000 --> 01:06:02,560
Speaker 1: Potter Chance or whatever they were doing, and Luke not

1223
01:06:02,680 --> 01:06:03,520
Speaker 1: being able to sleep.

1224
01:06:03,840 --> 01:06:06,280
Speaker 2: Light is a feather stiff as a board. Oh yeah,

1225
01:06:08,320 --> 01:06:10,439
Speaker 2: I used to do that all the time. I brought

1226
01:06:10,480 --> 01:06:12,120
Speaker 2: back some memories for sure, yep.

1227
01:06:12,760 --> 01:06:14,520
Speaker 1: And I think that was a nice moment.

1228
01:06:14,680 --> 01:06:18,120
Speaker 3: And that's a very dad moment. Yeah, the dad's always

1229
01:06:18,160 --> 01:06:19,720
Speaker 3: like trying to sleep during the sleepover.

1230
01:06:20,120 --> 01:06:21,720
Speaker 1: But the thing is is there was you know, the

1231
01:06:21,840 --> 01:06:26,480
Speaker 1: thought was, what is my future going to be? Am

1232
01:06:26,520 --> 01:06:28,840
Speaker 1: I going to be with Laurel? I? Is this going

1233
01:06:28,960 --> 01:06:32,720
Speaker 1: to work out? And I miss I miss Laurel I

1234
01:06:32,960 --> 01:06:34,520
Speaker 1: in a sense, you know what I mean. I thought

1235
01:06:34,560 --> 01:06:40,720
Speaker 1: that was a nice little full moment there for him. Anyway.

1236
01:06:41,000 --> 01:06:42,600
Speaker 1: That's what I tried to do with the moment, as

1237
01:06:42,600 --> 01:06:44,320
Speaker 1: I recall, and I don't know if I accomplished it.

1238
01:06:44,600 --> 01:06:44,720
Speaker 3: Uh.

1239
01:06:46,960 --> 01:06:50,200
Speaker 1: All right, We're back at the Dragonfly and Laurel I

1240
01:06:50,360 --> 01:06:53,680
Speaker 1: arrives in the kitchen and hands Suki some Bonnie Bell

1241
01:06:54,040 --> 01:06:55,160
Speaker 1: lip smackers.

1242
01:06:57,200 --> 01:06:59,480
Speaker 2: The Doctor Peper was my favorite.

1243
01:07:00,400 --> 01:07:04,760
Speaker 4: Anything anything from lip smackers anything m.

1244
01:07:04,920 --> 01:07:07,440
Speaker 1: Hm where they have flavors I don't even know what.

1245
01:07:07,680 --> 01:07:08,160
Speaker 2: Oh yeah.

1246
01:07:08,600 --> 01:07:10,160
Speaker 4: And then you would get this pack of like ten

1247
01:07:10,200 --> 01:07:12,480
Speaker 4: and it would all be like different, like sparkly killers,

1248
01:07:12,560 --> 01:07:13,840
Speaker 4: and there's still.

1249
01:07:14,160 --> 01:07:15,960
Speaker 5: Like so super sticky.

1250
01:07:16,240 --> 01:07:19,560
Speaker 2: It was like really thick, and they for sure just

1251
01:07:19,640 --> 01:07:20,680
Speaker 2: kept your lips chopped.

1252
01:07:20,800 --> 01:07:25,560
Speaker 4: But yeah that you smelled good. Yeah, like something, the

1253
01:07:25,680 --> 01:07:27,480
Speaker 4: spray the Doctor Pepper one.

1254
01:07:28,200 --> 01:07:30,760
Speaker 3: I sat them in a stalking Christmas stalking this year.

1255
01:07:31,560 --> 01:07:35,440
Speaker 2: They still sell them totally. I just related to that

1256
01:07:35,560 --> 01:07:37,720
Speaker 2: scene a lot. To just open the back.

1257
01:07:39,040 --> 01:07:40,840
Speaker 4: That's my measuring stick. Nobody take it.

1258
01:07:42,280 --> 01:07:46,320
Speaker 1: Oh well you better hope I call on you first,

1259
01:07:57,320 --> 01:07:59,840
Speaker 1: all right. And then now we're back in the diner

1260
01:08:00,120 --> 01:08:04,960
Speaker 1: and Anna storms in. She she really gives it to

1261
01:08:05,040 --> 01:08:07,520
Speaker 1: old Lukie. Oh no, no is this yeah? No, yeah,

1262
01:08:08,360 --> 01:08:09,600
Speaker 1: this is the diner or is.

1263
01:08:09,640 --> 01:08:13,440
Speaker 3: This yea upstairs in the apartment She did in the apartment.

1264
01:08:13,560 --> 01:08:16,720
Speaker 1: Yeah, yeah, So she reads him the riot act man,

1265
01:08:16,880 --> 01:08:19,000
Speaker 1: what'd you guys? I think we all we discussed this.

1266
01:08:19,280 --> 01:08:22,639
Speaker 1: We know how you know, everybody knows how we feel

1267
01:08:22,680 --> 01:08:26,160
Speaker 1: about this. We don't need to, but she really brings

1268
01:08:26,200 --> 01:08:26,479
Speaker 1: the guy.

1269
01:08:26,880 --> 01:08:32,120
Speaker 4: Can I read a couple of her lines? Sure? She

1270
01:08:32,200 --> 01:08:34,560
Speaker 4: said you wanted to throw her a party? Luke, you?

1271
01:08:35,880 --> 01:08:38,640
Speaker 4: And then Luke said, I know I did, Anna goes. No,

1272
01:08:38,920 --> 01:08:40,920
Speaker 4: you had your girlfriend throw her a party, A girlfriend

1273
01:08:40,960 --> 01:08:43,560
Speaker 4: I don't even know, a girlfriend I've never met. This

1274
01:08:43,720 --> 01:08:44,639
Speaker 4: is not our agreement.

1275
01:08:45,880 --> 01:08:48,280
Speaker 3: Shut up, Anna, How am.

1276
01:08:48,240 --> 01:08:50,160
Speaker 4: I supposed to explain this? How am I supposed to

1277
01:08:50,160 --> 01:08:52,040
Speaker 4: explain that to the other girl's parents? How am I

1278
01:08:52,040 --> 01:08:53,920
Speaker 4: supposed to tell them that I left their kids all

1279
01:08:53,960 --> 01:08:56,280
Speaker 4: alone with the woman I've never met, who already know.

1280
01:08:56,439 --> 01:08:57,080
Speaker 3: Because they call.

1281
01:08:57,560 --> 01:09:00,599
Speaker 5: Well, And she's not saying that any parents have actually complained.

1282
01:09:00,880 --> 01:09:03,320
Speaker 5: She's just like trying to think of something to be

1283
01:09:03,400 --> 01:09:05,320
Speaker 5: mad about. Correct, No parents are going to complain.

1284
01:09:05,439 --> 01:09:08,640
Speaker 1: He's not angry about that. She's angry that she's I have.

1285
01:09:08,760 --> 01:09:12,320
Speaker 4: To know where she's She's wish always.

1286
01:09:12,040 --> 01:09:14,040
Speaker 1: He's angry at throwing sunshine at Luke.

1287
01:09:14,080 --> 01:09:17,280
Speaker 3: And then first of all, Anna, oh, I have to

1288
01:09:17,360 --> 01:09:19,519
Speaker 3: know where she is at all times? Okay, did you

1289
01:09:19,800 --> 01:09:22,240
Speaker 3: know when she came to the diner and yanked my

1290
01:09:22,479 --> 01:09:24,719
Speaker 3: hair out exactly? Anna?

1291
01:09:25,120 --> 01:09:27,840
Speaker 5: Like rolling around town pulling out men's hair.

1292
01:09:30,280 --> 01:09:34,360
Speaker 1: It's kind of a good point, a good he's not

1293
01:09:34,680 --> 01:09:37,240
Speaker 1: like that, he's not snappy back like that.

1294
01:09:37,840 --> 01:09:39,800
Speaker 3: He doesn't need to say it. I'm saying it to

1295
01:09:39,920 --> 01:09:43,479
Speaker 3: everybody else. Then she sent her kid on a ten

1296
01:09:43,520 --> 01:09:47,519
Speaker 3: day school trip with a dude she hasn't really talked

1297
01:09:47,520 --> 01:09:52,680
Speaker 3: to in twelve years. Like that wasn't good enough to

1298
01:09:52,880 --> 01:09:55,519
Speaker 3: know about the kid? Like that also seems very.

1299
01:09:56,200 --> 01:09:56,840
Speaker 4: Odd to me.

1300
01:09:57,680 --> 01:09:59,160
Speaker 5: It's inconsistent, thank you.

1301
01:09:59,320 --> 01:10:01,680
Speaker 3: That's the word I've looking for. Inconsistent.

1302
01:10:02,320 --> 01:10:06,160
Speaker 1: All right, So now we get to the hospital and

1303
01:10:06,720 --> 01:10:10,040
Speaker 1: lo and behold who shows up at the hospital. Mitchell

1304
01:10:10,920 --> 01:10:14,560
Speaker 1: Mitcham Hansberger. Who is I mean, let's give it to

1305
01:10:14,640 --> 01:10:18,000
Speaker 1: Greg Henry, a master of nonverbal communication.

1306
01:10:18,400 --> 01:10:20,759
Speaker 3: Yeah, I mean, I won't say it, but he really

1307
01:10:20,960 --> 01:10:25,760
Speaker 3: reminds me of somebody who he doesn't remind you all

1308
01:10:25,840 --> 01:10:27,960
Speaker 3: of a former president? For some reason?

1309
01:10:28,920 --> 01:10:31,639
Speaker 1: Which president? Who? The one?

1310
01:10:32,000 --> 01:10:34,439
Speaker 3: The one we just had before this one? Yeah, for

1311
01:10:34,560 --> 01:10:38,000
Speaker 3: some reason, Greg Henry slash Mitcham is so trumpy to me.

1312
01:10:39,280 --> 01:10:40,240
Speaker 3: I don't know why, just.

1313
01:10:40,280 --> 01:10:44,479
Speaker 4: Saying needed a little more hair fluff to consider that.

1314
01:10:44,960 --> 01:10:45,479
Speaker 3: I don't know what.

1315
01:10:48,560 --> 01:10:52,559
Speaker 1: And now we are back at Laurla and Luke's house.

1316
01:10:52,800 --> 01:10:54,000
Speaker 1: I guess it's both their houses.

1317
01:10:54,120 --> 01:10:56,720
Speaker 3: Oh yeah, you know, thank you for bringing this up, Scott.

1318
01:10:57,200 --> 01:11:00,800
Speaker 3: I was glad he told her what happened. I didn't

1319
01:11:00,840 --> 01:11:04,720
Speaker 3: need him to not tell her. So kudos to Luke. II.

1320
01:11:05,200 --> 01:11:05,800
Speaker 4: I agree with that.

1321
01:11:06,240 --> 01:11:08,240
Speaker 1: Yeah. So they're having Chinese food. He tells her that

1322
01:11:08,280 --> 01:11:11,479
Speaker 1: Anna's pissed and it's a big trust to shoot and

1323
01:11:11,920 --> 01:11:12,519
Speaker 1: I'm just glad.

1324
01:11:14,120 --> 01:11:18,160
Speaker 3: Yeah he said sorry. I I liked that she said

1325
01:11:18,200 --> 01:11:21,679
Speaker 3: sorry because she felt bad, but she just was doing

1326
01:11:21,720 --> 01:11:24,479
Speaker 3: the right thing. So I actually that scene I actually

1327
01:11:24,720 --> 01:11:30,040
Speaker 3: liked m I thought they were getting along fine and

1328
01:11:30,160 --> 01:11:31,840
Speaker 3: dealing with challenges.

1329
01:11:32,040 --> 01:11:36,560
Speaker 1: Fine, right, Okay, I'm just texting Amy now she'll be

1330
01:11:36,680 --> 01:11:38,640
Speaker 1: relieved me.

1331
01:11:39,439 --> 01:11:44,439
Speaker 3: No, no, Amy, Oh good, approves of this scene.

1332
01:11:45,439 --> 01:11:48,240
Speaker 1: Hang on, Amy says back, thank god, all right.

1333
01:11:48,240 --> 01:11:50,200
Speaker 3: Yeah, thank you so much.

1334
01:11:51,760 --> 01:11:54,000
Speaker 1: Uh, Logan and Rory.

1335
01:11:56,120 --> 01:11:57,200
Speaker 3: Real hard to hurt there.

1336
01:11:57,479 --> 01:12:00,760
Speaker 1: This was really nice, right, This was like I wrote down,

1337
01:12:00,840 --> 01:12:01,840
Speaker 1: she really loves him.

1338
01:12:02,040 --> 01:12:06,240
Speaker 3: Yeah, finally we're threw them up right exactly, which I

1339
01:12:06,360 --> 01:12:06,800
Speaker 3: was ready for.

1340
01:12:07,479 --> 01:12:10,080
Speaker 1: Right right. It's kind of perfect timing. And I think

1341
01:12:10,560 --> 01:12:14,640
Speaker 1: a lot of these storylines got tied up and elevated

1342
01:12:14,680 --> 01:12:16,479
Speaker 1: in this episode, which was I think it was so

1343
01:12:16,640 --> 01:12:23,960
Speaker 1: effective yeah, yeah, yeah, And I guess this is where

1344
01:12:24,080 --> 01:12:26,320
Speaker 1: we see everybody's kind of growing up or trying to

1345
01:12:26,400 --> 01:12:29,360
Speaker 1: grow up or or really move beyond where they were

1346
01:12:29,520 --> 01:12:34,080
Speaker 1: and declare and love each other and trust each other.

1347
01:12:34,439 --> 01:12:38,320
Speaker 1: It started getting emotional here for me. And then our

1348
01:12:38,439 --> 01:12:42,240
Speaker 1: final scene, we have a Laurel I and Anna. You know,

1349
01:12:42,320 --> 01:12:43,760
Speaker 1: Laurel I goes to Anna's shop.

1350
01:12:44,080 --> 01:12:45,280
Speaker 3: What do you think of her going there?

1351
01:12:48,120 --> 01:12:50,320
Speaker 4: I liked I kind of liked it.

1352
01:12:50,680 --> 01:12:53,200
Speaker 2: I like that it was a person not a phone call.

1353
01:12:53,320 --> 01:12:54,360
Speaker 2: I actually did like that.

1354
01:12:54,520 --> 01:12:56,760
Speaker 1: Yes, I think it's a stand up move. I think

1355
01:12:56,760 --> 01:12:59,760
Speaker 1: it's a real stand up move by somebody who wants

1356
01:12:59,760 --> 01:13:03,320
Speaker 1: to take responsibility, wants to meet the person wants to

1357
01:13:03,400 --> 01:13:06,479
Speaker 1: make things right, doesn't want to be a source of

1358
01:13:06,560 --> 01:13:09,840
Speaker 1: friction between Anna, April and Luke.

1359
01:13:10,880 --> 01:13:13,479
Speaker 4: And also like, look at me, this is what you're

1360
01:13:13,600 --> 01:13:16,439
Speaker 4: nervous about or what you were afraid of right or whatever.

1361
01:13:16,720 --> 01:13:19,200
Speaker 4: You know, Like it's me. You don't have to worry

1362
01:13:19,240 --> 01:13:20,919
Speaker 4: about me, you know exactly.

1363
01:13:21,160 --> 01:13:23,320
Speaker 1: She I think she she did it for all the

1364
01:13:23,479 --> 01:13:25,120
Speaker 1: right reasons. I think I was.

1365
01:13:25,680 --> 01:13:29,960
Speaker 2: I do I do wish that Lorala I said before

1366
01:13:30,080 --> 01:13:32,519
Speaker 2: Anna had to prompt your like, hey, I'm a single

1367
01:13:32,640 --> 01:13:34,640
Speaker 2: mom too. I wish that she had said that, like,

1368
01:13:35,439 --> 01:13:38,240
Speaker 2: I'm so sorry. I understand I'm also a single mom,

1369
01:13:38,280 --> 01:13:40,639
Speaker 2: because the only reason why she said it is because

1370
01:13:40,680 --> 01:13:42,600
Speaker 2: Anna's like, well, I'm a single mom, and She's like,

1371
01:13:42,680 --> 01:13:44,120
Speaker 2: well I am, like you know what I mean. I

1372
01:13:44,160 --> 01:13:46,200
Speaker 2: wish she kind of walked and saying like, hey, I

1373
01:13:46,439 --> 01:13:50,280
Speaker 2: understand your frustrations because I also was in the same

1374
01:13:50,360 --> 01:13:51,160
Speaker 2: situation you're in.

1375
01:13:53,920 --> 01:13:57,400
Speaker 1: Yeah, yeah, Susanne, you're jumping out of your skin right now.

1376
01:13:57,640 --> 01:14:01,000
Speaker 5: No. I was just gonna say I give her props

1377
01:14:01,080 --> 01:14:05,640
Speaker 5: for going and trying to have an adult conversation with

1378
01:14:05,760 --> 01:14:07,120
Speaker 5: Anna about the situation.

1379
01:14:07,800 --> 01:14:10,040
Speaker 3: I do wish she hadn't.

1380
01:14:11,240 --> 01:14:14,240
Speaker 5: Been so sheepish about it and taking oh, the whole.

1381
01:14:14,080 --> 01:14:14,920
Speaker 3: Thing was my fault.

1382
01:14:15,000 --> 01:14:17,439
Speaker 5: I'm so sorry, because it wasn't her fault.

1383
01:14:17,920 --> 01:14:18,479
Speaker 2: Brought her in.

1384
01:14:19,040 --> 01:14:23,800
Speaker 5: She saved the day, Like Laura, I was the hero

1385
01:14:24,120 --> 01:14:28,400
Speaker 5: that day, and I don't like that everybody's trying to

1386
01:14:28,479 --> 01:14:31,360
Speaker 5: make her feel bad about it. And I feel the

1387
01:14:31,439 --> 01:14:33,759
Speaker 5: same way about the scene where they're eating the Chinese

1388
01:14:33,840 --> 01:14:37,000
Speaker 5: food and you know Luke she was. She apologized to

1389
01:14:37,080 --> 01:14:38,880
Speaker 5: Luke and she said I'm sorry and he's like, yeah,

1390
01:14:38,920 --> 01:14:42,160
Speaker 5: I'm sorry too. Like there Why is everybody trying to

1391
01:14:42,200 --> 01:14:44,000
Speaker 5: make her feel bad about this? Like none of this

1392
01:14:44,200 --> 01:14:44,759
Speaker 5: was her fault.

1393
01:14:45,640 --> 01:14:48,439
Speaker 1: I don't think, and I think I think Laurlai finds

1394
01:14:48,479 --> 01:14:51,760
Speaker 1: herself in the middle of a difficult situation where there's

1395
01:14:51,920 --> 01:14:54,759
Speaker 1: really strong feelings flying around, and she's being the bigger person.

1396
01:14:54,880 --> 01:14:58,559
Speaker 1: She knows that she's not responsible for all of these

1397
01:14:58,720 --> 01:15:01,680
Speaker 1: bad feelings. It's she's just being a good person, doing

1398
01:15:01,680 --> 01:15:04,400
Speaker 1: the right thing in this situation. But she's taken the

1399
01:15:04,479 --> 01:15:07,040
Speaker 1: heat because she's being the bigger person in that situation.

1400
01:15:07,160 --> 01:15:09,840
Speaker 1: She's being the bigger person to Anna, going face to

1401
01:15:09,920 --> 01:15:13,280
Speaker 1: face and being spectacular and great.

1402
01:15:13,600 --> 01:15:16,800
Speaker 3: I don't I think she did great with Luke. I

1403
01:15:16,880 --> 01:15:19,719
Speaker 3: think saying sorry is okay because she's saying I'm sorry

1404
01:15:19,760 --> 01:15:23,880
Speaker 3: that happened to you, I'm sorry, this is messy, I'm sorry.

1405
01:15:24,160 --> 01:15:26,280
Speaker 3: Right that part I was fine. I don't think she

1406
01:15:26,280 --> 01:15:28,200
Speaker 3: should have gone to the store. I think it really

1407
01:15:28,280 --> 01:15:30,320
Speaker 3: thought about it, but I think she should have gone.

1408
01:15:30,120 --> 01:15:32,040
Speaker 1: To the store. I think it really proves how much

1409
01:15:32,120 --> 01:15:35,160
Speaker 1: she loves Luke by going to that store. I think

1410
01:15:35,200 --> 01:15:38,240
Speaker 1: she should have said things. I think it's a really

1411
01:15:38,479 --> 01:15:40,519
Speaker 1: super advanced adult move.

1412
01:15:40,760 --> 01:15:43,800
Speaker 3: It's just a little bit of an overstep. I think

1413
01:15:43,880 --> 01:15:46,200
Speaker 3: she should have said to Luke, why don't we go

1414
01:15:47,120 --> 01:15:50,080
Speaker 3: and try and talk to Anna? Now now that I've

1415
01:15:50,120 --> 01:15:52,919
Speaker 3: met April, you and I are in this together, we're engaged,

1416
01:15:53,200 --> 01:15:55,920
Speaker 3: why don't we go and meet April, I mean, sorry,

1417
01:15:56,000 --> 01:15:59,120
Speaker 3: meet Anna so she can get to know me. To

1418
01:15:59,240 --> 01:16:02,240
Speaker 3: me going on her own, not telling Luke she was

1419
01:16:02,320 --> 01:16:06,479
Speaker 3: going that would be very jarring for me, no matter

1420
01:16:06,560 --> 01:16:09,439
Speaker 3: who I was. If I'm putting myself in anna shoes suddenly,

1421
01:16:09,560 --> 01:16:12,400
Speaker 3: the girlfriends there would just be very jarring.

1422
01:16:12,560 --> 01:16:15,800
Speaker 2: I mean, she tell Luke.

1423
01:16:16,439 --> 01:16:18,639
Speaker 3: I think we're to assume she didn't tell Luke because

1424
01:16:18,640 --> 01:16:20,000
Speaker 3: I think if she would have said to Luke, he

1425
01:16:20,000 --> 01:16:21,320
Speaker 3: would have said, no, no, no, don't do that.

1426
01:16:21,600 --> 01:16:23,280
Speaker 1: Do you think there's a part of Laurel I that

1427
01:16:23,400 --> 01:16:26,120
Speaker 1: was going over there to mark her territory with anything

1428
01:16:26,280 --> 01:16:29,080
Speaker 1: like that's my guy, and here I am and I'm

1429
01:16:29,160 --> 01:16:31,320
Speaker 1: real and I exist. I don't deal with me. Do

1430
01:16:31,320 --> 01:16:33,479
Speaker 1: you think that undercurrent there? No?

1431
01:16:33,840 --> 01:16:36,040
Speaker 3: I didn't. I just thought she was going to say like, hey,

1432
01:16:36,600 --> 01:16:39,760
Speaker 3: I'm sorry, this happened, I'm sorry, this got messy. I'm

1433
01:16:39,800 --> 01:16:43,280
Speaker 3: in it. Your kid, kid's great, I'm gonna I want

1434
01:16:43,280 --> 01:16:45,479
Speaker 3: you to meet me. And know that I too have

1435
01:16:45,520 --> 01:16:47,280
Speaker 3: a kid. I'm going to take great care of your kid.

1436
01:16:47,920 --> 01:16:51,120
Speaker 1: Have anything to worry about. You'll never have Luke. He's mine.

1437
01:16:51,720 --> 01:16:52,720
Speaker 1: Bye Bye, nice meeting.

1438
01:16:52,800 --> 01:16:53,200
Speaker 3: No, I didn't.

1439
01:16:53,320 --> 01:16:55,320
Speaker 1: I don't think I don't.

1440
01:16:55,800 --> 01:16:58,400
Speaker 3: I'm not saying other people might not see that, but

1441
01:16:58,520 --> 01:16:58,920
Speaker 3: I don't.

1442
01:16:59,320 --> 01:17:03,280
Speaker 5: I think she was trying to again, like you said, Scott,

1443
01:17:03,400 --> 01:17:05,840
Speaker 5: she loves Luke so much, and she was hoping that

1444
01:17:05,920 --> 01:17:07,920
Speaker 5: if she went and worked things out with Anna, then

1445
01:17:07,960 --> 01:17:11,280
Speaker 5: Anna wouldn't be pissed at Luke anymore, right, and everybody

1446
01:17:11,320 --> 01:17:13,560
Speaker 5: could just be happy. I think that's what she was

1447
01:17:13,640 --> 01:17:16,000
Speaker 5: trying to fix. I didn't think it was like a

1448
01:17:16,080 --> 01:17:17,240
Speaker 5: passive aggressive thing.

1449
01:17:17,320 --> 01:17:19,160
Speaker 3: In the real world though, that's not a move I

1450
01:17:19,200 --> 01:17:19,719
Speaker 3: would make.

1451
01:17:22,479 --> 01:17:26,519
Speaker 5: Catch. I don't know if this was an error on

1452
01:17:26,640 --> 01:17:31,200
Speaker 5: the writer's part, or if Chryline Fenn didn't said said

1453
01:17:31,200 --> 01:17:33,000
Speaker 5: the line wrong, which I'm sure they would have made

1454
01:17:33,000 --> 01:17:36,000
Speaker 5: her do twenty takes if she said it wrong. But

1455
01:17:36,200 --> 01:17:40,080
Speaker 5: she said she made a comment about how April doesn't

1456
01:17:40,120 --> 01:17:43,439
Speaker 5: meet people that she's dating. And she said she made

1457
01:17:43,479 --> 01:17:46,120
Speaker 5: some comment about when I get married married again.

1458
01:17:46,400 --> 01:17:48,360
Speaker 3: I think we're to assume she was married once.

1459
01:17:49,320 --> 01:17:52,559
Speaker 4: She said so, basically, until I'm ready to get married again.

1460
01:17:52,640 --> 01:17:54,120
Speaker 4: She doesn't meet any of the men I date.

1461
01:17:54,880 --> 01:17:57,760
Speaker 5: Interesting, where's the again coming from? Like, where have we

1462
01:17:57,920 --> 01:17:59,719
Speaker 5: ever heard about Anna being married?

1463
01:18:00,120 --> 01:18:03,320
Speaker 1: There's the information we do not have. There's a lot

1464
01:18:03,400 --> 01:18:06,080
Speaker 1: of information we don't know about this. It's not it's

1465
01:18:06,160 --> 01:18:07,280
Speaker 1: not filled in for us.

1466
01:18:07,600 --> 01:18:08,320
Speaker 4: It could be a reason.

1467
01:18:08,400 --> 01:18:20,040
Speaker 3: Still doesn't there you go nodn't that's fine? Why doesn't

1468
01:18:20,120 --> 01:18:24,400
Speaker 3: want Laura I involved? It's still I still don't have

1469
01:18:24,479 --> 01:18:28,320
Speaker 3: a reason why we're giving this woman so much leeway

1470
01:18:28,560 --> 01:18:30,479
Speaker 3: on the fact that she took the kid away. I'm

1471
01:18:30,520 --> 01:18:31,680
Speaker 3: just saying that's where I'm like.

1472
01:18:31,760 --> 01:18:35,040
Speaker 4: Wait, what, but what did she started dating somebody new

1473
01:18:35,160 --> 01:18:37,680
Speaker 4: and she told that new person that I was their kid?

1474
01:18:37,920 --> 01:18:40,559
Speaker 3: Oh, well, then she's worse.

1475
01:18:42,320 --> 01:18:50,920
Speaker 1: It was general the reason talking about all.

1476
01:18:50,840 --> 01:18:53,320
Speaker 3: Right, it's a Pretty in Pink that they watched Pretty

1477
01:18:53,360 --> 01:18:53,639
Speaker 3: in Pink.

1478
01:18:55,000 --> 01:18:58,520
Speaker 1: Yeah, And the Molly Ringwald speech was really funny.

1479
01:19:00,280 --> 01:19:03,320
Speaker 5: About Mollie Ringwold because Molly and Lauren were in a

1480
01:19:03,439 --> 01:19:05,280
Speaker 5: show together before Gilmore Girls.

1481
01:19:05,960 --> 01:19:07,840
Speaker 1: That's right, that's right, that's right.

1482
01:19:09,360 --> 01:19:11,240
Speaker 5: And we also got to see like a real quick

1483
01:19:11,479 --> 01:19:13,439
Speaker 5: glimpse of Kirk in that scene when he was setting

1484
01:19:13,479 --> 01:19:13,680
Speaker 5: up the.

1485
01:19:13,720 --> 01:19:19,040
Speaker 1: Movie yeah, yeah, he didn't steal the episode, And.

1486
01:19:19,080 --> 01:19:22,360
Speaker 3: There's sort of a there's a little uh switched at

1487
01:19:22,400 --> 01:19:25,000
Speaker 3: birth reference to which is kind of funny that later

1488
01:19:25,520 --> 01:19:28,559
Speaker 3: wait there is well it's the show hadn't happened yet,

1489
01:19:28,600 --> 01:19:31,880
Speaker 3: but there's some sort of did they mix up the

1490
01:19:31,960 --> 01:19:33,839
Speaker 3: babies thing? I'm trying to remember.

1491
01:19:35,280 --> 01:19:39,200
Speaker 5: Oh yeah, Rory said that about she went to the

1492
01:19:39,280 --> 01:19:41,599
Speaker 5: maternity ward in case she wants to pull a prank

1493
01:19:41,680 --> 01:19:42,360
Speaker 5: and switch.

1494
01:19:42,120 --> 01:19:42,880
Speaker 2: Switched the babies.

1495
01:19:43,000 --> 01:19:48,080
Speaker 1: Yeah, yeah, who do we think let's do a new

1496
01:19:48,120 --> 01:19:50,360
Speaker 1: segment here, who do we think stole this episode? Whose

1497
01:19:50,360 --> 01:19:52,759
Speaker 1: episode was this? Susanne?

1498
01:19:54,080 --> 01:19:58,800
Speaker 5: Uh, you know, I think this was Luke's episode. I

1499
01:19:59,040 --> 01:20:02,400
Speaker 5: really loved he was just laying down those rules about

1500
01:20:02,640 --> 01:20:04,960
Speaker 5: don't go in the restricted area and you'll burn your

1501
01:20:05,040 --> 01:20:07,920
Speaker 5: face off, and I just I really enjoyed that.

1502
01:20:08,080 --> 01:20:10,760
Speaker 2: That was Who do you think I have to give

1503
01:20:10,800 --> 01:20:14,280
Speaker 2: it to Laura Li for this one? I don't know.

1504
01:20:14,360 --> 01:20:17,160
Speaker 2: I just feel like there was especially that last scene

1505
01:20:17,720 --> 01:20:24,000
Speaker 2: for me with a close second to Rory Danielle Lauraai a.

1506
01:20:26,040 --> 01:20:29,360
Speaker 3: Lorli. I mean you know what, look Luke Lorlai, Rory

1507
01:20:29,479 --> 01:20:31,600
Speaker 3: all a tie Zuker, all laid up.

1508
01:20:32,240 --> 01:20:34,400
Speaker 1: Do not know?

1509
01:20:34,520 --> 01:20:39,799
Speaker 3: I can't stand her. It's a great episode. Made me upset,

1510
01:20:39,960 --> 01:20:41,000
Speaker 3: but it's a late episode.

1511
01:20:41,120 --> 01:20:43,479
Speaker 1: Let's rate it, Susanne, what do you give it? What's

1512
01:20:43,479 --> 01:20:49,920
Speaker 1: your measuring stick? Okay, now let's just be clear what

1513
01:20:50,120 --> 01:20:52,599
Speaker 1: Danielle claimed measuring stick? What was that? Again?

1514
01:20:52,640 --> 01:20:53,640
Speaker 4: Reminded smackers.

1515
01:20:54,520 --> 01:20:57,439
Speaker 1: You can't so Lipsmackers is on the board. This is

1516
01:20:57,560 --> 01:21:00,479
Speaker 1: not an official rule book. You can use lip smackers

1517
01:21:00,479 --> 01:21:01,200
Speaker 1: if you would like to.

1518
01:21:01,680 --> 01:21:04,519
Speaker 4: No, don't take no, I am not going to use

1519
01:21:04,560 --> 01:21:04,920
Speaker 4: that one.

1520
01:21:05,560 --> 01:21:07,519
Speaker 3: I'm going to give this respect.

1521
01:21:09,920 --> 01:21:12,799
Speaker 5: I can't decide. I'm going to give this a seven point.

1522
01:21:16,200 --> 01:21:19,200
Speaker 5: I'm telling you, I want to feel happy when I want.

1523
01:21:21,120 --> 01:21:22,600
Speaker 5: These episodes are not.

1524
01:21:25,880 --> 01:21:31,559
Speaker 3: What was your cold bananas? You took my God, you gotta.

1525
01:21:31,360 --> 01:21:35,280
Speaker 1: Claim them, and from now on you cannot claim. Yeah,

1526
01:21:35,760 --> 01:21:38,800
Speaker 1: you can't do it. Well, let it slide this time, Tara.

1527
01:21:40,880 --> 01:21:46,160
Speaker 2: I'm gonna give it a nine parachutes that didn't open.

1528
01:21:47,840 --> 01:21:48,920
Speaker 1: These are so good.

1529
01:21:49,479 --> 01:21:55,360
Speaker 4: Wow, some of my broken ribs.

1530
01:21:57,439 --> 01:22:03,000
Speaker 1: You gave up Smackers. But that's kind of like doing

1531
01:22:03,080 --> 01:22:05,840
Speaker 1: a joke, you know what I'm saying.

1532
01:22:06,320 --> 01:22:07,880
Speaker 2: I'm not gonna go with Cass, but.

1533
01:22:09,000 --> 01:22:13,720
Speaker 3: Nine point nine people's in Luke's weird bathroom storage closet thing.

1534
01:22:15,080 --> 01:22:17,680
Speaker 3: Excuse me, your storage closet.

1535
01:22:17,400 --> 01:22:22,680
Speaker 1: People nine point nine, nine point nine or.

1536
01:22:22,680 --> 01:22:25,679
Speaker 3: Pretty in Pink's whatever you oh nine point nine. Yeah.

1537
01:22:25,720 --> 01:22:27,800
Speaker 3: I loved the episode. I'm very upset about it, but

1538
01:22:27,840 --> 01:22:28,920
Speaker 3: doesn't mean I didn't love it.

1539
01:22:29,160 --> 01:22:29,400
Speaker 2: Yeah.

1540
01:22:29,680 --> 01:22:36,000
Speaker 1: Uh, I'm going to give it ten point zero. Rory

1541
01:22:36,320 --> 01:22:44,760
Speaker 1: furrowed browse. Oh wow, oh yeah, did sorry?

1542
01:22:44,840 --> 01:22:46,519
Speaker 5: Can I throw one more thing in? Did you guys

1543
01:22:46,640 --> 01:22:51,000
Speaker 5: notice when uh, in the interval between when Finn and

1544
01:22:51,600 --> 01:22:54,920
Speaker 5: Colin went to get some of Logan's stuff, they brought

1545
01:22:55,040 --> 01:22:58,120
Speaker 5: back like everything from his apartment, like the suit of

1546
01:22:58,240 --> 01:22:59,160
Speaker 5: armor was in there.

1547
01:23:00,120 --> 01:23:03,920
Speaker 3: Oh, I did not notice that that big poster thing.

1548
01:23:03,880 --> 01:23:04,400
Speaker 5: On the wall.

1549
01:23:04,560 --> 01:23:06,960
Speaker 1: It was pretty funny. Favorite line.

1550
01:23:08,040 --> 01:23:14,320
Speaker 5: A favorite line is when Kirk said something about I'm

1551
01:23:14,439 --> 01:23:16,320
Speaker 5: very susceptible to signage.

1552
01:23:19,040 --> 01:23:21,160
Speaker 1: But Luke had a better line. He said, I'm very

1553
01:23:21,240 --> 01:23:23,679
Speaker 1: susceptible to people that order things that are on the menu.

1554
01:23:26,320 --> 01:23:31,280
Speaker 1: So Tara, so we'll just correct that in the final version, Yeah,

1555
01:23:31,760 --> 01:23:32,280
Speaker 1: you're welcome.

1556
01:23:33,320 --> 01:23:35,519
Speaker 2: It was more. It was more of the scene where

1557
01:23:36,439 --> 01:23:38,240
Speaker 2: it's Luke saying like all right, like we're gonna get

1558
01:23:38,280 --> 01:23:40,519
Speaker 2: a single file line and then like he just turns around.

1559
01:23:40,520 --> 01:23:42,439
Speaker 2: It was more of that scene for me when he

1560
01:23:42,479 --> 01:23:44,479
Speaker 2: just turns around sees everyone on their phone and no

1561
01:23:44,560 --> 01:23:45,920
Speaker 2: one's paying attention to him.

1562
01:23:46,920 --> 01:23:50,360
Speaker 4: Danielle Mine is when Sukie and Lola were in the

1563
01:23:50,640 --> 01:23:53,320
Speaker 4: beauty shop and Sukie says, I feel like I'm fifteen again.

1564
01:23:53,439 --> 01:23:55,679
Speaker 4: Jackson's so getting under my bra tonight.

1565
01:23:56,040 --> 01:23:59,800
Speaker 3: Oh my god, I forgotten to have a favorite line.

1566
01:23:59,840 --> 01:24:01,720
Speaker 3: I think I got so upset that I literally don't

1567
01:24:01,760 --> 01:24:03,879
Speaker 3: have one. So I'll just give a Ray's speech to Mitcham.

1568
01:24:04,200 --> 01:24:07,240
Speaker 3: I literally did not take one note during this episode

1569
01:24:07,560 --> 01:24:09,080
Speaker 3: when I was watching it. I just watched it and

1570
01:24:09,200 --> 01:24:13,120
Speaker 3: was just like, I'm getting more and more upset. I

1571
01:24:13,200 --> 01:24:14,160
Speaker 3: feel better after this.

1572
01:24:16,520 --> 01:24:18,160
Speaker 2: How many more do we have in the season?

1573
01:24:19,000 --> 01:24:21,000
Speaker 1: I still have to get my line? Hang on? Sorry,

1574
01:24:22,800 --> 01:24:26,759
Speaker 1: my favorite line? Sorry, I gotta go with Luke about

1575
01:24:26,760 --> 01:24:30,680
Speaker 1: the peopole line. I do not have time for your

1576
01:24:30,760 --> 01:24:33,320
Speaker 1: weird jokes. That was great. I do not have time

1577
01:24:33,360 --> 01:24:36,200
Speaker 1: for your weird jokes right now. All right, that's going

1578
01:24:36,280 --> 01:24:39,680
Speaker 1: to wrap it up for us. Thanks kids, Thanks for downloading.

1579
01:24:40,160 --> 01:24:45,599
Speaker 1: Best Fans on the Planet. Next episode twenty one, season six,

1580
01:24:46,560 --> 01:24:47,800
Speaker 1: driving Miss Gil.

1581
01:24:48,120 --> 01:24:49,360
Speaker 3: How many more are there in season six?

1582
01:24:49,400 --> 01:24:50,799
Speaker 2: Sorry? Total?

1583
01:24:51,800 --> 01:24:51,960
Speaker 5: Two?

1584
01:24:52,080 --> 01:24:52,240
Speaker 3: More?

1585
01:24:52,400 --> 01:24:55,480
Speaker 1: Wow? And then We're done. Boy, it's getting.

1586
01:24:55,920 --> 01:24:56,960
Speaker 2: Flew through this season.

1587
01:24:57,960 --> 01:25:04,599
Speaker 1: It doesn't suck, it doesn't strong. It really is strong. Yeah, anyway,

1588
01:25:04,640 --> 01:25:07,040
Speaker 1: that's going to do it. Remember go to the Warner

1589
01:25:07,080 --> 01:25:12,000
Speaker 1: Brothers Studio store in Burbank, California, the Warner Brothers Studios

1590
01:25:12,040 --> 01:25:16,439
Speaker 1: to get your Lukes a Diner, Blend your Stars Hollow Signature,

1591
01:25:16,520 --> 01:25:21,639
Speaker 1: Blend End your Dragonfly in talk Fast Blend exclusively sold

1592
01:25:22,040 --> 01:25:25,160
Speaker 1: at the Warner Brothers Studio Store. If you want Scotty

1593
01:25:25,200 --> 01:25:30,960
Speaker 1: Pea's Big Mug Coffee on a wholesale basis, you can

1594
01:25:31,160 --> 01:26:05,719
Speaker 1: email support at scottip dot com. Stay safe everyone, Hey everybody,

1595
01:26:05,760 --> 01:26:09,040
Speaker 1: and don't forget. Follow us on Instagram at I Am

1596
01:26:09,160 --> 01:26:14,080
Speaker 1: all In podcast and email us at Gilmore at iHeartRadio

1597
01:26:14,439 --> 01:26:14,960
Speaker 1: dot com