WEBVTT - Can't Hardly Wait with Shelli Nicole

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<v Speaker 1>Burn attention Beck to Gast listeners.

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<v Speaker 2>We're going on tour.

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<v Speaker 1>We really are. And it's not just any tour. It's

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<v Speaker 1>a tour in the UK and it's a tour where

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<v Speaker 1>we are covering Titanic and.

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<v Speaker 3>Shrek, brilliantly titled the Shrek Tannic Tour.

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<v Speaker 2>Yes, Shrek Tornic. We're working on it.

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<v Speaker 3>There's a couple there's a couple months before the tour,

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<v Speaker 3>but yes, we're really excited. We're currently doing five shows

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<v Speaker 3>in the UK, with more shows to be added.

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<v Speaker 2>Stay tuned at the end of May.

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<v Speaker 1>Yes, starting with two shows in London on May twenty second.

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<v Speaker 1>On's at six point thirty that's a Shrek show, one

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<v Speaker 1>at nine pm that is a Titanic show. Then we

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<v Speaker 1>are scooting over to Oxford on May twenty fourth we

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<v Speaker 1>are covering Titanic. Okay, that show is a part of

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<v Speaker 1>the Saint Audio Podcast Festival in Oxford, so be sure

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<v Speaker 1>to check out our show as well as other shows

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<v Speaker 1>at the festival. Then we're scooting up to Edinburgh on

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<v Speaker 1>May twenty sixth and doing Shtrek.

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<v Speaker 3>If you're a Scottish Titanic fan, you are going to

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<v Speaker 3>have to commute and I know that that's not but listen, yeah,

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<v Speaker 3>you live in Edinburgh recovering Shrek.

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<v Speaker 1>I'm sorry, I'm sorry, but also you're welcome. And then

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<v Speaker 1>if you do want to see Titanic, you can head

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<v Speaker 1>down to Manchester. We're doing a show on May twenty eighth,

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<v Speaker 1>and that's a Titanic show. So yeah, you're just gonna

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<v Speaker 1>want to come to kind of all of them if

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<v Speaker 1>you live in the UK, if you live kind of

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<v Speaker 1>anywhere in Europe, or sort of just anywhere in the world.

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<v Speaker 3>As your Bechdel Cast allies in the US can attest to.

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<v Speaker 3>Our live shows are super fun. It is like a

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<v Speaker 3>live episode plus a bunch of fun stuff. We dress up,

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<v Speaker 3>we bring audience members on stage sometimes we do. It's

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<v Speaker 3>just it's big and goofy and silly, and we're covering

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<v Speaker 3>two of our favorite movies that are Bechdel Cast can

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<v Speaker 3>and so we want to have a good time. We'll

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<v Speaker 3>be bringing exclusive merch and we will be doing meet

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<v Speaker 3>and greets before and after the show.

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<v Speaker 2>We want to meet everybody.

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<v Speaker 3>And we're really really excited and tickets are already going

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<v Speaker 3>fast because we released it to Matrons first, plugging the

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<v Speaker 3>Patreon really quick.

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<v Speaker 1>Little perk for the matrons. Yep.

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<v Speaker 3>So if you live in those areas, get those dang

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<v Speaker 3>tickets because these shows will sell out.

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<v Speaker 1>Yes they will. So head over to our link Tree

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<v Speaker 1>Link Tree slash Bechdel Cast, grab your tickets for the

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<v Speaker 1>Shrek Tanic.

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<v Speaker 2>And enjoy the episode.

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<v Speaker 4>On the Doodcast, the questions asked if movies have women

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<v Speaker 4>and are all their discussions just boyfriends and husbands or

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<v Speaker 4>do they have individualism? It's the patriarchy and bast start

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<v Speaker 4>changing it with the Bechdel Cast.

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<v Speaker 1>Jamie Caitlyn, I wrote you a letter because I'm in

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<v Speaker 1>love with you? What? And do you know why?

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<v Speaker 4>No?

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<v Speaker 1>You don't even know me. No, I do, and you don't.

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<v Speaker 1>I know that you love strawberry pop tarts and that

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<v Speaker 1>I love strawberry pop tarts and that's enough fun what.

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<v Speaker 3>I unfortunately not to break the bechel test immediately, but

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<v Speaker 3>I sent that scene to my boyfriend and I was like, wow,

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<v Speaker 3>we sort of had that conversation at one point. It

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<v Speaker 3>was like the first night he stayed over at my

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<v Speaker 3>house and I was like, oh, do you want any breakfast?

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<v Speaker 2>I have three pop.

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<v Speaker 3>Tarts and he's like, wow, that's all I have at

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<v Speaker 3>my house meant to be. We should keep this thing

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<v Speaker 3>going and never improve as individuals.

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<v Speaker 2>It's kind of nice.

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<v Speaker 3>Uh so all that to say teenagers are swart. Actually,

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<v Speaker 3>this movie is so bizarre. Welcome to the Bechdel Cast.

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<v Speaker 3>My name is Jamie Loftus. My name is Caitlin Derante.

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<v Speaker 3>This is our show where we examine movies through an

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<v Speaker 3>intersectional feminist lens, using the Bechdel Test as a jumping

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<v Speaker 3>off point for a larger discussion. The Bechdel Test is

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<v Speaker 3>a media metric created by queer cartoonist Alison Bechdel, often

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<v Speaker 3>called the Bechdel Wallace Test since she collaborated on it

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<v Speaker 3>with her friend Liz Wallace.

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<v Speaker 2>That makes it.

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<v Speaker 1>Sound like it was like this big project. It was

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<v Speaker 1>not that it was just a throwaway Joe.

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<v Speaker 2>It was just kind of a day that they had.

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<v Speaker 1>In Alison Bechdel's Ducks to Watch out for from the

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<v Speaker 1>mid eighties. There are many versions of the test. The

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<v Speaker 1>one that we use is this, do two characters of

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<v Speaker 1>a marginalized gender have names? Do they speak to each

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<v Speaker 1>other about something other than a man? And ideally for us,

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<v Speaker 1>is it a nice, meaty conversation and not just throwaway Dialogue.

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<v Speaker 3>Today we are covering a much requested movie and I'll

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<v Speaker 3>say it, but a much requested guest.

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<v Speaker 2>I feel that I'm just excited to bring her in.

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<v Speaker 3>The vibes on our episodes with this guest are just

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<v Speaker 3>sort of unmatched.

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<v Speaker 1>It's like chaotic good yes. And also I would say

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<v Speaker 1>very Shrekian.

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<v Speaker 2>And not for nothing, not for nothing. Read the byline.

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<v Speaker 1>It's right there, it's right there. She's a culture writer.

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<v Speaker 1>You can see her work on Substack at High Shelley

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<v Speaker 1>as well as Architectural Digest and Vogue. You know her

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<v Speaker 1>from episodes on Buffaloed and Empire Records. It's Shelley Nicole.

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<v Speaker 5>Hi. I'm so happy I'm back.

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<v Speaker 1>Welcome back, I hike.

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<v Speaker 5>You forget about the Shrekian How could I? I mean,

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<v Speaker 5>I need to put the mic down now because that's

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<v Speaker 5>so rude for me.

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<v Speaker 2>Has that not become your professional byeline?

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<v Speaker 5>It is? It is. Now Now that I'm solo and

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<v Speaker 5>on my own, I'm changing my substack from Hi Shelley

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<v Speaker 5>to exactly.

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<v Speaker 1>That, Hi Shreky, Hi Shreky exactly.

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<v Speaker 3>I mean theoretically, I mean, you know, Shrek five is

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<v Speaker 3>allegedly in production, so if you're pitching yourself for reviewing it.

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<v Speaker 3>I mean, you're like, well, who who are you gonna

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<v Speaker 3>hire over Shreky.

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<v Speaker 5>Herself better than me? I would love to go to

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<v Speaker 5>a premiere of that. Wow, that would be so great.

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<v Speaker 5>Oh my first interview. Guys, I'm gonna do it now

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<v Speaker 5>that I know it exists. You're gonna make substacks send me.

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<v Speaker 2>I'm gonna.

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<v Speaker 3>I'm currently spending so much like not it. I mean

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<v Speaker 3>I haven't done anything, but I just think about it

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<v Speaker 3>a lot of Like Despicable before comes out July third,

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<v Speaker 3>How hard could it be to get invited to that?

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<v Speaker 3>Like I have, I like, I do have to go.

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<v Speaker 3>I have Shrek news for everyone.

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<v Speaker 1>What?

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<v Speaker 3>Oh my god, tell us I was at the mall

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<v Speaker 3>the other day, right brag.

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<v Speaker 5>I love that sentence. I love that very nineteen ninety

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<v Speaker 5>eight of you. I love this sentence. It's true.

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<v Speaker 3>I'm studying the scene. I was at a store called

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<v Speaker 3>box Lunch.

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<v Speaker 2>Who knows.

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<v Speaker 1>Oh, I know it's it's sort of like hot topic, but.

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<v Speaker 2>Like a little but I think it's like quieter.

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<v Speaker 1>Quiet it's not quite so hot.

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<v Speaker 2>I guess it's like a warm topic kind of thing.

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<v Speaker 5>Yeah, yeah, yeah, yeah, I thought that this was literally

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<v Speaker 5>gonna be like a sweet green or something like that.

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<v Speaker 5>I didn't know, like hot topics, like conservative sisters.

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<v Speaker 2>Kind of yeah, like it's it is. It's it's like

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<v Speaker 2>a hot topic. Got a desk job.

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<v Speaker 3>But it's still all like weirdly like merchandisee like merchandized stuff.

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<v Speaker 3>And they had a Shrek section and they had this

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<v Speaker 3>a Shrek instruction, you could say, And there was this

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<v Speaker 3>unbelove believable sweater that was like a full cable knit

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<v Speaker 3>sweater with like huge knit onions all over it, and

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<v Speaker 3>then on the back.

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<v Speaker 5>Was Shrek like three D onions.

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<v Speaker 2>Three D onions, like huge onion like pom poms.

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<v Speaker 1>Oh my gosh, it was really wait, jamis for the Shrek.

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<v Speaker 2>And with like a huge amount of disposable income.

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<v Speaker 1>Was this at the Glendale Galleria? Yes, okay, good, let's

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<v Speaker 1>go there and buy it.

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<v Speaker 3>It's called a business expense. Gosh, I'm looking for Okay, here,

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<v Speaker 3>I'm gonna put it in the chat. It is sixty

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<v Speaker 3>five dollars, I guess for it A.

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<v Speaker 2>Nice five dollars. I'm like for a sweater you'll wear

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<v Speaker 2>every day for the rest of your life.

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<v Speaker 1>Maybe I mean small price to pay.

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<v Speaker 3>Maybe there's also a Shrek hockey Tracy.

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<v Speaker 5>Okay, see, this isn't as bad as I thought it

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<v Speaker 5>was gonna be.

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<v Speaker 3>I think it's tasteful. I think you could wear it

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<v Speaker 3>to like parent teacher conferences.

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<v Speaker 5>Yeah, like, yes, I'm the parent, and people will be like,

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<v Speaker 5>I feel like someone should call the FEDS because this

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<v Speaker 5>child is not okay, this child is not in a

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<v Speaker 5>happy home.

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<v Speaker 1>Oh well, okay, let's talk about well that we're all

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<v Speaker 1>caught up. So today we're talking about can't hardly wait

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<v Speaker 1>from nineteen ninety eight. Now, I didn't mean for that

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<v Speaker 1>to rhyme.

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<v Speaker 5>I was gonna be like, that was very cool, your kid,

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<v Speaker 5>It was very cool. Yeah, it was very nice.

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<v Speaker 1>Anyway, So Shelley, what is your relationship with this movie?

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<v Speaker 5>I saw this movie when I was in middle school

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<v Speaker 5>because it made me want to go It made me

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<v Speaker 5>excited to go to high school, or you know what

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<v Speaker 5>I'm saying, Like I think I had seen a lot

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<v Speaker 5>of movies that year because I was looking it up,

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<v Speaker 5>like when this movie came out, what else came out?

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<v Speaker 5>A Dead Man on Campus came out this year or too,

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<v Speaker 5>which a lot of people don't believe me. When I

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<v Speaker 5>talk about it that it is a real movie, s

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<v Speaker 5>like Zach Morris, Yeah, and it's got quite a plot.

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<v Speaker 5>One of my favorite teen movies came out. The Faculty

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<v Speaker 5>came out, featuring like usher disturbing behavior with like a

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<v Speaker 5>bad girl crop top Katie Holmes. So all of those

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<v Speaker 5>were like I was like, oh, it's kind of like

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<v Speaker 5>bad high school or scary high school or whatever. But

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<v Speaker 5>this one was so sweet and had like I know,

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<v Speaker 5>it's a bunch of silliness in it, but it had

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<v Speaker 5>like a cute little love story and stuff. And I

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<v Speaker 5>saw it. I rented it a blockbuster, of course, and

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<v Speaker 5>when I did rent it, it became one of the

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<v Speaker 5>movies that I always rented, like because I would rent

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<v Speaker 5>like two or three movies at a time, and I

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<v Speaker 5>would try to get a new one and then like

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<v Speaker 5>one where I'm like, I'm just going to watch this

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<v Speaker 5>all weekend and I'm gonna fuck this DVD up, like,

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<v Speaker 5>but I love this movie, yeah, And then that's my

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<v Speaker 5>relationship to it. Nothing really queer based, really, because I

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<v Speaker 5>was trying to think of that. I will say this

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<v Speaker 5>is one of the first movies I all that I

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<v Speaker 5>knew my answer to like do I want to like

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<v Speaker 5>be her, kiss her. I knew I wanted to be

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<v Speaker 5>Amanda Beckett and and a lot of the other movies

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<v Speaker 5>I saw. I was like, very confused this one right

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<v Speaker 5>out the gate. I was like, I just want to

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<v Speaker 5>be her, loved her tank top, love the hair I wear.

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<v Speaker 5>Hair sounds like this to this day. But yeah, I

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<v Speaker 5>just like, I love this movie so much. I love

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<v Speaker 5>also stand by it. I stand by the fact that

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<v Speaker 5>I think that this movie has one of the greatest

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<v Speaker 5>soundtracks I have ever heard in a teen film.

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<v Speaker 3>It's good, the boldness require to do the same smash

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<v Speaker 3>mouthed needle drop twice.

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<v Speaker 1>You're like, yes, what is this a Shrek movie?

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<v Speaker 5>Shrek wait?

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<v Speaker 1>Is Shrek ad opening on a.

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<v Speaker 3>Smash shrekd It's like it was Shrek before. I feel

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<v Speaker 3>like Shrek Saw can hardly waves. Like here's how my

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<v Speaker 3>feels like has to open.

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<v Speaker 5>I need that. I mean, it's aligned. I mean, I'm

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<v Speaker 5>just saying, but this movie is like fucking incredible, and

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<v Speaker 5>I think it's the first time I also saw hazy

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<v Speaker 5>moments in movies, like for some reason, when Amanda or

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<v Speaker 5>Jennifer Love Hewitt, famous three named actress.

0:12:16.559 --> 0:12:18.440
<v Speaker 1>Yes, I mean this was the era.

0:12:19.080 --> 0:12:23.040
<v Speaker 5>Yeah, she got like RuPaul Season one drag race lighting

0:12:23.600 --> 0:12:25.760
<v Speaker 5>in a lot of the moments where she was like

0:12:26.440 --> 0:12:29.240
<v Speaker 5>monologuing her ass off. But yeah, I love this movie

0:12:29.280 --> 0:12:30.640
<v Speaker 5>so much. I love this movie.

0:12:30.920 --> 0:12:34.200
<v Speaker 1>Oh Jamie, how about you? What's your history?

0:12:34.800 --> 0:12:37.679
<v Speaker 3>I'd never seen it. I'd never seen this movie before.

0:12:38.040 --> 0:12:41.720
<v Speaker 3>I jealous. I don't know, like why, because I found

0:12:42.000 --> 0:12:44.720
<v Speaker 3>I had seen a lot of the ninety teen movies.

0:12:44.720 --> 0:12:47.000
<v Speaker 2>This is just one that I hadn't seen for whatever reason.

0:12:47.640 --> 0:12:52.160
<v Speaker 3>My personal connection to it is that I was employed

0:12:52.240 --> 0:12:57.280
<v Speaker 3>by Seth Green for two years. Wow, so i'd certainly

0:12:57.360 --> 0:12:59.840
<v Speaker 3>and I've written with well, I mean, Breckenmeier's not in

0:12:59.840 --> 0:13:02.160
<v Speaker 3>this movie very much, but like we were in the

0:13:02.160 --> 0:13:06.400
<v Speaker 3>same writer's room for a chunk of time. So I

0:13:06.440 --> 0:13:11.600
<v Speaker 3>have like an attachment to two of the guys in

0:13:11.679 --> 0:13:14.720
<v Speaker 3>the movie. And then also like without this movie is

0:13:15.080 --> 0:13:17.480
<v Speaker 3>you know, and I guess it wasn't a success at

0:13:17.480 --> 0:13:19.360
<v Speaker 3>the time it came out, but without this movie, we

0:13:19.360 --> 0:13:21.960
<v Speaker 3>wouldn't have Josie and the Pussycats, And so I knew.

0:13:21.840 --> 0:13:23.800
<v Speaker 2>It was Like, even if I don't love.

0:13:23.640 --> 0:13:26.920
<v Speaker 5>It, I have to honor its place in history because

0:13:27.040 --> 0:13:31.000
<v Speaker 5>the director directors, Harry Elphont and Deborah Kaplan, who wrote

0:13:31.040 --> 0:13:33.160
<v Speaker 5>and directed this movie also wrote and directed Josie and

0:13:33.200 --> 0:13:38.360
<v Speaker 5>the Pussycats. Yeah that's so cool, right, I did not

0:13:38.559 --> 0:13:38.920
<v Speaker 5>know that.

0:13:39.840 --> 0:13:42.520
<v Speaker 3>I Yeah, I really enjoyed this movie. I thought it

0:13:42.559 --> 0:13:44.719
<v Speaker 3>was I think, like, you know, the places where it's

0:13:44.800 --> 0:13:48.680
<v Speaker 3>dated is really you know, dated obviously. But I like

0:13:48.840 --> 0:13:52.640
<v Speaker 3>this movie, especially because we've covered a lot of teen

0:13:52.720 --> 0:13:53.760
<v Speaker 3>movies of this era.

0:13:54.280 --> 0:13:55.000
<v Speaker 2>I think it's.

0:13:54.920 --> 0:13:58.679
<v Speaker 3>Doing a lot more than I expected in terms of

0:13:58.760 --> 0:14:01.800
<v Speaker 3>like showing it giving its characters some depth and some grace,

0:14:01.880 --> 0:14:04.640
<v Speaker 3>and like, I don't know any teen movie that ends

0:14:05.120 --> 0:14:08.600
<v Speaker 3>in a somewhat gray area I'm really intrigued by because

0:14:08.640 --> 0:14:11.640
<v Speaker 3>it's just like, not what happens. It's like it ends

0:14:11.679 --> 0:14:17.320
<v Speaker 3>with like a kiss and you will die with this teenager.

0:14:17.160 --> 0:14:20.720
<v Speaker 5>Like smash cuts. It's twenty five years later, they're.

0:14:20.600 --> 0:14:23.440
<v Speaker 2>Still together, right or like or a bet or a

0:14:23.480 --> 0:14:24.360
<v Speaker 2>lie or whatever it is.

0:14:24.480 --> 0:14:28.200
<v Speaker 3>Right, So it's like there, this movie's you know, trafficking

0:14:28.240 --> 0:14:31.640
<v Speaker 3>heavily in like stereotyped high school characters. But I feel

0:14:31.640 --> 0:14:34.000
<v Speaker 3>like it's doing a little more in terms of like

0:14:34.280 --> 0:14:37.360
<v Speaker 3>showing us the shades of gray to these characters.

0:14:38.200 --> 0:14:39.960
<v Speaker 2>I think if I had seen this.

0:14:40.000 --> 0:14:42.320
<v Speaker 3>As a teenager, I would have been like wow, Preston

0:14:42.360 --> 0:14:45.240
<v Speaker 3>and Amanda. As an adult, I'm so underwhelmed by President

0:14:45.240 --> 0:14:47.720
<v Speaker 3>and Amanda. I'm like, Amanda, what are you doing? What

0:14:47.760 --> 0:14:51.840
<v Speaker 3>are you doing? Yeah, the reality hasn't like I have.

0:14:52.360 --> 0:14:54.080
<v Speaker 3>I mean, I think, well, we probably all feel the

0:14:54.120 --> 0:14:56.480
<v Speaker 3>same way. But like she was so right and the

0:14:56.480 --> 0:15:00.280
<v Speaker 3>way she like cut him down to size and then

0:15:00.320 --> 0:15:02.760
<v Speaker 3>she read. I was like, well, sure he wrote a

0:15:02.800 --> 0:15:05.480
<v Speaker 3>nice letter because he's a big fan of Kurt Vonnegut,

0:15:05.600 --> 0:15:08.320
<v Speaker 3>question mark, was he famous for love letters?

0:15:08.720 --> 0:15:11.480
<v Speaker 2>No, but like he has the.

0:15:11.520 --> 0:15:16.040
<v Speaker 3>Romantic stylings of Kurt Vonnicut, but like nothing, he still

0:15:16.080 --> 0:15:16.760
<v Speaker 3>doesn't know her.

0:15:17.120 --> 0:15:17.680
<v Speaker 5>She was right.

0:15:17.920 --> 0:15:22.120
<v Speaker 3>Yeah, so yeah, anyways, I thought this movie was fun

0:15:22.200 --> 0:15:25.920
<v Speaker 3>and good and I love Lauren Ambrose.

0:15:26.160 --> 0:15:30.000
<v Speaker 5>Literally love Lauren Ambrose. I was gonna talk about how

0:15:30.080 --> 0:15:34.280
<v Speaker 5>like Dyke coded this movie and that character is she's

0:15:34.320 --> 0:15:38.480
<v Speaker 5>going to NYU. She's like wearing all black, she's giving

0:15:38.520 --> 0:15:42.480
<v Speaker 5>like Clea Duval light. You know, it's also in this movie.

0:15:42.520 --> 0:15:47.520
<v Speaker 5>He's also two second movie. It's great, everybody's in this movie.

0:15:47.840 --> 0:15:50.000
<v Speaker 5>Everyone is in this movie. Everyone.

0:15:50.040 --> 0:15:52.880
<v Speaker 3>And I say this with love I feel, but it's

0:15:52.880 --> 0:15:55.600
<v Speaker 3>like I think the in teen comedies today because we

0:15:55.640 --> 0:15:57.440
<v Speaker 3>have covered like some modern teen movies.

0:15:58.040 --> 0:16:02.520
<v Speaker 2>Everyone does look so perfect and I.

0:16:02.520 --> 0:16:04.480
<v Speaker 3>Like that, Like, I mean, even though some of them

0:16:04.520 --> 0:16:08.880
<v Speaker 3>are kind of maybe visibly in their twenties, it's still

0:16:08.920 --> 0:16:11.000
<v Speaker 3>like I'm like, how do I say this in a

0:16:11.040 --> 0:16:13.880
<v Speaker 3>way that feels respectful, But like I like when they're like, yeah,

0:16:14.080 --> 0:16:16.640
<v Speaker 3>they're playing teenagers, they can kind of look like shit

0:16:16.800 --> 0:16:19.400
<v Speaker 3>and like be wearing confusing outfits and.

0:16:19.360 --> 0:16:21.760
<v Speaker 2>Like be sweaty, and.

0:16:21.400 --> 0:16:23.720
<v Speaker 3>Like it feels like such a cool like because this

0:16:23.840 --> 0:16:27.160
<v Speaker 3>is Debora Kaplan and Harry Elphont's first feature, and it's

0:16:27.200 --> 0:16:28.720
<v Speaker 3>like you can tell they're not working with a lot

0:16:28.720 --> 0:16:30.119
<v Speaker 3>of money, so sometimes people.

0:16:29.840 --> 0:16:30.800
<v Speaker 2>Are just sweating.

0:16:31.120 --> 0:16:35.640
<v Speaker 3>Yeah, and Jason Siegel's there, and I guess we'll allow it.

0:16:36.120 --> 0:16:40.120
<v Speaker 2>Yeah why not? Yeah, I don't know. I'm excited to

0:16:40.120 --> 0:16:42.640
<v Speaker 2>talk about it. Uh, Cantlee, what's your history with this movie?

0:16:43.040 --> 0:16:45.920
<v Speaker 1>I had seen it a couple of times before prepping

0:16:46.080 --> 0:16:48.800
<v Speaker 1>for the episode. It wasn't something that was like in

0:16:48.880 --> 0:16:52.520
<v Speaker 1>heavy rotation for me. But I saw it, I think

0:16:52.560 --> 0:16:56.960
<v Speaker 1>for the first time in probably college. I don't think

0:16:56.960 --> 0:16:58.680
<v Speaker 1>I saw it when I was still in high school,

0:16:58.680 --> 0:16:59.920
<v Speaker 1>so I was by the time I saw it for

0:16:59.920 --> 0:17:02.440
<v Speaker 1>the first time. I was just like high school, I

0:17:02.440 --> 0:17:06.720
<v Speaker 1>already did that, I'm not impressed. And then I feel

0:17:06.720 --> 0:17:09.200
<v Speaker 1>like I saw it again within the past five years.

0:17:09.320 --> 0:17:12.080
<v Speaker 1>I don't know what would have necessarily compelled me to

0:17:12.880 --> 0:17:15.880
<v Speaker 1>rewatch it. Maybe just because I was like, I love

0:17:15.960 --> 0:17:18.680
<v Speaker 1>Josie and the Pussycats and I want to be more

0:17:18.760 --> 0:17:23.200
<v Speaker 1>familiar with those filmmakers work. So I watched it again,

0:17:23.359 --> 0:17:25.840
<v Speaker 1>and I was reminded that it's like, like you were saying,

0:17:25.920 --> 0:17:29.280
<v Speaker 1>Jamie a more I would say, a slightly more subversive

0:17:29.520 --> 0:17:34.479
<v Speaker 1>version of like a teen ensemble cast movie.

0:17:34.920 --> 0:17:37.760
<v Speaker 2>I was reading because I was having like.

0:17:37.800 --> 0:17:41.240
<v Speaker 3>A half baked version of this thought. And then I

0:17:41.320 --> 0:17:45.119
<v Speaker 3>was reading the big retrospective of this movie that was

0:17:45.119 --> 0:17:48.119
<v Speaker 3>published in The Ringer like five years ago or so.

0:17:48.680 --> 0:17:52.520
<v Speaker 3>And Deborah and Harry because we're friends and so let's

0:17:52.560 --> 0:17:55.520
<v Speaker 3>just call them Deborah and Harry. They said, they're like

0:17:55.920 --> 0:17:58.919
<v Speaker 3>our inspiration for this was what if the party scene

0:17:59.359 --> 0:18:01.679
<v Speaker 3>from Say Say He was a movie? And I was like,

0:18:01.920 --> 0:18:05.679
<v Speaker 3>this movie has so much say anything energy to it,

0:18:05.720 --> 0:18:10.600
<v Speaker 3>like the the friendship between Preston and Denise felt very

0:18:10.760 --> 0:18:14.080
<v Speaker 3>say anything, because that's like another thing teen movies famously

0:18:14.119 --> 0:18:17.600
<v Speaker 3>can't do is like friends of the opposite gender not

0:18:18.359 --> 0:18:19.520
<v Speaker 3>getting married at.

0:18:19.440 --> 0:18:22.240
<v Speaker 5>The end of the movie. That's so cool to know.

0:18:22.920 --> 0:18:26.399
<v Speaker 3>Preston and Denise are so cool. Like it reminds me

0:18:26.480 --> 0:18:28.679
<v Speaker 3>so much of friendships that I had where it's like

0:18:28.720 --> 0:18:32.440
<v Speaker 3>there's like not not any sexual tension.

0:18:32.200 --> 0:18:33.480
<v Speaker 2>Between them that part.

0:18:33.600 --> 0:18:36.320
<v Speaker 3>Yeah, but it's clear they're never going to act on

0:18:36.400 --> 0:18:39.440
<v Speaker 3>it and like it's never gonna happen. I was like, ooh,

0:18:39.480 --> 0:18:43.360
<v Speaker 3>I definitely was friends. I had those friendships where.

0:18:43.200 --> 0:18:46.560
<v Speaker 2>Sometimes you're like stop and then you're like, oh.

0:18:46.080 --> 0:18:47.159
<v Speaker 1>I hate it.

0:18:47.200 --> 0:18:51.280
<v Speaker 5>I love the extra like puh, Like it's very that

0:18:51.800 --> 0:18:54.080
<v Speaker 5>and I think so too, because it's super like you know,

0:18:54.640 --> 0:18:57.439
<v Speaker 5>it's not not there, but they're never gonna act on

0:18:57.520 --> 0:19:01.399
<v Speaker 5>it for the sake of like we're such friends. Like

0:19:02.000 --> 0:19:05.720
<v Speaker 5>this would was so weird. It would have quite literally

0:19:05.800 --> 0:19:10.719
<v Speaker 5>ruin and I'm going to n yu. So I can't

0:19:10.800 --> 0:19:11.520
<v Speaker 5>like deal with.

0:19:11.440 --> 0:19:15.480
<v Speaker 3>That, like and honestly, like, you don't want to Kurt

0:19:15.520 --> 0:19:18.600
<v Speaker 3>Vonnaget boyfriend going into college dead way, don't.

0:19:19.160 --> 0:19:22.520
<v Speaker 5>No, not when you already wear like leather jacket and

0:19:22.640 --> 0:19:26.159
<v Speaker 5>lace like unronically to a teen party with your like

0:19:26.560 --> 0:19:31.000
<v Speaker 5>haircut and no, it's just no, no, I love that

0:19:31.119 --> 0:19:31.720
<v Speaker 5>character though.

0:19:31.760 --> 0:19:35.840
<v Speaker 1>She's so cool. Right, all right, let's take a quick

0:19:35.840 --> 0:19:38.320
<v Speaker 1>break and then we'll come back for the.

0:19:38.119 --> 0:19:51.480
<v Speaker 2>Recap and we're back.

0:19:52.040 --> 0:19:58.480
<v Speaker 1>Okay, Ready, here we go. It's high school graduation and

0:19:58.840 --> 0:20:02.720
<v Speaker 1>all the teens are talking about a huge party that night,

0:20:03.280 --> 0:20:07.879
<v Speaker 1>and there's a rumor going around that Mike Dexter also.

0:20:07.960 --> 0:20:11.359
<v Speaker 5>I was like, okay, oh my god, the last Lennon boyfriend. Yes,

0:20:11.520 --> 0:20:14.320
<v Speaker 5>astronaut Mike Dexter from thirty Rock.

0:20:14.400 --> 0:20:20.679
<v Speaker 3>Yeah, yes, unbelievably distracting, so distracting, incredibly because I was like,

0:20:20.720 --> 0:20:23.520
<v Speaker 3>why do I Why do I know that name?

0:20:23.680 --> 0:20:25.520
<v Speaker 5>Why do I know this name? Yeah?

0:20:25.640 --> 0:20:28.280
<v Speaker 2>Is there any real I'm like, did they just pick

0:20:28.359 --> 0:20:29.920
<v Speaker 2>two first names?

0:20:30.000 --> 0:20:30.080
<v Speaker 3>Like?

0:20:30.320 --> 0:20:31.000
<v Speaker 1>Is it?

0:20:31.160 --> 0:20:31.880
<v Speaker 2>Or is that?

0:20:31.960 --> 0:20:32.080
<v Speaker 5>Like?

0:20:32.280 --> 0:20:34.960
<v Speaker 3>Was there a writer at thirty Rock, like a fan

0:20:35.080 --> 0:20:36.920
<v Speaker 3>of this movie? Really bizarre?

0:20:37.000 --> 0:20:39.119
<v Speaker 1>We don't know, but you know, one of the main

0:20:39.200 --> 0:20:45.320
<v Speaker 1>characters is named basically astronaut Mike Dexter. He has dumped

0:20:45.480 --> 0:20:48.320
<v Speaker 1>Amanda Beckett and it's a big deal. All the teens

0:20:48.320 --> 0:20:52.480
<v Speaker 1>are talking about it. And then when Preston Myers played

0:20:52.520 --> 0:20:56.600
<v Speaker 1>by Ethan Embry, learns this, he is elated because he

0:20:56.640 --> 0:21:00.439
<v Speaker 1>has a huge crush on Amanda and he is his

0:21:00.520 --> 0:21:04.760
<v Speaker 1>best friend Denise played by Lauren Ambrose, that he wants

0:21:04.800 --> 0:21:08.880
<v Speaker 1>to finish what he started with Amanda four years priori,

0:21:09.160 --> 0:21:11.480
<v Speaker 1>which turns out to be nothing.

0:21:11.800 --> 0:21:17.760
<v Speaker 3>And if that sounds like a threat, it kind of really.

0:21:16.680 --> 0:21:19.040
<v Speaker 2>He's not not stalking her.

0:21:20.480 --> 0:21:22.960
<v Speaker 5>Very sinister retelling of the plot.

0:21:23.320 --> 0:21:24.720
<v Speaker 2>Yes.

0:21:24.960 --> 0:21:29.200
<v Speaker 1>Yeah, So we see a flashback where Preston like misses

0:21:29.240 --> 0:21:32.560
<v Speaker 1>his chance to give her a tour of the school

0:21:32.680 --> 0:21:34.920
<v Speaker 1>on her first day of school because she moved there

0:21:35.000 --> 0:21:38.480
<v Speaker 1>freshman year, and Mike Dexter gives her the tour instead,

0:21:38.600 --> 0:21:42.280
<v Speaker 1>which led them to getting together. So Preston missed out

0:21:42.560 --> 0:21:46.359
<v Speaker 1>on his chance, but now that Amanda is single, Preston

0:21:46.600 --> 0:21:51.399
<v Speaker 1>is going to make a move. Meanwhile, we meet astronaut

0:21:51.440 --> 0:21:56.480
<v Speaker 1>Mike Dexter, who is played by Peter Fatchinelli aka Carlisle

0:21:56.760 --> 0:21:58.600
<v Speaker 1>Cullen from Twilight.

0:21:59.000 --> 0:22:04.760
<v Speaker 5>Yeah, but this movie is so rooted in like teendum,

0:22:05.440 --> 0:22:08.919
<v Speaker 5>you know what I mean? Because also the teacher in

0:22:09.560 --> 0:22:12.000
<v Speaker 5>like the flashback scene when he was me she was

0:22:12.160 --> 0:22:14.840
<v Speaker 5>one of the og pink ladies from Greece. She's one

0:22:14.880 --> 0:22:18.439
<v Speaker 5>of the ones who sings like the toothbrush song in Grease.

0:22:18.840 --> 0:22:23.760
<v Speaker 5>This movie is like rooted in teen film history and

0:22:23.800 --> 0:22:27.119
<v Speaker 5>to then have this Cullen come on Hello.

0:22:27.040 --> 0:22:30.479
<v Speaker 3>I'm really like fascinated by like, and I don't I'm

0:22:30.560 --> 0:22:33.960
<v Speaker 3>sure that it's like rarely intentional, but like an actor

0:22:34.040 --> 0:22:37.800
<v Speaker 3>that is just like a mainstay of like coming of age,

0:22:37.840 --> 0:22:40.480
<v Speaker 3>like through their career, like Luke Perry comes to mind,

0:22:40.960 --> 0:22:45.200
<v Speaker 3>like through his career he was always in teen stuff,

0:22:45.359 --> 0:22:48.880
<v Speaker 3>even when he was fifty, and you're just like, it's

0:22:49.040 --> 0:22:50.399
<v Speaker 3>just where he thrives.

0:22:50.480 --> 0:22:53.600
<v Speaker 2>Who knows why, It's just where he thrives.

0:22:53.960 --> 0:22:56.000
<v Speaker 1>You know, we all have our little.

0:22:55.720 --> 0:22:59.200
<v Speaker 3>Niche yes, And I feel like, you know, Peter Facinelli's

0:22:59.200 --> 0:23:03.080
<v Speaker 3>same energy he was on he was on Supergirl, like oh.

0:23:02.920 --> 0:23:05.919
<v Speaker 2>He yeah, he's for the teens who can.

0:23:05.800 --> 0:23:12.439
<v Speaker 5>Say why, oh well, Mike Dexter, he's this like jock

0:23:12.960 --> 0:23:18.320
<v Speaker 5>bro dude, asshole type and he encourages his other shitty

0:23:18.400 --> 0:23:21.239
<v Speaker 5>jock friends to break up with their girlfriends like he

0:23:21.400 --> 0:23:23.000
<v Speaker 5>just did, and they're.

0:23:22.800 --> 0:23:26.520
<v Speaker 1>Like, yeah, that's a great idea. These girls are holding

0:23:26.600 --> 0:23:30.280
<v Speaker 1>us back. Also, one of the jock friends is Sean

0:23:30.359 --> 0:23:33.720
<v Speaker 1>Patrick Thomas from Save the Last Dance, which we just covered.

0:23:34.480 --> 0:23:38.359
<v Speaker 3>So that was a nineties jump. Scarrow wasn't prepared for it,

0:23:38.400 --> 0:23:39.680
<v Speaker 3>but I was like, of course.

0:23:39.520 --> 0:23:40.040
<v Speaker 1>He's there.

0:23:40.480 --> 0:23:41.240
<v Speaker 2>Yeah.

0:23:41.359 --> 0:23:46.600
<v Speaker 1>Then we meet William Lichter played by Charlie Coursmo. He's

0:23:46.640 --> 0:23:50.880
<v Speaker 1>the class valedictorian. He hates Mike Dexter for bullying him

0:23:51.160 --> 0:23:55.399
<v Speaker 1>for years, and so William and his like quote unquote

0:23:55.440 --> 0:24:01.199
<v Speaker 1>nerd friends are plotting this like revenge scheme, Revenge of

0:24:01.240 --> 0:24:01.920
<v Speaker 1>the Nerds.

0:24:02.400 --> 0:24:05.959
<v Speaker 2>Much. It does have like a little bit of Incelli.

0:24:05.600 --> 0:24:08.520
<v Speaker 5>Agy, yeah very much. That. Yeah.

0:24:08.680 --> 0:24:11.399
<v Speaker 1>Anyway, they're planning this scheme against Mike Dexter and his

0:24:11.520 --> 0:24:15.520
<v Speaker 1>jock friends at the party that night. Then we meet

0:24:15.920 --> 0:24:20.760
<v Speaker 1>Kenny Fisher, that's Seth Green and his friends. And the

0:24:20.840 --> 0:24:25.600
<v Speaker 1>thing about them is that they are white kids who

0:24:25.680 --> 0:24:28.640
<v Speaker 1>are appropriating black culture.

0:24:28.560 --> 0:24:31.920
<v Speaker 5>And they are like called Homeboy number one in Homeboy

0:24:32.040 --> 0:24:35.920
<v Speaker 5>number two in the like oh yeah.

0:24:35.440 --> 0:24:40.960
<v Speaker 2>The character titles on this movie. It's a mess. Yeah,

0:24:41.200 --> 0:24:41.840
<v Speaker 2>it's a mess.

0:24:42.920 --> 0:24:46.520
<v Speaker 1>It's messy. And then the other thing with Kenny Fisher

0:24:46.680 --> 0:24:49.720
<v Speaker 1>is that he is like desperate to have sex with

0:24:49.840 --> 0:24:52.720
<v Speaker 1>basically any girl at the party, and he has this

0:24:52.800 --> 0:24:57.000
<v Speaker 1>whole backpack full of like lube and condoms and candles

0:24:57.520 --> 0:24:59.800
<v Speaker 1>and all this like sex paraphernalia.

0:25:00.080 --> 0:25:02.600
<v Speaker 2>He's got like the sex equivalent of a go bag.

0:25:02.880 --> 0:25:05.160
<v Speaker 2>Like it's just really.

0:25:05.200 --> 0:25:07.720
<v Speaker 5>The fact that it like flaps open to like it

0:25:07.800 --> 0:25:11.240
<v Speaker 5>en zips all the way. Something about that never sat

0:25:11.359 --> 0:25:13.240
<v Speaker 5>right with me because I was like, book bags don't

0:25:13.560 --> 0:25:16.880
<v Speaker 5>do that, so that must be for something naughty.

0:25:17.520 --> 0:25:21.439
<v Speaker 3>Another bizarrely sinister element of this movie.

0:25:22.000 --> 0:25:26.640
<v Speaker 5>Yes, the boys in this movie are scary kind of.

0:25:26.600 --> 0:25:30.280
<v Speaker 3>Across the board, like I'm not rooting for a single

0:25:30.359 --> 0:25:31.680
<v Speaker 3>one of them.

0:25:31.720 --> 0:25:36.000
<v Speaker 1>Nope. Okay. So people start arriving at the party, including

0:25:36.200 --> 0:25:39.600
<v Speaker 1>Preston and Denise, and Preston feels really good about his

0:25:39.720 --> 0:25:44.080
<v Speaker 1>chances at getting with Amanda Beckett, partly because he hears

0:25:44.119 --> 0:25:48.159
<v Speaker 1>a Barry Manilow song Mandy on the radio and he's like,

0:25:48.160 --> 0:25:51.200
<v Speaker 1>that's basically the same name as Amanda, so he takes

0:25:51.200 --> 0:25:54.280
<v Speaker 1>it as a sign that he should give her a letter,

0:25:54.920 --> 0:26:00.119
<v Speaker 1>like a love letter that he wrote for Amanda. When

0:26:00.160 --> 0:26:02.639
<v Speaker 1>we finally see Amanda on screen for the first time,

0:26:02.840 --> 0:26:05.760
<v Speaker 1>she's played by Jennifer Love Hewitt. She shows up at

0:26:05.800 --> 0:26:09.040
<v Speaker 1>the party and Preston's like, Okay, I'm gonna go give

0:26:09.040 --> 0:26:11.239
<v Speaker 1>her my letter, but he's still trying to work up

0:26:11.280 --> 0:26:16.000
<v Speaker 1>the nerve. He keeps missing opportunities. Then Amanda talks to

0:26:16.320 --> 0:26:21.880
<v Speaker 1>her cousin about her breakup and how oh yeah.

0:26:21.960 --> 0:26:25.359
<v Speaker 5>Yeah, yeah, it's just I don't know if this is

0:26:25.359 --> 0:26:28.040
<v Speaker 5>where the cousin stuff started, like you know how it

0:26:28.119 --> 0:26:31.280
<v Speaker 5>ends up in Mean Girls Too, but like, oh yeah, no,

0:26:31.400 --> 0:26:32.280
<v Speaker 5>thank you please.

0:26:32.240 --> 0:26:34.879
<v Speaker 3>That I mean, first of all, fuck this guy because

0:26:34.880 --> 0:26:37.760
<v Speaker 3>he full on assaults her, and also fuck Preston because

0:26:37.760 --> 0:26:38.760
<v Speaker 3>Preston walks in.

0:26:38.760 --> 0:26:42.480
<v Speaker 5>And does not nothing, do anything, nothing.

0:26:42.280 --> 0:26:44.159
<v Speaker 3>And I know I know that he's like assuming that

0:26:44.160 --> 0:26:47.040
<v Speaker 3>they're hooking up, but it's like she's visibly struggling and.

0:26:46.960 --> 0:26:50.040
<v Speaker 2>He's like and he's like, oh, she doesn't like me.

0:26:50.160 --> 0:26:53.399
<v Speaker 2>I was like, you don't like her, she's gotta assault it.

0:26:53.440 --> 0:26:55.240
<v Speaker 2>You're not doing anything, you fucking lose her.

0:26:55.560 --> 0:27:00.879
<v Speaker 1>Yeah, So what happens here is that her cousin, Amanda's

0:27:00.920 --> 0:27:04.440
<v Speaker 1>talking to him about her breakup and how it has

0:27:04.480 --> 0:27:07.280
<v Speaker 1>like affected her sense of identity and who is she

0:27:07.320 --> 0:27:11.160
<v Speaker 1>if she's not Mike's girlfriend, and then he responds by

0:27:11.800 --> 0:27:18.280
<v Speaker 1>like surprise, incest kissing her and she's like, what the fuck, dude,

0:27:18.600 --> 0:27:21.280
<v Speaker 1>And then Preston walks in at the exact wrong moment.

0:27:21.400 --> 0:27:24.040
<v Speaker 1>He assumes that, you know, she's just kissing another guy,

0:27:25.080 --> 0:27:28.520
<v Speaker 1>and then he's hurt by this and Preston throws the

0:27:28.600 --> 0:27:29.359
<v Speaker 1>letter away.

0:27:30.080 --> 0:27:30.639
<v Speaker 2>Yeah.

0:27:30.720 --> 0:27:34.400
<v Speaker 1>Then Preston leaves the party and he's like moping about

0:27:34.440 --> 0:27:37.360
<v Speaker 1>how she isn't supposed to be with someone else, She's

0:27:37.359 --> 0:27:40.399
<v Speaker 1>supposed to be with him because he believes in fate

0:27:40.800 --> 0:27:43.960
<v Speaker 1>and how there's like one person for each of us.

0:27:44.160 --> 0:27:46.760
<v Speaker 3>Right, and all of his stuff basically boils down to like,

0:27:46.880 --> 0:27:49.639
<v Speaker 3>she needs to be with me because I said so, Like,

0:27:49.840 --> 0:27:50.600
<v Speaker 3>that's all it is.

0:27:50.680 --> 0:27:53.080
<v Speaker 5>Because I fell in love with you when you walked

0:27:53.080 --> 0:27:57.280
<v Speaker 5>in one time. In over four years, that love has

0:27:57.359 --> 0:28:00.760
<v Speaker 5>simply just grown. And I know I could have talked

0:28:00.800 --> 0:28:04.879
<v Speaker 5>to you at a locker or like a game or whatever.

0:28:04.920 --> 0:28:08.000
<v Speaker 5>I've never been through this many rewrites in my entire

0:28:08.119 --> 0:28:11.200
<v Speaker 5>life that he has in this like letter.

0:28:11.520 --> 0:28:14.320
<v Speaker 1>Yeah, because he says he's rewritten it like a thousand

0:28:14.400 --> 0:28:16.200
<v Speaker 1>times or something like that. I don't know if that's

0:28:16.240 --> 0:28:20.600
<v Speaker 1>hyperbole or what, but I'm just like, you've never talked

0:28:20.600 --> 0:28:23.080
<v Speaker 1>to her, How do you even know if you like

0:28:23.119 --> 0:28:27.720
<v Speaker 1>her anyway? All Right? So then there's a scene where

0:28:27.760 --> 0:28:31.840
<v Speaker 1>Preston crosses paths with a stripper dressed as an angel

0:28:31.920 --> 0:28:33.560
<v Speaker 1>played by Jenna Elfman.

0:28:33.920 --> 0:28:34.480
<v Speaker 5>Incredible.

0:28:34.600 --> 0:28:38.040
<v Speaker 2>She loved the sentence. Love the scene.

0:28:38.400 --> 0:28:43.400
<v Speaker 1>Yea She tells him about this time when she missed

0:28:43.440 --> 0:28:47.360
<v Speaker 1>her opportunity to talk to Scott Bao.

0:28:48.280 --> 0:28:50.280
<v Speaker 2>And very nineteen ninety eight.

0:28:50.440 --> 0:28:54.720
<v Speaker 1>Yeah, and how she's always regretted it, and Preston doesn't

0:28:54.720 --> 0:28:57.440
<v Speaker 1>want to make that same mistake, so he heads back

0:28:57.480 --> 0:29:01.360
<v Speaker 1>to the party to try to talk to Amanda. Meanwhile,

0:29:01.720 --> 0:29:06.479
<v Speaker 1>the valedictorian kid William is getting drunk and letting loose

0:29:06.640 --> 0:29:11.160
<v Speaker 1>for the first time. Mike Dexter is annoyed that none

0:29:11.200 --> 0:29:15.400
<v Speaker 1>of the other jocks have broken up with their girlfriends yet.

0:29:15.480 --> 0:29:18.840
<v Speaker 3>He's He does not realize how bizarre he seems, just

0:29:18.960 --> 0:29:22.720
<v Speaker 3>marching up to couples actively making out and being like, I.

0:29:22.720 --> 0:29:23.600
<v Speaker 2>Need to talk to you.

0:29:23.720 --> 0:29:27.680
<v Speaker 3>It's like you are the weirdest man in the entire world.

0:29:27.720 --> 0:29:30.640
<v Speaker 3>The movie knows that, but yeah, Mike Dexter doesn't.

0:29:30.960 --> 0:29:34.360
<v Speaker 5>Yeah, he like starts to see hisself getting sadder by

0:29:34.440 --> 0:29:37.560
<v Speaker 5>like couple three I think, and then he's like, h

0:29:38.080 --> 0:29:39.880
<v Speaker 5>wait a minute, wait.

0:29:39.640 --> 0:29:41.000
<v Speaker 1>Did I make a mistake?

0:29:41.640 --> 0:29:45.120
<v Speaker 3>Sometimes I've like when you see just like men do

0:29:45.360 --> 0:29:47.600
<v Speaker 3>shit like that, You're like, give me that confidence for

0:29:47.720 --> 0:29:51.560
<v Speaker 3>one second. Let me do something that sucked up and

0:29:51.800 --> 0:29:54.640
<v Speaker 3>like have no idea.

0:29:55.160 --> 0:29:59.800
<v Speaker 1>Yep, Okay, So Meanwhile, Denise is wandering around by herself,

0:30:00.200 --> 0:30:04.480
<v Speaker 1>having trouble like connecting with anyone. Seth Green is trying

0:30:04.520 --> 0:30:08.680
<v Speaker 1>to hit on different girls, mostly to no avail, until

0:30:08.720 --> 0:30:10.400
<v Speaker 1>he finds a girl who is willing to go to

0:30:10.560 --> 0:30:13.520
<v Speaker 1>the poolhouse with him, so he goes to the bathroom

0:30:13.600 --> 0:30:18.920
<v Speaker 1>to like get ready for sex, but then Denise bursts

0:30:18.920 --> 0:30:22.240
<v Speaker 1>in and they get stuck in the bathroom together because

0:30:22.280 --> 0:30:25.400
<v Speaker 1>the door is broken, and so we see some scenes

0:30:25.480 --> 0:30:29.200
<v Speaker 1>with them in the bathroom. Denise calls out Seth Green

0:30:29.240 --> 0:30:35.920
<v Speaker 1>what's his character's name, Kenny Kenny Kenny, for being fake,

0:30:36.160 --> 0:30:39.719
<v Speaker 1>and she's like, look in the mirror, you're white, and

0:30:39.760 --> 0:30:44.280
<v Speaker 1>he's like, what crazy, And then we learn that they

0:30:44.400 --> 0:30:47.360
<v Speaker 1>used to be friends, but ever since, like high school

0:30:47.440 --> 0:30:49.920
<v Speaker 1>or middle school, they've kind of drifted apart and they

0:30:49.960 --> 0:30:54.880
<v Speaker 1>don't talk to each other anymore. Also, Preston's letter to

0:30:55.080 --> 0:30:59.640
<v Speaker 1>Amanda kind of fatefully makes its way back into the

0:30:59.640 --> 0:31:02.680
<v Speaker 1>house because it's like getting stuck on people's shoes and

0:31:02.720 --> 0:31:05.800
<v Speaker 1>like flying around the air, and it ends up right

0:31:05.840 --> 0:31:08.080
<v Speaker 1>in front of Amanda, so she picks it up and

0:31:08.120 --> 0:31:11.640
<v Speaker 1>reads it and then she's like, wait, who's Preston Myers?

0:31:12.240 --> 0:31:16.680
<v Speaker 5>So she started like exactly exactly who indeed, I like

0:31:16.680 --> 0:31:18.440
<v Speaker 5>how They're like, how could you not remember him?

0:31:18.480 --> 0:31:22.560
<v Speaker 3>I'm like, name one memorable quality about it? Sorry about

0:31:22.560 --> 0:31:23.600
<v Speaker 3>this child.

0:31:23.960 --> 0:31:28.360
<v Speaker 5>I will say that, like, that scene of the letter

0:31:28.520 --> 0:31:31.520
<v Speaker 5>passing has been one of to me, one of like

0:31:31.560 --> 0:31:34.440
<v Speaker 5>the coolest scenes I've ever seen in like a seen movie,

0:31:34.880 --> 0:31:38.160
<v Speaker 5>because it's just so like I don't know something about it.

0:31:38.200 --> 0:31:40.360
<v Speaker 5>I was just like, this is so cool. And I

0:31:40.480 --> 0:31:45.400
<v Speaker 5>vividly remember rewinding that scene so many times, like I

0:31:45.440 --> 0:31:47.160
<v Speaker 5>just thought it was so cool. I was like, this

0:31:47.240 --> 0:31:48.800
<v Speaker 5>is creative flow.

0:31:49.680 --> 0:31:53.880
<v Speaker 1>It's like slightly a Rube Goldberg machine kind of thing

0:31:54.200 --> 0:31:58.080
<v Speaker 1>ish or adjacent. Anyway, it is. It's visually fun. And

0:31:58.120 --> 0:32:00.479
<v Speaker 1>so she gets the letter and she starts going around

0:32:00.560 --> 0:32:04.479
<v Speaker 1>asking people who and where Preston Myers is, but no

0:32:04.520 --> 0:32:08.880
<v Speaker 1>one gives her a clear answer. Right Meanwhile, Mike Dexter

0:32:09.120 --> 0:32:12.320
<v Speaker 1>talks to Jerry O'Connell, who's in the movie for a

0:32:12.360 --> 0:32:16.160
<v Speaker 1>few minutes, and Mike Dexter realizes that maybe it was

0:32:16.160 --> 0:32:19.440
<v Speaker 1>a mistake to break up with Amanda based on Jerry

0:32:19.440 --> 0:32:22.880
<v Speaker 1>O'Connell being this like former high school stud but now

0:32:22.880 --> 0:32:25.680
<v Speaker 1>that he's a college freshman. None of the girls one

0:32:25.720 --> 0:32:26.000
<v Speaker 1>a day.

0:32:26.200 --> 0:32:29.000
<v Speaker 2>I'm a dozen, so I'm sorry.

0:32:29.040 --> 0:32:34.440
<v Speaker 5>He is not a freshman. He is thirty thirty.

0:32:34.480 --> 0:32:37.600
<v Speaker 2>Well I looked it up. He and he and Seth

0:32:37.600 --> 0:32:40.240
<v Speaker 2>are the same age. I think that he just looks more.

0:32:41.360 --> 0:32:44.280
<v Speaker 3>I don't know, he just looks like, uh, he looks

0:32:44.280 --> 0:32:45.160
<v Speaker 3>older than he is.

0:32:45.240 --> 0:32:48.920
<v Speaker 5>He looks grown as shit. Yeah. Like because when they

0:32:48.960 --> 0:32:52.840
<v Speaker 5>said that, I was like, what, No.

0:32:53.040 --> 0:32:57.360
<v Speaker 3>But the name Trip McNeely again, incredible. Now that isn't

0:32:57.680 --> 0:33:02.520
<v Speaker 3>a teenager MCA high school kind of name, like that

0:33:02.760 --> 0:33:06.760
<v Speaker 3>kid never existed, but he exists in high school movies exclusively,

0:33:07.040 --> 0:33:08.120
<v Speaker 3>Trip McNeely.

0:33:08.880 --> 0:33:12.960
<v Speaker 5>Wasn't there another Trip in another movie? Like a teen movie?

0:33:13.800 --> 0:33:17.120
<v Speaker 5>Trip was like two p's. Wait, I'm pretty sure, but

0:33:17.160 --> 0:33:18.840
<v Speaker 5>I can't remember.

0:33:19.360 --> 0:33:24.200
<v Speaker 2>I wrote Trip character. What that's not helpful? Trip Fontaine

0:33:24.200 --> 0:33:25.680
<v Speaker 2>from the Virgin Suicide.

0:33:26.160 --> 0:33:29.520
<v Speaker 5>That's who it is, because I am obsessed with the Virgin.

0:33:30.440 --> 0:33:35.600
<v Speaker 2>That was nice, jeeus we did ladies, we did.

0:33:35.440 --> 0:33:38.560
<v Speaker 5>It was that was solid.

0:33:38.880 --> 0:33:42.360
<v Speaker 3>Wow, Josh, that's even the Josh Hartnett character in the

0:33:42.440 --> 0:33:43.280
<v Speaker 3>Virgin Suicide.

0:33:43.400 --> 0:33:44.280
<v Speaker 5>Virgin Suicide.

0:33:44.400 --> 0:33:48.280
<v Speaker 2>Yeah, we got there. Wow, here's what I did, Trip character.

0:33:48.520 --> 0:33:52.000
<v Speaker 3>Then I clicked on the Wikipedia page for Trip. Then

0:33:52.040 --> 0:33:55.080
<v Speaker 3>I went to the subsection fictional characters.

0:33:54.840 --> 0:33:57.920
<v Speaker 5>For trip it was that easy, You didn't.

0:33:57.880 --> 0:34:00.560
<v Speaker 2>Trip McNeely does not appear on this list.

0:34:00.640 --> 0:34:08.200
<v Speaker 1>Unfortunately, Okay, trip erasure much the way. Okay, So Mike

0:34:08.280 --> 0:34:12.280
<v Speaker 1>Dexter realizes it was a mistake to break up with Amanda,

0:34:12.360 --> 0:34:15.160
<v Speaker 1>so he goes and tries to get back together with

0:34:15.200 --> 0:34:18.800
<v Speaker 1>her by surprise kissing her, and she's like ooh, no,

0:34:19.239 --> 0:34:23.560
<v Speaker 1>like we're through and you're an egotistical asshole. And then

0:34:23.600 --> 0:34:26.640
<v Speaker 1>after that, because like everyone was watching this whole scene

0:34:26.640 --> 0:34:29.240
<v Speaker 1>play out, a bunch of boys go up to Amanda

0:34:29.280 --> 0:34:32.040
<v Speaker 1>and try to get with her and she's like, ooh,

0:34:32.160 --> 0:34:34.920
<v Speaker 1>get away from me. And this is also when Preston

0:34:35.040 --> 0:34:39.840
<v Speaker 1>returns and like rushes over to Amanda, and he finally

0:34:39.920 --> 0:34:42.680
<v Speaker 1>works up the courage to tell her that he loves her.

0:34:42.880 --> 0:34:45.080
<v Speaker 1>But because she's so fed up with all of this

0:34:45.480 --> 0:34:49.120
<v Speaker 1>unwonted male attention, she's like, what you think I'm just

0:34:49.160 --> 0:34:52.799
<v Speaker 1>gonna have sex with you? Think again you lose her?

0:34:53.080 --> 0:34:55.520
<v Speaker 1>And you're like, yeah, fair, I mean fair.

0:34:55.560 --> 0:34:59.240
<v Speaker 5>Fair, Yeah, she was right, but also she's that's who

0:34:59.280 --> 0:34:59.880
<v Speaker 5>she's been.

0:34:59.760 --> 0:35:03.640
<v Speaker 1>Looking for, Yeah, exactly. She doesn't realize that. She does

0:35:03.680 --> 0:35:07.000
<v Speaker 1>not realize that he's Preston Meyers, the guy who wrote

0:35:07.040 --> 0:35:10.880
<v Speaker 1>the letter and who she's been asking around about, and

0:35:11.320 --> 0:35:15.239
<v Speaker 1>she's rejected him nonetheless, and so Preston is so so

0:35:15.239 --> 0:35:20.279
<v Speaker 1>so sad, and he runs away. We cut back to

0:35:20.360 --> 0:35:25.040
<v Speaker 1>the bathroom, and now Denise and Seth Green are kind

0:35:25.040 --> 0:35:29.600
<v Speaker 1>of vibing, and then he surprise kisses her, because there

0:35:29.680 --> 0:35:32.680
<v Speaker 1>are so many surprise kisses in this movie.

0:35:32.560 --> 0:35:34.120
<v Speaker 5>So many surprise kisses.

0:35:34.520 --> 0:35:37.360
<v Speaker 2>Yeah, in the nineties in general.

0:35:37.120 --> 0:35:39.920
<v Speaker 5>The nineties, Yeah, in general, especially teen film.

0:35:40.200 --> 0:35:43.080
<v Speaker 1>Yeah. But she actually likes it, and then they start

0:35:43.120 --> 0:35:47.879
<v Speaker 1>making out and then they have sex using the various

0:35:48.520 --> 0:35:51.600
<v Speaker 1>memorabilia from his weird back pinky back.

0:35:52.120 --> 0:35:53.600
<v Speaker 2>Yeah.

0:35:53.800 --> 0:35:59.080
<v Speaker 1>Cut back to Amanda for Denise, who looks up Preston

0:35:59.320 --> 0:36:02.160
<v Speaker 1>in the yearbook and she realizes that he's the guy

0:36:02.480 --> 0:36:06.239
<v Speaker 1>who she just lashed out at and she's like, oh no,

0:36:06.960 --> 0:36:09.759
<v Speaker 1>So she goes around trying to find him, but the

0:36:09.800 --> 0:36:12.799
<v Speaker 1>cops show up at the party and it breaks up

0:36:12.800 --> 0:36:17.600
<v Speaker 1>the party. Everyone scatters and Preston has already left. So

0:36:17.680 --> 0:36:22.719
<v Speaker 1>the next day, Preston and Denise are hanging out. She

0:36:22.800 --> 0:36:25.920
<v Speaker 1>tells Preston that she had sex with Seth Green, and

0:36:25.960 --> 0:36:30.640
<v Speaker 1>he's like, why'd you do that, yeah.

0:36:30.160 --> 0:36:34.120
<v Speaker 3>Which also like who are you I mean right again

0:36:34.440 --> 0:36:37.680
<v Speaker 3>talking a big game and for what it took you

0:36:37.840 --> 0:36:38.399
<v Speaker 3>four years?

0:36:38.560 --> 0:36:39.680
<v Speaker 1>Yeah?

0:36:39.840 --> 0:36:40.120
<v Speaker 5>Right?

0:36:40.880 --> 0:36:44.600
<v Speaker 1>And then Preston tells Denise that things didn't work out

0:36:44.640 --> 0:36:47.520
<v Speaker 1>with him and Amanda. I guess it just wasn't meant

0:36:47.560 --> 0:36:52.080
<v Speaker 1>to be. And he's about to leave for college slash

0:36:52.160 --> 0:36:56.600
<v Speaker 1>a Kurt Vonnegut workshop in Boston, so he's like leaving

0:36:56.680 --> 0:36:57.480
<v Speaker 1>that day.

0:36:57.520 --> 0:37:00.799
<v Speaker 3>And he's also at like Union Station. I was like,

0:37:01.040 --> 0:37:02.840
<v Speaker 3>you're about to be on the train ride of a

0:37:02.880 --> 0:37:07.920
<v Speaker 3>lifetime if you're taking a train to Boston whatever. I

0:37:07.960 --> 0:37:09.560
<v Speaker 3>know that that's not where the movie takes place, but

0:37:09.640 --> 0:37:11.080
<v Speaker 3>it is visibly Union Station.

0:37:12.719 --> 0:37:16.880
<v Speaker 1>And then we tie up some other loose ends with characters.

0:37:17.000 --> 0:37:20.760
<v Speaker 1>We get some text that tells us what their future holds.

0:37:21.000 --> 0:37:26.120
<v Speaker 1>For example, William goes to Harvard and forms a multimillion

0:37:26.160 --> 0:37:32.200
<v Speaker 1>dollar software company, and it's like, okay, Mark Zuckerberg vies.

0:37:31.719 --> 0:37:34.120
<v Speaker 2>Yeah, not rooting for him.

0:37:34.320 --> 0:37:37.280
<v Speaker 3>And then also I thought, like a pretty harsh ending

0:37:37.400 --> 0:37:41.040
<v Speaker 3>for Mike Dexter, both William and Mike. You're like, it's

0:37:41.200 --> 0:37:44.520
<v Speaker 3>very like Revenge of the Nerds era, like geekshell inherit

0:37:44.600 --> 0:37:45.000
<v Speaker 3>the Earth?

0:37:45.120 --> 0:37:45.920
<v Speaker 5>Yeah right?

0:37:46.080 --> 0:37:50.800
<v Speaker 1>And then yeah, because Mike Dexter's he like becomes a loser.

0:37:50.960 --> 0:37:54.560
<v Speaker 1>But there's a lot of like body shaming and.

0:37:54.480 --> 0:37:56.960
<v Speaker 2>Like class light class shaming.

0:37:56.719 --> 0:38:00.320
<v Speaker 1>Yeah, class shaming, making light of alcohol addiction, all of

0:38:00.360 --> 0:38:03.040
<v Speaker 1>this stuff to like, you know, imply that he's a loser.

0:38:03.080 --> 0:38:06.800
<v Speaker 1>Now we see a little text about Denise and Seth

0:38:06.880 --> 0:38:10.880
<v Speaker 1>Green and they're like on again, off again relationship. And

0:38:10.880 --> 0:38:14.040
<v Speaker 1>then the movie ends with Preston at the train station

0:38:14.800 --> 0:38:20.120
<v Speaker 1>and who shows up but Amanda with the letter he wrote,

0:38:20.440 --> 0:38:24.759
<v Speaker 1>and she's like, damn, you're leaving. Huh, well maybe this

0:38:24.880 --> 0:38:28.279
<v Speaker 1>is how it was supposed to be. Bye, And he's

0:38:28.320 --> 0:38:32.120
<v Speaker 1>like damn, yeah, bye. But then he's like, wait a minute, No,

0:38:32.480 --> 0:38:35.040
<v Speaker 1>that's the love of my life. So then he turns

0:38:35.080 --> 0:38:38.200
<v Speaker 1>around and he runs after her, and then they kiss

0:38:38.920 --> 0:38:42.640
<v Speaker 1>and they're still together to this day. And she writes

0:38:42.719 --> 0:38:44.560
<v Speaker 1>him letters or something and.

0:38:44.520 --> 0:38:47.759
<v Speaker 2>You're like, oh, we not do we not know what

0:38:47.880 --> 0:38:49.919
<v Speaker 2>she's gonna do with her life? No, we don't.

0:38:50.640 --> 0:38:54.160
<v Speaker 5>She writes him letters. That's what she does. She writes letters.

0:38:54.440 --> 0:38:55.600
<v Speaker 5>That's her literal life.

0:38:55.920 --> 0:38:59.319
<v Speaker 3>Wow, feminism, another wind for feminism.

0:39:00.120 --> 0:39:07.960
<v Speaker 1>Let's take another quick break and we'll come back to discuss.

0:39:14.000 --> 0:39:17.440
<v Speaker 1>And we're back Shelly, is there any particular place you

0:39:17.480 --> 0:39:19.759
<v Speaker 1>would like to start.

0:39:19.640 --> 0:39:25.799
<v Speaker 5>Yes, I definitely want to start with Kenny in his

0:39:26.920 --> 0:39:32.040
<v Speaker 5>Kenny's introduction, right, Okay, So when I was watching this movie,

0:39:32.760 --> 0:39:36.239
<v Speaker 5>like when I first watched it, I'm in middle school, right,

0:39:36.920 --> 0:39:39.040
<v Speaker 5>I don't think I had the words for like what

0:39:39.200 --> 0:39:42.440
<v Speaker 5>cultural appropriation was. I just knew that he was like

0:39:42.560 --> 0:39:46.640
<v Speaker 5>pretending to be black, right, So I don't know how

0:39:46.960 --> 0:39:50.400
<v Speaker 5>at the time, with my young mind, young age, how

0:39:51.480 --> 0:39:55.279
<v Speaker 5>offended I was, because I was just like, he also

0:39:55.440 --> 0:39:57.239
<v Speaker 5>wasn't the main part of the story that I was

0:39:57.600 --> 0:40:00.839
<v Speaker 5>that I cared about, you know. So I was just like,

0:40:01.000 --> 0:40:04.080
<v Speaker 5>this is weird because every time he came on, the

0:40:04.239 --> 0:40:06.839
<v Speaker 5>music in the background switched to like hip hop or

0:40:06.880 --> 0:40:10.600
<v Speaker 5>like something R and B and all that stuff. So

0:40:10.800 --> 0:40:14.600
<v Speaker 5>what I rewatched it like a few years ago, I

0:40:14.800 --> 0:40:20.240
<v Speaker 5>was like, uh oh, Like I was just I remember

0:40:20.280 --> 0:40:23.680
<v Speaker 5>being like, oh shit, this is so bad. And then

0:40:23.920 --> 0:40:27.600
<v Speaker 5>as I watched the movie more, I realized that when

0:40:27.600 --> 0:40:29.600
<v Speaker 5>I originally watched it when I was a kid, this

0:40:29.760 --> 0:40:32.960
<v Speaker 5>movie was the first time I started realizing pairings of

0:40:33.000 --> 0:40:36.959
<v Speaker 5>black people, right, like even in something like Clueless, which

0:40:36.960 --> 0:40:40.440
<v Speaker 5>it's so obvious, like you know, Dionne is with her boyfriend,

0:40:40.480 --> 0:40:43.839
<v Speaker 5>you know what I'm saying. I was like, oh, that's

0:40:44.200 --> 0:40:48.200
<v Speaker 5>like fine. But then I started realizing the purposeful pairings

0:40:48.239 --> 0:40:51.920
<v Speaker 5>of like the black characters, and I just thought that

0:40:51.960 --> 0:40:53.960
<v Speaker 5>was so interesting because obviously I saw him this movie too,

0:40:54.000 --> 0:40:55.640
<v Speaker 5>because they are the only two black people in the

0:40:55.640 --> 0:40:59.000
<v Speaker 5>school and the popular group like Mike Dexter's friends and

0:40:59.000 --> 0:41:03.480
<v Speaker 5>Amanda's friends. Like her name is Tamara, she's also in

0:41:04.400 --> 0:41:07.600
<v Speaker 5>the Wood and stuff like that. I realized her character.

0:41:07.840 --> 0:41:09.640
<v Speaker 1>Yeah, but like I.

0:41:09.560 --> 0:41:11.840
<v Speaker 5>Don't know, I think it's just so interesting that young

0:41:11.960 --> 0:41:15.800
<v Speaker 5>me did it not clock that about Kenny but didn't

0:41:16.400 --> 0:41:19.439
<v Speaker 5>wasn't fully like upset, like I think gen Z would

0:41:19.480 --> 0:41:22.120
<v Speaker 5>be like if this happened, if this movie came out now,

0:41:22.239 --> 0:41:25.080
<v Speaker 5>so many things obviously, but if that part of the

0:41:25.160 --> 0:41:29.440
<v Speaker 5>movie happened, I think a young eleven year old watching

0:41:29.440 --> 0:41:32.160
<v Speaker 5>it would still be like a young black eleven year

0:41:32.160 --> 0:41:35.760
<v Speaker 5>old watching it would be like, ah, this is terrible,

0:41:36.080 --> 0:41:38.319
<v Speaker 5>like he shouldn't be doing that. But at the time,

0:41:38.400 --> 0:41:42.160
<v Speaker 5>I just remember being like, this is weird, but he's

0:41:42.160 --> 0:41:44.000
<v Speaker 5>not my focus. So I just thought it was so

0:41:44.040 --> 0:41:49.040
<v Speaker 5>odd that that was such a choice of a character. Yes,

0:41:49.120 --> 0:41:53.239
<v Speaker 5>it was and I wonder, like you said, like there

0:41:53.360 --> 0:41:56.800
<v Speaker 5>was let you know, especially as like a middle school

0:41:56.880 --> 0:42:00.640
<v Speaker 5>age person, there wasn't quite the same length whige around

0:42:00.640 --> 0:42:04.879
<v Speaker 5>cultural appropriation as there is now, and you know, it's

0:42:04.920 --> 0:42:09.759
<v Speaker 5>not something that necessarily tweens are thinking about that much.

0:42:09.800 --> 0:42:11.960
<v Speaker 5>But also I wonder if it has anything to do

0:42:12.000 --> 0:42:14.760
<v Speaker 5>with the fact that, like this was like a pretty

0:42:15.440 --> 0:42:20.839
<v Speaker 5>like white people appropriating black culture and like speaking in

0:42:21.360 --> 0:42:25.799
<v Speaker 5>aave and like wearing fubuu and listening to exclusively hip

0:42:25.840 --> 0:42:28.800
<v Speaker 5>hop and stuff like that. Like this was a movement.

0:42:29.160 --> 0:42:31.759
<v Speaker 5>It was a horrible movement. Yeah, Like it was a

0:42:31.760 --> 0:42:35.360
<v Speaker 5>thing that for the time felt normalized quote unquote, just

0:42:35.360 --> 0:42:37.160
<v Speaker 5>because like a lot of people were doing it and

0:42:37.200 --> 0:42:40.600
<v Speaker 5>you saw characters like this on screen and movies from

0:42:40.640 --> 0:42:42.759
<v Speaker 5>this era. It was such a thing.

0:42:43.320 --> 0:42:44.840
<v Speaker 1>It was again, it was a horrible thing to have

0:42:44.920 --> 0:42:48.040
<v Speaker 1>been normalized. But yeah, it was a thing.

0:42:48.440 --> 0:42:52.719
<v Speaker 5>Yeah. I think the reason I didn't like maybe the

0:42:52.760 --> 0:42:54.400
<v Speaker 5>reason why I did. I knew that it was a

0:42:54.440 --> 0:42:57.040
<v Speaker 5>thing because I did see it. But in my everyday life, right,

0:42:57.080 --> 0:42:59.360
<v Speaker 5>Like I went to a mostly black school and stuff

0:42:59.400 --> 0:43:02.160
<v Speaker 5>like that, so it was it was kind of like

0:43:02.520 --> 0:43:04.440
<v Speaker 5>if there was a white boy in our school and

0:43:04.560 --> 0:43:07.080
<v Speaker 5>was acting like that. It kind of was like, that's

0:43:07.120 --> 0:43:10.839
<v Speaker 5>who he is versus A few years later, I went

0:43:10.840 --> 0:43:13.560
<v Speaker 5>to a school called Oak Park High School, and then

0:43:13.719 --> 0:43:18.400
<v Speaker 5>there was Cranbrooke High School not well sorry, Seahome, Birmingham,

0:43:18.480 --> 0:43:21.640
<v Speaker 5>Seahome or whatever, and they were a fancy school and

0:43:21.680 --> 0:43:24.480
<v Speaker 5>we would do this is so weird to talk about now,

0:43:24.920 --> 0:43:28.400
<v Speaker 5>but we would once a year they would have a

0:43:28.440 --> 0:43:31.600
<v Speaker 5>select group of students come to our school and we

0:43:31.640 --> 0:43:34.360
<v Speaker 5>would go to theirs for like a few days.

0:43:34.560 --> 0:43:36.919
<v Speaker 2>That sounds like a movie, it.

0:43:36.600 --> 0:43:39.359
<v Speaker 5>Is, And it was like to us, it was cool

0:43:39.400 --> 0:43:41.040
<v Speaker 5>to go see their shit because they had like a

0:43:41.080 --> 0:43:44.440
<v Speaker 5>really fancy school and all. But to them it was

0:43:44.520 --> 0:43:48.120
<v Speaker 5>like what were they learning, you know what I'm saying,

0:43:48.200 --> 0:43:49.840
<v Speaker 5>Other than being like, oh, they're here a bunch of

0:43:49.880 --> 0:43:52.280
<v Speaker 5>poor kids. So I remember like going there and stuff.

0:43:52.320 --> 0:43:56.080
<v Speaker 5>People would be like, there's white boys doing this weird

0:43:56.239 --> 0:44:00.759
<v Speaker 5>shit over there, like like and it was like they

0:44:00.760 --> 0:44:03.920
<v Speaker 5>were the Kennis and shit like that. But at our school,

0:44:04.040 --> 0:44:06.000
<v Speaker 5>if the white boys were doing it, it was kind

0:44:06.000 --> 0:44:08.719
<v Speaker 5>of just like, I don't know, a product of the environment.

0:44:08.719 --> 0:44:11.120
<v Speaker 5>It was a little bit. It wasn't as fake, you

0:44:11.120 --> 0:44:13.719
<v Speaker 5>know what I mean. So when I was watching this.

0:44:13.840 --> 0:44:15.960
<v Speaker 5>It kind of made me be. When I was younger,

0:44:16.040 --> 0:44:18.000
<v Speaker 5>I just didn't clock it, you know what I mean.

0:44:18.320 --> 0:44:21.120
<v Speaker 5>But now I was even today when I was rewatching

0:44:21.160 --> 0:44:24.040
<v Speaker 5>it again, I was like, oh my god, this is

0:44:24.239 --> 0:44:26.920
<v Speaker 5>so bad. This is it's so bad.

0:44:27.440 --> 0:44:31.799
<v Speaker 3>It's like I first of all that high school switch thing.

0:44:31.880 --> 0:44:33.640
<v Speaker 2>That's gonna stick with me because what.

0:44:34.200 --> 0:44:37.160
<v Speaker 1>Yes, well that's kind of the premise. Have you seen

0:44:37.200 --> 0:44:40.399
<v Speaker 1>that show jam or Jama? Is that what it is?

0:44:40.760 --> 0:44:43.200
<v Speaker 1>It's a spin off of Summer Heights High. It's an

0:44:43.239 --> 0:44:45.040
<v Speaker 1>Australian comedy show.

0:44:45.080 --> 0:44:49.480
<v Speaker 5>Oh oh, I know it're talking about in incredible It's

0:44:49.480 --> 0:44:52.000
<v Speaker 5>one of my favorite shows of all time. But yes,

0:44:52.200 --> 0:44:54.680
<v Speaker 5>it's similar to that, and we would do it like

0:44:54.680 --> 0:44:57.120
<v Speaker 5>Oak Park, Hi, I would do it with Birmingham Seahome

0:44:57.600 --> 0:45:01.120
<v Speaker 5>and you know we would see their fancy pool and

0:45:01.200 --> 0:45:04.280
<v Speaker 5>like their top like of the line of computer lab

0:45:04.440 --> 0:45:07.239
<v Speaker 5>and like. But thinking about it now, it's like when

0:45:07.280 --> 0:45:11.279
<v Speaker 5>they came to us, they were what being grateful for

0:45:11.400 --> 0:45:13.919
<v Speaker 5>what they had, like you know what I mean?

0:45:14.040 --> 0:45:16.080
<v Speaker 2>Right, it's like not and I don't.

0:45:16.120 --> 0:45:19.480
<v Speaker 3>I'm like, and what is the supposed takeaway from that

0:45:19.560 --> 0:45:23.000
<v Speaker 3>supposed to be like other than like systemic anger? But

0:45:23.120 --> 0:45:26.600
<v Speaker 3>it's like, do kids have language for that at that time?

0:45:26.840 --> 0:45:29.560
<v Speaker 5>No, because we were in high school at that time.

0:45:29.640 --> 0:45:32.439
<v Speaker 5>This is like early two thousands, you're just like, oh shit,

0:45:32.840 --> 0:45:36.200
<v Speaker 5>they have a computer lab with all colorful max. You

0:45:36.239 --> 0:45:39.399
<v Speaker 5>know what I mean? Right, Like we weren't at least

0:45:39.400 --> 0:45:42.080
<v Speaker 5>I wasn't taken away anything from it other than being like,

0:45:42.280 --> 0:45:45.280
<v Speaker 5>I want a computer room with colorful.

0:45:44.840 --> 0:45:48.080
<v Speaker 3>Max, right right, I mean it's like, yeah, I think

0:45:48.080 --> 0:45:49.600
<v Speaker 3>when I was in high school, might take away would

0:45:49.600 --> 0:45:51.879
<v Speaker 3>have been like, oh fuck these rich kids, fuck them,

0:45:51.960 --> 0:45:54.279
<v Speaker 3>I'm mad at them, I hate them, and not like

0:45:54.760 --> 0:45:57.560
<v Speaker 3>why do we not get access to this exactly?

0:45:57.600 --> 0:45:59.160
<v Speaker 2>I don't know.

0:45:59.280 --> 0:46:02.040
<v Speaker 3>It's almost like children are not operating. But I feel

0:46:02.080 --> 0:46:05.560
<v Speaker 3>like I hope maybe today's kids are are a little

0:46:05.600 --> 0:46:07.720
<v Speaker 3>different or at least like are a little more.

0:46:07.600 --> 0:46:09.520
<v Speaker 2>Conditioned to think that way for sure.

0:46:09.880 --> 0:46:15.200
<v Speaker 3>With Kenny, yeah, I'm interested to talk about him because

0:46:15.640 --> 0:46:18.439
<v Speaker 3>Kaitlin and I agree that it's like this. It's not

0:46:18.520 --> 0:46:23.319
<v Speaker 3>like this movie invented this stock character. This was definitely

0:46:23.760 --> 0:46:27.759
<v Speaker 3>I mean I knew versions of this kid. Yeah, And

0:46:27.800 --> 0:46:29.719
<v Speaker 3>I feel like a lot like if you went to

0:46:29.960 --> 0:46:33.360
<v Speaker 3>I don't know, can't speak to high schools now bravely,

0:46:34.600 --> 0:46:37.239
<v Speaker 3>but in the span of time that we were growing up.

0:46:37.280 --> 0:46:40.680
<v Speaker 3>It's like these kids existed. I guess that it's like,

0:46:40.719 --> 0:46:44.680
<v Speaker 3>and I'm not I don't necessarily object to an attempt to,

0:46:45.320 --> 0:46:48.440
<v Speaker 3>but it just felt like there's no real comment happening.

0:46:48.480 --> 0:46:52.120
<v Speaker 3>There's like it approaches, like Denise calls him out, yes,

0:46:52.400 --> 0:46:53.840
<v Speaker 3>but that kind of doesn't go anywhere.

0:46:53.880 --> 0:46:55.719
<v Speaker 1>I don't know, that doesn't go anywhere because she has

0:46:55.760 --> 0:46:57.359
<v Speaker 1>sex with him too. Such she had sex with.

0:46:57.320 --> 0:46:59.160
<v Speaker 5>Them, Yeah, she with Denise.

0:46:59.560 --> 0:46:59.719
<v Speaker 3>Yeah.

0:46:59.800 --> 0:47:03.000
<v Speaker 2>How do we feel about how that play is out?

0:47:03.040 --> 0:47:06.080
<v Speaker 2>Because I was, I was. I was honestly surprised that

0:47:06.239 --> 0:47:07.640
<v Speaker 2>it was called out at all.

0:47:08.239 --> 0:47:11.319
<v Speaker 1>Same. Well, then, the other thing that sort of is

0:47:11.239 --> 0:47:16.000
<v Speaker 1>approaching commentary but not really is the scene where Kenny's

0:47:16.080 --> 0:47:22.160
<v Speaker 1>friends are standing among god black kids, Yes, and one

0:47:22.200 --> 0:47:23.800
<v Speaker 1>of them says the N word.

0:47:24.080 --> 0:47:24.239
<v Speaker 3>Yes.

0:47:24.400 --> 0:47:26.439
<v Speaker 1>I think he's attempting to use it as a term

0:47:26.480 --> 0:47:28.920
<v Speaker 1>of endearment, but the black kids are like, what the

0:47:28.960 --> 0:47:31.279
<v Speaker 1>fuck you can't say that? Yeah, and then they chase

0:47:31.400 --> 0:47:31.840
<v Speaker 1>him away.

0:47:32.160 --> 0:47:35.160
<v Speaker 5>Yeah. And I think that's the only kind of commentary

0:47:35.200 --> 0:47:39.360
<v Speaker 5>that was ever in nineties and early two thousands teens

0:47:39.360 --> 0:47:41.879
<v Speaker 5>film while you're talking about race. It was like they

0:47:41.960 --> 0:47:44.280
<v Speaker 5>had to have a white person say the N word

0:47:44.640 --> 0:47:47.120
<v Speaker 5>or like they had to, they had to make that

0:47:47.200 --> 0:47:51.160
<v Speaker 5>person like make black people angry. And that was the

0:47:51.200 --> 0:47:53.920
<v Speaker 5>only way to include black teens in a film was

0:47:53.960 --> 0:47:57.279
<v Speaker 5>if you were using them to like again further the

0:47:57.280 --> 0:47:59.640
<v Speaker 5>plot of a white character that probably should not have

0:47:59.719 --> 0:48:02.840
<v Speaker 5>been created in the first place, and those black kids

0:48:02.920 --> 0:48:05.160
<v Speaker 5>don't get any lines, like you know what I mean,

0:48:05.560 --> 0:48:10.359
<v Speaker 5>Like it's not even Rewatching nineties and twenty teens film

0:48:10.400 --> 0:48:14.320
<v Speaker 5>always makes me realize, like, because how much we weren't

0:48:14.360 --> 0:48:16.680
<v Speaker 5>in the movies, you know what I mean, how much

0:48:16.760 --> 0:48:18.640
<v Speaker 5>like a black present unless it's like a Save the

0:48:18.719 --> 0:48:21.960
<v Speaker 5>Last Dance, But like again, that is pushing forward the

0:48:21.960 --> 0:48:25.839
<v Speaker 5>plot of Julia styles like that's she for sure everything

0:48:26.000 --> 0:48:29.200
<v Speaker 5>was around around that, but it was what I had

0:48:29.280 --> 0:48:31.880
<v Speaker 5>access to. It's what I wanted to see and like

0:48:32.400 --> 0:48:34.600
<v Speaker 5>all that kind of stuff. But in this movie, specifically,

0:48:34.719 --> 0:48:37.960
<v Speaker 5>the amount of like fake blackness or attempt to like

0:48:38.200 --> 0:48:42.360
<v Speaker 5>put black people black teens in a teen film, it

0:48:42.480 --> 0:48:43.080
<v Speaker 5>was so bad.

0:48:43.440 --> 0:48:47.919
<v Speaker 3>It's so it's like just unbelievably at best misguided, because

0:48:47.920 --> 0:48:52.040
<v Speaker 3>it's like, yeah, we have two white writer directors, and

0:48:52.520 --> 0:48:54.359
<v Speaker 3>I mean I feel like it says everything that they

0:48:54.520 --> 0:48:57.640
<v Speaker 3>include Kenny, and I would say, like he's a I

0:48:57.640 --> 0:49:01.200
<v Speaker 3>don't know, he's a more memorable character than like, yeah,

0:49:01.280 --> 0:49:04.160
<v Speaker 3>he's I knew about this Seth Green character.

0:49:04.360 --> 0:49:06.680
<v Speaker 2>I did not know about the Ethan Embry character.

0:49:07.200 --> 0:49:09.760
<v Speaker 3>And so for him to have such a large portion

0:49:10.480 --> 0:49:12.600
<v Speaker 3>in the story and for his character to be so

0:49:12.760 --> 0:49:17.600
<v Speaker 3>defined by how much he's appropriating black culture, and then

0:49:17.680 --> 0:49:21.600
<v Speaker 3>also like seeing him effortlessly you know, like take it

0:49:21.640 --> 0:49:23.719
<v Speaker 3>on and off as as needed.

0:49:24.040 --> 0:49:28.160
<v Speaker 5>Like in the bathroom that was the switch, right, It

0:49:28.239 --> 0:49:29.160
<v Speaker 5>blew my mind.

0:49:29.480 --> 0:49:32.000
<v Speaker 3>And then it's like, so to put that much energy

0:49:32.120 --> 0:49:36.640
<v Speaker 3>into bringing that character to life while making no effort

0:49:36.800 --> 0:49:39.719
<v Speaker 3>to characterize any of the black teenagers.

0:49:39.200 --> 0:49:41.440
<v Speaker 2>That or black twenty four year olds whatever.

0:49:41.440 --> 0:49:46.160
<v Speaker 3>That populate this party, because it's not a like it's

0:49:46.239 --> 0:49:49.600
<v Speaker 3>it's more diverse than I you normally.

0:49:49.200 --> 0:49:52.600
<v Speaker 2>See in a nineties teen movie. But but the focus

0:49:52.880 --> 0:49:55.600
<v Speaker 2>is all on the white characters.

0:49:55.760 --> 0:49:58.279
<v Speaker 3>Yeah, even though you have so many famous nineties black

0:49:58.320 --> 0:49:59.200
<v Speaker 3>actors at this.

0:49:59.200 --> 0:50:04.120
<v Speaker 5>Party, especially, and it was really wild too, like even

0:50:04.320 --> 0:50:06.480
<v Speaker 5>when they were talking to Donald Fazon when he was

0:50:06.640 --> 0:50:08.600
<v Speaker 5>he called him a hoodie, you know what I mean,

0:50:08.840 --> 0:50:11.399
<v Speaker 5>Like the bandmate called him HOODI after he called him,

0:50:11.440 --> 0:50:14.680
<v Speaker 5>like the white artists formerly known as Prince. And it's

0:50:14.719 --> 0:50:17.759
<v Speaker 5>always something like like that, like a black person has

0:50:17.800 --> 0:50:20.959
<v Speaker 5>to be like agitated in order to be included. Sorry,

0:50:20.960 --> 0:50:23.400
<v Speaker 5>a black teen fake as they may be age wise

0:50:23.400 --> 0:50:26.640
<v Speaker 5>in these movies, has to be agitated in order to

0:50:26.680 --> 0:50:30.439
<v Speaker 5>be included. Same thing for even bigger movies like Bring

0:50:30.480 --> 0:50:34.799
<v Speaker 5>It On, like that whole situation they were stealing from

0:50:34.800 --> 0:50:37.719
<v Speaker 5>them and it had to be a whole you know

0:50:37.760 --> 0:50:40.440
<v Speaker 5>what I mean. It's just still a great movie. But

0:50:40.480 --> 0:50:43.960
<v Speaker 5>it's always been like that in teen films, even mean Girls,

0:50:44.320 --> 0:50:47.600
<v Speaker 5>the unfriendly black hotties. Are they unfriendly or do they

0:50:47.719 --> 0:50:51.160
<v Speaker 5>like not want to fuck with you because you're like boring,

0:50:51.840 --> 0:50:53.759
<v Speaker 5>like you know what I mean, like.

0:50:53.880 --> 0:50:59.200
<v Speaker 1>Sky or like directing micro or macro aggressions at them constantly.

0:50:58.760 --> 0:51:02.400
<v Speaker 5>Like constantly, like you're putting that label on them, and

0:51:02.440 --> 0:51:04.239
<v Speaker 5>they have to be agitated in order to get a

0:51:04.280 --> 0:51:07.000
<v Speaker 5>reaction or to be included in these narratives. And it

0:51:07.120 --> 0:51:10.799
<v Speaker 5>was it's less now because everybody's so focused on like

0:51:10.840 --> 0:51:12.600
<v Speaker 5>DEI and all this kind of stuff like that, like

0:51:12.640 --> 0:51:15.440
<v Speaker 5>the New Main Girls and all that. But in the

0:51:15.520 --> 0:51:18.439
<v Speaker 5>nineties they were like, no, let's just make black people mad,

0:51:19.080 --> 0:51:20.680
<v Speaker 5>like it was mask off.

0:51:20.760 --> 0:51:24.360
<v Speaker 3>Yeah, Like, and even on top of like it relying

0:51:24.480 --> 0:51:28.560
<v Speaker 3>on agitating black teenagers in order for them to participate,

0:51:28.880 --> 0:51:32.280
<v Speaker 3>anything that was said to or by a black character

0:51:32.880 --> 0:51:36.160
<v Speaker 3>was connected to race, like because and I think that

0:51:36.160 --> 0:51:39.000
<v Speaker 3>that is just an extension of like these two white

0:51:39.040 --> 0:51:44.160
<v Speaker 3>writers cannot conceive of what the inner.

0:51:44.000 --> 0:51:45.719
<v Speaker 2>Life of a black teenager would be.

0:51:45.800 --> 0:51:49.839
<v Speaker 3>And it's like, well, no, maybe they just discuss their

0:51:49.880 --> 0:51:51.920
<v Speaker 3>own race in every interaction.

0:51:52.080 --> 0:51:53.440
<v Speaker 2>I'm like, what.

0:51:53.960 --> 0:51:57.560
<v Speaker 5>Even in the scene too, And I mean, this might

0:51:57.640 --> 0:51:59.920
<v Speaker 5>be a little bit of a reach, but even in

0:52:00.160 --> 0:52:03.000
<v Speaker 5>scene where Mike pulls away the two guys when they're

0:52:03.040 --> 0:52:07.000
<v Speaker 5>dancing with their girlfriends and Jamie Presley and I think

0:52:07.040 --> 0:52:09.240
<v Speaker 5>her name is Tamara, I don't.

0:52:09.000 --> 0:52:12.320
<v Speaker 1>Want to, I really Tamala Tamala Jones.

0:52:12.040 --> 0:52:14.839
<v Speaker 5>Tamala Jones. Yeah, where Tamala Jones and Jamie Presley start

0:52:14.920 --> 0:52:17.840
<v Speaker 5>dancing together while they're all the boys are having a conversation. Ye,

0:52:18.160 --> 0:52:19.600
<v Speaker 5>Like I said, this may be a reach, but they're

0:52:19.680 --> 0:52:22.840
<v Speaker 5>dancing to wild things and then essentially, like the black

0:52:22.840 --> 0:52:26.279
<v Speaker 5>girl starts to like pretend to tap Jamie's ass while

0:52:26.320 --> 0:52:29.120
<v Speaker 5>she's like twerking on her a little bit. I don't know,

0:52:29.280 --> 0:52:31.879
<v Speaker 5>you feel me, like it's something like yea, even that

0:52:32.000 --> 0:52:35.000
<v Speaker 5>kind of micro like, oh, this is how black girls

0:52:35.000 --> 0:52:36.920
<v Speaker 5>be dancing, like and then.

0:52:37.400 --> 0:52:41.040
<v Speaker 3>There's I'm trying to remember the last time we had

0:52:41.040 --> 0:52:44.040
<v Speaker 3>this discussion. And again it does feel and like correct

0:52:44.080 --> 0:52:47.200
<v Speaker 3>me if I'm wrong, but like it does feel like

0:52:47.320 --> 0:52:51.000
<v Speaker 3>it's very inherent to this era too, where it's it

0:52:51.120 --> 0:52:54.800
<v Speaker 3>just feels clear that it's like casting wise, this movie

0:52:55.040 --> 0:52:59.000
<v Speaker 3>is not going to make an interracial couple happen, not

0:52:59.160 --> 0:53:01.520
<v Speaker 3>like it's the black teens state black teens, the white

0:53:01.560 --> 0:53:05.960
<v Speaker 3>teens date white teens, and that is like the movie

0:53:06.040 --> 0:53:09.839
<v Speaker 3>is not gonna attempt no anything else, which actually kind

0:53:09.840 --> 0:53:12.520
<v Speaker 3>of like if you consider the fact that it's gonna

0:53:12.560 --> 0:53:15.839
<v Speaker 3>be another three years until Save the Last Dance comes out,

0:53:16.000 --> 0:53:19.279
<v Speaker 3>which like whiffs this same that like it attempt at

0:53:19.320 --> 0:53:22.759
<v Speaker 3>an interracial teen couple tremendously, which she could listen to

0:53:22.800 --> 0:53:24.759
<v Speaker 3>our episode that either just came out or was about

0:53:24.760 --> 0:53:26.640
<v Speaker 3>to come out about Save the Last Dance.

0:53:27.000 --> 0:53:29.840
<v Speaker 2>It's just like a it's a bad era. It's a

0:53:29.880 --> 0:53:31.360
<v Speaker 2>bad era for sure.

0:53:31.640 --> 0:53:33.799
<v Speaker 5>It's bad. And that's what I mean by like that

0:53:33.960 --> 0:53:38.200
<v Speaker 5>was the first time that I like notice the pairings

0:53:38.360 --> 0:53:41.520
<v Speaker 5>of like, oh, black teen, black teen black teen, black teen,

0:53:41.600 --> 0:53:44.239
<v Speaker 5>you know what I mean? So, and it's like, then

0:53:44.440 --> 0:53:48.319
<v Speaker 5>what happened was we started getting movies like what's the

0:53:48.400 --> 0:53:52.120
<v Speaker 5>one with Christina Milian Love Don't cost a Thing, where

0:53:52.280 --> 0:53:56.000
<v Speaker 5>it's like there are two per characters. Yeah, it's like

0:53:56.040 --> 0:53:58.680
<v Speaker 5>there are two black characters as in a teen movie,

0:53:59.239 --> 0:54:04.080
<v Speaker 5>but she fair skin and like got soft hair, you

0:54:04.160 --> 0:54:07.160
<v Speaker 5>know what I mean, And like it's that whole vibe

0:54:07.160 --> 0:54:09.600
<v Speaker 5>and we get it. And that's in two thousand and three.

0:54:10.360 --> 0:54:13.480
<v Speaker 5>The only one that I can think of that even

0:54:13.640 --> 0:54:15.920
<v Speaker 5>I think, has done so well with a mono racial,

0:54:16.600 --> 0:54:20.200
<v Speaker 5>dark skinned black couple and they aren't even teenagers is Rylane.

0:54:20.520 --> 0:54:22.560
<v Speaker 5>Rylane is one of my favorite movies of all time.

0:54:23.000 --> 0:54:25.480
<v Speaker 5>And if y'all haven't watched it, you should watch it.

0:54:25.480 --> 0:54:28.520
<v Speaker 5>It's like it just came out last year. It's yes,

0:54:28.600 --> 0:54:30.399
<v Speaker 5>I saw it at Sundance. I'm sorry to throw out

0:54:30.400 --> 0:54:35.280
<v Speaker 5>that conversation, but we have to watch it. It's done so well,

0:54:35.400 --> 0:54:38.279
<v Speaker 5>and it's black and it's British and it's incredible and

0:54:38.360 --> 0:54:39.680
<v Speaker 5>you should just watch. It's on Hulu.

0:54:39.800 --> 0:54:43.439
<v Speaker 1>So nice, Okay, Yeah, but yeah, I mean the reluctance

0:54:43.640 --> 0:54:49.560
<v Speaker 1>to put anything on screen besides like a very rigid,

0:54:49.960 --> 0:54:56.439
<v Speaker 1>very stereotypical scenario when it comes to representation of race

0:54:56.520 --> 0:55:00.520
<v Speaker 1>on screen across all movies, across all genres in this

0:55:00.600 --> 0:55:04.319
<v Speaker 1>era and beyond, in teen movies, when they often have

0:55:04.480 --> 0:55:08.719
<v Speaker 1>like a big ensemble cast or like groups of friends,

0:55:08.800 --> 0:55:12.600
<v Speaker 1>like the boy has his popular guy friends and then

0:55:12.719 --> 0:55:15.120
<v Speaker 1>the then there's the group of popular girls. So you

0:55:15.200 --> 0:55:18.839
<v Speaker 1>have like a lot of characters and therefore a lot

0:55:18.840 --> 0:55:22.480
<v Speaker 1>of opportunities to show a lot of different types of people.

0:55:22.760 --> 0:55:27.000
<v Speaker 1>But the boxes that people get put in, and it's

0:55:27.000 --> 0:55:31.480
<v Speaker 1>often again like favoring whiteness or light skin in general.

0:55:32.120 --> 0:55:38.360
<v Speaker 1>It's you know, not exploring relationship dynamics that exist in

0:55:38.400 --> 0:55:41.560
<v Speaker 1>the world, such as interracial couples. It's just like, well,

0:55:41.600 --> 0:55:45.040
<v Speaker 1>obviously only the black kids would date the other black kids,

0:55:45.120 --> 0:55:49.160
<v Speaker 1>or you know, stuff like that, and it's it's just

0:55:49.200 --> 0:55:55.120
<v Speaker 1>still rigid. We still see these weird, rigid boxes that we.

0:55:55.000 --> 0:55:58.080
<v Speaker 3>Were talking about that off mic before before we started recording,

0:55:58.080 --> 0:56:01.120
<v Speaker 3>where it's like still very much an issue, and I

0:56:01.120 --> 0:56:03.160
<v Speaker 3>think it's like, it is freaky to.

0:56:03.160 --> 0:56:07.880
<v Speaker 2>See it laid out so unquestionably.

0:56:07.000 --> 0:56:12.920
<v Speaker 3>Clear, especially with a character like Kenny in as prominent

0:56:12.920 --> 0:56:14.000
<v Speaker 3>a role as he is.

0:56:14.160 --> 0:56:17.840
<v Speaker 2>It's just like kind of unbelievable.

0:56:17.320 --> 0:56:20.480
<v Speaker 5>Because it's a huge role. It's also there was like

0:56:20.520 --> 0:56:24.680
<v Speaker 5>an interracial couple in this movie. I just realized that

0:56:24.680 --> 0:56:26.799
<v Speaker 5>that one guy that was kind of a creep, the

0:56:26.840 --> 0:56:30.840
<v Speaker 5>black guy in Melissa Joanhart's character. They end up linking

0:56:30.960 --> 0:56:34.200
<v Speaker 5>up at the end true in the cafe because they're

0:56:34.239 --> 0:56:39.600
<v Speaker 5>both like just hyper. They love most school, they love memories, remember.

0:56:39.480 --> 0:56:41.760
<v Speaker 1>That time that blah blah blah, and they're like, wow,

0:56:41.920 --> 0:56:44.080
<v Speaker 1>I love having a memory, which.

0:56:44.000 --> 0:56:45.920
<v Speaker 3>He was kind of a creep, but I was like,

0:56:45.960 --> 0:56:48.640
<v Speaker 3>I don't hate that end game because she was like

0:56:48.760 --> 0:56:49.480
<v Speaker 3>not a creep.

0:56:49.560 --> 0:56:54.400
<v Speaker 2>But they're definitely both weirdos and you're always part of of.

0:56:54.360 --> 0:56:58.440
<v Speaker 3>Like it may be the coupling that ultimately makes the most.

0:56:59.360 --> 0:57:01.640
<v Speaker 5>And it's just like they were the ones who, like,

0:57:02.160 --> 0:57:05.200
<v Speaker 5>I mean, you just couldn't leave the movie without having

0:57:05.280 --> 0:57:08.080
<v Speaker 5>an interracial couple. They were like, we do it too,

0:57:08.200 --> 0:57:09.960
<v Speaker 5>And maybe that was the start of all of them

0:57:10.040 --> 0:57:12.799
<v Speaker 5>in teen movies. Maybe it was Melissa jo and Hard

0:57:12.880 --> 0:57:14.200
<v Speaker 5>and maybe that's what it was.

0:57:14.239 --> 0:57:16.000
<v Speaker 3>I kind of forgot that I did. I watched this

0:57:16.080 --> 0:57:19.520
<v Speaker 3>movie twice and I totally forgot it. Also, like if

0:57:19.520 --> 0:57:21.680
<v Speaker 3>you blink, you miss it. Yeah, that's I mean, it's

0:57:21.720 --> 0:57:24.360
<v Speaker 3>like they're not. Yeah, I think that it's like the

0:57:24.400 --> 0:57:27.480
<v Speaker 3>amount of real estate, and it's like I think Seth

0:57:27.760 --> 0:57:30.480
<v Speaker 3>Green does great with what he's given, but it's like

0:57:30.560 --> 0:57:32.920
<v Speaker 3>he does though it's not going I mean, if it

0:57:33.000 --> 0:57:35.920
<v Speaker 3>was going somewhere, I don't know. I mean we'll never know.

0:57:36.040 --> 0:57:37.920
<v Speaker 3>We'll never know if that was ever going to go

0:57:38.040 --> 0:57:40.880
<v Speaker 3>somewhere because it's just like this movie, for all the

0:57:40.920 --> 0:57:43.360
<v Speaker 3>things I like about it, it's like not not only

0:57:43.400 --> 0:57:45.800
<v Speaker 3>not built to have that conversation, but has no interest

0:57:46.200 --> 0:57:48.320
<v Speaker 3>in any meaningful commentary.

0:57:48.680 --> 0:57:54.440
<v Speaker 1>Well, because the whole movie hinges on tropes and stereotypes

0:57:54.520 --> 0:57:57.920
<v Speaker 1>and clicks of high school students. You know, you got

0:57:57.960 --> 0:58:00.600
<v Speaker 1>the jock kids, you've got the nerds, you've got the

0:58:00.720 --> 0:58:05.600
<v Speaker 1>popular girls, and none of that is particularly challenged. I

0:58:05.720 --> 0:58:10.280
<v Speaker 1>would say, like Preston, he like doesn't really fit into

0:58:10.640 --> 0:58:11.200
<v Speaker 1>a group.

0:58:11.600 --> 0:58:15.800
<v Speaker 5>But other than that, because he's not like unpopular, he's

0:58:15.880 --> 0:58:18.880
<v Speaker 5>just not he's just he's just kind of coasting, forgettable.

0:58:19.160 --> 0:58:21.480
<v Speaker 2>Yeah, that's my issue with him, is he is just

0:58:21.480 --> 0:58:22.440
<v Speaker 2>like he is.

0:58:22.600 --> 0:58:25.800
<v Speaker 3>I feel like he's the stereotype of like teenage everyman,

0:58:26.040 --> 0:58:29.560
<v Speaker 3>Like he's just there. I mean, it's not Ethan Embry's fault,

0:58:29.720 --> 0:58:32.360
<v Speaker 3>but it's just like he's just there.

0:58:32.920 --> 0:58:37.000
<v Speaker 1>He's just there. And then again, stereotypes about jocks are

0:58:37.080 --> 0:58:40.800
<v Speaker 1>like put there and not questioned or challenge. You know,

0:58:40.840 --> 0:58:44.080
<v Speaker 1>their their meatheads, they're bullies, they don't have any interests

0:58:44.120 --> 0:58:46.440
<v Speaker 1>outside of sports and sex.

0:58:46.520 --> 0:58:50.160
<v Speaker 3>But again, you get like a little like glimpse into

0:58:50.280 --> 0:58:52.520
<v Speaker 3>like maybe this is going somewhere, and it's super over

0:58:52.560 --> 0:58:56.000
<v Speaker 3>the top. I'm not saying it's necessarily like super well done,

0:58:56.120 --> 0:58:58.600
<v Speaker 3>but in those moments where it's like the jock and

0:58:58.640 --> 0:59:01.360
<v Speaker 3>the nerd are hanging out together and they're having this

0:59:01.520 --> 0:59:04.919
<v Speaker 3>like real kind of like intense conversation, You're like, oh,

0:59:05.040 --> 0:59:08.680
<v Speaker 3>this is kind of cool where it's like they're kind

0:59:08.760 --> 0:59:13.120
<v Speaker 3>of attempting to reconcile. He's trying to drunkenly acknowledge that

0:59:13.240 --> 0:59:18.200
<v Speaker 3>he's been horrible to William, and like they're having a

0:59:18.240 --> 0:59:20.840
<v Speaker 3>conversation that you're like, oh, this is like moments like that,

0:59:20.920 --> 0:59:23.840
<v Speaker 3>I'm like, oh, I wouldn't have expected that in this movie,

0:59:24.560 --> 0:59:29.680
<v Speaker 3>and I wasn't even really upset by how that resets

0:59:29.720 --> 0:59:32.160
<v Speaker 3>at the end. That felt unfortunately kind of true to

0:59:32.200 --> 0:59:37.240
<v Speaker 3>life of like, oh that was just one time and like, technically,

0:59:37.280 --> 0:59:40.840
<v Speaker 3>Mike Dexter did do him a kindness by not endangering

0:59:40.880 --> 0:59:43.560
<v Speaker 3>his scholarship and like making sure he didn't get in

0:59:43.600 --> 0:59:46.040
<v Speaker 3>trouble and taking the fall for him, and like that's

0:59:46.040 --> 0:59:47.040
<v Speaker 3>a really kind thing.

0:59:46.960 --> 0:59:47.760
<v Speaker 2>To have done.

0:59:48.120 --> 0:59:50.920
<v Speaker 3>And then when they see each other the next time,

0:59:51.400 --> 0:59:54.680
<v Speaker 3>the dynamic is reset, Mike Dexter doesn't and that felt

0:59:54.680 --> 0:59:58.080
<v Speaker 3>like unfortunately, like I didn't hate that beat because it

0:59:58.120 --> 0:59:59.840
<v Speaker 3>felt more realistic than.

1:00:00.080 --> 1:00:02.959
<v Speaker 2>Mike Dexter being like, wait, you guys, like that's not.

1:00:02.880 --> 1:00:05.800
<v Speaker 5>Who he is. We're friends. Yeah, I bought it, Yeah,

1:00:05.840 --> 1:00:06.680
<v Speaker 5>I definitely bought it.

1:00:06.880 --> 1:00:09.400
<v Speaker 3>The thing that I thought was really cruel was like

1:00:10.160 --> 1:00:13.200
<v Speaker 3>learning what happens to Mike Dexter after that, that felt

1:00:13.200 --> 1:00:17.520
<v Speaker 3>like the movie being like he deserves this, this like

1:00:17.720 --> 1:00:20.080
<v Speaker 3>very again. It's like it felt like there was that

1:00:20.240 --> 1:00:23.280
<v Speaker 3>whole sequence where it felt like the jock nerd stereotypes

1:00:23.320 --> 1:00:27.160
<v Speaker 3>were being challenged, but where we leave, both of those

1:00:27.240 --> 1:00:31.080
<v Speaker 3>characters are both very in line with what those stereotypes are.

1:00:31.120 --> 1:00:33.880
<v Speaker 3>He grows up to like, you know, he's a cool

1:00:34.000 --> 1:00:37.480
<v Speaker 3>nerd now and he's a supermodeled girlfriend. Meanwhile, this guy

1:00:37.960 --> 1:00:40.960
<v Speaker 3>like it's all of these prescriptive, like his life didn't

1:00:41.000 --> 1:00:41.919
<v Speaker 3>turn out as well.

1:00:42.320 --> 1:00:44.400
<v Speaker 1>He peaked in high school the way.

1:00:44.400 --> 1:00:46.600
<v Speaker 5>Right, And that's what I was gonna say, Yeah, you

1:00:46.640 --> 1:00:49.400
<v Speaker 5>would think that he would like high school was all

1:00:49.440 --> 1:00:52.000
<v Speaker 5>that they had. And I think that goes to like

1:00:52.760 --> 1:00:55.200
<v Speaker 5>the writers too. You can always tell how a writer

1:00:55.400 --> 1:00:59.440
<v Speaker 5>feels or felt about somebody in high school, you know

1:00:59.440 --> 1:01:02.240
<v Speaker 5>what I mean, And like, so you can't tell me

1:01:02.360 --> 1:01:06.680
<v Speaker 5>that these people aren't sort of either writing Jennifer love

1:01:06.760 --> 1:01:09.240
<v Speaker 5>Hewitt's character in a way of like, oh I wish

1:01:09.240 --> 1:01:13.560
<v Speaker 5>I wasn't Amanda Beckett, and then writing what happens to

1:01:13.640 --> 1:01:16.560
<v Speaker 5>Mike in a way of like somebody that really fucked

1:01:16.560 --> 1:01:19.120
<v Speaker 5>them over, that probably made it and whatever made it

1:01:19.320 --> 1:01:22.919
<v Speaker 5>sense means to them. But in this movie that I'm writing.

1:01:23.280 --> 1:01:25.960
<v Speaker 2>Like they lose, Yeah, you lose.

1:01:26.200 --> 1:01:30.760
<v Speaker 5>You know. You can always tell that in movies. And

1:01:31.160 --> 1:01:33.720
<v Speaker 5>what I was gonna say about the whole like Mike

1:01:33.880 --> 1:01:39.920
<v Speaker 5>and the nerdy guy situation was rewatching. Like honestly, a

1:01:39.960 --> 1:01:42.400
<v Speaker 5>few years later this time I remembered it. I was like, Oh,

1:01:42.440 --> 1:01:46.200
<v Speaker 5>that happens is all of the like queer shit that

1:01:46.360 --> 1:01:49.160
<v Speaker 5>was just that is bad, like because when they the

1:01:49.240 --> 1:01:52.360
<v Speaker 5>pictures were supposed to be him getting caught out not

1:01:52.480 --> 1:01:55.080
<v Speaker 5>just like in a kinky thing, but like with the

1:01:55.120 --> 1:01:59.000
<v Speaker 5>guy is the thing that is so bad? And then

1:01:59.240 --> 1:02:03.760
<v Speaker 5>like Kenny's friends, they dropped the F bomb twice in

1:02:04.320 --> 1:02:07.680
<v Speaker 5>ten minutes into the movie. They call Kenny one when

1:02:07.720 --> 1:02:11.040
<v Speaker 5>they're on the store, and I think again at the

1:02:11.680 --> 1:02:15.480
<v Speaker 5>party when they're like eating chips, So yeah, that kind

1:02:15.480 --> 1:02:17.400
<v Speaker 5>of stuff. And then I saw Claire Duval and I

1:02:17.480 --> 1:02:21.240
<v Speaker 5>was like, wait, we all know who she is, Like

1:02:21.600 --> 1:02:24.240
<v Speaker 5>it's so I think this was one of the first

1:02:24.240 --> 1:02:27.600
<v Speaker 5>movies where I like couldn't really pick up on anything

1:02:27.640 --> 1:02:31.120
<v Speaker 5>that I was like queer coded. I think the only

1:02:31.160 --> 1:02:35.840
<v Speaker 5>thing I reacted to was when the girlfriends were dancing together.

1:02:36.560 --> 1:02:39.960
<v Speaker 5>When I was younger, I was like, hmm, wait a minute,

1:02:40.200 --> 1:02:43.400
<v Speaker 5>that's that looks fun, like you know what I mean,

1:02:43.880 --> 1:02:46.439
<v Speaker 5>where it's the whole girls trying to get attention from

1:02:46.480 --> 1:02:49.400
<v Speaker 5>the guys sort of thing. But that was the only

1:02:49.440 --> 1:02:51.520
<v Speaker 5>sort of because I always like think and look back

1:02:51.560 --> 1:02:53.480
<v Speaker 5>to like is there any queerness in these movies that

1:02:53.520 --> 1:02:56.200
<v Speaker 5>I was like attached to, But this one I kind

1:02:56.200 --> 1:02:58.320
<v Speaker 5>of was like no, not really.

1:02:58.200 --> 1:03:00.280
<v Speaker 3>Not really, which is wild because this is the team

1:03:00.320 --> 1:03:01.919
<v Speaker 3>that goes on to make Josie and the.

1:03:01.800 --> 1:03:05.920
<v Speaker 2>Pussycats, which is so wild to be they're just forming up.

1:03:06.400 --> 1:03:10.080
<v Speaker 1>Hello Caitlin from the future. Jumping in here with a

1:03:10.160 --> 1:03:14.080
<v Speaker 1>little editing note. So, in the original episode that we released,

1:03:14.240 --> 1:03:18.880
<v Speaker 1>we have a discussion right here about Denise based on

1:03:19.240 --> 1:03:24.680
<v Speaker 1>me misunderstanding and mishearing a line of dialogue in the movie.

1:03:25.160 --> 1:03:29.160
<v Speaker 1>Some listeners pointed out this goof of mine, and we

1:03:29.280 --> 1:03:32.000
<v Speaker 1>just decided to cut that part of the conversation from

1:03:32.040 --> 1:03:35.720
<v Speaker 1>the episode because it's based on something that's not at

1:03:35.760 --> 1:03:37.960
<v Speaker 1>all canon to the movie, and it's based on me

1:03:38.680 --> 1:03:42.400
<v Speaker 1>not hearing dialogue very well, So we didn't want to

1:03:42.800 --> 1:03:46.120
<v Speaker 1>mislead listeners, So you know, we just thought it best

1:03:46.240 --> 1:03:49.080
<v Speaker 1>to remove that part of the conversation. But it did

1:03:49.080 --> 1:03:52.360
<v Speaker 1>bring us back to the topic of the Denise character,

1:03:52.920 --> 1:03:57.600
<v Speaker 1>so we'll just jump back in where that conversation picks

1:03:57.600 --> 1:04:01.320
<v Speaker 1>back up. So back to the episode.

1:04:02.960 --> 1:04:04.720
<v Speaker 3>But it just, I mean, I think it just at

1:04:04.840 --> 1:04:08.040
<v Speaker 3>my core pains me. I've mean in the same way

1:04:08.040 --> 1:04:11.000
<v Speaker 3>where anytime you see a cool girl who deserves the

1:04:11.040 --> 1:04:14.320
<v Speaker 3>best end up with the Kenny Fishers of the world,

1:04:15.440 --> 1:04:18.000
<v Speaker 3>it just like it really and I feel like the

1:04:18.040 --> 1:04:19.960
<v Speaker 3>movie is at least a little more self aware about that.

1:04:20.000 --> 1:04:22.160
<v Speaker 3>Because it references the fact that like they're not gonna

1:04:22.360 --> 1:04:25.360
<v Speaker 3>stay together I hope forever where they're like they broa gout,

1:04:25.360 --> 1:04:27.120
<v Speaker 3>they got back together. So it's like it seems like

1:04:27.200 --> 1:04:29.440
<v Speaker 3>it's a summer before college kind.

1:04:29.240 --> 1:04:30.280
<v Speaker 5>Of thing situation.

1:04:30.720 --> 1:04:33.920
<v Speaker 3>Yeah, but it's still it hurts to see a girl

1:04:33.960 --> 1:04:37.720
<v Speaker 3>like Dedise Fleming who just really has everything going for her.

1:04:37.880 --> 1:04:40.360
<v Speaker 5>Quite literally, like truly.

1:04:41.560 --> 1:04:44.360
<v Speaker 1>Well, also like it feels to me like the movie

1:04:44.640 --> 1:04:47.720
<v Speaker 1>is kind of setting up some arc for her where

1:04:47.800 --> 1:04:50.160
<v Speaker 1>she goes to the party that she's reluctant to go to.

1:04:50.880 --> 1:04:54.440
<v Speaker 1>You see her just kind of like walking around by herself.

1:04:54.480 --> 1:04:57.280
<v Speaker 1>She retreats into herself the way that you know many

1:04:57.400 --> 1:05:00.200
<v Speaker 1>introverted people do. She has a hard time, you know,

1:05:00.240 --> 1:05:04.320
<v Speaker 1>striking up conversations. And so I'm hoping because I didn't

1:05:04.440 --> 1:05:07.840
<v Speaker 1>totally remember how the different events of this story played out.

1:05:08.280 --> 1:05:10.760
<v Speaker 1>As I was prepping for this episode, I was like, oh,

1:05:10.840 --> 1:05:15.200
<v Speaker 1>hopefully like she meets a friend. It would be nice

1:05:15.200 --> 1:05:17.440
<v Speaker 1>if she had a female friend who she could connect to.

1:05:18.160 --> 1:05:21.080
<v Speaker 3>And it stinks because I do like how the structure

1:05:21.080 --> 1:05:23.920
<v Speaker 3>of this movie allows for like B and C plot,

1:05:24.080 --> 1:05:25.640
<v Speaker 3>Like it feels like, in a way just kind of

1:05:25.680 --> 1:05:28.800
<v Speaker 3>like a really long TV episode, because like what's going

1:05:28.840 --> 1:05:30.240
<v Speaker 3>on with Denise and Kenny.

1:05:30.200 --> 1:05:32.480
<v Speaker 2>Is just like an episode of something.

1:05:32.720 --> 1:05:35.120
<v Speaker 3>Yes, it's just a bottle episode happening in the middle

1:05:35.160 --> 1:05:37.400
<v Speaker 3>of this larger narrative, and I like that, but I

1:05:37.440 --> 1:05:39.280
<v Speaker 3>just don't like the stories.

1:05:38.920 --> 1:05:40.640
<v Speaker 2>That they're choosing to plug in there.

1:05:40.840 --> 1:05:43.440
<v Speaker 3>Because even if we're talking about, like, say anything, a

1:05:43.480 --> 1:05:45.800
<v Speaker 3>movie that I'm not like over the mood about, but

1:05:45.840 --> 1:05:47.760
<v Speaker 3>we talked about it recently and I think that like

1:05:47.840 --> 1:05:51.720
<v Speaker 3>its influencers are really clearly felt in this movie. But

1:05:51.880 --> 1:05:57.360
<v Speaker 3>like the friendship between Lloyd Dobbler and his best friend

1:05:57.880 --> 1:06:01.240
<v Speaker 3>Corey is like we we'd talked about. I mean, it's

1:06:01.600 --> 1:06:05.080
<v Speaker 3>weird to the extent that like his like best friend

1:06:05.160 --> 1:06:07.120
<v Speaker 3>is just like it seems like her whole thing is

1:06:07.160 --> 1:06:10.280
<v Speaker 3>talking about how much how awesome Lloyd Doppler is. But

1:06:11.000 --> 1:06:13.320
<v Speaker 3>it's clear you get a lot of moments with them

1:06:13.320 --> 1:06:16.800
<v Speaker 3>where it's like, this is a very warm friendship that

1:06:17.000 --> 1:06:20.200
<v Speaker 3>is platonic, and like you never see that in teen movies,

1:06:20.440 --> 1:06:23.040
<v Speaker 3>and theoretically that's what we're getting with Preston and Denise,

1:06:23.080 --> 1:06:25.640
<v Speaker 3>but we don't actually see them together very much. And

1:06:25.680 --> 1:06:27.640
<v Speaker 3>I feel like that was another thing with Denise, that

1:06:27.720 --> 1:06:30.480
<v Speaker 3>just goes under explored where you It sucks because I

1:06:30.480 --> 1:06:33.160
<v Speaker 3>think the two actors have really good chemistry and you

1:06:33.200 --> 1:06:36.919
<v Speaker 3>can feels like a real high school friendship, but they're

1:06:36.960 --> 1:06:41.160
<v Speaker 3>separated for so long in these like romantic entanglements that

1:06:41.240 --> 1:06:44.760
<v Speaker 3>it are not I'm bored by one kind of grossed

1:06:44.840 --> 1:06:45.520
<v Speaker 3>up by the other.

1:06:46.280 --> 1:06:49.920
<v Speaker 5>Yeah, and it's like I really do wish we had

1:06:50.040 --> 1:06:52.960
<v Speaker 5>And also what's is uh Evan Embury's character like for

1:06:53.040 --> 1:06:55.360
<v Speaker 5>the if you really look at watch the movie, he's

1:06:55.400 --> 1:06:58.440
<v Speaker 5>also not in it like them, Like his story is

1:06:58.560 --> 1:07:01.440
<v Speaker 5>not super focused. I feel like they thought like they

1:07:01.440 --> 1:07:03.040
<v Speaker 5>wrote it in a way where they were just like, oh,

1:07:03.200 --> 1:07:05.479
<v Speaker 5>you know that he's trying to do this thing, so

1:07:05.880 --> 1:07:08.400
<v Speaker 5>we don't really have to like fully focus on him.

1:07:08.520 --> 1:07:10.920
<v Speaker 2>And we know it's gonna happen, and it's.

1:07:10.760 --> 1:07:13.080
<v Speaker 5>Going to happen, so we don't have to really tell

1:07:13.120 --> 1:07:15.320
<v Speaker 5>you all that. But I do think that you're right, Jamie.

1:07:15.360 --> 1:07:18.280
<v Speaker 5>Their friendship was like he knows the ins and outs

1:07:18.320 --> 1:07:20.320
<v Speaker 5>of who she is, Like she didn't why she didn't

1:07:20.320 --> 1:07:22.960
<v Speaker 5>really want to go, she knew about this fucking letter

1:07:23.000 --> 1:07:26.440
<v Speaker 5>he's been writing. And then like we don't get to

1:07:26.520 --> 1:07:29.280
<v Speaker 5>see them really interact other than something that's a little

1:07:29.320 --> 1:07:31.880
<v Speaker 5>bit like angry because she don't want to be there.

1:07:32.000 --> 1:07:34.520
<v Speaker 5>She's dragged there and all that ditches her.

1:07:34.600 --> 1:07:37.920
<v Speaker 3>And he ditches her so like immediately, and she doesn't

1:07:37.920 --> 1:07:40.160
<v Speaker 3>even get the opportunity to, like, which would fill in

1:07:40.200 --> 1:07:43.040
<v Speaker 3>stuck with her character be like fuck you, Yeah, I

1:07:43.080 --> 1:07:45.040
<v Speaker 3>didn't want to be here and then you bailed on

1:07:45.160 --> 1:07:47.280
<v Speaker 3>me to go talk to someone who doesn't know you exist.

1:07:47.720 --> 1:07:51.400
<v Speaker 5>Fuck you, Like no, yeah, And I don't think that.

1:07:51.680 --> 1:07:54.840
<v Speaker 5>I don't think in like new routine films either, that

1:07:54.920 --> 1:07:57.360
<v Speaker 5>we really like I mean, there are more like platonic

1:07:57.360 --> 1:08:00.640
<v Speaker 5>friendships between like people of like the opposite and stuff

1:08:00.680 --> 1:08:04.360
<v Speaker 5>like that, but it's always I still feel like it

1:08:04.360 --> 1:08:07.080
<v Speaker 5>gets still very like slapsticky where they're like somebody has

1:08:07.120 --> 1:08:10.000
<v Speaker 5>to be queer, and like that is why, like it

1:08:10.080 --> 1:08:12.840
<v Speaker 5>still falls into the whole like I'm straight and this

1:08:12.960 --> 1:08:16.639
<v Speaker 5>is my queer best friend, and that is why we

1:08:16.680 --> 1:08:22.040
<v Speaker 5>are platonic, not just because we are just fucking friends,

1:08:22.120 --> 1:08:25.599
<v Speaker 5>you know what I mean. It's always something else, like

1:08:25.600 --> 1:08:28.759
<v Speaker 5>there's another reason why of course they wouldn't be dating.

1:08:28.880 --> 1:08:30.200
<v Speaker 5>Of course they're just friends.

1:08:30.280 --> 1:08:34.439
<v Speaker 2>So yeah, it's really frustrating. And then and then in

1:08:34.560 --> 1:08:40.960
<v Speaker 2>the other corner we have Preston and Amanda and I

1:08:40.960 --> 1:08:41.559
<v Speaker 2>I don't.

1:08:41.400 --> 1:08:44.439
<v Speaker 3>Know, So we've sort of touched on this a little

1:08:44.439 --> 1:08:49.400
<v Speaker 3>bit already, where I like, don't dislike Amanda as a character. Again,

1:08:49.520 --> 1:08:52.920
<v Speaker 3>we get more from her than I was expecting it

1:08:53.080 --> 1:08:55.720
<v Speaker 3>just the plot ultimately, I think kind of bails on

1:08:55.760 --> 1:08:58.000
<v Speaker 3>her because I thought that in the scene before it

1:08:58.080 --> 1:09:02.240
<v Speaker 3>turns into cousin ins. But this scene where she's like

1:09:02.479 --> 1:09:06.960
<v Speaker 3>explaining for like, I, you know, wasn't a popular girl

1:09:07.000 --> 1:09:09.320
<v Speaker 3>in middle school. It wasn't until I moved to this school,

1:09:09.360 --> 1:09:13.400
<v Speaker 3>and like was sort of like selected quote unquote to be.

1:09:13.400 --> 1:09:14.599
<v Speaker 2>A popular girl.

1:09:14.800 --> 1:09:17.240
<v Speaker 3>And I don't want to end this relationship because I

1:09:17.240 --> 1:09:18.880
<v Speaker 3>don't know how to define myself.

1:09:18.560 --> 1:09:21.240
<v Speaker 2>Outside of it. Like it was pretty like I was

1:09:21.320 --> 1:09:24.160
<v Speaker 2>like into that. I like that.

1:09:24.479 --> 1:09:27.880
<v Speaker 3>I mean you could argue in comparison to the other

1:09:28.000 --> 1:09:31.759
<v Speaker 3>popular girls, she's very not like other girl types because

1:09:32.040 --> 1:09:35.760
<v Speaker 3>the other women are really like bimbo stereotyped, and they

1:09:36.000 --> 1:09:41.679
<v Speaker 3>like very vapideously turn on each other if male attention

1:09:42.280 --> 1:09:46.080
<v Speaker 3>is on the table, and so I found that frustrating.

1:09:46.120 --> 1:09:49.559
<v Speaker 1>Although it is subversive that one of the popular girls

1:09:49.640 --> 1:09:53.600
<v Speaker 1>has seen the movie twelve monkeys and can speak to

1:09:53.680 --> 1:09:54.559
<v Speaker 1>it like.

1:09:54.640 --> 1:09:58.040
<v Speaker 2>It's true she hasn't in her life let her speak.

1:09:58.960 --> 1:10:02.559
<v Speaker 5>I don't I hate Amanda. I do hate that she's

1:10:02.760 --> 1:10:05.600
<v Speaker 5>like I always, like I said, I always was like

1:10:05.680 --> 1:10:07.360
<v Speaker 5>she was the one where I was like, oh, I

1:10:07.439 --> 1:10:09.880
<v Speaker 5>want to be her, you know, And I think I

1:10:09.960 --> 1:10:13.919
<v Speaker 5>hated the only thing I hated now, But I probably

1:10:13.960 --> 1:10:17.439
<v Speaker 5>really wanted that she was like hot but secret smart,

1:10:17.920 --> 1:10:20.240
<v Speaker 5>you know what I'm saying, Like she secretly is like

1:10:20.360 --> 1:10:24.639
<v Speaker 5>aware of literally everything that's going on, which we get

1:10:25.000 --> 1:10:29.920
<v Speaker 5>in this monologue that she does where she's like hyper aware,

1:10:30.000 --> 1:10:31.760
<v Speaker 5>but she couldn't because, like you said, she didn't have

1:10:31.840 --> 1:10:35.280
<v Speaker 5>her own she was not ready to be who she

1:10:35.439 --> 1:10:37.200
<v Speaker 5>was on her own. So that was one of the

1:10:37.200 --> 1:10:40.720
<v Speaker 5>only things I really was like after rewatching, being like

1:10:40.840 --> 1:10:44.559
<v Speaker 5>we made her like stupid for no reason or not stupid,

1:10:44.640 --> 1:10:47.280
<v Speaker 5>but just being like, I'm just pretty and that's it,

1:10:47.360 --> 1:10:50.559
<v Speaker 5>like airy, because it was very clear that she was

1:10:50.720 --> 1:10:54.800
<v Speaker 5>aware of her popularity, but like of a bunch of

1:10:54.880 --> 1:10:56.599
<v Speaker 5>other things, but she never put it out there because

1:10:56.600 --> 1:10:58.519
<v Speaker 5>she was like, this is not what these people care about,

1:10:58.560 --> 1:11:01.200
<v Speaker 5>and I need to keep being this person while in

1:11:01.280 --> 1:11:03.560
<v Speaker 5>high school anyway, So yeah.

1:11:03.360 --> 1:11:06.880
<v Speaker 1>Right, and then that gave her an identity crisis, and

1:11:06.920 --> 1:11:09.479
<v Speaker 1>she's like, I don't know who I am if I'm

1:11:09.479 --> 1:11:13.040
<v Speaker 1>not dating Mike. But then that, to me sets up

1:11:13.320 --> 1:11:17.840
<v Speaker 1>an arc where she's going to then discover something about herself,

1:11:17.920 --> 1:11:18.880
<v Speaker 1>maybe shoes.

1:11:18.840 --> 1:11:21.080
<v Speaker 2>And not just jump into another relationship.

1:11:21.120 --> 1:11:23.600
<v Speaker 1>But yeah, exactly with.

1:11:23.680 --> 1:11:29.200
<v Speaker 5>A guy that's kind of worse than Mike, because this guy, like.

1:11:29.280 --> 1:11:32.160
<v Speaker 3>I read it in different ways, but at very least

1:11:32.160 --> 1:11:35.439
<v Speaker 3>a lateral move. Yeah, it's just that that's what I

1:11:35.479 --> 1:11:39.599
<v Speaker 3>found frustrating. It's like in because she is very clearly typed,

1:11:39.720 --> 1:11:42.040
<v Speaker 3>not like other girls. I wouldn't say that's a fault

1:11:42.040 --> 1:11:44.000
<v Speaker 3>of the Amanda character as much as how the other

1:11:44.120 --> 1:11:47.920
<v Speaker 3>girls are written. It does feel very regressive to be like,

1:11:48.240 --> 1:11:53.040
<v Speaker 3>only one girl could be hot and nice and can read.

1:11:53.560 --> 1:11:57.080
<v Speaker 3>And you're like, it's it's actually most of them, not

1:11:57.200 --> 1:12:00.519
<v Speaker 3>all of them, you know, but it is many, many

1:12:01.040 --> 1:12:04.920
<v Speaker 3>of them. But any case, as far as like what

1:12:05.000 --> 1:12:08.200
<v Speaker 3>Amanda's character, I like most of what she says, but

1:12:08.240 --> 1:12:10.960
<v Speaker 3>then what she does is often in direct opposition to it.

1:12:11.000 --> 1:12:13.280
<v Speaker 3>I really liked that speech of yeah, like how to

1:12:13.479 --> 1:12:16.800
<v Speaker 3>like the identity crisis, but then what happens after that,

1:12:16.880 --> 1:12:20.519
<v Speaker 3>She's assaulted by her cousin. It's this weird, horrible nineties joke.

1:12:20.960 --> 1:12:25.920
<v Speaker 3>And then she finds this letter. I understand why you

1:12:25.960 --> 1:12:29.120
<v Speaker 3>would be charmed by whatever the fuck is in that letter.

1:12:29.920 --> 1:12:32.479
<v Speaker 3>But but but it then it just like it's always

1:12:32.520 --> 1:12:36.679
<v Speaker 3>in contradiction because I really like her speech shouting down Preston,

1:12:36.760 --> 1:12:38.599
<v Speaker 3>like we were talking about where she was just like

1:12:38.640 --> 1:12:40.360
<v Speaker 3>you don't know me. We see her receive a lot

1:12:40.400 --> 1:12:43.640
<v Speaker 3>of male attention she doesn't want. She has to like

1:12:43.720 --> 1:12:48.040
<v Speaker 3>be literally physically pushing people away from her. The outburst

1:12:48.040 --> 1:12:51.120
<v Speaker 3>makes total sense, and she's right, Preston doesn't know her,

1:12:52.160 --> 1:12:54.960
<v Speaker 3>and that doesn't change. It's not like all of a

1:12:55.040 --> 1:12:58.120
<v Speaker 3>sudden they like, I don't know, I don't know if

1:12:58.160 --> 1:13:01.160
<v Speaker 3>you if these characters absolutely have to end up together.

1:13:01.479 --> 1:13:02.880
<v Speaker 3>I feel like there has to be some sort of

1:13:02.960 --> 1:13:06.240
<v Speaker 3>like time passes or they have like a long talk

1:13:06.479 --> 1:13:08.480
<v Speaker 3>or like they can't not talk.

1:13:08.280 --> 1:13:11.479
<v Speaker 5>Because it was literally the next day. It was the

1:13:11.520 --> 1:13:14.640
<v Speaker 5>next day, not even day, like it was like the

1:13:14.680 --> 1:13:16.000
<v Speaker 5>party ended probably like.

1:13:16.040 --> 1:13:17.559
<v Speaker 1>What twelve hours later.

1:13:18.000 --> 1:13:21.720
<v Speaker 5>Yeah, and she shows up with her angel shirt on

1:13:22.000 --> 1:13:26.240
<v Speaker 5>and like, hey, let's be the g you know me now.

1:13:26.400 --> 1:13:29.120
<v Speaker 5>It's just like there needed to be some time passing.

1:13:29.120 --> 1:13:30.880
<v Speaker 5>But at that point we were already like, what eighty

1:13:30.920 --> 1:13:32.800
<v Speaker 5>some minutes into the movie, so they were like, we

1:13:32.800 --> 1:13:34.160
<v Speaker 5>all wrapped this up, like.

1:13:34.880 --> 1:13:37.800
<v Speaker 3>Yeah, so it's like I like everything she says, but

1:13:37.880 --> 1:13:40.719
<v Speaker 3>it doesn't match up with what she does, and she's

1:13:40.720 --> 1:13:45.560
<v Speaker 3>still just like tossed from one man who doesn't understand

1:13:45.600 --> 1:13:47.800
<v Speaker 3>her and wants to define her based on what he's

1:13:47.800 --> 1:13:50.120
<v Speaker 3>projecting at her to look guy, a guy that's gonna

1:13:50.160 --> 1:13:52.160
<v Speaker 3>do the same thing in a new and interesting way,

1:13:52.600 --> 1:13:53.160
<v Speaker 3>in a new way.

1:13:53.240 --> 1:13:54.519
<v Speaker 1>Yeah, and we also don't know.

1:13:54.439 --> 1:13:56.000
<v Speaker 2>What her dreams are.

1:13:56.080 --> 1:13:59.120
<v Speaker 5>Which was so crazy because her high school quote too

1:13:59.880 --> 1:14:02.720
<v Speaker 5>was first of all, it was Jewel, which was very

1:14:02.800 --> 1:14:05.040
<v Speaker 5>aligned with me and I was kind of middle school

1:14:05.040 --> 1:14:09.439
<v Speaker 5>because Pieces of You, I was like, I wore that

1:14:09.560 --> 1:14:13.560
<v Speaker 5>song out as though I was previously an unhoused Alaskan

1:14:13.760 --> 1:14:18.840
<v Speaker 5>person like I ate like, but they made her so,

1:14:19.320 --> 1:14:21.000
<v Speaker 5>I mean, I don't know, but it was something about

1:14:21.000 --> 1:14:25.000
<v Speaker 5>her using Jewel as her like quote of being like

1:14:25.040 --> 1:14:27.839
<v Speaker 5>I don't know who I am. It was always something

1:14:28.000 --> 1:14:31.640
<v Speaker 5>more to who she is, but we don't get to

1:14:32.320 --> 1:14:34.679
<v Speaker 5>ever figure out what that is.

1:14:34.920 --> 1:14:37.759
<v Speaker 1>We learn zero things about her because like it says

1:14:37.760 --> 1:14:42.000
<v Speaker 1>like her future plans colon undecided, but that doesn't mean

1:14:42.040 --> 1:14:45.320
<v Speaker 1>she still can't have interests or like the avenues she

1:14:45.439 --> 1:14:49.639
<v Speaker 1>might pursue. But instead we just know nothing about her,

1:14:49.720 --> 1:14:50.839
<v Speaker 1>nothing about her.

1:14:50.800 --> 1:14:53.960
<v Speaker 3>And I think that that like would really help the

1:14:54.000 --> 1:14:56.760
<v Speaker 3>conflict that the movie is always sort of like restoking

1:14:56.760 --> 1:15:00.719
<v Speaker 3>and abandoning about, like her kind of crisis of self. What, Okay,

1:15:00.800 --> 1:15:04.600
<v Speaker 3>you don't want to be missus popular? What do you

1:15:04.640 --> 1:15:06.680
<v Speaker 3>want to be? Or like what parts of yourself did

1:15:06.720 --> 1:15:09.920
<v Speaker 3>you have to suppress to be in this relationship successfully?

1:15:10.520 --> 1:15:13.720
<v Speaker 3>And that's that's maybe an in for Preston of like

1:15:14.040 --> 1:15:15.800
<v Speaker 3>you know, and it would be the most hokey teen

1:15:15.840 --> 1:15:17.599
<v Speaker 3>movie thing eve ever. But she's like, you know, I

1:15:17.720 --> 1:15:21.840
<v Speaker 3>just really love reading kurvonic it, you know, just like

1:15:22.680 --> 1:15:26.160
<v Speaker 3>it's not that complicated, like it's like give them something,

1:15:26.200 --> 1:15:29.479
<v Speaker 3>but it's like they don't. There's there's nothing keeping these

1:15:29.479 --> 1:15:33.760
<v Speaker 3>two together except that she knows that he is infatuated

1:15:33.800 --> 1:15:35.840
<v Speaker 3>with her, but we were just told that she's kind

1:15:35.840 --> 1:15:39.479
<v Speaker 3>of put off and disgusted by that, Yeah, because that's

1:15:39.520 --> 1:15:40.960
<v Speaker 3>not based on who she is.

1:15:41.080 --> 1:15:42.479
<v Speaker 2>It's just kind of a mess.

1:15:42.840 --> 1:15:46.519
<v Speaker 5>Yeah, And we don't know anything about her ever, and

1:15:46.600 --> 1:15:49.240
<v Speaker 5>he doesn't know anything about her, her friends don't really

1:15:49.240 --> 1:15:52.519
<v Speaker 5>know anything about her. Mike never really knew anything about her.

1:15:52.560 --> 1:15:54.519
<v Speaker 5>So it was kind of the setup of being like,

1:15:55.240 --> 1:15:57.640
<v Speaker 5>we're gonna learn some shit about her, right like, and

1:15:57.640 --> 1:15:59.840
<v Speaker 5>then you're right, we get that monologue, but then we

1:16:00.400 --> 1:16:04.439
<v Speaker 5>ultimately nothing. But I don't know. I think maybe I

1:16:04.479 --> 1:16:06.439
<v Speaker 5>wanted to, Like, I think I was so attached to

1:16:06.479 --> 1:16:09.559
<v Speaker 5>her because this is gonna sound little hokey myself, but

1:16:09.640 --> 1:16:12.720
<v Speaker 5>I was very misunderstood, and I was like, oh, she

1:16:12.920 --> 1:16:15.800
<v Speaker 5>and I And ultimately she is misunderstood, right, whether it's

1:16:15.840 --> 1:16:19.200
<v Speaker 5>like teen drama situation or not, she just is. And

1:16:19.280 --> 1:16:22.720
<v Speaker 5>I think she was the first teen girl character that

1:16:22.920 --> 1:16:25.600
<v Speaker 5>I had seen in a movie that was all the

1:16:25.640 --> 1:16:30.679
<v Speaker 5>way throughout like she was just misunderstood. She didn't really

1:16:30.720 --> 1:16:33.679
<v Speaker 5>have any like growth or change or like come into

1:16:33.720 --> 1:16:36.479
<v Speaker 5>the person she would like disturb her behavior Katie Holmes

1:16:36.520 --> 1:16:39.000
<v Speaker 5>like she fucking figured her shit out by the end

1:16:39.040 --> 1:16:41.599
<v Speaker 5>of the movie. All these movies, even Jennifer Love hewittt

1:16:41.600 --> 1:16:42.960
<v Speaker 5>and I Know What You Did Last Summer, which I

1:16:42.960 --> 1:16:45.280
<v Speaker 5>think also came about that, yeah, same year, same year.

1:16:45.880 --> 1:16:50.959
<v Speaker 5>She ultimately figures out who she like, she comes into herself,

1:16:51.120 --> 1:16:53.160
<v Speaker 5>And I think this character did it and at the time,

1:16:53.280 --> 1:16:56.519
<v Speaker 5>like I wasn't. So it was a very clear cut

1:16:56.560 --> 1:16:58.800
<v Speaker 5>case of like, yes, I'm gay, but I don't want

1:16:58.840 --> 1:17:01.559
<v Speaker 5>to kiss her. This one girl in this movie, I

1:17:01.640 --> 1:17:04.680
<v Speaker 5>just want to like be her, you know. It was crazy.

1:17:04.880 --> 1:17:07.559
<v Speaker 3>It's I don't know, I mean, and it's I wouldn't

1:17:07.600 --> 1:17:10.000
<v Speaker 3>say that. I mean, I think we've covered a lot

1:17:10.000 --> 1:17:11.759
<v Speaker 3>of movies kind of like this recently.

1:17:12.040 --> 1:17:12.840
<v Speaker 2>I wouldn't say that.

1:17:12.880 --> 1:17:17.879
<v Speaker 3>She's like significantly less written than other.

1:17:17.800 --> 1:17:22.320
<v Speaker 1>Characters, which is sad and the bar is low, something

1:17:22.320 --> 1:17:23.479
<v Speaker 1>we're always reminded of.

1:17:23.640 --> 1:17:26.080
<v Speaker 3>And I also think it's like that's kind of what

1:17:26.240 --> 1:17:29.240
<v Speaker 3>tends to happen in a movie with five thousand characters,

1:17:29.360 --> 1:17:31.920
<v Speaker 3>Like that's just kind of like what happens in an

1:17:32.040 --> 1:17:35.439
<v Speaker 3>ensemble comedy. But it's if we're what we are told

1:17:35.520 --> 1:17:39.320
<v Speaker 3>about her is underdeveloped and not really paid off in

1:17:39.439 --> 1:17:42.120
<v Speaker 3>like how she acts. But I like but it sucks

1:17:42.120 --> 1:17:43.599
<v Speaker 3>because I like I do like her.

1:17:43.960 --> 1:17:45.160
<v Speaker 2>Yeah, I like her.

1:17:45.439 --> 1:17:48.880
<v Speaker 1>I like her, I like Denise, and neither of them

1:17:49.080 --> 1:17:55.880
<v Speaker 1>are given that much characterization beyond the very surface level thing.

1:17:56.280 --> 1:18:00.000
<v Speaker 1>And meanwhile, I feel like we know multiple things about

1:17:59.800 --> 1:18:02.960
<v Speaker 1>each of the major male characters.

1:18:03.280 --> 1:18:03.920
<v Speaker 5>Yeah, and that.

1:18:04.200 --> 1:18:10.439
<v Speaker 1>Same characterization isn't lent to the only like two girls

1:18:10.439 --> 1:18:12.880
<v Speaker 1>who have major roles in the movie.

1:18:13.120 --> 1:18:17.720
<v Speaker 5>So, yeah, peepee poop poo, also peepee poo poo, are

1:18:18.160 --> 1:18:23.040
<v Speaker 5>uh please, I've got some more pepee poo pooh. Okay,

1:18:24.080 --> 1:18:26.600
<v Speaker 5>we've touched on a few of these already. But just

1:18:26.960 --> 1:18:30.200
<v Speaker 5>the way that, like the teens talk to each other

1:18:30.800 --> 1:18:34.479
<v Speaker 5>and treat each other, it's stuff that's very common for

1:18:34.520 --> 1:18:38.080
<v Speaker 5>this era, both in like real life, because you know,

1:18:38.200 --> 1:18:41.719
<v Speaker 5>I was I was a little younger than these kids

1:18:41.760 --> 1:18:45.360
<v Speaker 5>were in nineteen ninety eight, but I remember the stuff

1:18:45.400 --> 1:18:47.080
<v Speaker 5>that people were saying to each other and how they

1:18:47.080 --> 1:18:50.800
<v Speaker 5>were treating each other very common for that era. But

1:18:51.360 --> 1:18:55.639
<v Speaker 5>as we were saying earlier, the movie just doesn't want

1:18:55.680 --> 1:18:58.600
<v Speaker 5>to challenge any of that behavior. It's more just like

1:18:58.680 --> 1:19:01.519
<v Speaker 5>presenting it as a noise normal part of late nineties

1:19:01.640 --> 1:19:05.400
<v Speaker 5>high school culture. The way that you know, several characters

1:19:05.960 --> 1:19:09.080
<v Speaker 5>body shame each other, say ablest things to each other,

1:19:09.280 --> 1:19:14.200
<v Speaker 5>call each other homophobic slurs. The nerds like revenge plan

1:19:14.280 --> 1:19:19.559
<v Speaker 5>against the jocks is like homophobic revenge porn. That one was, Yeah,

1:19:19.640 --> 1:19:20.320
<v Speaker 5>that was the bust.

1:19:20.600 --> 1:19:24.479
<v Speaker 3>I think I just like I really detest a revenge

1:19:24.479 --> 1:19:25.720
<v Speaker 3>of the Nerds scenario.

1:19:26.320 --> 1:19:27.400
<v Speaker 2>They age so.

1:19:27.680 --> 1:19:33.960
<v Speaker 3>Unbelievably poorly because now they're billionaires and ruining the world,

1:19:34.200 --> 1:19:37.880
<v Speaker 3>Like I'm not. I'm simply not rooting for him, even.

1:19:37.680 --> 1:19:41.480
<v Speaker 5>Like my first watching, Like when I first watched this movie,

1:19:41.720 --> 1:19:43.800
<v Speaker 5>I kind of probably fast forward. After the first or

1:19:43.840 --> 1:19:46.360
<v Speaker 5>second watch, I probably fast forward. It passed a lot

1:19:46.400 --> 1:19:50.320
<v Speaker 5>of their plot. And that was one movie too. That

1:19:50.479 --> 1:19:52.960
<v Speaker 5>was one like range of movies that I never really touched.

1:19:52.960 --> 1:19:54.799
<v Speaker 5>I only needed one was like Revenge of the Nerds,

1:19:55.240 --> 1:19:57.360
<v Speaker 5>and there's so many of them. That was one because

1:19:57.360 --> 1:19:58.680
<v Speaker 5>there was a time I was obsessed with like an

1:19:58.720 --> 1:20:01.840
<v Speaker 5>eighties comedy teen. I saw one of those and I

1:20:01.920 --> 1:20:04.120
<v Speaker 5>was like, this is enough, Like this.

1:20:04.040 --> 1:20:05.400
<v Speaker 2>Is They're all the same.

1:20:05.840 --> 1:20:06.960
<v Speaker 5>They are all the same.

1:20:07.120 --> 1:20:10.440
<v Speaker 3>They always involve something like it's either a deeply homophobic

1:20:10.520 --> 1:20:13.480
<v Speaker 3>or misogynist revenge plan.

1:20:13.360 --> 1:20:17.080
<v Speaker 2>That involves a gadget, and you're just like this fucking sucks.

1:20:17.840 --> 1:20:21.080
<v Speaker 3>And it also like sucks for like actual nerds, Like

1:20:21.160 --> 1:20:24.400
<v Speaker 3>it's not fair to actual nerds because they it makes

1:20:24.479 --> 1:20:27.599
<v Speaker 3>them out to be like villains and it's like no.

1:20:27.439 --> 1:20:30.639
<v Speaker 2>It's just you can you can just watch Star Trek

1:20:30.800 --> 1:20:32.840
<v Speaker 2>like it's truly all good.

1:20:33.080 --> 1:20:34.639
<v Speaker 5>It's totally fine. Yeah.

1:20:34.720 --> 1:20:38.599
<v Speaker 1>Yeah. The way those movies characterize nerds is characterizing them

1:20:38.680 --> 1:20:42.040
<v Speaker 1>as being as toxic as the jocks, just like in

1:20:42.080 --> 1:20:44.120
<v Speaker 1>a different way. And again it's just putting people into

1:20:44.200 --> 1:20:47.840
<v Speaker 1>boxes and you know all that stuff. A few other

1:20:47.880 --> 1:20:52.480
<v Speaker 1>of these Pepe Poopoo things is there's a foreign exchange

1:20:52.560 --> 1:20:56.160
<v Speaker 1>student and a bunch of jokes are made at the

1:20:56.200 --> 1:20:59.439
<v Speaker 1>expense of someone who doesn't speak English as their first language.

1:20:59.520 --> 1:21:02.360
<v Speaker 1>Like some of the kids are teaching him phrases that

1:21:02.680 --> 1:21:05.479
<v Speaker 1>like they're like, yeah, just say this to people. And

1:21:05.560 --> 1:21:07.360
<v Speaker 1>one of them is like, would you like to touch

1:21:07.400 --> 1:21:09.800
<v Speaker 1>my penis? And then he says that to Preston and

1:21:09.880 --> 1:21:11.559
<v Speaker 1>Preston's like, oh yuck.

1:21:11.920 --> 1:21:14.240
<v Speaker 3>And you're like, yeah, that is a gross thing to

1:21:14.240 --> 1:21:17.000
<v Speaker 3>say to someone. But it's all you know, Like it's

1:21:17.040 --> 1:21:19.080
<v Speaker 3>all you know. It's the same old bullshit.

1:21:19.200 --> 1:21:23.040
<v Speaker 1>It's the same thing. Also, there's the kid who steals

1:21:23.320 --> 1:21:24.360
<v Speaker 1>stuff in the.

1:21:24.439 --> 1:21:27.120
<v Speaker 5>Favorite character for some reason, I don't know why.

1:21:27.920 --> 1:21:30.679
<v Speaker 3>Unfortunately, I do have to say I was this kid

1:21:30.720 --> 1:21:34.840
<v Speaker 3>at parties. I once went to an mi I t

1:21:35.040 --> 1:21:37.760
<v Speaker 3>frat party my freshman year of college and I got

1:21:37.760 --> 1:21:39.960
<v Speaker 3>in big trouble because what the one of the boys

1:21:39.960 --> 1:21:42.920
<v Speaker 3>that lived on my floor. His brother was in the frat,

1:21:43.000 --> 1:21:44.840
<v Speaker 3>and so we got like the plug, we got to go,

1:21:45.240 --> 1:21:48.680
<v Speaker 3>and I drank a ton of vodka and stole two

1:21:48.720 --> 1:21:51.960
<v Speaker 3>pool balls. Whoa, and just I was like, I'm not

1:21:51.960 --> 1:21:54.720
<v Speaker 3>going to steal them all. I'm just gonna make it unusable.

1:21:55.439 --> 1:21:59.360
<v Speaker 3>I was just like feeling really diabolical, and then I

1:21:59.479 --> 1:22:01.960
<v Speaker 3>was some I was traced back to me. Shockingly, I

1:22:02.000 --> 1:22:05.400
<v Speaker 3>probably wasn't that slick. Yeah, I felt connected to the

1:22:05.479 --> 1:22:09.400
<v Speaker 3>kid that goes to a rich person party and steals things,

1:22:09.640 --> 1:22:10.439
<v Speaker 3>just takes things.

1:22:10.560 --> 1:22:13.320
<v Speaker 1>Yeah, fair, Yeah, I mean we all should be stealing

1:22:13.360 --> 1:22:15.599
<v Speaker 1>from the rich. But I feel like what's happening here

1:22:15.640 --> 1:22:20.760
<v Speaker 1>in this movie is like a joke being made of kleptomania,

1:22:20.840 --> 1:22:24.360
<v Speaker 1>or like the media's interpretation of that, which is like,

1:22:24.439 --> 1:22:27.120
<v Speaker 1>you know, a real condition.

1:22:27.439 --> 1:22:28.439
<v Speaker 2>Certainly a real thing.

1:22:28.520 --> 1:22:31.320
<v Speaker 3>I guess I was just interpreting it more as like

1:22:31.840 --> 1:22:33.719
<v Speaker 3>I'm at a party at a rich guy's house.

1:22:34.000 --> 1:22:36.759
<v Speaker 1>No, because you see him like steal from the convenience store,

1:22:36.800 --> 1:22:39.680
<v Speaker 1>you see him steal from the dining.

1:22:39.520 --> 1:22:41.120
<v Speaker 5>He takes the gumball machine.

1:22:41.400 --> 1:22:44.040
<v Speaker 1>Yeah, he steals a cop car, which also we should

1:22:44.040 --> 1:22:45.400
<v Speaker 1>be stealing from Kimos as well.

1:22:45.520 --> 1:22:47.439
<v Speaker 2>I just like, I think that that character.

1:22:48.040 --> 1:22:51.479
<v Speaker 3>I'm sorry, I appreciate, like I don't want to make

1:22:51.600 --> 1:22:55.519
<v Speaker 3>light of kleptomania. And also I'm like, this kid's generally

1:22:55.560 --> 1:22:56.960
<v Speaker 3>doing good practice by me.

1:22:57.120 --> 1:23:01.480
<v Speaker 1>I don't see you know the problem.

1:23:01.120 --> 1:23:06.600
<v Speaker 5>To me, he like was just like very background. But

1:23:06.720 --> 1:23:10.040
<v Speaker 5>that guy his name is Chris Owen. He's from Rour. Look,

1:23:10.600 --> 1:23:14.120
<v Speaker 5>so he's from a city in Michigan that's like five

1:23:14.160 --> 1:23:19.400
<v Speaker 5>minutes after Detroit. And he's also like just been a

1:23:19.400 --> 1:23:22.400
<v Speaker 5>weirdo in so many he's an American pie.

1:23:22.560 --> 1:23:26.880
<v Speaker 1>Like, he's all, he's just kid, an American pie. I'm

1:23:26.880 --> 1:23:30.400
<v Speaker 1>pretty sure. Who like keeps pretending that he's the terminator.

1:23:30.920 --> 1:23:32.880
<v Speaker 1>I feel like he's is He also the kid in

1:23:32.960 --> 1:23:37.519
<v Speaker 1>a different teen movie where there's something about pubes on pizza.

1:23:37.600 --> 1:23:40.599
<v Speaker 1>I think this is why does that sound familiar? She's

1:23:40.680 --> 1:23:41.000
<v Speaker 1>all that.

1:23:41.520 --> 1:23:44.599
<v Speaker 5>Oh yeah, he's like the kid who has to eat

1:23:44.680 --> 1:23:47.360
<v Speaker 5>pubes on it's his pubes that get put on the

1:23:47.479 --> 1:23:48.719
<v Speaker 5>pizza or something.

1:23:49.640 --> 1:23:53.759
<v Speaker 2>I have mercifully wiped this from my memory because.

1:23:53.560 --> 1:23:54.280
<v Speaker 1>That came up.

1:23:54.479 --> 1:23:56.040
<v Speaker 5>She's all that came I gotta watch she's all that

1:23:56.080 --> 1:23:58.960
<v Speaker 5>again tonight. Anyway, that's what that's happening. For us. But yeah,

1:23:59.040 --> 1:24:01.600
<v Speaker 5>so I kind of just was like, this guy is

1:24:02.280 --> 1:24:04.439
<v Speaker 5>just background to me, and I think like it was

1:24:04.479 --> 1:24:06.160
<v Speaker 5>supposed to be like a Kitschy teen thing.

1:24:06.320 --> 1:24:09.800
<v Speaker 1>But yeah, yeah, yeah, for sure. A few other they're

1:24:09.840 --> 1:24:12.640
<v Speaker 1>not really cameos because these people weren't famous yet, but

1:24:12.680 --> 1:24:14.960
<v Speaker 1>it's like people who would we would go into it

1:24:15.120 --> 1:24:18.400
<v Speaker 1>on to recognize. You see Melissa Joan Hart, she has

1:24:18.439 --> 1:24:22.120
<v Speaker 1>one of the bigger roles of these like minor characters.

1:24:22.200 --> 1:24:23.360
<v Speaker 2>I think she's killing it.

1:24:23.600 --> 1:24:27.360
<v Speaker 1>Yeah, you've got Clay Duval, You've got Amber Benson aka

1:24:27.640 --> 1:24:28.599
<v Speaker 1>Tara from Buffy.

1:24:29.479 --> 1:24:32.759
<v Speaker 2>Oh see, I didn't watch Buffet.

1:24:32.960 --> 1:24:37.840
<v Speaker 1>She's there. Selma Blair has a tiny little appearance Blair

1:24:38.040 --> 1:24:41.360
<v Speaker 1>Jason Siegel does. And then breck and Meyer and Donald

1:24:41.400 --> 1:24:43.800
<v Speaker 1>Faison are in a band together, and I think that

1:24:43.880 --> 1:24:48.320
<v Speaker 1>they also recruit Seth Green and then form jo from

1:24:48.400 --> 1:24:49.519
<v Speaker 1>Josie and the Pussy Kids.

1:24:49.520 --> 1:24:50.519
<v Speaker 2>Oh that's so cool.

1:24:50.840 --> 1:24:52.040
<v Speaker 1>I'm sure I'm missing people.

1:24:52.120 --> 1:24:55.759
<v Speaker 5>But there's also mine that I pulled because this movie

1:24:55.880 --> 1:25:00.760
<v Speaker 5>is stacked. Right. This movie is wildly Leslie Grossmith, who

1:25:00.880 --> 1:25:04.200
<v Speaker 5>I fucking loved. So she's the girl that the original

1:25:04.200 --> 1:25:06.320
<v Speaker 5>girl that Seth Green is going to hook up with.

1:25:07.200 --> 1:25:09.679
<v Speaker 5>She's the one who's talking to her friend. And Leslie

1:25:09.720 --> 1:25:13.759
<v Speaker 5>Grossman is did you watch The Good Place a little bit? Yes,

1:25:14.520 --> 1:25:18.559
<v Speaker 5>she's the main character's mom. She's also in Popular from

1:25:18.600 --> 1:25:21.439
<v Speaker 5>the nineties, which is one of my favorite shows from

1:25:21.439 --> 1:25:25.240
<v Speaker 5>the nineties, is Popular, And Sarah Rue is in this too,

1:25:25.640 --> 1:25:28.880
<v Speaker 5>who was also Unpopular. She's the sheep girl who's like,

1:25:29.000 --> 1:25:33.639
<v Speaker 5>you're all sheep. There's Jamie Presley, Selma Blair, yeah.

1:25:33.760 --> 1:25:33.880
<v Speaker 4>Oh.

1:25:33.920 --> 1:25:36.439
<v Speaker 5>Leslie Grossman was also an American horror story. Maybe you

1:25:36.479 --> 1:25:40.960
<v Speaker 5>know from that, but she is. But my favorite part

1:25:40.960 --> 1:25:45.760
<v Speaker 5>of the little cameos and stuff is just that I think,

1:25:45.840 --> 1:25:49.679
<v Speaker 5>did you all remember Popular or watched Popular or ever

1:25:49.720 --> 1:25:52.760
<v Speaker 5>heard of Popular? To me, it feels like a fever dream.

1:25:52.760 --> 1:25:56.280
<v Speaker 5>But I know it's real because i Wikipedia tells me so.

1:25:58.160 --> 1:26:00.920
<v Speaker 5>But Sarah Rue and Leslie Grossman and the show called Popular,

1:26:00.960 --> 1:26:03.240
<v Speaker 5>and it's like two sisters who parents they're well their

1:26:03.240 --> 1:26:05.960
<v Speaker 5>parents get married, so they become stepsisters, one popular ones not.

1:26:06.439 --> 1:26:10.200
<v Speaker 5>It's just so it's so good, and I suggested everyone

1:26:10.240 --> 1:26:12.240
<v Speaker 5>fucking like try to get your hands on Popular if

1:26:12.280 --> 1:26:14.640
<v Speaker 5>you can. But Sama Blair, yeah, she's in it. And

1:26:14.720 --> 1:26:17.240
<v Speaker 5>then Cruel Intentions comes out the next year, so yeah, this.

1:26:17.320 --> 1:26:21.080
<v Speaker 3>Is like she's she's on the cusps on it. Yeah,

1:26:21.120 --> 1:26:25.720
<v Speaker 3>this is just a deeply, profoundly ninety spoofy head to

1:26:25.720 --> 1:26:27.479
<v Speaker 3>toe for good reasons and bad.

1:26:27.720 --> 1:26:28.600
<v Speaker 5>Yeah.

1:26:28.640 --> 1:26:31.400
<v Speaker 1>Does anyone have anything else they want to talk about?

1:26:32.439 --> 1:26:34.479
<v Speaker 5>I know, oh yeah. The only other thing that I

1:26:34.520 --> 1:26:38.360
<v Speaker 5>have is that the song that Amanda walks into like

1:26:38.360 --> 1:26:40.800
<v Speaker 5>Sneaker Pimps six Underground has always been one of my

1:26:40.840 --> 1:26:44.120
<v Speaker 5>favorite songs, and it's because of this movie. And I've

1:26:44.120 --> 1:26:47.360
<v Speaker 5>always loved that song. And I like had a little

1:26:47.360 --> 1:26:50.400
<v Speaker 5>trivia thing where I was able to name that song

1:26:50.960 --> 1:26:53.320
<v Speaker 5>and people were like, why do you know that song?

1:26:53.360 --> 1:26:55.400
<v Speaker 5>And I was like, can't Harley wait? And it was

1:26:55.439 --> 1:26:56.800
<v Speaker 5>like one of the best experiences in my.

1:26:56.720 --> 1:26:58.919
<v Speaker 2>Life, Like way all that rock.

1:26:58.840 --> 1:27:01.040
<v Speaker 5>I like did a Yeah, it was so cool.

1:27:01.080 --> 1:27:02.040
<v Speaker 1>I was like, yeah, this is.

1:27:03.400 --> 1:27:05.320
<v Speaker 5>Like all right. I was like, yeah, I stayed in

1:27:05.320 --> 1:27:06.760
<v Speaker 5>my room a lot when I was a kid.

1:27:08.960 --> 1:27:12.240
<v Speaker 3>But I love that when the indoor kid, when you

1:27:12.280 --> 1:27:14.760
<v Speaker 3>have like an indoor kid jump out, it's just it's

1:27:14.800 --> 1:27:18.480
<v Speaker 3>really there's so few, but we get so few opportunities.

1:27:18.920 --> 1:27:22.040
<v Speaker 2>It's great to see. Yeah, yeah, I wanted to.

1:27:22.200 --> 1:27:26.439
<v Speaker 3>Yeah, the the double smash mouth, You're not like walking

1:27:26.479 --> 1:27:27.080
<v Speaker 3>on the Sun.

1:27:27.479 --> 1:27:29.800
<v Speaker 2>Yeah, but what about walking on the Sun twice? And

1:27:29.840 --> 1:27:33.519
<v Speaker 2>I was like, that is an interesting question. Uh, it's tricky.

1:27:34.360 --> 1:27:38.960
<v Speaker 3>Busta rhymes blank twenty two thirty blind, Missy Elliott.

1:27:39.040 --> 1:27:43.200
<v Speaker 2>It's just like, yeah, it feels good, it feels good.

1:27:43.680 --> 1:27:46.479
<v Speaker 1>Anyway, does this movie past the Bechdel test?

1:27:46.920 --> 1:27:47.600
<v Speaker 2>I don't think so.

1:27:48.200 --> 1:27:51.400
<v Speaker 1>I would say no. I think the popular girls talk

1:27:51.600 --> 1:27:56.160
<v Speaker 1>to Amanda about Gwyneth Paltrow, but the context is still

1:27:56.160 --> 1:27:59.240
<v Speaker 1>about Mike Dexter. And also, we don't really know those girls' names.

1:27:59.280 --> 1:28:03.000
<v Speaker 1>They're label as like girlfriend number one, girlfriend number two,

1:28:03.120 --> 1:28:06.960
<v Speaker 1>et cetera. And then like Denise doesn't really talk to

1:28:07.200 --> 1:28:10.200
<v Speaker 1>any other women. There's a few women who approach her,

1:28:10.360 --> 1:28:13.479
<v Speaker 1>or there's like a girl who approaches her, but again

1:28:13.560 --> 1:28:16.680
<v Speaker 1>we don't know these characters' names, and the conversations are

1:28:16.720 --> 1:28:20.200
<v Speaker 1>not that narratively important. So I would say yeah, spiritually

1:28:20.880 --> 1:28:23.000
<v Speaker 1>no to passing the Bechdel test.

1:28:23.240 --> 1:28:26.840
<v Speaker 3>Yeah, I think it's like spiritually and possibly literally really

1:28:27.040 --> 1:28:31.200
<v Speaker 3>well yeah, because if it does pass, it's nothing of importance.

1:28:31.280 --> 1:28:36.160
<v Speaker 3>There's no meaningful relationships between women, which which not for nothing,

1:28:36.240 --> 1:28:37.920
<v Speaker 3>does echo a lot of the issues we had with

1:28:38.000 --> 1:28:40.840
<v Speaker 3>say anything, where it's like, right, Andy, and still I

1:28:40.880 --> 1:28:43.280
<v Speaker 3>think Say Anything did a better job of like Diane

1:28:43.280 --> 1:28:47.200
<v Speaker 3>and Corey at least talk. Do they talk about Lloyd Dobbler? Yes,

1:28:47.280 --> 1:28:50.000
<v Speaker 3>But do they talk yes? Yeah, It's like women don't

1:28:50.000 --> 1:28:51.320
<v Speaker 3>really talk to each other in this movie.

1:28:51.360 --> 1:28:55.120
<v Speaker 2>It's kind of interesting. However, it is co written and

1:28:55.120 --> 1:29:00.200
<v Speaker 2>co directed by a woman, Deborah Kaplan, and so I

1:29:00.280 --> 1:29:03.240
<v Speaker 2>want to be sure to that never happens. And also,

1:29:03.280 --> 1:29:08.160
<v Speaker 2>two women producers are leading the top line of this

1:29:08.880 --> 1:29:13.400
<v Speaker 2>Geno Topping, which is kind of an incredible name, as

1:29:13.400 --> 1:29:15.080
<v Speaker 2>well as Betty Thomas.

1:29:15.120 --> 1:29:18.439
<v Speaker 3>So it's not as if there's not women involved in

1:29:18.479 --> 1:29:21.479
<v Speaker 3>the production. There's quite a few women involved in the production. However,

1:29:21.840 --> 1:29:27.280
<v Speaker 3>very very white production on the crew side, certainly. So

1:29:27.680 --> 1:29:31.240
<v Speaker 3>let's put this movie to the test of a proper

1:29:31.280 --> 1:29:32.000
<v Speaker 3>metric of.

1:29:31.920 --> 1:29:36.599
<v Speaker 1>A generation the nipple scale zero to five nipples, where

1:29:36.600 --> 1:29:41.639
<v Speaker 1>we rate the movie examining it through an intersectional feminist lens.

1:29:41.960 --> 1:29:45.040
<v Speaker 1>I feel like I can only give this like I

1:29:45.080 --> 1:29:48.439
<v Speaker 1>think one nipple is even sort of being generous. It

1:29:48.520 --> 1:29:51.719
<v Speaker 1>is a fun, enjoyable movie, but it's got a whole

1:29:51.720 --> 1:29:56.400
<v Speaker 1>slew of problems, just you know, presenting teens being horrible

1:29:56.479 --> 1:30:00.400
<v Speaker 1>to each other and like screaming homophobic slurs constantly without

1:30:00.439 --> 1:30:05.599
<v Speaker 1>anyone batting an eye. The two main female characters are

1:30:06.320 --> 1:30:11.360
<v Speaker 1>both I would say, pretty underdeveloped, and their storylines revolve

1:30:11.600 --> 1:30:17.280
<v Speaker 1>around some romance with a man and the again the

1:30:17.400 --> 1:30:23.439
<v Speaker 1>Kenny Fisher and his just whole thing, and the centering

1:30:23.520 --> 1:30:26.760
<v Speaker 1>of white characters in general. All of that stuff also

1:30:26.800 --> 1:30:30.200
<v Speaker 1>seth Green's character pease and then doesn't wash his hands.

1:30:30.479 --> 1:30:33.880
<v Speaker 2>So I think that's realism.

1:30:35.240 --> 1:30:39.640
<v Speaker 1>I mean, the teenage the hygiene of teenage boys is

1:30:39.960 --> 1:30:43.759
<v Speaker 1>risc is certainly horrible. I do appreciate any teen movie

1:30:43.800 --> 1:30:48.400
<v Speaker 1>that doesn't end in prom I appreciate that there's a

1:30:48.479 --> 1:30:52.719
<v Speaker 1>character who's a sex worker and she's not shamed for

1:30:53.040 --> 1:30:53.599
<v Speaker 1>her job.

1:30:53.920 --> 1:30:55.679
<v Speaker 2>Now she's a little angel.

1:30:56.240 --> 1:31:00.519
<v Speaker 1>She's an angel. Yes, But there's a whole slew of

1:31:00.560 --> 1:31:05.519
<v Speaker 1>other problems. But there are some like kind of minor

1:31:05.600 --> 1:31:09.080
<v Speaker 1>subversions here and there, but not enough to make it feel.

1:31:09.120 --> 1:31:10.120
<v Speaker 2>A lot of the beginnings.

1:31:10.240 --> 1:31:11.880
<v Speaker 3>I feel like we talked about this where it's like

1:31:11.880 --> 1:31:14.360
<v Speaker 3>it starts to subvert something and then kind of chickens

1:31:14.360 --> 1:31:16.400
<v Speaker 3>out and goes back to what you.

1:31:16.439 --> 1:31:17.280
<v Speaker 2>Expect would happen.

1:31:17.680 --> 1:31:21.880
<v Speaker 1>Yeah, so I'll go one nipple actually and I'll give

1:31:22.320 --> 1:31:24.960
<v Speaker 1>the nipple to the movie Josie and the Pussycats.

1:31:27.160 --> 1:31:28.719
<v Speaker 2>I'm gonna go one nipple as well.

1:31:28.840 --> 1:31:31.280
<v Speaker 3>Yeah, I think that there are moments in this movie

1:31:31.280 --> 1:31:34.080
<v Speaker 3>that creep up towards saying something.

1:31:34.080 --> 1:31:34.439
<v Speaker 1>I don't know.

1:31:34.479 --> 1:31:37.920
<v Speaker 3>It's so of its time where my I understand why

1:31:37.920 --> 1:31:41.000
<v Speaker 3>there's a lot of nostalgia for this movie. There's so many,

1:31:41.080 --> 1:31:44.320
<v Speaker 3>like extremely nineties things about it. But I'm okay with

1:31:44.400 --> 1:31:46.439
<v Speaker 3>leaving it in nineteen ninety eight. I don't think I'll

1:31:46.479 --> 1:31:49.120
<v Speaker 3>be really returning to it. I have no attachment to it.

1:31:49.520 --> 1:31:52.240
<v Speaker 3>A double smash mouths drop. Why I could just go

1:31:52.280 --> 1:31:55.559
<v Speaker 3>watch Shrek. You know, if I wanted to hear the

1:31:55.600 --> 1:31:58.360
<v Speaker 3>same smash mouth song twice, I could go watch Shrek one.

1:31:59.160 --> 1:31:59.880
<v Speaker 1>But I don't know.

1:31:59.880 --> 1:32:02.120
<v Speaker 3>I think that there is certainly stuff to like about

1:32:02.120 --> 1:32:06.280
<v Speaker 3>this movie. I like Amanda. I wish that there was

1:32:06.439 --> 1:32:10.040
<v Speaker 3>more coherence with her storyline. I think that there And

1:32:10.360 --> 1:32:12.320
<v Speaker 3>I like Denise, and I wish that there was more

1:32:12.360 --> 1:32:15.200
<v Speaker 3>coherence with her storyline. There's a lot of interesting characters

1:32:15.240 --> 1:32:18.439
<v Speaker 3>in this movie that I wish were talking to each other,

1:32:18.560 --> 1:32:20.960
<v Speaker 3>but they're always talking to a person that I'm not.

1:32:21.000 --> 1:32:23.559
<v Speaker 2>Very interested in. Yeah, and that's a shame.

1:32:24.479 --> 1:32:27.720
<v Speaker 3>Yeah, ultimately very dated, and I'm going to give it

1:32:28.320 --> 1:32:30.599
<v Speaker 3>one nipple, and I'm going to give it to Jenna

1:32:30.640 --> 1:32:34.599
<v Speaker 3>Elfman's character because I really that I think is the

1:32:34.640 --> 1:32:37.840
<v Speaker 3>one actual, like I could say, like firmly, that felt

1:32:37.880 --> 1:32:41.559
<v Speaker 3>like a subversive scene to show a sex worker who

1:32:41.600 --> 1:32:45.080
<v Speaker 3>has a meaningful moment in the plot, who is not

1:32:45.479 --> 1:32:49.080
<v Speaker 3>shamed or blamed and moves the plot forward like that

1:32:49.360 --> 1:32:53.880
<v Speaker 3>never happens and good for that scene.

1:32:54.280 --> 1:32:54.920
<v Speaker 2>One nipple.

1:32:56.400 --> 1:32:58.559
<v Speaker 5>Yeah, I think from the lens that we're examining it

1:32:58.600 --> 1:33:01.679
<v Speaker 5>from outside of and this happens with ever movie I've

1:33:01.720 --> 1:33:04.799
<v Speaker 5>ever bought on this podcast, It's been like this movie

1:33:05.120 --> 1:33:09.840
<v Speaker 5>in general to me, eight nipples, but from the Londons

1:33:09.960 --> 1:33:13.559
<v Speaker 5>that we are, Yeah, the lens that we're examining it from,

1:33:13.920 --> 1:33:16.479
<v Speaker 5>this absolutely gets like I think, I honestly one and

1:33:16.520 --> 1:33:19.480
<v Speaker 5>a half. And I think it's mainly because of Amanda

1:33:19.479 --> 1:33:22.200
<v Speaker 5>Beckett's character, because that's what really made me love the

1:33:22.240 --> 1:33:25.599
<v Speaker 5>movie so much anyway, And I really do think we

1:33:25.600 --> 1:33:28.160
<v Speaker 5>were on the cusp of like really exploring her, but

1:33:28.240 --> 1:33:31.880
<v Speaker 5>like you said, they chickened out with her, and yeah,

1:33:32.000 --> 1:33:35.439
<v Speaker 5>I think so. My one nipple goes to just like

1:33:36.000 --> 1:33:39.840
<v Speaker 5>what Amanda could be. And then the half goes to

1:33:40.560 --> 1:33:43.599
<v Speaker 5>her outfit because that's been one of the outfits of

1:33:43.640 --> 1:33:47.000
<v Speaker 5>my and I had that outfit like a few years ago.

1:33:47.080 --> 1:33:51.320
<v Speaker 5>I did a revamp on it, but see outfit because

1:33:52.200 --> 1:33:55.120
<v Speaker 5>it's super cute and chill and simple. But yeah, so

1:33:55.479 --> 1:33:57.640
<v Speaker 5>one and a half one and a half nipples, but

1:33:57.760 --> 1:34:00.000
<v Speaker 5>eight Shelley nipples because it's incredible.

1:34:00.200 --> 1:34:02.840
<v Speaker 1>Well, of course there's the Shelley scale, and then.

1:34:03.320 --> 1:34:09.320
<v Speaker 5>There's scale, there's there's this all. Yeah, there's a whole

1:34:09.360 --> 1:34:10.080
<v Speaker 5>thing going on.

1:34:10.640 --> 1:34:13.559
<v Speaker 2>Yeah, Well, thank you so much for joining us again.

1:34:13.640 --> 1:34:17.599
<v Speaker 3>This was, as always another welcome to the Three Timers Club.

1:34:18.280 --> 1:34:21.519
<v Speaker 3>At five appearances, you get a jacket. We've been lying

1:34:21.640 --> 1:34:22.440
<v Speaker 3>for years.

1:34:22.680 --> 1:34:26.040
<v Speaker 2>Someday I'm so happy.

1:34:26.200 --> 1:34:30.080
<v Speaker 1>I love it here, come back anytime. Where can people

1:34:30.760 --> 1:34:35.120
<v Speaker 1>check out your writing and follow you online? Et cetera.

1:34:35.479 --> 1:34:38.519
<v Speaker 5>I am so I'm mainly doing a lot of work

1:34:38.560 --> 1:34:43.200
<v Speaker 5>on my substack. It's my weekly newsletter and it's high

1:34:43.280 --> 1:34:47.320
<v Speaker 5>Shelley s H E L L I dot net. But

1:34:47.560 --> 1:34:49.720
<v Speaker 5>you have to like type in the w W W

1:34:49.960 --> 1:34:52.040
<v Speaker 5>dot two or else it will tell you that like

1:34:52.280 --> 1:34:56.400
<v Speaker 5>it's parked, and that's a lie anyway, And I'm a

1:34:56.560 --> 1:34:59.040
<v Speaker 5>O Shelley A y O s h E L I

1:34:59.360 --> 1:35:04.439
<v Speaker 5>on I and Hi Shelly on x Twitter whatever that part,

1:35:04.960 --> 1:35:07.720
<v Speaker 5>and yeah, so that's what I do. I love this,

1:35:08.080 --> 1:35:10.040
<v Speaker 5>I love coming on here makes me so happy.

1:35:10.160 --> 1:35:11.960
<v Speaker 1>We love having you come back soon.

1:35:12.560 --> 1:35:17.080
<v Speaker 3>You can find us in all the normal places, Instagram, X, Twitter,

1:35:17.160 --> 1:35:19.679
<v Speaker 3>whatever the fuck it is At Bechdel Cast. You can

1:35:19.800 --> 1:35:24.639
<v Speaker 3>follow our Patreon akamatreon over at patreon dot com slash

1:35:24.640 --> 1:35:28.000
<v Speaker 3>Bechdel Cast. That's five dollars a month for two bonus

1:35:28.000 --> 1:35:30.000
<v Speaker 3>episodes a month, as well as access to a back

1:35:30.040 --> 1:35:34.960
<v Speaker 3>catalog of over one hundred and fifty episodes. This month

1:35:35.200 --> 1:35:38.439
<v Speaker 3>we are doing is what are we call calling this month?

1:35:38.560 --> 1:35:41.400
<v Speaker 1>Oh it's Wedding Weebruary. How could you even forget?

1:35:41.640 --> 1:35:41.880
<v Speaker 5>God?

1:35:42.000 --> 1:35:47.640
<v Speaker 3>That was literally my genius idea. And yes, it's Wedding Weebruary.

1:35:47.920 --> 1:35:52.360
<v Speaker 3>We're covering Ready or Not and twenty seven dresses. So

1:35:52.400 --> 1:35:55.920
<v Speaker 3>we're just going for the range of wedding movie vibes.

1:35:56.200 --> 1:35:59.479
<v Speaker 2>Yes, so check us out over there. We always have

1:35:59.520 --> 1:36:00.960
<v Speaker 2>a bless yes.

1:36:01.080 --> 1:36:04.280
<v Speaker 1>And speaking of having a blast, and speaking of Shreky,

1:36:04.720 --> 1:36:08.080
<v Speaker 1>we've got our upcoming Shrek Tannic tour right now. We've

1:36:08.120 --> 1:36:11.519
<v Speaker 1>got shows in a handful of cities in the UK

1:36:12.120 --> 1:36:16.040
<v Speaker 1>in late May. Check our link Tree, link Tree slash

1:36:16.080 --> 1:36:22.000
<v Speaker 1>spectol Cast for more details and to grab your tickets.

1:36:24.240 --> 1:36:26.200
<v Speaker 2>And uh, that does it for us.

1:36:26.280 --> 1:36:28.720
<v Speaker 3>I guess Let's go to Union Station and bord A

1:36:28.960 --> 1:36:30.280
<v Speaker 3>Bust to Boston.

1:36:31.960 --> 1:36:33.280
<v Speaker 2>Let's see if we make it.

1:36:33.760 --> 1:36:35.120
<v Speaker 5>Bye bye